The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
number of items: 46
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
| ?G | Volume number unknown |
| ?D | Date of publication unknown |
| ?P | Number of pages unknown |
| ?R | Series number unknown |
#1
Beaulieu, Julie: Ethnographie, culture et expérimentations: Essai sur la pensée, l’oeuvre et la légende de Maya Deren. In: Cinémas 19. 2008. No. 1. [Fall] pp. 15-35.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
#2
Bori, Erzsebet: Le a gravitacioval! In: Filmvilag 41. 1998. No. 4. [?D] pp. 40-42.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
#3
Brinckmann, Noll: Zu Maya Derens At Land. In: Frauen und Film 1984. No. 37. [?D] pp. 73-84.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
At Land (1944)
#4
Butler, Alison: "Motor-driven metaphysics": Movement, time and action in the films of Maya Deren. In: Screen 48. 2007. No. 1. [Spring] pp. 1-23.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Religion ~ Religion
Action ~ Action
#5
Chainey Gagnon, Vicky: At the crossroads: Maya Deren’s Divine Horsemen project. - Toronto, Ontario: York University, M.A. 2006. [Abstract in: Masters Abstracts International 44. 2006. No. 4. p. 1549.]
Description:
On Deren’s interest in the Haitian Voodoo religion.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Divine Horsemen: The Living Gods of Haiti (1985)
Religion: Voodoo ~ Religion: Voodoo
Religion ~ Religion
Haiti ~ Haiti
#6
Deren, Maja: Der Tanz des Himmels mit der Erde: Die Götter des haitianischen Voudou. Vorwort von Sabine Gebhart. - Wien: Promedia Verlag 1992.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Tanz ~ Dance
Haiti ~ Haiti
#7
Deren, Maja: Poetik des Films: Wege im Medium bewegter Bilder. - Berlin: Merve 1984.
First edition:
[Notes, essays, letters. - New York: Film Culture 1965]
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
#8
Deren, Maya: Amateur vs. professional. In: Alternative projections: Experimental film in Los Angeles 1945-1980. Edited by David E. James and Adam Hyman. - New Barnet, Herts: John Libbey Publishing 2015. p. ?P.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Los Angeles ~ Los Angeles
Experimentalfilme ~ Experimental Films
#9
Deren, Maya: Choreographie für eine Kamera - Schriften zum Film. Hrsg. von Jutta Hercher [et al.]. - Hamburg: Hochschule für bildende Künste Hamburg / Hamburg: material-Verlag 1995.
Reviews:
Kriest, Ulrich: [untitled] In: Medienwissenschaft 1997. No. 4. pp. 479-480.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Technik: Kamera ~ Technology: Camera
#10
Deren, Maya: Kamera-Arbeit: Der schöpferische Umgang mit der Realität. In: Frauen und Film 1984. No. 37. [?D] pp. 63-72.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Technik: Kamera ~ Technology: Camera
Experimentalfilme ~ Experimental Films
#11
Dilas, Vikica: Meshing with Lynch. In: Sight and Sound NS 7. 1997. No. 10. [October] p. 72.
Description:
Compares Meshes of the Afternoon with David Lynch’s Lost Highway.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Hackenschmied, Alexander [Pseudonym: Hammid]
Lynch, David
Meshes of the Afternoon (1943)
Lost Highway (1996)
#12
Esser, Birgit: Zum Verhältnis von Feminismus und Avantgarde: Ansätze einer feministischen Ästhetik im Filmwerk von Maya Deren. - Köln: Universität Köln, Institut für Theater, Film- und Fernsehwissenschaft, Magisterarbeit ?J (1989/1990).
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Frauen ~ Women
Experimentalfilme ~ Experimental Films
#13
Fabe, Marilyn: Maya Deren’s fatal attraction: A psychoanalytic reading of Meshes of the Afternoon with a psycho-biographical afterword. In: Women’s Studies 25. 1996. No. 2. [?D] pp. 137-152.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Hackenschmied, Alexander [Pseudonym: Hammid]
Meshes of the Afternoon (1943)
Psychologie ~ Psychology
#14
Fiedler, Jeannine: Das wilde Sehen: Der entfesselte Blick von Maya Deren und seine Zähmung durch die Theorie. In: Filmbulletin 39. 1997. No. 3(212) [June] pp. 2-3.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
#15
Fowler, Catherine: Room for experiment: Gallery films and vertical time from Maya Deren to Eija Liisa Ahtila. In: Screen 45. 2004. No. 4. [?D] pp. 324-243.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Ahtila, Eija Liisa
Experimentalfilme ~ Experimental Films
#16
Fries, Sabine: Das Lachen der Bilder: Athetesen des "Weiblichen" im kinematographischen Erzählraum. - Hannover: Universität Hannover, Dissertation 1999.
