Bibliografie des fantastischen Films / Bibliography of Fantastic Film
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Bibliografie des fantastischen Films / Bibliography of Fantastic Film
Bibliografie des Fantastischen Films
Bibliography of Fantastic Film
literature list results

The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|

literature list on: Cinesite [Company]

number of items: 26

You can download this literature list as ASCII text file.

Abbreviations
?O City of publication unknown
?V Publishing company unknown
?J Year of publication unknown
?N Issue number unknown
?G Volume number unknown
?D Date of publication unknown
?P Number of pages unknown
?R Series number unknown
Literature list

#1
Butler, Bill: Global Warning: The Day the Earth Stood Still. In: Cinefex 2009. No. 116. [January] p. ?P.
Description:
On the special effects by Weta Digital, Cinesite, Flash Film Works and CosFX for Scott Derrickson’s remake of Robert Wise’s SF classic. Discusses especially the work of visual effects supervisor Jeffrey Okun and the creature effects by Todd Masters of Masters FX.
Index:
Derrickson, Scott
Wise, Robert
Okun, Jeffrey A.
Masters, Todd
Day the Earth Stood Still, The (2008)
Day the Earth Stood Still, The (1951)
Technik: Spezialeffekte ~ Technology: Special Effects
Science Fiction ~ Science Fiction
Cos FX [Firma] ~ Cos FX [Company]
Flash Film Works [Firma] ~ Flash Film Works [Company]
Cinesite [Firma] ~ Cinesite [Company]
Weta [Firma] ~ Weta [Company]

#2
Duncan, Jody: A family affair: Captain America: Civil War. In: Cinefex 2016. No. 147. [June] p. ?P.
Description:
On the special effects by Ironhead Studio, Legacy Effects, Quantum Creation, Industrial Light & Magic, Luma Pictures, Method Studios, Double Negative, Base FX and Cinesite. Discusses especially the work of special effects supervisor Daniel Sudick and special makeup effects artist Bart Mixon.
Index:
Russo, Anthony
Russo, Joe
Sudick, Daniel
Mixon, Bart
First Avenger, The: Civil War (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Familie ~ Family
Cinesite [Firma] ~ Cinesite [Company]
Base FX [Firma] ~ Base FX [Company]
Double Negative [Firma] ~ Double Negative [Company]
Method Studios [Firma] ~ Method Studios [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Quantum Creation FX [Firma] ~ Quantum Creation FX [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]
Ironhead Studios [Firma] ~ Ironhead Studios [Company]

#3
Duncan, Jody: Aliens in the city of Angels: Battle: Los Angeles. In: Cinefex 2011. No. 125. [April] p. ?P.
Description:
On the special effects by Cinesite, Hydraulx, Luma Pictures, The Embassy, Matte World Digital, Spin VFX and Soho VFX. Discusses especially the work of visual effects supervisor Everett Burrell and makeup effects supervisor Joel Harlow.
Index:
Liebesman, Jonathan
Burrell, Everett
Harlow, Joel
Battle: Los Angeles (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
Stadt ~ City
Aliens ~ Aliens
Soho VFX [Firma] ~ Soho VFX [Company]";
Spin VFX [Firma] ~ Spin VFX [Company]
Matte World Digital [Firma] ~ Matte World Digital [Company]
Embassy, The [Firma] ~ Embassy, The [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
Hydraulx [Firma] ~ Hydraulx [Company]
Cinesite [Firma] ~ Cinesite [Company]
Los Angeles ~ Los Angeles

#4
Duncan, Jody: First class effects: X-Men: First Class. In: Cinefex 2011. No. 126. [July] p. ?P.
Description:
On the special effects by MPC, Cinesite, Weta Digital, Rhythm & Hues, Luma Pictures, Digital Domain, The Senate, Amalgamated Dynamics Incorporated and Spectral Motion. Discusses especially the work of visual effects designer John Dykstra and makeup artist David Elsey.
Index:
Vaughn, Matthew
Dykstra, John
Elsey, David
X-Men: First Class (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
Spectral Motion [Firma] ~ Spectral Motion [Company]
Amalgamated Dynamics [Firma] ~ Amalgamated Dynamics [Company]
Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
Rhythm & Hues [Firma] ~ Rhythm & Hues [Company]
Weta [Firma] ~ Weta [Company]
Cinesite [Firma] ~ Cinesite [Company]
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]

