Bibliografie des fantastischen Films / Bibliography of Fantastic Film
Loading:
Loading: a
Loading: a b
Loading: a b c
Loading: a b c d
Loading: a b c d e
Loading: a b c d e f
Loading: a b c d e f g
Loading: a b c d e f g h
Loading: a b c d e f g h i
Loading: a b c d e f g h i j
Loading: a b c d e f g h i j k
Loading: a b c d e f g h i j k l
Loading: a b c d e f g h i j k l m
Loading: a b c d e f g h i j k l m n
Loading: a b c d e f g h i j k l m n o
Loading: a b c d e f g h i j k l m n o p
Loading: a b c d e f g h i j k l m n o p q
Loading: a b c d e f g h i j k l m n o p q r
Loading: a b c d e f g h i j k l m n o p q r s
Loading: a b c d e f g h i j k l m n o p q r s t
Loading: a b c d e f g h i j k l m n o p q r s t u
Loading: a b c d e f g h i j k l m n o p q r s t u v
Loading: a b c d e f g h i j k l m n o p q r s t u v w
Loading: a b c d e f g h i j k l m n o p q r s t u v w x
Loading: a b c d e f g h i j k l m n o p q r s t u v w x y
Loading: a b c d e f g h i j k l m n o p q r s t u v w x y z
Loading: a b c d e f g h i j k l m n o p q r s t u v w x y z
Bibliografie des fantastischen Films / Bibliography of Fantastic Film
Bibliografie des Fantastischen Films
Bibliography of Fantastic Film
literature list results

The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|

literature list on: DeMille, Cecil Blount

number of items: 127

You can download this literature list as ASCII text file.

Abbreviations
?O City of publication unknown
?V Publishing company unknown
?J Year of publication unknown
?N Issue number unknown
?G Volume number unknown
?D Date of publication unknown
?P Number of pages unknown
?R Series number unknown
Literature list

#1
Alonso Barahona, Fernando: Cecil B. de Mille. - Barcelona: Centro de Investigaciones Literarias Españolas e Hispanoamericanas 1991. (= Cine biografías 1.)
Index:
DeMille, Cecil Blount

#2
Babington, Bruce / Evans, Peter William: Biblical epics: Sacred narrative in the Hollywood cinema. - Manchester; New York: Manchester University Press 1993.
Reviews:
Hertkorn, Ottmar: [untitled] In: Medienwissenschaft 1994. No. 2. pp. 189-191.
Description:
Discusses, among others, both The Ten Commandment films by Cecil Blount DeMille, Salome by Wilhelm Dieterle, The Robe by Henry Koster, Ben Hur by William Wyler, Quo Vadis by Mervyn LeRoy, Spartacus by Stanley Kubrick, Demetrius and the Gladiators by Delmer Daves, both The King of Kings films by Cecil Blount DeMille and Nicholas Ray, The Greatest Story Ever Told by George Stevens and finally The Last Temptation of Christ by Martin Scorsese. Includes a bibliography.
Index:
DeMille, Cecil Blount
Dieterle, Wilhelm [Pseudonym: Dieterle, William]
Koster, Henry
Wyler, William
LeRoy, Mervyn
Kubrick, Stanley
Daves, Delmer
Ray, Nicholas
Stevens, George
Scorsese, Martin
Ten Commandments, The (1923)
Ten Commandments, The (1957)
Salome (1953)
Robe, The (1953)
Ben Hur (1959)
Quo Vadis? (1951)
Spartacus (1959/1960)
Demetrius and the Gladiators (1954)
King of Kings, The (1927)
King of Kings, The (1960)
Greatest Story Ever Told, The (1963)
Last Temptation of Christ, The (1988)
Religion ~ Religion
Religion ~ Religion
Hollywood ~ Hollywood

#3
Basquette, Linda: Lina, DeMille’s godless girl. Edited by Mary Garland Jonas. - Fairfax: Denlingers Publications 1990.
Index:
DeMille, Cecil Blount
Religion ~ Religion

#4
Bassetti, Sergio: Conferme e scoperte. In: Filmcritica 42. 1991. No. 419. [November] pp. 522-525.
Description:
On the DeMille retrospective at the 1991 Pordenone Festival.
Index:
DeMille, Cecil Blount
Pordenone ~ Pordenone
Festival ~ Festival

#5
Berthomé, Jean-Pierre: Cecil, William ... et les autres: Les productions DeMille. In: Positif 1992. No. 380. [?D] pp. 99-102.
Index:
DeMille, Cecil Blount

#6
Birchard, Robert S.: Cecil B. DeMille’s Hollywood. Foreword by Kevin Thomas. - Lexington, Kentucky: University Press of Kentucky 2004.
Reviews:
Dawson, Andrew: [untitled] In: Journal of American Studies 39. 2005. No. 1. [?D] pp. 113-114.
Robinson, David: Eminent Victorian. In: Sight and Sound NS 14. 2004. No. 11. [November] pp. 34-35.
Simmon, Scott: [untitled] In: Film Quarterly 59. 2006. No. 4. [Summer] pp. 51-52.
Welsh, J. M.: C. B. DeMille: 70 annotated films. In: Literature/Film Quarterly 32. 2004. No. 4. [October] pp. 317-318.
Index:
DeMille, Cecil Blount
Hollywood ~ Hollywood

#7
Birchard, Robert S.: De Mille and The Ten Commandments. In: American Cinematographer 73. 1992. No. 9. [September] pp. 77-81.
Description:
On Cecil B. DeMille’s classic Hollywood monumental film.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1957)
Hollywood ~ Hollywood

#8
Birchard, Robert S.: The Ten Commandments (1923): De Mille completes personal exodus. In: American Cinematographer 73. 1992. No. 10. [October] pp. 76-80.
Description:
On Cecil B. DeMille’s classic Hollywood monumental film.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1957)
Hollywood ~ Hollywood

#9
Blaetz, Robin: Cecil B. DeMille’s Joan the Woman. In: Studies in Medievalism 1994. No. 6. [?D] pp. 109-122.
Index:
DeMille, Cecil Blount
Joan the Woman (1917)

#10
Blanke, David: Experiments in time: The silent films of Cecil B. DeMille. In: Time travel in popular media: Essays on film, television, literature and video games. Edited by Matthew Jones and Joan Ormrod. - Jefferson, North Carolina: McFarland & Company 2015. p. ?P.
Index:
DeMille, Cecil Blount
Stummfilm ~ Silent Film
Zeit ~ Time

#11
Bodeen, DeWitt / Ringgold, Gene: The films of Cecil B. De Mille. - London: Virgin Publishing 1990.
Index:
DeMille, Cecil Blount

#12
Bowen, Thomas: Cecil B. DeMille and the Tiburón Island adventure. In: Journal of the Southwest 46. 2004. No. 3. [?D] pp. 559-592.
Index:
DeMille, Cecil Blount
Abenteuer ~ Adventure

#13
Bronfen, Elisabeth: Monumentalität im Historienfilm. In: Mittelalter im Film. Hrsg. von Heinrich Adolf und Christian Kiening. - Berlin; New York: de Gruyter 2006. (= Trends in medieval philology 6.) pp. 355-372.
Index:
DeMille, Cecil Blount
Geschichte ~ History
Geschichte: Mittelalter ~ History: Middle Ages

#14
Bulgakowa, Oksana: Hollywoods größter Show-Master: Retrospektive Cecil B. DeMille. In: Film-Dienst 44. 1991. No. 23. [November 12] pp. 38-41.
Index:
DeMille, Cecil Blount
Hollywood ~ Hollywood

