The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Double Negative [Company]
number of items: 48
| ?O | City of publication unknown | 
| ?V | Publishing company unknown | 
| ?J | Year of publication unknown | 
| ?N | Issue number unknown | 
| ?G | Volume number unknown | 
| ?D | Date of publication unknown | 
| ?P | Number of pages unknown | 
| ?R | Series number unknown | 
#1
Duncan Jesser, Jody: Creationisms: The Tree of Life. In: Cinefex 2012. No. 128. [January] p. ?P.
Description:
 On the special effects by Prime Focus, Double Negative, One of Us and Method Studios. Discusses especially the work of Douglas Trumbull and visual effects supervisor Dan Glass. 
Index:
 Malick, Terrence 
 Trumbull, Douglas 
 Glass, Dan 
 Tree of Life, The (2011) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Method Studios [Firma] ~ Method Studios [Company] 
 One Of Us [Firma] ~ One Of Us [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
 Prime Focus [Firma] ~ Prime Focus [Company] 
#2
Duncan Jesser, Jody: Grim fairy tale: Snow White and the Huntsman. In: Cinefex 2012. No. 130. [July] p. ?P.
Description:
 On the special effects by Legacy Effects, Digital Domain, Double Negative, Pixomondo, Lola Visual Effects, Baseblack, The Mill and Rhythm & Hues. Discusses especially the work of visual effects supervisors Cedric Nicolas-Troyan and Phil Brennan. 
Index:
 Sanders, Rupert 
 Nicolas-Troyan, Cedric 
 Brennan, Phil 
 Snow White and the Huntsman (2012) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Märchen ~ Fairy Tales 
 Rhythm & Hues [Firma] ~ Rhythm & Hues [Company] 
 Mill, The [Firma] ~ Mill, The [Company] 
 Baseblack [Firma] ~ Baseblack [Company] 
 Lola Visual Effects [Firma] ~ Lola Visual Effects [Company] 
 Pixomondo [Firma] ~ Pixomondo [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
 Digital Domain [Firma] ~ Digital Domain [Company] 
 Legacy Effects [Firma] ~ Legacy Effects [Company] 
#3
Duncan, Jody: 10,000 B.C.: The first hero. In: Cinefex 2008. No. 113. [April] p. ?P.
Description:
 On the special effects by visual effects supervisor Karen Goulekas, the Tatopoulos Studios, The Moving Picture Company, Double Negative, The Senate, Machine FX and Magicon for Roland Emmerich’s prehistoric adventure. 
Index:
 Emmerich, Roland 
 Goulekas, Karen 
 10,000 B.C. (2008) 
 Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company] 
 Magicon [Firma] ~ Magicon [Company] 
 Machine FX [Firma] ~ Machine FX [Company] 
 Tatopoulos Studios [Firma] ~ Tatopoulos Studios 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Helden ~ Heros 
 Geschichte: Urzeit ~ History: Prehistory 
 Abenteuer ~ Adventure 
 Double Negative [Firma] ~ Double Negative [Company] 
 Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company] 
#4
Duncan, Jody: A family affair: Captain America: Civil War. In: Cinefex 2016. No. 147. [June] p. ?P.
Description:
 On the special effects by Ironhead Studio, Legacy Effects, Quantum Creation, Industrial Light & Magic, Luma Pictures, Method Studios, Double Negative, Base FX and Cinesite. Discusses especially the work of special effects supervisor Daniel Sudick and special makeup effects artist Bart Mixon. 
Index:
 Russo, Anthony 
 Russo, Joe 
 Sudick, Daniel 
 Mixon, Bart 
 First Avenger, The: Civil War (2016) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Familie ~ Family 
 Cinesite [Firma] ~ Cinesite [Company] 
 Base FX [Firma] ~ Base FX [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
 Method Studios [Firma] ~ Method Studios [Company] 
 Luma Pictures [Firma] ~ Luma Pictures [Company] 
 ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic) 
 Quantum Creation FX [Firma] ~ Quantum Creation FX [Company] 
 Legacy Effects [Firma] ~ Legacy Effects [Company] 
 Ironhead Studios [Firma] ~ Ironhead Studios [Company] 
#5
Duncan, Jody: A farewell to arms: The Dark Knight Rises. In: Cinefex 2012. No. 131. [October] p. ?P.
Description:
 On the special effects by Double Negative. Discusses especially the work of Chris Corbould and Paul Franklin. 
Index:
 Nolan, Christopher 
 Corbould, Chris 
 Franklin, Paul 
 Dark Knight Rises, The (2012) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Double Negative [Firma] ~ Double Negative [Company] 
#6
Duncan, Jody: A more perfect vision: Avengers: Age of Ultron. In: Cinefex 2015. No. 142. [July] p. ?P.
Description:
 On the special effects by ILM, Double Negative, Animal Logic, Luma Pictures, Framestore and Legacy Effects. Discusses especially the work of visual effects supervisor Christopher Townsend and special effects supervisor Paul Corbould. 
