The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|

literature list on: Expressionismus

number of items: 335

#1
Albera, François: Le cinéma "expressioniste allemand": Retrospective et exposition à la Cinémathèque française. In: "1895" 2007. No. 51. [May] pp. 106-117.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#2
Allen, Jerry C.: Conrad Veidt: From Caligari to Casablanca. Centennial edition. - Pacific Grove, California: Boxwood Press 1993.
First edition:
[1987]
Reviews:
Smith, Stephen D.: [untitled] In: Monsterscene ?G. 1994. No. 2. [June] p. 46.
Description:
On the actor who played in many expressionist classics such as Robert Wiene’s Das Cabinet des Dr. Caligari, Paul Leni’s Das Wachsfigurenkabinett and Henry Galeen’s Der Student von Prag.
Index:
Veidt, Conrad
Wiene, Robert
Leni, Paul
Galeen, Henrik
Curtiz, Michael
Cabinet des Dr. Caligari, Das (1919)
Wachsfigurenkabinett, Das (1924)
Student von Prag, Der (1926)
Casablanca (1942)
Expressionismus ~ Expressionism

#3
Allen, Jerry C.: Conrad Veidt: From Caligari to Casablanca. - Pacific Grove, California: Boxwood Press 1987.
Reviews:
Martinelli, Vittorio: [untitled] In: Immagine 1989. No. 13. [Winter] pp. 30-31.
Nangle, J.: [untitled] In: Films in Review 39. 1988. No. ?N. [August/September] pp. 434-435.
Description:
On the actor who played in many expressionist classics such as Robert Wiene’s Das Cabinet des Dr. Caligari, Paul Leni’s Das Wachsfigurenkabinett and Henry Galeen’s Der Student von Prag.
Index:
Veidt, Conrad
Wiene, Robert
Leni, Paul
Galeen, Henrik
Curtiz, Michael
Cabinet des Dr. Caligari, Das (1919)
Wachsfigurenkabinett, Das (1924)
Student von Prag, Der (1926)
Casablanca (1942)
Expressionismus ~ Expressionism

#4
Amengual, Barthélemy: 1918-1926: L’expressionisme allemand. In: Les grandes "écoles" esthétique. Réuni par Guy Hennebelle avec le concours d’Alain et Odette Virmaux. (= Cinémaction 1990. No. 55. [?D]) pp. 32-39.
Description:
Includes a filmography and a bibliography.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#5
Amengual, Barthélemy: Quand le décor est le film. In: Positif 1988. No. 331. [?D] pp. 38-44.
Description:
On the meaning of the décor for the German expressionistic film.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#6
Amengual, Barthélemy: Quando la scenografia era l’autore del film. In: Cinema Nuovo 40. 1991. No. 329. [January/February] pp. 33-39.
Description:
On the importance of design for the German expressionistic film of the 1910s and 1920s.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#7
Angel, Ernst: An "Expressionist" film (1920). In: The promise of cinema: German film theory, 1907-1933. Edited by Anton Kaes, Nicholas Baer, and Michael Cowan. - Oakland, California: University of California Press 2016. (= Weimar and now: German cultural criticism 49.) p. ?P.
Index:
Angel, Ernst
Expressionismus ~ Expressionism
Deutschland ~ Germany

#8
Anger, Cédric: Le dernier expressionniste. In: Cahiers du Cinéma 1999. No. 534. [April] pp. 28-29.
Description:
On expressionistic motifs in the films of Stanley Kubrick.
Index:
Kubrick, Stanley
Expressionismus ~ Expressionism

#9
Aspects of expressionism (3): It lives again. In: Monthly Film Bulletin 46. 1979. No. 547. [August] p. 188.
Description:
On some basic motifs in German expressionistic film.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#10
Ästhetik der Schatten: Filmisches Licht 1915 - 1950. Hrsg. von Connie Betz, Julia Pattis und Rainer Rother. - Marburg: Schüren 2014.
Reviews:
Brandlmeier, Thomas: Ästhetik der Schatten: Verständnis für Lichtgestaltung. In: Film-Dienst 67. 2014. No. 13. [June 19] p. 26.
Jockenhövel, Jesko: [untitled.] In: Medienwissenschaft 2014. No. 4. pp. 400-401.
Index:
Expressionismus ~ Expressionism

#11
Atger, Jean-Philippe: Exposition: Paris - Berlin. In: Cinématographe 1978. No. 40. [?D] p. 87.
Index:
Paris ~ Paris
Expressionismus ~ Expressionism
Berlin ~ Berlin

#12
Audibert, L.: Le pont traverse. In: Cinématographe 1977. No. 23. [January] pp. 9-12.
Index:
Murnau, Friedrich Wilhelm
Expressionismus ~ Expressionism

#13
Aumont, Jacques: Unheimliche Geschichten: Titulo ltaliano: Storie inquietanti (1919) di Richard Oswald. In: Incontro ai fantasmi: Il cinema espressionista. Pubblicato in occasione della retrospettiva promossa dalla Cineteca Nazionale, Retrospettiva "Incontro ai Fantasmi, il Cinema Espressionista", Roma, Cinema Trevi, 26 marzo - 5 aprile 2008. A cura di Paolo Bertetto e Sergio Toffetti. - Roma: Centro Sperimentale di Cinematografia 2008. (= Quaderni del CSC.) pp. 53 ff.
Description:
[GA:] [KoDeu] [End GA][KoDeu]
Index:
Oswald, Richard
unheimliche Geschichten (1919)
Rom ~ Rome
Deutschland ~ Germany
Expressionismus ~ Expressionism

#14
Badley, Linda: Cinema as snuff: Auteurist meta-snuff and the murderous gaze from German expressionism to Shadow of the Vampire. In: Snuff: Real death and screen media. Edited by Neil Jackson, Shaun Kimber, Johnny Walker, and Thomas Joseph Watson. - New York: Bloomsbury Academic 2016. p. ?P.
Index:
Merhige, E. Elias
Shadow of the Vampire (2000)
Expressionismus ~ Expressionism
Deutschland ~ Germany
Tod ~ Death
Mord ~ Murder
Horror ~ Horror

#15
Ballhausen, Thomas / Krenn, Günter: Expressionismus und Expression: Zu Orlacs Hände (1924). In: Splatting Image 2006. No. 68. [December] pp. 15-18.
Index:
Wiene, Robert
Orlacs Hände (1924)
Expressionismus ~ Expressionism

#16
Ballhausen, Thomas / Krenn, Günter: Zwischen Kontrolle und Kontrollverlust: Zu zwei österreichischen Beispielen des expressionistischen phantastischen Stummfilms. In: Quarber Merkur 2007. No. 105/106. [?D] pp. 9-18.
Description:
Discusses Robert Wiene’s Orlacs Hände and Hans Karl Breslauer’s Stadt ohne Juden.
Index:
Wiene, Robert
Breslauer, Hans Karl
Orlacs Hände (1924)
Stadt ohne Juden (1924)
Stummfilm ~ Silent Film
Österreich ~ Austria
Expressionismus ~ Expressionism

#17
Barlow, John D.: German expressionist film. - Boston: Twayne 1982. (= Twayne’s Filmmakers.)
Reviews:
Rubenstein, Lenny: [untitled] In: Cineaste 13. 1984. No. 2. [?D] p. 54.
Description:
Discusses, among others, Fritz Lang’s Metropolis.
Index:
Lang, Fritz
Metropolis (1925/1926)
Expressionismus ~ Expressionism
Deutschland ~ Germany

#18
Bassan, Raphaël: L’expressionnisme: Un revelateur social. In: La Revue du Cinéma 1980. No. 348. [March] pp. 131-133.
Index:
Expressionismus ~ Expressionism

#19
Bassan, Raphaël: L’expressionnisme: Un révélateur social. In: Image et Son 1980. No. 348. [March] pp. 131-133.
Description:
Especially on Das Testament des Dr. Mabuse.
Index:
Lang, Fritz
Testament des Dr. Mabuse, Das (1932/1933)
Expressionismus ~ Expressionism

#20
Bell, E.: Imagine madness: Madness in films of the modernist avant-garde, Lars von Trier, and Dogma ’95. - Norwich, Norfolk: University of East Anglia, Ph.D. 2007. [Abstract in: Index to Theses with Abstracts 57-7624.]
Description:
Discusses, among others, Robert Wiene’s Das Cabinet des Dr. Caligari, Friedrich Wilhelm Murnau’s Nosferatu - Eine Symphonie des Grauens, Hans Richter’s Vormittagsspuk, Luis Buñuel’s Un chien andalou, Germaine Dulac’s La coquille et le clergyman, Harmony Korine’s Julien Donkey-Boy, and especially the films of Lars von Trier.
Index:
von Trier, Lars
Wiene, Robert
Murnau, Friedrich Wilhelm
Richter, Hans
Buñuel, Luis
Dulac, Germaine
von Trier, Lars
Korine, Harmony
Cabinet des Dr. Caligari, Das (1919)
Nosferatu - Eine Symphonie des Grauens (1922)
Vormittagsspuk (1928)
chien andalou, Un (1928)
coquille et le clergyman, La (1927)
Idioterne (1998)
Julien Donkey-Boy (1999)
Wahnsinn ~ Madness
Experimentalfilme ~ Experimental Films
Dogma Filme ~ Dogma films
Surrealismus ~ Surrealism
Expressionismus ~ Expressionism

#21
Belton, John: Dexterity in a void: The formalist esthetics of Alfred Hitchcock. In: Cineaste 10. 1980. No. 3. [Summer] pp. 9-13.
Index:
Hitchcock, Alfred
Rear Window (1954)
Expressionismus ~ Expressionism

#22
Bénoliel, Bernard: Les psychoanalystes: De la nécessitéà l’oubli ou les représentations du psychoanalyste dans le cinéma américain depuis 1945 (deuxième partie). In: La Revue du Cinéma 1992. No. 481. [?D] pp. 68-73.
Index:
Expressionismus ~ Expressionism
USA (United States of America) ~ USA (United States of America)
Psychologie ~ Psychology

#23
Benson, Timothy O. / Heller, Reinhold / Frisby, David / While, Iain Boyd / Kaes, Anton: Expressionist utopias: Paradise, Metropolis, architectural fantasy. - Berkeley, California: University of California Press 2001.
Index:
Lang, Fritz
Metropolis (1925/1926)
Utopie ~ Utopia
Fantasy ~ Fantasy
Expressionismus ~ Expressionism

#24
Bergstrom, Janet: Expressionism and Mabuse. In: Iris 1992. No. 14/15. [Autumn] pp. 85-98.
Index:
Lang, Fritz
Dr. Mabuse, der Spieler (1921/1922)
Expressionismus ~ Expressionism

#25
Bertetto, Paolo: Introduzione: Il cinema espressionista e la forma dell’immaginario. In: Incontro ai fantasmi: Il cinema espressionista. Pubblicato in occasione della retrospettiva promossa dalla Cineteca Nazionale, Retrospettiva "Incontro ai Fantasmi, il Cinema Espressionista", Roma, Cinema Trevi, 26 marzo - 5 aprile 2008. A cura di Paolo Bertetto e Sergio Toffetti. - Roma: Centro Sperimentale di Cinematografia 2008. (= Quaderni del CSC.) pp. 7 ff.
Description:
[GA:] [KoDeu] [End GA][KoDeu]
Index:
Rom ~ Rome
Deutschland ~ Germany
Expressionismus ~ Expressionism

#26
Beyer, Friedemann: Die Gesichter der UFA: Starportraits einer Epoche. 3. aktualisierte Auflage. - München: Heyne Verlag 1996. (= Heyne Filmbibliothek 32/175.)
Description:
Encyclopedia of actresses and actors from the UFA period, Some of them played in fantastic expressionistic film, for example Brigitte Helm, Mia May, Lya de Putti, Sybille Schmitz, Rudolf Klein-Rogge, Werner Krauss, Harry Liedtke, Fritz Rasp, Conrad Veidt and Paul Wegener. Each article includes a short biography and a selected filmography. The appendix presents a chronologic short history of the Ufa.
Index:
Helm, Brigitte
May, Mia
Putti, Lya de
Schmitz, Sybille
Klein-Rogge, Rudolf
Krauss, Werner
Liedtke, Harry
Rasp, Fritz
Veidt, Conrad
Wegener, Paul
UFA ~ UFA
Expressionismus ~ Expressionism

#27
Beyer, Friedemann: Die Gesichter der UFA: Starportraits einer Epoche. 2. verbesserte Auflage. - München: Heyne Verlag 1992. (= Heyne Filmbibliothek 32/175.)
Reviews:
Everschor, Franz: [untitled] In: Film-Dienst 47. 1994. No. 4. [February 15] p. 33.
Description:
Encyclopedia of actresses and actors from the UFA period, Some of them played in fantastic expressionistic film, for example Brigitte Helm, Mia May, Lya de Putti, Sybille Schmitz, Rudolf Klein-Rogge, Werner Krauss, Harry Liedtke, Fritz Rasp, Conrad Veidt and Paul Wegener. Each article includes a short biography and a selected filmography. The appendix presents a chronologic short history of the Ufa.
Index:
Helm, Brigitte
May, Mia
Putti, Lya de
Schmitz, Sybille
Klein-Rogge, Rudolf
Krauss, Werner
Liedtke, Harry
Rasp, Fritz
Veidt, Conrad
Wegener, Paul
UFA ~ UFA
Expressionismus ~ Expressionism

#28
Bonnet, Jean-Claude: Dossier: La generation expressioniste. In: Cinématographe 1976. No. 22. [December] pp. 15-19.
Description:
Discusses, among others, the work of Fritz Lang.
Index:
Lang, Fritz
Expressionismus ~ Expressionism

#29
Borgelt, Hans: Die UFA - ein Traum: 100 Jahre deutscher Film: Ereignisse und Erlebnisse. Vorwort von Volker Schlöndorff. - Berlin: edition q 1993.
Description:
Includes a detailed analysis of the German fantastic expressionistic film.
Index:
UFA ~ UFA
Expressionismus ~ Expressionism
Deutschland ~ Germany

#30
Bourget, Jean-Loup: Histoires allemandes: Toulouse a l’heure du caligarisme. In: Positif 1985. No. 291. [May] pp. 39-41.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Toulouse ~ Toulouse
Expressionismus ~ Expressionism
Deutschland ~ Germany

#31
Bourget, Jean-Loup: Toulouse à l’heure du caligarisme. In: Positif 1985. No. 291. [?D] pp. 39-41.
Description:
On a retrospective of German expressionistic film in Toulouse.
Index:
Toulouse ~ Toulouse
Expressionismus ~ Expressionism
Deutschland ~ Germany

#32
Brandlmeier, Thomas: Fragmenting the space: On E. A. Dupont’s Variete. In: Expressionist film: New perspectives. Edited by Dietrich Scheunemann. - Rochester, New York [et al.]: Camden House 2003. (= Studies in German Literature, Linguistics, and Culture.) p. ?P.
Index:
Dupont, Ewald André
Varieté (1925)
Expressionismus ~ Expressionism

#33
Brandt, H.-J.: Walter Ruttmann: Vom Expressionismus zum Faschismus. Teil 2. In: Filmfaust ?G. 1985/1986. No. 50. [?D] pp. 45-54.
Index:
Ruttmann, Walter
Faschismus ~ Fascism
Expressionismus ~ Expressionism

#34
Brandt, H.-J.: Walter Ruttmann: Vom Expressionismus zum Faschismus. Teil 3. In: Filmfaust ?G. 1986. No. 51. [?D] pp. 42-54.
Index:
Ruttmann, Walter
Faschismus ~ Fascism
Expressionismus ~ Expressionism

#35
Brandt, H.-J.: Walter Ruttmann: Vom Expressionismus zum Faschismus. Teil 1. In: Filmfaust ?G. 1985. No. 49. [?D] pp. 38-46.
Index:
Ruttmann, Walter
Faschismus ~ Fascism
Expressionismus ~ Expressionism

#36
Brook, Vincent: Driven to darkness: Jewish émigré directors and the rise of film noir. - New Brunswick, New Jersey: Rutgers University Press 2009.
Description:
Includes chapters on the participation of Jews in German expressionism and on the work of Fritz Lang, Robert Siodmak, Billy Wilder, Otto Preminger, Edgar G. Ulmer, Anatole Litvak, Fred Zinnemann and others.
Index:
Lang, Fritz
Siodmak, Robert
Wilder, Billy
Preminger, Otto
Ulmer, Edgar G[eorge]
Litvak, Anatole
Zinnemann, Fred
Religion: Juden ~ Religion: Jews
Religion ~ Religion
Film Noir ~ Film Noir
Expressionismus ~ Expressionism
Deutschland ~ Germany

#37
Buache, Freddy: Le cinéma allemand 1918-1933. - Paris: Hatier 1984.
Reviews:
Tessier, Max: [untitled] In: La Revue du Cinéma 1985. No. 401. [January] pp. 103-104.
Description:
On the history of the German expressionistic film.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#38
Budd, Mike: Contradictions of expressionism in The Cabinet of Dr. Caligari. In: Indiana Social Studies Quarterly 34. 1981. No. 2. [?D] pp. 19-25.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism

#39
Budd, Mike: Modernism and the representation of fantasy: Cubism and expressionism in The Cabinet of Dr. Caligari. In: Forms of the fantastic: Selected essays from the Third International Conference on the Fantastic in Literature and Film. Edited by Jan Hokenson and Howard D. Pearce. - Westport, Connecticut; New York, London: Greenwood 1986. (= Contributions to the Study of Science Fiction and Fantasy 20.) pp. 15-21.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Fantasy ~ Fantasy
Literatur ~ Literature
Expressionismus ~ Expressionism

#40
Burns, William F.: Emptying the cabinet: An exploration of the origins, impact and legacy of the Expressionist film movement of post-World War I Germany. - Madison, New Jersey: Drew University, D.Litt. 2013. [Abstract in: Dissertation Abstracts International A 74. 2014. No. 12. [June] p. ?P.]
Index:
Wiene, Robert
Nietzsche, Friedrich
Cabinet des Dr. Caligari, Das (1919)
Krieg ~ War
Expressionismus ~ Expressionism
Deutschland ~ Germany

#41
Campbell, Gardner: The presence of Orson Welles in Robert Stevensons Jane Eyre (1944). In: Literature/Film Quarterly 31. 2003. No. 1. [January] pp. 2-9.
Description:
Discusses, alongside Welles’s participation, the use of expressionistic techniques for the film project.
Index:
Stevenson, Robert
Welles, Orson
Jane Eyre (1944)
Technik ~ Technology
Expressionismus ~ Expressionism

