The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Double
number of items: 186
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
| ?G | Volume number unknown |
| ?D | Date of publication unknown |
| ?P | Number of pages unknown |
| ?R | Series number unknown |
#1
Ahrens, Stephan: Die Doppelgänger kommen allein: Über Arthur Robisons Schatten - Eine nächtliche Halluzination. In: Film-Dienst 69. 2016. No. 23. [November 10] p. 32.
Description:
On a DVD edition.
Index:
Robison, Arthur
Schatten - Eine nächtliche Halluzination (1923)
DVD ~ DVD
Doppelgänger ~ Double
#2
Aknin, Laurent: David Cronenberg: Le cinéaste et ses doubles. In: L’Avant-Scène Cinéma 2002. No. 516. [November] pp. 106-109.
Description:
Especially on Spider.
Index:
Cronenberg, David
Spider (2002)
Doppelgänger ~ Double
#3
Andrade Boué, Pilar: El doble como elemento fantástico en el cine. In: Espacios y tiempos de lo fantástico: Una mirada desde el siglo XXI. Ed. Pilar Andrade. - Bern; Berlin; Bruxelles; Frankfurt/Main; New York; Oxford; Wien: Lang 2010. pp. 233 ff.
Description:
Discusses, among others, Stellan Rye’s Der Student von Prag.
Index:
Rye, Stellan
Student von Prag, Der (1913)
Doppelgänger ~ Double
#4
Andrade, Pilar: Cinema’s doubles, their meaning, and literary intertexts. In: CLCWeb: Computers, Literature and Culture 10. 2008. No. 4. [December] pp. 1-9.
Description:
Discusses, among others, Stellan Rye’s Der Student von Prag.
Index:
Rye, Stellan
Student von Prag, Der (1913)
Doppelgänger ~ Double
#5
Andriopoulos, Stefan: Dämonische Doppelgänger: Frühes Kino und das Recht am eigenen Bild. In: Weimarer Beiträge 52. 2006. No. 4.[?D] pp. 509-528.
Description:
[GA:] [KoDeu] [End GA][KoDeu]
Index:
Justiz ~ Justice
Doppelgänger ~ Double
Deutschland ~ Germany
Dämonen ~ Demons
#6
Andriopoulos, Stefan: The terror of reproduction: Early cinema’s ghostly doubles and the tight to one’s one image. In: New German Critique 2006. No. 99. [?D] pp. 151-170.
Description:
Pn the motif of the double in early German cinema.
Index:
Geister ~ Ghosts
Doppelgänger ~ Double
Deutschland ~ Germany
#7
Aronadio, Alessandro: Lo strano caso del Dr. David e di Mr. Cronenberg: Saggio sul doppio nel cinema. - Milano: Bietti, 2010. (= Heterotopia 3.)
Index:
Cronenberg, David
Doppelgänger ~ Double
#8
Bannon, Barbara M.: Double, double, toil and trouble. In: Literature/Film Quarterly 13. 1985. No. 1. [January] pp. 56-65.
Description:
On the double motif in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Doppelgänger ~ Double
#9
Bansak, Ed: "Tomorrow you’ll be one of us!": The evolution of the alien-doppelganger film. In: Midnight Marquee 1995. No. 48. [Winter] pp. 45-56.
Index:
Doppelgänger ~ Double
Aliens ~ Aliens
#10
Bär, Gerald: Ausprägungen des "chronischen Dualismus": Von Ginkgoblättern und Koppelzwillingen zum Clone und Avatar. In: Kulturbau: Aufräumen, Ausräumen, Einräumen. Hrsg. von Peter Hanenberg, Isabel Capeloa Gil, Filomena Viana Guarda und Fernando Clara. - Frankfurt/Main; Berlin; Bern; Bruxelles; New York; Oxford; Wien: Lang 2010. (= Passagen 4.) pp. 257-274.
Index:
Zwillinge ~ Twins
Gentechnik ~ Genetics
Doppelgänger ~ Double
#11
Bär, Gerald: Das Motiv des Doppelgängers als Spaltungsphantasie in der Literatur und im deutschen Stummfilm. - Amsterdam; New York: Rodopi 2005. (= Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft 84.)
Reviews:
Moraldo, Sandro M.: [untitled.] In: Germanistik 47. 2006. No. 1/2. pp. 151-152.
Index:
Hoffmann, E[rnst] T[heodor] A[madeus] [Wilhelm]
Stummfilm ~ Silent Film
Phantasie ~ Fantasy
Literatur ~ Literature
Doppelgänger ~ Double
Deutschland ~ Germany
#12
Barnett, Vincent: Dualling for Judy: The concept of the double in the films of Kim Novak. In: Film History 19. 2007. No. 1. pp. 86-101.
Description:
Discusses, among others, Novak’s roles in Alfred Hitchcock’s Vertigo and Richard Quine’s Bell, Book and Candle.
Index:
Novak, Kim
Hitchcock, Alfred
Quine, Richard
Vertigo (1958)
Bell, Book and Candle (1958)
Doppelgänger ~ Double
#13
Bertetto, Paolo: L’immagine simulacro. In: Bianco e Nero 66. 2005. No. 553. [September-December] pp. 95-117.
Description:
On doubles in film.
Index:
Doppelgänger ~ Double
#14
Berthomieu, Pierre: Rouben Mamoulian: La galerie des doubles. - Liège: Édition du Cefal 1995.
Index:
Mamoulian, Rouben
Doppelgänger ~ Double
#15
Borrmann, Jennifer: Swiss Army Man: Filmische Robinsonade über einen Schiffbrüchigen und seinen Doppelgänger. In: Film-Dienst 69. 2016. No. 21. [October 13] p. 37.
Index:
Kwan, Dan
Scheinert, Daniel
Swiss Army Man (2016)
Schiffe ~ Ships
Doppelgänger ~ Double
#16
Bottiroli, G. [et al.]: Il doppio e il suo multiplo. In: Segnocinema 9. 1989. No. 38. [?D] pp. 17-24, 45-50.
Description:
Articles on the motif of the double in film.
Index:
Doppelgänger ~ Double
#17
Bret, Catherine: Le thème du double dans La double vie de Véronique. In: Krzysztof Kieslowski. Présenté par Michel Estève avec des textes de Yvette Biró [et al.]. - Paris: Lettres Modernes 1994. (= Études Cinématographiques 59. No. 203-210.) pp. 47-61.
Index:
Kieslowski, Krzysztof
double vie de Véronique, La / Podwójne zycie Weroniki (1991)
Doppelgänger ~ Double
#18
Brittnacher, Hans Richard: Aufstand der Schatten: Doppelgänger und Spiegelbilder in Literatur und Film. In: Gespenster. Hrsg. von Thomas Koebner. - München: Ed. Text + Kritik 2014. (= Projektionen 8.) pp. 61-81.
Index:
Spiegel ~ Mirror
Literatur ~ Literature
Doppelgänger ~ Double
Geister ~ Ghosts
#19
Bronfen, Elisabeth: Die narzisstische Geselligkeit: Doppelgänger des Kinos. In: Kino im Kopf: Psychoanalyse und Film. Hrsg. von Kristina Jaspers und Wolf Unterberger. - Berlin: Bertz + Fischer 2006. pp. 135 ff.
Index:
Doppelgänger ~ Double
Psychologie ~ Psychology
#20
Brooks, Christopher: Sarah’s dream / "no fate": Doubling in Terminator II. In: Post Script 23. 2004. No. 2. [Winter/Spring] pp. 62-71.
Index:
Cameron, James
Terminator II - Judgement Day (1991)
Doppelgänger ~ Double
Traum ~ Dreams
#21
Buchanan, Judith: Judith’s vampish virtue and its double market appeal. In: The ancient world in silent cinema. Edited by Pantelis Michelakis and Maria Wyke. - Cambridge; New York: Cambridge University Press 2013. p. ?P.
Index:
Religion ~ Religion
Doppelgänger ~ Double
Stummfilm ~ Silent Film
Geschichte: Antike ~ History: Ancient Times
#22
Buffington, Nancy: What about Bob? Doubles and demons in Twin Peaks. In: Functions of the fantastic: Selected essays from the Thirteenth International Conference on the Fantastic in the Arts. Edited by Joe Sanders. - Westport, Connecticut; London: Greenwood Press 1995. (= Contributions to the Study of Science Fiction and Fantasy 65.) pp. 101-106.
Index:
Lynch, David
Twin Peaks (Filmreihe)
Doppelgänger ~ Double
Dämonen ~ Demons
#23
Bunbury, S.: David Cronenberg doubles up. In: Cinema Papers 1989. No. 71. [January] pp. 22-24.
Description:
Especially on Dead Ringers.
Index:
Cronenberg, David
Dead Ringers (1988)
Doppelgänger ~ Double
#24
Calvet, Yann: De la variation du même et de l’autre: Doubles et doublures. In: Eclipses 2002. No. 34. [?D] pp. 32-79.
Description:
On basic motifs in the films of David Lynch. Discusses, among others, the representation of monsters, doubles and dreams in Lynch’s oeuvre.
Index:
Lynch, David
Traum ~ Dreams
Monster ~ Monster
Doppelgänger ~ Double
#25
Causey, Matthew: The screen test of the double: The uncanny performer in the space of technology. In: Theatre Journal 51. 1999. No. 4. [?D] pp. 383-394.
Index:
Technik ~ Technology
Doppelgänger ~ Double
Angst ~ Fear
#26
Charles, Alec: Double identity: Presence and absence in the films of Tod Browning. In: The films of Tod Browning. Edited by Bernd Herzogenrath. - London: Black Dog Publishing 2006. pp. 79 ff.
Index:
Browning, Tod
Doppelgänger ~ Double
#27
Chisholm, Ann: Missing persons and bodies of evidence. In: Camera Obscura 15. 2000. No. 43. [?D] pp. 122-161.
Description:
On doubles in film.
Index:
Körper ~ Bodies
Doppelgänger ~ Double
#28
Ciment, Michel: Cocteau sans miroir après double réflexion. In: Positif 1990. No. 348. [?D] pp. 41-43.
Index:
Cocteau, Jean
Doppelgänger ~ Double
#29
Clements, William M. / Malpezzi, Frances M.: The double and the theme of selflessness in Kagemusha. In: Literature/Film Quarterly 17. 1989. No. 3. [July] pp. 202-206.
Description:
On the motif of the double in film.
Index:
Kurosawa, Akira
Kagemusha (1980)
Doppelgänger ~ Double
#30
Clements, William M. / Malpezzi, Frances M.: The double and the theme of selflessness in Kagemusha. In: Perspectives on Akira Kurosawa. Edited by James Goodwin. - New York: G. K. Hall / Don Mills, Ontario: Maxwell Macmillan Canada 1994. (= Perspectives on film.) pp. 194-200.
Description:
On the motif of the double in film.
Index:
Kurosawa, Akira
Kagemusha (1980)
Doppelgänger ~ Double
#31
Coates, Paul: Doubling, distance and identification in the cinema. - Houndmills, Bsingstoke, Hampshire; New York: Palgrave Macmillan 2015.
Description:
Discusses, among others, Krzysztof Kieslowski’s La double vie de Véronique, Alfred Hitchcock’s Vertigo and Wim Wenders’s Der Himmel über Berlin.
Index:
Kieslowski, Krzysztof
Hitchcock, Alfred
Wenders, Wim
double vie de Véronique, La / Podwójne zycie Weroniki (1991)
Vertigo (1958)
Himmel über Berlin, Der (1987)
Doppelgänger ~ Double
#32
Couté, Pascal: La féline: Le visible et l’invisible. In: Cinémaction 2006. No. 120. [June] pp. 67-77.
