The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Doppelgänger
number of items: 138
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
| ?G | Volume number unknown |
| ?D | Date of publication unknown |
| ?P | Number of pages unknown |
| ?R | Series number unknown |
#1
Ahrens, Stephan: Die Doppelgänger kommen allein: Über Arthur Robisons Schatten - Eine nächtliche Halluzination. In: Film-Dienst 69. 2016. No. 23. [November 10] p. 32.
Description:
On a DVD edition.
Index:
Robison, Arthur
Schatten - Eine nächtliche Halluzination (1923)
DVD ~ DVD
Doppelgänger ~ Double
#2
Aknin, Laurent: David Cronenberg: Le cinéaste et ses doubles. In: L’Avant-Scène Cinéma 2002. No. 516. [November] pp. 106-109.
Description:
Especially on Spider.
Index:
Cronenberg, David
Spider (2002)
Doppelgänger ~ Double
#3
Andrade Boué, Pilar: El doble como elemento fantástico en el cine. In: Espacios y tiempos de lo fantástico: Una mirada desde el siglo XXI. Ed. Pilar Andrade. - Bern; Berlin; Bruxelles; Frankfurt/Main; New York; Oxford; Wien: Lang 2010. pp. 233 ff.
Description:
Discusses, among others, Stellan Rye’s Der Student von Prag.
Index:
Rye, Stellan
Student von Prag, Der (1913)
Doppelgänger ~ Double
#4
Andrade, Pilar: Cinema’s doubles, their meaning, and literary intertexts. In: CLCWeb: Computers, Literature and Culture 10. 2008. No. 4. [December] pp. 1-9.
Description:
Discusses, among others, Stellan Rye’s Der Student von Prag.
Index:
Rye, Stellan
Student von Prag, Der (1913)
Doppelgänger ~ Double
#5
Andriopoulos, Stefan: Dämonische Doppelgänger: Frühes Kino und das Recht am eigenen Bild. In: Weimarer Beiträge 52. 2006. No. 4.[?D] pp. 509-528.
Description:
[GA:] [KoDeu] [End GA][KoDeu]
Index:
Justiz ~ Justice
Doppelgänger ~ Double
Deutschland ~ Germany
Dämonen ~ Demons
#6
Andriopoulos, Stefan: The terror of reproduction: Early cinema’s ghostly doubles and the tight to one’s one image. In: New German Critique 2006. No. 99. [?D] pp. 151-170.
Description:
Pn the motif of the double in early German cinema.
Index:
Geister ~ Ghosts
Doppelgänger ~ Double
Deutschland ~ Germany
#7
Aronadio, Alessandro: Lo strano caso del Dr. David e di Mr. Cronenberg: Saggio sul doppio nel cinema. - Milano: Bietti, 2010. (= Heterotopia 3.)
Index:
Cronenberg, David
Doppelgänger ~ Double
#8
Bannon, Barbara M.: Double, double, toil and trouble. In: Literature/Film Quarterly 13. 1985. No. 1. [January] pp. 56-65.
Description:
On the double motif in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Doppelgänger ~ Double
#9
Bansak, Ed: "Tomorrow you’ll be one of us!": The evolution of the alien-doppelganger film. In: Midnight Marquee 1995. No. 48. [Winter] pp. 45-56.
Index:
Doppelgänger ~ Double
Aliens ~ Aliens
#10
Bär, Gerald: Ausprägungen des "chronischen Dualismus": Von Ginkgoblättern und Koppelzwillingen zum Clone und Avatar. In: Kulturbau: Aufräumen, Ausräumen, Einräumen. Hrsg. von Peter Hanenberg, Isabel Capeloa Gil, Filomena Viana Guarda und Fernando Clara. - Frankfurt/Main; Berlin; Bern; Bruxelles; New York; Oxford; Wien: Lang 2010. (= Passagen 4.) pp. 257-274.
Index:
Zwillinge ~ Twins
Gentechnik ~ Genetics
Doppelgänger ~ Double
#11
Bär, Gerald: Das Motiv des Doppelgängers als Spaltungsphantasie in der Literatur und im deutschen Stummfilm. - Amsterdam; New York: Rodopi 2005. (= Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft 84.)
Reviews:
Moraldo, Sandro M.: [untitled.] In: Germanistik 47. 2006. No. 1/2. pp. 151-152.
Index:
Hoffmann, E[rnst] T[heodor] A[madeus] [Wilhelm]
Stummfilm ~ Silent Film
Phantasie ~ Fantasy
Literatur ~ Literature
Doppelgänger ~ Double
Deutschland ~ Germany
#12
Barnett, Vincent: Dualling for Judy: The concept of the double in the films of Kim Novak. In: Film History 19. 2007. No. 1. pp. 86-101.
Description:
Discusses, among others, Novak’s roles in Alfred Hitchcock’s Vertigo and Richard Quine’s Bell, Book and Candle.
Index:
Novak, Kim
Hitchcock, Alfred
Quine, Richard
Vertigo (1958)
Bell, Book and Candle (1958)
Doppelgänger ~ Double
#13
Bertetto, Paolo: L’immagine simulacro. In: Bianco e Nero 66. 2005. No. 553. [September-December] pp. 95-117.
Description:
On doubles in film.
Index:
Doppelgänger ~ Double
#14
Berthomieu, Pierre: Rouben Mamoulian: La galerie des doubles. - Liège: Édition du Cefal 1995.
Index:
Mamoulian, Rouben
Doppelgänger ~ Double
#15
Borrmann, Jennifer: Swiss Army Man: Filmische Robinsonade über einen Schiffbrüchigen und seinen Doppelgänger. In: Film-Dienst 69. 2016. No. 21. [October 13] p. 37.
Index:
Kwan, Dan
Scheinert, Daniel
Swiss Army Man (2016)
Schiffe ~ Ships
Doppelgänger ~ Double
#16
Bottiroli, G. [et al.]: Il doppio e il suo multiplo. In: Segnocinema 9. 1989. No. 38. [?D] pp. 17-24, 45-50.
Description:
Articles on the motif of the double in film.
Index:
Doppelgänger ~ Double
#17
Bret, Catherine: Le thème du double dans La double vie de Véronique. In: Krzysztof Kieslowski. Présenté par Michel Estève avec des textes de Yvette Biró [et al.]. - Paris: Lettres Modernes 1994. (= Études Cinématographiques 59. No. 203-210.) pp. 47-61.
Index:
Kieslowski, Krzysztof
double vie de Véronique, La / Podwójne zycie Weroniki (1991)
Doppelgänger ~ Double
#18
Brittnacher, Hans Richard: Aufstand der Schatten: Doppelgänger und Spiegelbilder in Literatur und Film. In: Gespenster. Hrsg. von Thomas Koebner. - München: Ed. Text + Kritik 2014. (= Projektionen 8.) pp. 61-81.
