The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Digital Domain [Company]
number of items: 49
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
| ?G | Volume number unknown |
| ?D | Date of publication unknown |
| ?P | Number of pages unknown |
| ?R | Series number unknown |
#1
Bizony, Piers: Digital domain: The leading edge of visual effects. - London: Aurum Press 2001.
Reviews:
KS: [untitled.] In: Sight and Sound NS 12. 2002. No. 5. [May] p. 31.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Digital Domain [Firma] ~ Digital Domain [Company]
#2
Bizony, Piers: Digital domain: The leading edge of visual effects. - New York: Billboard Books 2001.
First edition:
[London: Aurum Press 2001]
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Digital Domain [Firma] ~ Digital Domain [Company]
#3
Cantaloube, Thomas: La magie digitale. In: Cahiers du Cinéma 1997. No. 513. [May] pp. 80-84.
Description:
On the special effects companies ILM and Digital Domain.
Index:
Magie ~ Magic
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Digital Domain [Firma] ~ Digital Domain [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik ~ Technology
#4
Cotta Vaz, Mark: The whos and whys of How the Grinch Stole Christmas. In: Cinefex 2001. No. 84. [January] pp. 66-91.
Description:
Discusses, among others, the digital special effects by Digital Domain.
Index:
Howard, Ron
How the Grinch Stole Christmas (2000)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Digital Domain [Firma] ~ Digital Domain [Company]
#5
Dixon, Wheeler Winston: The digital domain: Some preliminary notes on image mesh and manipulation in hyperreal cinema/video. In: Film Criticism 20. 1995/1996. No. 1/2. [?D] pp. 55-66.
Index:
Video ~ Video
Digital Domain [Firma] ~ Digital Domain [Company]
#6
Duncan Jesser, Jody: Grim fairy tale: Snow White and the Huntsman. In: Cinefex 2012. No. 130. [July] p. ?P.
Description:
On the special effects by Legacy Effects, Digital Domain, Double Negative, Pixomondo, Lola Visual Effects, Baseblack, The Mill and Rhythm & Hues. Discusses especially the work of visual effects supervisors Cedric Nicolas-Troyan and Phil Brennan.
Index:
Sanders, Rupert
Nicolas-Troyan, Cedric
Brennan, Phil
Snow White and the Huntsman (2012)
Technik: Spezialeffekte ~ Technology: Special Effects
Märchen ~ Fairy Tales
Rhythm & Hues [Firma] ~ Rhythm & Hues [Company]
Mill, The [Firma] ~ Mill, The [Company]
Baseblack [Firma] ~ Baseblack [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
Pixomondo [Firma] ~ Pixomondo [Company]
Double Negative [Firma] ~ Double Negative [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]
#7
Duncan Jesser, Jody: Steel works: Real Steel. In: Cinefex 2012. No. 128. [January] p. 86-117.
Description:
On the special effects by Legacy Effects, Digital Domain, Giant Studios and Video Hawks. Discusses especially the work of John Rosengrant, Glenn Derry and of effects supervisor Erik Nash.
Index:
Levy, Shawn
Rosengrant, John
Derry, Glenn
Nash, Erik
Real Steel (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
Video Hawks [Firma] ~ Video Hawks [Company]
Giant Studios [Firma] ~ Giant Studios [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]
#8
Duncan, Jody: First class effects: X-Men: First Class. In: Cinefex 2011. No. 126. [July] p. ?P.
Description:
On the special effects by MPC, Cinesite, Weta Digital, Rhythm & Hues, Luma Pictures, Digital Domain, The Senate, Amalgamated Dynamics Incorporated and Spectral Motion. Discusses especially the work of visual effects designer John Dykstra and makeup artist David Elsey.
Index:
Vaughn, Matthew
Dykstra, John
Elsey, David
X-Men: First Class (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
Spectral Motion [Firma] ~ Spectral Motion [Company]
Amalgamated Dynamics [Firma] ~ Amalgamated Dynamics [Company]
Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
Rhythm & Hues [Firma] ~ Rhythm & Hues [Company]
Weta [Firma] ~ Weta [Company]
Cinesite [Firma] ~ Cinesite [Company]
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]
#9
Duncan, Jody: Heavy metal: Transformers: Revenge of the Fallen. In: Cinefex 2009. No. 119. [October] p. 88-118.
