The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Antonioni, Michelangelo
number of items: 62
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| ?J | Year of publication unknown |
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#1
Ancelin, Pierre: À l’écoute de l’Amérique: Blow Out. In: L’Art du Cinéma 2001/2002. No. 35-37. [Winter] pp. 77-126.
Description:
Compares Brian De Palma’s Blow Out with Alfred Hitchcock’s Psycho and Michelangelo Antonioni’s Blow Up.
Index:
De Palma, Brian
Hitchcock, Alfred
Antonioni, Michelangelo
Blow Out (1981)
Psycho (1960)
Blow Up (1966)
USA (United States of America) ~ USA (United States of America)
#2
Antonioni: Centenary essays. Edited by Laura Rascaroli and John David Rhodes. - London: Palgrave Macmillan 2011.
Index:
Antonioni, Michelangelo
#3
Bohne, Luciana / Casetti, Francesco: Antonioni and Hitchcock: Two strategies of narrative investment. In: Substance 15. 1986. No. 3(51). [?D] pp. 69-86.
Description:
Discusses, among others, Alfred Hitchcock’s Stage Fright.
Index:
Hitchcock, Alfred
Antonioni, Michelangelo
Stage Fright (1950)
#4
Bondanella, Peter E.: The mateur auteurs: New dimensions in film narrative in Visconti, Antonioni, De Sica, and Fellini. In: Bondanella, Peter E.: A history of Italian cinema. - New York: Continuum 2009. p.?P.
Index:
Visconti, Lucino
Antonioni, Michelangelo
de Sica, Vittorio
Fellini, Federico
Italien ~ Italy
#5
Boyd, David: Film and the interpretive process: A study of Blow-Up, Rashomon, Citizen Kane, 8 1/2, Vertigo and Persona. - New York, Bern, Frankfurt/M., Paris: Lang 1989. (= Ars interpretandi 1.)
Reviews:
Rother, Rainer: [untitled] In: Medienwissenschaft 1990. No. 4. pp. 386-390.
Description:
Bibliography.
Index:
Antonioni, Michelangelo
Kurosawa, Akira
Welles, Orson
Fellini, Federico
Hitchcock, Alfred
Bergman, Ingmar
Blow Up (1966)
Rashomon (1950)
Citizen Kane (1940)
Otto e mezzo / Huit et demi (1962)
Vertigo (1958)
Persona (1966)
#6
Coates, Paul: Cinema and colour: The saturated image. - Houndmills, Basingstoke, Hampshire; New York: Palgrave Macmillan 2010.
Description:
Discusses a lot of fantastic films, among them Alfred Hitchcock’s Vertigo, Andrei Tarkovsky’s Soljaris, Joseph Losey’s The Boy With Green Hair, Hou Hsiao-hsien’s Le Voyage du ballon rouge, Krzysztof Kieslowski’s La double vie de Véronique, Jacques Rivette’s La religieuse, Michelangelo Antonioni’s Il mistero di Oberwald and the use of colour in the films of Guillermo del Toro.
Index:
Hitchcock, Alfred
Tarkovsky, Andrei Arsenyevich
Losey, Joseph
Hou Hsiao-hsien
Kieslowski, Krzysztof
Rivette, Jacques
Antonioni, Michelangelo
del Toro, Guillermo
Vertigo (1958)
Soljaris (1972)
Boy With Green Hair, The (1948)
Voyage du ballon rouge, Le (2007)
double vie de Véronique, La / Podwójne zycie Weroniki (1991)
religieuse, La / Suzanne Simonin, la religieuse de Diderot (1965)
mistero di Oberwald, Il (1981)
#7
Cowie, Peter: Antonioni, Bergman, Resnais: Three monographs. - London: Tantivy Press / New York: Barnes 1963.
Index:
Antonioni, Michelangelo
Bergman, Ingmar
Resnais, Alain
#8
del Rio, Elena: Antonioni’s Blowup: Freeing the imaginary from metaphysical ground. In: Film-Philosophy 9. 2005. No. 32. [June] p. ?P.