Index:
Spiegel ~ Mirror
Literatur ~ Literature
Doppelgänger ~ Double
Geister ~ Ghosts
#19
Bronfen, Elisabeth: Die narzisstische Geselligkeit: Doppelgänger des Kinos. In: Kino im Kopf: Psychoanalyse und Film. Hrsg. von Kristina Jaspers und Wolf Unterberger. - Berlin: Bertz + Fischer 2006. pp. 135 ff.
Index:
Doppelgänger ~ Double
Psychologie ~ Psychology
#20
Brooks, Christopher: Sarah’s dream / "no fate": Doubling in Terminator II. In: Post Script 23. 2004. No. 2. [Winter/Spring] pp. 62-71.
Index:
Cameron, James
Terminator II - Judgement Day (1991)
Doppelgänger ~ Double
Traum ~ Dreams
#21
Buchanan, Judith: Judith’s vampish virtue and its double market appeal. In: The ancient world in silent cinema. Edited by Pantelis Michelakis and Maria Wyke. - Cambridge; New York: Cambridge University Press 2013. p. ?P.
Index:
Religion ~ Religion
Doppelgänger ~ Double
Stummfilm ~ Silent Film
Geschichte: Antike ~ History: Ancient Times
#22
Buffington, Nancy: What about Bob? Doubles and demons in Twin Peaks. In: Functions of the fantastic: Selected essays from the Thirteenth International Conference on the Fantastic in the Arts. Edited by Joe Sanders. - Westport, Connecticut; London: Greenwood Press 1995. (= Contributions to the Study of Science Fiction and Fantasy 65.) pp. 101-106.
Index:
Lynch, David
Twin Peaks (Filmreihe)
Doppelgänger ~ Double
Dämonen ~ Demons
#23
Bunbury, S.: David Cronenberg doubles up. In: Cinema Papers 1989. No. 71. [January] pp. 22-24.
Description:
Especially on Dead Ringers.
Index:
Cronenberg, David
Dead Ringers (1988)
Doppelgänger ~ Double
#24
Calvet, Yann: De la variation du même et de l’autre: Doubles et doublures. In: Eclipses 2002. No. 34. [?D] pp. 32-79.
Description:
On basic motifs in the films of David Lynch. Discusses, among others, the representation of monsters, doubles and dreams in Lynch’s oeuvre.
Index:
Lynch, David
Traum ~ Dreams
Monster ~ Monster
Doppelgänger ~ Double
#25
Causey, Matthew: The screen test of the double: The uncanny performer in the space of technology. In: Theatre Journal 51. 1999. No. 4. [?D] pp. 383-394.
Index:
Technik ~ Technology
Doppelgänger ~ Double
Angst ~ Fear
#26
Charles, Alec: Double identity: Presence and absence in the films of Tod Browning. In: The films of Tod Browning. Edited by Bernd Herzogenrath. - London: Black Dog Publishing 2006. pp. 79 ff.
Index:
Browning, Tod
Doppelgänger ~ Double
#27
Chisholm, Ann: Missing persons and bodies of evidence. In: Camera Obscura 15. 2000. No. 43. [?D] pp. 122-161.
Description:
On doubles in film.
Index:
Körper ~ Bodies
Doppelgänger ~ Double
#28
Ciment, Michel: Cocteau sans miroir après double réflexion. In: Positif 1990. No. 348. [?D] pp. 41-43.
Index:
Cocteau, Jean
Doppelgänger ~ Double
#29
Clements, William M. / Malpezzi, Frances M.: The double and the theme of selflessness in Kagemusha. In: Literature/Film Quarterly 17. 1989. No. 3. [July] pp. 202-206.
Description:
On the motif of the double in film.
Index:
Kurosawa, Akira
Kagemusha (1980)
Doppelgänger ~ Double
#30
Clements, William M. / Malpezzi, Frances M.: The double and the theme of selflessness in Kagemusha. In: Perspectives on Akira Kurosawa. Edited by James Goodwin. - New York: G. K. Hall / Don Mills, Ontario: Maxwell Macmillan Canada 1994. (= Perspectives on film.) pp. 194-200.
Description:
On the motif of the double in film.
Index:
Kurosawa, Akira
Kagemusha (1980)
Doppelgänger ~ Double
#31
Coates, Paul: Doubling, distance and identification in the cinema. - Houndmills, Bsingstoke, Hampshire; New York: Palgrave Macmillan 2015.
Description:
Discusses, among others, Krzysztof Kieslowski’s La double vie de Véronique, Alfred Hitchcock’s Vertigo and Wim Wenders’s Der Himmel über Berlin.
Index:
Kieslowski, Krzysztof
Hitchcock, Alfred
Wenders, Wim
double vie de Véronique, La / Podwójne zycie Weroniki (1991)
Vertigo (1958)
Himmel über Berlin, Der (1987)
Doppelgänger ~ Double
#32
Couté, Pascal: La féline: Le visible et l’invisible. In: Cinémaction 2006. No. 120. [June] pp. 67-77.
Description:
On the representation of the double in Jacques Tourneur’s Cat People.
Index:
Tourneur, Jacques
Cat People (1942)
Doppelgänger ~ Double
#33
Daffron, Eric: Double trouble: The self, the social order and the trouble with sympathy in the romantic and post-modern gothic. In: Gothic Studies 3. 2001. No. 1. [April] pp. 75-83.
Description:
On the figure of the double in romantic and post-modern gothic literature and film. Discusses, among others, Ridley Scott’s Blade Runner.
Index:
Scott, Ridley
Blade Runner (1982)
Postmoderne ~ Postmodern
Literatur ~ Literature
Horror ~ Horror
Doppelgänger ~ Double
Romantik ~ Romanticism
#34
Dalla Rosa, Richard: La fascination des doubles, selon La Double vie de Véronique de Krzysztof Kieslowski. - Sarreguemines: Pierron 2003. (= L’expérience.)
Index:
Kieslowski, Krzysztof
double vie de Véronique, La / Podwójne zycie Weroniki (1991)
Doppelgänger ~ Double
#35
DeCastro, Victoria Scharf: Double takes: Doppelgänger’s many faces in late twentieth-century American films. - Atlanta, Georgia: Georgia State University, College of Arts and Sciences, M.A. 2001. [Abstract in: Masters Abstracts International 40. 2002. No. 4. pp. 801-902.]
Description:
Discusses, among others, Francis Ford Coppola’s Bram Stoker’s Dracula, Ivan Reitman’s Twins and Phillip Noyce’s Clear and Present Danger.
