The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: André
number of items: 113
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
| ?G | Volume number unknown |
| ?D | Date of publication unknown |
| ?P | Number of pages unknown |
| ?R | Series number unknown |
#1
Amiel, Vincent: Autour de Breton, Sternberg, et d’un peu de foie gras: Entretien avec Jean-Claude Carrière. In: Positif 1993. No. 392. [?D] pp. 97-102.
Description:
On the author and scriptwriter, especially on his work for Luis Buñuel.
Index:
Carrière, Jean-Claude
Buñuel, Luis
Breton, André
von Sternberg, Josef
#2
Andergassen, Lisa / Distelmeyer, Jan / Werdich, Nora Johanna: Eroberung der Realität - 3D und André Bazin: Eine Einleitung. In: Raumdeutung: Zur Wiederkehr des 3D-Films. Hrsg. von Jan Diestelmeyer, Lisa Andergassen und Nora Werdich. - Bielefeld: Transcript 2012. (= Metabasis 9.) pp. 7 ff.
Index:
Bazin, André
3-D Films
Technik ~ Technology
#3
Arnold, Frank: Mann beisst Hund. In: EPD Film 10. 1993. No. 4. [April] p. 41.
Description:
On C’est arrivé prés de chez vous by Rémy Belvaux, André Bonzel and Benoît Poelvoorde.
Index:
Belvaux, Rémy
Bonzel, André
Poelvoorde, Benoît
C’est arrivé prés de chez vous (1992)
#4
Baker, Kage: The Mechanical Man (L’Uomo Meccanico), directed by André Deed. In: Baker, Kage: Ancient rockets: Treasures and trainwrecks of the silent screen. Edited by Kathleen Bartholomew. - San Francisco, California: Tachyon Publishing 2011. p. ?P.
Index:
Deed, André
uomo meccanico, L’ (1921)
Stummfilm ~ Silent Film
#5
Bazin, André: Bazin on Marker. In: Film Comment 39. 2003. No. 4. [July/August] pp. 44-45.
Description:
Reprint from 1958.
Index:
Marker, Chris
Bazin, André
#6
Bazin, André / Cardullo, Bert: André Bazin on film technique: Two seminal essays. In: Film Criticism 25. 2000/2001. No. 2. [?D] pp. 40-62.
Index:
Bazin, André
Technik ~ Technology
#7
Die blonde Hexe. - Wien: ?V ?J. (= Neues Filmprogramm 308.)
Index:
Michel, André
sorcière, La (1956)
#8
Borgomano, Laure: Rêve et narration dans l’oeuvre cinématographique d’Andre Delvaux. In: Revue Belge du Cinéma 1997. No. 42. [Summer] pp. 26-30.
Description:
On magic realism in Delvaux’s films.
Index:
Delvaux, André
Traum ~ Dreams
Magie ~ Magic
#9
Bouda, Marek: Film a sen. In: Film a Doba 44. 1998. No. 4. [Winter] pp. 159-162.
Description:
On the representation of dreams in film, especially in Ingmar Bergman, André Delvaux and Robert Bresson.
Index:
Bergman, Ingmar
Delvaux, André
Bresson, Robert
Traum ~ Dreams
#10
Boutellier, J.: Harel, Forcier et Noël: Une étrange contamination du réel. In: Copie Zéro 1988. No. 37. [?D] pp. 9-12.
Description:
On surrealist motifs in the films of Quebec directors Pierre Harel, André Forcier and Jean-Guy Noël.
Index:
Harel, Pierre
Forcier, André
Noël, Jean-Guy
Surrealismus ~ Surrealism
Quebec ~ Quebec
#11
Brandlmeier, Thomas: Fragmenting the space: On E. A. Dupont’s Variete. In: Expressionist film: New perspectives. Edited by Dietrich Scheunemann. - Rochester, New York [et al.]: Camden House 2003. (= Studies in German Literature, Linguistics, and Culture.) p. ?P.
Index:
Dupont, Ewald André
Varieté (1925)
Expressionismus ~ Expressionism
#12
Brant, Jo-ann: La vie et passion de notre seigneur Jesus-Christ (Pathe-Freres, 1913/1914): Pathe’s inclination to tell and maitre’s instinct to show. In: The silents of Jesus in the cinema, 1897-1927. Edited by David J. Shepherd. - New York; London: Routledge 2016. (= Routledge studies in religion and film 5.) p. ?P.
Index:
Maître, Maurice-André
vie de notre seigneur Jésus Christ, La (1913)
Pathé [Firma] ~ Pathé [Company]
Stummfilm ~ Silent Film
Religion ~ Religion
#13
Breton, André: As in a wood. In: The shadow and its shadow: Surrealist writings on the cinema. Edited and introduced by Paul Hammond. Second edition. - Edinburgh: Polygon 1991. pp. 80-85.
First edition:
[In: L’Age du Cinéma 1951. No. 4/5. pp. 26-30.]
Index:
Breton, André
Wald ~ Wood
Surrealismus ~ Surrealism
#14
Breton, André: Come in un bosco. In: Utopia e cinema: Cento anni di sogni, progetti e paradossi: Mostra Internazionale del Nuovo Cinema. A cura di Andrea Martini. - Venezia: Marsilio 1994. (= Nuovocinema/Pesaro 46.) pp. 127-131.
First edition:
[In: L’Áge du Cinéma 1951. No. 3/4]
Index:
Breton, André
Utopie ~ Utopia
Traum ~ Dreams
#15
Bruckner, Franziska / Feyersinger, Erwin: "Animationsforschung ist Kulturforschung": André Eckardt im Gespräch mit Franziska Bruckner und Erwin Feyersinger. In: Montage/AV 22. 2013. No. 2. p. ?P.
Index:
Eckardt, André
Animation ~ Animation
#16
Brunas, John / Brunas, Michael / Weaver, Tom: Robert Shayne. In: Brunas, John / Brunas, Michael / Weaver, Tom: Science fiction stars and horror heroes: Interviews with actors, directors, producers and writers of the 1940s through 1960s. - Jefferson, North Carolina; London: McFarland & Company 1991. pp. 355-367.