Index:
Antonioni, Michelangelo
Blow Up (1966)
Religion ~ Religion
Philosophie ~ Philosophy
#9
Del Rio, Elena: The technological imaginary in the cinema of Antonioni, Godard, and Atom Egoyan. - Berkeley, California: University of California, Berkeley, Ph.D. 1996. [Abstract in: Dissertation Abstracts International A 57. 1997. No. 8. [February] p. 3303.]
Index:
Antonioni, Michelangelo
Godard, Jean-Luc
Egoyan, Atom
Technik ~ Technology
#10
Dettmering, Peter: Antonionis Deserto rosso. In: Dettmering, Peter: Sechzig Jahre Filmesehen: Eine Hommage. - Eschborn bei Frankfurt/Main.: Klotz 2007. p. ?P.
Index:
Antonioni, Michelangelo
Deserto rosso, Il (1964)
#11
Drate, Süencer / Salavetz, Jütka / Sarowitz, Sam: Art of the modern movie poster: International postwar style and design. Text by Dave Kehr. - San Francisco, California: Chronicle Books 2008.
Description:
Compares the film posters for several films in different countries.
Discusses, among others, the posters for Michelangelo Antonioni’s Blow Up, Francis Ford Coppola’s Apocalypse Now, Alfred Hitchcock’s Psycho, Terence Young’s Dr. No, Stanley Kubrick’s 2001 - A Space Odyssey, Federico Fellini’s La dolce vita and the Star Wars films.
Index:
Antonioni, Michelangelo
Coppola, Francis Ford
Hitchcock, Alfred
Young, Terence
Kubrick, Stanley
Fellini, Federico
Lucas, George
Blow Up (1966)
Apocalypse Now (1976-1979)
Psycho (1960)
Dr. No (1962)
2001 - A Space Odyssey (1968)
dolce vita, La (1959)
Star Wars (Filmreihe)
Krieg ~ War
#12
Ebert, Roger: Blow Up. In: Ebert, Roger: The great movies. - New York: Broadway Books 2002. pp. 74 ff.
Index:
Antonioni, Michelangelo
Blow Up (1966)
#13
Edinger, Gerda: Gestaltung und Funktion des Frauenbildes in Dieses obskure Objekt der Begierde von Luis Buñuel und Identifikation einer Frau von Michelangelo Antonioni - Ein Vergleich. - Köln: Universität Köln, Institut für Theaterwissenschaft, Magisterarbeit 1985.
Index:
Buñuel, Luis
Antonioni, Michelangelo
Cet obscur objet du désir (1977)
Identificatzione di una donna / Identification d’une femme (1982)
Frauen ~ Women
#14
Elson, Brigid: Crucial devises: The role of the media in Orwell, Waugh, Hitchcock and Antonioni. In: Antigonish Review 1995. No. 102/103. [?D] pp. 133-141.
Index:
Blair, Eric [Pseudonym: Orwell, George]
Waugh, Evelyn
Hitchcock, Alfred
Antonioni, Michelangelo
#15
Eyuboglu, Selim: Four films: Crossing the boundaries of modernism and postmodernism. - Kent: University of Kent, Ph.D. 1992. [Abstract in: Index to Theses with Abstracts 43. 1994. No. 1. pp. 17-18(43-0112) / Dissertation Abstracts International A 53. 1993. No. 9. (March) p. 3022A.]
Description:
Discusses Lucino Visconti’s Morte a Venezia, Michelangelo Antonioni’s L’Avventura, Alfred Hitchcock’s Blackmail and David Lynch’s Blue Velvet.
Index:
Visconti, Lucino
Antonioni, Michelangelo
Hitchcock, Alfred
Lynch, David
Morte a Venezia (1970)
Avventura, L’ (1959)
Blackmail (1929)
Blue Velvet (1986)
Postmoderne ~ Postmodern
#16
Fantuzzi, Virgilio: Wim Wenders rende omaggio ad Antonioni e a Bergman. In: La Civiltà cattolica 160. 2009. No. 3805. [?D] pp. 37-46.
Description:
On religious motifs in Wim Wenders’s Palermo Shooting.