Description:
Discusses, among others, the films of Maya Deren.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Frauen ~ Women
#17
Geller, Theresa L.: "Each film was built as a chamber and became a corridor": Maya Deren’s film aesthetics as feminist praxis. In: There she goes: Feminist filmmaking and beyond. Edited by Corinn Columpar and Sophie Mayer. - Detroit, Michigan: Wayne State University Press 2009. (= Contemporary approaches to film and television.) p. ?P.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Frauen ~ Women
#18
Geller, Theresa L.: The personal cinema of Maya Deren: Meshes of the .Afternoon and its critical recention in the history of the avant-garde. In: Biography 29. 2006. No. 1. [Winter] pp. 140-158.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Hackenschmied, Alexander [Pseudonym: Hammid]
Meshes of the Afternoon (1943)
Experimentalfilme ~ Experimental Films
#19
Halpern, Orit: Anagram, Gestalt, game in Maya Deren: Reconfiguring the image in post-war cinema. In: Postmodern Culture 19. 2009. No. 3. [?D] p. ?P.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Krieg ~ War
#20
Hermsdorf, Daniel: Filmbild und Körperwelt: Anthropomorphismus in Naturphilosophie, Ästhetik und Medientheorie der Moderne. - Würzburg: Königshausen & Neumann 2011. (= Film - Medium - Diskurs 34.
Reviews:
Paech, Joachim: [untitled.] In: Germanistik 52. 2011. No. 3/4. p. 985.
Description:
Includes, among others, chapters on Jacques Feyder’s Visages d’enfants, Robert Siodmak’s The Dark Mirror, Harry O. Hoyt’s The Lost World, Fritz Lang’s The Blue Gardenia, Dr. Mabuse, der Spieler and Die Spinnen, Alfred Hitchcock’s The Wrong Man, László Benedek’s episode Wolf 359 for the TV series Outer Limits, Henrik Galeen’s Alraune, Curse of the Cat People by Robert Wise and Gunther von Fritsch, Karl Grune’s Die Straße, Maya Deren’s Ritual in Transfigured Time, Michael Curtiz’s Die Sklavenkönigin, Marcel L’Herbier’s Feu Mathias Pascal, Leni Riefenstahl’s Das blaue Licht, Ernst Lubitsch’s Die Augen der Mumie Ma, Rex Ingram’s The Magician, Paul Leni’s The Cat and the Canary, Walt Disney’s The Haunted House, René Clair’s The Ghost Goes West, Jacques Tourneur’s I Walked with a Zombie, Douglas Sirk’s Sleep, My Love and John Gilling’s The Gamma People.
Index:
Feyder, Jacques
Siodmak, Robert
Hoyt, Harry O.
Lang, Fritz
Hitchcock, Alfred
Benedek, László
Galeen, Henrik
Wise, Robert
Fritsch, Gunther von
Grune, Karl
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Curtiz, Michael [Pseudonym: Kertész, Michael]
L’Herbier, Marcel
Riefenstahl, Leni
Lubitsch, Ernst
Ingram, Rex
Leni, Paul
Disney, Walt
Chomette, René [Pseudonym: Clair, René]
Tourneur, Jacques
Sirk, Douglas
Gilling, John
Visages d’enfants (1925)
Dark Mirror, The (1946)
Lost World, The (1925)
Blue Gardenia, The (1952/1953)
Dr. Mabuse, der Spieler (1921/1922)
Spinnen, Die (1919)
Wrong Man, The (1957)
Outer Limits (TV)
Alraune (1927)
Curse of the Cat People (1944)
Straße, Die (1923)
Ritual in Transfigured Time (1946)
Sklavenkönigin, Die (1924)
Feu Mathias Pascal (1926)
blaue Licht, Das (1932)
Augen der Mumie Ma, Die (1918)
Magician, The (1926)
Cat and the Canary, The (1927)
Haunted House, The (1929)
Ghost Goes West, The (1935)
I Walked with a Zombie (1943)
Sleep, My Love (1948)
Gamma People, The (1956)
Natur ~ Nature
Körper ~ Bodies
Fernsehen ~ Television
Disney ~ Disney
Stummfilm ~ Silent Film
Philosophie ~ Philosophy
#21
Hermsdorf, Daniel: Filmbild und Körperwelt: Anthropomorphismus in Naturphilosophie, Ästhetik und Medientheorie der Moderne. - Paderborn: Universität Paderborn, Dissertation 2010.
