The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|

literature list on: Film Noir

number of items: 742

#1
Abbott, Megan E.: The street was mine: White masculinity and urban space in hardboiled fiction and film noir. - New York: Palgrave Macmillan 2002.
Index:
Stadt ~ City
Männer ~ Men
Film Noir ~ Film Noir

#2
Abrams, Jerold J.: "A homespun murder story": Film noir and the problem of modernity in Fargo. In: The philosophy of the Coen brothers. Edited by Mark T. Conrad. - Lexington, Kentucky: Kentucky University Press 2009. (= The philosophy of popular culture.) pp. 211-223.
Index:
Coen, Joel
Fargo (1995)
Philosophie ~ Philosophy
Mord ~ Murder
Film Noir ~ Film Noir

#3
Abrams, Jerold J. / Cooke, Elizabeth: Detection and the logic of abduction in The X-Files. In: The philosophy of TV noir. Edited by Steven M. Sanders and Aeon J. Skoble. - Lexington, Kentucky: University Press of Kentucky 2008. (= The philosophy of popular culture.) p. ?P.
Index:
X-Files, The (TV)
Philosophie ~ Philosophy
Film Noir ~ Film Noir
Fernsehen ~ Television

#4
Abrams, Jerold J.: From Sherlock Holmes to the hard-boiled detective in film noir. In: The philosophy of film noir. Edited by Mark T. Conard. Foreword by Robert Porfirio. - Lexington, Kentucky: University Press of Kentucky 2006. (= The philosophy of popular culture.) pp. 69-88.
Index:
Sherlock Holmes ~ Sherlock Holmes
Detektive ~ Detectives
Philosophie ~ Philosophy
Film Noir ~ Film Noir

#5
Abrams, Jerold J.: Space, time, and subjectivity in neo-noir cinema. In: The philosophy of neo-noir. Edited by Mark T. Conard. - Lexington, Kentucky: University Press of Kentucky 2007. (= The philosophy of popular culture.) p. ?P.
Index:
Philosophie ~ Philosophy
Film Noir ~ Film Noir

#6
Adams, Jeffrey: Orson Welles’s The Trial: Film noir and the Kafkaesque. In: College Literature 29. 2002. No. 3. [Summer] pp. 140-157.
Description:
Discusses also Touch of Evil.
Index:
Welles, Orson
Trial, The / Procés, Le / processo, Il (1962)
Touch of Evil (1957)
Film Noir ~ Film Noir

#7
Allison, Deborah: The cinema of Michael Winterbottom. - Lanham, Maryland: Lexington Books 2013. (= Genre Films Auteurs.)
Index:
Winterbottom, Michael
Butterfly Kiss (1994)
Code 46 (2003)
Killer Inside Me, The (2010)
Film Noir ~ Film Noir
Science Fiction ~ Science Fiction

#8
Alsted, C.: Kvinden uden samvittighed - en arketypisk film noir. In: Kosmorama 31. 1985. No. 172. [July] pp. 75-80.
Description:
On Billy Wilder’s Double Indemnity.
Index:
Wilder, Billy
Double Indemnity (1944)
Film Noir ~ Film Noir

#9
Althen, Michael: Bad Lieutenant. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 335-340.
Index:
Ferrara, Abel
Bad Lieutenant (1992)
Film Noir ~ Film Noir

#10
Ambrose, Tom: Hitler’s loss: What Britain and America gained from Europe’s cultural exiles. - London: Peter Owen / European Jewish Publication Society 2001.
Description:
Includes a chapter on fantasy and Film Noir.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir
Fantasy ~ Fantasy
Europa ~ Europe
Deutschland ~ Germany

#11
Ambrosiano, Jason: "The ties that bind and bless the soul": Grace and noir in Schrader’s Light Sleeper. In: Journal of Religion and Film 2. 1998. No. 2. [October] p. ?P.
Index:
Schrader, Paul
Light Sleeper (1992)
Film Noir ~ Film Noir
Religion ~ Religion

#12
Amfreville, Marc: La nuit américaine dans Noir de Robert Coover. In: Anglophonia 2009. No. 25. [?D] pp. 119-126.
Index:
Hawks, Howard
Coover, Robert
Big Sleep, The (1946)
USA (United States of America) ~ USA (United States of America)
Nacht ~ Night
Film Noir ~ Film Noir

#13
Anderson, Emily R.: Sin City, style, and the status of noir. In: Critical approaches to the films of Robert Rodriguez. Edited by Frederick Luis Aldama. Afterword by Alvaro Rodriguez. - Austin, Texas: University of Texas Press 2015. p. ?P.
Index:
Rodriguez, Robert
Miller, Frank
Tarantino, Quentin
Sin City / Frank Miller’s Sin City (2005)
Film Noir ~ Film Noir

#14
Andrew, Dudley: Film noir: Death and double cross over the Atlantic. In: Iris 1996. No. 21. [?D] pp. 21-30.
Index:
Tod ~ Death
Film Noir ~ Film Noir

#15
Andryeyev, Bonnie Rhee: Hearts of darkness: Race and urban epistemology in American noir. - Santa Cruz, California: University of California, Santa Cruz, Ph.D. 2012. [Abstract in: Dissertation Abstracts International A 73. 2013. No. 12. (June).]
Description:
Discusses both literature and film.
Index:
Ethnie ~ Ethnicity
USA (United States of America) ~ USA (United States of America)
Stadt ~ City
Literatur ~ Literature
Film Noir ~ Film Noir

#16
Antonelli, Sara: L’omicidio è storia vecchia: Minority Report: La favola noir da Philip K. Dick a Steven Spielberg. - Roma: Editori Riuniti 2002. (= Pop 11.)
Index:
Spielberg, Steven
Dick, Philip K[indred]
Minority Report (2002)
Film Noir ~ Film Noir

#17
Armand, Catherine / Bassan, Raphaël / Ruelle, Catherine: Le cinéma indépendant noir américain. In: La Revue du Cinéma 1981. No. 363. [?D] pp. 65-100.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#18
Armstrong, Stephen B.: Touch of Evil (1958) and the end of the noir cycle. In: Film noir reader 4: The crucial films and themes. Edited by Alain Silver and James Ursini. - Pompton Plains, New Jersey: Limelight Editions / Milwauke, Wisconsin: Hal Leonard 2004. p. ?P.
Index:
Welles, Orson
Touch of Evil (1957)
Film Noir ~ Film Noir

#19
Arnett, Robert: Eighties noir: The dissenting voice in Reagan’s America. In: Journal of Popular Film and Television 34. 2006. No. 3. [Fall] pp. 123-129.
Index:
Reagan, Ronald
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#20
Arthur, Paul: Film Noir as primal scene: The Window. In: Film Comment 32. 1996. No. 6. [November/December] pp. 77-79.
Description:
On the film by Ted Tetzlaff; especially on the representation of the city.
Index:
Tetzlaff, Ted
Window, The (1949)
Stadt ~ City
Film Noir ~ Film Noir

#21
Arthur, Paul Steven: Shadows on the mirror: Film noir and Cold War America, 1945-1957. - New York: The New York University, Ph.D. 1985.
Index:
USA (United States of America) ~ USA (United States of America)
Spiegel ~ Mirror
Krieg ~ War
Film Noir ~ Film Noir

#22
Ashley, Mike: Cornell Woolrich, master of noir fiction. In: Book and Magazine Collector 2001. No. 210. [?D] pp. 29-44.
Description:
Discusses also Woolrich filmings.
Index:
Woolrich, Cornell George
Film Noir ~ Film Noir

#23
Asper, Helmut G.: An American film noir: Joseph Loseys M im Rahmen der Fritz-Lang-Retrospektive. In: Film-Dienst 54. 2001. No. 6. [March 13] pp. 56-57.
Index:
Losey, Joseph
Lang, Fritz
M (1951)
M - Eine Stadt sucht einen Mörder (1931)
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#24
Atkinson, Mike: Genuine B Noir. In: Sight and Sound NS 3. 1993. No. 11. [November] pp. 28-29.
Description:
On director and producer James B. Harris.
Index:
Harris, James B.
Film Noir ~ Film Noir

#25
Auerbach, Jonathan: Dark borders: Film noir and American citizenship. - Durham, North Carolina: Duke University Press 2011.
Reviews:
Fradley, Martin: [untitled.] In: Film Quarterly 65. 2012. No. 4. [?D] pp. 70-73.
Friedkin, David: [untitled.] In: Film & History 43. 2013. No. 1. [Spring] pp. 53-57.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#26
Auger, Emily E.: Tech-noir films 1970-2005: An annotated filmography. - Lewiston, New York; Lampeter: Mellen Press 2011.
Reviews:
Frelik, Pawel: [untitled.] In: Science Fiction Studies 39. 2012. No. 1(?N). [?D] pp. 118-120.
Index:
Film Noir ~ Film Noir
Science Fiction ~ Science Fiction

#27
Auger, Emily E.: The development of the tech-noir film: A theory of the development of popular genres in fiction and film (gothic, fetective, sci fi, and tech-noir). - ?O: Edwin Mellen Press 2010.
Reviews:
Chiang, Angela: [untitled.] In: Journal of the Fantastic in the Arts 24. 2013. No. 2. [?D] pp. 314-316.
Index:
Horror ~ Horror
Film Noir ~ Film Noir

#28
Austrian Noir: Essays zur österreichisch-amerikanischen Koproduktion Abenteuer in Wien / Stolen Identity. Hrsg. von Armin Loacker. - Wien: Film Archiv Austria 2005. (= Edition Film + Text 7.)
Reviews:
Arnold, Frank: [untitled] In: EPD Film 23. 2006. No. 5. [May] p. 54.
Index:
Reinert, Emil E.
Abenteuer in Wien / Stolen Identity (1952)
USA (United States of America) ~ USA (United States of America)
Österreich ~ Austria
Film Noir ~ Film Noir

#29
Baetens, Jan: Noircir la nuit. In: Romaneske 30. 2005. No. 3. [?D] pp. 12-13.
Description:
On Olivier Smolders’s Nuit noire.
Index:
Smolders, Olivier
Nuit noire (2005)
Nacht ~ Night
Film Noir ~ Film Noir

#30
Balke, Gregor: Die ironische Außenseiterin: Die Thematik des Außenseitertums und das Problem der Daseinsbewältigung im Kontext gesellschaftlicher Entrücktheit in der Teen-Noir-Serie Veronica Mars (2004-2007). In: Dawn of an evil millennium: Horror/Kultur im neuen Jahrtausend. Hrsg. von Jörg van Bebber. - Darmstadt: Büchner-Verlag 2011. pp. 176 ff.
Index:
Veronica Mars (TV)
Film Noir ~ Film Noir
Böse, Das ~ Evil, The
Horror ~ Horror

#31
Ballinger, Alexander / Graydon, Danny: The Rough Guide to film noir. - London; New York: Rough Guides 2007. (= Rough Guides reference.)
Index:
Film Noir ~ Film Noir

#32
Barad, Judith: Blade Runner and Sartre: The boundaries of humanity. In: The philosophy of neo-noir. Edited by Mark T. Conard. - Lexington, Kentucky: University Press of Kentucky 2007. (= The philosophy of popular culture.) p. ?P.
Index:
Scott, Ridley
Sartre, Jean-Paul
Blade Runner (1982)
Philosophie ~ Philosophy
Film Noir ~ Film Noir

#33
Baron, Cynthia: Film noir: Gesture under pressure. In: Genre and performance: Film and television. Edited by Christine Cornea. - Manchester: Manchester University Press 2010. p. ?P.
Index:
Film Noir ~ Film Noir
Fernsehen ~ Television

#34
Basinger, Jeanne: A woman’s view: How Hollywood spoke to women. - New York: Alfred A. Knopf 1993.
Reviews:
Quart, Barbara: [untitled] In: Cineaste 20. 1994. No. 3. [?D] pp. 67-68.
Description:
On women in film noir.
Index:
Film Noir ~ Film Noir
Hollywood ~ Hollywood
Frauen ~ Women

#35
Bassan, Raphaël: Fondu au noir. In: La Revue du Cinéma 1987. No. 425. [March] pp. 14-15.
Description:
Obituary for Canadian animator Norman McLaren.
Index:
McLaren, Norman
Kanada ~ Canada
Film Noir ~ Film Noir
Animation ~ Animation

#36
Beach, Christopher: A hidden history of film style: Cinematographers, directors, and the collaborative process. - Oakland, California: University of California Press 2015.
Description:
Includes chapters on the visual style of film noir, on Alfred Hitchcock and Robert Burks and on cinematography in the digital age.
Index:
Technik: Kamera ~ Technology: Camera
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Film Noir ~ Film Noir

#37
Beeler, Michael: Escape From L.A.: Snake Plissken is back in John Carpenter’s "Cowboy Noir". In: Cinefantastique 28. 1996. No. 1. [August] pp. 32-33.
Index:
Carpenter, John
Escape from L.A. (1996)
Film Noir ~ Film Noir

#38
Beier, Lars-Olav: Die üblichen Verdächtigen. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 354-357.
Description:
On Bryan Singer’s The Usual Suspects.
Index:
Singer, Bryan
Usual Suspects, The (1995)
Film Noir ~ Film Noir

#39
Bell, Jonathan F.: Shadows in the hinterland: Rural noir. In: Architecture and film. Edited by Mark Lamster. - New York: Princeton Architectural Press 2000. pp. 217-230.
Index:
ländlich ~ rural
Film Noir ~ Film Noir
Architektur ~ Architecture

#40
Bergemann, Carsten: Alles auf eine Karte. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 234-237.
Description:
On Samuel Fuller’s Underworld USA.
Index:
Fuller, Samuel
Underworld USA (1960)
Film Noir ~ Film Noir

#41
Bergstrom, Janet: The mystery of The Blue Gardenia. In: Shades of noir: A reader. Edited by Joan Copjec. - London; New York: Verso Books 1993. pp. 97-120.
Index:
Lang, Fritz
Blue Gardenia, The (1952/1953)
Film Noir ~ Film Noir

#42
Berrettini, Mark Louis: Signs of noir: Contemporary film noir and social difference in the United States. - Rochester, New York: University of Rochester, Ph.D. 2000. [Abstract in: Dissertation Abstracts International A 61. 2000. No. 2. (August) p. 405A.]
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#43
Berthé, Catherine: La "noir" à l’écran. In: Positif 1995. No. 418. [?D] pp. 90-93.
Index:
Film Noir ~ Film Noir

#44
Beylie, Claude: Lugosi, bel ange noir. In: Spécial fantastique. (= L’Avant-Scène Cinéma 1985. No. 338 [March].) pp. 88-90.
Index:
Lugosi, Bela
Film Noir ~ Film Noir

#45
Biderman, Shai / Devlin, William J.: The Prisoner and self-imprisonment. In: The philosophy of TV noir. Edited by Steven M. Sanders and Aeon J. Skoble. - Lexington, Kentucky: University Press of Kentucky 2008. (= The philosophy of popular culture.) p. ?P.
Index:
Prisoner, The (TV)
Gefängnis ~ Prison
Philosophie ~ Philosophy
Film Noir ~ Film Noir
Fernsehen ~ Television

#46
Biesen, Sheri Chinen: Blackout: World War II and the origins of film noir. - Baltimore, Maryland; London: Johns Hopkins University Press 2005.
Reviews:
French, Philip: [untitled] In: The Times Literary Supplement, May 5, 2006. pp. 10-11.
Maland, Charles: [untitled] In: Cineaste 31. 2006. No. 3. [?D] pp. 82-83.
McColm, Christopher: [untitled.] In: Journal of Popular Culture 40. 2007. No. 5. [?D] pp. 893-895.
Sewell, Matthew: [untitled.] In: Journal of Film and Video 59. 2007. No. 2. [?D] pp. 58-60.
Index:
Krieg ~ War
Film Noir ~ Film Noir

#47
Biesen, Sheri Chinen: Censorship, film noir, and Double Indemnity. In: Film & History 25. 1995. No. 1-4. [?D] pp. 40-52.
Index:
Wilder, Billy
Double Indemnity (1944)
Zensur ~ Censorship
Film Noir ~ Film Noir

#48
Biesen, Sheri Chinen: Joan Harrison, Virginia Van Upp and women behind the scenes in wartime film noir. In: Quarterly Review of Film and Video 20. 2003. No. 2. [?D] pp. 125-144.
Index:
Harrison, Joan
Van Upp, Virginia
Krieg ~ War
Frauen ~ Women
Film Noir ~ Film Noir

#49
The big book of noir. Edited by Ed. Gorman, Lee Server and Martin H. Greenberg. - New York: Carroll & Graf / Partridge Green: Biblios 1999.
Index:
Film Noir ~ Film Noir

#50
Bingham, Adam: Doubled indemnity: Fruit Chan and the meta-fictions of Hong Kong neo-noir. In: Hong Kong neo-noir. Edited by Esther C.M. Yau and Tony Williams. - Edinburgh: Edinburgh University Press 2017. (= Edinburgh studies in East Asian film.) p. ?P.
Index:
Chan, Fruit
Hongkong ~ Hong Kong
Film Noir ~ Film Noir

#51
Biodrowski, Steve: Dark City: An ambitious attempt to meld film noir and science fiction. In: Cinefantastique 29. 1998. No. 12. [April] pp. 35, 61.
Index:
Proyas, Alex
Dark City / Dark World / Dark Empire (1997)
Science Fiction ~ Science Fiction
Film Noir ~ Film Noir

#52
Biodrowski, Steve: Surrealism meets Film Noir: Lost Highway: David Lynch collaborates with Wild at Heart author Barry Gifford. In: Cinefantastique 28. 1997. No. 9. [March] pp. 48-49.
Index:
Lynch, David
Gifford, Barry
Lost Highway (1996)
Wild at Heart (1990)
Surrealismus ~ Surrealism
Film Noir ~ Film Noir

#53
Bjorkman, Stig: Daliga flickor ar inte det samsta. In: Chaplin 24. 1987. No. 4(211). [?D] pp. 178-181.
Description:
On Bob Rafelson’s Black Widow and on the representation of women in film noir.
Index:
Rafelson, Bob
Black Widow (1987)
Frauen ~ Women
Film Noir ~ Film Noir

#54
Blottner, Gene: Columbia noir: A complete filmography, 1940-1962. - Jefferson, North Carolina: McFarland & Company 2015.
Index:
Film Noir ~ Film Noir

#55
The book of film noir. Edited by Ian Cameron. - New York: Continuum Publishing 1993.
Reviews:
McArthur, Colin: [untitled] In: Cineaste 20. 1994. No. 4. [?D] pp. 56-57.
Index:
Film Noir ~ Film Noir

#56
Boozer, Jack: The lethal femme fatale in the noir tradition. In: Journal of Film and Video 51. 1999. No. 3/4. [?D] pp. 20-35.
Description:
Discusses, among others, Alfred Hitchcock’s Marnie and Paul Verhoeven’s Basic Instinct.
Index:
Hitchcock, Alfred
Verhoeven, Paul
Marnie (1963/1964)
Basic Instinct (1992)
Frauen ~ Women
Film Noir ~ Film Noir

#57
Borde, Raymond / Chaumeton, Etienne: Panorama du film noir américain 1941-1953. - Paris: Édition de Minuit 1979.
First edition:
[1955]
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#58
Borde, Raymond / Chaumeton, Etienne: Panorama du film noir américain 1941-1953. - Paris: Flammarion 1988.
First edition:
[1955]
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#59
Borrmann, Jennifer: Abstieg in die Hölle: Brian De Palmas Neo-Noir-Film Black Dahlia. In: EPD Film 25. 2008. No. 9. [September] p. 51.
Description:
On a DVD edition.
Index:
De Palma, Brian
Black Dahlia, The (2006)
Religion: Hölle ~ Religion: Hell
Film Noir ~ Film Noir
DVD ~ DVD

#60
Boschi, Alberto: "I wake up screaming": La messa in scena del sogno nel noir. In: Cinema & Cinema NS 18. 1991. No. 61. [?D] pp. 49-60.
Index:
Traum ~ Dreams
Film Noir ~ Film Noir

#61
Bould, Mark: Film noir: From Fritz Lang to Fight Club. - London: Wallflower 2005. (= Short Cuts.)
Index:
Lang, Fritz
Fincher, David
Fight Club (1999)
Film Noir ~ Film Noir

#62
Bould, Mark: Film Noir: From Berlin to Sin City. - London: Wallflower 2005.
Reviews:
Allison, Deborah: [untitled] In: Film Quarterly 60. 2006/2007. No. 2. [Winter] pp. 80-81.
Peirse, Alison: [untitled.] In: Scope [Nottingham] 2007. No. 8. [?D] pp. ?P.
Index:
Miller, Frank
Rodriguez, Robert
Tarantino, Quentin
Sin City / Frank Miller’s Sin City (2005)
Film Noir ~ Film Noir
Berlin ~ Berlin

#63
Bould, Mark / Glitre, Kathrina / Tuck, Greg: Neo-noir. - London; New York: Wallflower Press 2009.
Index:
Film Noir ~ Film Noir

#64
Bould, Mark: The coy cult text: The Man Who Wasn’t There as noir SF. In: Science fiction double feature: The science fiction film as cult text. Edited by J. P. Telotte and Gerald Duchovnay. - Liverpool: Liverpool University Press 2015. (= Liverpool science fiction texts and studies 52.) p. ?P.
Index:
Malmuth, Bruce
Man Who Wasn’t There, The (1983)
Film Noir ~ Film Noir
Science Fiction ~ Science Fiction

#65
Bourde, Raymond / Chaumeton, Etienne: Panorama du film noir americain 1941-1953. - Paris: Édition d’Aujourd’hui 1975. (= Collection Les Introuvables.)
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#66
Bourde, Raymond / Chaumeton, Etienne: Panorama du film noir americain 1941-1953. - Paris: Édition de Minuit 1975.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#67
Brandlmeier, Thomas: Ein Meister des Neo-Noir: Der Kameramann Vilmos Zsigmond. In: Film-Dienst 57. 2004. No. 9. [April 29] pp. 6-10.
Index:
Zsigmond, Vilmos
Technik: Kamera ~ Technology: Camera
Film Noir ~ Film Noir

#68
Brégent-Heald, Dominique: Dark limbo: Film noir and the North American borders. In: Journal of American Culture 29. 2006. No. 2. [?D] pp. 125-138.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#69
Brinckmann, Christine N.: Der voice-over als subjektivierende Erzählstruktur des Film Noir. In: Brinckmann, Christine N.: Die anthropomorphe Kamera und andere Schriften zur filmischen Narration. - Zürich: Chronos Verlag 1997. pp. 114-129.
Index:
Film Noir ~ Film Noir
Technik: Kamera ~ Technology: Camera

#70
Brinckmann, Christine N.: Der voice-over als subjektivierende Erzählstruktur des Film Noir. In: Narrativität in den Medien. Hrsg. von Rolf Kloepfer und Karl-Dietmar Moeller. - Münster: MAkS Publikationen 1986. pp. 101-118.
Index:
Film Noir ~ Film Noir

#71
Brion, Patrick: Film noir. - Paris: Nathan 1991. (= Nathan Image.)
Index:
Film Noir ~ Film Noir

#72
Brion, Patrick: Les films noires. - Genève: Édition Liber 1995. (= Mémoire du cinéma.)
Index:
Film Noir ~ Film Noir

#73
Broe, Dennis: Film noir, American workers, and postwar Hollywood. Foreword by Richard Greenwald and Timothy Minchin. - Gainesville, Florida: University Press of Florida 2009. (= Working in the Americas.)
Reviews:
Becker, Anja: [untitled.] In: Film & History 40. 2010. No. 1. [Spring] pp. 108-109.
Fay, Jennifer: [untitled.] In: The Journal of American History 96. 2009. No. 3. [?D] pp. 905-906.
Index:
USA (United States of America) ~ USA (United States of America)
Krieg ~ War
Hollywood ~ Hollywood
Film Noir ~ Film Noir

#74
Bronfen, Elisabeth: Die Lady von Shanghai. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 151-155.
Description:
On Orson Welles’s The Lady from Shanghai.
Index:
Welles, Orson
Lady from Shanghai, The (1946)
Film Noir ~ Film Noir

#75
Bronfen, Elisabeth: Goldenes Gift. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 132-137.
Description:
On Jacques Tourneur’s Out of the Past.
Index:
Tourneur, Jacques
Out of the Past / Build My Gallows High (1947)
Film Noir ~ Film Noir

#76
Bronfen, Elisabeth: Heißes Eisen. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 195-200.
Description:
On Fritz Lang’s The Big Heat.
Index:
Lang, Fritz
Big Heat, The (1953)
Film Noir ~ Film Noir

#77
Bronfen, Elisabeth: Liebestod und Femme fatale: Der Austausch sozialer Energien zwischen Oper, Literatur und Film. - Frankfurt/Main: Suhrkamp 2004. (= Erbschaft unserer Zeit 13 / Edition Suhrkamp 2229.)
Reviews:
Löchel, Rolf: [untitled.] In: Medienwissenschaft 2004. No. 4. pp. 415-417.
Description:
Discusses, among others, the character of "Catwoman" in Tim Burton’s Batman Returns.
Index:
Burton, Tim
Batman Returns (1992)
Tod ~ Death
Musik ~ Music
Literatur ~ Literature
Frauen ~ Women
Film Noir ~ Film Noir
Sexualität ~ Sexuality

#78
Bronfen, Elisabeth: Umleitung. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 127-131.
Description:
On Edgar G. Ulmer’s Detour.
Index:
Ulmer, Edgar G[eorge]
Detour (1946)
Film Noir ~ Film Noir

#79
Brook, Vincent / Campbell, Allan: "Pansies don’t float" - Gay representability, film noir, and The Man Who Wasn’t There. In: Jump Cut 2003. No. 46. [?D] p. ?P.
Index:
Coen, Joel
Man Who Wasn’t There, The (2001)
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Film Noir ~ Film Noir

#80
Brook, Vincent: Driven to darkness: Jewish émigré directors and the rise of film noir. - New Brunswick, New Jersey: Rutgers University Press 2009.
Description:
Includes chapters on the participation of Jews in German expressionism and on the work of Fritz Lang, Robert Siodmak, Billy Wilder, Otto Preminger, Edgar G. Ulmer, Anatole Litvak, Fred Zinnemann and others.
Index:
Lang, Fritz
Siodmak, Robert
Wilder, Billy
Preminger, Otto
Ulmer, Edgar G[eorge]
Litvak, Anatole
Zinnemann, Fred
Religion: Juden ~ Religion: Jews
Religion ~ Religion
Film Noir ~ Film Noir
Expressionismus ~ Expressionism
Deutschland ~ Germany

#81
Brown, Michelle: The Oxford encyclopedia of crime, media, and popular culture. - New York: Oxford University Press 2018-
Description:
Includes, among others, chapters on the TV series CSI, on "serial killing and representation" and on film noir, especially Nordic noir.
Index:
CSI: Crime Scene Investigation (TV)
Kriminalität ~ Crime
Film Noir ~ Film Noir
Fernsehen ~ Television

#82
Buchsbaum, J.:Tame wolves and phony claims: Paranoia and film noir. In: Persistence of Vision 1986. No. 3/4. [Summer] pp. 35-47.
Description:
Discusses especially Billy Wilder’s Double Indemnity and Edward Dmytryk’s Murder, my Sweet.
Index:
Wilder, Billy
Dmytryk, Edward
Double Indemnity (1944)
Murder, my Sweet / Farewell my Love (1944)
Wölfe ~ Wolves
Wahnsinn ~ Madness
Film Noir ~ Film Noir

#83
Budziszewski, Przemyslaw: Our enemy, ourselves: Political conspiracy in American cinema, 1970-present. - Denton, Texas: University of North Texas, M.A. 2003. [Abstract in: Masters Abstracts International 43. 2005. No. 1. p. 4.]
Description:
Discusses especially the "paranoid conspiracy" film as a subgenre of film noir.
Index:
Wahnsinn ~ Madness
USA (United States of America) ~ USA (United States of America)
Politik ~ Politics
Film Noir ~ Film Noir

#84
Bühler, Kathleen: Basic Instinct und das Erbe des Film Noir. - Zürich: Universität Zürich, Seminar für Filmwissenschaft, Lizentiatsarbeit ?J (1996/1997)
Index:
Verhoeven, Paul
Basic Instinct (1992)
Film Noir ~ Film Noir

#85
Burfeind, Solveig: Becky Driscoll as femme fatale? Elements of film noir in Don Siegel’s Invasion of the Body Snatchers. In: Of body snatchers and cyberpunks: Student essays on American science fiction film. Edited by Sonja Georgi and Kathleen Loock. - Göttingen: Universitäts-Verlag Göttingen 2011. (= Göttinger Schriften zur englischen Philologie 5.) pp. 151 ff.
Index:
Siegel, Donald
Invasion of the Body Snatchers (1956)
Pädagogik ~ Paedagogy
Frauen ~ Women
Film Noir ~ Film Noir
USA (United States of America) ~ USA (United States of America)
Science Fiction ~ Science Fiction

#86
Buss, Esther: Sunrise: Ein fiebriges Neo-Noir-Drama. In: Film-Dienst 68. 2015. No. 17. [August 20] p. 40.
Index:
Sen-Gupta, Partho
Sunrise (2014)
Film Noir ~ Film Noir

#87
Buss, Robin: French film noir. - New York; London: Marion Boyars 1994.
Reviews:
Garrity, Henry A.: [untitled] In: Journal of Popular Film and Television 23. 1995. No. 2. [?D] pp. 94-95.
Description:
Discusses also some fantastic films, among them Le corbeau and Les diaboliques by Henri-Georges Clouzot, Louis Malle’s L’ascenseur pour l’échafaud, Claude Chabrol’s Le boucher and Bertrand Tavernier’s L’horloger de Saint Paul.
Index:
Clouzot, Henri-Georges
Malle, Louis
Chabrol, Claude
Tavernier, Bertrand
corbeau, Le (1943)
diaboliques, Les (1954)
ascenseur pour l’échafaud, L’ (1957/1958)
Boucher, Le (1969)
horloger de Saint-Paul, L’ (1974)
Film Noir ~ Film Noir
Frankreich ~ France

