The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Browning, Tod
number of items: 159
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| ?J | Year of publication unknown |
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#1
Adams, Rachel: Sideshow U.S.A.: Freaks and the American cultural imagination. - Chicago, Illinois: University of Chicago Press 2001.
Reviews:
Coffman, Christine E.: [untitled] In: GLQ 9. 2003. No. 3. [?D] pp. 415-428.
Description:
Discusses, among others, Tod Browning’s Freaks.
Index:
Browning, Tod
Freaks (1932)
USA (United States of America) ~ USA (United States of America)
Körper ~ Bodies
#2
Alion, Yves: Freaks. In: La Revue du Cinéma 1990. No. 463. [September] p. 49.
Index:
Browning, Tod
Freaks (1932)
#3
Arbeit, Marcel: Miracles for Sale and other films of detection and the occult. In: The cinema of Tod Browning: Essays of the macabre and grotesque. Edited by Bernd Herzogenrath. - Jefferson, North Carolina; London: McFarland 2008. pp. 214-230.
Index:
Browning, Tod
Leeds, Herbert I.
Miracles for Sale (1939)
Man Who Wouldn’t Die, The (1942)
Religion: Okkultismus ~ Religion: Occultism
#4
Arecco, Sergio: Dracula o il gobbo degli scacchi. In: Filmcritica 50. 2000. No. 409. [November] pp. 451-459.
Description:
On the filmings of Bram Stoker’s novel. Discusses, among others, the Dracula films by Tod Browning, Friedrich Wilhelm Murnau’s Nosferatu - Eine Symphonie des Grauens, Werner Herzog’s Nosferatu - Phantom der Nacht and Francis Ford Coppola’s Bram Stoker’s Dracula.
Index:
Stoker, Bram
Browning, Tod
Murnau, Friedrich Wilhelm
Herzog, Werner
Coppola, Francis Ford
Nosferatu - Eine Symphonie des Grauens (1922)
Nosferatu - Phantom der Nacht (1978)
Bram Stoker’s Dracula (1992)
Dracula (Filmreihe)
Vampire ~ Vampires
Dracula (Literatur ~ Literature)
#5
Arecco, Sergio: Il killer della luna di miele. In: Filmcritica 51. 2001. No. 513. [March] pp. 101-110.
Description:
Discusses, among others, Tod Browning’s Dracula, Alfred Hitchcock’s The Man Who Knew Too Much and Pedro Almodóvar’s La ley dei deseo.
Index:
Browning, Tod
Hitchcock, Alfred
Almodóvar, Pedro
Dracula (1930)
Man Who Knew Too Much, The (1934)
Man Who Knew Too Much, The (1956)
ley del deseo, La (1986)
Mord ~ Murder
#6
Babilas, Dorota: Todd Browning’s Dracula (1931): The vampire wears a dress coat. In: Dracula and the gothic in literature, pop culture and the arts. Edited by Isabel Ermida. - Leiden; Boston, Massachussetts: Brill Rodopi 2016. (= DQR studies in literature 60.) pp. 137-156.
Index:
Browning, Tod
Dracula (1930)
Vampire ~ Vampires
Horror ~ Horror
#7
Biette, Jean-Claude: Tod Browning et Freaks. In: Cahiers du Cinéma 1978. No. 288. [May] pp. 22-26.
Index:
Browning, Tod
Freaks (1932)
#8
Bloom, Abigail Burnham: Vampire and victim. In: Bloom, Abigail Burnham: The literary monster on film: Five nineteenth century British novels and their cinematic adaptations. - Jefferson, North Carolina; London: McFarland & Company 2010. p. ?P.
Description:
On the filmings of Bram Stoker’s Dracula. Discusses Friedrich Wilhelm Murnau’s Nosferatu, Tod Browning’s Dracula and Francis Ford Coppola’s Bram Stoker’s Dracula.
Index:
Stoker, Bram
Murnau, Friedrich Wilhelm
Browning, Tod
Coppola, Francis Ford
Nosferatu - Eine Symphonie des Grauens (1922)
Dracula (1930)
Bram Stoker’s Dracula (1992)
Vampire ~ Vampires
Dracula (Literatur ~ Literature)
Großbritannien ~ Great Britain
Monster ~ Monster
Literatur ~ Literature
#9
Blyn, Robin: Between silence and sound: Ventriloquism and the advent of the voice in The Unholy Three. In: The films of Tod Browning. Edited by Bernd Herzogenrath. - London: Black Dog Publishing 2006. pp. 117 ff.
Index:
Browning, Tod
Unholy Three, The (1925)
Musik ~ Music
#10
Bombaci, Nancy: Freaks in late modernist American culture: Nathanael West, Djuna Barnes, Tod Browning, and Carson McCullers. - New York: Peter Lang 2006. (= Modern American literature, 1078-0521 47.)
Index:
Weinstein, Nathan Wallenstein [Pseudonym: West, Nathanael]
Barnes, Dunja
Browning, Tod
McCullers, Carson
Freaks (1932)
USA (United States of America) ~ USA (United States of America)
#11
Bond, Jeff: Freaks. In: Cinefantastique 36. 2004. No. 5. [October/November] p. 62.
Description:
On a DVD edition.
Index:
Browning, Tod
Freaks (1932)
DVD ~ DVD
#12
Brenez, Nicole: Body dreams: Lon Chaney and Tod Browning - thesaurus anatomicus. In: The films of Tod Browning. Edited by Bernd Herzogenrath. - London: Black Dog Publishing 2006. pp. 95 ff.
Index:
Browning, Tod
Chaney, Lon
Traum ~ Dreams
Körper ~ Bodies
#13
Brinkema, Eugenie: Browning. Freak. Woman. Stain. In: The cinema of Tod Browning: Essays of the macabre and grotesque. Edited by Bernd Herzogenrath. - Jefferson, North Carolina; London: McFarland 2008. pp. 158-173.
Index:
Browning, Tod
Freaks (1932)
Frauen ~ Women
#14
Britnall, Kent L.: The moral demand of the "loving cup": The presence of the abject body in Tod Browning’s Freaks and the Christian eucharist. In: Golem: Journal of Religion and Monsters 1. 2006. No. 1. [Spring] p. ?P.
Index:
Browning, Tod
Freaks (1932)
Körper ~ Bodies
Religion ~ Religion
#15
Broderick, James F.: Freaks. In: Broderick, James F.: Now a terrifying motion picture! Twenty-five classic works of horror adapted from book to film. - Jefferson, North Carolina: McFarland 2012. p. ?P.
Index:
Robbins, Clarence Aaron "Tod"
Browning, Tod
Freaks (1932)
Spurs (Literatur ~ Literature)
Literatur ~ Literature
Horror ~ Horror
#16
Bronfen, Elisabeth: Das Kino als Vampir: Tod Brownings Dracula (1931). In: Der Vampirfilm: Klassiker des Genres in Einzelinterpretationen. Hrsg. von Stefan Keppler und Michael Will. - Würzburg: Königshausen und Neumann 2006. (= Film - Medium - Diskurs 14) p. ?P.
Index:
Browning, Tod
Dracula (1930)
Vampire ~ Vampires
#17
Bronfen, Elisabeth: Speaking with eyes: Tod Browning’s Dracula and its phantom camera. In: The films of Tod Browning. Edited by Bernd Herzogenrath. - London: Black Dog Publishing 2006. pp. 151 ff.
Index:
Browning, Tod
Dracula (1930)
Technik: Kamera ~ Technology: Camera
Augen ~ Eyes
#18
Brunas, John / Brunas, Michael / Weaver, Tom: Lupita Tovar. In: Brunas, John / Brunas, Michael / Weaver, Tom: Attack of the monster movie makers: Interviews with 20 genre giants. - Jefferson, North Carolina; London: McFarland & Company 1994. pp. 357-365.
Description:
On the Mexican actress who played in the Spanish co-version of Tod Browning’s Dracula, directed by George Melford. Includes a filmography.