Reviews:
Paech, Joachim: [untitled.] In: Germanistik 52. 2011. No. 3/4. p. 985.
Description:
Includes, among others, chapters on Jacques Feyder’s Visages d’enfants, Robert Siodmak’s The Dark Mirror, Harry O. Hoyt’s The Lost World, Fritz Lang’s The Blue Gardenia, Dr. Mabuse, der Spieler and Die Spinnen, Alfred Hitchcock’s The Wrong Man, László Benedek’s episode Wolf 359 for the TV series Outer Limits, Henrik Galeen’s Alraune, Curse of the Cat People by Robert Wise and Gunther von Fritsch, Karl Grune’s Die Straße, Maya Deren’s Ritual in Transfigured Time, Michael Curtiz’s Die Sklavenkönigin, Marcel L’Herbier’s Feu Mathias Pascal, Leni Riefenstahl’s Das blaue Licht, Ernst Lubitsch’s Die Augen der Mumie Ma, Rex Ingram’s The Magician, Paul Leni’s The Cat and the Canary, Walt Disney’s The Haunted House, René Clair’s The Ghost Goes West, Jacques Tourneur’s I Walked with a Zombie, Douglas Sirk’s Sleep, My Love and John Gilling’s The Gamma People.
Index:
Feyder, Jacques
Siodmak, Robert
Hoyt, Harry O.
Lang, Fritz
Hitchcock, Alfred
Benedek, László
Galeen, Henrik
Wise, Robert
Fritsch, Gunther von
Grune, Karl
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Curtiz, Michael [Pseudonym: Kertész, Michael]
L’Herbier, Marcel
Riefenstahl, Leni
Lubitsch, Ernst
Ingram, Rex
Leni, Paul
Disney, Walt
Chomette, René [Pseudonym: Clair, René]
Tourneur, Jacques
Sirk, Douglas
Gilling, John
Visages d’enfants (1925)
Dark Mirror, The (1946)
Lost World, The (1925)
Blue Gardenia, The (1952/1953)
Dr. Mabuse, der Spieler (1921/1922)
Spinnen, Die (1919)
Wrong Man, The (1957)
Outer Limits (TV)
Alraune (1927)
Curse of the Cat People (1944)
Straße, Die (1923)
Ritual in Transfigured Time (1946)
Sklavenkönigin, Die (1924)
Feu Mathias Pascal (1926)
blaue Licht, Das (1932)
Augen der Mumie Ma, Die (1918)
Magician, The (1926)
Cat and the Canary, The (1927)
Haunted House, The (1929)
Ghost Goes West, The (1935)
I Walked with a Zombie (1943)
Sleep, My Love (1948)
Gamma People, The (1956)
Natur ~ Nature
Körper ~ Bodies
Fernsehen ~ Television
Disney ~ Disney
Stummfilm ~ Silent Film
Philosophie ~ Philosophy
#22
Ieropoulos, F.: The film poem. - Kent: University of Kent, Ph.D. 2010. [Abstract in: Index to Theses with Abstracts 60-4964.]
Description:
Discusses, among others, films and theoretical essays by Dziga Vertov, Sergei Eisenstein, Maya Deren and Stan Brakhage.
Index:
Vertov, Dziga
Eisenstein, Sergei Mikhailovich
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Brakhage, Stan
Experimentalfilme ~ Experimental Films
#23
Jackson, Renata: The modernistic poetics and experimental firm practice of Maya Deren (1917 - 1961). - Lewiston: Mellen 2002. (= Studies in history and criticism of film 5.)