#15
Burton, Aaron: Jesus in the movies: A rhetorical analysis of selected films from 1912-2004. - Bowling Green, Ohio: Bowling Green State University, Ph.D. 2008. [Abstract in: Dissertation Abstracts International A 69. 2008. No. 2. (August)]
Description:
Discusses especially Sydney Olcott’s From the Manger to the Cross, Cecil Blount DeMille’s The King of Kings, George Stevens’s The Greatest Story Ever Told, Norman Jewison’s Jesus Christ Superstar, Martin Scorsese’s The Last Temptation of Christ and Mel Gibson’s The Passion of the Christ.
Index:
Olcott, Sydney
DeMille, Cecil Blount
Stevens, George
Jewison, Norman
Scorsese, Martin
Gibson, Mel
From the Manger to the Cross (1912)
King of Kings, The (1927)
Greatest Story Ever Told, The (1963)
Jesus Christ Superstar (1972)
Last Temptation of Christ, The (1988)
Passion of the Christ, The (2004)

#16
Calabria, Michael D.: The movie mogul, Moses and Muslims: Islamic elements in Cecil B. DeMille’s The Ten Commandments (1956). In: Journal of Religion and Film 19. 2015. No. 1. [April] p. 1-25.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1957)
Religion: Islam ~ Religion: Islam
Religion ~ Religion

#17
Campanile, Domitilla: Strength and honor: Gladiator (R. Scott, 2000) e The Ten Commandments (C. B. DeMille, 1956). In: Rivista di Cultura Classica e Medioevale 51. 2009. No. 1. [January-June] pp. 187-189.
Description:
On the representation of values and the praise of the simple life in both films.
Index:
Scott, Ridley
DeMille, Cecil Blount
Gladiator (2000)
Ten Commandments, The (1957)
Geschichte: Antike ~ History: Ancient Times

#18
Christie, Ian: Grand illusions: Cecil B. DeMille. In: Sight and Sound NS 1. 1991. No. 8. [December] pp. 18-21.
Index:
DeMille, Cecil Blount

#19
Ciment, Michel: Les tresors du pharaon: Les films muets de Cecil B. DeMille aux rencontres de Pordenone. In: Positif 1992. No. 380. [?D] pp. 94-98.
Index:
DeMille, Cecil Blount
Stummfilm ~ Silent Film
Pordenone ~ Pordenone

#20
Costa de Beauregard, Raphaëlle: Authority, protestantism and Cecil B. DeMille’s early silent films (1913-1923). In: Anglophonia 2005. No. 17. [?D] pp. 399-407.
Index:
DeMille, Cecil Blount
Stummfilm ~ Silent Film
Religion ~ Religion

#21
Cowan, Douglas E.: Intellects vast and cool and unsympathetic: Science, religion, and The War of the Worlds - Part II. In: Journal of Religion and Film 11. 2007. No. 2. [October] p. ?P.
Description:
Discusses also Robert Wise’s The Day the Earth Stood Still, Rudolph Maté’s When Worlds Collide, The Day of the Triffids by Freddie Francis and Steve Sekely, Cecil Blount DeMille’s Samson & Delilah and Gordon Douglas’s Them!.
Index:
Haskin, Byron
Wise, Robert
Maté, Rudolph
Francis, Freddie
Sekely, Steve
DeMille, Cecil Blount
Douglas, Gordon
War of the Worlds, The (1953)
Day the Earth Stood Still, The (1951)
When Worlds Collide (1951)
Day of the Triffids, The (1962)
Samson and Delilah (1950)
Them! (1954)
Wissenschaft ~ Science
Religion ~ Religion

#22
D’Arc, James Vincent: Two articles: "Darryl F. Zanuck’s Brigham Young: A film in context" and "So let it be written: The creation of Cecil B. DeMille’s autobiography". - Provo, Utah: Brigham Young University, Ph.D. 1986. [Abstract in: Dissertation Abstracts International A 47. 1987. No. 8. (February) p. 2771A.]
Description:
On Cecil Blount DeMille’s autobiography from the year 1959.
Index:
DeMille, Cecil Blount

#23
Davis, Dean: Echo in the darkness. In: The Psychoanalytic Review 92. 2005. No. 1. [?D] pp. 137-151.
Description:
On mythological and religious motifs in Cecil Blount DeMille’s Samson and Delilah.
Index:
DeMille, Cecil Blount
Samson and Delilah (1950)
Religion ~ Religion
Mythologie ~ Mythology

#24
DeMille, Cecil Blount: The autobiography of Cecil Blount DeMille. Edited by Donald Hayne. Reprint. - New York; London: Garland 1985. (= Cinema classics.)
First edition:
[Englewood Cliffs: Prentic-Hall 1959]
Index:
DeMille, Cecil Blount

#25
Dobbs, Lem: Dad’s the word. In: Sight and Sound NS 6. 1996. No. 2. [February] pp. 12-15.
Description:
On actor Charlton Heston and his many roles in fantastic films, among them Cecil Blount DeMille’s The Ten Commandments, William Wyler’s Ben Hur and Anthony Mann’s El Cid.
Index:
Heston, Charlton
DeMille, Cecil Blount
Wyler, William
Mann, Anthony
Ten Commandments, The (1957)
Ben Hur (1959)
Cid, El (1961)

#26
Doniol-Valcroze, Jacques / Lellis, George / Trapp, Martin: Samson, Cecil and Delilah. In: Wide Angel 11. 1989. No. 4. pp. 32-41.
Description:
On Cecil Blount DeMille’s Samson and Delilah.
Index:
DeMille, Cecil Blount
Samson and Delilah (1950)
Samson und Delila ~ Samson and Delilah

#27
Eldridge, D.: Hollywood and history, 1950-1959. - Cambridge: University of Cambridge, Ph.D. 2002. [Abstract in: Index to Theses with Abstracts 51. 2002. No. 7. p. 1928(51-12512).]
Description:
Discusses, among others, the Robin Hood, Sinbad and Aladdin motif in film plus Cecil Blount DeMille’s The Ten Commandments.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1957)
Robin Hood ~ Robin Hood
Hollywood ~ Hollywood
Geschichte ~ History
Aladdin ~ Aladdin

#28
Éloy, Michel: Le livre des livres: Le film. In: Vertigo 1998. No. 17. [?D] pp. 21-28.
Description:
On bible films, especially on Cecil B. DeMille’s The Ten Commandments.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1957)
Religion ~ Religion

#29
L’Eredità DeMille: The DeMille legacy. A cura di Paolo Cherchi Usai e Lorenzo Codelli. - Pordenone: Edizioni Biblioteca dell’immagine 1991. (= Le Giornate del cinema muto 1991.)
Index:
DeMille, Cecil Blount

#30
Everschor, Franz: Der Pharao von Santa Barbara: Die Kulissen der Zehn Gebote werden ausgegraben. In: Film-Dienst 43. 1990. No. 25. [December 11] pp. 40-41.
Description:
On Cecil Blount DeMille’s The Ten Commandments.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1923)
Santa Barbara ~ Santa Barbara

#31
Everschor, Franz: Zurück in die Kino-Zukunft: Alte Filme machen neues Geld. In: Film-Dienst 43. 1990. No. 12. [June 13] p. 19.
Description:
Discusses, among others, Cecil DeMille’s The Ten Commandments.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1923)

#32
Eyman, Scott: Empire of dreams: The epic life of Cecil B. DeMille. - New York: Simon & Schuster 2010.
Index:
DeMille, Cecil Blount
Traum ~ Dreams