Description:
On the actor who played in many fantastic films, among them Ewald André Dupont’s The Neanderthal Man, William Cameron Menzies’s Invaders from Mars, Herbert L. Strock’s How to Make a Monster and Alfred Hitchcock’s North by Northwest. Includes a filmography.
Index:
Shayne, Robert
Menzies, William Cameron
Strock, Herbert L.
Hitchcock, Alfred
Dupont, Ewald André
Invaders from Mars (1953)
How to Make a Monster (1958)
North by Northwest (1959)
Neanderthal Man, The (1953)
Science Fiction ~ Science Fiction
Horror ~ Horror
#17
Capart, Philippe / Dejasse, Erwin: Morris, Franquin, Peyo et le dessin animé. - Angoulême: An 2 2005.
Index:
de Bevere, Maurice [Pseudonym: Morris]
Franquin, André
Culliford, Pierre [Pseudonym: Peyo]
Animation ~ Animation
#18
Churner, Leah: Mama. In: Sight and Sound NS 23. 2013. No. 3. [March] p. 100.
Index:
Muschietti, Andrés
Mama (2013)
#19
Coleman, Lindsay: Heart of darkness with a wink: The evolution of the killer mockumentary, from Man Bites Dog to The Magician. In: Post Script 28. 2009. No. 3. [Summer] pp. 41-46.
Index:
Belvaux, Rémy
Bonzel, André
Poelvoorde, Benoît
Ryan, Scott
C’est arrivé prés de chez vous (1992)
Magician, The (2005)
Mord ~ Murder
#20
Colville, Georigana M. M.: Between surrealism and magic realism: The early feature films of André Delvaux. In: Yale French Studies 2006. No. 109. [?D] pp. 115-128.
Index:
Delvaux, André
Surrealismus ~ Surrealism
Magie ~ Magic
#21
de Putter, Jos: Nouvelle violence. In: Skrien 1993. No. 191. [?D] pp. 4-7.
Description:
On the representation of violence in Reservoir Dogs and C’est arrivé près de chez vous.
Index:
Tarantino, Quentin
Belvaux, Rémy
Bonzel, André
Poelvoorde, Benoît
Reservoir Dogs (1991)
C’est arrivé prés de chez vous (1992)
Gewalt ~ Violence
#22
de Toth, André: De Toth on de Toth: Putting the drama in front of the camera. Edited by Anthony Slide. - London: Faber and Faber 1997. (= Faber Paperbacks.)
Reviews:
Turner, George: [untitled] In: American Cinematographer 79. 1998. No. 1. [January] pp. 121-122.
Index:
de Toth, André
Technik: Kamera ~ Technology: Camera
#23
de Toth, André: De Toth on de Toth: Putting the drama in front of the camera. Edited by Anthony Slide. - London: Faber and Faber 1996.
Index:
de Toth, André
Technik: Kamera ~ Technology: Camera
#24
de Toth, André: Fragments: Portraits from the inside. - London: Faber and Faber 1994.
Index:
de Toth, André
#25
de Toth, André: Ma première rencontre avec Korda. In: Positif 1993. No. 391. [?D] pp. 44-45.
Description:
The director of House of Wax on the director, producer and set decorator Alexander Korda who produced the 1940s filming of The Thief of Bagdad.
Index:
Korda, Alexander
de Toth, André
Bamberger, Ludwig [Pseudonym: Berger, Ludwig]
Powell, Michael
Whelan, Tim
Korda, Alexander
Korda, Zoltan
Menzies, William Cameron
House of Wax (1953)
Thief of Bagdad, The (1940)
#26
Devismes, Brigitte / Leblanc, Gerard: Le double scénario chez Fritz Lang: 355 photogrammes du film Big Heat (Règlement de compte, 1953), 20 documents de travail originaux et inédits de Fritz Lang ainsi que 11 photogrammes du film Le dinosaure et la bébé. - Paris: Armand Colin 1991. (= Collection cinéma et audiovisuel.)
Reviews:
Deutelbaum, Marshall: [untitled] In: Film Criticism 17. 1992. No. 1. [?D] pp. 79-82.
Niogret, Hubert: Fritz Lang. In: Positif 1993. No. 386. [?D] pp. 76-77.
Polan, Dana: [untitled] In: Film Quarterly 46. 1993. No. 4. [Summer] pp. 38-39.
Saada, Nicolas: Lang à la loupe. In: Cahiers du Cinéma 1991. No. 450. [?D] p. 76.
Vernet, Marc: [untitled] In: Cinémathèque 1992. No. 1. [?D] pp. 142-144.
Description:
On the film by Fritz Lang and on the documentary by André Labarthe on the collaboration between Fritz Lang and Jean-Luc Godard.
Index:
Lang, Fritz
Labarthe, André
Godard, Jean-Luc
Big Heat, The (1953)
dinosaure et le bébé, Le (1967)
Fotografie ~ Photography
Dokumentarfilm ~ Documentary Film
#27
Dillon, Mark: Fear itself. In: American Cinematographer 98. 2017. No. 10. [October] pp. 46-55.
Description:
On Chung Chung-hoon’s camera work for Andrés Muschietti’s It.
Index:
Muschietti, Andrés
Chung Chung-hoon
It (2017)
Technik: Kamera ~ Technology: Camera
Angst ~ Fear
#28
Dompke, Christoph: Klassische Töne für den Horror: André Previns Dead-Ringer-score. In: EPD Film 24. 2007. No. 6. [June] p. 60.
Description:
On a CD edition.
Index:
Previn, André
Henreid, Paul
Dead Ringer (1964)
Horror ~ Horror
#29
Dörfler, Goswin: House of Wax. In: Enzyklopädie des phantastischen Films. 8. Ergänzungslieferung. - Meitingen: Corian-Verlag, September 1988.
