The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Atomic Fiction [Firma]
number of items: 10
| ?O | City of publication unknown | 
| ?V | Publishing company unknown | 
| ?J | Year of publication unknown | 
| ?N | Issue number unknown | 
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| ?P | Number of pages unknown | 
| ?R | Series number unknown | 
#1
Duncan, Jody: Finding Calvin: Life. In: Cinefex 2017. No. 153. [June] p. ?P.
Description:
 On the special effects by Industrial Light & Magic, Double Negative, One of Us, Atomic Fiction, Nvizible, Outpost VFX and Lola VFX. 
Index:
 Espinosa, Daniel 
 Life (2017) 
 Outpost VFX [Firma] ~ Outpost VFX [Company] 
 Nvizible [Firma] ~ Nvizible [Company] 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 One Of Us [Firma] ~ One Of Us [Company] 
 Lola Visual Effects [Firma] ~ Lola Visual Effects [Company] 
 ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic) 
 Double Negative [Firma] ~ Double Negative [Company] 
 Atomic Fiction [Firma] ~ Atomic Fiction [Company] 
#2
Edwards, Graham: Cosmic deconstruction: Star Trek Beyond. In: Cinefex 2016. No. 148. [August] p. ?P.
Description:
 On the special effects by Double Negative, Atomic Fiction and Kelvin Optical. Discusses especially the work of makeup effects supervisor Joel Harlow and special effects artist Cameron Waldbauer. 
Index:
 Lin, Justin 
 Harlow, Joel 
 Waldbauer, Cameron 
 Star Trek Beyond (2016) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Kelvin Optical [Firma] ~ Kelvin Optical [Company] 
 Atomic Fiction [Firma] ~ Atomic Fiction [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
#3
Edwards, Graham: Dark materials: Alien: Covenant. In: Cinefex 2017. No. 153. [June] p. ?P.
Description:
 On the special effects by Odd Studio, MPC, Luma Pictures, Animal Logic, Framestore, Rising Sun Pictures, Atomic Fiction and Peerless Camera Company. Discusses especially the work of visual effects supervisor Charley Henley and special effects supervisor Neil Corbould. 
Index:
 Scott, Ridley 
 Henley, Charley 
 Corbould, Neil 
 Alien: Covenant (2017) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Rising Sun Pictures [Firma] ~ Rising Sun Pictures [Company] 
 Peerless Camera Company [Firma] ~ Peerless Camera Company [Company] 
 Odd Studio [Firma] ~ Odd Studio [Company] 
 MPC [Firma] ~ MPC [Company] 
 Luma Pictures [Firma] ~ Luma Pictures [Company] 
 Framestore CFC [Firma] ~ Framestore CFC [Company] 
 Atomic Fiction [Firma] ~ Atomic Fiction [Company] 
 Animal Logic [Firma] ~ Animal Logic [Company] 
#4
Edwards, Graham: Heft and jank: Pacific Rim Uprising. In: Cinefex 2018. No. 159. [June] p. ?P.
Description:
 On the special effects by Double Negative, Atomic Fiction, Territory Studio, Blind, The Third Floor, Halon, Day for Nite, Legacy Effects and Weta Workshop. Discusses especially the work of visual effects supervisor Peter Chiang and special effects supervisor Dan Oliver. 
Index:
 DeKnight, Steven S. 
 Chiang, Peter 
 Oliver, Dan 
 Pacific Rim Uprising (2018) 
 Day for Nite [Firma] ~ Day for Nite [Company] 
 Weta [Firma] ~ Weta [Company] 
 Third Floor, The [Firma] ~ Third Floor, The [Company] 
 Territory Studio [Firma] ~ Territory Studio [Company] 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Legacy Effects [Firma] ~ Legacy Effects [Company] 
 Atomic Fiction [Firma] ~ Atomic Fiction [Company] 
 Halon Entertainment [Firma] ~ Halon Entertainment [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
 Blind [Firma] ~ Blind [Company] 
#5
Edwards, Graham: Smart-mouthed glory: Deadpool. In: Cinefex 2016. No. 146. [April] p. ?P.
Description:
 On the special effects by Luma Pictures, Image Engine, Digital Domain, Rodeo FX, Ollin VFX, Atomic Fiction and Digiscope. Discusses especially the work of visual effects supervisor Jonathan Rothbart, special effects supervisor Alex Burdett and makeup effects supervisor Bill Corso. 
Index:
 Miller, Tim 
 Rothbart, Jonathan 
 Burdett, Alex 
 Corso, Bill 
 Deadpool (2016) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Digiscope [Firma] ~ Digiscope [Company] 
 Atomic Fiction [Firma] ~ Atomic Fiction [Company] 
 Ollin Studio VFX [Firma] ~ Ollin Studio VFX [Company] 
 Rodeo FX [Firma] ~ Rodeo FX [Company] 
 Digital Domain [Firma] ~ Digital Domain [Company] 
 Image Engine [Firma] ~ Image Engine [Company] 
 Luma Pictures [Firma] ~ Luma Pictures [Company] 
#6
Edwards, Graham: Spirit of the ocean: Pirates of the Caribbean: Dead Men Tell No Tales. In: Cinefex 2017. No. 154. [August] p. ?P.
Description:
 On the special effects by MPC, Atomic Fiction, Rodeo FX, Lola VFX, Mr. X, CoSA VFX and Odd Studio. Discusses especially the makeup effects by Rick Findlater, Peter Swords King and Adam Johansen as well as the work of visual effects supervisor Gary Brozenich and special effects supervisor Dan Oliver. 