#33
Eyman, Scott: The best years of their lives: Cecil and William deMille in Hollywood 1915. In: Film Comment 28. 1992. No. ?N. [March/April] pp. 46-48.
Index:
DeMille, Cecil Blount
DeMille, William
Hollywood ~ Hollywood

#34
Flesher, Paul Virgil McCracken / Torry, Robert: Film & religion: An introduction. - Nashville, Tennessee: Abingdon Press 2007.
Description:
Includes chapters on Christmas films, on the representation of the Cold War and nuclear fears in film, on the representation of ancient history and the rise of the Christianity in film, on alien messiah figures, on the representation of the devil and finally on the representation of world religions like Islam, Judaism and Buddhism in film. Discusses, among others, How the Grinch Stole Christmas! by Chuck Jones and Ben Washam, Rudolph Maté’s When Worlds Collide, Robert Wise’s The Day the Earth Stood Still, Mervyn LeRoy’s Quo Vadis? and King of Kings, Henry Koster’s The Robe, Cecil Blount DeMille’s The Ten Commandments, Norman Jewison’s Jesus Christ Superstar and Agnes of Good, Martin Scorsese’s The Last Temptation of Christ, Mel Gibson’s The Passion of the Christ, William Friedkin’s The Exorcist, Richard Donner’s The Omen, Stanley Kubrick’s 2001 - A Space Odyssey, Steven Spielberg’s Close Encounters of the Third Kind, Barry Levinson’s The Natural, Phil Alden Robinson’s Field of Dreams and Bernardo Bertolucci’s Little Buddha.
Index:
Jones, Chuck
Washam, Ben
Maté, Rudolph
Wise, Robert
LeRoy, Mervyn
Koster, Henry
DeMille, Cecil Blount
Jewison, Norman
Scorsese, Martin
Gibson, Mel
Friedkin, William
Donner, Richard
Kubrick, Stanley
Spielberg, Steven
Levinson, Barry
Robinson, Phil Alden
Bertolucci, Bernardo
How the Grinch Stole Christmas! (1966)
When Worlds Collide (1951)
Day the Earth Stood Still, The (1951)
Quo Vadis? (1951)
King of Kings (1961)
Robe, The (1953)
Ten Commandments, The (1957)
Jesus Christ Superstar (1972)
Agnes of Good (1985)
Last Temptation of Christ, The (1988)
Passion of the Christ, The (2004)
Exorcist, The (1973)
Omen, The / Birthmark (1976)
2001 - A Space Odyssey (1968)
Close Encounters of the Third Kind (1977)
Natural, The (1983)
Field of Dreams (1989)
Little Buddha (1993)
Religion: Teufel ~ Religion: Devil
Religion: Juden ~ Religion: Jews
Religion: Islam ~ Religion: Islam
Religion: Buddhismus ~ Religion: Buddhism
Religion ~ Religion
Krieg ~ War
Geschichte: Antike ~ History: Ancient Times
Atom ~ Nuclear
Angst ~ Fear
Aliens ~ Aliens

#35
Fuller, Graham: My my, Delilah. In: Sight and Sound NS 23. 2013. No. 5. [May] p. 116.
Description:
On a DVD edition of Cecil Blount DeMille’s Samson and Delilah.
Index:
DeMille, Cecil Blount
Samson and Delilah (1950)
DVD ~ DVD

#36
Grace, Pamela: Gospel truth? From Cecil B. DeMille to Nicholas Ray. In: A companion to literature and film. Edited by Robert Stam and Alessandra Raengo. - Malden, Massachussetts; Oxford: Blackwell Publishers 2004. (= Blackwell companions in cultural studies 7.) p. ?P.
Description:
On bible films.
Index:
DeMille, Cecil Blount
Ray, Nicholas
Religion ~ Religion
Literatur ~ Literature

#37
Griffin, Nick: An aggravated film student’s look at remakes. In: Film Matters 2. 2011. No. 2. [Summer] pp. 30-32.
Description:
Discusses, among others, the remakes of The Ten Commandments and Dawn of the Dead.
Index:
DeMille, Cecil Blount
Boyce, Bill
Stronach, John
Romero, George A.
Snyder, Zack
Ten Commandments, The (1957)
Ten Commandments, The (2010)
Dawn of the Dead (1979)
Dawn of the Dead (2004)
Pädagogik ~ Paedagogy

#38
Grondelski, John M.: From The Ten Commandments to the Decalogue. In: Journal of Religion and Film 7. 2003. No. 1. [April] p. ?P.
Index:
DeMille, Cecil Blount
Kieslowski, Krzysztof
Ten Commandments, The (1923)
Dekalog (TV)
Religion ~ Religion

#39
Hasenberg, Peter: Die Bibel als bombastisches Schauspiel: Die zehn Gebote von Cecil B. DeMille (1957). In: Spuren des Religiösen im Film: Meilensteine aus 100 Jahren Filmgeschichte. Hrsg. von Peter Hasenberg, Wolfgang Luley und Charles Martig im Auftrag der Zentralstelle Medien der Deutschen Bischofskonferenz Bonn und des Katholischen Mediendienstes Zürich. - Mainz: Matthias Grünewald Verlag / Köln: Katholisches Institut für Medieninformation 1995. pp. 238-241.
Description:
On DeMille’s The Ten Commandments.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1957)
Religion ~ Religion

#40
Heimlich, Evan: Divination by The Ten Commandments: Its rhetorics and their genealogies. - Lawrence, Kansas: University of Kansas, Ph.D. 2007. [Abstract in: Dissertation Abstracts International A 68. 2008. No. 7. (January)]
Index:
DeMille, Cecil Blount
Ten Commandments, The (1957)
Religion ~ Religion

#41
Herman, Felicia: The most dangerous anti-Semitic photoplay in filmdom: American Jews and The King of Kings (DeMille, 1927). In: The Velvet Light Trap 2000. No. 46. [Fall] pp. 12-25.
Description:
On the negative representation of the Jews in Cecil Blount DeMille’s bible classic.
Index:
DeMille, Cecil Blount
King of Kings, The (1927)
Fotografie ~ Photography
USA (United States of America) ~ USA (United States of America)
Religion ~ Religion
Religion: Juden ~ Religion: Jews

#42
Higashi, Sumiko: Cccil B. DeMille and highbrow culture: Authorship versus intertextuality. In: Film and authorship. Edited by Virginia Wright Wexman. - New Brunswick, New Jersey: Rutgers University Press 2003. (= Rutgers Depth of Field.) pp. 194-222.
Index:
DeMille, Cecil Blount

#43
Higashi, Sumiko: Cecil B. DeMille: A guide to references and resources. - Boston: Hall 1985. (= A reference publication in film.)
Index:
DeMille, Cecil Blount

#44
Higashi, Sumiko: Cecil B. DeMille and American culture: The silent era. - Berkeley, California; London: University of California Press 1994.
Reviews:
Bernstein, Matthew: [untitled] In: Film Quarterly 49. 1996. No. 4. [Summer] pp. 43-44.
Bourget, Jean-Loup: DeMille à la mode. In: Positif 1996. No. 423. [May] pp. 90-91.
Mitchell, Lisa: Cecil the silent. In: DGA: Director’s Guild of America 21. 1996. No. 2. [May/June] pp. 50-52.
Van Dyck Card, James: [untitled] In: Journal of Popular Film and Television 24. 1996. No. 1. [Spring] pp. 45-46.
Youngblood, Denise J.: Early cinema in Russia and America. In: Historical Journal of Film, Radio and Television NS 16. 1996. No. 2. [?D] pp. 275-277.
Index:
DeMille, Cecil Blount
Stummfilm ~ Silent Film
USA (United States of America) ~ USA (United States of America)