Index:
Coppola, Francis Ford
Reitman, Ivan
Noyce, Phillip
Bram Stoker’s Dracula (1992)
Twins (1988)
Clear and Present Danger (1994)
USA (United States of America) ~ USA (United States of America)
Doppelgänger ~ Double
#36
Dolgopolov, Greg: High stakes: The vampire and the double in Russian cinema. In: Transnational horror across visual media: Fragmented bodies. Edited by Dana Och and Kirsten Strayer. - New York; London: Routledge 2013. (= Routledge research in cultural and media studies 55.) p. ?P.
Index:
Vampire ~ Vampires
Russland ~ Russia
Doppelgänger ~ Double
Körper ~ Bodies
Horror ~ Horror
#37
Dornhof, Dorothea: Moderne Magie: Hysterikerinnen und Doppelgänger im frühen Film und okkulten Wissen. In: Dämonen, Vamps und Hysterikerinnen: Geschlechter- und Rassenfigurationen in Wissen, Medien und Alltag um 1900: Festschrift für Christina von Braun. Hrsg. von Ulrike Auga. - Bielefeld: Transcript 2011. (= GenderCodes 14.) pp. 33 ff.
Index:
Sexualität ~ Sexuality
Religion: Okkultismus ~ Religion: Occultism
Magie ~ Magic
Frauen ~ Women
Doppelgänger ~ Double
Dämonen ~ Demons
Angst ~ Fear
#38
Dworkin, Susan: Double DePalma: A film study with Brian DePalma. - New York: Newmarket Press 1984.
Description:
On Body Double.
Index:
De Palma, Brian
Body Double (1984)
Doppelgänger ~ Double
#39
Ernst, Annette: Vom Doppelgänger zur Persönlichkeitsspaltung: Ein romantisches Motiv In seiner filmischen Entwicklung bei Fritz Lang. - Frankfurt/Main: Universität Frankfurt/Main, Institut für deutsche Sprache und Literatur I, Magisterarbeit ?J (1989/1990).
Index:
Lang, Fritz
Wahnsinn ~ Madness
Romantik ~ Romanticism
Doppelgänger ~ Double
#40
Fearful symmetry: Doubles and doubling in literature and film: Selected papers from the 5th Annual Florida State University Conference on Literature and Film. Edited by Eugene J. Crook. - Talahassee, Florida: University Press of Florida 1981.
Index:
Literatur ~ Literature
Angst ~ Fear
Doppelgänger ~ Double
#41
Fischer, Lucy: Body double: The author incarnate in the cinema. - New Brunswick, New Jersey; London: Rutgers University Press 2012.
Reviews:
Claverie, Ezra: Typewriters, tattoos, diarists, and junkies: Authorial flesh on screen. In: Literature/Film Quarterly 41. 2013. No. 4. [?D] pp. 317-319.
Index:
Literatur ~ Literature
Körper ~ Bodies
Doppelgänger ~ Double
#42
Fonseca, Tony: The doppelgänger. In: Icons of horror and the supernatural: An encyclopedia of our worst nightmares. Edited by S. T. Joshi. - Westport, Connecticut; London: Greenwood Press 2007. (= Greenwood icons.) p. ?P.
Index:
Doppelgänger ~ Double
Wunder ~ Miracles
Horror ~ Horror
#43
Francavilla, Joseph: The Android as Doppelgänger. In: Retrofitting Blade Runner: Issues in Ridley Scott’s Blade Runner and Philip K. Dick’s Do Androids Dream of Electric Sheep?. Edited by Judith B. Kerman. - Bowling Green, Ohio: Bowling Green State University Popular Press 1991. pp. 4-15.
Description:
On the motif of the double in Ridley Scott’s Blade Runner.
Index:
Dick, Philip K[indred]
Scott, Ridley
Blade Runner (1982)
Roboter ~ Robots
Doppelgänger ~ Double
Do Androids Dream of Electric Sheep? (Literatur ~ Literature)
#44
Frost, Inken: "Love is a psychopath": The postmodern doppelganger in Steven Moffat’s Jekyll. In: Transitions and dissolving boundaries in the fantastic. Edited by Christine Lötscher. - Wien; Zürich; Berlin; Münster: LIT 2014. (= Fantastikforschung 2.) pp. 125-140.
Index:
Moffat, Steven
Jekyll (TV)
Psychologie ~ Psychology
Postmoderne ~ Postmodern
Doppelgänger ~ Double
#45
Ghillebaert, Françoise: From Doppelgänger to persona: Acting becomes the identity. In: Post Script 22. 2003. No. 3. [Summer] pp. 3 ff.
Description:
Introducing article on the issue’s special content "the motif of the double in film".
Index:
Doppelgänger ~ Double
#46
Ghillebaert, Françoise: The double in Buñuel’s That Obscure Object of Desire. In: Post Script 22. 2003. No. 3. [Summer] pp. 57-68.
Index:
Buñuel, Luis
Cet obscur objet du désir (1977)
Doppelgänger ~ Double
#47
Gleiberman, O.: Cronenberg’s double meanings. In: American Film 14. 1988. No. 1. [October] pp. 38-43.
Description:
On Cronenberg’s Dead Ringers.
Index:
Cronenberg, David
Dead Ringers (1988)
Doppelgänger ~ Double
#48
Gochenour, Philipp Henry: Fixing a shadow: Doppelgängers, photography and the disciplined subject, 1775-1926. - Ann Arbor, Michigan: ProQuest 2002.
Index:
Hoffmann, E[rnst] T[heodor] A[madeus] [Wilhelm]
Fotografie ~ Photography
Expressionismus ~ Expressionism
Doppelgänger ~ Double
Magnetiseur, Der (Literatur ~ Literature)
#49
Gochenour, Philipp Henry: Fixing a shadow: Doppelgängers, photography and the disciplined subject, 1775-1926. - Atlanta, Georgia: Ph.D. 1998.
Index:
Hoffmann, E[rnst] T[heodor] A[madeus] [Wilhelm]
Fotografie ~ Photography
Expressionismus ~ Expressionism
Doppelgänger ~ Double
Magnetiseur, Der (Literatur ~ Literature)
#50
Hamery, Roxane: Rhétorique du double: Les figures inquiétantes de Jean-Louis Barrault. In: Les cinéastes français à l’épreuve du genre fantastique: Socioanalyse d’une production artistique. Sous la diréction de Frédéric Gimello-Mesplomb. - Paris: L’Harmattan 2012. (= Etudes culturelles.) p. ?P.
Index:
Barrault, Jean-Louis
Doppelgänger ~ Double
Frankreich ~ France
#51
Hanel, Heiko: Doppelt langweilig: Doppelgänger. In: Splatting Image 2004. No. 57. [March] pp. 30-31.
Index:
Kurosawa, Kiyoshi
Dopperugengâ (2003)
Doppelgänger ~ Double
#52
Hennelly Jr., Mark M.: Scary movies: American horrors and body double. In: Journal of Evolutionary Psychology 11. 1990. No. 3/4. [August] pp. 361-368.
