Bibliografie des fantastischen Films / Bibliography of Fantastic Film
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Bibliografie des fantastischen Films / Bibliography of Fantastic Film
Bibliografie des Fantastischen Films
Bibliography of Fantastic Film
literature list results

The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|

literature list on: Deleuze, Gilles

number of items: 57

You can download this literature list as ASCII text file.

Abbreviations
?O City of publication unknown
?V Publishing company unknown
?J Year of publication unknown
?N Issue number unknown
?G Volume number unknown
?D Date of publication unknown
?P Number of pages unknown
?R Series number unknown
Literature list

#1
Annandale, David Eric: Beast with a million eyes: Unleashing horror through Deleuze and Guattari. - Edmonton, Alberta: University of Alberta, Ph.D. 1998. [Abstract in: Dissertation Abstracts International A 59. 1999. No. 7. [January] p. 2485.]
Description:
Analyses the political dimensions of the horror genre, with emphasis on David Lynch’s Lost Highway.
Index:
Deleuze, Gilles
Guattari, Félix
Lynch, David
Lost Highway (1996)
Politik ~ Politics
Horror ~ Horror
Augen ~ Eyes

#2
Ashton, Dyrk: Using Deleuze: The cinema books, film studies and effect. - Bowling Green, Ohio: Bowling Green State University, Ph.D. 2006. [Abstract in: Dissertation Abstracts International A 67. 2006. No. 4. (October)]
Description:
Discusses the philosopher’s concepts by using Peter Jackson’s The Lord of the Rings trilogy as an example.
Index:
Deleuze, Gilles
Jackson, Peter
Lord of the Rings (Filmreihe)

#3
Beller, Jonathan L.: Desiring the involuntary: Machinic assemblage and transnationalism in Deleuze and Robocop 2. In: Global/local: Cultural production and the transnational imaginary. Edited by Rob Wilson and Wimal Dissanayake. - Durham, North Carolina: Duke University Press 1996. pp. 193-218.
Index:
Kershner, Irvin
Deleuze, Gilles
Robocop II (1990)
Technik ~ Technology

#4
Bogue, Ronald: To choose to choose: To believe in this world. In: Cinémas 16. 2006. No. 2/3. [Spring] pp. 32-52.
Description:
On religious and philosophical issues in the films of Carl Theodor Dreyer and Robert Bresson as seen through the lense of Gilles Deleuze.
Index:
Dreyer, Carl Theodor
Bresson, Robert
Deleuze, Gilles
Religion ~ Religion
Philosophie ~ Philosophy

#5
Brinkema, Eugenie: Rape and the rectum: Bersani, Deleuze, Noé. In: Camera Obscura 20. 2005. No. 58. [?D] pp. 32-57.
Description:
Discusses Gaspar Noé’s Seul contre tous and Irréversible by using the theories of Leo Bersani and Giles Deleuze.
Index:
Noé, Gaspar
Bersani, Leo
Deleuze, Gilles
Seul contre tous (1998)
Irréversible (2002)
Vergewaltigung ~ Rape

#6
Brown, Keith Hennessey: Deleuzean hybridity in the films of Leone and Argento. - Edinburgh: The University of Edinburgh, Ph.D. 2013. [Abstract in: Dissertation Abstracts International C 73. 2013. No. 9.]
Index:
Leone, Sergio
Argento, Dario
Deleuze, Gilles
Horror ~ Horror

#7
Buchanan, Ian: Introduction: Five theses of actually existing schizoanalysis of cinema. In: Deleuze and the schizoanalysis of cinema. Edited by Ian Buchanan and Patricia MacCormack. - London; New York: Continuum 2008. p. ?P.
Index:
Deleuze, Gilles
Wahnsinn ~ Madness
Psychologie ~ Psychology