Index:
Tovar, Lupita
Browning, Tod
Melford, George
Ávalos, Enrique Tovar
Dracula (1930)
Drácula (1930)
Mexiko ~ Mexico
Spanien ~ Spain
#19
Büttner, Roman / Kröger, Malte / Peschenz, Mandy: Der Biss des Vampirs: Sexualität und Erotik in den Verfilmungen von Dracula. - München: ScienceFactory 2013.
Description:
Discusses especially the representation of deviant sexuality in Terence Fisher’s Dracula and Dracula, Prince of Darkness as well as in Tod Browning’s Dracula, Patrick Lussier’s Dracula 2000 and in the Twilight literature and film series.
Index:
Meyer, Stephenie
Stoker, Bram
Fisher, Terence
Browning, Tod
Lussier, Patrick
Dracula (1958)
Dracula, Prince of Darkness (1965)
Dracula (1930)
Wes Craven Presents: Dracula 2000 / Dracula 2000 (2000)
Twilight Saga, The (Filmreihe)
Vampire ~ Vampires
Sexualität ~ Sexuality
Twilight (Literatur ~ Literature)
Dracula (Literatur ~ Literature)
#20
Cahill, Madeleine A. / Norden, Martin F.: Violence, women, and disability in Tod Browning’s Freaks and The Devil Doll. In: Journal of Popular Film and Television 26. 1998. No. 2. [Summer] pp. 86-94.
Index:
Browning, Tod
Freaks (1932)
Devil Doll, The (1936)
Behinderung ~ Disability
Gewalt ~ Violence
Frauen ~ Women
#21
Carcassonne, Philippe: Freaks: La monstrueuse parade. In: Cinématographe 1978. No. 37. [April] pp. 32-33.
Index:
Browning, Tod
Freaks (1932)
#22
Chabot, Kevin: Bodies without borders: Body horror as political resistance in classical Hollywood cinema. - Ottawa, Ontario: Carleton University, M.A. 2013. [Abstract In: Masters Abstracts International 52. 2014. No. 2. [April] p. ?P.]
Description:
Analyses, as examples, Jacques Tourneur’s Cat People, Rouben Mamoulian’s Dr. Jekyll and Mr. Hyde and Tod Browning’s Freaks.
Index:
Tourneur, Jacques
Mamoulian, Rouben
Browning, Tod
Cat People (1942)
Dr. Jekyll and Mr. Hyde (1931)
Freaks (1932)
Politik ~ Politics
Körper ~ Bodies
Horror ~ Horror
Hollywood ~ Hollywood
#23
Charles, Alec: Double identity: Presence and absence in the films of Tod Browning. In: The films of Tod Browning. Edited by Bernd Herzogenrath. - London: Black Dog Publishing 2006. pp. 79 ff.
Index:
Browning, Tod
Doppelgänger ~ Double
#24
Chivers, Sally: The horror of becoming "one of us" In: Screening disability: Essays on cinema and disability. Edited by Christopher R. Smit and Anthony Enns. - Lanham, Maryland: University Press of America 2001. p. ?P.
Description:
On Tod Browning’s Freaks.
Index:
Browning, Tod
Freaks (1932)
Behinderung ~ Disability
Horror ~ Horror
#25
The cinema of Tod Browning: Essays of the macabre and grotesque. Edited by Bernd Herzogenrath. - Jefferson, North Carolina; London: McFarland 2008.
Index:
Browning, Tod
#26
Cluny, Claude Michel: Freaks: Dans l’oeuvre de Tod Browning. In: Cinéma [Paris] 1978. No. 233. [May] pp. 27-31.
Index:
Browning, Tod
Freaks (1932)
#27
Cook, Meira: None of us: Ambiguity as moral discourse in Tod Browning’s Freaks. In: Screening disability: Essays on cinema and disability. Edited by Christopher R. Smit and Anthony Enns. - Lanham, Maryland: University Press of America 2001. p. ?P.
Index:
Browning, Tod
Freaks (1932)
Behinderung ~ Disability
#28
Cooke, Bill: Dracula: 75th Anniversary edition. In: Video Watchdog 2007. No. 129. [March/April] pp. 6-7.
Index:
Browning, Tod
Dracula (1930)
DVD ~ DVD
#29
Coolidge-Rask, Marie: London After Midnight. Edited by N. W. Erickson. - London: The Imaginary Book 2013.
Reviews:
Giles, Jane: [untitled.] In: Sight and Sound NS 23. 2013. No. 5. [May] p. 124.
Index:
Browning, Tod
London After Midnight / Hypnotist, The (1927)
#30
Coughlin, Jim: Forgotten faces of fantastic cinema: Murray Kinnell. In: Midnight Marquee 1993. No. 45. [Summer] pp. 79-82.
Description:
On the actor who played in Tod Browning’s Freaks and Karl Freund’s Mad Love.
Index:
Kinnell, Murray
Browning, Tod
Freaks (1932)
Mad Love / Hands of Orlac, The (1935)
#31
Coughlin, Jim: The supporting players of Universal’s Dracula: Herbert Bunston, Francis Dade, Charles Gerrard. In: Midnight Marquee 1995. No. 49. [?D] pp. 63-67.
Index:
Browning, Tod
Bunston, Herbert
Dade, Francis
Gerrard, Charles
Dracula (1930)
Universal [Firma] ~ Universal [Company]
#32
Crucianelli, Guy / Mcroy, Jay: "I Panic the world": Benevolent exploitation in Tod Browning’s Freaks and Harmony Korine’s Gummo. In: Journal of Popular Culture 42. 2009. No. 2. [April] pp. 257-272.
Index:
Browning, Tod
Korine, Harmony
Freaks (1932)
Gummo (1997)
Exploitation ~ Exploitation
#33
Dellmann, Sarah: Spot the Monster! Oder: Über die Unmöglichkeit von Normalität: Im Kino mit Tod Brownings Film Freaks (USA 1932). In: Von Monstern und Menschen: Begegnungen der anderen Art in kulturwissenschaftlicher Perspektive. Hrsg. von Gunther Gebhard. - Bielefeld: Transcript 2009. (= Kultur- und Medientheorie.) pp. 137 ff.
Index:
Browning, Tod
Freaks (1932)
Monster ~ Monster
#34
Dellmann, Sarah: Widerspenstige Körper: Körper, Kino, Sprache und Subversion in Tod Brownings Freaks und Filmen mit Lon Chaney. - Marburg: Schüren 2009.
Reviews:
Mühlbeyer, Harald: Der andere Körper. In: EPD Film 28. 2011. No. 2. [February] p. 65.
Index:
Browning, Tod
Chaney, Lon
Freaks (1932)
Körper ~ Bodies
#35
The Devil Doll - Die Teufelspuppe. - Stuttgart: Verlag Uwe Wiedleroither / Nürnberg: Filmverlag Peter Schmidl 1990. (= Retro Filmprogramm 59.)
Index:
Browning, Tod
Devil Doll, The (1936)
#36
Dilivio, Lois: Two reviews: Music for silent films in contemporary performance. In: Cue Sheet 11. 1995. No. 4. [October] pp. 16-19.
Description:
Discusses the scores for Friedrich Wilhelm Murnau’s Nosferatu - Eine Symphonie des Grauens and Tod Browning’s The Unknown.
Index:
Murnau, Friedrich Wilhelm
Browning, Tod
Nosferatu - Eine Symphonie des Grauens (1922)
Unknown, The (1927)
Stummfilm ~ Silent Film
Musik ~ Music
#37
Dodson, Will: Tod Browning’s expressionist bodies. In: Quarterly Review of Film and Video 31. 2014. No. 3. [?D] pp. 231-239.
Description:
Discusses especially expressionist elements in Dracula and Freaks.
Index:
Browning, Tod
Dracula (1930)
Freaks (1932)
Körper ~ Bodies
Expressionismus ~ Expressionism
#38
Dörfler, Goswin: The Devil Doll. In: Enzyklopädie des phantastischen Films. 17. Ergänzungslieferung. - Meitingen: Corian-Verlag, Dezember 1990.
Index:
Browning, Tod
Devil Doll, The (1936)
#39
Dracula. - Stuttgart: Verlag Uwe Wiedleroither / Nürnberg: Filmverlag Peter Schmidl ?J. (= Phantopia-Filmprogramm 38.)