Index:
USA (United States of America) ~ USA (United States of America)
Körper ~ Bodies
Horror ~ Horror
Doppelgänger ~ Double
#53
Herget, Sven: Spiegelbilder: Das Doppelgängermotiv im Film. - Marburg: Schüren 2009.
Reviews:
Klotz, Alex: Zwei Seelen in einer Brust. In: F.LM - Texte zum Film. Online edition, September 2009.
Riedler, Nina: [untitled.] In: Medienwissenschaft 2009. No. 3. pp. 307-309.
Index:
Spiegel ~ Mirror
Doppelgänger ~ Double
#54
Hunsecker, J. J.: Body language. In: Sight and Sound 59. 1990. No. 2. [Spring] p. 106.
Description:
On the motif of the double in film.
Index:
Körper ~ Bodies
Doppelgänger ~ Double
#55
Karani, Cathy / Schlockoff, Alain: Mes doubles, ma femme et moi. In: L’Écran Fantastique 1996. No. 153. [?D] pp. 24-27, 40-41.
Description:
On Harold Ramis’s Multiplicity; especially on the special effects by Richard Edlund.
Index:
Ramis, Harold
Edlund, Richard
Multiplicity (1996)
Technik: Spezialeffekte ~ Technology: Special Effects
Frauen ~ Women
Doppelgänger ~ Double
#56
Kauffmann, Stanley: The double dealers. In: New Republic 188. 1983. No. ?N. [May 9] pp. 26-27.
Index:
Greenaway, Peter
Draughtsman’s Contract, The (1982)
Doppelgänger ~ Double
#57
Kay, Shelley: Double or nothing. In: Cinema Papers 1989. No. 74. [July] pp. 32-35.
Description:
On the twin motif in film. Discusses especially Dead Ringers and A Zed and Two Noughts.
Index:
Cronenberg, David
Greenaway, Peter
Dead Ringers (1988)
Zed & Two Noughts, A (1985)
Zwillinge ~ Twins
Doppelgänger ~ Double
#58
Kinder, Elizabeth / Pender, Patricia: "A copy pf a copy of a copy": Framing the double in Fight Club. In: Literature/Film Quarterly 42. 2014. No. 3. [?D] pp. 541-556.
Index:
Fincher, David
Fight Club (1999)
Doppelgänger ~ Double
#59
Kiss, R. J.: The Doppelgänger in Wilhelmine cinema (1895-1914): Modernity, audiences and identity in turn-of-the-century Germany. - Coventry: University of Warwick, Ph.D. 2000. [Abstract in: Index to Theses with Abstracts 50-14804.]
Index:
Doppelgänger ~ Double
Deutschland ~ Germany
#60
Kline, T. Jefferson: Recuperating Hitchcock’s doubles: Experiencing Vertigo in Garcia’s Place Vendôme (1997). In: Studies in French Cinema 3. 2003. No. 1. [?D] pp. 35-46.
Index:
Hitchcock, Alfred
Garcia, Nicole
Vertigo (1958)
Place Vendôme (1997)
Doppelgänger ~ Double
#61
Kogel, Dennis / Schäfer, Iris: The Doppelgänger motif in science fiction film. In: Of body snatchers and cyberpunks: Student essays on American science fiction film. Edited by Sonja Georgi and Kathleen Loock. - Göttingen: Universitäts-Verlag Göttingen 2011. (= Göttinger Schriften zur englischen Philologie 5.) pp. 125 ff.
Index:
Pädagogik ~ Paedagogy
Doppelgänger ~ Double
USA (United States of America) ~ USA (United States of America)
Science Fiction ~ Science Fiction
#62
Kolisnyk, Mary Helen: Surrealism, surrepetition: Artaud’s doubles. In: October ?G. 1993. No. 64. [Spring] pp. 78-90.
Index:
Artaud, Antonin
Surrealismus ~ Surrealism
Doppelgänger ~ Double
#63
Koll, Horst Peter: Ich - Einfach unverbesserlich 3: Turbulente Fortsetzung um Gru und sein "Doppel-Ich". In: Film-Dienst 70. 2017. No. 15. [July 20] p. 50.
Index:
Balda, Kyle
Coffin, Pierre
Guillon, Eric
Despicable Me 3 (2017)
Doppelgänger ~ Double
#64
Kooijman, Jaap / Laine, Tarja: American Psycho: A double portrait of serial yuppie Patrick Bateman. In: Post Script 22. 2003. No. 3. [Summer] pp. 46-56.
Description:
On the representation of schizophrenia in the film.
Index:
Harron, Mary
American Psycho (2000)
Wahnsinn ~ Madness
Mord ~ Murder
Doppelgänger ~ Double
#65
Koskinen, Maaret: Dubbelgangare i tid och rum: Veronikas dubbelliv. In: Chaplin 33. 1991. No. 5(236). [?D] pp. 67-68.
Description:
On Krzysztof Kieslowski’s La double vie de Véronique.
Index:
Kieslowski, Krzysztof
double vie de Véronique, La / Podwójne zycie Weroniki (1991)
Doppelgänger ~ Double
#66
Kühn, Heike / von Arx, Marlène: Der Kult um den Körper: Körperfilme und Body-Doubles. In: Zoom ?G. 2000. No. 11. [November] pp. 16-25.
Index:
Körper ~ Bodies
Doppelgänger ~ Double
#67
Lafond, Frank: Tod Browning vs George Melford: Dracula’s Doppelgänger. In: The cinema of Tod Browning: Essays of the macabre and grotesque. Edited by Bernd Herzogenrath. - Jefferson, North Carolina; London: McFarland 2008. pp. 151-157.
Index:
Stoker, Bram
Browning, Tod
Melford, George
Dracula (1930)
Vampire ~ Vampires
Doppelgänger ~ Double
Dracula (Literatur ~ Literature)
#68
Latham, Brandon: Cobblestones and Doppelgängers: How gothic literature contributed to the dawn of Film Noir. In: Film Matters 7. 2016. No. 2. [Fall] pp. 17-21.
Description:
Discusses especially Alfred Hitchcock’s Spellbound and Psycho.
Index:
Hitchcock, Alfred
Spellbound (1945)
Psycho (1960)
Literatur ~ Literature
Horror ~ Horror
Film Noir ~ Film Noir
Doppelgänger ~ Double
#69
Lawton, Anna M.: The double: A Dostoevskian theme in Polanski. In: Literature/Film Quarterly 9. 1981. No. 1. [January] pp. 121-129.
Index:
Polanski, Roman
Dostoyevsky, Fyodor Mikhailovich
Dance of the Vampires / Fearless Vampire Killers, The (1967)
Doppelgänger ~ Double
#70
Lokotsch, Stephan: Gut und Böse aus einem Guß: Die künstlichen Doubles der Stars. In: Cinema [Hamburg] 1993. No. 12(187). [?D] p. 31.
