The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Campion, Jane
number of items: 67
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
| ?G | Volume number unknown |
| ?D | Date of publication unknown |
| ?P | Number of pages unknown |
| ?R | Series number unknown |
#1
Alion, Yves: Au pays de l’hypersensible: Entretien avec Jane Campion. In: La Revue du Cinéma 1991. No. 469. [?D] pp. 23-25.
Description:
On An Angel at my Table.
Index:
Campion, Jane
Angel at My Table, An (1990)
#2
Artese, Alberto / Gandini, Leonardo: Conversazione con Jane Campion. In: Cineforum 30. 1990. No. 10(298). [?D] pp. 9-12.
Description:
On An Angel at My Table.
Index:
Campion, Jane
Angel at My Table, An (1990)
#3
Artese, Alberto: Un’estetica della frattura. In: Cineforum 30. 1990. No. 10(298). [?D] pp. 8-9.
Description:
On Jane Campion’s An Angel at My Table.
Index:
Campion, Jane
Angel at My Table, An (1990)
#4
Ashby, Justine: Jane Campion. In: Fifty contemporary filmmakers. Edited by Yvonne Tasker. - London; New York: Routledge 2002. (= Routledge key guides.) pp. 90 ff.
Index:
Campion, Jane
#5
Bainbridge, C.: A feminine cinematics: Luce Irigaray, Orlando and The Piano. - Sheffield: University of Sheffield, Ph.D. 1997. [Abstract in: Index to Theses with Abstracts 49. 2000. No. 1. p. 12(49-86).]
Index:
Irigaray, Luce
Potter, Sally
Campion, Jane
Orlando (1992)
Piano, The (1993)
Frauen ~ Women
#6
Barber, Lynden: Angel with an excentric eye. In: Jane Campion: Interviews. Edited by Virginia Wright Wexman. - Jackson, Mississippi: University Press of Mississippi 1999. (= Conversations with filmmakers.) pp. 57 ff.
Index:
Campion, Jane
Angel at My Table, An (1990)
Religion: Engel ~ Religion: Angels
Augen ~ Eyes
#7
Bekkenkamp, Jonneke: The silence of flowers: A gender-specific analysis of mystical moments in Hana-bi (Takeshi Kitano, 1998) and Bright Star (Jane Campion, 2009). In: Blessed are the eyes that catch divine whispering ...: Silence and religion in film. Edited by Freek L. Bakker, M. van Dijk and L. van der Tuin. - Marburg: Schüren 2015. (= Film und Theologie 28.) pp. 92 ff.
Index:
Kitano, Takeshi
Campion, Jane
Hana-Bi / Fireworks (1997)
Bright Star (2009)
Sexualität ~ Sexuality
Religion: Mystik ~ Religion: Mysticism
Religion ~ Religion
Augen ~ Eyes
#8
Bourguignon, Thomas: Les racines du moi. In: Positif 1991. No. 362. [?D] pp. 6-9.
Description:
On Jane Campion’s An Angel at my Table.
Index:
Campion, Jane
Angel at My Table, An (1990)
#9
Brinckmann, Christine N.: Das kleine Mädchen im Film. In: Cinema [Zürich] 1992. No. 38. [?D] pp. 125-137.
Description:
Discusses, among others, Jan Svankmajer’s Alice (Neco z alenky), Wolfgang Becker’s Schmetterlinge and Jane Campion’s An Angel at My Table.
Index:
Svankmajer, Jan
Becker, Wolfgang
Campion, Jane
Neco z alenky (1988)
Schmetterlinge (1987)
Angel at My Table, An (1990)
Jugend ~ Youth
#10
Brown, Alexis: An Angel at My Table (1990): Janet Frame, Jane Campion, and authorial control in the auto/biopic. In: Journal of New Zealand Literature 34. 2016. No. 1. [?D] pp. 103-122.