#8
Deamer, D.: The spectre of impossibility: Deleuze, Japanese cinema and the atom bomb. - Manchester: Manchester Metropolitan University, Ph.D. 2008. [Abstract in: Index to Theses with Abstracts 58-4085.]
Index:
Deleuze, Gilles
Japan ~ Japan
Atom ~ Nuclear

#9
Deamer, David: Time travel and temporal paradox: Deleuze, the "time-image" and Russian Ark. In: Time travel in popular media: Essays on film, television, literature and video games. Edited by Matthew Jones and Joan Ormrod. - Jefferson, North Carolina: McFarland & Company 2015. p. ?P.
Index:
Sokurov, Alexander Nikolayevich
Deleuze, Gilles
Russkij kovceg / Russian Ark (2002)
Zeit ~ Time

#10
Deleuze and the schizoanalysis of cinema. Edited by Ian Buchanan and Patricia MacCormack. - London; New York: Continuum 2008.
Reviews:
Nyman, Micki: [untitled.] In: Film-Philosophy 14. 2010. No. 1. [?D] pp. 387-391.
Index:
Deleuze, Gilles
Wahnsinn ~ Madness
Psychologie ~ Psychology

#11
Deleuze and the schizoanalysis of visual art. Edited by Ian Buchanan and Lorna Collins. - New York: Bloomsbury Academic 2014.
Index:
Deleuze, Gilles
Wahnsinn ~ Madness
Psychologie ~ Psychology
Philosophie ~ Philosophy

#12
Diana, Jean-François: Une certaine pensée du cinéma (entre Deleuze et Fellini). In: Philosophie et cinéma. Dirigée par Jean-Max Méjean. (= Cinémaction 2000. No. 94. [?D]) pp. 108-114.
Index:
Deleuze, Gilles
Fellini, Federico
Philosophie ~ Philosophy

#13
Flaxman, Gregory / Oxman, Elena: Losing face. In: Deleuze and the schizoanalysis of cinema. Edited by Ian Buchanan and Patricia MacCormack. - London; New York: Continuum 2008. p. ?P.
Index:
Deleuze, Gilles
Wahnsinn ~ Madness
Psychologie ~ Psychology

#14
Gonzalez, Sam Ishii: Being and immanence: Deleuze, authorship and the practice of modern cinema. - New York: New York University, Ph.D. 2013. [Abstract in: Dissertation Abstracts International A 74. 2014. No. 7. (January).]
Description:
Discusses especially the films of Jean-Luc Godard, Pier Paolo Pasolini and Roberto Rossellini.
Index:
Deleuze, Gilles
Godard, Jean-Luc
Pasolini, Pier Paolo
Rossellini, Roberto

#15
Gunning, Tom: Animation and alienation. In: Moving Image 14. 2014. No. 1. [Spring] pp. 1-9.
Description:
On the meaning of animation and motion in the film theories of Gilles Deleuze and Henri Bergson.
Index:
Deleuze, Gilles
Bergson, Henri
Animation ~ Animation
Philosophie ~ Philosophy

#16
Hair, Lindsey: Badiou/Deleuze: Art and cinema. - Buffalo, New York: State University of New York at Buffalo, Ph.D. 2007. [Abstract in: Dissertation Abstracts International A 68. 2008. No. 9. (March)]
Description:
A philosophical examination of Wim Wenders’s Der Himmel über Berlin.
Index:
Wenders, Wim
Badiou, Alain
Deleuze, Gilles
Himmel über Berlin, Der (1987)

#17
Herzog, Amy: Suspended gestures: Schizoanalysis, affect, and the face in cinema. In: Deleuze and the schizoanalysis of cinema. Edited by Ian Buchanan and Patricia MacCormack. - London; New York: Continuum 2008. p. ?P.
Index:
Deleuze, Gilles
Wahnsinn ~ Madness
Psychologie ~ Psychology

