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literature list on: Baroque
number of items: 19
?O | City of publication unknown |
?V | Publishing company unknown |
?J | Year of publication unknown |
?N | Issue number unknown |
?G | Volume number unknown |
?D | Date of publication unknown |
?P | Number of pages unknown |
?R | Series number unknown |
#1
Bedouelle, Guy: Un Christ baroque. In: Foi et vie 103. 2004. No. 3. [?D] pp. 29-32.
Description:
On Mel Gibson’s The Passion of the Christ.
Index:
Gibson, Mel
Passion of the Christ, The (2004)
Barock ~ Baroque
Religion ~ Religion
#2
Behrs, Jan: Kino und Barock bei Peter Greenaway. In: Zeitschrift für Germanistik N.F. 17. 2007. No. 2. [?D] pp. 361-372.
Index:
Greenaway, Peter
Barock ~ Baroque
#3
Bock, Hans-Michael: Barock und Orient. In: Das Wachsfigurenkabinett: Drehbuch von Henrik Galeen zu Paul Lenis Film von 1923. Hrsg. von Helga Belach und Hans-Michael Bock. Mit einem einführenden Essay von Thomas Koebner und Materialien zum Film von Hans-Michael Bock. - München: Edition text + kritik 1994. (= FILMtext.) pp. 115-138.
Index:
Leni, Paul
Galeen, Henrik
Wachsfigurenkabinett, Das (1924)
Barock ~ Baroque
Orient ~ Orient
#4
Ciment, Michel: Entretien avec Peter Greenaway: "Et bien sûr, il y a le baroque ...". In: Positif 1994. No. 395. [January] pp. 8-14.
Description:
On The Baby of Macon.
Index:
Greenaway, Peter
Baby of Macon, The (1992)
Barock ~ Baroque
#5
Cubitt, Sean: The supernatural in neo-baroque Hollywood. In: Film theory & contemporary Hollywood movies. Edited by Warren Buckland. - New York: Routledge 2009. p. ?P.
Index:
USA (United States of America) ~ USA (United States of America)
Barock ~ Baroque
Wunder ~ Miracles
Hollywood ~ Hollywood
#6
Dalziell, Rosamund: Media, murder, and memoir: Girardian baroque in Robert Drewe’s The Shark Net. In: Mimesis, movies, and media. Edited by Scott Cowdell, Chris Fleming, and Joel Hodge. - New York; London: Bloomsbury Academic 2015. (= Violence, desire, and the sacred 3.) p. ?P.
Index:
Shark Net, The (TV)
Mord ~ Murder
Barock ~ Baroque
#7
Degli-Espositi, Cristina: Sally Potter’s Orlando and the neo-baroque scopic regime. In: Cinema Journal 36. 1996. No. 1. [Fall] pp. 75-93.
Index:
Potter, Sally
Orlando (1992)
Barock ~ Baroque
#8
Degli-Espositi, Cristina: The neo-baroque scopic regime of Peter Greenaway’s encyclopedic cinema. In: Cinefocus ?G. 1996. No. 4. [?D] pp. 34-45.
Index:
Greenaway, Peter
Barock ~ Baroque
#9
Degli-Esposti, Cristina: Federico Fellini’s Intervista or the neo-baroque creativity of the analysand on screen. In: Italica 73. 1996. No. 2. [?D] pp. 157-172.
Index:
Fellini, Federico
intervista, L’ (1986)
Barock ~ Baroque
#10
Gural-Migdal, Anna / Salvatore, Filippo: Léolo (1992) de Jean-Claude Lanzon, entre naturalisme et néo-baroque. In: Rivista di studi canadesi 16. 2003. No. ?N. [?D] pp. 117-132.
Index:
Lauzon, Jean-Claude
Léolo (1992)
Barock ~ Baroque
Naturalismus ~ Naturalism
#11
Kane, Julie: From the baroque to "Wabi": Translating animal imagery from Shakespeare’s King Lear to Kurosawa’s Ran. In: Literature/Film Quarterly 25. 1997. No. 2. [April] pp. 146-151.
Index:
Shakespeare, William
Kurosawa, Akira
Ran (1985)
Barock ~ Baroque
Tiere ~ Animals
True Chronicle Historie of the Life and Death of King Lear (Literatur ~ Literature)
#12
Lowentrout, Peter: "Batman": Winging through the ruins of the American baroque. In: Extrapolation 33. 1992. No. 1. [Spring] pp. 24-31.
Index:
Burton, Tim
Batman (1989)
Batman Returns (1992)
Barock ~ Baroque
USA (United States of America) ~ USA (United States of America)
Batman ~ Batman
#13
Masoni, Gabriella: Renaissance, Mannerist and Baroque painting in the films of Pier Paolo Pasolini. - Dominguez Hills: California State University at Dominguez Hills, M.A. 2003. [Abstract in: Masters Abstracts International 42. 2004. No. 4. p. 1984.]
Index:
Pasolini, Pier Paolo
Renaissance ~ Renaissance
Kunst ~ Arts, The
Barock ~ Baroque
#14
Messias, Hans: High-Tech-Barock: Peter Greenaway und Prospero’s Bücher. In: Film-Dienst 44. 1991. No. 24. [November 26] pp. 10-11.
Description:
On Prospero’s Books.
Index:
Greenaway, Peter
Prospero’s Books (1991)
Barock ~ Baroque
#15
Moser, Walter: Puissance baroque dans les nouveaux médias: À propos de Prospero’s Books de Peter Greenaway. In: Cinémas 10. 2000. No. 2/3. [Spring] pp. 39-63.
Index:
Greenaway, Peter
Prospero’s Books (1991)
Barock ~ Baroque
#16
Murray, Timothy: You are how you read: Baroque chao-errancy in Greenaway and Deleuze. In: Iris 1997. No. 23. [Spring] pp. 87-107.
Description:
Discusses especially Peter Greenaway’s Prospero’s Books.
Index:
Greenaway, Peter
Deleuze, Gilles
Prospero’s Books (1991)
Barock ~ Baroque
#17
Ndalianis, Angela: Caravaggio reloaded and The Matrix: The NeoBaroque and science fiction. In: Ndalianis, Angela: Science fiction experiences. - Washington, D.C.: New Academia Publishing 2011. pp. 37 ff.
Index:
Wachowski, Andy
Wachowski, Larry
Caravaggio, Michelangelo Merisi da
Matrix, The (Filmreihe)
Barock ~ Baroque
Science Fiction ~ Science Fiction
#18
Scarpetta, Guy: Généalogies dùn crime: Un baroque bien tempéré. In: Positif 1997. No. 434. [?D] pp. 17-20.
Index:
Ruiz, Raúl
Généalogies d’un crime (1997)
Barock ~ Baroque
#19
Strauss, Frédéric: Horreur baroque. In: Cahiers du Cinéma 1992. No. 452. [?D] pp. 12-13.
Description:
On Krzysztof Kieslowski’s La double vie de Veronique.
Index:
Kieslowski, Krzysztof
double vie de Véronique, La / Podwójne zycie Weroniki (1991)
Barock ~ Baroque
Horror ~ Horror
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