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literature list on: Dupont, Ewald André
number of items: 8
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
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| ?D | Date of publication unknown |
| ?P | Number of pages unknown |
| ?R | Series number unknown |
#1
Brandlmeier, Thomas: Fragmenting the space: On E. A. Dupont’s Variete. In: Expressionist film: New perspectives. Edited by Dietrich Scheunemann. - Rochester, New York [et al.]: Camden House 2003. (= Studies in German Literature, Linguistics, and Culture.) p. ?P.
Index:
Dupont, Ewald André
Varieté (1925)
Expressionismus ~ Expressionism
#2
Brunas, John / Brunas, Michael / Weaver, Tom: Robert Shayne. In: Brunas, John / Brunas, Michael / Weaver, Tom: Science fiction stars and horror heroes: Interviews with actors, directors, producers and writers of the 1940s through 1960s. - Jefferson, North Carolina; London: McFarland & Company 1991. pp. 355-367.
Description:
On the actor who played in many fantastic films, among them Ewald André Dupont’s The Neanderthal Man, William Cameron Menzies’s Invaders from Mars, Herbert L. Strock’s How to Make a Monster and Alfred Hitchcock’s North by Northwest. Includes a filmography.
Index:
Shayne, Robert
Menzies, William Cameron
Strock, Herbert L.
Hitchcock, Alfred
Dupont, Ewald André
Invaders from Mars (1953)
How to Make a Monster (1958)
North by Northwest (1959)
Neanderthal Man, The (1953)
Science Fiction ~ Science Fiction
Horror ~ Horror
#3
Guerin, Frances: Dazzled by the light: Technological entertainment and its social impact in Varieté. In: Cinema Journal 42. 2003. No. 4. [Summer] pp. 98 ff.
Index:
Dupont, Ewald André
Varieté (1925)
Technik ~ Technology
#4
Kasten, Jürgen: Genrekino und abstrakte Schaulust: Die Filme von Ewald André Dupont. In: Filmbulletin 34. 1992. No. 2(181). [?D] pp. 7-10.
Index:
Dupont, Ewald André
#5
Knops, Tilo R.: Begründer des Populären: DeMille und Dupont: Retrospektiven auf zwei verkannte Filmpioniere. In: Medium 22. 1992. No. 2. [?D] pp. 73-75.
Index:
DeMille, Cecil Blount
Dupont, Ewald André
#6
Kreimeier, Klaus: Wie in einem Taumel: Die Kamera im deutschen Film der frühen zwanziger Jahre. In: Gleißende Schatten: Kamerapioniere der zwanziger Jahre. Herausgegeben von Cinema Quadrat e.V., Mannheim. Redaktion: Michael Esser. - Berlin: Henschel Verlag 1994. pp. 9-33.
Description:
Discusses a lot of films and persons important for the expressionist fantastic film, especially Willy Hameister, the cinematographer of Wiene’s Das Cabinet des Dr. Caligari and of Hintertreppe by Leopold Jessner and Paul Leni, the director and film critic Edwald André Dupont, the screenwriter Willy Haas and the cinematographer Karl Freund and his work for Murnau’s Der letzte Mann.
Index:
Hameister, Willy
Wiene, Robert
Leni, Paul
Jessner, Leopold
Dupont, Ewald André
Haas, Willy
Freund, Karl
Murnau, Friedrich Wilhelm
Cabinet des Dr. Caligari, Das (1919)
Hintertreppe (1921)
letzte Mann, Der (1924)
Technik: Kamera ~ Technology: Camera
Expressionismus ~ Expressionism
Deutschland ~ Germany
#7
Quaresima, Leonardo: Modelli d’autore: La figura del "Filmregisseur" e i nuovi standard del cinema di genere: Berger, Dupont, Fanck, May. In: Schermi germanici: Ufa 1917-1933: Mostra internazionale den nuovo cinema. A cura di Giovanni Spagnoletti. - Venezia: Marsilio 1993. (= Nuovocinema / Pesaro 43.) pp. 181-207.
Description:
On the directors Ludwig Berger, Ewald André Dupont, Arnold Fanck and Joe May.
Index:
Bamberger, Ludwig [Pseudonym: Berger, Ludwig]
Dupont, Ewald André
May, Joe
Fanck, Arnold
Deutschland ~ Germany
#8
Sudendorf, Werner: Das Bildjournal E. A. Duponts. In: Filmkultur zur Zeit der Weimarer Republik: Beiträge zu einer internationalen Konferenz vom 15. bis 18. Juni 1989 in Luxemburg. Hrsg. von Uli Jung und Walter Schatzenberg. - München; London; New York; Paris: Saur 1992. pp. 120-127.
Description:
On Dupont’s Varieté.
Index:
Dupont, Ewald André
Varieté (1925)
Luxemburg ~ Luxembourg
Deutschland ~ Germany
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