#18
Hughes, Joe: Cinematic analysis is already schizoanalysis. In: Deleuze and the schizoanalysis of cinema. Edited by Ian Buchanan and Patricia MacCormack. - London; New York: Continuum 2008. p. ?P.
Index:
Deleuze, Gilles
Wahnsinn ~ Madness
Psychologie ~ Psychology

#19
Ishii-Gonzales, Sam: Hitchcock with Deleuze. In: Hitchcock: Past and future. Edited by Richard Allen and Sam Ishii-Gonzales. - London; New York: Routledge 2004. p. ?P.
Index:
Hitchcock, Alfred
Deleuze, Gilles

#20
Köhler, Christian: Prosperos Bücher: Friktionen, Struktur und die Grundzüge einer Monadologie des Films. Hrsg. von Wolfgang Bock und Hartmut Köhler. - Weimar: Stein 2008.
Description:
[GA:] [KoDeu] [End GA][KoDeu]
Index:
Greenaway, Peter
Deleuze, Gilles
Prospero’s Books (1991)

#21
Köhler, Christian: Prosperos Bücher: Friktionen, Struktur und die Grundzüge einer Monadologie des Films. Hrsg. von Wolfgang Bock und Hartmut Köhler. - Weimar: Bauhausuniversität, Dissertation 2008.
Description:
[GA:] [KoDeu] [End GA][KoDeu]
Index:
Greenaway, Peter
Deleuze, Gilles
Prospero’s Books (1991)

#22
Lambert, Gregg: Schizoanalysis and the cinema of the brain. In: Deleuze and the schizoanalysis of cinema. Edited by Ian Buchanan and Patricia MacCormack. - London; New York: Continuum 2008. p. ?P.
Index:
Deleuze, Gilles
Wahnsinn ~ Madness
Gehirn ~ Brain
Psychologie ~ Psychology

#23
Maccormack, Patricia: An ethics of spectatorship: Love, death and cinema. In: Deleuze and the schizoanalysis of cinema. Edited by Ian Buchanan and Patricia MacCormack. - London; New York: Continuum 2008. p. ?P.
Index:
Deleuze, Gilles
Wahnsinn ~ Madness
Tod ~ Death
Psychologie ~ Psychology

#24
Martin-Jones, D.: Becoming-other in time: The Deleuzian subject in cinema. - Glasgow: University of Glasgow, Ph.D. 2002. [Abstract in: Index to Theses with Abstracts 52. 2003. No. 2. p. 373(52-2896)].
Description:
Discusses, among others, Peter Howitt’s Sliding Doors, Tom Tykwer’s Lola rennt and Christopher Nolan’s Memento.
Index:
Deleuze, Gilles
Howitt, Peter
Tykwer, Tom
Nolan, Christopher
Sliding Doors (1997)
Lola rennt (1998)
Memento (2000)

#25
Martin-Jones, David: Deleuze, cinema, and national identity: Narrative time in national contexts. - ?O: Edinburgh University Press 2006.
Reviews:
Charlton, Colin: [untitled.] In: Post Script 28. 2008. No. 1. [Fall] pp. 110-112.
Wall, Thomas Carl: The time-image: Deleuze, cinema, and perhaps language. In: Film-Philosophy 8. 2004. No. 23. [July] p. ?P.
Description:
Discusses, among others, Alfred Hitchcock’s Vertigo, Federico Fellini’s Otto e mezzo, Tom Tykwer’s Lola rennt and Michael Gondry’s Eternal Sunshine of the Spotless Mind.
Index:
Hitchcock, Alfred
Fellini, Federico
Tykwer, Tom
Gondry, Michael
Deleuze, Gilles
Vertigo (1958)
Otto e mezzo / Huit et demi (1962)
Lola rennt (1998)
Eternal Sunshine of the Spotless Mind (2004)
Zeit ~ Time
Philosophie ~ Philosophy

