Bibliografie des fantastischen Films / Bibliography of Fantastic Film
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Bibliografie des fantastischen Films / Bibliography of Fantastic Film
Bibliografie des Fantastischen Films
Bibliography of Fantastic Film
literature list results

The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|

literature list on: Hitchcock, Alfred

number of items: 2683

You can download this literature list as ASCII text file.

Abbreviations
?O City of publication unknown
?V Publishing company unknown
?J Year of publication unknown
?N Issue number unknown
?G Volume number unknown
?D Date of publication unknown
?P Number of pages unknown
?R Series number unknown
Literature list

#1
A chacun son Hitchcock. In: Cinéma [Paris] 1990. No. 467. [?D] pp. 31-37.
Description:
Collection of short statements by directors, actors and critics on Hitchcock.
Index:
Hitchcock, Alfred

#2
A chacun son Hitchcock [II]. In: Cinéma [Paris] 1990. No. 469. [?D] pp. 26-27.
Description:
Collection of short statements by directors, actors and critics on Hitchcock.
Index:
Hitchcock, Alfred

#3
A. H., biofilmografíe de Alfred Hitchcock. - Buenos Aires: Cine Club Núcleo 1960. (= Cine-ensayo 1.)
Index:
Hitchcock, Alfred

#4
Aachen, George: Psycho. In: Reid’s Film Index ?G. 1992. No. 8. [?D] pp. 116-119.
Index:
Hitchcock, Alfred
Psycho (1960)

#5
Aachen, George: Vertigo. In: Reid’s Film Index ?G. 1993. No. 10. [?D] pp. 180-184.
Index:
Hitchcock, Alfred
Vertigo (1958)

#6
Abel, Richard: Notorious: Perversion par excellence. In: Wide Angle 1. 1979. No. 1. [?D] pp. 66-71.
Index:
Hitchcock, Alfred
Notorious (1946)

#7
Abel, Richard: Notorious: Perversion par excellence. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Notorious (1946)

#8
Abel, Richard: Stage Fright: The knowing performance. In: Film Criticism 11. 1987. No. 1/2. [?D] pp. 5-14.
Index:
Hitchcock, Alfred
Stage Fright (1950)

#9
Abel, Richard: Stage Fright: The knowing performance. In: Film Criticism 9. 1984/1985. No. 2. [?D] pp. 41-50.
Index:
Hitchcock, Alfred
Stage Fright (1950)

#10
Abramson, Leslie H.: In the eye of the director: Self-reflexivity in the films of Alfred Hitchcock. - Chicago, Illinois: University of Chicago, Ph.D. 1997. [Abstract in: Dissertation Abstracts International A 58. 1998. No. 10. (April) p. 3761A.]
Index:
Hitchcock, Alfred
Augen ~ Eyes

#11
Abramson, Leslie H.: Stranger(s) than fiction: Adaptation, modernity, and the menace of fan culture in Hitchcock’s Strangers on a Train. In: Hitchcock and adaptation: On the page and screen. Edited by Mark Osteen. - Lanham, Maryland: Rowman & Littlefield 2014. p. ?P.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)
Angst ~ Fear

#12
Abramson, Leslie H.: The savage audience: Looking at Hitchcock’s The Birds. In: Film & History 41.2011. No. 2. [Fall] pp. 19-28.
Index:
Hitchcock, Alfred
Birds, The (1962)
Gewalt ~ Violence

#13
Abrash, Merritt: Hitchcock’s terrorists: Sources and significance. In: Literature/Film Quarterly 39. 2011. No. 3. [?D] p. 165-173.
Index:
Hitchcock, Alfred

#14
Ackermann, Christiane: "Paging Mr. George Kaplan!": "Der unsichtbare Dritte" und die filmische Hervorbringung des Agenten: Alfred Hitchcocks North by Northwest. In: Ich ist ein Agent: Ästhetische und politische Aspekte des Spionagefilms. Hrsg. von Heinz J. Drügh und Volker Mergenthaler. - Würzburg: Königshausen und Neumann 2005. (= Film, Medium, Diskurs 5.) pp. 69 ff.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Politik ~ Politics
Spione ~ Spys

#15
Ackroyd, Peter: Alfred Hitchcock. - London: Chatto & Windus 2015.
Reviews:
Miller, Henry K.: Man of mystery. In: Sight and Sound NS 25. 2015. No. 5. [May] pp. 104-105.
Index:
Hitchcock, Alfred

#16
Adair, Gene: Alfred Hitchcock: Filming our fears. - Oxford: Clarendon Press / New York: Oxford University Press 2002. (= Oxford portraits.)
Index:
Hitchcock, Alfred
Angst ~ Fear

#17
After Hitchcock: Influence, imitation, and intertextuality. Edited by David Boyd and R. Barton Palmer. - Austin, Texas: University of Texas Press 2006.
Reviews:
Armstrong, Stephen B.: [untitled.] In: Film Quarterly 63. 2009. No. 1. [Fall] pp. 80-81.
Domizio, Ricardo: [untitled.] In: Clues 26. 2008. No. 2. [?D] pp. 96-97.
Index:
Hitchcock, Alfred

#18
Agenten-Thriller. In: Thriller: Kino, das an den Nerven zerrt: Verhängnisvolle Affären, manische Psychopathen und ultracoole Cops. Hrsg. von Dirk Manthey und Jörg Altendorf. Redaktion: Willy Loderhose. Autoren: Adolf Heinzelmeier und Tilo Knops. - Hamburg: Kino Verlag 1991. (= Cinema Filmbuch.) pp. 54-63.
Description:
Discusses Michael Apted’s Gorky Park, Hitchcock’s North By Northwest, Sydney Pollack’s The Three Days of the Condor and John Schlesinger’s Marathon Man.
Index:
Apted, Michael
Hitchcock, Alfred
Pollack, Sydney
Schlesinger, John
Gorky Park (1983)
North by Northwest (1959)
Three Days of the Condor, The (1974)
Marathon Man (1976)
Spione ~ Spys
Psychologie ~ Psychology
Thriller ~ Thriller

#19
Agnel, Aimé: Hitchcock et l’ennui: Une psychologie à l’oeuvre. - Paris: Ellipses 2011.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#20
Ahlava, Antti / Ketola, Kimmo: Outous Hitchtcockilla ja nykyarkkitehtuurissa. In: Filmihullu 1999. No. 4. [?D] pp. 30-36.
Description:
Psychoanalytic examination of the uncanny in the horror film and in architecture. Discusses the films of Alfred Hitchcock and the work of the architects Peter Eisenman, Jacques Herzog and Pierre de Meuron.
Index:
Hitchcock, Alfred
Eisenman, Peter
Herzog, Jacques
Meuron, Pierre de
Psychologie ~ Psychology
Horror ~ Horror
Architektur ~ Architecture
Angst ~ Fear

#21
Aktsoglou, Bampes: Alphrent Chitskok. - Athens: Aigokeros 1985. (= Kinematographiko archeio 18.)
Index:
Hitchcock, Alfred

#22
Alberich, Enrique: Alfred Hitchcock: El poder de la imagen. - Barcelona: Publ. Fabregat 1987. (= Dirigido por... 4.)
Index:
Hitchcock, Alfred