#45
Higashi, Sumiko: Cecil B. DeMille and the Lasky Company: Legitimating feature film as art. In: Film History 4. 1990. No. 3. pp. 181-197.
Description:
Includes a filmography.
Index:
DeMille, Cecil Blount
Lasky Company ~ Lasky Company

#46
Higham, Charles: Cecil B. DeMille pictures. - New York: Scribner 1973.
Index:
DeMille, Cecil Blount

#47
Higham, Charles: Cecil B. DeMille. Reprint. - New York: Da Capo Press 1980.
First edition:
[Cecil B. DeMille pictures. - New York: Scribner 1973]
Index:
DeMille, Cecil Blount

#48
Hollander, Anne: Moving pictures. - Cambridge, Massachusetts; London: Harvard University Press 1991.
Reviews:
de Francia, Peter: Artful dodge. In: Sight and Sound NS 1. 1991. No. 4. [August] pp. 32-33.
Description:
On the relationship between film and painting. Discusses, among others, Robert Wiene’s Das Cabinet des Dr. Caligari, Piero Fosco’s Cabira, Carl Theodor Dreyer’s Vredens dag, Fritz Lang’s Metropolis, Michelangelo Antonioni’s La notte and Cecil Blount DeMille’s Samson and Delilah. Discusses also the expressionist film, the film noir and the animation film in general and analyses the filmic work of Walt Disney and Alfred Hitchcock.
Index:
Lang, Fritz
Wiene, Robert
Pastrone, Giovanni [Pseudonym: Fosco, Piero]
Dreyer, Carl Theodor
Antonioni, Michelangelo
DeMille, Cecil Blount
Disney, Walt
Hitchcock, Alfred
Metropolis (1925/1926)
Cabinet des Dr. Caligari, Das (1919)
Cabira (1914)
Vredens dag / Dies irae (1943)
notte, La (1960)
Samson and Delilah (1950)
Disney ~ Disney
Kunst ~ Arts, The
Film Noir ~ Film Noir
Expressionismus ~ Expressionism
Animation ~ Animation

#49
Ionita, Casiana: The Catholic spectator: Cinema and the church in France in the 1920s. In: Historical Journal of Film, Radio and Television 32. 2012. No. 4 [December] pp. 501-520.
Index:
Niblo, Fred
DeMille, Cecil Blount
Ben Hur: A Tale of the Christ (1924-1926)
King of Kings, The (1927)
Ten Commandments, The (1923)
Religion ~ Religion
Frankreich ~ France
Zensur ~ Censorship

#50
Jacobs, Lea: Belasco, DeMille and the development of Lasky lightning. In: Film History 5. 1993. No. 4. pp. 405-418.
Index:
DeMille, Cecil Blount
Belasko, David
Lasky Company ~ Lasky Company

#51
Kasten, Jürgen: Sünde, Sühne und Erlösung: Die Stummfilme von Cecil B. DeMille. In: Filmbulletin 33. 1991. No. 5/6(179). [?D] pp. 64-71.
Index:
DeMille, Cecil Blount
Religion ~ Religion
Stummfilm ~ Silent Film

#52
Keyser, Barbara / Keyser, Les: Hollywood and the catholic church: The image of roman catholicism in American movies. - Chicago, Illinois: Loyola University Press 1984.
Description:
Discusses also some fantastic films, among them Cecil Blount DeMille’s The King of Kings and William Friedkin’s The Exorcist.
Index:
DeMille, Cecil Blount
Friedkin, William
King of Kings, The (1927)
Exorcist, The (1973)
USA (United States of America) ~ USA (United States of America)
Religion ~ Religion
Hollywood ~ Hollywood

#53
Knops, Tilo R.: Begründer des Populären: DeMille und Dupont: Retrospektiven auf zwei verkannte Filmpioniere. In: Medium 22. 1992. No. 2. [?D] pp. 73-75.
Index:
DeMille, Cecil Blount
Dupont, Ewald André

#54
Kozlovic, Anton Karl: Cecil B. DeMille. In: Senses of Cinema 2013. No. 66. [March] p. 13.
Description:
Discusses especially Cecil B. DeMille’s bible films.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1957)

#55
Kozlovic, Anton Karl: Cecil B. DeMille and the art of applied suggestibility: Violence, sex and false memories within his biblical (and other) cinema. In: Kinema 2011. No. 45. [Spring] pp. 41-62.
Index:
DeMille, Cecil Blount
Sexualität ~ Sexuality
Religion ~ Religion
Gewalt ~ Violence

#56
Kozlovic, Anton Karl: Cecil B. DeMille: Hollywood macho man and the theme of masculinity within his biblical (and other) cinema. In: Journal of Men, Masculinities and Spirituality 2. 2008. No. 2. [?D] pp. 116-138.
Index:
DeMille, Cecil Blount
Religion ~ Religion
Männer ~ Men
Hollywood ~ Hollywood

#57
Kozlovic, Anton Karl: Celluloid religion: Two aspects of Christendom within popular Hollywood films. In: Journal for the Renewal of Religion and Theology 2008. No. 3. [?D] pp. 1-12.
Description:
Discusses, among others, the two Ten Commandments films by Cecil B. DeMille, Steven Spielberg’s E.T. - The Extra-Terrestrial and Mel Gibson’s The Passion of the Christ.
Index:
DeMille, Cecil Blount
Spielberg, Steven
Gibson, Mel
Ten Commandments, The (1923)
Ten Commandments, The (1957)
E.T. - The Extra-Terrestrial (1982)
Passion of the Christ, The (2004)
Religion ~ Religion
Hollywood ~ Hollywood

#58
Kozlovic, Anton Karl: Constructing the motherliness of Manoah’s wife in Cecil B. DeMille’s Samson and Delilah (1949). In: Women in Judaism 4. 2006. No. 1. [?D] pp. 1-20.
Index:
DeMille, Cecil Blount
Samson and Delilah (1950)
Mutter ~ Mothers
Religion ~ Religion

#59
Kozlovic, Anton Karl: Creating the cinematic illusion of Samson’s phenomenal strength in Cecil B. DeMille’s Samson and Delilah (1949). In: Belphegor 6. 2007. No. 2. [?D] pp. 1-37.
Index:
DeMille, Cecil Blount
Samson and Delilah (1950)
Samson und Delila ~ Samson and Delilah
Religion ~ Religion

#60
Kozlovic, Anton Karl: Exploring the subtle varieties of love within Cecil B. DeMille’s Samson and Delilah (1949). In: Kinema 2008. No. 30. [Fall] pp. 47-66.
Index:
DeMille, Cecil Blount
Samson and Delilah (1950)

#61
Kozlovic, Anton Karl: Hedy Lamarr and the deep focus characterisation of Delilah in Samson and Delilah (1949): A Cecil B. DeMille "rule of analogy". In: Organdi Quarterly 2002. No. 4. [?D] pp. 1-25.
Index:
DeMille, Cecil Blount
Lamarr, Hedy
Samson and Delilah (1950)
Religion ~ Religion

#62
Kozlovic, Anton Karl: Hollywood, DeMille and homage: Five heuristic categories. In: Trames 13. 2009. No. 1. [?D] pp. 64-82.
Index:
DeMille, Cecil Blount
Hollywood ~ Hollywood
Religion ~ Religion

