Bibliografie des fantastischen Films / Bibliography of Fantastic Film
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Bibliografie des fantastischen Films / Bibliography of Fantastic Film
Bibliografie des Fantastischen Films
Bibliography of Fantastic Film
literature list results

The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|

literature list on: Emmerich, Roland

number of items: 309

You can download this literature list as ASCII text file.

Abbreviations
?O City of publication unknown
?V Publishing company unknown
?J Year of publication unknown
?N Issue number unknown
?G Volume number unknown
?D Date of publication unknown
?P Number of pages unknown
?R Series number unknown
Literature list

#1
Aberly, Rachel / Engel, Volker: The making of Independence Day. - New York: Harper Paperbacks 1996.
Index:
Emmerich, Roland
Independence Day (1996)

#2
Aberly, Rachel / Engel, Volker: The making of Independence Day. - London: Titan Books 1996. (= Film tie-in.)
Index:
Emmerich, Roland
Independence Day (1996)

#3
Aberly, Rachel / Engel, Volker: The making of Independence Day. - Köln: VGS Verlagsgesellschaft 1996.
Reviews:
Thimm, Heiko: [untitled] In: Fantasia 1997. No. 106/107. [March] p. 139.
Index:
Emmerich, Roland
Independence Day (1996)

#4
Aberly, Rachel: The making of Godzilla. Foreword by Volker Engel. - London: Titan Books 1998.
Index:
Emmerich, Roland
Godzilla (1998)

#5
Aberly, Rachel: The making of Godzilla. Foreword by Volker Engel. - New York: Harper Paperbacks 1998.
Index:
Emmerich, Roland
Godzilla (1998)

#6
Aberly, Rachel: The making of Godzilla. Vorwort von Volker Engel. Aus dem Amerikanischen von Rolf Giesen. - Rheda-Wiedenbrück: Bertelsmann-Club / Zug: Bertelsmann-Medien (Schweiz) / Wien: Buchgemeinschaft Donauland Kremayr und Scheriau 1998.
First edition:
[New York: Harper Paperbacks 1998]
Index:
Emmerich, Roland
Godzilla (1998)

#7
Aberly, Rachel: The making of Godzilla. Vorwort von Volker Engel. Aus dem Amerikanischen von Rolf Giesen. - Nürnberg: Burgschmiet Verlag 1998.
First edition:
[New York: Harper Paperbacks 1998]
Index:
Emmerich, Roland
Godzilla (1998)

#8
Aepli, Savannah: Apocalyptic movie with a Chinese role draws cheers and jeers. In: China Daily. December 2, 2009. p. 18.
Description:
On the Chinese audience reactions to Roland Emmerich’s 2012.
Index:
Emmerich, Roland
2012 (2009)
China ~ China
Religion: Apokalypse ~ Religion: Apocalypse

#9
Apokalyptische Visionen: Film und Theologie im Gespräch. Hrsg. von Josef Müller und Reinhold Zwick. - Schwerte: Katholische Akademie Schwerte 1999. (= Dokumentationen / Katholische Akademie Schwerte 22)
Reviews:
Lederle, Josef: In: Film-Dienst 52. 1999. No. 17. [August 17] pp. 32-33.
Description:
Includes articles on Roland Emmerich’s Independence Day, David Lynch’s Lost Highway and Derek Jarman’s The Garden.
Index:
Emmerich, Roland
Lynch, David
Jarman, Derek
Independence Day (1996)
Lost Highway (1996)
Garden, The (1989)
Religion ~ Religion
Religion: Apokalypse ~ Religion: Apocalypse

#10
Das Arche-Noah-Prinzip. - Wien: ?V ?J. (= Neues Filmprogramm 8066.)
Index:
Emmerich, Roland
Arche Noah Prinzip, Das (1984)

#11
Arnold, Frank: Stargate. In: EPD Film 12. 1995. No. 3. [March] p. 39.
Index:
Emmerich, Roland
Stargate (1994)

#12
Atkinson, Michael: Invasion U.S.A.: On the link between alien-attack flicks and election years. In: Village Voice 41. 1996. No. 17. [April 23] p. 80.
Description:
On hidden political messages in the alien invasion film. Discusses, among others, Roland Emmerich’s Independence Day and Tim Burton’s Mars Attacks.
Index:
Emmerich, Roland
Burton, Tim
Independence Day (1996)
Mars Attacks! (1996)
Politik ~ Politics
Krieg ~ War
Aliens ~ Aliens

#13
Banks, Miranda J.: Monumental fictions: National monument as a science fiction space. In: Journal of Popular Film and Television 30. 2002. No. 3. [Fall] pp. 136-145.
Description:
On the representation (and the destruction) of national monuments in science fiction film. Discusses, among others, Robert Wise’s The Day the Earth Stood Still and Roland Emmerich’s Independence Day.
Index:
Wise, Robert
Emmerich, Roland
Day the Earth Stood Still, The (1951)
Independence Day (1996)
Science Fiction ~ Science Fiction
Politik ~ Politics

#14
Barbano, Nicolas: Exelence med fiskesnøre og legetøj. In: Kosmorama 42. 1996. No. 218. [Winter] pp. 39-43.
Description:
Interview with Volker Engel on the special effects for Roland Emmerich’s Independence Day and on his appearance in Ben Burtt’s Special Effects: Anything Can Happen.
Index:
Engel, Volker
Emmerich, Roland
Burtt, Ben
Independence Day (1996)
Special Effects: Anything Can Happen (1996)
Technik: Spezialeffekte ~ Technology: Special Effects

#15
Barr, Marleen: Jews and Independence Day, women and Independence Day: Science fiction apocalypse now evokes feminism and nazism. In: Imagining apocalypse: Studies in cultural crisis. Edited by David Seed. - New York: St. Martin’s Press 2000. pp. 199-214.
Index:
Emmerich, Roland
Independence Day (1996)
Science Fiction ~ Science Fiction
Religion: Juden ~ Religion: Jews
Frauen ~ Women
Faschismus ~ Fascism
Religion: Apokalypse ~ Religion: Apocalypse

#16
Bart, Peter: The gross: The hits, the flops - The summer that ate Hollywood. - New York: St. Martin’s Press 1999.
Description:
Discusses, among others, Mimi Leder’s Deep Impact, Roland Emmerich’s Godzilla and Michael Bay’s Armageddon.
Index:
Leder, Mimi
Emmerich, Roland
Bay, Michael
Deep Impact (1998)
Godzilla (1998)
Armageddon (1998)
Sommer ~ Summer
Hollywood ~ Hollywood

#17
Barth, Ariane: "Hier ist was von Wildwest". Teil 1: Regisseure. In: Der Spiegel 47. 1993. No. 22. [May 31] pp. 132-146.
Description:
On German directors in Hollywood. Discusses, among others, the work of Roland Emmerich, Wolfgang Petersen and Uli Edel.
Index:
Emmerich, Roland
Petersen, Wolfgang
Edel, Uli
Hollywood ~ Hollywood
Deutschland ~ Germany

#18
Barth, Ariane: "Hier ist was von Wildwest". Teil 2: Kameraleute und Schauspieler. In: Der Spiegel 47. 1993. No. 23. [June 7] pp. 120-142.
Description:
Discusses, among others, the work of cinematographer Michael Ballhaus for Fracis Ford Coppola’s Bram Stoker’s Dracula, and the roles of actor Ralf Moeller in Roland Emmerich’s Universal Soldier and Robert Radler’s The Best of the Best II.
Index:
Ballhaus, Michael
Coppola, Francis Ford
Moeller, Ralf
Emmerich, Roland
Radler, Robert
Bram Stoker’s Dracula (1992)
Universal Soldier (1992)
Best of the Best II, The (1993)
Technik: Kamera ~ Technology: Camera

#19
Bates, Gregory: Jeff Goldblum: Un comédien qui fait mouche! In: L’Écran Fantastique 1996. Hors-Série. [?D] pp. 14-15.
Description:
On Goldblum’s role in Independence Day.
Index:
Emmerich, Roland
Goldblum, Jeff
Independence Day (1996)

#20
Beck, Henry Cabot: Steven Strait. In: Interview 38. 2008. No. 3. [March] p. 86.
Description:
Interview with the actor, especially on his role in Roland Emmerich’s 10,000 B.C..
Index:
Strait, Steven
Emmerich, Roland
10,000 B.C. (2008)

#21
Beier, Lars-Olav: Sturmfreie Bude. In: Der Spiegel 67. 2013. No. 24. [June 10] p. 126.
Description:
On two action films in which the American president comes under siege: Antoine Fuqua’s Olympus Has Fallen and Roland Emmerich’s White House Down.
Index:
Fuqua, Antoine
Emmerich, Roland
Olympus Has Fallen (2013)
White House Down (2013)
USA (United States of America) ~ USA (United States of America)
Politik ~ Politics
Action ~ Action

#22
Beifuß, Mike: 2012. In: Film-Dienst 62. 2009. No. 24. [November 19] p. 21.
Index:
Emmerich, Roland
2012 (2009)

#23
Berger, Elmar: Stargate: Ein Interview mit Roland Emmerich. In: Moviestar 3. 1995. No. 12. [?D] pp. 23-24.
Index:
Emmerich, Roland
Stargate (1994)

#24
Bertonneau, Thomas F.: Science fiction, r.i.p. In: Chronicles 21. 1997. No. 5. [?D] pp. 14-17.
Index:
Emmerich, Roland
Independence Day (1996)
Science Fiction ~ Science Fiction

#25
Biodrowski, Steve: Futuristic musclemen. In: Cinefantastique 23. 1992. No. 1. [August] pp. 12-13.
Description:
On the film Universal Soldier and on the rivalty between action actors Jean Claude Van Damme and Dolph Lundgren on the one hand and genre master Arnold Schwarzenegger on the other.
Index:
Emmerich, Roland
Van Damme, Jean Claude
Schwarzenegger, Arnold
Universal Soldier (1992)
Futurismus ~ Futurism
Action ~ Action

#26
Biodrowski, Steve / Ryfle, Steve: Godzilla greenlighed. In: Cinefantastique 28. 1996. No. 1. [August] pp. 6 ff.
Index:
Emmerich, Roland
Godzilla (1998)

#27
Biodrowski, Steve: Summer behemoth earns its hype. In: Cinefantastique 28. 1996. No. 3. [October] p. 55.
Description:
On Roland Emmerich’s Independence Day.
Index:
Emmerich, Roland
Independence Day (1996)

#28
Biodrowski, Steve / Szebin, Frederick C.: Interview with Danny Elfman. In: Soundtrack: The Collector’s Quarterly 16. 1997. No. 61. [March] pp. 4-7.
Description:
The composer on the scores for Tim Burton’s Mars Attacks! and Roland Emmerich’s Independence Day.
Index:
Elfman, Danny
Burton, Tim
Emmerich, Roland
Mars Attacks! (1996)
Independence Day (1996)
Musik ~ Music

#29
Booker, M. Keith: Alternate Americas: Science fiction film and American culture. - Westport, Connecticut; London: Praeger 2006.
Reviews:
Allison, Tanine: [untitled.] In: Film Criticism 32. 2007. No. 1. [Fall] pp. 113-116.
Description:
Includes chapters on The Day the Earth Stood Still, Forbidden Planet, Invasion of the Body Snatchers, 2001: A Space Odyssey, Planet of the Apes, Star Wars, Close Encounters of the Third Kind, Alien, E.T. the Extra-Terrestrial, Blade Runner, The Terminator, Robocop, The Abyss, Independence Day, and The Matrix.
Index:
Wise, Robert
Wilcox, Fred McLeod
Kubrick, Stanley
Lucas, George
Spielberg, Steven
Scott, Ridley
Cameron, James
Emmerich, Roland
Wachowski, Andy
Wachowski, Larry
Day the Earth Stood Still, The (1951)
Forbidden Planet (1956)
Invasion of the Body Snatchers (Filmreihe)
2001 - A Space Odyssey (1968)
Planet of the Apes (Filmreihe)
Star Wars (Filmreihe)
Close Encounters of the Third Kind (1977)
Alien (Filmreihe)
E.T. - The Extra-Terrestrial (1982)
Blade Runner (1982)
Terminator (Filmreihe)
Robocop (Filmreihe)
Abyss, The (1989)
Independence Day (1996)
Matrix, The (Filmreihe)
USA (United States of America) ~ USA (United States of America)
Science Fiction ~ Science Fiction

#30
Borcholte, Andreas / Wolf, Martin: "Wie auf einem Rummelplatz". In: Der Spiegel 62. 2008. No. 9. [February 25] pp. 158-159.
Description:
Interview with director Roland Emmerich on his primeval time drama 10,000 B.C..
Index:
Emmerich, Roland
10,000 B.C. (2008)
Geschichte: Urzeit ~ History: Prehistory

#31
Brinkmann-Schaeffer, Bettina: Kino statt Kirche? Zur Erforschung der sinngewährenden und religionsbildenden Kraft populärer zeitgenössischer Filme. - Rheinbach: CMZ Verlag 2000. (= Hermeneutica 8.)
Reviews:
Dannowski, Hans Werner: Kino statt Kirche? In: EPD Film 18. 2001. No. 1. [January] p. 15.
Kroll, Thomas: Grenzgänge zwischen Sinn- und Bilderwelten. In: Film-Dienst 54. 2001. No. 21. [October 9] pp. 34-35.
Description:
Detailed analyses of Jerry Zucker’s Ghost, Joel Schumacher’s Flatliners, Jonathan Demme’s The Silence of the Lambs, Harold Ramis’s Groundhog Day, Nora Ephron’s Sleepless in Seattle, The Lion King by Rob Minkoff and Roger Allers, Robert Zemeckis’s Forrest Gump, Charles Russell’s Eraser and Roland Emmerichs Independence Day.
Index:
Zucker, Jerry
Schumacher, Joel
Demme, Jonathan
Ramis, Harold
Ephron, Nora
Allers, Roger
Minkoff, Rob
Zemeckis, Robert
Russell, Charles
Emmerich, Roland
Ghost (1990)
Flatliners (1990)
Silence of the Lambs, The (1990)
Groundhog Day (1993)
Sleepless in Seattle (1993)
Lion King, The (1994)
Forrest Gump (1994)
Eraser (1996)
Independence Day (1996)
Religion ~ Religion

#32
Cheung, Floyd D.: Imagining danger, imagining nation: Postcolonial discourse in Rising Sun and Stargate. In: Jouvert 2. 1998. No. 2. [?D] p. ?P.
Index:
Kaufman, Philip
Emmerich, Roland
Rising Sun (1993)
Stargate (1994)

