The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Citizen Kane (1940)
number of items: 9
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#1
Beja, Morris: Where You can’t get at him: Orson Welles and the attempt to escape from father. In: Literature/Film Quarterly 13. 1985. No. 1. [January] pp. 2-9.
Description:
On Citizen Kane and The Trial.
Index:
Welles, Orson
Citizen Kane (1940)
Trial, The / Procés, Le / processo, Il (1962)
Vater ~ Fathers
#2
Boyd, David: Film and the interpretive process: A study of Blow-Up, Rashomon, Citizen Kane, 8 1/2, Vertigo and Persona. - New York, Bern, Frankfurt/M., Paris: Lang 1989. (= Ars interpretandi 1.)
Reviews:
Rother, Rainer: [untitled] In: Medienwissenschaft 1990. No. 4. pp. 386-390.
Description:
Bibliography.
Index:
Antonioni, Michelangelo
Kurosawa, Akira
Welles, Orson
Fellini, Federico
Hitchcock, Alfred
Bergman, Ingmar
Blow Up (1966)
Rashomon (1950)
Citizen Kane (1940)
Otto e mezzo / Huit et demi (1962)
Vertigo (1958)
Persona (1966)
#3
Combs, Richard: Burning masterworks: From Citizen Kane to F for Fake. In: Film Comment 30. 1994. No. 1. [January/February] pp. 50-59.
Description:
On the films of Orson Welles.
Index:
Welles, Orson
Citizen Kane (1940)
F for Fake / Nothing But the Truth (1973-1975)
#4
Herrmann, Bernard: The contemporary use of music in film: Citizen Kane, Psycho, Fahrenheit 451. In: University Film Study Center Newsletter 7. 1977. No. 3. [?D] pp. 5-10.
Index:
Welles, Orson
Hitchcock, Alfred
Truffaut, François
Herrmann, Bernard
Citizen Kane (1940)
Psycho (1960)
Fahrenheit 451 (1966)
Musik ~ Music
#5
Manzoni, Silvia: Heart of darkness: Dall’impressionismo narrativo di Joseph Conrad alle trasposizioni di Orson Welles. In: Acme 62. 2009. No. 1. [?D] pp. 319-333.
Index:
Welles, Orson
Conrad, Joseph
Citizen Kane (1940)
Impressionsimus ~ Impressionism
#6
Marchant, S.: Rebecca, Laura and Kane: The event in 1940s Hollywood. - Norwich, Norfolk: University of East Anglia, Ph.D. 2000. [Abstract in: Index to Theses with Abstracts 51. 2002. No. 3. p. 615(51-4078)].
Index:
Hitchcock, Alfred
Preminger, Otto
Welles, Orson
Rebecca (1940)
Laura (1944)
Citizen Kane (1940)
USA (United States of America) ~ USA (United States of America)
Hollywood ~ Hollywood
#7
Marrison, James: From Citizen Kane to Mr. Arkadin: The evolution of Orson Welles’s aesthetics of space. In: New Orleans Review 16. 1989. No. 3. [?D] pp. 5-13.
Index:
Welles, Orson
Citizen Kane (1940)
Mr. Arkadin / Confidential Report (1955)
#8
Rasmussen, Randy: Orson Welles: Six films analyzed, scene by scene. - Jefferson, North Carolina; London: McFarland 2006.
Description:
Examines Citizen Kane, The Magnificent Ambersons, The Lady from Shanghai, Touch of Evil, The Trial and Chimes at Midnight.
Index:
Welles, Orson
Citizen Kane (1940)
Magnificent Ambersons, The (1941)
Lady from Shanghai, The (1946)
Touch of Evil (1957)
Trial, The / Procés, Le / processo, Il (1962)
Campanadas a medianoche / Chimes at Midnight (1965)
#9
Rathgeb, Douglas L.: Faces in the newsreel: Illuminating Citizen Kane through Woody Allen’s Zelig. In: Post Script 6. 1987. No. 3. [Spring/Summer] pp. 31-44.
Index:
Allen, Woody
Welles, Orson
Zelig (1982)
Citizen Kane (1940)
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