Description:
On the special effects for Marco Brambillo’s Demolition Man.
Index:
Brambillo, Marco
Demolition Man (1993)
Doppelgänger ~ Double
Gute, Das ~ Good
Böse, Das ~ Evil, The
Technik: Spezialeffekte ~ Technology: Special Effects
#71
Luke, Paul: The allegorical device of the character double in the films of Ingmar Bergman. - Toronto, Ontario: York University, M.A. 1979. [Abstract in: Masters Abstracts International 33. 1995. No. 6. p. 1613.]
Description:
Discusses, among others, The Seventh Seal (Det sjunde inseglet), Wild Strawberries (Smultronstället), The Silence (Tystnaden), Persona, The Face (Ansiktet) and Hour of the Wolf (Vargtimmen).
Index:
Bergman, Ingmar
sjunde inseglet, Det (1956)
Smultronstället (1957)
Tystnaden (1963)
Persona (1966)
Ansiktet (1958)
Vargtimmen (1966)
Doppelgänger ~ Double
#72
Ma, Jean Y.: Doubled lives, dissimulated history: Hou Hsiao-hsien’s Good Men, Good Women. In: Post Script 22. 2003. No. 3. [Summer] pp. 21-33.
Description:
On the representation of schizophrenia in Hou Hsiao-hsien’s Haonan haonu.
Index:
Hou Hsiao-hsien
Haonan haonu (1995)
Wahnsinn ~ Madness
Doppelgänger ~ Double
#73
Martynkewicz, Wolfgang: Von der Fremdheit des Ichs: Das Doppelgängermotiv in Der Student von Prag (1913). In: Der fantastische Film: Geschichte und Funktion in der Mediengesellschaft: Hrsg. von Oliver Jahraus und Stefan Neuhaus. - Würzburg: Königshausen und Neumann 2005. (= Film - Medium - Diskurs 10) pp. 19 ff.
Index:
Rye, Stellan
Student von Prag, Der (1913)
Doppelgänger ~ Double
#74
Masschelein, Anneleen: Double reading / reading double: Psychoanalytic poetics at work. In: Paradoxa 3. 1997. No. 3/4. [?D] pp. 395-406.
Index:
McGehee, Scott
Siegel, David
Suture (1993)
Psychologie ~ Psychology
Doppelgänger ~ Double
#75
Mauer, Roman: Die Technik der Gespenster: Doppelbelichtung in Geisterfotografie und Stummfilm. In: Gespenster. Hrsg. von Thomas Koebner. - München: Ed. Text + Kritik 2014. (= Projektionen 8.) pp. 43-60.
Index:
Technik ~ Technology
Stummfilm ~ Silent Film
Fotografie ~ Photography
Doppelgänger ~ Double
Geister ~ Ghosts
#76
McCarthy, Donald: How Twin Peaks brought viewers existential mobsters and advertising doppelgängers. In: Approaching Twin Peaks: Critical essays on the original series. Edited by Eric Hoffman and Dominick Grace. - Jefferson, North Carolina: McFarland & Company 2017. pp. 154 ff.
Index:
Lynch, David
Twin Peaks (TV)
Doppelgänger ~ Double
#77
McCutcheon, Mark A.: Downloading doppelgängers: New media anxieties and transnational ironies in Battlestar Galactica. In: Science Fiction Film and Television 2. 2009. No. 1. [Spring] pp. 1-24.
Index:
Battlestar Galactica (TV)
Doppelgänger ~ Double
#78
Meehan, Paul: Hitchcock’s psychological ghosts and doppelgängers. In: Meehan, Paul: Horror noir: Where cinema’s dark sisters meet. - Jefferson, North Carolina; London: McFarland & Company 2010.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology
Geister ~ Ghosts
Doppelgänger ~ Double
Film Noir ~ Film Noir
Horror ~ Horror
#79
Meehan, Paul: The ghost of one’s self: Doppelgangers in mystery, horror and science fiction films. - Jefferson, North Carolina: McFarland & Company 2017.
Index:
Science Fiction ~ Science Fiction
Horror ~ Horror
Geister ~ Ghosts
Doppelgänger ~ Double
#80
Meneghelli, Andrea: Perdere la faccia. In: Cineforum 42. 2002. No. ?N(417). [August/September] pp. 12-13.
Description:
On doubles in film. Discusses, among others, John Woo’s Face/Off.
Index:
Wu Su-Yum [Pseudonym: Woo, John]
Face/Off (1997)
Doppelgänger ~ Double
#81
Miyao, Daisuke: From doppelgänger to monster: Kitano Takeshi’s Takeshis’. In: Canadian Journal of Film Studies 18. 2009. No. 1. [Spring] pp. 6-23.
Index:
Kitano, Takeshi
Takeshis’ (2005)
Monster ~ Monster
Doppelgänger ~ Double
#82
Nagler, Lihi: Allegorien der Kulturkämpfe: Die Doppelgänger-Figuren in Der Andere (1913) und Der Student von Prag (1913) und ihre Remakes von 1930 und 1926. In: Montage/AV 16. 2007. No. 1. p. ?P.
Index:
Mack, Max
Wiene, Robert
Rye, Stellan
Galeen, Henrik
Andere, Der (1913)
Andere, Der (1930)
Student von Prag, Der (1913)
Student von Prag, Der (1926)
Doppelgänger ~ Double
#83
Nagler, Lihi: Singling out the double: Objectivity, subjectivity and alterity in Kieslowski’s The Double Life of Véronique. In: Post Script 22. 2003. No. 3. [Summer] pp. 8-20.
Description:
On the motif of the double in the film.
Index:
Kieslowski, Krzysztof
double vie de Véronique, La / Podwójne zycie Weroniki (1991)
Doppelgänger ~ Double
#84
Packer, Sharon: Movies and the modern psyche. - Westport, Connecticut; London: Praeger 2007.
Description:
Includes, among others, chapters on dreams and hypnosis, madhouse and haunted houses, psychological thrillers and serial killers, films noir and Cold War paranoia, drugs and madness and on doubles and doppelgängers.
Index:
Allen, Woody
Wahnsinn ~ Madness
Traum ~ Dreams
Thriller ~ Thriller
Psychologie ~ Psychology
Mord ~ Murder
Krieg ~ War
Hypnose ~ Hypnosis
Film Noir ~ Film Noir
Drogen ~ Drugs
Doppelgänger ~ Double
#85
Pally, Marcia: Double trouble. In: Brian de Palma: Interviews. Edited by Laurence F. Knapp. - Jackson, Mississippi; London: University Press of Mississippi 2003. (= Conversations with Filmmakers.) pp. 92 ff.