Index:
de Toth, André
House of Wax (1953)
#30
Duncan, Jody: Send in the clown: It. In: Cinefex 2017. No. 156. [December] p. ?P.
Description:
On the special effects by Rodeo FX, Atomic Arts, Make FX, Hollywood VFX and Cubica. Discusses especially the work of visual effects supervisor Nick Brooks, visual effects producer Ken Wallace and special effects supervisor Warren Appleby.
Index:
Muschietti, Andrés
Brooks, Nick
Wallace, Ken
Appleby, Warren
It (2017)
Make VFX [Firma] ~ Make VFX [Company]
Cubica [Firma] ~ Cubica [Company]
Atomic Arts [Firma] ~ Atomic Arts [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Rodeo FX [Firma] ~ Rodeo FX [Company]
Hollywood ~ Hollywood
#31
Durgnat, Raymond: Angelopoulos: The long take in Voyage to Cythera: Brecht and Marx vs. Bazin and God. In: Film Comment 26. 1990. No. 6. [November/December] pp. 43-46.
Description:
On Taxidi sta Kithira.
Index:
Angelopoulos, Theodoros
Brecht, Bertold
Marx, Karl
Bazin, André
Taxidi sta Kithira (1984)
Religion ~ Religion
#32
Fraser, Diana M.: The surrealist aesthetic: From Breton to Almodóvar. In: Film Matters 4. 2013. No. 3. [Fall] pp. 12-16.
Index:
Breton, André
Almodóvar, Pedro
Surrealismus ~ Surrealism
#33
Garnier, Philippe: Bon pied, bon oeil: Deux rencontres avec André de Toth, le dernier borgne d’Hollywood. - Lyon: Institut Lumière / Arles: Actes Sud 1993.
Description:
Includes a filmography.
Index:
de Toth, André
Augen ~ Eyes
Hollywood ~ Hollywood
#34
Gerle, Jörg: Es: Atmosphärische Adaption des Stephen-King-Klassikers. In: Film-Dienst 70. 2017. No. 20. [September 28] p. 44.
Index:
Muschietti, Andrés
It (2017)
#35
Gerle, Jörg: Troll Hunter. In: Film-Dienst 64. 2011. No. 8. [April 14] p. 42.
Description:
On André vredal’s Trolljegeren.
Index:
vredal, André
Trolljegeren (2010)
#36
Giukin, Lenuta: From surrealist film to Surrealism in film (Surrealism in the 20th century commercial cinema). - Urbana, Illinois; Champaign, Illinois: University of Illinois at Urbana-Champaign, Ph.D. 2002. [Abstract in: Dissertation Abstracts International A 63. 2002. No. 2. (August) p. 392.]
Description:
Discusses, among others, the work of Luis Buñuel, Jan Svankmajer, Nelly Kaplan and André Delvaux as well as surrealism in contemporary French cinema.
Index:
Buñuel, Luis
Svankmajer, Jan
Kaplan, Nelly
Delvaux, André
Surrealismus ~ Surrealism
Frankreich ~ France
#37
Giukin, Lenutha: Cinematic transgressions. André Delvaux and the Surrealist dilemma. In: The French Review 81. 2007/2008. No. ?N. [?D] pp. 1174-1186.
Index:
Delvaux, André
Surrealismus ~ Surrealism
#38
Gobbin, Martin: Fantasy Filmfest Nights 2011 - If you go out in the Woods today In: F.LM - Texte zum Film. Online edition, March 2011.
Description:
On André vredal’s Trolljegeren.
Index:
vredal, André
Trolljegeren (2010)
Wald ~ Wood
Fantasy ~ Fantasy
#39
Gottwald, Mark: House Of Wax (1953). In: Cinefantastique 37. 2005. No. 3. [June] p. 72.
Index:
de Toth, André
House of Wax (1953)
#40
Grafius, Brandon R.: Mama and Kristeva: Matricide in the horror film. In: Post Script 35. 2016. No. 4. [Fall] pp. 52-63.
Index:
Muschietti, Andrés
Kristeva, Julia
Mama (2013)
Horror ~ Horror
Mutter ~ Mothers
Psychologie ~ Psychology
#41
Gray, Carmen: Troll Hunter. In: Sight and Sound NS 21. 2011. No. 10. [October] p. 80.
Index:
vredal, André
Trolljegeren (2010)
#42
Groh, Thomas: Spieglein, Spieglein an der Wand: Das verborgene Gesicht (La Cara Oculta). In: Splatting Image 2012. No. 91. [September] pp. 65-66.
Index:
Baiz, Andrés
cara oculta, La (2011)
#43
Grønstad, Asbjørn: Anatomy of a murder: Bazin, Barthes, Blow-Up. In: The Film Journal [Ohio] 2004. No. 9. [July] p. ?P.
Index:
Antonioni, Michelangelo
Bazin, André
Barthes, Roland
Blow Up (1966)
Mord ~ Murder
#44
Guerin, Frances: Dazzled by the light: Technological entertainment and its social impact in Varieté. In: Cinema Journal 42. 2003. No. 4. [Summer] pp. 98 ff.
Index:
Dupont, Ewald André
Varieté (1925)
Technik ~ Technology
#45
Hamdorf, Wolfgang: Das verborgene Gesicht. In: Film-Dienst 65. 2012. No. 19. [September 13] p. 37.
Description:
On Andrés Baiz’s La cara oculta.
Index:
Baiz, Andrés
cara oculta, La (2011)
#46
Harrison, Matthew B.: Making strange impressions: The unsettling craft of self-critical cinema. In: Quarterly Review of Film and Video 23. 2006. No. 5. [?D] pp. 423-436.
Description:
Discusses especially Alfred Hitchcock’s Rear Window, C’est arrivé prés de chez vous by Rémy Belvaux, André Bonzel and Benoît Poelvoorde, and The Blair Witch Project by Daniel Myrick and Eduardo Sanchez.