#23
Alfred Hitchcock. - Berlin: Epilogmedia 2010. (= Epilog 3.)
Index:
Hitchcock, Alfred

#24
Alfred Hitchcock. In: Wide Angle 4. 1980. No. 1. [?D] pp. 4-61.
Description:
Special section containing seven articles on the director, especially on the motif of sexuality in his films.
Index:
Hitchcock, Alfred
Sexualität ~ Sexuality

#25
Alfred Hitchcock. - Lisbon: Cinemateca Portuguesa / FundaçÆo Calouste Gulbenkian 1982.
Index:
Hitchcock, Alfred

#26
Alfred Hitchcock - der Filmverführer: Un-Schuld im Spannungsfeld von Ethik und Ästhetik. Hrsg. von Nikolai Wojtko. - Hamburg: Kovac 2005. (= Schriften zur Medienwissenschaft 11.)
Index:
Hitchcock, Alfred
Verführung ~ Seduction

#27
Alfred Hitchcock: Centenary essays. Edited by Richard Allen and Sam Ishii-Gonzalès. - London: British Film Institute / Bloomington, Indiana: Indiana University Press 1999.
Reviews:
Ciment, Michel: [untitled] In: Positif 2000. No. 470. [April] p. 104.
Pisters, Patricia: Honderd Hitchcocks. In: Skrien 2000. No. 241. [March] p. 60.
Index:
Hitchcock, Alfred

#28
Alfred Hitchcock: Critical evaluations of leading film-makers. Edited by Neil Badmington. - New York: Routledge 2014.
Index:
Hitchcock, Alfred

#29
Alfred Hitchcock, director. In: Newsweek 47. 1956. No. ?N. [June 11]. pp. 105-108.
Index:
Hitchcock, Alfred

#30
Alfred Hitchcock. Hrsg. von Lars-Olav Beier und Georg Seeßlen. - Berlin: Bertz Verlag 1999. (= Reihe film 7.)
Reviews:
Barg, Werner C.: [untitled] In: Medienwissenschaft 2000. No. 3. pp. 330-332.
Hesse-Lichtenberger, Ulrich: Zwei Höhepunkte aus all den Geburtstags-Büchern zu Ehren von Sir Alfred Hitchcock. In: Steadycam 1999. No. 3(39). [?D] pp. 20-21.
Mörchen, Roland: [untitled] In: Film-Dienst 52. 1999. No. 18. [August 31] p. 36.
Worschech, Rudolf: All About Alfred? In: EPD Film 17. 2000. No. 7. [July] p. 7.
Description:
Includes an annotated filmography.
Index:
Hitchcock, Alfred

#31
Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.)
Index:
Hitchcock, Alfred

#32
Alfred Hitchcock: La critica, il pubblico, le fonti letterarie. Convegno internazionale di studi "Premio Fiesole ai maestri del cinema" 1979. A cura di Roberto Salvadori. - Firenze: la casa Usher 1981. (= Saggi 10.)
Index:
Hitchcock, Alfred

#33
Alfred Hitchcock: La vertigine del delitto 1980/1990. A cura di Alberto Morsiani e Francesco Morsiani. - Modena: Comune di Modena, Assessorato alla Cultura, Ufficio Cinema / ?O: Arci Nova, AICS, ENARS ACLI, ENDAS 1990.
Reviews:
Comuzio, Ermanno: [untitled] In: Cineforum 30. 1990. No. 11(299). [?D] p. 112.
Index:
Hitchcock, Alfred

#34
Alfred Hitchcock. Textes reunis par Jean Norboni [et al.]. - Paris: Ed. de l’Etoile 1980. (= Cahiers du Cinéma: Hors-Série 8.)
Index:
Hitchcock, Alfred

#35
Alfred Hitchcock. Vorträge vom 2. Mannheimer Filmseminar im März 2003. Mit Beiträgen von Peter Bär [et al.]. - Mannheim: Cinema Quadrat 2003. (= Im Dialog: Psychoanalyse und Filmtheorie Band 1.)
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#36
Alfred Hitchcock’s Berüchtigt! Text von Almut Oetjen. - Stuttgart: Verlag Uwe Wiedleroither 2002. (= Filmprogram 302.)
Description:
On Alfred Hitchcock’s Notorious.
Index:
Hitchcock, Alfred
Notorious (1946)

#37
Alfred Hitchcock’s borrowers of the night. Edited by Cathleen Jordan. Large print edition. - ?O: Chivers N. M. 1993.
Index:
Hitchcock, Alfred
Nacht ~ Night

#38
Alfred Hitchcock’s Psycho: A casebook. Edited by Robert Kolker. - Oxford; New York: Oxford University Press 2004. (= Casebooks in criticism.)
Index:
Hitchcock, Alfred
Psycho (1960)

#39
Alfred Hitchcock’s Psycho. Mit Beiträgen von Frank Arnold [et al.]. Hrsg. von Frank Schnelle. - Stuttgart: Verlag Robert Fischer + Uwe Wiedleroither 1993.
Description:
Includes a content protocoll plus texts on the film and its reception history.
Index:
Hitchcock, Alfred
Psycho (1960)

#40
Alfred Hitchcock’s Rear Window. Edited by John Belton. - Cambridge: Cambridge University Press 2000. (= The Cambridge University Press Film Handbooks.)
Reviews:
Ciment, Michel: [untitled] In: Positif 2000. No. 470. [April] p. 104.
Williams, Linda Ruth: [untitled] In: Sight and Sound NS 10. 2000. No. 8. [August] p. 32.
Index:
Hitchcock, Alfred
Rear Window (1954)

#41
Alfred Hitchcock’s Saboteur. In: Theatre Arts 26. 1942. No. 5. [May] p. 319.
Index:
Hitchcock, Alfred
Saboteur (1942)

#42
Alfred Hitchcock’s tales of the supernatural and the fantastic. Edited by Cathleen Jordan. - ?O: Smithmark Publications 1993.
Index:
Hitchcock, Alfred
Wunder ~ Miracles

#43
Alioff, Maurie: Haunted by Hitchcock: Robert Lepage’s Le Confessionnal. In: Take One ?G. 1995. No. 9. [Fall] pp. 8-15.
Index:
Lepage, Robert
Hitchcock, Alfred
Confessional, Le (1995)

#44
Alion, Yves: Le crime était presque parfait. In: La Revue du Cinéma 1992. No. 483. [June] p. 49.
Description:
On Alfred Hitchcock’s Dial M for Murder.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#45
All about Alfred: Hitchcock-Bibliographie. Zusammengestellt von Hans Jürgen Wulff. - Münster: Münsteraner Arbeitskreis für Semiotik 1983. (= MAkS-Publikationen.)
Index:
Hitchcock, Alfred

#46
All about Alfred: Hitchcock-Bibliographie. Zusammengestellt von Hans Jürgen Wulff. Neuausgabe. - Münster: Münsteraner Arbeitskreis für Semiotik 1988. (= MAkS-Publikationen.)
First edition:
[1983]
Reviews:
Kaufmann, Anette: [untitled] In: Medienwissenschaft 1988. No. 3. p. 302.
Index:
Hitchcock, Alfred