Index:
Campion, Jane
Angel at My Table, An (1990)
#11
The burning question: Absolute freedom? In: Projections: A forum for film makers. Edited by John Boorman and Walter Donohue. - Boston, Massachusetts; London: Faber and Faber 1992. pp. 121-130.
Description:
Short statements of directors who were asked which kind of film they would like to make with an unlimited budget. Among the respondents are Jane Campion, Krzysztof Kieslowski, Kevin Reynolds and Terry Gilliam.
Index:
Campion, Jane
Kieslowski, Krzysztof
Reynolds, Kevin
Verhoeven, Paul
Gilliam, Terry
#12
Calhoun, John: Interior landscapes. In: American Cinematographer 84. 2003. No. 11. [November] pp. 76-85.
Description:
On Jane Campion’s In the Cut, especially on the camera work of Dion Beebe.
Index:
Campion, Jane
Beebe, Dion
In the Cut (2004)
Technik: Kamera ~ Technology: Camera
#13
Charles, Marilyn: Women in psychotherapy on film: Shades of Scarlett conquering. In: Celluloid couches, cinematic clients: Psychoanalysis and psychotherapy in the movies. Edited by Jerrold R. Brandell. - Albany: New York State University Press 2004. (= SUNY series in psychoanalysis and culture.) pp. 67-93.
Description:
Discusses, among others, Jane Campion’s A Angel at My Table and James Mangold’s Girl, Interrupted.
Index:
Shyamalan, M. Night
Campion, Jane
Mangold, James
Sixth Sense, The (1999)
Angel at My Table, An (1990)
Girl, Interrupted (1999)
Psychologie ~ Psychology
Frauen ~ Women
#14
Cheshire, Ellen: Silent witness. In: Sight and Sound NS 28. 2018. No. 7. [July] p. 17.
Description:
On the films of Jane Campion.
Index:
Campion, Jane
#15
Cieutat, Michel / Ciment, Michel: L’indicible vérité de l’acteur: Entretien avec Harvey Keitel. In: Positif 1993. No. 389/390. [July/August] pp. 11-15.
Description:
Discusses, among others, the actor’s roles in Jane Campion’s The Piano and Abel Ferrara’s Bad Lieutenant.
Index:
Keitel, Harvey
Campion, Jane
Ferrara, Abel
Piano, The (1993)
Bad Lieutenant (1992)
#16
Cieutat, Michel: Harvey Keitel ou la r demption du sauvage. In: Positif 1993. No. 389/390. [July/August] pp. 5-10.
Description:
Discusses, among others, the actor’s roles in Jane Campion’s The Piano and Abel Ferrara’s Bad Lieutenant.
Index:
Keitel, Harvey
Campion, Jane
Ferrara, Abel
Piano, The (1993)
Bad Lieutenant (1992)
#17
Ciment, Michel: Les perruques rousses de l’autobiographie: Entretien avec Jane Campion. In: Positif 1991. No. 362. [?D] pp. 10-14.
Description:
Especially on An Angel at my Table.
Index:
Campion, Jane
Angel at My Table, An (1990)
#18
Cobb, Shelley: Jane Campion’s women’s films: Art cinema and the postfeminist rape narrative. In: Rape in art cinema. Edited by Dominique Russell. - New York: Continuum 2010. p. ?P.
Index:
Campion, Jane
Frauen ~ Women
Gewalt ~ Violence
Sexualität ~ Sexuality
Vergewaltigung ~ Rape
#19
Davis, Kimberly Chabot: Postmodern texts and emotional audiences. - West Lafayette, Indiana: Purdue University Press 2007. (= Comparative cultural studies.)
Description:
Discusses, among others, Jane Campion’s The Piano and Hector Babenco’s Kiss of the Spiderwoman.
Index:
Campion, Jane
Babenco, Hector
Piano, The (1993)
Beijo da a mulher aranha / Kiss of the Spiderwoman (1985)
Postmoderne ~ Postmodern
#20
Dietrich, Dawn / Park, Douglas: In the Cut. In: Film Quarterly 58. 2005. No. 4. [Summer] pp. 39-46.