Index:
Hitchcock, Alfred
Belvaux, Rémy
Bonzel, André
Poelvoorde, Benoît
Myrick, Daniel
Sanchez, Eduardo
Rear Window (1954)
C’est arrivé prés de chez vous (1992)
Blair Witch Project, The (1999)
#47
Haufen, Graf: Humoristisches Denkstück: Man bites Dog. In: Splatting Image 1993. No. 13. [March] pp. 61-62.
Index:
Belvaux, Rémy
Bonzel, André
Poelvoorde, Benoît
C’est arrivé prés de chez vous (1992)
Humor ~ Humor
#48
Heffernan, Kevin: Horror in three dimensions: House of Wax and Creature From the Black Lagoon. In: Ghouls, gimmicks, and gold: Horror films and the American movie business, 1953-1968 - Durham, North Carolina: Duke University Press 2004. p. ?P.
Index:
de Toth, André
Arnold, Jack
House of Wax (1953)
Creature from the Black Lagoon, The (1954)
Ghouls ~ Ghouls
USA (United States of America) ~ USA (United States of America)
Horror ~ Horror
#49
Heinz, Rainer: André De Toth. In: Film-Dienst 55. 2002. No. 25. [December 3] p. 20.
Description:
Obituary.
Index:
de Toth, André
#50
Hight, Craig / Roscoe, Jane: Faking it: Mock-documentary and the subversion of factuality. - Manchester; New York: Manchester University Press / New York: Palgrave 2001.
Reviews:
Craig, J. Robert: [untitled.] In: Journal of the Fantastic in the Arts 14. 2003. No. 1. [?D] pp. 106-108.
Matthews, Peter: [untitled.] In: Sight and Sound NS 12. 2002. No. 5. [May] p. 31.
Description:
Discusses, among others, Stanley Kubrick’s Dr. Strangelove, Woody Allen’s Zelig, Peter Greenaway’s The Falls and C’est arrivé prés de chez vous (Man Bites Dog) by Rémy Belvaux, André Bonzel and Benoît Poelvoorde.
Index:
Kubrick, Stanley
Allen, Woody
Greenaway, Peter
Belvaux, Rémy
Bonzel, André
Poelvoorde, Benoît
Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb (1963)
Zelig (1982)
Falls, The (1980)
C’est arrivé prés de chez vous (1992)
Dokumentarfilm ~ Documentary Film
#51
Jackson, Kimberly: Gender and the nuclear family in twenty-first century horror. - New York: Palgrave Macmillan 2015.
Description:
Discusses, among others, M. Night Shyamalan’s The Sixth Sense, David Koepp’s Stir of Echoes, James Wan’s Insidious and Insidious: Chapter 2, Scott Derrickson’s Sinister, Jaume Collet-Serra’s Orphan, Andrés Muschietti’s Mama and Mike Flanagan’s Oculus.
Index:
Shyamalan, M. Night
Koepp, David
Wan, James
Derrickson, Scott
Collet-Serra, Jaume
Muschietti, Andrés
Flanagan, Mike
Sixth Sense, The (1999)
Stir of Echoes (1999)
Insidious (2010)
Insidious: Chapter 2 (2013)
Sinister (2012)
Orphan (2009)
Mama (2013)
Oculus (2013)
Sexualität ~ Sexuality
Horror ~ Horror
Familie ~ Family
Atom ~ Nuclear
#52
Jancovich, Mark: "It’s about time British actors kicked against these roles in ’horror’ films": Horror stars, psychological films and the tyranny of the Old World in classical horror cinema. In: Historical Journal of Film, Radio and Television 33. 2013. No. 2. [June] pp. 214-233.
Description:
On the dominance of "Britishness" in the horror and Gothic cinema of the 1930s and 1940s.
Index:
Laughton, Charles
Price, Vincent
Rathbone, Basil
Lee, Rowland V.
de Toth, André
Kenton, Erle C.
Son of Frankenstein (1939)
House of Wax (1953)
Island of Lost Souls (1933)
Psychologie ~ Psychology
Horror ~ Horror
Großbritannien ~ Great Britain
#53
Jungeblodt, Anselm: Signals - Experiment außer Kontrolle. In: Film-Dienst 56. 2003. No. 9. [April 22] p. 33.
Description:
On a DVD edition of André van Heerden’s Deceived.
Index:
van Heerden, André
Deceived (2002)
DVD ~ DVD
#54
Das Kabinett des Professor Bondi. - Nürnberg: Filmverlag Peter Schmidl ?J. (= Phantopia-Filmprogramm 95.)
Description:
On André de Toth’s House of Wax.
Index:
de Toth, André
House of Wax (1953)
#55
Das Kabinett des Professor Bondi. 2. Auflage. - Nürnberg: Filmverlag Peter Schmidl 1993. (= Phantopia-Filmprogramm 95.)
Description:
On André de Toth’s House of Wax.
Index:
de Toth, André
House of Wax (1953)
#56
Das Kabinett des Professor Bondi. - Wien: ?V ?J. (= Illustrierter Film-Kurier 1575.)
Index:
de Toth, André
House of Wax (1953)
#57
Karban, Thomas: Ein Doppelleben: Zum Tode von Miklos Rozsa. In: Film-Dienst 48. 1995. No. 17. [August 15] pp. 16-17.
Description:
On the composer who wrote the score for many fantastic films, among them The Thief of Bagdad by Ludwig Berger, Michael Powell, Tim Whelan, Alexander and Zoltan as well as William Cameron Menzies; Zoltan Korda’s Four Feathers; The Jungle Book by Zoltan Korda and André de Toth; Hitchcock’s Spellbound; Mervyn LeRoy’s Quo Vadis; Anthony Mann’s El Cid and William Wyler’s Ben Hur.