#47
All about Alfred: Hitchcock-Bibliographie. Zusammengestellt von Hans Jürgen Wulff. Erweiterte Neuausgabe als Public-Domain-Disketten-Edition. - Berlin: Gesellschaft für Theorie und Geschichte ausdiovisueller Kommunikation 1996.
Index:
Hitchcock, Alfred

#48
All about Alfred: Hitchcock-Bibliographie. Zusammengestellt von Hans-Jürgen Wulff. - Westerkappeln: Eigenvertrieb Hans-Jürgen Wulff (1996)
Index:
Hitchcock, Alfred

#49
Allen, Jeanne: Looking through Rear Window: Hitchcock’s traps and lures of heterosexual romance. In: Female spectators: Looking at film and television. Edited by E. Deidre Pribram. - London; New York: Verso 1988. (= Questions for feminism.) pp. 31-44.
Reviews:
Quart, Barbara: [untitled] In: Film Quarterly 45. 1991/1992. No. 2. [Winter] pp. 47-48.
Index:
Hitchcock, Alfred
Rear Window (1954)
Frauen ~ Women
Fernsehen ~ Television
Sexualität ~ Sexuality

#50
Allen, Jeanne T. / Palmer, R. Barton: Jeanne T. Allen responds to R. Barton Palmer’s "The metafictional Hitchcock: The experience of viewing and the viewing of experience in Rear Window and Psycho". In: Cinema Journal 25. 1986. No. 4. pp. 54-58.
Index:
Hitchcock, Alfred
Rear Window (1954)
Psycho (1960)

#51
Allen, Richard: An interview with Jay Presson Allen. In: Hitchcock Annual 2000. pp. 3-22.
Index:
Hitchcock, Alfred
Presson, Jay
Marnie (1963/1964)

#52
Allen, Richard: An interview with Jay Presson. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred
Presson, Jay
Marnie (1963/1964)

#53
Allen, Richard: Avian metaphor in The Birds. In: Hitchcock Annual 1994. pp. 40-67.
Index:
Hitchcock, Alfred
Birds, The (1962)

#54
Allen, Richard: Avian metaphor in The Birds. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred
Birds, The (1962)

#55
Allen, Richard: Avian metaphors in The Birds. In: Hitchcock Annual 1997. pp. 40-67.
Index:
Hitchcock, Alfred
Birds, The (1962)

#56
Allen, Richard: Belle du jour et Marnie. In: The Psychoanalytic Review 82. 1995. No. 6. [?D] pp. 933-936.
Index:
Buñuel, Luis
Hitchcock, Alfred
Belle de jour (1966)
Marnie (1963/1964)
Psychologie ~ Psychology

#57
Allen, Richard: Daphne du Maurier and Alfred Hitchcock. In: A companion to literature and film. Edited by Robert Stam and Alessandra Raengo. - Malden, Massachussetts; Oxford: Blackwell 2004. (= Blackwell companions in cultural studies 7.)
Index:
Hitchcock, Alfred
Du Maurier, Daphne
Literatur ~ Literature

#58
Allen, Richard: Hitchcock and Cavell. In: Journal of Aesthetics and Art Criticism 64. 2006. No. 1. [?D] pp. 43-53.
Index:
Cavell, Stanley
Hitchcock, Alfred

#59
Allen, Richard: Hitchcock, knowledge, and sexual difference. In: Recognition: The poetics of narrative: Interdisciplinary studies on anagnorisis. Edited by Philip F. Kennedy and Marilyn Lawrence. - New York; Frankfurt/Main: Lang 2009. (= Studies on themes and motifs in literature 96.) pp. 135-162.
Index:
Hitchcock, Alfred
Sexualität ~ Sexuality

#60
Allen, Richard: Hitchcock, or the pleasures of metascepticism. In: October 1999. No. 89. [Summer] pp. 69-86.
Index:
Hitchcock, Alfred

#61
Allen, Richard: Hitchcock’s legacy. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred

#62
Allen, Richard: Hitchcock’s romantic irony. - New York: Columbia University Press 2007. (= Film and culture.)
Reviews:
Cohen, Paula Marantz: [untitled.] In: The Times Literary Supplement, September 5, 2008. p. 12.
Greven, David: [untitled.] In: Cineaste 33. 2008. No. 3. [?D] pp. 78.
LeBlanc, Lisa: [untitled.] In: Journal of Popular Culture 41. 2008. No. 5. [?D] pp. 891-893.
Sterritt, David: [untitled.] In: Film Quarterly 62. 2009. No. 3. [Spring] pp. 83-84.
Index:
Hitchcock, Alfred
Romantik ~ Romanticism

#63
Allen, Richard: Introduction. In: Hitchcock: Past and future. Edited by Richard Allen and Sam Ishii-Gonzales. - London; New York: Routledge 2004. p. ?P.
Index:
Hitchcock, Alfred

#64
Allen, Richard: Sir John and the half-caste: Identity and representation in Hitchcock’s Murder!. In: Hitchcock Annual 2004/2005. pp. 192-126.
Index:
Hitchcock, Alfred
Murder (1930)

#65
Allen, Richard: The Lodger and the origins of Hitchcock’s aesthetic. In: Hitchcock Annual 2001/2002. pp. 38-78.
Index:
Hitchcock, Alfred
Lodger, The: A Story of the London Fog (1927)

#66
Allen, T.: Hitchcock’s half-century grin. In: America: The National Catholic Weekly 134. 1976. No. ?N. [April 3] pp. 290-291.
Index:
Hitchcock, Alfred

#67
Almansi, Renato J.: Alfred Hitchcock’s disappearing women: A study in scopophilia and object loss. In: International Review of Psycho-Analysis 19. 1992. No. 1. [Spring] pp. 81-90.
Description:
Psychoanalytic examination on Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
Psychologie ~ Psychology
Frauen ~ Women

#68
Alpigiano, Jean-Luc: Vertigo ou les puissances de l’imaginaire. In: Trafic 1997. No. 22. [Summer] pp. 103-108.
Index:
Hitchcock, Alfred
Vertigo (1958)

#69
Alter, Ethan: Psycho. In: Alter, Ethan: Film firsts: The 25 movies that created contemporary American cinema. - Santa Barbara, California: Praeger 2014. p. ?P.
Index:
Hitchcock, Alfred
Psycho (1960)
USA (United States of America) ~ USA (United States of America)

#70
Altman, Mark A.: Lifepod. In: Cinefantastique 24. 1993. No. 3/4. [October] pp. 116-117.
Description:
On Ron Silver’s version of the Hitchcock classic Lifeboat.
Index:
Silver, Ron
Hitchcock, Alfred
Lifepod (1993)
Lifeboat (1943)

#71
Ames, Deborah Lee: Vertigo: The nomenclature of despair. In: Hitchcock Annual 1997/1998. pp. 153-167.
Description:
On the motif of self identity and the christian and existentialist motifs in the film.
Index:
Hitchcock, Alfred
Vertigo (1958)
Existentialismus ~ Existentialism
Religion ~ Religion

#72
Ancelin, Pierre: À l’écoute de l’Amérique: Blow Out. In: L’Art du Cinéma 2001/2002. No. 35-37. [Winter] pp. 77-126.
Description:
Compares Brian De Palma’s Blow Out with Alfred Hitchcock’s Psycho and Michelangelo Antonioni’s Blow Up.
Index:
De Palma, Brian
Hitchcock, Alfred
Antonioni, Michelangelo
Blow Out (1981)
Psycho (1960)
Blow Up (1966)
USA (United States of America) ~ USA (United States of America)

