Bibliografie des fantastischen Films / Bibliography of Fantastic Film
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Bibliografie des fantastischen Films / Bibliography of Fantastic Film
Bibliografie des Fantastischen Films
Bibliography of Fantastic Film
literature list results

The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|

literature list on: Blackmail (1929)

number of items: 28

You can download this literature list as ASCII text file.

Abbreviations
?O City of publication unknown
?V Publishing company unknown
?J Year of publication unknown
?N Issue number unknown
?G Volume number unknown
?D Date of publication unknown
?P Number of pages unknown
?R Series number unknown
Literature list

#1
Barr, Charles: Blackmail: Charles Bennett and the decisive turn. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Bennett, Charles
Hitchcock, Alfred
Blackmail (1929)
Blackmail (Theater ~ Theatre)

#2
Barr, Charles: Blackmail: Silent and sound. In: Sight and Sound 52. 1983. No. 2. [Spring] pp. 123-126.
Description:
On the Hitchcock film planed as silent and realized as sound movie.
Index:
Hitchcock, Alfred
Blackmail (1929)
Musik ~ Music
Stummfilm ~ Silent Film

#3
Boschi, Alberto: Like raisins in a bun: Le due versioni di Blackmail. In: Cinema & Cinema NS 19. 1992. No. 63. [?D] pp. 79-86.
Index:
Hitchcock, Alfred
Blackmail (1929)

#4
Brand, Neil: Working with Hitch. In: Sight and Sound NS 22. 2012. No. 7. [July] pp. 34-37.
Description:
The composer on Hitchcock’s filmic techniques, especially in Blackmail.
Index:
Hitchcock, Alfred
Brand, Neil
Blackmail (1929)
Musik ~ Music

#5
Brophy, Stephen: The use of glass in Alfred Hitchcock’s Blackmail. In: Cineaction 1999. No. 50. [?D] pp. 20-23.
Index:
Hitchcock, Alfred
Blackmail (1929)

#6
Brunas, John / Brunas, Michael / Weaver, Tom: Charles Bennett. In: Brunas, John / Brunas, Michael / Weaver, Tom: Attack of the monster movie makers: Interviews with 20 genre giants. - Jefferson, North Carolina; London: McFarland & Company 1994. pp. 17-30.
Description:
On the play- and screenwriter who wrote the model for Alfred Hitchcock’s Blackmail and worked for Irwin Allen’s The Lost World.
Index:
Bennett, Charles
Hitchcock, Alfred
Allen, Irwin
Blackmail (1929)
Lost World, The (1960)

#7
de Kock, Ivo: De Hitchcock touch: Blackmail. In: Film en Televisie 1997. No. 470. [March] pp. 34-35.
Index:
Hitchcock, Alfred
Blackmail (1929)

#8
Doane, Mary Ann: Donne fatali: Cinema, femminismo, psicoanalisi. Introduzione di Sandra Filippini. Trad. di Gloria Beltrani. - Parma: Pratiche 1995.
Description:
Discusses, among others, Hitchcock’s Blackmail and the representation of women in the American avant-garde film.
Index:
Hitchcock, Alfred
Blackmail (1929)
USA (United States of America) ~ USA (United States of America)
Psychologie ~ Psychology
Frauen ~ Women
Experimentalfilme ~ Experimental Films

#9
Doane, Mary Ann: Femmes fatales: Feminism, film theory, psychoanalysis. - New York; London: Routledge 1991.
Reviews:
Dixon, Wheeler Winston: [untitled] In: Prairie Schooner 67. 1993. No. 2. [?D] pp. 151-154.
Flinn, Caryl: [untitled] In: Signs 19. 1994. No. 3. [?D] pp. 786-791.
Higashi, Sumiko: [untitled] in In: Film Quarterly 45. 1992. No. 4. [?D] pp. 35-36.
Jablow, Valerie: [untitled] In: Belles Lettres 8. 1992. No. 1. [?D] p. 49.
Page, Barbara: [untitled] In: College English 54. 1992. No. 8. [?D] pp. 945-948.
Petro, Patrice: Lest we forget. In: Sight and Sound NS 2. 1992. No. 3. [July] pp. 36-37.
Reijnders, Gusta: [untitled] In: Skrien 1993/1994. No. 193. [December/January] p. 97.
Sorlin, Pierre: [untitled] In: Historical Journal of Film, Radio and Television 12. 1992. No. 2. [June] p. 186.
van Zoonen, Liesbet: Gender and film. In: Journal of Communication 42. 1992. No. 4. [Autumn] pp. 180-185.
Description:
Discusses, among others, Hitchcock’s Blackmail and the representation of women in the American avant-garde film.
Index:
Hitchcock, Alfred
Blackmail (1929)
USA (United States of America) ~ USA (United States of America)
Psychologie ~ Psychology
Frauen ~ Women
Experimentalfilme ~ Experimental Films