Index:
 Whedon, Joss 
 Townsend, Christopher 
 Corbould, Paul 
 Avengers: Age of Ultron (2015) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Legacy Effects [Firma] ~ Legacy Effects [Company] 
 Framestore CFC [Firma] ~ Framestore CFC [Company] 
 Luma Pictures [Firma] ~ Luma Pictures [Company] 
 Animal Logic [Firma] ~ Animal Logic [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
 ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic) 
#7
Duncan, Jody: Batman grounded: The Dark Knight. In: Cinefex 2008. No. 115. [October] p. ?P.
Description:
 On the special effects by Double Negative, Framestore and BUF Compagnie as well as the work of visual effects supervisor Nick Davis and special effects supervisor Chris Corbould. 
Index:
 Nolan, Christopher 
 Davis, Nick 
 Corbould, Chris 
 Dark Knight, The (2008) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Framestore CFC [Firma] ~ Framestore CFC [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
 Buf Compagnie [Firma] ~ Buf Compagnie [Company] 
 Batman ~ Batman 
#8
Duncan, Jody: Burnished steel: Man of Steel. In: Cinefex 2013. No. 135. [October] p. ?P.
Description:
 On the special effects by Weta Digital, Weta Workshop, MPC, Scanline VFX and Double Negative. Discusses especially the work of visual effects supervisor John DesJardin as well as special effects supervisors Joel Whist and Allen Hall. 
Index:
 Snyder, Zack 
 DesJardin, John 
 Whist, Joel 
 Hall, Allen 
 Man of Steel (2013) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Superman ~ Superman 
 Double Negative [Firma] ~ Double Negative [Company] 
 Scanline [Firma] ~ Scanline [Company] 
 MPC [Firma] ~ MPC [Company] 
 Weta [Firma] ~ Weta [Company] 
#9
Duncan, Jody: Finding Calvin: Life. In: Cinefex 2017. No. 153. [June] p. ?P.
Description:
 On the special effects by Industrial Light & Magic, Double Negative, One of Us, Atomic Fiction, Nvizible, Outpost VFX and Lola VFX. 
Index:
 Espinosa, Daniel 
 Life (2017) 
 Outpost VFX [Firma] ~ Outpost VFX [Company] 
 Nvizible [Firma] ~ Nvizible [Company] 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 One Of Us [Firma] ~ One Of Us [Company] 
 Lola Visual Effects [Firma] ~ Lola Visual Effects [Company] 
 ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic) 
 Double Negative [Firma] ~ Double Negative [Company] 
 Atomic Fiction [Firma] ~ Atomic Fiction [Company] 
#10
Duncan, Jody: Gods and kings: Exodus: Gods and Kings. In: Cinefex 2015. No. 140. [January] p. ?P.
Description:
 On the special effects by Double Negative, MPC, The Senate, Method Studios and The Third Floor. 
Index:
 Scott, Ridley 
 Exodus: Gods and Kings (2014) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Religion ~ Religion 
 Third Floor, The [Firma] ~ Third Floor, The [Company] 
 Method Studios [Firma] ~ Method Studios [Company] 
 Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company] 
 MPC [Firma] ~ MPC [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
#11
Duncan, Jody: Into inkworld: Inkheart. In: Cinefex 2009. No. 117. [April] p. ?P.
Description:
 On the special effects by Double Negative, The Senate, Cinesite, Rainmaker, Peerless Camera Company and Mattes & Miniatures for Iain Softley’s fantasy adventure. Discusses especially the work of visual effects supervisor Angus Bickerton and special effects supervisor Paul Corbould. 
Index:
 Softley, Iain 
 Bickerton, Angus 
 Corbould, Paul 
 Inkheart (2008) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Fantasy ~ Fantasy 
 Abenteuer ~ Adventure 
 Mattes & Miniatures [Firma] ~ Mattes & Miniatures [Company]"; 
 Peerless Camera Company [Firma] ~ Peerless Camera Company [Company] 
 Rainmaker [Firma] ~ Rainmaker [Company] 
 Cinesite [Firma] ~ Cinesite [Company] 
 Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
#12
Duncan, Jody: Iron clad: Iron Man 2. In: Cinefex 2010. No. 122. [July] p. ?P.
Description:
 On the special effects by Legacy Effects (the former Stan Winston Studio), ILM, Whiplash, Double Negative and Fuel VFX. 
Index:
 Favreau, Jon 
 Iron Man 2 (2010) 
 Whiplash [Firma] ~ Whiplash [Company] 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Legacy Effects [Firma] ~ Legacy Effects [Company] 
 Fuel VFX [Firma] ~ Fuel VFX [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
 ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic) 
 Stan Winston Studio [Firma] ~ Stan Winston Studio [Company] 
#13
Duncan, Jody: Keeping it real: Mission: Impossible - Rogue Nation. In: Cinefex 2015. No. 143. [October] p. ?P.
Description:
 On the special effects by Double Negative. Discusses especially the work of stunt coordinator Wade Eastwood, special effects supervisor Dominic Tuohy and visual effects supervisor David Vickery. 