#5
Duncan, Jody: Gods and monsters: Clash of the Titans. In: Cinefex 2010. No. 122. [July] p. ?P.
Description:
On Louis Letterier’s remake of the 1981 Ray Harryhausen classic. Discusses especially the special effects by The Moving Picture Company, Framestore and Cinesite as well as the work of visual effects supervisor Nick Davis and special effect expert Neil Corbould.
Index:
Leterrier, Louis
Davis, Desmomd
Harryhausen, Ray
Davis, Nick
Corbould, Neil
Clash of the Titans (2010)
Clash of the Titans (1981)
Technik: Spezialeffekte ~ Technology: Special Effects
Religion ~ Religion
Monster ~ Monster
Cinesite [Firma] ~ Cinesite [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]

#6
Duncan, Jody: Into inkworld: Inkheart. In: Cinefex 2009. No. 117. [April] p. ?P.
Description:
On the special effects by Double Negative, The Senate, Cinesite, Rainmaker, Peerless Camera Company and Mattes & Miniatures for Iain Softley’s fantasy adventure. Discusses especially the work of visual effects supervisor Angus Bickerton and special effects supervisor Paul Corbould.
Index:
Softley, Iain
Bickerton, Angus
Corbould, Paul
Inkheart (2008)
Technik: Spezialeffekte ~ Technology: Special Effects
Fantasy ~ Fantasy
Abenteuer ~ Adventure
Mattes & Miniatures [Firma] ~ Mattes & Miniatures [Company]";
Peerless Camera Company [Firma] ~ Peerless Camera Company [Company]
Rainmaker [Firma] ~ Rainmaker [Company]
Cinesite [Firma] ~ Cinesite [Company]
Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company]
Double Negative [Firma] ~ Double Negative [Company]

#7
Duncan, Jody: RoboCop retooled: RoboCop. In: Cinefex 2014. No. 137. [April] p. ?P.
Description:
On the special effects by Legacy Effects, Framestore, Method Studios, Soho VFX, Mr. X, Modus FX and Cinesite for José Padilha’s remake of Paul Verhoevens science fiction classic.
Index:
Padilha, José
Verhoeven, Paul
RoboCop (2014)
Robocop (1987)
Technik: Spezialeffekte ~ Technology: Special Effects
Science Fiction ~ Science Fiction
Robocop ~ Robocop
Cinesite [Firma] ~ Cinesite [Company]
Modus FX [Firma] ~ Modus FX [Company]
Mr. X [Firma] ~ Mr. X [Company]
Soho VFX [Firma] ~ Soho VFX [Company]";
Method Studios [Firma] ~ Method Studios [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]

#8
Duncan, Jody: The gauntlet: Avengers: Infinity War. In: Cinefex 2018. No. 159. [June] p. ?P.
Description:
On the special effects by Digital Domain, Weta Digital, Industrial Light & Magic, Framestore, Double Negative and Cinesite. Discusses especially the work of visual effects supervisor Dan DeLeeuw and visual effects producer Jen Underdahl.
Index:
Russo, Anthony
Russo, Joe
DeLeeuw, Dan
Underdahl, Jen
Avengers: Infinity War (2018)
Technik: Computer ~ Technology: Computer
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Framestore CFC [Firma] ~ Framestore CFC [Company]
Double Negative [Firma] ~ Double Negative [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Cinesite [Firma] ~ Cinesite [Company]

#9
Duncan, Jody: The longest day: Edge of Tomorrow. In: Cinefex 2014. No. 139. [?D] p. ?P.
Description:
On the special effects by Framestore, Cinesite, Sony Pictures Imageworks, MPC and Rodeo FX. Discusses especially the work of special effects supervisor Dominic Tuohy.
Index:
Liman, Doug
Tuohy, Dominic
Edge of Tomorrow (2014)
Technik: Spezialeffekte ~ Technology: Special Effects
Rodeo FX [Firma] ~ Rodeo FX [Company]
MPC [Firma] ~ MPC [Company]
Sony Pictures Imageworks [Firma] ~ Sony Pictures Imageworks [Company]
Cinesite [Firma] ~ Cinesite [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]