Index:
De Palma, Brian
Body Double (1984)
Doppelgänger ~ Double
#86
Pelizzon, V. Penelope / West, Nancy: "A perfect double down to the last detail": Photography and the identity of film noir. In: Post Script 22. 2003. No. 3. [Summer] pp. 34-45.
Description:
Psychoanalytical and semiotical examination of the film noir.
Index:
Fotografie ~ Photography
Psychologie ~ Psychology
Film Noir ~ Film Noir
Doppelgänger ~ Double
#87
Perry, Dennis R.: Doubles: The universe of others: William Wilson and Strangers on a Train. In: Perry, Dennis R.: Hitchcock and Poe: The legacy of delight and terror. - Lanham, Maryland; London: Scarecrow Press 2003. (= Filmmakers.) p. ?P.
Index:
Hitchcock, Alfred
Poe, Edgar Allan
Strangers on a Train (1951)
Doppelgänger ~ Double
William Wilson
#88
Petrie, Duncan: But what if beauty is a beast: Doubles, transformations and fairy tale motifs in Batman Returns. In: Cinema and the realms of enchantment: Lectures, seminars and essays by Marina Warner and others. Edited by Duncan Petrie. - London: British Film Institute Publishing 1993. (= BFI Working Papers 3.) pp. 98-110.
Index:
Burton, Tim
Batman Returns (1992)
Doppelgänger ~ Double
Märchen ~ Fairy Tales
#89
Pinkerton, Nick: Double trouble. In: Sight and Sound NS 21. 2011. No. 8. [August] p. 84.
Description:
On a DVD edition of Rainer Werner Fassbinder’s first English language feature film Despair.
Index:
Fassbinder, Rainer Werner
Despair / Despair - Eine Reise ins Licht (1977)
DVD ~ DVD
Doppelgänger ~ Double
#90
Pramaggiore, Maria Therese: Seeing double(s): Performance and self-representation in the films of Maya Deren, Barbara Hammer and Yvonne Rainer. - Atlanta, Georgia: Emory University, Ph.D. 1993. [Abstract in: Dissertation Abstracts International A 54. 1994. No. 9. (March) p. 3244A.]
Reviews:
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Hammer, Barbara
Rainer, Yvonne
Doppelgänger ~ Double
#91
Rayner, Alice: Ghosts: Death’s double and the phenomena of theater. - Minneapolis; London: Minnesota University Press 2006.
Description:
Discusses also ghosts in film.
Index:
Tod ~ Death
Theater ~ Theatre
Geister ~ Ghosts
Doppelgänger ~ Double
#92
Reiche, Reimut: Traum und Doppelgänger in Black Swan. In: Kino zwischen Tag und Traum: Psychoanalytische Zugänge zu Black Swan. Hrsg. von Dirk Blothner und Ralf Zwiebel. - Göttingen; Bristol, Connecticut: Vandenhoeck & Ruprecht 2012. (= Psychoanalytische Blätter 32.) pp. 30 ff.
Index:
Aronofsky, Darren
Black Swan (2010)
Doppelgänger ~ Double
Psychologie ~ Psychology
Traum ~ Dreams
#93
Reid, Craig: Fant-Asia Jackie Chan, double and dubbed in Twin Dragons. In: Cinefantastique 31. 1999. No. 7. [August] p. 62.
Index:
Lam, Ringo
Xu Ke [Pseudonym: Tsui Hark]
Chan, Jackie
Shuang long hui (1992)
Doppelgänger ~ Double
Asien ~ Asia
#94
Reiter, Gershon: Apocalypse Now: The other story. In: Reiter, Gershon: The shadow self in film: Projecting the unconscious other. - Jefferson, North Carolina: McFarland & Company 2014. p. ?P.
Index:
Coppola, Francis Ford
Apocalypse Now (1976-1979)
Psychologie ~ Psychology
Doppelgänger ~ Double
#95
Reiter, Gershon: Blood Work: Double feature. In: Reiter, Gershon: The shadow self in film: Projecting the unconscious other. - Jefferson, North Carolina: McFarland & Company 2014. p. ?P.
Index:
Eastwood, Clint
Blood Work (2002)
Psychologie ~ Psychology
Doppelgänger ~ Double
#96
Reiter, Gershon: Cape Fear (1962): Picturing the other. In: Reiter, Gershon: The shadow self in film: Projecting the unconscious other. - Jefferson, North Carolina: McFarland & Company 2014. p. ?P.
Index:
Thompson, J. Lee
Cape Fear (1962)
Psychologie ~ Psychology
Doppelgänger ~ Double
#97
Reiter, Gershon: Cape Fear (1991): The other wronged. In: Reiter, Gershon: The shadow self in film: Projecting the unconscious other. - Jefferson, North Carolina: McFarland & Company 2014. p. ?P.
Index:
Scorsese, Martin
Cape Fear (1991)
Psychologie ~ Psychology
Doppelgänger ~ Double
#98
Reiter, Gershon: Dr. Jekyll and Mr. Hyde: Envisioning the other. In: Reiter, Gershon: The shadow self in film: Projecting the unconscious other. - Jefferson, North Carolina: McFarland & Company 2014. p. ?P.
Index:
Dr. Jekyll and Mr. Hyde (Filmreihe)
Psychologie ~ Psychology
Doppelgänger ~ Double
#99
Reiter, Gershon: Fight Club: The imagined other. In: Reiter, Gershon: The shadow self in film: Projecting the unconscious other. - Jefferson, North Carolina: McFarland & Company 2014. p. ?P.
Index:
Fincher, David
Fight Club (1999)
Psychologie ~ Psychology
Doppelgänger ~ Double
#100
Reiter, Gershon: Introduction: From Enkidu to Mr. Hyde. In: Reiter, Gershon: The shadow self in film: Projecting the unconscious other. - Jefferson, North Carolina: McFarland & Company 2014. p. ?P.
Index:
Psychologie ~ Psychology
Doppelgänger ~ Double
#101
Reiter, Gershon: Sea of Love: The feminine other. In: Reiter, Gershon: The shadow self in film: Projecting the unconscious other. - Jefferson, North Carolina: McFarland & Company 2014. p. ?P.
Index:
Becker, Harold
Sea of Love (1989)
Frauen ~ Women
Psychologie ~ Psychology
Doppelgänger ~ Double
#102
Reiter, Gershon: Shadow of a Doubt: The other by numbers. In: Reiter, Gershon: The shadow self in film: Projecting the unconscious other. - Jefferson, North Carolina: McFarland & Company 2014. p. ?P.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)
Mathematik ~ Mathematics
Psychologie ~ Psychology
Doppelgänger ~ Double
#103
Reiter, Gershon: Strangers on a Train: Playing doubles. In: Reiter, Gershon: The shadow self in film: Projecting the unconscious other. - Jefferson, North Carolina: McFarland & Company 2014. p. ?P.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)
Psychologie ~ Psychology
Doppelgänger ~ Double
#104
Reiter, Gershon: The shadow self in film: Projecting the unconscious other. - Jefferson, North Carolina: McFarland & Company 2014.