#42
Cappabianca, Alessandro: Il corpo dell’ombra. In: Filmcritica 47. 1997. No. 475. [May] pp. 211-215.
Index:
Expressionismus ~ Expressionism

#43
Cardullo, Bert: Expressionism and Nosferatu. In: San Jose Studies 11. 1985. No. 3. [?D] pp. 25-33.
Description:
On the fascination of the vampire motif for German expressionism. Discusses, among others, Friedrich Wilhelm Murnaus Nosferatu.
Index:
Murnau, Friedrich Wilhelm
Nosferatu - Eine Symphonie des Grauens (1922)
Expressionismus ~ Expressionism
Vampire ~ Vampires
Deutschland ~ Germany

#44
Cardullo, Bert: Expressionism and the real Cabinet of Dr. Caligari. In: Film Criticism 6. 1982. No. 2. [Winter] pp. 28-34.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism

#45
Carl Mayer, Scenar(t)ist: Ein Script von ihm war schon ein Film. Erschienen anlässlich des Diagonale-Specials für Graz 2003 - Kulturhauptstadt Europas. Hrsg. von Michael Omasta. - Wien: SYNEMA 2003. (= Ein Buch von SYNEMA-Publikationen.)
Reviews:
Asper, Helmut G.: [untitled.] In: Film-Dienst 56. 2003. No. 21. [October 7] pp. 42-43.
Index:
Mayer, Carl
Graz ~ Graz
Expressionismus ~ Expressionism

#46
Carroll, Noël: Lang, Pabst and sound. In: Carroll, Noël: Interpreting the moving image. - Cambridge; Mew York: Cambridge University Press 1998. p. ?P.
Index:
Lang, Fritz
Pabst, Georg Wilhelm
Musik ~ Music
Expressionismus ~ Expressionism

#47
Carroll, Noël: The cabinet of Dr. Kracauer. In: Carroll, Noël: Interpreting the moving image. - Cambridge; Mew York: Cambridge University Press 1998. p. ?P.
Index:
Wiene, Robert
Kracauer, Siegfried
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism

#48
Carroll, Noël: The Cabinet of Dr. Kracauer. In: Millennium Film Journal 1978. No. 2. [Spring/Summer] pp. 77-85.
Description:
On the meaning of Robert Wiene’s Das Cabinet des Dr. Caligari for the German film history and on Kracauer’s important film book "Von Caligari zu Hitler".
Index:
Wiene, Robert
Kracauer, Siegfried
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Deutschland ~ Germany

#49
Chevallier, J.: Les surrealistes devant l’écran. In: Image et Son 1980. No. 346. [?D] pp. 93-110.
Description:
Includes texts by Soupault, Aragon, Buñuel, Elvard, Alquié, Crevel and Daumal.
Index:
Soupault, Philippe
Aragon, Louis
Buñuel, Luis
Crevel, René
Surrealismus ~ Surrealism
Expressionismus ~ Expressionism

#50
Cieslar, Jirí: Zkusenost s expresionismem. In: Film a Doba 38. 1992. No. 3. [?D] pp. 150-158.
Description:
On expressionistic films.
Index:
Expressionismus ~ Expressionism

#51
Le cinéma expressionniste allemand: Splendeurs d’une collection. Exposition, du 25 octobre 2006 au 22 janvier 2007 à la Cinématheèque Française, Paris. Ed.: Bernard Benoliel et Audrey Demarre. - Paris: Edition de la Martinière 2007.
Index:
Paris ~ Paris
Expressionismus ~ Expressionism
Deutschland ~ Germany

#52
Coates, Paul: 31 January 1924: Premiere of Orlacs Hände marks beginning of the end of expressionism. In: A new history of German cinema. Edited by Jennifer M. Kapczynski and Michael D. Richardson. - Rochester, New York; Woodbridge, Suffolk: Camden House 2012. (= Screen cultures: German film and the visual.) pp. 129 ff.
Index:
Wiene, Robert
Orlacs Hände (1924)
Expressionismus ~ Expressionism
Deutschland ~ Germany

#53
Coates, Paul: The Gorgon’s gaze: German cinema, expressionism, and the image of horror. - Cambridge; New York; Port Chester; Melbourne; Sydney: Cambridge University Press 1991. (= Cambridge Studies in Film.)
Reviews:
Cantrill, Arthur: [untitled] In: Cantrills Filmnotes 1991. No. 65/66. [October] p. 62.
Corrigan, Timothy: [untitled] In: Film Quarterly 45. 1992. No. 4. [Summer] pp. 44-45.
Johnson, Sheila K.: [untitled] In: The German Quarterly 68. 1995. No. 1. [?D] pp. 85-87.
McCormick, Richard: [untitled] In: Monatshefte für deutschen Unterricht, deutsche Sprache und Literatur 88. 1996. No. 4. [?D] pp. 531-532.
Petro, Patrice: Last laugh of the Medusa. In: Sight and Sound NS 1. 1991. No. 5. [September] pp. 33-34.
Description:
On the motifs of the dignity, the uncanny and the monstrous in German film. Includes a bibliography.
Index:
Expressionismus ~ Expressionism
Horror ~ Horror
Deutschland ~ Germany
Angst ~ Fear

#54
Cooke, Paul: The Pocket Essential German expressionist film. - Harpenden: Pocket Essentials 2002. (= Pocket Essentials: Film.)
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#55
Coulson, Anthony: Entrapment and escape: Readings of the city in Karl Grune’s The Street and G. W. Pabst’s The Joyless Street. In: Expressionist film: New perspectives. Edited by Dietrich Scheunemann. - Rochester, New York [et al.]: Camden House 2003. (= Studies in German Literature, Linguistics, and Culture.) p. ?P.
Index:
Grune, Karl
Pabst, Georg Wilhelm
Straße, Die (1923)
freudlose Gasse, Die (1925)
Stadt ~ City
Expressionismus ~ Expressionism

#56
Courtade, Francis: Deutscher Expressionismus und französisches Kino. In: Kameradschaft-Querelle: Kino zwischen Deutschland und Frankreich. Hrsg. von Heiner Gassen und Heike Hurst. (= Revue CICIM 1991. No. 30/31/32. [June]) pp. 93-106.
Description:
On the meaning of the German expressionist film, especially Wiene’s Das Cabinet des Dr. Caligari and Murnau’s Nosferatu, for the contemporary French film.
Index:
Wiene, Robert
Murnau, Friedrich Wilhelm
Cabinet des Dr. Caligari, Das (1919)
Nosferatu - Eine Symphonie des Grauens (1922)
Expressionismus ~ Expressionism
Frankreich ~ France
Deutschland ~ Germany

#57
Courtade, Francis: Le cinéma expressioniste. - Paris: Veyrier 1984.
Reviews:
Audibert, L.: [untitled] In: Cinématographe 1985. No. 106. [January] p. 72.
Portal, M.: [untitled] In: Jeune Cinéma 1985. No. 166. [April] p. 48.
Index:
Expressionismus ~ Expressionism

#58
Dalle Vacche, Angela: Murnau’s Nosferatu: Romantic painting as horror and desire in expressionist cinema. In: Post Script 14. 1995. No. 3. [Summer] pp. 25-36.
Index:
Murnau, Friedrich Wilhelm
Nosferatu - Eine Symphonie des Grauens (1922)
Vampire ~ Vampires
Romantik ~ Romanticism
Kunst ~ Arts, The
Expressionismus ~ Expressionism
Horror ~ Horror

#59
David, Gertrud: The expressionist film (1919). In: The promise of cinema: German film theory, 1907-1933. Edited by Anton Kaes, Nicholas Baer, and Michael Cowan. - Oakland, California: University of California Press 2016. (= Weimar and now: German cultural criticism 49.) p. ?P.
Index:
David, Gertrud
Expressionismus ~ Expressionism
Deutschland ~ Germany

#60
Dellolio, Peter: Hitchcock and Kafka: Expressionist themes in Strangers on a Train. In: North Dakota Quarterly 70. 2003. No. 2. [?D] pp. 83-101.
Index:
Hitchcock, Alfred
Kafka, Franz
Strangers on a Train (1951)
Expressionismus ~ Expressionism

#61
Dellolio, Peter J.: Expressionist themes in Strangers on a Train. In: Literature/Film Quarterly 31. 2003. No. 4. [October] pp. 260-269.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)
Expressionismus ~ Expressionism

#62
Dellolio, Peter J.: Hitchcock and Kafka: Expressionist themes in Strangers on a Train. In: The Midwest Quarterly 45. 2004. No. 3. [Spring] pp. 240-255.
Index:
Hitchcock, Alfred
Kafka, Franz
Strangers on a Train (1951)
Expressionismus ~ Expressionism

#63
Deltcheva, Roumiana / Vlasov, Eduard: From the wax of history: Leni’s Das Wachsfigurenkabinett and the cinema of German Expressionism as a source for Eisenstein’s Ivan Groznyi. In: Studies in the Humanities 23. 1996. No. 1. [?D] pp. 99-108.
Index:
Leni, Paul
Eisenstein, Sergei Mikhailovich
Wachsfigurenkabinett, Das (1924)
Iwan grosny (1944-1946)
Geschichte ~ History
Expressionismus ~ Expressionism
Deutschland ~ Germany

#64
Dickos, Andrew: German expressionism and the roots of the film noir - Fritz Lang - Robert Siodmak. In: Dickos, Andrew: Street with no name: A history of the classic American film noir. - Lexington: University Press of Kentucky 2002. p. ?P.
Index:
Lang, Fritz
Siodmak, Robert
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir
Expressionismus ~ Expressionism
Deutschland ~ Germany

#65
Diebold, Bernhard: Expressionism and cinema (1916). In: The promise of cinema: German film theory, 1907-1933. Edited by Anton Kaes, Nicholas Baer, and Michael Cowan. - Oakland, California: University of California Press 2016. (= Weimar and now: German cultural criticism 49.) p. ?P.
Index:
Diebold, Bernhard
Expressionismus ~ Expressionism
Deutschland ~ Germany

#66
Diesseits der "dämonischen Leinwand": Neue Perspektiven auf das späte Weimarer Kino. Hrsg. von Thomas Koebner in Verbindung mit Norbert Grob und Bernd Kiefer. - München: edition text + kritik 2003.
Reviews:
Baer, Volker: [untitled] In: Film-Dienst 57. 2004. No. 4. [February 19] p. 39.
Lange, Sigrid: [untitled] In: F.LM - Texte zum Film. Online edition, September 2004.
von Thüna, Ulrich: [untitled.] In: Medienwissenschaft 2004. No. 2. pp. 230-233.
Description:
Includes articles on post-expressionistic film and on the representation of the big city in film.
Index:
Expressionismus ~ Expressionism
Stadt ~ City
Deutschland ~ Germany

#67
Dodson, Will: Tod Browning’s expressionist bodies. In: Quarterly Review of Film and Video 31. 2014. No. 3. [?D] pp. 231-239.
Description:
Discusses especially expressionist elements in Dracula and Freaks.
Index:
Browning, Tod
Dracula (1930)
Freaks (1932)
Körper ~ Bodies
Expressionismus ~ Expressionism

#68
Dolgenos, Peter: The star on C. A. Rotwang’s door: Turning Kracauer on its head. In: Journal of Popular Film and Television 25. 1997. No. 2. [Summer] pp. 68-75.
Description:
On Siegfried Kracauer’s famous film study "Von Caligari zu Hitler" which deals with the German expressionistic film. Discusses Robert Wiene’s classic Das Cabinet des Dr. Caligari as well as Fritz Lang’s Metropolis and its reception in Nazi Germany.
Index:
Wiene, Robert
Lang, Fritz
Kracauer, Siegfried
Cabinet des Dr. Caligari, Das (1919)
Metropolis (1925/1926)
Expressionismus ~ Expressionism
Faschismus ~ Fascism
Deutschland ~ Germany

#69
Der dramatische Raum: Hans Poelzig, Malerei, Theater, Film. Gestaltung: Volker Döhne. - Krefeld: Museum Haus Lange; Krefeld: Museum Haus Esters 1986.
Description:
Exhibition catalogue on the set decorator who worked for many expressionistic German films, among them Der Golem, wie er in die Welt kam (1920) and Lebende Buddhas (1925).
Index:
Poelzig, Hans
Boese, Carl
Wegener, Paul
Golem, wie er in die Welt kam, Der (1920)
Lebende Buddhas (1924)
Kunst ~ Arts, The
Theater ~ Theatre
Expressionismus ~ Expressionism
Deutschland ~ Germany

#70
Duarte, Fernando: Expressionismo, suspense e terror no ultimo Kubrick. In: Celulóide 26. 1981. No. 312/313. [March]. pp. 21-2.
Index:
Kubrick, Stanley
Shining, The (1980)
Thriller ~ Thriller
Expressionismus ~ Expressionism

#71
Edema, Patricia Stella: Alfred Hitchcocks Filme im Zeichen der künstlerischen Moderne: Expressionismus, Pittura metafisica, Surrealismus. - Saarbrücken: VDM Verlag Dr. Müller 2012.
Index:
Hitchcock, Alfred
Surrealismus ~ Surrealism
Kunst ~ Arts, The
Expressionismus ~ Expressionism

#72
Eisner, Lotte H.: Az expresszionizmusra valo fogekonysag. In: Filmkultura 27. 1991. No. 6. [?D] pp. 69-71.
Description:
Excerpt from Lotte Eisner’s book "Die dämonische Leinwand" on the German expressionism.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#73
Eisner, Lotte H.: Die dämonische Leinwand. - Wiesbaden: Der neue Film 1955.
Description:
On the history of the expressionistic German film.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany
Dämonen ~ Demons

#74
Eisner, Lotte H.: Die dämonische Leinwand. Hrsg. von Hilmar Hoffmann und Walter Schobert. - Frankfurt/M.: Fischer 1980. (= Fischer Taschenbuch 3660.)
Description:
On the history of the expressionistic German film.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany
Dämonen ~ Demons

#75
Eisner, Lotte H.: Die dämonische Leinwand. Hrsg. von Michael Farin und Hans Schmid. - München: belleville 2010. (= Lotte H. Eisner: Werkausgabe in sieben Bänden 1.)
Description:
On the history of the expressionistic German film.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany
Dämonen ~ Demons

#76
Eisner, Lotte H.: Die dämonische Leinwand. Überarbeitete, erweiterte und aktualisierte Neuauflage. - Frankfurt/M.: Kommunales Kino 1975.
Description:
On the history of the expressionistic German film.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany
Dämonen ~ Demons

#77
Eisner, Lotte H.: L’écran démoniacque. - Paris: Édition André Bonne 1952.
Description:
On the history of the expressionistic German film.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany
Dämonen ~ Demons

#78
Eisner, Lotte H.: L’écran démoniacque: Les influences de Max Reinhardt et de l’expressionnisme. - Paris: E. Losfeld 1981.
Description:
On the history of the expressionistic German film.
Index:
Goldmann, Max [Pseudonym: Reinhardt, Max]
Expressionismus ~ Expressionism
Deutschland ~ Germany
Dämonen ~ Demons

#79
Eisner, Lotte H.: Le cinema expressionniste: De l’aube a minuit: Colloque organise par le Centre d’Etudes Germaniques de l’Université de Strasboure & l’Equipe de Recherches Theatrales & Musicologiques du CNRS (Strasbourg, 27 November-1 December 1968). In: L’Expressionnisme dans le theatre europeen. Edité par Denis Bablet et Jean Jacquot. - Paris: Centre Nationale de la Recherche Scientifique 1984. pp. 213-220.
Description:
Especially on Robert Wiene’s paradigmatic expressionist film Das Cabinet des Dr. Caligari.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Straßburg ~ Strasbourg
Theater ~ Theatre
Europa ~ Europe
Expressionismus ~ Expressionism
Musik ~ Music
Deutschland ~ Germany

#80
Eizykman, Claudine: La copertina di Paul Leni per il volume Expressionismus und Film di Rudolf Kurtz (1926). In: Incontro ai fantasmi: Il cinema espressionista. Pubblicato in occasione della retrospettiva promossa dalla Cineteca Nazionale, Retrospettiva "Incontro ai Fantasmi, il Cinema Espressionista", Roma, Cinema Trevi, 26 marzo - 5 aprile 2008.A cura di Paolo Bertetto e Sergio Toffetti. - Roma: Centro Sperimentale di Cinematografia 2008. (= Quaderni del CSC.) pp. 99 ff.
Description:
[GA:] [KoDeu] [End GA][KoDeu]
Index:
Kurtz, Rudolf
Rom ~ Rome
Deutschland ~ Germany
Expressionismus ~ Expressionism

#81
Elsaesser, Thomas: A German ancestry to film noir? Film history and its imaginary. In: Iris 1996. No. 21. [Spring] pp. 129-144.
Description:
Discusses especially the expressionistic film.
Index:
Expressionismus ~ Expressionism
Magie ~ Magic
Film Noir ~ Film Noir
Deutschland ~ Germany

#82
Elsaesser, Thomas: Das Weimarer Kino - aufgeklärt und doppelbödig. Aus dem Englischen von Michael Wedel. - Berlin: Verlag Vorwerk 8 1999.
Reviews:
Nagel, Josef: [untitled] In: Film-Dienst 53. 2000. No. 9. [April 25] p. 36.
von Thüna, Ulrich: Das Kino der Weimarer Republik. In: EPD Film 17. 2000. No. 12. [December] pp. 10-11.
Description:
Discusses also the expressionistic film and its influence on the film noir.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir
Expressionismus ~ Expressionism
Deutschland ~ Germany

#83
Elsaesser, Thomas: Die Nibelungen: Siegfried: I Nibelunghi: La morte di Sigfrido (1924) di Fritz Lang. In: Incontro ai fantasmi: Il cinema espressionista. Pubblicato in occasione della retrospettiva promossa dalla Cineteca Nazionale, Retrospettiva "Incontro ai Fantasmi, il Cinema Espressionista", Roma, Cinema Trevi, 26 marzo - 5 aprile 2008.A cura di Paolo Bertetto e Sergio Toffetti. - Roma: Centro Sperimentale di Cinematografia 2008. (= Quaderni del CSC.) pp. 87 ff.
Description:
[GA:] [KoDeu] [End GA][KoDeu]
Index:
Lang, Fritz
Nibelungen, Die (1922-1924)
Rom ~ Rome
Deutschland ~ Germany
Expressionismus ~ Expressionism