#10
Duncan, Jody: What would Roland Emmerich do? Independence Day: Resurgence. In: Cinefex 2016. No. 148. [August] p. ?P.
Description:
On the special effects by Uncharted Territory, Weta Digital, Scanline VFX, MPC, Image Engine, Digital Domain and Cinesite. Discusses especially the work of visual effects supervisors Volker Engel and Marc Weigert.
Index:
Emmerich, Roland
Engel, Volker
Weigert, Marc
Independence Day: Resurgence (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Cinesite [Firma] ~ Cinesite [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Image Engine [Firma] ~ Image Engine [Company]
MPC [Firma] ~ MPC [Company]
Scanline [Firma] ~ Scanline [Company]
Weta [Firma] ~ Weta [Company]
Uncharted Territory [Firma] ~ Uncharted Territory [Company]

#11
Duncan, Jody: Zombie wars: World War Z. In: Cinefex 2013. No. 135. [October] p. ?P.
Description:
On the special effects by Framestore, Cinesite and MPC. Discusses especially the work of visual effects supervisor Scott Farrar, special effects supervisor Neil Corbould, makeup designer Mark Coulier, Legacy Effects design supervisor John Rosengrant, and animatronics supervisor Darren Robinson.
Index:
Forster, Marc
Farrar, Scott
Corbould, Neil
Coulier, Mark
Rosengrant, John
Robinson, Darren
World War Z (2013)
Zombies ~ Zombies
Technik: Spezialeffekte ~ Technology: Special Effects
Krieg ~ War
Animation ~ Animation
Legacy Effects [Firma] ~ Legacy Effects [Company]
MPC [Firma] ~ MPC [Company]
Cinesite [Firma] ~ Cinesite [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]

#12
Edwards, Graham: Explosive cocktail: Spectre. In: Cinefex 2016. No. 145. [February] p. 12-39.
Description:
On the special effects by Double Negative, Cinesite, ILM London, MPC, Peerless and BlueBolt. Discusses especially the work of special effects supervisors Chris Corbould and Steve Begg.
Index:
Mendes, Sam
Corbould, Chris
Begg, Steve
Spectre (2015)
Technik: Spezialeffekte ~ Technology: Special Effects
BlueBolt [Firma] ~ BlueBolt [Company]
Peerless Camera Company [Firma] ~ Peerless Camera Company [Company]
MPC [Firma] ~ MPC [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Cinesite [Firma] ~ Cinesite [Company]
Double Negative [Firma] ~ Double Negative [Company]

#13
Edwards, Graham: Q&A: Eric Durst: Gods of Egypt. In: Cinefex 2016. No. 146. [April] p. ?P.
Description:
Interview with the visual effects supervisor. Discusses also the special effects by Iloura, Rising Sun Pictures, Cinesite, Tippett Studio, Rodeo FX, Fin VFX, Raynault VFX, UPP, Makeshift VFX, Comen VFX and Crafty Apes.
Index:
Proyas, Alex
Durst, Eric
Gods of Egypt (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Crafty Apes [Firma] ~ Crafty Apes [Company]
Comen VFX [Firma] ~ Comen VFX [Company]
Makeshift VFX [Firma] ~ Makeshift VFX [Company]
UPP [Firma] ~ UPP [Company]
Raynault VFX [Firma] ~ Raynault VFX [Company]
Fin Design & Effects [Firma] ~ Fin Design & Effects [Company]
Rodeo FX [Firma] ~ Rodeo FX [Company]
Tippett Studio [Firma] ~ Tippett Studio [Company]
Cinesite [Firma] ~ Cinesite [Company]
Rising Sun Pictures [Firma] ~ Rising Sun Pictures [Company]
Iloura [Firma] ~ Iloura [Company]

#14
Fordham, Joe: Arabian fantasy: Prince of Persia: Sands of Time. In: Cinefex 2010. No. 123. [October] p. ?P.
Description:
On the special effects by Double Negative, The Moving Picture Company, Cinesite and Framestore. Discusses especially the work of special effects supervisor Trevor Wood and visual effects supervisor Tom Wood.
Index:
Newell, Mike
Wood, Trevor
Wood, Tom
Prince of Persia: The Sands of Time (2010)
Technik: Spezialeffekte ~ Technology: Special Effects
Orient ~ Orient
Fantasy ~ Fantasy
Framestore CFC [Firma] ~ Framestore CFC [Company]
Cinesite [Firma] ~ Cinesite [Company]
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]
Double Negative [Firma] ~ Double Negative [Company]