Description:
On the representation of the double in Jacques Tourneur’s Cat People.
Index:
Tourneur, Jacques
Cat People (1942)
Doppelgänger ~ Double
#33
Daffron, Eric: Double trouble: The self, the social order and the trouble with sympathy in the romantic and post-modern gothic. In: Gothic Studies 3. 2001. No. 1. [April] pp. 75-83.
Description:
On the figure of the double in romantic and post-modern gothic literature and film. Discusses, among others, Ridley Scott’s Blade Runner.
Index:
Scott, Ridley
Blade Runner (1982)
Postmoderne ~ Postmodern
Literatur ~ Literature
Horror ~ Horror
Doppelgänger ~ Double
Romantik ~ Romanticism
#34
Dalla Rosa, Richard: La fascination des doubles, selon La Double vie de Véronique de Krzysztof Kieslowski. - Sarreguemines: Pierron 2003. (= L’expérience.)
Index:
Kieslowski, Krzysztof
double vie de Véronique, La / Podwójne zycie Weroniki (1991)
Doppelgänger ~ Double
#35
DeCastro, Victoria Scharf: Double takes: Doppelgänger’s many faces in late twentieth-century American films. - Atlanta, Georgia: Georgia State University, College of Arts and Sciences, M.A. 2001. [Abstract in: Masters Abstracts International 40. 2002. No. 4. pp. 801-902.]
Description:
Discusses, among others, Francis Ford Coppola’s Bram Stoker’s Dracula, Ivan Reitman’s Twins and Phillip Noyce’s Clear and Present Danger.
Index:
Coppola, Francis Ford
Reitman, Ivan
Noyce, Phillip
Bram Stoker’s Dracula (1992)
Twins (1988)
Clear and Present Danger (1994)
USA (United States of America) ~ USA (United States of America)
Doppelgänger ~ Double
#36
Dolgopolov, Greg: High stakes: The vampire and the double in Russian cinema. In: Transnational horror across visual media: Fragmented bodies. Edited by Dana Och and Kirsten Strayer. - New York; London: Routledge 2013. (= Routledge research in cultural and media studies 55.) p. ?P.
Index:
Vampire ~ Vampires
Russland ~ Russia
Doppelgänger ~ Double
Körper ~ Bodies
Horror ~ Horror
#37
Dornhof, Dorothea: Moderne Magie: Hysterikerinnen und Doppelgänger im frühen Film und okkulten Wissen. In: Dämonen, Vamps und Hysterikerinnen: Geschlechter- und Rassenfigurationen in Wissen, Medien und Alltag um 1900: Festschrift für Christina von Braun. Hrsg. von Ulrike Auga. - Bielefeld: Transcript 2011. (= GenderCodes 14.) pp. 33 ff.
Index:
Sexualität ~ Sexuality
Religion: Okkultismus ~ Religion: Occultism
Magie ~ Magic
Frauen ~ Women
Doppelgänger ~ Double
Dämonen ~ Demons
Angst ~ Fear
#38
Duncan Jesser, Jody: Creationisms: The Tree of Life. In: Cinefex 2012. No. 128. [January] p. ?P.
Description:
On the special effects by Prime Focus, Double Negative, One of Us and Method Studios. Discusses especially the work of Douglas Trumbull and visual effects supervisor Dan Glass.
Index:
Malick, Terrence
Trumbull, Douglas
Glass, Dan
Tree of Life, The (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
Method Studios [Firma] ~ Method Studios [Company]
One Of Us [Firma] ~ One Of Us [Company]
Double Negative [Firma] ~ Double Negative [Company]
Prime Focus [Firma] ~ Prime Focus [Company]
#39
Duncan Jesser, Jody: Grim fairy tale: Snow White and the Huntsman. In: Cinefex 2012. No. 130. [July] p. ?P.
Description:
On the special effects by Legacy Effects, Digital Domain, Double Negative, Pixomondo, Lola Visual Effects, Baseblack, The Mill and Rhythm & Hues. Discusses especially the work of visual effects supervisors Cedric Nicolas-Troyan and Phil Brennan.
Index:
Sanders, Rupert
Nicolas-Troyan, Cedric
Brennan, Phil
Snow White and the Huntsman (2012)
Technik: Spezialeffekte ~ Technology: Special Effects
Märchen ~ Fairy Tales
Rhythm & Hues [Firma] ~ Rhythm & Hues [Company]
Mill, The [Firma] ~ Mill, The [Company]
Baseblack [Firma] ~ Baseblack [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
Pixomondo [Firma] ~ Pixomondo [Company]
Double Negative [Firma] ~ Double Negative [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]
#40
Duncan, Jody: 10,000 B.C.: The first hero. In: Cinefex 2008. No. 113. [April] p. ?P.
Description:
On the special effects by visual effects supervisor Karen Goulekas, the Tatopoulos Studios, The Moving Picture Company, Double Negative, The Senate, Machine FX and Magicon for Roland Emmerich’s prehistoric adventure.
Index:
Emmerich, Roland
Goulekas, Karen
10,000 B.C. (2008)
Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company]
Magicon [Firma] ~ Magicon [Company]
Machine FX [Firma] ~ Machine FX [Company]
Tatopoulos Studios [Firma] ~ Tatopoulos Studios
Technik: Spezialeffekte ~ Technology: Special Effects
Helden ~ Heros
Geschichte: Urzeit ~ History: Prehistory
Abenteuer ~ Adventure
Double Negative [Firma] ~ Double Negative [Company]
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]
#41
Duncan, Jody: A family affair: Captain America: Civil War. In: Cinefex 2016. No. 147. [June] p. ?P.
Description:
On the special effects by Ironhead Studio, Legacy Effects, Quantum Creation, Industrial Light & Magic, Luma Pictures, Method Studios, Double Negative, Base FX and Cinesite. Discusses especially the work of special effects supervisor Daniel Sudick and special makeup effects artist Bart Mixon.
Index:
Russo, Anthony
Russo, Joe
Sudick, Daniel
Mixon, Bart
First Avenger, The: Civil War (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Familie ~ Family
Cinesite [Firma] ~ Cinesite [Company]
Base FX [Firma] ~ Base FX [Company]
Double Negative [Firma] ~ Double Negative [Company]
Method Studios [Firma] ~ Method Studios [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Quantum Creation FX [Firma] ~ Quantum Creation FX [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]
Ironhead Studios [Firma] ~ Ironhead Studios [Company]
#42
Duncan, Jody: A farewell to arms: The Dark Knight Rises. In: Cinefex 2012. No. 131. [October] p. ?P.
Description:
On the special effects by Double Negative. Discusses especially the work of Chris Corbould and Paul Franklin.
Index:
Nolan, Christopher
Corbould, Chris
Franklin, Paul
Dark Knight Rises, The (2012)
Technik: Spezialeffekte ~ Technology: Special Effects
Double Negative [Firma] ~ Double Negative [Company]
#43
Duncan, Jody: A more perfect vision: Avengers: Age of Ultron. In: Cinefex 2015. No. 142. [July] p. ?P.
Description:
On the special effects by ILM, Double Negative, Animal Logic, Luma Pictures, Framestore and Legacy Effects. Discusses especially the work of visual effects supervisor Christopher Townsend and special effects supervisor Paul Corbould.
Index:
Whedon, Joss
Townsend, Christopher
Corbould, Paul
Avengers: Age of Ultron (2015)
Technik: Spezialeffekte ~ Technology: Special Effects
Legacy Effects [Firma] ~ Legacy Effects [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
Animal Logic [Firma] ~ Animal Logic [Company]
Double Negative [Firma] ~ Double Negative [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#44
Duncan, Jody: Batman grounded: The Dark Knight. In: Cinefex 2008. No. 115. [October] p. ?P.
Description:
On the special effects by Double Negative, Framestore and BUF Compagnie as well as the work of visual effects supervisor Nick Davis and special effects supervisor Chris Corbould.
Index:
Nolan, Christopher
Davis, Nick
Corbould, Chris
Dark Knight, The (2008)
Technik: Spezialeffekte ~ Technology: Special Effects
Framestore CFC [Firma] ~ Framestore CFC [Company]
Double Negative [Firma] ~ Double Negative [Company]
Buf Compagnie [Firma] ~ Buf Compagnie [Company]
Batman ~ Batman
#45
Duncan, Jody: Burnished steel: Man of Steel. In: Cinefex 2013. No. 135. [October] p. ?P.
Description:
On the special effects by Weta Digital, Weta Workshop, MPC, Scanline VFX and Double Negative. Discusses especially the work of visual effects supervisor John DesJardin as well as special effects supervisors Joel Whist and Allen Hall.
Index:
Snyder, Zack
DesJardin, John
Whist, Joel
Hall, Allen
Man of Steel (2013)
Technik: Spezialeffekte ~ Technology: Special Effects
Superman ~ Superman
Double Negative [Firma] ~ Double Negative [Company]
Scanline [Firma] ~ Scanline [Company]
MPC [Firma] ~ MPC [Company]
Weta [Firma] ~ Weta [Company]
#46
Duncan, Jody: Finding Calvin: Life. In: Cinefex 2017. No. 153. [June] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Double Negative, One of Us, Atomic Fiction, Nvizible, Outpost VFX and Lola VFX.
Index:
Espinosa, Daniel
Life (2017)
Outpost VFX [Firma] ~ Outpost VFX [Company]
Nvizible [Firma] ~ Nvizible [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
One Of Us [Firma] ~ One Of Us [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Double Negative [Firma] ~ Double Negative [Company]
Atomic Fiction [Firma] ~ Atomic Fiction [Company]
#47
Duncan, Jody: Gods and kings: Exodus: Gods and Kings. In: Cinefex 2015. No. 140. [January] p. ?P.
Description:
On the special effects by Double Negative, MPC, The Senate, Method Studios and The Third Floor.
Index:
Scott, Ridley
Exodus: Gods and Kings (2014)
Technik: Spezialeffekte ~ Technology: Special Effects
Religion ~ Religion
Third Floor, The [Firma] ~ Third Floor, The [Company]
Method Studios [Firma] ~ Method Studios [Company]
Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company]
MPC [Firma] ~ MPC [Company]
Double Negative [Firma] ~ Double Negative [Company]
#48
Duncan, Jody: Into inkworld: Inkheart. In: Cinefex 2009. No. 117. [April] p. ?P.
Description:
On the special effects by Double Negative, The Senate, Cinesite, Rainmaker, Peerless Camera Company and Mattes & Miniatures for Iain Softley’s fantasy adventure. Discusses especially the work of visual effects supervisor Angus Bickerton and special effects supervisor Paul Corbould.
Index:
Softley, Iain
Bickerton, Angus
Corbould, Paul
Inkheart (2008)
Technik: Spezialeffekte ~ Technology: Special Effects
Fantasy ~ Fantasy
Abenteuer ~ Adventure
Mattes & Miniatures [Firma] ~ Mattes & Miniatures [Company]";
Peerless Camera Company [Firma] ~ Peerless Camera Company [Company]
Rainmaker [Firma] ~ Rainmaker [Company]
Cinesite [Firma] ~ Cinesite [Company]
Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company]
Double Negative [Firma] ~ Double Negative [Company]
#49
Duncan, Jody: Iron clad: Iron Man 2. In: Cinefex 2010. No. 122. [July] p. ?P.