Index:
 McQuarrie, Christopher 
 Eastwood, Wade 
 Tuohy, Dominic 
 Vickery, David 
 Mission: Impossible - Rogue Nation (2015) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Double Negative [Firma] ~ Double Negative [Company] 
#14
Duncan, Jody: Recall redux: Total Recall. In: Cinefex 2012. No. 131. [October] p. ?P.
Description:
 On the special effects by Double Negative, The Senate, Baseblack, Prime Focus, Lipsync VFX, MPC and Legacy Effects. 
Index:
 Wiseman, Len 
 Total Recall (2012) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Legacy Effects [Firma] ~ Legacy Effects [Company] 
 Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company] 
 Lipsync VFX [Firma] ~ Lipsync VFX [Company] 
 Prime Focus [Firma] ~ Prime Focus [Company] 
 Baseblack [Firma] ~ Baseblack [Company] 
 Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
#15
Duncan, Jody: That our feet may leave: Interstellar. In: Cinefex 2015. No. 140. [January] p. ?P.
Description:
 On the special effects by Double Negative and New Deal Studios. Discusses especially the work of Scott Fisher. 
Index:
 Nolan, Christopher 
 Fisher, Scott 
 Interstellar (2014) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 New Deal Studios [Firma] ~ New Deal Studios [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
#16
Duncan, Jody: The gauntlet: Avengers: Infinity War. In: Cinefex 2018. No. 159. [June] p. ?P.
Description:
 On the special effects by Digital Domain, Weta Digital, Industrial Light & Magic, Framestore, Double Negative and Cinesite. Discusses especially the work of visual effects supervisor Dan DeLeeuw and visual effects producer Jen Underdahl. 
Index:
 Russo, Anthony 
 Russo, Joe 
 DeLeeuw, Dan 
 Underdahl, Jen 
 Avengers: Infinity War (2018) 
 Technik: Computer ~ Technology: Computer 
 Weta [Firma] ~ Weta [Company] 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic) 
 Framestore CFC [Firma] ~ Framestore CFC [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
 Digital Domain [Firma] ~ Digital Domain [Company] 
 Cinesite [Firma] ~ Cinesite [Company] 
#17
Duncan, Jody: The stuff of children’s nightmares: Miss Peregrine’s Home for Peculiar Children. In: Cinefex 2016. No. 149. [October] p. ?P.
Description:
 On the special effects by Rodeo FX, Double Negative, One of Us, MPC, Scanline and MELS Studios. Discusses especially the work of special effects supervisor Neil Corbould and special makeup effect artis David White. 
Index:
 Burton, Tim 
 Corbould, Neil 
 White, David 
 Miss Peregrine’s Home for Peculiar Children (2016) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Jugend ~ Youth 
 Traum ~ Dreams 
 Mels Studios [Firma] ~ Mels Studios [Company] 
 Scanline [Firma] ~ Scanline [Company] 
 MPC [Firma] ~ MPC [Company] 
 One Of Us [Firma] ~ One Of Us [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
 Rodeo FX [Firma] ~ Rodeo FX [Company] 
#18
Duncan, Jody: Wrinkles in time: Terminator Genisys. In: Cinefex 2015. No. 143. [October] p. ?P.
Description:
 On the special effects by Double Negative, MPC, Lola VFX, One of Us, Method Studios and Legacy Effects. Discusses especially the work of visual effects supervisor Janek Sirrs and special effects supervisor Mark Hawker. 
Index:
 Taylor, Alan 
 Sirrs, Janek 
 Hawker, Mark 
 Terminator Genisys (2015) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Legacy Effects [Firma] ~ Legacy Effects [Company] 
 Method Studios [Firma] ~ Method Studios [Company] 
 One Of Us [Firma] ~ One Of Us [Company] 
 Lola Visual Effects [Firma] ~ Lola Visual Effects [Company] 
 MPC [Firma] ~ MPC [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
#19
Edwards, Graham: Cosmic deconstruction: Star Trek Beyond. In: Cinefex 2016. No. 148. [August] p. ?P.
Description:
 On the special effects by Double Negative, Atomic Fiction and Kelvin Optical. Discusses especially the work of makeup effects supervisor Joel Harlow and special effects artist Cameron Waldbauer. 
Index:
 Lin, Justin 
 Harlow, Joel 
 Waldbauer, Cameron 
 Star Trek Beyond (2016) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Kelvin Optical [Firma] ~ Kelvin Optical [Company] 
 Atomic Fiction [Firma] ~ Atomic Fiction [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
#20
Edwards, Graham: Explosive cocktail: Spectre. In: Cinefex 2016. No. 145. [February] p. 12-39.
Description:
 On the special effects by Double Negative, Cinesite, ILM London, MPC, Peerless and BlueBolt. Discusses especially the work of special effects supervisors Chris Corbould and Steve Begg. 
Index:
 Mendes, Sam 
 Corbould, Chris 
 Begg, Steve 
 Spectre (2015) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 BlueBolt [Firma] ~ BlueBolt [Company] 
 Peerless Camera Company [Firma] ~ Peerless Camera Company [Company] 
 MPC [Firma] ~ MPC [Company] 
 ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic) 
 Cinesite [Firma] ~ Cinesite [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
#21
Edwards, Graham: Heft and jank: Pacific Rim Uprising. In: Cinefex 2018. No. 159. [June] p. ?P.