#15
Fordham, Joe: Beyond the void: Ant-Man and the Wasp. In: Cinefex 2018. No. 160. [August] p. ?P.
Description:
On the special effects by DNEG, Scanline VFX, Rodeo FX, Method Studios, Cinesite, Digital Domain, ILM, RISE VFX and Crafty Apes. Discusses especially the work of visual effects supervisor Stéphane Ceretti, visual effects producer Susan Pickett, and special effects supervisor Daniel Sudick.
Index:
Reed, Peyton
Ceretti, Stephane
Pickett, Susan
Sudick, Daniel
Ant-Man and the Wasp (2018)
DNEG [Firma] ~ DNEG [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Scanline [Firma] ~ Scanline [Company]
Rodeo FX [Firma] ~ Rodeo FX [Company]
RISE Visual Effects Studios [Firma] ~ RISE Visual Effects Studios [Company]
Method Studios [Firma] ~ Method Studios [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Digital Domain [Firma] ~ Digital Domain [Company]
Crafty Apes [Firma] ~ Crafty Apes [Company]
Cinesite [Firma] ~ Cinesite [Company]

#16
Fordham, Joe: Microcosmos: Ant-Man. In: Cinefex 2015. No. 143. [October] p. ?P.
Description:
On the special effects by Double Negative, Method Studios, Luma Pictures, Industrial Light & Magic, Cinesite, Lola VFX and The Third Floor. Discusses especially the work of visual effects supervisor Jake Morrison and visual effects producer Diana Giorgiutti.
Index:
Reed, Peyton
Morrison, Jake
Giorgiutti, Diana
Ant-Man (2015)
Technik: Spezialeffekte ~ Technology: Special Effects
Third Floor, The [Firma] ~ Third Floor, The [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
Cinesite [Firma] ~ Cinesite [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Luma Pictures [Firma] ~ Luma Pictures [Company]
Method Studios [Firma] ~ Method Studios [Company]
Double Negative [Firma] ~ Double Negative [Company]

#17
Fordham, Joe: Old dog, new tricks: Skyfall. In: Cinefex 2013. No. 133. [April] p. 28-55.
Description:
On the special effects by MPC, Cinesite, Double Negative, Framestore and Peerless Camera Company for the 23rd Bond movie. Discusses especially the work of special effects supervisor Chris Corbould and visual effects supervisor Steve Begg.
Index:
Mendes, Sam
Corbould, Chris
Begg, Steve
Skyfall (2012)
Peerless Camera Company [Firma] ~ Peerless Camera Company [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Double Negative [Firma] ~ Double Negative [Company]
Cinesite [Firma] ~ Cinesite [Company]
MPC [Firma] ~ MPC [Company]

#18
Fordham, Joe: Sea quest: The Chronicles of Narnia: The Voyage of the Dawn Treader. In: Cinefex 2011. No. 124. [January] p. ?P.
Description:
On the special effects by The KNB EFX Group, The Moving Picture Company, Framestore, Cinesite, The Mill and The Senate. Discusses especially the work of special effects supervisor Brian Cox and visual effects supervisor Angus Bickerton.
Index:
Apted, Michael
Cox, Brian
Bickerton, Angus
Chronicles of Narnia, The: The Voyage of the Dawn Treader (2010)
Technik: Spezialeffekte ~ Technology: Special Effects
Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company]
Mill, The [Firma] ~ Mill, The [Company]
Cinesite [Firma] ~ Cinesite [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]
KNB [Firma] ~ KNB [Company]

#19
Fordham, Joe: Soldier blue: Captain America: The First Avenger. In: Cinefex 2011. No. 127. [October] p. ?P.
Description:
On the special effects by Double Negative, Lola VFX, Matte World Digital, Luma Pictures, Framestore, Cinesite, Fuel VFX, Method Studios and The Senate VFX. Discusses especially the work of visual effects supervisor Christopher Townsend, special effects supervisor Paul Corbould and makeup effects artist David White.
Index:
Johnston, Joe
Townsend, Christopher
Corbould, Paul
White, David
Captain America: The First Avenger (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
Krieg ~ War
Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company]
Method Studios [Firma] ~ Method Studios [Company]
Fuel VFX [Firma] ~ Fuel VFX [Company] | Fuel
Cinesite [Firma] ~ Cinesite [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
Matte World Digital [Firma] ~ Matte World Digital [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
Double Negative [Firma] ~ Double Negative [Company]