Description:
On the special effects by Legacy Effects (the former Stan Winston Studio), ILM, Whiplash, Double Negative and Fuel VFX.
Index:
Favreau, Jon
Iron Man 2 (2010)
Whiplash [Firma] ~ Whiplash [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Legacy Effects [Firma] ~ Legacy Effects [Company]
Fuel VFX [Firma] ~ Fuel VFX [Company]
Double Negative [Firma] ~ Double Negative [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Stan Winston Studio [Firma] ~ Stan Winston Studio [Company]
#50
Duncan, Jody: Keeping it real: Mission: Impossible - Rogue Nation. In: Cinefex 2015. No. 143. [October] p. ?P.
Description:
On the special effects by Double Negative. Discusses especially the work of stunt coordinator Wade Eastwood, special effects supervisor Dominic Tuohy and visual effects supervisor David Vickery.
Index:
McQuarrie, Christopher
Eastwood, Wade
Tuohy, Dominic
Vickery, David
Mission: Impossible - Rogue Nation (2015)
Technik: Spezialeffekte ~ Technology: Special Effects
Double Negative [Firma] ~ Double Negative [Company]
#51
Duncan, Jody: Recall redux: Total Recall. In: Cinefex 2012. No. 131. [October] p. ?P.
Description:
On the special effects by Double Negative, The Senate, Baseblack, Prime Focus, Lipsync VFX, MPC and Legacy Effects.
Index:
Wiseman, Len
Total Recall (2012)
Technik: Spezialeffekte ~ Technology: Special Effects
Legacy Effects [Firma] ~ Legacy Effects [Company]
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]
Lipsync VFX [Firma] ~ Lipsync VFX [Company]
Prime Focus [Firma] ~ Prime Focus [Company]
Baseblack [Firma] ~ Baseblack [Company]
Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company]
Double Negative [Firma] ~ Double Negative [Company]
#52
Duncan, Jody: That our feet may leave: Interstellar. In: Cinefex 2015. No. 140. [January] p. ?P.
Description:
On the special effects by Double Negative and New Deal Studios. Discusses especially the work of Scott Fisher.
Index:
Nolan, Christopher
Fisher, Scott
Interstellar (2014)
Technik: Spezialeffekte ~ Technology: Special Effects
New Deal Studios [Firma] ~ New Deal Studios [Company]
Double Negative [Firma] ~ Double Negative [Company]
#53
Duncan, Jody: The gauntlet: Avengers: Infinity War. In: Cinefex 2018. No. 159. [June] p. ?P.
Description:
On the special effects by Digital Domain, Weta Digital, Industrial Light & Magic, Framestore, Double Negative and Cinesite. Discusses especially the work of visual effects supervisor Dan DeLeeuw and visual effects producer Jen Underdahl.
Index:
Russo, Anthony
Russo, Joe
DeLeeuw, Dan
Underdahl, Jen
Avengers: Infinity War (2018)
Technik: Computer ~ Technology: Computer
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Framestore CFC [Firma] ~ Framestore CFC [Company]
Double Negative [Firma] ~ Double Negative [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Cinesite [Firma] ~ Cinesite [Company]
#54
Duncan, Jody: The stuff of children’s nightmares: Miss Peregrine’s Home for Peculiar Children. In: Cinefex 2016. No. 149. [October] p. ?P.
Description:
On the special effects by Rodeo FX, Double Negative, One of Us, MPC, Scanline and MELS Studios. Discusses especially the work of special effects supervisor Neil Corbould and special makeup effect artis David White.
Index:
Burton, Tim
Corbould, Neil
White, David
Miss Peregrine’s Home for Peculiar Children (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Jugend ~ Youth
Traum ~ Dreams
Mels Studios [Firma] ~ Mels Studios [Company]
Scanline [Firma] ~ Scanline [Company]
MPC [Firma] ~ MPC [Company]
One Of Us [Firma] ~ One Of Us [Company]
Double Negative [Firma] ~ Double Negative [Company]
Rodeo FX [Firma] ~ Rodeo FX [Company]
#55
Duncan, Jody: Wrinkles in time: Terminator Genisys. In: Cinefex 2015. No. 143. [October] p. ?P.
Description:
On the special effects by Double Negative, MPC, Lola VFX, One of Us, Method Studios and Legacy Effects. Discusses especially the work of visual effects supervisor Janek Sirrs and special effects supervisor Mark Hawker.
Index:
Taylor, Alan
Sirrs, Janek
Hawker, Mark
Terminator Genisys (2015)
Technik: Spezialeffekte ~ Technology: Special Effects
Legacy Effects [Firma] ~ Legacy Effects [Company]
Method Studios [Firma] ~ Method Studios [Company]
One Of Us [Firma] ~ One Of Us [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
MPC [Firma] ~ MPC [Company]
Double Negative [Firma] ~ Double Negative [Company]
#56
Dworkin, Susan: Double DePalma: A film study with Brian DePalma. - New York: Newmarket Press 1984.
Description:
On Body Double.
Index:
De Palma, Brian
Body Double (1984)
Doppelgänger ~ Double
#57
Edwards, Graham: Cosmic deconstruction: Star Trek Beyond. In: Cinefex 2016. No. 148. [August] p. ?P.
Description:
On the special effects by Double Negative, Atomic Fiction and Kelvin Optical. Discusses especially the work of makeup effects supervisor Joel Harlow and special effects artist Cameron Waldbauer.
Index:
Lin, Justin
Harlow, Joel
Waldbauer, Cameron
Star Trek Beyond (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Kelvin Optical [Firma] ~ Kelvin Optical [Company]
Atomic Fiction [Firma] ~ Atomic Fiction [Company]
Double Negative [Firma] ~ Double Negative [Company]
#58
Edwards, Graham: Explosive cocktail: Spectre. In: Cinefex 2016. No. 145. [February] p. 12-39.
Description:
On the special effects by Double Negative, Cinesite, ILM London, MPC, Peerless and BlueBolt. Discusses especially the work of special effects supervisors Chris Corbould and Steve Begg.
Index:
Mendes, Sam
Corbould, Chris
Begg, Steve
Spectre (2015)
Technik: Spezialeffekte ~ Technology: Special Effects
BlueBolt [Firma] ~ BlueBolt [Company]
Peerless Camera Company [Firma] ~ Peerless Camera Company [Company]
MPC [Firma] ~ MPC [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Cinesite [Firma] ~ Cinesite [Company]
Double Negative [Firma] ~ Double Negative [Company]
#59
Edwards, Graham: Heft and jank: Pacific Rim Uprising. In: Cinefex 2018. No. 159. [June] p. ?P.
Description:
On the special effects by Double Negative, Atomic Fiction, Territory Studio, Blind, The Third Floor, Halon, Day for Nite, Legacy Effects and Weta Workshop. Discusses especially the work of visual effects supervisor Peter Chiang and special effects supervisor Dan Oliver.
Index:
DeKnight, Steven S.
Chiang, Peter
Oliver, Dan
Pacific Rim Uprising (2018)
Day for Nite [Firma] ~ Day for Nite [Company]
Weta [Firma] ~ Weta [Company]
Third Floor, The [Firma] ~ Third Floor, The [Company]
Territory Studio [Firma] ~ Territory Studio [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Legacy Effects [Firma] ~ Legacy Effects [Company]
Atomic Fiction [Firma] ~ Atomic Fiction [Company]
Halon Entertainment [Firma] ~ Halon Entertainment [Company]
Double Negative [Firma] ~ Double Negative [Company]
Blind [Firma] ~ Blind [Company]
#60
Edwards, Graham: Team Thor: Thor: Ragnarok. In: Cinefex 2017. No. 156. [December] p. ?P.
Description:
On the special effects by Framestore, ILM, Double Negative, Method Studios, Luma, Digital Domain, Image Engine, Rising Sun Pictures, The Third Floor, Ironhead Studio and Quantum Creation FX. Discusses especially the work of visual effects supervisor Jake Morrison and special effects supervisor R. Bruce Steinheimer.
Index:
Waititi, Taika
Morrison, Jake
Steinheimer, R. Bruce
Thor: Ragnarok (2017)
Luma Pictures [Firma] ~ Luma Pictures [Company]
Third Floor, The [Firma] ~ Third Floor, The [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Rising Sun Pictures [Firma] ~ Rising Sun Pictures [Company]
Quantum Creation FX [Firma] ~ Quantum Creation FX [Company]
Method Studios [Firma] ~ Method Studios [Company]
Ironhead Studios [Firma] ~ Ironhead Studios [Company]
Image Engine [Firma] ~ Image Engine [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Framestore CFC [Firma] ~ Framestore CFC [Company]
Double Negative [Firma] ~ Double Negative [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
#61
Ernst, Annette: Vom Doppelgänger zur Persönlichkeitsspaltung: Ein romantisches Motiv In seiner filmischen Entwicklung bei Fritz Lang. - Frankfurt/Main: Universität Frankfurt/Main, Institut für deutsche Sprache und Literatur I, Magisterarbeit ?J (1989/1990).
Index:
Lang, Fritz
Wahnsinn ~ Madness
Romantik ~ Romanticism
Doppelgänger ~ Double
#62
Fearful symmetry: Doubles and doubling in literature and film: Selected papers from the 5th Annual Florida State University Conference on Literature and Film. Edited by Eugene J. Crook. - Talahassee, Florida: University Press of Florida 1981.
Index:
Literatur ~ Literature
Angst ~ Fear
Doppelgänger ~ Double
#63
Fischer, Lucy: Body double: The author incarnate in the cinema. - New Brunswick, New Jersey; London: Rutgers University Press 2012.
Reviews:
Claverie, Ezra: Typewriters, tattoos, diarists, and junkies: Authorial flesh on screen. In: Literature/Film Quarterly 41. 2013. No. 4. [?D] pp. 317-319.
Index:
Literatur ~ Literature
Körper ~ Bodies
Doppelgänger ~ Double
#64
Fonseca, Tony: The doppelgänger. In: Icons of horror and the supernatural: An encyclopedia of our worst nightmares. Edited by S. T. Joshi. - Westport, Connecticut; London: Greenwood Press 2007. (= Greenwood icons.) p. ?P.
Index:
Doppelgänger ~ Double
Wunder ~ Miracles
Horror ~ Horror
#65
Fordham, Joe: 2049 foresight: Blade Runner 2049. In: Cinefex 2017. No. 155. [October] p. ?P.
Description:
On the special effects by Double Negative, MPC, Framestore, Atomic Fiction, Territory Studio, BUF, Rodeo FX, UPP and Weta Workshop. Discusses especially the work of visual effects supervisor John Nelson, visual effects producer Karen Murphy, special effects supervisor Gerd Nefzer and makeup designer Donald Mowat.
Index:
Villeneuve, Denis
Nelson, John
Murphy, Karen
Nefzer, Gerd
Mowat, Donald
Blade Runner 2049 (2017)
BUF [Firma] ~ BUF [Company]
Territory Studio [Firma] ~ Territory Studio [Company]
Weta [Firma] ~ Weta [Company]
UPP [Firma] ~ UPP [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Rodeo FX [Firma] ~ Rodeo FX [Company]
MPC [Firma] ~ MPC [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Double Negative [Firma] ~ Double Negative [Company]
Atomic Fiction [Firma] ~ Atomic Fiction [Company]
#66
Fordham, Joe: Across the sea of time: Alice Through the Looking Glass. In: Cinefex 2016. No. 147. [June] p. ?P.