#73
Andrew, Geoff: On pure cinema. In: Time Out 1991. No. 1063. [?D] p. 34.
Description:
Compares Brian De Palma with Alfred Hitchcock.
Index:
De Palma, Brian
Hitchcock, Alfred

#74
Andrew, Geoff: Watch a cock. In: Time Out 1993. No. 1202. [September 1] p. 66.
Description:
On Alfred Hitchcock.
Index:
Hitchcock, Alfred

#75
Ankerich, Michael: Psyched-up for Psycho. In: Classic Images 1995. No. 243. [September] pp. 32, C2, C4.
Description:
Interview with Janet Leigh on the Hitchcock classic.
Index:
Hitchcock, Alfred
Leigh, Janet
Psycho (1960)
Psychologie ~ Psychology

#76
Ansen, David: Minister of fear. In: Newsweek 95. 1980. No. ?N [May 12]. pp. 87-88.
Description:
Orbituary on Alfred Hitchcock.
Index:
Hitchcock, Alfred
Angst ~ Fear

#77
Ansen, David: Psycho analysis. In: Newsweek 132. 1998. No. ?N [December 7]. pp. 70-71.
Index:
Van Sant, Gus
Hitchcock, Alfred
Psycho (1998)
Psycho (1960)

#78
Antolini, Andrea: Hitchcock: Umano disumano. - Alessandria: Falsopiano 2010. (= Cinema.)
Index:
Hitchcock, Alfred

#79
Apers, M.: See you, Hitch. In: Film en Televisie 1980. No. 278/279. [July/August] pp. 28-29.
Description:
Obituary.
Index:
Hitchcock, Alfred

#80
Aprà, Adriano: Un malato, un drogato? In: Bianco e Nero 57. 1996. No. 3/4. [?D] pp. 23-26.
Index:
Hitchcock, Alfred
Vertigo (1958)

#81
Arabov, Jurij: Konsol’ Hickoka. In: Iskusstvo Kino 1999. No. 8. [August] pp. 46-50.
Description:
On Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)

#82
Araújo, Inácio: Alfred Hitchcock. - SÆo Paulo: Brasiliense 1982. (= ColeçÆo Encanto radical 15.)
Index:
Hitchcock, Alfred

#83
Ardolino, Frank: The iconic influence of the Dead: Iconoclasm and idolatry in Hitchcock’s Rebecca, Vertigo, and Psycho. In: Journal of Evolutionary Psychology 12. 1991. No. 1/2. [March] pp. 130-141.
Index:
Hitchcock, Alfred
Rebecca (1940)
Vertigo (1958)
Psycho (1960)

#84
Arecco, Sergio: Il killer della luna di miele. In: Filmcritica 51. 2001. No. 513. [March] pp. 101-110.
Description:
Discusses, among others, Tod Browning’s Dracula, Alfred Hitchcock’s The Man Who Knew Too Much and Pedro Almodóvar’s La ley dei deseo.
Index:
Browning, Tod
Hitchcock, Alfred
Almodóvar, Pedro
Dracula (1930)
Man Who Knew Too Much, The (1934)
Man Who Knew Too Much, The (1956)
ley del deseo, La (1986)
Mord ~ Murder

#85
Arginteanu, Judy: The movies of Alfred Hitchcock. - Minneapolis, Minnesota: Lerner Publications 1994.
Index:
Hitchcock, Alfred

#86
Aristarco, G.: Il 30 aprile più del 5 maggio. In: Cinema Nuovo 29. 1980. No. 266. [August] pp. 7-9.
Description:
Obituary for Alfred Hitchcock.
Index:
Hitchcock, Alfred

#87
Arnaud, Philippe: L’engendrement des images: Vertigo d’Alfred Hitchcock. In: Cinémathèque 1995. No. 8. [Autumn] pp. 24-32.
Index:
Hitchcock, Alfred
Vertigo (1958)

#88
Arnold, Frank: Du hast nur 23 Minuten: Alfred Hitchcocks Fernseharbeiten. In: Alfred Hitchcock. Hrsg. von Lars-Olav Beier und Georg Seeßlen. - Berlin: Bertz Verlag 1999. (= Reihe film 7.) pp. 163-184.
Index:
Hitchcock, Alfred
Fernsehen ~ Television

#89
Arnold, Frank: Mann und Muse: Hitchcock und The Girl: Zwei Filme über die Obsessionen des Meisters. In: EPD Film 30. 2013. No. 11. [November] p. 60.
Description:
On two DVD editions.
Index:
Gervasi, Sacha
Jarrold, Julian
Hitchcock, Alfred
Hitchcock (2012)
Girl, The (2012)
DVD ~ DVD

#90
Arnold, Frank: Thriller-Kombinat. In: EPD Film 26. 2009. No. 3. [March] p. 15.
Description:
On a Hitchcock exhibition at tne Museum for Film and Television Berlin.
Index:
Hitchcock, Alfred
Thriller ~ Thriller
Fernsehen ~ Television
Berlin ~ Berlin

#91
Arslan-Erben, Nusin: Dramatic slices of cake: Schauspielen und andere Ver-Stellungen in den Filmen The Thirty-Nine Steps, Notorius & Vertigo von Alfred Hitchcock. - Wien: Universität für Angewandte Kunst Wien, Diplom-Arbeit 1999.
Index:
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)
Notorious (1946)
Vertigo (1958)

#92
Atkinson, David: Hitchcock’s techniques tell Rear Window story. In: American Cinematographer 71. 1990. No. 1. [January] pp. 34-40.
Index:
Hitchcock, Alfred
Rear Window (1954)
Technik ~ Technology

#93
Atkinson, Michael: Psycho-a-go-go. In: Village Voice 43. 1998. No. ?N. [December 22] p. 138.
Index:
Van Sant, Gus
Hitchcock, Alfred
Psycho (1998)
Psycho (1960)

#94
Atkinson, Michael: The Birds. In: Village Voice 43. 1998. No. ?N. [August 25] p. 123.
Index:
Hitchcock, Alfred
Birds, The (1962)

#95
Auböck, Tobias: The Downward Spiral - Repetition in Hitchcock’s Vertigo. - München: GRIN Verlag 2012.
Index:
Hitchcock, Alfred
Vertigo (1958)

#96
Auerbach, Jonathan / Gitelman, Lisa: Microfilm, containment, and the Cold War. In: American Literary History 19. 2007. No. 3. [?D] pp. 745-768.
Description:
Discusses, among others, Alfred Hitchcock’s North by Northwest, Roy William Neill’s Sherlock Holmes in Washington and Samuel Fuller’s Pickup on South Street.
Index:
Hitchcock, Alfred
Neill, Roy William
Fuller, Samuel
North by Northwest (1959)
Sherlock Holmes in Washington (1943)
Pickup on South Street (1953)
Krieg ~ War

#97
Auiler, Dan: Hitchcock’s notebooks: An unauthorized and illustrated look inside the creative mind of Alfred Hitchcock. - New York: Spike/ New York: Avon Books 1999.
Reviews:
Morrison, James: [untitled] In: Film Quarterly 55. 2001. No. 1. [Fall] pp. 62-64.
Turner, George: [untitled] In: American Cinematographer 80. 1999. No. 6. [June] p. 163.
Index:
Hitchcock, Alfred

