The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Blow Up (1966)
number of items: 27
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#1
Ancelin, Pierre: À l’écoute de l’Amérique: Blow Out. In: L’Art du Cinéma 2001/2002. No. 35-37. [Winter] pp. 77-126.
Description:
Compares Brian De Palma’s Blow Out with Alfred Hitchcock’s Psycho and Michelangelo Antonioni’s Blow Up.
Index:
De Palma, Brian
Hitchcock, Alfred
Antonioni, Michelangelo
Blow Out (1981)
Psycho (1960)
Blow Up (1966)
USA (United States of America) ~ USA (United States of America)
#2
Boyd, David: Film and the interpretive process: A study of Blow-Up, Rashomon, Citizen Kane, 8 1/2, Vertigo and Persona. - New York, Bern, Frankfurt/M., Paris: Lang 1989. (= Ars interpretandi 1.)
Reviews:
Rother, Rainer: [untitled] In: Medienwissenschaft 1990. No. 4. pp. 386-390.
Description:
Bibliography.
Index:
Antonioni, Michelangelo
Kurosawa, Akira
Welles, Orson
Fellini, Federico
Hitchcock, Alfred
Bergman, Ingmar
Blow Up (1966)
Rashomon (1950)
Citizen Kane (1940)
Otto e mezzo / Huit et demi (1962)
Vertigo (1958)
Persona (1966)
#3
del Rio, Elena: Antonioni’s Blowup: Freeing the imaginary from metaphysical ground. In: Film-Philosophy 9. 2005. No. 32. [June] p. ?P.
Index:
Antonioni, Michelangelo
Blow Up (1966)
Religion ~ Religion
Philosophie ~ Philosophy
#4
Drate, Süencer / Salavetz, Jütka / Sarowitz, Sam: Art of the modern movie poster: International postwar style and design. Text by Dave Kehr. - San Francisco, California: Chronicle Books 2008.
Description:
Compares the film posters for several films in different countries.
Discusses, among others, the posters for Michelangelo Antonioni’s Blow Up, Francis Ford Coppola’s Apocalypse Now, Alfred Hitchcock’s Psycho, Terence Young’s Dr. No, Stanley Kubrick’s 2001 - A Space Odyssey, Federico Fellini’s La dolce vita and the Star Wars films.
Index:
Antonioni, Michelangelo
Coppola, Francis Ford
Hitchcock, Alfred
Young, Terence
Kubrick, Stanley
Fellini, Federico
Lucas, George
Blow Up (1966)
Apocalypse Now (1976-1979)
Psycho (1960)
Dr. No (1962)
2001 - A Space Odyssey (1968)
dolce vita, La (1959)
Star Wars (Filmreihe)
Krieg ~ War
#5
Ebert, Roger: Blow Up. In: Ebert, Roger: The great movies. - New York: Broadway Books 2002. pp. 74 ff.
Index:
Antonioni, Michelangelo
Blow Up (1966)
#6
Felten, Uta: Photographen, Gangster und Nomaden: Michelangelo Antonioni: Zabriskie Point, Jean-Luc Godard: Pierrot le fou, Michelangelo Antonioni: Blow up, Jean-Luc Godard: À bout de souffle. In: Felten, Uta: Träumer und Nomaden: Eine Einführung in die Geschichte des modernen Kinos in Frankreich und Italien. - Tübingen: Stauffenburg-Verlag 2011. (= Stauffenburg-Einführungen 24.) pp. 77 ff.
Index:
Antonioni, Michelangelo
Godard, Jean-Luc
Antonioni, Michelangelo
Godard, Jean-Luc
Zabriskie Point (1970)
Pierrot le fou / bandito delle 11, Il (1965)
Blow Up (1966)
A bout de souffle (1959)
Fotografie ~ Photography
Traum ~ Dreams
Kriminalität ~ Crime
Italien ~ Italy
Frankreich ~ France
#7
Gansera, Rainer: Magische Momente: Blow up. In: Film-Dienst 66. 2013. No. 24. [November 21] p. 34.
Index:
Antonioni, Michelangelo
Blow Up (1966)
Magie ~ Magic
#8
Garner, Philippe / Mellor, David: Antonioni’s Blow-up. - Göttingen: Steidl 2010.
Reviews:
Wach, Alexandra: [untitled.] In: Film-Dienst 64. 2011. No. 25. [December 8] p. 57.
Index:
Antonioni, Michelangelo
Blow Up (1966)
#9
Grønstad, Asbjørn: Anatomy of a murder: Bazin, Barthes, Blow-Up. In: The Film Journal [Ohio] 2004. No. 9. [July] p. ?P.
