The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|

literature list on: Technology: Computer

number of items: 958

#1
Abbott, Stacey: Final frontiers: Computer-generated imagery and the science fiction film. In: Science Fiction Studies 33. 2006. No. 1(?N). [March] pp. 89-108.
Description:
Discusses, among others, Stephen Norrington’s Blade and Peter Jackson’s Lord of the Rings trilogy.
Index:
Norrington, Stephen
Jackson, Peter
Blade (1998)
Lord of the Rings (Filmreihe)
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Science Fiction ~ Science Fiction

#2
Albee, Timothy: CGI filmmaking: The creation of Ghost Warrior. - Plano, Texas: Wordware Publishing 2004.
Index:
Albee, Timothy
Kaze, Ghost Warrior (2004)
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#3
Alberganti, Michel: Cosmétique digitale et illumination globale. In: Cahiers du Cinéma 2007. No. 627. [October] p. 55.
Description:
On the technoligical progress in making the three Shrek films.
Index:
Adamson, Andrew
Jenson, Vicky
Asbury, Kelly
Vernon, Conrad
Hui, Raman
Miller, Chris
Shrek (Filmreihe)
Shrek (2001)
Shrek 2 (2004)
Shrek the Third (2007)
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#4
Aldred, Jessica: All aboard The Polar Express: A "playful" change of address in the computer-generated blockbuster. In: Animation [Farnham] 1. 2006. No. 2. [?D] pp. 153-172.
Index:
Zemeckis, Robert
Polar Express, The (2004)
Technik: Computer ~ Technology: Computer

#5
Aldred, Jessica L.: From synthespian to convergence character: Reframing the digital human in contemporary Hollywood cinema. - Ottawa, Ontario: Carleton University, Ph.D. 2013. [Abstract in: Dissertation Abstracts International A 74. 2014. No. 10. (April) p. ?P.]
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Hollywood ~ Hollywood
Animation ~ Animation

#6
Allen, D.: Motion control. In: Listener 113. 1985. No. 2892. [January 17] p. 33.
Description:
On the use of computers for creating special effects, especially in the science fiction film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Science Fiction ~ Science Fiction

#7
Allenbach, Thomas: Die Kunstform des digitalen Zeitalters. In: Zoom ?G. 2001. No. 6/7. [June/July] pp. 23-26.
Description:
Interview with the American journalist Henry Jenkins on filmic adaptions of computer games, especially on the Tomb Raider series.
Index:
Jenkins, Henry
Lara Croft: Tomb Raider (Filmreihe)
Journalismus ~ Journalism
USA (United States of America) ~ USA (United States of America)
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Kunst ~ Arts, The

#8
Allison, Tanine: More than a man in a monkey suit: Andy Serkis, motion capture, and digital realism. In: Quarterly Review of Film and Video 28. 2011. No. 4. [July] pp. 325-341.
Index:
Jackson, Peter
Serkis, Andy
King Kong (2005)
Technik: Computer ~ Technology: Computer
Affen ~ Apes
Technik: Spezialeffekte ~ Technology: Special Effects

#9
Altman, Mark A.: Babylon 5: Foundation imaging. In: Cinefantastique 25. 1994. No. 2. [April] pp. 32-34.
Description:
On the computer generated special effects for the TV series.
Index:
Babylon 5 (TV)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#10
Altman, Mark A.: Babylon 5: It came from the video toaster. In: Cinefantastique 25. 1994. No. 2. [April] p. 29.
Description:
On computer generated special effects for the TV series.
Index:
Babylon 5 (TV)
Technik: Computer ~ Technology: Computer
Video ~ Video
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television

#11
Amato, M.: HOMER: Hybrid optical montage electronically reproduced. In: American Cinematographer 66. 1985. No. 2. [February] pp. 79-80.
Description:
On computer generated special effects and animations.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#12
Andersen, Kara Lynn: Immaterial materiality: Collecting in live-action film, animation, and digital games. - Pittsburgh, Pennsylvania: University of Pittsburgh, Ph.D. 2009. [Abstract in: Dissertation Abstracts International A 71. 2010. No. 3. (September).]
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#13
André, Bernd: Zurück in die Zukunft: Neue digitale Restaurierungstechniken für Ernst Lubitschs Das Weib des Pharao. In: Film-Dienst 57. 2004. No. 25. [December 9] pp. 45-47.
Index:
Lubitsch, Ernst
Weib des Pharao, Das (1922)
Technik: Computer ~ Technology: Computer

#14
Argy, Stephanie: Cinematography’s computer age. In: American Cinematographer 80. 1999. No. 8. [August] pp. 75-80.
Description:
On the importance of computer technologies for the development of special effects.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#15
Argy, Stephanie: Painting with (virtual) light. In: American Cinematographer 82. 2001. No. 3. [March] pp. 80-89.
Description:
On digital special effects.
Index:
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Kunst ~ Arts, The

#16
Arnold, Frank: Flutsch und weg: Computeranimiert: Aardman-Knetmäuse in London. In: EPD Film 23. 2006. No. 12. [December] p. 48.
Description:
On Flushed Away by David Bowers and Sam Fell.
Index:
Bowers, David
Fell, Sam
Flushed Away (2006)
Technik: Computer ~ Technology: Computer
London ~ London
Animation ~ Animation
Aardman Animations [Firma] ~ Aardman Animations [Company]

#17
Arnold, Frank: Schwerpunkt Computeranimation: 9. Cartoon Movie in Potsdam. In: EPD Film 24. 2007. No. 6. [June] p. 15.
Description:
Festival report.
Index:
Technik: Computer ~ Technology: Computer
Potsdam ~ Potsdam
Festival ~ Festival
Animation: Cartoons ~ Animation: Cartoons
Animation ~ Animation

#18
Arnold, Frank: Terkel in Trouble: Computeranimation aus Dänemark. In: EPD Film 22. 2005. No. 12. [December] p. 46.
Description:
On Terkel i knibe by Stefan Fjeldmark, Kresten Vestbjerg Andersen and Thorbjorn Christofferson.
Index:
Christofferson, Thorbjorn
Fjeldmark, Stefan
Vestbjerg Andersen, Kresten
Terkel i knibe (2004)
Technik: Computer ~ Technology: Computer
Dänemark ~ Denmark
Animation ~ Animation

#19
Arnold, Frank: Wie haben Sie das animiert? Nicht nur Computer: Das Handwerk des Animationsfilms. In: EPD Film 23. 2006. No. 7. [July] p. 50.
Description:
On new DVD editions of animated films.
Index:
Technik: Computer ~ Technology: Computer
DVD ~ DVD
Animation ~ Animation

#20
Aronson, Ian David: DV filmmaking: From start to finish. - Beijing; Sebastopol, California: O’Reilly 2006. (= O’Reilly digital studio.)
Index:
Technik ~ Technology
Animation ~ Animation
Technik: Computer ~ Technology: Computer

#21
Atkins, Barry: More than a game: The computer game as fictional form. - Manchester; New York: Manchester University Press 2003.
Reviews:
Burrill, Derek A.: [untitled] In: Children’s Literature Association Quarterly 29. 2004. No. 4. [?D] pp. 382-384.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#22
Backe, Hans-Joachim: Narrative feedback: Computer games, comics, and the James Bond franchise. In: The cultures of James Bond. Edited by Joachim Frenk and Christian Krug. - Trier: Wissenschaftlicher Verlag Trier 2011. pp. 221 ff.
Index:
James Bond (Filmreihe)
Technik: Computer ~ Technology: Computer
Animation: Comics ~ Animation: Comics
James Bond ~ James Bond

#23
Baglivi, Fulvio / Ercole, Federico / Esposito, Lorenzo / Fumarola, Donatello: L’Inland Empire dei sensi. In: Filmcritica 57. 2007. No. 571/572. [January/February] pp. 42-46.
Description:
Interview with David Lynch on the use of digital camera technique in shooting Inland Empire.
Index:
Lynch, David
Inland Empire (2006)
Technik: Kamera ~ Technology: Camera
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#24
Bahng, Aimee: Queering The Matrix: Hacking the digital divide and slashing into the future. In: The Matrix in theory. Edited by Myriam Diocaretz and Stefan Herbrechter. - Amsterdam; New York: Rodopi 2006. (= Critical Studies 29.) pp. 167 ff.
Index:
Wachowski, Andy
Wachowski, Larry
Matrix, The (Filmreihe)
Utopie ~ Utopia
Technik: Computer ~ Technology: Computer

#25
Baker, Bill: Living on in digital: The imaginative web strips based on The Matrix offer diverse takes on a subject-rich realm. In: Cinefantastique 35. 2003. No. 3. [June/July] p. 52.
Index:
Wachowski, Andy
Wachowski, Larry
Matrix, The (Filmreihe)
Technik: Computer ~ Technology: Computer

#26
Baker, Christopher W.: How do they do it? Computer illusion in film & TV. - Indianapolis, Indiana: Alpha Books 1994.
Reviews:
Prince, Stephen: [untitled] In: Film Quarterly 49. 1995. No. 1. [Fall] pp. 61-62.
Turner, George: [untitled] In: American Cinematographer 75. 1994. No. 9. [September] p. 97.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Fernsehen ~ Television

#27
Baker, Robin: Computer technology and special effects in contemporary cinema. In: Future visions: New technologies of the screen. Edited by Philip Hayward and Tana Wollen. - London: British Film Institute Publishing 1993. pp. 31-45.
Description:
Discusses, among others, Ridley Scott’s Alien, Jetsons - The Movie by William Hanna and Joseph Barbera, James Cameron’s Terminator II - Judgement Day, Steven Lisberger’s Tron and Robert Zemeckis’s Who Framed Roger Rabbit.
Index:
Scott, Ridley
Hanna, William
Barbera, Joseph
Cameron, James
Lisberger, Steven
Zemeckis, Robert
Alien (1979)
Jetsons - The Movie (1990)
Terminator II - Judgement Day (1991)
Tron (1982)
Who Framed Roger Rabbit (1988)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Utopie ~ Utopia
Technik ~ Technology

#28
Ball, Steven: Tractor, experiments in digital media. In: Cantrills Filmnotes 1998. No. 91/92. [December] pp. 14-22.
Description:
The experimental filmmaker on the importance of digital technique for his work.
Index:
Ball, Steven
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Experimentalfilme ~ Experimental Films

#29
Bankston, Douglas: A hostile lodging. In: American Cinematographer 83. 2002. No. 4. [April] pp. 36-47.
Description:
On the usage of digital cameras for Mike Figgis’s experimental film Hotel.
Index:
Figgis, Mike
Hotel (2001)
Technik: Kamera ~ Technology: Camera
Technik: Computer ~ Technology: Computer
Experimentalfilme ~ Experimental Films

#30
BARBARA FLÜCKIGER: Emotion Capture: Wie es einer digitalen Figur gelingt, Emotionen zu wecken. In: Audiovisuelle Emotionen: Emotionsdarstellung und Emotionsvermittlung durch audiovisuelle Medienangebote. Hrsg. von Anne Bartsch, Jens Eder und Kathrin Fahlenbrach. - Köln: Halem 2007. pp. 402 ff.
Index:
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#31
Bardini, Thierry: A (brave new) world is more than a few gizmos crammed together: Science fiction and cyberculture. In: Science fiction and computing: Essays on interlinked domains. Edited by David L. Ferro and Eric G. Swedin. - Jefferson, North Carolina; London: McFarland 2011. pp. 167-188.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Science Fiction ~ Science Fiction
Cyberspace ~ Cyberspace

#32
Baron, Jaimie: The experimental film remake and the digital archive effect: A Movie by Jen Proctor and Man with a Movie Camera: The Global Remake. In: Framework 53. 2012. No. 2. [Fall] pp. 467-490.
Index:
Proctor, Jennifer
Bard, Perry
Movie by Jen Proctor, A (2010)
Man with a Movie Camera: The Global Remake (2008)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Experimentalfilme ~ Experimental Films

#33
Bassom, David / Garcia, Frank / Garcia, Robert T. / Uram, Sue: Babylon 5. In: Cinefantastique 31/32. 2000. No. 12/1. [June] pp. 32-117.
Description:
Articles on the TV series. Discusses, among others, the work of Bruce Boxleitner, Claudia Christian, Walter Koenig, Julie Caitlin Brown, Andrea Thompson, Patricia Tallman, and Bill Mumy, of the composer Christopher Franke, the designer John Iacovelli, the series founder J. Michael Straczynski, of cinematographer John C. Flinn, the makeup by John Vulich, the costumes by Anne Bruice-Aling, the CGI special effects and single episodes. Includes an episode guide.
Index:
Boxleitner, Bruce
Christian, Claudia
Koenig, Walter
Brown, Julie Caitlin
Thompson, Andrea
Tallman, Patricia
Franke, Christopher
Iacovelli, John
Straczynski, J. Michael
Flinn, John C.
Vulich, John
Bruice-Aling, Anne
Babylon 5 (TV)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Musik ~ Music
Fernsehen ~ Television
Technik: Computer ~ Technology: Computer

#34
Batchelor, D.: Films without a camera. In: Stills ?G. 1986. No. 24. [?D] pp. 20-21.
Description:
On new technical developments in computer animation and special effects.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#35
Beach, Christopher: A hidden history of film style: Cinematographers, directors, and the collaborative process. - Oakland, California: University of California Press 2015.
Description:
Includes chapters on the visual style of film noir, on Alfred Hitchcock and Robert Burks and on cinematography in the digital age.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Film Noir ~ Film Noir

#36
Bebrillte Männer vor piepsenden Kisten. In: EPD Film 30. 2013. No. 11. [November] pp. 24-30.
Description:
Special section on the representation of the computer in film.
Index:
Technik ~ Technology
Männer ~ Men
Technik: Computer ~ Technology: Computer

#37
Beck, Jerry: Animation art from pencil to pixel: The history of cartoon, anime, and CGI. - New York: HarperCollins 2004.
Index:
Technik: Computer ~ Technology: Computer
Animation: Comics ~ Animation: Comics
Animation: Cartoons ~ Animation: Cartoons
Animation ~ Animation

#38
Beeler, Stan: Songs for the older set: Music and multiple demographics in Shrek, Madagascar and Happy Feet. In: Children’s film in the digital age: Essays on audience, adaptation and consumer culture. Edited by Karin Beeler and Stan Beeler. - Jefferson, North Carolina: McFarland & Company 2015. p. ?P.
Index:
Adamson, Andrew
Jenson, Vicky
Darnell, Eric
McGrath, Tom
Miller, George
Shrek (2001)
Madagascar (2005)
Happy Feet (2006)
Musik ~ Music
Animation ~ Animation
Jugend ~ Youth
Technik: Computer ~ Technology: Computer

#39
Behrens, Ulrich: Vogel-Horror ohne digitale Effekte: Die Vögel. In: F.LM - Texte zum Film. Online edition, July 2003.
Description:
On Alfred Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Birds, The (1962)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Horror ~ Horror

#40
Beier, Lars-Olav: Digitaler Höhenflug. In: Der Spiegel 60. 2006. No. 42. [October 16] pp. 214-219.
Description:
On the international reputation of German special effects artists, especially on the work of Rainer Gombros.
Index:
Gombros, Rainer
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Deutschland ~ Germany

#41
Beier, Lars-Olav / Hornig, Frank / Schulz, Thomas: Treibjagd auf Bambi. In: Der Spiegel 59. 2005. No. 51. [December 19] pp. 98-100.
Description:
On the recent boom of computer generated Hollywood animation films following the pattern of Shrek and Finding Nemo.
Index:
Adamson, Andrew
Jenson, Vicky
Shrek (2001)
Finding Nemo (2003)
Technik: Computer ~ Technology: Computer
Hollywood ~ Hollywood
Animation ~ Animation

#42
Beierle, Felix: Ewiger Fetisch Skopophilie: Nimród Antals Vacancy (2007) als Psycho-Update im Zeitalter digitaler Camcorder. In: Dawn of an evil millennium: Horror/Kultur im neuen Jahrtausend. Hrsg. von Jörg van Bebber. - Darmstadt: Büchner-Verlag 2011. pp. 374 ff.
Index:
Antal, Nimród
Vacancy (2007)
Sexualität ~ Sexuality
Technik: Computer ~ Technology: Computer
Psychologie ~ Psychology
Böse, Das ~ Evil, The
Horror ~ Horror

#43
Beke, L. [et al.]: A kompjuter nelkuli ember. In: Filmkultura 23. 1987. No. 7. [?D] pp. 3-30.
Description:
On computer backed film productions from the USA and from Hungary.
Index:
Technik: Computer ~ Technology: Computer
USA (United States of America) ~ USA (United States of America)
Ungarn ~ Hungary
Technik ~ Technology

#44
Belisle, Brooke: Depth readings: Ken Jacobs’s digital, stereographic films. In: Cinema Journal 53. 2014. No. 2. [Winter] pp. 1-26.
Index:
Jacobs, Ken
Technik: Computer ~ Technology: Computer

#45
Bell, David: An introduction to cybercultures. - London; New York: Routledge 2001.
Reviews:
Marsching, Jane D.: [untitled.] In: Afterimage 29. 2002. No. 5. [March/April] p. 16.
Description:
Includes a chapter on digital special effects.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Cyberspace ~ Cyberspace

#46
Bell, James: Computer love. In: Sight and Sound NS 24. 2014. No. 1. [January] pp. 20-25.
Description:
On Spike Jonze’s Her.
Index:
Jonze, Spike
Her (2013)
Technik: Computer ~ Technology: Computer

#47
Belton, John: Digital 3D cinema: Digital cinema’s missing novelty phase. In: Film History 24. 2012. No. 2. pp. 187-195.
Description:
Discusses, among others, James Cameron’s Avatar, Tim Burton’s Alice in Wonderland and Lee Unkrich’s Toy Story 3.
Index:
Cameron, James
Burton, Tim
Unkrich, Lee
Avatar (2009)
Alice in Wonderland (2010)
Toy Story 3 (2010)
Technik ~ Technology
3-D Films
Technik: Computer ~ Technology: Computer

#48
Belton, John: Introduction: Digital cinema. In: Film History 24. 2012. No. 2. pp. 131-134.
Index:
Technik ~ Technology
Technik: Computer ~ Technology: Computer

#49
Bender, Stuart / Palmer, Lorrie: Blood in the corridor: The digital mastery of hero run shoot-outs in Kick-Ass and Wanted. In: Journal of Popular Film and Television 45. 2017. No. 1. [January-March] pp. 26-39.
Index:
Vaughn, Matthew
Bekmambetov, Timur
Kick-Ass (2010)
Wanted (2008)
Technik: Computer ~ Technology: Computer
Helden ~ Heros
Blut ~ Blood

#50
Bender, Stuart / Palmer, Lorrie: The digital aesthetic of violence: Introducing the special issue. In: Journal of Popular Film and Television 45. 2017. No. 1. [January-March] pp. 2-3.
Index:
Technik: Computer ~ Technology: Computer
Gewalt ~ Violence

#51
Bendus, Maryana: The semantics and pragmatics of translating culture-bound references in film dubbing. - West Lafayette, Indiana: Purdue University, Ph.D. 2012. [Abstract in: Dissertation Abstracts International A 74. 2013. No. 3. (September).]
Description:
Examines the dubbing of five computer animated comedies from English into Ukrainian: Ratatouille, Ice Age: Dawn of the Dinosaurs, How to Train Your Dragon, Shrek Forever After and Cars 2.
Index:
Bird, Brad
Pinkava, Jan
Saldanha, Carlos
Thurmeier, Mike
Deblois, Dean
Sanders, Chris
Mitchell, Mike
Lasseter, John
Lewis, Brad
Ratatouille (2007)
Ice Age: Dawn of the Dinosaurs (2009)
How to Train Your Dragon (2010)
Shrek Forever After (2010)
Cars 2 (2011)
Ukraine ~ Ukraine
Technik: Computer ~ Technology: Computer
Humor ~ Humor
Animation ~ Animation

#52
Beney, Christophe: Games over. In: Cahiers du Cinéma 2006. No. 617. [November] p. 56.
Description:
On films based on computer games.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#53
Benson-Allott, Caetlin: Dangerous illusions. In: Film Quarterly 65. 2012. No. 4. [Summer] pp. 10-11.
Description:
On the CGI effects for Gary Ross’s The Hunger Games.
Index:
Ross, Gary
Hunger Games, The (2012)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#54
Berens, Philipp: Unsichtbare Revolution: Computer im Schneideraum. In: Cinema [Hamburg] 1992. No. 1(164). [?D] p. 98.
Description:
On new digital film cut techniques for Carl Schenkel’s Knight Moves.
Index:
Schenkel, Carl
Knight Moves / Face to Face (1991)
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#55
Bergery, Benjamin / Bosley, Rachael K.: Digital cinema, by George. In: American Cinematographer 82. 2001. No. 9. [September] pp. 66-75.
Description:
Interview with George Lucas on new special effects techniques and his work for Star Wars: Episode II.
Index:
Lucas, George
Star Wars Episode II - Attack of the Clones (2002)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#56
Bernardo, M.: In cammino col digitale. In: Bianco e Nero 49. 1988. No. 1. [?D] pp. 77-85.
Description:
On new technical developments in filmic special effects.
Index:
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology

#57
Bernink, Mieke / Leacock, Richard: Master home movies. In: Skrien 1994. No. 194. [February/March] pp. 7-13.
Description:
Article on and interviews with Jonas Mekas and Richard Leacock on the importance of digital technology for their films.
Index:
Mekas, Jonas
Leacock, Richard
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Experimentalfilme ~ Experimental Films

#58
Bethge, Philip: Seifenoper der Urzeit. In: Der Spiegel 53. 1999. No. 43. [October 25] pp. 286-288.
Description:
On the BBC’s computer animated TV documentary Walking With Dinosaurs on how the dinosaurs lived.
Index:
Walking With Dinosaurs (TV)
Geschichte: Urzeit ~ History: Prehistory
Technik: Computer ~ Technology: Computer
Fernsehen ~ Television
Dinosaurier ~ Dinosaurs
Animation ~ Animation
BBC (British Broadcasting Corporation) ~ BBC (British Broadcasting Corporation)

#59
Beyer, Lars-Olav: Die digitale Sintflut. In: Der Spiegel 61. 2007. No. 32. [August 6] pp. 144-146.
Description:
On the dominance of digital special effects in recent Hollywood blockbuster films. Argues that the concentration on effects begins to bore the audience. Discusses especially Tom Shadyac’s Evan Almighty.
Index:
Shadyac, Tom
Evan Almighty (2007)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Hollywood ~ Hollywood

#60
Biodrowski, Steve: Martian effects: Special effects: ILM shows off CGI to stop-motion fan Burton. In: Cinefantastique 28. 1997. No. 7. [January] pp. 32-33.
Description:
On the special effects for Tim Burton’s Mars Attacks.
Index:
Burton, Tim
Mars Attacks! (1996)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Computer ~ Technology: Computer

#61
Biodrowski, Steve: The Blair Witch vs. The Haunting: Suggestive scares upstage silly CGI. In: Cinefantastique 31. 1999. No. 9. [December] p. 62.
Index:
Myrick, Daniel
Sanchez, Eduardo
De Bont, Jan
Blair Witch Project, The (1999)
Haunting, The (1999)
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#62
Biodrowski, Steve: The Star Wars trilogy. In: Cinefantastique 28. 1997. No. 12. [?D] pp. 52-53.
Description:
On the digital restored first three Star Wars films.
Index:
Lucas, George
Star Wars (Filmreihe)
Technik: Computer ~ Technology: Computer

#63
Birchard, Robert S.: Brand-new Shoes. In: American Cinematographer 90. 2009. No. 9. [September] pp. 78-85.
Description:
On the digital restoration of The Red Shoes.
Index:
Powell, Michael
Pressburger, Emeric
Red Shoes, The (1948)
Technik: Computer ~ Technology: Computer

#64
Bishop, Rod: Digital devils: Training in the new technologies. In: Media Information Australia 1996. No. 81. [?D] pp. 7-10.
Description:
On computer backed techniques for animated films.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#65
Bleecker, Julian: Urban crisis: Past, present, and virtual. In: Socialist Review 24. 1995. No. 1/2. [?D] pp. 189-221.
Description:
On dystopian fantasies in Ridley Scott’s Blade Runner, Marco Brambillo’s Demolition Man, in George Miller’s Mad Max films and in several computer games.
Index:
Scott, Ridley
Brambillo, Marco
Miller, George
Blade Runner (1982)
Demolition Man (1993)
Mad Max (Filmreihe)
Utopie ~ Utopia
Technik: Computer ~ Technology: Computer
Stadt ~ City
Cyberspace ~ Cyberspace

#66
Blumthaler, G.: Processi e impieghi della computer animation. In: Cinema Nuovo 35. 1986. No. 299. [?D] pp. 30-32.
Description:
On new technologies in computer animation.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#67
Boccio, Jacob C.: Digital integration. - Tampa, Florida: University of South Florida, M.L.A. 2016. [Abstract in: Masters Abstracts International 55. 2016. No. 6M.]
Description:
On the representation of artificial intelligence in film.Discusses, among others, Neill Blomkamp’s Elysium and Chappie, Jonathan Mostow’s Surrogates, the Terminator series, Ridley Scott’s Blade Runner, Chris Columbus’s Bicentennial Man, and Alex Garland’s Ex Machina.
Index:
Blomkamp, Neill
Mostow, Jonathan
Cameron, James
Scott, Ridley
Columbus, Chris
Garland, Alex
Elysium (2013)
Chappie (2015)
Surrogates (2009)
Terminator, The (1984)
Terminator (Filmreihe)
Blade Runner (1982)
Bicentennial Man (1999)
Ex Machina (2015)
Technik: Computer ~ Technology: Computer
Cyberspace ~ Cyberspace

#68
Bode, Lisa: No longer themselves? Framing digitally enabled posthumous Performance. In: Cinema Journal 49. 2010. No. 4. [Summer] pp. 46-70.
Index:
Cammell, Donald
Roeg, Nicolas
Performance (1969)
Technik: Computer ~ Technology: Computer