#26
Meier, Julia: Die Tiefe der Oberfläche: David Lynch - Gilles Deleuze - Francis Bacon. - Berlin: Kulturverlag Kadmos 2013. (= Kaleidogramme.)
Reviews:
Schmitt, Mark: [untitled.] In: Medienwissenschaft 2014. No. 2/3. pp. 265-267.
Index:
Lynch, David
Deleuze, Gilles
Bacon, Francis

#27
Meier, Julia: The Strange Woman: An analysis with Gilles Deleuze’s notion of the impulse-image. In: Edgar G. Ulmer: Essays on the king of the B’s. Edited by Bernd Herzogenrath. Foreword by Arianne Ulmer-Cipes. - Jefferson, North Carolina: McFarland 2009. p. ?P.
Index:
Ulmer, Edgar G[eorge]
Deleuze, Gilles
Strange Woman, The (1946)
Psychologie ~ Psychology
B-Filme ~ B Films

#28
Melehy, Hassan: Images without: Deleuzian becoming, science fiction cinema in the eighties. In: Postmodern Culture 5. 1995. No. 2. [?D] p. ?P.
Index:
Deleuze, Gilles
Science Fiction ~ Science Fiction

#29
Mizuta Lippit, Akira: The only other apparatus of film (a few fantasies about differance, demontage, and revision in experimental film and video). In: Derrida, Deleuze, psychoanalysis. Edited by Gabriele Schwab with the assistance of Erin Ferris. - New York: Columbia University Press 2007. (= Critical Theory Institute books.) p. ?P.
Index:
Derrida, Jacques
Deleuze, Gilles
Video ~ Video
Psychologie ~ Psychology
Phantasie ~ Fantasy
Experimentalfilme ~ Experimental Films

#30
Morgart, James: Deleuzions of ecohorror: Weighing Al Gore’s ecostrategy against The Day of the Triffids. In: Horror Studies 8. 2017. No. 1. [April] pp. 115-130.
Index:
Deleuze, Gilles
Gore Jr., Albert Arnold "Al"
Copus, Nick
Day of the Triffids, The (2009)
Horror ~ Horror

#31
Mroz, M.: The aesthetics of cinematic duration in theory and film. - Cambridge: University of Cambridge, Ph.D. 2008. [Abstract in: Index to Theses with Abstracts 58-4090.]
Description:
Discusses Michelangelo Antonioni’s L’Avventura, Andrei Tarkovsky’s Serkalo and Matthew Barney’s The Cremaster Cycle.
Index:
Deleuze, Gilles
Tarkovsky, Andrei Arsenyevich
Barney, Matthew
Antonioni, Michelangelo
Serkalo (1974)
Cremaster Cycle, The (1994-2002)
Avventura, L’ (1959)
Zeit ~ Time

#32
Murray, Timothy: You are how you read: Baroque chao-errancy in Greenaway and Deleuze. In: Iris 1997. No. 23. [Spring] pp. 87-107.
Description:
Discusses especially Peter Greenaway’s Prospero’s Books.
Index:
Greenaway, Peter
Deleuze, Gilles
Prospero’s Books (1991)
Barock ~ Baroque

#33
Musante, Dewey: Insidious forms: Deleuze, the bodily diagram and the haunted house film. In: Horror Studies 7. 2016. No. 1. [April] pp. 73-93.
Index:
Deleuze, Gilles
Wan, James
Insidious (2010)
Haus ~ House

#34
Niessen, Niels: Why he really doesn’t get her: Deleuze’s whatever-space and the crisis of the male quest. In: Film-Philosophy 16. 2012. No 1. [?D] pp. 127-148.
Description:
Discusses, among others, Bernardo Bertolucci’s L’ultimo tango a Parigi, the films of Hitchcock and Polanski and the representation of the search for the Holy Grail in film.
Index:
Deleuze, Gilles
Bertolucci, Bernardo
Hitchcock, Alfred
Polanski, Roman
ultimo tango a Parigi, L’ / dernier tango a Paris, Le (1972)
Religion: Gral ~ Religion: Grail
Religion ~ Religion
Männer ~ Men
Philosophie ~ Philosophy