Index:
Wenders, Wim
Antonioni, Michelangelo
Bergman, Ingmar
Palermo Shooting (2008)
Religion ~ Religion
#17
Felten, Uta: "C’è qualcosa terribile nella realtà"- Traumanaloge Wahrnehmungsmodi im Kino von Michelangelo Antonioni im Rekurs auf Traditionen des surrealistischen Kinos. In: Surrealismus und Film: Von Fellini bis Lynch. Hrsg. von Michael Lommel. - Bielefeld: Transcript 2008. (= Medienumbrüche 25.) pp. 65 ff.
Index:
Antonioni, Michelangelo
Traum ~ Dreams
Surrealismus ~ Surrealism
#18
Felten, Uta: Photographen, Gangster und Nomaden: Michelangelo Antonioni: Zabriskie Point, Jean-Luc Godard: Pierrot le fou, Michelangelo Antonioni: Blow up, Jean-Luc Godard: À bout de souffle. In: Felten, Uta: Träumer und Nomaden: Eine Einführung in die Geschichte des modernen Kinos in Frankreich und Italien. - Tübingen: Stauffenburg-Verlag 2011. (= Stauffenburg-Einführungen 24.) pp. 77 ff.
Index:
Antonioni, Michelangelo
Godard, Jean-Luc
Antonioni, Michelangelo
Godard, Jean-Luc
Zabriskie Point (1970)
Pierrot le fou / bandito delle 11, Il (1965)
Blow Up (1966)
A bout de souffle (1959)
Fotografie ~ Photography
Traum ~ Dreams
Kriminalität ~ Crime
Italien ~ Italy
Frankreich ~ France
#19
Gansera, Rainer: Magische Momente: Blow up. In: Film-Dienst 66. 2013. No. 24. [November 21] p. 34.
Index:
Antonioni, Michelangelo
Blow Up (1966)
Magie ~ Magic
#20
Garner, Philippe / Mellor, David: Antonioni’s Blow-up. - Göttingen: Steidl 2010.
Reviews:
Wach, Alexandra: [untitled.] In: Film-Dienst 64. 2011. No. 25. [December 8] p. 57.
Index:
Antonioni, Michelangelo
Blow Up (1966)
#21
Grønstad, Asbjørn: Anatomy of a murder: Bazin, Barthes, Blow-Up. In: The Film Journal [Ohio] 2004. No. 9. [July] p. ?P.
Index:
Antonioni, Michelangelo
Bazin, André
Barthes, Roland
Blow Up (1966)
Mord ~ Murder
#22
Harris, Thomas: Rear Window and Blow-Up: Hitchcock’s straightforwardness vs. Antonioni’s ambiguity. In: Literature/Film Quarterly 15. 1987. No. 1. [January] pp. 60-63.
Index:
Hitchcock, Alfred
Antonioni, Michelangelo
Rear Window (1954)
Blow Up (1966)
#23
Hollander, Anne: Moving pictures. - Cambridge, Massachusetts; London: Harvard University Press 1991.
Reviews:
de Francia, Peter: Artful dodge. In: Sight and Sound NS 1. 1991. No. 4. [August] pp. 32-33.
Description:
On the relationship between film and painting. Discusses, among others, Robert Wiene’s Das Cabinet des Dr. Caligari, Piero Fosco’s Cabira, Carl Theodor Dreyer’s Vredens dag, Fritz Lang’s Metropolis, Michelangelo Antonioni’s La notte and Cecil Blount DeMille’s Samson and Delilah. Discusses also the expressionist film, the film noir and the animation film in general and analyses the filmic work of Walt Disney and Alfred Hitchcock.
Index:
Lang, Fritz
Wiene, Robert
Pastrone, Giovanni [Pseudonym: Fosco, Piero]
Dreyer, Carl Theodor
Antonioni, Michelangelo
DeMille, Cecil Blount
Disney, Walt
Hitchcock, Alfred
Metropolis (1925/1926)
Cabinet des Dr. Caligari, Das (1919)
Cabira (1914)
Vredens dag / Dies irae (1943)
notte, La (1960)
Samson and Delilah (1950)
Disney ~ Disney
Kunst ~ Arts, The
Film Noir ~ Film Noir
Expressionismus ~ Expressionism
Animation ~ Animation
#24
Jubis, Oscar: Openness and closure in modernist cinema: Antonioni / Resnais / Haneke / Martel. - Coral Gables, Florida: University of Miami, Ph.D. 2013. [Abstract in: Dissertation Abstracts International A 75. 2014. No. 5. [November] p. ?P.]