#33
Chung, Jihae: Zwischen dem Erhabenen und dem Lächerlichen: Das Natur-Erhabene und das Filmisch-Erhabene imKatastrophenfilm am Beispiel von 2012. In: Anschauen und Vorstellen: Gelenkte Imagination im Kino. Hrsg. von Heinz-Peter Preußer. - Marburg: Schüren 2014. (= Schriftenreihe zur Textualität des Films 4.) pp. 117 ff.
Index:
Emmerich, Roland
2012 (2009)
Natur ~ Nature
Katastrophen ~ Disasters

#34
Comanducci, Carlo: Metaphor and ideology in film. - Birmingham: University of Birmingham, M.Phil. 2011.
Description:
Discusses, among others, Neill Blomkamp’s District 9 and Roland Emmerich’s 2012.
Index:
Blomkamp, Neill
Emmerich, Roland
District 9 (2009)
2012 (2009)
Politik ~ Politics

#35
Copier, Laura T.: Independence Day (1996). In: Bible and cinema: Fifty key films. Edited by Adele Reinhartz. - New York: Routledge 2013. (= Routledge key guides.) pp. 130-135.
Index:
Emmerich, Roland
Independence Day (1996)
Religion ~ Religion

#36
Copier, Laura / Vanderstichele, Caroline: Dood als spektakel in 2012: Voorstellingen van het einde in apocalyptische films. In: Tijdschrift voor theologie 52. 2012. No. 2. [?D] pp. 110-124.
Index:
Emmerich, Roland
2012 (2009)
Tod ~ Death
Religion: Apokalypse ~ Religion: Apocalypse

#37
Cornea, Christine: Conclusion: The technology of science fiction cinema. In: Cornea, Christine: Science fiction cinema: Between fantasy and reality. - New Brunswick, New Jersey; London: Rutgers University Press 2007. p. ?P.
Description:
On the importance of special effects and computer graphics for contemporary science fiction film. Includes interviews with special effects technician Stan Winston and director Roland Emmerich.
Index:
Winston, Stan
Emmerich, Roland
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Science Fiction ~ Science Fiction

#38
Cornell, Julian: The end at the end: Apocalyptic cinema at the close of a millennium. - New York: New York University, Ph.D. 2011. [Abstract in: Dissertation Abstracts International A 72. 2011. No. 6. (December)]
Description:
Includes chapters on the alien invasion film, on zombie apocalypse and on the representation of post-apocalyptic worlds in film.Discusses, as examples, Roland Emmerich’s Independence Day (alien invasion), Steve Miner’s Day of the Dead (zombie apocalypse) and Kevin Reynolds’s Waterworld (post-apocalyptic world).
Index:
Emmerich, Roland
Miner, Steve
Reynolds, Kevin
Independence Day (1996)
Day of the Dead (2008)
Waterworld (1995)
Zombies ~ Zombies
Religion: Apokalypse ~ Religion: Apocalypse
Religion ~ Religion
Krieg ~ War
Aliens ~ Aliens

#39
Cotta Vaz, Mark: Through the Stargate. In: Cinefex 1995. No. 61. [March] pp. 82-97.
Description:
On the special effects for the film by Roland Emmerich, especially on the work of Kleiser-Walczak and Patrick Tatopoulos.
Index:
Emmerich, Roland
Kleiser, Jeffrey
Walczak, Diana
Tatopoulos, Patrick
Stargate (1994)
Technik: Spezialeffekte ~ Technology: Special Effects

#40
Courcoux, Charles Antoine: The (gender) politics of disaster in 2012 (2009). In: The apocalypse in film: Dystopias, disasters, and other visions about the end of the world. Edited by Karen A. Ritzenhoff and Angela Krewani. - Lanham, Maryland; Plymouth: Rowman & Littlefield 2015. p. 133 ff.
Index:
Emmerich, Roland
2012 (2009)
Utopie ~ Utopia
Sexualität ~ Sexuality
Religion: Apokalypse ~ Religion: Apocalypse
Katastrophen ~ Disasters

#41
Dargis, Manhola: Independence Day. In: Sight and Sound NS 6. 1996. No. 8. [August] pp. 53-54.
Index:
Emmerich, Roland
Independence Day (1996)

#42
Dargis, Manohla: Another doomsday blockbuster. In: International Herald Tribune, November 19, 2009. p. 11.
Description:
On Roland Emmerich’s disaster movie 2012.
Index:
Emmerich, Roland
2012 (2009)
Katastrophen ~ Disasters

#43
The Day after Tomorrow. In: Hollywood Jesus reviews, 2003-2004. Edited by Greg Wright and Jenn Wright. Introduction by David Bruce. - Burien, Washington: Hollywood Jesus Books 2004. pp. 128 ff.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
Hollywood ~ Hollywood
Religion ~ Religion

#44
The Day After Tomorrow. - Nürnberg: Verlag Karin Stähle ?J. (= KINOexclusiv 215.)
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)

#45
The Day After Tomorrow. Hrsg. von Jenny Radzimski-Coltzau. - Paderborn: Schöningh 2011. (= EinFach Englisch: Unterrichtsmodell.)
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)

#46
Descourvières, Benedikt: Kriegs-Schnitte: Wege zum Ruhm, Full Metal Jacket und Independence Day im Deutschunterricht. - St. Augustin: gardez! Verlag 2002.
Reviews:
Erlinger, Hans Dieter: [untitled] In: Medienwissenschaft 2003. No. 1. pp. 139-140.
Roßkamp, Simone: [untitled] In: Film-Dienst 56. 2003. No. 10. [May 6] pp. 38-39.
Description:
Pedagogical media analysis.
Index:
Kubrick, Stanley
Emmerich, Roland
Paths of Glory (1957)
Full Metal Jacket (1987)
Independence Day (1996)
Pädagogik ~ Paedagogy
Krieg ~ War
Deutschland ~ Germany

#47
Devlin, Dean: On location: Devlin’s massive attack. In: Fade In 2. 1996. No. 2. [?D] pp. 46-48.
Description:
The scriptwriter on the shooting of Roland Emmerich’s Independence Day.
Index:
Emmerich, Roland
Devlin, Dean
Independence Day (1996)

#48
DiOrio, Carl: Be warned: 2012 ready to explode. In: Hollywood Reporter [Weekend Edition] 412. 2009. No. 15. [November 13] p. 22.
Index:
Emmerich, Roland
2012 (2009)
Religion: Apokalypse ~ Religion: Apocalypse

#49
Distelmeyer, Jan: 10.000 BC. In: EPD Film 25. 2008. No. 4. [April] p. 42.
Index:
Emmerich, Roland
10,000 B.C. (2008)

#50
Dockhorn, Katharina: "Die Europäer sind in die Sahara geflüchtet": Roland Emmerich über The Day After Tomorrow. In: EPD Film 21. 2004. No. 6. [June] p. 37.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
Katastrophen ~ Disasters
Europa ~ Europe

#51
Dowell, Pat: Independence Day. In: Cineaste 22. 1996. No. 3. [December] pp. 39-41.
Index:
Emmerich, Roland
Independence Day (1996)

#52
Duncan, Andrew: "I try to cultivate good will to all". In: Radio Times ?G. 1996. No. 3786. [August 17] pp. 12-14.
Description:
Interview with Jeff Goldblum, especially on his role in Roland Emmerich’s Independence Day.
Index:
Goldblum, Jeff
Emmerich, Roland
Independence Day (1996)

#53
Duncan, Jody: 10,000 B.C.: The first hero. In: Cinefex 2008. No. 113. [April] p. ?P.
Description:
On the special effects by visual effects supervisor Karen Goulekas, the Tatopoulos Studios, The Moving Picture Company, Double Negative, The Senate, Machine FX and Magicon for Roland Emmerich’s prehistoric adventure.
Index:
Emmerich, Roland
Goulekas, Karen
10,000 B.C. (2008)
Senate Visual Effects, The [Firma] ~ Senate Visual Effects, The [Company]
Magicon [Firma] ~ Magicon [Company]
Machine FX [Firma] ~ Machine FX [Company]
Tatopoulos Studios [Firma] ~ Tatopoulos Studios
Technik: Spezialeffekte ~ Technology: Special Effects
Helden ~ Heros
Geschichte: Urzeit ~ History: Prehistory
Abenteuer ~ Adventure
Double Negative [Firma] ~ Double Negative [Company]
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]

#54
Duncan, Jody: The Day After Tomorrow: Freeze frames. In: Cinefex 2004. No. 98. [July] pp. 70-80, 85-93, 126.
Description:
Especially on the computer generated special effects by Karen Goulekas and on the design of the disaster scenes in the film.
Index:
Emmerich, Roland
Goulekas, Karen
Day After Tomorrow, The (2004)
Technik: Computer ~ Technology: Computer
Katastrophen ~ Disasters
Technik: Spezialeffekte ~ Technology: Special Effects

#55
Duncan, Jody: What would Roland Emmerich do? Independence Day: Resurgence. In: Cinefex 2016. No. 148. [August] p. ?P.
Description:
On the special effects by Uncharted Territory, Weta Digital, Scanline VFX, MPC, Image Engine, Digital Domain and Cinesite. Discusses especially the work of visual effects supervisors Volker Engel and Marc Weigert.
Index:
Emmerich, Roland
Engel, Volker
Weigert, Marc
Independence Day: Resurgence (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Cinesite [Firma] ~ Cinesite [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Image Engine [Firma] ~ Image Engine [Company]
MPC [Firma] ~ MPC [Company]
Scanline [Firma] ~ Scanline [Company]
Weta [Firma] ~ Weta [Company]
Uncharted Territory [Firma] ~ Uncharted Territory [Company]

#56
Engel, Volker: Moon 44 - Der neue Film von Roland Emmerich: Ein Werkstattbericht. In: Science Fiction Media 6. 1990. No. 69. [?D] pp. 13-18.
Index:
Emmerich, Roland
Moon 44 (1989)

#57
Evans, David H.: Alien corn: The War of the Worlds, Independence Day, and the limits of the global imagination. In: DalhousIe Review 81. 2001. No. 1. [Spring] pp. 7-23.
Index:
Wells, Herbert George
Emmerich, Roland
Independence Day (1996)
Aliens ~ Aliens
War of the Worlds, The (Literatur ~ Literature)

#58
Everschor, Franz: Ein subversives Popcorn-Movie: Amerikanische Umweltschützer bejubeln The Day After Tomorrow. In: Film-Dienst 57. 2004. No. 12. [June 10] pp. 48-49.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
Natur ~ Nature
USA (United States of America) ~ USA (United States of America)

#59
Everschor, Franz: Filme wollen verkauft sein: Schwache Filme profitieren von neuen Marketing-Strategien. In: Film-Dienst 47. 1994. No. 25. [December 6] pp. 44-45.
Description:
Discusses, among others, Roland Emmerich’s Stargate and The Pagemaster by Maurice Hunt and Joe Johnston.
Index:
Emmerich, Roland
Hunt, Maurice
Johnston, Joe
Stargate (1994)
Pagemaster, The (1994)

#60
Everschor, Franz: Godzilla gegen Jim Carrey: Erster Wettkampf des amerikanischen Kinosommers sorgt für Überraschungen. In: Film-Dienst 51. 1998. No. 14. [July 7] pp. 40-41.
Description:
On the film by Roland Emmerich and on Jim Carrey’s role in Peter Weir’s The Truman Show.
Index:
Emmerich, Roland
Carrey, Jim
Weir, Peter
Godzilla (1998)
Truman Show, The (1998)
USA (United States of America) ~ USA (United States of America)
Sommer ~ Summer

#61
Everschor, Franz: Rätselhafte Wesen aus dem All. In: Film-Dienst 49. 1996. No. 18. [August 27] pp. 40-41.
Description:
On new tendencies in science fiction film. Discusses especially Independence Day.
Index:
Emmerich, Roland
Independence Day (1996)
Science Fiction ~ Science Fiction

#62
Fantuzzi, Virgilio: "Pop-corn movie". In: La Civiltà cattolica 147. 1996. No. 3514. [?D] pp. 372-380.
Description:
On religious motifs in Hollywood film. Discusses, among others, Jan De Bont’s Twister, Brian De Palma’s Mission: Impossible and Roland Emmerich’s Independence Day.
Index:
De Bont, Jan
De Palma, Brian
Emmerich, Roland
Twister (1996)
Mission: Impossible (1996)
Independence Day (1996)
Hollywood ~ Hollywood
Religion ~ Religion

#63
Fell, Ken: Dying for a laugh: Disaster movies and the camp imagination. - Middleton, Connecticut: Wesleyan University Press 2005.
Reviews:
Foster, Erin: [untitled] In: Film Criticism 30. 2006. No. 3. [Spring] pp. 72-74.
Description:
Discusses, among others, Joe Dante’s Gremlins, Ivan Reitman’s Ghostbusters, Tim Burton’s Mars Attacks! and Roland Emmerich’s The Day After Tomorrow.
Index:
Dante, Joe
Reitman, Ivan
Burton, Tim
Emmerich, Roland
Gremlins (1984)
Ghostbusters (1984)
Mars Attacks! (1996)
Day After Tomorrow, The (2004)
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Katastrophen ~ Disasters
Humor ~ Humor

#64
Flückiger, Barbara: Visual Effects: Filmbilder aus dem Computer. - Marburg: Schüren 2008.
Reviews:
Krewani, Angela: [untitled.] In: Medienwissenschaft 2008. No. 4. pp. 454-455.
Müller, Corinna: [untitled.] In: Film-Dienst 61. 2008. No. 21. [October 9] p. 46.
Rall, Veronika: Wie lässt man Keanu Reeves fliegen und versenkt die Titanic? In: EPD Film 25. 2008. No. 9. [September] p. 56.
Description:
On the visual film design from early animation up to nowadays computer technologies. Discusses, as examples, a lot of fantastic films, among them Stanley Kubrick’s 2001 - A Space Odyssey, James Cameron’s The Abyss, Terminator II - Judgement Day and Titanic, Ridley Scott’s Blade Runner and Gladiator, Mark Steven Johnson’s Daredevil, Roland Emmerich’s The Day After Tomorrow, David Fincher’s Fight Club, Final Fantasy: The Spirits Within by Hironobu Sakaguchi and Moto Sakakibara, Paul Verhoeven’s Hollow Man, Lee Ang’s The Hulk, Alex Proyas’s I, Robot, Neil Jordan’s Interview with the Vampire, Robert Longo’s Johnny Mnemonic, Steven Spielberg’s Jurassic Park and Minority Report, Simon West’s Lara Croft: Tomb Raider, Charles Russell’s The Mask, Fritz Lang’s Metropolis, Sam Raimi’s Spider-Man, Brett Leonard’s Virtuosity, Vincent Ward’s What Dreams May Come, Robert Zemeckis’s Who Framed Roger Rabbit and the Matrix, the Lord of the Rings and the X-Men series.
Index:
Kubrick, Stanley
Cameron, James
Scott, Ridley
Johnson, Mark Steven
Emmerich, Roland
Fincher, David
Sakaguchi, Hironobu
Sakakibara, Moto
Verhoeven, Paul
Lee Ang
Proyas, Alex
Jordan, Neil
Longo, Robert
Spielberg, Steven
West, Simon
Russell, Charles
Lang, Fritz
Raimi, Samuel M.
Leonard, Brett
Ward, Vincent
Zemeckis, Robert
Wachowski, Andy
Wachowski, Larry
Jackson, Peter
2001 - A Space Odyssey (1968)
Abyss, The (1989)
Blade Runner (1982)
Daredevil (2003)
Day After Tomorrow, The (2004)
Fight Club (1999)
Final Fantasy: The Spirits Within (2001)
Gladiator (2000)
Hollow Man (2000)
Hulk, The (2003)
I, Robot (2004)
Interview with the Vampire (1994)
Johnny Mnemonic (1995)
Jurassic Park (1993)
Minority Report (2002)
Tomb Raider / Lara Croft: Tomb Raider (2001)
Mask, The (1994)
Metropolis (1925/1926)
Spider-Man (2002)
Terminator II - Judgement Day (1991)
Titanic (1997)
Virtuosity (1995)
What Dreams May Come (1998)
Who Framed Roger Rabbit (1988)
Matrix, The (Filmreihe)
Lord of the Rings (Filmreihe)
X-Men (Filmreihe)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation

#65
Fordham, Joe: Götterdämmerung: 2012. In: Cinefex 2010. No. 120. [January] p. ?P.
Description:
On the special effects by Uncharted Territory, Digital Domain, Double Negative, Sony Pictures Imageworks, Scanline, Hydraulx, Crazy Horse and Pixomondo. Discusses especially the work of effects supervisor Michael Vezina.
Index:
Emmerich, Roland
Vezina, Mike
2012 (2009)
Crazy Horse [Firma] ~ Crazy Horse [Company]
Pixomondo [Firma] ~ Pixomondo [Company]
Uncharted Territory [Firma] ~ Uncharted Territory [Company]
Scanline [Firma] ~ Scanline [Company]
Double Negative [Firma] ~ Double Negative [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Sony Pictures Imageworks [Firma] ~ Sony Pictures Imageworks [Company]
Hydraulx [Firma] ~ Hydraulx [Company]
Digital Domain [Firma] ~ Digital Domain [Company]

#66
Forsman, Michael: I vantan pa oberoendets dag. In: Filmhäftet 24. 1996. No. 3(95). [?D] pp. 39-43.
Description:
On the representation of the aliens in Roland Emmerich’s Independence Day.
Index:
Emmerich, Roland
Independence Day (1996)
Aliens ~ Aliens

#67
Frame, Gregory: The American president in film and television: Myth, politics and representation. - Oxford; New York: Peter Lang 2018.
Description:
Discusses, among others, Roland Emmerich’s Independence Day and Mimi Leder’s Deep Impact.
Index:
Emmerich, Roland
Leder, Mimi
Independence Day (1996)
Deep Impact (1998)
USA (United States of America) ~ USA (United States of America)
Politik ~ Politics
Mythologie ~ Mythology
Fernsehen ~ Television

#68
Friedman, Michael D.: Independence Day: The American Henry V and the myth of David. In: Literature/Film Quarterly 28. 2000. No. 2. [?D] pp. 140-148.
Description:
On mythological motifs in the Roland Emmerich film.
Index:
Emmerich, Roland
Shakespeare, William
Independence Day (1996)
Cronicle History of Henry the Fifth, The (Literatur ~ Literature)
USA (United States of America) ~ USA (United States of America)
Mythologie ~ Mythology

#69
FX-Team hilft dem Das FX-Team hilft dem Mann im Mond trickreich auf die Sprünge. In: Geheim. Hrsg. von Dirk Manthey und Jörg Altendorf. Autoren: Christian Hellmann, Artur Jung, Andreas Kern und Richard Pleuger. - Hamburg: Kino Verlag 1990. (= Cinema Filmbuch.) pp. 61-66.
Description:
On the special effects for Roland Emmerich’s Moon 44.
Index:
Emmerich, Roland
Moon 44 (1989)
Technik: Spezialeffekte ~ Technology: Special Effects
Mond ~ Moon

#70
Gaines, Elliot: The semiotics of media images from Independence Day and September 11th 2001. In: American Journal of Semiotics 17. 2001. No. 3. [?D] pp. 117-131.
Index:
Emmerich, Roland
Independence Day (1996)

#71
Garite, Matt: Green Futures: A cultural history of ecotopia from the Cold War to the present. - Buffalo, New York: State University of New York at Buffalo, Ph.D. 2013. [Abstract in: Dissertation Abstracts International A 74. 2013. No. 6. (December).]
Description:
On environmental issues and ecological utopies in literature and film, including negative utopian scenarios in dystopian and disaster movies.Discusses, among others, Towering Inferno, THX 1138, Dark City and 2012.
Index:
Guillermin, John
Allen, Irwin
Lucas, George
Proyas, Alex
Emmerich, Roland
Towering Inferno (1974)
THX 1138 (1971)
Dark City / Dark World / Dark Empire (1997)
2012 (2009)
Utopie ~ Utopia
Natur ~ Nature
Literatur ~ Literature
Krieg ~ War
Katastrophen ~ Disasters

#72
Gerle, Jörg: The Day After Tomorrow. In: Film-Dienst 57. 2004. No. 11. [May 27] pp. 24-25.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)

#73
Gerle, Jörg: Todesmelodien. In: Film-Dienst 53. 2000. No. 16. [August 1] p. 39.
Description:
ON CD editions of the scores for Roland Emmerich’s The Patriot and Wolfgang Petersen’s The Perfect Storm.
Index:
Emmerich, Roland
Petersen, Wolfgang
Patriot, The (2000)
Perfect Storm, The (2000)
Tod ~ Death
Musik ~ Music

#74
Gladys, Rainer: "Indiana Jones" im Weltraum: Stargate. In: Nautilus 3. 1995. No. 5. [März/April] pp. 28-29.
Index:
Emmerich, Roland
Stargate (1994)
Weltraum ~ Space
Indiana Jones ~ Indiana Jones

#75
Godzilla. - Nürnberg: Verlag Karin Stähle ?J. (= DVD-Highlights Filmblätter.)
Index:
Emmerich, Roland
Godzilla (1998)

#76
Godzilla. - Wien: ?V ?J. (= Neues Filmprogramm 10394.)
Index:
Emmerich, Roland
Godzilla (1998)

#77
Godzilla. - Nürnberg: Verlag Karin Stähle ?J. (= Phantopia-Filmprogramm 597.)
Description:
On the film by Roland Emmerich.
Index:
Emmerich, Roland
Godzilla (1998)

#78
Godzilla: The official movie magazine. - London: Titan 1998.
Index:
Emmerich, Roland
Godzilla (1998)

#79
Goldman, Michael: Prime target. In: American Cinematographer 94. 2013. No. 7. [July] pp. 32-43.
Description:
On Anna Foerster’s camera work for Roland Emmerich’s White House Down.
Index:
Emmerich, Roland
Foerster, Anna
White House Down (2013)
Technik: Kamera ~ Technology: Camera

#80
Gottwald, Mark: The Day After Tomorrow. In: Cinefantastique 36. 2004. No. 4. [August/September] p. 58.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)

#81
Gräfe, Lutz: The Day After Tomorrow. In: Kinder- und Jugendfilm Korrespondenz 25. 2004. No. 3(99). [?D] pp. 7-8.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)

#82
Haase, Christine: When Heimat meets Hollywood: German filmmakers and America, 1985-2005. - Rochester, New York: Camden House 2007. (= Studies in German literature, linguistics, and culture.)
Description:
Includes chapters on Wolfgang Petersen, Percy Adlon, Roland Emmerich and Tom Tykwer.
Index:
Petersen, Wolfgang
Adlon, Percy
Emmerich, Roland
Tykwer, Tom
USA (United States of America) ~ USA (United States of America)
Hollywood ~ Hollywood
Deutschland ~ Germany

#83
Häger, Kathrin: Im Feinripp gegen Fanatiker: White House Down: Viel Lärm um nichts: Roland Emmerich schickt Terroristen nach Washington. In: Film-Dienst 66. 2013. No. 18. [August 28] p. 38.
Index:
Emmerich, Roland
White House Down (2013)

#84
Hamacher, Rolf-Ruediger: Stargate. In: Film-Dienst 48. 1995. No. 5. [February 28] pp. 20-21.
Index:
Emmerich, Roland
Stargate (1994)

#85
Harris, Mark: The movie trailer from hell. In: Entertainment Weekly 2009. No. 1071. [October 16] p. 17.
Description:
On Roland Emmerich’s 2012.
Index:
Emmerich, Roland
2012 (2009)
Religion: Hölle ~ Religion: Hell

#86
Heidmann, Patrick: Independence Day: Wiederkehr. In: EPD Film 33. 2016. No. 7. [July] p. 55.
Index:
Emmerich, Roland
Independence Day: Resurgence (2016)

#87
Heisig, Oliver: Däniken hatte doch Recht! Stargate. In: Splatting Image 1995. No. 21. [March] p. 57.
Index:
Emmerich, Roland
Däniken, Erich von
Stargate (1994)

#88
Hendricks, Gay / Simon, Stephen: The new wave of spiritual cinema: Must-see movies that illuminate facets of the spiritual landscape. In: Hendricks, Gay / Simon, Stephen: Spiritual cinema: A guide to movies that inspire, heal, and empower your life. - Carlsbad, California: Hay House 2005. p. ?P.
Description:
Discusses, among others, Robert Zemeckis’s Cast Away, Brett Ratner’s Family Man, David Lynch’s Mulholland Drive, Richard Linklater’s Waking Life, Ron Howard’s A Beautiful Mind, Spike Jonze’s Adaption, Jon Amiel’s The Core, Andrew Davis’s Holes, Alfred Hitchcock’s Spellbound, Andrew Stanton’s Finding Nemo, American Splendor by Shari Springer Berman, Shari and Robert Pulcini, Tim Burton’s Big Fish, What the Bleep Do We Know? by William Arntz, Betsy Chasse and Mark Vicente, Roland Emmerich’s The Day After Tomorrow and Marc Forster’s Finding Neverland.
Index:
Zemeckis, Robert
Ratner, Brett
Lynch, David
Linklater, Richard
Howard, Ron
Jonze, Spike
Amiel, Jon
Davis, Andrew
Hitchcock, Alfred
Stanton, Andrew
Springer Berman, Shari
Pulcini, Robert
Burton, Tim
Arntz, William
Chasse, Betsy
Vicente, Mark
Emmerich, Roland
Forster, Marc
Cast Away (2000)
Family Man (2000)
Mulholland Drive (2001)
Waking Life (2001)
Beautiful Mind, A (2001)
Adaption (2003)
Core, The (2003)
Holes (2003)
Spellbound (1945)
Finding Nemo (2003)
American Splendor (2003)
Big Fish (2003)
What the Bleep Do We Know? (2004)
Day After Tomorrow, The (2004)
Finding Neverland (2004)
Religion ~ Religion

#89
Herrmann, Jörg: Sinnmaschine Kino: Sinndeutung und Religion im populären Film. - Gütersloh: Christian Kaiser / Gütersloher Verlagshaus 2001. (= Praktische Theologie und Kultur 4)
Reviews:
Dannowski, Hans Werner: Kino als Kirche der Liebesreligion. In: EPD Film 18. 2001. No. 11. [November] pp. 14-15.
Kroll, Thomas: Grenzgänge zwischen Sinn- und Bilderwelten. In: Film-Dienst 54. 2001. No. 21. [October 9] pp. 34-35.
Description:
Discusses, among others, James Cameron’s Titanic, Roland Emmerich’s Independence Day, The Lion King by Roger Allers and Rob Minkoff, Steven Spielberg’s Jurassic Park and Quentin Tarantino’s Pulp Fiction.
Index:
Cameron, James
Emmerich, Roland
Allers, Roger
Minkoff, Rob
Spielberg, Steven
Tarantino, Quentin
Titanic (1997)
Independence Day (1996)
Lion King, The (1994)
Jurassic Park (1993)
Pulp Fiction (1994)
Religion ~ Religion

#90
Herrmann, Jörg: Sinnmaschine Kino: Sinndeutung und Religion im populären Film. - Bochum: Universität Bochum, Dissertation 1999/2000.
Description:
Discusses, among others, James Cameron’s Titanic, Roland Emmerich’s Independence Day, The Lion King by Roger Allers and Rob Minkoff, Steven Spielberg’s Jurassic Park and Quentin Tarantino’s Pulp Fiction.
Index:
Cameron, James
Emmerich, Roland
Allers, Roger
Minkoff, Rob
Spielberg, Steven
Tarantino, Quentin
Titanic (1997)
Independence Day (1996)
Lion King, The (1994)
Jurassic Park (1993)
Pulp Fiction (1994)
Religion ~ Religion

#91
Hinkel, Arnulf: Godzilla. In: Moviestar 6. 1998. No. 8(43). [?D] pp. 16-17.
Index:
Emmerich, Roland
Godzilla (1998)

#92
Hinkel, Arnulf: Independence Day: Die Invasion der Spezialeffekte. In: Moviestar 4. 1996. No. 21. [October] pp. 24-31.
Index:
Emmerich, Roland
Independence Day (1996)
Technik: Spezialeffekte ~ Technology: Special Effects

#93
Hinkel, Arnulf: Roland Emmerich - Regie mit phantastischen Perspektiven. In: Moviestar 4. 1996. No. 21. [October] pp. 32-33, 39.
Description:
Annotated filmography.
Index:
Emmerich, Roland

#94
Hirsbrunner, Stefanie: Sorry about colonialism: Weiße Helden in kontemporären Hollywoodfilmen. - Marburg: Tectum-Verlag 2012.
Description:
Discusses, among others, Roland Emmerich’s Stargate, James Cameron’s Avatar and Neill Blomkamp’s District 9.
Index:
Emmerich, Roland
Cameron, James
Blomkamp, Neill
Stargate (1994)
Avatar (2009)
District 9 (2009)
Politik ~ Politics
Hollywood ~ Hollywood
Helden ~ Heros

#95
Hobby, Teresa Santerre: Independence Day: Reinforcing patriarchal myths about gender and power. In: Journal of Popular Culture 34. 2000. No. 2. [Fall] pp. 39-55.
Index:
Emmerich, Roland
Independence Day (1996)
Sexualität ~ Sexuality
Mythologie ~ Mythology

#96
Hoberman, James: Pax Americana. In: Sight and Sound NS 7. 1997. No. 2. [February] pp. 6-9.
Description:
Compares the political subtexts in Tim Burton’s Mars Attacks! and Roland Emmerich’s Independence Day.
Index:
Burton, Tim
Emmerich, Roland
Mars Attacks! (1996)
Independence Day (1996)
Politik ~ Politics
USA (United States of America) ~ USA (United States of America)