Index:
Campion, Jane
In the Cut (2004)
#21
Dobkin, Bethami A. / Natharius, David: Feminist visions of transformation in The Ballad of Little Jo, The Piano and Orlando. In: Woman and Language 25. 2002. No. 2. [?D] pp. 9-17.
Index:
Greenwald, Maggie
Campion, Jane
Potter, Sally
Ballad of Little Jo, The (1993)
Piano, The (1993)
Orlando (1992)
Frauen ~ Women
#22
Downie, John: A new language of desire: Perfect Strangers and In the Cut. In: Illusions 2004. No. 36. [?D] pp. 16-19.
Index:
Preston, Gaylene
Campion, Jane
Perfect Strangers (2003)
In the Cut (2004)
#23
Epstein, Jan: Sweetie. In: Australian film 1978-1992: A survey of theatrical features. Compiled and edited by Scott Murray. Editional assistants: Raffaele Caputo and Alissa Tanskaya. - Melbourne: Oxford University Press Australia / Sydney: Australian Film Commission / Cinema Papers 1994. p. 288.
Index:
Campion, Jane
Sweetie (1989)
Australien ~ Australia
#24
Feldvoß, Marli: Ein Engel an meiner Tafel. In: EPD Film 8. 1991. No. 5. [May] pp. 28-29.
Description:
On Jane Campion’s An Angel at My Table.
Index:
Campion, Jane
Angel at My Table, An (1990)
#25
Feldvoß, Marli: In the Cut: Jane Campions Verfilmung des Skandalromans von Susanna Moore. In: EPD Film 21. 2004. No. 10. [October] p. 40.
Index:
Campion, Jane
Moore, Susanna
In the Cut (2004)
#26
Felperin, Leslie: In the Cut. In: Sight and Sound NS 13. 2003. No. 12. [December] pp. 37-38.
Index:
Campion, Jane
In the Cut (2004)
#27
Fendel, Heike-Melba: Wie Frauen ihr Leben leben: Gespräch mit Jane Campion. In: EPD Film 8. 1991. No. 4. [April] pp. 27-29.
Index:
Campion, Jane
Angel at My Table, An (1990)
Frauen ~ Women
#28
Fox, Alistair: Jane Campion: Authorship and personal cinema. - Bloomington, Indiana: Indiana University Press 2011.
Index:
Campion, Jane
#29
Francke, Lizzie / Fuller, Graham: Sex and self-danger. In: Sight and Sound NS 13. 2003. No. 11. [November] pp. 16-19.
Description:
On the representation of female masochism in Jane Campion’s In the Cut. Includes an interview.
Index:
Campion, Jane
In the Cut (2004)
Sexualität: Sadomasochismus ~ Sexuality: Sadomasochism
Sexualität ~ Sexuality
Frauen ~ Women
#30
Gansera, Rainer: Magische Momente (36): Sweetie. In: Film-Dienst 67. 2014. No. 19. [September 11] p. 34.
Index:
Campion, Jane
Sweetie (1989)
Magie ~ Magic
#31
García Ober, Juan-Ramon: Ein Engel an meiner Tafel. In: Medien Praktisch 15. 1991. No. 3(59). [?D] pp. 35-38.
Description:
On Jane Campion’s A Angel at My Table.
Index:
Campion, Jane
Angel at My Table, An (1990)
#32
Godart, Caroline M.: Space, time, and bodies: The dimensions of difference in women’s cinema and continental philosophy. - New Brunswick, New Jersey: Rutgers The State University of New Jersey - New Brunswick, Ph.D. 2014. [Abstract in: Dissertation Abstracts International A 76. 2015. No. 6. [December] p. ?P.]
Description:
Discusses Jane Campion’s The Piano, Claire Denis’s Beau travail and Trouble Every Day and Lucretia Martel’s La niña santa.