Index:
Antonioni, Michelangelo
Bazin, André
Barthes, Roland
Blow Up (1966)
Mord ~ Murder
#10
Harris, Thomas: Rear Window and Blow-Up: Hitchcock’s straightforwardness vs. Antonioni’s ambiguity. In: Literature/Film Quarterly 15. 1987. No. 1. [January] pp. 60-63.
Index:
Hitchcock, Alfred
Antonioni, Michelangelo
Rear Window (1954)
Blow Up (1966)
#11
Kael, Pauline: Tourist in the city of youth. In: Kael, Pauline: The age of movies: Selected writings of Pauline Kael. Edited by Sanford Schwartz. - New York: Library of America 2011. p. ?P.
Description:
On Michelangelo Antonioni’s Blow Up.
Index:
Antonioni, Michelangelo
Blow Up (1966)
Stadt ~ City
Jugend ~ Youth
#12
Kafalenos, Emma Mellard. The Power of double coding to represent new forms of representations: The Truman Show, Dorian Gray, Blow-Up and Whistler’s Caprice in Purple and Gold. In: Poetics Today 24. 2003. No. 1. [?D] pp. 1-33.
Index:
Whistler, James McNeill
Weir, Peter
Antonioni, Michelangelo
Truman Show, The (1998)
Blow Up (1966)
Caprice in Purple and Gold (Kunst ~ Arts)
#13
Lahaie, Christiane: Du fantastique littéraire au fantastique filmique: Une question de point de vue? In: Cinémas 5. 1995. No. 3. [Spring] pp. 45-63.
Description:
Discusses Michelangelo Antonioni’s Blow Up and Robert Wise’s The Haunting.
Index:
Antonioni, Michelangelo
Wise, Robert
Blow Up (1966)
Haunting, The (1963)
#14
Michaelsen, Torsten: Blow Up. In: Filmgenres: Kriminalfilm. Hrsg. von Knut Hickethier unter Mitarbeit von Katja Schumann. - Stuttgart: Reclam 2005. pp. 183-187.
Index:
Antonioni, Michelangelo
Blow Up (1966)
Kriminalität ~ Crime
#15
Nardelli, Matilde: Blow-Up and the plurality of photography. In: Antonioni: Centenary essays. Edited by Laura Rascaroli and John David Rhodes. - London: Palgrave Macmillan 2011. p. ?P.
Index:
Antonioni, Michelangelo
Blow Up (1966)
Fotografie ~ Photography
#16
Ott, Michaela: Die Selbstreflexion des filmischen Mediums: Michelangelo Antonioni: Blow up (1966). In: Was lehrt das Kino? 24 Filme und Antworten. Herausgegeben von Stefan Keppler-Tasaki und Elisabeth K. Paefgen. - München: Edition Text + Kritik 2012. p. 336 ff.
Index:
Antonioni, Michelangelo
Blow Up (1966)
#17
Pomerance, Murray: The horse who drank the sky: Film experience beyond narrative and theory. - New Brunswick, New Jersey: Rutgers University Press 2008.
Reviews:
Krohn, Bill: [untitled.] In: Cineaste 33. 2008. No. 4. [?D] pp. 70-72.
Description:
Discusses a lot of fantastic films, among them Alfred Hitchcock’s Blackmail, Rebecca, Stage Fright, The Man Who Knew Too Much, Vertigo and North by Northwest, Fritz Lang’s M - Eine Stadt sucht einen Mörder, Victor Fleming’s The Wizard of Oz, François Truffaut’s Fahrenheit 451, Ishiro Honda’s Gojira, Jim Jarmusch’s Dead Man, David Cronenberg’s The Dead Zone, William Friedkin’s The Exorcist, Guillermo del Toro’s El Laberinto del Fauno, Terence Young’s From Russia with Love, Doug Liman’s The Bourne Identity and Paul Greengrass’s The Bourne Supremacy, Alejandro González Iñárritu’s Babel, Wim Wenders’s Bis ans Ende der Welt, Michelangelo Antonioni’s Blow Up and Steven Spielberg’s Close Encounters of the Third Kind as well as Jaws.
Index:
Hitchcock, Alfred
Lang, Fritz
Fleming, Victor
Truffaut, François
Honda, Ishiro
Jarmusch, Jim
Cronenberg, David
Friedkin, William
del Toro, Guillermo
Young, Terence
Liman, Doug
Greengrass, Paul
González Iñárritu, Alejandro
Wenders, Wim
Antonioni, Michelangelo
Spielberg, Steven
Blackmail (1929)
Rebecca (1940)
Stage Fright (1950)
Man Who Knew Too Much, The (1956)
Vertigo (1958)
North by Northwest (1959)
M - Eine Stadt sucht einen Mörder (1931)
Wizard of Oz, The (1939)
Fahrenheit 451 (1966)
Gojira (1954)
Dead Man (1995)
Dead Zone, The (1983)
Exorcist, The (1973)
Laberinto del Fauno, El (2006)
From Russia with Love (1963)
Bourne Identity, The (2002)
Bourne Supremacy, The (2004)
Babel (2006)
Bis ans Ende der Welt (1991)
Blow Up (1966)
Close Encounters of the Third Kind (1977)
Jaws (1975)
#18
Rascaroli, Laura: Modernity, put into form: Blow-Up, objectuality, 1960s Antonioni. In: Antonioni: Centenary essays. Edited by Laura Rascaroli and John David Rhodes. - London: Palgrave Macmillan 2011. p. ?P.