#97
Holben, Jay: The aliens strike back. In: American Cinematographer 97. 2016. No. 7. [July] p. 44ff.
Description:
On Markus Förderer’s camera work for Roland Emmerich’s Independence Day: Resurgence.
Index:
Emmerich, Roland
Förderer, Markus
Independence Day: Resurgence (2016)
Technik: Kamera ~ Technology: Camera
Aliens ~ Aliens

#98
Hollings, Ken: Gojira mon amour. In: Sight and Sound NS 8. 1998. No. 7. [July] pp. 20-23.
Description:
On the history of the Godzilla films and especially on Roland Emmerich’s Godzilla.
Index:
Emmerich, Roland
Godzilla (1998)
Godzilla (Filmreihe)
Godzilla ~ Godzilla

#99
Höltgen, Stefan: Viel(leicht) hilft viel The Day After Tomorrow. In: F.LM - Texte zum Film. Online edition, May 2004.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)

#100
Höltgen, Stefan: Was ist Kino? In: F.LM - Texte zum Film. Online edition, November 2009.
Description:
On Roland Emmerich’s 2012.
Index:
Emmerich, Roland
2012 (2009)

#101
Honert, Moritz / Lippitz, Ulf: Der rasende Roland. In: Der Tagesspiegel [Berlin]. July 24, 2016. p. S3.
Description:
A listing of films with apocalyptic motifs by German director Roland Emmerich.
Index:
Emmerich, Roland
Independence Day: Resurgence (2016)
Religion: Apokalypse ~ Religion: Apocalypse
Deutschland ~ Germany

#102
Horst, Sabine: 2012. In: EPD Film 26. 2009. No. 12. [December] p. 46.
Index:
Emmerich, Roland
2012 (2009)

#103
Horst, Sabine: Sie sind mitten unter uns. In: Zoom 49. 1997. No. 5. [May] pp. 7-11.
Description:
On recent trends in science fiction film at the end of the millennium. Discusses especially Roland Emmerich’s Independence Day, Tim Burton’s Mars Attacks! and Jonathan Frakes’s Star Trek - First Contact.
Index:
Emmerich, Roland
Burton, Tim
Frakes, Jonathan
Independence Day (1996)
Mars Attacks! (1996)
Star Trek - First Contact (1996)
Science Fiction ~ Science Fiction

#104
Howell, Amanda: Lost boys and angry ghouls: Vietnam’s undead. In: Bodies of writing, bodies in performance. Edited by Thomas C. Foster, Carol Siegel and Ellen E. Berry. - New York; London: New York University Press 1996. (= Genders 23.) pp. 297-334.
Description:
On the representation of the Vietnam homecomer in the horror film. Discusses Robert Clark’s Deathdream, Steve Miner’s House, Adrian Lyne’s Jacob’s Ladder and Roland Emmerich’s Universal Soldier.
Index:
Clark, Robert
Miner, Steve
Lyne, Adrian
Emmerich, Roland
Deathdream / Dead of Night / Night Walk / Whispers / Veteran, The (1972)
House (1986)
Jacob’s Ladder (1990)
Universal Soldier (1992)
Ghouls ~ Ghouls
Körper ~ Bodies
Vietnam ~ Vietnam
Krieg ~ War
Horror ~ Horror

#105
"Ich bin wie ein Kind". In: kulturSpiegel 2000. No. 8. [August] p. 46.
Description:
Interview with Roland Emmerich.
Index:
Emmerich, Roland

#106
"Ich drehe schneller": Regisseur Roland Emmerich über Hollywood, Geld und die Lust an Ufos. In: Der Spiegel 50. 1996. No. 37. [September 9] pp. 230-231.
Description:
Interview with the director, especially on Independence Day.
Index:
Emmerich, Roland
Independence Day (1996)
UFO ~ UFO
Hollywood ~ Hollywood

#107
Independence Day. - Wien: ?V ?J. (= Neuer Filmkurier 436/437.)
Index:
Emmerich, Roland
Independence Day (1996)

#108
Independence Day. - Nürnberg: Verlag Karin Stähle ?J. (= Super 8 Filmblätter.)
Index:
Emmerich, Roland
Independence Day (1996)

#109
Independence Day. - ?O: Polygram 1996.
Description:
Audio cassette.
Index:
Emmerich, Roland
Independence Day (1996)

#110
Interview mit Roland Emmerich: Joey - Tricks aus der Garage. In: Science Fiction Media [2.] 1985. No. 19. [?D] pp. 5-9.
Index:
Emmerich, Roland
Joey (1985)
Technik: Spezialeffekte ~ Technology: Special Effects

#111
Jenny, Urs: Leise rieselt der Schnee. In: Der Spiegel 58. 2004. No. 22. [May 24] p. 146.
Description:
On Roland Emmerich’s The Day After Tomorrow.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
Schnee ~ Snow

#112
Joey. - Wien: ?V ?J. (= Neues Filmprogramm 8366.)
Index:
Emmerich, Roland
Joey (1985)

#113
Joey: Das Storybuch zum Film von Roland Emmerich. Hrsg. von Uwe Luserke. - Bergisch-Gladbach: Bastei-Lübbe 1985. (= Film-Album 6.)
Index:
Emmerich, Roland
Joey (1985)

#114
Jones, Kent: The summer of our malcontent. In: Film Comment 32. 1996. No. 5. [September/October] pp. 3-4,7-8.
Description:
On the success strategies for recent Hollywood blockbuster films. Discusses especially Roland Emmerich’s Independence Day.
Index:
Emmerich, Roland
Independence Day (1996)
Hollywood ~ Hollywood

#115
Karger, Dave / Nashawaty, Chris / Willman, Chris: Burden of a beast. In: Entertainment Weekly 1998. No. 429. [May 1] p. 11.
Index:
Emmerich, Roland
Godzilla (1998)

#116
Kay, Jonathan: Jews, Blacks, and aliens. In: Saturday Night [Toronto] 111. 1996. No. 9. [November] p. 133.
Description:
On rassistic stereotypes in Roland Emmerich’s Independence Day.
Index:
Emmerich, Roland
Independence Day (1996)
Ethnie ~ Ethnicity
Religion: Juden ~ Religion: Jews
Aliens ~ Aliens

#117
Kellner, Douglas: Sexual politics in the 1980’s: Terms of endearment and Independence Day. In: Sexual politics and popular culture. Edited by Diane Raymond. - Bowling Green, Ohio: Bowling Green State University Popular Press 1990. pp. 231-46.
Index:
Emmerich, Roland
Independence Day (1996)
Sexualität ~ Sexuality
Politik ~ Politics

#118
Kempter, Bernhard: Das Tor zu den Sternen. In: Fantasia 1997. No. 106/107. [March] pp. 79-81.
Description:
On Roland Emmerich’s Stargate.
Index:
Emmerich, Roland
Stargate (1994)

#119
Kennedy, Randy: Hollywood clobbers Manhattan again. In: New York Times, May 26, 2004. pp. E1 ff.
Description:
On Roland Emmerich’s The Day After Tomorrow.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
Hollywood ~ Hollywood

#120
Kilzer, Annette: Demolition Derby: Independence Day. In: Splatting Image 1996. No. 27. [September] p. 57.
Index:
Emmerich, Roland
Independence Day (1996)

#121
King, Geoff: Spectacular narratives: Twister, Independence Day, and frontier mythology in contemporary Hollywood. In: Journal of American Culture 22. 1999. No. 1. [Spring] pp. 25-39.
Index:
De Bont, Jan
Emmerich, Roland
Twister (1996)
Independence Day (1996)
Mythologie ~ Mythology
Hollywood ~ Hollywood

#122
Kit, Borys: Cataclysmic event planned for 2012. In: Hollywood Reporter 411. 2009. No. 32. [September 24] p. 10.
Index:
Emmerich, Roland
2012 (2009)

#123
Kit, Borys / Simmons, Leslie: Emmerich, Sony pact to end it all. In: Hollywood Reporter 403. 2008. No. 33. [February 22] pp. 4 ff.
Index:
Emmerich, Roland
2012 (2009)
Sony ~ Sony

#124
Klady, Leonard: Gate opens onto familiar space. In: Variety 356. 1994. No. 13. [October 24.] p. 67.
Description:
On Roland Emmerich’s Stargate.
Index:
Emmerich, Roland
Stargate (1994)

#125
Kleber, Reinhard: Size does matter: Godzilla. In: Medien und Erziehung 42. 1998. No. 4. [?D] pp. 236-238.
Index:
Emmerich, Roland
Godzilla (1998)

#126
Koebner, Sascha: 10.000 B.C.. In: Film-Dienst 61. 2008. No. 6. [March 13] pp. 70-71.
Index:
Emmerich, Roland
10,000 B.C. (2008)

#127
Könekamp, Torsten / Orlin, Scott: Showdown in der Wüste. In: Cinema [Hamburg] 1992. No. 7(170). [?D] pp. 84-86.
Description:
Production report on Roland Emmerich’s Universal Soldier.
Index:
Emmerich, Roland
Universal Soldier (1992)
Wüste ~ Desert

#128
Kosmisches Armageddon. In: Der Spiegel 50. 1996. No. 28. [July 8] pp. 108-109.
Description:
On Roland Emmerich’s Independence Day.
Index:
Emmerich, Roland
Independence Day (1996)
Religion: Apokalypse ~ Religion: Apocalypse
Weltraum ~ Space

#129
Kowalski, Eva: Independence Day: Gott gibt es wirklich; und er ist unser Präsident. In: Transzendenz im populären Film. Hrsg. von Lothar Warneke und Massimo Locatelli. - Berlin: Vistas 2001. (= Beiträge zur Film- und Femsehwissenschaft 59.) pp. 237-240.
Index:
Emmerich, Roland
Independence Day (1996)
Religion ~ Religion

#130
Krauss, Lawrence Maxwell: Beyond Star Trek: Physics from alien invasions to the end of time. - London: Boxtree 1998.
First edition:
[The physics of Star Trek. - New York: Basic Books 1995]
Description:
Discusses, among others, the X-Files, Star Wars and Independence Day.
Index:
Emmerich, Roland
Star Trek (Filmreihe)
X-Files (Filmreihe)
Star Wars (Filmreihe)
Independence Day (1996)
Star Trek ~ Star Trek
Krieg ~ War
Aliens ~ Aliens

#131
Krauss, Lawrence Maxwell: Beyond Star Trek: Physics from alien invasions to the end of time. - New York: Basic Books 1997.
First edition:
[The physics of Star Trek. - New York: Basic Books 1995]
Reviews:
Spiegel, Ulrich: [untitled] In: Quarber Merkur 36. 1999. No. 2(NF 5)(89/90) [December] pp. 298-299.
Index:
Emmerich, Roland
Star Trek (Filmreihe)
X-Files (Filmreihe)
Star Wars (Filmreihe)
Independence Day (1996)
Star Trek ~ Star Trek
Krieg ~ War
Aliens ~ Aliens

#132
Krohn, Bill: Tornades, Martiens et ordinateures. In: Cahiers du Cinéma 1996. No. 505. [September] pp. 56-61, 64-65.
Description:
On Jan De Bont’s Twister, Brian De Palma’s Mission: Impossible and Roland Emmerich’s Independence Day.
Index:
De Bont, Jan
De Palma, Brian
Emmerich, Roland
Twister (1996)
Mission: Impossible (1996)
Independence Day (1996)

#133
Kunath, Michael: Merchandise: Ein Alien kommt selten allein ... In: Moviestar 4. 1996. No. 21. [October] pp. 38-39.
Description:
On marketing strategies for Roland Emmerich’s Independence Day.
Index:
Emmerich, Roland
Independence Day (1996)
Aliens ~ Aliens

#134
Kunath, Michael: SFX - ein harter Job! In: Moviestar 4. 1996. No. 21. [October] p. 37.
Description:
On the special effects artist Thorsten Schrecke and his work for Roland Emmerich’s Independence Day.
Index:
Schrecke, Thorsten
Emmerich, Roland
Independence Day (1996)
Technik: Spezialeffekte ~ Technology: Special Effects

#135
Kunath, Michael: SFX: Ein Modellbauer, der die Alien-Invasion hautnah erlebte. In: Moviestar 4. 1996. No. 22/23. [November/December] p. 60.
Description:
Interview with the special effects artist Thorsten Schrecke on his work for Roland Emmerich’s Independence Day.
Index:
Emmerich, Roland
Schrecke, Thorsten
Independence Day (1996)
Krieg ~ War
Aliens ~ Aliens
Technik: Spezialeffekte ~ Technology: Special Effects

#136
Larson, Randall D.: Stargate. In: Soundtrack: The Collector’s Quarterly 14. 1995. No. 53. [March] pp. 22-23.
Description:
On the score by David Arnold.
Index:
Emmerich, Roland
Arnold, David
Stargate (1994)
Musik ~ Music

#137
Lien, Marius: Hollywood som religiøs meningsprodusent: Om bibel og fedreland i Independence Day. In: Ung teologi 37. 2004. No. 3. [?D] pp. 63-72.
Index:
Emmerich, Roland
Independence Day (1996)
Hollywood ~ Hollywood
Religion ~ Religion

#138
Livesey, Sophie: Climate change, capitalism, 9/11, and The Day After Tomorrow. In: Film Matters 5. 2014. No. 1. [Spring] pp. 71-75.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
Politik ~ Politics
Natur ~ Nature
Katastrophen ~ Disasters

#139
Loretan, Matthias / Martig, Charles: Weltuntergang im Film: Zwischen Spektakel und Vision: Sinn und Gefahren apokalyptischer Rede: Kritische Auseinandersetzung mit ethischen, ästhetischen und theologischen Aspekten zeitgenössischer Filme. In: Communicatio Socialis 32. 1999. No. 2. [?D] pp. 115-148.
Description:
Discusses, among others, Nicholas Meyer’s The Day After, Roland Emmerich’s Independence Day, Kathryn Bigelow’s Strange Days, Akira Kurosawa’s Konno yume wo mita, David Lynch’s Lost Highway and, in addition, the science fiction film in general.
Index:
Meyer, Nicholas
Emmerich, Roland
Bigelow, Kathryn
Kurosawa, Akira
Lynch, David
Day After, The (1983)
Independence Day (1996)
Strange Days (1995)
Yume / Konno yume wo mita / Akira Kurosawa’s Dreams / Dreams (1990)
Lost Highway (1996)
Science Fiction ~ Science Fiction
Religion ~ Religion
Religion: Apokalypse ~ Religion: Apocalypse

#140
Luserke, Uwe: Making Contact. In: Cinefantastique 16. 1986. No. 3. [July] p. 12.
Description:
On Roland Emmerich’s Joey.
Index:
Emmerich, Roland
Joey (1985)