#35
O’Connor, J.: "Cretinization and cerebralization": Deleuzian theory and the cinema of Neil Jordan, Pedro Almodóvar and Quentin Tarantino. - Dublin: University College Dublin, Ph.D. 2008. [Abstract in: Index to Theses with Abstracts 58-13314.]
Index:
Deleuze, Gilles
Jordan, Neil
Almodóvar, Pedro
Tarantino, Quentin

#36
O’Connor, Tom: "Uncontrollably herself": Deleuze’s becoming woman in the horror films of Michael Almereyda. In: Journal of Horror Studies 1. 2010. No. 1. [?D] pp. 111-128.
Index:
Almereyda, Michael
Deleuze, Gilles
Horror ~ Horror
Frauen ~ Women

#37
Pisters, Patricia: Delirium cinema or machines of the invisible? In: Deleuze and the schizoanalysis of cinema. Edited by Ian Buchanan and Patricia MacCormack. - London; New York: Continuum 2008. p. ?P.
Index:
Deleuze, Gilles
Wahnsinn ~ Madness
Technik ~ Technology
Psychologie ~ Psychology

#38
Pisters, Patricia: Material aspects of subjectivity - a Deleuzian reading of images of the flesh. In: New Review of Film and Television Studies 1. 2003. No. 1. [November] pp. 77-100.
Description:
On the representation of the body and of time in film. Discusses Michael Crichton’s Coma, Paul Verhoeven’s De vierde man, Rainer Werner Fassbinder’s In einem Jahr mit 13 Monden and Djibril Diop Mambéty’s Touki Bouki.
Index:
Deleuze, Gilles
Crichton, Michael
Verhoeven, Paul
Fassbinder, Rainer Werner
Mambéty, Djibril Diop
Coma (1978)
vierde man, De (1983)
In einem Jahr mit 13 Monden (1978)
Touki Bouki (1973)
Zeit ~ Time
Körper ~ Bodies

#39
Pisters, Patricia: The matrix of visual culture: Working with Deleuze in film theory. - Stanford, California: Stanford University Press 2003.
Reviews:
Fleming, D. H.: [untitled.] In: Film-Philosophy 13. 2009. No. 1. [?D] p. ?P.
Description:
Discusses, among others, Alfred Hitchcock’s Rear Window and Vertigo, Kathryn Bigelow’s Strange Days, Quentin Tarantino’s Pulp Fiction, David Fincher’s Fight Club, Neil Jordan’s The Company of Wolves, David Cronenberg’s The Fly, Francis Ford Coppola’s The Conversation and Luc Besson’s Le Grand Bleu.
Index:
Deleuze, Gilles
Hitchcock, Alfred
Bigelow, Kathryn
Tarantino, Quentin
Fincher, David
Jordan, Neil
Cronenberg, David
Coppola, Francis Ford
Besson, Luc
Rear Window (1954)
Vertigo (1958)
Strange Days (1995)
Pulp Fiction (1994)
Fight Club (1999)
Company of Wolves, The (1984)
Fly, The (1986)
Conversation, The (1973)
Grand Bleu, Le (1987)
Philosophie ~ Philosophy

#40
Pope, Richard I.: In Kubrick’s crypt, a Derrida / Deleuze monster. In: Film-Philosophy 7. 2003. No. 22. [August] p. ?P.
Description:
On Stanley Kubrick’s 2001 - A Space Odyssey.
Index:
Kubrick, Stanley
Derrida, Jacques
Deleuze, Gilles
2001 - A Space Odyssey (1968)
Monster ~ Monster
Philosophie ~ Philosophy