Description:
On the special effects by Sony Pictures Imageworks, Double Negative, Legend3D, Prime Focus World and Gener8. Discusses especially the work of visual effects supervisor Ken Ralston, special effects supervisor Neil Corbould and makeup effects supervisor Matthew Smith.
Index:
Bobin, James
Ralston, Ken
Corbould, Neil
Smith, Matthew
Alice Through the Looking Glass (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Gener8 [Firma] ~ Gener8 [Company]
Prime Focus [Firma] ~ Prime Focus [Company]
Legend3D [Firma] ~ Legend3D [Company]
Double Negative [Firma] ~ Double Negative [Company]
Sony Pictures Imageworks [Firma] ~ Sony Pictures Imageworks [Company]
#67
Fordham, Joe: Arabian fantasy: Prince of Persia: Sands of Time. In: Cinefex 2010. No. 123. [October] p. ?P.
Description:
On the special effects by Double Negative, The Moving Picture Company, Cinesite and Framestore. Discusses especially the work of special effects supervisor Trevor Wood and visual effects supervisor Tom Wood.
Index:
Newell, Mike
Wood, Trevor
Wood, Tom
Prince of Persia: The Sands of Time (2010)
Technik: Spezialeffekte ~ Technology: Special Effects
Orient ~ Orient
Fantasy ~ Fantasy
Framestore CFC [Firma] ~ Framestore CFC [Company]
Cinesite [Firma] ~ Cinesite [Company]
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]
Double Negative [Firma] ~ Double Negative [Company]
#68
Fordham, Joe: Children of Men: The human project. In: Cinefex 2007. No. 110. [July] pp. 33-36, 39-44.
Description:
On the physical effects by Paul Corbould, the makeup effects by Nick Dudman and on the visual effects by "Double Negative" and "Framestore CFC".
Index:
Cuarón, Alfonso
Corbould, Paul
Dudman, Nick
Children of Men (2006)
Double Negative [Firma] ~ Double Negative [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
#69
Fordham, Joe: Cloverfield: Ground Zero. In: Cinefex 2008. No. 113. [April] p. ?P.
Description:
On the special effects for Matt Reeves’s monster movie. Discusses especially the work of visual effects supervisors Kevin Blank, Eric Leven and Michael Ellis, special effects coordinator David Waine, the Tippett Studio and of Double Negative.
Index:
Reeves, Matt
Blank, Kevin
Leven, Eric
Ellis, Michael
Waine, David
Cloverfield (2008)
Technik: Spezialeffekte ~ Technology: Special Effects
Monster ~ Monster
Double Negative [Firma] ~ Double Negative [Company]
Tippett Studio [Firma] ~ Tippett Studio [Company]
#70
Fordham, Joe: Curse of the werewolf: The Wolfman. In: Cinefex 2010. No. 121. [April] p. ?P.
Description:
On the work of makeup effects designer Rick Baker, visual effects supervisor Steve Begg and on the special effects by The Moving Picture Company, Double Negative and Rhythm & Hues for Joe Johnston’s remake of a horror classic.
Index:
Johnston, Joe
Baker, Rick
Begg, Steve
Wolfman, The (2010)
Wölfe ~ Wolves
Technik: Spezialeffekte ~ Technology: Special Effects
Horror ~ Horror
Rhythm & Hues [Firma] ~ Rhythm & Hues [Company]
Double Negative [Firma] ~ Double Negative [Company]
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]
#71
Fordham, Joe: Götterdämmerung: 2012. In: Cinefex 2010. No. 120. [January] p. ?P.
Description:
On the special effects by Uncharted Territory, Digital Domain, Double Negative, Sony Pictures Imageworks, Scanline, Hydraulx, Crazy Horse and Pixomondo. Discusses especially the work of effects supervisor Michael Vezina.
Index:
Emmerich, Roland
Vezina, Mike
2012 (2009)
Crazy Horse [Firma] ~ Crazy Horse [Company]
Pixomondo [Firma] ~ Pixomondo [Company]
Uncharted Territory [Firma] ~ Uncharted Territory [Company]
Scanline [Firma] ~ Scanline [Company]
Double Negative [Firma] ~ Double Negative [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Sony Pictures Imageworks [Firma] ~ Sony Pictures Imageworks [Company]
Hydraulx [Firma] ~ Hydraulx [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
#72
Fordham, Joe: Heritage of horror: The Mummy. In: Cinefex 2017. No. 154. [August] p. ?P.
Description:
On the special effects by MPC, Double Negative, Industrial Light & Magic, Furious FX, Factory VFX, Space Monkey, StereoD, Lola Visual Effects and Proof, Inc.. Discusses especially the work of visual effects supervisor Erik Nash, special effects supervisor Dominic Tuohy and makeup effects supervisor David White.
Index:
Kurtzman, Alex
Nash, Erik
Tuohy, Dominic
White, David
Mummy, The (2017)
Space Monkey [Firma] ~ Space Monkey [Company]
Furious FX [Firma] ~ Furious FX [Company]
Factory VFX [Firma] ~ Factory VFX [Company]
Stereo D [Firma] ~ Stereo D [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Proof [Firma] ~ Proof [Company]
MPC [Firma] ~ MPC [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Horror ~ Horror
Double Negative [Firma] ~ Double Negative [Company]
#73
Fordham, Joe: Imperial earth: Jupiter Ascending. In: Cinefex 2015. No. 141. [April] p. ?P.
Description:
On the special effects by Method Studios, Double Negative, Framesore, One Of Us, BlueBolt, The Aaron Sims Company, Halon Entertainment, Mokko Studio, Rodeo FX, BUF, The Third Floor and Ironhead Studios. Discusses especially the work of visual effects supervisor Dan Glass, visual effects consultant John Gaeta, special effects supervisor Trevor Wood and makeup effects supervisor Jeremy Woodhead.
Index:
Wachowski, Andy
Wachowski, Lana
Glass, Dan
Gaeta, John
Wood, Trevor
Woodhead, Jeremy
Jupiter Ascending (2015)
Technik: Spezialeffekte ~ Technology: Special Effects
Ironhead Studios [Firma] ~ Ironhead Studios [Company]
Third Floor, The [Firma] ~ Third Floor, The [Company]
Buf Compagnie [Firma] ~ Buf Compagnie [Company]
Rodeo FX [Firma] ~ Rodeo FX [Company]
Mokko Studio [Firma] ~ Mokko Studio [Company]
Halon Entertainment [Firma] ~ Halon Entertainment [Company]
Aaron Sims Company ~ Aaron Sims Company
BlueBolt [Firma] ~ BlueBolt [Company]
One Of Us [Firma] ~ One Of Us [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Double Negative [Firma] ~ Double Negative [Company]
Method Studios [Firma] ~ Method Studios [Company]
#74
Fordham, Joe: In dreams: Inception. In: Cinefex 2010. No. 123. [October] p. ?P.
Description:
On the special effects by New Deal Studio and Double Negative. Discusses especially the work of effects supervisor Chris Corbould and visual effects supervisor Paul Franklin.
Index:
Nolan, Christopher
Corbould, Chris
Franklin, Paul
Inception (2010)
Traum ~ Dreams
Technik: Spezialeffekte ~ Technology: Special Effects
Double Negative [Firma] ~ Double Negative [Company]
New Deal Studios [Firma] ~ New Deal Studios [Company]
#75
Fordham, Joe: Infernal designs: Angels & Demons. In: Cinefex 2009. No. 118. [July] p. ?P.
Description:
On the special effects by Double Negative, CIS Vancouver, The Moving Picture Company and The Senate. Discusses especially the work of visual effects supervisor Angus Bickerton and production designer Allan Cameron.
Index:
Howard, Ron
Bickerton, Angus
Cameron, Allan
Angels & Demons (2009)
CIS Hollywood [Firma] ~ CIS Hollywood [Company]
Vancouver ~ Vancouver
Technik: Spezialeffekte ~ Technology: Special Effects
Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company]
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]
Double Negative [Firma] ~ Double Negative [Company]
#76
Fordham, Joe: Into the shimmer: Annihilation. In: Cinefex 2018. No. 159. [June] p. ?P.
Description:
On the special effects by Double Negative, Milk VFX, Nvizible and Union VFX. Discusses especially the work of visual effects supervisor Andrew Whitehurst, visual effects producer Roma O’Connor, makeup effects supervisor Tristan Versluis, special effects supervisor Hayley Williams and stunt coordinator Jo McLaren.
Index:
Garland, Alex
Whitehurst, Andrew
O’Connor, Roma
Versluis, Tristan
Williams, Hayley
McLaren, Jo
Annihilation (2018)
Union VFX [Firma] ~ Union VFX [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Nvizible [Firma] ~ Nvizible [Company]
Milk Visual Effects [Firma] ~ Milk Visual Effects [Company]
Double Negative [Firma] ~ Double Negative [Company]
#77
Fordham, Joe: Invincible: Wonder Woman. In: Cinefex 2017. No. 156. [December] p. ?P.
Description:
On the special effects by Weta Digital, Double Negative, MPC, Pixomondo, Proof and The Third Floor. Discusses especially the work of visual effects supervisor Bill Westenhofer, special effects supervisor Mark Holt and makeup effects supervisor Kristyan Mallett.
Index:
Jenkins, Patty
Holt, Mark
Mallett, Kristyan
Wonder Woman (2017)
Proof [Firma] ~ Proof [Company]
Weta [Firma] ~ Weta [Company]
Third Floor, The [Firma] ~ Third Floor, The [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Pixomondo [Firma] ~ Pixomondo [Company]
MPC [Firma] ~ MPC [Company]
Double Negative [Firma] ~ Double Negative [Company]
#78
Fordham, Joe: Microcosmos: Ant-Man. In: Cinefex 2015. No. 143. [October] p. ?P.
Description:
On the special effects by Double Negative, Method Studios, Luma Pictures, Industrial Light & Magic, Cinesite, Lola VFX and The Third Floor. Discusses especially the work of visual effects supervisor Jake Morrison and visual effects producer Diana Giorgiutti.
Index:
Reed, Peyton
Morrison, Jake
Giorgiutti, Diana
Ant-Man (2015)
Technik: Spezialeffekte ~ Technology: Special Effects
Third Floor, The [Firma] ~ Third Floor, The [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
Cinesite [Firma] ~ Cinesite [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Luma Pictures [Firma] ~ Luma Pictures [Company]
Method Studios [Firma] ~ Method Studios [Company]
Double Negative [Firma] ~ Double Negative [Company]
#79
Fordham, Joe: Old dog, new tricks: Skyfall. In: Cinefex 2013. No. 133. [April] p. 28-55.
Description:
On the special effects by MPC, Cinesite, Double Negative, Framestore and Peerless Camera Company for the 23rd Bond movie. Discusses especially the work of special effects supervisor Chris Corbould and visual effects supervisor Steve Begg.
Index:
Mendes, Sam
Corbould, Chris
Begg, Steve
Skyfall (2012)
Peerless Camera Company [Firma] ~ Peerless Camera Company [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Double Negative [Firma] ~ Double Negative [Company]
Cinesite [Firma] ~ Cinesite [Company]
MPC [Firma] ~ MPC [Company]
#80
Fordham, Joe: Quantum leap: Quantum of Solace. In: Cinefex 2009. No. 116. [January] p. 30-49.
Description:
On the special effects by Double Negative, The Moving Picture Company, Framestore, Machine and MK12 for Marc Forster’s latest James Bond movie. Discusses especially the work of visual effects designer Kevin Tod Haug and special effects supervisor Chris Corbould.