#88
Butler, David: Film noir and music. In: The Cambridge companion to film music. Edited by Mervyn Cooke and Fiona Ford. - Cambridge: Cambridge University Press 2016. (= Cambridge companions to music.) p. ?P.
Index:
Film Noir ~ Film Noir
Musik ~ Music

#89
Butler, David: Jazz noir: Listening to music from Phantom Lady to The Last Seduction. - Westport, Connecticut: Praeger 2002.
Description:
On Jazz music in film noir.
Index:
Siodmak, Robert
Dahl, John
Phantom Lady (1943)
Last Seduction, The (1993)
Musik ~ Music
Film Noir ~ Film Noir

#90
Butler, Jeremy C.: The legacy of film noir. In: Journal of Popular Film and Television 13. 1985. No. 3. [Fall] pp. 127-138.
Index:
Film Noir ~ Film Noir

#91
Calanchi, A.: L’eroe imperfetto del film nero americano. In: Cinema Nuovo 31. 1982. No. 278/279. [August-October] pp. 13-15.
Description:
On the male hero in American film noir.
Index:
USA (United States of America) ~ USA (United States of America)
Männer ~ Men
Helden ~ Heros
Film Noir ~ Film Noir

#92
Caldwell, Thomas: Lost in darkness and confusion: Lost Highway, Lacan, and film noir. In: Metro 1999. No. 118. [?D] pp. 46-50.
Index:
Lynch, David
Lost Highway (1996)
Film Noir ~ Film Noir

#93
Calp, Erdem: Die Darstellung der "starken Frau" im amerikanischen Film Noir. - Köln: Universität Köln, Institut für Theaterwissenschaft, Magisterarbeit ?J (1987).
Index:
Frauen ~ Women
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#94
Camargo, Sandra: Once moore with feeling: Film genre and emotional experience. - ?O: University of Missouri at Columbia, Ph.D. 2000. [Abstract in: Dissertation Abstracts International A 61. 2001. No. 9. (March) p. 3397A.]
Description:
Includes a chapter on horror film and on film noir.
Index:
Horror ~ Horror
Film Noir ~ Film Noir

#95
Cantor, Pail A.: Film noir and the Frankfurt School: America as wasteland in Edgar Ulmer’s Detour. In: The philosophy of film noir. Edited by Mark T. Conard. Foreword by Robert Porfirio. - Lexington, Kentucky: University Press of Kentucky 2006. (= The philosophy of popular culture.) pp. 139-161.
Index:
Ulmer, Edgar G[eorge]
Detour (1946)
Pädagogik ~ Paedagogy
USA (United States of America) ~ USA (United States of America)
Frankfurt/Main ~ Frankfurt on the Main
Philosophie ~ Philosophy
Film Noir ~ Film Noir

#96
Cantor, Paul A.: America as wasteland in detour: Film noir and The Frankfurt school. In: Cantor, Paul A.: The invisible hand in popular culture: Liberty versus authority in American film and TV. - Lexington: University Press of Kentucky 2012. p. ?P.
Index:
Pädagogik ~ Paedagogy
Frankfurt/Main ~ Frankfurt on the Main
Film Noir ~ Film Noir
Fernsehen ~ Television
Philosophie ~ Philosophy
USA (United States of America) ~ USA (United States of America)
Politik ~ Politics

#97
Capp, Rose: Black noise: Lost Highway and the lexicon of neo-noir. In: Metro 1999. No. 118. [?D] pp. 52-56.
Index:
Lynch, David
Lost Highway (1996)
Film Noir ~ Film Noir

#98
Cappitti, Massimo: La seduzione del Male, la quotidianità infranta: Il terzo uomo, Ore disperate. In: I fantasmi del moderno: Temi e figure del cinema noir. A cura di Mario Pezzella e Antonio Tricomi. - Ancona: Cattedrale 2010. (= Immagini di pensiero 1.) pp. 125 ff.
Index:
Reed, Carol
Wyler, William
Third Man, The (1949)
Desperate Hours, The (1955)
Männer ~ Men
Film Noir ~ Film Noir

#99
Carluccio, Giulia / Pescatore, Guglielmo: Dal nero: Del noir, dello schermo. In: Cinema & Cinema NS 18. 1991. No. 61. [?D] pp. 61-68.
Index:
Film Noir ~ Film Noir

#100
Carpenter, John: L’explosion dans le noir. In: Cahiers du Cinéma 1991. No. 443/444. Supplement. [?D] p. 18.
Index:
Carpenter, John
Film Noir ~ Film Noir

#101
Carter, Beverley: The war of the sexes: Men in film noir and D.O.A. (1950). In: Film noir reader 4: The crucial films and themes. Edited by Alain Silver and James Ursini. - Pompton Plains, New Jersey: Limelight Editions / Milwauke, Wisconsin: Hal Leonard 2004. p. ?P.
Index:
Maté, Rudolph
D.O.A. - Dead on Arrival (1949)
Sexualität ~ Sexuality
Krieg ~ War
Film Noir ~ Film Noir

#102
Casper, Drew: Postwar Hollywood, 1946-1962. - Malden, Massachusetts: Blackwell 2007.
Description:
Includes chapters on special effects, on censorship cases, on the horror, science fiction and fantasy genre as well as the suspense thriller and film noir.
Index:
Zensur ~ Censorship
USA (United States of America) ~ USA (United States of America)
Thriller ~ Thriller
Technik: Spezialeffekte ~ Technology: Special Effects
Science Fiction ~ Science Fiction
Krieg ~ War
Horror ~ Horror
Hollywood ~ Hollywood
Film Noir ~ Film Noir
Fantasy ~ Fantasy

#103
Chan, Kim-Mui Eileen.: Recent Hong Kong cinema and the generic role of film noir in relation to the politics of identity and difference. - Kent: University of Kent, Ph.D. 2007. [Abstract in: Index to Theses with Abstracts 57-5152.]
Index:
Politik ~ Politics
Hongkong ~ Hong Kong
Film Noir ~ Film Noir

#104
Chang, Chris: The Man from London. In: Film Comment 44. 2008. No. 1. [January/February] p. 6.
Index:
Hranitzky, Ágnes
Tarr, Béla
Man from London, The / A Londoni férfi (2007)
Film Noir ~ Film Noir

#105
Chinen Biesen, Sheri: "Rawness to romance": "Gothic" thrillers as film noir prototypes from Alfred Hitchcock to Orson Welles. In: Film noir prototypes: Origins of the movement. Edited by Alain Silver and James Ursini. - Milwaukee, Wisconsin: Applause Theatre & Cinema Books 2018. p. ?P.
Index:
Hitchcock, Alfred
Welles, Orson
Thriller ~ Thriller
Horror ~ Horror
Film Noir ~ Film Noir

#106
Chinen Biesen, Sheri Lynn: Film Noir and World War II: Wartime production, censorship, and the "red meat" crime cycle. - Austin, Texas: University of Texas at Austin, Ph.D. 1998. [Abstract in: Dissertation Abstracts International A 59. 1999. No. 9. (March) pp. 3254A-3255A.]
Index:
Zensur ~ Censorship
Kriminalität ~ Crime
Krieg ~ War
Film Noir ~ Film Noir

#107
Chinen Biesen, Sheri: Manufacturing heroines: Gothic victims and working women in classic noir films. In: Film noir reader 4: The crucial films and themes. Edited by Alain Silver and James Ursini. - Pompton Plains, New Jersey: Limelight Editions / Milwauke, Wisconsin: Hal Leonard 2004. p. ?P.
Index:
Horror ~ Horror
Frauen ~ Women
Film Noir ~ Film Noir

#108
Chopra-Gant, Mike: Hollywood genres and postwar America: Masculinity, family and nation in popular movies and film noir. - London; New York: Tauris 2006. (= Cinema and society.)
Reviews:
Fradley, Martin: [untitled.] In: Screen 47. 2006. No. 3. [Autumn] pp. 379-385.
Harris, Oliver: [untitled.] In: Historical Journal of Film, Radio and Television 26. 2006. No. 3. [August] pp. 450-452.
Hooper, Leslie: [untitled.] In: Journal of American Studies 41. 2007. No. 1. [?D] pp. 202-203.
Index:
USA (United States of America) ~ USA (United States of America)
Männer ~ Men
Krieg ~ War
Hollywood ~ Hollywood
Film Noir ~ Film Noir
Familie ~ Family

#109
Christianson, Eric S.: The big sleep: Strategic ambiguity in Judges 4-5 and in classic "film noir". In: Biblical Interpretation 15. 2007. No. 4/5. [?D] pp. 519-548.
Index:
Hawks, Howard
Big Sleep, The (1946)
Film Noir ~ Film Noir
Religion ~ Religion

#110
Christianson, Eric S.: The Big Sleep: Strategic ambiguity in Judges 4-5 and in classic film noir. In: Retellings: The Bible in literature, music, art and film. Edited by J. Cheryl Exum. - Leiden; Boston: Brill 2007. p. ?P.
Index:
Hawks, Howard
Big Sleep, The (1946)
Film Noir ~ Film Noir
Religion ~ Religion

#111
Christianson, Eric S.: The Big Sleep: Strategic ambiguity in Judges 4-5 and in classic film noir. In: Images of the word: Hollywood’s Bible and beyond. Edited by David Shepherd. - Boston: Brill Leiden / Atlanta, Georgia: Society of Biblical Literature 2008. (= Society of Biblical Literature Semeia studies 54.) p. ?P.
Index:
Hawks, Howard
Big Sleep, The (1946)
Film Noir ~ Film Noir
Religion ~ Religion
Hollywood ~ Hollywood

#112
Christopher, Nicholas: Somewhere in the night: Film Noir and the American city. - New York; London: Free Press 1997.
Index:
USA (United States of America) ~ USA (United States of America)
Stadt ~ City
Nacht ~ Night
Film Noir ~ Film Noir

#113
Christopher, Nicholas: Somewhere in the night: Film Noir and the American city. - New York: Holt 1998. (= An Owl Book.)
First edition:
[New York; London: Free Press 1997]
Index:
USA (United States of America) ~ USA (United States of America)
Stadt ~ City
Nacht ~ Night
Film Noir ~ Film Noir

#114
Cieutat, Michel: Le film noir. In: Panorama des genres au cinéma. Dirigée par Michel Serceau. (= Cinémaction 1993. No. 68. [?D]) pp. 34-45.
Description:
Includes a filmography.
Index:
Film Noir ~ Film Noir

#115
Cilli, Cristina: Il cyber-noir di Kathryn Bigelow. In: Filmcritica 46. 1996. No. ?N. [March] pp. 92-95.
Index:
Bigelow, Kathryn
Film Noir ~ Film Noir
Cyberspace ~ Cyberspace

#116
Le cinéma noir américain. Dossier réalisé par Mark Reid, Janine Euvrad, Francis Bordat et Raphaël Bassan. (= Cinémaction 1988. No. 46. [?D])
Index:
Film Noir ~ Film Noir
USA (United States of America) ~ USA (United States of America)

#117
Clancy, Thomas M.: The Tiresian influence in Hemingway, hard-boiled fiction, and film noir. - ?O: Oklahoma State University, Ph.D. 1988. [Abstract in: Dissertation Abstracts International A 49. 1989. No. 10. (April) p. 3025A.]
Index:
Hemingway, Ernest
Film Noir ~ Film Noir

#118
Clayton, L.: Authentic heroes: Existentialism and film noir. - Aberdeen: University of Aberdeen, Ph.D. 1996. [Abstract in: Index to Theses with Abstracts 48. 1999. No. 1. p. 18(48-132).]
Index:
Existentialismus ~ Existentialism
Helden ~ Heros
Film Noir ~ Film Noir

#119
Clemence, Jason: Secondary textualities: Ideology, form, and performative cinematic authorship. - Medford/Somerville, Massachussetts: Tufts University, Ph.D. 2015. [Abstract in: Dissertation Abstracts International A 77. ?J. No. 7. [?D]]
Description:
Discusses, among others, Billy Wilder’s Double Indemnity and Michael Haneke’s Caché as well as the film noir and the found footage horror film in general.
Index:
Wilder, Billy
Haneke, Michael
Double Indemnity (1944)
Caché (2005)
Politik ~ Politics
Horror ~ Horror
Film Noir ~ Film Noir
Experimentalfilme ~ Experimental Films

#120
Clute, Shannon Scott / Edwards, Richard L.: The Maltese Touch of Evil: Film Noir and potential criticism. - Hanover, New Hampshire: Dartmouth College Press 2011. (= Interfaces: Studies in Visual Culture.)
Reviews:
Miklitsch, Robert: [untitled.] In: Film & History 43. 2013. No. 2. [Fall] pp. 80-83.
Index:
Huston, John
Welles, Orson
Maltese Falcon, The (1941)
Touch of Evil (1957)
Film Noir ~ Film Noir
Böse, Das ~ Evil, The

#121
Cochran, David: America noir: Underground writers and filmmakers of the postwar era. - Washington, DC; London: Smithsonian Institution Press 2000.
Reviews:
Whalen, Tom: High heat in the Cold War. In: Literature/Film Quarterly 29. 2001. No. 4. [October] p. 324.
Index:
USA (United States of America) ~ USA (United States of America)
Krieg ~ War
Film Noir ~ Film Noir

#122
Coker, J. M.: Future noir ...? Nihilism and the representation of the future in contemporary Hollywood film. - Birmingham: University of Birmingham, M.Phil. 2004.
Index:
Nihilismus ~ Nihilism
Utopie ~ Utopia
Hollywood ~ Hollywood
Film Noir ~ Film Noir

#123
Collier, Joelle: The Noir East: Hong Kong’s transmutation of a Hollywood genre. In: Hong Kong film, Hollywood, and the new global cinema: No film is an island. Edited by Gina Marchetti and Tan See Kam. - Abingdon; New York: Routledge 2006. (= Routledge media, culture, and social change in Asia 6.) p. ?P.
Index:
Film Noir ~ Film Noir
Hongkong ~ Hong Kong
Hollywood ~ Hollywood

#124
Colpaert, Lisa / Jacobs, Steven: The dark galleries: A museum guide to painted portraits in film noir, gothic melodramas, and ghost stories of the 1940s and 1950s. - ?O: Aramer 2014.
Reviews:
Rich, Aaron: [untitled.] In: Film Quarterly 68. 2014. No. 1. [Fall] p. ?P.
Index:
Kunst ~ Arts, The
Horror ~ Horror
Geister ~ Ghosts
Film Noir ~ Film Noir

#125
A companion to film noir. Edited by Andrew Spicer and Helen Hanson. - New York: John Wiley & Sons 2013.
Reviews:
Fischer, Ralf Michael: [untitled.] In: Medienwissenschaft 2015. No. 4. pp. 528-530.
Index:
Film Noir ~ Film Noir

#126
Conard, Mark T.: Nietzsche and the meaning and definition of noir. In: The philosophy of film noir. Edited by Mark T. Conard. Foreword by Robert Porfirio. - Lexington, Kentucky: University Press of Kentucky 2006. (= The philosophy of popular culture.) pp. 7-22.
Description:
Discusses, among others, the Postman Always Rings Twice films.
Index:
Nietzsche, Friedrich
Postman Always Rings Twice, The (Filmreihe)
Philosophie ~ Philosophy
Film Noir ~ Film Noir

#127
Conard, Mark T.: Reservoir Dogs: Redemption in a postmodern world. In: The philosophy of neo-noir. Edited by Mark T. Conard. - Lexington, Kentucky: University Press of Kentucky 2007. (= The philosophy of popular culture.) p. ?P.
Index:
Tarantino, Quentin
Reservoir Dogs (1991)
Religion ~ Religion
Postmoderne ~ Postmodern
Philosophie ~ Philosophy
Film Noir ~ Film Noir

#128
Conard, Mark T.: Symbolism, meaning, and nihilism in Quentin Tarantino’s Pulp Fiction. In: The philosophy of film noir. Edited by Mark T. Conard. Foreword by Robert Porfirio. - Lexington, Kentucky: University Press of Kentucky 2006. (= The philosophy of popular culture.) pp. 125-138.
Index:
Tarantino, Quentin
Pulp Fiction (1994)
Nihilismus ~ Nihilism
Philosophie ~ Philosophy
Film Noir ~ Film Noir

#129
Conley, Tom: Noir in the red and the nineties in the black. In: Film genre 2000: New critical essays. Edited by Wheeler Winston Dixon. - Albany, New York: New York State University Press 2000. pp. 193-210.
Index:
Film Noir ~ Film Noir

#130
Cook, Pam: Blue Steel: Walk on the wild side. In: Monthly Film Bulletin 57. 1990. No. 682. [?D] pp. 311-313.
Description:
Article on and interview with Kathryn Bigelow on her interest in B films and film noir and how this genres influenced Blue Steel.
Index:
Bigelow, Kathryn
Blue Steel (1989)
Film Noir ~ Film Noir
B-Filme ~ B Films

#131
Copjec, Joan: The phenomenal nonphenomenal: Private space in film noir. In: Shades of noir: A reader. Edited by Joan Copjec. - London; New York: Verso Books 1993. pp. 167-197.
Index:
Film Noir ~ Film Noir

#132
Covey, William B.: Pères fatales: Character and style in postmodern neo-noir. In: Quarterly Review of Film and Video 28. 2010. No. 1. [?D] pp. 41-52.
Index:
Postmoderne ~ Postmodern
Film Noir ~ Film Noir
Vater ~ Fathers

#133
Covey, William Bennett Jr.: Compromising positions: Theorizing American neo-noir film. - West Lafayette, Indiana: Purdue University, Ph.D. 1996. [Abstract in: Dissertation Abstracts International A 57. 1997. No. 11. (May) p. 4575A.]
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#134
Covey, William: The genre don’t know where it came from: African-American neo-noir since the 1960s. In: Journal of Film and Video 55. 2003. No. 2/3. [?D] pp. 59-72.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir
Afrika ~ Africa

#135
Cowie, Elizabeth: Film noir and women. In: Shades of noir: A reader. Edited by Joan Copjec. - London; New York: Verso Books 1993. pp. 121-165.
Description:
On the representation of women in film noir.
Index:
Film Noir ~ Film Noir
Frauen ~ Women

#136
Crémieux, Anne: Cinéma noir américain, cinéma beur et cinéma de banlieue: Comparaison des conditions de production et des modes de représentation, 1980-2000. In: Minorités postcoloniales anglophones et francophones: Études culturelles comparées. Sur la diréction de Alec G. Hargreaves. - Paris [et a.]: L’Harmattan 2004. (= Études transnationales, francophones et comparées.) pp. 161-177.
Index:
USA (United States of America) ~ USA (United States of America)
Großbritannien ~ Great Britain
Frankreich ~ France
Film Noir ~ Film Noir

#137
Crime fiction and film in the sunshine state: Florida noir. Edited by Steve Glassman and Maurice O’Sullivan. - Bowling Green: Bowling Green State University Popular Press 1997.
Index:
Florida ~ Florida
Kriminalität ~ Crime
Film Noir ~ Film Noir

#138
Crooks, Robert: Retro noir, future noir: Body Heat, Blade Runner, and neo-conservative paranoia. In: Film and Philosophy 1994. No. 1. [?D] pp. 105-110.
Index:
Scott, Ridley
Kasdan, Lawrence
Body Heat (1981)
Blade Runner (1982)
Wahnsinn ~ Madness
Utopie ~ Utopia
Film Noir ~ Film Noir

#139
Crowther, Bruce: Film noir: Reflections in a dark mirror. - New York: Continuum Publishing 1989. (= A Frederick Ungar Book.)
Index:
Spiegel ~ Mirror
Film Noir ~ Film Noir

#140
Crowther, Bruce: Film noir: Reflections in a dark mirror. - London: Columbus 1988.
Index:
Spiegel ~ Mirror
Film Noir ~ Film Noir

#141
Czernis, Loretta: Pourquoi est-ce que la bête est noir?: A brief mediation on Canadian experimental film. In: Canadian Journal of Political and Social Theory 14. 1990. No. 1/3. [?D] pp. 215-218.
Index:
Film Noir ~ Film Noir
Experimentalfilme ~ Experimental Films
Kanada ~ Canada

#142
D’Arc, James V. / Erickson, Todd: Noir revealed: Robert Florey and The Face Behind the Mask. In: Film noir prototypes: Origins of the movement. Edited by Alain Silver and James Ursini. - Milwaukee, Wisconsin: Applause Theatre & Cinema Books 2018. p. ?P.
Index:
Florey, Robert
Face Behind the Mask, The (1941)
Film Noir ~ Film Noir

#143
Dargis, Manohla: Noir. In: Sight and Sound NS 7. 1997. No. 7. [July] pp. 28-31.
Description:
Includes a filmography.
Index:
Film Noir ~ Film Noir

#144
Dark zone: Ein Noir-Reader. Hrsg. von Martin Compart. - Erkrath: Strange 2004.
Reviews:
Herting-Gerhold, Barbara: [untitled.] In: Film-Dienst 58. 2005. No. 5. [March 3] p. 41.
Index:
Film Noir ~ Film Noir

#145
Davidson, Michael: Phantom limbs: Film noir and the disabled body. In: GLQ 9. 2003. No. 1/2. [?D] pp. 57-77.
Index:
Behinderung ~ Disability
Körper ~ Bodies
Film Noir ~ Film Noir

#146
Davis, Blair: Horror meets noir: The evolution of cinematic style, 1931-1958. In: Horror film: Creating and marketing fear. Edited by Steffen Hantke. - Jackson: University Press of Mississippi 2004. pp. 191-212.
Index:
Horror ~ Horror
Film Noir ~ Film Noir

#147
Deacy, Christopher: An application of the religious concept of redemption through "film noir". In: The Scottish Journal of Religious Studies 18. 1997. No. 2. [?D] pp. 199-212.
Index:
Film Noir ~ Film Noir
Religion ~ Religion

#148
Deacy, Christopher R.: Screen christologies: An evaluation of the Christian concept of redemption and its application through the medium of film. - Lampeter (Wales): University of Lampeter, Ph.D. 1999. [Abstract in: Index to Theses with Abstracts 49. 2000. No. 2. p. 419(49-2627).]
Description:
Discusses especially the film noir.
Index:
Religion ~ Religion
Film Noir ~ Film Noir

#149
Deacy, Christopher: Screen christologies: Redemption and the medium of film. - Cardiff: University of Wales Press 2001. (= Religion, culture, and society).
Description:
Discusses especially the film noir.
Index:
Religion ~ Religion
Film Noir ~ Film Noir

#150
Del Pozzo, Diego: Quando la citta dorme: Figure del "noir" anni ’50. In: Quaderni di Cinema 2. 1998. No. 60/61. [October-March] pp. 53-60.
Description:
Discusses, among others, Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Film Noir ~ Film Noir

#151
Denisoff, Dennis: Sexual visuality from literature to film, 1850-1950. - Houndmills, Basingstoke, Hampshire; New York: Palgrave Macmillan 2004. (= Palgrave studies in nineteenth-century writing and culture.)
Reviews:
Wallace, Diana: [untitled.] In: Gothic Studies 9. 2007. No. 1. [?D] pp. 89-91.
Description:
Discusses, among others, the representation of sexuality in film noir.
Index:
Sexualität ~ Sexuality
Literatur ~ Literature
Film Noir ~ Film Noir

#152
DeRosia, Margaret: Detecting desire: Film noir and its audiences. - Santa Cruz, California: University of California, Santa Cruz, Ph.D. 2003. [Abstract in: Dissertation Abstracts International A 64. 2004. No. 7. (January) p. 2292.]
Description:
Feminist examination.
Index:
Frauen ~ Women
Film Noir ~ Film Noir

#153
Desser, David: Beyond hypothermia: Cool women killers in Hong Kong cinema. In: Hong Kong neo-noir. Edited by Esther C.M. Yau and Tony Williams. - Edinburgh: Edinburgh University Press 2017. (= Edinburgh studies in East Asian film.) p. ?P.
Index:
Mord ~ Murder
Frauen ~ Women
Hongkong ~ Hong Kong
Film Noir ~ Film Noir

#154
Desser, David: Global Noir: Genre film in the age of transnationalism. In: Film genre reader IV. Edited by Barry Keith Grant. - Austin, Texas: University of Texas Press 2012. p. ?P.
Index:
Film Noir ~ Film Noir

#155
di Claudio, Gianni: Il cinema North by Northwest: Poliziesco, noir, gangster film, spy story, thriller. - Chieti: Libereria Universitaria Ed. 2002.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Thriller ~ Thriller
Kriminalität ~ Crime
Film Noir ~ Film Noir

#156
Dick, Bernard F.: Columbia’s dark ladies and the femmes fatales of film noir. In: Literature/Film Quarterly 23. 1995. No. 3. [July] pp. 155-162.
Index:
Columbia Pictures [Firma] ~ Columbia Pictures [Company]
Film Noir ~ Film Noir
Frauen ~ Women

#157
Dickos, Andrew: German expressionism and the roots of the film noir - Fritz Lang - Robert Siodmak. In: Dickos, Andrew: Street with no name: A history of the classic American film noir. - Lexington: University Press of Kentucky 2002. p. ?P.
Index:
Lang, Fritz
Siodmak, Robert
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir
Expressionismus ~ Expressionism
Deutschland ~ Germany

#158
Dickos, Andrew: Street with no name: A history of the classic American film noir. - Lexington: University Press of Kentucky 2002.
Reviews:
PK: [untitled.] In: Sight and Sound NS 12. 2002. No. 11. [November] p. 34.
Wilson, Ronald W.: [untitled.] In: Literature/Film Quarterly 31. 2003. No. 3. [?D] pp. 237-238.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#159
DiLeo, John: Lights out: The nocturnal emergence of film noir (1945-1949). In: DiLeo, John: Ten movies at a time: A 350-film journey through Hollywood and America, 1930-1970. - East Brunswick, New Jersey: Hansen Publishing 2017. p. ?P.
Index:
Film Noir ~ Film Noir
Hollywood ~ Hollywood
USA (United States of America) ~ USA (United States of America)

#160
Dimendberg, Edward: Film noir and the spaces of modernity. - Cambridge, Massachussetts; London: Harvard University Press 2004.
Reviews:
Catapano, Peter: Sin cities. In: Film-Philosophy 10. 2006. No. 3. [?D] p. ?P.
Downey, Dara Patricia: Just look at me now: Problems of viewing in film noir. In: Film-Philosophy 10. 2006. No. 3. [?D] p. ?P.
French, Philip: [untitled] In: The Times Literary Supplement, May 5, 2006. pp. 10-11.
Gates, Philippa: [untitled.] In: Quarterly Review of Film and Video 25. 2008. No. 5. [?D] pp. 437-442.
Guest, Haden: [untitled] In: Film Quarterly 60. 2006/2007. No. 2. [Winter] pp. 72-73.
Hesse, Christoph: [untitled.] In: Medienwissenschaft 2005. No. 2. pp. 218-221.
Martin, Adrian: [untitled] In: Cineaste 30. 2005. No. 2. [?D] pp. 69-70.
Index:
Film Noir ~ Film Noir

#161
Dimendberg, Edward: Film noir and the urban space. - Santa Cruz: University of California at Santa Cruz, Ph.D. 1992.
Index:
Stadt ~ City
Film Noir ~ Film Noir

#162
Dimendberg, Edward: From Berlin to Bunker Hill: Urban space, late modernity, and film noir in Fritz Lang’s and Joseph Losey’s M. In: Wide Angle 19. 1997. No. 4. [October] pp. 63-93.
Index:
Lang, Fritz
Losey, Joseph
M - Eine Stadt sucht einen Mörder (1931)
M (1951)
Stadt ~ City
Film Noir ~ Film Noir
Berlin ~ Berlin

#163
Dimendberg, Edward: Siegfried Kracauer, "Hollywood’s terror films", and the spatiality of film noir. In: New German Critique 2003. No. 89. [?D] pp. 113-44.
Index:
Kracauer, Siegfried
Hollywood ~ Hollywood
Film Noir ~ Film Noir

#164
Dimendberg, Edward: Zwischen Schatten und Transparenz: Film noir und die unheimlichen Räume der Moderne. In: Unheimlich anders: Doppelgänger, Monster, Schattenwesen im Kino: Bremer Symposium zum Film. Hrsg. von Christine Rüffert. - Berlin: Bertz und Fischer 2005. pp. 117 ff.
Index:
Film Noir ~ Film Noir
Angst ~ Fear

#165
Distelmeyer, Jan: The Man Who Wasn’t There: Die Coens durchwandern das Museum des Film noir. In: EPD Film 18. 2001. No. 11. [November] p. 45.
Index:
Coen, Joel
Coen, Ethan
Man Who Wasn’t There, The (2001)
Film Noir ~ Film Noir

#166
Dittgen, Andrea: Der Rabe. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 90-93.
Description:
On Henri-Georges Clouzot’s Le corbeau.
Index:
Clouzot, Henri-Georges
corbeau, Le (1943)
Film Noir ~ Film Noir

#167
Dixon, Wheeler Winston: Film noir and the cinema of paranoia. - New Brunswick, New Jersey; London: Rutgers University Press 2009.
Reviews:
Fradley, Martin: [untitled.] In: Film Quarterly 65. 2012. No. 4. [?D] pp. 70-73.
Index:
Wahnsinn ~ Madness
Film Noir ~ Film Noir