Description:
 On the special effects by Double Negative, Atomic Fiction, Territory Studio, Blind, The Third Floor, Halon, Day for Nite, Legacy Effects and Weta Workshop. Discusses especially the work of visual effects supervisor Peter Chiang and special effects supervisor Dan Oliver. 
Index:
 DeKnight, Steven S. 
 Chiang, Peter 
 Oliver, Dan 
 Pacific Rim Uprising (2018) 
 Day for Nite [Firma] ~ Day for Nite [Company] 
 Weta [Firma] ~ Weta [Company] 
 Third Floor, The [Firma] ~ Third Floor, The [Company] 
 Territory Studio [Firma] ~ Territory Studio [Company] 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Legacy Effects [Firma] ~ Legacy Effects [Company] 
 Atomic Fiction [Firma] ~ Atomic Fiction [Company] 
 Halon Entertainment [Firma] ~ Halon Entertainment [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
 Blind [Firma] ~ Blind [Company] 
#22
Edwards, Graham: Team Thor: Thor: Ragnarok. In: Cinefex 2017. No. 156. [December] p. ?P.
Description:
 On the special effects by Framestore, ILM, Double Negative, Method Studios, Luma, Digital Domain, Image Engine, Rising Sun Pictures, The Third Floor, Ironhead Studio and Quantum Creation FX. Discusses especially the work of visual effects supervisor Jake Morrison and special effects supervisor R. Bruce Steinheimer. 
Index:
 Waititi, Taika 
 Morrison, Jake 
 Steinheimer, R. Bruce 
 Thor: Ragnarok (2017) 
 Luma Pictures [Firma] ~ Luma Pictures [Company] 
 Third Floor, The [Firma] ~ Third Floor, The [Company] 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Rising Sun Pictures [Firma] ~ Rising Sun Pictures [Company] 
 Quantum Creation FX [Firma] ~ Quantum Creation FX [Company] 
 Method Studios [Firma] ~ Method Studios [Company] 
 Ironhead Studios [Firma] ~ Ironhead Studios [Company] 
 Image Engine [Firma] ~ Image Engine [Company] 
 ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic) 
 Framestore CFC [Firma] ~ Framestore CFC [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
 Digital Domain [Firma] ~ Digital Domain [Company] 
#23
Fordham, Joe: 2049 foresight: Blade Runner 2049. In: Cinefex 2017. No. 155. [October] p. ?P.
Description:
 On the special effects by Double Negative, MPC, Framestore, Atomic Fiction, Territory Studio, BUF, Rodeo FX, UPP and Weta Workshop. Discusses especially the work of visual effects supervisor John Nelson, visual effects producer Karen Murphy, special effects supervisor Gerd Nefzer and makeup designer Donald Mowat. 
Index:
 Villeneuve, Denis 
 Nelson, John 
 Murphy, Karen 
 Nefzer, Gerd 
 Mowat, Donald 
 Blade Runner 2049 (2017) 
 BUF [Firma] ~ BUF [Company] 
 Territory Studio [Firma] ~ Territory Studio [Company] 
 Weta [Firma] ~ Weta [Company] 
 UPP [Firma] ~ UPP [Company] 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Rodeo FX [Firma] ~ Rodeo FX [Company] 
 MPC [Firma] ~ MPC [Company] 
 Framestore CFC [Firma] ~ Framestore CFC [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
 Atomic Fiction [Firma] ~ Atomic Fiction [Company] 
#24
Fordham, Joe: Across the sea of time: Alice Through the Looking Glass. In: Cinefex 2016. No. 147. [June] p. ?P.
Description:
 On the special effects by Sony Pictures Imageworks, Double Negative, Legend3D, Prime Focus World and Gener8. Discusses especially the work of visual effects supervisor Ken Ralston, special effects supervisor Neil Corbould and makeup effects supervisor Matthew Smith. 
Index:
 Bobin, James 
 Ralston, Ken 
 Corbould, Neil 
 Smith, Matthew 
 Alice Through the Looking Glass (2016) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Gener8 [Firma] ~ Gener8 [Company] 
 Prime Focus [Firma] ~ Prime Focus [Company] 
 Legend3D [Firma] ~ Legend3D [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
 Sony Pictures Imageworks [Firma] ~ Sony Pictures Imageworks [Company] 
#25
Fordham, Joe: Arabian fantasy: Prince of Persia: Sands of Time. In: Cinefex 2010. No. 123. [October] p. ?P.
Description:
 On the special effects by Double Negative, The Moving Picture Company, Cinesite and Framestore. Discusses especially the work of special effects supervisor Trevor Wood and visual effects supervisor Tom Wood. 
Index:
 Newell, Mike 
 Wood, Trevor 
 Wood, Tom 
 Prince of Persia: The Sands of Time (2010) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Orient ~ Orient 
 Fantasy ~ Fantasy 
 Framestore CFC [Firma] ~ Framestore CFC [Company] 
 Cinesite [Firma] ~ Cinesite [Company] 
 Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
#26
Fordham, Joe: Children of Men: The human project. In: Cinefex 2007. No. 110. [July] pp. 33-36, 39-44.