#10
Everschor, Franz: Remake von Hitchcocks Erpressung. In: Film-Dienst 44. 1991. No. 7. [April 2] p. 41.
Description:
On Blackmail by Ruben Preuss.
Index:
Hitchcock, Alfred
Preuss, Ruben
Blackmail (1929)
Blackmail (1991)

#11
Eyuboglu, Selim: Four films: Crossing the boundaries of modernism and postmodernism. - Kent: University of Kent, Ph.D. 1992. [Abstract in: Index to Theses with Abstracts 43. 1994. No. 1. pp. 17-18(43-0112) / Dissertation Abstracts International A 53. 1993. No. 9. (March) p. 3022A.]
Description:
Discusses Lucino Visconti’s Morte a Venezia, Michelangelo Antonioni’s L’Avventura, Alfred Hitchcock’s Blackmail and David Lynch’s Blue Velvet.
Index:
Visconti, Lucino
Antonioni, Michelangelo
Hitchcock, Alfred
Lynch, David
Morte a Venezia (1970)
Avventura, L’ (1959)
Blackmail (1929)
Blue Velvet (1986)
Postmoderne ~ Postmodern

#12
Eyüboglu, Selim: The authorial text and postmodernism: Hitchcock’s Blackmail. In: Screen 32. 1991. No. 1. [Spring] pp. 58-78.
Index:
Hitchcock, Alfred
Blackmail (1929)
Postmoderne ~ Postmodern

#13
Izzo, Donatella: Sounds of silence in The Wings of the Dove and Blackmail. In: The men who knew too much: Henry James and Alfred Hitchcock. Edited by Susan Griffin and Alan Nadel. - Oxford; New York: Oxford University Press 2011. p. ?P.
Index:
James, Henry
Hitchcock, Alfred
Blackmail (1929)
Musik ~ Music
Wings of the Dove, The (Literatur ~ Literature)

#14
Laufer, Laura: Le chant d’Ariel. In: Trafic 2002. No. 41. [Spring] pp. 26-37.
Description:
On the early films of Alfred Hitchcock. Discusses, among others, The Lodger, Blackmail, Murder and Rich and Strange.
Index:
Hitchcock, Alfred
Lodger, The: A Story of the London Fog (1927)
Blackmail (1929)
Murder (1930)
Rich and Strange / East of Shanghai (1932)

#15
Lawrence, Amy: Feminine discourse in Blackmail. In: Spectatorship: Shifting theories of gender, sexuality, and media. Edited by Roxanne Samer and William Whittington. - Austin, Texas: University of Texas Press 2017. p. ?P.
Index:
Hitchcock, Alfred
Blackmail (1929)
Frauen ~ Women
Sexualität ~ Sexuality

#16
Linderman, D.: The screen in Hitchcock’s Blackmail. In: Wide Angle 4. 1980. No. 1. [?D] pp. 20-28.
Description:
Feminist and psychoanalytic interpretation.
Index:
Hitchcock, Alfred
Blackmail (1929)
Psychologie ~ Psychology
Frauen ~ Women

#17
Linderman, Deborah Judith: Structuring absence in the fiction film: A problematic in oedipal representation. - Providence, Rhode Island: Brown University, Ph.D. 1983. [Abstract in: Dissertation Abstracts International A 44. 1984. No. 7. (January) p. 1954A.]
Description:
Discusses, among others, Hitchcock’s Blackmail and Vertigo, Carl Theodor Dreyer’s La Passion de Jean d’Arc as well as Cat People.
Index:
Hitchcock, Alfred
Dreyer, Carl Theodor
Blackmail (1929)
Vertigo (1958)
Passion de Jean d’Arc, La (1928)
Ödipus ~ Oedipus

#18
McBride, Ryan: Fatal spaces: Alfred Hitchcock, Fritz Lang, and the art of murder. - Saarbrücken: VDM Verlag Dr. Müller 2007.
Description:
Compares The Thirty-Nine Steps to Ministry of Fear and Blackmail to The Blue Gardenia. Includes also a chapter on the use of staircases in both director’s work.
Index:
Hitchcock, Alfred
Lang, Fritz
Thirty-Nine Steps, The (1935)
Ministry of Fear (1944)
Blackmail (1929)
Blue Gardenia, The (1952/1953)
Mord ~ Murder

#19
McNeill, David: Cohesion and gesture. In: Discourse Processes 16. 1993. No. 4. [October-December] pp. 363-386.
Description:
On Alfred Hitchcock’s Blackmail.
Index:
Hitchcock, Alfred
Blackmail (1929)

#20
Modleski, Tania: Rape versus mans/laughter: Hitchcock’s Blackmail and feminist interpretation. In: Publications of the Modern Language Association of America 102. 1987. No. 3. [May] pp. 304-315.
Index:
Hitchcock, Alfred
Blackmail (1929)
Vergewaltigung ~ Rape
Humor ~ Humor
Frauen ~ Women