Description:
On the special effects, especially the creation of the robots, by Industrial Light & Magic and Digital Domain.
Index:
Bay, Michael
Transformers: Revenge of the Fallen (2009)
Technik: Spezialeffekte ~ Technology: Special Effects
Roboter ~ Robots
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Digital Domain [Firma] ~ Digital Domain [Company]
#10
Duncan, Jody: I, Robot: Ghosts in the machine. In: Cinefex 2004. No. 99. [October] pp. 94-108, 113-118, 126.
Description:
Especially on the computer generated special effects by Digital Domain and Weta Digital.
Index:
Proyas, Alex
I, Robot (2004)
Weta [Firma] ~ Weta [Company]
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Geister ~ Ghosts
Digital Domain [Firma] ~ Digital Domain [Company]
#11
Duncan, Jody: Launching Apollo 13. In: Cinefex 1995. No. 63. [September] p. ?P.
Description:
On the special effects by Digital Domain for the film by Ron Howard, especially on the work of Robert Legato and Matt Sweeney.
Index:
Howard, Ron
Legato, Robert
Sweeney, Matt
Apollo 13 (1995)
Technik: Spezialeffekte ~ Technology: Special Effects
Digital Domain [Firma] ~ Digital Domain [Company]
#12
Duncan, Jody: Legacy system: TRON: Legacy. In: Cinefex 2011. No. 124. [January] p. ?P.
Description:
On the special effects by Digital Domain, Mr. X, Ollin Studio, Prime Focus, Whiskytree and Quantum Creation for the cyberspace remake by director Joseph Kosinski. Discusses especially the work of visual effects supervisor Eric Barba.
Index:
Kosinski, Joseph
Barba, Eric
Tron: Legacy (2010)
Technik: Spezialeffekte ~ Technology: Special Effects
Cyberspace ~ Cyberspace
Quantum Creation FX [Firma] ~ Quantum Creation FX [Company]
Whiskytree [Firma] ~ Whiskytree [Company]
Prime Focus [Firma] ~ Prime Focus [Company]
Ollin Studio VFX [Firma] ~ Ollin Studio VFX [Company]
Mr. X [Firma] ~ Mr. X [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
#13
Duncan, Jody: Rough around the edges: Iron Man 3. In: Cinefex 2013. No. 134. [July] p. ?P.
Description:
On the special effects by Weta Digital, Digital Domain, Scanline VFX, Luma Pictures, Framestore, Method Studios, Trixter Film, Capital T and Cantina Creative. Discusses especially the work of visual effects supervisor Christopher Townsend.
Index:
Black, Shane
Townsend, Christopher
Iron Man 3 (2013)
Technik: Spezialeffekte ~ Technology: Special Effects
Cantina Creative [Firma] ~ Cantina Creative [Company]
Capital T [Firma] ~ Capital T [Company]
Trixter Film [Firma] ~ Trixter Film [Company]
Method Studios [Firma] ~ Method Studios [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
Scanline [Firma] ~ Scanline [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Weta [Firma] ~ Weta [Company]
#14
Duncan, Jody: Stealth: Gamer cool. In: Cinefex 2005. No. 103. [October] pp. 42-48, 51-54, 57-63, 116.
Description:
On the special effects by "Digital Domain" and the work of visual effects supervisor Joel Hynek as well as physical effects supervisor John Frazier.
Index:
Cohen, Rob
Hynek, Joel
Frazier, John
Stealth (2005)
Technik: Spezialeffekte ~ Technology: Special Effects
Digital Domain [Firma] ~ Digital Domain [Company]
#15
Duncan, Jody: The gauntlet: Avengers: Infinity War. In: Cinefex 2018. No. 159. [June] p. ?P.
Description:
On the special effects by Digital Domain, Weta Digital, Industrial Light & Magic, Framestore, Double Negative and Cinesite. Discusses especially the work of visual effects supervisor Dan DeLeeuw and visual effects producer Jen Underdahl.
Index:
Russo, Anthony
Russo, Joe
DeLeeuw, Dan
Underdahl, Jen
Avengers: Infinity War (2018)
Technik: Computer ~ Technology: Computer
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Framestore CFC [Firma] ~ Framestore CFC [Company]
Double Negative [Firma] ~ Double Negative [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Cinesite [Firma] ~ Cinesite [Company]
#16
Duncan, Jody: The kid underneath the suit: Spider-Man: Homecoming. In: Cinefex 2017. No. 154. [August] p. ?P.
