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literature list on: Beckett, Samuel
number of items: 22
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#1
Adamou, C.: Screening the unrepresentable: Samuel Beckett’s plays for television. - Reading: University of Reading, Ph.D. 2003. [Abstract in: Index to Theses with Abstracts 53. 2004. No. 3. p. 649(53-4984)].
Index:
Beckett, Samuel
Fernsehen ~ Television
#2
Armand, Louis: Beckett/film. In: Litteraria Pragensia 17. 2007. No. 33. [?D] pp. 51-62.
Index:
Beckett, Samuel
#3
Becker, Joachim: Nicht-Ich-Identität: Ästhetische Subjektivität in Samuel Becketts Arbeiten für Theater, Radio, Film und Fernsehen. - Tübingen: Niemeyer 1998. (= Theatron 25.)
Index:
Beckett, Samuel
Theater ~ Theatre
Fernsehen ~ Television
#4
Critchley, Simon: To be or not to be is not the question - On Beckett’s film. In: Film-Philosophy 11. 2007. No. 2. [?D] p. ?P.
Index:
Beckett, Samuel
Levinas, Emmanuel
Philosophie ~ Philosophy
#5
Dowd, Garin: Karaoke Beckett; or, Jeremy travesty in Ohio Impromptu on film. In: Samuel Beckett Today / Aujourd’hui 2003. No. 13. pp. 169-182.
Index:
Sturridge, Charles
Beckett, Samuel
Ohio Impromptu (2000)
#6
Foster, David: Danse macabre: Comédie’s cinematic antecedents. In: Studies in European Cinema 10. 2013. No. 2/3. [September] pp. 89-102.
Description:
Discusses, among others, Robert Wiene’s Das Cabinet des Dr. Caligari, Friedrich Wilhelm Murnau’s Nosferatu - Eine Symphonie des Grauens and Carl Theodor Dreyer’s La Passion de Jean d’Arc.
Index:
Wiene, Robert
Murnau, Friedrich Wilhelm
Dreyer, Carl Theodor
Beckett, Samuel
Cabinet des Dr. Caligari, Das (1919)
Nosferatu - Eine Symphonie des Grauens (1922)
Passion de Jean d’Arc, La (1928)
Expressionismus ~ Expressionism
#7
Girke, Michael: Beckett of the movies. In: Film-Dienst 60. 2007. No. 21. [October 11] pp. 24-26.
Description:
On the filmic work of Samuel Beckett.
Index:
Beckett, Samuel
#8
Guilbard, Anne-Cécile: Traces du regard: Dioptrique de Beckett. In: Samuel Beckett Today / Aujourd’hui 2008. No. 20. pp. 295-306.
Index:
Beckett, Samuel
#9
Herren, Graley: A womb with a view: Film as regression fantasy. In: The Edinburgh companion to Samuel Beckett and the arts. Edited by S. E. Gontarski. - Edinburgh: Edinburgh University Press 2014. p. ?P.
Index:
Beckett, Samuel
Fantasy ~ Fantasy
#10
Herren, Graley: Samuel Beckett’s plays on film and television. - New York; Basingstoke: Palgrave Macmillan 2007.
Reviews:
Weiss, Katherine: [untitled.] In: Beckett Circle 31. 2008. No. 2. [?D] pp. 18-19.
Index:
Beckett, Samuel
Fernsehen ~ Television
#11
Klaver, Elizabeth: Proof, Pi, and Happy Days: The performance of mathematics. In: Journal of the Midwest Modern Language Association 38. 2005. No. 1. [?D] pp. 5-22.
Index:
Beckett, Samuel
Madden, John
Aronofsky, Darren
Proof (2005)
Pi (1998)
Mathematik ~ Mathematics
Happy Days (Theater ~ Theatre)
#12
Literatur in Film und Fernsehen: Von Shakespeare bis Beckett. Hrsg. von Herbert Grabes. - Königstein: Scriptor 1980. (= Monographien Literaturwissenschaft 48.)
Index:
Shakespeare, William
Beckett, Samuel
Literatur ~ Literature
Fernsehen ~ Television
#13
Maude, Ulrika: Beckett, der expressionistische Film und Kleists Marionetten. In: Samuel Beckett und die deutsche Literatur. Hrsg. von Jan Wilm und Marx Nixon. - Bielefeld: Transcript 2013. (= Lettre.) pp. 89-104.
Index:
Beckett, Samuel
Kleist, Heinrich von
Literatur ~ Literature
Expressionismus ~ Expressionism
Animation: Puppen ~ Animation: Puppets
#14
Monty, Julie: Textualizing the future: Godard, Rochefort, Beckett and dystopian discourse. - Austin, Texas: University of Texas at Austin, Ph.D. 2006. [Abstract in: Dissertation Abstracts International A 68. 2007. No. 5. (November)]
Description:
Discusses, among others, Godard’s Alphaville and compares its dystopian image of the future with Fritz Lang’s Metropolis.