Index:
Browning, Tod
Dracula (1930)
#40
Dracula. - Vogt: Peter Kranzpiller ?J. (= Filmprogramm der Kinoszene 140.)
Index:
Browning, Tod
Dracula (1930)
#41
Dracula: The original 1931 shooting script. Special introduction by Bela Lugosi. Foreword by Ivan Butler. Preface by Carla Laemmle. Production background by Philip J. Riley. Additional production background by George Turner. - Absecon, New Jersey: MagicImage Filmbooks 1990. (= Universal Filmscript Series: Classic Horror Films 13.)
Reviews:
Svehla, Gary J.: [untitled] In: Midnight Marquee 1991. No. 42. [Summer] p. 25.
Index:
Browning, Tod
Dracula (1930)
#42
Dufour, Dirk: Freaks. In: Film en Televisie 1996. No. 464. [September] p. 42.
Index:
Browning, Tod
Freaks (1932)
#43
Dunbar, Brian: Dracula, director Tod Browning: And Bram Stoker’s Dracula, director Francis Ford Coppola. - Harlow: Longman 2000. (= York Film Notes.)
Index:
Browning, Tod
Coppola, Francis Ford
Dracula (1930)
Bram Stoker’s Dracula (1992)
#44
Duvoli, John R.: Casting voodoo spells: Analysing Devil Doll and Curse of the Voodoo. In: Midnight Marquee 1990. No. 40. [Spring] pp. 18-22.
Description:
On voodoo films, especially on the two films by Tod Browning and Lindsay Shonteff.
Index:
Browning, Tod
Shonteff, Lindsay
Devil Doll, The (1936)
Curse of the Voodoo (1965)
Religion: Voodoo ~ Religion: Voodoo
#45
Everschor, Franz: Die Geburtsstätte von Dracula und E.T.: Die Universal-Studios zwischen Carl Laemmle und Lew Wassermann. In: Film-Dienst 45. 1992. No. 16. [August 4] pp. 16-19.
Index:
Spielberg, Steven
Laemmle, Carl
Wassermann, Lew
Browning, Tod
Dracula (1930)
E.T. - The Extra-Terrestrial (1982)
Universal [Firma] ~ Universal [Company]
USA (United States of America) ~ USA (United States of America)
#46
Fiedler, Leslie: Freaks: Myths and images of the secret self. - New York: Simon and Schuster 1978.
Index:
Browning, Tod
Freaks (1932)
Mythologie ~ Mythology
#47
The films of Tod Browning. Edited by Bernd Herzogenrath. - London: Black Dog Publishing 2006.
Reviews:
Decker, Christof: [untitled.] In: Amerikastudien 52. 2007. No. 4. [?D] pp. 588-590.
Georgakas, Dan: [untitled.] In: Cineaste 32. 2007. No. 2. [?D] pp. 88-89.
Guichard, Virginie: [untitled.] In: Sight and Sound NS 16. 2006. No. 10. [October] pp. 94-95.
Index:
Browning, Tod
#48
Freaks. - Nürnberg: Filmverlag Peter Schmidl 1995. (= Phantopia-Filmprogramm 305.)
Index:
Browning, Tod
Freaks (1932)
#49
Freaks. - Stuttgart: Verlag Uwe Wiedleroither ?J. (= Filmprogram 48.)
Index:
Browning, Tod
Freaks (1932)
#50
Freaks. In: L’Avant-Scène Cinéma 1981. No. 264. [March] pp. 2-3.
Index:
Browning, Tod
Freaks (1932)
#51
Freaks: Decoupage integral et dialogue in extenso. In: L’Avant-Scène Cinéma 1981. No. 264. [March] pp. 9 ff.
Index:
Browning, Tod
Freaks (1932)
#52
Freaks: Un film de Tod Browning. - Bruxelles: Centre de Documentation sur le cinéma 1985. (= Ciné press-book 4.)
Index:
Browning, Tod
Freaks (1932)
#53
Gandini, Leonardo: Tod Browning. - Milano: Il Castoro 1996. (= Il Castoro Cinema 177.)
Reviews:
Comuzio, Ermanno: [untitled] In: Cineforum 36. 1996. No. ?N(357). [September] p. 96.
Index:
Browning, Tod
#54
Garsault, Alain: Tod Browning: A la recherche de la realite. In: Positif 1978. No. 208/209. [July/August] pp. 41-45.
Description:
Discusses, among others, Freaks.
Index:
Browning, Tod
Freaks (1932)
#55
Gaycken, Oliver: Disabling the viewer: Perceptions of disability in Tod Browning’s Freaks. In: Screening disability: Essays on cinema and disability. Edited by Christopher R. Smit and Anthony Enns. - Lanham, Maryland: University Press of America 2001. p. ?P.
Index:
Browning, Tod
Freaks (1932)
Behinderung ~ Disability
#56
Ghilardi, Steve: Freaks. In: Enzyklopädie des phantastischen Films. 2. Ergänzungslieferung. - Meitingen: Corian-Verlag, August 1986.
Index:
Browning, Tod
Freaks (1932)
#57
Godfrey, T.: TAD at the movies: The treats of San Francisco. In: Armchair Detective 16. 1983. No. 2. [?D] p. 197.
Description:
On the representation of the city in film. Discusses, among others, Norman Foster’s Charlie Chan at Treasure Island, Rudolph Maté’s D.O.A. - Dead on Arrival, Tod Browning’s Miracles for Sale, Robert Benton’s Still of the Night and Alfred Hitchcock’s Vertigo.
Index:
Foster, Norman
Maté, Rudolph
Browning, Tod
Benton, Robert
Hitchcock, Alfred
Charlie Chan at Treasure Island (1939)
D.O.A. - Dead on Arrival (1949)
Miracles for Sale (1939)
Still of the Night (1982)
Vertigo (1958)
Stadt ~ City
San Francisco ~ San Francisco
#58
Goimard, Jacques: Freaks. In: L’Avant-Scène Cinéma 1981. No. 264. [March] pp. 3-18, 35-50.
Index:
Browning, Tod
Freaks (1932)
#59
Goimard, Jacques: Le jour ou les maudits prirent la parole. In: L’Avant-Scène Cinéma 1981. No. 264. [March] pp. 4-8.
Index:
Browning, Tod
Freaks (1932)
#60
Goldblatt, Burt / Steinbrunner, Chris: Cinema of the fantastic. - New York: Saturday Review Press 1972.
Description:
Discusses Georges Méliès’s Le Voyage dans la lune, Fritz Lang’s Metropolis, Tod Browning’s Freaks, King Kong by Merian C. Cooper and Ernest B. Schoedsack, Edgar G. Ulmer’s The Black Cat, James Whale’s The Bride of Frankenstein, Karl Freund’s Mad Love / The Hands of Orlac, William Cameron Menzies’s Things to Come, Frederick Stephani’s Flash Gordon, The Thief of Bagdad by Ludwig Berger, Michael Powell, Tim Whelan, Alexander and Zoltan as well as William Cameron Menzies, Jean Cocteau’s La belle et la bête, Christian Nyby’s The Thing from Another World, Richard Fleischer’s 20000 Leagues Under the Sea, Donald Siegel’s Invasion of the Body Snatchers and Fred McLeod Wilcox’s Forbidden Planet.
Index:
Méliès, Georges
Lang, Fritz
Browning, Tod
Cooper, Merian C.
Schoedsack, Ernest B.
Ulmer, Edgar G[eorge]
Whale, James
Freund, Karl
Menzies, William Cameron
Berger, Ludwig
Powell, Michael
Whelan, Tim
Korda, Alexander
Korda, Zoltan
Menzies, William Cameron
Cocteau, Jean
Nyby, Christian
Fleischer, Richard
Siegel, Donald
Wilcox, Fred McLeod
Stephani, Frederick
Voyage dans la lune, Le (1902)
Metropolis (1925/1926)
Freaks (1932)
King Kong (1931-1933)
Black Cat, The (1934)
Bride of Frankenstein, The (1935)
Mad Love / Hands of Orlac, The (1935)
Things to Come (1936)
Flash Gordon / Space Soldiers / Atomic Rocketship / Rocketship (1936)
Thief of Bagdad, The (1940)
belle et la bête, La (1946)
Thing from Another World, The (1951)
20000 Leagues Under the Sea (1954)
Invasion of the Body Snatchers (1956)
Forbidden Planet (1956)
#61
Goldblatt, Burt / Steinbrunner, Chris: Cinema of the fantastic. - New York: Galahad Books 1974.