Index:
Psychologie ~ Psychology
Doppelgänger ~ Double
#105
Ritter, Daniel Patrick: Über Männer und Schatten: Doppelgänger im Film. - Wien: Edition Sonnberg 2009.
Description:
On the representation of the double in Martin Scorsese’s Cape Fear, David Lynch’s Lost Highway and David Fincher’s Fight Club.
Index:
Scorsese, Martin
Lynch, David
Fincher, David
Cape Fear (1991)
Lost Highway (1996)
Fight Club (1999)
Männer ~ Men
Doppelgänger ~ Double
#106
Roddick, N.: Double Dutch. In: Cinema Papers 1986. No. 55. [January] pp. 26-27.
Description:
Interview with Paul Verhoeven on Flesh & Blood and De vierde man.
Index:
Verhoeven, Paul
Flesh & Blood (1985)
vierde man, De (1983)
Niederlande ~ Netherlands
Doppelgänger ~ Double
#107
Rosenbladt, Bettina: Doubles and doubts in Hitchcock: The German connection. In: Hitchcock: Past and future. Edited by Richard Allen and Sam Ishii-Gonzales. - London; New York: Routledge 2004. p. ?P.
Index:
Hitchcock, Alfred
Doppelgänger ~ Double
Deutschland ~ Germany
#108
Roth, Laurent: La double vie de Kieslowski. In: Cahiers du Cinéma 1996. No. 501. [?D] p. 6.
Index:
Kieslowski, Krzysztof
Doppelgänger ~ Double
#109
Roth-Lindberg, Örjan: Porträttet, spegeln och dubbelgångaren. In: Filmhäftet 27. 1999. No. 107. [?D] pp. 48-54.
Description:
On the motifs of the mirror and the double in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Rear Window (1954)
Spiegel ~ Mirror
Doppelgänger ~ Double
#110
Royer, Carl / Royer, Diana: Body doubles and severed hands: The relation between avant-garde cinema and horror movies. In: Royer, Carl / Royer, Diana: The spectacle of isolation in horror films: Dark parades. - New York; London: Haworth Press 2005. p. ?P.
Index:
Körper ~ Bodies
Experimentalfilme ~ Experimental Films
Doppelgänger ~ Double
Horror ~ Horror
#111
Scheunemann, Dietrich: The double, the decor, and the framing device: Once more on Robert Wiene’s The Cabinet of Dr. Caligari. In: Expressionist film: New perspectives. Edited by Dietrich Scheunemann. - Rochester, New York [et al.]: Camden House 2003. (= Studies in German Literature, Linguistics, and Culture.) p. ?P.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Doppelgänger ~ Double
#112
Scheunemann, Dietrich: The double, the decor, and the framing device: Once more on Robert Wiene’s The Cabinet of Dr. Caligari. In: Expressionist film - New perspectives. Edited by Dietrich Scheunemann. - Rochester, New York: Camden House 2003. (= Studies in German literature, linguistics, and culture.) p. ?P.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Doppelgänger ~ Double
#113
Schlüpmann, Heide: Je suis la solitude: Zum Doppelgängermotiv in Der Student von Prag. In: Frauen und Film 1984. No. 36. [?D] pp. 11-24.
Index:
Rye, Stellan
Student von Prag, Der (1913)
Doppelgänger ~ Double
#114
Schneider, Steven Jay: Manifestations of the literary double in modern horror cinema. In: Horror film and psychoanalysis: Freud’s worst nightmare. Edited by Steven Jay Schneider. - Cambridge; New York: Cambridge University Press 2004. (= Cambridge studies in film.) p. ?P.
Index:
Freud, Sigmund
Doppelgänger ~ Double
Psychologie ~ Psychology
Horror ~ Horror
#115
Schneller, Tom: Fearful symmetries: Music as metaphor in Doppelgänger films. In: The Routledge companion to screen music and sound. Edited by Miguel Mera, Ronald Sadoff, and Ben Winters. - New York; London: Routledge 2017. (= Routledge companions.) p. ?P.
Index:
Doppelgänger ~ Double
Angst ~ Fear
Musik ~ Music
#116
Sears, John: "In his own image": Genre, memory and doubling in Schwarzenegger’s films. In: Post Script 22. 2003. No. 3. [Summer] pp. 104-114.
Description:
On the double motif in the films of Arnold Schwarzenegger, especially in the Terminator films and in Paul Verhoeven’s Total Recall.
Index:
Schwarzenegger, Arnold
Verhoeven, Paul
Terminator (Filmreihe)
Total Recall (1990)
Doppelgänger ~ Double
#117
Shacklock, Zoë: Two of a kind: Revaluing the work of acting doubles in Orphan Black. In: Journal of Film and Video 68. 2016. No. 3/4. [Fall/Winter] pp. 69-82.
Index:
Orphan Black (TV)
Doppelgänger ~ Double
#118
Shay, Don: Double vision. In: Cinefex 1988. No. 36. [November] pp. 32-49.
Description:
On the optical special effects for Cronenberg’s Dead Ringers.
Index:
Cronenberg, David
Dead Ringers (1988)
Technik: Spezialeffekte ~ Technology: Special Effects
Doppelgänger ~ Double
#119
Silverman, Michael: Die Neuschreibung des Doubles. Aus dem Englischen von Drehli Robnik. In: Und das Wort ist Fleisch geworden: Texte über Filme von David Cronenberg. Hrsg. von Drehli Robnik und Michael Palm. - Wien: PVS Verleger 1992. pp. 89-95.
Description:
Psychoanalytical examination of David Cronenberg’s films.
Index:
Cronenberg, David
Doppelgänger ~ Double
Psychologie ~ Psychology
#120
Steffen-Fluhr, Nancy: Disabled by desire: Body doubles in Rear Window (1942), Rear Window (1954), and Rear Window (1998). In: Post Script 22. 2003. No. 3. [Summer] pp. 69-88.
Index:
Hitchcock, Alfred
Bleckner, Jeff
Rear Window (1954)
Rear Window (1999)
Behinderung ~ Disability
Körper ~ Bodies
Doppelgänger ~ Double
#121
Sturm, Georges: L’ombre d’un double ou la maman et la putain: Sur les figures féminines dans Metropolis. In: Cahiers de la Cinémathèque 1985. No. 44. [December] pp. 21-34.
Index:
Lang, Fritz
Metropolis (1925/1926)
Doppelgänger ~ Double
#122
Suk, Radovan: Negativ - pozitiv (Poznámky k motivu dvojnictvi u Akiry
Kurosawy). In: Iluminace 11. 1999. No. 1. [?D] pp. 41-60.