#141
Luserke, Uwe: The Noah’s Ark Principle. In: Cinefantastique 15. 1985. No. 1. [January] p. 16.
Description:
On Roland Emmerich’s Das Arche Noah Prinzip.
Index:
Emmerich, Roland
Arche Noah Prinzip, Das (1984)

#142
Lyon, Peter: The imagination of survival. In: Metro 1997. No. 112. [?D] pp. 73-77.
Description:
On the representation of the aliens in Roland Emmerich’s Independence Day.
Index:
Mandel, Robert
Emmerich, Roland
Independence Day (1996)
Aliens ~ Aliens

#143
Lyons, Mike / Wagner, Chuck: Independence Day: Stargate director Roland Emmerich invades earth. In: Cinefantastique 27. 1996. No. 11/12. [July] pp. 10-15.
Description:
Articles on the film. Discusses, among others, the special effects by Patrick Tatopoulos, Doug Smith and Volker Engel.
Index:
Emmerich, Roland
Tatopoulos, Patrick
Smith, Doug
Engel, Volker
Independence Day (1996)
Stargate (1994)
Technik: Spezialeffekte ~ Technology: Special Effects

#144
Magid, Ron: Masters of disaster. In: American Cinematographer 85. 2004. No. 6. [June] pp. 44-53.
Description:
On Ueli Steiger’s camera work for Roland Emmerich’s The Day After Tomorrow.
Index:
Emmerich, Roland
Steiger, Ueli
Day After Tomorrow, The (2004)
Technik: Kamera ~ Technology: Camera
Katastrophen ~ Disasters

#145
Magid, Ron: Tearing up the town. In: American Cinematographer 79. 1998. No. 12. [December] pp. 67-72.
Description:
On the special effects for Roland Emmerich’s Godzilla; especially on the work of Joe Viskocil.
Index:
Emmerich, Roland
Viskocil, Joseph
Godzilla (1998)
Technik: Spezialeffekte ~ Technology: Special Effects
Stadt ~ City

#146
Magid, Ron: The end of the world as we know it. In: American Cinematographer 77. 1996. No. 7. [July] pp. 43-50.
Description:
On Roland Emmerich’s Independence Day.
Index:
Emmerich, Roland
Independence Day (1996)

#147
Mair, Jan: American rules, ok: Difference and otherness in Independence Day. In: Futures 30. 1998. No. 10. [December] p. 981.
Index:
Emmerich, Roland
Independence Day (1996)
USA (United States of America) ~ USA (United States of America)

#148
Mair, Jan: Rewriting the "American Dream": Postmodernism and otherness in Independence Day. In: Aliens R us: The other in science fiction cinema. Edited by Ziauddin Sardar and Sean Cubitt. - London; Sterling, Virginia: Pluto Press 2002. pp. 34-50.
Index:
Emmerich, Roland
Independence Day (1996)
USA (United States of America) ~ USA (United States of America)
Science Fiction ~ Science Fiction
Postmoderne ~ Postmodern
Aliens ~ Aliens

#149
Mao Renjie: 2012 smashes China box office. In: China Daily, November 19, 2009. p. 17.
Index:
Emmerich, Roland
2012 (2009)
China ~ China

#150
Mariske, Hans-Arthur: Der Sucher: Carl Sagan über Science-fiction-Filme, Außerirdische und Religion. In: Spiegel Kultur Extra 1996. No. 9. [September] pp. 16-17.
Description:
Interview with the physicist and SF author. Discusses, among others, Roland Emmerich’s Independence Day.
Index:
Emmerich, Roland
Sagan, Carl
Independence Day (1996)
Aliens ~ Aliens
Religion ~ Religion
Science Fiction ~ Science Fiction

#151
Martig, Charles: Viel Vergnügen beim Weltuntergang: Filmästhetik zwischen Spektakel und Vision. In: Nach dem Ende: Auflösung und Untergänge im Kino an der Jahrtausendwende. Herausgegeben von Margrit Frölich, Reinhard Middel und Karsten Visarius. - Marburg: Schüren 2001. (= Arnoldshainer Filmgespräche 17.) pp. 49-69.
Description:
Discusses Giovanni Pastrone’s Cabira, Peter Hyams’s End of Days, Michael Bay’s Armageddon, Roland Emmerich’s Independence Day, Kathryn Bigelow’s Strange Days, the Matrix films, David Lynch’s Lost Highway and Derek Jarman’s The Garden.
Index:
Pastrone, Giovanni [Pseudonym: Fosco, Piero]
Hyams, Peter
Bay, Michael
Emmerich, Roland
Bigelow, Kathryn
Wachowski, Andy
Wachowski, Larry
Lynch, David
Jarman, Derek
Cabira (1914)
End of Days (1999)
Armageddon (1998)
Independence Day (1996)
Strange Days (1995)
Matrix, The (Filmreihe)
Lost Highway (1996)
Garden, The (1989)
Religion: Apokalypse ~ Religion: Apocalypse

#152
Martin, J. J.: The thunder lizard speaks! An interview with Godzilla. In: Cineaste 23. 1998. No. 3. [?D] pp. 24-25.
Index:
Emmerich, Roland
Godzilla (Filmreihe)
Godzilla (1998)
Godzilla ~ Godzilla

#153
Martin, Kevin H.: The sound and the fury. In: Cinefex 1998. No. 74. [July] pp. 82-106.
Description:
On the digital special effects for Roland Emmerich’s Godzilla. Discusses, among others, the work of Dean Devlin, Volker Engel, Patrick Tatopoulos, Clayton Pinney and Joseph Viskocil.
Index:
Emmerich, Roland
Devlin, Dean
Engel, Volker
Tatopoulos, Patrick
Pinney, Clayton
Viskocil, Joseph
Godzilla (1998)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Musik ~ Music

#154
Mather, Philippe: Le futur dans le rétroviseur. In: Ciné-Bulles 15. 1996. No. 3. [Autumn] pp. 46-49.
Description:
On 1990s science Fiction film. Discusses, among others, Roland Emmerich’s Independence Day, John Frankenheimer’s The Island of Dr. Moreau, David Twohy’s The Arrival and John Carpenter’s Escape from L.A..
Index:
Emmerich, Roland
Frankenheimer, John
Twohy, David
Carpenter, John
Independence Day (1996)
Island of Dr. Moreau, The (1996)
Arrival, The (1996)
Escape from L.A. (1996)
Science Fiction ~ Science Fiction

#155
McCarthy, Todd: B.O. mother ship lands. In: Variety 363. 1996. No. 9. [July 1] pp. 34, 40.
Description:
On Roland Emmerich’s Independence Day.
Index:
Emmerich, Roland
Independence Day (1996)
Schiffe ~ Ships

#156
McFadden, Dan: A Heideggerian interpretation of apocalyptic cinema. In: Cineaction 2015. No. 95. [?D] pp. 40-47.
Description:
Discusses especially Roland Emmerich’s 2012 and The Day After Tomorrow.
Index:
Emmerich, Roland
2012 (2009)
Day After Tomorrow, The (2004)
Religion: Apokalypse ~ Religion: Apocalypse
Religion ~ Religion

#157
McRoy, Jimmy: "T’aint no sin to take off your skin": Splattering bodies in the culture of late capitalism. - Stony Brook, New York: State University of New York at Stony Brook, Ph.D. 2000. [Abstract in: Dissertation Abstracts International A 61. 2000. No. 5. (November) p. 1842.]
Description:
An interpretation of body horror in literature and film as a symbol of Western capitalism. Discusses, among others, the extraterrestrials in the Alien films and in Roland Emmerich’s Independence Day, the zombies in George A. Romero’s Living Dead trilogy and the splatterpunk motif in Clive Barker’s novels and films.
Index:
Emmerich, Roland
Romero, George A.
Barker, Clive
Alien (Filmreihe)
Independence Day (1996)
Living Dead (Filmreihe)
Zombies ~ Zombies
Splatter-Filme ~ Splatter Films
Punk ~ Punk
Politik ~ Politics
Literatur ~ Literature
Körper ~ Bodies
Horror ~ Horror

#158
Mehring, Frank: Frostige Songs: Harald Kloser und seine Musik zu The Day After Tomorrow. In: Film-Dienst 57. 2004. No. 12. [June 10] pp. 38-39.
Index:
Emmerich, Roland
Kloser, Harald
Day After Tomorrow, The (2004)
Musik ~ Music

#159
Miller, Henry K.: 2012. In: Sight and Sound NS 20. 2010. No. 1. [January] pp. 78-80.
Index:
Emmerich, Roland
2012 (2009)

#160
Moon 44. - Nürnberg: Verlag Karin Stähle ?J. (= Phantopia-Filmprogramm 766.)
Index:
Emmerich, Roland
Moon 44 (1989)

#161
Moon 44. - Wien: ?V ?J. (= Neues Filmprogramm 9102.)
Index:
Emmerich, Roland
Moon 44 (1989)

#162
Morgan, Richard: Teensy teletubbies trounce big reptile in toy biz. In: Variety 371. 1998. No. 4. [June 1] pp. 4 ff.
Description:
On the merchandising for Roland Emmerich’s Godzilla.
Index:
Emmerich, Roland
Godzilla (1998)

#163
Müller, Joachim F.: Das Arche Noah Prinzip. In: Enzyklopädie des phantastischen Films. 4. Ergänzungslieferung. - Meitingen: Corian-Verlag, März 1987.
Index:
Emmerich, Roland
Arche Noah Prinzip, Das (1984)

#164
Müller, Joachim F.: Joey. In: Enzyklopädie des phantastischen Films. Grundwerk. - Meitingen: Corian-Verlag, Mai 1986.
Index:
Emmerich, Roland
Joey (1985)

#165
Müller, Joachim F.: Roland Emmerich: Eine Werkbiografie. - Köln: VGS 1998.
Index:
Emmerich, Roland

#166
Müller, Joachim F.: Roland Emmerich. In: Enzyklopädie des phantastischen Films. 6. Ergänzungslieferung. - Meitingen: Corian-Verlag, Januar 1988.
Index:
Emmerich, Roland

#167
Müller, Joachim: Interview mit Roland Emmerich. In: Science Fiction Times 27. 1985. No. 9/10. [September/October] pp. 9-11.
Description:
Especially on Joey.
Index:
Emmerich, Roland
Joey (1985)

#168
Müller, Joachim: Spielberg auf Schwäbisch: Dreharbeiten zu Joey. In: Science Fiction Times 27. 1985. No. 5. [May] pp. 13-14.
Index:
Emmerich, Roland
Spielberg, Steven
Joey (1985)
Schwaben ~ Swabia

#169
Nama, Adilifu: R is for race, not rocket: Black representation in American science fiction cinema. In: Quarterly Review of Film and Video 26. 2009. No. 2. [March] pp. 155-166.
Description:
Discusses, among others, Will Smith’s roles in Independence Day and Men in Black as well as the representation of race in the Matrix films.
Index:
Wachowski, Andy
Wachowski, Larry
Smith, Will
Emmerich, Roland
Sonnenfeld, Barry
Matrix, The (Filmreihe)
Independence Day (1996)
Men in Black (1997)
Ethnie ~ Ethnicity
USA (United States of America) ~ USA (United States of America)
Science Fiction ~ Science Fiction
Politik ~ Politics

#170
Newman, Kim: Independence Day: Resurgence. In: Sight and Sound NS 26. 2016. No. 8. [August] pp. 80-81.
Index:
Emmerich, Roland
Independence Day: Resurgence (2016)

#171
Newman, Kim: Stargate. In: Sight and Sound NS 5. 1995. No. 2. [February] pp. 53-54.
Index:
Emmerich, Roland
Stargate (1994)

#172
Newman, Kim: The Day after Tomorrow. In: Sight and Sound NS 14. 2004. No. 7. [July] pp. 46-48.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)

#173
Norman, Barry: [untitled]. In: Radio Times ?G. 1996. No. 3784. [August 3] p. 40.
Description:
On the economic success of Roland Emmerich’s Independence Day.
Index:
Emmerich, Roland
Independence Day (1996)
Wirtschaft ~ Economy

#174
Oetjen, Almut: Spielzeugparadies. In: Science Fiction Times 32. 1990. No. 5. [?D] p. 12.
Description:
On Roland Emmerich’s Moon 44.
Index:
Emmerich, Roland
Moon 44 (1989)
Spielzeuge ~ Toys*

#175
The official Godzilla movie fact book: Based on the hit movie from TriStar Pictures. Compiled by Kimberly Weinberger and Dawn Margolis. - New York: Scholastic 1998.
Index:
Emmerich, Roland
Godzilla (1998)

#176
The official Godzilla movie fact book: Based on the hit movie from TriStar Pictures. Compiled by Kimberly Weinberger and Dawn Margolis. - London: Puffin 1998.
Index:
Emmerich, Roland
Godzilla (1998)

#177
Oosterom, Chris / Snoek, Sonja: Veertig jaar Godzilla. In: Skrien 1998. No. 226. [September] pp. 6-17.
Description:
Articles on the history of the Godzilla films, discusses especially the film by Roland Emmerich.
Index:
Emmerich, Roland
Godzilla (1998)
Godzilla (Filmreihe)
Godzilla ~ Godzilla

#178
Oppenheimer, Jean: Stargate: Adding layers in the outer limits. In: American Cinematographer 75. 1994. No. 12. [December] pp. 30-32.
Description:
On the special effects for the film; especially on the work of effects supervisor Jeffrey Okun.
Index:
Emmerich, Roland
Okun, Jeffrey A.
Stargate (1994)
Technik: Spezialeffekte ~ Technology: Special Effects

#179
Orlin, Scott: "Ben Hur hat uns die Peitsche gegeben". In: Cinema [Hamburg] 1995. No. 3(202). [?D] p. 56.
Description:
Interview with the director Roland Emmerich on Stargate.
Index:
Emmerich, Roland
Stargate (1994)

#180
Orlin, Scott: "Einen Tritt ins Gesicht versteht jeder". In: Cinema [Hamburg] 1992. No. 11(174). [?D] pp. 22-23.
Description:
Interview with Jean Claude Van Damme on his role in Roland Emmerich’s Universal Soldier.
Index:
Emmerich, Roland
Van Damme, Jean Claude
Universal Soldier (1992)

#181
Orlin, Scott / Rosner, Heiko: Fliegende Untertassen gegen die Erde: Schlacht der welten. In: Cinema [Hamburg] 1996. No. 4(215). [?D] pp. 66-69.
Index:
Emmerich, Roland
Independence Day (1996)

#182
Ott, Manuela: "Erneuter Kampf gegen die Tyrannei": Das Phantasma des globalen Krieges im Sciencefiction-Kino Hollywoods. In: Frauen und Film 2000. No. 61. [March] pp. 22-34.
Description:
Discusses especially Roland Emmerich’s Independence Day, Michael Bay’s Armageddon and Mimi Leder’s Deep Impact.
Index:
Emmerich, Roland
Bay, Michael
Leder, Mimi
Independence Day (1996)
Armageddon (1998)
Deep Impact (1998)
Science Fiction ~ Science Fiction
Krieg ~ War
Hollywood ~ Hollywood