Index:
Antonioni, Michelangelo
Resnais, Alain
Haneke, Michael
Martel, Lucretia
#25
Kael, Pauline: Tourist in the city of youth. In: Kael, Pauline: The age of movies: Selected writings of Pauline Kael. Edited by Sanford Schwartz. - New York: Library of America 2011. p. ?P.
Description:
On Michelangelo Antonioni’s Blow Up.
Index:
Antonioni, Michelangelo
Blow Up (1966)
Stadt ~ City
Jugend ~ Youth
#26
Kafalenos, Emma Mellard. The Power of double coding to represent new forms of representations: The Truman Show, Dorian Gray, Blow-Up and Whistler’s Caprice in Purple and Gold. In: Poetics Today 24. 2003. No. 1. [?D] pp. 1-33.
Index:
Whistler, James McNeill
Weir, Peter
Antonioni, Michelangelo
Truman Show, The (1998)
Blow Up (1966)
Caprice in Purple and Gold (Kunst ~ Arts)
#27
Kiefer, Bernd: Die unbegriffene Schnittstelle: Allegorische Landschaften bei Antonioni, Angelopoulos und Tarkovskij. In: Film-Dienst 57. 2004. No. 17. [August 19] pp. 59-63.
Index:
Antonioni, Michelangelo
Angelopoulos, Theodoros
Tarkovsky, Andrei Arsenyevich
Natur ~ Nature
#28
Korte, Helmut: Einführung in die systematische Filmanalyse: Ein Arbeitsbuch. Mit Beispielanalysen von Peter Drexler, Helmut Körte, Hans-Peter Rodenberg
und Jens Thiele. 3. überarbeitete und erweiterte Auflage. - Berlin: Erich Schmidt Verlag 2004.
First edition:
[2000]
Description:
Discusses especially Michelangelo Antonioni’s Zabriskie Point, Rob Reiner’s Misery, Steven Spielberg’s Schindler’s List and Baz Luhrman’s William Shakespeare’s Romeo & Juliet.
Index:
Antonioni, Michelangelo
Reiner, Rob
Spielberg, Steven
Luhrman, Baz
Zabriskie Point (1970)
Misery (1990)
Schindler’s List (1993)
William Shakespeare’s Romeo & Juliet (1996)
#29
Korte, Helmut: Einführung in die systematische Filmanalyse: Ein Arbeitsbuch. Mit Beispielanalysen von Peter Drexler, Helmut Körte, Hans-Peter Rodenberg
und Jens Thiele. 4. neu berarbeitete und erweiterte Auflage. - Berlin: Erich Schmidt Verlag 2010.
First edition:
[2000]
Description:
Discusses especially Michelangelo Antonioni’s Zabriskie Point, Rob Reiner’s Misery, Steven Spielberg’s Schindler’s List and Baz Luhrman’s William Shakespeare’s Romeo & Juliet.
Index:
Antonioni, Michelangelo
Reiner, Rob
Spielberg, Steven
Luhrman, Baz
Zabriskie Point (1970)
Misery (1990)
Schindler’s List (1993)
William Shakespeare’s Romeo & Juliet (1996)
#30
Korte, Helmut: Einführung in die systematische Filmanalyse: Ein Arbeitsbuch. Mit Beispielanalysen von Peter Drexler, Helmut Körte, Hans-Peter Rodenberg
und Jens Thiele. 2. durchgesehene Auflage. - Berlin: Erich Schmidt Verlag 2001.
First edition:
[2000]
Description:
Discusses especially Michelangelo Antonioni’s Zabriskie Point, Rob Reiner’s Misery, Steven Spielberg’s Schindler’s List and Baz Luhrman’s William Shakespeare’s Romeo & Juliet.