Description:
 On the physical effects by Paul Corbould, the makeup effects by Nick Dudman and on the visual effects by "Double Negative" and "Framestore CFC". 
Index:
 Cuarón, Alfonso 
 Corbould, Paul 
 Dudman, Nick 
 Children of Men (2006) 
 Double Negative [Firma] ~ Double Negative [Company] 
 Framestore CFC [Firma] ~ Framestore CFC [Company] 
 Technik: Spezialeffekte ~ Technology: Special Effects 
#27
Fordham, Joe: Cloverfield: Ground Zero. In: Cinefex 2008. No. 113. [April] p. ?P.
Description:
 On the special effects for Matt Reeves’s monster movie. Discusses especially the work of visual effects supervisors Kevin Blank, Eric Leven and Michael Ellis, special effects coordinator David Waine, the Tippett Studio and of Double Negative. 
Index:
 Reeves, Matt 
 Blank, Kevin 
 Leven, Eric 
 Ellis, Michael 
 Waine, David 
 Cloverfield (2008) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Monster ~ Monster 
 Double Negative [Firma] ~ Double Negative [Company] 
 Tippett Studio [Firma] ~ Tippett Studio [Company] 
#28
Fordham, Joe: Curse of the werewolf: The Wolfman. In: Cinefex 2010. No. 121. [April] p. ?P.
Description:
 On the work of makeup effects designer Rick Baker, visual effects supervisor Steve Begg and on the special effects by The Moving Picture Company, Double Negative and Rhythm & Hues for Joe Johnston’s remake of a horror classic. 
Index:
 Johnston, Joe 
 Baker, Rick 
 Begg, Steve 
 Wolfman, The (2010) 
 Wölfe ~ Wolves 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Horror ~ Horror 
 Rhythm & Hues [Firma] ~ Rhythm & Hues [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
 Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company] 
#29
Fordham, Joe: Götterdämmerung: 2012. In: Cinefex 2010. No. 120. [January] p. ?P.
Description:
 On the special effects by Uncharted Territory, Digital Domain, Double Negative, Sony Pictures Imageworks, Scanline, Hydraulx, Crazy Horse and Pixomondo. Discusses especially the work of effects supervisor Michael Vezina. 
Index:
 Emmerich, Roland 
 Vezina, Mike 
 2012 (2009) 
 Crazy Horse [Firma] ~ Crazy Horse [Company] 
 Pixomondo [Firma] ~ Pixomondo [Company] 
 Uncharted Territory [Firma] ~ Uncharted Territory [Company] 
 Scanline [Firma] ~ Scanline [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Sony Pictures Imageworks [Firma] ~ Sony Pictures Imageworks [Company] 
 Hydraulx [Firma] ~ Hydraulx [Company] 
 Digital Domain [Firma] ~ Digital Domain [Company] 
#30
Fordham, Joe: Heritage of horror: The Mummy. In: Cinefex 2017. No. 154. [August] p. ?P.
Description:
 On the special effects by MPC, Double Negative, Industrial Light & Magic, Furious FX, Factory VFX, Space Monkey, StereoD, Lola Visual Effects and Proof, Inc.. Discusses especially the work of visual effects supervisor Erik Nash, special effects supervisor Dominic Tuohy and makeup effects supervisor David White. 
Index:
 Kurtzman, Alex 
 Nash, Erik 
 Tuohy, Dominic 
 White, David 
 Mummy, The (2017) 
 Space Monkey [Firma] ~ Space Monkey [Company] 
 Furious FX [Firma] ~ Furious FX [Company] 
 Factory VFX [Firma] ~ Factory VFX [Company] 
 Stereo D [Firma] ~ Stereo D [Company] 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Proof [Firma] ~ Proof [Company] 
 MPC [Firma] ~ MPC [Company] 
 Lola Visual Effects [Firma] ~ Lola Visual Effects [Company] 
 ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic) 
 Horror ~ Horror 
 Double Negative [Firma] ~ Double Negative [Company] 
#31
Fordham, Joe: Imperial earth: Jupiter Ascending. In: Cinefex 2015. No. 141. [April] p. ?P.
Description:
 On the special effects by Method Studios, Double Negative, Framesore, One Of Us, BlueBolt, The Aaron Sims Company, Halon Entertainment, Mokko Studio, Rodeo FX, BUF, The Third Floor and Ironhead Studios. Discusses especially the work of visual effects supervisor Dan Glass, visual effects consultant John Gaeta, special effects supervisor Trevor Wood and makeup effects supervisor Jeremy Woodhead. 