#168
Dixon, Wheeler Winston: The endless embrace of hell: Hopelessness and betrayal in film noir. In: Cinema and modernity. Edited by Murray Pomerance. - New Brunswick, New Jersey: Rutgers University Press 2006. pp. 38-56.
Index:
Religion: Hölle ~ Religion: Hell
Film Noir ~ Film Noir

#169
Doherty, Thomas: Cultural studies and forensic Noir. In: The Chronicle of Higher Education 2003. No. ?N. [October 24] p. B15 B16.
Index:
Film Noir ~ Film Noir

#170
Doll, Susan / Faller, Greg: Blade Runner and genre: Film noir and science fiction. In: Literature/Film Quarterly 14. 1986. No. 2. [April] pp. 89-100.
Index:
Scott, Ridley
Blade Runner (1982)
Film Noir ~ Film Noir
Science Fiction ~ Science Fiction

#171
Dorfman, Richard: Conspiracy city. In: Journal of Popular Film and Television 7. 1980. No. 4. [?D] pp. 434-456.
Description:
On American film noir and noir elements in Invasion of the Bodysnatchers.
Index:
Siegel, Donald
Invasion of the Body Snatchers (1956)
USA (United States of America) ~ USA (United States of America)
Stadt ~ City
Film Noir ~ Film Noir

#172
Dromm, Keith: The facts before our eyes: Wittgenstein and the film noir investigator. In: Film-Philosophy 17. 2013. No. 1. [?D] pp. 1-18.
Index:
Wittgenstein, Ludwig
Film Noir ~ Film Noir
Augen ~ Eyes
Philosophie ~ Philosophy

#173
Du Mesnildot, Stéphane: Dors, maintenant que tu existes: Otto Preminger, les films noirs. In: Cinéma [Paris] 2005. No. 10(?N). [Autumn] pp. 50-66.
Description:
On the representation of dreams and of sleep-walking in the films of Otto Preminger.
Index:
Preminger, Otto
Traum ~ Dreams
Film Noir ~ Film Noir

#174
Duerfahrd, Lance: What exposure is the world? The desert noir of Ace in the Hole. In: Billy Wilder, movie-maker: Critical essays on the films. Edited by Karen McNally. - Jefferson, North Carolina: McFarland & Co. 2011. p. ?P.
Index:
Wilder, Billy
Wilder, Billy
Ace in the Hole (1951)
Wüste ~ Desert
Film Noir ~ Film Noir

#175
Duffy, Jean H.: Message versus mystery and film noir: Borrowings in Patrice Leconte’s Monsieur Hire. In: French Cultural Studies 13. 2002. No. 38. [June] pp. 209-224.
Index:
Leconte, Patrice
Monsieur Hire (1989)
Film Noir ~ Film Noir

#176
Duncan, Paul: The Pocket essential film noir. - Harpenden: Pocket Essentials 2000. (= Pocket Essentials: Film.)
Index:
Film Noir ~ Film Noir

#177
Dussere, Erik: America is elsewhere: The noir tradition in the age of consumer culture. - Oxford; New York: Oxford University Press 2014.
Reviews:
Martin, Carey L.: [untitled.] In: Journal of Film and Video 67. 2015. No. 2. [Summer] pp. 58-60.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#178
Dussere, Erik: Out of the past, into the supermarket: Consuming film noir. In: Film Quarterly 60. 2006. No. 1. [Fall] pp. 16-27.
Description:
Discusses, among others, Billy Wilder’s Double Indemnity and David Fincher’s Fight Club.
Index:
Wilder, Billy
Fincher, David
Double Indemnity (1944)
Fight Club (1999)
Film Noir ~ Film Noir

#179
Ebinger, Inken: Dark Empire: Ein futuristischer Film Noir-Thriller von Alex Proyas. In: Moviestar 5. 1997. No. 12(35). [December] pp. 18-19.
Description:
On Dark City.
Index:
Proyas, Alex
Dark City / Dark World / Dark Empire (1997)
Futurismus ~ Futurism
Thriller ~ Thriller
Film Noir ~ Film Noir

#180
Eclats du noir: Généricité et hybridation dans la littérature et le cinéma du monde anglophone. Textes rassemblés par Max Duperray, Gilles Menegaldo et Dominique Sipiére. - Aix-en-Provence: Publications de l’Université de Provence 2007.
Description:
On the British and American horror, fantasy and detective and mystery literature and film.
Index:
USA (United States of America) ~ USA (United States of America)
Literatur ~ Literature
Horror ~ Horror
Großbritannien ~ Great Britain
Film Noir ~ Film Noir
Fantasy ~ Fantasy
Detektive ~ Detectives

#181
Edney, Kathryn: Resurrecting the American musical: Film noir, jazz, and the rhetoric of tradition in City of Angels. In: Journal of Popular Culture 40. 2007. No. 6. [?D] pp. 936-952.
Index:
Silberling, Brad
City of Angels (1998)
USA (United States of America) ~ USA (United States of America)
Musik ~ Music
Film Noir ~ Film Noir

#182
Edwards, Richard: Hitchcock before noir: Hitchcock’s Gaumont British thrillers as film noir prototypes. In: Film noir prototypes: Origins of the movement. Edited by Alain Silver and James Ursini. - Milwaukee, Wisconsin: Applause Theatre & Cinema Books 2018. p. ?P.
Index:
Hitchcock, Alfred
Thriller ~ Thriller
Großbritannien ~ Great Britain
Gaumont [Firma] ~ Gaumont [Company]
Film Noir ~ Film Noir

#183
Ellis, Robert: Film Noir and the bible. In: The Bible in motion: A handbook of the Bible and its reception in film. Ed. Rhonda Burnette-Bletsch. - Berlin; Boston: De Gruyter 2016. (= Handbooks of the Bible and its Reception (HBR) 2.) pp. 161 ff.
Index:
Film Noir ~ Film Noir
Religion ~ Religion

#184
Elsaesser, Thomas: A German ancestry to film noir? Film history and its imaginary. In: Iris 1996. No. 21. [Spring] pp. 129-144.
Description:
Discusses especially the expressionistic film.
Index:
Expressionismus ~ Expressionism
Magie ~ Magic
Film Noir ~ Film Noir
Deutschland ~ Germany

#185
Elsaesser, Thomas: Das Weimarer Kino - aufgeklärt und doppelbödig. Aus dem Englischen von Michael Wedel. - Berlin: Verlag Vorwerk 8 1999.
Reviews:
Nagel, Josef: [untitled] In: Film-Dienst 53. 2000. No. 9. [April 25] p. 36.
von Thüna, Ulrich: Das Kino der Weimarer Republik. In: EPD Film 17. 2000. No. 12. [December] pp. 10-11.
Description:
Discusses also the expressionistic film and its influence on the film noir.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir
Expressionismus ~ Expressionism
Deutschland ~ Germany

#186
Emrys, A. B.: Laura, Vera, and Wilkie: Deep sensation roots of a noir novel. In: Clues 23. 2005. No. 3. [?D] pp. 5-13.
Index:
Preminger, Otto
Laura (1944)
Film Noir ~ Film Noir

#187
An encyclopedic reference guide to film noir. Editede by Alain Silver and Elizabethz Ward. Revised and expanded edition. - London: Bloomsbury 1989.
Index:
Film Noir ~ Film Noir

#188
Encyclopédie du film noir. Ed. Alain Silver et Elizabeth Ward. - Paris: Rivages 1987.
Index:
Film Noir ~ Film Noir

#189
Erickson, Glenn: Fate seeks the loser: Edgar G. Ulmer’s Detour (1945). In: Film noir reader 4: The crucial films and themes. Edited by Alain Silver and James Ursini. - Pompton Plains, New Jersey: Limelight Editions / Milwauke, Wisconsin: Hal Leonard 2004. p. ?P.
Index:
Ulmer, Edgar G[eorge]
Detour (1946)
Film Noir ~ Film Noir

#190
European film noir. Edited by Andrew Spicer. - Manchester: Manchester University Press 2007.
Reviews:
Drew, Bassett: [untitled.] In: Medienwissenschaft 2007. No. 4. pp. 451-454.
Gorrara, Claire: [untitled.] In: French Studies 62. 2008. No. 4. [October] pp. 509-510.
Index:
Film Noir ~ Film Noir
Europa ~ Europe

#191
Euvrad, Michel: Sweet Sweetback’s Baadasssss Song: Melvin van Peebles: "Rivaliser avec Hollywood sur son propre terrain". In: Le cinéma noir américain.Dossier réalisé par Mark Reid, Janine Euvrad, Francis Bordat et Raphaël Bassan. (= Cinémaction 1988. No. 46. [?D]) pp. 144-150.
Index:
Van Peebles, Melvin
Sweet Sweetback’s Baadassss Song (1971)
Hollywood ~ Hollywood
Film Noir ~ Film Noir
USA (United States of America) ~ USA (United States of America)

#192
Ewing, Dale E.: Film Noir: Style and content. In: Journal of Popular Film and Television 16. 1988. No. 2. [?D] pp. 61-70.
Index:
Film Noir ~ Film Noir

#193
Faison, Stephen: Existentialism, film noir, and hard-boiled fiction. - Amherst, New York: Cambria Press 2008.
Index:
Film Noir ~ Film Noir
Existentialismus ~ Existentialism

#194
I fantasmi del moderno: Temi e figure del cinema noir. A cura di Mario Pezzella e Antonio Tricomi. - Ancona: Cattedrale 2010. (= Immagini di pensiero 1.)
Index:
Film Noir ~ Film Noir

#195
Farrimond, Katherine: Postfeminist Noir: Brutality and retro aesthetics in The Black Dahlia. In: Film & History 43. 2013. No. 2. [Fall] pp. 34-49.
Index:
De Palma, Brian
Black Dahlia, The (2006)
Gewalt ~ Violence
Frauen ~ Women
Film Noir ~ Film Noir

#196
Fatal women: Essays on film noir and related matters. Edited by Kjell R. Soleim. - Bergen: Universitetet i Bergen, Senter for Kvinne- og Kjönnsforskning 1999. (= Universitetet i Bergen, Senter for Kvinne- og Kjönnsforskning 11.)
Index:
Frauen ~ Women
Film Noir ~ Film Noir

#197
Fay, Jennifer / Nieland, Justus: Film noir: Hard-boiled modernity and the cultures of globalization. - London; New York: Routledge 2010. (= Routledge film guidebooks.)
Index:
Globalisierung ~ Globalization
Film Noir ~ Film Noir

#198
Feldvoß, Marli: Suzhou River: Ye Lou verbindet den Märchenfilm mit dem Film noir. In: EPD Film 18. 2001. No. 9. [September] p. 39.
Index:
Lou, Ye
Suzhou he (2000)
Märchen ~ Fairy Tales
Film Noir ~ Film Noir

#199
Fernández Valentí, Tomás: La ruptura con el cine negro clásico. In: Dirigido 2007. No. 363. [January] pp. 46-49.
Index:
Film Noir ~ Film Noir

#200
Ferraro, Gianfranco: Scorrere sulla città: La megalopoli e il noir. In: I fantasmi del moderno: Temi e figure del cinema noir. A cura di Mario Pezzella e Antonio Tricomi. - Ancona: Cattedrale 2010. (= Immagini di pensiero 1.) pp. 57 ff.
Index:
Stadt ~ City
Film Noir ~ Film Noir

#201
Film noir: 100 all-time favorites. Hrsg. von Paul Duncan und Jürgen Müller. - Köln: Taschen 2014.
Reviews:
Arnold, Frank: Noir für alle. In: EPD Film 31. 2014. No. 12. [December] pp. 36-37.
Nobach, Marius: Die Schwarzmaler. In: Film-Dienst 67. 2014. No. 18. [August 28] pp. 34-35.
Index:
Film Noir ~ Film Noir

#202
Film noir: A comprehensive, illustrated reference to movies, terms, and persons. Edited by L. Stephens. - Jefferson: McFarland 1994.
Index:
Film Noir ~ Film Noir

#203
Film noir: A encyclopedic reference to the American style. Edited by Alain Silver and Elizabeth Ward. - Woodstock: Overlook Press 1979.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#204
Film noir: A encyclopedic reference to the American style. Edited by Alain Silver and Elizabeth Ward. - Woodstock: Overlook Press 1982.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#205
Film noir: A encyclopedic reference to the American style. Edited by Alain Silver and Elizabeth Ward. - Woodstock: Overlook Press 1988.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#206
Film noir: A Paragon summary. - Leeds: Paragon 1999. (= Paragon summaries.)
Index:
Film Noir ~ Film Noir

#207
Film noir. Edited by Alain Silver and Elizabeth Ward. - London: Secker & Warburg 1980.
Reviews:
Halliwell, Leslie: [untitled] In: The Times Literary Supplement. 8. August 1980. p. 900.
Index:
Film Noir ~ Film Noir

#208
Film noir. Hrsg. von Paul Duncan, Alain Silver und James Ursini. Übersetzung von Thomas J. Kinne. - Köln: Taschen 2012.
Index:
Film Noir ~ Film Noir

#209
Film noir. Hrsg. von Paul Duncan, James Ursini und Alain Silver. Übersetzung: Thomas J. Kinne. - Köln; London; Los Angeles; Madrid; Paris; Tokio: Taschen 2004.
Index:
Film Noir ~ Film Noir

#210
Film noir prototypes: Origins of the movement. Edited by Alain Silver and James Ursini. - Milwaukee, Wisconsin: Applause Theatre & Cinema Books 2018.
Index:
Film Noir ~ Film Noir

#211
Film noir reader 3: Interviews with filmmakers of the classic noir period. Edited by Robert Porfirio, Alain Silver and James Ursini. - New York: Limelight / Lancaster: Gazelle 2002.
Reviews:
Armstrong, Stephen B.: [untitled] In: Film Quarterly 57. 2003. No. 1. [Fall] p. 68.
Index:
Film Noir ~ Film Noir

#212
Film noir reader 4: The crucial films and themes. Edited by Alain Silver and James Ursini. - Pompton Plains, New Jersey: Limelight Editions / Milwauke, Wisconsin: Hal Leonard 2004.
Index:
Film Noir ~ Film Noir

#213
Film noir: The encyclopedia. Edited by Alain Silver, Elizabeth Ward, James Ursini and Robert Porfirio. - New York; London: Overlook Press 2010.
Reviews:
Fischer, Ralf Michael: Film Noir-Enzyklopädien. In: Medienwissenschaft 2011. No. 2. pp. 248-251.
Index:
Film Noir ~ Film Noir

#214
Film Noir reader 2. Edited by Alain Silver and James Ursini. - New York: Limelight Editions 1999.
Reviews:
O’Sullivan, Charlotte: [untitled] In: Sight and Sound NS 9. 1999. No. 11. [November] p. 33.
Index:
Film Noir ~ Film Noir

#215
Film Noir reader. Edited by Alain Silver and James Ursini. - New York: Limelight Editions 1996.
Index:
Film Noir ~ Film Noir

#216
Film Noir: Zu einer Retrospektive im Münchner Filmmuseum November 1981 - Juni 1982. Redaktion: Fritz Göttler und Claus M. Reimer. - München: Reimer 1981. (= Kino-Kontexte 2.)
Index:
München ~ Munich
Film Noir ~ Film Noir

#217
Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008.
Reviews:
Arnold, Frank: [untitled.] In: Medienwissenschaft 2009. No. 4. pp. 435-436.
Baer, Volker: [untitled.] In: Film-Dienst 62. 2009. No. 10. [May 7] p. 45.
Index:
Film Noir ~ Film Noir

#218
Fine, David: Film noir and the gothic. In: A companion to American gothic. Edited by Charles L. Crow. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2014. (= Blackwell companions to literature and culture 85.) pp. 475-487.
Index:
Film Noir ~ Film Noir
Horror ~ Horror
USA (United States of America) ~ USA (United States of America)

#219
Fischer, Lucy: Mama’s boy: Filial hysteria in White Heat. In: Screening the male: Exploring masculinities in Hollywood cinema. Edited by Steven Cohan and Ina Rae Hark. - New York; London: Routledge 1993. pp. 70-84.
Description:
On Raoul Walsh’s film noir classic.
Index:
Walsh, Raoul
White Heat (1949)
Angst ~ Fear
Männer ~ Men
Film Noir ~ Film Noir
Hollywood ~ Hollywood

#220
Fitzgibbons, Robert E.: Naked City: The relativist turn in TV noir. In: The philosophy of TV noir. Edited by Steven M. Sanders and Aeon J. Skoble. - Lexington, Kentucky: University Press of Kentucky 2008. (= The philosophy of popular culture.) p. ?P.
Index:
Naked City (TV)
Philosophie ~ Philosophy
Film Noir ~ Film Noir
Fernsehen ~ Television

#221
Flinn, Carol Ann: Film music and Hollywood’s promise of utopia in film noir and the woman’s film. - Iowa City, Iowa: University of Iowa, Ph.D. 1988.
Index:
Utopie ~ Utopia
Musik ~ Music
Hollywood ~ Hollywood
Frauen ~ Women
Film Noir ~ Film Noir

#222
Flory, Dan: Philosophy, Black film, film noir. - University Park, Pennsylvania: Pennsylvania State University Press 2008.
Reviews:
Bulter, Brian: Blackness is noir: Flory’s philosophical investigation of the Black noir genre in film. In: Film-Philosophy 14. 2010. No. 1. [?D] pp. 332-336.
Index:
Philosophie ~ Philosophy
Film Noir ~ Film Noir

#223
Flory, Dan: The epistemology of race and Black American film noir: Spike Lee’s Summer of Sam as lynching parable. In: Film and knowledge: Essays on the integration of images and ideas. Edited by Kevin L. Stoehr. - Jefferson, North Carolina; London: McFarland 2002. pp. 174-190.
Index:
Lee, Spike
Summer of Sam (1999)
Ethnie ~ Ethnicity
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#224
Fluck, Winfried: Crime, guilt, and subjectivity in film noir. In: Amerikastudien 46. 2001. No. 3. [?D] pp. 379-408.
Index:
Kriminalität ~ Crime
Film Noir ~ Film Noir

#225
Ford, Elisabeth: Black metropolis: African American urban narrative in the twentieth century. - Cambridge, Massachusetts: Harvard University, Ph.D. 2002. [Abstract in: Dissertation Abstracts International A 63. 2002. No. 4. (October) p. 1337.]
Description:
Includes a chapter on the representation of race in noir literature and film.
Index:
Ethnie ~ Ethnicity
USA (United States of America) ~ USA (United States of America)
Stadt ~ City
Literatur ~ Literature
Film Noir ~ Film Noir
Afrika ~ Africa

#226
Forlai, Luigi: Detective, thriller e noir: Teoria e tecnica della narrazione. - Roma: Audino 2003. (= Manuali di script 35.)
Index:
Thriller ~ Thriller
Film Noir ~ Film Noir
Detektive ~ Detectives

#227
Foster, Gwendolyn Audrey: Queer aesthetics of film noir: Born to Kill. In: Quarterly Review of Film and Video 28. 2010. No. 1. [?D] pp. 80-85.
Index:
Wise, Robert
Born to Kill (1947)
Film Noir ~ Film Noir

#228
Frahm, Laura: Jenseits der Noir-Stadt. Ambivalenzen der Raumkon- struktion im Film noir. In: LiLi: Zeitschrift für Literaturwissenschaft und Linguistik 38. 2008. No. 149. [?D] pp. 68-89.
Index:
Stadt ~ City
Film Noir ~ Film Noir

#229
Frahm, Laura: Jenseits des Raums: Zur filmischen Topologie des Urbanen. - Bielefeld: Transcript 2010. (= Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie 5 / Urbane Welten 2.)
Reviews:
Paech, Joachim: [untitled.] In: Germanistik 51. 2010. No. 3/4. p. 995.
Description:
Discusses, among others, the representation of the big city in film noir.
Index:
Stadt ~ City
Film Noir ~ Film Noir

#230
France cinéma 2003: Incontri di Firenze: II noir alla francese. A cura di Aldo Tassone. - Milano: II Castoro 2003.
Index:
Frankreich ~ France
Florenz ~ Florence
Film Noir ~ Film Noir

#231
Freedman, Carl: Marxism, cinema and some dialectics of science fiction and film noir. In: Red planets: Marxism and science fiction. Edited by Mark Bould and China Miéville. - Middletown, Connecticut: Wesleyan University Press 2009. pp. 66-82.
Index:
Film Noir ~ Film Noir
Science Fiction ~ Science Fiction
Politik ~ Politics

#232
French "noir", fiction and film. In: Australian Journal of French Studies 43. 2006. No. 1. [January-April] p. ?P.
Index:
Frankreich ~ France
Film Noir ~ Film Noir

#233
Fuller, Graham: Bushwacked by Hollywood. In: Sight and Sound NS 16. 2006. No. 11. [November] pp. 30-33.
Description:
On two neo-noir films: Allen Coulter’s Hollywoodland and Brian De Palma’s The Black Dahlia.
Index:
Coulter, Allen
De Palma, Brian
Hollywoodland (2006)
Black Dahlia, The (2006)
Hollywood ~ Hollywood
Film Noir ~ Film Noir

#234
Fuller, Graham: Colour me noir. In: Sight and Sound NS 15. 2005. No. 6. [June] pp. 12-16.
Description:
On Frank Miller’s comic-book series Sin City and its filmic adaption by Miller, Robert Rodriguez, and Quentin Tarantino.
Index:
Miller, Frank
Rodriguez, Robert
Tarantino, Quentin
Sin City / Frank Miller’s Sin City (2005)
Film Noir ~ Film Noir
Animation: Comics ~ Animation: Comics

#235
Future Noir. In: Science-Fiction: Androiden, Galaxien, Ufos und Apokalypsen: Das Genre, die Filme, die Tricks, die Stars. Hrsg. von Dirk Manthey und Jörg Altendorf. Chefredakteur: Willy Loderhose. Redaktion: Silke Kienecker und Thomas Müller-Siemens. Band 2. - Hamburg: Kino Verlag 1990. (= Cinema Filmbuch.) pp. 94-103.
Description:
On negative utopian societies in the science fiction film. Discusses, among others, Kubrick’s A Clockwork Orange, John Carpenter’s Escape from New York, Michael Radford’s 1984 and Terry Gilliam’s Brazil.
Index:
Kubrick, Stanley
Carpenter, John
Radford, Michael
Clockwork Orange, A (1971)
Escape from New York (1981)
Nineteen Eighty-Four (1984)
Brazil (1985)
Science Fiction ~ Science Fiction
Religion: Apokalypse ~ Religion: Apocalypse
Utopie ~ Utopia
Film Noir ~ Film Noir

#236
Gach, Gary: John Alton: Master of the film noir mood. In: American Cinematographer 77. 1996. No. 9. [September] pp. 87-92.
Index:
Alton, John
Film Noir ~ Film Noir

#237
Gamula, Lea: Frauenblut im Schnee: Gewalt und Gender im "Nordic Noir". In: Film-Dienst 70. 2017. No. 21. [October 12] pp. 16-19.
Index:
Sexualität ~ Sexuality
Schnee ~ Snow
Gewalt ~ Violence
Frauen ~ Women
Film Noir ~ Film Noir
Blut ~ Blood
Skandinavien ~ Scandinavia

#238
Gandini, Leonardo: Il Film noir americano. - Torino: Lindau 2001. (= Strumenti 11.)
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#239
Ganim, John: Medieval noir: Anatomy of a metaphor. In: Medieval film. Edited by Anke Bernau and Bettina Bildhauer. - Manchester; New York: Manchester University Press / New York: Palgrave Macmillan 2009. p. ?P.
Index:
Film Noir ~ Film Noir
Geschichte: Mittelalter ~ History: Middle Ages

#240
Garbarz, Franck: Figures du "loser" dans le film noir contemporain. In: Positif 1996. No. 422. [April] pp. 95-97.
Index:
Film Noir ~ Film Noir

#241
Gates, Philippa: The maritorious melodrama: Film noir with a female detective. In: Journal of Film and Video 61. 2009. No. 3. [Fall] pp. 24-39.
Description:
Discusses, among others, Roy William Neil’s Black Angel, Robert Siodmak’s Phantom Lady and Norman Foster’s Woman on the Run.
Index:
Neil, Roy William
Siodmak, Robert
Foster, Norman
Black Angel (1946)
Phantom Lady (1943)
Woman on the Run (1950)
Frauen ~ Women
Film Noir ~ Film Noir
Detektive ~ Detectives

#242
Geddes, Geoffrey M.: The archetypical femme fatale: Variations of the anima in American film noir. - Dominguez Hills: California State University at Dominguez Hills, M.A. 2003. [Abstract in: Masters Abstracts International 41. 2003. No. 5. p. 1226.]
Description:
Psychoanalytical examination by using the archetype theory of C. G. Jung.
Index:
Jung, Carl Gustav
USA (United States of America) ~ USA (United States of America)
Psychologie ~ Psychology
Frauen ~ Women
Film Noir ~ Film Noir

#243
Giampietro, Manfred: Prelude to Vertigo (e altre note). In: I fantasmi del moderno: Temi e figure del cinema noir. A cura di Mario Pezzella e Antonio Tricomi. - Ancona: Cattedrale 2010. (= Immagini di pensiero 1.) pp. 174 ff.
Index:
Hitchcock, Alfred
Vertigo (1958)
Film Noir ~ Film Noir

#244
Gifford, Barry: Out of the Past: Adventures in film noir. Revised edition. - Jackson, Mississippi: University Press of Mississippi 2001.
First edition:
[The Devil Thumbs a Ride and other unforgettable films. - New York: Grove 1988]
Index:
Tourneur, Jacques
Feist, Felix E.
Out of the Past / Build My Gallows High (1947)
Devil Thumbs a Ride, The (1947)
Film Noir ~ Film Noir
Abenteuer ~ Adventure

#245
Gifford, Barry: Pendez-moi haut et court et autres chroniques sur le film noir. Traduit de l’américain par Pierre Bondil. - Paris: Cahiers du Cinéma / Rivages 1998.
Index:
Feist, Felix E.
Tourneur, Jacques
Devil Thumbs a Ride, The (1947)
Out of the Past / Build My Gallows High (1947)
Film Noir ~ Film Noir

#246
Gifford, Barry: The Devil Thumbs a Ride and other unforgettable films. - New York: Grove Press 1988.
Index:
Feist, Felix E.
Tourneur, Jacques
Devil Thumbs a Ride, The (1947)
Out of the Past / Build My Gallows High (1947)
Film Noir ~ Film Noir

#247
Gillis, Stacy: Cyber noir: Cyberspace, (post)feminism and the femme fatale. In: The Matrix trilogy: Cyberpunk reloaded. Edited by Stacy Gillis. - London: Wallflower 2005. pp. 74 ff.
Index:
Wachowski, Andy
Wachowski, Larry
Matrix, The (Filmreihe)
Frauen ~ Women
Film Noir ~ Film Noir
Punk ~ Punk
Cyberspace ~ Cyberspace

#248
Giovannini, Fabio: Storia del noir: Dai fantasmi di Edgar Allan Poe al grande cinema
di oggi. - Roma: Castelvecchi 2000. (= Contatti 182.)
Index:
Poe, Edgar Allan
Film Noir ~ Film Noir

#249
Goding, Dain: Shadows and nightmares: Lewton, Siodmak, and the elusive noirror film. In: Journal of Horror Studies 2. 2011. No. 1. [March] pp. 15-23.
Description:
On the 1940s "noir horror" film combining elements from both genres.
Index:
Lewton, Val
Siodmak, Robert
Horror ~ Horror
Film Noir ~ Film Noir
Traum ~ Dreams

#250
Goggin, Joyce: White lies, noir lighting, dark others. In: Screening text: Critical perspectives on film adaptation. Edited by
Ariane Hudelet and Shannon Wells-Lassagne. - Jefferson, North Carolina: McFarland & Company 2013. p. 87-99.
Index:
Film Noir ~ Film Noir
Literatur ~ Literature

#251
Goldsmith, Jeff: High School confidential: Rian Johnson takes film noir to school in Brick. In: Creative Screenwriting 13. 2006. No. 2. [?D] pp. 60-63.
Index:
Johnson, Rian
Brick (2005)
Pädagogik ~ Paedagogy
Film Noir ~ Film Noir

#252
Gomez, Brian: Themes of oppression and dehumanization: A study of Techno-Noir film. - Denton, Texas: Texas Woman’s University, M.A. 2004. [Abstract in: Masters Abstracts International 43. 2005. No. 2. (April) p. 346.]
Description:
Discusses especially Ridley Scott’s Blade Runner, Terry Gilliam’s Brazil, Andrew Niccol’s Gattaca and The Matrix by Andy and Larry Wachowski.
Index:
Scott, Ridley
Gilliam, Terry
Niccol, Andrew
Wachowski, Andy
Wachowski, Larry
Blade Runner (1982)
Brazil (1985)
Gattaca (1997)
Matrix, The (1999)
Technik ~ Technology
Film Noir ~ Film Noir
Cyberspace ~ Cyberspace

#253
Gooch, Zachary Kendell: Dark years, dark films, long shadows: The occupation, noir, and national identity in French film and criticism. - Ithaca, New York: Cornell University, Ph.D. 2014. [Abstract in: Dissertation Abstracts International A 75. 2014. No. 6. [December] p. ?P.]
Index:
Frankreich ~ France
Film Noir ~ Film Noir

#254
Gordon, Maggie: (Dis)locating evil in the detective novel and film noir: Faulkner’s Sanctuary and Lynch’s Blue Velvet. In: Clues 22. 2001. No. 1. [?D] pp. 53-77.
Index:
Lynch, David
Faulkner, William
Blue Velvet (1986)
Film Noir ~ Film Noir
Detektive ~ Detectives
Böse, Das ~ Evil, The