Index:
Rózsa, Miklós
Berger, Ludwig
Powell, Michael
Whelan, Tim
Korda, Zoltan
Korda, Alexander
Korda, Zoltan
Menzies, William Cameron
de Toth, André
Hitchcock, Alfred
LeRoy, Mervyn
Mann, Anthony
Wyler, William
Thief of Bagdad, The (1940)
Four Feathers (1939)
Jungle Book (1942)
Spellbound (1945)
Quo Vadis? (1951)
Cid, El (1961)
Ben Hur (1959)
Tod ~ Death
Musik ~ Music
#58
Kasten, Jürgen: Genrekino und abstrakte Schaulust: Die Filme von Ewald André Dupont. In: Filmbulletin 34. 1992. No. 2(181). [?D] pp. 7-10.
Index:
Dupont, Ewald André
#59
Kleiner, Felicitas: Mariken. In: Film-Dienst 63. 2010. No. 15. [July 22] p. 35.
Description:
On a DVD edition.
Index:
van Duren, André
Mariken (2000)
DVD ~ DVD
#60
Knops, Tilo R.: Begründer des Populären: DeMille und Dupont: Retrospektiven auf zwei verkannte Filmpioniere. In: Medium 22. 1992. No. 2. [?D] pp. 73-75.
Index:
DeMille, Cecil Blount
Dupont, Ewald André
#61
Koebner, Sascha: Perry Rhodan - Unser Mann im All. In: Film-Dienst 64. 2011. No. 18. [September 1] p. 38.
Index:
Schäfer, André
Perry Rhodan - Unser Mann im All (2011)
#62
Kothenschulte, Daniel: Angst vor der Nähe: 3-D-Filmfestival in Bonn. In: Film-Dienst 45. 1992. No. 24. [November 24] pp. 16-17.
Description:
Discusses also some fantastic films, among them André de Toth’s House of Wax.
Index:
de Toth, André
House of Wax (1953)
3-D Films
Festival ~ Festival
Bonn ~ Bonn
Technik ~ Technology
Angst ~ Fear
#63
Kreimeier, Klaus: Wie in einem Taumel: Die Kamera im deutschen Film der frühen zwanziger Jahre. In: Gleißende Schatten: Kamerapioniere der zwanziger Jahre. Herausgegeben von Cinema Quadrat e.V., Mannheim. Redaktion: Michael Esser. - Berlin: Henschel Verlag 1994. pp. 9-33.
Description:
Discusses a lot of films and persons important for the expressionist fantastic film, especially Willy Hameister, the cinematographer of Wiene’s Das Cabinet des Dr. Caligari and of Hintertreppe by Leopold Jessner and Paul Leni, the director and film critic Edwald André Dupont, the screenwriter Willy Haas and the cinematographer Karl Freund and his work for Murnau’s Der letzte Mann.
Index:
Hameister, Willy
Wiene, Robert
Leni, Paul
Jessner, Leopold
Dupont, Ewald André
Haas, Willy
Freund, Karl
Murnau, Friedrich Wilhelm
Cabinet des Dr. Caligari, Das (1919)
Hintertreppe (1921)
letzte Mann, Der (1924)
Technik: Kamera ~ Technology: Camera
Expressionismus ~ Expressionism
Deutschland ~ Germany
#64
Lafond, Frank: The life and crimes of Ben; or, When a serial killer meets a film crew in Man Bites Dog. In: Post Script 22. 2003. No. 2. [Winter/Spring] pp. 92-102.
Index:
Belvaux, Rémy
Bonzel, André
Poelvoorde, Benoît
C’est arrivé prés de chez vous (1992)
Mord ~ Murder
Kriminalität ~ Crime
#65
Le Van Ra, Anne: Les suites Gaumont entre 1950 et 1990: Y a t-il une loi des séries? In: Cahiers de la Cinémathèque 1995. No. 63/64. [December] pp. 108-117.
Description:
On Gaumont film serials, discusses especially André Hunebelle’s Fantômas.
Index:
Hunebelle, André
Fantômas (Filmreihe)
Gaumont [Firma] ~ Gaumont [Company]
#66
Leirens, Jean: Delvaux entre romantisme et fantastique. In: Revue Générale 137. 2002. No. 6. [November/December] pp. 75-79.
Index:
Delvaux, André
Romantik ~ Romanticism
#67
len: Thank You Satan. In: Variety 335. 1989. No. 11. [June 28] pp. 18-19.
Index:
Farwagi, André
Thank You Satan (1989)
#68
LoBrutto, Vincent: Rudi Fehr. In: LoBrutto, Vincent: Selected takes: Film editors on editing. - Westport, Connecticut; New York; London: Praeger Publishing 1991. pp. 27-37.
Description:
On the cutter and his work for Curtis Bernhardt’s Possessed, André de Toth’s House of Wax and Alfred Hitchcock’s Dial M for Murder.
Index:
Bernhart, Kurt [Pseudonym: Bernhardt, Curtis]
de Toth, André
Hitchcock, Alfred
Fehr, Rudi
Possessed (1947)
House of Wax (1953)
Dial M for Murder (1954)
#69
Lowenstein, Adam: Enlarged spectatorship from realism to surrealism: Bazin, Barthes, and the (digital) sweet hereafter. In: Lowenstein, Adam.: Dreaming of cinema: Spectatorship, surrealism, and the age of digital media. - New York: Columbia University Press 2015. (= Film and culture.) p. ?P.
Index:
Bazin, André
Barthes, Roland
Traum ~ Dreams
Technik: Computer ~ Technology: Computer
Surrealismus ~ Surrealism
#70
Maccabe, Colin: Introduction: Bazinian adaptation: The Butcher Boy as example. In: True to the spirit: Film adaptation and the question of fidelity. Edited by Colin MacCabe, Kathleen Murray and Rick Warner. - Oxford; New York: Oxford University Press 2011. p. ?P.
Index:
Jordan, Neil
Bazin, André
Butcher Boy, The (1997)
Literatur ~ Literature
#71
Mann beißt Hund. - Nürnberg: Verlag Karin Stähle ?J. (= Phantopia-Filmprogramm 652.)