#63
Kozlovic, Anton Karl: Making a "bad" woman wicked: The devilish construction of Delilah within Cecil B. DeMille’s Samson and Delilah (1949). In: McMaster Journal of Theology and Ministry 2006. No. 7. pp. 70-102.
Index:
DeMille, Cecil Blount
Samson and Delilah (1950)
Böse, Das ~ Evil, The
Religion: Teufel ~ Religion: Devil
Frauen ~ Women
Religion ~ Religion

#64
Kozlovic, Anton Karl: Samson and Delilah (1949). In: Bible and cinema: Fifty key films. Edited by Adele Reinhartz. - New York: Routledge 2013. (= Routledge key guides.) pp. 223-228.
Index:
DeMille, Cecil Blount
Samson and Delilah (1950)
Religion ~ Religion

#65
Kozlovic, Anton Karl: Samson, Cecil, and lion imagery within DeMille’s Samson and Delilah. In: Journal of Media and Religion 8. 2009. No. 3. [?D] pp. 158-171.
Index:
DeMille, Cecil Blount
Samson and Delilah (1950)
Samson und Delila ~ Samson and Delilah
Religion ~ Religion

#66
Kozlovic, Anton Karl: Serpentine evil and the Garden of Eden: On DeMille’s Samson and Delilah (1949). In: Bright Lights 2008. No. 60. [May] pp. 1-4.
Index:
DeMille, Cecil Blount
Samson and Delilah (1950)
Schlangen ~ Snakes
Böse, Das ~ Evil, The
Religion ~ Religion

#67
Kozlovic, Anton Karl: Some subtle gradations of feminine beauty within Cecil B. DeMille’s Samson and Delilah (1949): The "good" and "bad" Girls. In: Kinema 2016. No. 45. [Spring] pp. 4-44.
Index:
DeMille, Cecil Blount
Samson and Delilah (1950)
Gute, Das ~ Good
Frauen ~ Women
Religion ~ Religion

#68
Kozlovic, Anton Karl: The art of creative scriptural extrapolation: Bithiah, Mered and 1 Chronicles 4:18 within Cecil B. DeMille’s The Ten Commandments (1956). In: Kinema 2010. No. 33. [Spring] pp. 5-30.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1957)

#69
Kozlovic, Anton Karl: The deep focus typecasting of Joseph Schildkraut as Judas figure in four DeMille films. In: Journal of Religion and Popular Culture 2004. No. 6. [Spring] p. ?P.
Description:
Discusses The King of Kings, Cleopatra, The Crusades and The Road to Yesterday.
Index:
DeMille, Cecil Blount
King of Kings, The (1927)
Cleopatra (1934)
Crusades, The (1953)
Road to Yesterday, The (1925)
Religion ~ Religion

#70
Kozlovic, Anton Karl: The old story teller as a John the Baptist-figure in DeMille’s Samson and Delilah. In: CLCWeb: Computers, Literature and Culture 8. 2006. No. 3. [?D] pp. 1-10.
Index:
DeMille, Cecil Blount
Samson and Delilah (1950)
Religion ~ Religion

#71
Kozlovic, Anton Karl: The Ten Commandments (1956). In: Bible and cinema: Fifty key films. Edited by Adele Reinhartz. - New York: Routledge 2013. (= Routledge key guides.) pp. 252-258.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1957)
Religion ~ Religion

#72
Kozlovic, Anton Karl: The whore of Babylon, suggestibility, and the art of sexless sex in Cecil B. DeMille’s Samson and Delilah (1949). In: Sex, religion, media. Edited by Dane S. Claussen. - Lanham, Maryland: Rowman & Littlefield 2002. pp. 21-31.
Index:
DeMille, Cecil Blount
Samson and Delilah (1950)
Sexualität ~ Sexuality
Prostitution ~ Prostitution
Religion ~ Religion

#73
Kozlovic, Anton Karl: What sort of scripture filmmaker was Cecil B. DeMille: Biblical, religious or spiritual? In: Kinema 2012. No. 37. [Spring] pp. 21-46.
Index:
DeMille, Cecil Blount
Religion ~ Religion

#74
Kozlovic, Karl: The construction of a Christ-figure within the 1956 and 1923 versions of Cecil B. DeMille’s The Ten Commandments. In: Journal of Religion and Film 10. 2006. No. 1. [April] p. 13.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1923)
Ten Commandments, The (1957)
Religion ~ Religion

#75
Kuchenbuch, Thomas: Bibel und Geschichte - Zum religiösen Film: Die zehn Gebote (The Ten Commandments, 1957). In: Fischer Filmgeschichte. Band 3: Auf der Suche nach Werten 1945-1960. Hrsg. von Werner Faulstich und Helmut Korte. - Frankfurt/Main: Fischer Taschenbuch Verlag 1990. (= Fischer Taschenbuch 4493.) pp. 299-330.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1957)
Geschichte ~ History
Religion ~ Religion

#76
Landry, David: God in the details: The cleansing of the Temple in four Jesus films. In: Journal of Religion and Film 13. 2009. No. 2. [October] p. 4.
Description:
Discusses Martin Scorsese’s The Last Temptation of Christ, Cecil Blount DeMille’s The King of Kings, Norman Jewison’s Jesus Christ Superstar and Denys Arcand’s Jésus de Montréal.
Index:
Scorsese, Martin
DeMille, Cecil Blount
Jewison, Norman
Arcand, Denys
Last Temptation of Christ, The (1988)
King of Kings, The (1927)
Jesus Christ Superstar (1972)
Jésus de Montréal (1989)
Religion ~ Religion

#77
Leslie, Donna: Hollywood and the Catholic Church. - New York: Long Island University, The Brooklyn Center, M.F.A. 2017. [Abstract in: Masters Abstracts International 56. 2017. No. 6M.]
Description:
Discusses, among others, Cecil Blount DeMille’s The Ten Commandments, William Wyler’s Ben Hur, Nicholas Ray’s King of Kings, and Mel Gibson’s The Passion of the Christ.
Index:
DeMille, Cecil Blount
Wyler, William
Ray, Nicholas
Gibson, Mel
Ten Commandments, The (1957)
Ben Hur (1959)
King of Kings (1961)
Passion of the Christ, The (2004)
Religion ~ Religion
Hollywood ~ Hollywood

#78
Lochner, Jim: Gold rush: In the beginning ... In: Film Score Monthly 15. 2010. No. 7. [July]. Online edition. p. 5.
Description:
On music in bible film, especially in Cecil B. DeMille’s The Ten Commandments.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1957)
Religion ~ Religion
Musik ~ Music

#79
Louguet, Patrick: Le voir et le savoir: Samson et Dalila (Samson and Delilah) de Cecil B. de Mille, ou les deux piliers de l’art cinématographique. In: Graphè ?G. 2004. No. 13. [?D] pp. 183-206.
Index:
DeMille, Cecil Blount
Samson and Delilah (1950)
Religion ~ Religion

#80
Louvish, Simon: Cecil B. DeMille: A life in art. - London: Faber & Faber / New York: Dunne / St Martin’s Press 2007/2008.
Reviews:
Sarris, Andrew: [untitled.] In: New York Times Book Review, June 15, 2008. p. 20.
Index:
DeMille, Cecil Blount

#81
Louvish, Simon: Cecil B. DeMille and the golden calf. - London: Faber and Faber 2007.
Reviews:
Brown, Geoff: Silent grandeur. In: Sight and Sound NS 18. 2008. No. 1. [January] p. 100.
Index:
DeMille, Cecil Blount