Description:
Discusses Georges Méliès’s Le Voyage dans la lune, Fritz Lang’s Metropolis, Tod Browning’s Freaks, King Kong by Merian C. Cooper and Ernest B. Schoedsack, Edgar G. Ulmer’s The Black Cat, James Whale’s The Bride of Frankenstein, Karl Freund’s Mad Love / The Hands of Orlac, William Cameron Menzies’s Things to Come, Frederick Stephani’s Flash Gordon, The Thief of Bagdad by Ludwig Berger, Michael Powell, Tim Whelan, Alexander and Zoltan as well as William Cameron Menzies, Jean Cocteau’s La belle et la bête, Christian Nyby’s The Thing from Another World, Richard Fleischer’s 20000 Leagues Under the Sea, Donald Siegel’s Invasion of the Body Snatchers and Fred McLeod Wilcox’s Forbidden Planet.
Index:
Méliès, Georges
Lang, Fritz
Browning, Tod
Cooper, Merian C.
Schoedsack, Ernest B.
Ulmer, Edgar G[eorge]
Whale, James
Freund, Karl
Menzies, William Cameron
Berger, Ludwig
Powell, Michael
Whelan, Tim
Cocteau, Jean
Nyby, Christian
Fleischer, Richard
Siegel, Donald
Wilcox, Fred McLeod
Stephani, Frederick
Voyage dans la lune, Le (1902)
Metropolis (1925/1926)
Freaks (1932)
King Kong (1931-1933)
Black Cat, The (1934)
Bride of Frankenstein, The (1935)
Mad Love / Hands of Orlac, The (1935)
Things to Come (1936)
Flash Gordon / Space Soldiers / Atomic Rocketship / Rocketship (1936)
Thief of Bagdad, The (1940)
belle et la bête, La (1946)
Thing from Another World, The (1951)
20000 Leagues Under the Sea (1954)
Invasion of the Body Snatchers (1956)
Forbidden Planet (1956)
#62
Gordon, H.: Speaking of silents. In: Classic Images 1983. No. 101. [November] pp. 66-67.
Description:
Discusses, among others, Tod Browning’s Freaks.
Index:
Browning, Tod
Freaks (1932)
Stummfilm ~ Silent Film
#63
Grim, Olivier R.: Mythes, monstres et cinéma: Aux confins de l’humanité. - Grenoble: Presses universitaires de Grenoble 2008. (= Handicap, vieillissement, société.)
Description:
On the representation of people with physical disabilities in film. Discusses, among others, Tod Browning’s Freaks and David Lynch’s The Elephant Man.
Index:
Browning, Tod
Lynch, David
Freaks (1932)
Elephant Man, The (1980)
Mythologie ~ Mythology
Monster ~ Monster
Behinderung ~ Disability
#64
Haller, Beth A. / Larsen, Robin: Public reception of real disability: The case of Freaks. In: Journal of Popular Film and Television 29. 2002. No. 4. [Winter] pp. 164-172.
Description:
On the representation of the body in the film by Tod Browning.
Index:
Browning, Tod
Freaks (1932)
Behinderung ~ Disability
Körper ~ Bodies
#65
Harzheim, Harald: Freaks / Monstren. In: Filmgenres: Horrorfilm. Hrsg. von Ursula Vossen. - Stuttgart: Reclam 2004. pp. 90-94.
Index:
Browning, Tod
Freaks (1932)
Horror ~ Horror
#66
Hawkins, Joan: "One of us": Tod Browning’s Freaks. In: Freakery: Cultural spectacles of the extraordinary body. Edited by Rosemarie Garland Thomson. - New York: New York University Press 1996. pp. 265-276.
Index:
Browning, Tod
Freaks (1932)
Körper ~ Bodies
#67
Henderson, Bruce: Visuality, performativity, and "extraordinary bodies": A review essay. In: Text and Performance Quarterly 30. 2010. No. 4. [?D] pp. 456-567.
Index:
Browning, Tod
Freaks (1932)
Körper ~ Bodies
#68
Herzogenrath, Bernd: Join the united mutations: Tod Browning’s Freaks. In: Post Script 21. 2002. No. 3. [Summer] pp. 8-19.
Description:
Psychoanalytic examination.
Index:
Browning, Tod
Freaks (1932)
Psychologie ~ Psychology
#69
Herzogenrath, Bernd: The monstrous body/politic of Freaks. In: The films of Tod Browning. Edited by Bernd Herzogenrath. - London: Black Dog Publishing 2006. pp. 181 ff.
Index:
Browning, Tod
Freaks (1932)
Politik ~ Politics
Körper ~ Bodies
#70
Holt, Wesley G.: Freaks. In: Filmfax 1995. No. 52. [September/October] p. 28.
Index:
Browning, Tod
Freaks (1932)
#71
Horror classics: Three terrifying novels, three sensational Hollywood films: Dracula, Jekyll and Hyde, Frankenstein. - ?O: Bounty Books 1993.
Index:
Stoker, Bram
Browning, Tod
Stevenson, Robert Louis
Mamoulian, Rouben
Shelley, Mary Wollstonecraft
Whale, James
Dracula (1930)
Dr. Jekyll and Mr. Hyde (1931)
Frankenstein - The Man Who Made the Monster (1931)
Horror ~ Horror
Hollywood ~ Hollywood
Dracula (Literatur ~ Literature)
Strange Case of Dr. Jekyll and Mr. Hyde, The (Literatur ~ Literature)
Frankenstein or The Modern Prometheus (Literatur ~ Literature)
#72
Humphries, Reynold: Mark of the Vampire: Seeing is believing. In: The cinema of Tod Browning: Essays of the macabre and grotesque. Edited by Bernd Herzogenrath. - Jefferson, North Carolina; London: McFarland 2008. pp. 174-197.
Index:
Browning, Tod
Mark of the Vampire (1935)
#73
James, Neville: Freaks was weird. In: Classic Film Collector ?G. 1976. No. 52. [Fall] p. 57.
Index:
Browning, Tod
Freaks (1932)
#74
Jimenez de las Heras, Jose A.: Tod Browning. In: Dirigido 1999. No. 280. [June] pp. 58-60.
Index:
Browning, Tod
Freaks (1932)
#75
Knörer, Ekkehard: Undoing make-believe: The magic of cinema in Tod Browning’s films. In: The cinema of Tod Browning: Essays of the macabre and grotesque. Edited by Bernd Herzogenrath. - Jefferson, North Carolina; London: McFarland 2008. pp. 19-32.
Description:
Discusses, among others, Miracles for Sale.
Index:
Browning, Tod
Miracles for Sale (1939)
Magie ~ Magic
#76
Komlodi, Ferenc: Szornyek evadnyitoja. In: Filmvilag 38. 1995. No. 7. [?D] pp. 33-35.
Description:
On Tod Browning’s Freaks.
Index:
Browning, Tod
Freaks (1932)
#77
Kröger, Malte: Über die Chiffrierung menschlicher Sexualität mittels des Vampirmotivs in den Filmbeispielen Dracula (USA 1931) und Wes Craven Presents Dracula (USA 2000). - München: GRIN Verlag 2010.
Index:
Browning, Tod
Lussier, Patrick
Dracula (1930)
Wes Craven Presents: Dracula 2000 / Dracula 2000 (2000)
Vampire ~ Vampires
Sexualität ~ Sexuality
#78
Kühn, Heike: Dracula. In: Filmgenres: Horrorfilm. Hrsg. von Ursula Vossen. - Stuttgart: Reclam 2004. pp. 61-71.