#255
Goulden, J.: The Western, the Buddy Movie and Noir: Lesbian re-readings of the American action movie. - Milton Keynes, Buckinghamshire: Open University, M.Phil. 2000.
Index:
Western-Filme ~ Western Films
USA (United States of America) ~ USA (United States of America)
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Film Noir ~ Film Noir
Action ~ Action

#256
Grace, Sherrill E.: "Dans le cristallin de nos yeux": Neige noire, Caligari and the postmodern film frame-up. In: New Comparison 1988. No. 5. [?D] pp. 89-103.
Description:
Discusses, among others, Robert Wiene’s Das Cabinet des Dr. Caligari.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Postmoderne ~ Postmodern
Film Noir ~ Film Noir

#257
Graf, Dominik: Rattennest. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 209-214.
Description:
On Robert Aldrich’s Kiss Me Deadly.
Index:
Aldrich, Robert
Kiss Me Deadly (1955)
Film Noir ~ Film Noir

#258
Grassian, Daniel: The half-baked cultural detective: Fear and Loathing in Las Vegas as postmodern noir. In: Popular Culture Review 11. 2000. No. 2. [?D] pp. 99-111.
Index:
Gilliam, Terry
Fear and Loathing in Las Vegas (1997)
Postmoderne ~ Postmodern
Film Noir ~ Film Noir
Detektive ~ Detectives

#259
Greco, Joseph: The file on Robert Siodmak in Hollywood: 1941-1951. - Stony Brook: State University of New York at Stony Brook, Ph.D. 1995. [Abstract in: Dissertation Abstracts International A 57. 1996. No. 1. (July) p. 8A.
Index:
Siodmak, Robert
Film Noir ~ Film Noir
Hollywood ~ Hollywood

#260
Greven, David: Demeter and Persephone in space: Transformation, femininity, and myth in the Alien films. In: Greven, David: Representations of femininity in American genre cinema: The woman’s film, film noir, and modern horror. - New York: Palgrave Macmillan 2011. p. ?P.
Index:
Alien (Filmreihe)
Weltraum ~ Space
Persephone ~ Persephone
Mythologie ~ Mythology
Demeter ~ Demeter
Horror ~ Horror
Film Noir ~ Film Noir
USA (United States of America) ~ USA (United States of America)
Frauen ~ Women

#261
Greven, David: Freud and the death-mother. In: Greven, David: Representations of femininity in American genre cinema: The woman’s film, film noir, and modern horror. - New York: Palgrave Macmillan 2011. p. ?P.
Index:
Freud, Sigmund
Tod ~ Death
Mutter ~ Mothers
Psychologie ~ Psychology
Horror ~ Horror
Film Noir ~ Film Noir
USA (United States of America) ~ USA (United States of America)
Frauen ~ Women

#262
Greven, David: Medusa in the mirror: Brian de Palma’s Carrie. In: Greven, David: Representations of femininity in American genre cinema: The woman’s film, film noir, and modern horror. - New York: Palgrave Macmillan 2011. p. ?P.
Index:
De Palma, Brian
Carrie (1976)
Spiegel ~ Mirror
Horror ~ Horror
Film Noir ~ Film Noir
USA (United States of America) ~ USA (United States of America)
Frauen ~ Women

#263
Greven, David: Modern horror as the concealed woman’s film. In: Greven, David: Representations of femininity in American genre cinema: The woman’s film, film noir, and modern horror. - New York: Palgrave Macmillan 2011. p. ?P.
Index:
Horror ~ Horror
Film Noir ~ Film Noir
USA (United States of America) ~ USA (United States of America)
Frauen ~ Women

#264
Greven, David: Representations of femininity in American genre cinema: The woman’s film, film noir, and modern horror. - New York: Palgrave Macmillan 2011.
Reviews:
Bowring, Nicola: [untitled.] In: Journal of American Studies 46. 2012. No. 3. [?D] pp. 793-794.
Index:
Horror ~ Horror
Film Noir ~ Film Noir
USA (United States of America) ~ USA (United States of America)
Frauen ~ Women

#265
Greven, David: The finalizing woman: Horror, femininity, and queer monsters. In: Greven, David: Representations of femininity in American genre cinema: The woman’s film, film noir, and modern horror. - New York: Palgrave Macmillan 2011. p. ?P.
Index:
Monster ~ Monster
Horror ~ Horror
Film Noir ~ Film Noir
USA (United States of America) ~ USA (United States of America)
Frauen ~ Women

#266
Greven, David: Transformations of the woman’s film: or, feminine myths. In: Greven, David: Representations of femininity in American genre cinema: The woman’s film, film noir, and modern horror. - New York: Palgrave Macmillan 2011. p. ?P.
Index:
Mythologie ~ Mythology
Horror ~ Horror
Film Noir ~ Film Noir
USA (United States of America) ~ USA (United States of America)
Frauen ~ Women

#267
Grob, Norbert: Black Dahlia. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 388-393.
Index:
De Palma, Brian
Black Dahlia, The (2006)
Film Noir ~ Film Noir

#268
Grob, Norbert: Das Klare und das Diffuse. In: EPD Film 31. 2014. No. 2. [February] pp. 16-18.
Description:
On the 2014 Berlinale retrospective "Aesthetics of Shadow".
Index:
Berlin ~ Berlin
Expressionismus ~ Expressionism
Film Noir ~ Film Noir

#269
Grob, Norbert: Diesseits der Hölle: David Cronenbergs Noir-Fantasien. In: David Cronenberg. Hrsg. von Marcus Stiglegger. - Berlin: Bertz + Fischer 2011. pp. 111 ff.
Index:
Cronenberg, David
Religion: Hölle ~ Religion: Hell
Film Noir ~ Film Noir

#270
Grob, Norbert: Einleitung: Kino der Verdammnis. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 9-54.
Index:
Film Noir ~ Film Noir

#271
Grob, Norbert: Engelsgesicht. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 190-194.
Description:
On Otto Preminger’s Angel Face.
Index:
Preminger, Otto
Angel Face (1952)
Film Noir ~ Film Noir

#272
Grob, Norbert: Frau ohne Gewissen. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 94-98.
Description:
On Billy Wilder’s Double Indemnity.
Index:
Wilder, Billy
Double Indemnity (1944)
Film Noir ~ Film Noir

#273
Grob, Norbert: Hammett. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 292-297.
Index:
Wenders, Wim
Hammett (1982)
Film Noir ~ Film Noir

#274
Grob, Norbert / Kiefer, Bernd: Tödliches Alibi / In letzter Stunde. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 215-220.
Description:
On Joseph Losey’s Time Without Pity.
Index:
Losey, Joseph
Time Without Pity (1957)
Film Noir ~ Film Noir

#275
Grob, Norbert: Labyrinthe in Schwarz: Dschungel Großstadt und Film noir. In: Dschungel Großstadt: Kino und Modernisierung. Hrsg. von Irmbert Schenk. - Marburg: Schüren Verlag 1999. (= Bremer Symposien zum Film 3.) pp. 132-145.
Index:
Labyrinth ~ Labyrinth
Film Noir ~ Film Noir
Stadt ~ City

#276
Grob, Norbert: Mysteriöse Schatten, schräge Linien: Zu Motiven, Themen und Stil des US-amerikanischen Film noir. In: Grob, Norbert: Zwischen Licht und Schatten: Essays zum Film. - St. Augustin: Gardez! Verlag 2002. pp. 265-291.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#277
Grob, Norbert / Ritzer, Ivo: Maschinenpistolen. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 166-168.
Description:
On Raoul Walsh’s White Heat.
Index:
Walsh, Raoul
White Heat (1949)
Film Noir ~ Film Noir

#278
Grob, Norbert: Where the Sidewalk Ends ...: Abel Ferraras Neo-Noirs. In: Die bizarre Schönheit der Verdammten: Die Filme von Abel Ferrara. Hrsg. von Bernd Kiefer und Marcus Stiglegger. - Marburg: Schüren 2000. pp. 42 ff.
Index:
Ferrara, Abel
Film Noir ~ Film Noir

#279
Groh, Thomas: DV-Noir: Absolute Evil. In: Splatting Image 2009. No. 77. [March] pp. 61-62.
Index:
Lommel, Ulli
Absolute Evil - Final Exit (2009)
Film Noir ~ Film Noir

#280
Gross, Robert F.: Mannerist noir: Malice. In: Considering Aaron Sorkin: Essays on the politics, poetics, and sleight of hand in the films and television series. Edited by Thomas Fahy. - Jefferson, North Carolina; London: McFarland 2005. pp. 19-35.
Index:
Becker, Harold
Sorkin, Aaron
Malice (1993)
Film Noir ~ Film Noir
Fernsehen ~ Television

#281
Grossman, Julie: Film noir’s "femme fatales" hard-boiled women: Moving beyond gender fantasies. In: Quarterly Review of Film and Video 24. 2007. No. 1. [January] pp. 19-30.
Index:
Sexualität ~ Sexuality
Frauen ~ Women
Film Noir ~ Film Noir

#282
Grossman, Julie: Looking back-victorinoir: Modern women and the fatal(e) progeny of Victorian representations. In: Film noir prototypes: Origins of the movement. Edited by Alain Silver and James Ursini. - Milwaukee, Wisconsin: Applause Theatre & Cinema Books 2018. p. ?P.
Index:
Frauen ~ Women
Film Noir ~ Film Noir

#283
Grossman, Julie: Rethinking the femme fatale in film noir: Ready for her close-up. - Basingstoke; New York: Palgrave Macmillan 2009.
Index:
Frauen ~ Women
Film Noir ~ Film Noir

#284
Grossman, Julie: Rethinking the femme fatale in film noir: Ready for her close-up. - Basingstoke; New York: Palgrave Macmillan 2013.
First edition:
[2009]
Index:
Frauen ~ Women
Film Noir ~ Film Noir

#285
Grossman, Julie: Women and film noir: Pulp Fiction and the woman’s picture. In: Film noir prototypes: Origins of the movement. Edited by Alain Silver and James Ursini. - Milwaukee, Wisconsin: Applause Theatre & Cinema Books 2018. p. ?P.
Index:
Tarantino, Quentin
Pulp Fiction (1994)
Frauen ~ Women
Film Noir ~ Film Noir

#286
Grost, Michael E.: Kiss Me Deadly (1955): Composition and meaning. In: Film noir reader 4: The crucial films and themes. Edited by Alain Silver and James Ursini. - Pompton Plains, New Jersey: Limelight Editions / Milwauke, Wisconsin: Hal Leonard 2004. p. ?P.
Index:
Aldrich, Robert
Kiss Me Deadly (1955)
Film Noir ~ Film Noir

#287
Guérif, François: Le film noir américain. - Paris: Veyrier 1979.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#288
Guérif, François: Le film noir américain. - Paris: Artefact 1986.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#289
Guérif, François: Le film noir américain. Nouv. édition rev., corr. et augm. - Paris: Denoël 1999.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#290
Guérif, François: Panthéon noir: Entretiens avec François Truffaut, Claude Chabrol, Claude Miller, Jean-Jacques Beineix, Alain Corneau & Benoît Cohen. - Paris: Séguier 1996. (= Carré Ciné 26.)
Index:
Truffaut, François
Chabrol, Claude
Miller, Claude
Beineix, Jean-Jacques
Corneau, Alain
Film Noir ~ Film Noir

#291
Guerri, Alberto: Il film noir: Storie americane. - Roma: Gremese 1998. (= Gli Album.)
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#292
Guffey, Robert: Film noird and the multiple realities thereof: Bowery at Midnight, The Chase, and Kiss Me Deadly. In: New York Review of Science Fiction 24. 2012. No. 6(?N) [?D] pp. 1, 9-18.
Index:
Fox, Wallace
Ripley, Arthur
Aldrich, Robert
Bowery at Midnight (1942)
Chase, The (1946)
Kiss Me Deadly (1955)
Film Noir ~ Film Noir

#293
Hagopian, Kevin: "How you fixed for red points?": Anecdote and the World War II home front in The Big Sleep (1946). In: Film noir reader 4: The crucial films and themes. Edited by Alain Silver and James Ursini. - Pompton Plains, New Jersey: Limelight Editions / Milwauke, Wisconsin: Hal Leonard 2004. p. ?P.
Index:
Hawks, Howard
Big Sleep, The (1946)
Krieg ~ War
Film Noir ~ Film Noir

#294
Hairston, Robert Burl: An examination of the nonverbal communication in three noir films: The Postman Always Rings Twice, The Big Sleep and Murder My Sweet in the original and remake versions. - Tallahassee, Florida: Florida State University, Ph.D. 1989.
Index:
Garnett, Tay
Rafelson, Bob
Hawks, Howard
Winner, Michael
Dmytryk, Edward
Richards, Dick
Postman Always Rings Twice, The (1946)
Postman Always Rings Twice, The (1980)
Big Sleep, The (1946)
Big Sleep, The (1978)
Murder, my Sweet / Farewell my Love (1944)
Farewell, My Lovely (1975)
Film Noir ~ Film Noir

#295
Hales, Barbara: Projection trauma: The femme fatale in Weimar and Hollywood film noir. In: Women in German Yearbook 2007. No. 23. p. ?P.
Index:
Hollywood ~ Hollywood
Frauen ~ Women
Film Noir ~ Film Noir
Deutschland ~ Germany

#296
Hall, Alexander Charles Oliver: Tech-noir and the critical dystopia in the 21st century: Wimmer’s Equilibrium. In: Marxism and the movies: Critical essays on class struggle in the cinema. Edited by Mary K. Leigh and Kevin K. Durand. - Jefferson, North Carolina; London: McFarland 2013. p. ?P.
Index:
Marx, Karl
Wimmer, Kurt
Equilibrium (2002)
Utopie ~ Utopia
Film Noir ~ Film Noir
Politik ~ Politics

#297
Hall, Kenneth E.: Running out of time, Hard-Boiled and 24-hour cityspace. In: Hong Kong neo-noir. Edited by Esther C.M. Yau and Tony Williams. - Edinburgh: Edinburgh University Press 2017. (= Edinburgh studies in East Asian film.) p. ?P.
Index:
Wu Su-Yum [Pseudonym: Woo, John]
Hard Boiled / Lashou shentan (1992)
Stadt ~ City
Hongkong ~ Hong Kong
Film Noir ~ Film Noir

#298
Hannsberry, Karen Burroughs: Bad boys: The actors of film noir. - Jefferson, North Carolina: McFarland 2003.
Index:
Film Noir ~ Film Noir

#299
Hannsberry, Karen Burroughs: Deadly is the female: The women of film noir. In: Classic Images 1999. No. 289. [?D] p. C19.
Index:
Frauen ~ Women
Film Noir ~ Film Noir

#300
Hannsberry, Karen Burroughs: Femme noir: Bad girls on film. - Jefferson, North Carolina: McFarland 1998.
Reviews:
Svehla, Gary J.: [untitled] In: Midnight Marquee 1999. No. 61. [Winter] p. 61.
Index:
Frauen ~ Women
Film Noir ~ Film Noir

#301
Hanson, H.: Painted women: Framing portraits in film noir and the gothic woman’s film of the 1940s. - Southampton: University of Southampton, Ph.D. 2001. [Abstract in: Index to Theses with Abstracts 51. 2002. No. 3. p. 615(51-4074)].
Index:
Horror ~ Horror
Kunst ~ Arts, The
Frauen ~ Women
Film Noir ~ Film Noir

#302
Hanson, Helen: Hollywood heroines: Women in film noir and the female gothic film. - London; New York: Tauris 2007.
Reviews:
Burger, Alissa: [untitled.] In: Quarterly Review of Film and Video 27. 2009. No. 1. [?D] pp. 83-86.
Fincher, Max: [untitled.] In: The Times Literary Supplement, February 20, 2009. p. 12.
Lennon, Elaine: [untitled.] In: Scope [Nottingham] 2008. No. 11. [?D] p. ?P.
Powell, Anna: [untitled.] In: Gothic Studies 12. 2010. No. 1. [?D] pp. 116-118.
Index:
Horror ~ Horror
Hollywood ~ Hollywood
Helden ~ Heros
Frauen ~ Women
Film Noir ~ Film Noir

#303
Hanson, Philip: The arc of national confidence and the birth of film noir, 1929-1941. In: Journal of American Studies 42. 2008. No. 3. [?D] pp. 387-414.
Index:
Film Noir ~ Film Noir

#304
Hare, William: Early film noir: Greed, lust, and murder Hollywood style. - Jefferson, North Carolina; London: McFarland 2003.
Index:
Mord ~ Murder
Hollywood ~ Hollywood
Film Noir ~ Film Noir

#305
Hare, William: L.A. noir: Nine dark visions of the City of angels. - Jefferson, North Carolina; London: McFarland 2004. p. 241.
Index:
Stadt ~ City
Religion: Engel ~ Religion: Angels
Los Angeles ~ Los Angeles
Film Noir ~ Film Noir

#306
Harris, Oliver: Film noir fascination: Outside history, but historically so. In: Cinema Journal 43. 2003. No. 1. [Fall] pp. 3-24.
Description:
Discusses, among others, Robert Siodmak’s The Killers.
Index:
Siodmak, Robert
Killers, The (1946)
Geschichte ~ History
Film Noir ~ Film Noir

#307
Hausladen, Gary J. / Starrs, Paul F.: L.A. noir. In: Journal of Cultural Geography 23. 2005. No. 1. [Fall/Winter] pp. 43-69.
Index:
Stadt ~ City
Los Angeles ~ Los Angeles
Film Noir ~ Film Noir

#308
Haussladen, Gary / Starrs, Paul F.: L.A. noir. In: Journal of Cultural Geography 23. 2005. No. 1. [Fall/Winter] pp. 43-69.
Index:
Stadt ~ City
Los Angeles ~ Los Angeles
Film Noir ~ Film Noir

#309
Heftschwerpunktthema "Onirikon: Tutti i sogni del cinema". In: Cinema & Cinema 1991. No. 61. [?D] p. ?P.
Description:
On the representation of dreams in horror films and in film noir.
Index:
Traum ~ Dreams
Film Noir ~ Film Noir
Horror ~ Horror

#310
Heinrich, D.: Peter Greenaway: L’ironie la plus noire. In: Cinéma [Paris] 1988. No. 442. [May] p. 12.
Description:
On Drowning by Numbers.
Index:
Greenaway, Peter
Drowning by Numbers (1988)
Film Noir ~ Film Noir

#311
Heinzlmeier, Adolf / Menningen, Jürgen / Schulz, Berndt: Kino der Nacht: Hollywoods Schwarze Serie. - Hamburg: Rasch und Röhring 1985.
Reviews:
Hummel, Christoph: Schwierigkeiten mit dem Film Noir. In: EPD Film 2. 1985. No. 12. [December] p. 15.
Jung, Uli: [untitled] In: Medienwissenschaft 1987. No. 1. pp. 90-91.
Index:
Nacht ~ Night
Hollywood ~ Hollywood
Film Noir ~ Film Noir

#312
Hellwig, Harold Henry: William Blake’s Jerusalem and the Los Angeles of film noir. In: Philosophy and Literature 38. 2014. No. 1. [?D] pp. 223-241.
Index:
Blake, William
Los Angeles ~ Los Angeles
Jerusalem ~ Jerusalem
Film Noir ~ Film Noir

#313
Henriksen, Margot A.: Dr. Strangelove’s America: Society and culture in the atomic age. - Berkeley, California: University of California Press 1997.
Reviews:
Van Ells, Mark D.: [untitled] In: Journal of American Culture 22. 1999. No. 1. [?D] p. 103.
Description:
Discusses, alongside Stanley Kubrick’s Dr. Strangelove, the film noir, the science fiction film and the films of Alfred Hitchcock.
Index:
Kubrick, Stanley
Hitchcock, Alfred
Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb (1963)
USA (United States of America) ~ USA (United States of America)
Science Fiction ~ Science Fiction
Film Noir ~ Film Noir
Atom ~ Nuclear

#314
Henry, Michael: Entretien avec Barbet Schroeder. In: Positif 1996. No. 422. [April] pp. 104-107.
Description:
Interview with the director on the American "neo-noir" film.
Index:
Schroeder, Barbet
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#315
Hewlett, Julie Lynne: "She’s filing her nails while they’re dragging the lake": Representations of women in contemporary film noir. - Victoria, British Columbia: University of Victoria, M.A. 2000. [Abstract in: Masters Abstracts International 39. 2001. No. 1. p. 3.]
Description:
Discusses, among others, David Lynch’s Blue Velvet and Twin Peaks,
Michael Mann’s Heat, John Dahl’s The Last Seduction, Bound by Larry and Andy Wachowski plus Jeremiah S. Chechik’s Diabolique.
Index:
Lynch, David
Lynch, David
Mann, Michael
Dahl, John
Wachowski, Larry
Wachowski, Andy
Chechik, Jeremiah S.
Blue Velvet (1986)
Twin Peaks (Filmreihe)
Heat (1995)
Last Seduction, The (1993)
Bound (1996)
Diabolique (1996)
Frauen ~ Women
Film Noir ~ Film Noir

#316
Hibbs, Thomas: Buffy the Vampire Slayer as feminist noir. In: Buffy, the Vampire Slayer and philosophy: Fear and trembling in Sunnydale. Edited by James B. South. - Chicago, Illinois: Open Court 2003. (= Popular Culture and Philosophy 4.) p. ?P.
Index:
Buffy the Vampire Slayer (TV)
Frauen ~ Women
Film Noir ~ Film Noir
Philosophie ~ Philosophy

#317
Hibbs, Thomas S.: The human comedy perpetuates itself: Nihilism and comedy in Coen neo-noir. In: The philosophy of neo-noir. Edited by Mark T. Conard. - Lexington, Kentucky: University Press of Kentucky 2007. (= The philosophy of popular culture.) p. ?P.
Index:
Coen, Ethan
Coen, Joel
Nihilismus ~ Nihilism
Humor ~ Humor
Philosophie ~ Philosophy
Film Noir ~ Film Noir

#318
Hibbs, Thomas S.: The human condition perpetuates itself: Nihilism and comedy in Coen neo-noir. In: The philosophy of the Coen brothers. Edited by Mark T. Conrad. - Lexington, Kentucky: Kentucky University Press 2009. (= The philosophy of popular culture.) pp. 27-40.
Index:
Coen, Joel
Coen, Ethan
Fargo (1995)
Raising Arizona (1986)
Big Lebowski, The (1998)
Philosophie ~ Philosophy
Nihilismus ~ Nihilism
Humor ~ Humor
Film Noir ~ Film Noir

#319
Hickethier, Knut: Gefangen. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 142-145.
Description:
On Max Ophüls’s Caught.
Index:
Ophüls, Max
Caught (1949)
Film Noir ~ Film Noir

#320
Hickman, Roger: Wavering sonorities and the nascent film noir musical style. In: The Journal of Film Music 2. 2009. No. 2-4. [Winter] pp. 165-174.
Index:
Musik ~ Music
Film Noir ~ Film Noir
Expressionismus ~ Expressionism

#321
Higashi, Sumiko: The American origins of film noir: Realism in urban art and The Naked City. In: Looking past the screen: Case studies in American film history and method. Edited by Jon Lewis and Eric Smoodin. - Durham: Duke University Press 2007. p. ?P.
Index:
Dassin, Jules
Naked City, The (1948)
USA (United States of America) ~ USA (United States of America)
Stadt ~ City
Film Noir ~ Film Noir

#322
Hillis, Ken: Film Noir and the American dream: The dark side of enlightenment. In: The Velvet Light Trap 2005. No. 55. [Spring] pp. 3-18.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#323
Hirsch, Foster: Detours and Lost Highways: A map of neo-noir. - New York: Limelight Editions 1999.
Reviews:
Covey, William: [untitled] In: Film Criticism 25. 2000. No. 1. [?D] pp. 83-87.
O’Sullivan, Charlotte: [untitled] In: Sight and Sound NS 10. 2000. No. 8. [August] p. 32.
Index:
Film Noir ~ Film Noir

#324
Hirsch, Foster: The dark side of the screen: Film noir. Reprint. - New York: Da Capo Press 1983. (= A Da Capo Paperback.)
Index:
Film Noir ~ Film Noir

#325
Hirsch, Foster: The dark side of the screen: Film noir. - San Diego: Barnes / London: Tantivy Press 1981.
Index:
Film Noir ~ Film Noir

#326
Hodges, Daniel M.: The rise and fall of the war noir. In: Film noir reader 4: The crucial films and themes. Edited by Alain Silver and James Ursini. - Pompton Plains, New Jersey: Limelight Editions / Milwauke, Wisconsin: Hal Leonard 2004. p. ?P.
Index:
Krieg ~ War
Film Noir ~ Film Noir

#327
Hofer, Edith: Frauenbilder im "Film Noir" der USA in den 40er Jahren. - Berlin: Freie Universität Berlin, Institut für Nordamerikastudien, Magisterarbeit 1988.
Index:
Frauen ~ Women
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#328
Hoffman, Carl: Return to the primal noir: Two modern authors on The Black Dahlia. In: Journal of American Culture 26. 2003. No. 3. [?D] pp. 385-394.
Index:
Film Noir ~ Film Noir

#329
Hollander, Anne: Moving pictures. - Cambridge, Massachusetts; London: Harvard University Press 1991.
Reviews:
de Francia, Peter: Artful dodge. In: Sight and Sound NS 1. 1991. No. 4. [August] pp. 32-33.
Description:
On the relationship between film and painting. Discusses, among others, Robert Wiene’s Das Cabinet des Dr. Caligari, Piero Fosco’s Cabira, Carl Theodor Dreyer’s Vredens dag, Fritz Lang’s Metropolis, Michelangelo Antonioni’s La notte and Cecil Blount DeMille’s Samson and Delilah. Discusses also the expressionist film, the film noir and the animation film in general and analyses the filmic work of Walt Disney and Alfred Hitchcock.
Index:
Lang, Fritz
Wiene, Robert
Pastrone, Giovanni [Pseudonym: Fosco, Piero]
Dreyer, Carl Theodor
Antonioni, Michelangelo
DeMille, Cecil Blount
Disney, Walt
Hitchcock, Alfred
Metropolis (1925/1926)
Cabinet des Dr. Caligari, Das (1919)
Cabira (1914)
Vredens dag / Dies irae (1943)
notte, La (1960)
Samson and Delilah (1950)
Disney ~ Disney
Kunst ~ Arts, The
Film Noir ~ Film Noir
Expressionismus ~ Expressionism
Animation ~ Animation

#330
Holt, Jason: A darker shade: Realism in neo-noir. In: The philosophy of film noir. Edited by Mark T. Conard. Foreword by Robert Porfirio. - Lexington, Kentucky: University Press of Kentucky 2006. (= The philosophy of popular culture.) pp. 23-40.
Description:
Discusses, among others, John Dahl’s The Last Seduction as well as the films of David Lynch and Quentin Tarantino.
Index:
Dahl, John
Lynch, David
Tarantino, Quentin
Last Seduction, The (1993)
Philosophie ~ Philosophy
Film Noir ~ Film Noir

#331
Holt, Jason: Twin Peaks, noir, and open interpretation. In: The philosophy of TV noir. Edited by Steven M. Sanders and Aeon J. Skoble. - Lexington, Kentucky: University Press of Kentucky 2008. (= The philosophy of popular culture.) p. ?P.
Index:
Lynch, David
Twin Peaks (TV)
Philosophie ~ Philosophy
Film Noir ~ Film Noir
Fernsehen ~ Television

#332
Höltgen, Stefan: Film noir: Renaissance. In: F.LM - Texte zum Film. Online edition, August 2007.
Index:
Volckman, Christian
Renaissance (2006)
Film Noir ~ Film Noir

#333
Höltgen, Stefan: Space-Lab: Architektur und Erinnerung in Dark City. In: F.LM - Texte zum Film 2. 2003. No. 2. [?D] pp. 14-19.
Index:
Proyas, Alex
Dark City / Dark World / Dark Empire (1997)
Architektur ~ Architecture
Film Noir ~ Film Noir
Stadt ~ City

#334
Hong Kong neo-noir. Edited by Esther C.M. Yau and Tony Williams. - Edinburgh: Edinburgh University Press 2017. (= Edinburgh studies in East Asian film.)
Index:
Hongkong ~ Hong Kong
Film Noir ~ Film Noir

#335
Horner, Grant: Meaning at the movies: Becoming a discerning viewer. - Wheaton, Illinois: Crossway 2010.
Description:
Includes chapters on religious aspects in horror film and film noir.
Index:
Religion ~ Religion
Horror ~ Horror
Film Noir ~ Film Noir

#336
Horst, Sabine: Blue Velvet. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 315-320.
Index:
Lynch, David
Blue Velvet (1986)
Film Noir ~ Film Noir

#337
Humphries, Reynold: The politics of crime and the crime of politics: Post-war noir, the liberal consensus and the Hollywood left. In: Film noir reader 4: The crucial films and themes. Edited by Alain Silver and James Ursini. - Pompton Plains, New Jersey: Limelight Editions / Milwauke, Wisconsin: Hal Leonard 2004. p. ?P.
Index:
Politik ~ Politics
Kriminalität ~ Crime
Krieg ~ War
Hollywood ~ Hollywood
Film Noir ~ Film Noir

#338
Hunter, Stephen: Violent screen: A critic’s thirteen years on the front line of the movie mayhem. - Baltimore, Maryland: Bancroft Press 1995.
Description:
Includes, among others, chapters on film noir, horror, action-adventure and on sexual obsession in film.
Index:
Sexualität ~ Sexuality
Horror ~ Horror
Film Noir ~ Film Noir
Action ~ Action
Abenteuer ~ Adventure
Gewalt ~ Violence

#339
I coliri del nero: Cinema, letteratura, noir, Myfest: 10. festival internazionale del giallo e del mistero. A cura di Marina Fabbri e Elisa Rasegotti. - Milano: Ubulibri 1989.
Index:
Myfest ~ Myfest
Thriller ~ Thriller
Festival ~ Festival
Film Noir ~ Film Noir