#21
O’Neill, Eithne: La sensation du cinéma: Eléments de forme dans l’oeuvre muette de Hitchcock. In: Positif 2000. No. 470. [April] pp. 82-83.
Description:
On Hitchcock’s silent films Easy Virtue, The Manxman, The Farmer’s Wife and Blackmail.
Index:
Hitchcock, Alfred
Easy Virtue (1927)
Manxman, The (1929)
Farmer’s Wife, The (1928)
Blackmail (1929)
Stummfilm ~ Silent Film

#22
Pomerance, Murray: The horse who drank the sky: Film experience beyond narrative and theory. - New Brunswick, New Jersey: Rutgers University Press 2008.
Reviews:
Krohn, Bill: [untitled.] In: Cineaste 33. 2008. No. 4. [?D] pp. 70-72.
Description:
Discusses a lot of fantastic films, among them Alfred Hitchcock’s Blackmail, Rebecca, Stage Fright, The Man Who Knew Too Much, Vertigo and North by Northwest, Fritz Lang’s M - Eine Stadt sucht einen Mörder, Victor Fleming’s The Wizard of Oz, François Truffaut’s Fahrenheit 451, Ishiro Honda’s Gojira, Jim Jarmusch’s Dead Man, David Cronenberg’s The Dead Zone, William Friedkin’s The Exorcist, Guillermo del Toro’s El Laberinto del Fauno, Terence Young’s From Russia with Love, Doug Liman’s The Bourne Identity and Paul Greengrass’s The Bourne Supremacy, Alejandro González Iñárritu’s Babel, Wim Wenders’s Bis ans Ende der Welt, Michelangelo Antonioni’s Blow Up and Steven Spielberg’s Close Encounters of the Third Kind as well as Jaws.
Index:
Hitchcock, Alfred
Lang, Fritz
Fleming, Victor
Truffaut, François
Honda, Ishiro
Jarmusch, Jim
Cronenberg, David
Friedkin, William
del Toro, Guillermo
Young, Terence
Liman, Doug
Greengrass, Paul
González Iñárritu, Alejandro
Wenders, Wim
Antonioni, Michelangelo
Spielberg, Steven
Blackmail (1929)
Rebecca (1940)
Stage Fright (1950)
Man Who Knew Too Much, The (1956)
Vertigo (1958)
North by Northwest (1959)
M - Eine Stadt sucht einen Mörder (1931)
Wizard of Oz, The (1939)
Fahrenheit 451 (1966)
Gojira (1954)
Dead Man (1995)
Dead Zone, The (1983)
Exorcist, The (1973)
Laberinto del Fauno, El (2006)
From Russia with Love (1963)
Bourne Identity, The (2002)
Bourne Supremacy, The (2004)
Babel (2006)
Bis ans Ende der Welt (1991)
Blow Up (1966)
Close Encounters of the Third Kind (1977)
Jaws (1975)

#23
Ryall, Tom: Blackmail. - Bloomington, Indiana: Indiana University Press / London: British Film Institute Publishing 1993. (= BFI Classics.)
Reviews:
Fell, John: [untitled] In: Film Quarterly 48. 1994. No. 1. [Fall] pp. 38-39.
Index:
Hitchcock, Alfred
Blackmail (1929)

#24
Scarrone, C.: Blackmail. In: Filmcritica 32. 1981. No. 311. [January] pp. 29-30.
Index:
Hitchcock, Alfred
Blackmail (1929)

#25
Sloan, Kay: Three Hitchcock heroines: The domestication of violence. In: New Orleans Review 12. 1985. No. 4. [Winter] pp. 91-95.
Description:
On Blackmail, Shadow of a Doubt and The Birds.
Index:
Hitchcock, Alfred
Blackmail (1929)
Shadow of a Doubt (1943)
Birds, The (1962)
Gewalt ~ Violence

#26
Smith, M.: Technological determination, aesthetic resistance or A Cottage on Dartmoor: Goat-land talkie or masterpiece? In: Wide Angle 12. 1990. No. 3. [July] pp. 80-97.
Description:
Compares Anthony Asquith’s A Cottage on Dartmoor with Alfred Hitchcock’s Blackmail.
Index:
Hitchcock, Alfred
Blackmail (1929)
Technik ~ Technology

#27
Telotte, J. P.: The sounds of Blackmail: Hitchcock and sound aesthetic. In: Journal of Popular Film and Television 28. 2001. No. 4. [?D] pp. 184-191.
Index:
Hitchcock, Alfred
Blackmail (1929)
Musik ~ Music

#28
Telotte, J. P.: The sounds of Blackmail: Hitchcock and sound aesthetic. In: Journal of Popular Film and Television 28. 2001. No. 4. [Winter] pp. 184-191.
Index:
Hitchcock, Alfred
Blackmail (1929)
Musik ~ Music


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Bibliografie des fantastischen Films / Bibliography of Fantastic Film

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