#98
Auiler, Dan: Hitchcock’s secret notebooks: An authorized and illustrated look inside the creative mind of Alfred Hitchcock. - London: Bloomsbury 1999.
Reviews:
Berthomé, Jean-Pierre: [untitled] In: Positif 2000. No. 470. [April] pp. 102-103.
Index:
Hitchcock, Alfred

#99
Auiler, Dan: Les Cahiers de Hitchcock: Les secrets d’un créateur de génie. - Paris: Lattès 1999.
First edition:
[Hitchcock’s secret notebooks. - London: Bloomsbury 1999]
Reviews:
Berthomé, Jean-Pierre: [untitled] In: Positif 2000. No. 470. [April] pp. 102-103.
Index:
Hitchcock, Alfred

#100
Auiler, Dan / Rebello, Stephen: North by Northwest: The making of Hitchcock’s classic thriller. - London: Titan 2001.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Thriller ~ Thriller

#101
Auiler, Dan / Rebello, Stephen: North by Northwest: The making of Hitchcock’s classic thriller. - New York: St. Martin’s Press 2001.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Thriller ~ Thriller

#102
Auiler, Dan: Vertigo: The making of a Hitchcock classic. Foreword by Martin Scorsese. - New York: St. Martin’s Press 1998.
Reviews:
Paletz, Gabriel M.: [untitled] In: Film Quarterly 55. 2001. No. 1. [Fall] pp. 68-69.
Index:
Hitchcock, Alfred
Vertigo (1958)

#103
Auiler, Dan: Vertigo: The making of a Hitchcock classic. Foreword by Martin Scorsese. - London: Titan Books 1999.
First edition:
[New York: St. Martin’s Press 1998]
Reviews:
Bruzzi, Stella: [untitled] In: Sight and Sound NS 9. 1999. No. 2. [February] p. 31.
Paletz, Gabriel M.: [untitled] In: Film Quarterly 55. 2001. No. 1. [?D] pp. 68-69.
Index:
Hitchcock, Alfred
Vertigo (1958)

#104
Auiler, Dan: Vertigo: The making of a Hitchcock classic. - New York: Griffin 2001.
First edition:
[New York: St. Martin’s Press 1998]
Index:
Hitchcock, Alfred
Vertigo (1958)

#105
Aus dem Reich der Toten. - Nürnberg: Filmverlag Peter Schmidl 1994. (= Phantopia-Filmprogramm 286.)
Description:
On Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)

#106
Aus dem Reich der Toten (Vertigo). - Nürnberg: Verlag Karin Stähle ?J. (= Super 8 Filmblätter.)
Index:
Hitchcock, Alfred
Vertigo (1958)

#107
Auslandskorrespondent. - Vogt: Peter Kranzpiller ?J. (= Filmprogramm der Kinoszene 205.)
Index:
Hitchcock, Alfred
Foreign Correspondent (1940)

#108
Auslandskorrespondent. Text von Uwe Wiedleroither. - Stuttgart: Verlag Uwe Wiedleroither 1991. (= Filmprogramm 227.)
Description:
On Hitchcock’s Foreign Correspondent.
Index:
Hitchcock, Alfred
Foreign Correspondent (1940)

#109
Austad, Jonathan A.: Hemingway and Hitchcock: An examination of the aesthetic modernity. - Tallahassee, Florida: Florida State University, Ph.D. 2008. [Abstract in: Dissertation Abstracts International A 69. 2009. No. 7. (January).]
Index:
Hemingway, Ernest
Hitchcock, Alfred

#110
Austin-Smith, Brenda: Secrets, lies, and virtuous attachments: The Ambassadors and The 39 Steps. In: The men who knew too much: Henry James and Alfred Hitchcock. Edited by Susan Griffin and Alan Nadel. - Oxford; New York: Oxford University Press 2011. p. ?P.
Index:
James, Henry
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)
Ambassadors, The (Literatur ~ Literature)

#111
Auzel, Dominique: Alfred Hitchcock. - Toulouse: Milan 1997. (= Les Essentiels Milan 93.)
Index:
Hitchcock, Alfred

#112
Babineau, Dan: Stairs in cinema: A formal and thematic investigation. - Montreal, Quebec: Concordia University, M.A. 2004. [Abstract in: Masters Abstracts International 42. 2004. No. 6. p. 1904.]
Description:
Discusses the stair motif in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred

#113
Babington, Bruce: Launder and Gilliat. - Manchester; New York: Manchester University Press 2002. (= British film makers.)
Reviews:
Williams, Tony: In: Quarterly Review of Film and Video 21. 2004. No. 3. [?D] pp. 257-261.
Index:
Hitchcock, Alfred

#114
Backer, Ron: The Birds by Daphne du Maurier. In: Backer, Ron: Classic horror films and the literature that inspired them. - Jefferson, North Carolina: McFarland & Company 2015. p. 263 ff.
Index:
Du Maurier, Daphne
Hitchcock, Alfred
Birds, The (1962)
Birds, The (Literatur ~ Literature)
Horror ~ Horror
Literatur ~ Literature

#115
Bade, James N.: Murnau’s The Last Laugh and Hitchcock’s subjective camera. In: Quarterly Review of Film and Video 23. 2006. No. 3. [?D] pp. 257-266.
Description:
How Hitchcock learned from the German director by visiting him in Berlin in 1924.
Index:
Hitchcock, Alfred
Murnau, Friedrich Wilhelm
letzte Mann, Der (1924)
Technik: Kamera ~ Technology: Camera
Deutschland ~ Germany
Berlin ~ Berlin

#116
Badham, John: Virtual Hitchcock. In: DGA: Director’s Guild of America 21. 1996. No. 5/6. [November-February] pp. 22, 24.
Index:
Hitchcock, Alfred

#117
Badmington, Neil: Hitchcock’s magic. - ?O: University of Wales Press 2011.
Reviews:
Macleod Jr., Douglas C.: [untitled.] In: Film & History 43. 2013. No. 1. [Spring] pp. 44-48.
Index:
Hitchcock, Alfred
Magie ~ Magic

#118
Baer, Bill: Ernest Lehman. In: Creative Screenwriting 7. 2000. No. 6. [?D] pp. 47-53.
Description:
On Lehman’s script for Alfred Hitchcock’s North by Northwest.
Index:
Lehman, Ernest
Hitchcock, Alfred
North by Northwest (1959)

#119
Bailin, Rebecca: Feminist readership, violence, and Marnie. In: Film Reader 1982. No. 5. [?D] pp. 24-36.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Gewalt ~ Violence
Frauen ~ Women

#120
Bait; Charles: English Hitchcock. - London: Cameron & Mollis 1999.
Index:
Hitchcock, Alfred
Großbritannien ~ Great Britain

#121
Baiz Quevedo, Frank: Saber-ver: Hipersaber y observadores en el cine. In: Objeto Visual ?G. 1996. No. 3. [?D] pp. 123-141.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#122
Baker, David: Seeing is believing: Detective and romance in Rear Window. In: Screen Education 2008. No. 51. [Spring] pp. 125-130.
Index:
Hitchcock, Alfred
Rear Window (1954)
Detektive ~ Detectives