Index:
Browning, Tod
Dracula (1930)
Horror ~ Horror
#79
Lafond, Frank: Tod Browning vs George Melford: Dracula’s Doppelgänger. In: The cinema of Tod Browning: Essays of the macabre and grotesque. Edited by Bernd Herzogenrath. - Jefferson, North Carolina; London: McFarland 2008. pp. 151-157.
Index:
Stoker, Bram
Browning, Tod
Melford, George
Dracula (1930)
Vampire ~ Vampires
Doppelgänger ~ Double
Dracula (Literatur ~ Literature)
#80
London After Midnight. Reconstructed by Philip J. Riley. - New York: Cornwall Books 1985.
Description:
On the film by Tod Browning.
Index:
Browning, Tod
London After Midnight / Hypnotist, The (1927)
#81
Lucas, Tim: MGM horror classics. In: Video Watchdog 1997. No. 37. [?D] pp. 66-68.
Description:
On Laserdisk editions of Tod Browning’s Mark of the Vampire and The Devil Doll, Karl Freund’s The Mad Love as well as The Mask of Fu Manchu by Charles Brabin and Charles Vidor.
Index:
Browning, Tod
Freund, Karl
Brabin, Charles
Vidor, Charles
Mark of the Vampire (1935)
Devil Doll, The (1936)
Mad Love / Hands of Orlac, The (1935)
Mask of Fu Manchu, The (1932)
MGM (Metro Goldwyn Mayer) ~ MGM (Metro Goldwyn Mayer)
Horror ~ Horror
#82
Magny, Joël: Tod Browning. In: Cahiers du Cinéma 1995. No. 495. [October] p. 8.
Index:
Browning, Tod
#83
Mank, Gregory William: Mark of the Vampire. In: Mank, Gregory William: Hollywood cauldron: Thirteen horror films from the genre’s golden age. - Jefferson, North Carolina; London: McFarland & Company 1994. pp. 89-120.
Index:
Browning, Tod
Mark of the Vampire (1935)
Horror ~ Horror
Hollywood ~ Hollywood
#84
Mank, Gregory William: Mark of the Vampire: When MGM challenged Universal - and lost! In: Midnight Marquee 1992. No. 44. [Summer] pp. 3-15.
Index:
Browning, Tod
Mark of the Vampire (1935)
Universal [Firma] ~ Universal [Company]
MGM (Metro Goldwyn Mayer) ~ MGM (Metro Goldwyn Mayer)
#85
Manon, Hugh S.: Seeing through seeing through: The "trompe l’oeil" effect and bodily difference in the cinema of Tod Browning. In: Framework 47. 2006. No. 1. [Spring] pp. 60-82.
Description:
Discusses especially Freaks.
Index:
Browning, Tod
Freaks (1932)
Technik: Spezialeffekte ~ Technology: Special Effects
#86
Markotic, Nicole: Tod Browning and the monstrosity of Hollywood style. In: Screening disability: Essays on cinema and disability. Edited by Christopher R. Smit and Anthony Enns. - Lanham, Maryland: University Press of America 2001. p. ?P.
Index:
Browning, Tod
Freaks (1932)
Behinderung ~ Disability
Hollywood ~ Hollywood
#87
Martin, Adrian: An incident in the history of Surrealism: On a sequence in The Devil-Doll. In: The cinema of Tod Browning: Essays of the macabre and grotesque. Edited by Bernd Herzogenrath. - Jefferson, North Carolina; London: McFarland 2008. pp. 198-213.
Index:
Browning, Tod
Devil Doll, The (1936)
Surrealismus ~ Surrealism
#88
McBride, William T.: Dracula and Mephistopheles: Shyster vampires. In: Literature/Film Quarterly 18. 1990. No. 2. [April] pp. 116-121.
Description:
On hidden references to Jewish tradition in the Dreacula figure as represented in Bram Stoker’s novel and in Tod Browning’s filming.
Index:
Browning, Tod
Stoker, Bram
Dracula (1930)
Religion: Juden ~ Religion: Jews
Religion: Teufel ~ Religion: Devil
Vampire ~ Vampires
#89
Moorman, M.: De freak in de film: De olifant als gevaar voor de ongeboren vrucht. In: Skoop 21. 1985. No. ?N. [September/October] pp. 41 ff.
Description:
Discusses, among others, Tod Browning’s Freaks.
Index:
Browning, Tod
Freaks (1932)
Monster ~ Monster
#90
Morris, Gary: Lon Chaney, Sr. Super-masochist! In: Bright Lights 1995. No. 15. [?D] pp. 24-25.
Description:
Especially on the collaboration between Lon Chaney and director Tod Browning.
Index:
Chaney Sr., Lon
Browning, Tod
Sexualität: Sadomasochismus ~ Sexuality: Sadomasochism
#91
Morris, Gary / Vieira, Mark A.: Freaks. In: Bright Lights 1993. No. 11. [Fall] pp. 13-14.
Index:
Browning, Tod
Freaks (1932)
#92
Müller, Joachim F.: Mark of the Vampire. In: Enzyklopädie des phantastischen Films. 9. Ergänzungslieferung. - Meitingen: Corian-Verlag, Dezember 1988.
Index:
Browning, Tod
Mark of the Vampire (1935)
#93
Nowak, Lars: Cinematic torture machines: Tod Browning and masochism. In: The cinema of Tod Browning: Essays of the macabre and grotesque. Edited by Bernd Herzogenrath. - Jefferson, North Carolina; London: McFarland 2008. pp. 50-69.
Index:
Browning, Tod
Technik ~ Technology
Sexualität: Sadomasochismus ~ Sexuality: Sadomasochism
Gewalt ~ Violence
#94
Nowak, Lars: Deformation und Transdifferenz: Freak Show, frühes Kino, Tod Browning. - Berlin: Kulturverlag Kadmos 2010. (= Kaleidogramme.)
Reviews:
Dellmann, Sarah: [untitled.] In: Medienwissenschaft 2011. No. 4. pp. 488-490.
Index:
Browning, Tod
Vampire ~ Vampires
#95
Nowak, Lars: Deformation und Transdifferenz: Freak Show, frühes Kino, Tod Browning. - Weimar: Bauhausuniversität, Dissertation 2008.
Index:
Browning, Tod
Vampire ~ Vampires
#96
Oates, Joyce Carol: Dracula (Tod Browning, 1931): The vampire’s secret. In: Southwest Review 76. 1991. No. 4. [?D] pp. 498-510.
Index:
Browning, Tod
Dracula (1930)
Vampire ~ Vampires
#97
Oates, Joyce Carol: Dracula: The vampire’s secret. In: The movie that changed my life. Edited by David Rosenberg. - New York: Viking 1991. pp. 60-75.
Index:
Browning, Tod
Dracula (1930)
Vampire ~ Vampires
#98
Panciera, Mario: Tod Browning. In: Ekran 19. 1984. No. 1/4. [?D] pp. 41-48.
Description:
Discusses, among others, Freaks.
Index:
Browning, Tod
Freaks (1932)
#99
Petermann, Werner: The Unknown. In: Enzyklopädie des phantastischen Films. 49. Ergänzungslieferung. - Meitingen: Corian-Verlag, Mai 1997.
Index:
Browning, Tod
Unknown, The (1927)
#100
Peterson, Jennifer: Freaks (1932). In: Fifty key American films. Edited by John White and Sabine Haenni. - London; New York: Routledge 2009. (= Routledge key guides.) p. ?P.
Index:
Browning, Tod
Freaks (1932)
USA (United States of America) ~ USA (United States of America)
#101
La presse. In: L’Avant-Scène Cinéma 1981. No. 264. [March] p. 50.
Index:
Browning, Tod
Freaks (1932)
#102
Raphael, Raphael: The new American grotesque: Freaks and other monstrous and extraordinary bodies. - Eugene, Oregon: University of Oregon, Ph.D. 2009. [Abstract in: Dissertation Abstracts International A 70. 2010. No. 9. (March)]
Description:
Discusses, among others, Tod Browning’s Freaks, King Kong by Merian C. Cooper and Ernest B. Schoedsack, James Whale’s Frankenstein - The Man Who Made the Monster and, in addition, the body performance of pop star Michael Jackson.