#340
I found it at the movies: An anthology of film poems. Edited by Ruth Roach Pierson. - Toronto, Ontario; Buffalo: Guernica 2014. (= Essential anthologies series 6.)
Description:
Discusses, among others, the thriller, horror and film noir genre.
Index:
Thriller ~ Thriller
Horror ~ Horror
Film Noir ~ Film Noir

#341
Irwin, John T.: Unless the threat of death is behind them: Hard-boiled fiction and film noir. - Baltimore, Maryland; London: Johns Hopkins University Press 2006.
Index:
Tod ~ Death
Film Noir ~ Film Noir

#342
James, Nick: 21st century noir. In: Sight and Sound NS 23. 2013. No. 2. [February] pp. 56-64.
Description:
On the representation of violence, sex and greed in recent film noir.
Index:
Sexualität ~ Sexuality
Gewalt ~ Violence
Film Noir ~ Film Noir

#343
Jameson, Frederic: The synoptic Chandler. In: Shades of noir: A reader. Edited by Joan Copjec. - London; New York: Verso Books 1993. pp. 33-56.
Description:
Discusses also the Chandler filmings.
Index:
Chandler, Raymond Thornton
Film Noir ~ Film Noir

#344
Jancovich, Mark: Phantom ladies: The war worker, the slacker and the "femme fatale". In: New Review of Film and Television Studies 8. 2010. No. 2. [June] pp. 164-178.
Index:
Krieg ~ War
Frauen ~ Women
Film Noir ~ Film Noir
Horror ~ Horror

#345
Jancovich, Mark: Realistic horror: Film noir and the 1940s horror cycle. In: Billy Wilder, movie-maker: Critical essays on the films. Edited by Karen McNally. - Jefferson, North Carolina: McFarland & Co. 2011. p. ?P.
Index:
Wilder, Billy
Horror ~ Horror
Film Noir ~ Film Noir

#346
Jancovich, Mark:Thrills and chills: Horror, the woman’s film, and the origins of film noir. In: New Review of Film and Television Studies 7. 2009. No. 2. [June] pp. 157-171.
Index:
Thriller ~ Thriller
Horror ~ Horror
Frauen ~ Women
Film Noir ~ Film Noir

#347
Jarvie, Ian: Knowledge, morality, and tragedy in The Killers and Out of the Past. In: The philosophy of film noir. Edited by Mark T. Conard. Foreword by Robert Porfirio. - Lexington, Kentucky: University Press of Kentucky 2006. (= The philosophy of popular culture.) pp. 163-185.
Index:
Siodmak, Robert
Tourneur, Jacques
Killers, The (1946)
Out of the Past / Build My Gallows High (1947)
Philosophie ~ Philosophy
Film Noir ~ Film Noir

#348
Johnson, Gary: Gun Crazy (1950). In: Film noir reader 4: The crucial films and themes. Edited by Alain Silver and James Ursini. - Pompton Plains, New Jersey: Limelight Editions / Milwauke, Wisconsin: Hal Leonard 2004. p. ?P.
Index:
Lewis, Joseph H.
Gun Crazy (1949)
Film Noir ~ Film Noir

#349
Johnson, Kevin: The dark page: Books that inspired American film noir (1940-1949). - New Castle, Delaware: Oak Knoll Press 2007.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#350
Johnson, Kevin: The dark page: Books that inspired American film noir, 1940-1949. Foreword by Paul Schrader. - Baltimore: Royal Books 2007.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#351
Johnson, Kevin: The dark page II: Books that inspired film noir (1950-1965). Foreword by Guy Maddin. - New Castle, Delaware: Oak Knoll Press 2009.
Index:
Film Noir ~ Film Noir

#352
Jones, Eileen Marie: The ends of film noir. - Berkeley, California: The University of California at Berkeley, Ph.D. 1996. [Abstract in: Dissertation Abstracts International A 58. 1997. No. 2. (August) pp. 327A-328A.]
Index:
Film Noir ~ Film Noir

#353
Kaplan, E. Ann: The dark continent of film noir: Race, displacement and metaphor in Tourneur’s Cat People (1942) and Welles’ The Lady from Shanghai (1948). In: Women in film noir. Edited by E. Ann Kaplan. Expanded edition. - London: British Film Institute / Bloomington: Indiana University Press 1998. pp. 183-201.
Index:
Tourneur, Jacques
Welles, Orson
Cat People (1942)
Lady from Shanghai, The (1946)
Ethnie ~ Ethnicity
Frauen ~ Women
Film Noir ~ Film Noir

#354
Kaplan, E. Ann: The place of women in Fritz Lang’s The Blue Gardenia. In: Women in film noir. Edited by E. Ann Kaplan. - London: British Film Institute 1980. pp. 83-90.
Index:
Lang, Fritz
Blue Gardenia, The (1952/1953)
Frauen ~ Women
Film Noir ~ Film Noir

#355
Karimi, Amir Massoud: Toward a definition of the American film noir 1941-1949. - New York: Arno Press 1976. (= Dissertations on Film.)
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#356
Kaspersen, Flemming: Tech noir. In: Kosmorama 36. 1990. No. 194. [Winter] pp. 12-16.
Description:
On the history of the US science fiction film.
Index:
Film Noir ~ Film Noir
USA (United States of America) ~ USA (United States of America)
Science Fiction ~ Science Fiction

#357
Kaufmann, Kai: Das Geschlechterverhältnis im amerikanischen Film Noir. - Hamburg: Universität Hamburg, Seminar für Englische Sprache und Kultur, Dissertation 1996.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir
Sexualität ~ Sexuality

#358
Kaufmann, Kai: Das Geschlechterverhältnis im amerikanischen Film Noir. - Ahlfeld: Coppi-Verlag 1997. (= Aufsätze zu Film und Fernsehen 45.)
Index:
USA (United States of America) ~ USA (United States of America)
Sexualität ~ Sexuality
Film Noir ~ Film Noir

#359
Keaney, Michael F.: British film noir guide. - Jefferson, North Carolina; London: McFarland 2008.
Index:
Großbritannien ~ Great Britain
Film Noir ~ Film Noir

#360
Keating, Patrick: Film Noir and the culture of electric light. In: Film History 27. 2015. No. 1. pp. 58-84.
Index:
Film Noir ~ Film Noir

#361
Keating, Patrick: Hollywood lighting from the silent era to film noir. - New York: Columbia University Press 2010. (= Film and culture.)
Reviews:
Oeler, Karla: [untitled.] In: Film Quarterly 65. 2011. No. 2. [Winter] pp. 81-82.
Index:
Technik ~ Technology
Stummfilm ~ Silent Film
Hollywood ~ Hollywood
Film Noir ~ Film Noir

#362
Kelley, Carolyn A.: Rejected women in film noir. - ?O: Gainesville, Florida: University of Florida, Ph.D. 2011. [Abstract in: Dissertation Abstracts International A 75. 2014. No. 6 [December] p. ?P.]
Description:
Discusses, among others, John Huston’s The Maltese Falcon, Fritz Lang’s The Big Heat and The Blue Gardenia, and Robert Aldrich’s Kiss Me Deadly.
Index:
Huston, John
Lang, Fritz
Aldrich, Robert
Lacan, Jacques
Maltese Falcon, The (1941)
Big Heat, The (1953)
Blue Gardenia, The (1952/1953)
Kiss Me Deadly (1955)
Frauen ~ Women
Film Noir ~ Film Noir
Psychologie ~ Psychology

#363
Kiefer, Bernd: Ossessione ... von Liebe besessen. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 83-89.
Index:
Visconti, Lucino
Ossessione (1942)
Film Noir ~ Film Noir

#364
Kiefer, Bernd: Taxi Driver. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 274-280.
Index:
Scorsese, Martin
Taxi Driver (1975)
Film Noir ~ Film Noir

#365
Kierstead, Joshua Anthony: Noir of the past: Anatomy of the historical film noir. - Iowa City, Iowa: The University of Iowa, Ph.D. 2017. [Abstract in: Dissertation Abstracts International A 78. 2017. No. 12. [?D].]
Index:
Film Noir ~ Film Noir

#366
Kilb, Andreas: Miller’s Crossing. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 330-334.
Index:
Coen, Joel
Miller’s Crossing (1989)
Film Noir ~ Film Noir

#367
Klein, Thomas: Im Zeichen des Bösen. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 221-224.
Description:
On Orson Welles’s Touch of Evil.
Index:
Welles, Orson
Touch of Evil (1957)
Film Noir ~ Film Noir

#368
Kleinman, Dennis: Back to a wilder noir. In: Cinefantastique 33. 2001. No. 3. [June] p. 60.
Description:
On Christopher Nolan’s Memento.
Index:
Nolan, Christopher
Memento (2000)
Film Noir ~ Film Noir

#369
Knight, Deborah / Mcknight, George: CSI and the art of forensic detection. In: The philosophy of TV noir. Edited by Steven M. Sanders and Aeon J. Skoble. - Lexington, Kentucky: University Press of Kentucky 2008. (= The philosophy of popular culture.) p. ?P.
Index:
CSI: Crime Scene Investigation (TV)
Philosophie ~ Philosophy
Film Noir ~ Film Noir
Fernsehen ~ Television

#370
Knight, Deborah / McKnight, George: Reconfiguring the past: Memento and neo-noir. In: Memento. Edited by Andrew Kania. - New York; London: Routledge 2009. p. ?P.
Index:
Nolan, Christopher
Memento (2000)
Film Noir ~ Film Noir

#371
Knight, Deborah: On reason and passion in The Maltese Falcon. In: The philosophy of film noir. Edited by Mark T. Conard. Foreword by Robert Porfirio. - Lexington, Kentucky: University Press of Kentucky 2006. (= The philosophy of popular culture.) pp. 207-221.
Description:
Discusses also Howard Hawks’s The Big Sleep.
Index:
Huston, John
Hawks, Howard
Maltese Falcon, The (1941)
Big Sleep, The (1946)
Philosophie ~ Philosophy
Film Noir ~ Film Noir

#372
Koebner, Thomas: Caligaris Wiederkehr in Hollywood? Stummfilmexpressionismus, Filmemigration und Film Noir. In: Innen-Leben: Ansichten aus dem Exil. Hrsg. von Hermann Haarmann. - Berlin: Fannei und Walz 1995. pp. 107-119.
Index:
Lang, Fritz
Stummfilm ~ Silent Film
Hollywood ~ Hollywood
Film Noir ~ Film Noir
Expressionismus ~ Expressionism

#373
Koebner, Thomas: Caligaris Wiederkehr in Hollywood? Stummfilmexpressionismus, Filmemigration und Film Noir. In: Koebner, Thomas: Lehrjahre im Kino: Schriften zum Film. - St. Augustin: Gardez! Verlag 1997. pp. 241-252.
Index:
Lang, Fritz
Stummfilm ~ Silent Film
Hollywood ~ Hollywood
Film Noir ~ Film Noir
Expressionismus ~ Expressionism

#374
Koebner, Thomas: Das Auge. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 310-314.
Description:
On Claude Miller’s Mortelle randonnee.
Index:
Miller, Claude
Mortelle randonnée (1982)
Film Noir ~ Film Noir

#375
Koebner, Thomas: Gehetzt. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 65-71.
Description:
On Fritz Lang’s You Only Live Once.
Index:
Lang, Fritz
You Only Live Once (1936)
Film Noir ~ Film Noir

#376
Kolker, Robert Phillip: Film noir (1944-1950). In: Kolker, Robert Phillip: The cultures of American film. - New York: Oxford University Press 2015. p. ?P.
Index:
Film Noir ~ Film Noir
USA (United States of America) ~ USA (United States of America)

#377
Kostana, Joanna: "Retromania" lat 80.: O róznych obliczach kina neo-noir. In: 80s again! Monografia poswiecona latom 80. XX wieku. Redakcja Aneta Jablonska, Mariusz Korycinski. - Warszawa: Klub Filmowy im. Jolanty Slobodzian 2017. (="Z Wehikulem" 1.) p. ?P.
Index:
Film Noir ~ Film Noir

#378
Krexner, Andreas: Die Ästhetik des Film Noir im postmodernen Science-Fiction Film: Eine filmanalytische Untersuchung ausgewählter Kinofilme. - Saarbrücken: Südwestdeutscher Verlag für Hochschulschriften 2008.
Index:
Science Fiction ~ Science Fiction
Postmoderne ~ Postmodern
Film Noir ~ Film Noir

#379
Kriest, Ulrich: Zurück in den Uterus: Only God Forgives: Neo-Noir-Thriller von Nicolas Winding Refn. In: Film-Dienst 66. 2013. No. 15. [July 18] p. 46.
Index:
Refn, Nicolas Winding
Only God Forgives (2013)
Thriller ~ Thriller
Film Noir ~ Film Noir

#380
Krizanovich, Karen: Infographic guide to the movies. - London: Cassell Illustrated 2013.
Description:
Discusses, among others, the horror, sci-fi, action and slasher film as well as film noir and the zombie film.
Index:
Zombies ~ Zombies
Science Fiction ~ Science Fiction
Horror ~ Horror
Film Noir ~ Film Noir
Action ~ Action

#381
Krohn, Bill: Le film noir: aventures et mésaventures d’un genre. In: Cahiers du Cinéma 1998. No. 524. [?D] p. 8.
Index:
Film Noir ~ Film Noir
Abenteuer ~ Adventure

#382
Kruse, Patrick / Wulff, Hans J.: Laura. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 99-103.
Index:
Preminger, Otto
Laura (1944)
Film Noir ~ Film Noir

#383
Krutein, Brigitte: Die schwarze Serie in Buch und Film: Eine medienvergleichende Betrachtung aus bibliothekarischer Sicht unter besonderer berücksichtigung der Werke von Raymond Chandler und deren Verfilmung. - Hamburg: Fachhochschule Hamburg, Fachbereich Bibliothek und Information, Examensarbeit 1992/1993.
Index:
Chandler, Raymond Thornton
Literatur ~ Literature
Film Noir ~ Film Noir

#384
Krutnik, Frank: In a loneley street: Film noir, genre, masculinity. - New York; London: Routledge 1991.
Reviews:
Covey, William B.: [untitled] In: Film Criticism 17. 1992. No. 1. [?D] pp. 50-54.
Matthews, Peter: Not-so-tough guys. In: Sight and Sound NS 1. 1991. No. 7. [November] p. 34.
Medhurst, Andy: [untitled] In: Media Culture & Society 14. 1992. No. 4. [?D] pp. 329-330.
Taylor, Barry: [untitled] In: Screen 36. 1995. No. 2. [?D] pp. 172-176.
Telotte, J. P.: [untitled] In: Film Quarterly 46. 1992. No. 1. [Fall] pp. 39-40.
van Zoonen, Liesbet: Gender and film. In: Journal of Communication 42. 1992. No. 4. [Autumn] pp. 180-185.
Description:
Discusses, among others, John Huston’s The Maltese Falcon, Billy Wilder’s Double Indemnity and Jacques Tourneur’s Out of the Past.
Index:
Tourneur, Jacques
Huston, John
Wilder, Billy
Out of the Past / Build My Gallows High (1947)
Maltese Falcon, The (1941)
Double Indemnity (1944)
Männer ~ Men
Film Noir ~ Film Noir

#385
Kupfer, Diana: Neue Musik und Neo-Noir: Martin Scorseses Shutter Island. In: Kieler Beiträge zur Filmmusikforschung 2012. No. 8. [July] pp. 200-230.
Index:
Scorsese, Martin
Shutter Island (2010)
Film Noir ~ Film Noir
Musik ~ Music

#386
Kutner, C. J.: Beyond the Golden Age: Film noir since the ’50s. In: Bright Lights 1994. No. 12. [Spring] pp. 23-32.
Index:
Film Noir ~ Film Noir

#387
LaFave, Kenneth: Experiencing film music: A listener’s companion. - Lanham, Maryland: Rowman & Littlefield 2017. (= The listener’s companion.)
Description:
Includes chapters on animation, science fiction and fantasy as well as on mystery film, thriller, and film noir.
Index:
Thriller ~ Thriller
Science Fiction ~ Science Fiction
Musik ~ Music
Film Noir ~ Film Noir
Fantasy ~ Fantasy
Animation ~ Animation

#388
Lahiri, Sayan: German Expressionism, film-noir and Sir Fritz Lang. - Saarbrücken: VDM Verlag Dr. Müller 2010.
Index:
Lang, Fritz
Film Noir ~ Film Noir
Expressionismus ~ Expressionism
Deutschland ~ Germany

#389
Lanier, Douglas M.: Shakescorp noir. In: Shakespeare Quarterly 53. 2002. No. 2. [?D] pp. 157-180.
Index:
Shakespeare, William
Film Noir ~ Film Noir

#390
Latham, Brandon: Cobblestones and Doppelgängers: How gothic literature contributed to the dawn of Film Noir. In: Film Matters 7. 2016. No. 2. [Fall] pp. 17-21.
Description:
Discusses especially Alfred Hitchcock’s Spellbound and Psycho.
Index:
Hitchcock, Alfred
Spellbound (1945)
Psycho (1960)
Literatur ~ Literature
Horror ~ Horror
Film Noir ~ Film Noir
Doppelgänger ~ Double

#391
Lauritz, Sebastian: History of Violence. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 384-387.
Index:
Cronenberg, David
History of Violence, A (2005)
Film Noir ~ Film Noir

#392
Lee, Sander: John Drake in Greeneland: Noir themes in Secret Agent. In: The philosophy of TV noir. Edited by Steven M. Sanders and Aeon J. Skoble. - Lexington, Kentucky: University Press of Kentucky 2008. (= The philosophy of popular culture.) p. ?P.
Index:
Danger Man / Secret Agent (TV)
Philosophie ~ Philosophy
Film Noir ~ Film Noir
Fernsehen ~ Television

#393
Legare, Patrick: Spawn: Anime noir on HBO. In: Cinefantastique 29. 1997. No. 3. [September] pp. 50-51.
Index:
Spawn (TV)
Animation: Comics ~ Animation: Comics
HBO ~ HBO
Film Noir ~ Film Noir

#394
Leibman, Nina C.: The family spree of Film Noir. In: Journal of Popular Film and Television 16. 1989. No. 4. [?D] pp. 168-184.
Index:
Film Noir ~ Film Noir
Familie ~ Family

#395
Leifert, Don: They collide by night: Film noir meets the horror genre. In: Midnight Marquee 1995. No. 48. [?D] pp. 57-61.
Index:
Horror ~ Horror
Film Noir ~ Film Noir
Nacht ~ Night

#396
Leitch, Thomas: Noir at play. In: The last laugh: Strange humors of cinema. Edited by Murray Pomerance. - Detroit: Wayne State University Press 2013. (= Contemporary approaches to film and media.) p. ?P.
Index:
Film Noir ~ Film Noir
Humor ~ Humor

#397
Lesuisse, Anne-Françoise: Du film noir au noir: Traces figurales dans le cinéma hollywoodien. - Bruxelles: De Boeck 2002. (= Arts et cinéma.)
Index:
Hollywood ~ Hollywood
Film Noir ~ Film Noir

#398
Letort, Delphine: Femme fatale / femme assassine dans le film noir: Dévier le stéréotype. In: Cycnos: Centre de Recherche sur les Écritures de Langue Anglaise 23. 2006. No. 2. [?D] pp. 147-159.
Index:
Frauen ~ Women
Film Noir ~ Film Noir

#399
Letort, Delphine: The writing of a film noir: Ernest Hemingway and The Killers. In: Screening text: Critical perspectives on film adaptation. Edited by
Ariane Hudelet and Shannon Wells-Lassagne. - Jefferson, North Carolina: McFarland & Company 2013. p. 53-65.
Index:
Siodmak, Robert
Hemingway, Ernest
Killers, The (1946)
Film Noir ~ Film Noir
Literatur ~ Literature

#400
Lingeman, Richard: The noir forties: The American people from victory to Cold War. - New York: Nation 2012.
Index:
USA (United States of America) ~ USA (United States of America)
Krieg ~ War
Film Noir ~ Film Noir

#401
Liptay, Fabienne: Trouble in Mind. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 321-325.
Index:
Rudolph, Alan
Trouble in Mind (1986)
Film Noir ~ Film Noir

#402
The little black and white book of film noir. - Vancouver: Arsenal Pulp Press 1992.
Index:
Film Noir ~ Film Noir

#403
Lo, Kwai-cheung: Tech-noir: A sub-genre may not exist in Hong Kong science fiction films. In: Hong Kong neo-noir. Edited by Esther C.M. Yau and Tony Williams. - Edinburgh: Edinburgh University Press 2017. (= Edinburgh studies in East Asian film.) p. ?P.
Index:
Science Fiction ~ Science Fiction
Hongkong ~ Hong Kong
Film Noir ~ Film Noir

#404
Logette, Lucien: Les couleurs du noir. In: La Quinzaine Littéraire 2007. No. 940. [February 16] p. 24.
Index:
Film Noir ~ Film Noir

#405
Lott, Eric: The whiteness of film noir. In: American Literary History 9. 1997. No. 3. [?D] pp. 542-566.
Index:
Film Noir ~ Film Noir

#406
Loza, Susana: Orientalism and film noir: (Un)mapping territories and (en)countering narratives. In: The Southern Quarterly 39. 2001. No. 4. [?D] pp. 161-174.
Index:
Orient ~ Orient
Film Noir ~ Film Noir

#407
Lühn, Sebastian: Elemente des Film Noir in den Filmen Blue Velvet und Lost Highway von David Lynch. - München: GRIN Verlag 2008.
Index:
Lynch, David
Blue Velvet (1986)
Lost Highway (1996)
Film Noir ~ Film Noir

#408
Lukszo, Ula: Noir fashion and noir as fashion. In: Fashion in film. Edited by Adrienne Munich. - Bloomington, Indiana: Indiana University Press 2011. (= New directions in national cinemas.) p. ?P.
Index:
Kleidung ~ Clothes
Film Noir ~ Film Noir

#409
Lund, Zoé: La navire aux huit voiles (et aux cinquante canons noirs). In: Trafic 2002. No. 43. [Autumn] pp. 42-46.
Description:
On the representation of women in Abel Ferrara’s Ms. 45 and Bad Lieutenant.
Index:
Ferrara, Abel
Ms. 45 / Angel of Vengeance (1980)
Bad Lieutenant (1992)
Frauen ~ Women
Film Noir ~ Film Noir

#410
Lyons, Arthur: Death on the cheap: The lost B movies of film noir. Preface by Gerald Petievich. - Cambridge, Massachussetts: Da Capo Press 2000.
Reviews:
van Uffelen, René: Hilarische beschrijvingen van de B-film noir. In: Skrien 33. 2001. No. 4. [May] p. 57.
Zone, Ray: [untitled] In: American Cinematographer 81. 2000. No. 12. [December] p. 126.
Index:
Tod ~ Death
Film Noir ~ Film Noir
B-Filme ~ B Films

#411
MacCannell, Dean: Democracy’s turn: On homeless noir. In: Shades of noir: A reader. Edited by Joan Copjec. - London; New York: Verso Books 1993. pp. 279-297.
Description:
On the representation of rootlessness and loneliness in film noir.
Index:
Film Noir ~ Film Noir

#412
Male, Andrew: Where the genre ends. In: Sight and Sound NS 28. 2018. No. 2. [February] pp. 80-81.
Description:
On DVD editions of four film noir classics: Robert Siodmak’s The Dark Mirror, Fritz Lang’s Secret beyond the Door, Abraham Polonsky’s Force of Evil, and Joseph H. Lewis’s The Big Combo.
Index:
Siodmak, Robert
Lang, Fritz
Polonsky, Abraham
Lewis, Joseph H.
Dark Mirror, The (1946)
Secret beyond the Door (1947)
Force of Evil (1948)
Big Combo, The (1955)
Film Noir ~ Film Noir
DVD ~ DVD

#413
Maltby, Richard: Film noir: The politics of the maladjusted text. In: Journal of American Studies 18. 1984. No. 1. [?D] pp. 49-71.
Index:
Politik ~ Politics
Krankheit ~ Illness
Film Noir ~ Film Noir

#414
Mancini, Tanna: When bad things happen to good mothers: Rethinking motherhood through the single mother image in American films from the 1930s to the 1970s. - Tampa, Florida: University of South Florida, M.A. 2012. [Abstract in: Masters Abstracts International 50. 2012. No. 5. (October).]
Description:
On the representation of the single mother in melodrama, film noir and horror film.Discusses, among others, William Friedkin’s The Exorcist.
Index:
Friedkin, William
Exorcist, The (1973)
USA (United States of America) ~ USA (United States of America)
Mutter ~ Mothers
Horror ~ Horror
Gute, Das ~ Good
Film Noir ~ Film Noir

#415
Mangravite, Andrew: Republican noir. In: Film Comment 30. 1994. No. 1. [January/February] pp. 78, 81.
Description:
On Robert Montgomery’s films Lady in the Lake and Ride the Pink Horse.
Index:
Montgomery, Robert
Lady in the Lake (1947)
Ride the Pink Horse (1947)
Film Noir ~ Film Noir

#416
Manning, Kitti: Met het oog op de femme fatale: Een verkenning op het terrein van de film noir. - Hilversum: Nederlands Filminstituut 1987. (= Verkenningen van het Nederlands Filminstituut 36.)
Index:
Frauen ~ Women
Film Noir ~ Film Noir

#417
Manon, Hugh: As far as anyone knows: Fetishism and the anti-televisual paradoxes of film noir. - Pittsburgh, Pennsylvania: University of Pittsburgh, Ph.D. 2002. [Abstract in: Dissertation Abstracts International A 63. 2003. No. 10. (April) p. 3400.]
Index:
Sexualität ~ Sexuality
Film Noir ~ Film Noir
Fernsehen ~ Television

#418
Manon, Hugh S.: One watches cells: Kubrick’s films noirs in context. In: Stanley Kubrick: Essays on his films and legacy. Edited by Gary D. Rhodes. - Jefferson, North Carolina; London: McFarland 2008. pp. 47-64.
Description:
Discusses especially Killer’s Kiss and The Killing.
Index:
Kubrick, Stanley
Killer’s Kiss (1955)
Killing, The (1956)
Film Noir ~ Film Noir

#419
Manon Hugh S.: X-ray visions: Radiogrophy, chiaroscuro, and the fantasy of unsuspicion in film noir. In: Film Criticism 32. 2007. No. 2. [Winter] pp. 2-27.
Description:
On the "chiaroscuro", a special lightning technique used in classical film noir.
Index:
Technik ~ Technology
Film Noir ~ Film Noir
Fantasy ~ Fantasy

#420
Marcantonio, Carla: The transvestite figure and film noir: Pedro Almodóvar’s transnational imaginary. In: Contemporary Spanish cinema and genre. Edited by Jay Beck and Vicente Rodríguez Ortega. - Manchester; New York: Manchester University Press / Palgrave Macmillan 2008. p. ?P.
Index:
Almodóvar, Pedro
Sexualität: Transvestiten ~ Sexuality: Transvestites
Film Noir ~ Film Noir
Spanien ~ Spain

#421
Marling, William: On the relation between American roman noir and film noir. In: Literature/Film Quarterly 21. 1993. No. 3. [?D] pp. 178-193.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#422
Martin, Adrian: Violently happy: Gun Crazy (1950). In: Film noir reader 4: The crucial films and themes. Edited by Alain Silver and James Ursini. - Pompton Plains, New Jersey: Limelight Editions / Milwauke, Wisconsin: Hal Leonard 2004. p. ?P.
Index:
Lewis, Joseph H.
Gun Crazy (1949)
Gewalt ~ Violence
Film Noir ~ Film Noir

#423
Martin, Nina K.: Sexy thrills: Undressing the erotic thriller. - Urbana, Illinois: University of Illinois Press 2007.
Reviews:
Ramirez, Javier: [untitled.] In: Journal of Film and Video 61. 2009. No. 4. [Winter] pp. 58-60.
Stiglegger, Marcus: [untitled.] In: Medienwissenschaft 2007. No. 3. pp. 342-343.
Williams, Linda: [untitled.] In: Film Quarterly 62. 2008. No. 1. [?D] pp. 86-88.
Description:
Includes an chapter on eroticism in gothic film and in film noir.
Index:
Thriller ~ Thriller
Sexualität ~ Sexuality
Horror ~ Horror
Film Noir ~ Film Noir
Frauen ~ Women

#424
Martin, Richard J.: Mean streets and raging bulls: The legacy of film noir in contemporary American cinema. - Newcastle upon Tyne: University of Newcastle, Ph.D. 1996. [Abstract in: Index to Theses with Abstracts 45. 1996. No. 5. p. 1791(45-12105).]
Description:
Discusses, among others, Martin Scorsese’s Taxi Driver and Quentin Tarantino’s Reservoir Dogs.
Index:
Scorsese, Martin
Tarantino, Quentin
Taxi Driver (1975)
Reservoir Dogs (1991)
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#425
Martin, Richard J.: Mean streets and raging bulls: The legacy of film noir in contemporary American cinema. - Lanham, Maryland; London: Scarecrow Press 1997.
Description:
Discusses, among others, Martin Scorsese’s Taxi Driver and Quentin Tarantino’s Reservoir Dogs.
Index:
Scorsese, Martin
Tarantino, Quentin
Taxi Driver (1975)
Reservoir Dogs (1991)
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#426
Mason, Fran: Hollywood’s detectives: Crime series in the 1930s and 1940s from the whodunnit to hard-boiled noir. - New York: Palgrave Macmillan 2012.
Reviews:
Yanick, Joseph Steven: [untitled.] In: Film-Philosophy 19. 2015. No. 1. [?D] p. ?P.
Index:
Kriminalität ~ Crime
Hollywood ~ Hollywood
Film Noir ~ Film Noir
Detektive ~ Detectives