#123
Baldwin, Ian: Psycho in America: Gender politics, movie culture, and the horror film in Cold War America. - Fayetteville, Arkansas: University of Arkansas, M.A. 2010. [Abstract in: Masters Abstracts International 48. 2010. No. 5. (October)]
Description:
On horror films seen as a reflection of ideologies that were central to American culture in the 1940s and 1950s.
Index:
Hitchcock, Alfred
Psycho (1960)
USA (United States of America) ~ USA (United States of America)
Sexualität ~ Sexuality
Politik ~ Politics
Krieg ~ War
Horror ~ Horror

#124
Ball, Edward: Alfred’s world. In: Village Voice 39. 1994. No. ?N. [September 6] pp. 64-65.
Index:
Hitchcock, Alfred
Vertigo (1958)

#125
Ball, Karyn: Primal revenge and other anthropomorphic projections for literary history. In: New Literary History 39. 2008. No. 3. [?D] pp. 533-563.
Index:
Hitchcock, Alfred
Birds, The (1962)
Geschichte ~ History

#126
Balla, P.: Cinema della radicalità. In: Filmcritica 35. 1984. No. 345. [June] pp. 240-344.
Description:
Compars the cinematographic techniques of Alfred Hitchcock’s The Rope and Klassenverhältnisse by Danièle Huillet and Jean-Marie Straub.
Index:
Hitchcock, Alfred
Huillet, Danièle
Straub, Jean-Marie
Rope, The (1948)
Klassenverhältnisse (1984)
Technik: Kamera ~ Technology: Camera

#127
Balsamo, Beatrice: Hitchcock: Il volto e la cosa. - Milano: Mimesis 2010. (= Cinema 1.)
Description:
Psychoanalytical examination.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#128
Balsom, Erika: History repeating. In: Sight and Sound NS 26. 2016. No. 4. [April] p. 59.
Description:
On Stan Douglas’s Hitchcock adaption The Secret Agent.
Index:
Douglas, Stan
Hitchcock, Alfred
Secret Agent, The (2015)
Secret Agent (1936)
Kunst ~ Arts, The
Experimentalfilme ~ Experimental Films

#129
Banash, David: Alfred Hitchcock’s Psycho and the cinematic novels of Don DeLillo and Manuel Muñoz. In: Literature/Film Quarterly 43. 2015. No. 1. [?D] pp. 4-17.
Description:
On the impact of Hitchcocks classic on in Don DeLillo’s Point Omega and Manuel Muñoz’s What You See in the Dark.
Index:
DeLillo, Don
Hitchcock, Alfred
DeLillo, Don
Muñoz, Manuel
Psycho (1960)
What You See in the Dark (Literatur ~ Literature)
Point Omega (Literatur ~ Literature)

#130
Bannon, Barbara M.: Double, double, toil and trouble. In: Literature/Film Quarterly 13. 1985. No. 1. [January] pp. 56-65.
Description:
On the double motif in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Doppelgänger ~ Double

#131
Bär, Peter: Hitchcocks Spiel mit dem Zuschauer. In: Alfred Hitchcock. Vorträge vom 2. Mannheimer Filmseminar im März 2003. Mit Beiträgen von Peter Bär [et al.]. - Mannheim: Cinema Quadrat 2003. (= Im Dialog: Psychoanalyse und Filmtheorie Band 1.) pp. 52 ff.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#132
Barbi, Derna / Cremonini, Giorgio: Una finestra sul cinema. In: Cineforum 34. 1994. No. ?N(334). [May] pp. 3-8.
Index:
Hitchcock, Alfred
Rear Window (1954)

#133
Barbier, Philippe / Moreau, Jacques: Alfred Hitchcock. Avec la collaboration de Elisabeth Personne et Jean-Laurent Passy. - Paris: Editions PAC 1985. (= Album photos / Collection "Grand Écran".)
Index:
Hitchcock, Alfred

#134
Baring, Norah: The man who made the 39 steps: Pen portrait of Alfred Hitchcock. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 10 ff.
Index:
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)

#135
Barnett, Vincent: Dualling for Judy: The concept of the double in the films of Kim Novak. In: Film History 19. 2007. No. 1. pp. 86-101.
Description:
Discusses, among others, Novak’s roles in Alfred Hitchcock’s Vertigo and Richard Quine’s Bell, Book and Candle.
Index:
Novak, Kim
Hitchcock, Alfred
Quine, Richard
Vertigo (1958)
Bell, Book and Candle (1958)
Doppelgänger ~ Double

#136
Baron, G.: "Szedules". In: Filmvilag 28. 1985. No. 12. [?D] p. 52.
Index:
Hitchcock, Alfred
Vertigo (1958)

#137
Báron, György: Alászállás az alvilágba: Psycho analízis. - Budapest: Uj Mandátum 2007. (= Nagyítás kónyvek 1.)
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#138
Barr, Charles: Blackmail: Charles Bennett and the decisive turn. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Bennett, Charles
Hitchcock, Alfred
Blackmail (1929)
Blackmail (Theater ~ Theatre)

#139
Barr, Charles: Blackmail: Silent and sound. In: Sight and Sound 52. 1983. No. 2. [Spring] pp. 123-126.
Description:
On the Hitchcock film planed as silent and realized as sound movie.
Index:
Hitchcock, Alfred
Blackmail (1929)
Musik ~ Music
Stummfilm ~ Silent Film

#140
Barr, Charles: Deserter or honored exile? Views of Hitchcock from wartime Britain. In: Hitchcock Annual 2004/2005. pp. 1-24.
Index:
Hitchcock, Alfred
Krieg ~ War

#141
Barr, Charles: Englantilainen Hitchcock. In: Filmihullu 1999. No. 4. [?D] pp. 25-27.
Description:
On Hitchcock’s British films (excerpt from Barr’s 1999 book "English Hitchcock").
Index:
Hitchcock, Alfred
Großbritannien ~ Great Britain

#142
Barr, Charles: English Hitchcock. - Moffat: Cameron & Hollis 1999. (= Movie Books.)
Reviews:
Eaton, Michael: Reviews. In: Film Studies [Manchester] 2000. No. 2. [Spring] pp. 111-112.
Gottlieb, Sidney: [untitled] In: Film Quarterly 56. 2002. No. 1. [Fall] pp. 54-56.
MacKenzie, Scott: Book reviews. In: Canadian Journal of Film Studies 9. 2000. No. 1. [Spring] pp. 131-134.
Matthews, Peter: [untitled] In: Sight and Sound NS 9. 1999. No. 11. [November] p. 32.
McDonald, Lawrence: Charles Barr and "English Hitchcock". In: Illusions 2000/2001. No. 31. [Summer] pp. 13-16.
Description:
On Hitchcock’s British films.
Index:
Hitchcock, Alfred
Großbritannien ~ Great Britain

#143
Barr, Charles: Hitchcock and early filmmakers. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred

#144
Barr, Charles: Hitchcock and Powell: Two directions for British cinema. In: Screen 46. 2005. No. 1. [Spring] pp. 5-13.
Description:
Compares Alfred Hitchcock’s Psycho with Michael Powell’s Peeping Tom.
Index:
Hitchcock, Alfred
Powell, Michael
Psycho (1960)
Peeping Tom (1959)
Großbritannien ~ Great Britain