#69
Bode, Steven: Clocking the future. In: Sight and Sound NS 3. 1993. No. 8. [August] p. 10.
Description:
On the meaning of the aesthetics of computer games for recent Hollywood film. Discusses, among others, Super Mario Bros. by Annabel Jankel and Rocky Morton, John McTiernan’s Last Action Hero and Harold Ramis’s Groundhog Day.
Index:
Jankel, Annabel
Morton, Rocky
McTiernan, John
Ramis, Harold
Super Mario Bros. (1993)
Last Action Hero (1993)
Groundhog Day (1993)
Technik: Computer ~ Technology: Computer
Utopie ~ Utopia
Technik ~ Technology
Hollywood ~ Hollywood

#70
Bögner, Ralf: Historische Chancen und digitale Bekenntnisse. In: Filmecho/Filmwoche 63. 2009. No. 31. [July 31] pp. 8-9.
Description:
Interview with Thomas Menne, general manager of Walt Disney Germany.
Index:
Menne, Thomas
Technik: Computer ~ Technology: Computer
Disney ~ Disney
Deutschland ~ Germany

#71
Bond., Jeff: Digital skulldyuggery. In: Cinefantastique 35. 2003. No. 5. [October/November] pp. 18-19.
Description:
On the special effects for Gore Verbinski’s Pirates of the Caribbean: The Curse of the Black Pearl.
Index:
Verbinski, Gore
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#72
Bond, Jeff: All that digitally glitters does not a good movie make. In: Cinefantastique 35. 2003. No. 1. [February/March] p. 68.
Description:
On a DVD edition of George Lucas’s Star Wars Episode II - Attack of the Clones.
Index:
Lucas, George
Star Wars Episode II - Attack of the Clones (2002)
Technik: Computer ~ Technology: Computer
DVD ~ DVD

#73
Bond, Jeff: Jeff Bond succumbs to Lucasfilm’s marketing gimmick. In: Film Score Monthly 2. 1997. No. 3. [?D] pp. 31-33.
Description:
On the digital restored Star Wars films.
Index:
Lucas, George
Star Wars (Filmreihe)
Lucasfilm [Firma] ~ Lucasfilm [Company]
Technik: Computer ~ Technology: Computer

#74
Booker, Courtney M.: Byte-sized Middle Ages: Tolkien, film, and the digital imagination. In: Comitatus 2004. No. 35. [?D] pp. 144-174.
Description:
On Peter Jackson’s Lord of the Rings series.
Index:
Tolkien, John Ronald Reuel
Jackson, Peter
Lord of the Rings (Filmreihe)
Technik: Computer ~ Technology: Computer
Geschichte: Mittelalter ~ History: Middle Ages
Lord of the Rings (Literatur ~ Literature)

#75
Borgfeld, Wolfgang: Das Werk der digitalen Wunder. In: Künstliche Welten: Tricks, Special Effects und die Computeranimation im Film von den Anfängen bis heute. Hrsg. von Rolf Giesen und Claudia Meglin. - Hamburg; Wien: Europa Verlag 2000. pp. 203 ff.
Index:
Wunder ~ Miracles
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Roboter ~ Robots
Animation ~ Animation

#76
Borgfeld, Wolfgang: Gollum ist der Größte: Digitale Filmbilder im Technik-Test. In: EPD Film 20. 2003. No. 12. [December] pp. 8-10.
Description:
Compares the CGI special effects in 2003 mainstream cinema. Discusses, among others, Peter Jackson’s The Lord of the Rings: The Two Towers, The Matrix Reloaded by Andy and Larry Wachowski, Lee Ang’s The Hulk and Gore Verbinski’s Pirates of the Caribbean: The Curse of the Black Pearl.
Index:
Jackson, Peter
Wachowski, Andy
Wachowski, Larry
Lee Ang
Verbinski, Gore
Lord of the Rings, The: The Two Towers (2002)
Matrix Reloaded, The (2003)
Hulk, The (2003)
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#77
Bouchard, Michel / Podyakova, Tatiana: Russian animated films and nationalism of the new millennium: The Phoenix rising from the ashes. In: Children’s film in the digital age: Essays on audience, adaptation and consumer culture. Edited by Karin Beeler and Stan Beeler. - Jefferson, North Carolina: McFarland & Company 2015. p. ?P.
Index:
Russland ~ Russia
Animation ~ Animation
Jugend ~ Youth
Technik: Computer ~ Technology: Computer

#78
Boylan, Jay H.: Hal in 2001: A Space Odyssey: The lover sings his song. In: Journal of Popular Culture 18. 1985. No. 4. [Spring] pp. 53-56.
Description:
On the "human" computer in Stanley Kubrick’s film.
Index:
Kubrick, Stanley
2001 - A Space Odyssey (1968)
Technik: Computer ~ Technology: Computer

#79
Briefel, Aviva: Rules of digital attraction: The lure of the ghost in Joel Anderson’s Lake Mungo. In: Quarterly Review of Film and Video 34. 2017. No. 2. [February/March] pp. 130-147.
Index:
Anderson, Joel
Lake Mungo (2008)
Technik: Computer ~ Technology: Computer
Geister ~ Ghosts

#80
Brinsmead, Courtney David: Animating reality effects: Rotoscoping, medium theory, and digital cinema. - Calgary, Alberta: University of Calgary, M.A. 2008. [Abstract in: Masters Abstracts International 47. 2009. No. 3. (June).]
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#81
Brookey, Robert Alan / Westerfelhaus, Robert: Hiding homoeroticism in plain view: The Fight Club DVD as digital closet. In: Critical Studies in Mass Communication 19. 2002. No. 1. [March] pp. 21-43.
Index:
Fincher, David
Fight Club (1999)
Technik: Computer ~ Technology: Computer
Sexualität ~ Sexuality
DVD ~ DVD

#82
Brookey, Robert Alan / Westerfelhaus, Robert: The digital auteur: Branding identity on the Monsters, Inc. DVD. In: Western Journal of Communication 69. 2005. No. 2. [April] pp. 109-128.
Index:
Docter, Pete
Silverman, David
Unkrich, Lee
Monsters, Inc. (2001)
Technik: Computer ~ Technology: Computer
DVD ~ DVD

#83
Brooks, Douglas A.: Computer shy: Ring and the technology of maternal longing. In: The scary screen: Media anxiety in The Ring. Edited by Kristen Lacefield. - Aldershot; Burlington, Vermont: Ashgate 2010.
Index:
Ringu (Filmreihe)
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Angst ~ Fear

#84
Brown, Noel: Asterix & Obelix vs. Hollywood: A Pan-European film franchise for the "family" audience. In: Children’s film in the digital age: Essays on audience, adaptation and consumer culture. Edited by Karin Beeler and Stan Beeler. - Jefferson, North Carolina: McFarland & Company 2015. p. ?P.
Index:
Obelix ~ Obelix
Hollywood ~ Hollywood
Familie ~ Family
Europa ~ Europe
Asterix ~ Asterix
Jugend ~ Youth
Technik: Computer ~ Technology: Computer

#85
Brown, Tom: The DVD of attractions? The Lion King and the digital theme park. In: Convergence 13. 2007. No. ?N. [?D] pp. 169-183.
Index:
Allers, Roger
Minkoff, Rob
Lion King, The (1994)
Technik: Computer ~ Technology: Computer
DVD ~ DVD

#86
Brown, W.: Towards a new realism: The depiction of space and time in digital cinema. - Oxford: University of Oxford, D.Phil. 2007. [Abstract in: Index to Theses with Abstracts 57. 2008. No. 1. pp. 13-14(57-113).]
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#87
Brown, William: Contemporary mainstream cinema is good for you: Connections between surrealism and today’s digital blockbusters. In: Studies in European Cinema 6. 2009. No. 1. [?D] pp. 17-30.
Description:
On digital special effects inspired by technques of surrealist cinema, especially by the films of Luis Buñuel and Salvador Dalí.
Index:
Buñuel, Luis
Dalí, Salvador
chien andalou, Un (1928)
âge d’or, L’ (1930)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Surrealismus ~ Surrealism

#88
Brunet, Robin: Arresting CGI time tripping: Timecop. In: Cinefantastique 25. 1994. No. 5. [October] pp. 6-7.
Description:
On the film by Peter Hyams starring Jean-Claude Van Damme and Ron Silver.
Index:
Hyams, Peter
Van Damme, Jean Claude
Silver, Ron
Timecop (1994)
Technik: Computer ~ Technology: Computer

#89
Buckland, Warren: A reply to Sellors’s "mindless" approach to possible worlds. In: Screen 42. 2001. No. 2. [Summer] pp. 222-226.
Description:
Answers to Paul C. Sellors’s article "The impossibility of science fiction" in Screen 41. 2000. No. 2., a critic of Warren Buckland’s article "Between science fact and science fiction: Spielberg’s digital dinosaurs, possible worlds, and the new aesthetic realism" in Screen 40. 1999. No. 2.
Index:
Spielberg, Steven
Jurassic Park (1993)
Wissenschaft ~ Science
Technik: Computer ~ Technology: Computer
Science Fiction ~ Science Fiction
Dinosaurier ~ Dinosaurs

#90
Buckland, Warren: Between science fact and science fiction: Spielberg’s digital dinosaurs, possible worlds, and the new aesthetic realism. In: Screen 40. 1999. No. 2. [Summer] pp. 177-192.
Description:
On the digital special effects for Spielberg’s Jurassic Park and The Lost World.
Index:
Spielberg, Steven
Jurassic Park (1993)
Lost World, The: Jurassic Park (1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Wissenschaft ~ Science
Science Fiction ~ Science Fiction
Dinosaurier ~ Dinosaurs

#91
Busche, Andreas: Cyber-Söldner. In: EPD Film 32. 2015. No. 2. [February] pp. 12-17.
Description:
On the representation of computer criminality and hacker in film.Discusses, among others, Michael Mann’s Blackheat.
Index:
Mann, Michael
Blackhat (2015)
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Cyberspace ~ Cyberspace

#92
Busche, Andreas: Das Milliarden-Dollar-Gehirn. In: EPD Film 30. 2013. No. 11. [November] p. 27.
Description:
On the representation of the computer in Ken Russell’s Billion Dollar Brain.
Index:
Russell, Ken
Billion Dollar Brain (1967)
Technik: Computer ~ Technology: Computer

#93
Buttgereit, Jörg: Monster House: Ein digitaler Steve Buscemi als Kinderschreck. In: EPD Film 23. 2006. No. 9. [September] p. 49.
Index:
Kenan, Gil
Buscemi, Steve
Monster House (2006)
Technik: Computer ~ Technology: Computer
Jugend ~ Youth

#94
Buur, Chris: Animatie blijft lekker zichzelf. In: Skrien 1998/1999. No. 229. [?D] pp. 6-9.
Description:
On the computer generated animation films Antz and Mulan.
Index:
Darnell, Eric
Johnson, Tim
Bancroft, Tony
Cook, Barry
Antz (1998)
Mulan (1998)
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#95
Buur, Chris: De vliegende camera. In: Skrien 1996. No. 208. [?D] pp. 30-31.
Description:
On the computer generated special effects for Toy Story.
Index:
Lasseter, John
Toy Story (1995)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#96
Cameron, Allan: Zombie media: Transmission, reproduction, and the digital dead. In: Cinema Journal 52. 2012. No. 1. [Fall] pp. 66-89.
Index:
Zombies ~ Zombies
Technik: Computer ~ Technology: Computer

#97
Cameron, Allan: Zombie media: Transmission, reproduction, and the digital dead. In: Cinema Journal 52. 2012. No. 1. [Fall] pp. 66-89.
Index:
Zombies ~ Zombies
Technik: Computer ~ Technology: Computer
Horror ~ Horror

#98
Cameron, James: Technology and magic. In: Cinefex 1992. No. 51. [August] pp. 5-7.
Description:
On the digital special effects forThe Abyss and Terminator II.
Index:
Cameron, James
Abyss, The (1989)
Terminator II - Judgement Day (1991)
Technik ~ Technology
Technik: Computer ~ Technology: Computer
Magie ~ Magic
Technik: Spezialeffekte ~ Technology: Special Effects

#99
Cantaloube, Thomas: La magie digitale. In: Cahiers du Cinéma 1997. No. 513. [May] pp. 80-84.
Description:
On the special effects companies ILM and Digital Domain.
Index:
Magie ~ Magic
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Digital Domain [Firma] ~ Digital Domain [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik ~ Technology

#100
Cappabianca, Alessandro: La mummia elettronica. In: Filmcritica 51. 2001. No. 514. [April] pp. 165-175.
Description:
On the digital special effects for Paul Verhoeven’s Hollow Man.
Index:
Verhoeven, Paul
Hollow Man (2000)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#101
Cardwell, Jason / Plesset, Ross: The Chiodo brothers: Innovative animators have kept stop-motion dinosaurs alive and well in a world of modern CGI Technology. In: Cinefantastique 31. 1999. No. 1/2. [February] pp. 98-101.
Index:
Chiodo, Charles
Chiodo, Edward
Technik ~ Technology
Dinosaurier ~ Dinosaurs
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#102
Case, Dominic: Digital freight train gathers speed. In: Cinema Papers 1996. No. 109. [?D] pp. 27-28, 56.
Description:
On the Australian special effects companies "DFilm Services" and "Animal Logic".
Index:
Eisenbahn ~ Railroad
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Australien ~ Australia
DFilm Services [Firma] ~ DFilm Services [Company]
Animal Logic [Firma] ~ Animal Logic [Company]

#103
Case, Dominic: Flame at complete post. In: Cinema Papers 1994. No. 102. [?D] pp. 60-64.
Description:
On computer generated special effects.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#104
Cashill, Robert: Star Wars: A new sound. In: TCI: Theatre Crafts International 31. 1997. No. ?N. [May] Supplement. pp. a12-a15.
Description:
On the digital restored first three Star Wars films.
Index:
Lucas, George
Kershner, Irvin
Marquand, Richard
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Technik: Computer ~ Technology: Computer
Musik ~ Music

#105
Castagna, Gustavo J.: La fuerza y yo. In: El Amante Cine 6. 1997. No. 63. [May] p. 7.
Description:
On the digital revision of the Star Wars trilogy.
Index:
Lucas, George
Kershner, Irvin
Marquand, Richard
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Star Wars (Filmreihe)
Technik: Computer ~ Technology: Computer

#106
Caughie, John / Cubitt, Sean: FX, CGI and the question of spectacle. In: Screen 40. 1999. No. 2. [Summer] pp. 123-192.
Description:
Special section on special effects in film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Technik: Computer ~ Technology: Computer

#107
Cavallaro, Dani: Anime and the visual novel: Narrative structure, design and play at the crossroads of animation and computer games. - Jefferson, North Carolina: McFarland & Co. 2010.
Index:
Technik: Computer ~ Technology: Computer
Animation: Comics ~ Animation: Comics
Animation ~ Animation
Japan ~ Japan

#108
Cazals, T.: Le monde comme simulacre et programmation. In: Cahiers du Cinéma 1987. No. 399. [?D] pp. 50-58.
Description:
On computer generated special effects in film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#109
Ceruzzi, Paul E.: Manned space flight and artificial intelligence: "Natural" trajectories of technology. In: Science fiction and computing: Essays on interlinked domains. Edited by David L. Ferro and Eric G. Swedin. - Jefferson, North Carolina; London: McFarland 2011. pp. 95-116.
Index:
Kubrick, Stanley
2001 - A Space Odyssey (1968)
Weltraum ~ Space
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Science Fiction ~ Science Fiction

#110
Chandler, Annmarie: The making of Space Jam and putting the film-making "assembly line" into transactional space. In: Cinema Papers 1998. No. 123. [March] pp. 47-54.
Description:
On the digital special effects for the film.
Index:
Pytka, Joe
Space Jam (1996)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#111
Chase, D.: Panatar lenses and computerized fire effects in Escape from New York. In: Filmmakers Monthly 14. 1981. No. 11. [?D] pp. 26-30.
Index:
Carpenter, John
Escape from New York (1981)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#112
Cherchi Usai, Paolo: Metropolis digitale. In: Segnocinema ?G. 2001. No. 109. [May/June] pp. 69-70.
Index:
Lang, Fritz
Metropolis (1925/1926)
Technik: Computer ~ Technology: Computer

#113
Cherchi Usai, Paolo: The death of cinema: History, cultural memory, and the digital dark age. - London: BFI Publishing 2001.
First edition:
[L’ultimo spettatore: Sulla distruzione del cinema. 1999]
Reviews:
Sorfa, David: Why bother with cinema? In: Film-Philosophy 7. 2003. No. 9. [April] p. ?P.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Geschichte ~ History

#114
Children’s film in the digital age: Essays on audience, adaptation and consumer culture. Edited by Karin Beeler and Stan Beeler. - Jefferson, North Carolina: McFarland & Company 2015.
Index:
Jugend ~ Youth
Technik: Computer ~ Technology: Computer

#115
Chow, Kenny K. N.: "Puppeteerly animation: Animation becoming live on digital platforms. In: Animation Journal 19. 2011. No. 1. [?D] pp. 4-19.
Index:
Technik: Computer ~ Technology: Computer
Animation: Puppen ~ Animation: Puppets
Animation ~ Animation

#116
Christmann, Karl-Heinz: Motion Control: Kameraroboter. In: Künstliche Welten: Tricks, Special Effects und die Computeranimation im Film von den Anfängen bis heute. Hrsg. von Rolf Giesen und Claudia Meglin. - Hamburg; Wien: Europa Verlag 2000. pp. 187 ff.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Roboter ~ Robots
Animation ~ Animation

#117
Chung, Hye Jean: Media heterotopias and science fiction: Transnational workflows and transgalactic spaces in digitally composited ecosystems. In: Simultaneous worlds: Global science fiction cinema. Edited by Jennifer Feeley and Sarah Ann Wells. - Minneapolis, Minnesota: University of Minnesota Press 2015. p. ?P.
Index:
Weltraum ~ Space
Technik: Computer ~ Technology: Computer
Science Fiction ~ Science Fiction

#118
Chung, Hye Jean: Media heterotopias: Digital effects and material labor in global film production. - Durham, North Carolina: Duke University Press 2018.
Index:
Cameron, James
Kosinski, Joseph
Nolan, Christopher
Avatar (2009)
Oblivion (2013)
Interstellar (2014)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#119
Ciment, Gilles / Lasseter, John / Niogret, Hubert: John Lasseter. In: Positif 2006. No. 544. [June] pp. 13-20.
Description:
On the animator and his use of computer technology, especially for Cars. Includes a filmography.
Index:
Lasseter, John
Ranft, Joe
Cars (2006)
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#120
Clifton, Paul / Mazalek, Ali / Nitsche, Michael: Moving digital puppets. In: Understanding machinima: Essays on filmmaking in virtual worlds. Edited by Jenna Ng. - New York: Bloomsbury Academic 2013. p. ?P.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Cyberspace ~ Cyberspace
Animation: Puppen ~ Animation: Puppets

#121
Cloutier, Mario: 7e compétition internationale d’animation par ordinateur. In: Séquences ?G. 1993. No. 166. [?D] p. 6.
Description:
On the festival of computer animation Montréal 1993.
Index:
Montreal ~ Montreal
Technik: Computer ~ Technology: Computer
Festival ~ Festival
Animation ~ Animation

#122
Codelli, Lorenzo / Niogret, Hubert: Thomas Thurman: Un catalogue considérable. In: Positif 2003. No. 504. [February] pp. 93-96.
Description:
Interview on the digital restoration of martial arts films shot between 1957 and 1982 by the brothers Shaw in Hong Kong.
Index:
Shaw, Larry
Shaw, Tom
Thurman, Thomas
Technik: Computer ~ Technology: Computer
Martial Art ~ Martial Art
Hongkong ~ Hong Kong

#123
Cohen, Karl: How to animate an alien. In: Animato! 1997. No. 37. [Spring] pp. 16-17, 56.
Description:
On the computer generated special effects by ILM for Tim Burton’s Mars Attacks!.
Index:
Burton, Tim
Mars Attacks! (1996)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Animation ~ Animation
Aliens ~ Aliens

#124
Comolli, Jean-Louis: Marionettes sans théâtre. In: Cahiers du Cinéma 1996. No. 503. [?D] pp. 108-109.
Description:
On the digital animation work of the Paris "Médialab".
Index:
Animation ~ Animation
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Paris ~ Paris
Animation: Puppen ~ Animation: Puppets

#125
Computational and cognitive approaches to narratology. Edited by Takashi Ogata and Taisuke Akimoto. - Hershey, Pennsylvania: Information Science Reference 2016.
Index:
Technik ~ Technology
Technik: Computer ~ Technology: Computer

#126
Computer animation: Theory and practice. - Tokyo: Springer 1985.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#127
Computer animation: Theory and practice. Second revised edition. - Tokyo: Springer 1990.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#128
Computer games. Text, narrative, and play. Edited by Diane Carr [et al.]. - Cambridge: Polity 2005.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#129
Computer. In: Science-Fiction: Androiden, Galaxien, Ufos und Apokalypsen: Das Genre, die Filme, die Tricks, die Stars. Hrsg. von Dirk Manthey und Jörg Altendorf. Chefredakteur: Willy Loderhose. Redaktion: Silke Kienecker und Thomas Müller-Siemens. Band 2. - Hamburg: Kino Verlag 1990. (= Cinema Filmbuch.) pp. 104-117.
Description:
Discusses, among others, John Badham’s WarGames, John Carpenter’s Dark Star, the TV series Max Headroom and Steven Lisberger’s Tron.
Index:
Badham, John
Carpenter, John
Lisberger, Steven
WarGames (1983)
Dark Star (1974)
Max Headroom (TV)
Tron (1982)
Technik ~ Technology
Science Fiction ~ Science Fiction
Roboter ~ Robots
Fernsehen ~ Television
Technik: Computer ~ Technology: Computer

#130
Conn, Andrew Lewis / Horton, Robert: Star Wars. In: Film Comment 33. 1997. No. 3. [May/June] pp. 2-8.
Description:
On the digital revision of the first three Star Wars films.
Index:
Lucas, George
Kershner, Irvin
Marquand, Richard
Star Wars (Filmreihe)
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Technik: Computer ~ Technology: Computer
Star Wars ~ Star Wars

#131
Cornea, Christine: Conclusion: The technology of science fiction cinema. In: Cornea, Christine: Science fiction cinema: Between fantasy and reality. - New Brunswick, New Jersey; London: Rutgers University Press 2007. p. ?P.
Description:
On the importance of special effects and computer graphics for contemporary science fiction film. Includes interviews with special effects technician Stan Winston and director Roland Emmerich.
Index:
Winston, Stan
Emmerich, Roland
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Science Fiction ~ Science Fiction

#132
Cornell, Julian: No place like home: Circumscribing fantasy in children’s film.
In: Children’s film in the digital age: Essays on audience, adaptation and consumer culture. Edited by Karin Beeler and Stan Beeler. - Jefferson, North Carolina: McFarland & Company 2015. p. ?P.
Index:
Fantasy ~ Fantasy
Jugend ~ Youth
Technik: Computer ~ Technology: Computer

#133
Cotta Vaz, Mark: An entomological epic. In: Cinefex 1999. No. 76. [January] pp. 41-44, 49-50, 133-134, 139-140.
Description:
On the digital special effects by Disney and Pixar for John Lasseter’s A Bug’s Life.
Index:
Lasseter, John
Bug’s Life, A (1998)
Pixar [Firma] ~ Pixar [Company]
Disney ~ Disney
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#134
Cotta Vaz, Mark: Cruising the digital backlot. In: Cinefex 1996. No. 67. [September] pp. 90-101.
Description:
On the computer generated special effects by ILM for Brian De Palma’s Mission: Impossible.
Index:
De Palma, Brian
Mission: Impossible (1996)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#135
Cotta Vaz, Mark / Duignan, Patricia Rose: Industrial Light & Magic: Into the digital realm. - London: Virgin Publishing 1996. (= A Del Roy Book.)
Description:
On the history of the special effects company.
Index:
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik ~ Technology

#136
Cotta Vaz, Mark: Engendered species. In: Cinefex 2000. No. 82. [July] pp. 68-89.
Description:
On the digital special effects for the Disney film Dinosaur.
Index:
Leighton, Eric
Zondag, Ralph
Dinosaur (2000)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Disney ~ Disney

#137
Cotta Vaz, Mark: Journey to Armageddon. In: Cinefex 1998. No. 75. [October] pp. 68-93.
Description:
On the digital special effects by Dream Quest Images for the film by Michael Bay, especially on the work of Jerry Bruckheimer, Pat McClung and Richard Hoover.
Index:
Bay, Michael
Bruckheimer, Jerry
McClung, Patrick
Hoover, Richard
Armageddon (1998)
Technik: Computer ~ Technology: Computer
Dream Quest Images [Firma] ~ Dream Quest Images [Company]
Technik: Spezialeffekte ~ Technology: Special Effects

#138
Cotta Vaz, Mark: Martial art. In: Cinefex 1996. No. 68. [December] pp. 70-93.
Description:
On the special effects by ILM and the "Warner Digital Studio" for Tim Burton’s Mars Attacks!.
Index:
Burton, Tim
Mars Attacks! (1996)
Technik: Computer ~ Technology: Computer
Warner Bros. ~ Warner Bros.
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#139
Cotta Vaz, Mark: Road to insectopia. In: Cinefex 1999. No. 76. [January] pp. 27-30, 35-36, 145-147.
Description:
On the digital special effects for Antz.
Index:
Darnell, Eric
Johnson, Tim
Antz (1998)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#140
Cotta Vaz, Mark: Star Wars: Everything old is new again. In: Cinefex 1997. No. 69. [March] pp. 15-18, 23-24, 29-30.
Description:
On the digital revised Star Wars trilogy: Star Wars, The Empire Strikes Back and Return of the Jedi.
Index:
Lucas, George
Kershner, Irvin
Marquand, Richard
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Star Wars (Filmreihe)
Technik: Computer ~ Technology: Computer
Star Wars ~ Star Wars