#427
Mathews, Cheyenne: A "private and particular hell": Mathesonian noir in The Twilight Zone. In: Reading Richard Matheson: A critical study. Edited by Cheyenne Mathews and Janet V. Haedicke. - Lanham, Maryland: Rowman & Littlefield 2014. p. ?P.
Index:
Matheson, Richard
Twilight Zone, The (TV)
Religion: Hölle ~ Religion: Hell
Film Noir ~ Film Noir

#428
Maxfield, James F.: The fatal woman: Sources of male anxiety in American Film Noir, 1941-1991. - Madison, New Jersey: Fairleigh Dickinson University Press / London: Associated University Presses 1996.
Description:
Bibliography
Index:
USA (United States of America) ~ USA (United States of America)
Männer ~ Men
Frauen ~ Women
Film Noir ~ Film Noir

#429
Mayer, Geoff / McDonnell, Brian: Encyclopedia of film noir. - Westport, Connecticut; London: Greenwood Press 2007.
Index:
Film Noir ~ Film Noir

#430
McDonald, Neil: New American noir. In: Quadrant 48. 2004. No. 12(?N). [December] pp. 68-70.
Description:
Discusses especially Michael Mann’s Collateral and Jonathan Demme’s The Manchurian Candidate.
Index:
Mann, Michael
Demme, Jonathan
Collateral (2004)
Manchurian Candidate, The (2004)
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#431
McLean, Adrienne L.: "It’s only that I do what I love and love what I do": Film Noir and the musical woman. In: Cinema Journal 33. 1993. No. 1. [Fall] pp. 3-16.
Index:
Film Noir ~ Film Noir
Musik ~ Music
Frauen ~ Women

#432
Means Coleman, Robin R.: Horror noire: Blacks in American horror films: 1890s to present. - New York; London: Routledge 2011.
Reviews:
Benshoff, Harry M.: [untitled.] In: Cinema Journal 53. 2014. No. 4. [Summer] pp. 183-187.
Index:
USA (United States of America) ~ USA (United States of America)
Horror ~ Horror
Film Noir ~ Film Noir

#433
Meehan, Paul: Gothic and costume noir. In: Meehan, Paul: Horror noir: Where cinema’s dark sisters meet. - Jefferson, North Carolina; London: McFarland & Company 2010.
Index:
Film Noir ~ Film Noir
Horror ~ Horror

#434
Meehan, Paul: Hitchcock’s psychological ghosts and doppelgängers. In: Meehan, Paul: Horror noir: Where cinema’s dark sisters meet. - Jefferson, North Carolina; London: McFarland & Company 2010.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology
Geister ~ Ghosts
Doppelgänger ~ Double
Film Noir ~ Film Noir
Horror ~ Horror

#435
Meehan, Paul: Horror and fantasy elements in classic films noir. In: Meehan, Paul: Horror noir: Where cinema’s dark sisters meet. - Jefferson, North Carolina; London: McFarland & Company 2010.
Index:
Fantasy ~ Fantasy
Film Noir ~ Film Noir
Horror ~ Horror

#436
Meehan, Paul: Horror and film noir: The dark genres. In: Meehan, Paul: Horror noir: Where cinema’s dark sisters meet. - Jefferson, North Carolina; London: McFarland & Company 2010.
Index:
Film Noir ~ Film Noir
Horror ~ Horror

#437
Meehan, Paul: Horror noir from radioland. In: Meehan, Paul: Horror noir: Where cinema’s dark sisters meet. - Jefferson, North Carolina; London: McFarland & Company 2010.
Index:
Film Noir ~ Film Noir
Horror ~ Horror

#438
Meehan, Paul: Horror noir in the 1930s. In: Meehan, Paul: Horror noir: Where cinema’s dark sisters meet. - Jefferson, North Carolina; London: McFarland & Company 2010.
Index:
Film Noir ~ Film Noir
Horror ~ Horror

#439
Meehan, Paul: Horror noir in the 1950s. In: Meehan, Paul: Horror noir: Where cinema’s dark sisters meet. - Jefferson, North Carolina; London: McFarland & Company 2010.
Index:
Film Noir ~ Film Noir
Horror ~ Horror

#440
Meehan, Paul: Horror noir: Where cinema’s dark sisters meet. - Jefferson, North Carolina; London: McFarland & Company 2010.
Reviews:
Craig, J. Robert: [untitled.] In: Journal of the Fantastic in the Arts 25. 2014. No. 1. [?D] pp. 139-141.
Mancall, Jim: [untitled.] In: Clues 30. 2012. No. 2. [?D] pp. 111-115.
McCutcheon, Camille: [untitled.] In: Journal of American Culture 36. 2013. No. 1. [?D] pp. 67-68.
Index:
Film Noir ~ Film Noir
Horror ~ Horror

#441
Meehan, Paul: Horror noirs of the 1970s and ’80s. In: Meehan, Paul: Horror noir: Where cinema’s dark sisters meet. - Jefferson, North Carolina; London: McFarland & Company 2010.
Index:
Film Noir ~ Film Noir
Horror ~ Horror

#442
Meehan, Paul: Modern horror noir in the 1960s. In: Meehan, Paul: Horror noir: Where cinema’s dark sisters meet. - Jefferson, North Carolina; London: McFarland & Company 2010.
Index:
Film Noir ~ Film Noir
Horror ~ Horror

#443
Meehan, Paul: Monster noir. In: Meehan, Paul: Horror noir: Where cinema’s dark sisters meet. - Jefferson, North Carolina; London: McFarland & Company 2010.
Index:
Monster ~ Monster
Film Noir ~ Film Noir
Horror ~ Horror

#444
Meehan, Paul: Tech-noir: The fusion of science fiction and film noir. - Jefferson, North Carolina; London: McFarland 2008.
Reviews:
Bowler, Alexia L.: [untitled.] In: Science Fiction Film and Television 2. 2009. No. 2. [Autumn] pp. 300-304.
Freedman, Carl: [untitled.] In: Science Fiction Studies 38. 2011. No. 3(?N). [?D] pp. 528-5230.
Index:
Science Fiction ~ Science Fiction
Film Noir ~ Film Noir

#445
Meehan, Paul: The mean streets of hell. In: Meehan, Paul: Horror noir: Where cinema’s dark sisters meet. - Jefferson, North Carolina; London: McFarland & Company 2010.
Index:
Religion: Hölle ~ Religion: Hell
Film Noir ~ Film Noir
Horror ~ Horror

#446
Meehan, Paul: The noir horrors of Hannibal the cannibal. In: Meehan, Paul: Horror noir: Where cinema’s dark sisters meet. - Jefferson, North Carolina; London: McFarland & Company 2010.
Index:
Hannibal (Filmreihe)
Kannibalismus ~ Cannibalism
Film Noir ~ Film Noir
Horror ~ Horror

#447
Meehan, Paul: The Val Lewton / Jacques Tourneur noir legacy. In: Meehan, Paul: Horror noir: Where cinema’s dark sisters meet. - Jefferson, North Carolina; London: McFarland & Company 2010.
Index:
Lewton, Val
Tourneur, Jacques
Film Noir ~ Film Noir
Horror ~ Horror

#448
Mejcher, Yvonne: Film noir and new wave: An analysis of the impact of the American film noir on the French new wave movement. - Hamburg: Elbufer-Verlag 2001.
Index:
USA (United States of America) ~ USA (United States of America)
Frankreich ~ France
Film Noir ~ Film Noir

#449
Mejcher, Yvonne: Is it just by chance that Belmondo plays tribute to Bogart in a Paris street in 1959? Film noir and new wave: An analysis of the impact of the American film noir on the French new wave movement. - New York, University of New York, Ph.D. 1994.
Index:
Belmondo, Jean-Paul
Bogart, Humphrey
USA (United States of America) ~ USA (United States of America)
Paris ~ Paris
Frankreich ~ France
Film Noir ~ Film Noir

#450
Mennel, Barbara Caroline: The dark city: Film Noir: Los Angeles. In: Mennel, Barbara Caroline: Cities and cinema. - London; New York: Routledge 2008. (= Routledge critical introductions to urbanism and the city.) p. ?P.
Index:
Stadt ~ City
Los Angeles ~ Los Angeles
Film Noir ~ Film Noir

#451
Merker, Helmut: Im Netz der Leidenschaften. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 113-118.
Description:
On Tay Garnett’s The Postman Always Rings Twice.
Index:
Garnett, Tay
Postman Always Rings Twice, The (1946)
Film Noir ~ Film Noir

#452
Meyer, David N.: A girl and a gun: The complete guide to film noir on television. - New York: Avon Books 1998.
Reviews:
Turner, George: [untitled] In: American Cinematographer 79. 1998. No. 8. [August] p. 109.
Index:
Film Noir ~ Film Noir
Fernsehen ~ Television

#453
Mitchell, Charles P. / Parla, Paul: Screen sirens scream! Interviews with 20 actresses from science fiction, horror, film noir, and mystery movies, 1930s to 1960s. - Jefferson, North Carolina: McFarland 2000.
Reviews:
Svehla, Gary J.: [untitled] In: Midnight Marquee 2001. No. 64. [Spring] p. 62.
Index:
Science Fiction ~ Science Fiction
Horror ~ Horror
Frauen ~ Women
Film Noir ~ Film Noir

#454
Miyao, Daisuke: Dark visions of Japanese film noir: Suzuki Seijun’s Branded to Kill (1967). In: Japanese cinema: Texts and contexts. Edited by Alastair Phillips and Julian Stringer. - London; New York: Routledge 2007. p. ?P.
Index:
Suzuki, Seitaro [Pseudonym: Suzuki, Seijun]
Koroshi no rakuin (1967)
Film Noir ~ Film Noir
Japan ~ Japan

#455
Mizejewski, Linda: Dressed to kill: Postfeminist noir. In: Cinema Journal 44. 2005. No. 2. [?D] pp. 121-127.
Description:
Discusses, among others, D. J. Caruso’s Taking Lives and Philip Kaufman’s Twisted.
Index:
Caruso, D. J.
Kaufman, Philip
Taking Lives (2004)
Twisted (2004)
Frauen ~ Women
Film Noir ~ Film Noir

#456
Molinari, Mario: Una stagione tutta nera. In: Segnocinema ?G. 1988. No. 34. [September] pp. 23-25.
Index:
Film Noir ~ Film Noir

#457
Montebello, Fabrice: Le "film noir", une passion prolétarienne. In: 194 = Les oeuvres noires de l’art et de la littérature. Actes du colloque international d’Amiens. Sur la diréction d’Alain Pessin et Marie-Caroline Vanbremeersch. Avec la collaboration de Pascale Ancel [et al.]. Vol. II. - Paris: L’Harmattan 2002. (= Logiques sociales: Sociologie de la connaissance.) pp. 301-320.
Index:
Film Noir ~ Film Noir
Amiens ~ Amiens

#458
Morfin, Charles Michael: Location filming in the Alabama hills. - Charleston, South Carolina: Arcadia Publishing 2014]. (= Images of America.)
Description:
Includes chapters on science fiction and on film noir.
Index:
USA (United States of America) ~ USA (United States of America)
Science Fiction ~ Science Fiction
Film Noir ~ Film Noir

#459
Morgan, Jack: Refiguring gothic mythology: The film noir-horror hybrids of the 1980s. In: Post Script 21. 2002. No. 3. [Summer] pp. 72-86.
Index:
Mythologie ~ Mythology
Horror ~ Horror
Film Noir ~ Film Noir

#460
Muller, Eddie: Dark city dames: The wicked women of film noir. - New York: Regan Booksns 2001.
Reviews:
Okon, Christine M.: [untitled] In: Journal of Popular Film and Television 29. 2002. No. 4. [?D] pp. 190-191.
Index:
Böse, Das ~ Evil, The
Stadt ~ City
Frauen ~ Women
Film Noir ~ Film Noir

#461
Muller, Eddie: Dark City: The lost world of film noir. - London: Titan Books 1998.
Index:
Proyas, Alex
Dark City / Dark World / Dark Empire (1997)
Film Noir ~ Film Noir

#462
Nagel, Josef: Im Schatten der Nacht: "Film Noir!"-Ausstellung im Filmmuseum Frankfurt. In: Film-Dienst 65. 2012. No. 15. [July 19] pp. 9-10.
Index:
Nacht ~ Night
Frankfurt/Main ~ Frankfurt on the Main
Film Noir ~ Film Noir

#463
Naremore, James: American Film Noir: The history of an idea. In: Film Quarterly 49. 1995/1996. No. 2. [Winter] pp. 12-28.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#464
Naremore, James: More than night: Film noir in its contexts. - Berkeley, California; London: University of California Press 1998.
Reviews:
Diawara, Manthia: [untitled] In: American Literature 74. 2002. No. 3. [?D] pp. 658-660.
Gunning, Tom: [untitled] In: Modernism/Modernity 6. 1999. No. 3. [?D] pp. 151-153.
Lev, Peter: [untitled] In: Literature/Film Quarterly 29. 2001. No. 1. [January] pp. 73-74.
Description:
On the film noir of the 1940s and 1950s and its political and social background.
Index:
Politik ~ Politics
Nacht ~ Night
Film Noir ~ Film Noir

#465
Nau, Peter: So dunkel ist die Nacht ... Über Kriminalfilme und ihr Genre. In: Fernseh- und Kino-Technik 27. 1983. No. ?N. [November] pp. 516-533.
Description:
Especially on the mystery crime film and the film noir. Discusses, among others, Robert Wise’s Born to Kill, Richard Fleischer’s The Narrow Margin, Robert Mulligan’s The Nickel Ride, Robert Montgomery’s Ride the Pink Horse and Joseph H. Lewis’s So Dark the Night.
Index:
Wise, Robert
Fleischer, Richard
Mulligan, Robert
Montgomery, Robert
Lewis, Joseph H.
Born to Kill (1947)
Narrow Margin, The (1952)
Nickel Ride, The (1974)
Ride the Pink Horse (1947)
So Dark the Night (1946)
Nacht ~ Night
Kriminalität ~ Crime
Film Noir ~ Film Noir

#466
Negroni, María: La noche tiene mil ojos: Museo negro, Galería fantástica, Film noir. - Buenos Aires: Caja Negra 2015. (= Numancia 1.)
Index:
Film Noir ~ Film Noir

#467
Nesbitt, Ronald: The femme fatale and male anxiety in 20th century American literature, "hard-boiled" crime fiction, and film noir. - Albany, New York: State University of New York at Albany, Ph.D. 2009. [Abstract in: Dissertation Abstracts International A 71. 2010. No. 3. (September)]
Description:
Examination using the psychoanalytic theories of Freud, Lacan and others.
Index:
Freud, Sigmund
Lacan, Jacques
USA (United States of America) ~ USA (United States of America)
Psychologie ~ Psychology
Männer ~ Men
Literatur ~ Literature
Kriminalität ~ Crime
Frauen ~ Women
Film Noir ~ Film Noir

#468
Ness, Richard R.: A lotta night music: The sound of film noir. In: Cinema Journal 47. 2008. No. 2. [Winter] pp. 52-73.
Index:
Nacht ~ Night
Musik ~ Music
Film Noir ~ Film Noir

#469
Nettlebeck, Colin: Journey to the end of French noir: The case of Claude Chabrol. In: Australian Journal of French Studies 43. 2006. No. 1. [January-April] pp. 59-69.
Index:
Chabrol, Claude
Frankreich ~ France
Film Noir ~ Film Noir

#470
Nevins, Francis M.: Fade to black. In: Armchair Detective 20. 1987. No. 1. [?D] pp. 39 ff.
Description:
On mystery films and on film noir.
Index:
Film Noir ~ Film Noir

#471
Nevins, Francis M.: Fade to black: Part two. In: Armchair Detective 20. 1987. No. 2 [?D] pp. 160 ff.
Description:
On the mystery film and the film noir, especially on Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
Film Noir ~ Film Noir

#472
Newman, Kim: Kiss Me Deadly. In: Sight and Sound NS 24. 2014. No. 2. [February] p. 112.
Description:
On the final scenes of the film noir classic.
Index:
Aldrich, Robert
Kiss Me Deadly (1955)
Film Noir ~ Film Noir

#473
Nichols, Mary P.: Woody AlIen’s "film noir" light: Crime, love, and self-knowledge in The Curse of the Jade Scorpion. In: Woody Allen and philosophy: You mean my whole fallacy is wrong? Edited by Mark T. Conarad and Aeon J. Skoble. Foreword by Tom Morris. - Chicago, Illinois: Open Court 2004. (= Popular culture and philosophy 8.) pp. 243-258.
Index:
Allen, Woody
Curse of the Jade Scorpion, The (2001)
Philosophie ~ Philosophy
Kriminalität ~ Crime
Film Noir ~ Film Noir

#474
Nobach, Marius: Inherent Vice: Überdrehter Kiffer-Noir nach Pynchon. In: Film-Dienst 68. 2015. No. 3. [February 5] p. 39.
Index:
Anderson, Paul Thomas
Inherent Vice (2014)
Film Noir ~ Film Noir

#475
Noblesse des genres. In: L’Art du Cinéma 2004. No. 42-45. [Spring].
Description:
Special issue on film genres. Discusses, among others, the film noir.
Index:
Film Noir ~ Film Noir

#476
Noel, Daniel C.: "I have seen the future, brother: It is murder": Apocalypse noir in Natural Born Killers and Leonard Cohen’s The Future. In: Literature and Theology 12. 1998. No. 1. [?D] pp. 39-49.
Index:
Stone, Oliver
Cohen, Leonard
Natural Born Killers (1994)
Utopie ~ Utopia
Mord ~ Murder
Film Noir ~ Film Noir
Religion: Apokalypse ~ Religion: Apocalypse
Future, The (Musik ~ Music)
Religion ~ Religion

#477
Noir in festival 1993. - Roma: Il Castoro 1993.
Index:
Film Noir ~ Film Noir
Festival ~ Festival

#478
Noir in festival: Viareggio mystery festival: Mostra internazionale di cinema, televisione, letteratura, cartoons. - Roma: La Meridiana 1992.
Index:
Festival ~ Festival
Viareggio ~ Viareggio
Film Noir ~ Film Noir
Fernsehen ~ Television
Animation: Cartoons ~ Animation: Cartoons

#479
Noir urbanisms: Dystopic images of the modern city. Edited by Gyan Prakash. - Princeton: Princeton University Press 2010.
Index:
Film Noir ~ Film Noir
Utopie ~ Utopia
Stadt ~ City

#480
Norton, Jonathan: Between the violence and virtue of desire: Film noir and family melodrama in the transgeneric cinema of Hollywood’s late studio era. - Ottawa, Ontario: Carleton University, M.A. 2004. [Abstract in: Masters Abstracts International 43. 2005. No. 5. p. 1437.]
Description:
Discusses, among others, Fritz Lang’s The Big Heat and Charles Laughton’s The Night of the Hunter.
Index:
Lang, Fritz
Laughton, Charles
Big Heat, The (1953)
Night of the Hunter, The (1955)
Hollywood ~ Hollywood
Gewalt ~ Violence
Film Noir ~ Film Noir
Familie ~ Family

#481
O’Neill, Edward R.: Of fags and "femmes fatales": The sense and significance of male homosexuality for camp and "film noir". - Los Angeles, California: University of California, Ph.D. 1998. [Abstract in: Dissertation Abstracts International A 59. 1999. No. 9. (March) p. 3255A.]
Index:
Männer ~ Men
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Frauen ~ Women
Film Noir ~ Film Noir

#482
Oeler, Karla: A grammar of murder: Violent scenes and film form. - Chicago, Illinois; London: The University of Chicago Press 2009.
Reviews:
Meier, Inga: [untitled.] In: Film & History 42. 2012. No. 1. [Spring] pp. 15-16.
Sterritt, David: [untitled.] In: Film Quarterly 65. 2011. No. 2. [Winter] pp. 78-80.
Description:
Discusses, among others, Jules Dassin’s The Naked City, Stanley Kubrick’s Shining, Jim Jarmusch’s Dead Man as well as other examples from western, film noir, war film and horror.
Index:
Dassin, Jules
Kubrick, Stanley
Jarmusch, Jim
Naked City, The (1948)
Shining, The (1980)
Dead Man (1995)
Western-Filme ~ Western Films
Mord ~ Murder
Krieg ~ War
Horror ~ Horror
Gewalt ~ Violence
Film Noir ~ Film Noir

#483
Les Oeuvres noires de l’art et de la littérature. Actes du colloque international d’Amiens. Sur la diréction d’Alain Pessin et Marie-Caroline Vanbremeersch. - Paris: L’Harmattan 2002. (= Logiques sociales: Sociologie de la connaissance.)
Index:
Film Noir ~ Film Noir
Amiens ~ Amiens

#484
Oliver, Kelly / Trigo, Beningno: Noir anxiety. - Minneapolis: University of Minnesota Press 2002.
Reviews:
Covery, William B.: [untitled] In: Film Criticism 29. 2004. No. 1. [?D] pp. 87-91.
Index:
Film Noir ~ Film Noir

#485
Olivier, Marc: Gidget goes noir: William Castle and the teenage phone fatale. In: Journal of Popular Film and Television 41. 2013. No. 1. [?D] pp. 31-42.
Description:
On William Castle’s I Saw What You Did.
Index:
Castle, William
I Saw What You Did (1965)
Jugend ~ Youth
Film Noir ~ Film Noir

#486
Olsen, Mark: I’m all those guys. In: Sight and Sound NS 15. 2005. No. 6. [June] p. 16.
Description:
Interview with Robert Rodriguez on Sin City.
Index:
Miller, Frank
Rodriguez, Robert
Tarantino, Quentin
Sin City / Frank Miller’s Sin City (2005)
Film Noir ~ Film Noir
Animation: Comics ~ Animation: Comics

#487
Oplustil, Karlheinz: Nouvelle série noire française (Panorama). In: EPD Film 4. 1987. No. 5. [May] pp. 6-7.
Index:
Film Noir ~ Film Noir
Frankreich ~ France

#488
Orr, Christopher: Cain, naturalism, and noir. In: Film Criticism 25. 2000. No. 1. [Fall] pp. 47-64.
Description:
Discusses, among others, Billy Wilder’s Double Indemnity.
Index:
Wilder, Billy
Double Indemnity (1944)
Film Noir ~ Film Noir

#489
Orr, Christopher: Genre theory in context of the noir and post-noir film. In: Film Criticism 22. 1997. No. 1. [?D] pp. 21-37.
Index:
Film Noir ~ Film Noir

#490
Orr, Christopher: Genre theory in the context of the noir and post-noir film. In: Film Criticism 22. 1997. No. 1. [?D] pp. 21-37.
Index:
Film Noir ~ Film Noir

#491
Orr, Stanley: Postmodernism, noir, and The Usual Suspects. In: Literature/Film Quarterly 27. 1999. No. 1. [?D] pp. 65-73.
Index:
Singer, Bryan
Usual Suspects, The (1995)
Postmoderne ~ Postmodern
Film Noir ~ Film Noir

#492
Ortoli, Philippe: Les factionnaires du sombre: Jacques Tourneur et le film
noir. In: Cinémaction 2006. No. 120. [June] pp. 110-117.
Description:
On the techniques of creating suspense in Out of the Past and Nightfall.
Index:
Tourneur, Jacques
Out of the Past / Build My Gallows High (1947)
Nightfall (1957)
Thriller ~ Thriller
Film Noir ~ Film Noir

#493
Osteen, Mark: Framed: Forging identities in film noir. In: Journal of Film and Video 62. 2010. No. 3. [Fall] pp. 17-35.
Index:
Film Noir ~ Film Noir

#494
Osteen, Mark: Nightmare alley: Film noir and the American dream. - Baltimore, Maryland: Johns Hopkins University Press 2013.
Reviews:
Covey, William B.: [untitled.] In: Journal of Film and Video 67. 2015. No. 2. [Summer] pp. 56-58.
Phillips, Gene D., S.J.: The dark is light enough. In: Literature/Film Quarterly 41. 2013. No. 4. [?D] pp. 325-326.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir
Traum ~ Dreams

#495
Osteen, Mark: Noir’s cars: Automobility and amoral space in American film noir. In: Journal of Popular Film and Television 35. 2008. No. 4. [?D] pp. 183-192.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#496
Osteen, Mark: The big secret: Film noir and nuclear fear. In: Journal of Popular Film and Television 22. 1994. No. 2. [?D] pp. 79-90.
Index:
Atom ~ Nuclear
Film Noir ~ Film Noir
Angst ~ Fear

#497
Packer, Sharon: Movies and the modern psyche. - Westport, Connecticut; London: Praeger 2007.
Description:
Includes, among others, chapters on dreams and hypnosis, madhouse and haunted houses, psychological thrillers and serial killers, films noir and Cold War paranoia, drugs and madness and on doubles and doppelgängers.
Index:
Allen, Woody
Wahnsinn ~ Madness
Traum ~ Dreams
Thriller ~ Thriller
Psychologie ~ Psychology
Mord ~ Murder
Krieg ~ War
Hypnose ~ Hypnosis
Film Noir ~ Film Noir
Drogen ~ Drugs
Doppelgänger ~ Double

#498
Palmer, C.: Write it black: Roy Webb, Lewton and film noir. In: Monthly Film Bulletin 48. 1981. No. 571. [?D] p. 168.
Description:
On the collaboration between the composer and the producer, especially for his horror film productions.
Index:
Webb, Roy
Lewton, Val
Musik ~ Music
Horror ~ Horror
Film Noir ~ Film Noir

#499
Palmer, R. Barton: "Lounge time" reconsidered: Spatial discontinuity and temporal contingency in Out of the Past (1947). In: Film noir reader 4: The crucial films and themes. Edited by Alain Silver and James Ursini. - Pompton Plains, New Jersey: Limelight Editions / Milwauke, Wisconsin: Hal Leonard 2004. p. ?P.
Index:
Tourneur, Jacques
Out of the Past / Build My Gallows High (1947)
Film Noir ~ Film Noir

#500
Palmer, R. Barton: Apocalyptic desire: Film noir and the woman’s picture. - New York: New York University, Ph.D. 1989.
Index:
Frauen ~ Women
Film Noir ~ Film Noir
Religion: Apokalypse ~ Religion: Apocalypse

#501
Palmer, R. Barton: Fritz Lang remakes Jean Renoir for Hollywood: Film noir in three national voices. In: Transnational film remakes. Edited by Iain Robert Smith and Constantine Verevis. - Edinburgh: Edinburgh University Press 2017. (= Traditions in world cinema.) p. ?P.
Index:
Lang, Fritz
Renoir, Jean
Hollywood ~ Hollywood
Film Noir ~ Film Noir

#502
Palmer, R. Barton: Hollywood’s dark cinema: The American Film Noir. - New York: Twayne Publishers 1994. (= Twayne’s filmmakers.).
Reviews:
S. P.: [untitled] In: Film Quarterly 49. 1995. No. 1. [Fall] p. 63.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir
Hollywood ~ Hollywood

#503
Palmer, R. Barton: Hollywood’s dark cinema: The American Film Noir. - New York; Oxford: Maxwell Macmillan International 1994.
Reviews:
Covey, William B.: [untitled] In: Journal of Film and Video 50. 1998. No. 1. [?D] pp. 63-66.
Welsh, James N.: [untitled] In: Historical Journal of Film, Radio and Television NS 15. 1995. No. 1. [?D] pp. 165-166.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir
Hollywood ~ Hollywood

#504
Palmer, R. Barton: Moral man in the dark city: Film noir, the postwar religious revival, and The Accused. In: The philosophy of film noir. Edited by Mark T. Conard. Foreword by Robert Porfirio. - Lexington, Kentucky: University Press of Kentucky 2006. (= The philosophy of popular culture.) pp. 187-206.
Description:
Discusses also Fritz Lang’s The Woman in the Window.
Index:
Dieterle, Wilhelm
Lang, Fritz
Accused, The (1948)
Woman in the Window, The (1944)
Stadt ~ City
Religion ~ Religion
Philosophie ~ Philosophy
Krieg ~ War
Film Noir ~ Film Noir

#505
Palmer, R. Barton: The divided self and the dark city: Film noir and liminality. In: Symploke 15. 2007. No. 1/2. [?D] pp. 66-79.
Description:
Discusses, among others, Billy Wilder’s Double Indemnity and Fred Zinnemann’s Act of Violence.
Index:
Wilder, Billy
Zinnemann, Fred
Double Indemnity (1944)
Act of Violence (1949)
Stadt ~ City
Film Noir ~ Film Noir

#506
Palmer, R. Barton: The new sincerity of neo-noir: The example of The Man Who Wasn’t There. In: The philosophy of neo-noir. Edited by Mark T. Conard. - Lexington, Kentucky: University Press of Kentucky 2007. (= The philosophy of popular culture.) p. ?P.
Index:
Coen, Joel
Man Who Wasn’t There, The (2001)
Philosophie ~ Philosophy
Film Noir ~ Film Noir

#507
Paris, James A.: "Murder can sometimes smell like honeysuckle": Billy Wilder’s Double Indemnity (1944). In: Film noir reader 4: The crucial films and themes. Edited by Alain Silver and James Ursini. - Pompton Plains, New Jersey: Limelight Editions / Milwauke, Wisconsin: Hal Leonard 2004. p. ?P.
Index:
Wilder, Billy
Double Indemnity (1944)
Mord ~ Murder
Film Noir ~ Film Noir

#508
Pelizzon, Penelope / West, Nancy: Snap me deadly: Reading the still photograph in film noir. In: American Studies 43. 2002. No. 2. [Summer] pp. 73-101.
Index:
Fotografie ~ Photography
Film Noir ~ Film Noir