Index:
Belvaux, Rémy
Bonzel, André
Poelvoorde, Benoît
C’est arrivé prés de chez vous (1992)
#72
Martin-Jones, David: Trolls, tigers and transmodern ecological encounters: Enrique Dussel and a cine-ethics for the anthropocene. In: Film-Philosophy 20. 2016. No. 1. [?D] pp. 63-103.
Description:
On the representation of ecological issues in André vredal’s Trolljegeren and Daniel Nettheim’s The Hunter.
Index:
Dussel, Enrique
vredal, André
Nettheim, Daniel
Trolljegeren (2010)
Hunter, The (2011)
Monster ~ Monster
Natur ~ Nature
Philosophie ~ Philosophy
#73
Mathijs, Ernest: Man Bites Dog and the critical reception of Belgian horror (in) cinema. In: Horror international. Edited by Steven Jay Schneider and Tony Williams. - Detroit, Michigan: Wayne State University Press 2005. (= Contemporary approaches to film and television.) p. ?P.
Index:
Belvaux, Rémy
Bonzel, André
Poelvoorde, Benoît
C’est arrivé prés de chez vous (1992)
Belgien ~ Belgium
Horror ~ Horror
#74
Mein Schwert für den König. - Wien: ?V ?J. (= Neues Filmprogramm 2218.)
Index:
Hunebelle, André
capitan, Le (1960)
#75
Mimoso-Ruiz, Duarte: Représentations du missionnaire dans le roman de José-André Lacour La mort en ce jardin (1954) et le film homonyme de Luis Buñuel (1956). In: Bulletin de littérature ecclésiastique 112. 2011. No. 3. [?D] pp. 283-294.
Index:
Lacour, José-André
Buñuel, Luis
mort en ce jardin, La (1956)
Religion ~ Religion
mort en ce jardin, La (Literatur ~ Literature)
#76
Die Mongolen. - Wien: ?V ?J. (= Neues Filmprogramm 2642.)
Index:
de Toth, André
Freda, Riccardo
Savona, Leopoldo
Mongoli, I / Mongols, Les (1960)
#77
Morales, Orquidea: La Llorona and horror: A Chicana feminist reading of the films The Wailer and The Wailer II. - Edinburg, Texas: The University of Texas - Pan American, M.A. 2011. [Abstract in: Masters Abstracts International 50. 2012. No. 1. (February)]
Index:
Navia, Andrés
Miller, Paul
Wailer, The (2006)
Wailer 2, The (2007)
Horror ~ Horror
Frauen ~ Women
#78
Mörchen, Roland: Verraten und verkauft: Die rauhe Kinowelt des André de Toth. In: Film-Dienst 53. 2000. No. 10. [May 9] pp. 14-15.
Index:
de Toth, André
#79
Mugnai, Metello: Religion reconsidered: The gospel according to the Italian twentieth century. - Chapel Hill, North Carolina: University of North Carolina at Chapel Hill, Ph.D. 2013. [Abstract in: Dissertation Abstracts International A 74. 2014. No. 12. [June] p. ?P.]
Description:
On the representation of religion in the work of Giovanni Papini, Pier Paolo Pasolini, Fabrizio De André, Roberto Rossellini and Giuseppe Berto.
Index:
Papini, Giovanni
Pasolini, Pier Paolo
De André, Fabrizio
Rossellini, Roberto
Berto, Giuseppe
Religion ~ Religion
Italien ~ Italy
Literatur ~ Literature
#80
Newman, Kim: It. In: Sight and Sound NS 27. 2017. No. 11. [November] pp. 71-72.
Index:
Muschietti, Andrés
It (2017)
#81
Nielsen, Ray: Phyllis Kirk in House of Wax. In: Classic Images 1993. No. 222. [December] pp. 14, 54.
Description:
Interview with actress on her role in the film by André de Toth.
Index:
de Toth, André
Kirk, Phyllis
House of Wax (1953)
#82
Novak, Sarah L.: The problems and potentials in haunted maternal horror narrative. - Tampa, Florida: University of South Florida, M.L.A. 2014. [Abstract in: Masters Abstracts International 53. 2015. No. 4. [August]. p. ?P.]
Description:
Discusses, as examples, Gore Verbinski’s The Ring, Christophe Gans’s Silent Hill and Andrés Muschietti’s Mama.
Index:
Verbinski, Gore
Gans, Christophe
Muschietti, Andrés
Ring, The (2002)
Silent Hill (2006)
Mama (2013)
Mutter ~ Mothers
Horror ~ Horror
#83
Nysenholc, André: André Delvaux ou le réalisme magique. - Paris: Édition Du cerf 2006.
Reviews:
Estève, Michelle: [untitled.] In: Le Français dans le Monde 2006. No. 347. [September/October] p. 64.
Méjean, Jean-Max: [untitled] In: Jeune Cinéma 2006. No. 303/304. [Summer] pp. 135-137.
Index:
Delvaux, André
Magie ~ Magic
#84
O’Shea, Noel: "Something genuinely Norwegian": Cultural identity under the influence of American cinema in the found footage aesthetic of Trolljegeren / Trollhunter (2010). In: Studies in European Cinema 14. 2017. No. 1. [March] pp. 33-47.
Index:
vredal, André
Trolljegeren (2010)
USA (United States of America) ~ USA (United States of America)
Norwegen ~ Norway
Experimentalfilme ~ Experimental Films
#85
Oldham, Gabriella: Diplomatic takes: Rudi Fehr. In: First cut: Conversations with film editors. - Berkeley, California; Los Angeles, California; Oxford: University of California Press 1992. pp. 341-358.
Description:
On the editor and his work for Alfred Hitchcock’s I Confess and Dial M for Murder as well as André de Toth’s House of Wax and Howard Hawks’s Land of the Pharaohs. Includes a filmography.
Index:
Fehr, Rudi
Hitchcock, Alfred
de Toth, André
Hawks, Howard
I Confess (1952)
Dial M for Murder (1954)
House of Wax (1953)
Land of the Pharaohs (1955)
#86
Ottawa, Clemens: Mann beißt Hund (Belgien 1992). In: Ottawa, Clemens: Die großen Skandalfilme der Kinogeschichte: 55 Filmporträts - große Aufreger - von den Anfängen bis zur Gegenwart. - Halle: Projekte-Verlag Cornelius 2011. pp. 105 ff.