#141
Cotta Vaz, Mark: The secrets of Star Wars: Shadows of the Empire. - New York: Ballantine Books 1996. (= A Del Roy Book.)
Description:
On the computer game based on George Lucas’s Star Wars saga.
Index:
Knoles, John
Lucas, George
Star Wars: Shadows of the Empire (1996)
Technik: Computer ~ Technology: Computer

#142
Cotta Vaz, Mark: The whos and whys of How the Grinch Stole Christmas. In: Cinefex 2001. No. 84. [January] pp. 66-91.
Description:
Discusses, among others, the digital special effects by Digital Domain.
Index:
Howard, Ron
How the Grinch Stole Christmas (2000)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Digital Domain [Firma] ~ Digital Domain [Company]

#143
Cox, David: Cyberpunk, artificial reality and an emergent subculture in Australia. In: Filmnews 21. 1991. No. 6. [July] pp. 10-11.
Description:
The experimental filmmaker on the meaning of computer generated artificial worlds for the film.
Index:
Technik: Computer ~ Technology: Computer
Roboter ~ Robots
Punk ~ Punk
Experimentalfilme ~ Experimental Films
Cyberspace ~ Cyberspace
Australien ~ Australia

#144
Craig, J. Robert: Establishing new boundaries for special effects: Robert Zemeckis’s Contact and computer-generated imagery. In: Journal of Popular Film and Television 28. 2001. No. 4. [Winter] pp. 158-165.
Index:
Zemeckis, Robert
Contact (1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#145
Cram, Christopher: Digital cinema: The role of the visual effects supervisor. In: Film History 24. 2012. No. 2. pp. 169-186.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Technik: Computer ~ Technology: Computer

#146
Crawford, Alice: The digital turn: Animation in the age of information technologies. In: Prime time animation: Television animation and American culture. Edited by Carola A. Stabile and Mark Harrison. - London; New York: Routledge 2003. p. ?P.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
USA (United States of America) ~ USA (United States of America)
Fernsehen ~ Television
Animation ~ Animation

#147
Creed, Barbara: The cyberstar: Digital pleasures and the end of the unconscious. In: Screen 41. 2000. No. 1. [Spring] pp. 79-86.
Description:
On the replacement of real actors through computer generated characters like in some scenes of Kubrick’s Eyes Wide Shut.
Index:
Kubrick, Stanley
Eyes Wide Shut (1999)
Technik: Computer ~ Technology: Computer
Cyberspace ~ Cyberspace

#148
Crisafulli, Chuck: CGI cartoon comedy: The Mask. In: Cinefantastique 25. 1994. No. 4. [August] pp. 8-11.
Description:
On the film by Charles Russell starring Jim Carrey in the leading role.
Index:
Russell, Charles
Carrey, Jim
Mask, The (1994)
Technik: Computer ~ Technology: Computer
Humor ~ Humor
Animation: Cartoons ~ Animation: Cartoons

#149
Crisafulli, Chuck: The Mask: Computer graphics. In: Cinefantastique 25. 1994. No. 4. [August] p. 11.
Description:
Especially on ILM animation expert Steve Williams.
Index:
Russell, Charles
Williams, Steve
Mask, The (1994)
Animation ~ Animation
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Computer ~ Technology: Computer

#150
Crofts, Charlotte: Digital projections: An interview with Bill Kinder, director of editorial and post production, Pixar. In: Post Script 30. 2011. No. 3. [Summer] pp. 91-99.
Index:
Kinder, Bill
Technik: Computer ~ Technology: Computer
Pixar [Firma] ~ Pixar [Company]
Animation ~ Animation

#151
Crogan, Patrick: Insides out: Speculations on the body in 3D computer animation. In: Animation Journal 8. 2000. No. 2. [Spring] pp. 18-27.
Description:
Discusses the Australian short films Serving Suggestions by Tony Thorne and Rapt by Justine Cooper.
Index:
Thorne, Tony
Cooper, Justine
Serving Suggestions (1998)
Rapt (1998)
3-D Films
Australien ~ Australia
Technik: Computer ~ Technology: Computer
Körper ~ Bodies
Animation ~ Animation

#152
Crogan, Patrick: Things analog and digital. In: Senses of Cinema 2000. No. ?N. [April 5] p. ?P.
Description:
Discusses, among others, the Terminator films.
Index:
Terminator (Filmreihe)
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#153
Cuneo, Joshua: "Hello, computer": The interplay of Star Trek and modern computing. In: Science fiction and computing: Essays on interlinked domains. Edited by David L. Ferro and Eric G. Swedin. - Jefferson, North Carolina; London: McFarland 2011. pp. 131-147.
Index:
Star Trek (Filmreihe)
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Science Fiction ~ Science Fiction

#154
Cuthbert, Pamela: A night at the opera. In: Take One 6. 1997. No. 16. [?D] pp. 26-29.
Description:
Interview with Canadian animator Richard Condie on his computer generated opera film La Salla.
Index:
Condie, Richard
Salla, La (1996)
Technik: Computer ~ Technology: Computer
Musik ~ Music
Kanada ~ Canada
Animation ~ Animation

#155
Cyberfiktionen: Neue Beiträge. Hrsg. von Jörn Glasenapp. - München: Verlag Reinhard Fischer 2002.
Reviews:
Sudmann, Andreas: [untitled] In: Medienwissenschaft 2003. No. 1. pp. 131-133.
Index:
Technik: Computer ~ Technology: Computer
Postmoderne ~ Postmodern
Hollywood ~ Hollywood
Cyberspace ~ Cyberspace

#156
Cyberspace: Reisen in den Computer und zurück. In: Science-Fiction: Androiden, Galaxien, Ufos und Apokalypsen: Das Genre, die Filme, die Tricks, die Stars. Hrsg. von Dirk Manthey und Jörg Altendorf. Chefredakteur: Willy Loderhose. Redaktion: Arthur Jung, Silke Kienecker, Michael Schrädner und Meriko Gehrmann. Band 3. - Hamburg: Kino Verlag 1990. (= Cinema Filmbuch.) pp. 28-35.
Index:
Technik: Computer ~ Technology: Computer
Cyberspace ~ Cyberspace

#157
D-cinema: A timeline of experimental and mainstream use of digital technology. In: The Velvet Light Trap 2004. No. 53. [Spring] pp. 55-58.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Experimentalfilme ~ Experimental Films

#158
Dabeisein in jener Nacht": Interview "Dabeisein in jener Nacht": Interview mit dem kanadischen Titanic-Regisseur James Cameron über die Schattenseiten der modernen Technologie und die Grenzen cineastischer Computertricks. In: Der Spiegel 52. 1998. No. 3. [January 12] p. 103.
Index:
Cameron, James
Titanic (1997)
Technik ~ Technology
Technik: Spezialeffekte ~ Technology: Special Effects
Nacht ~ Night
Technik: Computer ~ Technology: Computer
Kanada ~ Canada

#159
Dameen, Anton: "De computer bevrijdt je van de materiële wereld": Gesprek met de effectenspecialist van Starship Troopers. In: Skrien 1998. No. 221. [March] pp. 46-47.
Description:
Interview with Phil Tippett.
Index:
Verhoeven, Paul
Tippett, Phil
Starship Troopers (1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#160
Dargis, Manohla: A new world of film is dawning. In: International Herald Tribune, January 6, 2010. p. 10.
Description:
On how digital technology changes film aesthetics. Discusses especially James Cameron’s Avatar.
Index:
Cameron, James
Avatar (2009)
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#161
Davis, Adam: Native images: The otherness and affectivity of the digital body. In: Jump Cut 2013. No. 55. [Fall] p. 32.
Index:
Technik ~ Technology
Körper ~ Bodies
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#162
Dawtrey, A.: Creature comforts. In: Variety 355. 1994. No. 9. [?D] p. 4.
Description:
Interview with John Stevenson on his computer generated special effects for The Flintstones.
Index:
Levant, Brian
Flintstones, The (1994)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#163
de Baecque, Antoine / Jousse, Thierry: Au pays des hybrides: Iconoclastes, inconolâtres. In: Cahiers du Cinéma 1990. No. 435. [?D] pp. 54-59.
Description:
On the exhibition "Passages de l’image" on the links between photography, video and computer graphics.
Index:
Fotografie ~ Photography
Video ~ Video
Technik: Computer ~ Technology: Computer

#164
de Kock, Ivo: Star Wars: The passion and the force. In: Film en Televisie 1997. No. 471. [April] pp. 16-19.
Description:
On the digital revision of the Star Wars trilogy.
Index:
Lucas, George
Kershner, Irvin
Marquand, Richard
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Star Wars (Filmreihe)
Technik: Computer ~ Technology: Computer

#165
de los Rios, Ricardo / Davis, Robert: Digital frames and visible grain: Spatial and material reintegration in Irréversible. In: Film Criticism 32. 2007. No. 1. [Fall] pp. 95-109.
Index:
Noé, Gaspar
Irréversible (2002)
Technik: Computer ~ Technology: Computer

#166
De Bernardinis, Flavio: Collage ghosts il caso del digitale. In: Segnocinema ?G. 2003. No. 121. [May/June] pp. 29-30.
Index:
Technik: Computer ~ Technology: Computer
Geister ~ Ghosts

#167
De Marinis, Gualtiero: Sogni digitali. In: Cineforum 36. 1996. No. ?N(354). [May] pp. 2-6.
Description:
On digital special effects in film.
Index:
Traum ~ Dreams
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#168
Degler, Frank: Scheintod: Das Spiel mit den digitalen Körpern. In: Textmaschinenkörper: Genderorientierte Lektüren des Androiden. Herausgegeben von Eva Kormann, Anke Gilleir und Angelika Schlimmer. - Amsterdam; New York: Rodopi 2006. (= Amsterdamer Beiträge zur neueren Germanistik 59.) p. ?P.
Index:
Tod ~ Death
Technik: Computer ~ Technology: Computer
Sexualität ~ Sexuality
Roboter ~ Robots
Körper ~ Bodies

#169
Dekker, P.: Triomf der techniek: Disney in computerland. In: Skoop 19. 1983. No. 1. [?D] pp. 30-31.
Description:
On the computer generated special effects for Tron.
Index:
Lisberger, Steven
Tron (1982)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Disney ~ Disney

#170
Dery, Mark: Mijn zoon de supercomputer: Alan Turing en de outing van HAL. In: Andere Sinema 1997. No. 139. [May/June] pp. 58-63.
Description:
On the computer from 2001: A Space Odyssey.
Index:
Kubrick, Stanley
Turing, Alan Mathison
2001 - A Space Odyssey (1968)
Technik: Computer ~ Technology: Computer

#171
Dessaucy, Jacques: La seconde Guerre des étoiles. In: Cine & Media ?G. 1997. No. 2. [?D] pp. 30-31.
Description:
On the digital restored first three Star Wars films.
Index:
Lucas, George
Star Wars (Filmreihe)
Technik: Computer ~ Technology: Computer

#172
Di Giammatteo, Fernaldo: L’era dell’horror digitale. In: Rivista del Cinematografo 63. 1993. No. ?N. [December] p. 17.
Description:
Discusses, among others, Steven Spielberg’s Jurassic Park.
Index:
Spielberg, Steven
Jurassic Park (1993)
Technik: Computer ~ Technology: Computer
Horror ~ Horror

#173
Diez, Georg: Die Cloud, der siebte Himmel: Ein Film und ein Roman beschreiben Zärtlichkeiten zwischen Mensch und Maschine. In: Der Spiegel 68. 2014. No. 13. [March 24] pp. 138-139.
Description:
How the love between a human and a computer is presented in Scott Hutchins’s novel A Working Theory of Love and Spike Jonze’s Her.
Index:
Hutchins, Scott
Jonze, Spike
Her (2013)
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Sexualität ~ Sexuality
Working Theory of Love, A (Literatur ~ Literature)

#174
Digital cinema. In: Film History 24. 2012. No. 2. pp. 1 ff.
Description:
Special issue.
Index:
Technik ~ Technology
Technik: Computer ~ Technology: Computer

#175
Das digitale Dispositif Cinéma: Untersuchungen zur Veränderung des Kinos. Hrsg. von Rüdiger Steinmetz. - Leipzig: Leipziger Universitäts-Verlag 2011. (= Media-Studien 14.)
Reviews:
Beil, Benjamin: [untitled.] In: Medienwissenschaft 2012. No. 2. pp. 244-245.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#176
Dimitriadis, Giorgos: Prepare for glory: The multiplication of the digitally hyperreal hero in Frank Miller’s / Zack Snyder’s 300. In: Gramma 2010. No. 18. [?D] pp. 189-204.
Index:
Snyder, Zack
Miller, Frank
300 (2007)
Technik: Computer ~ Technology: Computer
Helden ~ Heros

#177
Distelmeyer, Jan: Anders als die anderen oder warum Harry Potter Computer nicht gebrauchen kann. In: EPD Film 28. 2011. No. 7. [July] pp. 22-23.
Index:
Harry Potter (Filmreihe)
Harry Potter ~ Harry Potter
Technik: Computer ~ Technology: Computer

#178
Distelmeyer, Jan: Der Weg ist das Spiel: Wie PC- und Videogames das Kino unterwandern. In: EPD Film 22. 2005. No. 11. [November] pp. 8-9.
Index:
Technik: Computer ~ Technology: Computer
Video ~ Video
Cyberspace ~ Cyberspace

#179
Doherty, Thomas: Lucasfilm short a brief flirtation with computer animation. In: Cinefantastique 17. 1987. No. 5. [September] p. 49.
Index:
Technik ~ Technology
Lucasfilm [Firma] ~ Lucasfilm [Company]
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#180
Dombrowski, Lisa: Not if, but when and how: Digital comes to the American art house. In: Film History 24. 2012. No. 2. pp. 235-248.
Index:
USA (United States of America) ~ USA (United States of America)
Technik ~ Technology
Technik: Computer ~ Technology: Computer

#181
Dottorini, Daniele: Piccoli rituali della memoria: Sulla trilogia di Guerre stellari. In: Filmcritica 47. 1997. No. 476/477. [June/July] pp. 356-357.
Description:
On the digital restored first three Star Wars films.
Index:
Lucas, George
Star Wars (Filmreihe)
Technik: Computer ~ Technology: Computer

#182
Dovey, Jon / Kennedy, Helen W.: Game cultures: Computer games as new media. - Maidenhead, Berkshire; New York: Open University Press 2006. (= Issues in cultural and media studies.)
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#183
Dowling, Neil: Individuals. In: Film Ireland 2002. No. 86. [May/June] pp. 22-23.
Description:
Interview with video artists Dorothy Cross and Grace Weir on the importance of digital technology for their work.
Index:
Cross, Dorothy
Weir, Grace
Technik ~ Technology
Video ~ Video
Technik: Computer ~ Technology: Computer
Kunst ~ Arts, The
Experimentalfilme ~ Experimental Films

#184
Downie, John: A milestone of fabulous digitalisation: Lord of the Rings: The Fellowship of the Ring. In: Illusions 2002. No. 34. [?D] pp. 2-5.
Index:
Jackson, Peter
Lord of the Rings, The: The Fellowship of the Ring (2001)
Technik: Computer ~ Technology: Computer

#185
Driessen, Kees: Computeranimatie alom. In: Skrien 36. 2004. No. 8(?N). [October] p. 47.
Description:
On the computer graphics conference "Siggraph".
Index:
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#186
Driessen, Kees: Het einde van de smaakmakers: Gollum, hoe hij in de wereld kwam. In: Skrien 34. 2002/2003. No. 10. [December/January] p. 11.
Description:
On computer generated film characters. Discusses, among others, the "Gollum" figure from Peter Jackson’s Lord of the Rings trilogy.
Index:
Jackson, Peter
Lord of the Rings (Filmreihe)
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#187
Driessen, Kees: Machinima. In: Skrien 37. 2005/2006. No. 10. [December/January] p. 48.
Description:
On internet sites dedicated to animated films based on 3-D computer games.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Internet ~ Internet
3-D Films
Animation ~ Animation

#188
Driessen, Kees: Pixar maakt kortfilms voor de eeuwigheid. In: Skrien 34. 2002. No. 3. [April] p. 55.
Description:
On computer generated Pixar animation films.
Index:
Technik: Computer ~ Technology: Computer
Pixar [Firma] ~ Pixar [Company]
Animation ~ Animation

#189
Drößler, Stefan: Neue imaginierte Welten: Ein Streifzug in die 3-D-Geschichte (IV): Die digitale Zukunft. In: Film-Dienst 61. 2008. No. 5. [February 28] pp. 40-44.
Index:
Technik: Computer ~ Technology: Computer
3-D Films

#190
Dryje, Frantisek: Vstoupit do svých obraz (Rozhovor s Martinem
Stejskalem). In: Film a Doba 45. 1999. No. 4. [Winter] pp. 184-187.
Description:
Interview with surrealist experimental filmer Martin Stejskal, especially on the use of computer graphics and animation for his work.
Index:
Stejskal, Martin
Technik: Computer ~ Technology: Computer
Surrealismus ~ Surrealism
Experimentalfilme ~ Experimental Films
Animation ~ Animation

#191
Duffy, M. S.: Becoming regionally digital: Visual effects industries and aesthetics in the 1990s. - Nottingham: University of Nottingham, Ph.D. 2006. [Abstract in: Index to Theses with Abstracts 57. 2008. No. 1. p. 14(57-115).]
Description:
Discusses especially the importance of George Lucas’s "Industrial Light & Magic" for the development of special effects.
Index:
Lucas, George
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#192
Duncan, Jody: A Small Soldiers story. In: Cinefex 1998. No. 75. [October] pp. 96-117.
Description:
On the digital special effects by DreamWorks and ILM for the film by Joe Dante.
Index:
Dante, Joe
Small Soldiers (1998)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
DreamWorks ~ DreamWorks

#193
Duncan, Jody: Final Fantasy: Flesh for fantasy. In: Cinefex 2001. No. 86. [Julyl] pp. 33-36, 41-44, 127-129.
Description:
On the computer generated special effects for the film.
Index:
Sakaguchi, Hironobu
Sakakibara, Moto
Final Fantasy: The Spirits Within (2001)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Fantasy ~ Fantasy

#194
Duncan, Jody: I, Robot: Ghosts in the machine. In: Cinefex 2004. No. 99. [October] pp. 94-108, 113-118, 126.
Description:
Especially on the computer generated special effects by Digital Domain and Weta Digital.
Index:
Proyas, Alex
I, Robot (2004)
Weta [Firma] ~ Weta [Company]
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Geister ~ Ghosts
Digital Domain [Firma] ~ Digital Domain [Company]

#195
Duncan, Jody: Monsters, Inc.: Monsters in the closet. In: Cinefex 2002. No. 88. [January] pp. 15-18, 23-26, 113-114.
Description:
On Pixar’s digital special effects for the film.
Index:
Docter, Pete
Silverman, David
Unkrich, Lee
Monsters, Inc. (2001)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Pixar [Firma] ~ Pixar [Company]
Monster ~ Monster

#196
Duncan, Jody: Peter Pan: New toys for lost boys. In: Cinefex 2004. No. 96. [January] pp. 35-42, 47-51.
Description:
On the computer generated special effects.
Index:
Hogan, P. J.
Peter Pan (2003)
Spielzeuge ~ Toys*
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#197
Duncan, Jody: Playing with Flubber. In: Cinefex 1998. No. 73. [March] pp. 13-14, 19-20, 126-128.
Description:
On the computer generated animation effects for the film by Les Mayfield.
Index:
Mayfield, Les
Flubber (1997)
Technik: Computer ~ Technology: Computer
Animation ~ Animation
Technik: Spezialeffekte ~ Technology: Special Effects

#198
Duncan, Jody / Shay, Estelle: Trekking into the Klaatu nebula. In: Cinefex 2000. No. 81. [April] pp. 108-123.
Description:
On the computer generated special effects by ILM for Galaxy Quest.
Index:
Parisot, Dean
Galaxy Quest (1999)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#199
Duncan, Jody: The Day After Tomorrow: Freeze frames. In: Cinefex 2004. No. 98. [July] pp. 70-80, 85-93, 126.
Description:
Especially on the computer generated special effects by Karen Goulekas and on the design of the disaster scenes in the film.
Index:
Emmerich, Roland
Goulekas, Karen
Day After Tomorrow, The (2004)
Technik: Computer ~ Technology: Computer
Katastrophen ~ Disasters
Technik: Spezialeffekte ~ Technology: Special Effects

#200
Duncan, Jody: The gauntlet: Avengers: Infinity War. In: Cinefex 2018. No. 159. [June] p. ?P.
Description:
On the special effects by Digital Domain, Weta Digital, Industrial Light & Magic, Framestore, Double Negative and Cinesite. Discusses especially the work of visual effects supervisor Dan DeLeeuw and visual effects producer Jen Underdahl.
Index:
Russo, Anthony
Russo, Joe
DeLeeuw, Dan
Underdahl, Jen
Avengers: Infinity War (2018)
Technik: Computer ~ Technology: Computer
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Framestore CFC [Firma] ~ Framestore CFC [Company]
Double Negative [Firma] ~ Double Negative [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Cinesite [Firma] ~ Cinesite [Company]

#201
Duncan, Jody: Titanic aftermath. In: Cinefex 1997. No. 72. [December] pp. 137-176.
Description:
On the computer generated special effects for the film by James Cameron.
Index:
Cameron, James
Titanic (1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#202
Duncan, Jody: Van Helsing: Man made monsters. In: Cinefex 2004. No. 98. [July] pp. 98-106, 111-118, 123-124.
Description:
Especially on the computer generated special effects by ILM.
Index:
Sommers, Stephen
Van Helsing (2004)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Monster ~ Monster
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#203
Duncan, Jody: Zodiac: The streets of San Francisco. In: Cinefex 2007. No. 109. [April] pp. 49-52, 55-60.
Description:
On the special effects by Matte World Digital and Digital Domain for David Fincher’s historical serial killer drama.
Index:
Fincher, David
Zodiac (2007)
Technik: Computer ~ Technology: Computer
Matte-Painting ~ Matte-Painting
Technik: Spezialeffekte ~ Technology: Special Effects
San Francisco ~ San Francisco
Mord ~ Murder
Digital Domain [Firma] ~ Digital Domain [Company]

#204
Duran, Lorene Marie: "Humanipulation": Ethical and legal considerations in the computer animated manipulation of the human image in feature film. - Virginia Beach, Virginia: Regent University, M.A. 1995. [Abstract in: Masters Abstracts International 34. 1996. No. 3. [June] p. 922.]
Index:
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#205
Dutchak, Philip: Computer start / fine art. In: Cinema Papers 1996. No. 108. [?D] pp. 18-21.
Description:
On the work of John McCormack, Philip George and Ralph Wayment.
Index:
McCormack, John
George, Philip
Wayment, Ralph
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#206
Dworschak, Manfred: "Wir sehen nur, was wir hören". In: Der Spiegel 54. 2000. No. 18. [May 1] pp. 226-231.
Description:
On digital sound effects in film.
Index:
Musik ~ Music
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#207
Dyens, Ollivier: L’image mercenaire. In: 24 Images 1992. No. 62/63. [?D] p. 80.
Description:
On the sixth festival of computer based animation film at Montréal.
Index:
Montreal ~ Montreal
Technik: Computer ~ Technology: Computer
Festival ~ Festival
Animation ~ Animation

#208
Eby, Douglas: Dr. Seuss’ How The Grinch Stole Christmas. In: Cinefantastique 32. 2000. No. 4/5. [December] pp. 8-15.
Description:
Articles on director Ron Howard, on the set design by Michael Corenblith, on actress Christine Baranski and on the CGI effects by Digital Domain.
Index:
Howard, Ron
Corenblith, Michael
Baranski, Christine
How the Grinch Stole Christmas (2000)
Technik: Spezialeffekte ~ Technology: Special Effects
Digital Domain [Firma] ~ Digital Domain [Company]
Technik: Computer ~ Technology: Computer

#209
Eby, Douglas: King effects: Computer graphics by Image Design. In: Cinefantastique 26. 1995. No. 5. [August] p. 55.
Description:
On the work of computer the trick company for Tom Holland’s The Langoliers.
Index:
Holland, Tom
King, Stephen
Langoliers, The (1995)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#210
Eby, Douglas: Men in Black: The aliens: Rubber vs. CGI: Designer Carlos Huante on the realism of Latex. In: Cinefantastique 29. 1997. No. 1. [July] pp. 23-25.
Index:
Sonnenfeld, Barry
Huante, Carlos
Men in Black (1997)
Technik: Computer ~ Technology: Computer
Aliens ~ Aliens

#211
Edwards, Graham: Knocking ’em dead: Deadpool 2. In: Cinefex 2018. No. 160. [August] p. ?P.
Description:
On the special effects by DNEG, Framestore, Method Studios, Weta Digital, Crafty Apes, Soho VFX, Trace VFX and Digital Makeup Group. Discusses especially the work of visual effects supervisor Dan Glass and special effects supervisor Mike Vézina.
Index:
Leitch, David
Glass, Dan
Vézina, Mike
Deadpool 2 (2018)
Technik: Computer ~ Technology: Computer
Trace VFX [Firma] ~ Trace VFX [Company]
Digital Makeup Group [Firma] ~ Digital Makeup Group [Company]
DNEG [Firma] ~ DNEG [Company]
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Soho VFX [Firma] ~ Soho VFX [Company]
Method Studios [Firma] ~ Method Studios [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Crafty Apes [Firma] ~ Crafty Apes [Company]