#509
Pelizzon, V. Penelope / West, Nancy: "A perfect double down to the last detail": Photography and the identity of film noir. In: Post Script 22. 2003. No. 3. [Summer] pp. 34-45.
Description:
Psychoanalytical and semiotical examination of the film noir.
Index:
Fotografie ~ Photography
Psychologie ~ Psychology
Film Noir ~ Film Noir
Doppelgänger ~ Double

#510
Pelizzon, V. Penelope / West, Nancy M.: Multiple indemnity: Film noir, James M. Cain, and adaptations of a tabloid case. In: Narrative 13. 2005. No. 3. [?D] pp. 211-237.
Index:
Cain, James M.
Film Noir ~ Film Noir

#511
Persons, Dan: Robocop 2: Frank Miller’s original Robocop 2: Toning down the noir vision of Batman’s auteur. In: Cinefantastique 21. 1990. No. 1. [July] pp. 28-29.
Index:
Kershner, Irvin
Miller, Frank
Robocop II (1990)
Film Noir ~ Film Noir
Batman ~ Batman

#512
Perspectives on Film Noir. Edited by R. Barton Palmer. - New York: G. K. Hall / London: Prentice Hall International 1995 (= Perspectives on Film.).
Index:
Film Noir ~ Film Noir

#513
Pettey, Homer B.: Hitchcock, class, and noir. In: The Cambridge companion to Alfred Hitchcock. Edited by Jonathan Freedman. - Cambridge; New York: Cambridge University Press 2015. pp. 76-91.
Index:
Hitchcock, Alfred
Film Noir ~ Film Noir

#514
Pettey, Homer B.: Paleo-noir. In: Film noir prototypes: Origins of the movement. Edited by Alain Silver and James Ursini. - Milwaukee, Wisconsin: Applause Theatre & Cinema Books 2018. p. ?P.
Index:
Film Noir ~ Film Noir

#515
Pezzella, Mario: Il fascino discreto dell’ambiguità: Vertigo di Alfred Hitchcock. In: I fantasmi del moderno: Temi e figure del cinema noir. A cura di Mario Pezzella e Antonio Tricomi. - Ancona: Cattedrale 2010. (= Immagini di pensiero 1.) pp. 137 ff.
Index:
Hitchcock, Alfred
Vertigo (1958)
Film Noir ~ Film Noir

#516
Pezzella, Mario: Introduzione. In: I fantasmi del moderno: Temi e figure del cinema noir. A cura di Mario Pezzella e Antonio Tricomi. - Ancona: Cattedrale 2010. (= Immagini di pensiero 1.) pp. 5 ff.
Index:
Film Noir ~ Film Noir

#517
Pezzella, Mario: Rivedendo un classico: La strada scarlatta di Fritz Lang. In: I fantasmi del moderno: Temi e figure del cinema noir. A cura di Mario Pezzella e Antonio Tricomi. - Ancona: Cattedrale 2010. (= Immagini di pensiero 1.) pp. 106 ff.
Index:
Lang, Fritz
Scarlet Street (1945)
Film Noir ~ Film Noir

#518
Pfeil, Fred: Home fires burning: Family noir in Blue Velvet and Terminator 2. In: Shades of noir: A reader. Edited by Joan Copjec. - London; New York: Verso Books 1993. pp. 227-259.
Description:
On the films by David Lynch and James Cameron.
Index:
Lynch, David
Cameron, James
Blue Velvet (1986)
Terminator II - Judgement Day (1991)
Familie ~ Family
Film Noir ~ Film Noir

#519
Pfeil, Fred: Revolting yet conserved: Family noir in Blue Velvet and Terminator 2. In: Postmodern Culture 2. 1992. No. 3. [?D] p. ?P.
Description:
On the films by David Lynch and James Cameron.
Index:
Lynch, David
Cameron, James
Blue Velvet (1986)
Terminator II - Judgement Day (1991)
Familie ~ Family
Film Noir ~ Film Noir

#520
Phillips, Gene D.: Creatures of darkness: Raymond Chandler, detective fiction, and film noir. - Lexington: University Press of Kentucky 2000.
Reviews:
Dick, bernard F.: [untitled] In: Film Quarterly 56. 2002. No. 1. [Fall] pp. 52-53.
Murphy, A. Mary: [untitled] In: Rocky Mountain Review of Language and Literature 35. 2001. No. 1. [?D] pp. 131-134.
Index:
Chandler, Raymond Thornton
Film Noir ~ Film Noir
Detektive ~ Detectives

#521
Phillips, Gene D.: Out of the shadow: Expanding the canon of classic film noir. - Lanham: Scarecrow Press 2012.
Reviews:
Keenan, Richard: When the screen went dark. In: Literature/Film Quarterly 40. 2012. No. 3. [?D] pp. 236-240.
Index:
Film Noir ~ Film Noir

#522
The philosophy of film noir. Edited by Mark T. Conard. Foreword by Robert Porfirio. - Lexington, Kentucky: University Press of Kentucky 2006. (= The philosophy of popular culture.)
Reviews:
Covey, William B.: [untitled.] In: Genre: Forms of Discourse and Culture 39. 2006. No. 2. [?D] pp. 352-357.
Fischer, Ralf Michael: Film Noir und Neo-Noir. In: Medienwissenschaft 2007. No. 3. pp. 363-367.
Rodgers, Travis J.: [untitled] In: Intertexts 9. 2005. No. 2. [?D] pp. 180-183.
Index:
Philosophie ~ Philosophy
Film Noir ~ Film Noir

#523
The philosophy of neo-noir. Edited by Mark T. Conard. - Lexington, Kentucky: University Press of Kentucky 2007. (= The philosophy of popular culture.)
Reviews:
Fischer, Ralf Michael: Film Noir und Neo-Noir. In: Medienwissenschaft 2007. No. 3. pp. 363-367.
Pallant, Chris: [untitled.] In: Film-Philosophy 14. 2010. No. 1. [?D] pp. 496-500.
Index:
Philosophie ~ Philosophy
Film Noir ~ Film Noir

#524
The philosophy of TV noir. Edited by Steven M. Sanders and Aeon J. Skoble. - Lexington, Kentucky: University Press of Kentucky 2008. (= The philosophy of popular culture.)
Index:
Philosophie ~ Philosophy
Film Noir ~ Film Noir
Fernsehen ~ Television

#525
Pidduck, Julianne: The "fatal femme" in contemporary Hollywood "film noir": Reframing gender, violence, and power. - Montreal, Quebec: Concordia University, M.A. 1993. [Abstract in: Masters Abstracts International 33. 1995. No. 2. p. 282.]
Description:
Discusses, among others, Paul Verhoeven’s Basic Instinct.
Index:
Verhoeven, Paul
Basic Instinct (1992)
Sexualität ~ Sexuality
Hollywood ~ Hollywood
Gewalt ~ Violence
Frauen ~ Women
Film Noir ~ Film Noir

#526
Pippin, Robert B.: Fatalism in American film noir. - Charlottesville, Virginia: University of Virginia Press 2012.
Reviews:
Keenan, Richard: When the screen went dark. In: Literature/Film Quarterly 40. 2012. No. 3. [?D] pp. 236-240.
Skoble, Aeon J.: [untitled.] In: Film & History 45. 2015. No. 2. [Winter] pp. 47-48.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#527
Pizzello, Stephen: Darkest noir. In: American Cinematographer 87. 2006. No. 9. [September] pp. 32-49.
Description:
On Vilmos Zsigmond’s camera work for Brian De Palmas The Black Dahlia.
Index:
De Palma, Brian
Zsigmond, Vilmos
Black Dahlia, The (2006)
Technik: Kamera ~ Technology: Camera
Film Noir ~ Film Noir

#528
Plouffe, Paul Bernard: The tainted Adam: The American hero in film noir. - Berkeley, California: University of California at Berkeley, Ph.D. 1979. [Abstract in: Dissertation Abstracts International A 40. 1980. No. 7. (January) p. 3591A.]
Index:
USA (United States of America) ~ USA (United States of America)
Helden ~ Heros
Film Noir ~ Film Noir

#529
Plumat, Florence: Néo-noirs: Portrait du personage noir américain dans le néo-polar. In: Positif 1996. No. 422. [April] pp. 101-103.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#530
Podak, Achim: Se7en. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 349-353.
Index:
Fincher, David
Se7en (1995)
Film Noir ~ Film Noir

#531
Polan, Dana: Film noir. In: Journal of Film and Video 37. 1985. No. 2. [?D] pp. 75-83.
Index:
Film Noir ~ Film Noir

#532
Politis, Tom: French film noir. - Sydney: W.E.A. Film Study Group 1978. (= Monograph 1.)
Index:
Frankreich ~ France
Film Noir ~ Film Noir

#533
Porfirio, Robert G.: German expressionism and film noir. In: Film noir prototypes: Origins of the movement. Edited by Alain Silver and James Ursini. - Milwaukee, Wisconsin: Applause Theatre & Cinema Books 2018. p. ?P.
Index:
Expressionismus ~ Expressionism
Deutschland ~ Germany
Film Noir ~ Film Noir

#534
Porfirio, Robert: The noir title sequence. In: Film noir reader 4: The crucial films and themes. Edited by Alain Silver and James Ursini. - Pompton Plains, New Jersey: Limelight Editions / Milwauke, Wisconsin: Hal Leonard 2004. p. ?P.
Index:
Film Noir ~ Film Noir

#535
Porfirio, Robert: The Unsuspected (1947) and the noir sequence: Realism, expressionism, style. In: Film noir reader 4: The crucial films and themes. Edited by Alain Silver and James Ursini. - Pompton Plains, New Jersey: Limelight Editions / Milwauke, Wisconsin: Hal Leonard 2004. p. ?P.
Index:
Curtiz, Michael
Unsuspected, The (1947)
Expressionismus ~ Expressionism
Film Noir ~ Film Noir

#536
Preston, Scott: The strange pleasure of The Leopard Man: Gender, genre and authorship in a Val Lewton thriller. In: Cineaction 2007. No. 71. [?D] pp. 14-21.
Description:
On the representation of male and female role stereotypes in Jacques Tourneur’s noir-horror-thriller based on Cornell Woolrich’s novel Black Alibi.
Index:
Woolrich, Cornell George
Tourneur, Jacques
Leopard Man, The (1943)
Mord ~ Murder
Thriller ~ Thriller
Sexualität ~ Sexuality
Männer ~ Men
Horror ~ Horror
Frauen ~ Women
Film Noir ~ Film Noir
Black Alibi, The (Literatur ~ Literature)

#537
Probst, Chris / Williams, David: Shooting to kill / Aiding and abetting on Assassins. In: American Cinematographer 76. 1995. No. 11. [November] pp. 52-56, 58, 60, 62.
Description:
Interview with Vilmos Zsigmond on Richard Donner’s film noir remake and especially on the representation of violence in the movie.
Index:
Donner, Richard
Assassins (1995)
Gewalt ~ Violence
Film Noir ~ Film Noir

#538
Quinn, Sandra A.: Pink noir. - Tempe, Arizona: Arizona State University, Ph.D. 2000. [Abstract in: Dissertation Abstracts International A 61. 2001. No. 10. (April) p. 3806A.]
Description:
On homosexual motifs in the film noir.
Index:
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Film Noir ~ Film Noir

#539
Quist, Thomas John: American thought, culture, and neo-noir in the era of postmodernity. - Fargo, North Dakota: North Dakota State University, M.A. 2017. [Abstract in: Masters Abstracts International 56. 2017. No. 3M.]
Index:
USA (United States of America) ~ USA (United States of America)
Postmoderne ~ Postmodern
Film Noir ~ Film Noir

#540
Rabinowitz, Paula: Black and white and noir: America’s pulp modernism. - New York: Columbia University Press 2002.
Reviews:
Miklitsch, Robert: [untitled] In: Film Quarterly 57. 2004. No. 4. [Summer] pp. 66-68.
Wager, Jans B.: [untitled.] In: Literature/Film Quarterly 31. 2003. No. 3. [?D] pp. 239-240.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#541
Rabinowitz, Paula: Domestic labor: Film noir, proletarian literature, and Black women’s fiction. In: Modern Fiction Studies 47. 2001. No. 1. [?D] pp. 229-254.
Index:
Literatur ~ Literature
Frauen ~ Women
Film Noir ~ Film Noir

#542
Ranze, Michael: Nord-Noir: Der Hypnotiseur: Lasse Halström adaptiert einen Thriller. In: Film-Dienst 66. 2013. No. 4. [February 14] p. 45.
Description:
On Lasse Hallström’s Hypnotisören.
Index:
Hallström, Lasse
Hypnotisören (2012)
Thriller ~ Thriller
Film Noir ~ Film Noir

#543
Rauscher, Andreas: Die Digitale Noir-Guerilla: Sin City. In: Splatting Image 2005. No. 62. [June] pp. 65-67.
Index:
Miller, Frank
Rodriguez, Robert
Tarantino, Quentin
Sin City / Frank Miller’s Sin City (2005)
Technik: Computer ~ Technology: Computer
Film Noir ~ Film Noir

#544
Rauscher, Andreas: Marky Mark and the Savage Noir Bunch: Max Payne. In: Splatting Image 2008. No. 76. [December] pp. 62-63.
Index:
Moore, John
Max Payne (2008)
Gewalt ~ Violence
Film Noir ~ Film Noir

#545
Rauscher, Andreas: Super-Noir: The Dark Knight. In: Splatting Image 2008. No. 75. [September] pp. 58-59.
Index:
Nolan, Christopher
Dark Knight, The (2008)
Film Noir ~ Film Noir

#546
Rauscher, Josef: Zeuge gesucht. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 108-112.
Description:
On Robert Siodmak’s Phantom Lady.
Index:
Siodmak, Robert
Phantom Lady (1943)
Film Noir ~ Film Noir

#547
Raynal, Patrick: Ecran blanc pour la Série Noire. In: Cahiers du Cinéma 1995. No. 490. [?D] pp. 76-77.
Index:
Film Noir ~ Film Noir

#548
Read, Robert Jeffrey: The film noir collection and the legacy of nineteenth century modernity. - Montreal, Quebec: Concordia University, M.A. 2003. [Abstract in: Masters Abstracts International 42. 2004. No. 3. p. 706.]
Index:
Film Noir ~ Film Noir

#549
A reference guide to American film noir 1940-1958. Edited by Robert Ottoson. - Metuchen: Scarecrow Press 1981.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#550
Reichart, Wilfried: Explosion des Schweigens. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 238-242.
Description:
On Allen Baron’s Blast of Silence.
Index:
Baron, Allen
Blast of Silence (1960)
Film Noir ~ Film Noir

#551
Reichel, Sabine: Bad Girls: Hollywoods böse Beauties. - München: Heyne Verlag 1996. (= Heyne Filmbibliothek.)
Description:
On female film characters and the related actresses in film noir.
Index:
Böse, Das ~ Evil, The
Film Noir ~ Film Noir
Hollywood ~ Hollywood
Frauen ~ Women

#552
Reid, David / Walker, Jayne L.: Strange pursuit: Cornell Woolrich and the abandoned city of the forties. In: Shades of noir: A reader. Edited by Joan Copjec. - London; New York: Verso Books 1993. pp. 57-96.
Description:
Discusses also Woolrich filmings.
Index:
Woolrich, Cornell George
Stadt ~ City
Film Noir ~ Film Noir

#553
Reyes, Carlos V.: Film noir’s dark secret; or, What does the hysteric want? In: Canadian Journal of Film Studies 19. 2010. No. 1. [?D] pp. 75-88.
Index:
Film Noir ~ Film Noir
Angst ~ Fear

#554
Reynaud, Bérénice: 31 mars 1971: Sweet Sweet Baadasssss Song sort le cinéma noir de son ghetto. In: Cahiers du Cinéma 1995. Numéro Special: 100 Journées qui ont fait le Cinéma. [?D] p. 109.
Index:
Van Peebles, Melvin
Sweet Sweetback’s Baadassss Song (1971)
Film Noir ~ Film Noir

#555
Ricci, Andrea: The "awful mess" of noir in Italian cinema between the modern and the postmodern era. - Bloomington, Indiana: Indiana University, Ph.D. 2002. [Abstract in: Dissertation Abstracts International A 63. 2003. No. 12. (June) p. 4129.]
Description:
Discusses especially the giallo and the noir genre.
Index:
Thriller ~ Thriller
Postmoderne ~ Postmodern
Italien ~ Italy
Film Noir ~ Film Noir

#556
Rich, Nathaniel: San Francisco noir: The city in film noir from 1940 to the present. - New York: Little Bookroom 2005.
Index:
Stadt ~ City
San Francisco ~ San Francisco
Film Noir ~ Film Noir

#557
Rich, Ruby: Dumb lugs and femmes fatales. In: Sight and Sound NS 5. 1995. No. 11. [November] pp. 6-10.
Description:
On the 1990s "neo noir" film.
Index:
Film Noir ~ Film Noir
Frauen ~ Women

#558
Richardson, Carl: Autopsy: An element of realism in film noir. - New York: Columbia University, Ph.D. 1989. [Abstract in: Dissertation Abstracts International A 51. 1990. No. 3. (September) pp. 661A-662A.]
Description:
Discusses, among others, Orson Welles’s Touch of Evil.
Index:
Welles, Orson
Touch of Evil (1957)
Film Noir ~ Film Noir

#559
Richardson, Carl: Autopsy: An element of realism in Film Noir. - Metuchen, New Jersey; London: Scarecrow Press 1992.
Description:
Discusses, among others, Orson Welles’s Touch of Evil.
Index:
Welles, Orson
Touch of Evil (1957)
Film Noir ~ Film Noir

#560
Richardson, Michael: Otherness in the night: Film noir. In: Richardson, Michael: Otherness in Hollywood cinema. - New York: Continuum 2010. p. ?P.
Index:
Nacht ~ Night
Film Noir ~ Film Noir
Hollywood ~ Hollywood

#561
Rimini, Thea: Luoghi e tempi del (primo) noir: La fiamma del peccato, Il grande sonno, Ossessione. In: I fantasmi del moderno: Temi e figure del cinema noir. A cura di Mario Pezzella e Antonio Tricomi. - Ancona: Cattedrale 2010. (= Immagini di pensiero 1.) pp. 77 ff.
Index:
Wilder, Billy
Hawks, Howard
Visconti, Lucino
Double Indemnity (1944)
Big Sleep, The (1946)
Ossessione (1942)
Film Noir ~ Film Noir

#562
Rist, Peter: Scenes of "in-action" and "noir": Characteristics in the films of Johnnie To. In: Hong Kong film, Hollywood, and the new global cinema: No film is an island. Edited by Gina Marchetti and Tan See Kam. - Abingdon; New York: Routledge 2006. (= Routledge media, culture, and social change in Asia 6.) p. ?P.
Index:
To, Johnnie
Film Noir ~ Film Noir
Action ~ Action
Hongkong ~ Hong Kong
Hollywood ~ Hollywood

#563
Ritzer, Ivo: Die Narbenhand. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 78-82.
Description:
On Frank Tuttle’s This Gun for Hire.
Index:
Tuttle, Frank
This Gun for Hire (1942)
Film Noir ~ Film Noir

#564
Rocca, Katherine Crumpler: Women and the family in film noir. - Louisville, Kentucky: University of Louisville, M.A. 1997. [Abstract in: Masters Abstracts International 36. 1998. No. 1. p. 3.]
Index:
Frauen ~ Women
Film Noir ~ Film Noir
Familie ~ Family

#565
Rolls, Alistair / Walker, Deborah: French and American noir: Dark crossings. - Basingstoke; New York: Palgrave Macmillan 2009. (= Crime files.)
Reviews:
Gorrara, Claire: [untitled.] In: French Studies 65. 2011. No. ?N. [?D] pp. 274-275.
Index:
USA (United States of America) ~ USA (United States of America)
Frankreich ~ France
Film Noir ~ Film Noir

#566
Ross, Philippe: Le gothique américain: Le noir à l’âme. In: La Revue du Cinéma 1991. No. 471. [?D] pp. 72-73.
Description:
On American "gothic" films. Includes a selective filmography.
Index:
Horror ~ Horror
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#567
Ross, Terence: Updatet noir: A comparison of Double Indemnity and One False Move. In: Creative Screenwriting 2. 1995. No. 1. [?D] pp. 68-75.
Index:
Wilder, Billy
Franklin, Carl
Double Indemnity (1944)
One False Move (1992)
Film Noir ~ Film Noir

#568
Rossi, Katia: Sul nuovo statuto della narrazione nel cinema noir classico: La critica del sistema del giudizio da Fritz Lang a Orson Welles (passando per Nietzsche). In: I fantasmi del moderno: Temi e figure del cinema noir. A cura di Mario Pezzella e Antonio Tricomi. - Ancona: Cattedrale 2010. (= Immagini di pensiero 1.) pp. 113 ff.
Index:
Lang, Fritz
Welles, Orson
Nietzsche, Friedrich
Film Noir ~ Film Noir

#569
Roudévitch, Michel: Blackcartoon: Mickey est-il nègre? In: Le cinéma noir américain. Dossier réalisé par Mark Reid, Janine Euvrad, Francis Bordat et Raphaël Bassan. (= Cinémaction 1988. No. 46. [?D]) pp. 79-81.
Description:
On the representation of Blacks in the American cartoon film.
Index:
Animation: Cartoons ~ Animation: Cartoons
Film Noir ~ Film Noir
Animation ~ Animation
USA (United States of America) ~ USA (United States of America)

#570
Röwekamp, Burkhard: Das Neo des Noir - Filmische Rekursionen in Remake, Zitat und Retro-Film. In: Augen-Blick ?G. 2000. No. 31. [October] pp. 70-95.
Index:
Thompson, J. Lee
Scorsese, Martin
Cape Fear (1962)
Cape Fear (1991)
Film Noir ~ Film Noir

#571
Röwekamp, Burkhard: Vom film noir zur méthode noir: Die Evolution filmischer Schwarzmalerei. - Marburg: Schüren 2003. (= Aufblende.)
Reviews:
Haas, Christoph: Mehr als eine Farbe: Zur Definition des Film noir. In: EPD Film 21. 2004. No. 4. [April] p. 55.
Wulff, Hans J.: [untitled.] In: Medienwissenschaft 2003. No. 3/4. pp. 304-306.
Index:
Film Noir ~ Film Noir

#572
Ryall, Tom: Film noir, American painting and photography: A question of influence?. In: Film noir prototypes: Origins of the movement. Edited by Alain Silver and James Ursini. - Milwaukee, Wisconsin: Applause Theatre & Cinema Books 2018. p. ?P.
Index:
USA (United States of America) ~ USA (United States of America)
Kunst ~ Arts, The
Fotografie ~ Photography
Film Noir ~ Film Noir

#573
Saada, Nicolas: Le film noir impossible. In: Cahiers du Cinéma 1995. No. 492. [?D] pp. 43-44.
Description:
On Barbet Schroeder’s Kiss of Death.
Index:
Schroeder, Barbet
Kiss of Death (1995)
Film Noir ~ Film Noir

#574
Saada, Nicolas: The noir style. In: Film noir reader 4: The crucial films and themes. Edited by Alain Silver and James Ursini. - Pompton Plains, New Jersey: Limelight Editions / Milwauke, Wisconsin: Hal Leonard 2004. p. ?P.
Index:
Film Noir ~ Film Noir

#575
Sakai, Yuki: Noir and graphic novel film adaptation. - New York: Long Island University, The Brooklyn Center, M.A. 2016. [Abstract in: Masters Abstracts International 55. 2016. No.4M.]
Description:
Discusses, among others, Sin City by Frank Miller, Robert Rodriguez and Quentin Tarantino, Zack Snyder’s Watchmen, and the TV series Gotham.
Index:
Miller, Frank
Rodriguez, Robert
Tarantino, Quentin
Snyder, Zack
Heller, Bruno
Sin City / Frank Miller’s Sin City (2005)
Watchmen (2009)
Gotham (TV)
Film Noir ~ Film Noir
Fernsehen ~ Television
Animation: Comics ~ Animation: Comics
Animation ~ Animation

#576
Salo, Matti: Seinä vastassa: Johdatus Hollywoodin mustan elokuvan, film noiin, lähteille. - Helsinki: Suomen Elokuva Arkisto 1982.
Description:
On American film noir.
Index:
USA (United States of America) ~ USA (United States of America)
Hollywood ~ Hollywood
Film Noir ~ Film Noir

#577
Salzberg, Ana: Beyond the looking glass: The narcissistic woman reflected and embodied in classic Hollywood film. - Edinburgh: University of Edinburgh, Ph.D. 2010.
Description:
Discusses, among others, the representation of women in film noir.
Index:
Hollywood ~ Hollywood
Frauen ~ Women
Film Noir ~ Film Noir

#578
Sammon, Paul M.: Future noir: The making of Blade Runner. - New York: HarperPrism / London: Orion Media 1996.
Reviews:
Bovberg, Jason: [untitled] In: Cinefantastique 28. 1996. No. 6. [December] pp. 57, 61.
Everschor, Franz: Blade Runner und kein Ende. In: Film-Dienst 49. 1996. No. 20. [September 24] p. 33.
Fitting, Peter: [untitled] In: Utopian Studies 8. 1997. No. 1. [?D] pp. 222-223.
Kitson, Michael: [untitled] In: Cinema Papers 1997. No. 119. [August] pp. 40-41.
Seed, David: [untitled] In: Journal of American Studies 32. 1998. No. 2. [?D] pp. 320-321.
Index:
Scott, Ridley
Blade Runner (1982)
Utopie ~ Utopia
Film Noir ~ Film Noir

#579
Sammon, Paul M.: Future noir: The making of Blade Runner. Revised edition. - London: Gollancz 2007.
First edition:
[1996]
Reviews:
Easterbrook, Neil: Print Philip K. Dick on film in print. In: Science Fiction Film and Television 3. 2010. No. 1. [Spring] pp. 107-120.
Index:
Scott, Ridley
Blade Runner (1982)
Utopie ~ Utopia
Film Noir ~ Film Noir

#580
Sammon, Paul M.: Future noir: The making of Blade Runner. Revised and updated edition. - New York: Dey Street Books / William Morrow 2017.
First edition:
[1996]
Index:
Scott, Ridley
Blade Runner (1982)
Utopie ~ Utopia
Film Noir ~ Film Noir

#581
Sanders, Stephen M.: Film noir and the meaning of life. In: The philosophy of film noir. Edited by Mark T. Conard. Foreword by Robert Porfirio. - Lexington, Kentucky: University Press of Kentucky 2006. (= The philosophy of popular culture.) pp. 91-105.
Index:
Philosophie ~ Philosophy
Film Noir ~ Film Noir

#582
Sanders, Steven M.: An introduction to the philosophy of TV noir. In:The philosophy of TV noir. Edited by Steven M. Sanders and Aeon J. Skoble. - Lexington, Kentucky: University Press of Kentucky 2008. (= The philosophy of popular culture.) p. ?P.
Index:
Philosophie ~ Philosophy
Film Noir ~ Film Noir
Fernsehen ~ Television

#583
Sandgren, Peter Nelson: Towards a definition of film noir: Locating two Chandler films in the noir tradition. - ?O: The University of Connecticut, Ph.D. 1991.
Index:
Chandler, Raymond Thornton
Film Noir ~ Film Noir

#584
Santamarina, Antonio: La otra cara de América: Las películas negras de un cineasta vienés. In: Nosferatu 2004. No. 47. [December] pp. 22-35.
Description:
On Fritz Lang’s "film noir" oeuvre.
Index:
Lang, Fritz
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#585
Santos, Marlisa: That sinking feeling: Cornell Woolrich and the uncanny noir mood. In: Film noir prototypes: Origins of the movement. Edited by Alain Silver and James Ursini. - Milwaukee, Wisconsin: Applause Theatre & Cinema Books 2018. p. ?P.
Index:
Woolrich, Cornell George
Angst ~ Fear
Film Noir ~ Film Noir

#586
Santos, Marlisa: The dark mirror: Psychiatry and film noir. - Lanham, Maryland: Lexington Books 2010.
Index:
Spiegel ~ Mirror
Psychologie ~ Psychology
Film Noir ~ Film Noir

#587
Sartini, Andrea / Tabacco, Costanza: Chiamarsi nel fantasma: Strade perdute di David Lynch. In: I fantasmi del moderno: Temi e figure del cinema noir. A cura di Mario Pezzella e Antonio Tricomi. - Ancona: Cattedrale 2010. (= Immagini di pensiero 1.) pp. 205 ff.
Index:
Lynch, David
Lost Highway (1996)
Film Noir ~ Film Noir

#588
Schäfer, Karl-Heinz: Schattenspiele: Film Noir. In: Cinema [Hamburg] 1994. No. 7(194). [?D] pp. 106-116.
Index:
Film Noir ~ Film Noir

#589
Schatten - Exil: Europäische Emigranten im Film noir. Hrsg. von Christian Cargnelli und Michael Omasta. - Wien: PVS Verleger 1997.
Reviews:
Brandlmeier, Thomas: 2 x Film noir und Exil. In: EPD Film 14. 1997. No. 9. [September] pp. 14-15.
Index:
Europa ~ Europe
Film Noir ~ Film Noir

#590
Schlotterbeck, Jesse: The "House of death" in print and on-screen: Double Indemnity as journalism, fiction and film. In: Film noir prototypes: Origins of the movement. Edited by Alain Silver and James Ursini. - Milwaukee, Wisconsin: Applause Theatre & Cinema Books 2018. p. ?P.
Index:
Wilder, Billy
Double Indemnity (1944)
Tod ~ Death
Film Noir ~ Film Noir