#183
Ott, Michaela: Phantasma: Symbolische Ordnung im Zeichen des Blockbuster-Films. - München: Edition text + kritik 2005.
Description:
Discusses, among others, the Alien, Jurassic Park and Matrix series as well as M. Night Shyamalan’s The Sixth Sense, Robert Zemeckis’s Contact and Roland Emmerich’s Independence Day.
Index:
Spielberg, Steven
Wachowski, Andy
Wachowski, Larry
Shyamalan, M. Night
Zemeckis, Robert
Emmerich, Roland
Alien (Filmreihe)
Jurassic Park (Filmreihe)
Matrix, The (Filmreihe)
Sixth Sense, The (1999)
Contact (1997)
Independence Day (1996)

#184
Paterson, Elaine: Out of this world. In: Time Out 1995. No. 1272. [January 4] pp. 18-19.
Description:
Interview with the actor James Spader on his role in Roland Emmerich’s Stargate.
Index:
Emmerich, Roland
Spader, James
Stargate (1994)

#185
Pede, Ronnie: Marsmannetjes weer vijand nummer één. In: Film en Televisie 1996. No. 465. [October] p. 46.
Description:
On Roland Emmerich’s Independence Day.
Index:
Emmerich, Roland
Independence Day (1996)

#186
Peinkofer, Michael: Godzilla. In: Moviestar 6. 1998. No. 9(44). [September] pp. 20-28.
Index:
Emmerich, Roland
Godzilla (1998)

#187
Peinkofer, Michael: Godzilla: Ein Kultmonster wechselt die Nationalität. In: Moviestar 5. 1998. No. 4(39). [April] pp. 24-25.
Index:
Emmerich, Roland
Godzilla (1998)
Monster ~ Monster

#188
Pinkerton, Nick: White House Down. In: Sight and Sound NS 23. 2013. No. 9. [September] p. 90.
Index:
Emmerich, Roland
White House Down (2013)

#189
Piotrowski, Christa: Von Ufo-Insassen geschwängert: Roland Emmerichs Film Independence Day ist nur der Anfang: Amerika erlebt einen neuen Science-fiction-Boom. In: Frankfurter Rundschau. 16. Juli 1996. p. ?P.
Index:
Emmerich, Roland
Independence Day (1996)
USA (United States of America) ~ USA (United States of America)
UFO ~ UFO
Science Fiction ~ Science Fiction

#190
Podrez, Peter: Der Sinn im Untergang: Filmische Apokalypsen als Krisentexte im atomaren und ökologischen Diskurs. - Stuttgart: Ibidem-Verlag 2011. (= Film- und Medienwissenschaft 21.)
Reviews:
Krewani, Angela: [untitled.] In: Medienwissenschaft 2013. No. 3. pp. 344-346.
Description:
Includes chapters on Nicholas Meyer’s The Day After, Stanley Kubrick’s Dr. Strangelove, Roland Emmerich’s The Day After Tomorrow and Ian Gilmore’s Magma: Volcanic Disaster.
Index:
Meyer, Nicholas
Kubrick, Stanley
Emmerich, Roland
Gilmore, Ian
Day After, The (1983)
Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb (1963)
Day After Tomorrow, The (2004)
Magma: Volcanic Disaster (2006)
Religion: Apokalypse ~ Religion: Apocalypse
Religion ~ Religion
Natur ~ Nature
Atom ~ Nuclear

#191
Pohlenz, Philipp / Reusswig, Fritz / Schwarzkopf, Julia: Double impact: The climate blockbuster The Day After Tomorrow and its impact on the German cinema public. - Potsdam: Potsdam Institute for Climate Impact Reseach (PIK) 2004. (= PIK report 92.)
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
Deutschland ~ Germany

#192
Prokop, Tim: Effects mindblower: Stargate. In: Cinefantastique 26. 1995. No. 3. [April] pp. 48-49, 51, 53.
Index:
Emmerich, Roland
Stargate (1994)
Technik: Spezialeffekte ~ Technology: Special Effects

#193
Prokop, Tim: Fireworks. In: Cinefex 1996. No. 67. [September] pp. 58-85.
Description:
On the special effects for Independence Day.
Index:
Emmerich, Roland
Independence Day (1996)
Technik: Spezialeffekte ~ Technology: Special Effects

#194
Prokop, Tim: Science fiction epic: Stargate. In: Cinefantastique 25. 1994. No. 5. [October] pp. 46-47.
Index:
Emmerich, Roland
Stargate (1994)
Science Fiction ~ Science Fiction

#195
Prokop, Tim: Space-age Lawrence of Arabia: Stargate. In: Cinefantastique 25/26. 1994. No. 6/1. [December] pp. 28-29, 31, 33, 34, 125.
Index:
Emmerich, Roland
Stargate (1994)
Lawrence von Arabien ~ Lawrence of Arabia
Weltraum ~ Space

#196
Prokop, Tim: Stargate: CGI effects. In: Cinefantastique 26. 1995. No. 3. [April] p. 50.
Index:
Emmerich, Roland
Stargate (1994)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#197
Prokop, Tim: Stargate: Makeup Design. In: Cinefantastique 25/26. 1994. No. 6/1. [December] p. 30.
Description:
On the makeup artist Patrick Tatapoulos.
Index:
Emmerich, Roland
Tatapoulos, Patrick
Stargate (1994)

#198
Prokop, Tim: Stargate: Production design. In: Cinefantastique 26. 1995. No. 3. [April] pp. 52-53.
Description:
On the production designer Holger Gross and his work for Roland Emmerich’s film.
Index:
Emmerich, Roland
Gross, Holger
Stargate (1994)

#199
Prokop, Tim: Stargate: Production Design. In: Cinefantastique 25/26. 1994. No. 6/1. [December] pp. 32-33.
Description:
On the work of production designer Holger Gross.
Index:
Emmerich, Roland
Gross, Holger
Stargate (1994)

#200
Prokop, Tim: Stargate: Special effects. In: Cinefantastique 25/26. 1994. No. 6/1. [December] p. 35.
Index:
Emmerich, Roland
Stargate (1994)
Technik: Spezialeffekte ~ Technology: Special Effects

#201
Rabby, Thomas: Independence Day. In: Enzyklopädie des phantastischen Films. 53. Ergänzungslieferung. - Meitingen: Corian-Verlag, September 1998.
Index:
Emmerich, Roland
Independence Day (1996)

#202
Rabby, Thomas: Stargate. In: Enzyklopädie des phantastischen Films. 48. Ergänzungslieferung. - Meitingen: Corian-Verlag, Februar 1997.
Index:
Emmerich, Roland
Stargate (1994)

#203
Radio rebels airheads: Génération 90. In: Cahiers du Cinéma 1995. No. 489. [March] p. 72.
Description:
On Roland Emmerich’s Stargate.
Index:
Emmerich, Roland
Stargate (1994)

#204
Ranze, Michael: Independence Day: Wiederkehr: Science-Fiction-Gigantomanie von Roland Emmerich. In: Film-Dienst 69. 2016. No. 14. [July 7] p. 39.
Index:
Emmerich, Roland
Independence Day: Resurgence (2016)
Science Fiction ~ Science Fiction

#205
Rappold, Olaf: Besuch bei Joey. In: Science Fiction Media [1.] 1984. No. 4. [?D] p. 5.
Description:
Production report on the Roland Emmerich film.
Index:
Emmerich, Roland
Joey (1985)

#206
Rappold, Olaf: Die Monster-Macher: Hinter den Kulissen: Das große Begleitbuch zum Film Hollywood-Monster von Roland Emmerich. - Bergisch-Gladbach: Bastei-Lübbe 1987. (= Bastei-Lübbe 13138.)
Index:
Emmerich, Roland
Hollywood Monster (1987)
Monster ~ Monster

#207
Raum-Deinzer, Uwe: Das Jahr der Invasionen: Der Erfolg von ID4 zieht einen neuen SF-Boom nach sich. In: Moviestar 4. 1996. No. 22/23. [November/December] pp. 6-9.
Description:
On new or planned science fiction films following the success of Roland Emmerich’s Independence Day.
Index:
Emmerich, Roland
Independence Day (1996)
Krieg ~ War
Science Fiction ~ Science Fiction

#208
Raum-Deinzer, Uwe: Godzilla. In: Moviestar 5. 1998. No. 5(40). [?D] pp. 14-16.
Index:
Emmerich, Roland
Godzilla (1998)

#209
Raum-Deinzer, Uwe: Independence Day: Die Invasion aus dem All. In: Moviestar 4. 1996. No. 20. [August] pp. 7-8.
Index:
Emmerich, Roland
Independence Day (1996)
Krieg ~ War

#210
Rayner, Jay: The Big Bang theory: Why we love watching our neighborhood bite the dust. In: New Statesman 125. 1996. No. 4296. [August 9] p. 38.
Description:
On disaster films. Discusses, among others, the early Godzilla films, Franklin J. Schaffner’s Planet of the Apes, Mick Jackson’s Threads und Roland Emmerich’s Independence Day.
Index:
Schaffner, Franklin J.
Jackson, Mick
Emmerich, Roland
Godzilla (Filmreihe)
Planet of the Apes (1968)
Threads (1984)
Independence Day (1996)
Katastrophen ~ Disasters

#211
Remsperger, Daniel: Independence Day. In: Filmgenres: Science Fiction. Hrsg. von Thomas Koebner. - Stuttgart: Reclam Verlag 2003. (= Reclams Universalbibliothek 18401.) pp. 487 ff.
Index:
Emmerich, Roland
Independence Day (1996)
Science Fiction ~ Science Fiction

#212
Robertson, Barbara: To the rescue: White House Down. In: Cinefex 2013. No. 134. [July] p. ?P.
Description:
On the special effects by Uncharted Territory, Method Studios, LUXX Studios, Hybride, Scanline VFX, Prime Focus VFX, Crazy Horse Effects and Mokko Studios. Discusses especially the work of co-producers Volker Engel and Marc Weigert.
Index:
Emmerich, Roland
Engel, Volker
Weigert, Marc
White House Down (2013)
Technik: Spezialeffekte ~ Technology: Special Effects
Mokko Studio [Firma] ~ Mokko Studio [Company]
Crazy Horse [Firma] ~ Crazy Horse [Company]
Prime Focus [Firma] ~ Prime Focus [Company]
Scanline [Firma] ~ Scanline [Company]
Hybride [Firma] ~ Hybride [Company]
Luxx Studios [Firma] ~ Luxx Studios [Company]
Method Studios [Firma] ~ Method Studios [Company]
Uncharted Territory [Firma] ~ Uncharted Territory [Company]

#213
Rogin, Michael Paul: Independence Day: Or, How I learned to stop worrying and love the Enola Gay. - London: British Film Institute / Bloomington, Indiana: Indiana University Press 1998. (= BFI Modern Classics.)
Reviews:
Felber, Dietmer: [untitled] In: Film Criticism 24. 1999. No. 1. [?D] pp. 92-95.
Sieving, Christopher: [untitled] in The Velvet Light Trap 1999. No. 44. [Fall] pp. 103-105.
Index:
Emmerich, Roland
Independence Day (1996)

#214
Roos, Lena: Age before beauty: A comparative study of martyrs in American disaster movies and their medieval predecessors. In: Journal of Religion and Film 11. 2007. No. 1. [April] p. 6.
Description:
Discusses Michael Bay’s Armageddon, Roger Donaldson’s Dante’s Peak, Roland Emmerich’s The Day After Tomorrow and Independence Day, Mimi Leder’s Deep Impact and Jan De Bont’s Twister.
Index:
Bay, Michael
Donaldson, Roger
Emmerich, Roland
Leder, Mimi
De Bont, Jan
Armageddon (1998)
Dante’s Peak (1996)
Day After Tomorrow, The (2004)
Independence Day (1996)
Deep Impact (1998)
Twister (1996)
USA (United States of America) ~ USA (United States of America)
Religion ~ Religion
Katastrophen ~ Disasters
Geschichte: Mittelalter ~ History: Middle Ages

#215
Rosner, Heiko: "Wir werden beobachtet". In: Cinema [Hamburg] 1996. No. 9(220). [?D] pp. 48-50.
Description:
Interview with UFO researcher Johannes von Buttlar on the 1947 Roswell event and its mention in Roland Emmerich’s Independence Day.
Index:
Emmerich, Roland
von Buttlar, Johannes
Independence Day (1996)
Roswell ~ Roswell
UFO ~ UFO

#216
Rosner, Heiko: Eine Reise an das andere Ende des Universums: Stargate. In: Cinema [Hamburg] 1995. No. 3(202). [?D] pp. 44-56.
Index:
Emmerich, Roland
Stargate (1994)
Weltraum ~ Space

#217
Rosner, Heiko: Invasion aus dem All: Independence Day. In: Cinema [Hamburg] 1996. No. 9(220). [?D] pp. 34-46.
Index:
Emmerich, Roland
Independence Day (1996)
Krieg ~ War

#218
Rust, Stephen A.: Hollywood at the tipping point: Blockbuster cinema, globalization, and the cultural logic of ecology. - Eugene, Oregon: University of Oregon, Ph.D. 2011. [Abstract in: Dissertation Abstracts International A 73. 2012. No. 3. (September).]
Description:
Discusses, among others, the representation of ecological issues in Roland Emmerich’s The Day After Tomorrow and George Miller’s Happy Feet.
Index:
Emmerich, Roland
Miller, George
Day After Tomorrow, The (2004)
Happy Feet (2006)
Globalisierung ~ Globalization
Politik ~ Politics
Natur ~ Nature
Hollywood ~ Hollywood

#219
Ryfle, Steve: A tale of two Godzillas. In: Cinefantastique 30. 1998. No. 2. [June] pp. 13, 61.
Description:
Compares Roland Emmerich’s Godzilla with older Godzilla films.
Index:
Emmerich, Roland
Godzilla (1998)
Godzilla (Filmreihe)
Godzilla ~ Godzilla

#220
Ryfle, Steve: Godzilla in America. In: Cinefantastique 30. 1998. No. 7/8. [October] pp. 106-113, 124.
Description:
Articles and reviews on Roland Emmerich’s film plus a filmography of all Godzilla films so far.
Index:
Emmerich, Roland
Godzilla (1998)
USA (United States of America) ~ USA (United States of America)
Godzilla ~ Godzilla

#221
Ryfle, Steve: Godzilla on the net: Roland Emmerich and Dean Devlin try to keep their monster under wraps. In: Cinefantastique 29. 1998. No. 12. [April] p. 6.
Index:
Emmerich, Roland
Devlin, Dean
Godzilla (1998)
Monster ~ Monster