#84
Elsaesser, Thomas: National subjects, international style: Navigating early German cinema / Soggetti nazionali, stile internazionale: Un periplo nel primo cinema tedesco. In: Before Caligari: German cinema, 1895-1920 / Prima di Caligari: Cinema tedesco, 1895-1920. Edited by Paolo Cherchi Usai and Lorenzo Codelli. - Pordenone: Edizioni Edizioni Biblioteca dell’immagine 1990. pp. 338-355.
Description:
Discusses also the expressionistic fantastic film.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#85
Elsaesser, Thomas: Secret affinities. In: Sight and Sound 58. 1988/1989. No. 1. [?D] pp. 33-39.
Description:
On F. W. Murnau’s expressionistic films.
Index:
Murnau, Friedrich Wilhelm
Expressionismus ~ Expressionism

#86
Elsaesser, Thomas: Weimar cinema, mobile selves, and anxious males: Kracauer and Eisner revisited. In: Expressionist film: New perspectives. Edited by Dietrich Scheunemann. - Rochester, New York [et al.]: Camden House 2003. (= Studies in German Literature, Linguistics, and Culture.) p. ?P.
Index:
Kracauer, Siegfried
Eisner, Lotte H.
Männer ~ Men
Expressionismus ~ Expressionism
Deutschland ~ Germany

#87
Esselborn, Hans: Die "verrückte" Perspektive: Der Wahn in Literatur und Film des Expressionismus. In: Wirkendes Wort 48. 1998. No. 1. [?D] pp. 91-108.
Index:
Wahnsinn ~ Madness
Literatur ~ Literature
Expressionismus ~ Expressionism

#88
Expressionism in the cinema. Edited by Olaf Brill and Gary D. Rhodes. - ?O: Edinburgh University Press 2016.
Reviews:
Thomas Croft, Andrew: [untitled.] In: Historical Journal of Film, Radio and Television 37. 2017. No. 2 [June] pp. 347-349.
Index:
Expressionismus ~ Expressionism

#89
Expressionist film: New perspectives. Edited by Dietrich Scheunemann. - Rochester, New York [et al.]: Camden House 2003. (= Studies in German Literature, Linguistics, and Culture.)
Reviews:
Ascárate, Richard John: [untitled.] In: Medienwissenschaft 2004. No. 2. pp. 242-245.
Index:
Expressionismus ~ Expressionism

#90
Fagiani, Ernesto: Da Caligari ad Herzog. In: Filmcritica 35. 1984. No. 342. [March] pp. 79-80.
Index:
Wiene, Robert
Herzog, Werner
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Deutschland ~ Germany

#91
Falk, Walter: Franz Kafka und die Expressionisten im Ende der Neuzeit. - Frankfurt/Main: Verlag Peter Lang 1990. (= Beiträge zur neuen Epochenforschung 10.)
Reviews:
Kempf, Franz R.: [untitled] In: German Studies Review 14. 1991. No. 1. [?D] pp. 179-180.
Index:
Kafka, Franz
Expressionismus ~ Expressionism

#92
Färber, Helmut: Architektur, Dekoration, Zerstörung: Etliches über Kinematographie und äußere Wirklichkeit. In: Die Metaphysik des Dekors: Raum, Architektur und Licht im klassischen deutschen Stummfilm. Hrsg. von Klaus Kreimeier. Mit Beiträgen von Fred Gehler, Helmut Weihsmann, Eva M. J. Schmid, Ursula Keitz und Helmut Färber. Redaktion: Cornelia Fleer. - Marburg: Schüren Presseverlag 1994. (= Schriften der Friedrich-Wilhelm-Murnau-Gesellschaft 3.) pp. 100-117.
Description:
On architectural design in film, especially in German expressionistic film.
Index:
Religion ~ Religion
Stummfilm ~ Silent Film
Architektur ~ Architecture
Expressionismus ~ Expressionism
Deutschland ~ Germany

#93
Fieschi, Jacques: Dossier: La generation expressionniste. In: Cinématographe 1976. No. 22. [December] pp. 7-10.
Index:
Expressionismus ~ Expressionism

#94
Der Film der Weimarer Republik 1929: Ein Handbuch der zeitgenössischen Kritik. Im Auftrag der Stiftung Deutsche Kinemathek hrsg. von Gero Gandert. - Berlin; New York: de Gruyter 1997.
First edition:
[1993]
Description:
Paper-bound edition of the complete encyclopedia of German feature films released between 1919 and 1930, among them many classics of the expressionistic fantastic film. Includes credits, content summaries and excerpts from contemporary critics. The appendix lists films not shown in regular cinema theatres and foreign films from that period.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#95
Film der Weimarer Der Film der Weimarer Republik 1929: Ein Handbuch der zeitgenössischen Kritik. Im Auftrag der Stiftung Deutsche Kinemathek hrsg. von Gero Gandert. - Berlin; New York: de Gruyter 1993.
Reviews:
Baer, Volker: Im Urteil der Zeitgenossen. "Der Film der Weimarer Republik". In: Film-Dienst 47. 1994. No. 3. [February 1] pp. 38-40.
Description:
Chronological encyclopedia of all German feature films released between 1919 and 1930, among them many classics of the expressionistic fantastic film. Includes credits, content summaries and excerpts from contemporary critics. The appendix lists films not shown in regular cinema theatres and foreign films from that period.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#96
Fine, David: From Berlin to Hollywood: Echoes of expressionism in Fritz Lang’s The Woman in the Window and Scarlet Street. In: Literature/Film Quarterly 35. 2007. No. 4. [?D] pp. 282-293.
Index:
Lang, Fritz
Woman in the Window, The (1944)
Scarlet Street (1945)
Hollywood ~ Hollywood
Expressionismus ~ Expressionism
Berlin ~ Berlin

#97
Fischer, Lucy: The films of James Sibley Watson, Jr. and Melville Webber: A reconsideration. In: Millennium Film Journal 1987. No. 19. [Fall/Winter] pp. 40-49.
Index:
Watson, James Sibley
Webber, Melville
Fall of the House of Usher, The (1928)
Lot in Sodom (1933)
Expressionismus ~ Expressionism

#98
Fischer, Norman: Blade Runner and Do Androids Dream of Electric Sheep?: An ecological Critique of human-centered value systems. In: Canadian Journal of Political and Social Theory 13. 1989. No. 3. [?D] pp. 102-113.
Index:
Scott, Ridley
Dick, Philip K[indred]
Blade Runner (1982)
Expressionismus ~ Expressionism
Natur ~ Nature
Do Androids Dream of Electric Sheep? (Literatur ~ Literature)

#99
Foster, David: Danse macabre: Comédie’s cinematic antecedents. In: Studies in European Cinema 10. 2013. No. 2/3. [September] pp. 89-102.
Description:
Discusses, among others, Robert Wiene’s Das Cabinet des Dr. Caligari, Friedrich Wilhelm Murnau’s Nosferatu - Eine Symphonie des Grauens and Carl Theodor Dreyer’s La Passion de Jean d’Arc.
Index:
Wiene, Robert
Murnau, Friedrich Wilhelm
Dreyer, Carl Theodor
Beckett, Samuel
Cabinet des Dr. Caligari, Das (1919)
Nosferatu - Eine Symphonie des Grauens (1922)
Passion de Jean d’Arc, La (1928)
Expressionismus ~ Expressionism

#100
Franklin, James C.: Metamorphosis of a metaphor: The shadow in early German cinema. In: The German Quarterly 54. 1980. No. ?N. pp. 176-188.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#101
Fritz, Horst: Ästhetik des Films im Kontext von Expressionismus und Neuer Sachlichkeit. In: Drama und Theater der europäischen Avantgarde. Hrsg. von Franz Norbert Mennemeier. - Tübingen [et al.]: Francke 1994. (= Mainzer Forschungen zu Drama und Theater 12.) pp. 387-410.
Index:
Europa ~ Europe
Expressionismus ~ Expressionism
Experimentalfilme ~ Experimental Films

#102
Gaillemin, Jean-Louis: Dossier: La generation expressioniste. In: Cinématographe 1976. No. 22. [December] pp. 11-14.
Index:
Expressionismus ~ Expressionism

#103
Garten, H. F.: The theatre of expressionism. In: Screen 12. 1971. No. 2. [Summer] pp. 29-37.
Description:
On expressionism in the arts and film.
Index:
Theater ~ Theatre
Expressionismus ~ Expressionism

#104
Gay, Peter: The Weimar resemblance. In: Horizon 12. 1970. No. 1. [?D] pp. 4-15.
Description:
Compares the social and cultural changes during the Weimar Republic with the American student revolt of the late 1960s and early 1970s. Discusses examples from literature, the arts and expressionist film, especially Robert Wiene’s Das Cabinet des Dr. Caligari.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Pädagogik ~ Paedagogy
USA (United States of America) ~ USA (United States of America)
Literatur ~ Literature
Kunst ~ Arts, The
Expressionismus ~ Expressionism
Deutschland ~ Germany

#105
Gehler, Fred: Der Raum des Dichters - Georg Kaiser. Von morgens bis mitternachts. In: Die Metaphysik des Dekors: Raum, Architektur und Licht im klassischen deutschen Stummfilm. Hrsg. von Klaus Kreimeier. Mit Beiträgen von Fred Gehler, Helmut Weihsmann, Eva M. J. Schmid, Ursula Keitz und Helmut Färber. Redaktion: Cornelia Fleer. - Marburg: Schüren Presseverlag 1994. (= Schriften der Friedrich-Wilhelm-Murnau-Gesellschaft 3.) pp. 10-21.
Description:
On the expressionitic film classic by Karl Heinz Martin based on a stage drama by Georg Kaiser.
Index:
Martin, Karl Heinz
Kaiser, Georg
Von morgens bis Mitternacht (1920)
Religion ~ Religion
Stummfilm ~ Silent Film
Architektur ~ Architecture
Expressionismus ~ Expressionism
Deutschland ~ Germany
Von morgens bis mitternachts (Literatur ~ Literature)

#106
Gehler, Fred: Pioniere und Visionäre 1912-1933. In: Filmstadt Babelsberg: Zur Geschichte des Studios und seiner Filme. Hrsg. von Axel Geiss. Mit Beiträgen von Fred Gehler [et al.]. - Berlin: Nicolaische Verlagsbuchhandlung 1994. pp. 18-43.
Description:
Discusses also the classics of the German expressionist fantastic film, among them Stellan Rye’s Der Student von Prag, Henrik Galeen’s Der Golem and the films of Fritz Lang and Friedrich Wilhelm Murnau.
Index:
Rye, Stellan
Galeen, Henrik
Lang, Fritz
Murnau, Friedrich Wilhelm
Student von Prag, Der (1913)
Golem, Der (1914)
Babelsberg ~ Babelsberg
Expressionismus ~ Expressionism
Deutschland ~ Germany

#107
Geldschläger, Jonas: Dämonische Leinwand - Der expressionistische Film. - München: GRIN Verlag GmbH 2009.
Index:
Expressionismus ~ Expressionism
Dämonen ~ Demons

#108
Gerdes, Peter: Das Kabinett des Dr. Caligari: Unlösbarer Konflikt? In: Expressionismus und Kulturkrise. Hrsg. von Bernd Huppauf. - Heidelberg: Winter 1983. S. 245-262.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism

#109
Gerle, Jörg: Der Prophet im eigenen Land: Wie die deutsche Stummfilm-Geschichte im (Heim-)Kino aufgearbeitet wird. In: Film-Dienst 64. 2011. No. 11. [May 26] pp. 11-13.
Description:
On DVD and Blu-ray editions of German silent film, especially the expressionist classics.
Index:
Stummfilm ~ Silent Film
Expressionismus ~ Expressionism
DVD ~ DVD
Deutschland ~ Germany
Blu-Ray Disk ~ Blu-Ray Disc

#110
Gesamtkunstwerk Expressionismus - Kunst, Film, Literatur, Theater, Tanz und Architektur 1905 bis 1925. Anlässlich der Ausstellung Gesamtkunstwerk Expressionismus - Kunst, Film, Literatur, Theater, Tanz und Architektur 1905 - 1925, Mathildenhöhe Darmstadt, 24. Oktober 2010 bis 13. Februar 2011. Hrsg. von Ralf Beil und Claudia Dillmann. - Ostfildern: Hatje Cantz 2010.
Description:
[GA:] [KoDeu] [End GA][KoDeu]
Index:
Tanz ~ Dance
Theater ~ Theatre
Literatur ~ Literature
Kunst ~ Arts, The
Expressionismus ~ Expressionism
Darmstadt ~ Darmstadt
Architektur ~ Architecture

#111
Gochenour, Philipp Henry: Fixing a shadow: Doppelgängers, photography and the disciplined subject, 1775-1926. - Ann Arbor, Michigan: ProQuest 2002.
Index:
Hoffmann, E[rnst] T[heodor] A[madeus] [Wilhelm]
Fotografie ~ Photography
Expressionismus ~ Expressionism
Doppelgänger ~ Double
Magnetiseur, Der (Literatur ~ Literature)

#112
Gochenour, Philipp Henry: Fixing a shadow: Doppelgängers, photography and the disciplined subject, 1775-1926. - Atlanta, Georgia: Ph.D. 1998.
Index:
Hoffmann, E[rnst] T[heodor] A[madeus] [Wilhelm]
Fotografie ~ Photography
Expressionismus ~ Expressionism
Doppelgänger ~ Double
Magnetiseur, Der (Literatur ~ Literature)

#113
Goergen, Jeanpaul: Ein wiederentdeckter Brief über expressionistische Filmpläne. In: Kintop 1999. No. 8. [?D] pp. 169-180.
Description:
Reprint of a rediscovered letter by John Heartfield from 1917 on filmic expressionism and on his own film plans.
Index:
Heartfield, John
Expressionismus ~ Expressionism

#114
Gonzàlez Requena, Jesùs: Das Cabinet des Dr. Caligari: II gabinetto del dottor Caligari (1920) di Robert Wiene. In: Incontro ai fantasmi: Il cinema espressionista. Pubblicato in occasione della retrospettiva promossa dalla Cineteca Nazionale, Retrospettiva "Incontro ai Fantasmi, il Cinema Espressionista", Roma, Cinema Trevi, 26 marzo - 5 aprile 2008.A cura di Paolo Bertetto e Sergio Toffetti. - Roma: Centro Sperimentale di Cinematografia 2008. (= Quaderni del CSC.) pp. 59 ff.
Description:
[GA:] [KoDeu] [End GA][KoDeu]
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Rom ~ Rome
Deutschland ~ Germany
Expressionismus ~ Expressionism

#115
Gosetti, Giorgio / Guarino, Sergio: Fritz Lang "Tedesco": La struttura simbolica. In: Bianco e Nero 39. 1978. No. ?N. [March/April] pp. 66-99.
Index:
Lang, Fritz
Deutschland ~ Germany
Expressionismus ~ Expressionism

#116
Gottlieb, Sidney: Early Hitchcock: The German influence. In: Hitchcock Annual 1999. pp. 100-130.
Index:
Hitchcock, Alfred
Expressionismus ~ Expressionism
Deutschland ~ Germany

#117
Gout, C.: In het kabinet van Dr. Caligari. In: Skoop 20. 1984. No. 7. [September/October] pp. 18-19.
Description:
On Robert Wiene’s Das Cabinet des Dr. Caligari seen as an paradigm for the German expressionist film.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Deutschland ~ Germany

#118
Gray, Richard T.: From Caligari to Kafka: Expressionist film and the teaching of Kafka’s short fiction. In: Approaches to teaching Kafka’s short fiction. Edited by Richard T. Gray. - New York: Modern Language Association of America 1995. (= Approaches to teaching worl literature 51.) pp. 53-63.
Index:
Wiene, Robert
Kafka, Franz
Cabinet des Dr. Caligari, Das (1919)
Pädagogik ~ Paedagogy
Expressionismus ~ Expressionism

#119
Grob, Norbert: "Bringing the ghostly to life": Fritz Lang and his early Dr. Mabuse films. In: Expressionist film - New perspectives. Edited by Dietrich Scheunemann. - Rochester, New York: Camden House 2003. (= Studies in German literature, linguistics, and culture.) p. ?P.
Index:
Lang, Fritz
Dr. Mabuse, der Spieler (1921/1922)
Testament des Dr. Mabuse, Das (1932/1933)
Geister ~ Ghosts
Expressionismus ~ Expressionism

#120
Grob, Norbert: Das Klare und das Diffuse. In: EPD Film 31. 2014. No. 2. [February] pp. 16-18.
Description:
On the 2014 Berlinale retrospective "Aesthetics of Shadow".
Index:
Berlin ~ Berlin
Expressionismus ~ Expressionism
Film Noir ~ Film Noir

#121
Großmann, Stefan: Die freudlose Gasse - Expressionismus im deutschen Film. - München: GRIN Verlag GmbH 2010.
Index:
Pabst, Georg Wilhelm
freudlose Gasse, Die (1925)
Expressionismus ~ Expressionism
Deutschland ~ Germany

#122
Guntner, J. Lawrence: Expressionist Shakespeare: The Gade/Nielsen Hamlet (1920) and the history of Shakespeare on film. In: Post Script 17. 1998. No. 2. [?D] pp. 90-102.
Index:
Gade, Sven
Schall, Heinz
Shakespeare, William
Nielsen, Asta
Hamlet (1921)
Expressionismus ~ Expressionism

#123
Güttinger, Fritz: Das beredte Schweigen: Anmerkungen zum deutschen Film der zwanziger Jahre. In: Güttinger, Fritz: Köpfen Sie mal ein Ei in Zeitlupe! Streifzüge durch die Welt des Stummfilms. - München: Wilhelm Fink 1992. pp. 47-66.
Description:
Discusses especially the expressionistic German silent film.
Index:
Stummfilm ~ Silent Film
Expressionismus ~ Expressionism
Deutschland ~ Germany

#124
Gyorffy, Miklos: Berlin folott az ido. In: Filmvilag 35. 1992. No. 3. [?D] pp. 37-45.
Description:
On the expressionistic German silent film.
Index:
Stummfilm ~ Silent Film
Expressionismus ~ Expressionism
Deutschland ~ Germany
Berlin ~ Berlin