#591
Schneider, Roland: L’évolution des genres européens dans le cadre américain. In: Cinémas métis. Éd. Guy Hennebelle et Roland Schneider. (= Cinémaction 1990. No. 56. [?D]) pp. 30-34.
Description:
On the American films of European directors Fritz Lang, Robert Siodmak, Douglas Sirk and Max Ophüls and especially on their participation in film noir.
Index:
Lang, Fritz
Siodmak, Robert
Sirk, Douglas
Ophüls, Max
Film Noir ~ Film Noir
Europa ~ Europe
USA (United States of America) ~ USA (United States of America)

#592
Schnelle, Josef: Bullig und brutal: Krimi-Autor Mickey Spillane. In: Film-Dienst 44. 1991. No. 19. [September 17] pp. 10-11.
Description:
On the filmings of Spillane thrillers in the tradition of the "film noir". Discusses especially Robert Aldrich’s Kiss Me Deadly and Roy Rowland’s The Girl Hunters.
Index:
Spillane, Frank Morrison [Pseudonym: Spillane, Mickey]
Aldrich, Robert
Rowland, Roy
Kiss Me Deadly (1955)
Girl Hunters, The (1963)
Thriller ~ Thriller
Gewalt ~ Violence
Kriminalität ~ Crime
Film Noir ~ Film Noir

#593
Schnelle, Josef: Der Verlorene. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 185-189.
Index:
Lorre, Peter
Verlorene, Der (1951)
Film Noir ~ Film Noir

#594
Schössler, Daniel: Tattoo. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 376-379.
Index:
Schwentke, Robert
Tattoo (2001)
Film Noir ~ Film Noir

#595
Schrader, Paul: Notes on Film Noir. In: Film genre reader IV. Edited by Barry Keith Grant. - Austin, Texas: University of Texas Press 2012. p. ?P.
Index:
Film Noir ~ Film Noir

#596
Schuchardt, Read Mercer: Cherchez la femme fatale: The mother of film noir. In: The philosophy of film noir. Edited by Mark T. Conard. Foreword by Robert Porfirio. - Lexington, Kentucky: University Press of Kentucky 2006. (= The philosophy of popular culture.) pp. 49-68.
Index:
Mutter ~ Mothers
Frauen ~ Women
Philosophie ~ Philosophy
Film Noir ~ Film Noir

#597
Schultheiss, John: The noir artist. In: Films in Review 40. 1989. No. 1. [?D] pp. 33-35.
Index:
Film Noir ~ Film Noir

#598
Schwartz, Ginny: It’s deja vous all over again: Double Idemnity resonates with Generation X. In: Film noir reader 4: The crucial films and themes. Edited by Alain Silver and James Ursini. - Pompton Plains, New Jersey: Limelight Editions / Milwauke, Wisconsin: Hal Leonard 2004. p. ?P.
Index:
Wilder, Billy
Sholder, Jack
Double Indemnity (1944)
Generation X (1996)
Film Noir ~ Film Noir

#599
Schwartz, Ronald: Noir, now and then: Film noir originals and remakes (1944 - 1999). - Westport, Connecticut: Greenwood Press 2001. (= Contributions to the study of popular culture 72.)
Index:
Film Noir ~ Film Noir

#600
Schweiger, Daniel: Hell noir. In: Cinefantastique 37. 2005. No. 1. [February/March] p. 53.
Description:
On Brian Tyler’s score for Francis Lawrence’s Constantine.
Index:
Lawrence, Francis
Constantine (2005)
Religion: Hölle ~ Religion: Hell
Film Noir ~ Film Noir

#601
Schweizerhof, Barbara: Mord, mein Liebling. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 104-107.
Description:
On Edward Dmytryk’s Murder, My Sweet.
Index:
Dmytryk, Edward
Murder, my Sweet / Farewell my Love (1944)
Film Noir ~ Film Noir

#602
Scruggs, Charles: "The power of blackness": Film noir and its critics. In: American Literary History 16. 2004. No. 4. [?D] pp. 675-687.
Index:
Film Noir ~ Film Noir

#603
Sebastiani, Massimo / Sesti, Mario: Delitto per pelitto: 500 film polizieschi, detective story, gangsterfilm, noir, thriller, spy story. Con la collaborazione di Dario Buzzolan. - Torino: Lindau 1998. (= Dizionari 1.)
Index:
Kriminalität ~ Crime
Thriller ~ Thriller
Film Noir ~ Film Noir
Detektive ~ Detectives

#604
Seeßlen, Georg: Die heiße Spur. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 260-266.
Description:
On Arthur Penn’s Night Moves.
Index:
Penn, Arthur
Night Moves (1975)
Film Noir ~ Film Noir

#605
Seeßlen, Georg: Rächer der Unterwelt. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 119-126.
Description:
On Robert Siodmak’s The Killers.
Index:
Siodmak, Robert
Killers, The (1946)
Film Noir ~ Film Noir

#606
Seguin, Louis: Le masque de la mort noire. In: La Quinzaine Littéraire 2003. No. 853. [May 1.] p. 27.
Index:
Tod ~ Death
Film Noir ~ Film Noir

#607
Selby, Spencer: Dark city: The film noir. - Jefferson, North Carolina; London: McFarland 1984.
Index:
Stadt ~ City
Film Noir ~ Film Noir

#608
Selby, Spencer: Dark city: The film noir. - Chicago, Illinois; London: St. James Press 1990.
First edition:
[Jefferson, North Carolina; London: McFarland 1984]
Index:
Stadt ~ City
Film Noir ~ Film Noir

#609
Selby, Spencer: Dark city: The film noir. Reprint. - Jefferson, North Carolina; London: McFarland 1998.
First edition:
[1984]
Index:
Stadt ~ City
Film Noir ~ Film Noir

#610
Sellmann, Michael: Hollywoods moderner "Film noir": Tendenzen, Motive, Ästhetik. - Würzburg: Königshausen & Neumann 2001. (= Kieler Beiträge zur Anglistik und Amerikanistik, N.F. 17.)
Index:
Hollywood ~ Hollywood
Film Noir ~ Film Noir

#611
Seyboth, Patrick: Neo-Noir: Coen-Erstling Blood Simple restauriert und in HD. In: EPD Film 35. 2018. No. 1. [January] p. 35.
Description:
On a DVD edition.
Index:
Coen, Joel
Blood Simple (1984)
Film Noir ~ Film Noir
DVD ~ DVD

#612
Shades of noir: A reader. Edited by Joan Copjec. - London; New York: Verso Books 1993. (= Haymarket.)
Reviews:
Harris, Lowell: [untitled] In: Film Quarterly 48. 1994. No. 1. [Fall] pp. 57-58.
Kerr, Paul: Murky waters. In: Sight and Sound NS 4. 1994. No. 4. [April] p. 33.
McArthur, Colin: [untitled] In: Cineaste 20. 1994. No. 4. [?D] pp. 56-57.
Taylor, Barry: [untitled] In: Screen 36. 1995. No. 2. [?D] pp. 172-176.
Description:
Collection on articles on the film noir.
Index:
Film Noir ~ Film Noir

#613
Shefrin, Elana: Le noir et le blanc: Hybrid myths in Devil in a Blue Dress and L.A. Confidential. In: Literature/Film Quarterly 33. 2005. No. 3. [?D] pp. 172-181.
Description:
Especally on the representation of the detective, the femme fatale and the city of Los Angeles in both films.
Index:
Franklin, Carl
Hanson, Curtis
Devil in a Blue Dress (1995)
L.A. Confidential (1997)
Stadt ~ City
Mythologie ~ Mythology
Los Angeles ~ Los Angeles
Frauen ~ Women
Film Noir ~ Film Noir
Detektive ~ Detectives

#614
Shiel, Mark: A regional geography of film noir: Urban cystopias on- and off-screen. In: Noir urbanisms: Dystopic images of the modern city. Edited by Gyan Prakash. - Princeton: Princeton University Press 2010. p. ?P.
Index:
Film Noir ~ Film Noir
Utopie ~ Utopia
Stadt ~ City

#615
Shillock, Larry T.: Neither noir. In: Philological Papers 2000. No. 47. [?D] pp. 44-55.
Description:
Discusses, among others, Edward Dmytryk’s Murder, my Sweet and Fjodor Otsep’s Whispering City.
Index:
Dmytryk, Edward
Otsep, Fjodor
Murder, my Sweet / Farewell my Love (1944)
Whispering City (1947)
Film Noir ~ Film Noir

#616
Shwartz, Ronald: Neo-noir: The new film noir style from Psycho to Collateral. - Lanham, Maryland; London: Scarecrow Press 2005.
Index:
Hitchcock, Alfred
Mann, Michael
Psycho (1960)
Collateral (2004)
Film Noir ~ Film Noir

#617
Silver, Alain: Introduction. In: Film noir prototypes: Origins of the movement. Edited by Alain Silver and James Ursini. - Milwaukee, Wisconsin: Applause Theatre & Cinema Books 2018. p. ?P.
Index:
Film Noir ~ Film Noir

#618
Silver, Alain: Proto-noir motifs in Metropolis. In: Film noir prototypes: Origins of the movement. Edited by Alain Silver and James Ursini. - Milwaukee, Wisconsin: Applause Theatre & Cinema Books 2018. p. ?P.
Index:
Lang, Fritz
Metropolis (1925/1926)
Film Noir ~ Film Noir

#619
Silver, Alain: Proto-noir pictorialism in the 1930s films of John Ford. In: Film noir prototypes: Origins of the movement. Edited by Alain Silver and James Ursini. - Milwaukee, Wisconsin: Applause Theatre & Cinema Books 2018. p. ?P.
Index:
Ford, John
Film Noir ~ Film Noir

#620
Silver, Alain: Ride the Pink Horse: Money, mischance, murder, and the monads of film noir. In: The philosophy of film noir. Edited by Mark T. Conard. Foreword by Robert Porfirio. - Lexington, Kentucky: University Press of Kentucky 2006. (= The philosophy of popular culture.) pp. 223-237.
Index:
Montgomery, Robert
Ride the Pink Horse (1947)
Mord ~ Murder
Philosophie ~ Philosophy
Film Noir ~ Film Noir

#621
Silver, Alain: The gangster in film noir. In: Film noir prototypes: Origins of the movement. Edited by Alain Silver and James Ursini. - Milwaukee, Wisconsin: Applause Theatre & Cinema Books 2018. p. ?P.
Index:
Kriminalität ~ Crime
Film Noir ~ Film Noir

#622
Silver, Alain / Ursini, James: American Neo-Noir: The movie never ends. - ?O: Applause Theatre & Cinema Books 2015.
Reviews:
Newman, Kim: [untitled.] In: Sight and Sound NS 25. 2015. No. 11. [November] p. 105.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#623
Silver, Alain / Ursini, James: Der Film noir. Co-Autoren: Robert Porfirio und Linda Brookover. - Köln: Könemann 2000.
First edition:
[The noir style. - London: Aurum Press / Woodstock, New York: Overlook Press 1999]
Index:
Film Noir ~ Film Noir

#624
Silver, Alain / Ursini, James: L.A. noir: The city as character. - Santa Monica, California: Santa Monica Press 2005.
Index:
Stadt ~ City
Los Angeles ~ Los Angeles
Film Noir ~ Film Noir

#625
Silver, Alain / Ursini, James: The noir style. - London: Aurum Press / Woodstock, New York: Overlook Press 1999.
Reviews:
Ahnert, Sven: Eine Augenweide: "The Noir Style". In: EPD Film 17. 2000. No. 5. [May] p. 11.
Roddick, Nick: [untitled] In: Sight and Sound NS 10. 2000. No. 2. [February] p. 35.
Index:
Film Noir ~ Film Noir

#626
Silver, Alain / Ward, Elizabeth: Film Noir. - Woodstock, New York: Overlook Press 1996.
Index:
Film Noir ~ Film Noir

#627
Silver, Alain / Ward, Elizabeth: Film Noir: An encyclopedic reference to the American style. - Woodstock, New York: Overlook Press 1979.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#628
Silverman, Kaja: Back to the future. In: Camera Obscura 1991. No. 27. [September] pp. 109-132.
Description:
On Ridley Scott’s Blade Runner and the tradition of film noir.
Index:
Scott, Ridley
Blade Runner (1982)
Roboter ~ Robots
Utopie ~ Utopia
Film Noir ~ Film Noir

#629
Simsolo, Noël: Le film noir: Vrais et faux cauchemars. - Paris: Cahiers du cinéma 2005. (= Essais).
Reviews:
Collet, Jean: [untitled] In: Études 404. 2006. No. ?N. [January-June] pp. 699-700.
Logette, Lucien: Noir c’est noir. In: La Quinzaine Littéraire 2006. No. 915. [January 16] pp. 23-24.
Index:
Film Noir ~ Film Noir

#630
Singer, Marc: "Trapped by their pasts": Noir and nostalgia in The Big Lebowski. In: Post Script 27. 2008. No. 2. [Winter/Spring] pp. 84-96.
Index:
Coen, Ethan
Coen, Joel
Big Lebowski, The (1998)
Film Noir ~ Film Noir

#631
Skoble, Aeon J.: Action and integrity in The Fugitive. In: The philosophy of TV noir. Edited by Steven M. Sanders and Aeon J. Skoble. - Lexington, Kentucky: University Press of Kentucky 2008. (= The philosophy of popular culture.) p. ?P.
Index:
Fugitive, The (TV)
Action ~ Action
Philosophie ~ Philosophy
Film Noir ~ Film Noir
Fernsehen ~ Television

#632
Skoble, Aeon J.: Justice and moral corruption in A Simple Plan. In: The philosophy of neo-noir. Edited by Mark T. Conard. - Lexington, Kentucky: University Press of Kentucky 2007. (= The philosophy of popular culture.) p. ?P.
Index:
Raimi, Samuel M.
Simple Plan, A (1998)
Justiz ~ Justice
Philosophie ~ Philosophy
Film Noir ~ Film Noir

#633
Skoble, Aeon J.: Moral clarity and practical reason in film noir. In: The philosophy of film noir. Edited by Mark T. Conard. Foreword by Robert Porfirio. - Lexington, Kentucky: University Press of Kentucky 2006. (= The philosophy of popular culture.) pp. 41-48.
Index:
Philosophie ~ Philosophy
Film Noir ~ Film Noir

#634
Slagman, Tim: Erlösung: "Nordic noir"-Thriller. In: Film-Dienst 69. 2016. No. 12. [June 9] p. 40.
Index:
Moland, Hans Petter
Flaskepost fra P (2016)
Thriller ~ Thriller
Film Noir ~ Film Noir

#635
Slocum, Charles B.: Bible noir. In: Written By 10. 2006. No. 8. [November] pp. 40-55.
Index:
Religion ~ Religion
Film Noir ~ Film Noir

#636
Slocum, John David: Screening violence: Film narratives and postwar America. - New York: New York University, Ph.D. 1995. [Abstract in: Dissertation Abstracts International A 56. 1996. No. 10. [April] p. 4014.]
Description:
On the representation of violence in several film genres including film noir, the nuclear apocalypse film, in New Hollywood and in blockbusters like Star Wars. Discusses, among others, Jacques Tourneur’s Out of the Past, Robert Aldrich’s Kiss Me Deadly, Stanley Kubrick’s Dr. Strangelove and William Friedkin’s The Exorcist.
Index:
Tourneur, Jacques
Aldrich, Robert
Kubrick, Stanley
Friedkin, William
Lucas, George
Out of the Past / Build My Gallows High (1947)
Kiss Me Deadly (1955)
Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb (1963)
Exorcist, The (1973)
Star Wars (Filmreihe)
USA (United States of America) ~ USA (United States of America)
Religion: Apokalypse ~ Religion: Apocalypse
Krieg ~ War
Hollywood ~ Hollywood
Gewalt ~ Violence
Film Noir ~ Film Noir
Atom ~ Nuclear

#637
Smieskova, Alena: Ulmer and the noir femme fatale. In: The films of Edgar G. Ulmer. Edited by Bernd Herzogenrath. - Lanham, Maryland; London: Scarecrow Press 2009. p. ?P.
Index:
Ulmer, Edgar G[eorge]
Frauen ~ Women
Film Noir ~ Film Noir

#638
Smith, Basil: John Locke, personal identity, and Memento. In: The philosophy of neo-noir. Edited by Mark T. Conard. - Lexington, Kentucky: University Press of Kentucky 2007. (= The philosophy of popular culture.) p. ?P.
Index:
Nolan, Christopher
Locke, John
Memento (2000)
Philosophie ~ Philosophy
Film Noir ~ Film Noir

#639
Smith, Imogen Sara: In lonely places: Film noir beyond the city. - Jefferson, North Carolina: McFarland 2011.
Index:
Stadt ~ City
Film Noir ~ Film Noir

#640
Smith, Imogen Sara: The fugitive kind. In: Sight and Sound NS 25. 2015. No. 5. [May] pp. 24-26.
Description:
On Robert Siodmak’s classic noir thriller Cry of the City.
Index:
Siodmak, Robert
Cry of the City (1948)
Thriller ~ Thriller
Film Noir ~ Film Noir

#641
Snee, Brian J.: Soft-boiled cinema: Joel and Ethan Coens’ neo-classical neo-noirs. In: Literature/Film Quarterly 37. 2009. No. 3. [?D] p. 212-223.
Index:
Coen, Ethan
Coen, Joel
Film Noir ~ Film Noir

#642
Sollors, Werner: Hemingway, film noir, and the emergence twentieth-century American style. In: REAL 2005. No. 21. pp. 45-55.
Index:
Hemingway, Ernest
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#643
Somer, Eric: The noir-horror of Cat People (1942). In: Film noir reader 4: The crucial films and themes. Edited by Alain Silver and James Ursini. - Pompton Plains, New Jersey: Limelight Editions / Milwauke, Wisconsin: Hal Leonard 2004. p. ?P.
Index:
Tourneur, Jacques
Cat People (1942)
Horror ~ Horror
Film Noir ~ Film Noir

#644
Sorrento, Matthew: Laura: Noir of identity and illusion. In: Senses of Cinema 2013. No. 66. [March] p. 24.
Index:
Preminger, Otto
Laura (1944)
Film Noir ~ Film Noir

#645
Spicer, Andrew: European film noir. - ?O: Manchester University Press 2007.
Index:
Film Noir ~ Film Noir
Europa ~ Europe

#646
Spicer, Andrew: Film noir. - Harlow: Pearson Education 2002. (= Inside film.)
Reviews:
NJ: [untitled.] In: Sight and Sound NS 12. 2002. No. 8. [August] p. 30.
Index:
Film Noir ~ Film Noir

#647
Spicer, Andrew: Historical dictionary of film noir. - Lanham, Maryland; Toronto; Plymouth: Scarecrow Press 2010. (= Historical Dictionaries of Literature and the Arts 38.)
Reviews:
Fischer, Ralf Michael: Film Noir-Enzyklopädien. In: Medienwissenschaft 2011. No. 2. pp. 248-251.
Index:
Film Noir ~ Film Noir

#648
Spicer, Andrew: Problems of memory and identity in neo-noir’s existentialist antihero. In: The philosophy of neo-noir. Edited by Mark T. Conard. - Lexington, Kentucky: University Press of Kentucky 2007. (= The philosophy of popular culture.) p. ?P.
Index:
Helden ~ Heros
Existentialismus ~ Existentialism
Philosophie ~ Philosophy
Film Noir ~ Film Noir

#649
Staiger, Janet: Film Noir as male melodrama: The politics of film genre labeling. In: The shifting definitions of genre: Essays on labeling films, television shows and media. Edited by Lincoln Geraghty and Mark Jancovich. - Jefferson, North Carolina: McFarland 2008. pp. 71 ff.
Index:
Männer ~ Men
Film Noir ~ Film Noir

#650
Staiger, Janet: Future noir: Contemporary representations of visionary cities. In: East-West Film Journal 3. 1988. No. 1. [December] pp. 20-44.
Description:
On the representation of a futuristic city in film. Discusses, among others, H. G. Wells’s When the Sleeper Awakes, William Cameron Menzies’s Things to Come, Ridley Scott’s Blade Runner and Terry Gilliam’s Brazil.
Index:
Wells, Herbert George
Menzies, William Cameron
Scott, Ridley
Gilliam, Terry
Blade Runner (1982)
Things to Come (1936)
Brazil (1985)
Literatur ~ Literature
Utopie ~ Utopia
Stadt ~ City
Film Noir ~ Film Noir
When the Sleeper Awakes (Literatur ~ Literature)

#651
Starman, Ray: TV noir: The twentieth century. - Troy, New York: Troy Book Makers 2010.
Index:
Film Noir ~ Film Noir
Fernsehen ~ Television

#652
Stefani, Jean-Philippe: Au commencement était le verbe ... et le verbe s’est fait chair. In: Positif 1996. No. 420. [?D] pp. 92-94.
Description:
On American neo-noir films.
Index:
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#653
Steinbauer-Götsch, Barbara: "Two shadowy figures framed à la Siodmak ...": Der deutsche Stummfilm, die Filmexilanten und der amerikanische Film Noir. In: Filmexil 1995. No. 6. [July] pp. 53-71.
Description:
On the American reception of the film aesthetic used by the German expressionistic film.
Index:
Stummfilm ~ Silent Film
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir
Expressionismus ~ Expressionism
Deutschland ~ Germany

#654
Steinbauer-Grötsch, Barbara: Der Schatten Caligaris: Die Adaption deutscher Stummfilm-/früher Tonfilmtradition und die Rolle der deutschsprachigen Filmexilanten im amerikanischen film noir der 40er und 50er Jahre. - Erlangen: Universität Erlangen-Nürnberg, Dissertation 1993.
Index:
Cabinet des Dr. Caligari, Das (1919)
Stummfilm ~ Silent Film
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir
Deutschland ~ Germany

#655
Steinbauer-Grötsch, Barbara: Die lange Nacht der Schatten: Film noir und Filmexil. 2. überarbeitete Auflage. - Berlin: Bertz Verlag 2000. (= Arte Edition)
First edition:
[1997]
Index:
Nacht ~ Night
Film Noir ~ Film Noir

#656
Steinbauer-Grötsch, Barbara: Die lange Nacht der Schatten: Film noir und Filmexil. 3. überarbeitete Auflage. - Berlin: Bertz + Fischer 2005.
First edition:
[1997]
Index:
Nacht ~ Night
Film Noir ~ Film Noir

#657
Steinbauer-Grötsch, Barbara: Die lange Nacht der Schatten: Film noir und Filmexil. - Berlin: Bertz Verlag 1997. (= Deep Focus 1.)
Reviews:
Baer, Volker: [untitled] In: Film-Dienst 50. 1997. No. 18. [September 2] p. 36.
Brandlmeier, Thomas: 2 x Film noir und Exil. In: EPD Film 14. 1997. No. 9. [September] pp. 14-15.
Kabatek, Wolfgang: [untitled] In: Medienwissenschaft 1998. No. 2. pp. 226-227.
Index:
Nacht ~ Night
Film Noir ~ Film Noir

#658
Stephens, Bob: Dark horizon: The landscape of horror noir. In: Films in Review 47. 1996. No. 1/2. [January/February] pp. 18-25.
Description:
On the influence of film noir on the 1940s horror film.
Index:
Natur ~ Nature
Horror ~ Horror
Film Noir ~ Film Noir

#659
Stephens, Michael L.: Film Noir: A comprehensive, illustrated reference to movies, terms and persons. - Jefferson, North Carolina; London: McFarland & Company 1995.
Reviews:
Svehla, Gary J.: [untitled] In: Midnight Marquee 1996. No. 50. [?D] p. 88.
Index:
Film Noir ~ Film Noir

#660
Sternagel, Jörg: "Hard wet rain": Der Neo-Noir und das New American Cinema in der Tradition des amerikanischen "film noir". In: Literatur in Wissenschaft und Unterricht 34. 2001. No. 2. [?D] pp. 151-171.
Description:
Discusses, among others, Martin Scorsese’s Bringing Out the Dead and David Fincher’s Fight Club.
Index:
Scorsese, Martin
Fincher, David
Bringing Out the Dead (1999)
Fight Club (1999)
USA (United States of America) ~ USA (United States of America)
Film Noir ~ Film Noir

#661
Sterneborg, Anke: Film noir auf dem High-School-Campus: Rian Johnsons Brick in einer Steelbook-Special-Edition. In: EPD Film 24. 2007. No. 9. [September] p. 60.
Index:
Johnson, Rian
Brick (2005)
Pädagogik ~ Paedagogy
Film Noir ~ Film Noir

#662
Stumpf, Melanie: Im Spiegelkabinett von expressionistischem Stummfilm, Film noir, Manga, Anime und japanischem Computerspiel. - Hildesheim: Universitätsbibliothek Hildesheim 2013.
Index:
Technik: Computer ~ Technology: Computer
Stummfilm ~ Silent Film
Spiegel ~ Mirror
Japan ~ Japan
Film Noir ~ Film Noir
Expressionismus ~ Expressionism
Experimentalfilme ~ Experimental Films
Animation: Comics ~ Animation: Comics

#663
Stumpf, Melanie: Im Spiegelkabinett von expressionistischem Stummfilm, Film noir, Manga, Anime und japanischem Computerspiel. - Hildesheim: Universität Hildesheim, Dissertation 2011.
Index:
Technik: Computer ~ Technology: Computer
Stummfilm ~ Silent Film
Spiegel ~ Mirror
Japan ~ Japan
Film Noir ~ Film Noir
Expressionismus ~ Expressionism
Experimentalfilme ~ Experimental Films
Animation: Comics ~ Animation: Comics

#664
Tarantino, Quentin: "Ich mache kein Neo-noir". Aus dem Amerikanischen von Peter Körte. In: Frankfurter Rundschau. 3. November 1994. p. ?P.
Description:
The director on his film Pulp Fiction.
Index:
Tarantino, Quentin
Pulp Fiction (1994)
Film Noir ~ Film Noir

#665
Telotte, J. P.: Fatal capers: Strategy and enigma in film noir. In: Journal of Popular Film and Television 23. 1996. No. 4. [?D] pp. 163-170.
Index:
Film Noir ~ Film Noir

#666
Telotte, J. P.: The big clock of "film noir". In: Film Criticism 14. 1989/1990. No. 2. [?D] pp. 1-11.
Description:
Discusses John Farrow’s The Big Clock as well as Otto Preminger’s Laura and Robert Aldrich’s Kiss Me Deadly.
Index:
Farrow, John
Preminger, Otto
Aldrich, Robert
Big Clock, The (1948)
Laura (1944)
Kiss Me Deadly (1955)
Film Noir ~ Film Noir

#667
Telotte, J. P.: The call of desire and the film noir. In: Literature/Film Quarterly 17. 1989. No. 1. [January] pp. 50-58.
Description:
Discusses, among others, Edgar G. Ulmer’s Detour, Anatole Litvak’s Sorry, Wrong Number and Fritz Lang’s The Blue Gardenia.
Index:
Ulmer, Edgar G[eorge]
Litvak, Anatole
Lang, Fritz
Detour (1946)
Sorry, Wrong Number (1948)
Blue Gardenia, The (1952/1953)
Film Noir ~ Film Noir

#668
Telotte, J. P.: Voices from the deep: Film noir as psychodrama. In: Film noir reader 4: The crucial films and themes. Edited by Alain Silver and James Ursini. - Pompton Plains, New Jersey: Limelight Editions / Milwauke, Wisconsin: Hal Leonard 2004. p. ?P.
Index:
Psychologie ~ Psychology
Film Noir ~ Film Noir

#669
Telotte, J. P.: Voices in the dark: The narrative patterns of Film Noir. - Urban, Champaign: University of Illinois Press 1989.
Reviews:
Sorlin, Pierre: [untitled] In: Historical Journal of Film, Radio and Television 11. 1991. No. 2. [?D] pp. 189-191.
Index:
Film Noir ~ Film Noir

#670
Tendre, Claire: From Hell: Encore plus noir que vous ne pensez ... In: L’Écran Fantastique 2002. No. 218. [February] pp. 32-37.
Index:
Hughes, Allen
Hughes, Albert
From Hell (2001)
Film Noir ~ Film Noir

#671
Tessier, Max: Diable noir et dieu d’argent: Entretien avec Andrzej Zulawski. In: La Revue du Cinéma 1990. No. 456. [?D] pp. 60-63.
Description:
Discusses, among others, Le Diable (Diabel) and Sur le globe d’argent (Na srebnym globie).
Index:
Zulawski, Andrzej
Diabel (1972)
Na srebnym globie / Zwyciezca (1977/1987)
Film Noir ~ Film Noir

#672
Thompson, Peggy / Usukawa, Saeko: Hard boiled: Great lines from classic noir films. - ?O: Studio Vista / London: Cassell 1995.
Reviews:
Turner, George: [untitled] In: American Cinematographer 77. 1996. No. 2. [February] p. 101.
Index:
Film Noir ~ Film Noir

#673
Thompson, Peggy / Usukawa, Saeko: Hard boiled: Great lines from classic noir films. - San Francisco: Chronicle Books 1996.
Index:
Film Noir ~ Film Noir

#674
A thousand avenues, dark, seedy and glistening with evening rain. In: Screen Education 2005. No. 37. [?D] pp. 62-68.
Description:
On recent new-noir film.
Index:
Film Noir ~ Film Noir

#675
Tomasovic, Dick: Le palimpseste noir. - ?O: ?V ?J.
Reviews:
Rauger, Jean-François: Fictions théoriques. In: Cinéma [Paris] 2003. No. 5(?N). [Spring] pp. 12-20.
Index:
Film Noir ~ Film Noir

#676
Toracca, Tiziano: La fiamma del peccato: Banalità e ironie delle ombre. In: I fantasmi del moderno: Temi e figure del cinema noir. A cura di Mario Pezzella e Antonio Tricomi. - Ancona: Cattedrale 2010. (= Immagini di pensiero 1.) pp. 93 ff.
Index:
Wilder, Billy
Double Indemnity (1944)
Film Noir ~ Film Noir