Index:
Antonioni, Michelangelo
Reiner, Rob
Spielberg, Steven
Luhrman, Baz
Zabriskie Point (1970)
Misery (1990)
Schindler’s List (1993)
William Shakespeare’s Romeo & Juliet (1996)
#31
Körte, Helmut: Einführung in die systematische Filmanalyse: Ein Arbeitsbuch. Mit Beispielanalysen von Peter Drexler, Helmut Körte, Hans-Peter Rodenberg
und Jens Thiele. - Berlin: Erich Schmidt Verlag 2000.
Reviews:
Buddecke, Wolfram: [untitled] In: Medienwissenschaft 2000. No. 3. pp. 283-287.
Description:
Discusses especially Michelangelo Antonioni’s Zabriskie Point, Rob Reiner’s Misery, Steven Spielberg’s Schindler’s List and Baz Luhrman’s William Shakespeare’s Romeo & Juliet.
Index:
Antonioni, Michelangelo
Reiner, Rob
Spielberg, Steven
Luhrman, Baz
Zabriskie Point (1970)
Misery (1990)
Schindler’s List (1993)
William Shakespeare’s Romeo & Juliet (1996)
#32
Lahaie, Christiane: Du fantastique littéraire au fantastique filmique: Une question de point de vue? In: Cinémas 5. 1995. No. 3. [Spring] pp. 45-63.
Description:
Discusses Michelangelo Antonioni’s Blow Up and Robert Wise’s The Haunting.
Index:
Antonioni, Michelangelo
Wise, Robert
Blow Up (1966)
Haunting, The (1963)
#33
Laurent, Patrick: Un été meurtrier. In: Écrits de Paris 2007. No. 702. [October] pp. 55-61.
Description:
Discusses, among others, the films of Claude Chabrol, Michel Serrault, Ingmar Bergman and Michelangelo Antonioni.
Index:
Chabrol, Claude
Serrault, Michel
Bergman, Ingmar
Antonioni, Michelangelo
#34
Levine, Amy: Phantasmatic cinema: Delinkage and disarticulation in Michelangelo Antonioni, Bela Tarr, Jean-Luc Godard and Alexander Sokurov. - ?O: University of Minnesota, Ph.D. 2009. [Abstract in: Dissertation Abstracts International A 70. 2009. No. 6. (December)]
Index:
Antonioni, Michelangelo
Tarr, Béla
Godard, Jean-Luc
Sokurov, Alexander Nikolayevich
#35
Lie, Sulgi: Die Außenseite des Films: Zur politischen Filmästhetik. - Zürich: Diaphanes 2012.
Description:
Examines, among others, the films of Alfred Hitchcock, Michelangelo Antonioni, Michael Haneke and Stanley Kubrick.
Index:
Hitchcock, Alfred
Antonioni, Michelangelo
Haneke, Michael
Kubrick, Stanley
Politik ~ Politics
#36
Meder, Thomas: Michelangelo Antonionis Il Deserto Rosso. In: Natur und ihre filmische Auflösung. Hrsg. von Jan Berg und Kay Hoffmann. - Marburg: Timbuktu-Verlag 1994. pp. 71-77.
Index:
Antonioni, Michelangelo
Deserto rosso, Il (1964)
Natur ~ Nature
#37
Mérigeau, Pascal / Pangon, Gérard: Antonioni, Fellini: 1960. - Paris: Arte Edition / Paris: Edition Mille et Une Nuits 1997. (= Cannes, les anées festival 1960.)
Index:
Antonioni, Michelangelo
Fellini, Federico
#38
Michaelsen, Torsten: Blow Up. In: Filmgenres: Kriminalfilm. Hrsg. von Knut Hickethier unter Mitarbeit von Katja Schumann. - Stuttgart: Reclam 2005. pp. 183-187.
Index:
Antonioni, Michelangelo
Blow Up (1966)
Kriminalität ~ Crime
#39
Michelangelo Antonioni: Interviews. Edited by Bert Cardullo. - Jackson, Mississippi: University Press of Mississippi 2008. (= Conversations with filmmakers.)
Index:
Antonioni, Michelangelo
#40
Mroz, M.: The aesthetics of cinematic duration in theory and film. - Cambridge: University of Cambridge, Ph.D. 2008. [Abstract in: Index to Theses with Abstracts 58-4090.]