Description:
On C’est arrivé prés de chez vous by Rémy Belvaux, André Bonzel and Benoît Poelvoorde.
Index:
Belvaux, Rémy
Bonzel, André
Poelvoorde, Benoît
C’est arrivé prés de chez vous (1992)
#87
Owen, Jonathan: The beach, the bubble and the boudoir: The meeting-spaces of Walerian Borowczyk and Andre Pieyre de Mandiargues. In: Boro, l’île d’amour: The films of Walerian Borowczyk. Edited by Kamila Kuc, Kuba Mikurda, and Michal Oleszczyk. - New York: Berghahn Books 2015. p. ?P.
Index:
Borowczyk, Walerian
Pieyre de Mandiargues, André
#88
Pasolini l’enragé (Pasolini, der Zornige - Protokoll eines Films. In: Pier Paolo Pasolini: Dokumente zur Rezeption seiner Filme in der deutschsprachigen Filmkritik 1963-1985. Redaktion: Michael Hanisch. - Berlin: Freunde der Deutschen Kinemathek 1994. (= Kinemathek 84.) pp. 5-22.
Description:
Rxcerpts from a documentary film by Jean André Fieschi on Pasolini’s work, produced by French TV channel ORTF.
Index:
Pasolini, Pier Paolo
Fieschi, Jean André
Pasolini l’enragé (1966)
Dokumentarfilm ~ Documentary Film
Frankreich ~ France
Fernsehen ~ Television
Deutschland ~ Germany
#89
Paul, William: The aesthetics of emergence. In: Film History 5. 1993. No. 3. pp. 321-355.
Description:
On the history of 3-D films. Discusses, among others, Arch Oboler’s Bwana Devil and André de Toth’s House of Wax.
Index:
Oboler, Arch
de Toth, André
Bwana Devil (1952)
House of Wax (1953)
3-D Films
#90
Pecchioli, Marcello: Storie di ordinaria follia. In: Filmcritica 44. 1993. No. 435. [May] pp. 268-272.
Description:
On serial killers and psychpathic violent criminals in film. Discusses, among others, C’est arrivé prés de chez vous by Rémy Belvaux, André Bonzel and Benoît Poelvoorde as well as Joel Schumacher’s Falling Down.
Index:
Belvaux, Rémy
Bonzel, André
Poelvoorde, Benoît
Schumacher, Joel
C’est arrivé prés de chez vous (1992)
Falling Down (1992)
Psychologie ~ Psychology
Mord ~ Murder
Gewalt ~ Violence
#91
Petermann, Werner: David et Goliath. In: Enzyklopädie des phantastischen Films. 60. Ergänzungslieferung. - Meitingen: Corian-Verlag, Dezember 2000.
Index:
Andréani, Henri
Jousset, Gabrielle
David et Goliath (1910)
#92
Quaresima, Leonardo: Modelli d’autore: La figura del "Filmregisseur" e i nuovi standard del cinema di genere: Berger, Dupont, Fanck, May. In: Schermi germanici: Ufa 1917-1933: Mostra internazionale den nuovo cinema. A cura di Giovanni Spagnoletti. - Venezia: Marsilio 1993. (= Nuovocinema / Pesaro 43.) pp. 181-207.
Description:
On the directors Ludwig Berger, Ewald André Dupont, Arnold Fanck and Joe May.
Index:
Bamberger, Ludwig [Pseudonym: Berger, Ludwig]
Dupont, Ewald André
May, Joe
Fanck, Arnold
Deutschland ~ Germany
#93
Riepe, Manfred: Mama. In: EPD Film 30. 2013. No. 4. [April] p. 47.
Index:
Muschietti, Andrés
Mama (2013)
#94
Roschy, Birgit: Es. In: EPD Film 34. 2017. No. 10. [Oktober] p. 60.
Index:
Muschietti, Andrés
It (2017)
#95
Roscoe, Jane: Man Bites Dog: Deconstructing the documentary look. In: Docufictions: Essays on the intersection of documentary and fictional filmmaking. Edited by Gary D. Rhodes and John Parris Springer. - Jefferson, North Carolina: McFarland & Co. 2006. p. ?P.
Index:
Belvaux, Rémy
Bonzel, André
Poelvoorde, Benoît
C’est arrivé prés de chez vous (1992)
Dokumentarfilm ~ Documentary Film
#96
Schweizerhof, Barbara: Fesselnder Charakter. In: EPD Film 28. 2011. No. 8. [August] p. 12.
Description:
On the career of actor Benoît Poelvoorde who became famous with C’est arrivé prés de chez vous.
Index:
Poelvoorde, Benoît
Belvaux, Rémy
Bonzel, André
Poelvoorde, Benoît
C’est arrivé prés de chez vous (1992)
#97
Selig, Sebastian: Wild Things: The Troll Hunter (Trolljegeren). In: Splatting Image 2011. No. 85. [March] pp. 56-57.
Index:
vredal, André
Trolljegeren (2010)
#98
Seyboth, Patrick: Embedded Journalism: Die ätzende Mediensatire Mann beißt Hund von 1992. In: EPD Film 30. 2013. No. 7. [July] p. 59.
Description:
On a DVD edition.
Index:
Belvaux, Rémy
Bonzel, André
Poelvoorde, Benoît
C’est arrivé prés de chez vous (1992)
Humor ~ Humor
DVD ~ DVD
#99
Sinnerbrink, Robert: Cinematic belief. In: Angelaki 17. 2012. No. 4. [December] pp. 95-117.
Description:
Discusses especially Terrence Malick’s The Tree of Life.
Index:
Bazin, André
Malick, Terrence
Tree of Life, The (2011)
Religion ~ Religion
Philosophie ~ Philosophy
#100
Stables, Kate: Top Cat Begins. In: Sight and Sound NS 26. 2016. No. 8. [August] p. 92.