Index:
 Rønning, Joachim 
 Sandberg, Espen 
 Findlater, Rick 
 Swords King, Peter 
 Johansen, Adam 
 Brozenich, Gary 
 Oliver, Dan 
 Pirates of the Caribbean: Dead Men Tell No Tales (2017) 
 CoSA VFX [Firma] ~ CoSA VFX [Company] 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Rodeo FX [Firma] ~ Rodeo FX [Company] 
 Odd Studio [Firma] ~ Odd Studio [Company] 
 Mr. X [Firma] ~ Mr. X [Company] 
 MPC [Firma] ~ MPC [Company] 
 Meer ~ Sea 
 Lola Visual Effects [Firma] ~ Lola Visual Effects [Company] 
 Atomic Fiction [Firma] ~ Atomic Fiction [Company] 
#7
Fordham, Joe: 2049 foresight: Blade Runner 2049. In: Cinefex 2017. No. 155. [October] p. ?P.
Description:
 On the special effects by Double Negative, MPC, Framestore, Atomic Fiction, Territory Studio, BUF, Rodeo FX, UPP and Weta Workshop. Discusses especially the work of visual effects supervisor John Nelson, visual effects producer Karen Murphy, special effects supervisor Gerd Nefzer and makeup designer Donald Mowat. 
Index:
 Villeneuve, Denis 
 Nelson, John 
 Murphy, Karen 
 Nefzer, Gerd 
 Mowat, Donald 
 Blade Runner 2049 (2017) 
 BUF [Firma] ~ BUF [Company] 
 Territory Studio [Firma] ~ Territory Studio [Company] 
 Weta [Firma] ~ Weta [Company] 
 UPP [Firma] ~ UPP [Company] 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Rodeo FX [Firma] ~ Rodeo FX [Company] 
 MPC [Firma] ~ MPC [Company] 
 Framestore CFC [Firma] ~ Framestore CFC [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
 Atomic Fiction [Firma] ~ Atomic Fiction [Company] 
#8
Fordham, Joe: Dark side of the earth: Star Trek Into Darkness. In: Cinefex 2013. No. 134. [July] p. ?P.
Description:
 On the special effects by Industrial Light & Magic, Pixomondo and Atomic Fiction. Discusses especially the work of visual effects supervisor Roger Guyett, visual effects producer Ron Ames, special effects supervisor Burt Dalton and makeup effects supervisor David Leroy Anderson. 
Index:
 Abrams, J[effrey] J[acob] 
 Guyett, Roger 
 Ames, Ron 
 Dalton, Burt 
 Anderson, Leroy 
 Star Trek Into Darkness (2013) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Atomic Fiction [Firma] ~ Atomic Fiction [Company] 
 Pixomondo [Firma] ~ Pixomondo [Company] 
 ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic) 
#9
Fordham, Joe: Retro future tech: Ghost in the Shell. In: Cinefex 2017. No. 153. [June] p. ?P.
Description:
 On the special effects by Weta Workshop, MPC, Territory Studio, Framestore, Atomic Fiction, Blacksmith, The Mill, Halon and Pixomondo. Discusses especially the work of visual effects supervisors Guillaume Rocheron and John Dykstra, visual effects producer Fiona Campbell-Westgate and special effects supervisor Steve Ingram. 
Index:
 Sanders, Rupert 
 Rocheron, Guillaume 
 Dykstra, John 
 Campbell-Westgate, Fiona 
 Ingram, Steve 
 Ghost in the Shell (2017) 
 Territory Studio [Firma] ~ Territory Studio [Company] 
 Blacksmith Pictures [Firma] ~ Blacksmith Pictures [Company] 
 Weta [Firma] ~ Weta [Company] 
 Utopie ~ Utopia 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Pixomondo [Firma] ~ Pixomondo [Company] 
 MPC [Firma] ~ MPC [Company] 
 Mill, The [Firma] ~ Mill, The [Company] 
 Halon Entertainment [Firma] ~ Halon Entertainment [Company] 
 Framestore CFC [Firma] ~ Framestore CFC [Company] 
 Atomic Fiction [Firma] ~ Atomic Fiction [Company] 
#10
Fordham, Joe: These little town blues: Downsizing. In: Cinefex 2018. No. 157. [February] p. ?P.
Description:
 On the special effects by Industrial Light & Magic, Framestore, Whiskytree, Rodeo FX, Atomic Fiction, Shade VFX, Tricky Guy VFX, Lola VFX, The Third Floor, Base FX, Halon and Mr. X.. Discusses especialy the work of visual effects supervisor James E. Price. 
Index:
 Payne, Alexander 
 Price, James E. 
 Downsizing (2017) 
 Tricky Guy [Firma] ~ Tricky Guy [Company] 
 Whiskytree [Firma] ~ Whiskytree [Company] 
 Third Floor, The [Firma] ~ Third Floor, The [Company] 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Stadt ~ City 
 Shade VFX [Firma] ~ Shade VFX [Company] 
 Rodeo FX [Firma] ~ Rodeo FX [Company] 
 Mr. X [Firma] ~ Mr. X [Company] 
 Lola Visual Effects [Firma] ~ Lola Visual Effects [Company] 
 ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic) 
 Atomic Fiction [Firma] ~ Atomic Fiction [Company] 
 Halon Entertainment [Firma] ~ Halon Entertainment [Company] 
 Framestore CFC [Firma] ~ Framestore CFC [Company] 
 Base FX [Firma] ~ Base FX [Company] 
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