#145
Barr, Charles: Hitchcock, engelsman. In: Filmhäftet 27. 1999. No. 107. [?D] pp. 20-25.
Index:
Hitchcock, Alfred

#146
Barr, Charles / Kerzoncuf, Alain: Hitchcock lost and found: The forgotten films. - ?O: University Press of Kentucky 2015. (= Screen classics.)
Reviews:
Miller, Henry K.: Man of mystery. In: Sight and Sound NS 25. 2015. No. 5. [May] pp. 104-105.
Index:
Hitchcock, Alfred

#147
Barr, Charles: Stannard and Hitchcock. In: Young and innocent? The cinema in Britain, 1896-1930. Edited by Andrew Higson. - Exeter, Devon: University of Exeter Press 2002. (= Exeter studies in film history.) p. ?P.
Index:
Hitchcock, Alfred
Stannard, Eliot

#148
Barr, Charles: Vertigo. - London: British Film Institute 2002. (= BFI Film Classics.)
Reviews:
Oldmeadow, Harry: [untitled] In: Metro 2003. No. 136. [?D] pp. 192-193.
Waardenburg, André: Mooie maar nutteloze tabellen over Vertigo. In: Skrien 35. 2003. No. 2. [March] p. 56.
Index:
Hitchcock, Alfred
Vertigo (1958)

#149
Barratt, Daniel: Tracing the routes to empathy: Association, simulation, or appraisal? In: Film Studies [Manchester] 2006. No. 8. [Summer] pp. 39-52.
Description:
Psycholgical analysis of the "sinking car" scene in Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Psychologie ~ Psychology

#150
Barrette, Pierre: Hollywood, terre d’exil et de compromis. In: 24 Images 2001. No. 106. [Spring] pp. 13-15.
Description:
On european directors in Hollywood, discusses Fritz Lang and Alfred Hitchcock.
Index:
Lang, Fritz
Hitchcock, Alfred
Hollywood ~ Hollywood
Europa ~ Europe

#151
Barrette, Pierre: Les objets dans l’oeuvre de Hitchcock: Symboles, marques et démarques au service du cinéma. In: 24 Images 2007. No. 133. [September] pp. 13-15.
Description:
Discusses especially Vertigo and Rear Window.
Index:
Hitchcock, Alfred
Vertigo (1958)
Rear Window (1954)

#152
Barten, E.: Vertigo: Hitchcocks meest persoonlijke film. In: Skoop 21. 1985. No. ?N. [March/April] p. 25.
Index:
Hitchcock, Alfred
Vertigo (1958)

#153
Barton, Sabrina: "Crisscross": Paranoia and projection in Strangers on a Train. In: Out in culture: Gay, lesbian, and queer essays on popular culture. Edited by Corey K. Creekmur and Alexander Doty. - Durham, North Carolina: Duke University Press 1995. pp. 216-38.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)
Wahnsinn ~ Madness
Sexualität: Homosexualität ~ Sexuality: Homosexuality

#154
Barton, Sabrina: "Crisscross": Paranoia and projection in Strangers on a Train. In: Camera Obscura 1991. No. 25/26. [January-May] pp. 74-100.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)
Wahnsinn ~ Madness

#155
Barton, Sabrina: Hitchcock’s hands. In: Hitchcock Annual 2000. pp. 47-72.
Index:
Hitchcock, Alfred
Birds, The (1962)

#156
Barton, Sabrina: Hitchcock’s hands. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred
Birds, The (1962)

#157
Batdorf, Emerson: Let’s hear it for Hitchcock. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 73 ff.
Index:
Hitchcock, Alfred

#158
Bauso, Thomas M.: Revalidating patriarchy: Why Hitchcock remade The Man Who Knew Too Much. In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 209-220.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)

#159
Bauso, Thomas M.: Rope: Hitchcock’s unkindest cut. In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 226-239.
Index:
Hitchcock, Alfred
Rope, The (1948)

#160
Bauso, Tom: Mother knows best: The voices of Mrs. Bates in Psycho. In: Hitchcock Annual 1994. pp. 3-17.
Index:
Hitchcock, Alfred
Psycho (1960)
Mutter ~ Mothers

#161
Baxt, George: The Alfred Hitchcock murder case. - New York: International Polygonics 1987.
First edition:
[1986]
Index:
Hitchcock, Alfred
Mord ~ Murder

#162
Baxt, George: The Alfred Hitchcock murder case. - New York: St. Martin’s Press 1986.
Index:
Hitchcock, Alfred
Mord ~ Murder

#163
Baxter, B.: Vertigo. In: Films and Filming ?G. 1984. No. ?N(354). [March] p. 46.
Index:
Hitchcock, Alfred
Vertigo (1958)

#164
Bazin, André: The cinema of cruelty: From Buñuel to Hitchcock. - New York: Seaver Books 1982.
Index:
Buñuel, Luis
Hitchcock, Alfred

#165
Beard, William: Psycho. In: A new literary history of America. Edited by Greil Marcus and Werner Sollors. - Cambridge, Massachuissetts: Belknap Press / Harvard University Press 2009. (= Harvard University Press reference library.) p. ?P.
Index:
Hitchcock, Alfred
Psycho (1960)
Literatur ~ Literature
USA (United States of America) ~ USA (United States of America)

#166
Beaulieu, Simon: The Man Who Knew Too Much. In: Séquences ?G. 1980. No. 101. [July] p. 25.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1934)

#167
Beckman, Karen: Vanishing women. - Princeton, New Jersey: Princeton University, Ph.D. 1999. [Abstract in: Dissertation Abstracts International A 60. 1999. No. 4. (October) pp. 912A-913A.]
Description:
Dioscusses Alfred Hitchcock’s The Lady Vanishes.
Index:
Hitchcock, Alfred
Lady Vanishes, The (1938)
Geister ~ Ghosts
Frauen ~ Women

#168
Beckman, Karen: Vanishing women: Hitchcock, Harlan, and the politics of prestidigitation. In: Critical Matrix 1997. No. 11. [?D] pp. 33-59.
Index:
Hitchcock, Alfred
Lady Vanishes, The (1938)
Geister ~ Ghosts
Politik ~ Politics
Frauen ~ Women

#169
Beckman, Karen: Violent vanishings: Hitchcock, Harlan, and the disappearing woman. In: Camera Obscura 1999. No. 39. [?D] pp. 79-104.
Description:
On the motif of the vanishing woman in Alfred Hitchcock’s The Lady Vanishes and Veit Harlan’s Verwehte Spuren.
Index:
Hitchcock, Alfred
Harlan, Veit
Lady Vanishes, The (1938)
Verwehte Spuren (1938)
Gewalt ~ Violence
Frauen ~ Women

#170
Beebe, John: The Notorious postwar psyche. In: Journal of Popular Film and Television 18. 1990. No. 1. [Spring] pp. 28-35.
Description:
Discusses the Hitchcock movie using the theories of C. G. Jung.
Index:
Hitchcock, Alfred
Jung, Carl Gustav
Notorious (1946)
Krieg ~ War
Psychologie ~ Psychology