#212
Eisenberg, Adam: The stuff that dreams are made of. In: Cinefex 1985. No. 23. [August] pp. 4-33.
Description:
On the computer generated special effects for Explorers.
Index:
Dante, Joe
Explorers (1985)
Technik: Spezialeffekte ~ Technology: Special Effects
Traum ~ Dreams
Technik: Computer ~ Technology: Computer

#213
Elsaesser, Thomas: Tiefe des Raums, Angriff der Dinge oder Wenn der Schwanz mit dem Hund wedelt: Zum digitalen D-3-D-Kino. In: EPD Film 27. 2010. No. 1. [January] pp. 22-27.
Index:
Technik: Computer ~ Technology: Computer
3-D Films

#214
Emese, B.: Pure Wirklichkeit Film: Das wirklich wirkliche Kino. In: Filmfaust ?G. 1988. No. 67. [?D] pp. 16-21.
Description:
On the future of the cinema in times of computer animation and special effects.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#215
Emmerich, Wolfgang: Räumlicher Entwurf in Trickfilm und Computeranimation. - Berlin: Hochschüle der Künste Berlin, Fachbereich 4: Experimentelle Filmgestaltung, Diplom ?J (1988).
Index:
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#216
Engel, Volker: Neue Welten entdecken. In: Künstliche Welten: Tricks, Special Effects und die Computeranimation im Film von den Anfängen bis heute. Hrsg. von Rolf Giesen und Claudia Meglin. - Hamburg; Wien: Europa Verlag 2000. pp. 191 ff.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Roboter ~ Robots
Animation ~ Animation

#217
Engler, Robi: Animation cinema workshop: Film, video, digital: From motion to emotion. - New Barnet, Herts: John Libbey Publishing 2015.
Index:
Video ~ Video
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#218
Enticknap, Leo: Moving image technology: From Zoetrope to digital. - London: Wallflower Press 2005.
Reviews:
Paul, William: [untitled] In: Film Quarterly 61. 2008. No. 4. [Summer] pp. 89-90.
Index:
Zoetrope [Firma] ~ Zoetrope [Company]
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#219
Essman, Scott: Le tierce gagnant du numerique. In: L’Écran Fantastique 2002. No. 221. [May] pp. 34-39.
Description:
On digital film techniques.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#220
Essman, Scott: Sphere: Spherical magic. In: Cinefex 1998. No. 74. [July] pp. 59-60, 65-66, 157-158, 163.
Description:
On the CGI special effects for the film by Barry Levinson.
Index:
Levinson, Barry
Sphere (1997)
Magie ~ Magic
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#221
Everschor, Franz: Computer-Welten: Sky Captain and the World of Tomorrow: eine nostalgische Obsession. In: Film-Dienst 57. 2004. No. 22. [October 28] pp. 64-65.
Index:
Conran, Kerry
Sky Captain and the World of Tomorrow (2004)
Technik: Computer ~ Technology: Computer

#222
Everschor, Franz: Die Welt - eine Spielzeugkiste. In: Zoom ?G. 2000. No. 2. [February] pp. 38-39.
Description:
On Steve Jobs and his computer animation company Pixar.
Index:
Jobs, Steve
Spielzeuge ~ Toys*
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Pixar [Firma] ~ Pixar [Company]
Animation ~ Animation

#223
Everschor, Franz: Fantasie aus dem Computer: Toy Story: Überraschungserfolg zur Weihnachtszeit. In: Film-Dienst 48. 1995. No. 26. [December 19] pp. 48-49.
Description:
On the animated film by John Lasseter.
Index:
Lasseter, John
Toy Story (1995)
Pixar [Firma] ~ Pixar [Company]
Phantasie ~ Fantasy
Weihnachten ~ Christmas
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#224
Everschor, Franz: Fantasie oder Computertechnik? Neue Animationsfilme definieren Chancen und Grenzen des Genres. In: Film-Dienst 52. 1999. No. 19. [September 14] pp. 56-57.
Description:
Discusses, among others, Tarzan by Chris Buck and Kevin Lima as well as Brad Bird’s The Iron Giant.
Index:
Buck, Chris
Lima, Kevin
Bird, Brad
Tarzan (1999)
Iron Giant, The (1999)
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Phantasie ~ Fantasy
Animation ~ Animation

#225
Everschor, Franz: Fenster in die Welt: Hollywood-Studios setzen auf digitale 3D-Projektionen. In: Film-Dienst 60. 2007. No. 14. [July 5] pp. 48-49.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Hollywood ~ Hollywood
3-D Films

#226
Everschor, Franz: Magie der Computerchips: Die digitale Filmprojektion steht vor der Tür. In: Film-Dienst 52. 1999. No. 9. [April 27] pp. 48 - 49.
Index:
Magie ~ Magic
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#227
Everschor, Franz: Menschen aus dem Computer: Neue Wege der Animation. In: Film-Dienst 57. 2004. No. 24. [November 25] pp. 48-49.
Index:
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#228
Everschor, Franz: Schrecken aus dem Computer: Jurassic Park: Meilen- oder Stolperstein der Filmgeschichte? In: Film-Dienst 46. 1993. No. 14. [July 6] pp. 10-11.
Index:
Spielberg, Steven
Jurassic Park (1993)
Technik: Computer ~ Technology: Computer
Angst ~ Fear

#229
Faber, Liz W.: From Star Trek to Siri: (Dis)embodied gender and the acousmatic computer in science fiction film and television. - Carbondale, Illinous: Southern Illinois University Carbondale, Ph.D. 2013.
[Abstract in: Dissertation Abstracts International A 75. 2014. No. 3. [September] p. ?P.]
Description:
On the representation of computers in science fiction film. Discusses especially Stanley Kubrick’s 2001 - A Space Odyssey, John Carpenter’s Dark Star, Duncan Jones’s Moon, Joseph Sargent’s Colossus - The Forbin Project, George Lucas’s THX 1138, Norman Jewison’s Rollerball, Donald Cammell’s Demon Seed, Steven Lisberger’s Tron, Steve Barron’s Electric Dreams, Stuart Gordon’s Fortress, LeVar Burton’s Smart House and the TV series Star Trek, Star Trek - The Next Generation, Quark and Eureka.
Index:
Kubrick, Stanley
Carpenter, John
Jones, Duncan
Sargent, Joseph
Lucas, George
Jewison, Norman
Cammell, Donald
Lisberger, Steven
Barron, Steve
Gordon, Stuart
Henry, Buck
Cosby, Andrew
Paglia, James
2001 - A Space Odyssey (1968)
Dark Star (1974)
Moon (2009)
Colossus - The Forbin Project / Forbin Project, The / Day the World Changed Hands, The (1969)
THX 1138 (1971)
Rollerball (1974)
Demon Seed (1976)
Tron (1982)
Electric Dreams (1984)
Fortress (1992)
Star Trek (TV)
Star Trek - The Next Generation (TV)
Quark (TV)
Eureka (TV)
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Sexualität ~ Sexuality
Science Fiction ~ Science Fiction
Fernsehen ~ Television

#230
Faden, Eric S.: Assimilating new technologies: Early cinema, sound, and computer imagery. In: Convergence 5. 1999. No. 2. [?D] pp. 51-79.
Description:
Discusses, among others, Steven Spielberg’s Jurassic Park.
Index:
Spielberg, Steven
Jurassic Park (1993)
Technik ~ Technology
Technik: Computer ~ Technology: Computer
Musik ~ Music

#231
Faden, Eric S.: Crowd control: Early cinema, sound, and digital images. In: Journal of Film and Video 53. 2001. No. 2/3. [Summer/Fall] pp. 93-106.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Musik ~ Music

#232
Faniana Pérez, Lelia: Cineanimación, videojuegos y digitalización. In: Animación: Encuentros de lenguajes, géneros, figuras. Ed. Mabel Tassara y Mónica Kirchheimer. - Buenos Aires: Imago Mundi 2016. (= Colección audiovisual.) p. ?P.
Index:
Video ~ Video
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#233
Fara, Giulietta / Romeo, Andrea: Vita da pixel: Effetti speciali e animazione digitale. - Milano: Editrice Il Castoro 2000. (= Gli imprevisti.)
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#234
Farnell, Andy: Designing sound. - Cambridge, Massachussetts: MIT Press 2010.
Index:
Musik ~ Music
Animation ~ Animation
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#235
Feinberg, Sue / Hollander, Judd: Men in Black: Winging it: ILM’s CGI capabilities offered the filmmakers freedom to experiment. In: Cinefantastique 29. 1997. No. 1. [July] p. 27.
Index:
Sonnenfeld, Barry
Men in Black (1997)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Computer ~ Technology: Computer

#236
Fennell, Nicky: Computer generated gimmickry: The end of cinema as we know it? In: Film West 1999. No. 35. [?D] pp. 46-48.
Description:
On how the development of CGI effects affect traditional structures of filmic narration.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Technik: Computer ~ Technology: Computer

#237
Ferguson, Christopher J.: Adolescents, crime, and the media: A critical analysis. - New York: Springer 2013. (= Advancing responsible adolescent development 2195-089X.)
Description:
Discusses, among others, the representation of violence in television, film and in computer games.
Index:
Technik: Computer ~ Technology: Computer
Kriminalität ~ Crime
Jugend ~ Youth
Gewalt ~ Violence
Fernsehen ~ Television

#238
Ferguson, Lydia E.: Branding blackness: Disney’s commodification of black culture in Song of the South and The Princess and the Frog. In: Children’s film in the digital age: Essays on audience, adaptation and consumer culture. Edited by Karin Beeler and Stan Beeler. - Jefferson, North Carolina: McFarland & Company 2015. p. ?P.
Index:
Foster, Harvey
Jackson, Wilfred
Clements, Ron
Musker, John
Song of the South (1946)
Princess and the Frog, The (2009)
Disney ~ Disney
Ethnie ~ Ethnicity
Politik ~ Politics
Animation ~ Animation
Jugend ~ Youth
Technik: Computer ~ Technology: Computer

#239
Fileri, Paul: Digital goldmine. In: Film Comment 43. 2007. No. 5. [September/October] p. 10.
Description:
On the UbuWeb online archive dedicated to experimental film and video art.
Index:
Video ~ Video
Technik: Computer ~ Technology: Computer
Experimentalfilme ~ Experimental Films

#240
Film & Computer: Digital media visions: Ausstellung, Film- und Veranstaltungsreihe, 16. September bis 1. November 1998 / eDit 98, Internationaler Fachkongress für Film- und Postproduktion, Computeranimation und Special Effects, 21. bis 23. Oktober 1998, CongressCenter Messe Frankfurt. Konzeption und Gestaltung: Herbert Gehrm, Stephan Ott. - Frankfurt/Main: Deutsches Filmmuseum 1998. (= Schriftenreihe des Deutschen Filmmuseums.)
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Frankfurt/Main ~ Frankfurt on the Main
Animation ~ Animation

#241
Film und Games: Ein Wechselspiel / Film and games: Interactions. Herausgeber: Deutsches Filminstitut - DIF e.V./ Deutsches Filmmuseum, Frankfurt am Main. Redaktion: Eva Lenhardt und Andreas Rauscher. - Berlin: Bertz + Fischer 2015.
Reviews:
Kleiner, Felicitas: [untitled.] In: Film-Dienst 68. 2015. No. 18. [September 3] p. 26.
Description:
Exhibition catalogue.
Index:
Technik: Computer ~ Technology: Computer

#242
Fischer, Dennis K.: The Last Starfighter. In: Cinefantastique 15. 1985. No. 1. [January] pp. 24-37.
Description:
On the computer generated special effects.
Index:
Castle, Nick
Last Starfighter, The (1984)
Animation ~ Animation
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#243
Fisher, Bob: Amassing digital crowds (and snowflakes) for Miracle on 34th Street. In: American Cinematographer 76. 1995. No. 3. [March] pp. 54-55.
Index:
Mayfield, Les
Miracle on 34th Street (1994)
Technik: Computer ~ Technology: Computer

#244
Fisher, Bob: ASC and Digital Domain explore new frontiers. In: American Cinematographer 77. 1996. No. 8. [August] pp. 24, 26.
Description:
On the computer generated special effects by the two companies, especially for the films of James Cameron.
Index:
Cameron, James
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Digital Domain [Firma] ~ Digital Domain [Company]

#245
Fisher, Bob: Creature features. In: American Cinematographer 80. 1999. No. 10. [October] p. 76.
Description:
On the digital special effects for John Stevenson’s Animal Farm.
Index:
Stevenson, John
Animal Farm (1999)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#246
Fisher, Bob: Digital cinematography: A phase of the future? In: American Cinematographer 74. 1993. No. 4. [April] pp. 50-54; No. 5. pp. 31-32.
Description:
Two part series on new technologies for creating special effects.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Utopie ~ Utopia
Technik ~ Technology

#247
Fisher, Bob: Meteor Man gets his digital wings. In: American Cinematographer 74. 1993. No. 4. [April] pp. 42-46.
Description:
On the special effects by ILM and the work of cinematographer John A. Monzo for the film by Robert Townsend.
Index:
Townsend, Robert
Monzo, John A.
Meteor Man, The (1993)
Technik: Kamera ~ Technology: Camera
Technik: Computer ~ Technology: Computer
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects

#248
Fisher, Bob: Off to work we go: The digital restoration of Snow White. In: American Cinematographer 74. 1993. No. 9. [September] pp. 48-54.
Index:
Hand, David
Snow White and the Seven Dwarfs (1937)
Technik: Computer ~ Technology: Computer

#249
Fisher, Martin: Digital’s debut: Tron bridged the analog and cyber worlds, changing filmmaking forever. In: Cinefantastique 35. 2003. No. 2. [April/May] pp. 54-63.
Index:
Lisberger, Steven
Tron (1982)
Technik: Computer ~ Technology: Computer
Cyberspace ~ Cyberspace

#250
fkl: Computerspiel-Verfilmung: Ace Attorney. In: Film-Dienst 66. 2013. No. 14. [July 4] p. 48.
Description:
On a DVD edition.
Index:
Miike, Takashi
Gyakuten saiban (2012)
Technik: Computer ~ Technology: Computer
DVD ~ DVD

#251
Flanagan, Mary: Mobile identities, digital stars, and post-cinematic selves. In: Wide Angle 21. 1999. No. 1. [January] pp. 77-93.
Description:
On female cyber "film stars", especially Lara Croft.
Index:
Technik: Computer ~ Technology: Computer
Lara Croft ~ Lara Croft
Frauen ~ Women
Cyberspace ~ Cyberspace

#252
Fleisch, Thorsten: Animating the 4th dimension. In: Animation Journal 13. 2005. No. 1. [?D] pp. 86-97.
Description:
The experimental filmmaker on the importance of computer technology for his work.
Index:
Fleisch, Thorsten
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Experimentalfilme ~ Experimental Films
Animation ~ Animation

#253
Flückiger, Barbara: Visual Effects: Digital/analoge Formen der filmischen Darstellung. - Berlin: Freie Universität Berlin, Habilitation 2007.
Description:
On the visual film design from early animation up to nowadays computer technologies.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#254
Flückiger, Barbara: Visual Effects: Filmbilder aus dem Computer. - Marburg: Schüren 2008.
Reviews:
Krewani, Angela: [untitled.] In: Medienwissenschaft 2008. No. 4. pp. 454-455.
Müller, Corinna: [untitled.] In: Film-Dienst 61. 2008. No. 21. [October 9] p. 46.
Rall, Veronika: Wie lässt man Keanu Reeves fliegen und versenkt die Titanic? In: EPD Film 25. 2008. No. 9. [September] p. 56.
Description:
On the visual film design from early animation up to nowadays computer technologies. Discusses, as examples, a lot of fantastic films, among them Stanley Kubrick’s 2001 - A Space Odyssey, James Cameron’s The Abyss, Terminator II - Judgement Day and Titanic, Ridley Scott’s Blade Runner and Gladiator, Mark Steven Johnson’s Daredevil, Roland Emmerich’s The Day After Tomorrow, David Fincher’s Fight Club, Final Fantasy: The Spirits Within by Hironobu Sakaguchi and Moto Sakakibara, Paul Verhoeven’s Hollow Man, Lee Ang’s The Hulk, Alex Proyas’s I, Robot, Neil Jordan’s Interview with the Vampire, Robert Longo’s Johnny Mnemonic, Steven Spielberg’s Jurassic Park and Minority Report, Simon West’s Lara Croft: Tomb Raider, Charles Russell’s The Mask, Fritz Lang’s Metropolis, Sam Raimi’s Spider-Man, Brett Leonard’s Virtuosity, Vincent Ward’s What Dreams May Come, Robert Zemeckis’s Who Framed Roger Rabbit and the Matrix, the Lord of the Rings and the X-Men series.
Index:
Kubrick, Stanley
Cameron, James
Scott, Ridley
Johnson, Mark Steven
Emmerich, Roland
Fincher, David
Sakaguchi, Hironobu
Sakakibara, Moto
Verhoeven, Paul
Lee Ang
Proyas, Alex
Jordan, Neil
Longo, Robert
Spielberg, Steven
West, Simon
Russell, Charles
Lang, Fritz
Raimi, Samuel M.
Leonard, Brett
Ward, Vincent
Zemeckis, Robert
Wachowski, Andy
Wachowski, Larry
Jackson, Peter
2001 - A Space Odyssey (1968)
Abyss, The (1989)
Blade Runner (1982)
Daredevil (2003)
Day After Tomorrow, The (2004)
Fight Club (1999)
Final Fantasy: The Spirits Within (2001)
Gladiator (2000)
Hollow Man (2000)
Hulk, The (2003)
I, Robot (2004)
Interview with the Vampire (1994)
Johnny Mnemonic (1995)
Jurassic Park (1993)
Minority Report (2002)
Tomb Raider / Lara Croft: Tomb Raider (2001)
Mask, The (1994)
Metropolis (1925/1926)
Spider-Man (2002)
Terminator II - Judgement Day (1991)
Titanic (1997)
Virtuosity (1995)
What Dreams May Come (1998)
Who Framed Roger Rabbit (1988)
Matrix, The (Filmreihe)
Lord of the Rings (Filmreihe)
X-Men (Filmreihe)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#255
Fordham, Joe: Harry Potter and the Prisoner of Azkaban: Something wicked this way comes. In: Cinefex 2004. No. 99. [October] pp. 43-50, 55-64.
Description:
Especially on the computer generated special effects by John Richardson, Nick Dudman, Roger Guyett and Tim Burke.
Index:
Cuarón, Alfonso
Richardson, John
Dudman, Nick
Guyett, Roger
Burke, Tim
Harry Potter and the Prisoner of Azkaban (2004)
Böse, Das ~ Evil, The
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#256
Fordham, Joe: Shrek: Jowly green giant. In: Cinefex 2002. No. 88. [January] pp. 47-50, 55-58, 63-64.
Description:
On the digital special effects for the animated film.
Index:
Adamson, Andrew
Jenson, Vicky
Shrek (2001)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#257
Fordham, Joe: Spider-Man 2: Armed and dangerous. In: Cinefex 2004. No. 99. [October] pp. 66-142.
Description:
Especially on the computer generated special effects by John Dykstra and Steve Johnson.
Index:
Raimi, Samuel M.
Dykstra, John
Johnson, Steve
Spider-Man 2 (2004)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#258
Fordham, Joe: Spy Kids 3D: Game Over: Comin’ at ya! In: Cinefex 2003. No. 95. [October] pp. 27-34, 37-39.
Description:
On the computer generated special effects for the film.
Index:
Rodriguez, Robert
Spy Kids 3D: Game Over (2003)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#259
Fordham, Joe: The Core: Innerspace. In: Cinefex 2003. No. 94. [July] pp. 15-24, 27-38.
Description:
Discusses, among others, the computer generated special effects by Gregory McMurry and the design of the disaster scenes.
Index:
Amiel, Jon
McMurry, Gregory
Core, The (2003)
Natur ~ Nature
Katastrophen ~ Disasters
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#260
Fordham, Joe: The Hulk: Green destiny. In: Cinefex 2003. No. 94. [July] pp. 74-80, 83-96, 99-106, 109-126.
Description:
On the computer based animations for the Lee Ang film.
Index:
Lee Ang
Hulk, The (2003)
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#261
Fordham, Joe: The Lord of the Rings: The Return of the King: Journey’s end. In: Cinefex 2004. No. 96. [January] pp. 66-142.
Description:
On the CGI special effects and the makeup effects for the film.
Index:
Jackson, Peter
Lord of the Rings, The: The Return of the King (2003)
Technik: Computer ~ Technology: Computer
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#262
Fordham, Joe: The Lord of the Rings: The Two Towers: Middle-earth strikes back. In: Cinefex 2003. No. 92. [January] pp. 70-80, 85-92, 97-102, 107-142.
Description:
Especially on the digital special effects for the film.
Index:
Jackson, Peter
Lord of the Rings, The: The Two Towers (2002)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#263
Fordham, Joe: Tomb Raider: Illuminating Lara’s world. In: Cinefex 2001. No. 87. [Octoberl] pp. 45-48, 53-56, 137-140.
Description:
On the computer generated special effects for the film.
Index:
West, Simon
Tomb Raider / Lara Croft: Tomb Raider (2001)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#264
Fore, Steve / Wu Weihu: Flash empire and Chinese shanke: The emergence of Chinese digital culture. In: Animation Journal 13. 2005. No. 1. [?D] pp. 28-51.
Index:
Technik: Computer ~ Technology: Computer
China ~ China
Animation ~ Animation

#265
Forehand, K. F.: "Videoizing" and computerizing film animation. In: American Cinematographer 62. 1981. No. 10. [October] pp. 1000-1003.
Description:
On a new Japanese graphic program.
Index:
Video ~ Video
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Japan ~ Japan
Animation ~ Animation

#266
Foster, J. Todd: Space cruise. In: Cinefantastique 34. 2002. No. 6. [October/November] p. 5.
Description:
On the digital special effects for Toni Myers’s Space Station 3D.
Index:
Myers, Toni
Space Station 3D (2002)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#267
Fox, B.: Digital Disney. In: Broadcast 24. 1982. No. 1176. [?D] pp. 30-31.
Description:
On computer generated special effects for animated films.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Disney ~ Disney
Animation ~ Animation

#268
Frasher, Michael: Night of the Living Dead: The zombie from Hard disk hell. In: Cinefantastique 21. 1990. No. 3. [December] p. 23.
Description:
On computer generated animation techniques in that film.
Index:
Savini, Tom
Night of the Living Dead (1990)
Religion: Hölle ~ Religion: Hell
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Zombies ~ Zombies
Animation ~ Animation

#269
Frech, Lawrence: Jurassic Park: Dennis Muren. In: Cinefantastique 24. 1993. No. 2. [August] pp. 26-28.
Description:
On the computer effects artist.
Index:
Spielberg, Steven
Muren, Dennis
Jurassic Park (1993)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#270
Freedman, Mark: Rebooting for the new millennium. In: Take One 8. 1999. No. 24. [Summer] p. 40.
Description:
On computer based animation technologies.
Index:
Technik ~ Technology
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#271
Freedman, Yacov: Is it real ... or is it motion capture? The battle to redefine animation in the age of digital performance. In: The Velvet Light Trap 2012. No. 69. [Spring] pp. 38-49.
Index:
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#272
Frelik, Pawel: Digital film and audiences. In: The Liverpool companion to world science fiction film. Edited by Sonja Fritzsche. - Liverpool: Liverpool University Press 2014. (= Liverpool science fiction texts and studies.) p. ?P.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Science Fiction ~ Science Fiction

#273
French, Lawrence: John Lasseter: It’s a wonderful bug’s life for CGI-director John Lasseter. In: Cinefantastique 31. 1999. No. 4. [April] pp. 30-31.
Description:
On Toy Story 2.
Index:
Lasseter, John
Toy Story 2 (1999)
Technik: Computer ~ Technology: Computer

#274
French, Lawrence / Lyons, Mike: Antz: CGI animation by DrearnWorks and Pacific Data Images. In: Cinefantastique 30. 1998. No. 9/10. [November] pp. 112-115.
Description:
Discusses, among others, the work of Jeffrey Katzenberg.
Index:
Darnell, Eric
Johnson, Tim
Katzenberg, Jeffrey
Bell, John
Antz (1998)
Pacific Data Images [Firma] ~ Pacific Data Images [Company]
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#275
French, Lawrence: Pixar: Writing the book on CGI and computer animation. In: Cinefantastique 27. 1995. No. 2. [November] pp. 23-25.
Description:
On the history of computer based animation. Discusses, among others, John Lasseter’s Toy Story. Includes a filmography.
Index:
Lasseter, John
Toy Story (1995)
Technik: Computer ~ Technology: Computer
Pixar [Firma] ~ Pixar [Company]
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#276
French, Lawrence: Soldier: Matte World Digital on creating effects that give the film its science fiction scope. In: Cinefantastique 31. 1999. No. 3. [March] pp. 56 ff.
Index:
Anderson, Paul
Soldier (1998)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Science Fiction ~ Science Fiction
Matte-Painting ~ Matte-Painting

#277
French, Lawrence: Toy Story 2: John Lasseter on directing Pixar’s CGI toon fantasy sequel. In: Cinefantastique 31. 1999. No. 9. [December] pp. 30-31.
Index:
Lasseter, John
Toy Story 2 (1999)
Pixar [Firma] ~ Pixar [Company]
Fantasy ~ Fantasy
Technik: Computer ~ Technology: Computer

#278
French, Lawrence: Toy Story: Art direction: CGI problems found solutions in the sketches of designer Ralph Eggleston. In: Cinefantastique 27. 1995. No. 2. [November] pp. 32-33.
Index:
Lasseter, John
Eggleston, Ralph
Toy Story (1995)
Technik: Computer ~ Technology: Computer

#279
French, Lawrence: Toy Story: CGI director: John Lasseter on harnessing the technology in service of storytelling. In: Cinefantastique 27. 1995. No. 2. [November] pp. 20-21.
Index:
Lasseter, John
Toy Story (1995)
Technik ~ Technology
Technik: Computer ~ Technology: Computer

