The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Beethoven, Ludwig van
number of items: 11
?O | City of publication unknown |
?V | Publishing company unknown |
?J | Year of publication unknown |
?N | Issue number unknown |
?G | Volume number unknown |
?D | Date of publication unknown |
?P | Number of pages unknown |
?R | Series number unknown |
#1
Bruno, Marcello Walter: Roll over Beethoven. In: Segnocinema ?G. 1998. No. 92. [July/August] pp. 12-15.
Index:
Kubrick, Stanley
Beethoven, Ludwig van
Clockwork Orange, A (1971)
#2
Frey, Mattias: Fidelio: Love, adaption and Eyes Wide Shut. In: Literature/Film Quarterly 34. 2006. No. 1. [January] pp. 39-45.
Index:
Kubrick, Stanley
Beethoven, Ludwig van
Eyes Wide Shut (1999)
Fidelio (Musik ~ Music)
#3
Horemans, J.: Stanley Kubrick’s Clockwork Orange: De negende van Kubrick en Ludwig van. In: Film en Televisie 1989. No. 381. [February] p. 40.
Index:
Kubrick, Stanley
Beethoven, Ludwig van
Clockwork Orange, A (1971)
#4
Ingram, Susan / Whitinger, Raleigh: Schnitzler, Kubrick, and Fidelio. In: Mosaic 36. 2003. No. 3. [September] pp. 55-72.
Description:
On Stanley Kubrick’s Eyes Wide Shut.
Index:
Kubrick, Stanley
Beethoven, Ludwig van
Eyes Wide Shut (1999)
Fidelio (Musik ~ Music)
#5
Krämer, Peter: "Rape, ultra-violence and Beethoven": The transgressiveness and controversial success of A Clockwork Orange. In: Film and ethics: What would you have done? Ed. by Jacqui Miller. - Cambridge: Cambridge Scholars Publishing 2013. (= Liverpool Hope University studies in ethics.) pp. 11 ff.
Index:
Kubrick, Stanley
Beethoven, Ludwig van
Clockwork Orange, A (1971)
Vergewaltigung ~ Rape
Gewalt ~ Violence
Religion ~ Religion
#6
Lawler, Justus G.: Converging glosses? Gibson’s film and Beethoven’s Mass. In: Worship 78. 2004. No. 5. [?D] pp. 444-453.
Index:
Gibson, Mel
Beethoven, Ludwig van
Passion of the Christ, The (2004)
Missa solemnis (Musik ~ Music)
Religion ~ Religion
#7
Peim, Nick: "If only you could see what I’ve seen with your eyes": Blade Runner and La Symphonie Pastorale. In: Classics in film and fiction. Edited by Deborah Cartmell [et al.]. - London; Sterling, Virginia: Pluto Press 2000. (= Film/fiction 5.) pp. 14-33.
Index:
Scott, Ridley
Beethoven, Ludwig van
Blade Runner (1982)
Sinfonia Pastorale (Musik ~ Music)
Augen ~ Eyes
#8
Sayed, Aron: Kein Missverständnis: Stanley Kubricks Beethoven-Rezeption in A Clockwork Orange. In: Kieler Beiträge zur Filmmusikforschung 2010. No. 6. [November] pp. 153-163.
Index:
Kubrick, Stanley
Beethoven, Ludwig van
Clockwork Orange, A (1971)
Musik ~ Music
#9
Schabram, Kai: "Just Music" - Anmerkungen zu Anthony Burgess’ Beethoven-Rezeption in NapoleonSymphony und A Clockwork Orange. In: Kieler Beiträge zur Filmmusikforschung 2010. No. 6. [November] pp. 137-152.
Index:
Kubrick, Stanley
Burgess, Anthony
Beethoven, Ludwig van
Clockwork Orange, A (1971)
Musik ~ Music
#10
Walden, Joshua S.: "He will knock four times": Fate and the timey-wimey echoes of Beethoven’s Fifth Symphony in Doctor Who. In: Science Fiction Film and Television 9. 2016. No. 2. [?D] pp. 181-207.
Index:
Beethoven, Ludwig van
Doctor Who (TV)
Musik ~ Music
#11
Willet, Eugene: Music as sinthome: Joy riding with Lacan, Lynch, and Beethoven beyond postmodernism. - Austin, Texas: University of Texas at Austin, Ph.D. 2007. [Abstract in: Dissertation Abstracts International A 68. 2008. No. 9. (March)]
Description:
On music’s role in Lynch’s cinematic imagination. Discusses especially Blue Velvet, Lost Highway and Mulholland Drive.
Index:
Lynch, David
Lynch, David
Lacan, Jacques
Beethoven, Ludwig van
Blue Velvet (1986)
Lost Highway (1996)
Mulholland Drive (2001)
Postmoderne ~ Postmodern
Musik ~ Music
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