Description:
On the special effects by Digital Domain, Luma, Method Studios, Sony Pictures Imageworks and Iloura. Discusses especially the work of special effects supervisor Daniel Sudick.
Index:
Watts, Jon
Sudick, Daniel
Spider-Man: Homecoming (2017)
Luma Pictures [Firma] ~ Luma Pictures [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Sony Pictures Imageworks [Firma] ~ Sony Pictures Imageworks [Company]
Method Studios [Firma] ~ Method Studios [Company]
Iloura [Firma] ~ Iloura [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
#17
Duncan, Jody: The unusual birth of Benjamin Button: The Curious Case of Benjamin Button. In: Cinefex 2009. No. 116. [January] p. ?P.
Description:
On the work of visual effects supervisor Eric Barba and the special effects by Digital Domain, Matte World Digital, Asylum, Hydraulx and Lola VFX.
Index:
Fincher, David
Barba, Eric
Curious Case of Benjamin Button, The (2008)
Technik: Spezialeffekte ~ Technology: Special Effects
Geburt ~ Birth
Hydraulx [Firma] ~ Hydraulx [Company]
Asylum Models and Effects [Firma] ~ Asylum Models and Effects [Company]
Matte World Digital [Firma] ~ Matte World Digital [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
#18
Duncan, Jody: Transformers: Bots & bayhem. In: Cinefex 2007. No. 111. [October] pp. 64-70, 75-78, 81-87, 116.
Description:
Especially on the robot design by ILM and on the special effects by Digital Domain and Kerner Optical.
Index:
Bay, Michael
Transformers (2007)
Kerner Optical [Firma] ~ Kerner Optical [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Roboter ~ Robots
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Digital Domain [Firma] ~ Digital Domain [Company]
#19
Duncan, Jody: What would Roland Emmerich do? Independence Day: Resurgence. In: Cinefex 2016. No. 148. [August] p. ?P.
Description:
On the special effects by Uncharted Territory, Weta Digital, Scanline VFX, MPC, Image Engine, Digital Domain and Cinesite. Discusses especially the work of visual effects supervisors Volker Engel and Marc Weigert.
Index:
Emmerich, Roland
Engel, Volker
Weigert, Marc
Independence Day: Resurgence (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Cinesite [Firma] ~ Cinesite [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Image Engine [Firma] ~ Image Engine [Company]
MPC [Firma] ~ MPC [Company]
Scanline [Firma] ~ Scanline [Company]
Weta [Firma] ~ Weta [Company]
Uncharted Territory [Firma] ~ Uncharted Territory [Company]
#20
Duncan, Jody: Zodiac: The streets of San Francisco. In: Cinefex 2007. No. 109. [April] pp. 49-52, 55-60.
Description:
On the special effects by Matte World Digital and Digital Domain for David Fincher’s historical serial killer drama.
Index:
Fincher, David
Zodiac (2007)
Technik: Computer ~ Technology: Computer
Matte-Painting ~ Matte-Painting
Technik: Spezialeffekte ~ Technology: Special Effects
San Francisco ~ San Francisco
Mord ~ Murder
Digital Domain [Firma] ~ Digital Domain [Company]
#21
Eby, Douglas: Dr. Seuss’ How The Grinch Stole Christmas. In: Cinefantastique 32. 2000. No. 4/5. [December] pp. 8-15.
Description:
Articles on director Ron Howard, on the set design by Michael Corenblith, on actress Christine Baranski and on the CGI effects by Digital Domain.
Index:
Howard, Ron
Corenblith, Michael
Baranski, Christine
How the Grinch Stole Christmas (2000)
Technik: Spezialeffekte ~ Technology: Special Effects
Digital Domain [Firma] ~ Digital Domain [Company]
Technik: Computer ~ Technology: Computer
#22
Edwards, Graham: Apocalypse rising: X-Men: Apocalypse. In: Cinefex 2016. No. 147. [June] p. ?P.
Description:
On the special effects by Digital Domain, MPC, Hydraulx, Rising Sun Pictures, Legacy Effects and Ironhead Studio. Discusses especially the work of visual effects supervisor John Dykstra, visual effects producer Blondel Aidoo, special effects supervisor Stephen Hamilton and makeup effects supervisor Adrien Morot.