Index:
 Wachowski, Andy 
 Wachowski, Lana 
 Glass, Dan 
 Gaeta, John 
 Wood, Trevor 
 Woodhead, Jeremy 
 Jupiter Ascending (2015) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Ironhead Studios [Firma] ~ Ironhead Studios [Company] 
 Third Floor, The [Firma] ~ Third Floor, The [Company] 
 Buf Compagnie [Firma] ~ Buf Compagnie [Company] 
 Rodeo FX [Firma] ~ Rodeo FX [Company] 
 Mokko Studio [Firma] ~ Mokko Studio [Company] 
 Halon Entertainment [Firma] ~ Halon Entertainment [Company] 
 Aaron Sims Company ~ Aaron Sims Company 
 BlueBolt [Firma] ~ BlueBolt [Company] 
 One Of Us [Firma] ~ One Of Us [Company] 
 Framestore CFC [Firma] ~ Framestore CFC [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
 Method Studios [Firma] ~ Method Studios [Company] 
#32
Fordham, Joe: In dreams: Inception. In: Cinefex 2010. No. 123. [October] p. ?P.
Description:
 On the special effects by New Deal Studio and Double Negative. Discusses especially the work of effects supervisor Chris Corbould and visual effects supervisor Paul Franklin. 
Index:
 Nolan, Christopher 
 Corbould, Chris 
 Franklin, Paul 
 Inception (2010) 
 Traum ~ Dreams 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Double Negative [Firma] ~ Double Negative [Company] 
 New Deal Studios [Firma] ~ New Deal Studios [Company] 
#33
Fordham, Joe: Infernal designs: Angels & Demons. In: Cinefex 2009. No. 118. [July] p. ?P.
Description:
 On the special effects by Double Negative, CIS Vancouver, The Moving Picture Company and The Senate. Discusses especially the work of visual effects supervisor Angus Bickerton and production designer Allan Cameron. 
Index:
 Howard, Ron 
 Bickerton, Angus 
 Cameron, Allan 
 Angels & Demons (2009) 
 CIS Hollywood [Firma] ~ CIS Hollywood [Company] 
 Vancouver ~ Vancouver 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company] 
 Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
#34
Fordham, Joe: Into the shimmer: Annihilation. In: Cinefex 2018. No. 159. [June] p. ?P.
Description:
 On the special effects by Double Negative, Milk VFX, Nvizible and Union VFX. Discusses especially the work of visual effects supervisor Andrew Whitehurst, visual effects producer Roma O’Connor, makeup effects supervisor Tristan Versluis, special effects supervisor Hayley Williams and stunt coordinator Jo McLaren. 
Index:
 Garland, Alex 
 Whitehurst, Andrew 
 O’Connor, Roma 
 Versluis, Tristan 
 Williams, Hayley 
 McLaren, Jo 
 Annihilation (2018) 
 Union VFX [Firma] ~ Union VFX [Company] 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Nvizible [Firma] ~ Nvizible [Company] 
 Milk Visual Effects [Firma] ~ Milk Visual Effects [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
#35
Fordham, Joe: Invincible: Wonder Woman. In: Cinefex 2017. No. 156. [December] p. ?P.
Description:
 On the special effects by Weta Digital, Double Negative, MPC, Pixomondo, Proof and The Third Floor. Discusses especially the work of visual effects supervisor Bill Westenhofer, special effects supervisor Mark Holt and makeup effects supervisor Kristyan Mallett. 
Index:
 Jenkins, Patty 
 Holt, Mark 
 Mallett, Kristyan 
 Wonder Woman (2017) 
 Proof [Firma] ~ Proof [Company] 
 Weta [Firma] ~ Weta [Company] 
 Third Floor, The [Firma] ~ Third Floor, The [Company] 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Pixomondo [Firma] ~ Pixomondo [Company] 
 MPC [Firma] ~ MPC [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
#36
Fordham, Joe: Microcosmos: Ant-Man. In: Cinefex 2015. No. 143. [October] p. ?P.
Description:
 On the special effects by Double Negative, Method Studios, Luma Pictures, Industrial Light & Magic, Cinesite, Lola VFX and The Third Floor. Discusses especially the work of visual effects supervisor Jake Morrison and visual effects producer Diana Giorgiutti. 
Index:
 Reed, Peyton 
 Morrison, Jake 
 Giorgiutti, Diana 
 Ant-Man (2015) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Third Floor, The [Firma] ~ Third Floor, The [Company] 
 Lola Visual Effects [Firma] ~ Lola Visual Effects [Company] 
 Cinesite [Firma] ~ Cinesite [Company] 
 ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic) 
 Luma Pictures [Firma] ~ Luma Pictures [Company] 
 Method Studios [Firma] ~ Method Studios [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
#37
Fordham, Joe: Old dog, new tricks: Skyfall. In: Cinefex 2013. No. 133. [April] p. 28-55.
Description:
 On the special effects by MPC, Cinesite, Double Negative, Framestore and Peerless Camera Company for the 23rd Bond movie. Discusses especially the work of special effects supervisor Chris Corbould and visual effects supervisor Steve Begg. 
Index:
 Mendes, Sam 
 Corbould, Chris 
 Begg, Steve 
 Skyfall (2012) 
 Peerless Camera Company [Firma] ~ Peerless Camera Company [Company] 
 Framestore CFC [Firma] ~ Framestore CFC [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
 Cinesite [Firma] ~ Cinesite [Company] 
 MPC [Firma] ~ MPC [Company] 
#38
Fordham, Joe: Quantum leap: Quantum of Solace. In: Cinefex 2009. No. 116. [January] p. 30-49.