#280
French, Lawrence: Toy Story: CGI Production: Pixar modified and developed their experience on shorts for feature work. In: Cinefantastique 27. 1995. No. 2. [November] pp. 28-29.
Index:
Lasseter, John
Toy Story (1995)
Pixar [Firma] ~ Pixar [Company]
Technik: Computer ~ Technology: Computer

#281
French, Lawrence: Toy Story: Disney and Pixar launch first CGI animated feature. In: Cinefantastique 26/27. 1995. No. 6/1. [October] pp. 8-9, 125.
Index:
Lasseter, John
Toy Story (1995)
Pixar [Firma] ~ Pixar [Company]
Animation ~ Animation
Disney ~ Disney
Technik: Computer ~ Technology: Computer

#282
French, Lawrence: Toy Story: Renderman: Dr. Edwin E. Catmull on his CGI ’toon innovation. In: Cinefantastique 27. 1995. No. 2. [November] pp. 18-19.
Index:
Lasseter, John
Catmull, Edwin E.
Toy Story (1995)
Technik: Computer ~ Technology: Computer

#283
French, Lawrence: Toy Story: Walt Disney and Pixar team up to launch the first computer-animated movie. In: Cinefantastique 27. 1995. No. 2. [November] pp. 16-17, 19-20, 22, 27-28, 30, 35, 37.
Index:
Lasseter, John
Toy Story (1995)
Pixar [Firma] ~ Pixar [Company]
Animation ~ Animation
Disney ~ Disney
Technik: Computer ~ Technology: Computer

#284
Frenk, Joachim / Krug, Christian: Enter the Matrix: Interactivity and the logic of digital capitalism. In: The Matrix in theory. Edited by Myriam Diocaretz and Stefan Herbrechter. - Amsterdam; New York: Rodopi 2006. (= Critical Studies 29.) pp. 73 ff.
Index:
Wachowski, Andy
Wachowski, Larry
Matrix, The (Filmreihe)
Technik: Computer ~ Technology: Computer

#285
Frey, Mattias: The message and the medium: Haneke’s film theory and digital praxis. In: On Michael Haneke. Edited by Brian Price and John David Rhodes. - Detroit: Wayne State University Press 2010. (= Contemporary approaches to film and television.) p. ?P.
Index:
Haneke, Michael
Technik: Computer ~ Technology: Computer

#286
Freyermuth, Gundolf S.: Prinzip Weltenbau. In: Film-Dienst 62. 2009. No. 10. [May 7] pp. 6-10.
Description:
On the relation between digital games and film.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#287
Freymuth, Gundolf S.: Digitale Lektionen: Medien(r)evolution in Film und Kino. In: Film-Dienst 62. 2009. No. 2. [January 15] pp. 6-9.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#288
Friedhuber, Walter: Computermalschule, Trickfilmzeichnen. - München: Lechner 1988.
Index:
Pädagogik ~ Paedagogy
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#289
From math to movies. In: IEEE Spectrum 41. 2004. No. 11. [November] pp. 83-84.
Description:
Interview with Shane Carruth on the representation of math and computer science in Primer.
Index:
Carruth, Shane
Primer (2004)
Wissenschaft ~ Science
Technik: Computer ~ Technology: Computer

#290
Fuchs, Andreas: Von Mäusen und Professoren: Computeranimiert und mit prominenten Sprechern: Neue Trickfilm-Vorhaben von Dreamworks, Weinstein Company, Universal und Fox. In: Filmecho/Filmwoche 60. 2006. No. 39. [September 29] p. 53.
Index:
Universal [Firma] ~ Universal [Company]
Technik: Computer ~ Technology: Computer
DreamWorks ~ DreamWorks
Animation ~ Animation

#291
Fuchs, Wolfgang J.: Die computeranimierten Spielsachen: Toy Story. In: Medien und Erziehung 40. 1996. No. 2. [?D] pp. 114-115.
Index:
Lasseter, John
Toy Story (1995)
Animation ~ Animation
Technik: Computer ~ Technology: Computer

#292
Fukuda, Kiyohito / Mori, Naoki / Ueno, Miki: Can computers create comics and animations? In: Computational and cognitive approaches to narratology. Edited by Takashi Ogata and Taisuke Akimoto. - Hershey, Pennsylvania: Information Science Reference 2016. p. ?P.
Index:
Technik ~ Technology
Animation: Comics ~ Animation: Comics
Animation ~ Animation
Technik: Computer ~ Technology: Computer

#293
Furniss, Maureen: Motion capture: An overview. In: Animation Journal 8. 2000. No. 2. [Spring] pp. 68-82.
Description:
On new computer generated animation techniques.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#294
Fussfeld Cohen, Orit: The digital action image of James Bond. In: Quarterly Review of Film and Video 33. 2016. No. 2. [February/March] pp. 101-121.
Description:
On the representation of masculinity in the James Bond films.
Index:
James Bond (Filmreihe)
Technik: Computer ~ Technology: Computer
Männer ~ Men
James Bond ~ James Bond
Action ~ Action

#295
Fussfeld Cohen, Orit: The new language of the digital film. In: Journal of Popular Film and Television 42. 2014. No. 1. [?D] pp. 47-58.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#296
Gabilondo, Joseba: The global phallus: On the digital and allegorical economy of the Hispanic subaltern in Hollywood film. In: Discourse 23. 2001. No. 1. [?D] pp. 4-24.
Description:
Discusses, among others, Steven Spielberg’s E.T., Jaws and Jurassic Park.
Index:
Spielberg, Steven
E.T. - The Extra-Terrestrial (1982)
Jaws (1975)
Jurassic Park (1993)
Wirtschaft ~ Economy
Technik: Computer ~ Technology: Computer
Spanien ~ Spain
Hollywood ~ Hollywood

#297
Gajic, Alexander: Frankensteins virtuelle Kinder: Hollywood arbeitet am digitalen Schauspieler. In: EPD Film 23. 2006. No. 8. [August] pp. 8-9.
Description:
Discusses, among others, the virtual reanimation of dead Marlon Brando in Bryan Singer’s Superman Returns.
Index:
Singer, Bryan
Superman Returns (2006)
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Hollywood ~ Hollywood
Frankenstein ~ Frankenstein
Cyberspace ~ Cyberspace
Animation ~ Animation

#298
Gajic, Alexander: Spiel ohne Grenzen. In: EPD Film 27. 2010. No. 8. [August] pp. 8-9.
Description:
On the history of the digital created trick film from Toy Story to Toy Story 3.
Index:
Lasseter, John
Unkrich, Lee
Toy Story (1995)
Toy Story (Filmreihe)
Toy Story 3 (2010)
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#299
Gansera, Rainer / Schnelle, Josef: Eine Kinderwelt in Los Angeles: Wim Wenders im Gespräch über The Million Dollar Hotel und die Poesie der digitalen Technik. In: EPD Film 17. 2000. No. 2. [February] pp. 18-22.
Index:
Wenders, Wim
Million Dollar Hotel, The (2000)
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Los Angeles ~ Los Angeles
Jugend ~ Youth

#300
Garbe, Andreas: Die Blüten im Minenfeld. In: Film-Dienst 68. 2015. No. 15. [July 23] pp. 16-19.
Description:
On an Frankfurt exhibition dedicated to the relation between computer games and film.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Frankfurt/Main ~ Frankfurt on the Main

#301
Gardner, Garth Anthony: Informal computer-art education: A focus on the art and historical impact of computer-generated special visual effects and the pedagogy of the artists who create them professionally in the San Francisco Bay Area production companies. - Columbus, Ohio: Ohio State University, Ph.D. 1995. [Abstract in: Dissertation Abstracts International A 56. 1996. No. 9. [March] p. 3420.]
Index:
Pädagogik ~ Paedagogy
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
San Francisco ~ San Francisco
Animation ~ Animation

#302
Garsault, Alain: Petite critique de la raison numérique dans le film de
SF In: Positif 2001. No. 479. [January] pp. 53-86.
Description:
On digital special effects in science fiction film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Science Fiction ~ Science Fiction

#303
Gasparrini, F.: Se il computer possa rianimarci. In: Bianco e Nero 49. 1988. No. 1. [?D] pp. 139-141.
Description:
On the 1987 Annecy Festival of Animated Film.
Index:
Technik: Computer ~ Technology: Computer
Festival ~ Festival
Annecy ~ Annecy
Animation ~ Animation

#304
Gaunt, Joshua Tristan Jamison: Adaptation in a post-digital age. - Exeter, Devon: University of Exeter, Ph.D. 2011.
Index:
Gaunt, Joshua
Here Lies Lucy: A Vampire Yarn (2008)
Tera Toma (2009)
Technik: Computer ~ Technology: Computer

#305
Gauthier, Jennifer: New vistas? Aboriginal animation and digital dreams at the National Film Board of Canada. In: Continuum 28. 2014. No. 4. [July] pp. 465-481.
Index:
Traum ~ Dreams
Technik: Computer ~ Technology: Computer
Kanada ~ Canada
Animation ~ Animation

#306
Geraci, Jovita L.: Imagining the end: Apocalyptic imagery in visual media. - Santa Barbara, California: University of California, Santa Barbara, Ph.D. 2012. [Abstract in: Dissertation Abstracts International A 74. 2013. No. 3. (September.]
Description:
On the representation of the apocalypse in film and computer games.
Discusses, among others, the Matrix trilogy, the Terminator series and James Cameron’s Avatar.
Index:
Wachowski, Andy
Wachowski, Larry
Cameron, James
Matrix, The (Filmreihe)
Terminator (Filmreihe)
Avatar (2009)
Technik: Computer ~ Technology: Computer
Religion: Apokalypse ~ Religion: Apocalypse
Religion ~ Religion

#307
Geraghty, Lincoln: An evolutionary journey: Pokemon, mythic quests and the culture of challenge. In: Children’s film in the digital age: Essays on audience, adaptation and consumer culture. Edited by Karin Beeler and Stan Beeler. - Jefferson, North Carolina: McFarland & Company 2015. p. ?P.
Index:
Pokémon (Filmreihe)
Mythologie ~ Mythology
Jugend ~ Youth
Technik: Computer ~ Technology: Computer

#308
Gerz, Raimund: Anything goes: Ausstellung "Film und Computer" in Frankfurt. In: EPD Film 15. 1998. No. 11. [November] pp. 14-15.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Frankfurt/Main ~ Frankfurt on the Main

#309
Giesen, Rolf: Die Entwicklung der Spezialeffekte. In: Künstliche Welten: Tricks, Special Effects und die Computeranimation im Film von den Anfängen bis heute. Hrsg. von Rolf Giesen und Claudia Meglin. - Hamburg; Wien: Europa Verlag 2000. pp. 11 ff.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Roboter ~ Robots
Animation ~ Animation

#310
Giesen, Rolf: Künstliche Welten im Film. In: Künstliche Welten: Tricks, Special Effects und die Computeranimation im Film von den Anfängen bis heute. Hrsg. von Rolf Giesen und Claudia Meglin. - Hamburg; Wien: Europa Verlag 2000. pp. 7 ff.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Roboter ~ Robots
Animation ~ Animation

#311
Giesen, Rolf: Lars lernt laufen: Von der Höhlenmalerei in die digitale Zukunft des Bildes. In: Film-Dienst 56. 2003. No. 19. [September 9] pp. 6-10.
Description:
On German animated film. Discusses, among others, Der kleine Eisbär.
Index:
De Rycker, Piet
Rothkirch, Thilo
kleine Eisbär, Der (2001)
Technik: Computer ~ Technology: Computer
Deutschland ~ Germany
Animation ~ Animation

#312
Giesen, Rolf: Lexikon der Special Effects: Von den ersten Filmtricks bis zu den Computeranimationen der Gegenwart. - Berlin: Verlag Lexikon Imprint / Schwarzkopf & Schwarzkopf 2001.
Reviews:
Mörchen, Roland: Filme zum Nachschlagen. In: Film-Dienst 54. 2001. No. 14. [July 3] p. 39.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#313
Giesen, Rolf: Lexikon des phantastischen Films: Horror - Science Fiction - Fantasy. 2 Bände. - Frankfurt/M., Berlin, Wien: Ullstein 1984. (= Ullstein-Sachbuch Populäre Kultur, Ullstein-TB 36509.)
Reviews:
Schöll, Norbert: [untitled] In: Medienwissenschaft 1985. No. 3. pp. 239-240.
Description:
Includes articles on persons, film titles and subjects like aliens, giants, from the Golem to the computer, on the Hammer films, on heroic fantasy, on religion and fantasy, on Soviet science fiction films, on serials, special make up effects, on visual effects and on the time travel motif in film.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Helden ~ Heros
Fantasy ~ Fantasy
Zeit ~ Time
Aliens ~ Aliens
Golem ~ Golem
Technik: Computer ~ Technology: Computer
Religion ~ Religion
Hammer [Firma] ~ Hammer [Company]
UdSSR (Union der Sozialistischen Sowjetrepubliken) ~ USSR (Union of Soviet Socialist Republics)
Science Fiction ~ Science Fiction
Horror ~ Horror

#314
Giesen, Rolf: Mickey Mouse und Spider-Man. In: Filmgeschichte [Berlin] 2003. No. 18. [June] pp. 71-74.
Description:
On an exhibition at the Film Museum Berlin on the history of animated film and on computer generated special effects.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Spinne ~ Spider
Mickey Mouse ~ Mickey Mouse
Berlin ~ Berlin
Animation ~ Animation

#315
Giesen, Rolf: Schöne neue Bilderwelten: Spekulationen diesseits und jenseits der Digitalisierung. In: Film-Dienst 61. 2008. No. 16. [July 31] p. 27.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#316
Giesen, Rolf: Special effects artists: A worldwide biographical dictionary of the pre-digital era with a filmography. - Jefferson, North Carolina: McFarland 2008.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#317
Giesen, Rolf: Spezialeffekte made in Germany. In: Künstliche Welten: Tricks, Special Effects und die Computeranimation im Film von den Anfängen bis heute. Hrsg. von Rolf Giesen und Claudia Meglin. - Hamburg; Wien: Europa Verlag 2000. pp. 69 ff.
Index:
Deutschland ~ Germany
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Roboter ~ Robots
Animation ~ Animation

#318
Gire, Dann: King Kong. In: Cinefantastique 19. 1989. No. 5. [July] p. 48.
Description:
On the digital restored version of the film classic by Merian C. Cooper and Ernest B. Schoensack.
Index:
Cooper, Merian C.
Schoedsack, Ernest B.
King Kong (1931-1933)
Technik: Computer ~ Technology: Computer

#319
Giroux, Henry A.: Consuming innocence: Disney’s corporate stranglehold on youth in the digital age. In: Disney, culture, and curriculum. Edited by Jennifer A. Sandlin and Julie C. Garlen. - New York: Routledge 2016. (= Studies in curriculum theory.) p. ?P.
Index:
Technik: Computer ~ Technology: Computer
Jugend ~ Youth
Animation ~ Animation
Pädagogik ~ Paedagogy
Disney ~ Disney

#320
Glass, Fred: Sign of the times: The computer as character in Tron, War Games and Superman III. In: Film Quarterly 38. 1985. No. 2. [Winter] pp. 16-27.
Index:
Lisberger, Steven
Badham, John
Lester, Richard
Tron (1982)
WarGames (1983)
Superman III (1983)
Technik: Computer ~ Technology: Computer

#321
Goddard, Peter: Acting in the virtual world. In: Take One 8. 1999. No. 24. [Summer] p. 12.
Description:
On digital created actor simulations.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Cyberspace ~ Cyberspace

#322
Goddard, Peter: Sheridan gets its day in New York. In: Take One 8. 1999. No. 24. [Summer] p. 11.
Description:
On the computer based animation program of the Sheridan College.
Index:
Technik: Computer ~ Technology: Computer
New York ~ New York
Animation ~ Animation

#323
Goddard, Peter: Steven "Spaz" Williams and the future of CGI. In: Take One 8. 1999. No. 24. [Summer] pp. 6-10.
Description:
On the special effects designer.
Index:
Williams, Steve "Spaz"
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
New York ~ New York
Animation ~ Animation
Technik: Computer ~ Technology: Computer

#324
Gramfors, Rickard: Sweriges storsta film. In: Chaplin 35. 1993. No. 6(249). [?D] pp. 38-39.
Description:
On Swedish director Asa Nordenskiold and his computer based animation work.
Index:
Nordenskiold, Asa
Technik: Computer ~ Technology: Computer
Schweden ~ Sweden
Animation ~ Animation

#325
Grant, Barry Keith: Ansiedade digital e o novo cinema verité de horror e ficçÆo cientifica. In: Cartografias para a ficçÆo científica mundial: Cinema e literatura. Ed. Alfredo Suppia. - SÆo Paulo: Alameda Casa Editorial 2015. p. ?P.
Index:
Technik: Computer ~ Technology: Computer
Literatur ~ Literature
Horror ~ Horror
Science Fiction ~ Science Fiction

#326
Grant, Barry Keith: Digital anxiety and the new verité horror and SF film. In: Science Fiction Film and Television 6. 2013. No. 2. [Summer] pp. 153-175.
Index:
Technik: Computer ~ Technology: Computer
Science Fiction ~ Science Fiction
Horror ~ Horror

#327
Grant, William / O’Connell, John: Force feeding. In: Time Out 1996. No. 1353. [July 24] pp. 24-25.
Description:
On the digital revision of the first three Star Wars films.
Index:
Lucas, George
Kershner, Irvin
Marquand, Richard
Williams, John
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Star Wars (Filmreihe)
Technik: Computer ~ Technology: Computer

#328
Graser, Marc: Digital menace to next Star Wars. In: Variety 375. 1999. No. ?N. [June 14] p. 4.
Index:
Lucas, George
Star Wars Episode II - Attack of the Clones (2002)
Technik: Computer ~ Technology: Computer
Angst ~ Fear

#329
Graveland, Mariska: De achterkant van de zon: Heruitbreng Star Wars trilogie. In: Skrien 1997. No. 213. [April/May] pp. 26-27.
Description:
On the digital restored first three Star Wars films.
Index:
Lucas, George
Star Wars (Filmreihe)
Technik: Computer ~ Technology: Computer
Star Wars ~ Star Wars

#330
Gray, Richard Beach: Global Russian cinema in the digital age: The films of Timur Bekmambetov. - Pittsburgh, Pennsylvania: University of Pittsburgh, Ph.D. 2016. [Abstract in: Dissertation Abstracts International A 78. 2016. No. 5. [?D].]
Index:
Bekmambetov, Timur
Technik: Computer ~ Technology: Computer
Russland ~ Russia

#331
Gresh, Lois H. / Weinberg, Robert: The computers of Star Trek. - New York: Basic Books 1999.
Index:
Star Trek (Filmreihe)
Technik: Computer ~ Technology: Computer

#332
Gresh, Lois H. / Weinberg, Robert: The computers of Star Trek. - London: Boxtree 2000.
First edition:
[New York: Basic Books 1999]
Reviews:
White, Fred D.: [untitled.] In: Journal of the Fantastic in the Arts 12. 2001. No. 3. [?D] pp. 354-356.
Index:
Star Trek (Filmreihe)
Technik: Computer ~ Technology: Computer

#333
Gress, Jon: [Digital] visual effects & compositing. - San Francisco, California: New Riders 2015.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#334
Griffin, Scott Tracy / Lyons, Mike: Tarzan: Disney animation realizes Edgar Rice Burroughs’ hero as movies never could. In: Cinefantastique 31. 1999. No. 7. [August] pp. 19-31.
Description:
Articles on directors Chris Buck and Kevin Lima, on the animation artist Glen Keane, on the computer generated graphics and on the underlying novels by Edgar Rice Burroughs.
Index:
Buck, Chris
Lima, Kevin
Burroughs, Edgar Rice
Keane, Glen
Tarzan (1999)
Tarzan ~ Tarzan
Technik: Computer ~ Technology: Computer
Helden ~ Heros
Disney ~ Disney
Animation ~ Animation

#335
Grob, Norbert: American Graffiti: George Lucas und die Star Wars Trilogie. In: EPD Film 14. 1997. No. 5. [May] pp. 22-27.
Description:
On the re-release of the digital revised Star Wars films.
Index:
Lucas, George
Kershner, Irvin
Marquand, Richard
Star Wars (Filmreihe)
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Technik: Computer ~ Technology: Computer
USA (United States of America) ~ USA (United States of America)
Star Wars ~ Star Wars

#336
Grodal, Torben Kragh: Fortællingens frie spil: Film, computerspil og interaktionens aestetik. In: Kosmorama 45. 1999. No. 224. [Winter] pp. 44-60.
Description:
On how computer games have influence on contemporary film aesthetics.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#337
Gross, Edward / Williams, David E.: Use the Force, Lucas. In: Cinefantastique 36. 2004. No. 5. [October/November] pp. 40-45.
Description:
On the digital remastered original Star Wars films. Includes articles on Episode V director Irvin Kershner and on actors Mark Hamill and Frank Oz.
Index:
Lucas, George
Kershner, Irvin
Hamill, Mark
Oz, Frank
Star Wars (Filmreihe)
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Technik: Computer ~ Technology: Computer

#338
Gross, J.: The Golem - as medieval hero, Frankenstein monster and proto-computer. In: New York Times, December 4, 1988. Sec. 2. p. 41.
Index:
Boese, Carl
Wegener, Paul
Golem, wie er in die Welt kam, Der (1920)
Technik: Computer ~ Technology: Computer
Monster ~ Monster
Helden ~ Heros
Geschichte: Mittelalter ~ History: Middle Ages
Roboter ~ Robots
Frankenstein ~ Frankenstein
Golem ~ Golem

#339
Gross, John: About the arts: The Golem - as medieval hero, Frankenstein monster and proto-computer. In: New York Times, December 4, 1988. p. 41.
Index:
Golem, Der (Filmreihe)
Technik: Computer ~ Technology: Computer
Monster ~ Monster
Helden ~ Heros
Golem ~ Golem
Geschichte: Mittelalter ~ History: Middle Ages
Frankenstein ~ Frankenstein

#340
Guévin, Hans: Cyber-clichés. In: Séquences ?G. 1995. No. 179. [?D] pp. 58-59.
Description:
On films in which the computer plays a key role.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Cyberspace ~ Cyberspace

#341
Gunzenhäuser, Randi: Hyperkinetic images: Hollywood and computer games. In: Hollywood: Recent developments. Edited by Christian W. Thomsen and Angela Krewani. - Stuttgart: Edition Axel Menges 2005. p. ?P.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Hollywood ~ Hollywood

#342
Gwó d , Andrzej: Maszyna niewidzialnego. In: Kino [Warschau] 37. 2003. No. ?N(433). [June] pp. 54-56.
Description:
On the representation of computer generated virtual worlds in Hollywood film.
Index:
Technik: Computer ~ Technology: Computer
Hollywood ~ Hollywood
Cyberspace ~ Cyberspace

#343
Habbe, Christian: Ein Mausklick, und die Kasse stimmt: Die Digitaltechnik verändert Hollywood und die Filmkultur. In: Der Spiegel 54. 2000. No. 45. [November 6] p. 280.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Hollywood ~ Hollywood

#344
Hagener, Malte: Das Leben der Dinge: Pixar und die digitalenTransformationen des Films. In: John Lasseter. Hrsg. von Michaela Krützen, Fabienne Liptay und Johannes Wende. - München: Ed. text + kritik 2014. (= Film-Konzepte 33.) pp. 43 ff.
Description:
[GA:] [KoDeu] [End GA][KoDeu]
Index:
Lasseter, John
Technik: Computer ~ Technology: Computer
Pixar [Firma] ~ Pixar [Company]
Animation ~ Animation

#345
Hairapetian, Marc: Digitaler Schöpfungsakt: Der Weg von Tron zu Tron Legacy. In: Film-Dienst 64. 2011. No. 2. [January 20] pp. 22-23.
Index:
Lisberger, Steven
Kosinski, Joseph
Tron (1982)
Tron: Legacy (2010)
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#346
Hairapetian, Marc: Im Herzen des Bordcomputers. In: Film-Dienst 55. 2002. No. 3. [January 29] p. 16.
Description:
On the symbolic meaning of the red signal light of the computer "HAL" in Kubrick’s 2001.
Index:
Kubrick, Stanley
2001 - A Space Odyssey (1968)
Technik: Computer ~ Technology: Computer

#347
HAL’s legacy: 2001’s computer as dream and reality. Edited by David G. Stork. - Cambridge: MIT Press 1997.
Reviews:
Cantrill, Arthur: [untitled] In: Cantrills Filmnotes 1998. No. 89/90. [June] pp. 59-60.
Description:
On computer in film.
Index:
Kubrick, Stanley
2001 - A Space Odyssey (1968)
Technik: Computer ~ Technology: Computer
Traum ~ Dreams

#348
Hamer, Naomi: Re-mixing the Chronicles of Narnia: The re-imagining of Lucy Pevensie through film franchise texts and digital fan cultures. In: Children’s film in the digital age: Essays on audience, adaptation and consumer culture. Edited by Karin Beeler and Stan Beeler. - Jefferson, North Carolina: McFarland & Company 2015. p. ?P.
Index:
Adamson, Andrew
Chronicles of Narnia (Filmreihe)
Jugend ~ Youth
Technik: Computer ~ Technology: Computer

#349
Hamus, Réjane: Astérix ou l’image numérix. In: Cahiers du Cinéma 1999. No. 533. [March] pp. 10-11.
Description:
On the digital special effects for Claude Zidi’s Astérix et Obélix contre César.
Index:
Zidi, Claude
Astérix et Obélix contre César (1999)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#350
Hann, Adele: Digital Arts and some revolutionary systems. In: Filmnews 21. 1991. No. 5. [June] p. 3.
Description:
On the computer animation by Australian special effects company "Digital Arts and Television"
Index:
Digital Arts and Television [Firma] ~ Digital Arts and Television [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Australien ~ Australia
Animation ~ Animation