#125
Hake, Sabine: Expressionism and cinema: Reflections on a phantasmagoria of film history. In: A companion to the literature of German expressionism. Edited by Neil H. Donahue. - Rochester, New York: Camden House 2005. (= Studies in German literature, linguistics, and culture.) pp. 321-342.
Index:
Literatur ~ Literature
Expressionismus ~ Expressionism
Deutschland ~ Germany

#126
Haltof, Józef Marek: Caligari i inni. In: Kino [Warschau] 20. 1986. No. ?N(?N). [February] p. 31.
Description:
On the German expressionist film.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#127
Hans Richter: Begegnungen. Hrsg. von Timothy O. Benson. - München: Prestel 2014.
Index:
Richter, Hans
Experimentalfilme ~ Experimental Films
Expressionismus ~ Expressionism

#128
Hardt, Ursula: Erich Pommer: Film producer for Germany. - Iowa City, Iowa: University of Iowa, Ph.D. 1989. [Abstract in: Dissertation Abstracts International A 50. 1990. No. 11. (May) p. 3387A.]
Description:
On the producer of important German expressionist films, among them Robert Wiene’s Das Cabinet des Dr. Caligari.
Index:
Pommer, Erich
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Deutschland ~ Germany

#129
Harries, Rebecca Virginia: The monstrous world and its shadow: The grotesque aesthetic and the apocalyptic in German Expressionist drama and film. - Toronto, Ontario: University of Toronto, Ph.D. 2000. [Abstract in: Dissertation Abstracts International A 61. 2000. No. 6. [December] p. 2107.]
Description:
Discusses especially Stellan Rye’s Der Student von Prag, Robert Wiene’s Das Cabinet des Dr. Caligari and Friedrich Wilhelm Murnau’s Nosferatu - Eine Symphonie des Grauens.
Index:
Rye, Stellan
Wiene, Robert
Murnau, Friedrich Wilhelm
Student von Prag, Der (1913)
Cabinet des Dr. Caligari, Das (1919)
Nosferatu - Eine Symphonie des Grauens (1922)
Religion: Apokalypse ~ Religion: Apocalypse
Expressionismus ~ Expressionism
Deutschland ~ Germany

#130
Heinritz, Reinhard: Das Drehbuch als literarische Form? Experimente im Umkreis des Expressionismus. In: Literatur für Leser 21. 1999. No. 1. [?D] pp. 1-10.
Index:
Expressionismus ~ Expressionism
Experimentalfilme ~ Experimental Films

#131
Heller, Heinz-B.: Der destruktive Intellektuelle: Anmerkungen zu einem Sozialtypus im expressionistischen Film. In: Expressionismus - sozialer Wandel und künstlerische Erfahrung: Mannheimer Kolloquium. Hrsg. von Horst Meixner und Silvio Vietta. - München: Fink 1982. pp. 73-88.
Description:
Especially on Fritz Lang’s Dr. Mabuse, der Spieler.
Index:
Lang, Fritz
Dr. Mabuse, der Spieler (1921/1922)
Kunst ~ Arts, The
Expressionismus ~ Expressionism

#132
Henry, Michael: Il cinema espressionista tedesco: Un linguaggio metaforico. - Milano: Marzorati 1974.
First edition:
[Le cinéma expressioniste allemand]
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#133
Hickman, Roger: Wavering sonorities and the nascent film noir musical style. In: The Journal of Film Music 2. 2009. No. 2-4. [Winter] pp. 165-174.
Index:
Musik ~ Music
Film Noir ~ Film Noir
Expressionismus ~ Expressionism

#134
Hollander, Anne: Moving pictures. - Cambridge, Massachusetts; London: Harvard University Press 1991.
Reviews:
de Francia, Peter: Artful dodge. In: Sight and Sound NS 1. 1991. No. 4. [August] pp. 32-33.
Description:
On the relationship between film and painting. Discusses, among others, Robert Wiene’s Das Cabinet des Dr. Caligari, Piero Fosco’s Cabira, Carl Theodor Dreyer’s Vredens dag, Fritz Lang’s Metropolis, Michelangelo Antonioni’s La notte and Cecil Blount DeMille’s Samson and Delilah. Discusses also the expressionist film, the film noir and the animation film in general and analyses the filmic work of Walt Disney and Alfred Hitchcock.
Index:
Lang, Fritz
Wiene, Robert
Pastrone, Giovanni [Pseudonym: Fosco, Piero]
Dreyer, Carl Theodor
Antonioni, Michelangelo
DeMille, Cecil Blount
Disney, Walt
Hitchcock, Alfred
Metropolis (1925/1926)
Cabinet des Dr. Caligari, Das (1919)
Cabira (1914)
Vredens dag / Dies irae (1943)
notte, La (1960)
Samson and Delilah (1950)
Disney ~ Disney
Kunst ~ Arts, The
Film Noir ~ Film Noir
Expressionismus ~ Expressionism
Animation ~ Animation

#135
Humble, Paul: Hitchcock’s story of the London fog: A very English expressionism. In: Scope [Nottingham] 2008. No. 12. [?D] p. ?P.
Index:
Hitchcock, Alfred
Lodger, The: A Story of the London Fog (1927)
London ~ London
Großbritannien ~ Great Britain
Expressionismus ~ Expressionism

#136
Ibarra, Carlos Gabriel: Sombras de Weimer: El cine expresionista alemán: El gabinete del Dr. Caligari y Nosferatu. In: Cine, filosofía e historia. Coordinadora: Amira Juri. - San Miguel de Tucumán: Universidad Nacional de Tucumán, Facultad de Filosofía y Letras, Instituto de investigaciones Históricas "Dr. Ramo n Leoni Pinto" 2015. p. ?P.
Index:
Wiene, Robert
Murnau, Friedrich Wilhelm
Cabinet des Dr. Caligari, Das (1919)
Nosferatu - Eine Symphonie des Grauens (1922)
Geschichte ~ History
Deutschland ~ Germany
Expressionismus ~ Expressionism
Philosophie ~ Philosophy

#137
Incontro ai fantasmi: Il cinema espressionista. Pubblicato in occasione della retrospettiva promossa dalla Cineteca Nazionale, Retrospettiva "Incontro ai Fantasmi, il Cinema Espressionista", Roma, Cinema Trevi, 26 marzo - 5 aprile 2008.A cura di Paolo Bertetto e Sergio Toffetti. - Roma: Centro Sperimentale di Cinematografia 2008. (= Quaderni del CSC.)
Description:
[GA:] [KoDeu] [End GA][KoDeu]
Index:
Rom ~ Rome
Deutschland ~ Germany
Expressionismus ~ Expressionism

#138
J. B.: Expressionism in film (1920). In: The promise of cinema: German film theory, 1907-1933. Edited by Anton Kaes, Nicholas Baer, and Michael Cowan. - Oakland, California: University of California Press 2016. (= Weimar and now: German cultural criticism 49.) p. ?P.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#139
Jacobsen, Wolfgang: Produktion: Erich Pommer. In: Filmkultur zur Zeit der Weimarer Republik: Beiträge zu einer internationalen Konferenz vom 15. bis 18. Juni 1989 in Luxemburg. Hrsg. von Uli Jung und Walter Schatzenberg. - München; London; New York; Paris: Saur 1992. pp. 215-229.
Description:
On the producer of important German expressionist films, among them Robert Wiene’s Das Cabinet des Dr. Caligari.
Index:
Wiene, Robert
Pommer, Erich
Cabinet des Dr. Caligari, Das (1919)
Luxemburg ~ Luxembourg
Expressionismus ~ Expressionism
Deutschland ~ Germany

#140
Jacobsen, Wolfgang: The flying producer: Notes on Erich Pommer / Il produttore volante: Note su Erich Pommer. In: Before Caligari: German cinema, 1895-1920 / Prima di Caligari: Cinema tedesco, 1895-1920. Edited by Paolo Cherchi Usai and Lorenzo Codelli. - Pordenone: Edizioni Edizioni Biblioteca dell’immagine 1990. pp. 186-201.
Description:
On the producer of important German expressionist films, among them Robert Wiene’s Das Cabinet des Dr. Caligari.
Index:
Pommer, Erich
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Deutschland ~ Germany

#141
Jin, Il-Sang: Der expressionistische Film: Die Spuren der malerischen Elemente in der filmischen Bildersprache. In: Dogilmunhak 44. 2003. No. 1. [?D] pp. 348-367.
Description:
Korean text with German summary.
Index:
Kunst ~ Arts, The
Expressionismus ~ Expressionism

#142
Jordan, L.: Survival in the independent-non-commercial-avant-garde-experimental-film market of 1982. In: Millennium Film Journal 1982/1983. No. 12. [Fall/Winter] pp. 4-7.
Index:
Expressionismus ~ Expressionism
Experimentalfilme ~ Experimental Films

#143
Jung, Uli: Die schwierige Arbeit der Rekonstruktion: Ein Interview mit Enno Patalas. In: Film & Fakten 1991. No. 16. [December] pp. 34-37.
Description:
Especially on the restoration of German expressionistic silent films.
Index:
Stummfilm ~ Silent Film
Expressionismus ~ Expressionism
Deutschland ~ Germany

#144
Kabatek, Wolfgang: Imagerie des Anderen im Weimarer Kino. - Bielefeld: Transcript 2003.
Reviews:
Choe, Steve: [untitled.] In: Medienwissenschaft 2004. No. 2. pp. 228-230.
Index:
Lang, Fritz
Expressionismus ~ Expressionism
Deutschland ~ Germany

#145
Kabatek, Wolfgang: Imagerie des Anderen im Weimarer Kino. - Marburg: Universität Marburg, Dissertation 1999.
Index:
Lang, Fritz
Expressionismus ~ Expressionism
Deutschland ~ Germany

#146
Kaes, Anton: Metropolis: City, cinema, modernity. In: Expressionist utopias. Edited by Timothy O. Benson. - Los Angeles: LACMA 1993. pp. 146-165.
Index:
Lang, Fritz
Metropolis (1925/1926)
Utopie ~ Utopia
Stadt ~ City
Expressionismus ~ Expressionism

#147
Kaes, Anton: Silent cinema. In: Monatshefte für deutschen Unterricht, deutsche Sprache und Literatur 82. 1990. No. 3. [?D] pp. 246-256.
Description:
Discusses also the expressionistic silent film. Includes a bibliography.
Index:
Stummfilm ~ Silent Film
Expressionismus ~ Expressionism

#148
Kaes, Anton: The Cabinet of Dr. Caligari: Expressionism and cinema. In: Masterpieces of modernist cinema. Edited by Ted Perry. - Bloomington, Indiana: Indiana University Press 2006. p. ?P.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism

#149
Kaplan, E. Ann: Expressionism and the flight from family: A reading of Lang’s Dr. Mabuse, der Spieler. In: Socialist Review ?G. 1980. No. 57. [May/June] p. ?P.
Index:
Lang, Fritz
Dr. Mabuse, der Spieler (1921/1922)
Familie ~ Family
Expressionismus ~ Expressionism

#150
Kaplan, E. Ann: Fritz Lang and german expressionism: A reading of Dr. Mabuse, der Spieler. In: Passion and rebellion: The expressionist heritage. Edited by Stephen Eric Bronner and Douglas Kellner. - South Hadley, MA: Bergin 1983. pp. 398-408.
Index:
Lang, Fritz
Dr. Mabuse, der Spieler (1921/1922)
Expressionismus ~ Expressionism
Deutschland ~ Germany

#151
Kaplan, E. Ann: Fritz Lang and German expressionism: A reading of Dr. Mabuse, der Spieler. In: Passion and rebellion: The expressionist heritage. Edited by Stephen Eric Bronner and Douglas Kellner. - South Hadley, Massachussetts: J.F. Bergin 1983. p. ?P.
Index:
Lang, Fritz
Dr. Mabuse, der Spieler (1921/1922)
Expressionismus ~ Expressionism
Deutschland ~ Germany

#152
Kasten, Jürgen: Der expressionistische Film - abgefilmtes Theater oder avantgardistisches Erzählkino? Eine stil- und rezeptionsgeschichtliche Untersuchung. - Berlin: Freie Universität Berlin, Institut für Theaterwissenschaft, Dissertation ?J (1989/1990)
Index:
Theater ~ Theatre
Expressionismus ~ Expressionism
Deutschland ~ Germany

#153
Kasten, Jürgen: Episodic patchwork: The bric-a-brac principle in Paul Leni’s Waxworks. In: Expressionist film: New perspectives. Edited by Dietrich Scheunemann. - Rochester, New York [et al.]: Camden House 2003. (= Studies in German Literature, Linguistics, and Culture.) p. ?P.
Index:
Leni, Paul
Wachsfigurenkabinett, Das (1924)
Expressionismus ~ Expressionism

#154
Kasten, Jürgen: Film as graphic art: On Karl Heinz Martin’s From Morn to Midnight. In: Expressionist film: New perspectives. Edited by Dietrich Scheunemann. - Rochester, New York [et al.]: Camden House 2003. (= Studies in German Literature, Linguistics, and Culture.) p. ?P.
Index:
Martin, Karl Heinz
Von morgens bis Mitternacht (1920)
Expressionismus ~ Expressionism

#155
Kasten, Jürgen: Zweckbewußter Populärstil als Vermarktungskonzept: Der expressionistische Film: Wegbereiter des kunstambitionierten Erzählkinos. In: Filmbulletin 32. 1990. No. 5(173). [?D] pp. 55-63.
Description:
Revised chapter from Kasten’s thesis "Der expressionistische Film" ("The expressionistic film").
Index:
Kunst ~ Arts, The
Expressionismus ~ Expressionism
Deutschland ~ Germany

#156
Kelly, Robert J. / Rieber, Robert W.: Film, television and the psychology of the social dream. With a contribution from Charles Winick. - New York: Springer 2014.
Description:
Includes chapters on German expressionism, the science fiction film and the Star Trek series in particular.
Index:
Star Trek (Filmreihe)
Science Fiction ~ Science Fiction
Psychologie ~ Psychology
Fernsehen ~ Television
Expressionismus ~ Expressionism
Deutschland ~ Germany

#157
Kettelhut, Erich: der Schatten des Architekten. Hrsg. von Werner Sudendorf. - München: Belleville 2009.
Reviews:
Baer, Volker: [untitled.] In: Film-Dienst 63. 2010. No. 7. [April 1] pp. 40-41.
Index:
Kettelhut, Erich
Architektur ~ Architecture
Expressionismus ~ Expressionism

#158
Kim, Mi-Suk: Schauspiel und Schauspieler im expressionistischen Film. - Marburg: Universität Marburg, Institut für Neuere Deutsche Literatur und Medien, Magisterarbeit ?J (1995/1996).
Index:
Expressionismus ~ Expressionism

#159
Kimber, Gary: Director Stephen Sayadian on Dr. Caligari, updating an expressionist classic. In: Cinefantastique 21. 1991. No. 6. [June] pp. 56-57.
Description:
On the new filming Robert Wiene’s classic.
Index:
Sayadian, Stephen
Wiene, Robert
Dr. Caligari (1990)
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism

#160
Kleinert, Andreas: Nebenwege - Einbahnstraßen? In: Filmstadt Babelsberg: Zur Geschichte des Studios und seiner Filme. Hrsg. von Axel Geiss. Mit Beiträgen von Fred Gehler [et al.]. - Berlin: Nicolaische Verlagsbuchhandlung 1994. pp. 214-215.
Description:
On the German expressionist film.
Index:
Babelsberg ~ Babelsberg
Expressionismus ~ Expressionism
Deutschland ~ Germany

#161
Kleinschmidt, Christoph: Intermaterialität: Zum Verhältnis von Schrift, Bild, Film und Bühne im Expressionismus. - Bielefeld: Transcript 2012. (= Lettre.)
Reviews:
Fuchs, Florian: [untitled.] In: Medienwissenschaft 2013. No. 3. pp. 294-296.
Description:
Discusses Robert Wiene’s Das Cabinet des Dr. Caligari, Der Golem, wie er in die Welt kam by Carl Boese and Paul Wegener as well as Friedrich Wilhelm Murnau’s Nosferatu - Eine Symphonie des Grauens.
Index:
Wiene, Robert
Boese, Carl
Wegener, Paul
Murnau, Friedrich Wilhelm
Cabinet des Dr. Caligari, Das (1919)
Golem, wie er in die Welt kam, Der (1920)
Nosferatu - Eine Symphonie des Grauens (1922)
Expressionismus ~ Expressionism

#162
Knop, Matthias: Zwischen Expressionismus und Avantgarde: Lotte Reiniger, die Filmdichterin der Schattenwelt / Between expressionism and avant-garde: Lotte Reiniger, film poet of the world of shadows. In: Animation und Avantgarde: Lotte Reiniger und der absolute Film / Animation and avant-garde: Lotte Reiniger and Absolute Film. Herausgegeben von Evamarie Blattner [et al.]. - Tübingen: Stadtmuseum / Düsseldorf: Filmmuseum 2015. (= Tübinger Kataloge 101.) p. ?P.
Index:
Reiniger, Lotte
Expressionismus ~ Expressionism
Experimentalfilme ~ Experimental Films
Animation ~ Animation

#163
Koebner, Thomas: Caligaris Wiederkehr in Hollywood? Stummfilmexpressionismus, Filmemigration und Film Noir. In: Innen-Leben: Ansichten aus dem Exil. Hrsg. von Hermann Haarmann. - Berlin: Fannei und Walz 1995. pp. 107-119.
Index:
Lang, Fritz
Stummfilm ~ Silent Film
Hollywood ~ Hollywood
Film Noir ~ Film Noir
Expressionismus ~ Expressionism

#164
Koebner, Thomas: Caligaris Wiederkehr in Hollywood? Stummfilmexpressionismus, Filmemigration und Film Noir. In: Koebner, Thomas: Lehrjahre im Kino: Schriften zum Film. - St. Augustin: Gardez! Verlag 1997. pp. 241-252.
Index:
Lang, Fritz
Stummfilm ~ Silent Film
Hollywood ~ Hollywood
Film Noir ~ Film Noir
Expressionismus ~ Expressionism

#165
Koebner, Thomas: Murnau, a conservative filmmaker? On film history as intellectual history. In: Expressionist film: New perspectives. Edited by Dietrich Scheunemann. - Rochester, New York [et al.]: Camden House 2003. (= Studies in German Literature, Linguistics, and Culture.) p. ?P.
Index:
Murnau, Friedrich Wilhelm
Expressionismus ~ Expressionism