Index:
Browning, Tod
Cooper, Merian C.
Schoedsack, Ernest B.
Whale, James
Jackson, Michael
Freaks (1932)
King Kong (1931-1933)
Frankenstein - The Man Who Made the Monster (1931)
USA (United States of America) ~ USA (United States of America)
Körper ~ Bodies
#103
Rhodes, Gary D.: Dracula (1931), and the complexities of the classic horror film sequel. In: Draculas, vampires, and other undead forms: Essays on gender, race, and culture. Edited by John Edgar Browning and Caroline Joan (Kay) Picart. - Lanham, Maryland; London: Scarecrow Press 2009. pp. 3-18.
Index:
Browning, Tod
Dracula (1930)
Ethnie ~ Ethnicity
Sexualität ~ Sexuality
Horror ~ Horror
Vampire ~ Vampires
#104
Rhodes, Gary D.: Todd Browning’s Dracula. - Sheffield: Tomahawk Press 2015.
Reviews:
Newman, Kim: [untitled.] In: Sight and Sound NS 25. 2015. No. 2. [February] p. 106.
Index:
Browning, Tod
Dracula (1930)
#105
Rhodes, Gary Don: Two Helens and a host of tricks: Tod Browning’s The Thirteenth Chair. In: From arthouse to the grindhouse: Highbrow and lowbrow transgression in cinema’s first century. Edited by John Cline and Robert G. Weiner. - Lanham, Maryland; London: Scarecrow Press 2010. p. ?P.
Index:
Browning, Tod
Thirteenth Chair, The (1929)
Technik: Spezialeffekte ~ Technology: Special Effects
Exploitation ~ Exploitation
#106
Romer, Richard Ira: The cinematic treatment of the protagonists in Murnau’s Nosferatu, Browning’s Dracula and Whale’s Frankenstein. - New York: Columbia University, Teachers College, Ed.D. 1984. [Abstract in: Dissertation Abstracts International A 46. 1985. No. 1. (July) pp. 2A-3A.]
Index:
Murnau, Friedrich Wilhelm
Browning, Tod
Whale, James
Nosferatu - Eine Symphonie des Grauens (1922)
Dracula (1930)
Frankenstein - The Man Who Made the Monster (1931)
#107
Ryersson, Scot D.: Freaks. In: Scarlet Street 1992. No. 6. [Spring] p. 63.
Index:
Browning, Tod
Freaks (1932)
#108
Sauvaget, Daniel: Freaks (La monstrueuse parade). In: La Revue du Cinéma 1978. No. 328. [May] p. 119.
Index:
Browning, Tod
Freaks (1932)
#109
Savada, Elias / Skal, David J.: "One of us". In: Filmfax 1995. No. 53. [November/December] pp. 38-41.
Description:
On Tod Browning’s Freaks.
Index:
Browning, Tod
Freaks (1932)
#110
Savada, Elias / Skal, David J.: Dark carnival: The secret world of Tod Browning. In: Cinefantastique 27. 1995. No. 3. [?D] pp. 37-38.
Index:
Browning, Tod
Horror ~ Horror
Karneval ~ Carnival
#111
Savada, Elias / Skal, David J.: Dark carnival: The secret world of Tod Browning, Hollywood’s master of the macabre. - New York: Anchor Books 1995.
Reviews:
Barson, Michael: [untitled] In: DGA: Director’s Guild of America 20. 1996. No. 6. [January/February] pp. 79-80.
Hogan, David J.: [untitled] In: Filmfax 1996. No. 55. [March/April] p. 12.
Madison, Bob: [untitled] In: Scarlet Street 1995. No. 20. [Fall] pp. 104-105.
Norden, Martin F.: [untitled] In: Journal of Popular Film and Television 24. 1997. No. 4. [?D] pp. 186-187.
Svehla, Gary J.: [untitled] In: Midnight Marquee 1996. No. 50. [?D] p. 92.
Turner, george: [untitled] In: American Cinematographer 77. 1996. No. 3. [March] p. 98.
Index:
Browning, Tod
Horror ~ Horror
Karneval ~ Carnival
Hollywood ~ Hollywood
#112
Savada, Elias / Skal, David J.: El carnaval de las tinieblas: El mundo secreto de Tod Browning, maestro de lo macabro en el cine de Hollywood. - San Sebastian: Filmoteca Espanola 1996.
First edition:
[Dark carnival: The secret world of Tod Browning, Hollywood’s master of the macabre. - New York: Anchor Books 1995]
Index:
Browning, Tod
Hollywood ~ Hollywood
Karneval ~ Carnival
Horror ~ Horror
#113
Savada, Elias / Skal, David J.: Offend one and you offend them all. In: Filmfax 1995. No. 52. [September/October] pp. 42 ff.
Description:
On Tod Browning’s Freaks.
Index:
Browning, Tod
Freaks (1932)
#114
Seeßlen, Georg: Freaks - der Film, den niemand haben will. In: Blimp 1991. No. 18. [Fall] pp. 77-78.
Index:
Browning, Tod
Freaks (1932)
#115
Seeßlen, Georg: Tod Browning. In: Enzyklopädie des phantastischen Films. 10. Ergänzungslieferung. - Meitingen: Corian-Verlag, März 1989.
Index:
Browning, Tod
#116
Senn, Bryan: Dracula (1931). In: Senn, Bryan: A year of fear: A day-by-day guide to 366 horror films. - Jefferson, North Carolina: McFarland & Co. 2007. p. ?P.
Index:
Browning, Tod
Dracula (1930)
Horror ~ Horror
#117
Senn, Bryan: Freaks (1932). In: Senn, Bryan: A year of fear: A day-by-day guide to 366 horror films. - Jefferson, North Carolina: McFarland & Co. 2007. p. ?P.
Index:
Browning, Tod
Freaks (1932)
Horror ~ Horror
#118
Senn, Bryan: Mark of the Vampire (1935). In: Senn, Bryan: A year of fear: A day-by-day guide to 366 horror films. - Jefferson, North Carolina: McFarland & Co. 2007. p. ?P.
Index:
Browning, Tod
Mark of the Vampire (1935)
Horror ~ Horror
#119
Senn, Bryan: The Devil-Doll (1936). In: Senn, Bryan: A year of fear: A day-by-day guide to 366 horror films. - Jefferson, North Carolina: McFarland & Co. 2007. p. ?P.
Index:
Browning, Tod
Devil Doll, The (1936)
Horror ~ Horror
#120
Sennett, Robert S.: The withered heath: Classic horror films. In: Sennett, Robert S.: Setting the scene: The great Hollywood art directors. - New York: Harry N. Abrams 1994. pp. 86-99.
Description:
Discusses, among others, the work of Charles D. Hall for Tod Browning’s Dracula, James Whale’s The Invisible Man and The Bride of Frankenstein; the work of Albert S. d’Agostino and John J. Hughes for Christian Nyby’s The Thing from Another World and Peter Lamont’s work for James Cameron’s Aliens.
Index:
Browning, Tod
Whale, James
Nyby, Christian
Cameron, James
Hall, Charles D.
d’Agostino, Albert S.
Lamont, Peter
Dracula (1930)
Invisible Man, The (1933)
Bride of Frankenstein, The (1935)
Thing from Another World, The (1951)
Aliens (1986)
Horror ~ Horror
Hollywood ~ Hollywood
#121
Sigal, C.: Appointments with fear. In: Listener 110. 1983. No. 2816. [July 7] p. 37.
Description:
On Tod Browning’s Dracula.
Index:
Browning, Tod
Dracula (1930)
Angst ~ Fear
#122
Skal, David J.: Hollywood Gothic: The tangled web of Dracula from novel to stage to screen. Revised edition. - New York: Faber and Faber 2004.
First edition:
[1990.]
Description:
On the stage and film adaptions of Bram Stoker’s novel, especially on Tod Browning and Bela Lugosi.