#351
Hansen, Mark B.: Cinema beyond cybernetics, or How to frame the digital image. In: Configurations 10. 2002. No. 1. [Winter] pp. 51-90.
Index:
Technik: Computer ~ Technology: Computer
Cyberspace ~ Cyberspace

#352
Hantke, Steffen: "I see dead people": Visualizing ghosts in the horror film before the arrival of CGI. In: Cinematic ghosts: Haunting and spectrality from silent cinema to the digital era. Edited by Murray Leeder. - London; New York: Bloomsbury Academic 2015. p. 179-198.
Index:
Technik: Computer ~ Technology: Computer
Horror ~ Horror
Geister ~ Ghosts

#353
Harden, F.: Pure virtue. In: Cinema Papers 1991. No. 82. [?D] pp. 40-45.
Description:
On the usage of computer graphics for the experimental film.
Index:
Technik: Computer ~ Technology: Computer
Experimentalfilme ~ Experimental Films

#354
Harden, F.: The computer in animation. In: Cinema Papers 1981. No. 35. [?D] pp. 470-471, 473-475, 477.
Index:
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#355
Hardstaff, Johnny: The impossibly real: Green belting the imaginary. In: Animation [Farnham] 2. 2007. No. 2. [?D] p. ?P.
Description:
On the use of CGI animation for advertisment spots.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#356
Harrasser, Karin: Roboter, Cyborg, Ghost in the Machine: Maschinenszenarios und Digitale Kulturen. In: Zeitschrift für Germanistik N.F. 1. 2003. No. ?N. [?D] pp. 113-130.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Roboter ~ Robots
Geister ~ Ghosts
Cyberspace ~ Cyberspace

#357
Harris, Jan / Taylor, Paul: Digital matters. - New York: Routledge 2005.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#358
Harryhausen, Ray: Welt der Mythen und Legenden. In: Künstliche Welten: Tricks, Special Effects und die Computeranimation im Film von den Anfängen bis heute. Hrsg. von Rolf Giesen und Claudia Meglin. - Hamburg; Wien: Europa Verlag 2000. pp. 55 ff.
Index:
Harryhausen, Ray
Mythologie ~ Mythology
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Roboter ~ Robots
Animation ~ Animation

#359
Heber, Julia: Der Weg zum digitalen Dispositif: Geschichte, Grundbegriffe und Entwicklungen. In: Das digitale Dispositif Cinéma: Untersuchungen zur Veränderung des Kinos. Hrsg. von Rüdiger Steinmetz. - Leipzig: Leipziger Universitäts-Verlag 2011. (= Media-Studien 14.) pp. 70 ff.
Description:
On the history of 3-D cinema.
Index:
Technik: Computer ~ Technology: Computer
3-D Films
Technik ~ Technology

#360
Hébert, Pierre / Larouche, M.: Effacement et résistance du corps: La surréalité des images de synthèse. In: 24 Images 1989. No. 43. [Summer] pp. 22-29.
Description:
On new computer based animation techniques.
Index:
Körper ~ Bodies
Technik ~ Technology
Technik: Computer ~ Technology: Computer
Surrealismus ~ Surrealism
Animation ~ Animation

#361
Heftberger, Adelheid: Kollision der Kader: Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities. Hrsg. von Chris Wahl. - München: edition text + kritik 2016. (= Film-Erbe 2.)
Reviews:
Brandlmeier, Thomas: Datensalat. In: Film-Dienst 69. 2016. No. 6. [March 17] p. 24.
Index:
Vertov, Dziga
Technik: Computer ~ Technology: Computer

#362
Herhuth, Eric: Animating aesthetics: Pixar and digital culture. - Milwaukee, Wisconsin: University of Wisconsin - Milwaukee, Ph.D. 2015. [Abstract in: Dissertation Abstracts International A 77. ?J. No. 3.]
Index:
Technik: Computer ~ Technology: Computer
Pixar [Firma] ~ Pixar [Company]
Animation ~ Animation

#363
Herhuth, Eric: Life, love, and programming: The culture and politics of WALL-E and Pixar computer animation. In: Cinema Journal 53. 2014. No. 4. [Summer] pp. 53-75.
Index:
Stanton, Andrew
WALL-E (2008)
Technik: Computer ~ Technology: Computer
Politik ~ Politics
Pixar [Firma] ~ Pixar [Company]
Animation ~ Animation

#364
Herhuth, Eric: Pixar and the aesthetic imagination: Animation, storytelling, and digital culture. - Oakland, California: University of California Press 2016.
Index:
Technik: Computer ~ Technology: Computer
Pixar [Firma] ~ Pixar [Company]
Animation ~ Animation

#365
Heuring, David: An epic endeavour. In: American Cinematographer 90. 2009. No. 4. [April] pp. 54-61.
Description:
On the digital restoration of Henry Koster’s bible classic The Robe.
Index:
Koster, Henry
Robe, The (1953)
Technik: Computer ~ Technology: Computer

#366
Heybrock, Mathias: Auf dem Weg in die digitale Zukunft: Das Postproduktionshaus "Das Werk". In: EPD Film 17. 2000. No. 7. [July] pp. 28-31.
Description:
On the Frankfurt special effects company.
Index:
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Frankfurt/Main ~ Frankfurt on the Main

#367
Heybrock, Mathias: Transfer mit Tücken. In: Zoom ?G. 2001. No. 6/7. [June/July] pp. 20-22.
Description:
On filmic adaptions of the computer game Tomb Raider.
Index:
Lara Croft: Tomb Raider (Filmreihe)
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#368
Heybrock, Mathias [et al.]: Lara Croft & Co. In: Zoom ?G. 2001. No. 6/7. [June/July] pp. 18-29.
Description:
Special section which discusses the influence of video and computer games on film aesthetics.
Index:
Lara Croft: Tomb Raider (Filmreihe)
Video ~ Video
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Lara Croft ~ Lara Croft

#369
Heyck, Hunter: Embodiment, emotion, and moral experiences: The human and the machine in film. In: Science fiction and computing: Essays on interlinked domains. Edited by David L. Ferro and Eric G. Swedin. - Jefferson, North Carolina; London: McFarland 2011. pp. 230-248.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Science Fiction ~ Science Fiction
Roboter ~ Robots

#370
Hicks, Jeff: Loosely based: The problems of adaptation in Disney’s The Black Cauldron. In: Welsh mythology and folklore in popular culture: Essays on adaptations in literature, film, television and digital media. Edited by Audrey L. Becker and Kristin Noone. - Jefferson, North Carolina; London: McFarland & Company 2011. (= Critical exploration in science fiction and fantasy 33.) pp. 171-181.
Index:
Berman, Ted
Rich, Richard
Black Cauldron, The (1985)
Disney ~ Disney
Wales ~ Wales
Technik: Computer ~ Technology: Computer
Mythologie ~ Mythology
Literatur ~ Literature
Großbritannien ~ Great Britain
Fernsehen ~ Television

#371
Higgins, Scott: 3D in depth: Coraline, Hugo, and a sustainable aesthetic. In: Film History 24. 2012. No. 2. pp. 196-209.
Index:
Selick, Henry
Scorsese, Martin
Coraline (2009)
Hugo (2011)
Technik ~ Technology
3-D Films
Technik: Computer ~ Technology: Computer

#372
Hilf, William H.: Developing a digital aesthetic. In: Animation Journal 5. 1996. No. 1. [Fall] p. 4-31.
Description:
Discusses, among others, Steven Spielberg’s Jurassic Park.
Index:
Spielberg, Steven
Jurassic Park (1993)
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#373
Hindes, Andrew: Lucas legacy sends skeds into orbit. In: Variety 366. 1997. No. ?N. [February 17] pp. 1 ff.
Description:
On the digital restored first three Star Wars films.
Index:
Lucas, George
Kershner, Irvin
Marquand, Richard
Star Wars (Filmreihe)
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Technik: Computer ~ Technology: Computer

#374
Hoberg, Almuth: Film und Computer: Wie digitale Bilder den Spielfilm verändern. - Hamburg: Universität Hamburg, Dissertation 1998.
Reviews:
Kiontke, Jürgen: [untitled] In: Medienwissenschaft 2000. No. 3. pp. 338-340.
Description:
Includes a detailed examination of James Cameron’s Terminator II - Judgement Day.
Index:
Cameron, James
Terminator II - Judgement Day (1991)
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#375
Hoberg, Almuth: Film und Computer: Wie digitale Bilder den Spielfilm verändern. - Frankfurt/M.; New York: Campus Verlag 1999. (= Campus Forschung.)
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#376
Hoffmann, Katrin: Held an der Konsole. In: EPD Film 25. 2008. No. 5. [May] pp. 26-28.
Description:
On the representation of computer games in Nic Balthazar’s Ben X.
Index:
Balthazar, Nic
Ben X (2007)
Technik: Computer ~ Technology: Computer
Helden ~ Heros

#377
Hoffmann, Kay: Als die Dinos laufen lernten: "Medienforum" / "Digitale" in Köln: Revolution durch digitale Effekte. In: Film-Dienst 47. 1994. No. 14. [July 5] pp. 12-13.
Description:
On new techniques in computer animation. Discusses, among others, Steven Spielberg’s Jurassic Park.
Index:
Spielberg, Steven
Jurassic Park (1993)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Köln ~ Cologne
Animation ~ Animation

#378
Hoffmann, Kay: Mekka für Digitales. In: Film-Dienst 60. 2007. No. 11. [May 24] p. 4.
Description:
On the 2007 International Trick Film Festival and on the FMX conference on special effects in Stuttgart.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Stuttgart ~ Stuttgart
Festival ~ Festival

#379
Hoffmann, Kay: Zentrum der digitalen Medienproduktion. In: Filmecho/Filmwoche 62. 2008. No. 20. [May 17] pp. 10-11.
Description:
On the Stuttgart "fmx" conference on animation and special effects.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Stuttgart ~ Stuttgart
Animation ~ Animation

#380
Höhne, Marc: Fast wie im Kino ... In: Nautilus 2. 1994. No. 2. [August] pp. 44-46.
Description:
On new Star Wars computer games.
Index:
Star Wars (Filmreihe)
Technik: Computer ~ Technology: Computer
Star Wars ~ Star Wars

#381
Holben, Jay: Rendering new worlds. In: American Cinematographer 78. 1997. No. 9. [September] pp. 76-88.
Description:
On new computer generated special effects techniques.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#382
Holben, Jay: Shooting digital? In: American Cinematographer 80. 1999. No. 9. [September] p. 28.
Description:
On the special effects for George Lucas’s Star Wars Episode I - The Phantom Menace.
Index:
Lucas, George
Star Wars Episode I - The Phantom Menace (1999)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#383
Holben, Jay: Visions of the future. In: American Cinematographer 79. 1998. No. 4. [April] pp. 30-36.
Description:
On digital special effects.
Index:
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Utopie ~ Utopia
Technik ~ Technology

#384
Holliday, Christopher: The computer-animated film: Industry, style and genre. - Edinburgh: Edinburgh University Press 2018.
Index:
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#385
Holliday, Christopher: Toying with performance: Toy Story, virtual puppetry and computer-animated film acting. In: Toy Story: How Pixar reinvented the animated feature. Edited by Susan Smith, Noel Brown and Sam Summers. - New York: Bloomsbury Academic 2018. (= Animation: Key films/filmmakers.) p. ?P.
Index:
Lasseter, John
Toy Story (Filmreihe)
Technik: Computer ~ Technology: Computer
Pixar [Firma] ~ Pixar [Company]
Cyberspace ~ Cyberspace
Animation: Puppen ~ Animation: Puppets
Animation ~ Animation

#386
Holmberg, Jan: Film/dataspel. In: Filmhäftet 30. 2002. No. 121. [?D] pp. 10-17.
Description:
On feature films based on computer games.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#387
Höltgen, Stefan: Der Horror (zurück aus) der Interaktivität: Strukturen verrauschter Digitalität und Intermedialität im Videospiel Silent Hill (1999) und seiner Filmadaption (2006). In: Dawn of an evil millennium: Horror/Kultur im neuen Jahrtausend. Hrsg. von Jörg van Bebber. - Darmstadt: Büchner-Verlag 2011. pp. 293 ff.
Index:
Gans, Christophe
Silent Hill (2006)
Video ~ Video
Technik: Computer ~ Technology: Computer
Böse, Das ~ Evil, The
Horror ~ Horror

#388
Höltgen, Stefan: Kontaktmaschinen: Computer und Roboter im fiktionalen Pornofilm. In: Sex und Subversion: Pornofilme jenseits des Mainstream. Hrsg. von Oliver Demny und Martin Richling. - Berlin: Bertz + Fischer 2010 (= Deep Focus 11.) pp. 73 ff.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Roboter ~ Robots
Sexualität ~ Sexuality

#389
Höltgen, Stefan: Mehr als man sehen kann: Actionfigur, Comic, Film, Computerspiel: Transformers sind extrem wandlungsfähig! - Frankfurt/Main: Universitätsbibliothek Johann Christian Senckenberg 2007.
Index:
Transformers (Filmreihe)
Technik: Computer ~ Technology: Computer
Animation: Comics ~ Animation: Comics
Action ~ Action

#390
Höltgen, Stefan: Mensch-Maschinen: Computer im Film Teil 5: Roboter im Film. In: Telepolis, 30.12.2009. p. ?P.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Roboter ~ Robots

#391
Horák, Antonín: Die Erfindung des Verderbens. In: Künstliche Welten: Tricks, Special Effects und die Computeranimation im Film von den Anfängen bis heute. Hrsg. von Rolf Giesen und Claudia Meglin. - Hamburg; Wien: Europa Verlag 2000. pp. 65 ff.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Roboter ~ Robots
Animation ~ Animation

#392
Horguelin, Thierry: Les habits neufs de la paranoïa. In: 24 Images 1995/1996. No. 80. [December/January] p. 28.
Description:
On recent American films showing the fear of new technological developments in the area of computer science and the Internet. Discusses, among others, Virtuosity and The Net.
Index:
Leonard, Brett
Winkler, Irwin
Virtuosity (1995)
Net, The (1995)
Wissenschaft ~ Science
Internet ~ Internet
Technik: Computer ~ Technology: Computer
USA (United States of America) ~ USA (United States of America)
Technik ~ Technology
Angst ~ Fear

#393
Hornig, Susanna: Digital delusions: Intelligent computers in science fiction film. In: Beyond the stars III. Edited by Paul Loukides and Linda K. Fuller. - Bowling Green, Ohio: Bowling Green University Popular Press 1990. pp. 207-215.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Science Fiction ~ Science Fiction

#394
Horst, Sabine / Schweizerhof, Barbara: "Wir haben es mit einer neuen Form von Realität zu tun": Interview mit dem Spieleforscher Andreas Lange. In: EPD Film 25. 2008. No. 5. [May] pp. 29-31.
Description:
On the representation of computer games in Nic Balthazar’s Ben X.
Index:
Balthazar, Nic
Ben X (2007)
Technik: Computer ~ Technology: Computer

#395
Horst, Sabine: Tron. In: EPD Film 30. 2013. No. 11. [November] p. 28.
Description:
On the representation of the computer in the film.
Index:
Lisberger, Steven
Tron (1982)
Technik: Computer ~ Technology: Computer

#396
Horst, Sabine: Widerstand ist zwecklos. In: EPD Film 32. 2015. No. 8. [August] pp. 34-35.
Description:
On an Frankfurt exhibition dedicated to the relation between computer games and film.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Frankfurt/Main ~ Frankfurt on the Main

#397
Horton, Robert: Star Wars: Enough a’ready. In: Film Comment 33. 1997. No. 3. [May/June] pp. 3-4.
Description:
On the digital revised first three Star Wars films.
Index:
Lucas, George
Kershner, Irvin
Marquand, Richard
Star Wars (Filmreihe)
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Technik: Computer ~ Technology: Computer
Star Wars ~ Star Wars

#398
Hughes, Kit: Ailing screens, viral video: Cinema’s digital ghosts in Kiyoshi Kurosawa’s Pulse. In: Film Criticism 36. 2011/2012. No. 2. [Winter] pp. 22-42.
Index:
Kurosawa, Kiyoshi
Kairo (2001)
Video ~ Video
Technik: Computer ~ Technology: Computer
Geister ~ Ghosts

#399
Huhtamó, Erkki: Spookrijden door het universum. In: Andere Sinema 1995. No. 125. [?D] pp. 59-62.
Description:
On films in which computer play a central role.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#400
Huschke, Roland: Die Computer-Crux. In: Cinema [Hamburg] 1996. No. 4(215). [?D] p. 44.
Description:
On new developments in computer based animation technologies.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#401
Inanimate objects emote on screen. In: American Cinematographer 68. 1987. No. 5. [May] pp. 87-88.
Description:
On computer generated animation techniques for the short film Luxo Jr..
Index:
Lasseter, John
Reeves, William
Luxo Jr. (1986)
Technik ~ Technology
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#402
Irwin, William: Computers, caves, and oracles: Neo and Socrates. In: The Matrix and philosophy: Welcome to the desert of the real. Edited by William Irwin. - Chicago: Open Court 2002. pp. 5-15.
Index:
Wachowski, Andy
Wachowski, Larry
Sokrates
Matrix, The (1999)
Technik: Computer ~ Technology: Computer
Philosophie ~ Philosophy

#403
Jackson, Aurelia: Disney’s Pixar: How Steve Jobs changed Hollywood. - Broomall, Pennsylvania: Mason Crest 2014. (= Wizards of technology.)
Index:
Jobs, Steve
Pixar [Firma] ~ Pixar [Company]
Hollywood ~ Hollywood
Disney ~ Disney
Animation ~ Animation
Technik: Computer ~ Technology: Computer

#404
Janus, Ludwig: The Matrix: Individuationswege unter den Bedingungen hoch technisierter Computersimulationen und virtueller Weiten. In: Filmräume - Leinwandträume: Psychoanalytische Filminterpretationen. Hrsg. von Christine Popund AlfGerlach. - Gießen: Psychosozial-Verlag 2012. (= Imago.) pp. 111 ff.
Index:
Wachowski, Andy
Wachowski, Larry
Matrix, The (Filmreihe)
Traum ~ Dreams
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Cyberspace ~ Cyberspace
Psychologie ~ Psychology

#405
Jekubzik, Günter H.: Digital Days 2002: Zukunft animieren. In: Film-Dienst 55. 2002. No. 7. [March 26] p. 40.
Index:
Utopie ~ Utopia
Technik: Computer ~ Technology: Computer
Festival ~ Festival
Animation ~ Animation

#406
Jekubzik, Günter H.: Digitale ’99. In: Film-Dienst 52. 1999. No. 22. [October 28] p. 39.
Description:
On the workshop festival.
Index:
Technik ~ Technology
Festival ~ Festival
Technik: Computer ~ Technology: Computer

#407
Jekubzik, Günter H.: Kino aus dem Rechner: Digitale Postproduktion aus Deutschland. In: Film-Dienst 51. 1998. No. 14. [July 7] p. 35.
Description:
Discusses, among others, the work of the Oberhausener trick company HDO.
Index:
Oberhausen ~ Oberhausen
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Deutschland ~ Germany
Animation ~ Animation
HDO (High Definition Oberhausen) ~ HDO (High Definition Oberhausen)

#408
Jenkins, Henry: Quentin Tarantino’s Star Wars: Digital cinema, media convergence, and participatory culture. In: Myth, media, and culture in Star Wars: An anthology. Edited by Douglas Brode and Leah Deyneka. - Lanham, Maryland: Scarecrow Press 2012. p. ?P.
Index:
Lucas, George
Tarantino, Quentin
Star Wars (Filmreihe)
Technik: Computer ~ Technology: Computer
Mythologie ~ Mythology

#409
Jenkins, Henry: Quentin Tarantino’s Star Wars? Digital cinema, media convergence, and participatory culture. In: Key readings in media today: Mass communication in contexts. Edited by Brooke Erin Duffy and Joseph Turow. - New York: Routledge 2009. p.?P.
Index:
Tarantino, Quentin
Lucas, George
Star Wars (Filmreihe)
Technik: Computer ~ Technology: Computer

#410
Jenkins, Henry: Quentin Tarantino’s Star Wars? Digital cinema, media convergence, and participatory culture. In: Media and cultural studies: Keyworks. Edited by Meenakshi Gigi Durham and Douglas M. Kellner. - Malden, Massachussetts: Blackwell 2001. (= Keyworks in cultural studies 2.) p. ?P.
Index:
Tarantino, Quentin
Star Wars (Filmreihe)
Technik: Computer ~ Technology: Computer

#411
Jenkins, Henry: Quentin Tarantino’s Star Wars? Digital cinema, media convergence, and participatory culture. In: Media and cultural studies: Keyworks. Edited by Meenakshi Gigi Durham and Douglas M. Kellner. Revised edition. - Malden, Massachussetts: Blackwell 2006. (= Keyworks in cultural studies 2.) p. ?P.
First edition:
[2001]
Index:
Tarantino, Quentin
Star Wars (Filmreihe)
Technik: Computer ~ Technology: Computer

#412
Jensen, Jeppe G.: Før og efter Tolkien: Fantasy-genren i skiftende medier. In: Kosmorama 49. 2003. No. 231. [Summer] pp. 62-77.
Description:
On fantasy in various media, especially in literature, film and computer games, with emphasis on the Lord of the Rings series.
Index:
Tolkien, John Ronald Reuel
Jackson, Peter
Lord of the Rings (Filmreihe)
Technik: Computer ~ Technology: Computer
Literatur ~ Literature
Fantasy ~ Fantasy
Lord of the Rings (Literatur ~ Literature)

#413
Jernigan, Daniel K. / Chansavang, Anthony / Martin-Rall, Hannes / Hock-Soon, Seah / Lim, Darren / Johan, Henry: Aesthetic affordances: Computer animation and Wayang Kulit puppet theatre. In: Animation Practice 3. 2013. No. 1/2. [December] pp. 195-217.
Index:
Theater ~ Theatre
Technik: Computer ~ Technology: Computer
Animation: Puppen ~ Animation: Puppets
Animation ~ Animation
Indonesien ~ Indonesia

#414
Jetschin, Bernd: Hunderttausende von Komponenten: Digitale Bildgestaltung für Lauras Stern: Die Animationsfabrik in Ottensen. In: Filmecho/Filmwoche 63. 2009. No. 26. [June 26] Special Section: Animation Hamburg, p. IX.
Index:
Rothkirch, Thilo
De Rycker, Piet
Lauras Stern und der geheimnisvolle Drache Nian (2009)
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#415
Jetschin, Bernd: Leben aus dem Computer? In: Film & TV Kameramann 50. 2001. No. ?N. [July]. pp. 62-66.
Description:
On Shrek by Andrew Adamson and Vicky Jenson.
Index:
Adamson, Andrew
Jenson, Vicky
Shrek (2001)
Technik: Computer ~ Technology: Computer

#416
Jockenhövel, Jesko: Analogien zwischen frühen Farbfilmen und digitalem 3D. In: Raumdeutung: Zur Wiederkehr des 3D-Films. Hrsg. von Jan Diestelmeyer, Lisa Andergassen und Nora Werdich. - Bielefeld: Transcript 2012. (= Metabasis 9.) pp. 133 ff.
Index:
Technik: Computer ~ Technology: Computer
3-D Films
Technik ~ Technology

#417
Joel, William Joseph: A conceptual model for computer animation. - Syracuse, New York: Syracuse University, Ph.D. 1995. [Abstraxct in: Dissertation Abstracts International B 56. 1996. No. 9. (March) p. 4984.]
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#418
Johnston, Ian: Lexx - Dark Zone adventures: An ambitious mix of live action and computer animation. In: Cinefantastique 29. 1997. No. 1. [July] pp. 54-55.
Index:
Lexx - The Dark Zone (TV)
Abenteuer ~ Adventure
Technik: Computer ~ Technology: Computer

#419
Johnston, Nessa: Sounding decay in the digital age: "Audio-visions" of Decasia (2002) and Lyrical nitrate (1991). In: The music and sound of experimental film. Edited by Holly Rogers and Jeremy Barham. - New York: Oxford University Press 2017. p. ?P.
Index:
Morrison, Bill
Delpeut, Peter
Decasia (2002)
Lyrisch Nitraat (1991)
Technik: Computer ~ Technology: Computer
Musik ~ Music
Experimentalfilme ~ Experimental Films

#420
Jones, Alan: American Werewolf: Special effects. In: Cinefantastique 29. 1997. No. 6/7. [November] pp. 22-23.
Description:
On new CGI special effects for Anthony Waller’s An American Werewolf in Paris.
Index:
Waller, Anthony
American Werewolf in Paris, An (1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#421
Jones, Alan: Judge Dredd: Special visual effects: Joss Williams sought effects solutions that avoided computer graphics. In: Cinefantastique 26. 1995. No. 5. [August] pp. 32-34.
Index:
Cannon, Danny
Williams, Joss
Judge Dredd (1995)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#422
Jones, Alan: Sleepy Hollow: Director Tim Burton on his poetic ode to Hammer horror. In: Cinefantastique 31. 1999. No. 9. [December] pp. 16-27.
Description:
Articles on the film by Tim Burton. Discusses, among others, the work of actor Casper Van Dien, of production designer Rick Heinrichs and the CGI effects by Jim Mitchell, Joss Williams and Kevin Yagher.
Index:
Burton, Tim
Van Dien, Casper
Heinrichs, Rick
Mitchell, Jim
Williams, Joss
Yagher, Kevin
Sleepy Hollow (1999)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Horror ~ Horror
Hammer [Firma] ~ Hammer [Company]

#423
Jones, Alan: Space Truckers: Visual FX: British CGI company leaps to the big screen. In: Cinefantastique 28. 1997. No. 10. [April] pp. 24-25.
Index:
Gordon, Stuart
Space Truckers (1996)
Großbritannien ~ Great Britain
Technik: Computer ~ Technology: Computer