#166
Koh, Won: Ästhetik der deutschen expressionistischen Film-Kunst. In: Deutschlandforschung ?G. 2000. No. 9. [?D] pp. 14-54.
Description:
Korean text with German summary.
Index:
Kunst ~ Arts, The
Expressionismus ~ Expressionism
Deutschland ~ Germany

#167
Kothenschulte, Daniel: Absolutes Kino: Der Filmpionier Oskar Fischinger. In: Film-Dienst 45. 1992. No. 3. [February 4] pp. 37-39.
Description:
On the expressionistic expedrimental filmer who later participated in the Disney animation classic Fantasia.
Index:
Fischinger, Oskar
Disney, Walt
Algar, James
Armstrong, Samuel
Beebe, Ford L.
Ferguson, Norman
Handley, Jim
Hee, T[hornton]
Jackson, Wilfred
Luske, Hamilton
Roberts, Bill
Satterfield, Paul
Sharpsteen, Ben
Fantasia (1940)
Animation ~ Animation
Disney ~ Disney
Expressionismus ~ Expressionism
Experimentalfilme ~ Experimental Films

#168
Kovacs, Andras Balint: A szorongas kepei. In: Filmvilag 29. 1986. No. 5. [?D] pp. 26-31.
Index:
Expressionismus ~ Expressionism

#169
Kracauer, Siegfried: Cinema tedesco: Dal gabinetto del dottor Caligari al Hitler. - Milano: Mondadori 1977.
First edition:
[From Caligari to Hitler: A psychological history of the German film. - Princeton, New Jersey: Princeton University Press 1947]
Description:
On the history of German expressionist film.
Index:
Wiene, Robert
Hitler, Adolf
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Psychologie ~ Psychology
Deutschland ~ Germany

#170
Kracauer, Siegfried: De Caligari a Hitler: Una historia psicologica del cine alemán. - Madrid: Paidos Iberica Ed. 1985. (= Paidos estética 2.)
First edition:
[From Caligari to Hitler: A psychological history of the German film. - Princeton, New Jersey: Princeton University Press 1947]
Description:
On the history of German expressionist film.
Index:
Wiene, Robert
Hitler, Adolf
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Psychologie ~ Psychology
Deutschland ~ Germany

#171
Kracauer, Siegfried: De Caligari à Hitler: Une histoire psychologique du cinéma allemand. - Paris: Flammarion 1987. (= Champs. Contre-champs 506.)
First edition:
[From Caligari to Hitler: A psychological history of the German film. - Princeton, New Jersey: Princeton University Press 1947]
Description:
On the history of German expressionist film.
Index:
Wiene, Robert
Hitler, Adolf
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Psychologie ~ Psychology
Deutschland ~ Germany

#172
Kracauer, Siegfried: From Caligari to Hitler: A psychological history of the German film. - Princeton, New Jersey: Princeton University Press 1947.
Description:
On the history of German expressionist film.
Index:
Wiene, Robert
Hitler, Adolf
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Psychologie ~ Psychology
Deutschland ~ Germany

#173
Kracauer, Siegfried: From Caligari to Hitler: A psychological history of the German film. - New York: Noonday Press 1959. (= Noonday paperbacks 143.)
First edition:
[Princeton, New Jersey: Princeton University Press 1947]
Description:
On the history of German expressionist film.
Index:
Wiene, Robert
Hitler, Adolf
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Psychologie ~ Psychology
Deutschland ~ Germany

#174
Kracauer, Siegfried: From Caligari to Hitler: A psychological history of the German film. Edited and introduced by Leonardo Quaresima. Revised and expanded edition. - Princeton, New Jersey: Princeton University Press 2004.
First edition:
[1947]
Description:
On the history of German expressionist film.
Index:
Wiene, Robert
Hitler, Adolf
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Psychologie ~ Psychology
Deutschland ~ Germany

#175
Kracauer, Siegfried: Von Caligari zu Hitler: Eine psychologische Geschichte des deutschen Films. Aus dem Englischen von Ruth Baumgarten und Karsten Witte. - Frankfurt/M.: Suhrkamp 1984. (= suhrkamp taschenbuch wissenschaft 479.)
First edition:
[From Caligari to Hitler: A psychological history of the German film. - Princeton, New Jersey: Princeton University Press 1947]
Reviews:
Heller, heinz B.: [untitled] In: Medienwissenschaft 1985. No. 2. pp. 184-186.
Description:
On the history of German expressionist film.
Index:
Wiene, Robert
Hitler, Adolf
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Psychologie ~ Psychology
Deutschland ~ Germany

#176
Kracauer, Siegfried: Von Caligari zu Hitler: Eine psychologische Geschichte des deutschen Films. 3. Auflage. - Frankfurt/M.: Suhrkamp 1995. (Suhrkamp Taschenbuch Wissenschaft 479.)
First edition:
[From Caligari to Hitler: A psychological history of the German film. - Princeton, New Jersey: Princeton University Press 1947]
Description:
On the history of German expressionist film.
Index:
Wiene, Robert
Hitler, Adolf
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Psychologie ~ Psychology
Deutschland ~ Germany

#177
Kracauer, Siegfried: Von Caligari zu Hitler: Eine psychologische Geschichte des deutschen Films. - Frankfurt/M.: Suhrkamp 1979.
First edition:
[From Caligari to Hitler: A psychological history of the German film. - Princeton, New Jersey: Princeton University Press 1947]
Reviews:
Scheunemann, Dietrich: [untitled] In: Medienwissenschaft 1999. No. 1. pp. 118-121.
Description:
On the history of German expressionist film.
Index:
Wiene, Robert
Hitler, Adolf
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Psychologie ~ Psychology
Deutschland ~ Germany

#178
Kracauer, Siegfried: Von Caligari zu Hitler: Eine psychologische Geschichte des deutschen Films. - Hamburg: Rowohlt 1958.
First edition:
[From Caligari to Hitler: A psychological history of the German film. - Princeton, New Jersey: Princeton University Press 1947]
Description:
On the history of German expressionist film.
Index:
Wiene, Robert
Hitler, Adolf
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Psychologie ~ Psychology
Deutschland ~ Germany

#179
Kracauer, Siegfried: Werke. Hrsg. von Inka Mülder-Bach und Ingrid Belke. Band 2.1.: Von Caligari zu Hitler. Neuausgabe. Übersetzt und bearbeited von Sabine Biebl. - Berlin: Suhrkamp 2012.
First edition:
[From Caligari to Hitler: A psychological history of the German film. - Princeton, New Jersey: Princeton University Press 1947]
Reviews:
Girke, Michael: Umgang mit Lichtgestalten: Die Rückkehr eines legendären Filmbuchs: Siegfried Kracauers "Von Caligari zu Hitler". In: Film-Dienst 65. 2012. No. 17. [August 16] pp. 12-15.
Description:
On the history of German expressionist film.
Index:
Wiene, Robert
Hitler, Adolf
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Psychologie ~ Psychology
Deutschland ~ Germany

#180
Krai, P.: Autour d’une brûlureL Le cinéma expressioniste et ses commentateurs. In: Positif 1985. No. 291. [May] pp. 42-45.
Index:
Expressionismus ~ Expressionism

#181
Kreimeier, Klaus: Wie in einem Taumel: Die Kamera im deutschen Film der frühen zwanziger Jahre. In: Gleißende Schatten: Kamerapioniere der zwanziger Jahre. Herausgegeben von Cinema Quadrat e.V., Mannheim. Redaktion: Michael Esser. - Berlin: Henschel Verlag 1994. pp. 9-33.
Description:
Discusses a lot of films and persons important for the expressionist fantastic film, especially Willy Hameister, the cinematographer of Wiene’s Das Cabinet des Dr. Caligari and of Hintertreppe by Leopold Jessner and Paul Leni, the director and film critic Edwald André Dupont, the screenwriter Willy Haas and the cinematographer Karl Freund and his work for Murnau’s Der letzte Mann.
Index:
Hameister, Willy
Wiene, Robert
Leni, Paul
Jessner, Leopold
Dupont, Ewald André
Haas, Willy
Freund, Karl
Murnau, Friedrich Wilhelm
Cabinet des Dr. Caligari, Das (1919)
Hintertreppe (1921)
letzte Mann, Der (1924)
Technik: Kamera ~ Technology: Camera
Expressionismus ~ Expressionism
Deutschland ~ Germany

#182
Kuc, Kamila: Visions of Avant-Garde film: Polish cinematic experiments from expressionism to constructivism. - Bloomington; Indianapolis: Indiana University Press 2016.
Index:
Polen ~ Poland
Expressionismus ~ Expressionism
Experimentalfilme ~ Experimental Films

#183
Kurtz, Rudolf: Expressionism and film. Edited with an afterword by Christian Kiening and Ulrich Johannes Beil. Translated by Brenda Benthien. - Herts: John Libbey Publishing 2016.
Reviews:
Kotte, Claudia: [untitled.] In: Historical Journal of Film, Radio and Television 37. 2017. No. 1. [March] pp. 130-132.
Index:
Expressionismus ~ Expressionism

#184
Kurtz, Rudolf: Expressionisme et cinéma. Traduit de l’allemand par Pascale Godenir. - Grenoble: Presses Universitaires de Grenoble 1987. (= Débuts d’un Siècle.)
First edition:
[Expressionismus und Film. - Berlin: Verlag der Lichtspielbühne 1926]
Reviews:
Kral, P.: [untitled] In: Positif 1988. No. 323. [January] pp. 79-80.
Description:
Discusses, among others, Robert Wiene’s Das Cabinet des Dr. Caligari.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism

#185
Kurtz, Rudolf: Expressionismus und Film. - Berlin: Verlag der Lichtspielbühne 1926.
Description:
Discusses, among others, Robert Wiene’s Das Cabinet des Dr. Caligari.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism

#186
Kurtz, Rudolf: Expressionismus und Film. - Zürich: Hans Rohr 1965. (= Filmwissenschaftliche Studientexte 1)
First edition:
[Berlin: Verlag der Lichtspielbühne 1926]
Description:
Discusses, among others, Robert Wiene’s Das Cabinet des Dr. Caligari.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism

#187
Kurtz, Rudolf: Expressionismus und Film. Hrsg. und mit einem Nachwort versehen von Christian Kiening und Ulrich Johannes. - Zürich: Chronos 2007. (= (Medienwandel - Medienwechsel - Medienwissen 2.)
First edition:
[Berlin: Verlag der Lichtspielbühne 1926]
Description:
Discusses, among others, Robert Wiene’s Das Cabinet des Dr. Caligari.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism

#188
Kurtz, Rudolf: Expresszionizmus es film. In: Filmvilag 30. 1987. No. 9. [?D] p. 11.
Description:
Discusses, among others, Robert Wiene’s Das Cabinet des Dr. Caligari.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism

#189
Kurtz, Rudolf: L’expressionisno e il film. A cura di Pier diGiorgio Tone. - Milano: Longanesi 1981. (= Biblioteca cinema 18.)
First edition:
[Expressionismus und Film. - Berlin: Verlag der Lichtspielbühne 1926]
Description:
Discusses, among others, Robert Wiene’s Das Cabinet des Dr. Caligari.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism

#190
Kurtz, Rudolf: Limitations of the Expressionist film (1926). In: The promise of cinema: German film theory, 1907-1933. Edited by Anton Kaes, Nicholas Baer, and Michael Cowan. - Oakland, California: University of California Press 2016. (= Weimar and now: German cultural criticism 49.) p. ?P.
Index:
Kurtz, Rudolf
Expressionismus ~ Expressionism
Deutschland ~ Germany

#191
Lahiri, Sayan: German Expressionism, film-noir and Sir Fritz Lang. - Saarbrücken: VDM Verlag Dr. Müller 2010.
Index:
Lang, Fritz
Film Noir ~ Film Noir
Expressionismus ~ Expressionism
Deutschland ~ Germany

#192
Lämmert, Eberhard: Visionen des Maschinenmenschen auf den Bühnen der zwanziger Jahre. In: Die Modernität des Expressionismus. Hrsg. von Thomas Anz und Michael Stark. - Stuttgart [et al.]: Metzler 1994. pp. 62-75.
Description:
Discusses, among others, the robot motif in Fritz Lang’s Metropolis.
Index:
Lang, Fritz
Metropolis (1925/1926)
Roboter ~ Robots
Expressionismus ~ Expressionism

#193
Lange, Sigrid: Schwarz auf Weiß: Die Schatten der Schrift im expressionistischen Film. In: Weimarer Beiträge 46. 2000. No. 3. [?D] pp. 246-365.
Index:
Expressionismus ~ Expressionism

#194
Latil Le Dentec, Mireille: De Murnau a Rohmer: Les pieges de la beaute. In: Cinématographe 1977. No. 23. [January] pp. 13-14.
Index:
Murnau, Friedrich Wilhelm
Rohmer, Eric
Faust - Eine deutsche Volkssage (1926)
Expressionismus ~ Expressionism

#195
Le Puyat, Simon: Murnau, alchimiste de la lumière. In: Telecine ?G. 1976. No. 209. [June] pp. 16-17.
Index:
Murnau, Friedrich Wilhelm
Expressionismus ~ Expressionism

#196
Leutrat, Jean-louis: Das Wachsfigurenkabinett: II gabinetto delle figure di cera (1924) di Paul Leni. In: Incontro ai fantasmi: Il cinema espressionista. Pubblicato in occasione della retrospettiva promossa dalla Cineteca Nazionale, Retrospettiva "Incontro ai Fantasmi, il Cinema Espressionista", Roma, Cinema Trevi, 26 marzo - 5 aprile 2008.A cura di Paolo Bertetto e Sergio Toffetti. - Roma: Centro Sperimentale di Cinematografia 2008. (= Quaderni del CSC.) pp. 81 ff.
Description:
[GA:] [KoDeu] [End GA][KoDeu]
Index:
Leni, Paul
Wachsfigurenkabinett, Das (1924)
Rom ~ Rome
Deutschland ~ Germany
Expressionismus ~ Expressionism

#197
Levasseur, Josée: De l’expressionisme cinématographique allemand à l’expressivité filmique. - Laval, Quebec: Université Laval (Canada), M.A. 2002. [Abstract in: Masters Abstracts International 41. 2003. No. 5. p. 1227.]
Description:
Discusses, among others, Robert Wiene’s Das Cabinet des Dr. Caligari and Fritz Lang’s M - Eine Stadt sucht einen Mörder.
Index:
Wiene, Robert
Lang, Fritz
Cabinet des Dr. Caligari, Das (1919)
M - Eine Stadt sucht einen Mörder (1931)
Expressionismus ~ Expressionism
Deutschland ~ Germany

#198
Lexikon des Expressionismus: Malerei und Graphik, Skulptur, Architektur, Lyrik und Prosa, Drama, Film, Bühnenkunst, Musik. Hrsg. von Lionel Richard. [Aus dem Französischen von Inge Hanneforth und Rainer Rochlitz. - Gütersloh: Bertelsmann 1977.
Index:
Musik ~ Music
Lyrik ~ Lyrics
Kunst ~ Arts, The
Expressionismus ~ Expressionism
Architektur ~ Architecture

#199
Lindner, Burkhardt: Stummfilmexpressionismus oder die Popularisierung des Unheimlichen durch das Kino. In: Populärkultur, Massenmedien, Avantgarde: 1919-1933. Hrsg. von Jessica Nitsche und Nadine Werner. - Paderborn: Fink 2012. pp. 295 ff.
Index:
Stummfilm ~ Silent Film
Expressionismus ~ Expressionism
Deutschland ~ Germany
Angst ~ Fear
Experimentalfilme ~ Experimental Films

#200
Linvall, Daniel: Hitchcock och modernismen. In: Filmhäftet 27. 1999. No. 107. [?D] pp. 26-34.
Description:
On the influence of the German expressionism on the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Expressionismus ~ Expressionism
Deutschland ~ Germany

#201
Loew, Katharina: Techno-romanticism: Special effects in German fantastic films of the silent era. - Chicago, Illinois: University of Chicago, Ph.D. 2011. [Abstract in: Dissertation Abstracts International A 72. 2012. No. 11. [May] p. ?P.]
Description:
Discusses especially Stellan Rye’s Der Student von Prag as well as Friedrich Wilhelm Murnau’s Nosferatu and Faust.
Index:
Rye, Stellan
Murnau, Friedrich Wilhelm
Student von Prag, Der (1913)
Nosferatu - Eine Symphonie des Grauens (1922)
Faust - Eine deutsche Volkssage (1926)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Stummfilm ~ Silent Film
Deutschland ~ Germany
Romantik ~ Romanticism
Expressionismus ~ Expressionism

#202
MacKenzie, Scott: New perspectives on Expressionist film I: From Caligari to Kuhle Wampe: The golden age of German cinema, 1919-32, University of Edinburgh, 26-28 March 1999. In: Screen 40. 1999. No. 4. [Winter] pp. 454-456.
Description:
Conference report.
Index:
Wiene, Robert
Dudow, Slaton
Cabinet des Dr. Caligari, Das (1919)
Kuhle Wampe (1932)
Expressionismus ~ Expressionism
Deutschland ~ Germany

#203
Macrae, David: Ruttmann, rhythm, and "reality": A response to Siegfried Kracauer’s interpretation of Berlin, the Symphony of a Great City. In: Expressionist film: New perspectives. Edited by Dietrich Scheunemann. - Rochester, New York [et al.]: Camden House 2003. (= Studies in German Literature, Linguistics, and Culture.) p. ?P.
Index:
Ruttmann, Walter
Berlin - Die Sinfonie der Großstadt (1927)
Expressionismus ~ Expressionism

#204
Magny, Joël: Expressionnisme et nouvelle objectivité: De Rudolph Kurtz a Bela Balazs. In: Cinémaction 1991. No. 60. [July]) pp. 40-49.
Index:
Kurtz, Rudolf
Bálazs, Béla
Expressionismus ~ Expressionism

#205
Magny, Joël: Expressionnisme, nouvelle objectivite, cinema proletarien. In: Cinémaction 1982. No. 20. [?D] pp. 31-37.
Index:
Expressionismus ~ Expressionism

#206
Maraval, P.: Le scenario expressionniste. In: Cinématographe 1977. No. 23. [January] pp. 2-4.
Index:
Expressionismus ~ Expressionism

#207
Marek, Haltof: From gothicism to demonism: A literary transition to German expressionist film. In: S - European Journal for Semiotic Studies 4. 1992. No. 3. [?D] pp. 441-458.
Index:
Horror ~ Horror
Dämonen ~ Demons
Expressionismus ~ Expressionism
Deutschland ~ Germany