Index:
Campion, Jane
Denis, Claire
Martel, Lucretia
Piano, The (1993)
Beau travail (1999)
Trouble Every Day (2002)
niña santa, La (2004)
Körper ~ Bodies
Frauen ~ Women
Philosophie ~ Philosophy
#33
Goldstein, Matthew: Theosophy, culture, and empire. - Austin, Texas: University of Texas at Austin, Ph.D. 2000. [Abstract in: Dissertation Abstracts International A 61. 2001. No. 8. (February) p. 3165.]
Description:
On the continuing influence of Theosophy in culture history. Discusses, among others, Charles Sturridge’s Fairy Tale: A True Story, M. Night Shyamalan’s The Sixth Sense and Jane Campion’s Holy Smoke!.
Index:
Sturridge, Charles
Shyamalan, M. Night
Campion, Jane
Blavatsky, Helena Petrovna
Fairy Tale: A True Story (1997)
Sixth Sense, The (1999)
Holy Smoke! (1999)
Religion ~ Religion
#34
Graff, Michael: Andachtsraum Kino: Von Höhlen und Krippen, Augen und Ohren, Gott und der Welt. In: Lebendige Katechese 18. 1996. No. 1. [?D] pp. 48-50.
Description:
Discusses, among others, Jane Campion’s An Angel at My Table.
Index:
Campion, Jane
Angel at My Table, An (1990)
Augen ~ Eyes
Religion ~ Religion
#35
Hall, Carla: Sugar with the Sweetie. In: Jane Campion: Interviews. Edited by Virginia Wright Wexman. - Jackson, Mississippi: University Press of Mississippi 1999. (= Conversations with filmmakers.) pp. 45 ff.
Index:
Campion, Jane
Sweetie (1989)
#36
Hanger, Bonnie: The woman sawed in half: Death, duality, and the female figure of postmodern psychodrama. - Detroit, Michigan: Wayne State University, Ph.D. 2001. [Abstract in: Dissertation Abstracts International A 62. 2002. No. 12. (June) p. 3974.]
Description:
Psychoanalytical and cultural examination of female subjectivity in the movies, especially in suspense and horror film. Discusses, among others, James Dearden’s A Kiss before Dying, Neil Jordan’s In Dreams, Tarsem Singh’s The Cell, Stephan Elliott’s Eye of the Beholder, Vincent Ward’s Map of the Human Heart, Jane Campion’s The Piano, Peter Jackson’s Heavenly Creatures and David Lynch’s Twin Peaks: Fire Walk with Me.
Index:
Dearden, James
Jordan, Neil
Singh, Tarsem
Elliott, Stephan
Ward, Vincent
Campion, Jane
Jackson, Peter
Lynch, David
Kiss before Dying, A (1991)
In Dreams (1999)
Cell, The (2000)
Eye of the Beholder (1998)
Map of the Human Heart (1992)
Piano, The (1993)
Heavenly Creatures (1994)
Twin Peaks: Fire Walk with Me (1992)
Tod ~ Death
Thriller ~ Thriller
Psychologie ~ Psychology
Postmoderne ~ Postmodern
Horror ~ Horror
Frauen ~ Women
#37
Heike-Melba Fendel: "Es gibt keine Antworten": Gespräch mit Jane Campion über ihre aufregende Miniserie Top of the Lake. In: EPD Film 30. 2013. No. 4. [April] pp. 16-17.
Index:
Campion, Jane
Top of the Lake (TV)
#38
Jane Campion: Interviews. Edited by Virginia Wright Wexman. - Jackson, Mississippi: University Press of Mississippi 1999. (= Conversations with filmmakers.)
Reviews:
O’Connor, Cara: A certain sense of the absolute and the desire to control things. In: Film-Philosophy 8. 2004. No. 14. [April] p. ?P.
Index:
Campion, Jane
#39
Jane Campion: Neuseeland: Kino von der anderen Seite. In: du 56. 1996. No. 10. [?D] p. ?P.