Index:
Singer, Bryan
Dykstra, John
Aidoo, Blondel
Hamilton, Stephen
Morot, Adrien
X-Men: Apocalypse (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Religion: Apokalypse ~ Religion: Apocalypse
Ironhead Studios [Firma] ~ Ironhead Studios [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]
Rising Sun Pictures [Firma] ~ Rising Sun Pictures [Company]
Hydraulx [Firma] ~ Hydraulx [Company]
MPC [Firma] ~ MPC [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
#23
Edwards, Graham: Smart-mouthed glory: Deadpool. In: Cinefex 2016. No. 146. [April] p. ?P.
Description:
On the special effects by Luma Pictures, Image Engine, Digital Domain, Rodeo FX, Ollin VFX, Atomic Fiction and Digiscope. Discusses especially the work of visual effects supervisor Jonathan Rothbart, special effects supervisor Alex Burdett and makeup effects supervisor Bill Corso.
Index:
Miller, Tim
Rothbart, Jonathan
Burdett, Alex
Corso, Bill
Deadpool (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Digiscope [Firma] ~ Digiscope [Company]
Atomic Fiction [Firma] ~ Atomic Fiction [Company]
Ollin Studio VFX [Firma] ~ Ollin Studio VFX [Company]
Rodeo FX [Firma] ~ Rodeo FX [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Image Engine [Firma] ~ Image Engine [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
#24
Edwards, Graham: Team Thor: Thor: Ragnarok. In: Cinefex 2017. No. 156. [December] p. ?P.
Description:
On the special effects by Framestore, ILM, Double Negative, Method Studios, Luma, Digital Domain, Image Engine, Rising Sun Pictures, The Third Floor, Ironhead Studio and Quantum Creation FX. Discusses especially the work of visual effects supervisor Jake Morrison and special effects supervisor R. Bruce Steinheimer.
Index:
Waititi, Taika
Morrison, Jake
Steinheimer, R. Bruce
Thor: Ragnarok (2017)
Luma Pictures [Firma] ~ Luma Pictures [Company]
Third Floor, The [Firma] ~ Third Floor, The [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Rising Sun Pictures [Firma] ~ Rising Sun Pictures [Company]
Quantum Creation FX [Firma] ~ Quantum Creation FX [Company]
Method Studios [Firma] ~ Method Studios [Company]
Ironhead Studios [Firma] ~ Ironhead Studios [Company]
Image Engine [Firma] ~ Image Engine [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Framestore CFC [Firma] ~ Framestore CFC [Company]
Double Negative [Firma] ~ Double Negative [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
#25
Elrick, Ted: Elemental images. In: Cinefex 1997. No. 70. [June] pp. 114-133.
Description:
On the special effects by Digital Domain and the work of Mark Stetson for The Fifth Element, especially on the design of the futuristic city landscape.
Index:
Besson, Luc
Stetson, Mark
Fifth Element, The (1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Stadt ~ City
Digital Domain [Firma] ~ Digital Domain [Company]
#26
Fisher, Bob: ASC and Digital Domain explore new frontiers. In: American Cinematographer 77. 1996. No. 8. [August] pp. 24, 26.
Description:
On the computer generated special effects by the two companies, especially for the films of James Cameron.
Index:
Cameron, James
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Digital Domain [Firma] ~ Digital Domain [Company]
#27
Fordham, Joe: A new enterprise: Star Trek. In: Cinefex 2009. No. 118. [July] p. ?P.
Description:
On the special effects by Industrial Light & Magic and Digital Domain for J. J. Abrams latest Star Trek feature film. Discusses especially the work of visual effects supervisor Roger Guyett and special effects supervisor Burt Dalton.
Index:
Abrams, J[effrey] J[acob]
Guyett, Roger
Dalton, Burt
Star Trek (2009)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Digital Domain [Firma] ~ Digital Domain [Company]
#28
Fordham, Joe: Beyond the void: Ant-Man and the Wasp. In: Cinefex 2018. No. 160. [August] p. ?P.
Description:
On the special effects by DNEG, Scanline VFX, Rodeo FX, Method Studios, Cinesite, Digital Domain, ILM, RISE VFX and Crafty Apes. Discusses especially the work of visual effects supervisor Stéphane Ceretti, visual effects producer Susan Pickett, and special effects supervisor Daniel Sudick.