#82
Maciak, Phillip Jon: Technologies of belief: Christian visions of U.S. secularism, 1880-1930. - Philadelphia, Pennsylvania: University of Pennsylvania, Ph.D. 2013. [Abstract in: Dissertation Abstracts International A 75. 2014. No. 1. [July] p. ?P.]
Description:
Discusses, among others, early Passion Play films, David Wark Griffith’s The Birth of a Nation and Cecil Blount DeMille’s The King of Kings.
Index:
Griffith, David Wark
DeMille, Cecil Blount
Birth of a Nation, The (1915)
King of Kings, The (1927)
Technik ~ Technology
Religion ~ Religion

#83
Maltby, Richard: The King of Kings and the Czar of all the Rushes: The propriety of the Christ story. In: Screen 31. 1990. No. 2. [?D] pp. 188-213.
Description:
On bible films. Discusses, among others, Cecil B. DeMille’s The Ten Commandments and The King of Kings.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1923)
King of Kings, The (1927)
Religion ~ Religion
Religion ~ Religion

#84
Mandell, Paul: Parting the Red Sea (and other miracles). In: American Cinematographer 64. 1983. No. 4. [April] pp. 46-52.
Description:
On the special effects for DeMille’s The Ten Commandments.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1957)
Wunder ~ Miracles
Technik: Spezialeffekte ~ Technology: Special Effects

#85
Mandell, Paul: Red Sea postscripts. In: American Cinematographer 64. 1983. No. 7. [July] p. 7.
Description:
Addition to Mandell’s article "Parting the Red Sea (and other miracles)" in American Cinematographer 64. 1983. No. 4. pp. 46-52 on the special effects for DeMille’s The Ten Commandments.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1957)
Wunder ~ Miracles
Technik: Spezialeffekte ~ Technology: Special Effects

#86
Masson, Alain: Le remake à Hollywood. In: Positif 1999. No. 459. [May] pp. 74-103.
Description:
Discusses, among others, the self remakes by Cecil B. DeMille, Jean Renoir and Fritz Lang and die two versions of Hitchcock’s The Man Who Knew Too Much, plus an analysis of the two Invasion of the Body Snatchers films by Don Siegel and Philip Kaufman.
Index:
DeMille, Cecil Blount
Renoir, Jean
Lang, Fritz
Hitchcock, Alfred
Siegel, Donald
Kaufman, Philip
Man Who Knew Too Much, The (1934)
Man Who Knew Too Much, The (1956)
Invasion of the Body Snatchers (1956)
Invasion of the Body Snatchers (1978)
Hollywood ~ Hollywood

#87
Meyer, Stephen C.: A biblical story for the post-World War II generation? Victor Young’s music for DeMille’s Samson and Delilah. In: Meyer, Stephen C.: Epic sound: Music in postwar Hollywood biblical films. - Bloomington; Indianapolis: Indiana University Press 2015.p. ?P.
Index:
DeMille, Cecil Blount
Young, Victor
Samson and Delilah (1950)
Hollywood ~ Hollywood
Krieg ~ War
Religion ~ Religion
Musik ~ Music

#88
Meyer, Stephen C.: Spirit and empire: Elmer Bernstein’s score to The Ten Commandments. In: Meyer, Stephen C.: Epic sound: Music in postwar Hollywood biblical films. - Bloomington; Indianapolis: Indiana University Press 2015.p. ?P.
Index:
DeMille, Cecil Blount
Bernstein, Elmer
Ten Commandments, The (1957)
Hollywood ~ Hollywood
Krieg ~ War
Religion ~ Religion
Musik ~ Music

#89
Mourlet, Michel: Cecil B. DeMille: Le fondateur de Hollywood. - Paris: Marmin 1968.
Index:
DeMille, Cecil Blount
Hollywood ~ Hollywood

#90
Mourlet, Michel: Cecil B. DeMille: Le fondateur de Hollywood. Edition revue et augmenté. - Courbevoie: Durante 2002. (= Poche-numérique.)
First edition:
[Paris: Marmin 1968]
Index:
DeMille, Cecil Blount
Hollywood ~ Hollywood

#91
Nackerud, David Duane: Seeing the light: Depictions of religious conversion in popular American films. - ?O: CBN University, M.A. 1989. [Abstract in: Masters Abstracts International 29. 1991. No. 2. p. 180.]
Description:
Discusses, among others, William Wyler’s Ben Hur, Cecil Blount DeMille’s The Sign of the Cross and Henry Koster’s The Robe.
Index:
Wyler, William
DeMille, Cecil Blount
Koster, Henry
Ben Hur (1959)
Sign of the Cross, The (1932)
Robe, The (1953)
USA (United States of America) ~ USA (United States of America)
Religion ~ Religion

#92
Nadel, Alan: God’s law and the wide screen: The Ten Commandments as cold war "epic". In: Publications of the Modern Language Association of America 108. 1993. No. 3. [?D] pp. 415-430.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1923)
Justiz ~ Justice
Krieg ~ War
Religion ~ Religion

#93
Nayar, Sheila J.: Reconfiguring the "genuinely" religious film: The oral contours of the overabundant epic. In: Journal of the American Academy of Religion 78. 2010. No. 1. [?D] pp. 100-128.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1957)
Religion ~ Religion

#94
Neupert, Richard / Vernet, Marc: Wings of the desert: Or, The invisible superimpositions. In: The Velvet Light Trap 1991. No. 28. [Fall] pp. 65-72.
Description:
On Cecil B. DeMille’s remake of his own silent film The Ten Commandments.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1923)
Ten Commandments, The (1957)
Stummfilm ~ Silent Film
Wüste ~ Desert

#95
Oltmann, Katrin: "Stärke liegt manchmal in einer Perücke": Gender-Maskeraden in Alexander Kordas Samson und Delila und Cecil B. DeMilles Samson und Delilah. In: Imaginierte Antike: Österreichische Monumental-Stummfilme. Hrsg. von Armin Loacker und Ines Steiner. - Wien: Filmarchiv Austria 2002. pp. 201-226.
Index:
Korda, Alexander
DeMille, Cecil Blount
Samson und Delila (1922)
Samson and Delilah (1950)
Masken ~ Masks
Sexualität ~ Sexuality
Stummfilm ~ Silent Film
Österreich ~ Austria
Geschichte: Antike ~ History: Ancient Times

#96
Orrison, Katherine: Written in stone: Making Cecil B. DeMille’s epic The Ten Commandments. - Lanham, Maryland: Vestal Press 1999.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1923)

#97
Ostriker, Alicia: Whither exodus? Movies as Midrash. In: Michigan Quarterly Review 42. 2003. No. 1. [Winter] pp. 139-150.
Description:
Discusses, among others, The Prince of Egypt by Brenda Chapman, Steve Hickner and Simon Wells as well as Cecil Blount DeMille’s The Ten Commandments from 1957.
Index:
Chapman, Brenda
Hickner, Steve
Wells, Simon
DeMille, Cecil Blount
Prince of Egypt, The (1998)
Ten Commandments, The (1957)
Religion: Juden ~ Religion: Jews

#98
Palmer, Allen W.: Cecil B. DeMille writes America’s history for the 1939 world’s fair. In: Film History 5. 1993. No. 1. pp. 36-48.
Index:
DeMille, Cecil Blount
Geschichte ~ History
USA (United States of America) ~ USA (United States of America)

#99
Pardes, Ilana: Moses goes down to Hollywood: Miracles and special effects. In: Semeia ?G. 1996. No. 74. [?D] pp. 14-31.
Description:
On Cecil Blount DeMille’s The Ten Commandments.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1957)
Wunder ~ Miracles
Technik: Spezialeffekte ~ Technology: Special Effects
Hollywood ~ Hollywood
Religion ~ Religion