#41
Powell, Anna: A touch of terror: Dario Argento and Deleuze’s cinematic sensorium. In: European nightmares: Horror cinema in Europe since 1945. Edited by Patricia Allmer, Emily Brick and David Huxley. - London; New York: Wallflower Press 2012. p. ?P.
Index:
Argento, Dario
Deleuze, Gilles
Italien ~ Italy
Horror ~ Horror
Europa ~ Europe
Traum ~ Dreams

#42
Powell, Anna: Deleuze and horror film. - Edinburg: Edinburgh University Press 2005.
Reviews:
Allmer, Patricia: [untitled] In: Scope [Nottingham] 2006. No. 6. [?D] p. ?P.
Cueva, Edmund P.: [untitled.] In: Scope [Nottingham] 2008. No. 12. [?D] pp. ?P.
Krzywinska, Tanya: [untitled.] In: Gothic Studies 10. 2008. No. 1. [?D] pp. 80-82.
Laity, K. A.: [untitled.] In: Journal of the Fantastic in the Arts 19. 2008. No. 1. [?D] pp. 119-122.
Index:
Deleuze, Gilles
Horror ~ Horror

#43
Powell, Anna: Duration and the vampire: A Deleuzian gothic. In: Gothic Studies 11. 2009. No. 1. [May] 86-98.
Description:
Discusses as an example Neil Jordan’s Interview with the Vampire.
Index:
Deleuze, Gilles
Jordan, Neil
Interview with the Vampire (1994)
Vampire ~ Vampires
Horror ~ Horror

#44
Powell, Anna: Kicking the map away: The Blair Witch Project, Deleuze and the aesthetics of horror. In: Spectator 22. 2002. No. 2. [Fall] p. 56-68.
Index:
Myrick, Daniel
Sanchez, Eduardo
Deleuze, Gilles
Blair Witch Project, The (1999)
Horror ~ Horror

#45
Powell, Anna: Off your face: Schizoanalysis, faciality and cinema. In: Deleuze and the schizoanalysis of cinema. Edited by Ian Buchanan and Patricia MacCormack. - London; New York: Continuum 2008. p. ?P.
Index:
Deleuze, Gilles
Wahnsinn ~ Madness
Psychologie ~ Psychology

#46
Powell, Jeremy: David Lynch, Francis Bacon, Gilles Deleuze: The cinematic diagram and the hall of time. In: Discourse 36. 2014. No. 3. [?D] pp. 309-339.
Index:
Lynch, David
Bacon, Francis
Deleuze, Gilles

#47
Reader, Keith: Another Deleuzian Resnais: L’Année dernière à Marienbad (1961) as conflict between sadism and masochism. In: Studies in French Cinema 8. 2008. No. 2. [?D] pp. 149-158.
Index:
Resnais, Alain
Deleuze, Gilles
Année dernière à Marienbad, L’ (1960/1961)
Sexualität: Sadomasochismus ~ Sexuality: Sadomasochism

#48
Riley, Mark: Disorientation, duration and Tarkovsky. In: Deleuze and the schizoanalysis of cinema. Edited by Ian Buchanan and Patricia MacCormack. - London; New York: Continuum 2008. p. ?P.
Index:
Deleuze, Gilles
Tarkovsky, Andrei Arsenyevich
Wahnsinn ~ Madness
Psychologie ~ Psychology

#49
Rizzo, Teresa: Deleuze and film: A feminist introduction. - New York: Continuum 2011.
Description:
Discusses, among others, Deleuze’s viewings of the slasher film and the Alien series.
Index:
Deleuze, Gilles
Alien (Filmreihe)
Horror ~ Horror
Frauen ~ Women

#50
Rizzo, Teresa: The Alien series: A Deleuzian perspective. In: Women 15. 2004. No. 3. [Winter] pp. 330-344.
Index:
Deleuze, Gilles
Alien (Filmreihe)