Description:
Articles from and on Jane Campion.
Index:
Campion, Jane
Neuseeland ~ New Zealand
#40
Jones, Laura: An Angel at my Table: The screenplay from the three-volume autobiography of Janet Frame. - London: Pandora 1990.
Index:
Campion, Jane
Frame, Janet
Angel at My Table, An (1990)
#41
Konow, David: Rough cut: Jane Campion and Susanna Moore on In the Cut. In: Creative Screenwriting 10. 2003. No. 5. [?D] pp. 69-73.
Index:
Campion, Jane
Moore, Susanna
In the Cut (2004)
#42
McFarlane, Brian: An Angel at My Table. In: Australian film 1978-1992: A survey of theatrical features. Compiled and edited by Scott Murray. Editional assistants: Raffaele Caputo and Alissa Tanskaya. - Melbourne: Oxford University Press Australia / Sydney: Australian Film Commission / Cinema Papers 1994. p. 292.
Index:
Campion, Jane
Angel at My Table, An (1990)
Australien ~ Australia
#43
Neroni, Hilary: Following the impossible road to female passion: Psychoanalysis, the mundane, and the films of Jane Campion. In: Discourse 34. 2012. No. 2/3. [?D] pp. 290-310.
Index:
Campion, Jane
Psychologie ~ Psychology
Frauen ~ Women
#44
Niroumand, Mariam: An Angel at my Table. In: Cineaste 18. 1991. No. 4. [?D] pp. 49-50.
Index:
Campion, Jane
Angel at My Table, An (1990)
#45
Peitz, Christiane: Marilyns starke Schwestern: Frauenbilder im Gegenwartskino. - Hamburg: Ingrid Klein Verlag 1995.
Reviews:
Rall, Veronika: Die Säkularisierung des Körpers - Frauenbilder im Gegenwartskino. In: EPD Film 12. 1995. No. 7. [July] p. 13.
Vollberg, Susanne: Wenn Frauen auch in den Bildern erstarken. In: Medien und Erziehung 40. 1996. No. 1. [?D] pp. 48-49.
Description:
Discusses, among others, the representation of the woman in David Lynch’s Wild at Heart, Jonathan Demme’s Silence of the Lambs, Barbet Schroeder’s Single White Female and Jane Campion’s An Angel at My Table.
Index:
Lynch, David
Demme, Jonathan
Schroeder, Barbet
Campion, Jane
Wild at Heart (1990)
Silence of the Lambs, The (1990)
Single White Female (1992)
Angel at My Table, An (1990)
Frauen ~ Women
#46
Peter, Nithila: Sacred vocabularies for world cinema: Transfiguring ancient aural and visual modalities to express sacredness for the contemporary age. - Los Angeles, California: University of Southern California, Ph.D. 2007. [Abstract in: Dissertation Abstracts International A 68. 2007. No. 5. (November)]
Description:
Discusses the work of Frank Capra, Jean-Jacques Annaud, Paul Wagner, Martin Scorsese, Jane Campion and Kei Kumai.
Index:
Capra, Frank
Annaud, Jean-Jacques
Wagner, Paul
Scorsese, Martin
Campion, Jane
Kei Kumai
#47
Radkiewicz, Malgorzata: Searching for a way of expression: Analysis of selected films by Jane Campion, Sally Potter, and Ulrike Ottinger. In: Gender in film and the media. Edited by Elzbieta H. Oleksy, Elzbieta Ostrowska and Michael Stevenson. - Frankfurt/M., Berlin, Bern, Bruxelles, New York, Oxford, Wien: Peter Lang 2000. p. ?P.
Index:
Campion, Jane
Potter, Sally
Ottinger, Ulrike
Sexualität ~ Sexuality
#48
Ramsey-Kurz, Helga: Tokens or totems? Eccentric props in postcolonial re-enactments of colonial consecration. In: Literature and Theology 21. 2007. No. 3. [?D] pp. 302-316.