Index:
Reed, Peyton
Ceretti, Stephane
Pickett, Susan
Sudick, Daniel
Ant-Man and the Wasp (2018)
DNEG [Firma] ~ DNEG [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Scanline [Firma] ~ Scanline [Company]
Rodeo FX [Firma] ~ Rodeo FX [Company]
RISE Visual Effects Studios [Firma] ~ RISE Visual Effects Studios [Company]
Method Studios [Firma] ~ Method Studios [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Digital Domain [Firma] ~ Digital Domain [Company]
Crafty Apes [Firma] ~ Crafty Apes [Company]
Cinesite [Firma] ~ Cinesite [Company]
#29
Fordham, Joe: Formula for a universe: Speed Racer. In: Cinefex 2008. No. 114. [July] p. ?P.
Description:
On the special effects by Digital Domain, BUF Compagnie, Sony Pictures Imageworks and CaféFX for the Wachowski’s adaption of the Japanese anime series.
Index:
Wachowski, Andy
Wachowski, Larry
Speed Racer (2008)
Technik: Spezialeffekte ~ Technology: Special Effects
Sony Pictures Imageworks [Firma] ~ Sony Pictures Imageworks [Company]
Japan ~ Japan
Digital Domain [Firma] ~ Digital Domain [Company]
CaféFX [Firma] ~ CaféFX [Company]
Buf Compagnie [Firma] ~ Buf Compagnie [Company]
Animation ~ Animation
#30
Fordham, Joe: Giant steps: Jack the Giant Slayer. In: Cinefex 2013. No. 133. [April] p. ?P.
Description:
On the special effects by Digital Domain, MPC, Rodeo FX, Soho VFX and Hatch. Discusses especially the work of visual effects supervisor Hoyt Yeatman.
Index:
Singer, Bryan
Yeatman, Hoyt
Jack the Giant Slayer / Jack and the Giants (2013)
Technik: Spezialeffekte ~ Technology: Special Effects
Hatch Production [Firma] ~ Hatch Production [Company]
Soho VFX [Firma] ~ Soho VFX [Company]";
Rodeo FX [Firma] ~ Rodeo FX [Company]
MPC [Firma] ~ MPC [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
#31
Fordham, Joe: God of thunder: Thor. In: Cinefex 2011. No. 126. [July] p. ?P.
Description:
On the special effects by Whiskytree, BUF Compagnie, Digital Domain, Luma Pictures and Legacy Effects. Discusses especially the work of effects supervisors Wesley Sewell and Daniel Sudick.
Index:
Branagh, Kenneth
Sewell, Wesley
Sudick, Daniel
Thor (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
Religion ~ Religion
Legacy Effects [Firma] ~ Legacy Effects [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Buf Compagnie [Firma] ~ Buf Compagnie [Company]
Whiskytree [Firma] ~ Whiskytree [Company]
#32
Fordham, Joe: Götterdämmerung: 2012. In: Cinefex 2010. No. 120. [January] p. ?P.
Description:
On the special effects by Uncharted Territory, Digital Domain, Double Negative, Sony Pictures Imageworks, Scanline, Hydraulx, Crazy Horse and Pixomondo. Discusses especially the work of effects supervisor Michael Vezina.
Index:
Emmerich, Roland
Vezina, Mike
2012 (2009)
Crazy Horse [Firma] ~ Crazy Horse [Company]
Pixomondo [Firma] ~ Pixomondo [Company]
Uncharted Territory [Firma] ~ Uncharted Territory [Company]
Scanline [Firma] ~ Scanline [Company]
Double Negative [Firma] ~ Double Negative [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Sony Pictures Imageworks [Firma] ~ Sony Pictures Imageworks [Company]
Hydraulx [Firma] ~ Hydraulx [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
#33
Fordham, Joe: Last man standing: Oblivion. In: Cinefex 2013. No. 134. [July] p. ?P.
Description:
On the special effects by Digital Domain and Pixomondo. Discusses especially the work of production designer Darren Gilford, conceptual designer Daniel Simon, visual effects supervisor Eric Barba and special effects coordinator Michael Meinardus.
Index:
Kosinski, Joseph
Gilford, Darren
Simon, Daniel
Barba, Eric
Meinardus, Michael
Oblivion (2013)
Technik: Spezialeffekte ~ Technology: Special Effects
Pixomondo [Firma] ~ Pixomondo [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
#34
Fordham, Joe: Law of the jungle: The Jungle Book. In: Cinefex 2016. No. 147. [June] p. ?P.