#20
Fordham, Joe: The big one: San Andreas. In: Cinefex 2015. No. 142. [July] p. ?P.
Description:
On the special effects by Hydraulx, Scanline VFX, Cinesite, Method Studios and Image Engine. Discusses especially the work of special effects supervisors Brian Cox and Matt Kutcher as well as visual effects producer Randall Starr.
Index:
Peyton, Brad
Cox, Brian
Kutcher, Matt
Starr, Randall
San Andreas (2015)
Technik: Spezialeffekte ~ Technology: Special Effects
Image Engine [Firma] ~ Image Engine [Company]
Method Studios [Firma] ~ Method Studios [Company]
Cinesite [Firma] ~ Cinesite [Company]
Scanline [Firma] ~ Scanline [Company]
Hydraulx [Firma] ~ Hydraulx [Company]
Katastrophen ~ Disasters

#21
Fordham, Joe: The last enemy: Harry Potter and the Deathly Hallows: Part 1. In: Cinefex 2011. No. 124. [January] p. 90-118.
Description:
On the special effects by Double Negative, The Moving Picture Company, Framestore, Cinesite, Rising Sun Pictures and Baseblack. Discusses especially the work of visual effects supervisor Tim Burke, special effects supervisor John Richardson and makeup effects supervisor Nick Dudman.
Index:
Yates, David
Burke, Tim
Richardson, John
Dudman, Nick
Harry Potter and the Deathly Hallows: Part 1 (2010)
Technik: Spezialeffekte ~ Technology: Special Effects
Baseblack [Firma] ~ Baseblack [Company]
Rising Sun Pictures [Firma] ~ Rising Sun Pictures [Company]
Cinesite [Firma] ~ Cinesite [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]
Double Negative [Firma] ~ Double Negative [Company]

#22
Fordham, Joe: The magical congress: Fantastic Beasts and Where to Find Them. In: Cinefex 2016. No. 150. [December] p. ?P.
Description:
On the special effects by Cinesite, Double Negative, Framestore, MPC, Image Engine, Rodeo FX, Method Studios, Milk VFX, Lola VFX, Nvizage, Proof, Inc. and The Third Floor. Discusses especially the work of visual effects supervisors Tim Burke and Christian Manz and of special effects supervisor David Watkins.
Index:
Yates, David
Burke, Tim
Manz, Christian
Watkins, David
Fantastic Beasts and Where to Find Them (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Magie ~ Magic
Third Floor, The [Firma] ~ Third Floor, The [Company]
Proof [Firma] ~ Proof [Company]
Nvizage [Firma] ~ Nvizage [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
Milk Visual Effects [Firma] ~ Milk Visual Effects [Company]
Method Studios [Firma] ~ Method Studios [Company]
Rodeo FX [Firma] ~ Rodeo FX [Company]
Image Engine [Firma] ~ Image Engine [Company]
MPC [Firma] ~ MPC [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Double Negative [Firma] ~ Double Negative [Company]
Cinesite [Firma] ~ Cinesite [Company]

#23
Fordham, Joe: Under the moons of Mars: John Carter. In: Cinefex 2012. No. 129. [April] p. ?P.
Description:
On the special effects by Legacy Effects, Double Negative, Cinesite and MPC. Discusses, in particular, the work of special effects supervisor Chris Corbould and of visual effects supervisors Peter Chiang and Sue Rowe.
Index:
Stanton, Andrew
Corbould, Chris
Chiang, Peter
Rowe, Sue
John Carter (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
Mond ~ Moon
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]
Cinesite [Firma] ~ Cinesite [Company]
Double Negative [Firma] ~ Double Negative [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]

#24
Grove, Christopher [et al.]: Cinesite at 10. In: Variety 388. 2002. No. 5. [September 16] pp. A1-A6.
Description:
On the 10th anniversary of the special effects company.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Cinesite [Firma] ~ Cinesite [Company]

#25
Magid, Ron: Cinesite fills the gaps. In: American Cinematographer 75. 1994. No. 12. [December] p. 68.
Description:
On the special effects for James Cameron’s True Lies, created by "Cinesite".
Index:
Cameron, James
True Lies (1994)
Technik: Spezialeffekte ~ Technology: Special Effects
Cinesite [Firma] ~ Cinesite [Company]

#26
Shay, Estelle: Moon madness. In: Cinefex 2009. No. 118. [July] p. ?P.
Description:
On the special effects by Cinesite for Duncan Jones’s feature film debut. Discusses especially the work of model supervisor Bill Pearson.
Index:
Jones, Duncan
Pearson, Bill
Moon (2009)
Wahnsinn ~ Madness
Technik: Spezialeffekte ~ Technology: Special Effects
Cinesite [Firma] ~ Cinesite [Company]


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Bibliografie des fantastischen Films / Bibliography of Fantastic Film

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