Index:
Antonioni, Michelangelo
Blow Up (1966)
#19
Rother, Rainer: Blow Up (1966). In: Der Filmkanon: 35 Filme, die Sie kennen müssen. Hrsg. von Alfred Holighaus. - Bonn: Bundeszentrale für Politische Bildung / Berlin: Bertz + Fischer 2005. pp. 151 ff.
Index:
Antonioni, Michelangelo
Blow Up (1966)
#20
Schifferle, Hans: Explosion der Bilder: Blow Up und die Kultur der Swinging Sixties. In: EPD Film 24. 2007. No. 7. [August] pp. 20-25.
Index:
Antonioni, Michelangelo
Blow Up (1966)
#21
Schwarz, Eva: Visual paranoia in Rear Window, Blow-Up and The Truman Show. - Stuttgart: Ibidem-Verlag 2011.
Index:
Hitchcock, Alfred
Antonioni, Michelangelo
Weir, Peter
Rear Window (1954)
Blow Up (1966)
Truman Show, The (1998)
Wahnsinn ~ Madness
#22
Tateishi, Ramie: Blow Up y la mirada afectual. In: Lujuria: Historia de los afectos: Ensayos de cine y filosofía. Coordinadores: Armando Casas, Leticia Flores Farfán, Paul Majkut. - México: Universidad Nacional Autónoma de México 2014. p. ?P.
Index:
Antonioni, Michelangelo
Blow Up (1966)
Philosophie ~ Philosophy
Sexualität ~ Sexuality
#23
Tomasulo, Frank P.:"You’re tellin’ me you didn’t see": Hitchcock’s Rear Window and Antonioni’s Blow-Up. In: After Hitchcock: Influence, imitation, and intertextuality. Edited by David Boyd and R. Barton Palmer. - Austin, Texas: University of Texas Press 2006. pp. 145-172.
Index:
Hitchcock, Alfred
Antonioni, Michelangelo
Rear Window (1954)
Blow Up (1966)
#24
Torlasco, Domietta: Undoing the scene of the crime: Perspective and the vanishing of the spectator. In: Camera Obscura 22. 2007. No. 64. [?D] pp. 76-111.
Description:
On the representation of the media in Michelangelo Antonioni’s Blow Up and Professione: Reporter.
Index:
Antonioni, Michelangelo
Blow Up (1966)
Professione: Reporter (1973)
Kriminalität ~ Crime
#25
Torlasco, Domietta: Undoing the scene of the crime: Time and vision in Italian cinema. - Berkeley, California: University of California, Berkeley, Ph.D. 2003. [Abstract in: Dissertation Abstracts International A 65. 2004. No. 2. (August) p. 325.]
Description:
Discusses Michelangelo Antonioni’s Blow Up and Professione: Reporter, Bernardo Bertolucci’s Strategia del ragno, Liliana Cavani’s Il portiere di notte and Pier Paolo Pasolini’s Edipo Re.
Index:
Antonioni, Michelangelo
Bertolucci, Bernardo
Cavani, Liliana
Pasolini, Pier Paolo
Blow Up (1966)
Professione: Reporter (1973)
Strategia del ragno (1969)
portiere di notte, Il / Night Porter, The (1973)
Edipo Re / Oedipus Rex (1967)
Italien ~ Italy
Kriminalität ~ Crime
#26
Weinmann, Julia: Der Film als semiotisches System - eine Untersuchung der Theorien Jurij Lotmans auf der Grundlage von Michelangelo Antonionis Film Blow Up. - Augsburg: Universität Augsburg, Lehrstuhl für neuere Deutsche Literaturwissenschaft / Komparatistik, Seminararbeit 2004.
Index:
Antonioni, Michelangelo
Lotman, Jurij
Blow Up (1966)
#27
West, Rebecca: Death and disremembering in Antonioni’s Blow-Up and Malerba’s Salto mortale. In: Italica 87. 2010. No. 3. [?D] pp. 391-407.
Index:
Malerba, Luigi
Antonioni, Michelangelo
Blow Up (1966)
Tod ~ Death
Salto mortale (Literatur ~ Literature)
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