Description:
 On the special effects by Double Negative, The Moving Picture Company, Framestore, Machine and MK12 for Marc Forster’s latest James Bond movie. Discusses especially the work of visual effects designer Kevin Tod Haug and special effects supervisor Chris Corbould. 
Index:
 Forster, Marc 
 Haug, Kevin Tod 
 Corbould, Chris 
 Quantum of Solace (2008) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 James Bond ~ James Bond 
 MK12 [Firma] ~ MK12 [Company] 
 Machine FX [Firma] ~ Machine FX [Company] 
 Framestore CFC [Firma] ~ Framestore CFC [Company] 
 Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
#39
Fordham, Joe: Soldier blue: Captain America: The First Avenger. In: Cinefex 2011. No. 127. [October] p. ?P.
Description:
 On the special effects by Double Negative, Lola VFX, Matte World Digital, Luma Pictures, Framestore, Cinesite, Fuel VFX, Method Studios and The Senate VFX. Discusses especially the work of visual effects supervisor Christopher Townsend, special effects supervisor Paul Corbould and makeup effects artist David White. 
Index:
 Johnston, Joe 
 Townsend, Christopher 
 Corbould, Paul 
 White, David 
 Captain America: The First Avenger (2011) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Krieg ~ War 
 Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company] 
 Method Studios [Firma] ~ Method Studios [Company] 
 Fuel VFX [Firma] ~ Fuel VFX [Company] | Fuel 
 Cinesite [Firma] ~ Cinesite [Company] 
 Framestore CFC [Firma] ~ Framestore CFC [Company] 
 Luma Pictures [Firma] ~ Luma Pictures [Company] 
 Matte World Digital [Firma] ~ Matte World Digital [Company] 
 Lola Visual Effects [Firma] ~ Lola Visual Effects [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
#40
Fordham, Joe: The last enemy: Harry Potter and the Deathly Hallows: Part 1. In: Cinefex 2011. No. 124. [January] p. 90-118.
Description:
 On the special effects by Double Negative, The Moving Picture Company, Framestore, Cinesite, Rising Sun Pictures and Baseblack. Discusses especially the work of visual effects supervisor Tim Burke, special effects supervisor John Richardson and makeup effects supervisor Nick Dudman. 
Index:
 Yates, David 
 Burke, Tim 
 Richardson, John 
 Dudman, Nick 
 Harry Potter and the Deathly Hallows: Part 1 (2010) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Baseblack [Firma] ~ Baseblack [Company] 
 Rising Sun Pictures [Firma] ~ Rising Sun Pictures [Company] 
 Cinesite [Firma] ~ Cinesite [Company] 
 Framestore CFC [Firma] ~ Framestore CFC [Company] 
 Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
#41
Fordham, Joe: The magical congress: Fantastic Beasts and Where to Find Them. In: Cinefex 2016. No. 150. [December] p. ?P.
Description:
 On the special effects by Cinesite, Double Negative, Framestore, MPC, Image Engine, Rodeo FX, Method Studios, Milk VFX, Lola VFX, Nvizage, Proof, Inc. and The Third Floor. Discusses especially the work of visual effects supervisors Tim Burke and Christian Manz and of special effects supervisor David Watkins. 
Index:
 Yates, David 
 Burke, Tim 
 Manz, Christian 
 Watkins, David 
 Fantastic Beasts and Where to Find Them (2016) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Magie ~ Magic 
 Third Floor, The [Firma] ~ Third Floor, The [Company] 
 Proof [Firma] ~ Proof [Company] 
 Nvizage [Firma] ~ Nvizage [Company] 
 Lola Visual Effects [Firma] ~ Lola Visual Effects [Company] 
 Milk Visual Effects [Firma] ~ Milk Visual Effects [Company] 
 Method Studios [Firma] ~ Method Studios [Company] 
 Rodeo FX [Firma] ~ Rodeo FX [Company] 
 Image Engine [Firma] ~ Image Engine [Company] 
 MPC [Firma] ~ MPC [Company] 
 Framestore CFC [Firma] ~ Framestore CFC [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
 Cinesite [Firma] ~ Cinesite [Company] 
#42
Fordham, Joe: Under the moons of Mars: John Carter. In: Cinefex 2012. No. 129. [April] p. ?P.
Description:
 On the special effects by Legacy Effects, Double Negative, Cinesite and MPC. Discusses, in particular, the work of special effects supervisor Chris Corbould and of visual effects supervisors Peter Chiang and Sue Rowe. 
Index:
 Stanton, Andrew 
 Corbould, Chris 
 Chiang, Peter 
 Rowe, Sue 
 John Carter (2011) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Mond ~ Moon 
 Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company] 
 Cinesite [Firma] ~ Cinesite [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
 Legacy Effects [Firma] ~ Legacy Effects [Company] 
#43
Fordham, Joe: Under the skin: A Cure for Wellness. In: Cinefex 2017. No. 152. [April] p. ?P.