Index:
Browning, Tod
Lugosi, Bela
Stoker, Bram
Dracula (1930)
Horror ~ Horror
Vampire ~ Vampires
Hollywood ~ Hollywood
Dracula (Literatur ~ Literature)
#123
Skal, David J.: Hollywood Gothic: The tangled web of Dracula from novel to stage to screen. - New York: W. W. Norton 1990.
Reviews:
Koszarski, Richard: [untitled] In: Film History 4. 1990. No. 4. pp. 379-380.
Svehla, Gary J.: [untitled] In: Midnight Marquee 1991. No. 42. [Summer] pp. 25-26.
Description:
On the stage and film adaptions of Bram Stoker’s novel, especially on Tod Browning and Bela Lugosi.
Index:
Browning, Tod
Lugosi, Bela
Stoker, Bram
Dracula (1930)
Horror ~ Horror
Vampire ~ Vampires
Hollywood ~ Hollywood
Dracula (Literatur ~ Literature)
#124
Skal, David J.: Hollywood Gothic: The tangled web of Dracula from novel to stage to screen. - New York; London: André Deutsch 1992.
First edition:
[1990.]
Reviews:
Newman, Kim: Dracula has risen. In: Sight and Sound NS 1. 1992. No. 11. [March] pp. 32-33.
Description:
On the stage and film adaptions of Bram Stoker’s novel, especially on Tod Browning and Bela Lugosi.
Index:
Browning, Tod
Lugosi, Bela
Stoker, Bram
Dracula (1930)
Horror ~ Horror
Vampire ~ Vampires
Hollywood ~ Hollywood
Dracula (Literatur ~ Literature)
#125
Skal, David J.: The spanish Dracula. In: American Film 15. 1990. No. 12. [September] pp. 38-41.
Description:
On the Spanish version of Tod Browning’s Dracula, produced by George Melford at the same set but with Spanish actors. Excerpt from the book "Hollywood gothic: The tangled webbs of Dracula from novel to stage to screen", New York: W. W. Norton 1990.
Index:
Melford, George
Browning, Tod
Ávalos, Enrique Tovar
Dracula (1930)
Drácula (1930)
Horror ~ Horror
Vampire ~ Vampires
Spanien ~ Spain
Hollywood ~ Hollywood
#126
Slide, Anthony: Censored screams! In: Filmfax 1999. No. 72. [April/May] pp. 38 ff.
Description:
Discusses Edgar G. Ulmer’s The Black Cat, James Whale’s The Bride of Frankenstein, John H. Auer’s The Crime of Dr. Crespi, Lambert Hillyer’s Dracula’s Daughter and The Invisible Ray, Erle C. Kenton’s Island of Lost Souls, Karl Freund’s The Mad Love, Tod Browning’s Mark of the Vampire, Michael Curtiz’s Mystery of the Wax Museum, Louis Friedlander’s The Raven, Rowland V. Lee’s Son of Frankenstein, Stuart Walker’s Werewolf of London and Victor Halperin’s White Zombie and Revolt of The Zombies.
Index:
Ulmer, Edgar G[eorge]
Whale, James
Auer, John H.
Hillyer, Lambert
Kenton, Erle C.
Freund, Karl
Browning, Tod
Curtiz, Michael
Landers, Lew [Pseudonym: Friedlander, Louis]
Lee, Rowland V.
Walker, Stuart
Halperin, Victor
Black Cat, The (1934)
Bride of Frankenstein, The (1935)
Crime of Dr. Crespi, The (1935)
Dracula’s Daughter (1936)
Invisible Ray, The (1936)
Island of Lost Souls (1933)
Mad Love / Hands of Orlac, The (1935)
Mark of the Vampire (1935)
Mystery of the Wax Museum (1933)
Raven, The (1935)
Son of Frankenstein (1939)
Werewolf of London (1935)
White Zombie (1932)
Revolt of The Zombies (1936)
Zensur ~ Censorship
#127
Smith, Angela M.: Hideous progeny: Disability, eugenics, and classic horror cinema . - New York: Columbia University Press 2011. (= Film and culture.)
Reviews:
Allan, Kathryn: [untitled.] In: Journal of the Fantastic in the Arts 24. 2013. No. 2. [?D] pp. 310-313.
Sanna, Antonio: [untitled.] In: Literature/Film Quarterly 41. 2013. No. 2. [?D] p. 163-166.
Description:
Includes chapters on chimeras in Dracula and Frankenstein, on Tod Browning’s Freaks, on the mad-doctor film and on shock horror and death rays.
Index:
Browning, Tod
Freaks (1932)
Wahnsinn ~ Madness
Vampire ~ Vampires
Tod ~ Death
Krankheit ~ Illness
Horror ~ Horror
Gentechnik ~ Genetics
Frankenstein ~ Frankenstein
Behinderung ~ Disability
Angst ~ Fear
#128
Smith, Brian: The three faces of Universal’s Dracula. In: Midnight Marquee 2006. No. 75. [Fall] pp. 47-56.
Index:
Browning, Tod
Dracula (1930)
Universal [Firma] ~ Universal [Company]
#129
Sobchack, Vivian: The films of Tod Browning: An overview long past. In: The films of Tod Browning. Edited by Bernd Herzogenrath. - London: Black Dog Publishing 2006. pp. 21 ff.
Index:
Browning, Tod
#130
Solomon, Matthew Paul: Stage magic and the silent cinema: Melies, Houdini, Browning. - Los Angeles, California: University of California, Los Angeles, Ph.D. 2001. [Abstract in: Dissertation Abstracts International A 62. 2002. No. 8. [February] p. 2613.]
Index:
Méliès, Georges
Weiß, Erich [Pseudonym: Houdini, Harry]
Browning, Tod
Stummfilm ~ Silent Film
Magie ~ Magic
#131
Solomon, Matthew: Staging deception: Theatrical illusionism in Browning’s films of the 1920s. In: The films of Tod Browning. Edited by Bernd Herzogenrath. - London: Black Dog Publishing 2006. pp. 49 ff.
Index:
Browning, Tod
Theater ~ Theatre
#132
Spadoni, Robert: The uncanny of early sound film: Classic horror cinema and the return of the medium-sensitive viewer. - Chicago, Illinois: University of Chicago, Ph.D. 2003. [Abstract in: Dissertation Abstracts International A 64. 2004. No. 7. (January) p. 2294.]
Description:
Discusses, among others, Tod Browning’s Dracula, James Whale’s Frankenstein, Victor Halperin’s White Zombie and Karl Freund’s The Mummy.
Index:
Browning, Tod
Whale, James
Halperin, Victor
Freund, Karl
Dracula (1930)
Frankenstein - The Man Who Made the Monster (1931)
White Zombie (1932)
Mummy, The (1933)
Musik ~ Music
Horror ~ Horror
Angst ~ Fear
#133
Stevenson, Jack: Freaks. In: Skrien 1994. No. 195. [April/May] pp. 58-63.
Index:
Browning, Tod
Freaks (1932)
#134
Stevenson, Jack: Freaks - filmen og myten. In: Kosmorama 40. 1994. No. 207. [Spring] pp. 44-49.
Index:
Browning, Tod
Freaks (1932)
#135
Stevenson, Jack: Tod Brownings Freaks. Aus dem Amerikanischen von Hans Schmid. - München: Edition Belleville 1997. (= Splitter 20.)
Index:
Browning, Tod
Freaks (1932)
#136
Süzer, Özcan: The Blaze of Basilisk Horror: Der hypnotisierende Blick in Tod Brownings Dracula. In: Fürsten der Finsternis: Vampirkult im Film: Ausstellung im Filmmuseum Düsseldorf, 28. Juni - 13. Oktober 2013. Hrsg. von Bernd Desinger und Matthias Knop. - München: Belleville 2013. pp. 69 ff.
Index:
Browning, Tod
Dracula (1930)
Hypnose ~ Hypnosis
Horror ~ Horror
Düsseldorf ~ Dusseldorf
Vampire ~ Vampires
#137
Svehla, Gary J.: Freaks. In: Midnight Marquee 1995. No. 48. [Winter] p. 88.