#424
Jones, Kent: Hollywood et la saga du numérique. In: Cahiers du Cinéma 1999. No. 537. [July/August] pp. 36-39.
Description:
On the digital special effects for Star Wars Episode I - The Phantom Menace and The Matrix.
Index:
Lucas, George
Wachowski, Andy
Wachowski, Larry
Star Wars Episode I - The Phantom Menace (1999)
Matrix, The (1999)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Hollywood ~ Hollywood

#425
Jones, Nick: Variation within stability: Digital 3D and film style. In: Cinema Journal 55. 2015. No. 1. [Fall] pp. 52-73.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
3-D Films

#426
Jordan, Sean: Send in the Clones. In: Cinefantastique 36. 2004. No. 5. [October/November] pp. 32-39.
Description:
On the digital special effects for George Lucas’s Star Wars Episode III - Revenge of the Sith. Discusses especially the work of animator Genndy Tartakovsky.
Index:
Lucas, George
Lucas, George
Tartakovsky, Genndy
Star Wars (Filmreihe)
Star Wars Episode III - Revenge of the Sith (2005)
Animation ~ Animation
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#427
Josephson, Hal: Special FX for Lord of the Rings. In: Metro 2002. No. 131/132. [Summer] pp. 60-65.
Description:
On the special effects by New Zealand companies "Weta Digital" and "Weta Workshop" for Peter Jackson’s Lord of the Rings: The Fellowship of the Ring.
Index:
Jackson, Peter
Lord of the Rings, The: The Fellowship of the Ring (2001)
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Neuseeland ~ New Zealand

#428
Joslin, Abby: Digital cinematography: Lighting & rendering the look of Jurassic Park. In: On Production and Post-Production 2. 1993. No. 7. [?D] pp. 56 ff.
Index:
Spielberg, Steven
Jurassic Park (1993)
Technik: Kamera ~ Technology: Camera
Technik: Computer ~ Technology: Computer

#429
Joslin, Abby: Stop-motion overpowered by Jurassic Park computer dinosaurs. In: On Production and Post-Production 2. 1993. No. 6. [?D] pp. 56 ff.
Index:
Spielberg, Steven
Jurassic Park (1993)
Technik: Computer ~ Technology: Computer
Dinosaurier ~ Dinosaurs

#430
Jullier, Laurent: L’ère numérique: Vers l’évanescence du trucage. In: "1895" 1999. No. 27. [September] pp. 113-119.
Description:
On the importance of digital technology for special effects.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#431
Kadner, Noah: Lynch goes digital with Inland Empire. In: American Cinematographer 88. 2007. No. 4. [April] pp. 116-123.
Index:
Lynch, David
Inland Empire (2006)
Technik: Computer ~ Technology: Computer

#432
Kallay, Jasmina: Rise of the machines. In: Film Ireland 2007. No. 115. [March/April] pp. 22-23.
Description:
On computer animation and the role of compter games aesthetics for low budget filmmaking.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#433
Kanyuk, Paul: Brain Springs: Fast physics for large crowds in WALL-E. In: IEEE Computer Graphics & Applications 29. 2009. No. 4. [July/August] pp. 19-25.
Description:
On the digital special effects for Pixars animated feature.
Index:
Stanton, Andrew
WALL-E (2008)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Pixar [Firma] ~ Pixar [Company]
Animation ~ Animation

#434
Kaplan, Anna L.: Star Trek: Deep Space Nine. In: Cinefantastique 30. 1998. No. 9/10. [November] pp. 32-111.
Description:
Articles on the TV series. Discusses, among others, the work of actors Colm Meaney, Rene Auberjonois, Terry Farrell, Nana Visitor, Avery Brooks, Jeffrey Combs, Cirroc Lofton, Jeri Ryan, Robert Beltran, Robert Picardo, Roxann Dawson and Tim Russ, the CGI special effects by Gary Hutzel, David Stipes, Dan Curry, Mitch Suskin and Ronald B. Moore, on single motifs like racism and on single episodes of the series. Includes an episode guide.
Index:
Meaney, Colm
Auberjonois, Rene
Farrell, Terry
Visitor, Nana
Brooks, Avery
Combs, Jeffrey
Lofton, Cirroc
Ryan, Jeri
Beltran, Robert
Dawson, Roxann
Russ, Tim
Hutzel, Gary
Stipes, David
Curry, Dan
Suskin, Mitch
Moore, Ronald B.
Star Trek - Deep Space Nine (TV)
Ethnie ~ Ethnicity
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television
Technik: Computer ~ Technology: Computer

#435
Kaplan, Anna L.: Star Trek Voyager. In: Cinefantastique 29. 1997. No. 6/7. [November] pp. 82-95, 97-101, 103-113.
Description:
Articles on the TV series. Discusses, among others, the work of Jeri Taylor, Kate Mulgrew, Ken Biller, Robert Picardo, Robert Beltran, Ronald B. Moore, Tim Russ, Robert Duncan McNeill, Dan Curry and the CGI special effects. Includes an episode guide.
Index:
Taylor, Jeri
Mulgrew, Kate
Biller, Ken
Picardo, Robert
Beltran, Robert
Moore, Ronald B.
Russ, Tim
McNeill, Robert Duncan
Curry, Dan
Star Trek - Voyager (TV)
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television
Technik: Computer ~ Technology: Computer

#436
Kaplan, Anna L.: Star Trek Voyager. In: Cinefantastique 31. 2000. No. 11. [April] pp. 22-55.
Description:
Articles on the TV series. Discusses, among others, the work of actors Jeri Ryan, Robert Picardo, Roxann Dawson, Tim Russ, Garrett Wang, Robert Duncan McNeill and John Savage, the work of Gene Roddenberry, of producer Brannon Braga, the CGI special effects by Ron Moore and Mitch Suskin and single episodes of the series. Includes an episode guide of the 5th season.
Index:
Ryan, Jeri
Picardo, Robert
Dawson, Roxann
Russ, Tim
Wang, Garrett
McNeill, Robert Duncan
Savage, John
Roddenberry, Eugene Wesley [Pseudonym: Roddenberry, Gene]
Braga, Brannon
Moore, Ron
Suskin, Mitch
Star Trek - Voyager (TV)
Technik: Spezialeffekte ~ Technology: Special Effects
Fernsehen ~ Television
Technik: Computer ~ Technology: Computer

#437
Karceva, E.: Zivee vseh zivyh, ili komp’juter v kino. In: Iskusstvo Kino 1994. No. 8. [August] pp. 33-36.
Description:
On computer generated special effekts in film, especially in Jurassic Park.
Index:
Spielberg, Steven
Jurassic Park (1993)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#438
Kaufman, Debra: Hybrid digital / opticals are a first. In: American Cinematographer 78. 1997. No. 3. [March] pp. 14 ff.
Description:
On the digital restored first three Star Wars films.
Index:
Lucas, George
Star Wars (Filmreihe)
Technik: Computer ~ Technology: Computer

#439
Kaufman, Debra: SPI makes digital Contact. In: American Cinematographer 78. 1997. No. 7. [July] pp. 58-59.
Index:
Zemeckis, Robert
Contact (1997)
Technik: Computer ~ Technology: Computer

#440
Kaufman, Debra: Warner Digital creates glacial gales. In: American Cinematographer 78. 1997. No. 7. [July] pp. 38-39.
Description:
On the special effects for Joel Schumacher’s Batman & Robin.
Index:
Schumacher, Joel
Batman & Robin (1997)
Technik: Computer ~ Technology: Computer
Warner Bros. ~ Warner Bros.
Technik: Spezialeffekte ~ Technology: Special Effects

#441
Kawin, Bruce: Three endings. In: Film Quarterly 65. 2011. No. 1. [Fall] pp. 14-16.
Description:
On computer generated special effects in recent cinema. Discusses especially James Cameron’s Avatar, Christopher Nolan’s Inception and Werner Herzog’s Cave of Forgotten Dreams.
Index:
Cameron, James
Nolan, Christopher
Herzog, Werner
Avatar (2009)
Inception (2010)
Cave of Forgotten Dreams (2010)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#442
Kehr, Dave: For its latest adaption, A Christmas Carol gets a digital makeover. In: International Herald Tribune, November 3, 2009. pp. 10-11.
Index:
Zemeckis, Robert
Christmas Carol, A / Disney’s A Christmas Carol (2009)
Technik: Computer ~ Technology: Computer

#443
Kerda, Stefan: Die künstlerischen Möglichkeiten der 3D-Computeranimation. - Potsdam: Hochschule für Film und Fernsehen "Konrad Wolf", Fachrichtung Animation, Diplom-Arbeit 1993.
Index:
3-D Films
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Kunst ~ Arts, The
Animation ~ Animation

#444
Kerlow, Isaac Victor: The art of 3-D computer animation and imaging. Second edition. - ?O: John Wiley & Sons ?J (2000).
Reviews:
Zone, Ray: [untitled] In: American Cinematographer 81. 2000. No. 9. [September] p. 163.
Index:
3-D Films
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#445
Kevorkian, Martin: Computers with color monitors: Disembodied black screen images, 1988-1996. In: American Quarterly 51. 1999. No. 2. [?D] pp. 283-310.
Description:
Discusses, among others, James Cameron’s Terminator II - Judgement Day and Steven Spielberg’s Jurassic Park.
Index:
Cameron, James
Spielberg, Steven
Terminator II - Judgement Day (1991)
Jurassic Park (1993)
Technik: Computer ~ Technology: Computer

#446
Kim, Jihoon: Digital and postdigital 3D animation in the contemporary Chinese art scene: Miao Xiaochun and Lu Yang. In: Journal of Chinese Cinemas 11. 2017. No. 3. [November] pp. 227-242.
Index:
Miao Xiaochun
Lü Yang
Technik: Computer ~ Technology: Computer
3-D Films
China ~ China
Animation ~ Animation

#447
Kimber, Gary: Omnibus Computer Graphics. In: Cinefantastique 17. 1987. No. 3/4. [June] p. 18.
Description:
On the computer animation company.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#448
Kimmel, Daniel: Star Wars primed for second bigscreen life. In: Variety 366. 1997. No. 1. [February 3] p. 43.
Description:
On the digital restored first Star Wars film.
Index:
Lucas, George
Kershner, Irvin
Marquand, Richard
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Star Wars (Filmreihe)
Technik: Computer ~ Technology: Computer

#449
Kinder, Marsha: Hot spots, avatars, and narrative fields forever: Buñuel’s legacy for new digital media and interactive database narrative. In: Film Quarterly 55. 2002. No. 4. [Summer] pp. 2-15.
Index:
Buñuel, Luis
Technik: Computer ~ Technology: Computer

#450
Kirby, David A.: A new techno-mythology for a new age: The production history of The Lawnmower Man. In: Science fiction and computing: Essays on interlinked domains. Edited by David L. Ferro and Eric G. Swedin. - Jefferson, North Carolina; London: McFarland 2011. pp. 214-229.
Index:
Leonard, Brett
Lawnmower Man, The (1992)
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Science Fiction ~ Science Fiction
Mythologie ~ Mythology

#451
Kirchner, Andreas: Painting in time: On the use of digital visual effects in Melancholia (2011). In: The apocalypse in film: Dystopias, disasters, and other visions about the end of the world. Edited by Karen A. Ritzenhoff and Angela Krewani. - Lanham, Maryland; Plymouth: Rowman & Littlefield 2015. p. 191 ff.
Index:
von Trier, Lars
Melancholia (2011)
Utopie ~ Utopia
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Religion: Apokalypse ~ Religion: Apocalypse
Kunst ~ Arts, The
Katastrophen ~ Disasters

#452
Kirkeby, M.: Computer graphics: Is there life after Tron? In: American Film 8. 1983. No. 4. [?D] pp. 42-45.
Index:
Lisberger, Steven
Tron (1982)
Technik: Computer ~ Technology: Computer

#453
Kirkland, Ewan: Children’s media and modernity: Film, television and digital games. - Oxford; Bern: Peter Lang 2017.
Description:
Discusses, among others, the Wallace and Gromit films and tv series as well as the Teletubbies.
Index:
Wallace and Gromit (Filmreihe)
Teletubbies (TV)
Technik: Computer ~ Technology: Computer
Jugend ~ Youth
Fernsehen ~ Television

#454
Kirkpatrick, Graeme: Between art and gameness: Critical theory and computer game aesthetics. In: Thesis Eleven 89. 2007. No. 1. [May] pp. 74-93.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#455
Kirksæther, Jørgen: Have gun, will travel: And proud of it. In: Z Filmtidsskrift ?G. 1999. No. ?N(67). [?D] pp. 23-25.
Description:
On computer game character Lara Croft and her representation in film and other media.
Index:
Lara Croft ~ Lara Croft
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#456
Klein, Thomas: Blaue Körperwunder: Kino und Leiblichkeit im digitalen Zeitalter. In: Film-Dienst 63. 2010. No. 10. [May 13] pp. 6-9.
Description:
Discusses especially the representation of the human body in James Cameron’s Avatar.
Index:
Wunder ~ Miracles
Technik: Computer ~ Technology: Computer
Körper ~ Bodies

#457
Kleiner, Felicitas: Assassin’s Creed: 3D-Zirkeltraining nach Computerspielvorlage. In: Film-Dienst 70. 2017. No. 1. [January 5] p. 51.
Index:
Kurzel, Justin
Assassin’s Creed (2016)
Technik: Computer ~ Technology: Computer
3-D Films

#458
Kling, B.: Wege in synthetische Bilderwelten. In: Filmfaust ?G. 1986. No. 54. [?D] pp. 44-49.
Description:
On the usage of computer technology for creating animated films.
Index:
Technik ~ Technology
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#459
Koc, Aysegul: Interview with R. Bruce Elder. In: Cineaction 2003. No. 61. [February] pp. 34-39.
Description:
The Canadian animator on the importance of computer animation for his work.
Index:
Elder, R. Bruce
Technik: Computer ~ Technology: Computer
Kanada ~ Canada
Experimentalfilme ~ Experimental Films
Animation ~ Animation

#460
Kohlmann, Klaus: Der computeranimierte Spielfilm: Forschungen zur Inszeniernng und Klassifizierung des 3-D-Computer-Trickfilms. - Bielefeld: Transcript Film 2007.
Reviews:
Kuzina, Matthias: Digitalität im Kino. In: Medienwissenschaft 2007. No. 4. pp. 428-430.
Index:
Technik: Computer ~ Technology: Computer
3-D Films
Animation ~ Animation

#461
Kohlmann, Klaus: Der computeranimierte Spielfilm: Forschungen zur Inszenierung und Klassifizierung des 3-D-Computer-Trickfilms. - Köln: Universität Köln, Dissertation ?J (2007).
Index:
Technik: Computer ~ Technology: Computer
3-D Films
Animation ~ Animation

#462
Kolesnikov-Jessop, Sonia: Martial arts with a digital twist. In: International Herald Tribune, December 8, 2009. p. 19.
Description:
On The Storm Warriors (Fung wan II) by Oxide Pang Chun and Danny Pang.
Index:
Oxide Pang Chun
Pang, Danny
Fung wan II (2009)
Technik: Computer ~ Technology: Computer
Martial Art ~ Martial Art

#463
Kothenschulte, Daniel: Die Rückkehr der Jedi-Ritter: Digitale Radikalkur für die Star Wars-Trilogie. In: Film-Dienst 50. 1997. No. 7. [April 1] pp. 7-9.
Description:
On the digital renovation of the first three Star Wars films.
Index:
Lucas, George
Kershner, Irvin
Marquand, Richard
Star Wars (Filmreihe)
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Technik: Computer ~ Technology: Computer
Ritter ~ Knights
Star Wars ~ Star Wars

#464
Kothenschulte, Daniel: King Kong und Piranesi: 3. Kölner "Digitale". In: Film-Dienst 49. 1996. No. 22. [October 22] pp. 8-9.
Index:
Technik: Computer ~ Technology: Computer
King Kong ~ King Kong
Festival ~ Festival
Köln ~ Cologne

#465
Kothenschulte, Daniel: Radikaler Weltentwurf: Disney’s Pinocchio in digitaler Restaurierung. In: Film-Dienst 47. 1994. No. 17. [August 16] pp. 38-40.
Index:
Luske, Hamilton
Sharpsteen, Ben
Pinocchio (1940)
Technik: Computer ~ Technology: Computer
Disney ~ Disney

#466
Krohn, Bill: Le travail du cinéaste: Entretien avec John Carpenter. In: Cahiers du Cinéma 1996. No. 503. [June] pp. 104-107.
Description:
Especially on the usage of digital effects in Carpenter’s Filmen.
Index:
Carpenter, John
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#467
Krzywinska, Tanya: Hands-on horror. In: Spectator 22. 2002. No. 2. [Fall] p. 12-23.
Description:
On the relation between horror film and computer games.
Index:
Technik: Computer ~ Technology: Computer
Horror ~ Horror

#468
Kuhn, Martin: Schöne neue Medienwelt: 1.: Hollywood im Homecomputer. In: Moviestar 3. 1995. No. 13. [?D] pp. 66-67, 70.
Description:
On computer games based on fantastic Hollywood movies.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Hollywood ~ Hollywood

#469
Kühn, Detlef: Der Polarexpress: Ein Weihnachtsfilm, in neuer Computeranimation gedreht. In: EPD Film 21. 2004. No. 12. [December] p. 39.
Description:
On Robert Zemeckis’s The Polar Express.
Index:
Zemeckis, Robert
Polar Express, The (2004)
Weihnachten ~ Christmas
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#470
Kühn, Detlef: Stuart Little: Robert Minkoff zaubert eine Maus aus dem Computer. In: EPD Film 17. 2000. No. 5. [May] pp. 48-49.
Index:
Minkoff, Rob
Stuart Little (1999)
Technik: Computer ~ Technology: Computer

#471
Künstliche Welten: Tricks, Special Effects und die Computeranimation im Film von den Anfängen bis heute. Hrsg. von Rolf Giesen und Claudia Meglin. - Hamburg; Wien: Europa Verlag 2000.
Reviews:
Löser, Claus: [untitled] In: Film-Dienst 54. 2001. No. 3. [January 30] p. 42.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Roboter ~ Robots
Animation ~ Animation

#472
Kurpanek, Carsten: Deus ex Machinima: Wie Tüftler Computerspiele in Filme verwandeln. In: EPD Film 22. 2005. No. 2. [February] pp. 14-15.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#473
Kurpanek, Carsten: Film ist nicht gleich Film: Digitale Aufnahmetechnik: Der Tod des Zelluloid? In: EPD Film 22. 2005. No. 8. [August] pp. 30-35.
Description:
Discusses also some fantastic films, among them Sin City.
Index:
Miller, Frank
Rodriguez, Robert
Tarantino, Quentin
Sin City / Frank Miller’s Sin City (2005)
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#474
Kutzera, Dale: Digital effects. In: Cinefex 1994. No. 57. [March] p. ?P.
Description:
On the special effects for Barry Sonnenfeld’s The Addams Family and Addams Family Values.
Index:
Sonnenfeld, Barry
Addams Family, The (1991)
Addams Family Values (1993)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#475
Kutzera, Dale: Sinbad: Beyond the Veil of Mists: The $20 million CGI animated fantasy heads direct-to-video. In: Cinefantastique 32. 2000. No. 4/5. [December] pp. 112-115.
Index:
Ricks, Evan
Sinbad: Beyond the Veil of Mists (2000)
Video ~ Video
Fantasy ~ Fantasy
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#476
Kutzera, Dale: Star Trek - Deep Space Nine: Compositing special effects: Pasific Ocean post on the art of digital paint and animation. In: Cinefantastique 28. 1996. No. 4/5. [November] pp. 64-67.
Index:
Star Trek - Deep Space Nine (TV)
Technik: Computer ~ Technology: Computer
Musik ~ Music
Meer ~ Sea
Technik: Spezialeffekte ~ Technology: Special Effects
Kunst ~ Arts, The
Animation ~ Animation

#477
Kuznecov, Sergej: Zvezdnye vojny na poroge novogo veka. In: Iskusstvo Kino 1999. No. 12. [December] pp. 70-77.
Description:
On the digital renovation of the Star Wars trilogy.
Index:
Lucas, George
Kershner, Irvin
Marquand, Richard
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Star Wars (Filmreihe)
Technik: Computer ~ Technology: Computer

#478
Kuznecov, Sergej [et al.]: V setjah Interneta. In: Iskusstvo Kino 1996. No. 7. [?D] pp. 60-71.
Description:
On computers in film. Discusses, among others, Iain Softley’s Hackers and Kathryn Bigelow’s Strange Days.
Index:
Softley, Iain
Bigelow, Kathryn
Hackers (1995)
Strange Days (1995)
Internet ~ Internet
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#479
Lacasse, Germain: La postmodernité: Fragmentation des corps et synthèse des images. In: Cinémas 7. 1996. No. 1/2. [Autumn] pp. 167-184.
Description:
On the fragmentation of the body and its digital restoration als a basic motif in postmodern film.
Index:
Technik: Computer ~ Technology: Computer
Postmoderne ~ Postmodern
Körper ~ Bodies

#480
Lagane, Christophe: Cinéma et numérique: L’inévitable mariage. In: Cinéma [Paris] 1997. No. 583. [?D] pp. 18-22.
Description:
On the increasing importance of computer generated animations for contemporary film production.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#481
Laine, Tarja: Digitaalispektaakkelin estetiikka ja politikka. In: Filmihullu 1996. No. 5. [?D] pp. 8-9.
Description:
On the digital special effects for Jurassic Park.
Index:
Spielberg, Steven
Jurassic Park (1993)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#482
Lally, Kevin: T2 blows away competition in 6-track digital engagements. In: Film Journal 94. 1991. No. ?N. [September] p. 21.
Index:
Cameron, James
Terminator II - Judgement Day (1991)
Technik: Computer ~ Technology: Computer

#483
Lam, Sui Kwong Sunny: The Impact of digitalization on cinematic aesthetics and the "spectrum of cultural representations": The case of Hong Kong. - Hong Kong: The Chinese University of Hong Kong, Ph.D. 2011. [Abstract in: Dissertation Abstracts International A 73. 2012. No. 6. (December).]
Index:
Technik: Computer ~ Technology: Computer
Hongkong ~ Hong Kong

#484
LaMarre, Thomas: The first time as farce: Digital animation and the repetition of cinema. In: Cinema anime: Critical engagements with Japanese animation. Edited by Steven T. Brown. - New York: Palgrave Macmillan 2006. p. ?P.
Index:
Technik: Computer ~ Technology: Computer
Japan ~ Japan
Animation ~ Animation
Animation: Comics ~ Animation: Comics

#485
Lasseter, John / Lindner, James / Price, Tina / Rosendahl, Carl: Computers, new technology and animation. In: Animation: Art & industry. Edited by Maureen Furniss. - Herts: John Libbey / Bloomington, Indiana: Indiana University Press 2007. p. ?P.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Kunst ~ Arts, The
Animation ~ Animation

#486
Latham, William / Todd, Stephen: Evolutionary art and computers. - London: Academic Press / London: Harcourt Brace Jovanovich 1992.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#487
Lavender-Smith, Jordan: The new reflexivity: Puzzle films, found footage, and cinematic narration in the digital age. - New York: City University of New York, Ph.D. 2016. [Abstract in: Dissertation Abstracts International A 77. ?J. No. 7. [?D]]
Description:
Discusses especially M. Night Shyamalan’s The Sixth Sense and The Blair Witch Project by Daniel Myrick and Eduardo Sanchez.
Index:
Shyamalan, M. Night
Myrick, Daniel
Sanchez, Eduardo
Sixth Sense, The (1999)
Blair Witch Project, The (1999)
Technik: Computer ~ Technology: Computer
Experimentalfilme ~ Experimental Films

#488
Lawrenson, Edward: Devils in detail. In: Sight and Sound NS 12. 2002. No. 7. [July] p. 22.
Description:
On the CGI effects for George Lucas’s Star Wars Episode II - Attack of the Clones.
Index:
Lucas, George
Star Wars Episode II - Attack of the Clones (2002)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#489
Le Grice, Malcom: Experimental cinema in the digital age. - London: British Film Institute 2002.
Reviews:
De Bruyn, Dirk: [untitled] In: Metro 2003. No. 138. [?D] pp. 202-203.
Small, Edward S.: Beyond abstract film. In: Film-Philosophy 7. 2003. No. 50. [December] p. ?P.
Urdis, Jan: [untitled] In: New Cinemas 1. 2002. No. 2. [?D] pp. 130-132.
Index:
Technik: Computer ~ Technology: Computer
Experimentalfilme ~ Experimental Films

#490
Ledesma, Eduardo: The historic avant-garde, the neo-avant-garde and the digital age: Experimental visual-textual forms in the Luso-Hispanic world. - Cambridge, Massachusetts: Harvard University, Ph.D. 2012. [Abstract in: Dissertation Abstracts International A 73. 2013. No. 11. (May).]
Index:
Technik: Computer ~ Technology: Computer
Spanien ~ Spain
Experimentalfilme ~ Experimental Films

#491
Lee, Nora: Computer animation comes of age. In: American Cinematographer 70. 1989. No. 10. [October] pp. 78-87.
Description:
William Reeves and Esben Ostby on the special effects for John Lasseter’s Tin Toy.
Index:
Lasseter, John
Reeves, William
Ostby, Esben
Tin Toy (1988)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#492
Lee, Nora: Computer animation demystified, part II. In: American Cinematographer 70. 1989. No. 11. [November] pp. 98-106.
Description:
On the special effects for John Lasseter’s Tin Toy.
Index:
Lasseter, John
Tin Toy (1988)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#493
Lee, Vivian: Virtual bodies, flying objects: The digital imaginary in contemporary martial arts films. In: Journal of Chinese Cinemas 1. 2007. No. 1. [?D] pp. 9-26.
Index:
Technik: Computer ~ Technology: Computer
Martial Art ~ Martial Art
Körper ~ Bodies
Cyberspace ~ Cyberspace