Description:
 On the special effects by Double Negative, RISE Visual Effects Studios, Lola Visual Effects, One of Us and Prime Focus World. Discusses especially the work of visual effects supervisor Thomas Proctor, special effects supervisor Gerd Nefzer and makeup effects supervisor Barrie Gower. 
Index:
 Verbinski, Gore 
 Proctor, Thomas 
 Nefzer, Gerd 
 Gower, Barrie 
 Cure for Wellness, A (2016) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Prime Focus [Firma] ~ Prime Focus [Company] 
 One Of Us [Firma] ~ One Of Us [Company] 
 Lola Visual Effects [Firma] ~ Lola Visual Effects [Company] 
 RISE Visual Effects Studios [Firma] ~ RISE Visual Effects Studios [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
#44
Fordham, Joe: Valhalla rising: Thor: The Dark World. In: Cinefex 2014. No. 136. [January] p. ?P.
Description:
 On the special effects by Double Negative, The Third Floor, Luma Pictures, Method Studios and Blur Studio. Discusses especially the work of visual effects supervisor Jake Morrison, visual effects producer Diana Giorgiutti, special effects supervisor Paul Corbould and makeup effects supervisor David White. 
Index:
 Taylor, Alan 
 Morrison, Jake 
 Giorgiutti, Diana 
 Corbould, Paul 
 White, David 
 Thor: The Dark World (2013) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Blur Studio [Firma] ~ Blur Studio [Company] 
 Method Studios [Firma] ~ Method Studios [Company] 
 Luma Pictures [Firma] ~ Luma Pictures [Company] 
 Third Floor, The [Firma] ~ Third Floor, The [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
#45
Fordham, Joe: When Gods collide: Batman v Superman: Dawn of Justice. In: Cinefex 2016. No. 146. [April] p. ?P.
Description:
 On the special effects by Ironhead Studio, Film Illusions, Scanline VFX, MPC, Weta Digital, Double Negative, Shade VFX, Teamworks Digital, The Resistance VFX and Gentle Giant Studios. Discusses especially the work of production designer Patrick Tatopoulos, visual effects supervisor John DesJardin and special effects supervisor Joel Whist. 
Index:
 Snyder, Zack 
 Tatopoulos, Patrick 
 DesJardin, John 
 Whist, Joel 
 Batman vs. Superman: Dawn of Justice (2016) 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Religion ~ Religion 
 Gentle Giant Studios [Firma] ~ Gentle Giant Studios [Company] 
 Resistance, The [Firma] ~ Resistance, The [Company] 
 Teamworks Digital [Firma] ~ Teamworks Digital [Company] 
 Shade VFX [Firma] ~ Shade VFX [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
 Weta [Firma] ~ Weta [Company] 
 MPC [Firma] ~ MPC [Company] 
 Scanline [Firma] ~ Scanline [Company] 
 Film Illusions [Firma] ~ Film Illusions [Company] 
 Ironhead Studios [Firma] ~ Ironhead Studios [Company] 
#46
Gerle, Jörg: Kreativer Output: Paul Franklin und die Effect-Firma Double Negative. In: Film-Dienst 63. 2010. No. 19. [September 16] p. 47.
Index:
 Franklin, Paul 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Technik ~ Technology 
 Double Negative [Firma] ~ Double Negative [Company] 
#47
Marshall, David W.: Paranormal parade: Hellboy II: The Golden Army. In: Cinefex 2008. No. 115. [October] p. ?P.
Description:
 On the special effects by Spectral Motion, Efectos Especiales DDT and Double Negative as well as the work of visual effects supervisor Mike Wassel. 
Index:
 del Toro, Guillermo 
 Wassel, Mike 
 Hellboy II: The Golden Army (2008) 
 DDT Efectos Especiales [Firma] ~ DDT Efectos Especiales [Company] 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Spectral Motion [Firma] ~ Spectral Motion [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
#48
Seymour, Mike: I am become death: Godzilla. In: Cinefex 2014. No. 138. [July] p. ?P.
Description:
 On the special effects by Amalgamated Dynamics Incorporated, MPC, Double Negative, The Third Floor, Scanline VFX, Hammerhead Productions and Pixel Playground. Discusses especially the work of special effects supervisor Joel Whist and visual effects supervisor Jim Rygiel. 
Index:
 Edwards, Gareth 
 Whist, Joel 
 Rygiel, Jim 
 Godzilla (2014) 
 Tod ~ Death 
 Technik: Spezialeffekte ~ Technology: Special Effects 
 Pixel Playground [Firma] ~ Pixel Playground [Company] 
 Hammerhead Productions [Firma] ~ Hammerhead Productions [Company] 
 Scanline [Firma] ~ Scanline [Company] 
 Third Floor, The [Firma] ~ Third Floor, The [Company] 
 Double Negative [Firma] ~ Double Negative [Company] 
 MPC [Firma] ~ MPC [Company] 
 Amalgamated Dynamics [Firma] ~ Amalgamated Dynamics [Company] 
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