Description:
Discusses Michelangelo Antonioni’s L’Avventura, Andrei Tarkovsky’s Serkalo and Matthew Barney’s The Cremaster Cycle.
Index:
Deleuze, Gilles
Tarkovsky, Andrei Arsenyevich
Barney, Matthew
Antonioni, Michelangelo
Serkalo (1974)
Cremaster Cycle, The (1994-2002)
Avventura, L’ (1959)
Zeit ~ Time
#41
Nardelli, M.: Apprehensions of time: Antonioni and experimental cinema, 1960-1975. - London: University College London, Ph.D. 2006. [Abstract in: Index to Theses with Abstracts 55-15196.]
Index:
Antonioni, Michelangelo
Experimentalfilme ~ Experimental Films
#42
Nardelli, Matilde: Blow-Up and the plurality of photography. In: Antonioni: Centenary essays. Edited by Laura Rascaroli and John David Rhodes. - London: Palgrave Macmillan 2011. p. ?P.
Index:
Antonioni, Michelangelo
Blow Up (1966)
Fotografie ~ Photography
#43
Ott, Michaela: Die Selbstreflexion des filmischen Mediums: Michelangelo Antonioni: Blow up (1966). In: Was lehrt das Kino? 24 Filme und Antworten. Herausgegeben von Stefan Keppler-Tasaki und Elisabeth K. Paefgen. - München: Edition Text + Kritik 2012. p. 336 ff.
Index:
Antonioni, Michelangelo
Blow Up (1966)
#44
Perry, Ted: Impersonation of the true self. In: The Psychoanalytic Review 94. 2007. No. 6. [December] pp. 975-89.
Description:
On the representation of the self in the films of Michelangelo Antonioni, Roberto Rossellini and Akira Kurosawa.
Index:
Antonioni, Michelangelo
Rossellini, Roberto
Kurosawa, Akira
Psychologie ~ Psychology
#45
La politica degli autori: Le grandi interviste die "Cahiers du Cinéma". - Roma: Minimum Fax 2000.
First edition:
[La politique des auteures. - Paris: Édition Ramsay 1990]
Description:
Interviews with several directors published between 1954 and 1965 in the "Cahiers du Cinéma". Discusses, among others, Jean Renoir, Roberto Rossellini, Fritz Lang, Howard Hawks, Michelangelo Antonioni, Robert Bresson and Luis Buñuel.
Index:
Renoir, Jean
Rossellini, Roberto
Lang, Fritz
Hawks, Howard
Antonioni, Michelangelo
Bresson, Robert
Buñuel, Luis
Politik ~ Politics
#46
La politique des auteures. - Paris: Édition Ramsay 1990. (= Ramsay poche cinéma 94.)
Description:
Interviews mit verschiedenen Regisseuren aus den "Cahiers du Cinéma" von 1954 bis 1965; behandelt unter anderem Jean Renoir, Roberto Rossellini, Fritz Lang, Howard Hawks, Michelangelo Antonioni, Robert Bresson und Luis Buñuel.
Index:
Renoir, Jean
Rossellini, Roberto
Lang, Fritz
Hawks, Howard
Antonioni, Michelangelo
Bresson, Robert
Buñuel, Luis
Politik ~ Politics
#47
Pomerance, Murray: The horse who drank the sky: Film experience beyond narrative and theory. - New Brunswick, New Jersey: Rutgers University Press 2008.
Reviews:
Krohn, Bill: [untitled.] In: Cineaste 33. 2008. No. 4. [?D] pp. 70-72.
Description:
Discusses a lot of fantastic films, among them Alfred Hitchcock’s Blackmail, Rebecca, Stage Fright, The Man Who Knew Too Much, Vertigo and North by Northwest, Fritz Lang’s M - Eine Stadt sucht einen Mörder, Victor Fleming’s The Wizard of Oz, François Truffaut’s Fahrenheit 451, Ishiro Honda’s Gojira, Jim Jarmusch’s Dead Man, David Cronenberg’s The Dead Zone, William Friedkin’s The Exorcist, Guillermo del Toro’s El Laberinto del Fauno, Terence Young’s From Russia with Love, Doug Liman’s The Bourne Identity and Paul Greengrass’s The Bourne Supremacy, Alejandro González Iñárritu’s Babel, Wim Wenders’s Bis ans Ende der Welt, Michelangelo Antonioni’s Blow Up and Steven Spielberg’s Close Encounters of the Third Kind as well as Jaws.
