The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: DNEG [Company]
number of items: 5
| ?O | City of publication unknown | 
| ?V | Publishing company unknown | 
| ?J | Year of publication unknown | 
| ?N | Issue number unknown | 
| ?G | Volume number unknown | 
| ?D | Date of publication unknown | 
| ?P | Number of pages unknown | 
| ?R | Series number unknown | 
#1
Duncan, Jody: Oh, the shark, babe: The Meg. In: Cinefex 2018. No. 161. [October] p. ?P.
Description:
 On the special effects by Scanline VFX, DNEG, Sony Pictures Imageworks, Image Engine, Soho VFX, Umedia, Unit 11, Halon Entertainment and Glasshammer Visual Effects. Discusses especially the work of visual effects supervisor Adrian de Wet, visual effects producer Steve Garard, and special effects supervisor Steve Ingram. 
Index:
 Turteltaub, Jon 
 de Wet, Adrian 
 Garard, Steve 
 Ingram, Steve 
 Meg, The (2018) 
 Unit 11 [Firma] ~ Unit 11 [Company] 
 Umedia VFX [Firma] ~ Umedia VFX [Company] 
 Glasshammer Visual Effects [Firma] ~ Glasshammer Visual Effects [Company] 
 DNEG [Firma] ~ DNEG [Company] 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Sony Pictures Imageworks [Firma] ~ Sony Pictures Imageworks [Company] 
 Soho VFX [Firma] ~ Soho VFX [Company] 
 Scanline [Firma] ~ Scanline [Company] 
 Image Engine [Firma] ~ Image Engine [Company] 
 Halon Entertainment [Firma] ~ Halon Entertainment [Company] 
#2
Edwards, Graham: Knocking ’em dead: Deadpool 2. In: Cinefex 2018. No. 160. [August] p. ?P.
Description:
 On the special effects by DNEG, Framestore, Method Studios, Weta Digital, Crafty Apes, Soho VFX, Trace VFX and Digital Makeup Group. Discusses especially the work of visual effects supervisor Dan Glass and special effects supervisor Mike Vézina. 
Index:
 Leitch, David 
 Glass, Dan 
 Vézina, Mike 
 Deadpool 2 (2018) 
 Technik: Computer ~ Technology: Computer 
 Trace VFX [Firma] ~ Trace VFX [Company] 
 Digital Makeup Group [Firma] ~ Digital Makeup Group [Company] 
 DNEG [Firma] ~ DNEG [Company] 
 Weta [Firma] ~ Weta [Company] 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Soho VFX [Firma] ~ Soho VFX [Company] 
 Method Studios [Firma] ~ Method Studios [Company] 
 Framestore CFC [Firma] ~ Framestore CFC [Company] 
 Crafty Apes [Firma] ~ Crafty Apes [Company] 
#3
Edwards, Graham: Lone wolf: Alpha. In: Cinefex 2018. No. 161. [October] p. ?P.
Description:
 On the special effects by MPC, DNEG and Pixomondo, CosFX, Flash Film Works, FreeStyle VFX, Rising Sun Pictures, Instinctual, RVX, and Legend 3D. Discusses especially the work of visual effects supervisor Jeffrey A. Okun and stereo supervisor Marcus Alexander. 
Index:
 Hughes, Albert 
 Okun, Jeffrey A. 
 Alexander, Marcus 
 Alpha (2018) 
 RVX EHF [Firma] ~ RVX EHF [Company] 
 Legend3D [Firma] ~ Legend3D [Company] 
 Instinctual VFX [Firma] ~ Instinctual VFX [Company] 
 Freestyle VFX [Firma] ~ Freestyle VFX [Company] 
 DNEG [Firma] ~ DNEG [Company] 
 CosFX [Firma] ~ CosFX [Company] 
 Wölfe ~ Wolves 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Rising Sun Pictures [Firma] ~ Rising Sun Pictures [Company] 
 Pixomondo [Firma] ~ Pixomondo [Company] 
 MPC [Firma] ~ MPC [Company] 
 Flash Film Works [Firma] ~ Flash Film Works [Company] 
#4
Edwards, Graham: Symbiosis: Venom. In: Cinefex 2018. No. 161. [October] p. ?P.
Description:
 On the special effects by DNEG, Legacy Effects, and The Third Floor. Discusses especially the work of visual effects supervisor Paul Franklin, visual effects producer Mark Soper, and special effects supervisor J. D. Schwalm. 
Index:
 Fleischer, Ruben 
 Franklin, Paul 
 Soper, Mark 
 Schwalm, J. D. 
 Venom (2018) 
 DNEG [Firma] ~ DNEG [Company] 
 Third Floor, The [Firma] ~ Third Floor, The [Company] 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Legacy Effects [Firma] ~ Legacy Effects [Company] 
#5
Fordham, Joe: Beyond the void: Ant-Man and the Wasp. In: Cinefex 2018. No. 160. [August] p. ?P.
Description:
 On the special effects by DNEG, Scanline VFX, Rodeo FX, Method Studios, Cinesite, Digital Domain, ILM, RISE VFX and Crafty Apes. Discusses especially the work of visual effects supervisor Stéphane Ceretti, visual effects producer Susan Pickett, and special effects supervisor Daniel Sudick. 
Index:
 Reed, Peyton 
 Ceretti, Stephane 
 Pickett, Susan 
 Sudick, Daniel 
 Ant-Man and the Wasp (2018) 
 DNEG [Firma] ~ DNEG [Company] 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Scanline [Firma] ~ Scanline [Company] 
 Rodeo FX [Firma] ~ Rodeo FX [Company] 
 RISE Visual Effects Studios [Firma] ~ RISE Visual Effects Studios [Company] 
 Method Studios [Firma] ~ Method Studios [Company] 
 ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic) 
 Digital Domain [Firma] ~ Digital Domain [Company] 
 Crafty Apes [Firma] ~ Crafty Apes [Company] 
 Cinesite [Firma] ~ Cinesite [Company] 
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