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Experimentalfilme ~ Experimental Films
#24
Jackson, Renata: Voices of Maya Deren: Theme and variation. - New York: New York University, Ph.D. 1998. [Abstract in: Dissertation Abstracts International A 59. 1998. No. 5. (November) p. 1375A.]
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
#25
Keller, Sarah: Frustrated climaxes: On Maya Deren’s Meshes of the Afternoon and Witch’s Cradle. In: Cinema Journal 52. 2013. No. 3. [Spring] pp. 75-98.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Hackenschmied, Alexander [Pseudonym: Hammid]
Meshes of the Afternoon (1943)
Witch’s Cradle (1944)
#26
Keller, Sarah: Maya Deren: Incomplete control. - New York: Columbia University Press 2015. (= Film and Culture.)
Reviews:
Lucca, Violet: [untitled.] In: Film Quarterly 69. 2015. No. 1. [Fall] p. ?P.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
#27
Kuhn, A.: Meshes of the Afternoon. In: Monthly Film Bulletin 55. 1988. No. 653. [June] pp. 186-187.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Hackenschmied, Alexander [Pseudonym: Hammid]
Meshes of the Afternoon (1943)
#28
Leinberger, Gisela: Maya Deren - Politik und Ästhetik: Der unabhängige Film in den USA der 40er und 50er Jahre. - Berlin: Hochschule der Künste Berlin, Fachbereich 4: Experimentelle Filmgestaltung, Diplom ?J (1988).
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
USA (United States of America) ~ USA (United States of America)
Politik ~ Politics
#29
MacDonald, Scott: Nathaniel Dorsky and Larry Jordan on Stan Brakhage, Maya Deren, Joseph Cornell, and Bruce Conner. In: Quarterly Review of Film and Video 24. 2007. No. 1. [?D] pp. 1-10.
Index:
Jordan, Larry
Brakhage, Stan
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Cornell, Joseph
Conner, Bruce
Experimentalfilme ~ Experimental Films
#30
Maya Deren and the American avant-garde. Edited by Bill Nichols. - Berkeley, California: University of California Press 2001.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
USA (United States of America) ~ USA (United States of America)
Experimentalfilme ~ Experimental Films
#31
Mccabe, Susan: Luis Buñuel’s Angel and Maya Deren’s Meshes: The future of surrealism, trance and the cultural iImaginary. In: A companion to Luis Bunuel. Edited by Rob Stone and Julian Daniel Gutiérrez-Albilla. - Malden, Massachussetts: Wiley-Blackwell 2013. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Buñuel, Luis
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Hackenschmied, Alexander [Pseudonym: Hammid]
angel exterminador, El (1962)
Meshes of the Afternoon (1943)
Surrealismus ~ Surrealism
#32
Nekola, Charlotte: On not being Maya Deren. In: Wide Angle 18. 1996. No. 4. [October] pp. 29-37.
Description:
Discusses especially Meshes of the Afternoon.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Meshes of the Afternoon (1943)
#33
Perlmutter, Ruth: Memories, dreams, screens. In: Quarterly Review of Film and Video 22. 2005. No. 2. [April-June] pp. 125-134.
Description:
Psychoanalytic interpretation of the use of dreams and memories in Maya Deren’s Meshes of the Afternoon, Ingmar Bergman’s Persona, Christopher Nolan’s Memento and David Lynch’s Mulholland Drive.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Hackenschmied, Alexander [Pseudonym: Hammid]
Bergman, Ingmar
Nolan, Christopher
Lynch, David
Meshes of the Afternoon (1943)
Persona (1966)
Memento (2000)
Mulholland Drive (2001)
Psychologie ~ Psychology
Traum ~ Dreams
#34
Pramaggiore, Maria: Performance and persona in the U.S. avant-garde: The case of Maya Deren. In: Cinema Journal 36. 1997. No. 2. [Winter] pp. 17-40.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Experimentalfilme ~ Experimental Films
#35
Pramaggiore, Maria Therese: Seeing double(s): Performance and self-representation in the films of Maya Deren, Barbara Hammer and Yvonne Rainer. - Atlanta, Georgia: Emory University, Ph.D. 1993. [Abstract in: Dissertation Abstracts International A 54. 1994. No. 9. (March) p. 3244A.]