#222
Sander, Ralph: Erfolg ist doch alles - oder? Roland Emmerichs Independence Day. In: Das Science Fiction Jahr 12. - München: Heyne 1997. pp. 692-696.
Index:
Emmerich, Roland
Independence Day (1996)

#223
SBE: Hollywood-Monster Emmerich: Moon 44. In: Splatting Image 1990. No. 3. [May] p. 44.
Index:
Emmerich, Roland
Moon 44 (1989)
Monster ~ Monster
Hollywood ~ Hollywood

#224
Schäfer, Karl-Heinz: Moon 44. In: Cinema [Hamburg] 1990. No. 2(141). [?D] pp. 144-146.
Index:
Emmerich, Roland
Moon 44 (1989)

#225
Schäfer, Karl-Heinz: Popcorn statt Oscars. In: Cinema [Hamburg] 1996. No. 9(220). [?D] pp. 46-47.
Description:
On director Roland Emmerich and his film Independence Day.
Index:
Emmerich, Roland
Independence Day (1996)
Academy Award ~ Academy Award

#226
Schifferle, Hans: The Day After Tomorrow: Roland Emmerichs kritischer Katastrophenfilm. In: EPD Film 21. 2004. No. 6. [June] pp. 36-37.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
Katastrophen ~ Disasters

#227
Schlockoff, Alain: Craig Baron ou l’art de dépeindre une autre réalité. In: L’Écran Fantastique 1996. Hors-Série. [?D] pp. 30-31.
Description:
On the work of the special effects artist for Independece Day.
Index:
Emmerich, Roland
Baron, Craig
Independence Day (1996)
Technik: Spezialeffekte ~ Technology: Special Effects

#228
Schlockoff, Alain: Real genius: Raymond McIntyre Jr. In: L’Écran Fantastique 1996. Hors-Série. [?D] pp. 28-29.
Description:
The special effects artist on his computer backed work for Independence Day.
Index:
McIntyre Jr., Raymond
Emmerich, Roland
Independence Day (1996)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer

#229
Schlockoff, Alain: Stargate: La porte des étoiles ou le retour du spaceopera. In: L’Écran Fantastique 1995. No. 140. [February/March] pp. 8-9, 38-51, 72.
Description:
Interviews with director Roland Emmerich and visual effects supervisor Jeff Okun.
Index:
Emmerich, Roland
Okun, Jeffrey A.
Stargate (1994)
Technik: Spezialeffekte ~ Technology: Special Effects

#230
Schlockoff, Alain: Volker Engel: Un superviseur de haute volée. In: L’Écran Fantastique 1996. Hors-Série. [?D] pp. 19-27.
Description:
On the work of the special effects artist for Independece Day.
Index:
Emmerich, Roland
Engel, Volker
Independence Day (1996)
Technik: Spezialeffekte ~ Technology: Special Effects

#231
Schlöndorff, Volker: Der Mensch in der Katastrophe: Innovative Konzepte dystopischer Science Fiction im frühen 20. Jahrhundert. In: Quarber Merkur 2011. No. 112. [?D] pp. 155-164.
Description:
Discusses, among others, Roland Emmerich’s The Day After Tomorrow.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
Utopie ~ Utopia
Science Fiction ~ Science Fiction
Katastrophen ~ Disasters

#232
Schmidt, Dietmar: Soundtrack: Moon 44. In: Enzyklopädie des phantastischen Films. 29. Ergänzungslieferung. - Meitingen: Corian-Verlag, April 1993.
Index:
Emmerich, Roland
Moon 44 (1989)
Musik ~ Music

#233
Schmidt, Dietmar: Soundtrack: Universal Soldier. In: Enzyklopädie des phantastischen Films. 28. Ergänzungslieferung. - Meitingen: Corian-Verlag, Februar 1993.
Index:
Emmerich, Roland
Universal Soldier (1992)
Musik ~ Music

#234
Schmidt, Markus: Das Ende ist der Anfang: Emmerichs Katastrophenfilm 2012. In: Evangelische Zentralstelle für Weltanschauungsfragen 73. 2010. No. 7. [?D] pp. 263-266.
Index:
Emmerich, Roland
2012 (2009)
Katastrophen ~ Disasters
Religion ~ Religion

#235
Schneider, Karen: With violence if necessary: Rearticulating the family in the contemporary action-thriller. In: Journal of Popular Film and Television 27. 1999. No. 1. [Spring] pp. 2-11.
Description:
Discusses, among others, Roger Donaldson’s Dante’s Peak, Mick Jackson’s Volcano, Steven Spielberg’s The Lost World: Jurassic Park, Roland Emmerich’s Independence Day, John Woo’s Face/Off and Renny Harlin’s The Long Kiss Goodbye.
Index:
Donaldson, Roger
Jackson, Mick
Spielberg, Steven
Emmerich, Roland
Wu Su-Yum [Pseudonym: Woo, John]
Harlin, Renny
Dante’s Peak (1996)
Volcano (1997)
Lost World, The: Jurassic Park (1997)
Independence Day (1996)
Face/Off (1997)
Long Kiss Goodnight, The (1996)
Thriller ~ Thriller
Gewalt ~ Violence
Familie ~ Family
Action ~ Action

#236
Schnelle, Frank: Tüftler und Bastler, Jäger und Sammler: Über Roland Emmerich. In: EPD Film 13. 1996. No. 6. [June] pp. 18-23.
Description:
Includes a filmography.
Index:
Emmerich, Roland
Jagd ~ Hunt

#237
Schroeder, Caroline T.: Ancient Egyptian religion on the silver screen: Modern anxieties about race, ethnicity, and religion. In: Journal of Religion and Film 7. 2003. No. 2. [October] p. ?P.
Description:
Discusses Karl Freund’s The Mummy, Roland Emmerich’s Stargate, Cecil Blount DeMille’s The Ten Commandments and Prince of Egypt by Brenda Chapman, Steve Hickner and Simon Wells.
Index:
Freund, Karl
Emmerich, Roland
DeMille, Cecil Blount
Chapman, Brenda
Hickner, Steve
Wells, Simon
Mummy, The (1933)
Stargate (1994)
Ten Commandments, The (1923)
Prince of Egypt, The (1998)
Ethnie ~ Ethnicity
Geschichte: Antike ~ History: Ancient Times
Ägypten ~ Egypt
Religion ~ Religion

#238
Schulz, Matthias: Kreuzfahrt auf der Lava. In: Der Spiegel 63. 2009. No. 47. [November 11] p. 137.
Description:
On the apocalyptic predictions of the ancient Mayan calendar which are an basic inspiration for Roland Emmerich’s disaster movie 2012.
Index:
Emmerich, Roland
2012 (2009)
Maya ~ Maya
Katastrophen ~ Disasters
Geschichte: Antike ~ History: Ancient Times
Religion: Apokalypse ~ Religion: Apocalypse

#239
Schwickert, Martin: White House Down. In: EPD Film 30. 2013. No. 9. [September] p. 46.
Index:
Emmerich, Roland
White House Down (2013)

#240
Seeßlen, Georg: Godzilla. In: EPD Film 15. 1998. No. 9. [September] pp. 48-49.
Index:
Emmerich, Roland
Godzilla (1998)

#241
Seewald, Franziska: Bilder vom Ende: Zur Affizierung im Kino am Beispiel des Naturkatastrophenfilms Hollywoods. - Marburg: Tectum-Verlag 2011.
Reviews:
Weidner, Sven: [untitled.] In: Medienwissenschaft 2013. No. 4. pp. 489-490.
Description:
Discusses, as examples, W. S. van Dyke’s San Francisco, Rudolph Maté’s When Worlds Collide, Mark Robson’s Earthquake, Jan De Bont’s Twister and Roland Emmerich’s The Day After Tomorrow.
Index:
van Dyke, Woodbridge Strong
Maté, Rudolph
Robson, Mark
De Bont, Jan
Emmerich, Roland
San Francisco (1936)
When Worlds Collide (1951)
Earthquake (1974)
Twister (1996)
Day After Tomorrow, The (2004)
Natur ~ Nature
Katastrophen ~ Disasters
Hollywood ~ Hollywood

#242
Seewald, Franziska: Bilder vom Ende: Zur Affizierung im Kino am Beispiel des Naturkatastrophenfilms Hollywoods. - Berlin: Freie Universität Berlin, Dissertation 2009.
Description:
Discusses, as examples, W. S. van Dyke’s San Francisco, Rudolph Maté’s When Worlds Collide, Mark Robson’s Earthquake, Jan De Bont’s Twister and Roland Emmerich’s The Day After Tomorrow.
Index:
van Dyke, Woodbridge Strong
Maté, Rudolph
Robson, Mark
De Bont, Jan
Emmerich, Roland
San Francisco (1936)
When Worlds Collide (1951)
Earthquake (1974)
Twister (1996)
Day After Tomorrow, The (2004)
Natur ~ Nature
Katastrophen ~ Disasters
Hollywood ~ Hollywood

#243
Senn, Bryan: Godzilla (1998). In: Senn, Bryan: A year of fear: A day-by-day guide to 366 horror films. - Jefferson, North Carolina: McFarland & Co. 2007. p. ?P.
Index:
Emmerich, Roland
Godzilla (1998)
Horror ~ Horror

#244
Sieck, Thomas: Godzilla. In: Enzyklopädie des phantastischen Films. 64. Ergänzungslieferung. - Meitingen: Corian-Verlag, Mai 2002.
Index:
Emmerich, Roland
Godzilla (1998)

#245
Simpson, Phil: Introducing "The little Spielberg": Roland Emmerich’s Joey as reverent parody. In: Caligari’s heirs: The German cinema of fear after 1945. Edited by Steffen Hantke. - Lanham, Maryland; Toronto, Plymouth: Scarecrow Press 2007. pp. 113 ff.
Index:
Emmerich, Roland
Joey (1985)
Humor ~ Humor
Deutschland ~ Germany
Horror ~ Horror
Angst ~ Fear

#246
Smith, B. R.: Green scales and hot breath: Godzilla! Again! In: Journal of Evolutionary Psychology 22. 2002. No. 1/2. [March] pp. 11-18.
Index:
Emmerich, Roland
Godzilla (Filmreihe)
Godzilla (1998)
Godzilla ~ Godzilla

#247
Smith, Sean / Gordon, Devin: Jake Gyllenhaal: The Day After Tomorrow. In: Newsweek 143. 2004. No. 18. [May 3]. pp. 59-61.
Index:
Emmerich, Roland
Gyllenhaal, Jake
Day After Tomorrow, The (2004)

#248
Smithouser, Bob: Movie nights for teens: 25 more movies to spark spiritual discussions with your teen. - Wheaton, Illinois: Tyndale House 2005.
Index:
Wyler, William
Emmerich, Roland
Forster, Marc
Bird, Brad
Jackson, Peter
Shyamalan, M. Night
Conran, Kerry
Hitchcock, Alfred
Raimi, Samuel M.
Ben Hur (1959)
Day After Tomorrow, The (2004)
Finding Neverland (2004)
Incredibles, The (2004)
Lord of the Rings (Filmreihe)
Signs (2002)
Sky Captain and the World of Tomorrow (2004)
Spellbound (1945)
Spider-Man (2002)
Religion ~ Religion

#249
Solman, Gregory: Godzilla’s little acre. In: Film Comment 34. 1998. No. 4. [July/August] pp. 26-28.
Index:
Emmerich, Roland
Godzilla (1998)

#250
Spécial invasions extraterrestres: ID4. In: L’Écran Fantastique 1996. Hors-Série. [?D] pp. 1-43.
Description:
Articles and interviews on Independence Day and on the history of the Alien film.
Index:
Emmerich, Roland
Independence Day (1996)
Krieg ~ War
Aliens ~ Aliens

#251
Stampf, Olaf: Kälteschock im Treibhaus. In: Der Spiegel 58. 2004. No. 22. [May 24] pp. 144-146.
Description:
On climatic disaster and the real backgrounds for Roland Emmerich’s ecological SF thriller The Day After Tomorrow.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
Thriller ~ Thriller
Science Fiction ~ Science Fiction
Natur ~ Nature
Wissenschaft ~ Science
Katastrophen ~ Disasters

#252
Stargate. - Nürnberg: Verlag Karin Stähle ?J. (= DVD-Highlights Filmblätter.)
Index:
Emmerich, Roland
Stargate (1994)

#253
Stargate. In: L’Écran Fantastique 2002. No. 219. [March] p. 80.
Index:
Emmerich, Roland
Stargate (1994)

#254
Stargate. - Wien: ?V ?J. (= Neues Filmprogramm 9903.)
Index:
Emmerich, Roland
Stargate (1994)

#255
Stargate. - Nürnberg: Verlag Karin Stähle ?J. (= Phantopia-Filmprogramm 451.)
Index:
Emmerich, Roland
Stargate (1994)

#256
Stresau, Norbert: Am Anfang immerhin. In: Science Fiction Times 26. 1984. No. 4. [April] pp. 17-18.
Description:
On Roland Emmerich’s Das Arche Noah Prinzip.
Index:
Emmerich, Roland
Arche Noah Prinzip, Das (1984)

#257
Stresau, Norbert: Hollywood Monster. In: Science Fiction Times 29. 1987. No. 7. [July] p. 12.
Index:
Emmerich, Roland
Hollywood Monster (1987)

#258
Stresau, Norbert: Sechs neue Filme. In: Science Fiction Times 27. 1985. No. 12. [December] pp. 12-16.
Description:
Reviews of John Boorman’s The Emerald Forest, Jeannot Szwarc’s Santa Claus - The Movie, Richard Donner’s The Goonies, Roland Emmerich’s Joey and John Hughes’s Weird Science.
Index:
Boorman, John
Szwarc, Jeannot
Donner, Richard
Emmerich, Roland
Hughes, John
Emerald Forest, The (1985)
Santa Claus - The Movie (1985)
Goonies, The (1985)
Joey (1985)
Weird Science (1985)

#259
Szendy, Peter: Apocalypse-cinema: 2012 and other ends of the world. Translated by Will Bishop. - New York: Fordham University Press 2015.
First edition:
[L’apocalypse-cinéma: 2012 et autres fin du monde. 2012]
Index:
Emmerich, Roland
2012 (2009)
Religion: Apokalypse ~ Religion: Apocalypse
Religion ~ Religion

#260
Szendy, Peter: L’apocalypse-cinéma: 2012 et autres fin du monde. - ?O: Capricci Editions 2012.
Index:
Emmerich, Roland
2012 (2009)
Religion: Apokalypse ~ Religion: Apocalypse
Religion ~ Religion

#261
Taubin, Amy: Playing it straight. In: Sight and Sound NS 6. 1996. No. 8. [August] pp. 6-8.
Description:
On Roland Emmerich’s Independence Day.
Index:
Emmerich, Roland
Independence Day (1996)