#494
Legare, Patrick: Flubber: Disney updates The Absent-Minded Professor, with CGI FX. In: Cinefantastique 29. 1997. No. 8. [December] pp. 10-11.
Index:
Mayfield, Les
Stevenson, Robert
Flubber (1997)
Absent Minded Professor, The (1961)
Disney ~ Disney
Technik: Computer ~ Technology: Computer

#495
LeGrice, Malcolm: Experimental cinema in the digital age. - London: British Film Institute 2001.
Index:
Technik: Computer ~ Technology: Computer
Experimentalfilme ~ Experimental Films

#496
Lehmann, Ann-Sophie: In der Ratte: Der Körper als immersiver Ort in 3D-Computeranimationsfilmen. In: Montage/AV 17. 2008. No. 2. p. ?P.
Description:
Discusses especially Ratatouille by Brad Bird and Jan Pinkava as well as John Lasseter’s Toy Story.
Index:
Bird, Brad
Pinkava, Jan
Lasseter, John
Ratatouille (2007)
Toy Story (1995)
Technik: Computer ~ Technology: Computer
Ratten ~ Rats
Körper ~ Bodies
3-D Films
Animation ~ Animation

#497
Leitch, Thomas M.: Post-literary adaptation. In: Post Script 23. 2004. No. 3. [Summer] pp. 99-117.
Description:
On filmic adaptions of comic strips, video and computer games.
Index:
Video ~ Video
Technik: Computer ~ Technology: Computer
Animation: Comics ~ Animation: Comics
Animation ~ Animation

#498
Lemieux, Philippe: Les prouesses et les tâtonnements de l’animation numérique. In: Ciné-Bulles 20. 2002. No. 1. [Winter] pp. 58-61.
Description:
On the history of digital animation.
Index:
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#499
Leonard, Chris: DTS bows with Jurassic Park; Dinosaurs to rampage in digital. In: Film Journal 96. 1993. No. ?N. [June] p. 79.
Index:
Spielberg, Steven
Jurassic Park (1993)
Technik: Computer ~ Technology: Computer
Dinosaurier ~ Dinosaurs

#500
Levin, S.: Pygmalion tries again for Weird Science. In: American Cinematographer 66. 1985. No. 12. [December] pp. 93-94, 96.
Description:
On the computer generated special effects for the film.
Index:
Hughes, John
Weird Science (1985)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#501
Lewell, J.: The coming of Tron. In: Films and Filming ?G. 1982. No. ?N(337). [?D] pp. 11-14.
Description:
On the computer generated special effects for the film.
Index:
Lisberger, Steven
Tron (1982)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#502
Liberti, Fabrizio: Magia re-staurata. In: Cineforum 37. 1997. No. ?N(363). [April] pp. 12-13.
Description:
On the digital restored first three Star Wars films.
Index:
Lucas, George
Star Wars (Filmreihe)
Technik: Computer ~ Technology: Computer
Magie ~ Magic

#503
Liebe, Michael: Digital Me. In: EPD Film 26. 2009. No. 12. [December] pp. 34-37.
Description:
On the avatar in film and in computer games. Discusses especially James Cameron’s Avatar.
Index:
Cameron, James
Avatar (2009)
Technik: Computer ~ Technology: Computer
Cyberspace ~ Cyberspace

#504
Lieser, Wolf: Digital art: Neue Wege in der Kunst. - Potsdam: H. F. Ullmann 2010.
Index:
Technik: Computer ~ Technology: Computer
Kunst ~ Arts, The
Experimentalfilme ~ Experimental Films
Animation ~ Animation

#505
Lochner, David: Storytelling in virtuellen Welten. - Konstanz: UVK Verlagsgesellschaft 2014. (= Praxis Film 69.)
Index:
Cyberspace ~ Cyberspace
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#506
Lockman, Darcy: Computer animation. - New York: Benchmark Books 2001. (= Kaleidoscope.)
Index:
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#507
Löhndorf, Marion: Dungeons and Dragons: Märchengestalten agieren in einer computeranimierten Pappkulisse. In: EPD Film 18. 2001. No. 4. [April] p. 43.
Index:
Solomon, Courtney
Dungeons and Dragons (2000)
Technik: Computer ~ Technology: Computer
Märchen ~ Fairy Tales
Animation ~ Animation

#508
Lokotsch, Stephan / Orlin, Scott / Stahl, Eric: Die Meister der digitalen Magie. In: Cinema [Hamburg] 1994. No. 12(199). [?D] pp. 51-54.
Description:
On the special effects company "Industrial Light & Magic" and their digital animations for Charles Russell’s The Mask.
Index:
Russell, Charles
Mask, The (1994)
Technik: Spezialeffekte ~ Technology: Special Effects
Magie ~ Magic
Technik: Computer ~ Technology: Computer
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik ~ Technology
Animation ~ Animation

#509
Longo, Regina: Kristin Whissel talks about spectacular digital effects: CGI and contemporary cinema. In: Film Quarterly 68. 2014. No. 1. [Fall] p. 83-86.
Index:
Whissel, Kristin
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#510
Loren, Christalene: Video hell. In: Cinefex 1992. No. 52. [November] pp. 17-18.
Description:
On the computer generated special effects for Stay Tunded.
Index:
Hyams, Peter
Stay Tuned (1992)
Technik: Spezialeffekte ~ Technology: Special Effects
Video ~ Video
Technik: Computer ~ Technology: Computer

#511
Lotter, J. C.: Die synthetische Kamera. In: Filmfaust ?G. 1986. No. 55. [?D] pp. 48-53.
Description:
On the use of computers in animated films.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#512
Lowenstein, Adam.: Dreaming of cinema: Spectatorship, surrealism, and the age of digital media. - New York: Columbia University Press 2015. (= Film and culture.)
Index:
Traum ~ Dreams
Technik: Computer ~ Technology: Computer
Surrealismus ~ Surrealism

#513
Lowenstein, Adam: Enlarged spectatorship from realism to surrealism: Bazin, Barthes, and the (digital) sweet hereafter. In: Lowenstein, Adam.: Dreaming of cinema: Spectatorship, surrealism, and the age of digital media. - New York: Columbia University Press 2015. (= Film and culture.) p. ?P.
Index:
Bazin, André
Barthes, Roland
Traum ~ Dreams
Technik: Computer ~ Technology: Computer
Surrealismus ~ Surrealism

#514
Lowenstein, Adam: Globalized spectatorship ring around the superflat global village: J-horror between Japan and America. In: Lowenstein, Adam.: Dreaming of cinema: Spectatorship, surrealism, and the age of digital media. - New York: Columbia University Press 2015. (= Film and culture.) p. ?P.
Index:
USA (United States of America) ~ USA (United States of America)
Traum ~ Dreams
Technik: Computer ~ Technology: Computer
Surrealismus ~ Surrealism
Japan ~ Japan
Horror ~ Horror
Globalisierung ~ Globalization

#515
Lowenstein, Adam: Interactive spectatorship gaming, mimicry, and art cinema: Between Un chien andalou and ExistenZ. In: Lowenstein, Adam.: Dreaming of cinema: Spectatorship, surrealism, and the age of digital media. - New York: Columbia University Press 2015. (= Film and culture.) p. ?P.
Index:
Buñuel, Luis
Cronenberg, David
chien andalou, Un (1928)
eXistenZ (1998)
Traum ~ Dreams
Technik: Computer ~ Technology: Computer
Surrealismus ~ Surrealism

#516
Lupton, Catherine: Shock of the old: Chris Marker and new technology. In: Film Comment 39. 2003. No. 3. [May/June] pp. 42-45.
Description:
Interview with experimental filmmaker Chris Marker on the meaning of digital technology for his work.
Index:
Marker, Chris
Technik ~ Technology
Technik: Computer ~ Technology: Computer
Experimentalfilme ~ Experimental Films
Angst ~ Fear

#517
Lutz, Andrea: Digitale Bilder und ästhetische Bildung: Analyse und theoretische Reflexion des digital bildgebenden Verfahrens "Morphing". - Lüneburg: Universität Lüneburg, Dissertation 1999.
Description:
Discusses, as an example, the use of the morphing technique in James Cameron’s Terminator II - Judgement Day.
Index:
Cameron, James
Terminator II - Judgement Day (1991)
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#518
Lyons, Michael: CGI goes from supporting player to lead. In: Cinefantastique 27. 1996. No. 8. [April] p. 49.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#519
Lyons, Mike: Cyber-cinema: A brief look at the (still ongoing) history of CGI effects. In: Cinefantastique 28. 1997. No. 8. [February] pp. 40-43, 62.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Cyberspace ~ Cyberspace
Technik: Computer ~ Technology: Computer

#520
Lyons, Mike: Dinosaur: Disney’s computer animation stunner, but will audiences buy talking dinosaurs? In: Cinefantastique 31/32. 2000. No. 12/1. [June] p. 11.
Index:
Leighton, Eric
Zondag, Ralph
Dinosaur (2000)
Technik: Computer ~ Technology: Computer
Disney ~ Disney
Dinosaurier ~ Dinosaurs
Animation ~ Animation

#521
Lyons, Mike: Doctor Dolittle: Eddie Murphy talks to the animals with help from mechanical and CGI effects. In: Cinefantastique 30. 1998. No. 3. [July] pp. 14-15.
Index:
Thomas, Betty
Murphy, Eddie
Dr. Dolittle (1998)
Technik: Spezialeffekte ~ Technology: Special Effects
Tiere ~ Animals
Technik: Computer ~ Technology: Computer

#522
Lyons, Mike: Hercules: Computerized visual effects: Using CGI to animate the many-headed hydra. In: Cinefantastique 28. 1997. No. 12. [June] pp. 24-25.
Index:
Clements, Ron
Musker, John
Hercules (1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Animation ~ Animation
Technik: Computer ~ Technology: Computer
Technik: Computer ~ Technology: Computer

#523
MacDonald, Matthew J.: Blade: Going for the jugular. In: Cinefex 1998. No. 75. [October] pp. 27-30, 121-124.
Description:
On the computer generated special effects for the film by Stephen Norrington.
Index:
Norrington, Stephen
Blade (1998)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#524
Magid, Ron: A digital who’s who. In: American Cinematographer 81. 2000. No. 11. [November] pp. 46-47.
Description:
On the special effects for Ron Howard’s How the Grinch Stole Christmas.
Index:
Howard, Ron
How the Grinch Stole Christmas (2000)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#525
Magid, Ron: A large digital star. In: American Cinematographer 86. 2005. No. 12. [December] pp. 50-51.
Description:
On the special effects for Peter Jackson’s King Kong.
Index:
Jackson, Peter
King Kong (2005)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#526
Magid, Ron: A new-age armada. In: American Cinematographer 80. 1999. No. 9. [September] pp. 106-117.
Description:
On the digital special effects for George Lucas’s Star Wars Episode I - The Phantom Menace.
Index:
Lucas, George
Star Wars Episode I - The Phantom Menace (1999)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#527
Magid, Ron: Amazing special effects. In: American Cinematographer 77. 1996. No. 8. [August] pp. 30-36.
Description:
On Ben Burtt’s documentary Special Effects: Anything Can Happen. Discusses especially the work of the FX company NOVA and the digital restoration of the "King Kong" character.
Index:
Burtt, Ben
Special Effects: Anything Can Happen (1996)
Dokumentarfilm ~ Documentary Film
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
King Kong ~ King Kong
NOVA [Firma] ~ NOVA [Company]
Technik ~ Technology

#528
Magid, Ron: An expanded universe. In: American Cinematographer 78. 1997. No. 2. [February] pp. 60-70.
Description:
On the digital restored first three Star Wars films.
Index:
Lucas, George
Star Wars (Filmreihe)
Technik: Computer ~ Technology: Computer
Star Wars ~ Star Wars

#529
Magid, Ron: CG Star turns. In: American Cinematographer 80. 1999. No. 9. [September] pp. 94-105.
Description:
On the digital special effects for George Lucas’s Star Wars Episode I - The Phantom Menace.
Index:
Lucas, George
Star Wars Episode I - The Phantom Menace (1999)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#530
Magid, Ron: CGI spearheads brave new world of special effects. In: American Cinematographer 74. 1993. No. 12. [December] pp. 26-28, 30, 32.
Description:
On the company’s computer generated special effects.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Technik: Computer ~ Technology: Computer

#531
Magid, Ron: Effecting an Insurrection. In: American Cinematographer 80. 1999. No. 1. [January] pp. 40-46.
Description:
On the digital special effects for Star Trek - Insurrection.
Index:
Frakes, Jonathan
Star Trek - Insurrection (1998)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#532
Magid, Ron: George Lucas: Past, present and future. In: American Cinematographer 78. 1997. No. 2. [February] pp. 48-54.
Description:
Interview with the director on the importance of digital special effects for the cinema.
Index:
Lucas, George
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Utopie ~ Utopia

#533
Magid, Ron: Giant steps. In: American Cinematographer 81. 2000. No. 7. [July] pp. 78-91.
Description:
On the digital special effects for Dinosaur.
Index:
Leighton, Eric
Zondag, Ralph
Dinosaur (2000)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#534
Magid, Ron: Handy in a crisis. In: American Cinematographer 80. 1999. No. 8. [August] pp. 65-68.
Description:
On the digital special effects for David Kellogg’s Inspector Gadget.
Index:
Kellogg, David
Inspector Gadget (1999)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#535
Magid, Ron: ILM meets The Flintstones. In: American Cinematographer 75. 1994. No. 7. [July] pp. 58-65, 67-69.
Description:
On computer generated special effects for the film by Brian Levant.
Index:
Levant, Brian
Flintstones, The (1994)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Computer ~ Technology: Computer

#536
Magid, Ron: ILM’s digital dinosaurs tear up effects jungle. In: American Cinematographer 74. 1993. No. 12. [December] pp. 46-57.
Description:
On computer generated special effects for Jurassic Park.
Index:
Spielberg, Steven
Jurassic Park (1993)
Technik: Computer ~ Technology: Computer
Dschungel ~ Jungle
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
Dinosaurier ~ Dinosaurs

#537
Magid, Ron: Peeved pets. In: American Cinematographer 82. 2001. No. 8. [August] pp. 77-78.
Description:
On the digital special effects for Lawrence Guterman’s Cats & Dogs.
Index:
Guterman, Lawrence
Like Cats & Dogs (2001)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#538
Magid, Ron: Renewing the Star Wars sequels. In: American Cinematographer 78. 1997. No. 4. [April] pp. 58-68.
Description:
On the digital restored Star Wars films and especially on the work of ILM.
Index:
Lucas, George
Kershner, Irvin
Marquand, Richard
Star Wars (Filmreihe)
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Technik: Computer ~ Technology: Computer
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Star Wars ~ Star Wars

#539
Magid, Ron: Saving the Star Wars-Saga. In: American Cinematographer 78. 1997. No. 2. [February] pp. 55-59.
Description:
On the digital restored first three Star Wars films.
Index:
Lucas, George
Star Wars (Filmreihe)
Technik: Computer ~ Technology: Computer
Star Wars ~ Star Wars

#540
Magid, Ron: Techno Babel. In: American Cinematographer 80. 1999. No. 4. [April] pp. 46-55.
Description:
On the digital special effects for The Matrix.
Index:
Wachowski, Andy
Wachowski, Larry
Matrix, The (1999)
Technik ~ Technology
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#541
Magid, Ron: Wall-to-wall horror. In: American Cinematographer 80. 1999. No. 8. [August] pp. 44-51.
Description:
On the digital special effects by John Frazier and Phil Tippett for Jan De Bont’s The Haunting.
Index:
De Bont, Jan
Frazier, John
Tippett, Phil
Haunting, The (1999)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Horror ~ Horror

#542
Magid, Ron / Williams, David E.: New Zealand’s new digital age. In: American Cinematographer 77. 1996. No. 8. [August] pp. 55-56.
Description:
Compares the special effects for Peter Jackson’s The Frighteners with King Kong by Merian C. Cooper and Ernest B. Schoedsack.
Index:
Jackson, Peter
Cooper, Merian C.
Schoedsack, Ernest B.
Frighteners, The (1996)
King Kong (1931-1933)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#543
Magnenat Thalmann, Nadia / Thalmann, Daniel: Synthetic actors in computer generated 3D films. - Berlin; Heidelberg; New York; London; Paris; Tokyo; Hong Kong; Barcelona: Springer 1990. (= Computer science workbench.)
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
3-D Films
Animation ~ Animation

#544
Magnenat Thalmann, Nadia / Thalmann, Daniel: Titel: Computer animation: Theory and practice. 2nd revised edition. - Tokyo; New York: Springer 1990. (= Computer science workbench.)
First edition:
[1985]
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#545
Magnenat Thalmann, Nadia / Thalmann, Daniel: Titel: Computer animation: Theory and practice. - Tokyo; Berlin; Heidelberg; New York: Springer 1985. (= Computer science workbench.)
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#546
Mainframe experimentalism: Early computing and the foundations of the digital arts. Edited by Hannah B. Higgins and Douglas Kahn. - Berkeley, California: University of California Press 2012.
Index:
Technik ~ Technology
Experimentalfilme ~ Experimental Films
Animation ~ Animation
Technik: Computer ~ Technology: Computer

#547
Maiwald, Klaus: "Viel digital geschraubt" und "totgelabert"? Marco Kreuzpaintners Krabat (2008). In: Verfilmte Kinderliteratur: Gattungen, Produktion, Distribution, Rezeption und Modelle für den Deutschunterricht. Hrsg. von Petra Josting und Klaus Maiwald in Zusammenarbeit mit der AJuM der GEW. - München: Kopaed 2010. (= Kjl & m Extra 10.) pp. 225 ff.
Index:
Kreuzpaintner, Marco
Krabat (2008)
Pädagogik ~ Paedagogy
Technik: Computer ~ Technology: Computer
Literatur ~ Literature
Jugend ~ Youth

#548
Makosinski, A.: Of bits and bytes. In: Cinema Canada 1982. No. 88. [?D] pp. 25-26.
Description:
On the use of digital technolgy for creating animated films.
Index:
Technik ~ Technology
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#549
Malavasi, Luca: La presenza del digitale. In: Cineforum 47. 2007. No. ?N(462). [March] pp. 9-10.
Description:
On the digital special effects for David Lynch’s Inland Empire.
Index:
Lynch, David
Inland Empire (2006)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#550
Malmquist, Allen: Digital Productions’ computer animation made the credits of Labyrinth fly by. In: Cinefantastique 17. 1987. No. 1. [January] p. 42.
Index:
Henson, Jim
Labyrinth (1986)
Technik: Computer ~ Technology: Computer
Animation ~ Animation

#551
Malone, Peter: Cinema and the world of computer generated images. In: Cine & Media ?G. 2001. No. 4. [?D] pp. 15-18.
Description:
Discusses, among others, Shrek by Andrew Adamson and Vicky Jenson.
Index:
Adamson, Andrew
Jenson, Vicky
Shrek (2001)
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#552
Mamber, Stephen: Hitchcock: The conceptual and the pre-digital. In: Stanford Humanities Review 7. 1999. No. 2. [Autumn] pp. 128-136.
Index:
Hitchcock, Alfred
Technik: Computer ~ Technology: Computer

#553
Mangolte, Babette: Eine Frage der Zeit: Analog versus Digital. In: Frauen und Film 2004. No. 64. [September] pp. 11-26.
Description:
The experimental filmmaker on various cinematic techniques.
Index:
Mangolte, Babette
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Experimentalfilme ~ Experimental Films

#554
Mank, Gregory: Frankenstein restored. In: Films in Review 40. 1989. No. 6/7. [?D] pp. 322-326.
Description:
On the digital restoration of the James Whale classic.
Index:
Whale, James
Frankenstein - The Man Who Made the Monster (1931)
Technik: Computer ~ Technology: Computer

#555
Manojlovic, Maja: "Dream is destiny": Waking Life and the digital aesthetics of the in-between. In: Discourse 33. 2011. No. 2. [Spring] pp. 184-202.
Index:
Linklater, Richard
Waking Life (2001)
Traum ~ Dreams
Technik: Computer ~ Technology: Computer

#556
Manojlovic, Maja: The cinema-machine and digital aesthetics: Space-time, the new sensorium, and permutations of the intervallic/interstitial. - Los Angeles, California: University of California, Los Angeles, Ph.D. 2012. [Abstract in: Dissertation Abstracts International A 73. 2013. No. 11. (May).]
Description:
Discusses, among others, Richard Linklater’s Waking Life, Alexander Nikolayevich Sokurov’s Russian Ark, Olivier Assayas’s Demonlover, Tim Burton’s Charlie and the Chocolate Factory, Satoshi Kon’s Paprika and Speed Racer by Andy and Larry Wachowski.
Index:
Linklater, Richard
Sokurov, Alexander Nikolayevich
Assayas, Olivier
Burton, Tim
Kon, Satoshi
Wachowski, Andy
Wachowski, Larry
Waking Life (2001)
Russkij kovceg / Russian Ark (2002)
Demonlover (2002)
Charlie and the Chocolate Factory (2005)
Paprika (2006)
Speed Racer (2008)
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#557
Manovich, Lev: Komputerizace a filmová rec. In: Film a Doba 47. 2001. No. 4. [Winter] pp. 204-209.
Description:
On the role of computer generated special effects in contemporary and future filmmaking.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#558
Manovich, Lev: Van cameralens tot computerpenseel: Digitale cinema. In: Skrien 1990. No. 170. [?D] pp. 44-48.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#559
Marshall, J.: Creating illusion in computer aided performance. - Nottingham: University of Nottingham, Ph.D. 2009. [Abstract in: Index to Theses with Abstracts 60-15229.]
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#560
Martin, Kevin H.: A walk on the wild side. In: Cinefex 1999. No. 79. [October] pp. 15-18, 23-24, 29-34, 39-40, 133-136, 141-142.
Description:
On the digital special effects by ILM and Cinecite for Barry Sonnenfeld’s Wild Wild West, especially on the work of Rick Baker and Michael Lantieri.
Index:
Sonnenfeld, Barry
Baker, Rick
Lantieri, Michael
Wild Wild West (1999)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)

#561
Martin, Kevin H.: All things great and little. In: Cinefex 2000. No. 80. [January] pp. 66-81.
Description:
On the digital special effects for Rob Minkoff’s Stuart Little, especially on the work of John Dykstra for the film.
Index:
Minkoff, Rob
Dykstra, John
Stuart Little (1999)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#562
Martin, Kevin H.: Deep Impact: The angry rock. In: Cinefex 1998. No. 74. [July] pp. 13-14, 19-22, 139-140.
Description:
On the digital special effects by ILM for Mimi Leder’s Deep Impact.
Index:
Leder, Mimi
Deep Impact (1998)
Technik: Computer ~ Technology: Computer
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects

#563
Martin, Kevin H.: Jacking into the Matrix. In: Cinefex 1999. No. 79. [October] pp. 66-89.
Description:
On the digital special effects for the film by the Wachowski brothers.
Index:
Wachowski, Andy
Wachowski, Larry
Matrix, The (1999)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#564
Martin, Kevin H.: Lost in the briar patch. In: Cinefex 1999. No. 77. [April] pp. 68-95.
Description:
On the digital special effects for Jonathan Frakes’s Star Trek - Insurrection, especially on the work of Michael Westmore.
Index:
Frakes, Jonathan
Westmore, Michael
Star Trek - Insurrection (1998)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects

#565
Martin, Kevin H.: Mission accomplished. In: Cinefex 2000. No. 81. [April] pp. 60-81.
Description:
On the digital special effects byDream Quest Images and ILM for Mission to Mars.
Index:
De Palma, Brian
Mission to Mars (2000)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Dream Quest Images [Firma] ~ Dream Quest Images [Company]

#566
Martin, Kevin H.: Temperatures rising. In: Cinefex 1996. No. 67. [September] pp. 29-30, 121, 139-140.
Description:
On the computer generated special effects by Pacific Data Images for The Arrival.
Index:
Twohy, David
Arrival, The (1996)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Pacific Data Images [Firma] ~ Pacific Data Images [Company]

#567
Martin, Kevin H.: The sound and the fury. In: Cinefex 1998. No. 74. [July] pp. 82-106.
Description:
On the digital special effects for Roland Emmerich’s Godzilla. Discusses, among others, the work of Dean Devlin, Volker Engel, Patrick Tatopoulos, Clayton Pinney and Joseph Viskocil.
Index:
Emmerich, Roland
Devlin, Dean
Engel, Volker
Tatopoulos, Patrick
Pinney, Clayton
Viskocil, Joseph
Godzilla (1998)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Musik ~ Music

#568
Martin, Marianna: Reading the cards: Contemporary genre practice and digital audiences. - Chicago, Illinois: University of Chicago, Ph.D. 2014. [Abstract in: Dissertation Abstracts International A 76. 2015. No. 5. [November] p. ?P.]
Description:
Discusses, as genre examples, Drew Goddard’s The Cabin in the Woods as well as the TV series Battlestar Galactica and Dollhouse.
Index:
Goddard, Drew
Cabin in the Woods, The (2011)
Battlestar Galactica (TV)
Dollhouse (TV)
Technik: Computer ~ Technology: Computer
Fernsehen ~ Television
Horror ~ Horror

#569
Matessino, Michael: Return of the trilogy. In: Film Score Monthly 2. 1997. No. 1. [?D] pp. 9-12.
Description:
On the digital restored first three Star Wars films.
Index:
Lucas, George
Star Wars (Filmreihe)
Technik: Computer ~ Technology: Computer

#570
Mather, Philippe: Le conte des fees de George Lucas. In: Ciné-Bulles 16. 1997. No. 1. [Spring] pp. 18-20.
Description:
On the digital restored first three Star Wars films.
Index:
Lucas, George
Kershner, Irvin
Marquand, Richard
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Star Wars (Filmreihe)
Technik: Computer ~ Technology: Computer