Index:
Browning, Tod
Freaks (1932)
#138
Svehla, Gary J.: Freaks. In: Midnight Marquee 2005. No. 73/74. [Summer] p. 63.
Description:
On a DVD edition.
Index:
Browning, Tod
Freaks (1932)
DVD ~ DVD
#139
Sweney, Matthew: Mark of the Vampire. In: The films of Tod Browning. Edited by Bernd Herzogenrath. - London: Black Dog Publishing 2006. pp. 201 ff.
Index:
Browning, Tod
Mark of the Vampire (1935)
#140
Talbot, Paul: Freaks: Inside Tod Browning’s most controversial film. In: Filmfax 1988. No. 12. [October] pp. 30-33.
Index:
Browning, Tod
Freaks (1932)
#141
Die Teufelspuppe. - Vogt: Peter Kranzpiller ?J. (= Filmprogramm der Kinoszene 279.)
Index:
Browning, Tod
Devil Doll, The (1936)
#142
Thomson, David: Really a part of me. In: Film Comment 31. 1995. No. 1. [January/February] pp. 17-29.
Description:
On films in which the problems of the human body are exponded. Discusses, among others, Neil Jordan’s Interview with the Vampire, Kenneth Branagh’s Mary Shelley’s Frankenstein, Ivan Reitman’s Junior and Tod Browning’s Dracula.
Index:
Jordan, Neil
Branagh, Kenneth
Reitman, Ivan
Browning, Tod
Interview with the Vampire (1994)
Mary Shelley’s Frankenstein (1994)
Junior (1994)
Dracula (1930)
Körper ~ Bodies
#143
Tod Browning. In: Diversamente vivi: Zombi, vampiri, mummie, fantasmi. A cura di Giulia Carluccio e Peppino Ortoleva. - Torino: Museo nazionale del cinema, Fondazione Maria Adriana Prolo / Milano: Il castoro 2010. pp. 163 ff.
Index:
Browning, Tod
Mumien ~ Mummies
Vampire ~ Vampires
Monster ~ Monster
Zombies ~ Zombies
#144
Tod Brownings Freaks. Hrsg. von Jack Stevenson. - München: belleville 1997.
Reviews:
Nusser, Tanja: [untitled] In: Medienwissenschaft 1997. No. 4. pp. 495-496.
Teuber, Anke: [untitled] In: Blimp 1997. No. 36. [?D] pp. 77-78.
Index:
Browning, Tod
Freaks (1932)
#145
Tomasovic, Dick: Freaks: La monstrueuse parade de Tod Browning: De l’exhibition à la monstration: Du cinéma comme théâtre des corps. - Liège: Éditions du CEFAL 2005. (= Cinéma: Analyse de film.)
Index:
Browning, Tod
Freaks (1932)
Körper ~ Bodies
#146
Towlson, Jon: Anti-eugenics: Frankenstein (1931) and Freaks (1932). In: Towlson, Jon: Subversive horror cinema: Countercultural messages of films from Frankenstein to the present. Foreword by Jeff Lieberman. - Jefferson, North Carolina; London: McFarland & Company 2014. p. ?P.
Index:
Whale, James
Browning, Tod
Frankenstein - The Man Who Made the Monster (1931)
Freaks (1932)
Horror ~ Horror
Gentechnik ~ Genetics
Frankenstein ~ Frankenstein
Politik ~ Politics
#147
Turner, George: The two faces of Dracula. In: American Cinematographer 69. 1988. No. 5. [May] pp. 34-42.
Description:
On the English and the Spanish Dracula film versions by Tod Browning and George Melford.
Index:
Browning, Tod
Melford, George
Ávalos, Enrique Tovar
Dracula (1930)
Drácula (1930)
Großbritannien ~ Great Britain
Spanien ~ Spain
Vampire ~ Vampires
#148
Ulmer, Edgar G.: Karloff, Lugosi, Browning, and Whale. In: The films of Edgar G. Ulmer. Edited by Bernd Herzogenrath. - Lanham, Maryland; London: Scarecrow Press 2009. p. ?P.
Index:
Ulmer, Edgar G[eorge]
Karloff, Boris
Lugosi, Bela
Browning, Tod
Whale, James
#149
Vieira, Mark E.: Tod Browning’s Freaks (1932): Production notes and analysis. In: Bright Lights 2001. No. 32. [April] p. ?P.
Index:
Browning, Tod
Freaks (1932)
#150
Weaver, Tom: Kay Linaker on Tod Browning and James Whale. In: Weaver, Tom: Eye on science fiction: 20 interviews with classic SF and horror filmmakers. - Jefferson, North Carolina: McFarland 2003. pp. 215 ff.
Index:
Browning, Tod
Whale, James
Linaker, Kay
Science Fiction ~ Science Fiction
Horror ~ Horror
#151
Whittington-Walsh, Fiona: From freaks to savants: Disability and hegemony from The Hunchback of Notre Dame (1939) to Sling Blade (1997). In: Disability and Society 17. 2002. No. 6. [October] pp. 695-707.
Index:
Dieterle, Wilhelm
Thornton, Billy Bob
Browning, Tod
Hunchback of Notre-Dame, The (1939)
Sling Blade / Reckoning (1996)
Freaks (1932)
Behinderung ~ Disability
Körper ~ Bodies
#152
Wolters, Christine: Sexualität und Angst: Dracula-Verfilmungen von Tod Browning (1931) bis Francis Coppola (1992). - Braunschweig: Technische Universität Braunschweig, Seminar für Anglistik und Amerikanistik, Magisterarbeit ?J (1994/1995).
Index:
Browning, Tod
Coppola, Francis Ford
Stoker, Bram
Dracula (1930)
Bram Stoker’s Dracula (1992)
Sexualität ~ Sexuality
Vampire ~ Vampires
Angst ~ Fear
Dracula (Literatur ~ Literature)
#153
Wood, Bret: Hollywood’s sequined lie: The gutter roses of Tod Browning. In: Video Watchdog 1996. No. 32. [?D] pp. 36-45.
Description:
On the representation of sexuality and the woman in the films of Tod Browning.
Index:
Browning, Tod
Frauen ~ Women
Sexualität ~ Sexuality
Hollywood ~ Hollywood
#154
Wood, Bret: Les passions secrètes de Tod Browning: Diamants bruts et roses du ruisseau. In: Positif 2000. No. 476. [October] pp. 95-100.
Description:
Especially on the representation of women in Browning’s horror films.
Index:
Browning, Tod
Horror ~ Horror
Frauen ~ Women
#155
Wood, Bret: Lon Chancy, Sr. starring in Tod Browning’s silent classic The Unknown. In: Filmfax 1992. No. 31. [February/March] pp. 73-79.
Index:
Browning, Tod
Chaney, Lon
Unknown, The (1927)
Stummfilm ~ Silent Film
#156
Wood, Bret: The witch, the devil, and the code: A horror story of Hollywood in the Golden Age. In: Film Comment 28. 1992. No. 6. [November/December] pp. 52-56.
Description:
On the complicatet production history of Tod Browning’s The Devil Doll.
Index:
Browning, Tod
Devil Doll, The (1936)
Religion: Teufel ~ Religion: Devil
Religion: Hexen ~ Religion: Witches
Horror ~ Horror
Hollywood ~ Hollywood
#157
Yarbro, Chelsea Quinn: On Freaks. In: Cut! Horror writers on horror film. Edited by Christopher Golden. - New York: Berkley Books 1992. pp. 289-297.
Description:
The author on the film by Tod Browning.
Index:
Yarbro, Chelsea Quinn
Browning, Tod
Freaks (1932)
Horror ~ Horror
#158
Das Zeichen des Vampirs. - Vogt: Peter Kranzpiller ?J. (= Filmprogramm der Kinoszene 80.)
Index:
Browning, Tod
Mark of the Vampire (1935)
#159
Das Zeichen des Vampirs. - Nürnberg: Verlag Karin Stähle ?J. (= Phantopia-Filmprogramm 752.)
Description:
On Tod Browning’s Mark of the Vampire.
Index:
Browning, Tod
Mark of the Vampire (1935)
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