Index:
Hitchcock, Alfred
Lang, Fritz
Fleming, Victor
Truffaut, François
Honda, Ishiro
Jarmusch, Jim
Cronenberg, David
Friedkin, William
del Toro, Guillermo
Young, Terence
Liman, Doug
Greengrass, Paul
González Iñárritu, Alejandro
Wenders, Wim
Antonioni, Michelangelo
Spielberg, Steven
Blackmail (1929)
Rebecca (1940)
Stage Fright (1950)
Man Who Knew Too Much, The (1956)
Vertigo (1958)
North by Northwest (1959)
M - Eine Stadt sucht einen Mörder (1931)
Wizard of Oz, The (1939)
Fahrenheit 451 (1966)
Gojira (1954)
Dead Man (1995)
Dead Zone, The (1983)
Exorcist, The (1973)
Laberinto del Fauno, El (2006)
From Russia with Love (1963)
Bourne Identity, The (2002)
Bourne Supremacy, The (2004)
Babel (2006)
Bis ans Ende der Welt (1991)
Blow Up (1966)
Close Encounters of the Third Kind (1977)
Jaws (1975)
#48
Rascaroli, Laura: Modernity, put into form: Blow-Up, objectuality, 1960s Antonioni. In: Antonioni: Centenary essays. Edited by Laura Rascaroli and John David Rhodes. - London: Palgrave Macmillan 2011. p. ?P.
Index:
Antonioni, Michelangelo
Blow Up (1966)
#49
Roloff, Volker: Film und Literatur: Zur Theorie und Praxis der intermedialen Analyse am Beispiel von Buñuel, Truffaut, Godard und Antonioni. In: Literatur intermedial: Musik, Malerei, Photographie, Film. Hrsg. von Peter V. Zima. - Darmstadt: Wissenschaftliche Buchgesellschaft 1995. pp. 269-309.
Index:
Buñuel, Luis
Truffaut, François
Godard, Jean-Luc
Antonioni, Michelangelo
Fotografie ~ Photography
Literatur ~ Literature
#50
Rother, Rainer: Blow Up (1966). In: Der Filmkanon: 35 Filme, die Sie kennen müssen. Hrsg. von Alfred Holighaus. - Bonn: Bundeszentrale für Politische Bildung / Berlin: Bertz + Fischer 2005. pp. 151 ff.
Index:
Antonioni, Michelangelo
Blow Up (1966)
#51
Schenk, Irmbert: Fellini und Antonioni: La strada (1954) und II grido (1957). In: Le dieu caché? Lectura christiana des italienischen und französischen Nachkriegskinos. Hrsg. von Uta Felten und Stephan Leopold. - Tübingen: Stauffenburg-Verlag 2010. (= Siegener Forschungen zur romanischen Literatur- und Medienwissenschaft 20.) pp. 99 ff.
Index:
Fellini, Federico
Antonioni, Michelangelo
strada, La (1954)
grido, Il (1957)
Krieg ~ War
Frankreich ~ France
Italien ~ Italy
Religion ~ Religion
#52
Schifferle, Hans: Explosion der Bilder: Blow Up und die Kultur der Swinging Sixties. In: EPD Film 24. 2007. No. 7. [August] pp. 20-25.
Index:
Antonioni, Michelangelo
Blow Up (1966)
#53
Schwarz, Eva: Visual paranoia in Rear Window, Blow-Up and The Truman Show. - Stuttgart: Ibidem-Verlag 2011.
Index:
Hitchcock, Alfred
Antonioni, Michelangelo
Weir, Peter
Rear Window (1954)
Blow Up (1966)
Truman Show, The (1998)
Wahnsinn ~ Madness
#54
Schweizerhof, Barbara: Das grosse Trauern: Zum Tod von Ingmar Bergman und Michelangelo Antonioni. In: EPD Film 24. 2007. No. 9. [September] pp. 30-34.