#100
Pauly, Thomas H.: The way to salvation: The Hollywood Blockbuster of the 1950s. In: Prospects 1980. No. 5. [?D] pp. 467-487.
Description:
On biblical motifs in the Hollywood monumental film, especially on Cecil Blount DeMille’s Samson and Delilah, Henry King’s David and Bathseba and Quo Vadis by Mervyn Le Roy.
Index:
DeMille, Cecil Blount
King, Henry
LeRoy, Mervyn
Samson and Delilah (1950)
David and Bathseba (1951)
Quo Vadis? (1951)
Religion ~ Religion
Hollywood ~ Hollywood

#101
Pavelin, Alan: King of Kings. In: Pavelin, Alan: Fifty religious films. - Chislehurst, London: Pavelin 1990. pp. 34-35.
Index:
DeMille, Cecil Blount
King of Kings, The (1927)
Religion ~ Religion

#102
Pavelin, Alan: The Ten Commandments. In: Pavelin, Alan: Fifty religious films. - Chislehurst, London: Pavelin 1990. pp. 84-85.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1957)
Religion ~ Religion

#103
Il più grande spettacolo del mondo: Cecil B. De Mille, la Paramount, la formazione di Hollywood. A cura di Piero Spila e Vito Zagarrio. - Roma: Di Giacomo Editore per la Mostra Internazionale del Nuovo Cinema 1990.
Reviews:
Comuzio, Ermanno: [untitled] In: Cineforum 30. 1990. No. 11(299). [?D] pp. 110-111.
Index:
DeMille, Cecil Blount
Paramount [Firma] ~ Paramount [Company]
Hollywood ~ Hollywood

#104
Poulton, Donna Lauren: Moving images in art and film: The intertextual and fluid use of painting in cinema. - Provo, Utah: Brigham Young University, Ph.D. 1999. [Abstract in: Dissertation Abstracts International A 60. 1999. No. 4. (October) p. 913A.]
Description:
Discusses, among others, Cecil Blount DeMille’s The Ten Commandments.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1957)
Kunst ~ Arts, The

#105
Prédal, René: Un cinéma de genre. In: Prédal, René: Histoire du cinéma: Abrégé pédagogique. (= Cinémaction 1994. No. 73. [?D]) pp. 59-60.
Description:
Discusses, among others, the epic films by Cecil Blount DeMille and Rex Ingram.
Index:
DeMille, Cecil Blount
Ingram, Rex

#106
Presley, Cecilia DeMille / Vieira, Mark A.: Cecil B. DeMille: The art of the Hollywood epic: Images and artifacts from the Cecil B. De Mille Archives photographed by Mark A. Vieira. - Philadelphia: Running Press 2014.
Index:
DeMille, Cecil Blount
Hollywood ~ Hollywood

#107
The register of the Cecil B. DeMille archives. - Provo, Utah: Brigham Young University / Provo, Ohio: Harold B. Lee Library 1991.
Index:
DeMille, Cecil Blount

#108
Samson und Delilah. - Wien: ?V ?J. (= Illustrierter Film-Kurier 1337.)
Index:
DeMille, Cecil Blount
Samson and Delilah (1950)

#109
Schroeder, Caroline T.: Ancient Egyptian religion on the silver screen: Modern anxieties about race, ethnicity, and religion. In: Journal of Religion and Film 7. 2003. No. 2. [October] p. ?P.
Description:
Discusses Karl Freund’s The Mummy, Roland Emmerich’s Stargate, Cecil Blount DeMille’s The Ten Commandments and Prince of Egypt by Brenda Chapman, Steve Hickner and Simon Wells.
Index:
Freund, Karl
Emmerich, Roland
DeMille, Cecil Blount
Chapman, Brenda
Hickner, Steve
Wells, Simon
Mummy, The (1933)
Stargate (1994)
Ten Commandments, The (1923)
Prince of Egypt, The (1998)
Ethnie ~ Ethnicity
Geschichte: Antike ~ History: Ancient Times
Ägypten ~ Egypt
Religion ~ Religion

#110
Sheen, Erica: "The light of God’s law": Violence and metaphysics in the ’50s widescreen biblical epic. In: Biblical Interpretation 6. 1998. No. 3/4. [?D] pp. 292-312.
Description:
Discusses, among others, Henry Koster’s The Robe and Cecil Blount DeMille’s The Ten Commandments.
Index:
Koster, Henry
DeMille, Cecil Blount
Robe, The (1953)
Ten Commandments, The (1957)
Gewalt ~ Violence
Religion ~ Religion

#111
Sheen, Erica: The Ten Commandments and The Prince of Egypt: Biblical adaptation and global politics in the 1990s. In: Polygraph 2000. No. 12. [?D] pp. 85-99.
Index:
DeMille, Cecil Blount
Chapman, Brenda
Hickner, Steve
Wells, Simon
Ten Commandments, The (1923)
Ten Commandments, The (1957)
Prince of Egypt, The (1998)
Religion ~ Religion
Politik ~ Politics

#112
Shepherd, David: "An orgy Sunday school children can watch": The spectacle of sex and the seduction of spectacle in Cecil B. DeMille’s The Ten Commandments (1923). In: The ancient world in silent cinema. Edited by Pantelis Michelakis and Maria Wyke. - Cambridge; New York: Cambridge University Press 2013. p. ?P.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1923)
Verführung ~ Seduction
Sexualität ~ Sexuality
Pädagogik ~ Paedagogy
Jugend ~ Youth
Stummfilm ~ Silent Film
Geschichte: Antike ~ History: Ancient Times

#113
Spila, Piero: Sotto un cielo di stelle. In: Segnocinema 11. 1991. No. 47. [January/February] pp. 24-26.
Description:
On Cecil Blount DeMille.
Index:
DeMille, Cecil Blount

#114
Staley, Jeffrey Lloyd / Walsh, Richard: Jesus, the Gospels, and cinematic imagination: A handbook to Jesus on DVD. - Louisville, Kentucky: Westminster John Knox Press 2007.
Reviews:
Greenspoon, Leonard: Jesus in movies. In: Biblical Archaeology Review 34. 2008. No. 6. [November/December] pp. 78-80.
Description:
Discusses La vie et la passion de Jesus-Christ by Lucien Nonguet and Ferdinand Zecca, Sydney Olcott’s From the Manger to the Cross, David Wark Griffith’s Intolerance, Cecil Blount DeMille’s The King of Kings, Nicholas Ray’s King of Kings, Pier Paolo Pasolini’s Il vangelo secondo Matteo, George Stevens’s The Greatest Story Ever Told, Norman Jewison’s Jesus Christ Superstar, David Greene’s Godspell, Franco Zeffirelli’s Gesù di Nazareth, Jesus by John Heyman, Peter Sykes and John Kirsh, Terry Jones’s Monty Python’s Life of Brian, Martin Scorsese’s The Last Temptation of Christ, Denys Arcand’s Jésus de Montréal, Roger Young’s Jesus, The Miracle Maker by Derek W. Hayes and Stanislav Sokolov, Philip Saville’s The Visual Bible: The Gospel of John and Mel Gibson’s The Passion of the Christ.
Index:
Nonguet, Lucien
Zecca, Ferdinand
Olcott, Sydney
Griffith, David Wark
DeMille, Cecil Blount
Ray, Nicholas
Pasolini, Pier Paolo
Stevens, George
Jewison, Norman
Greene, David
Zeffirelli, Franco
Heyman, John
Sykes, Peter
Kirsh, John
Jones, Terry
Scorsese, Martin
Arcand, Denys
Young, Roger
Hayes, Derek W.
Sokolov, Stanislav
Saville, Philip
Gibson, Mel
vie et las passion de Jesus-Christ, La (1902-1905)
From the Manger to the Cross (1912)
Intolerance: Love’s Struggle Througout the Ages (1916)
King of Kings, The (1927)
King of Kings (1961)
vangelo secondo Matteo, Il (1964)
Greatest Story Ever Told, The (1963)
Jesus Christ Superstar (1972)
Godspell (1973)
Gesù di Nazareth / Jesus of Nazareth (1976)
Jesus (1979)
Monty Python’s Life of Brian (1979)
Last Temptation of Christ, The (1988)
Jésus de Montréal (1989)
Bibel, Die - Jesus / Jesus (1999)
Miracle Maker, The (2000)
Visual Bible, The: The Gospel of John (2003)
Passion of the Christ, The (2004)
Religion ~ Religion
DVD ~ DVD