Description:
On the special effects by MPC, Weta Digital, Digital Domain, Legacy Effects and Magnopus. Discusses especially the work of visual effects supervisor Rob Legato.
Index:
Favreau, Jon
Legato, Robert
Jungle Book, The (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Justiz ~ Justice
Dschungel ~ Jungle
Magnopus [Firma] ~ Magnopus [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Weta [Firma] ~ Weta [Company]
MPC [Firma] ~ MPC [Company]
#35
Fordham, Joe: Lightning in the bottle: Ready Player One. In: Cinefex 2018. No. 159. [June] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Digital Domain, Territory Studio, Aaron Sims Creative and The Third Floor. Discusses especially the work of special effects supervisor Neil Corbould.
Index:
Spielberg, Steven
Corbould, Neil
Ready Player One (2018)
Third Floor, The [Firma] ~ Third Floor, The [Company]
Territory Studio [Firma] ~ Territory Studio [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Digital Domain [Firma] ~ Digital Domain [Company]
Aaron Sims Company ~ Aaron Sims Company
#36
Fordham, Joe: Mutant destiny: X-Men: Days of Future Past. In: Cinefex 2014. No. 139. [?D] p. ?P.
Description:
On the special effects by Legacy Effects, MPC, Digital Domain, Rising Sun Pictures, Rhythm & Hues, Mokko Studios, Fuel VFX, Vision Globale and The Third Floor. Discusses especially the work of visual effects supervisor Richard Stammers and special effects supervisor Cameron Waldbauer.
Index:
Singer, Bryan
Waldbauer, Cameron
X-Men: Days of Future Past (2014)
Technik: Spezialeffekte ~ Technology: Special Effects
Monster ~ Monster
Third Floor, The [Firma] ~ Third Floor, The [Company]
Vision Globale [Firma] ~ Vision Globale [Company]
Fuel VFX [Firma] ~ Fuel VFX [Company] | Fuel
Mokko Studio [Firma] ~ Mokko Studio [Company]
Rhythm & Hues [Firma] ~ Rhythm & Hues [Company]
Rising Sun Pictures [Firma] ~ Rising Sun Pictures [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
MPC [Firma] ~ MPC [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]
#37
Fordham, Joe: Paradise lost: Maleficent. In: Cinefex 2014. No. 138. [July] p. ?P.
Description:
On the special effects by MPC, Digital Domain, The Third Floor, 4DMax and Prime Focus World. Discusses especially the work of special effects supervisor Michael Dawson, makeup designer David White and visual effects supervisor Carey Villegas.
Index:
Stromberg, Robert
Dawson, Michael
White, David
Villegas, Carey
Maleficent (2014)
Technik: Spezialeffekte ~ Technology: Special Effects
Prime Focus [Firma] ~ Prime Focus [Company]
4DMax [Company]
Third Floor, The [Firma] ~ Third Floor, The [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
MPC [Firma] ~ MPC [Company]
#38
Fordham, Joe: The bad guys: Suicide Squad. In: Cinefex 2016. No. 149. [October] p. ?P.
Description:
On the special effects by Sony Pictures Imageworks, Digital Domain, MPC, Ollin VFX Studio, Legacy Effects, Makeup Effects Laboratories, Quantum Creation FX and Applied Arts FX Studio. Discusses especially the work of visual effects supervisor Jerome Chen, special effects supervisor Michael Innanen and makeup designer Alessandro Bertolazzi.
Index:
Ayer, David
Chen, Jerome
Innanen, Michael
Bertolazzi, Alessandro
Suicide Squad (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Applied Arts FX [Firma] ~ Applied Arts FX [Company]
Quantum Creation FX [Firma] ~ Quantum Creation FX [Company]
Makeup Effects Laboratories [Firma] ~ Makeup Effects Laboratories [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]
Ollin Studio VFX [Firma] ~ Ollin Studio VFX [Company]
MPC [Firma] ~ MPC [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Sony Pictures Imageworks [Firma] ~ Sony Pictures Imageworks [Company]
#39
Francis, Joe: The Time Machine: The shape of things to come. In: Cinefex 2002. No. 89. [April] pp. 15-38, 138, 140, 142.
Description:
Especially on the special effects by Digital Domain, the Stan Winston Studio and the KNB EFX Group as well as the work of James Price and Matt Sweeney for the film by Simon Wells.