#208
Marinero, F.: Expressinismus. In: Casablanca ?G 1981. No. 10. [?D] pp. 21-22.
Description:
On the expressionistic film, especially on Friedrich Wilhelm Murnau.
Index:
Murnau, Friedrich Wilhelm
Expressionismus ~ Expressionism

#209
Martin, Marcel: De l’archeologie a l’histoire. In: La Revue du Cinéma 1982. No. 377. [November] pp. 127-130.
Index:
Expressionismus ~ Expressionism

#210
Materiali sul cinema espressionista tedesco. A cura di Franco Bazzocchi e Antonio Maraldi. Introduzione di Raffaele Milani. - Cesena: Centro cinema San Biagio 1991. (= Quaderni del Centro Cinema 21.)
Reviews:
Comuzio, Ermanno: [untitled] In: Cineforum 31. 1991. No. ?N(310). [December] p. 95.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#211
Maude, Ulrika: Beckett, der expressionistische Film und Kleists Marionetten. In: Samuel Beckett und die deutsche Literatur. Hrsg. von Jan Wilm und Marx Nixon. - Bielefeld: Transcript 2013. (= Lettre.) pp. 89-104.
Index:
Beckett, Samuel
Kleist, Heinrich von
Literatur ~ Literature
Expressionismus ~ Expressionism
Animation: Puppen ~ Animation: Puppets

#212
Meyer-Wendt, Jochen: Zwischen Folklore und Abstraktion: Der Filmarchitekt Andrej Andrejew. In: Fantaisies russes: Russische Filmemacher in Berlin und Paris 1920-1930. Redaktion: Jörg Schöning. - München: edition text + kritik 1995. (= Ein CineGraph Buch.) pp. 111-128.
Description:
On the expressionikstic film architect who worked for Robert Wiene’s Raskolnikow film.
Index:
Andreev, Andrej
Wiene, Robert
Raskolnikow (1923)
Expressionismus ~ Expressionism
Architektur ~ Architecture
Berlin ~ Berlin
Paris ~ Paris
Russland ~ Russia

#213
Midding, Gerhard: Erneuerung der Schaulust. In: EPD Film 31. 2014. No. 3. [March] p. 14.
Description:
On two Berlin exhibitions, "Licht und Schatten" and "The Unseen Seen" dedicated to German silent film.
Index:
Stummfilm ~ Silent Film
Deutschland ~ Germany
Berlin ~ Berlin
Expressionismus ~ Expressionism

#214
Midding, Gerhard: Expressionistisches Kino: Ausstellung der Cinémathèque française zu ihrem 70. Jubiläum. In: EPD Film 23. 2006. No. 12. [December] p. 6.
Index:
Deutschland ~ Germany
Frankreich ~ France
Expressionismus ~ Expressionism

#215
Monetti, Domenico: II maledetto. In: Incontro ai fantasmi: Il cinema espressionista. Pubblicato in occasione della retrospettiva promossa dalla Cineteca Nazionale, Retrospettiva "Incontro ai Fantasmi, il Cinema Espressionista", Roma, Cinema Trevi, 26 marzo - 5 aprile 2008.A cura di Paolo Bertetto e Sergio Toffetti. - Roma: Centro Sperimentale di Cinematografia 2008. (= Quaderni del CSC.) pp. 121 ff.
Description:
[GA:] [KoDeu] [End GA][KoDeu]
Index:
Rom ~ Rome
Deutschland ~ Germany
Expressionismus ~ Expressionism

#216
Morris, N. A.: Reflections on Peeping Tom. In: Movie 1990. No. 34/35. [Winter] pp. 82-97.
Description:
On expressionistic motifs in the film.
Index:
Powell, Michael
Peeping Tom (1959)
Expressionismus ~ Expressionism

#217
Murdock-Hinrichs, Isa: Weimar effects: Cinematic space and cultural transformation. - San Diego, California: University of California, San Diego, Ph.D. 2010. [Abstract in: Dissertation Abstracts International A 71. 2011. No. 9. (March)]
Description:
Discusses, among others, Fritz Lang’s Die Spinnen, Joe May’s Das indische Grabmal and Robert Reinert’s Opium.
Index:
Lang, Fritz
May, Joe
Reinert, Robert
Spinnen, Die (1919)
indische Grabmal, Das (1921)
Opium (1918/1919)
Expressionismus ~ Expressionism

#218
Nacache, Jacqueline: Un "Mystery Thriller" expressioniste: Entretien avec Steven Soderbergh. In: La Revue du Cinéma 1992. No. 481. [?D] pp. 32-34.
Description:
On Kafka.
Index:
Soderbergh, Steven
Kafka (1991)
Thriller ~ Thriller
Expressionismus ~ Expressionism

#219
Nacke, Petra: Der klassische deutsche Stummfilm und sein Verhältnis zur Dramatik des Expressionismus. - Erlangen: Universität Erlangen-Nürnberg, Theaterwissenschaft, Magisterarbeit ?J (1989/1990).
Index:
Stummfilm ~ Silent Film
Expressionismus ~ Expressionism
Deutschland ~ Germany

#220
Nagel, Josef: Grenzenlos unsicher: Ausstellung "Gesamtkunstwerk Expressionismus" in Darmstadt. In: Film-Dienst 63. 2010. No. 23. [November 11] pp. 10-11.
Index:
Darmstadt ~ Darmstadt
Kunst ~ Arts, The
Expressionismus ~ Expressionism

#221
Nagel, Josef: Stumme Zeugen: Die Photoarchive des deutschen Filmmuseums und des deutschen Instituts für Filmkunde in Frankfurt. In: Film-Dienst 47. 1994. No. 21. [October 11] pp. 9-11.
Description:
Especially on the expressionistic fantastic film.
Index:
Fotografie ~ Photography
Frankfurt/Main ~ Frankfurt on the Main
Expressionismus ~ Expressionism
Deutschland ~ Germany

#222
Nelson, Thomas Allen: Film styles and film meanings. In: Film Criticism 3. 1979. No. 3. [Spring] pp. 2-17.
Index:
Expressionismus ~ Expressionism

#223
Nelson, Victoria: The new expressionism: Why the bells ring in Breaking the Waves. In: Salmagundi ?G. 1997. No. 116/117. [Fall/Winter] pp. 228-237.
Index:
von Trier, Lars
Breaking the Waves (1996)
Expressionismus ~ Expressionism

#224
Offroy, D.: Dossier: La generation expressionniste. In: Cinématographe 1976. No. 22. [December] pp. 2-6.
Index:
Expressionismus ~ Expressionism

#225
Ortiz, Luis: Ed Emshwiller. In: FilmfaxPlus 2007. No. 115. [July-September] pp. 66-118.
Description:
On the expressionist artist and experimental filmmaker.
Index:
Emshwiller, Ed
Expressionismus ~ Expressionism
Experimentalfilme ~ Experimental Films

#226
Ouaresima, Leonardo: Udine: Lo spazio espressionista. In: Cinema & Cinema ?G. 1987. No. 50. [December] pp. 16-17.
Index:
Expressionismus ~ Expressionism

#227
Palogiannidi, Evangelia: Der expressionistische Film in Deutschland. - Freiburg (CH): Universität Freiburg, Institut für Journalistik und Kommunikationswissenschaft, Diplomarbeit 1996.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#228
Papapetros, Spyros: Malicious houses: Animation, animism, animosity in German architecture and film - From Mies to Murnau. In: Grey Room 2005. No. 20. [Summer] pp. 6-37.
Index:
Mies van der Rohe, Ludwig
Murnau, Friedrich Wilhelm
Nosferatu - Eine Symphonie des Grauens (1922)
Deutschland ~ Germany
Animation ~ Animation
Expressionismus ~ Expressionism

#229
Passion and rebellion: The expressionist heritage. Edited by Stephen Eric Bronner and Douglas Kellner. - South Hadley, Massachussetts: Bergin 1983.
Reviews:
Barlow, John D.: [untitled] In: Cineaste 13. 1984. No. 3. [?D] pp. 54-55.
Description:
Discusses also the expressionistic film.
Index:
Expressionismus ~ Expressionism

#230
Passion and rebellion: The expressionist heritage. Edited by Stephen Eric Bronner and Douglas Kellner. - New York: Columbia University Press 1988.
First edition:
[1983.]
Reviews:
Knapp, Gerhard P.: [untitled] In: German Studies Review 13. 1990. No. 3. [?D] pp. 561-562.
Description:
Discusses also the expressionistic film.
Index:
Expressionismus ~ Expressionism

#231
Die Perfektionierung des Scheins: Das Kino der Weimarer Republik im Kontext der Künste. Hrsg. von Harro Segeberg. - München: Fink 2000. (= Mediengeschichte des Films 3.)
Reviews:
Christen, Matthias: [untitled] In: Filmbulletin 43. 2001. No. ?N(231) [April] p. 3.
von Thüna, Ulrich: [untitled.] In: Medienwissenschaft 2001. No. 1. pp. 97-99.
Description:
Discusses also the expressionistic German film.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#232
Perilli, Plinio: Dreyer, ovvero: L’angoscia del bene (espressionismo storico e azione interiore). In: Close-up: Storie della Visione 5. 2001. No. 11. [?D] pp. 24-28.
Index:
Dreyer, Carl Theodor
Expressionismus ~ Expressionism

#233
Peripheral visions: The hidden stages of Weimar cinema. Edited by Kenneth S. Calhoon. - Detroit: Wayne State University Press 2001. (= Kritik.)
Index:
Expressionismus ~ Expressionism
Technik ~ Technology
Deutschland ~ Germany

#234
Petro, Patrice: From Lukacs to Kracauer and beyond: Social film histories and the German cinema. In: Cinema Journal 22. 1983. No. 3. [?D] pp. 47-70.
Index:
Lukacs, Georg
Kracauer, Siegfried
Expressionismus ~ Expressionism
Deutschland ~ Germany

#235
Pfeiffer, Joachim: Dämonen und Vampire: Der frühe expressionistische Stummfilm in der Medienkonkurrenz. In: Medien des Wissens: Interdisziplinäre Aspekte von Medialität. Hrsg. von Georg Mein und Heinz Sieburg. - Bielefeld: Transcript 2011. (= Literalität und Liminalität 4.) pp. 223-241.
Index:
Vampire ~ Vampires
Stummfilm ~ Silent Film
Expressionismus ~ Expressionism
Dämonen ~ Demons

#236
Porfirio, Robert G.: German expressionism and film noir. In: Film noir prototypes: Origins of the movement. Edited by Alain Silver and James Ursini. - Milwaukee, Wisconsin: Applause Theatre & Cinema Books 2018. p. ?P.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany
Film Noir ~ Film Noir

#237
Porfirio, Robert: The Unsuspected (1947) and the noir sequence: Realism, expressionism, style. In: Film noir reader 4: The crucial films and themes. Edited by Alain Silver and James Ursini. - Pompton Plains, New Jersey: Limelight Editions / Milwauke, Wisconsin: Hal Leonard 2004. p. ?P.
Index:
Curtiz, Michael
Unsuspected, The (1947)
Expressionismus ~ Expressionism
Film Noir ~ Film Noir

#238
Prager, Brad: Taming impulses: Murnau’s Sunrise and the exorcism of expressionism. In: Literature/Film Quarterly 28. 2000. No. 4. [?D] pp. 284-292.
Index:
Murnau, Friedrich Wilhelm
Sunrise: A Song of Two Humans (1927)
Religion: Exorzismus ~ Religion: Exorcism
Expressionismus ~ Expressionism

#239
Prédal, René: L’expressionisme allemand. In: Prédal, René: Histoire du cinéma: Abrégé pédagogique. (= Cinémaction 1994. No. 73. [?D]) pp. 44-47.
Description:
Discusses, among others, Robert Wiene’s Das Cabinet des Dr. Caligari and the films of Paul Wegener, Fritz Lang and Friedrich Wilhelm Murnau.
Index:
Wiene, Robert
Wegener, Paul
Lang, Fritz
Murnau, Friedrich Wilhelm
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Deutschland ~ Germany

#240
Quaresima, Leonardo: Nosferatu, eine Symphonie des Grauens: Nosferatu il vampiro (1922) di Friedrich Wilhelm Murnau. In: Incontro ai fantasmi: Il cinema espressionista. Pubblicato in occasione della retrospettiva promossa dalla Cineteca Nazionale, Retrospettiva "Incontro ai Fantasmi, il Cinema Espressionista", Roma, Cinema Trevi, 26 marzo - 5 aprile 2008.A cura di Paolo Bertetto e Sergio Toffetti. - Roma: Centro Sperimentale di Cinematografia 2008. (= Quaderni del CSC.) pp. 73 ff.
Description:
[GA:] [KoDeu] [End GA][KoDeu]
Index:
Murnau, Friedrich Wilhelm
Nosferatu - Eine Symphonie des Grauens (1922)
Rom ~ Rome
Deutschland ~ Germany
Expressionismus ~ Expressionism

#241
Rado, Petre: Labirintul umbrelor: Expresionismul in cinema. - Bukarest: Ed. Meridiane 1975.
Index:
Labyrinth ~ Labyrinth
Expressionismus ~ Expressionism

#242
Raum-Deinzer, Uwe: 100 Jahre phantastischer Film 1: Horror - die Kunst des Grauens. Von den expressionistischen Stummfilmen, Universal-Klassikern und farbigen Hammer-Remakes zu den Blockbustern und Splattermovies unserer Tage. In: Moviestar 3. 1995. No. 13. [?D] pp. 38-40, 45-48.
Index:
Universal [Firma] ~ Universal [Company]
Stummfilm ~ Silent Film
Expressionismus ~ Expressionism
Hammer [Firma] ~ Hammer [Company]
Splatter-Filme ~ Splatter Films
Horror ~ Horror
Angst ~ Fear

#243
Rausa, Giuseppe: Spazio, tempo e nichilismo nel cinema tedesco degli anni venti. In: Segnocinema 6. 1986. No. 25. [November] pp. 10-11.
Description:
On the expressionistic German film of the 1920s.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#244
Riff, Bernhard: Patterns of obsession and opposition in The Treasure (1923). In: The films of G. W. Pabst: An extraterritorial cinema. Edited by Eric Rentschler. - New Brunswick, New Jersey; London: Rutgers University Press 1990. pp. 24-29.
Description:
On Pabst’s expressionistic debut film Der Schatz.
Index:
Pabst, Georg Wilhelm
Schatz, Der (1923)
Expressionismus ~ Expressionism

#245
Roberts, Ian: German expressionist cinema: The world of light and shadow. - London: Wallflower 2008.
Reviews:
Bottomore, Stephen: [untitled.] In: Early Popular Visual Culture 9. 2011. No. 2. [May] p. 163.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#246
Román, José: El cine alemán y la tendencia expresionista: Programa de Magíster en TEHA, Departamento de Teoría de las Artes, Facultad de Artes, Universidad de Chile. - Santiago de Chile: Universidad de Chile, Facultad de Artes 2004. (= Colección Cine 1.)
Index:
Expressionismus ~ Expressionism
Chile ~ Chile
Deutschland ~ Germany

#247
Romney, Jonathan: Killing time. In: Time Out 1991. No. 1105. [October 23] p. 63.
Description:
Interview with Christian de Chalonge on the influence of Louis Feuillade and of the German expressionism on his film Docteur Petitot.
Index:
de Chalonge, Christian
Feuillade, Louis
Docteur Petitot (1990)
Expressionismus ~ Expressionism
Deutschland ~ Germany

#248
Rountree, Rosalind W.: De Chirico meets Frankenstein: The influence of Pittura Metafisica on the style of Son of Frankenstein. - Mobile, Alabama: University of South Alabama, M.A. 2012. [Abstract in: Masters Abstracts International 51. 2013. No. 3. (June).]
Description:
Compares the influence of German expressionism and of Italian artist Giorgio de Chirico on the Universal Studios’ horror film style.
Index:
Lee, Rowland V.
de Chirico, Giorgio
Son of Frankenstein (1939)
Universal [Firma] ~ Universal [Company]
Italien ~ Italy
Horror ~ Horror
Frankenstein ~ Frankenstein
Expressionismus ~ Expressionism
Deutschland ~ Germany

#249
Rubenstein, Lenny: Caligari and the rise of expressionist film. In: Passion and rebellion: The expressionist heritage. Edited by Stephen Eric Bronner and Douglas Kellner. - South Hadley, Massachussetts: Bergin 1983. pp. 363-373.
Description:
Especially on Robert Wiene’s Das Cabinet des Dr. Caligari.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism

#250
Rußegger, Arno: "Auch dir wurde einmal der Schmerz erlösender Liebe zuteil ...": Zum expressionistischen Film in Österreich. In: Expressionismus in Österreich: Die Literatur und die Künste. Hrsg. von Klaus Amann und Armin A. Wallas. - Köln; Weimar; Wien: Böhlau 1994. (= Literatur in der Geschichte, Geschichte in der Literatur 30.) pp. 185-198.
Index:
Literatur ~ Literature
Expressionismus ~ Expressionism
Österreich ~ Austria

#251
Salt, Barry: From Caligari to who? In: Sight and Sound 48. 1979. No. 2. [Spring] pp. 119-123.
Description:
On the German expressionist film.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Deutschland ~ Germany

#252
Salt, Barry: From German stage to German screen / Dai palcoscenici tedeschi agli schermi tedeschi. In: Before Caligari: German cinema, 1895-1920 / Prima di Caligari: Cinema tedesco, 1895-1920. Edited by Paolo Cherchi Usai and Lorenzo Codelli. - Pordenone: Edizioni Edizioni Biblioteca dell’immagine 1990. pp. 402-423.
Description:
On the usage of theatrical aesthetic forms in early German film, Discusses especially the expressionistic fantastic film.
Index:
Theater ~ Theatre
Expressionismus ~ Expressionism
Deutschland ~ Germany

#253
Sanchez Biosca, Vicente: Vanguardismo y problematica del film aleman de la Republica de Weimar. In: Contracampo 1985. No. 38. [?D] pp. 84-97.
Description:
On the problem of founding a unified aesthetical theory describing the expressionistic German film of the 1920s.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#254
Sánchez-Biosca, Vicente: El expresionismo: De la plástica al cinematógrafo. In: Illustración y modernidad: La crítica de la modernidad en la literatura alemana. Ed.: Karen Andresen [et al.] - València: Universitá de València, Dep. de filol. inglesia y alemana 1995. (= Cuadernos de filología: Anejo 18.) pp. 231-251.
Description:
Discusses also the expressionistic German film.
Index:
Literatur ~ Literature
Expressionismus ~ Expressionism
Deutschland ~ Germany