Description:
Discusses, among others, Jane Campion’s The Piano and Werner Herzog’s Fitzcarraldo.
Index:
Campion, Jane
Herzog, Werner
Piano, The (1993)
Fitzcarraldo (1981)
Tod ~ Death
Politik ~ Politics
#49
Reiner, Kate: Auf den Spuren eines Engels: Unterwegs zur Schriftstellerin Janet Frame. In: du 56. 1996. No. 10. [?D] pp. 54-57.
Description:
On the New Zealand writer who was the role model for the main character in Jane Campion’s An Angel at My Table.
Index:
Frame, Janet
Campion, Jane
Angel at My Table, An (1990)
Neuseeland ~ New Zealand
Religion: Engel ~ Religion: Angels
#50
Richter, Erika: Ein Engel an meiner Tafel. In: Film und Fernsehen 19. 1991. No. 6/7. [?D] p. 7.
Index:
Campion, Jane
Angel at My Table, An (1990)
#51
Rothermel, Dennis: Heroic endurance in The Piano (1993), Crouching Tiger, Hidden Dragon (2000), The Pianist (2002) and Hero (2002). In: Quarterly Review of Film and Video 24. 2007. No. 3. [?D] pp. 267-275.
Index:
Campion, Jane
Lee Ang
Polanski, Roman
Zhang Yimou
Piano, The (1993)
Wo hu zang long / Crouching Tiger, Hidden Dragon (2000)
Pianist, The (2002)
Ying Xiong (2002)
Helden ~ Heros
#52
Rueschmann, Eva: Dislocations of home and gender in the films of Jane Campion. In: New Zealand filmmakers. Edited by Ian Gonrich and Stuart Murray. - Detroit, Michigan: Wayne State University Press 2007. (= Contemporary approaches to film and television.) pp. 289-303.
Index:
Campion, Jane
Sexualität ~ Sexuality
Neuseeland ~ New Zealand
#53
Rueschmann, Eva: Out of place: Reading (post)colonial landscapes as gothic space in Jane Campion’s films. In: Post Script 24. 2005. No. 2/3. [Winter/Spring/Summer] pp. 8-21.
Index:
Campion, Jane
Natur ~ Nature
Horror ~ Horror
#54
Stevens, Isabell: Feminist wiles. In: Sight and Sound NS 27. 2017. No. 8. [August] pp. 41-44.
Description:
On Jane Campion’ script for TV series Top of the Lake, especially the episode China Girl.
Index:
Campion, Jane
Top of the Lake (TV)
Frauen ~ Women
Fernsehen ~ Television
#55
Stiglegger, Marcus: (Alb-)Traumspiel: In the Cut. In: Splatting Image 2004. No. 60. [December] pp. 69-70.
Index:
Campion, Jane
In the Cut (2004)
Traum ~ Dreams
#56
Stiglegger, Marcus: In the Cut. In: Film-Dienst 57. 2004. No. 20. [September 30] pp. 32-33.
Index:
Campion, Jane
In the Cut (2004)
#57
Stiglegger, Marcus: Ritual & Verführung: Schaulust, Spektakel und Sinnlichkeit im Film. - Berlin: Bertz + Fischer 2006.
Reviews:
Horst, Sabine: No risk, no fun: Marcus Stiglegger über die eigenartioge Kunst des Kinos. In: EPD Film 24. 2007. No. 4. [April] p. 64.
Kleiner, Felicitas: [untitled.] In: Film-Dienst 60. 2007. No. 8. [April 12] p. 41.
Wojtko, Nikolai: [untitled.] In: Medienwissenschaft 2007. No. 2. pp. 223-225.
Description:
Unfolds a general film theory and gives examples from various film genres. Discusses, among others, Nagisa Oshima’s Ai no corrida, the films of Jane Campion, Catherine Breillat and Gaspar Noé as well as the splatter and trash film.