Description:
On the representation of doubles in the films of Akira Kurosawa.
Index:
Kurosawa, Akira
Doppelgänger ~ Double
#123
Sykora, Katharina: Der aus dem Rahmen fällt: Das Bildnis des Dorian Gray als unheimlicher Schatten des Kinos. In: Unheimlich anders: Doppelgänger, Monster, Schattenwesen im Kino: Bremer Symposium zum Film. Hrsg. von Christine Rüffert. - Berlin: Bertz und Fischer 2005. pp. 104 ff.
Index:
Wilde, Oscar [Fingal O’Flahertie Wills]
Angst ~ Fear
Picture of Dorian Gray, The (Literatur ~ Literature)
Doppelgänger ~ Double
#124
Sykora, Katharina: Der Index ist die Nabelschnur: Über Foto-Doubles und digitale Chimären. In: Künstliche Menschen - Manische Maschinen - Kontrollierte Körper. Hrsg. von Rolf Aurich, Wolfgang Jacobsen und Gabriele Jatho. - Berlin: Filmmuseum Berlin - Deutsche Kinemathek / Berlin: Jovis Verlagsbüro 2000. pp. 117-122.
Index:
Fotografie ~ Photography
Technik: Computer ~ Technology: Computer
Doppelgänger ~ Double
Cyberspace ~ Cyberspace
#125
Sykora, Katharina: The index is the umbilical cord: On photo doubles and digital chimeras. In: Artificial humans - manic machines - controlled bodies. Edited by Rolf Aurich, Wolfgang Jacobsen and Gabriele Jatho. - Berlin: Jovis Verlagsbüro 2000. pp. 97-102.
Index:
Fotografie ~ Photography
Technik: Computer ~ Technology: Computer
Doppelgänger ~ Double
Cyberspace ~ Cyberspace
#126
Telotte, J. P.: In the realm of revealing: The technological double in the modern science fiction film. In: Journal of the Fantastic in the Arts 6. 1993. No. 2/3. [?D] pp. 234-252.
Index:
Technik ~ Technology
Doppelgänger ~ Double
Science Fiction ~ Science Fiction
#127
Tembo, Kwasu David: On the work of the double in Christopher Nolan’s The Prestige. In: The cinema of Christopher Nolan: Imagining the impossible. Edited by Jacqueline Furby and Stuart Joy. - New York: Wallflower Press 2015. (= Directors’ cuts.) p. ?P.
Index:
Nolan, Christopher
Prestige, The (2006)
Doppelgänger ~ Double
#128
Thompson, David: Me, myself and him. In: Sight and Sound NS 24. 2014. No. 4. [April] pp. 38-40.
Description:
On the doppelganger motif in Richard Ayoade’s The Double.
Index:
Ayoade, Richard
Double, The (2013)
Doppelgänger ~ Double
#129
Touabti, H.: Tout compte fait, le double est un sujet qui se porte bien. In: Cinéma [Paris] 1988. No. 452. [?D] pp. 23-24.
Description:
On the motif of the double in film.
Index:
Doppelgänger ~ Double
#130
Troncale, J. C.: Illusion and reality in Woody Allen’s double film of The Purple Rose of Cairo. In: Proceedings of the Conference on Film and American Culture: Co-sponsored by the Virginia Humanities Conference and the Virginia Center for Media and Culture. Edited by Joel Schwartz. - Williamsburg: Roy R. Charles Center, College of William and Mary 1994. pp. 99-105.
Index:
Allen, Woody
Purple Rose of Cairo, The (1985)
Doppelgänger ~ Double
USA (United States of America) ~ USA (United States of America)
#131
Unheimlich anders: Doppelgänger, Monster, Schattenwesen im Kino: Bremer Symposium zum Film. Hrsg. von Christine Rüffert. - Berlin: Bertz und Fischer 2005.
Index:
Monster ~ Monster
Frankenstein ~ Frankenstein
Doppelgänger ~ Double
Angst ~ Fear
#132
Vassilieva, Elena: Gothic archetypes in Hollywood: The trickster and the double in Batman and The Mask. In: Anglophonia 2004. No. 15. [?D] pp. 199-207.
Index:
Burton, Tim
Russell, Charles
Batman (1989)
Mask, The (1994)
Horror ~ Horror
Hollywood ~ Hollywood
Doppelgänger ~ Double
#133
Von Doviak, Scott: Doppelgänger: Fire Walk with Me’s "missing pieces". In: Approaching Twin Peaks: Critical essays on the original series. Edited by Eric Hoffman and Dominick Grace. - Jefferson, North Carolina: McFarland & Company 2017. pp. 184 ff.
Index:
Lynch, David
Twin Peaks (TV)
Twin Peaks: Fire Walk with Me (1992)
Doppelgänger ~ Double
#134
Von Holzen, Aleta-Amirée: Marvel-Ious Masked Men: Doppelidentitäten in Superheldenfilmen. In: Fremde Welten: Wege und Räume der Fantastik im 21. Jahrhundert. Hrsg. von Lars Schmeink und Hans-Harald Müller. - Berlin; Boston, Massachussetts: De Gruyter 2012. pp. 187 ff.
Index:
Masken ~ Masks
Marvel Comics [Firma] ~ Marvel Comics [Company]
Helden ~ Heros
Doppelgänger ~ Double
#135
Webber, Andrew J.: The doppelganger: Double visions in German literature. - Oxford: Clarendon Press 1996.
Description:
Discusses also the filmings of the double motif.
Index:
Doppelgänger ~ Double
Literatur ~ Literature
Deutschland ~ Germany
#136
Wildermuth, Mark E.: History, the unconscious, and hyperreality: Gothic doubles in The Keep (1983). In: Wildermuth, Mark E.: Blood in the moonlight: Michael Mann and information age cinema. - Jefferson, North Carolina: McFarland & Co 2005. p. ?P.
Index:
Mann, Michael
Keep, The (1983)
Horror ~ Horror
Geschichte ~ History
Doppelgänger ~ Double
#137
Williamson, H. A.: The essay, the time-image and the double: A study of the films of Chris Marker. - Coleraine, Northern Ireland: University of Ulster, Ph.D. 2000. [Abstract in: Index to Theses with Abstracts 52. 2003. No. 5. p. 1435(52-11774)].
Index:
Marker, Chris
Doppelgänger ~ Double
#138
Zeng, Li: Ghostly vengeance, historical trauma: The Lonely Ghost in the Dark Mansion (1989). In: Journal of Chinese Cinemas 7. 2013. No. 2. [?D] pp. 109-121.
Index:
Mu Deyuan
Liang Ming
Hei lou gu hun (1989)
Geschichte ~ History
Doppelgänger ~ Double
Geister ~ Ghosts
Monster ~ Monster
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