#255
Sandras, Michel: M le maudit et l’expressionisme. In: Image et Son 1964. No. 169. [January] p. ?P.
Index:
Lang, Fritz
M - Eine Stadt sucht einen Mörder (1931)
Expressionismus ~ Expressionism

#256
Santamarina, Antonio: La ciencia-ficcion en la Republica de Weimar. In: Nosferatu 2001. No. 34/35. [January] pp. 11-22.
Description:
Discusses, among others, Fritz Lang’s Dr. Mabuse, der Spieler and Metropolis as well as Der Golem, wie er in die Welt kam by Carl Boese and Paul Wegener.
Index:
Lang, Fritz
Boese, Carl
Wegener, Paul
Dr. Mabuse, der Spieler (1921/1922)
Metropolis (1925/1926)
Golem, wie er in die Welt kam, Der (1920)
Expressionismus ~ Expressionism
Science Fiction ~ Science Fiction
Deutschland ~ Germany

#257
Saunders, Thomas J.: History in the making: Weimar cinema and national identity. In: Framing the past: The historiography of German cinema and television. Edited by Bruce A. Murray and Christopher J. Wickham. - Carbondale, Illinois; Edwardsville: Southern Illinois University Press 1992. pp. 42-67.
Description:
Discusses also the expressionistic fantastic film.
Index:
Geschichte ~ History
Fernsehen ~ Television
Expressionismus ~ Expressionism
Deutschland ~ Germany

#258
Schaal, Hans Dieter: Spaces of the psyche in German Expressionist film. In: Architectural Design 70. 2000. No. 1. [January] pp. 12-15.
Description:
On the meaning of painting and architecture for the expressionist German film. Discusses especially Robert Wiene’s Das Cabinet des Dr. Caligari and Fritz Lang’s Metropolis.
Index:
Wiene, Robert
Lang, Fritz
Cabinet des Dr. Caligari, Das (1919)
Metropolis (1925/1926)
Psychologie ~ Psychology
Kunst ~ Arts, The
Expressionismus ~ Expressionism
Deutschland ~ Germany
Architektur ~ Architecture

#259
Schanze, Helmut: On Murnau’s Faust: A generic Gesamtkunstwerk? In: Expressionist film: New perspectives. Edited by Dietrich Scheunemann. - Rochester, New York [et al.]: Camden House 2003. (= Studies in German Literature, Linguistics, and Culture.) p. ?P.
Index:
Murnau, Friedrich Wilhelm
Faust - Eine deutsche Volkssage (1926)
Kunst ~ Arts, The
Expressionismus ~ Expressionism

#260
Scheunemann, Dietrich: Activating the differences: Expressionist film and early Weimar cinema. In: Expressionist film: New perspectives. Edited by Dietrich Scheunemann. - Rochester, New York [et al.]: Camden House 2003. (= Studies in German Literature, Linguistics, and Culture.) p. ?P.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#261
Scheunemann, Dietrich: The double, the decor, and the framing device: Once more on Robert Wiene’s The Cabinet of Dr. Caligari. In: Expressionist film: New perspectives. Edited by Dietrich Scheunemann. - Rochester, New York [et al.]: Camden House 2003. (= Studies in German Literature, Linguistics, and Culture.) p. ?P.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Doppelgänger ~ Double

#262
Scheunemann, Dietrich: The double, the decor, and the framing device: Once more on Robert Wiene’s The Cabinet of Dr. Caligari. In: Expressionist film - New perspectives. Edited by Dietrich Scheunemann. - Rochester, New York: Camden House 2003. (= Studies in German literature, linguistics, and culture.) p. ?P.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Doppelgänger ~ Double

#263
Schneider, Roland: La genèse du surhomme: Du romantisme à l’épouvante. In: Cinémaction 2004. No. 112. [June] pp. 118-124.
Description:
On the representation of the "Übermensch" (superman) in expressionistic German film. Discusses especially Robert Wiene’s Das Cabinet des Dr. Caligari, Fritz Lang’s Der müde Tod and Friedrich Wilhelm Murnau’s Nosferatu - Eine Symphonie des Grauens.
Index:
Wiene, Robert
Lang, Fritz
Murnau, Friedrich Wilhelm
Cabinet des Dr. Caligari, Das (1919)
müde Tod, Der (1921)
Nosferatu - Eine Symphonie des Grauens (1922)
Helden ~ Heros
Expressionismus ~ Expressionism
Deutschland ~ Germany
Romantik ~ Romanticism

#264
Schobert, Walter: "Painting in time" and "visual music": On German avant-garde films of the 1920s. In: Expressionist film: New perspectives. Edited by Dietrich Scheunemann. - Rochester, New York [et al.]: Camden House 2003. (= Studies in German Literature, Linguistics, and Culture.) p. ?P.
Index:
Musik ~ Music
Kunst ~ Arts, The
Expressionismus ~ Expressionism
Experimentalfilme ~ Experimental Films
Deutschland ~ Germany

#265
Schultes, Paul: Expressionistische Regie. - Köln: Universität Köln, Dissertation 1981.
Index:
Expressionismus ~ Expressionism

#266
Schwarz, Alexander: Der geschriebene Film: Drehbücher des deutschen und russischen Stummfilms. - München: Schaudig & Ledig 1994. (= Diskurs Film. Bibliothek 6.)
Description:
Especially on the expressionist film. Discusses, among others, Robert Wiene’s Das Cabinet des Dr. Caligari, Der Student von Prag by Stellan Rye and Paul Wegener, Henrik Galeen’s Der Golem, Der müde Tod, Fritz Lang’s Die Nibelungen and Metropolis, Fedor Ocep’s Zivoj trup (Der lebende Leichnam) and, in addition, the films and scripts of Thea von Harbou, Hans Janowitz and Georges Méliès.
Index:
Wiene, Robert
Rye, Stellan
Wegener, Paul
Galeen, Henrik
Lang, Fritz
Otsep, Fjodor
von Harbou, Thea
Janowitz, Hans
Méliès, Georges
Cabinet des Dr. Caligari, Das (1919)
Student von Prag, Der (1913)
Golem, Der (1914)
müde Tod, Der (1921)
Nibelungen, Die (1922-1924)
Metropolis (1925/1926)
Zivoj trup (1929)
Stummfilm ~ Silent Film
Expressionismus ~ Expressionism
Russland ~ Russia
Deutschland ~ Germany

#267
Schwarz, Alexander: Der geschriebene Film: Drehbücher des deutschen und russischen Stummfilms. - München: Universität München, Institut für Deutsche Philologie, Dissertation 1994.
Description:
Especially on the expressionist film. Discusses, among others, Robert Wiene’s Das Cabinet des Dr. Caligari, Der Student von Prag by Stellan Rye and Paul Wegener, Henrik Galeen’s Der Golem, Der müde Tod, Fritz Lang’s Die Nibelungen and Metropolis, Fedor Ocep’s Zivoj trup (Der lebende Leichnam) and, in addition, the films and scripts of Thea von Harbou, Hans Janowitz and Georges Méliès.
Index:
Wiene, Robert
Rye, Stellan
Wegener, Paul
Galeen, Henrik
Lang, Fritz
Otsep, Fjodor
von Harbou, Thea
Janowitz, Hans
Méliès, Georges
Cabinet des Dr. Caligari, Das (1919)
Student von Prag, Der (1913)
Golem, Der (1914)
müde Tod, Der (1921)
Nibelungen, Die (1922-1924)
Metropolis (1925/1926)
Zivoj trup (1929)
Stummfilm ~ Silent Film
Expressionismus ~ Expressionism
Russland ~ Russia
Deutschland ~ Germany

#268
A second life: German cinema’s first decades. Edited by Thomas Elsaesser and Michael Wedel. - Amsterdam: Amsterdam University Press 1996. (= Film Culture in Transition.)
Reviews:
Fox, Jo: [untitled] In: Historical Journal of Film, Radio and Television NS 18. 1998. No. 1. [?D] pp. 139-140.
Johnson, Sheila: [untitled] In: The German Quarterly 71. 1998. No. 1. [?D] pp. 103-104.
Schanze, Helmut: [untitled] In: Medienwissenschaft 1997. No. 4. pp. 421-422.
Description:
Discusses also the expressionistic German silent film.
Index:
Stummfilm ~ Silent Film
Expressionismus ~ Expressionism
Deutschland ~ Germany

#269
Seiwald, Regina: Expressionist style in Fritz Lang’s M: A City Searches for a Murderer and The Woman in the Window. - München: GRIN Verlag 2011.
Index:
Lang, Fritz
M - Eine Stadt sucht einen Mörder (1931)
Woman in the Window, The (1944)
Expressionismus ~ Expressionism

#270
Silberman, Marc: "Mixed messages": Schrift und Bild im expressionistischen Film. In: Pictogrammatica: Die visuelle Organisation der Sinne in den Medienavantgarden (1900 - 1938). Hrsg. von Inge Münz-Koenen und Justus Fetscher. - Bielefeld: Aisthesis-Verlag 2006. (= Schrift und Bild in Bewegung 13.) pp. 145-160.
Index:
Expressionismus ~ Expressionism
Experimentalfilme ~ Experimental Films

#271
Silberman, Marc: Industry, text, and ideology in expressionist film. In: Passion and rebellion: The expressionist heritage. Edited by Stephen Eric Bronner and Douglas Kellner. - South Hadley, MA: Bergin 1983. pp. 374-383.
Description:
Especially on Robert Wiene’s Das Cabinet des Dr. Caligari.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Politik ~ Politics
Expressionismus ~ Expressionism

#272
Silberman, Marc: Soundless speech / wordless writing: Language and German silent cinema. In: Imaginations Journal 1. 2010. No. 1. [?D] pp. 40-71.
Description:
On German expressionist film.
Index:
Stummfilm ~ Silent Film
Musik ~ Music
Deutschland ~ Germany
Expressionismus ~ Expressionism

#273
Silberman, Mark: What is German in the German cinema? In: Film History 8. 1996. No. 3. pp. 297-315.
Description:
Discusses especially the German expressionistic film.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#274
Simsolo, Noël: Cinéma allemand II: Autour de Caligari (1919). In: Image et Son 1982. No. 376. [October] pp. 105-116.
Description:
Discusses Das Cabinet des Dr. Caligari als paradigm of German expressionist film.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Deutschland ~ Germany

#275
Simsolo, Noël: Le "Kammerspiel". In: La Revue du Cinéma 1986. No. 413. [February] pp. 75-81.
Description:
On the German expressionist film.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#276
Sopocy, M.: The circles of Siegfried Kracauer: From Caligari to Hitler re-examined. In: Griffithiana 14. 1991. No. 40/42. [?D] pp. 61-73.
Description:
On Krakauer’s history of the German expressionistic film.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#277
Spagnoletti, Giovanni: Der müde Tod: Destino (1921) di Fritz Lang. In: Incontro ai fantasmi: Il cinema espressionista. Pubblicato in occasione della retrospettiva promossa dalla Cineteca Nazionale, Retrospettiva "Incontro ai Fantasmi, il Cinema Espressionista", Roma, Cinema Trevi, 26 marzo - 5 aprile 2008.A cura di Paolo Bertetto e Sergio Toffetti. - Roma: Centro Sperimentale di Cinematografia 2008. (= Quaderni del CSC.) pp. 65 ff.
Description:
[GA:] [KoDeu] [End GA][KoDeu]
Index:
Lang, Fritz
müde Tod, Der (1921)
Rom ~ Rome
Deutschland ~ Germany
Expressionismus ~ Expressionism

#278
Spiess, Eberhard: Carl Mayer: Ein Filmautor zwischen Expressionismus und Idylle. - Frankfurt/Main: Kommunales Kino ?J (1979). (= Filmblätter 11.)
Index:
Mayer, Carl
Expressionismus ~ Expressionism

#279
Stábla, Zdenek: Beziehungen zwischen der tschechoslowakischen und deutschen Kinematographie in der Zeit der Weimarer Republik. In: Filmkultur zur Zeit der Weimarer Republik: Beiträge zu einer internationalen Konferenz vom 15. bis 18. Juni 1989 in Luxemburg. Hrsg. von Uli Jung und Walter Schatzenberg. - München; London; New York; Paris: Saur 1992. pp. 271-298.
Description:
Discusses especially the reception of the German expressionistic film in Czechoslovakia and its influence on the local film production..
Index:
Tschechoslowakei ~ Czechoslovakia
Luxemburg ~ Luxembourg
Expressionismus ~ Expressionism
Deutschland ~ Germany

#280
Steinbauer-Götsch, Barbara: "Two shadowy figures framed à la Siodmak ...": Der deutsche Stummfilm, die Filmexilanten und der amerikanische Film Noir. In: Filmexil 1995. No. 6. [July] pp. 53-71.
Description:
On the American reception of the film aesthetic used by the German expressionistic film.
Index:
Stummfilm ~ Silent Film
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir
Expressionismus ~ Expressionism
Deutschland ~ Germany

#281
Stölzel, Simone: Böse Meister im expressionistischen Film. In: Stölzel, Simone: Nachtmeerfahrten: Die dunkle Seite der Romantik. - Berlin: AB - Die Andere Bibliothek 2013. (= Die andere Bibliothek 338.) pp. 216 ff.
Index:
Nacht ~ Night
Meer ~ Sea
Expressionismus ~ Expressionism
Böse, Das ~ Evil, The
Romantik ~ Romanticism

#282
Stölzel, Simone: Nachtmeerfahrten: Die dunkle Seite der Romantik. - Berlin: AB - Die Andere Bibliothek 2013. (= Die andere Bibliothek 338.)
Index:
Nacht ~ Night
Meer ~ Sea
Expressionismus ~ Expressionism
Romantik ~ Romanticism

#283
Stölzel, Simone: Nachtmeerfahrten: Die dunkle Seite der Romantik. Neue Ausgabe. - Berlin: AB - Die Andere Bibliothek 2014.
First edition:
[2013]
Index:
Nacht ~ Night
Meer ~ Sea
Expressionismus ~ Expressionism
Romantik ~ Romanticism

#284
Strauss, Marc: The painted jester: Notes on the visual arts in Hitchcock’s films. In: Journal of Popular Film and Television 35. 2007. No. 2. [Summer] pp. 52-56.
Description:
How artworks inspired Hitchcock’s film aesthetics.
Index:
Hitchcock, Alfred
Expressionismus ~ Expressionism
Surrealismus ~ Surrealism
Kunst ~ Arts, The

#285
Stumpf, Melanie: Im Spiegelkabinett von expressionistischem Stummfilm, Film noir, Manga, Anime und japanischem Computerspiel. - Hildesheim: Universitätsbibliothek Hildesheim 2013.
Index:
Technik: Computer ~ Technology: Computer
Stummfilm ~ Silent Film
Spiegel ~ Mirror
Japan ~ Japan
Film Noir ~ Film Noir
Expressionismus ~ Expressionism
Experimentalfilme ~ Experimental Films
Animation: Comics ~ Animation: Comics

#286
Stumpf, Melanie: Im Spiegelkabinett von expressionistischem Stummfilm, Film noir, Manga, Anime und japanischem Computerspiel. - Hildesheim: Universität Hildesheim, Dissertation 2011.
Index:
Technik: Computer ~ Technology: Computer
Stummfilm ~ Silent Film
Spiegel ~ Mirror
Japan ~ Japan
Film Noir ~ Film Noir
Expressionismus ~ Expressionism
Experimentalfilme ~ Experimental Films
Animation: Comics ~ Animation: Comics

#287
Sudendorf, Werner: Expressionism and film: The testament of Dr. Caligari. Translation by Ulla Knodt and Vick Mitchell. In: Expressionism reassessed. Edited by Shulamith Behr, David Fanning and Douglas Jarman. - Manchester; New York: Manchester University Press 1993. pp. 91-100.
Description:
On the expressonist German film.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Expressionismus ~ Expressionism
Deutschland ~ Germany

#288
Taves, Brian: Robert Florey, the French expressionist. - Metuchen, New Jersey; London: Scarecrow Press 1987. (= Filmmakers 14.)
Index:
Florey, Robert
Expressionismus ~ Expressionism
Frankreich ~ France

#289
Teitelbaum, Sheldon: Making Dick Tracy. In: Cinefantastique 21. 1990. No. 1. [July] pp. 32-33, 35-38, 40, 43-46.
Description:
Compares the film by Warren Beatty with the expressionist film technique as used in Das Cabinet des Dr. Caligari.
Index:
Beatty, Warren
Cabinet des Dr. Caligari, Das (1919)
Dick Tracy (1990)
Technik ~ Technology
Expressionismus ~ Expressionism

#290
Telotte, J. P.: All That Jazz: Expressionism on its own terms. In: Journal of Popular Film and Television 11. 1983. No. 3. [?D] pp. 104-113.
Index:
Fosse, Bob
All that Jazz (1979)
Expressionismus ~ Expressionism

#291
Termine, Liborio: L’ideologia della morte nel cinema dell’Expressionismo. In: Cinema Nuovo 26. 1977. No. 250. [?D] pp. 432-450.
Description:
On the representation of death in expressionistic film.
Index:
Tod ~ Death
Expressionismus ~ Expressionism

#292
Texte von Pierre Mac Orlan. In: Revue CICIM 1987. No. 21. [November]) pp. 29-59.
Index:
Dumarchais, Pierre [Pseudonym: Orlan, Pierre Mac]
Duvivier, Julien
Autant-Lara, Claude
bandera, La (1935)
Marguerite de la nuit (1955)
Expressionismus ~ Expressionism

#293
Titford, John S.: Object-subject relationships in German expressionist cinema. In: Cinema Journal 13. 1973. No. 1. [Fall] pp. 17-24.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#294
To the rescue of Lang, Murnau: German archivists trying to restore films from the UFA silent era. In: Variety 292. 1978. No. ?N. [September 6] p. 34.
Index:
Lang, Fritz
Murnau, Friedrich Wilhelm
UFA ~ UFA
Stummfilm ~ Silent Film
Expressionismus ~ Expressionism
Deutschland ~ Germany