#51
Sanders, Olaf: Cronenbergs Pädagogik, Wachowskis Pädagogik - Deleuzes ermächtigende Filmtheorie. In: Das Kino der Gesellschaft - die Gesellschaft des Kinos: Interdisziplinäre Positionen, Analysen und Zugänge. Hrsg. von Manfred Mai. - Köln: von Halem 2006. pp. 259 ff.
Index:
Cronenberg, David
Wachowski, Andy
Wachowski, Lana
Deleuze, Gilles
Pädagogik ~ Paedagogy
Politik ~ Politics

#52
Schaffer, Bill: Inbetweening: Animation, Deleuze, film theory. In: Cinema and technology: Cultures, theories, practices. Edited by Bruce Bennett, Marc Furstenau and Adrian Mackenzie. - Basingstoke; New York: Palgrave Macmillan 2008. p. ?P.
Index:
Deleuze, Gilles
Animation ~ Animation
Technik ~ Technology

#53
Thain, Alanna Michael: Suspended (re)animations: Affect, immediation and the film body. - Durham, North Carolina: Duke University, Ph.D. 2005. [Abstract in: Dissertation Abstracts International A 67. 2007. No. 9. (March).]
Description:
Discusses, as examples, Alfred Hitchcock’s Vertigo, David Lynch’s Lost Highway, Ye Lou’s Suzhou River (Suzhou he) and Hirokazu Kore-eda’s After Life (Wandafuru raifu).
Index:
Hitchcock, Alfred
Lynch, David
Lou, Ye
Kore-eda, Hirokazu
Deleuze, Gilles
Vertigo (1958)
Lost Highway (1996)
Suzhou he (2000)
Wandafuru raifu (1998)
Körper ~ Bodies
Animation ~ Animation

#54
Thomas, Allan James: The Sheltering Sky and the sorrow of memory: Reading Bertolucci through Deleuze. In: Literature/Film Quarterly 26. 1998. No. 3. [July] pp. 196-203.
Index:
Bertolucci, Bernardo
Deleuze, Gilles
Sheltering Sky, The (1990)

#55
Toymentsev, Sergey: Deleuze and Russian film: Transcenendental exercise of the faculties on (post-)totalitarian screen. - New Brunswick, New Jersey: Rutgers The State University of New Jersey - New Brunswick, Ph.D. 2014. [Abstract in: Dissertation Abstracts International A 76. 2015. No. 6. [December] p. ?P.]
Description:
Discusses, among others, the films of Andrei Tarkovsky.
Index:
Deleuze, Gilles
Tarkovsky, Andrei Arsenyevich
Russland ~ Russia
Religion ~ Religion
Philosophie ~ Philosophy

#56
Volland, Kerstin: Zeitspieler: Inszenierungen des Temporalen bei Bergson, Deleuze und Lynch. - Wiesbaden: VS Verlag für Sozialwissenschaften 2009. (= Medienbildung und Gesellschaft 11.)
Reviews:
Giesemann, Bernd: [untitled.] In: Medienwissenschaft 2009. No. 4. pp. 447-450.
Description:
Discusses especially David Lynch’s Lost Highway, Mulholland Drive and A Straight Story.
Index:
Bergson, Henri
Deleuze, Gilles
Lynch, David
Lost Highway (1996)
Mulholland Drive (2001)
Straight Story, A (1999)
Zeit ~ Time
Philosophie ~ Philosophy

#57
Volland, Kerstin: Zeitspieler: Inszenierungen des Temporalen bei Bergson, Deleuze und Lynch. - Bielefeld: Universität Bielefeld, Dissertation 2007.
Description:
Discusses especially David Lynch’s Lost Highway, Mulholland Drive and A Straight Story.
Index:
Bergson, Henri
Deleuze, Gilles
Lynch, David
Lost Highway (1996)
Mulholland Drive (2001)
Straight Story, A (1999)
Zeit ~ Time
Philosophie ~ Philosophy


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Bibliografie des fantastischen Films / Bibliography of Fantastic Film

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