Index:
Forster, Marc
Haug, Kevin Tod
Corbould, Chris
Quantum of Solace (2008)
Technik: Spezialeffekte ~ Technology: Special Effects
James Bond ~ James Bond
MK12 [Firma] ~ MK12 [Company]
Machine FX [Firma] ~ Machine FX [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]
Double Negative [Firma] ~ Double Negative [Company]
#81
Fordham, Joe: Soldier blue: Captain America: The First Avenger. In: Cinefex 2011. No. 127. [October] p. ?P.
Description:
On the special effects by Double Negative, Lola VFX, Matte World Digital, Luma Pictures, Framestore, Cinesite, Fuel VFX, Method Studios and The Senate VFX. Discusses especially the work of visual effects supervisor Christopher Townsend, special effects supervisor Paul Corbould and makeup effects artist David White.
Index:
Johnston, Joe
Townsend, Christopher
Corbould, Paul
White, David
Captain America: The First Avenger (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
Krieg ~ War
Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company]
Method Studios [Firma] ~ Method Studios [Company]
Fuel VFX [Firma] ~ Fuel VFX [Company] | Fuel
Cinesite [Firma] ~ Cinesite [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
Matte World Digital [Firma] ~ Matte World Digital [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
Double Negative [Firma] ~ Double Negative [Company]
#82
Fordham, Joe: The last enemy: Harry Potter and the Deathly Hallows: Part 1. In: Cinefex 2011. No. 124. [January] p. 90-118.
Description:
On the special effects by Double Negative, The Moving Picture Company, Framestore, Cinesite, Rising Sun Pictures and Baseblack. Discusses especially the work of visual effects supervisor Tim Burke, special effects supervisor John Richardson and makeup effects supervisor Nick Dudman.
Index:
Yates, David
Burke, Tim
Richardson, John
Dudman, Nick
Harry Potter and the Deathly Hallows: Part 1 (2010)
Technik: Spezialeffekte ~ Technology: Special Effects
Baseblack [Firma] ~ Baseblack [Company]
Rising Sun Pictures [Firma] ~ Rising Sun Pictures [Company]
Cinesite [Firma] ~ Cinesite [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]
Double Negative [Firma] ~ Double Negative [Company]
#83
Fordham, Joe: The magical congress: Fantastic Beasts and Where to Find Them. In: Cinefex 2016. No. 150. [December] p. ?P.
Description:
On the special effects by Cinesite, Double Negative, Framestore, MPC, Image Engine, Rodeo FX, Method Studios, Milk VFX, Lola VFX, Nvizage, Proof, Inc. and The Third Floor. Discusses especially the work of visual effects supervisors Tim Burke and Christian Manz and of special effects supervisor David Watkins.
Index:
Yates, David
Burke, Tim
Manz, Christian
Watkins, David
Fantastic Beasts and Where to Find Them (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Magie ~ Magic
Third Floor, The [Firma] ~ Third Floor, The [Company]
Proof [Firma] ~ Proof [Company]
Nvizage [Firma] ~ Nvizage [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
Milk Visual Effects [Firma] ~ Milk Visual Effects [Company]
Method Studios [Firma] ~ Method Studios [Company]
Rodeo FX [Firma] ~ Rodeo FX [Company]
Image Engine [Firma] ~ Image Engine [Company]
MPC [Firma] ~ MPC [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Double Negative [Firma] ~ Double Negative [Company]
Cinesite [Firma] ~ Cinesite [Company]
#84
Fordham, Joe: Under the moons of Mars: John Carter. In: Cinefex 2012. No. 129. [April] p. ?P.
Description:
On the special effects by Legacy Effects, Double Negative, Cinesite and MPC. Discusses, in particular, the work of special effects supervisor Chris Corbould and of visual effects supervisors Peter Chiang and Sue Rowe.
Index:
Stanton, Andrew
Corbould, Chris
Chiang, Peter
Rowe, Sue
John Carter (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
Mond ~ Moon
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]
Cinesite [Firma] ~ Cinesite [Company]
Double Negative [Firma] ~ Double Negative [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]
#85
Fordham, Joe: Under the skin: A Cure for Wellness. In: Cinefex 2017. No. 152. [April] p. ?P.
Description:
On the special effects by Double Negative, RISE Visual Effects Studios, Lola Visual Effects, One of Us and Prime Focus World. Discusses especially the work of visual effects supervisor Thomas Proctor, special effects supervisor Gerd Nefzer and makeup effects supervisor Barrie Gower.
Index:
Verbinski, Gore
Proctor, Thomas
Nefzer, Gerd
Gower, Barrie
Cure for Wellness, A (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Prime Focus [Firma] ~ Prime Focus [Company]
One Of Us [Firma] ~ One Of Us [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
RISE Visual Effects Studios [Firma] ~ RISE Visual Effects Studios [Company]
Double Negative [Firma] ~ Double Negative [Company]
#86
Fordham, Joe: Valhalla rising: Thor: The Dark World. In: Cinefex 2014. No. 136. [January] p. ?P.
Description:
On the special effects by Double Negative, The Third Floor, Luma Pictures, Method Studios and Blur Studio. Discusses especially the work of visual effects supervisor Jake Morrison, visual effects producer Diana Giorgiutti, special effects supervisor Paul Corbould and makeup effects supervisor David White.
Index:
Taylor, Alan
Morrison, Jake
Giorgiutti, Diana
Corbould, Paul
White, David
Thor: The Dark World (2013)
Technik: Spezialeffekte ~ Technology: Special Effects
Blur Studio [Firma] ~ Blur Studio [Company]
Method Studios [Firma] ~ Method Studios [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
Third Floor, The [Firma] ~ Third Floor, The [Company]
Double Negative [Firma] ~ Double Negative [Company]
#87
Fordham, Joe: When Gods collide: Batman v Superman: Dawn of Justice. In: Cinefex 2016. No. 146. [April] p. ?P.
Description:
On the special effects by Ironhead Studio, Film Illusions, Scanline VFX, MPC, Weta Digital, Double Negative, Shade VFX, Teamworks Digital, The Resistance VFX and Gentle Giant Studios. Discusses especially the work of production designer Patrick Tatopoulos, visual effects supervisor John DesJardin and special effects supervisor Joel Whist.
Index:
Snyder, Zack
Tatopoulos, Patrick
DesJardin, John
Whist, Joel
Batman vs. Superman: Dawn of Justice (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Religion ~ Religion
Gentle Giant Studios [Firma] ~ Gentle Giant Studios [Company]
Resistance, The [Firma] ~ Resistance, The [Company]
Teamworks Digital [Firma] ~ Teamworks Digital [Company]
Shade VFX [Firma] ~ Shade VFX [Company]
Double Negative [Firma] ~ Double Negative [Company]
Weta [Firma] ~ Weta [Company]
MPC [Firma] ~ MPC [Company]
Scanline [Firma] ~ Scanline [Company]
Film Illusions [Firma] ~ Film Illusions [Company]
Ironhead Studios [Firma] ~ Ironhead Studios [Company]
#88
Francavilla, Joseph: The Android as Doppelgänger. In: Retrofitting Blade Runner: Issues in Ridley Scott’s Blade Runner and Philip K. Dick’s Do Androids Dream of Electric Sheep?. Edited by Judith B. Kerman. - Bowling Green, Ohio: Bowling Green State University Popular Press 1991. pp. 4-15.
Description:
On the motif of the double in Ridley Scott’s Blade Runner.
Index:
Dick, Philip K[indred]
Scott, Ridley
Blade Runner (1982)
Roboter ~ Robots
Doppelgänger ~ Double
Do Androids Dream of Electric Sheep? (Literatur ~ Literature)
#89
Frost, Inken: "Love is a psychopath": The postmodern doppelganger in Steven Moffat’s Jekyll. In: Transitions and dissolving boundaries in the fantastic. Edited by Christine Lötscher. - Wien; Zürich; Berlin; Münster: LIT 2014. (= Fantastikforschung 2.) pp. 125-140.
Index:
Moffat, Steven
Jekyll (TV)
Psychologie ~ Psychology
Postmoderne ~ Postmodern
Doppelgänger ~ Double
#90
Gerle, Jörg: Kreativer Output: Paul Franklin und die Effect-Firma Double Negative. In: Film-Dienst 63. 2010. No. 19. [September 16] p. 47.
Index:
Franklin, Paul
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Double Negative [Firma] ~ Double Negative [Company]
#91
Ghillebaert, Françoise: From Doppelgänger to persona: Acting becomes the identity. In: Post Script 22. 2003. No. 3. [Summer] pp. 3 ff.
Description:
Introducing article on the issue’s special content "the motif of the double in film".
Index:
Doppelgänger ~ Double
#92
Ghillebaert, Françoise: The double in Buñuel’s That Obscure Object of Desire. In: Post Script 22. 2003. No. 3. [Summer] pp. 57-68.
Index:
Buñuel, Luis
Cet obscur objet du désir (1977)
Doppelgänger ~ Double
#93
Gleiberman, O.: Cronenberg’s double meanings. In: American Film 14. 1988. No. 1. [October] pp. 38-43.
Description:
On Cronenberg’s Dead Ringers.
Index:
Cronenberg, David
Dead Ringers (1988)
Doppelgänger ~ Double
#94
Gochenour, Philipp Henry: Fixing a shadow: Doppelgängers, photography and the disciplined subject, 1775-1926. - Ann Arbor, Michigan: ProQuest 2002.
Index:
Hoffmann, E[rnst] T[heodor] A[madeus] [Wilhelm]
Fotografie ~ Photography
Expressionismus ~ Expressionism
Doppelgänger ~ Double
Magnetiseur, Der (Literatur ~ Literature)
#95
Gochenour, Philipp Henry: Fixing a shadow: Doppelgängers, photography and the disciplined subject, 1775-1926. - Atlanta, Georgia: Ph.D. 1998.
Index:
Hoffmann, E[rnst] T[heodor] A[madeus] [Wilhelm]
Fotografie ~ Photography
Expressionismus ~ Expressionism
Doppelgänger ~ Double
Magnetiseur, Der (Literatur ~ Literature)
#96
Hamery, Roxane: Rhétorique du double: Les figures inquiétantes de Jean-Louis Barrault. In: Les cinéastes français à l’épreuve du genre fantastique: Socioanalyse d’une production artistique. Sous la diréction de Frédéric Gimello-Mesplomb. - Paris: L’Harmattan 2012. (= Etudes culturelles.) p. ?P.
Index:
Barrault, Jean-Louis
Doppelgänger ~ Double
Frankreich ~ France
#97
Hanel, Heiko: Doppelt langweilig: Doppelgänger. In: Splatting Image 2004. No. 57. [March] pp. 30-31.
Index:
Kurosawa, Kiyoshi
Dopperugengâ (2003)
Doppelgänger ~ Double
#98
Hennelly Jr., Mark M.: Scary movies: American horrors and body double. In: Journal of Evolutionary Psychology 11. 1990. No. 3/4. [August] pp. 361-368.
Index:
USA (United States of America) ~ USA (United States of America)
Körper ~ Bodies
Horror ~ Horror
Doppelgänger ~ Double
#99
Herget, Sven: Spiegelbilder: Das Doppelgängermotiv im Film. - Marburg: Schüren 2009.
Reviews:
Klotz, Alex: Zwei Seelen in einer Brust. In: F.LM - Texte zum Film. Online edition, September 2009.
Riedler, Nina: [untitled.] In: Medienwissenschaft 2009. No. 3. pp. 307-309.
Index:
Spiegel ~ Mirror
Doppelgänger ~ Double
#100
Hunsecker, J. J.: Body language. In: Sight and Sound 59. 1990. No. 2. [Spring] p. 106.