#295
Tobin, Yann: L’écran démoniaque exposé. In: Positif 2007. No. 551. [January] pp. 74-75.
Description:
On an exhibition dedicated ro German expressionist film at the Paris Cinémathèque française.
Index:
Paris ~ Paris
Expressionismus ~ Expressionism
Deutschland ~ Germany

#296
Tone, Pier Giorgio: Espressionismo tedesco: La breve grande stagione del cinema degli anni Venti analizzata nei suoi procedimenti tecnico-formali. - Roma: Audino 2009. (= Manuali di script 125.)
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#297
Tonning, Erik: Abstraction and allusion in Ghost Trio and ...but the clouds.... In: Tonning, Erik: Samuel Beckett’s abstract drama: Works for stage and screen 1962 - 1985. - Oxford; Bern; Berlin; Bruxelles; Frankfurt am Main; New York; Wien: Lang 2007, (= STSS - Stage and screen studies 10.) pp. 165 ff.
Index:
Beckett, Samuel
McWhinnie, Donald
McWhinnie, Donald
Ghost Trio (1977)
...but the clouds... (1977)
Surrealismus ~ Surrealism
Expressionismus ~ Expressionism

#298
Tonning, Erik: Beckettian monads: A Piece of Monologue, Rockaby, Ohio Impromptu, Quad (I & II), Nacht und Träume, What Where. In: Tonning, Erik: Samuel Beckett’s abstract drama: Works for stage and screen 1962 - 1985. - Oxford; Bern; Berlin; Bruxelles; Frankfurt am Main; New York; Wien: Lang 2007, (= STSS - Stage and screen studies 10.) pp. 203 ff.
Index:
Beckett, Samuel
Lefevre, Robin
Eyre, Richard
Sturridge, Charles
Behrens, Alfred
Kuball, Michael
O’Donnell, Damien
Piece of Monologue, A (2001)
Rockaby (2000)
Ohio Impromptu (2000)
Quadrat 1+2 (1982)
Nacht und Träume (1983)
What Where (2000)
Surrealismus ~ Surrealism
Expressionismus ~ Expressionism

#299
Tonning, Erik: Film and Eh Joe: Confronting new media. In: Tonning, Erik: Samuel Beckett’s abstract drama: Works for stage and screen 1962 - 1985. - Oxford; Bern; Berlin; Bruxelles; Frankfurt am Main; New York; Wien: Lang 2007, (= STSS - Stage and screen studies 10.) pp. 89 ff.
Index:
Beckett, Samuel
Schneider, Alan
Eh, Joe? (1966)
Surrealismus ~ Surrealism
Expressionismus ~ Expressionism

#300
Tonning, Erik: Play and Come and Go: The evolution of an abstract dramatic style. In: Tonning, Erik: Samuel Beckett’s abstract drama: Works for stage and screen 1962 - 1985. - Oxford; Bern; Berlin; Bruxelles; Frankfurt am Main; New York; Wien: Lang 2007, (= STSS - Stage and screen studies 10.) pp. 55 ff.
Index:
Beckett, Samuel
Holloway, Eric
Come and Go (2007)
Surrealismus ~ Surrealism
Expressionismus ~ Expressionism

#301
Tonning, Erik: Reshaping expressionism and depth psychology in Not I, That Time and Footfalls. In: Tonning, Erik: Samuel Beckett’s abstract drama: Works for stage and screen 1962 - 1985. - Oxford; Bern; Berlin; Bruxelles; Frankfurt am Main; New York; Wien: Lang 2007, (= STSS - Stage and screen studies 10.) pp. 109 ff.
Index:
Beckett, Samuel
Jordan, Neil
Garrad, Charles
Asmus, Walter D.
Not I (2000)
That Time (2000)
Footfalls (2000)
Psychologie ~ Psychology
Surrealismus ~ Surrealism
Expressionismus ~ Expressionism

#302
Tonning, Erik: Samuel Beckett’s abstract drama: Works for stage and screen 1962 - 1985. - Oxford; Bern; Berlin; Bruxelles; Frankfurt am Main; New York; Wien: Lang 2007, (= STSS - Stage and screen studies 10.)
Index:
Beckett, Samuel
Surrealismus ~ Surrealism
Expressionismus ~ Expressionism

#303
Tonning, Erik: Towards an aesthetic of abstraction. In: Tonning, Erik: Samuel Beckett’s abstract drama: Works for stage and screen 1962 - 1985. - Oxford; Bern; Berlin; Bruxelles; Frankfurt am Main; New York; Wien: Lang 2007, (= STSS - Stage and screen studies 10.) pp. 13 ff.
Index:
Beckett, Samuel
Surrealismus ~ Surrealism
Expressionismus ~ Expressionism

#304
Tortolani, Erica: "Citizenship in a nightmare country:" German Expressionist film and Freud’s dream theory. - Providence, Rhode Island: Digital Initiatives Press / Rhode Island College; Honors Projects Overview 2013. (= Paper 73.)
Index:
Freud, Sigmund
Expressionismus ~ Expressionism
Deutschland ~ Germany
Traum ~ Dreams
Psychologie ~ Psychology

#305
Tsivian, Yuri: Caligari in Rußland: Der deutsche Expressionismus und die sowjetische Filmkultur. In: Montage/AV 2. 1993. No. 2. pp. 35-48.
Index:
Russland ~ Russia
Expressionismus ~ Expressionism
UdSSR (Union der Sozialistischen Sowjetrepubliken) ~ USSR (Union of Soviet Socialist Republics)
Deutschland ~ Germany

#306
Tudor, Andrew: The myth of German expressionism. In: Screen 12. 1971. No. 3. [Autumn] pp. 143-150.
Index:
Mythologie ~ Mythology
Expressionismus ~ Expressionism
Deutschland ~ Germany

#307
Tweedie, James: The suspended spectacle of history: The "tableau vivand" in Derek Jarman’s Caravaggio. In: Screen 44. 2003. No. 4. [Winter] pp. 379-403.
Index:
Jarman, Derek
Caravaggio (1986)
Kunst ~ Arts, The
Expressionismus ~ Expressionism
Geschichte ~ History

#308
Varela, Willie: Chicano personal cinema. In: Jump Cut 1994. No. 39. [June] pp. 96-99.
Index:
Expressionismus ~ Expressionism

#309
Verdone, Mario: Gustav Meyrink e il cinema espressionista. In: Filmcritica 35. 1984. No. 346. [July] pp. 298-302.
Index:
Meyrink, Gustav
Expressionismus ~ Expressionism

#310
Vidler, Anthony: Die Explosion des Raums: Architektur und das filmische Imaginäre. In: Filmarchitektur: Von Metropolis bis Blade Runner. Hrsg. von Dietrich Neumann. - München; New York: Prestel Verlag 1996. pp. 13-25.
Description:
Discusses especially the expressionistic German film.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany
Architektur ~ Architecture

#311
Vingt ans de cinéma allemand 1913-1933. Sous la direction de Jean-Loup Passek. Assisté de Jacqueline Brisbois. Textes de Lotte Eisner [et al.]. - Paris: Centre National d’Art et de Culture Georges Pompidou 1978.
Description:
Exhibition catalogue. Discusses, among others, the expressionistic German film.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany

#312
Virmaux, Alain / Virmaux, Odette: Notes sur quelques films expressionnistes et fantastiques. In: Jeune Cinéma 1993. No. 222. [?D] pp. 35-38.
Description:
On two 1993 retrospectives of the Parisian "Goethe Institut" on the expressionistic and the fantastic German film
Index:
Paris ~ Paris
Expressionismus ~ Expressionism
Deutschland ~ Germany

#313
Vlasov, Eduard: Overcoming the threshold: Bakhtin, Eisenstein and the cinema of German expressionism. In: Canadian Review of Comparative Literature / Revue Canadienne de littérature comparée 23. 1996. No. 3. [?D] pp. 659-678.
Index:
Bakhtin, Michail Michailowitsch
Eisenstein, Sergei Mikhailovich
Expressionismus ~ Expressionism
Deutschland ~ Germany

#314
Vohl, Thomas: Expressionismus und Kitsch - 70 Jahre Dracula im Film. In: Fantastisches Forum 5. 1994. No. 13. [June] pp. 25-37.
Description:
Includes a filmography.
Index:
Kitsch ~ Kitsch
Expressionismus ~ Expressionism
Vampire ~ Vampires

#315
von Cossart, Axel: Kino, Theater des Expressionismus: Das literarische Resümee einer Besonderheit. - Essen: Verlag Die Blaue Eule 1985. (= Theater, Film und Fernsehen in der Blauen Eule 1.)
Index:
Theater ~ Theatre
Expressionismus ~ Expressionism

#316
von Thüna, Ulrich: Der tönende Stummfilm. In: EPD Film 3. 1986. No. 5. [May] pp. 7-8.
Description:
Discusses especially the German expressionistic silent film.
Index:
Expressionismus ~ Expressionism
Stummfilm ~ Silent Film
Musik ~ Music
Deutschland ~ Germany

#317
Von Babelsberg nach Hollywood: Filmemigranten aus Nazideutschland: Exponatenverzeichnis: Ausstellung vom 26.5.-9.8.1987. Katalog. Redaktion: Ronny Loewy. - Frankfurt/M.: Deutsches Filmmuseum 1987. (= Schriftenreihe des Deutschen Filmmuseums.)
Description:
Includes some articles on directors linked to German fantastic expressionism, among them Fritz Lang.
Index:
Lang, Fritz
Faschismus ~ Fascism
Babelsberg ~ Babelsberg
Expressionismus ~ Expressionism
Hollywood ~ Hollywood
Deutschland ~ Germany

#318
Waldron, J. D.: Cinema and its discontents: Evil and moral responsibility in the genre of cinema. - Limerick: University of Limerick, Ph.D. 2004. [Abstract in: Index to Theses with Abstracts 54. 2005. No. 2. p. 307(54-2455).]
Description:
Discusses, among others, the expressionistic film and the film noir, the films of Fritz Lang, Orson Welles, Pier Paolo Pasolini and Liliana Cavani as well as the Japanese horror films by Hideo Nakata and Takashi Miike.
Index:
Lang, Fritz
Welles, Orson
Pasolini, Pier Paolo
Cavani, Liliana
Nakata, Hideo
Miike, Takashi
Japan ~ Japan
Horror ~ Horror
Film Noir ~ Film Noir
Expressionismus ~ Expressionism
Böse, Das ~ Evil, The

#319
Ward, Janet: Weimar surfaces: Urban visual culture in 1920’s Germany. - Berkeley, California: University of California Press 2001.
Reviews:
Hwang, June: [untitled.] In: Medienwissenschaft 2001. No. 4. pp. 509-511.
Index:
Stadt ~ City
Expressionismus ~ Expressionism
Deutschland ~ Germany

#320
Warm, Hermann: Naissance de Caligari: Les trois lumières. In: Cinématographe 1982. No. 75. [February] pp. 3-7.
Description:
Expressionist Designer Hermann Warm on his work for Das Cabinet des Dr. Caligari and Der müde Tod.
Index:
Warm, Hermann
Wiene, Robert
Lang, Fritz
Cabinet des Dr. Caligari, Das (1919)
müde Tod, Der (1921)
Expressionismus ~ Expressionism

#321
Warren, Paul: La paternite revisitee de F. W. Murnau et de Fritz Lang. In: Etudes Litteraires 18. 1985. No. 1. [Spring] pp. 157-181.
Description:
On both director’s expressionist period.
Index:
Murnau, Friedrich Wilhelm
Lang, Fritz
Expressionismus ~ Expressionism

#322
Wedel, Michael: Filmgeschichte als Krisengeschichte: Schnitte und Spuren durch den deutschen Film. - Bielefeld: Transcript 2011. (= Film.)
Reviews:
Birkner, Nina: [untitled.] In: Germanistik 52. 2011. No. 3/4. p. 995.
Description:
Includes, among others, chapters on Mime Misu’s Titanic - In Nacht und Eis, on German expressionist film, on actor Albert Bassermann, on Fritz Lang’s Die 1000 Augen des Dr. Mabuse, on animation in West-Germany and the GDR and on Tom Tykwer’s Der Krieger und die Kaiserin.
Index:
Misu, Mime
Bassermann, Albert
Lang, Fritz
Tykwer, Tom
Titanic - In Nacht und Eis / In Nacht und Eis (1912)
1000 Augen des Dr. Mabuse, Die (1960)
Krieger und die Kaiserin, Der (2000)
Expressionismus ~ Expressionism
Deutschland ~ Germany
Animation ~ Animation

#323
Wegner, Hart: From expressionism to film noir: Otto Preminger’s Where the Sidewalk Ends. In: Journal of Popular Film and Television 11. 1983. No. 2. [?D] pp. 56-65.
Index:
Preminger, Otto
Where the Sidewalk Ends (1950)
Film Noir ~ Film Noir
Expressionismus ~ Expressionism

#324
Wegner, Hart L.: Literary influences on the earliest expressionist film: Der Student von Prag. In: West Virginia University Philological Papers 26. August 1980. [?D] pp. 1-6.
Description:
On the expressionistic film by Stellan Rye and on the underlying script by Hanns Heinz Ewers.
Index:
Ewers, Hanns Heinz
Rye, Stellan
Student von Prag, Der (1913)
Expressionismus ~ Expressionism

#325
Weihsmann, Helmut: Die vierte Dimension: Architektur im Film. In: Blimp 1989. No. 12. [Summer] pp. 35-43.
Description:
Discusses especially the set decoration in expressionistic German silent film.
Index:
Stummfilm ~ Silent Film
Expressionismus ~ Expressionism
Deutschland ~ Germany
Architektur ~ Architecture

#326
Weihsmann, Helmut: Gebaute Illusionen: Architektur im Film. - Wien: Promedia Verlag 1988.
Reviews:
Esser, Michael: [untitled] In: Filmbulletin 32. 1990. No. 3(171). [?D] pp. 6-7.
Hoffmann, Kay: Film- und Kino-Architektur: Eine Sammelrezension. In: Medienwissenschaft 1989. No. 2. pp. 225-228.
Kipcak, Orhan: [untitled] In: Blimp 1989. No. 12. [Summer] pp. 51-52.
Pohl, Anne: Geraubte Illusionen. In: Filmwärts ?G. 1990. No. 17. [?D] pp. V-VI.
Description:
Discusses also a lot of fantastic films. Includes articles on costume films, the expressionist film architecture, Fritz Lang’s Metropolis, on architectur in science fiction film and on utopic cities in film.
Index:
Lang, Fritz
Metropolis (1925/1926)
Utopie ~ Utopia
Stadt ~ City
Architektur ~ Architecture
Expressionismus ~ Expressionism
Science Fiction ~ Science Fiction

#327
Welsch, Tricia: Foreign exchange: German Expressionism and its legacy In: Cinema Journal 38. 1999. No. 4. [Summer] pp. 98-102.
Description:
On the influence of German exiles on the development of the US American cinema.
Index:
USA (United States of America) ~ USA (United States of America)
Expressionismus ~ Expressionism
Deutschland ~ Germany

#328
Wiene, Robert: Expressionism in film (1922). In: The promise of cinema: German film theory, 1907-1933. Edited by Anton Kaes, Nicholas Baer, and Michael Cowan. - Oakland, California: University of California Press 2016. (= Weimar and now: German cultural criticism 49.) p. ?P.
Index:
Wiene, Robert
Expressionismus ~ Expressionism
Deutschland ~ Germany

#329
Wikarski, Nancy Susan: A symphony of shadows: The transmigration of German expressionism into American film. - Chicago, Illinois: University of Chicago, Ph.D. 1990.
Index:
USA (United States of America) ~ USA (United States of America)
Expressionismus ~ Expressionism
Deutschland ~ Germany

#330
Wolitz, Seth L.: The Golem (1920): An expressionist treatment. In: Passion and rebellion: The expressionist heritage. Edited by Stephen Eric Bronner and Douglas Kellner. - South Hadley, MA: Bergin 1983. pp. 384-397.
Index:
Boese, Carl
Wegener, Paul
Golem, wie er in die Welt kam, Der (1920)
Expressionismus ~ Expressionism

#331
Wood, Aylish: Pixel visions: Digital intermediates and micromanipulations of the image. In: Film Criticism 32. 2007. No. 1. [Fall] pp. 72-94.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Horror ~ Horror
Expressionismus ~ Expressionism

#332
Wood, Robin: Sunrise: A reappraisal. In: Cineaction 1989. No. 17. [Summer] pp. 66-71.
Index:
Murnau, Friedrich Wilhelm
Sunrise: A Song of Two Humans (1927)
Expressionismus ~ Expressionism

#333
Youssef, David Matthew: The sanitized city and other urban myths: Fantasies of risk and illness in the twentieth century Metropolis. - Los Angeles, California: University of California, Los Angeles, Ph.D. 2012. [Abstract in: Dissertation Abstracts International A 74. 2013. No. 4. (October).]
Description:
Discusses, among others, the representation of the city in German expressionist film, in film noir and in 20th century science fiction.
Index:
Stadt ~ City
Science Fiction ~ Science Fiction
Phantasie ~ Fantasy
Mythologie ~ Mythology
Krankheit ~ Illness
Film Noir ~ Film Noir
Expressionismus ~ Expressionism
Deutschland ~ Germany

#334
Zorkaya, Neya: Doctor Caligari and Akaki Akakievich Bashmachkin: To the question of German influence in Russian revolutionary avant-guard. In: MovEast ?G. 2003. No. 9. [?D] pp. 65-75.
Index:
Wiene, Robert
Bashmachkin, Akaki Akakievich
Cabinet des Dr. Caligari, Das (1919)
Experimentalfilme ~ Experimental Films
Russland ~ Russia
Expressionismus ~ Expressionism
Deutschland ~ Germany

#335
Zweites film- und fernsehwissenschaftliches Kolloquium Berlin 1989. Hrsg. von Hans J. Wulff, Norbert Grob und Karl Prümm. - Münster: MAkS Publikationen 1990. (= Film- und fernsehwissenschaftliche Arbeiten.)
Reviews:
Aurich, Rolf: [untitled] In: Medienwissenschaft 1991. No. 4. pp. 545-547.
Description:
Includes articles on Peter Greenaway, on Max Steiner’s score for King Kong and on the German expressionist film.
Index:
Greenaway, Peter
Cooper, Merian C.
Schoedsack, Ernest B.
Steiner, Max
King Kong (1931-1933)
Wissenschaft ~ Science
Musik ~ Music
Fernsehen ~ Television
Expressionismus ~ Expressionism
Deutschland ~ Germany
Berlin ~ Berlin

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