#262
Tayler, Christopher: It’s alive! In: London Review of Books 27. 2005. No. 3. [?D] pp. 23-24.
Description:
On Roland Emmerich’s Godzilla.
Index:
Emmerich, Roland
Godzilla (1998)

#263
Taylor, William M.: Urban disasters: Visualising the fall of cities and the forming of human values. In: Journal of Architecture 11. 2006. No. 5. [November] pp. 603-611.
Description:
On environmental disaster in film. Discusses, among others, Roland Emmerich’s The Day After Tomorrow, Jon Amiel’s The Core and Mick Jackson’s Volcano.
Index:
Emmerich, Roland
Amiel, Jon
Jackson, Mick
Day After Tomorrow, The (2004)
Core, The (2003)
Volcano (1997)
Stadt ~ City
Natur ~ Nature
Katastrophen ~ Disasters

#264
Teichmann, Bernd: Universal Soldier: Van Damme und Lundgren als tödliche Kampfmaschinen. In: Cinema [Hamburg] 1992. No. 11(174). [?D] pp. 16-26.
Index:
Emmerich, Roland
Van Damme, Jean Claude
Lundgren, Dolph
Universal Soldier (1992)
Technik ~ Technology

#265
Thuerwaechter, Sabine: National holiday, national epic, national destruction: Second order semiology in Independence Day and beyond. In: Extrapolation 48. 2007. No. 3. [?D] pp. 520-542.
Index:
Emmerich, Roland
Independence Day (1996)

#266
Tine, Robert: Universal Soldier. - London: Signet Books 1992. (= Film tie-in.)
Index:
Emmerich, Roland
Universal Soldier (1992)

#267
Traber, Bodo: Dinos, die brüllen, beißen nicht: Godzilla. In: Splatting Image 1998. No. 35. [September] pp. 65-66.
Index:
Emmerich, Roland
Godzilla (1998)

#268
Traufetter, Gerald: "Superstürme, Fluten und Eiseskälte": Der Regisseur Roland Emmerich über seinen Klimakatastrophen-Film The Day After Tomorrow. In: kulturSpiegel 2004. No. 5. [May] pp. 21-23.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
Katastrophen ~ Disasters

#269
Tschiedert, Markus: "Das einzige, was von einer Original-Echse übriggeblieben ist, sind die Hautfalten und die Schuppen": Ein Interview mit Volker Engel. In: Moviestar 6. 1998. No. 11(46). [November] pp. 56-57.
Description:
On the special effects for Roland Emmerich’s Godzilla.
Index:
Emmerich, Roland
Engel, Volker
Godzilla (1998)
Technik: Spezialeffekte ~ Technology: Special Effects

#270
Tschiedert, Markus: "Ich erinnere mich noch gerne an die alten Godzilla-Filme". In: Moviestar 6. 1998. No. 9(44). [September] p. 29.
Description:
Interview with Jean Reno on his role in Roland Emmerich’s Godzilla.
Index:
Emmerich, Roland
Reno, Jean
Godzilla (1998)

#271
Tschiedert, Markus: "Ich hätte auch nie erwartet, daß sie uns so radikal an Godzilla rummachen lassen würden": Ein Interview mit Roland Emmerich. In: Moviestar 6. 1998. No. 11(46). [November] pp. 56-57.
Index:
Emmerich, Roland
Godzilla (1998)

#272
Tschiedert, Markus: Dean Devlin: Partner und Freund. In: Moviestar 4. 1996. No. 22/23. [November/December] pp. 54-55.
Description:
Interview with the producer and scriptwriter of Roland Emmerich’s Independence Day.
Index:
Emmerich, Roland
Devlin, Dean
Independence Day (1996)

#273
Tschiedert, Markus: Jeff Goldblum - Der Mann, der den Code der Aliens knackt. In: Moviestar 4. 1996. No. 21. [October] pp. 34-35.
Description:
Interview with the actor on his role in Roland Emmerich’s Independence Day.
Index:
Emmerich, Roland
Goldblum, Jeff
Independence Day (1996)
Aliens ~ Aliens

#274
Tschiedert, Markus: Roland Emmerich: Ein Schwabe erobert Amerika. In: Moviestar 4. 1996. No. 22/23. [November/December] pp. 50-53.
Description:
Interview with the director on Independence Day.
Index:
Emmerich, Roland
Independence Day (1996)
Schwaben ~ Swabia
USA (United States of America) ~ USA (United States of America)

#275
Tschiedert, Markus: Ute Emmerich: Das Organisationstalent. In: Moviestar 4. 1996. No. 22/23. [November/December] pp. 56-57.
Description:
Interview with Roland Emmerich’s sister on Independence Day.
Index:
Emmerich, Ute
Emmerich, Roland
Independence Day (1996)

#276
Tschiedert, Markus: Volker Engel: In digitale Traumwelten entführen ... In: Moviestar 4. 1996. No. 21. [October] pp. 36-37.
Description:
Interview with the special effects supervisor of Roland Emmerich’s Independence Day.
Index:
Engel, Volker
Emmerich, Roland
Independence Day (1996)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Traum ~ Dreams

#277
Tschiedert, Markus: Will Smith: Mann ohne Furcht. In: Moviestar 4. 1996. No. 22/23. [November/December] pp. 58-59.
Description:
Interview with the actor on his role in Roland Emmerich’s Independence Day.
Index:
Smith, Will
Emmerich, Roland
Independence Day (1996)
Angst ~ Fear

#278
Tsui, Clarence: 2012. In: South China Morning Post [HK], November 12, 2009. Section GoingOut, p. 1.
Index:
Emmerich, Roland
2012 (2009)

#279
Tsui, Clarence: When worlds collide. In: Sunday Morning Post [HK], November 8, 2009. Section Sight&Sound, p. 8.
Description:
On Roland Emmerich’s apocalyptic thriller 2012.
Index:
Emmerich, Roland
2012 (2009)
Thriller ~ Thriller
Religion: Apokalypse ~ Religion: Apocalypse

#280
Universal Soldier. - Nürnberg: Verlag Karin Stähle ?J. (= KINOexclusiv 12.)
Index:
Emmerich, Roland
Universal Soldier (1992)

#281
Universal Soldier. - Vogt: Peter Kranzpiller ?J. (= Filmprogramm der Kinoszene 280.)
Index:
Emmerich, Roland
Universal Soldier (1992)

#282
Universal Soldier. - Nürnberg: Filmverlag Peter Schmidl ?J. (= Phantopia-Filmprogramm 421.)
Index:
Emmerich, Roland
Universal Soldier (1992)

#283
Universal Soldiers. - Wien: ?V ?J. (= Neues Filmprogramm 9555.)
Index:
Emmerich, Roland
Universal Soldier (1992)

#284
Vilanch, Bruce: Alien invasion. In: Advocate: The National Gay & Lesbian Newsmagazine 1997. No. 728. [March 4] p. 45.
Description:
On hidden anti-gay and anti-lesbian motifs in science fiction film. Discusses especially Roland Emmerich’s Independence Day.
Index:
Emmerich, Roland
Independence Day (1996)
Science Fiction ~ Science Fiction
Krieg ~ War
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Aliens ~ Aliens

#285
von Burg, Ron: Decades away or The Day After Tomorrow? Rhetoric, film, and the global warming debate. In: Critical Studies in Media Communication 29. 2012. No. 1. [March] pp. 7-26.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)
Katastrophen ~ Disasters
Politik ~ Politics
Natur ~ Nature

#286
Wagner, Chuck: Devlin & Emmerich: Godzilla proves to be no Independence Day. In: Cinefantastique 31. 1999. No. 4. [April] p. 37.
Index:
Emmerich, Roland
Devlin, Dean
Godzilla (1998)
Independence Day (1996)

#287
Wagner, Chuck: Godzilla: Dean Devlin and Roland Emmerich pump the effects. In: Cinefantastique 30. 1998. No. 1. [May] pp. 10-11.
Index:
Emmerich, Roland
Devlin, Dean
Godzilla (1998)
Technik: Spezialeffekte ~ Technology: Special Effects

#288
Wagner, Chuck: Godzilla reborn? The name is familiar but the face has changed in this ID4 style remake. In: Cinefantastique 29. 1998. No. 11. [March] p. 6.
Index:
Emmerich, Roland
Godzilla (1998)

#289
Wagner, Chuck: Godzilla returns! In: Cinefantastique 30. 1998. No. 2. [June] pp. 10-12.
Index:
Emmerich, Roland
Godzilla (1998)

#290
Wagner, Chuck: Independence Day. In: Cinefantastique 27. 1996. No. 6. [February] pp. 8-9.
Index:
Emmerich, Roland
Independence Day (1996)

#291
Wagner, Chuck: Independence Day: Patrick Tatopoulos on the art of science fiction production design. In: Cinefantastique 28. 1996. No. 1. [August] pp. 14-15.
Index:
Emmerich, Roland
Tatopoulos, Patrick
Independence Day (1996)
Science Fiction ~ Science Fiction

#292
Wagner, Chuck: Preview: Independence Day. In: Cinefantastique 27. 1996. No. 4/5. [January] p. 7.
Index:
Emmerich, Roland
Independence Day (1996)

#293
Wagner, Chuck: Roland Emmerich and Dean Devlin. In: Cinefantastique 27. 1996. No. 8. [April] p. 35.
Index:
Emmerich, Roland
Devlin, Dean

#294
Wagner, Chuck: Top 50: Roland Emmerich & Dean Devlin: The dynamic duo have their Day. In: Cinefantastique 28. 1997. No. 12. [June] pp. 34-35, 62.
Index:
Emmerich, Roland
Devlin, Dean
Independence Day (1996)

#295
Wagner, Wieland: Warten auf den jüngsten Tag. In: Der Spiegel 63. 2009. No. 31. [July 27] p. 139.
Description:
On the advertising for Roland Emmerich’s apocalyptic thriller 2012 in Japan.
Index:
Emmerich, Roland
2012 (2009)
Thriller ~ Thriller
Japan ~ Japan
Religion: Apokalypse ~ Religion: Apocalypse

#296
Wahrhaft Wissende: Independence Day heizt Verschwörungstheorien an. In: Der Spiegel 50. 1996. No. 37. [September 9] p. 232.
Description:
On American reactions to Roland Emmerich’s science fiction film.
Index:
Emmerich, Roland
Independence Day (1996)
USA (United States of America) ~ USA (United States of America)
Science Fiction ~ Science Fiction

#297
Ward, Simon: The art & making of Independence Day: Resurgence. Foreword by Roland Emmerich. - London: Titan Books 2016.
Index:
Emmerich, Roland
Independence Day: Resurgence (2016)

#298
Wegner, Phillip E.: A nightmare on the brain of the living: Messianic historicity, alienations and Independence Day. In: Wegner, Phillip E.: Life between two deaths, 1989-2001: U.S. culture in the long nineties. - Durham, North Carolina: Duke University Press 2009. (= Post-contemporary interventions.) p. ?P.
Index:
Emmerich, Roland
Independence Day (1996)
Religion ~ Religion
Geschichte ~ History
Aliens ~ Aliens
Traum ~ Dreams
Tod ~ Death
Politik ~ Politics
USA (United States of America) ~ USA (United States of America)

#299
Weinberger, Kimberley / Margolis, Dawn: The official Godzilla movie fact book: Based on the hit movie from TriStar Pictures. - London: Puffin 1998.
Index:
Emmerich, Roland
Godzilla (1998)

#300
Weiner, Adam: Don’t try this at home! The physics of Hollywood movies. - New York: Kaplan Publishing 2007.
Description:
On special effects and technical gimmicks in film, especially in science fiction. Discusses, among others, the Superman, Batman, Spider-Man, Mission: Impossible and the Star Trek films as well as Ron Howard’s Apollo 13, Michael Bay’s Armageddon, Roland Emmerich’s The Day After Tomorrow and James Cameron’s Titanic.
Index:
Howard, Ron
Bay, Michael
Emmerich, Roland
Cameron, James
Superman (Filmreihe)
Batman (Filmreihe)
Spider-Man (Filmreihe)
Mission: Impossible (Filmreihe)
Star Trek (Filmreihe)
Apollo 13 (1995)
Armageddon (1998)
Day After Tomorrow, The (2004)
Titanic (1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Science Fiction ~ Science Fiction
Hollywood ~ Hollywood

#301
Weiß, Thomas: Independence Day: Invasion der Tricks. In: Cinema [Hamburg] 1996. No. 10(221). [?D] pp. 50-54.
Description:
On the work of German trick film artist Volker Engel for the film by Roland Emmerich.
Index:
Emmerich, Roland
Engel, Volker
Independence Day (1996)
Technik: Spezialeffekte ~ Technology: Special Effects
Krieg ~ War
Deutschland ~ Germany

#302
Wigley, Sam: 10,000 BC. In: Sight and Sound NS 18. 2008. No. 5. [May] pp. 88-89.
Index:
Emmerich, Roland
10,000 B.C. (2008)

#303
Williams, David E.: Monster mash. In: American Cinematographer 79. 1998. No. 6. [June] pp. 58-73.
Description:
On the special effects for Roland Emmerich’s Godzilla, especially on the work of cinematographer Ueli Steiger.
Index:
Emmerich, Roland
Steiger, Ueli
Godzilla (1998)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Monster ~ Monster

#304
Williams, David E.: Worlds at war. In: American Cinematographer 77. 1996. No. 7. [July] pp. 32-43.
Description:
On Roland Emmerich’s Independence Day; especially on the camera work of Karl Walter Lindenlaub.
Index:
Emmerich, Roland
Lindenlaub, Karl Walter
Independence Day (1996)
Technik: Kamera ~ Technology: Camera
Krieg ~ War

#305
Wirwalski, Andreas: 2012. In: Filmecho/Filmwoche 63. 2009. No. 45. [November 6] p. 22.
Index:
Emmerich, Roland
2012 (2009)

#306
Wolfschlag, Claus M.: The Day After Tomorrow. In: Enzyklopädie des phantastischen Films. 71. Ergänzungslieferung. - Meitingen: Corian-Verlag, Juli 2004.
Index:
Emmerich, Roland
Day After Tomorrow, The (2004)

#307
Woolley, Elena: Overcoming the end of the world in American cinema. In: Cineaction 2015. No. 95. [?D] pp. 26-35.
Description:
Discusses, among others, Michael Bay’s Armageddon and Roland Emmerich’s 2012.
Index:
Bay, Michael
Emmerich, Roland
Armageddon (1998)
2012 (2009)
USA (United States of America) ~ USA (United States of America)
Religion ~ Religion

#308
Worschech, Rudolf: Independence Day. In: EPD Film 13. 1996. No. 9. [September] pp. 42-43.
Index:
Emmerich, Roland
Independence Day (1996)

#309
Zabka, Stephan: Bad to the bone: Universal Soldier. In: Splatting Image 1992. No. 12. [December] pp. 59-60.
Index:
Emmerich, Roland
Universal Soldier (1992)


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