Description:
On the motif of the double in film.
Index:
Körper ~ Bodies
Doppelgänger ~ Double
#101
Karani, Cathy / Schlockoff, Alain: Mes doubles, ma femme et moi. In: L’Écran Fantastique 1996. No. 153. [?D] pp. 24-27, 40-41.
Description:
On Harold Ramis’s Multiplicity; especially on the special effects by Richard Edlund.
Index:
Ramis, Harold
Edlund, Richard
Multiplicity (1996)
Technik: Spezialeffekte ~ Technology: Special Effects
Frauen ~ Women
Doppelgänger ~ Double
#102
Kauffmann, Stanley: The double dealers. In: New Republic 188. 1983. No. ?N. [May 9] pp. 26-27.
Index:
Greenaway, Peter
Draughtsman’s Contract, The (1982)
Doppelgänger ~ Double
#103
Kay, Shelley: Double or nothing. In: Cinema Papers 1989. No. 74. [July] pp. 32-35.
Description:
On the twin motif in film. Discusses especially Dead Ringers and A Zed and Two Noughts.
Index:
Cronenberg, David
Greenaway, Peter
Dead Ringers (1988)
Zed & Two Noughts, A (1985)
Zwillinge ~ Twins
Doppelgänger ~ Double
#104
Kinder, Elizabeth / Pender, Patricia: "A copy pf a copy of a copy": Framing the double in Fight Club. In: Literature/Film Quarterly 42. 2014. No. 3. [?D] pp. 541-556.
Index:
Fincher, David
Fight Club (1999)
Doppelgänger ~ Double
#105
Kiss, R. J.: The Doppelgänger in Wilhelmine cinema (1895-1914): Modernity, audiences and identity in turn-of-the-century Germany. - Coventry: University of Warwick, Ph.D. 2000. [Abstract in: Index to Theses with Abstracts 50-14804.]
Index:
Doppelgänger ~ Double
Deutschland ~ Germany
#106
Kline, T. Jefferson: Recuperating Hitchcock’s doubles: Experiencing Vertigo in Garcia’s Place Vendôme (1997). In: Studies in French Cinema 3. 2003. No. 1. [?D] pp. 35-46.
Index:
Hitchcock, Alfred
Garcia, Nicole
Vertigo (1958)
Place Vendôme (1997)
Doppelgänger ~ Double
#107
Kogel, Dennis / Schäfer, Iris: The Doppelgänger motif in science fiction film. In: Of body snatchers and cyberpunks: Student essays on American science fiction film. Edited by Sonja Georgi and Kathleen Loock. - Göttingen: Universitäts-Verlag Göttingen 2011. (= Göttinger Schriften zur englischen Philologie 5.) pp. 125 ff.
Index:
Pädagogik ~ Paedagogy
Doppelgänger ~ Double
USA (United States of America) ~ USA (United States of America)
Science Fiction ~ Science Fiction
#108
Kolisnyk, Mary Helen: Surrealism, surrepetition: Artaud’s doubles. In: October ?G. 1993. No. 64. [Spring] pp. 78-90.
Index:
Artaud, Antonin
Surrealismus ~ Surrealism
Doppelgänger ~ Double
#109
Koll, Horst Peter: Ich - Einfach unverbesserlich 3: Turbulente Fortsetzung um Gru und sein "Doppel-Ich". In: Film-Dienst 70. 2017. No. 15. [July 20] p. 50.
Index:
Balda, Kyle
Coffin, Pierre
Guillon, Eric
Despicable Me 3 (2017)
Doppelgänger ~ Double
#110
Kooijman, Jaap / Laine, Tarja: American Psycho: A double portrait of serial yuppie Patrick Bateman. In: Post Script 22. 2003. No. 3. [Summer] pp. 46-56.
Description:
On the representation of schizophrenia in the film.
Index:
Harron, Mary
American Psycho (2000)
Wahnsinn ~ Madness
Mord ~ Murder
Doppelgänger ~ Double
#111
Koskinen, Maaret: Dubbelgangare i tid och rum: Veronikas dubbelliv. In: Chaplin 33. 1991. No. 5(236). [?D] pp. 67-68.
Description:
On Krzysztof Kieslowski’s La double vie de Véronique.
Index:
Kieslowski, Krzysztof
double vie de Véronique, La / Podwójne zycie Weroniki (1991)
Doppelgänger ~ Double
#112
Kühn, Heike / von Arx, Marlène: Der Kult um den Körper: Körperfilme und Body-Doubles. In: Zoom ?G. 2000. No. 11. [November] pp. 16-25.
Index:
Körper ~ Bodies
Doppelgänger ~ Double
#113
Lafond, Frank: Tod Browning vs George Melford: Dracula’s Doppelgänger. In: The cinema of Tod Browning: Essays of the macabre and grotesque. Edited by Bernd Herzogenrath. - Jefferson, North Carolina; London: McFarland 2008. pp. 151-157.
Index:
Stoker, Bram
Browning, Tod
Melford, George
Dracula (1930)
Vampire ~ Vampires
Doppelgänger ~ Double
Dracula (Literatur ~ Literature)
#114
Latham, Brandon: Cobblestones and Doppelgängers: How gothic literature contributed to the dawn of Film Noir. In: Film Matters 7. 2016. No. 2. [Fall] pp. 17-21.
Description:
Discusses especially Alfred Hitchcock’s Spellbound and Psycho.
Index:
Hitchcock, Alfred
Spellbound (1945)
Psycho (1960)
Literatur ~ Literature
Horror ~ Horror
Film Noir ~ Film Noir
Doppelgänger ~ Double
#115
Lawton, Anna M.: The double: A Dostoevskian theme in Polanski. In: Literature/Film Quarterly 9. 1981. No. 1. [January] pp. 121-129.
Index:
Polanski, Roman
Dostoyevsky, Fyodor Mikhailovich
Dance of the Vampires / Fearless Vampire Killers, The (1967)
Doppelgänger ~ Double
#116
Lokotsch, Stephan: Gut und Böse aus einem Guß: Die künstlichen Doubles der Stars. In: Cinema [Hamburg] 1993. No. 12(187). [?D] p. 31.
Description:
On the special effects for Marco Brambillo’s Demolition Man.
Index:
Brambillo, Marco
Demolition Man (1993)
Doppelgänger ~ Double
Gute, Das ~ Good
Böse, Das ~ Evil, The
Technik: Spezialeffekte ~ Technology: Special Effects
#117
Luke, Paul: The allegorical device of the character double in the films of Ingmar Bergman. - Toronto, Ontario: York University, M.A. 1979. [Abstract in: Masters Abstracts International 33. 1995. No. 6. p. 1613.]
Description:
Discusses, among others, The Seventh Seal (Det sjunde inseglet), Wild Strawberries (Smultronstället), The Silence (Tystnaden), Persona, The Face (Ansiktet) and Hour of the Wolf (Vargtimmen).
Index:
Bergman, Ingmar
sjunde inseglet, Det (1956)
Smultronstället (1957)
Tystnaden (1963)
Persona (1966)
Ansiktet (1958)
Vargtimmen (1966)
Doppelgänger ~ Double
#118
Ma, Jean Y.: Doubled lives, dissimulated history: Hou Hsiao-hsien’s Good Men, Good Women. In: Post Script 22. 2003. No. 3. [Summer] pp. 21-33.
Description:
On the representation of schizophrenia in Hou Hsiao-hsien’s Haonan haonu.
Index:
Hou Hsiao-hsien
Haonan haonu (1995)
Wahnsinn ~ Madness
Doppelgänger ~ Double
#119
Marshall, David W.: Paranormal parade: Hellboy II: The Golden Army. In: Cinefex 2008. No. 115. [October] p. ?P.
Description:
On the special effects by Spectral Motion, Efectos Especiales DDT and Double Negative as well as the work of visual effects supervisor Mike Wassel.
Index:
del Toro, Guillermo
Wassel, Mike
Hellboy II: The Golden Army (2008)
DDT Efectos Especiales [Firma] ~ DDT Efectos Especiales [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Spectral Motion [Firma] ~ Spectral Motion [Company]
Double Negative [Firma] ~ Double Negative [Company]
#120
Martynkewicz, Wolfgang: Von der Fremdheit des Ichs: Das Doppelgängermotiv in Der Student von Prag (1913). In: Der fantastische Film: Geschichte und Funktion in der Mediengesellschaft: Hrsg. von Oliver Jahraus und Stefan Neuhaus. - Würzburg: Königshausen und Neumann 2005. (= Film - Medium - Diskurs 10) pp. 19 ff.
Index:
Rye, Stellan
Student von Prag, Der (1913)
Doppelgänger ~ Double
#121
Masschelein, Anneleen: Double reading / reading double: Psychoanalytic poetics at work. In: Paradoxa 3. 1997. No. 3/4. [?D] pp. 395-406.
Index:
McGehee, Scott
Siegel, David
Suture (1993)
Psychologie ~ Psychology
Doppelgänger ~ Double
#122
Mauer, Roman: Die Technik der Gespenster: Doppelbelichtung in Geisterfotografie und Stummfilm. In: Gespenster. Hrsg. von Thomas Koebner. - München: Ed. Text + Kritik 2014. (= Projektionen 8.) pp. 43-60.
Index:
Technik ~ Technology
Stummfilm ~ Silent Film
Fotografie ~ Photography
Doppelgänger ~ Double
Geister ~ Ghosts
#123
McCarthy, Donald: How Twin Peaks brought viewers existential mobsters and advertising doppelgängers. In: Approaching Twin Peaks: Critical essays on the original series. Edited by Eric Hoffman and Dominick Grace. - Jefferson, North Carolina: McFarland & Company 2017. pp. 154 ff.
Index:
Lynch, David
Twin Peaks (TV)
Doppelgänger ~ Double
#124
McCutcheon, Mark A.: Downloading doppelgängers: New media anxieties and transnational ironies in Battlestar Galactica. In: Science Fiction Film and Television 2. 2009. No. 1. [Spring] pp. 1-24.
Index:
Battlestar Galactica (TV)
Doppelgänger ~ Double
#125
Meehan, Paul: Hitchcock’s psychological ghosts and doppelgängers. In: Meehan, Paul: Horror noir: Where cinema’s dark sisters meet. - Jefferson, North Carolina; London: McFarland & Company 2010.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology
Geister ~ Ghosts
Doppelgänger ~ Double
Film Noir ~ Film Noir
Horror ~ Horror
#126
Meehan, Paul: The ghost of one’s self: Doppelgangers in mystery, horror and science fiction films. - Jefferson, North Carolina: McFarland & Company 2017.
Index:
Science Fiction ~ Science Fiction
Horror ~ Horror
Geister ~ Ghosts
Doppelgänger ~ Double
#127
Meneghelli, Andrea: Perdere la faccia. In: Cineforum 42. 2002. No. ?N(417). [August/September] pp. 12-13.
Description:
On doubles in film. Discusses, among others, John Woo’s Face/Off.
Index:
Wu Su-Yum [Pseudonym: Woo, John]
Face/Off (1997)
Doppelgänger ~ Double
#128
Miyao, Daisuke: From doppelgänger to monster: Kitano Takeshi’s Takeshis’. In: Canadian Journal of Film Studies 18. 2009. No. 1. [Spring] pp. 6-23.