Reviews:
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Hammer, Barbara
Rainer, Yvonne
Doppelgänger ~ Double
#36
Pruitt, John: Meshes of the Afternoon: A model of visual thinking. In: Masterpieces of modernist cinema. Edited by Ted Perry. - Bloomington, Indiana: Indiana University Press 2006. p. ?P.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Hackenschmied, Alexander [Pseudonym: Hammid]
Meshes of the Afternoon (1943)
#37
Reynolds, Lucy: Thresholds to the imaginary. In: International Journal of Screendance 2013. No. 3. [Fall[ pp. 12-21.
Description:
On magic realism in the work of experimental filmmaker Maya Deren.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Magie ~ Magic
Experimentalfilme ~ Experimental Films
#38
Rhodes, John David: Meshes of the Afternoon. - London: British Film Institute /Palgrave Macmillan 2011. (= BFI Film Classics.)
Reviews:
Mayer, Sophie: Loving the afternoon. In: Sight and Sound NS 21. 2011. No. 12. [December] p. 92.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Hackenschmied, Alexander [Pseudonym: Hammid]
Meshes of the Afternoon (1943)
#39
Russell, Catherine: Ecstatic ethnography: Maya Deren and the filming of possession rituals. In: Rites of realism: Essays on corporeal cinema. Edited by Ivone Margulies. - Durham, North Carolina; London: Duke University Press 2003. pp. 270 ff.
Description:
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Körper ~ Bodies
#40
Schlüpmann, Heide: Die Emanzipation des Films: Zu Germaine Dulacs und Maya Derens Theorien der Avantgarde. In: Frauen und Film 1984. No. 37. [?D] pp. 38-51.
Index:
Dulac, Germaine
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Experimentalfilme ~ Experimental Films
#41
Sudre, Alain-Alcide: Dialogues théoriques avec Maya Deren: Du cinéma expérimental au film ethnographique. - Paris: L’Harmattan / Paris: Centre Georges Pompidou 1996. (= Champs visuels.)
Reviews:
Virmaux, Alain: [untitled] In: Jeune Cinéma 1997. No. 244. [Summer] pp. 54-55.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
#42
Sullivan, Moira: An anagram of the ideas of filmmaker Maya Deren: Creative work in motion pictures. - Stockholm: Universitet Stockholm, Dissertation 1997.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
#43
Trivelli, Anita: L’incursione formalista di Maya Deren: An anagram of ideas on art, form and film. In: Bianco e Nero 61. 2000. No. 1/2. [January/April] pp. 4-27.
Description:
On surrealist elements in the work of the experimental filmmaker. Compares Deren’s film theory with Eisenstein’s theoretical work.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Eisenstein, Sergei Mikhailovich
Surrealismus ~ Surrealism
Experimentalfilme ~ Experimental Films
#44
Trivelli, Anita: Sulle tracce di Maya Deren: Il cinema come progetto e avventura. - Torino: Lindau 2003. (= Il Pesce volante.)
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Abenteuer ~ Adventure
#45
Turim, Maureen: The inferiority of space: Desire and Maya Deren. In: Avant-garde film. Edited by Alexander Graf and Dietrich Scheunemann. - Amsterdam; New York: Rodopi 2007. (= Avant-garde critical studies 23.) pp. 155 ff.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Experimentalfilme ~ Experimental Films
#46
Valkola, Jarmo: Perceiving the visual in cinema: Semantic approaches to film form and meaning. - ?O: Jyväskylän Yliopisto, Dr.Phil. 1993. [Abstract in: Dissertation Abstracts International C 55. 1994. No. 4. (Winter) p. 1027C(55/4239C).]
Description:
Discusses, among others, Luis Buñuel’s Un chien andalou, Fritz Lang’s M - Eine Stadt sucht einen Mörder and Maya Deren’s Meshes of the Afternoon.
Index:
Buñuel, Luis
Lang, Fritz
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
chien andalou, Un (1928)
M - Eine Stadt sucht einen Mörder (1931)
Meshes of the Afternoon (1943)
This literature list was generated on Wednesday, April 24, 2024
Do You have problems creating a proper list result or do You have a special inquiry? Then please let me know.
If You found mistakes or bugs, if You have any questions not answered at the faq site or if You know literature titles related to Your search that are not yet mentioned in the "Bibliography of Fantastic Film" feel free to send me an email with Your suggestions.