Index:
Couturier, Andrés
Don Gato: El Inicio de la Pandilla (2015)
#101
Strauss, Frédéric: C’est arrivé près de chez vous de Remy Belvaux, André Bonzel et Benoit Poelvoorde. In: Cahiers du Cinéma 1992. No. 457. [June] p. 63.
Index:
Belvaux, Rémy
Bonzel, André
Poelvoorde, Benoît
C’est arrivé prés de chez vous (1992)
#102
Strigl, Sandra: Traumreisende: Narration und Musik in den Filmen von Ingmar Bergman, André Téchiné und Julio Medem. - Bielefeld: Transcript Verlag 2007.
Reviews:
Merlin, Dieter: [untitled.] In: Medienwissenschaft 2008. No. 2. pp. 208-209.
Index:
Bergman, Ingmar
Téchiné, André
Medem, Julio
Traum ~ Dreams
Musik ~ Music
#103
Strigl, Sandra: Traumreisende: Narration und Musik in den Filmen von Ingmar Bergman, André Téchiné und Julio Medem. - Wien: Universität Wien, Dissertation 2006.
Index:
Bergman, Ingmar
Téchiné, André
Medem, Julio
Traum ~ Dreams
Musik ~ Music
#104
Sudendorf, Werner: Das Bildjournal E. A. Duponts. In: Filmkultur zur Zeit der Weimarer Republik: Beiträge zu einer internationalen Konferenz vom 15. bis 18. Juni 1989 in Luxemburg. Hrsg. von Uli Jung und Walter Schatzenberg. - München; London; New York; Paris: Saur 1992. pp. 120-127.
Description:
On Dupont’s Varieté.
Index:
Dupont, Ewald André
Varieté (1925)
Luxemburg ~ Luxembourg
Deutschland ~ Germany
#105
Svehla, Gary J.: House of Wax / Mystery of the Wax Museum. In: Midnight Marquee 2004. No. 71/72. [Summer] pp. 88-89.
Description:
On two DVD editions.
Index:
de Toth, André
Curtiz, Michael
House of Wax (1953)
Mystery of the Wax Museum (1933)
DVD ~ DVD
#106
Telotte, J. P.: The double of fantasy and the space of desire. In: Alien zone: Cultural theory and contemporary science fiction cinema. Edited by Annette Kuhn. - London: Verso Books 1990. pp. 152-159.
Description:
Applies the theories of film critic André Bazin on the fantastic film.
Index:
Bazin, André
Fantasy ~ Fantasy
Aliens ~ Aliens
Science Fiction ~ Science Fiction
#107
Trifonova, Temenuga: The fantastic redemption of reality. In: Quarterly Review of Film and Video 23. 2006. No. 1. [?D] pp. 55-83.
Description:
Theoretical examination of the concept of reality in fantastic film according to the philosophical writings of Béla Bálazs, André Bazin and Siegfried Kracauer.
Index:
Bálazs, Béla
Bazin, André
Kracauer, Siegfried
Religion ~ Religion
Philosophie ~ Philosophy
#108
Valinotri Jr., Raymond: Lionel Atwill and Vincent Price: Wax poetic in Mystery of the Wax Museum and House of Wax. In: Midnight Marquee 1997. No. 53. [?D] pp. 27-33.
Index:
Curtiz, Michael
de Toth, André
Atwill, Lionel
Price, Vincent
Mystery of the Wax Museum (1933)
House of Wax (1953)
#109
Vazquez, Louis: Das Dschungelbuch. In: Filmgenres: Abenteuerfilm. Hrsg. von Bodo Traber und Hans Jürgen Wulff. - Stuttgart: Reclam Verlag 2004. (= Universal-Bibliothek 18404.) pp. 199 ff.
Description:
On Jungle Book by André de Toth and Zoltan Korda.
Index:
de Toth, André
Korda, Zoltan
Jungle Book (1942)
Abenteuer ~ Adventure
#110
Vest, James M.: To catch a liar: Bazin, Chabrol and Truffaut encounter Hitchcock. In: Hitchcock: Past and future. Edited by Richard Allen and Sam Ishii-Gonzales. - London; New York: Routledge 2004. p. ?P.
Index:
Hitchcock, Alfred
Bazin, André
Chabrol, Claude
Truffaut, François
#111
Walker, John A.: Art and artists on screen. - Manchester; New York: Manchester University Press (1993).
Reviews:
Woods, Alan: For art’s sake. In: Sight and Sound NS 3. 1993. No. 8. [August] p. 38.
Description:
Discusses, among others, Cocteau’s Blood of a Poet (Le Sang d’un poète), André de Toth’s House of Wax, Andrei Tarkovsky’s Andrej Rubljow, Hitchcock’s Spellbound, Buñuel’s Un chien andalou as well as Peter Greenaway’s The Draughtsman’s Contract, The Belly of an Architect and A Zed and Two Noughts.
Index:
Cocteau, Jean
de Toth, André
Tarkovsky, Andrei Arsenyevich
Hitchcock, Alfred
Buñuel, Luis
Greenaway, Peter
Sang d’un poète, Le (1931)
House of Wax (1953)
Andrej Rubljow (1966-1969)
Spellbound (1945)
chien andalou, Un (1928)
Draughtsman’s Contract, The (1982)
Belly of an Architect, The (1986)
Zed & Two Noughts, A (1985)
#112
Wolfschlag, Claus-M.: Fantômas. In: Enzyklopädie des phantastischen Films. 58. Ergänzungslieferung. - Meitingen: Corian-Verlag, April 2000.
Index:
Hunebelle, André
Fantômas (1964)
#113
Zwick, Reinhold: Tiefe in der Wirklichkeit: André Bazins Beitrag zu einer "Theologie des Films". In: Communicatio Socialis 28. 1995. No. 1/2. [?D] pp. 66 ff.
Index:
Bazin, André
Religion ~ Religion
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