Index:
Kitano, Takeshi
Takeshis’ (2005)
Monster ~ Monster
Doppelgänger ~ Double
#129
Nagler, Lihi: Allegorien der Kulturkämpfe: Die Doppelgänger-Figuren in Der Andere (1913) und Der Student von Prag (1913) und ihre Remakes von 1930 und 1926. In: Montage/AV 16. 2007. No. 1. p. ?P.
Index:
Mack, Max
Wiene, Robert
Rye, Stellan
Galeen, Henrik
Andere, Der (1913)
Andere, Der (1930)
Student von Prag, Der (1913)
Student von Prag, Der (1926)
Doppelgänger ~ Double
#130
Nagler, Lihi: Singling out the double: Objectivity, subjectivity and alterity in Kieslowski’s The Double Life of Véronique. In: Post Script 22. 2003. No. 3. [Summer] pp. 8-20.
Description:
On the motif of the double in the film.
Index:
Kieslowski, Krzysztof
double vie de Véronique, La / Podwójne zycie Weroniki (1991)
Doppelgänger ~ Double
#131
Packer, Sharon: Movies and the modern psyche. - Westport, Connecticut; London: Praeger 2007.
Description:
Includes, among others, chapters on dreams and hypnosis, madhouse and haunted houses, psychological thrillers and serial killers, films noir and Cold War paranoia, drugs and madness and on doubles and doppelgängers.
Index:
Allen, Woody
Wahnsinn ~ Madness
Traum ~ Dreams
Thriller ~ Thriller
Psychologie ~ Psychology
Mord ~ Murder
Krieg ~ War
Hypnose ~ Hypnosis
Film Noir ~ Film Noir
Drogen ~ Drugs
Doppelgänger ~ Double
#132
Pally, Marcia: Double trouble. In: Brian de Palma: Interviews. Edited by Laurence F. Knapp. - Jackson, Mississippi; London: University Press of Mississippi 2003. (= Conversations with Filmmakers.) pp. 92 ff.
Index:
De Palma, Brian
Body Double (1984)
Doppelgänger ~ Double
#133
Pelizzon, V. Penelope / West, Nancy: "A perfect double down to the last detail": Photography and the identity of film noir. In: Post Script 22. 2003. No. 3. [Summer] pp. 34-45.
Description:
Psychoanalytical and semiotical examination of the film noir.
Index:
Fotografie ~ Photography
Psychologie ~ Psychology
Film Noir ~ Film Noir
Doppelgänger ~ Double
#134
Perry, Dennis R.: Doubles: The universe of others: William Wilson and Strangers on a Train. In: Perry, Dennis R.: Hitchcock and Poe: The legacy of delight and terror. - Lanham, Maryland; London: Scarecrow Press 2003. (= Filmmakers.) p. ?P.
Index:
Hitchcock, Alfred
Poe, Edgar Allan
Strangers on a Train (1951)
Doppelgänger ~ Double
William Wilson
#135
Petrie, Duncan: But what if beauty is a beast: Doubles, transformations and fairy tale motifs in Batman Returns. In: Cinema and the realms of enchantment: Lectures, seminars and essays by Marina Warner and others. Edited by Duncan Petrie. - London: British Film Institute Publishing 1993. (= BFI Working Papers 3.) pp. 98-110.
Index:
Burton, Tim
Batman Returns (1992)
Doppelgänger ~ Double
Märchen ~ Fairy Tales
#136
Pinkerton, Nick: Double trouble. In: Sight and Sound NS 21. 2011. No. 8. [August] p. 84.
Description:
On a DVD edition of Rainer Werner Fassbinder’s first English language feature film Despair.
Index:
Fassbinder, Rainer Werner
Despair / Despair - Eine Reise ins Licht (1977)
DVD ~ DVD
Doppelgänger ~ Double
#137
Pramaggiore, Maria Therese: Seeing double(s): Performance and self-representation in the films of Maya Deren, Barbara Hammer and Yvonne Rainer. - Atlanta, Georgia: Emory University, Ph.D. 1993. [Abstract in: Dissertation Abstracts International A 54. 1994. No. 9. (March) p. 3244A.]
Reviews:
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Hammer, Barbara
Rainer, Yvonne
Doppelgänger ~ Double
#138
Rayner, Alice: Ghosts: Death’s double and the phenomena of theater. - Minneapolis; London: Minnesota University Press 2006.
Description:
Discusses also ghosts in film.
Index:
Tod ~ Death
Theater ~ Theatre
Geister ~ Ghosts
Doppelgänger ~ Double
#139
Reiche, Reimut: Traum und Doppelgänger in Black Swan. In: Kino zwischen Tag und Traum: Psychoanalytische Zugänge zu Black Swan. Hrsg. von Dirk Blothner und Ralf Zwiebel. - Göttingen; Bristol, Connecticut: Vandenhoeck & Ruprecht 2012. (= Psychoanalytische Blätter 32.) pp. 30 ff.
Index:
Aronofsky, Darren
Black Swan (2010)
Doppelgänger ~ Double
Psychologie ~ Psychology
Traum ~ Dreams
#140
Reid, Craig: Fant-Asia Jackie Chan, double and dubbed in Twin Dragons. In: Cinefantastique 31. 1999. No. 7. [August] p. 62.
Index:
Lam, Ringo
Xu Ke [Pseudonym: Tsui Hark]
Chan, Jackie
Shuang long hui (1992)
Doppelgänger ~ Double
Asien ~ Asia
#141
Reiter, Gershon: Apocalypse Now: The other story. In: Reiter, Gershon: The shadow self in film: Projecting the unconscious other. - Jefferson, North Carolina: McFarland & Company 2014. p. ?P.
Index:
Coppola, Francis Ford
Apocalypse Now (1976-1979)
Psychologie ~ Psychology
Doppelgänger ~ Double
#142
Reiter, Gershon: Blood Work: Double feature. In: Reiter, Gershon: The shadow self in film: Projecting the unconscious other. - Jefferson, North Carolina: McFarland & Company 2014. p. ?P.
Index:
Eastwood, Clint
Blood Work (2002)
Psychologie ~ Psychology
Doppelgänger ~ Double
#143
Reiter, Gershon: Cape Fear (1962): Picturing the other. In: Reiter, Gershon: The shadow self in film: Projecting the unconscious other. - Jefferson, North Carolina: McFarland & Company 2014. p. ?P.
Index:
Thompson, J. Lee
Cape Fear (1962)
Psychologie ~ Psychology
Doppelgänger ~ Double
#144
Reiter, Gershon: Cape Fear (1991): The other wronged. In: Reiter, Gershon: The shadow self in film: Projecting the unconscious other. - Jefferson, North Carolina: McFarland & Company 2014. p. ?P.
Index:
Scorsese, Martin
Cape Fear (1991)
Psychologie ~ Psychology
Doppelgänger ~ Double
#145
Reiter, Gershon: Dr. Jekyll and Mr. Hyde: Envisioning the other. In: Reiter, Gershon: The shadow self in film: Projecting the unconscious other. - Jefferson, North Carolina: McFarland & Company 2014. p. ?P.
Index:
Dr. Jekyll and Mr. Hyde (Filmreihe)
Psychologie ~ Psychology
Doppelgänger ~ Double
#146
Reiter, Gershon: Fight Club: The imagined other. In: Reiter, Gershon: The shadow self in film: Projecting the unconscious other. - Jefferson, North Carolina: McFarland & Company 2014. p. ?P.
Index:
Fincher, David
Fight Club (1999)
Psychologie ~ Psychology
Doppelgänger ~ Double
#147
Reiter, Gershon: Introduction: From Enkidu to Mr. Hyde. In: Reiter, Gershon: The shadow self in film: Projecting the unconscious other. - Jefferson, North Carolina: McFarland & Company 2014. p. ?P.
Index:
Psychologie ~ Psychology
Doppelgänger ~ Double
#148
Reiter, Gershon: Sea of Love: The feminine other. In: Reiter, Gershon: The shadow self in film: Projecting the unconscious other. - Jefferson, North Carolina: McFarland & Company 2014. p. ?P.
Index:
Becker, Harold
Sea of Love (1989)
Frauen ~ Women
Psychologie ~ Psychology
Doppelgänger ~ Double
#149
Reiter, Gershon: Shadow of a Doubt: The other by numbers. In: Reiter, Gershon: The shadow self in film: Projecting the unconscious other. - Jefferson, North Carolina: McFarland & Company 2014. p. ?P.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)
Mathematik ~ Mathematics
Psychologie ~ Psychology
Doppelgänger ~ Double
#150
Reiter, Gershon: Strangers on a Train: Playing doubles. In: Reiter, Gershon: The shadow self in film: Projecting the unconscious other. - Jefferson, North Carolina: McFarland & Company 2014. p. ?P.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)
Psychologie ~ Psychology
Doppelgänger ~ Double
#151
Reiter, Gershon: The shadow self in film: Projecting the unconscious other. - Jefferson, North Carolina: McFarland & Company 2014.
Index:
Psychologie ~ Psychology
Doppelgänger ~ Double
#152
Ritter, Daniel Patrick: Über Männer und Schatten: Doppelgänger im Film. - Wien: Edition Sonnberg 2009.
Description:
On the representation of the double in Martin Scorsese’s Cape Fear, David Lynch’s Lost Highway and David Fincher’s Fight Club.
Index:
Scorsese, Martin
Lynch, David
Fincher, David
Cape Fear (1991)
Lost Highway (1996)
Fight Club (1999)
Männer ~ Men
Doppelgänger ~ Double
#153
Roddick, N.: Double Dutch. In: Cinema Papers 1986. No. 55. [January] pp. 26-27.
Description:
Interview with Paul Verhoeven on Flesh & Blood and De vierde man.
Index:
Verhoeven, Paul
Flesh & Blood (1985)
vierde man, De (1983)
Niederlande ~ Netherlands
Doppelgänger ~ Double
#154
Rosenbladt, Bettina: Doubles and doubts in Hitchcock: The German connection. In: Hitchcock: Past and future. Edited by Richard Allen and Sam Ishii-Gonzales. - London; New York: Routledge 2004. p. ?P.
Index:
Hitchcock, Alfred
Doppelgänger ~ Double
Deutschland ~ Germany
#155
Roth, Laurent: La double vie de Kieslowski. In: Cahiers du Cinéma 1996. No. 501. [?D] p. 6.
Index:
Kieslowski, Krzysztof
Doppelgänger ~ Double
#156
Roth-Lindberg, Örjan: Porträttet, spegeln och dubbelgångaren. In: Filmhäftet 27. 1999. No. 107. [?D] pp. 48-54.
Description:
On the motifs of the mirror and the double in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Rear Window (1954)
Spiegel ~ Mirror
Doppelgänger ~ Double
#157
Royer, Carl / Royer, Diana: Body doubles and severed hands: The relation between avant-garde cinema and horror movies. In: Royer, Carl / Royer, Diana: The spectacle of isolation in horror films: Dark parades. - New York; London: Haworth Press 2005. p. ?P.
Index:
Körper ~ Bodies
Experimentalfilme ~ Experimental Films
Doppelgänger ~ Double
Horror ~ Horror
#158
Scheunemann, Dietrich: The double, the decor, and the framing device: Once more on Robert Wiene’s The Cabinet of Dr. Caligari. In: Expressionist film: New perspectives. Edited by Dietrich Scheunemann. - Rochester, New York [et al.]: Camden House 2003. (= Studies in German Literature, Linguistics, and Culture.) p. ?P.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Doppelgänger ~ Double
#159
Scheunemann, Dietrich: The double, the decor, and the framing device: Once more on Robert Wiene’s The Cabinet of Dr. Caligari. In: Expressionist film - New perspectives. Edited by Dietrich Scheunemann. - Rochester, New York: Camden House 2003. (= Studies in German literature, linguistics, and culture.) p. ?P.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Doppelgänger ~ Double
#160
Schlüpmann, Heide: Je suis la solitude: Zum Doppelgängermotiv in Der Student von Prag. In: Frauen und Film 1984. No. 36. [?D] pp. 11-24.