Index:
Bergman, Ingmar
Antonioni, Michelangelo
Tod ~ Death
#55
Tateishi, Ramie: Blow Up y la mirada afectual. In: Lujuria: Historia de los afectos: Ensayos de cine y filosofía. Coordinadores: Armando Casas, Leticia Flores Farfán, Paul Majkut. - México: Universidad Nacional Autónoma de México 2014. p. ?P.
Index:
Antonioni, Michelangelo
Blow Up (1966)
Philosophie ~ Philosophy
Sexualität ~ Sexuality
#56
Tomasulo, Frank P.:"You’re tellin’ me you didn’t see": Hitchcock’s Rear Window and Antonioni’s Blow-Up. In: After Hitchcock: Influence, imitation, and intertextuality. Edited by David Boyd and R. Barton Palmer. - Austin, Texas: University of Texas Press 2006. pp. 145-172.
Index:
Hitchcock, Alfred
Antonioni, Michelangelo
Rear Window (1954)
Blow Up (1966)
#57
Tomasulo, Frank P.: The architectonics of alienation: Antonioni’s edifice complex. In: Wide Angle 15. 1993. No. 3. [?D] pp. 3-20.
Index:
Antonioni, Michelangelo
Avventura, L’ (1959)
notte, La (1960)
#58
Torlasco, Domietta: Undoing the scene of the crime: Perspective and the vanishing of the spectator. In: Camera Obscura 22. 2007. No. 64. [?D] pp. 76-111.
Description:
On the representation of the media in Michelangelo Antonioni’s Blow Up and Professione: Reporter.
Index:
Antonioni, Michelangelo
Blow Up (1966)
Professione: Reporter (1973)
Kriminalität ~ Crime
#59
Torlasco, Domietta: Undoing the scene of the crime: Time and vision in Italian cinema. - Berkeley, California: University of California, Berkeley, Ph.D. 2003. [Abstract in: Dissertation Abstracts International A 65. 2004. No. 2. (August) p. 325.]
Description:
Discusses Michelangelo Antonioni’s Blow Up and Professione: Reporter, Bernardo Bertolucci’s Strategia del ragno, Liliana Cavani’s Il portiere di notte and Pier Paolo Pasolini’s Edipo Re.
Index:
Antonioni, Michelangelo
Bertolucci, Bernardo
Cavani, Liliana
Pasolini, Pier Paolo
Blow Up (1966)
Professione: Reporter (1973)
Strategia del ragno (1969)
portiere di notte, Il / Night Porter, The (1973)
Edipo Re / Oedipus Rex (1967)
Italien ~ Italy
Kriminalität ~ Crime
#60
van de Spijker, Antonius M.: Die rote Wüste: Bild eines pfarrlichen Miteinanders? In: Pfarrei in der Postmoderne? Gemeindebildung in nachchristlicher Zeit: Für Leo Karrer. Hrsg. von Alois Schifferle. - Freiburg; Basel; Wien: Herder 1997. pp. 397-407.
Description:
On Michelangelo Antonioni’s Il Deserto rosso.
Index:
Antonioni, Michelangelo
Deserto rosso, Il (1964)
Postmoderne ~ Postmodern
Religion ~ Religion
#61
Weinmann, Julia: Der Film als semiotisches System - eine Untersuchung der Theorien Jurij Lotmans auf der Grundlage von Michelangelo Antonionis Film Blow Up. - Augsburg: Universität Augsburg, Lehrstuhl für neuere Deutsche Literaturwissenschaft / Komparatistik, Seminararbeit 2004.
Index:
Antonioni, Michelangelo
Lotman, Jurij
Blow Up (1966)
#62
West, Rebecca: Death and disremembering in Antonioni’s Blow-Up and Malerba’s Salto mortale. In: Italica 87. 2010. No. 3. [?D] pp. 391-407.
Index:
Malerba, Luigi
Antonioni, Michelangelo
Blow Up (1966)
Tod ~ Death
Salto mortale (Literatur ~ Literature)
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