Index:
Godard, Jean-Luc
Lang, Fritz
Rochefort, Christiane
Beckett, Samuel
Alphaville: Une étrange aventure de Lemmy Caution (1965)
Metropolis (1925/1926)
Science Fiction ~ Science Fiction
#15
Scarlini, Luca: Lo sguardo selvaggio: Cinema e televisione di Samuel Beckett. - Bologna: I Quaderni del Battello Ebbro 2002. (= Cinema/studi 2.)
Index:
Beckett, Samuel
Fernsehen ~ Television
#16
Tonning, Erik: Abstraction and allusion in Ghost Trio and ...but the clouds.... In: Tonning, Erik: Samuel Beckett’s abstract drama: Works for stage and screen 1962 - 1985. - Oxford; Bern; Berlin; Bruxelles; Frankfurt am Main; New York; Wien: Lang 2007, (= STSS - Stage and screen studies 10.) pp. 165 ff.
Index:
Beckett, Samuel
McWhinnie, Donald
McWhinnie, Donald
Ghost Trio (1977)
...but the clouds... (1977)
Surrealismus ~ Surrealism
Expressionismus ~ Expressionism
#17
Tonning, Erik: Beckettian monads: A Piece of Monologue, Rockaby, Ohio Impromptu, Quad (I & II), Nacht und Träume, What Where. In: Tonning, Erik: Samuel Beckett’s abstract drama: Works for stage and screen 1962 - 1985. - Oxford; Bern; Berlin; Bruxelles; Frankfurt am Main; New York; Wien: Lang 2007, (= STSS - Stage and screen studies 10.) pp. 203 ff.
Index:
Beckett, Samuel
Lefevre, Robin
Eyre, Richard
Sturridge, Charles
Behrens, Alfred
Kuball, Michael
O’Donnell, Damien
Piece of Monologue, A (2001)
Rockaby (2000)
Ohio Impromptu (2000)
Quadrat 1+2 (1982)
Nacht und Träume (1983)
What Where (2000)
Surrealismus ~ Surrealism
Expressionismus ~ Expressionism
#18
Tonning, Erik: Film and Eh Joe: Confronting new media. In: Tonning, Erik: Samuel Beckett’s abstract drama: Works for stage and screen 1962 - 1985. - Oxford; Bern; Berlin; Bruxelles; Frankfurt am Main; New York; Wien: Lang 2007, (= STSS - Stage and screen studies 10.) pp. 89 ff.
Index:
Beckett, Samuel
Schneider, Alan
Eh, Joe? (1966)
Surrealismus ~ Surrealism
Expressionismus ~ Expressionism
#19
Tonning, Erik: Play and Come and Go: The evolution of an abstract dramatic style. In: Tonning, Erik: Samuel Beckett’s abstract drama: Works for stage and screen 1962 - 1985. - Oxford; Bern; Berlin; Bruxelles; Frankfurt am Main; New York; Wien: Lang 2007, (= STSS - Stage and screen studies 10.) pp. 55 ff.
Index:
Beckett, Samuel
Holloway, Eric
Come and Go (2007)
Surrealismus ~ Surrealism
Expressionismus ~ Expressionism
#20
Tonning, Erik: Reshaping expressionism and depth psychology in Not I, That Time and Footfalls. In: Tonning, Erik: Samuel Beckett’s abstract drama: Works for stage and screen 1962 - 1985. - Oxford; Bern; Berlin; Bruxelles; Frankfurt am Main; New York; Wien: Lang 2007, (= STSS - Stage and screen studies 10.) pp. 109 ff.
Index:
Beckett, Samuel
Jordan, Neil
Garrad, Charles
Asmus, Walter D.
Not I (2000)
That Time (2000)
Footfalls (2000)
Psychologie ~ Psychology
Surrealismus ~ Surrealism
Expressionismus ~ Expressionism
#21
Tonning, Erik: Samuel Beckett’s abstract drama: Works for stage and screen 1962 - 1985. - Oxford; Bern; Berlin; Bruxelles; Frankfurt am Main; New York; Wien: Lang 2007, (= STSS - Stage and screen studies 10.)
Index:
Beckett, Samuel
Surrealismus ~ Surrealism
Expressionismus ~ Expressionism
#22
Tonning, Erik: Towards an aesthetic of abstraction. In: Tonning, Erik: Samuel Beckett’s abstract drama: Works for stage and screen 1962 - 1985. - Oxford; Bern; Berlin; Bruxelles; Frankfurt am Main; New York; Wien: Lang 2007, (= STSS - Stage and screen studies 10.) pp. 13 ff.
Index:
Beckett, Samuel
Surrealismus ~ Surrealism
Expressionismus ~ Expressionism
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