Index:
Rye, Stellan
Student von Prag, Der (1913)
Doppelgänger ~ Double
#161
Schneider, Steven Jay: Manifestations of the literary double in modern horror cinema. In: Horror film and psychoanalysis: Freud’s worst nightmare. Edited by Steven Jay Schneider. - Cambridge; New York: Cambridge University Press 2004. (= Cambridge studies in film.) p. ?P.
Index:
Freud, Sigmund
Doppelgänger ~ Double
Psychologie ~ Psychology
Horror ~ Horror
#162
Schneller, Tom: Fearful symmetries: Music as metaphor in Doppelgänger films. In: The Routledge companion to screen music and sound. Edited by Miguel Mera, Ronald Sadoff, and Ben Winters. - New York; London: Routledge 2017. (= Routledge companions.) p. ?P.
Index:
Doppelgänger ~ Double
Angst ~ Fear
Musik ~ Music
#163
Sears, John: "In his own image": Genre, memory and doubling in Schwarzenegger’s films. In: Post Script 22. 2003. No. 3. [Summer] pp. 104-114.
Description:
On the double motif in the films of Arnold Schwarzenegger, especially in the Terminator films and in Paul Verhoeven’s Total Recall.
Index:
Schwarzenegger, Arnold
Verhoeven, Paul
Terminator (Filmreihe)
Total Recall (1990)
Doppelgänger ~ Double
#164
Seymour, Mike: I am become death: Godzilla. In: Cinefex 2014. No. 138. [July] p. ?P.
Description:
On the special effects by Amalgamated Dynamics Incorporated, MPC, Double Negative, The Third Floor, Scanline VFX, Hammerhead Productions and Pixel Playground. Discusses especially the work of special effects supervisor Joel Whist and visual effects supervisor Jim Rygiel.
Index:
Edwards, Gareth
Whist, Joel
Rygiel, Jim
Godzilla (2014)
Tod ~ Death
Technik: Spezialeffekte ~ Technology: Special Effects
Pixel Playground [Firma] ~ Pixel Playground [Company]
Hammerhead Productions [Firma] ~ Hammerhead Productions [Company]
Scanline [Firma] ~ Scanline [Company]
Third Floor, The [Firma] ~ Third Floor, The [Company]
Double Negative [Firma] ~ Double Negative [Company]
MPC [Firma] ~ MPC [Company]
Amalgamated Dynamics [Firma] ~ Amalgamated Dynamics [Company]
#165
Shacklock, Zoë: Two of a kind: Revaluing the work of acting doubles in Orphan Black. In: Journal of Film and Video 68. 2016. No. 3/4. [Fall/Winter] pp. 69-82.
Index:
Orphan Black (TV)
Doppelgänger ~ Double
#166
Shay, Don: Double vision. In: Cinefex 1988. No. 36. [November] pp. 32-49.
Description:
On the optical special effects for Cronenberg’s Dead Ringers.
Index:
Cronenberg, David
Dead Ringers (1988)
Technik: Spezialeffekte ~ Technology: Special Effects
Doppelgänger ~ Double
#167
Silverman, Michael: Die Neuschreibung des Doubles. Aus dem Englischen von Drehli Robnik. In: Und das Wort ist Fleisch geworden: Texte über Filme von David Cronenberg. Hrsg. von Drehli Robnik und Michael Palm. - Wien: PVS Verleger 1992. pp. 89-95.
Description:
Psychoanalytical examination of David Cronenberg’s films.
Index:
Cronenberg, David
Doppelgänger ~ Double
Psychologie ~ Psychology
#168
Steffen-Fluhr, Nancy: Disabled by desire: Body doubles in Rear Window (1942), Rear Window (1954), and Rear Window (1998). In: Post Script 22. 2003. No. 3. [Summer] pp. 69-88.
Index:
Hitchcock, Alfred
Bleckner, Jeff
Rear Window (1954)
Rear Window (1999)
Behinderung ~ Disability
Körper ~ Bodies
Doppelgänger ~ Double
#169
Sturm, Georges: L’ombre d’un double ou la maman et la putain: Sur les figures féminines dans Metropolis. In: Cahiers de la Cinémathèque 1985. No. 44. [December] pp. 21-34.
Index:
Lang, Fritz
Metropolis (1925/1926)
Doppelgänger ~ Double
#170
Suk, Radovan: Negativ - pozitiv (Poznámky k motivu dvojnictvi u Akiry
Kurosawy). In: Iluminace 11. 1999. No. 1. [?D] pp. 41-60.
Description:
On the representation of doubles in the films of Akira Kurosawa.
Index:
Kurosawa, Akira
Doppelgänger ~ Double
#171
Sykora, Katharina: Der aus dem Rahmen fällt: Das Bildnis des Dorian Gray als unheimlicher Schatten des Kinos. In: Unheimlich anders: Doppelgänger, Monster, Schattenwesen im Kino: Bremer Symposium zum Film. Hrsg. von Christine Rüffert. - Berlin: Bertz und Fischer 2005. pp. 104 ff.
Index:
Wilde, Oscar [Fingal O’Flahertie Wills]
Angst ~ Fear
Picture of Dorian Gray, The (Literatur ~ Literature)
Doppelgänger ~ Double
#172
Sykora, Katharina: Der Index ist die Nabelschnur: Über Foto-Doubles und digitale Chimären. In: Künstliche Menschen - Manische Maschinen - Kontrollierte Körper. Hrsg. von Rolf Aurich, Wolfgang Jacobsen und Gabriele Jatho. - Berlin: Filmmuseum Berlin - Deutsche Kinemathek / Berlin: Jovis Verlagsbüro 2000. pp. 117-122.
Index:
Fotografie ~ Photography
Technik: Computer ~ Technology: Computer
Doppelgänger ~ Double
Cyberspace ~ Cyberspace
#173
Sykora, Katharina: The index is the umbilical cord: On photo doubles and digital chimeras. In: Artificial humans - manic machines - controlled bodies. Edited by Rolf Aurich, Wolfgang Jacobsen and Gabriele Jatho. - Berlin: Jovis Verlagsbüro 2000. pp. 97-102.
Index:
Fotografie ~ Photography
Technik: Computer ~ Technology: Computer
Doppelgänger ~ Double
Cyberspace ~ Cyberspace
#174
Telotte, J. P.: In the realm of revealing: The technological double in the modern science fiction film. In: Journal of the Fantastic in the Arts 6. 1993. No. 2/3. [?D] pp. 234-252.
Index:
Technik ~ Technology
Doppelgänger ~ Double
Science Fiction ~ Science Fiction
#175
Tembo, Kwasu David: On the work of the double in Christopher Nolan’s The Prestige. In: The cinema of Christopher Nolan: Imagining the impossible. Edited by Jacqueline Furby and Stuart Joy. - New York: Wallflower Press 2015. (= Directors’ cuts.) p. ?P.
Index:
Nolan, Christopher
Prestige, The (2006)
Doppelgänger ~ Double
#176
Thompson, David: Me, myself and him. In: Sight and Sound NS 24. 2014. No. 4. [April] pp. 38-40.
Description:
On the doppelganger motif in Richard Ayoade’s The Double.
Index:
Ayoade, Richard
Double, The (2013)
Doppelgänger ~ Double
#177
Touabti, H.: Tout compte fait, le double est un sujet qui se porte bien. In: Cinéma [Paris] 1988. No. 452. [?D] pp. 23-24.
Description:
On the motif of the double in film.
Index:
Doppelgänger ~ Double
#178
Troncale, J. C.: Illusion and reality in Woody Allen’s double film of The Purple Rose of Cairo. In: Proceedings of the Conference on Film and American Culture: Co-sponsored by the Virginia Humanities Conference and the Virginia Center for Media and Culture. Edited by Joel Schwartz. - Williamsburg: Roy R. Charles Center, College of William and Mary 1994. pp. 99-105.
Index:
Allen, Woody
Purple Rose of Cairo, The (1985)
Doppelgänger ~ Double
USA (United States of America) ~ USA (United States of America)
#179
Unheimlich anders: Doppelgänger, Monster, Schattenwesen im Kino: Bremer Symposium zum Film. Hrsg. von Christine Rüffert. - Berlin: Bertz und Fischer 2005.
Index:
Monster ~ Monster
Frankenstein ~ Frankenstein
Doppelgänger ~ Double
Angst ~ Fear
#180
Vassilieva, Elena: Gothic archetypes in Hollywood: The trickster and the double in Batman and The Mask. In: Anglophonia 2004. No. 15. [?D] pp. 199-207.
Index:
Burton, Tim
Russell, Charles
Batman (1989)
Mask, The (1994)
Horror ~ Horror
Hollywood ~ Hollywood
Doppelgänger ~ Double
#181
Von Doviak, Scott: Doppelgänger: Fire Walk with Me’s "missing pieces". In: Approaching Twin Peaks: Critical essays on the original series. Edited by Eric Hoffman and Dominick Grace. - Jefferson, North Carolina: McFarland & Company 2017. pp. 184 ff.
Index:
Lynch, David
Twin Peaks (TV)
Twin Peaks: Fire Walk with Me (1992)
Doppelgänger ~ Double
#182
Von Holzen, Aleta-Amirée: Marvel-Ious Masked Men: Doppelidentitäten in Superheldenfilmen. In: Fremde Welten: Wege und Räume der Fantastik im 21. Jahrhundert. Hrsg. von Lars Schmeink und Hans-Harald Müller. - Berlin; Boston, Massachussetts: De Gruyter 2012. pp. 187 ff.
Index:
Masken ~ Masks
Marvel Comics [Firma] ~ Marvel Comics [Company]
Helden ~ Heros
Doppelgänger ~ Double
#183
Webber, Andrew J.: The doppelganger: Double visions in German literature. - Oxford: Clarendon Press 1996.
Description:
Discusses also the filmings of the double motif.
Index:
Doppelgänger ~ Double
Literatur ~ Literature
Deutschland ~ Germany
#184
Wildermuth, Mark E.: History, the unconscious, and hyperreality: Gothic doubles in The Keep (1983). In: Wildermuth, Mark E.: Blood in the moonlight: Michael Mann and information age cinema. - Jefferson, North Carolina: McFarland & Co 2005. p. ?P.
Index:
Mann, Michael
Keep, The (1983)
Horror ~ Horror
Geschichte ~ History
Doppelgänger ~ Double
#185
Williamson, H. A.: The essay, the time-image and the double: A study of the films of Chris Marker. - Coleraine, Northern Ireland: University of Ulster, Ph.D. 2000. [Abstract in: Index to Theses with Abstracts 52. 2003. No. 5. p. 1435(52-11774)].
Index:
Marker, Chris
Doppelgänger ~ Double
#186
Zeng, Li: Ghostly vengeance, historical trauma: The Lonely Ghost in the Dark Mansion (1989). In: Journal of Chinese Cinemas 7. 2013. No. 2. [?D] pp. 109-121.
Index:
Mu Deyuan
Liang Ming
Hei lou gu hun (1989)
Geschichte ~ History
Doppelgänger ~ Double
Geister ~ Ghosts
Monster ~ Monster
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