Index:
Oshima, Nagisa
Campion, Jane
Breillat, Catherine
Noé, Gaspar
Ai no corrida / empire des sens, L’ (1976)
Verführung ~ Seduction
Trash ~ Trash
Splatter-Filme ~ Splatter Films
#58
Sunderland, Sophie: Grieving secularism: Jane Campion’s secular daughters in spiritual spaces. In: Studies in Australasian Cinema 6. 2012. No. 1. [?D] pp. 73-85.
Index:
Campion, Jane
Religion ~ Religion
z
#59
Tansley, Rebeca: Self-centred cinema: Language and the writer in An Angel at my Table. In: Antic 1990. No. 8. [?D] pp. 52-53.
Index:
Campion, Jane
Angel at My Table, An (1990)
#60
Taszman, Jörg: Der Dämon in mir. In: EPD Film 35. 2018. No. 1. [January] p. 36.
Description:
On a DVD edition of Jane Campion’s episode China Girl for the TV series Top of the Lake.
Index:
Campion, Jane
Top of the Lake (TV)
Fernsehen ~ Television
DVD ~ DVD
Dämonen ~ Demons
#61
Taubin, Amy: 50 film directors on TV: Jane Campion. In: Sight and Sound NS 23. 2013. No. 9. [September] pp. 23-24.
Index:
Campion, Jane
Fernsehen ~ Television
#62
Tincknell, Estella: Jane Campion and adaptation: Angels, demons and unsettling voices. - Basingstoke; New York: Palgrave Macmillan 2013.
Reviews:
Raw, Laurence: [untitled.] In: Literature/Film Quarterly 43. 2015. No. 1. [?D] pp. 79-81.
Index:
Campion, Jane
Angel at My Table, An (1990)
Religion: Engel ~ Religion: Angels
Dämonen ~ Demons
#63
van Den Berk, Tjeu: The threefold silence after the Death of God filmed by Bergman (1963), Campion (1993) and Von Trier (2011). In: Blessed are the eyes that catch divine whispering ...: Silence and religion in film. Edited by Freek L. Bakker, M. van Dijk and L. van der Tuin. - Marburg: Schüren 2015. (= Film und Theologie 28.) pp. 153 ff.
Index:
Bergman, Ingmar
Campion, Jane
von Trier, Lars
Tystnaden (1963)
Piano, The (1993)
Melancholia (2011)
Tod ~ Death
Religion ~ Religion
Augen ~ Eyes
#64
Vighi, Fabio: Retroactive rupture: The place of the subject in Jane Campion’s In the Cut. In: Cinematic cuts: Theorizing film endings. Edited by Sheila Kunkle. - Albany: State University of New York Press 2016. (= SUNY series, Insinuations: Philosophy, Psychoanalysis, Literature.) p. ?P.
Index:
Campion, Jane
In the Cut (2004)
#65
Vollmer, Ulrike: Dunkle Talente: Sünde und Erlösung in den Filmen von Jane Campion. In: Orientierung [Zürich] 65. 2001. No. 15/16. [?D] pp. 165-170.
Index:
Campion, Jane
Religion ~ Religion
#66
Vollmer, Ulrike: Einen Spiegel finden: Erlösung in den Filmen von Jane Campion. In: Communicatio Socialis 33. 2000. No. 2. [?D] pp. 212-223.
Index:
Campion, Jane
Spiegel ~ Mirror
Religion ~ Religion
#67
Watkins, E. I.: On feminity, fluid and the visible: Subjectivity and the phenomena of colour and dreaming in cinema. - Leeds: University of Leeds, Ph.D. 2003. [Abstract in: Index to Theses with Abstracts 54. 2005. No. 2. p. 307(54-2456).]
Description:
On Jane Campion. Discusses, among others, An Angel at My Table.
Index:
Campion, Jane
Angel at My Table, An (1990)
Traum ~ Dreams
Frauen ~ Women
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