#115
Telford, William R.: The King of Kings (1927). In: Bible and cinema: Fifty key films. Edited by Adele Reinhartz. - New York: Routledge 2013. (= Routledge key guides.) pp. 172-177.
Index:
DeMille, Cecil Blount
King of Kings, The (1927)
Religion ~ Religion

#116
Torry, Robert: The wrath of God: Hollywood religious epics and American Cold War policy. In: Arizona Quarterly 61. 2005. No. 2. [Summer] pp. 67-86.
Description:
Discusses, among others, Nicholas Ray’s King of Kings and Cecil Blount DeMille’s The Ten Commandments.
Index:
Ray, Nicholas
DeMille, Cecil Blount
King of Kings (1961)
Ten Commandments, The (1957)
USA (United States of America) ~ USA (United States of America)
Religion ~ Religion
Krieg ~ War
Hollywood ~ Hollywood

#117
Ursini, James / Silver, Alain: Proto-noir-Demille style. In: Film noir prototypes: Origins of the movement. Edited by Alain Silver and James Ursini. - Milwaukee, Wisconsin: Applause Theatre & Cinema Books 2018. p. ?P.
Index:
DeMille, Cecil Blount
Film Noir ~ Film Noir

#118
Vieira, Joao Luiz: Hegemony and resistance: Parody and carnival in Brazilian cinema. - New York: New York University, Ph.D. 1984. [Abstract in: Dissertation Abstracts International A 46. 1985. No. 1. (July) p. 3A.]
Description:
On Brasilian movie parodies on Samson and Delilah, Jaws and King Kong.
Index:
DeMille, Cecil Blount
Spielberg, Steven
Cooper, Merian C.
Schoedsack, Ernest B.
Samson and Delilah (1950)
Jaws (1975)
King Kong (1931-1933)
Karneval ~ Carnival
Humor ~ Humor
Brasilien ~ Brazil

#119
von Bagh, Peter: Piplia kuvina. In: Filmihullu 1992. No. 1. [?D] pp. 16-19.
Description:
On the bible films of Cecil B. DeMille.
Index:
DeMille, Cecil Blount
Religion ~ Religion

#120
Welsh, James M.: C. B. DeMille: 70 annotated films. In: Literature/Film Quarterly 32. 2004. No. 4. [?D] pp. 317-318.
Index:
DeMille, Cecil Blount

#121
Westbrook, Vivienne: The King of Kings (DeMille Pictures, 1927): The body and the word on film. In: The silents of Jesus in the cinema, 1897-1927. Edited by David J. Shepherd. - New York; London: Routledge 2016. (= Routledge studies in religion and film 5.) p. ?P.
Index:
DeMille, Cecil Blount
King of Kings, The (1927)
Körper ~ Bodies
Stummfilm ~ Silent Film
Religion ~ Religion

#122
Williams, Douglas: The eagle or the cross: Rome, the Bible, and Cold War America. - San Diego, California: University of California, San Diego, Ph.D. 1996. [Abstract in: Dissertation Abstracts International A 57. 1997. No. 11. [May] p. 4585.]
Description:
Discusses especially Cecil Blount DeMille’s The Ten Commandments and the Bible and Rome themes in science fiction series like Star Trek or Star Wars.
Index:
DeMille, Cecil Blount
Lucas, George
Ten Commandments, The (1957)
Star Trek (Filmreihe)
Star Wars (Filmreihe)
Science Fiction ~ Science Fiction
USA (United States of America) ~ USA (United States of America)
Rom ~ Rome
Religion ~ Religion
Krieg ~ War

#123
Wright, Melanie Jane: Moses in America: The cultural uses of biblical narrative. - Oxford; New York: Oxford University Press 2003.
Description:
Discusses, among others, Cecil Blount DeMille’s The Ten Commandments.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1957)
USA (United States of America) ~ USA (United States of America)
Religion ~ Religion

#124
Wright, Melanie Jane: Moses redivivus: Twentieth-century America and the representation of a biblical narrative. - Oxford: University of Oxford, Ph.D. 1996. [Abstract in: Index to Theses with Abstracts 47. 1998. No. 1. p. 31(47-259).]
Description:
On the representation of the Moses figure in literature and film. Discusses, among others, Cecil B. DeMille’s The Ten Commandments.
Index:
DeMille, Cecil Blount
Ten Commandments, The (1957)
USA (United States of America) ~ USA (United States of America)
Religion ~ Religion
Literatur ~ Literature

#125
Yazdi, Mohammad Rezaie: Hollywood mission: America, the new Israel. In: Asian Journal of Social Science 37. 2009. No. 2. [?D] pp. 305-314.
Description:
On religious motifs in American cultural self-assurance. Discusses, among others, Cecil Blount DeMille’s The Ten Commandments and The Prince of Egypt by Brenda Chapman, Steve Hickner and Simon Wells.
Index:
DeMille, Cecil Blount
Chapman, Brenda
Hickner, Steve
Wells, Simon
Ten Commandments, The (1957)
Prince of Egypt, The (1998)
USA (United States of America) ~ USA (United States of America)
Religion ~ Religion
Israel ~ Israel
Hollywood ~ Hollywood

#126
Youngerman, Joseph C.: The olden days acording to Youngerman. In: DGA: Director’s Guild of America 20. 1995. No. 3. [July/August] p. 36.
Description:
The assistant director on his collaboration with Rouben Mamoulian, Josef von Sternberg, Ernst Lubitsch, Cecil B. DeMille, William Wellman and Preston Sturges.
Index:
Youngerman, Joseph C.
Mamoulian, Rouben
von Sternberg, Josef
Lubitsch, Ernst
DeMille, Cecil Blount
Wellman, William A.
Sturges, Preston

#127
Die zehn Gebote. - Nürnberg: Verlag Karin Stähle ?J. (= Super 8 Filmblätter.)
Index:
DeMille, Cecil Blount
Ten Commandments, The (1957)


This literature list was generated on Thursday, March 28, 2024


Do You have problems creating a proper list result or do You have a special inquiry? Then please let me know.

Bibliografie des fantastischen Films / Bibliography of Fantastic Film

If You found mistakes or bugs, if You have any questions not answered at the faq site or if You know literature titles related to Your search that are not yet mentioned in the "Bibliography of Fantastic Film" feel free to send me an email with Your suggestions.

© 1991-2019 | created by Holger Schnell | last update: February 2019

share bibfan on Facebook Twitter Google