Index:
Wells, Simon
Winston, Stan
Price, James
Sweeney, Matt
Time Machine, The (2002)
Stan Winston Studio [Firma] ~ Stan Winston Studio [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
KNB [Firma] ~ KNB [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
#40
Hann, Adele: Digital Arts and some revolutionary systems. In: Filmnews 21. 1991. No. 5. [June] p. 3.
Description:
On the computer animation by Australian special effects company "Digital Arts and Television"
Index:
Digital Arts and Television [Firma] ~ Digital Arts and Television [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Australien ~ Australia
Animation ~ Animation
#41
Magid, Ron: Digital Domain arranges an Interview With the Vampire. In: American Cinematographer 76. 1995. No. 1. [January] pp. 53-60.
Description:
Especially on the work of special effect artist Robert Legato.
Index:
Jordan, Neil
Legato, Robert
Interview with the Vampire (1994)
Technik: Spezialeffekte ~ Technology: Special Effects
Digital Domain [Firma] ~ Digital Domain [Company]
#42
Magid, Ron: Digital Domain provides rocket fuel for Apollo 13. In: American Cinematographer 76. 1995. No. 6. [June] pp. 48-60.
Index:
Howard, Ron
Apollo 13 (1995)
Digital Domain [Firma] ~ Digital Domain [Company]
#43
Magid, Ron: Peering behind Cameron’s new curtain. In: American Cinematographer 75. 1994. No. 12. [December] pp. 64-71.
Description:
On the special effects for James Camerons True Lies, created by "Digital Domain".
Index:
Cameron, James
True Lies (1994)
Technik: Spezialeffekte ~ Technology: Special Effects
Digital Domain [Firma] ~ Digital Domain [Company]
#44
Robertson, Barbara: Weighty matters. In: Computer Graphics World 32. 2009. No. 7. [July] pp. 20-29.
Description:
On the special effects by ILM and Digital Domain for Michael Bay’s Transformers: Revenge of the Fallen.
Index:
Bay, Michael
Transformers: Revenge of the Fallen (2009)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Digital Domain [Firma] ~ Digital Domain [Company]
#45
Rosner, Heiko: Das digitale Universum. In: Cinema [Hamburg] 1995. No. 10(209). [?D] pp. 56-60.
Description:
On James Cameron’s special effects company "Digital Domain" and its work for Ron Howard’s Apollo 13 and Neil Jordan’s Interview with the Vampire.
Index:
Howard, Ron
Jordan, Neil
Cameron, James
Apollo 13 (1995)
Interview with the Vampire (1994)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Digital Domain [Firma] ~ Digital Domain [Company]
#46
Shay, Don: In the Digital Domain. In: Cinefex 1993. No. 55. [August] pp. 111-112.
Description:
On the special effects company.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Digital Domain [Firma] ~ Digital Domain [Company]
#47
Shay, Don: Ship of dreams. In: Cinefex 1997. No. 72. [December] pp. 82-133.
Description:
On the special effects by Digital Domain and on the work of Robert Legato for James Cameron’s Titanic.
Index:
Cameron, James
Legato, Robert
Titanic (1997)
Schiffe ~ Ships
Traum ~ Dreams
Technik: Spezialeffekte ~ Technology: Special Effects
Digital Domain [Firma] ~ Digital Domain [Company]
#48
Shay, Estelle: Battle beyond three dimensions. In: Cinefex 1996. No. 68. [December] p. ?P.
Description:
On the special effects by Digital Domain for James Cameron’s Terminator 2: Battle Across Time (Terminator II 3D).
Index:
Cameron, James
Terminator II 3-D (1996)
Technik: Spezialeffekte ~ Technology: Special Effects
Digital Domain [Firma] ~ Digital Domain [Company]
#49
Street, Rita: Dante’s Inferno. In: Cinefex 1997. No. 69. [March] pp. 60-77.
Description:
On the special effects by Digital Domain and on the work of Patrick McClung and Roy Arbogast for Joe Dante’s volcano thriller Dante’s Peak.
Index:
Donaldson, Roger
McClung, Patrick
Arbogast, Roy
Dante’s Peak (1996)
Thriller ~ Thriller
Vulkane ~ Volcanos
Technik: Spezialeffekte ~ Technology: Special Effects
Digital Domain [Firma] ~ Digital Domain [Company]
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