#171
Beeckmann, Gerald: Die 39 Stufen. In: Filmgenres: Kriminalfilm. Hrsg. von Knut Hickethier unter Mitarbeit von Katja Schumann. - Stuttgart: Reclam 2005. pp. 79-83.
Description:
On Alfred Hitchcock’s The Thirty-Nine Steps.
Index:
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)
Kriminalität ~ Crime

#172
Béghin, Cyril: Faites comme Rembrandt. In: Cahiers du Cinéma 2007. No. 625. [July/August] pp. 91-92.
Description:
On a section of Jean-Luc Godard’s Histoire(s) du cinéma which compares the films of Alfred Hitchcock to Rembrandt’s paintings.
Index:
Hitchcock, Alfred
Godard, Jean-Luc
Rembrandt [R. Harmenesz van Rijn]
Histoire(s) du cinéma (1989)
Kunst ~ Arts, The

#173
Behrens, Ulrich: Der Krawattenmörder: Frenzy. In: F.LM - Texte zum Film. Online edition, July 2003.
Index:
Hitchcock, Alfred
Frenzy (1971)
Mord ~ Murder

#174
Behrens, Ulrich: Die Schlinge: Cocktail für eine Leiche. In: F.LM - Texte zum Film. Online edition, July 2003.
Description:
On Alfred Hitchcock’s The Rope.
Index:
Hitchcock, Alfred
Rope, The (1948)

#175
Behrens, Ulrich: Ein skrupellos-schönes Spiel: Psycho. In: F.LM - Texte zum Film. Online edition, July 2003.
Index:
Hitchcock, Alfred
Psycho (1960)

#176
Behrens, Ulrich: Eine Parodie auf Suspense-Filme? Familiengrab. In: F.LM - Texte zum Film. Online edition, July 2003.
Description:
On Alfred Hitchcock’s Family Plot.
Index:
Hitchcock, Alfred
Family Plot (1975)
Thriller ~ Thriller
Humor ~ Humor

#177
Behrens, Ulrich: Hitchcock auf Abwegen? Topas. In: F.LM - Texte zum Film. Online edition, July 2003.
Index:
Hitchcock, Alfred
Topaz (1968)

#178
Behrens, Ulrich: Schwindel und Entschleierung: Vertigo. In: F.LM - Texte zum Film. Online edition, July 2003.
Index:
Hitchcock, Alfred
Vertigo (1958)

#179
Behrens, Ulrich: Suspense vom Feinsten: Der unsichtbare Dritte. In: F.LM - Texte zum Film. Online edition, July 2003.
Description:
On Alfred Hitchcock’s North by Northwest.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Thriller ~ Thriller

#180
Behrens, Ulrich: Trügerischer Schein: Der Mann, der zuviel wusste. In: F.LM - Texte zum Film. Online edition, July 2003.
Description:
On Alfred Hitchcock’s The Man Who Knew Too Much.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)

#181
Behrens, Ulrich: Unperfekter perfekter Mord: Bei Anruf - Mord. In: F.LM - Texte zum Film. Online edition, July 2003.
Description:
On Alfred Hitchcock’s Dial M for Murder.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)
Mord ~ Murder

#182
Behrens, Ulrich: Vogel-Horror ohne digitale Effekte: Die Vögel. In: F.LM - Texte zum Film. Online edition, July 2003.
Description:
On Alfred Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Birds, The (1962)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Horror ~ Horror

#183
Behrens, Ulrich: Voyeurismus und Suspense: Das Fenster zum Hof. In: F.LM - Texte zum Film. Online edition, July 2003.
Description:
On Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
Thriller ~ Thriller

#184
Bei Anruf Mord. - Nürnberg: Verlag Karin Stähle ?J. (= Phantopia-Filmprogramm 584.)
Description:
On Alfred Hitchcock’s Dial M for Murder.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#185
Beier, Lars-Olav: Die kalkulierte Willkür: Wie Alfred Hitchcock seinen ärgsten Feind bekämpfte: die Logik. In: Filmbulletin 41. 1999. No. ?N(223) [August] pp. 20-31.
Index:
Hitchcock, Alfred

#186
Beier, Lars-Olav / Midding, Gerhard: "Die Studioszenen sahen am besten aus, einfach weil man da für die Kamera bauen kann": Gespräch mit Henry Bumstead. In: Filmbulletin 34. 1992. No. 1(180). [?D] pp. 28-40.
Description:
On the set decorator who worked for many Hitchcock films and for Martin Scorsese’s Cape Fear. Plus a filmography.
Index:
Bumstead, Henry
Hitchcock, Alfred
Scorsese, Martin
Cape Fear (1991)
Technik: Kamera ~ Technology: Camera

#187
Beier, Lars-Olav: Sinfonien der Ängste. In: Der Spiegel 67. 2013. No. 11. [March 11] pp. 132-133.
Description:
On Anthony Hopkins’s role als Alfred Hitchcock in Sacha Gervasi’s biopic.
Index:
Gervasi, Sacha
Hopkins, Anthony
Hitchcock, Alfred
Hitchcock (2012)
Angst ~ Fear

#188
Beil, Benjamin: Mindscapes: Erinnerungsräume im zeitgenössischen Film. In: Rabbit Eye 2010. No. 2. pp. 4-18.
Description:
Discusses, among others, Spike Jonze’s Being John Malkovich, Michael Gondry’s Eternal Sunshine of the Spotless Mind, John Carpenter’s In the Mouth of Madness, Satoshi Kon’s Sennen joyû, Akira Kurosawa’s Rashomon, Alfred Hitchcock’s Stage Fright and Ingmar Bergman’s Smultronstället.
Index:
Jonze, Spike
Gondry, Michael
Carpenter, John
Kon, Satoshi
Kurosawa, Akira
Hitchcock, Alfred
Bergman, Ingmar
Being John Malkovich (1999)
Eternal Sunshine of the Spotless Mind (2004)
In the Mouth of Madness (1994)
Sennen joyû (2001)
Rashomon (1950)
Stage Fright (1950)
Smultronstället (1957)

#189
Bekaert, Geert: Rooms with a view. In: Andere Sinema 1996. No. 133. [May/June] pp. 50-54.
Description:
On the motif of voyeurism in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred

#190
Bell, Berthold: Oskar Sala. In: EPD Film 19. 2002. No. 4. [April] p. 4.
Description:
Orbituary for the musician who worked for Alfred Hitchcock’s The Birds.
Index:
Sala, Oskar
Hitchcock, Alfred
Birds, The (1962)
Musik ~ Music

#191
Bell, Berthold: Unerhörte Klänge, absonderliche Töne: Oskar Sala und seine Erfindung des Trautoniums. In: EPD Film 15. 1998. No. 10. [October] pp. 18-21.
Description:
Discusses, among others, Sala’s work for Alfred Hitchcock’s The Birds.
Index:
Sala, Oskar
Hitchcock, Alfred
Birds, The (1962)

#192
La belle ensorceleuse. In: La Revue du Cinéma 1988. No. 442. [October] p. 37.
Description:
On Alfred Hitchcock’s Rebecca.
Index:
Hitchcock, Alfred
Rebecca (1940)

#193
Bellour, Raymond: Hitchcock, the enunciator. In: Camera Obscura 1977. No. 2. [Fall] pp. 66-91.
Description:
On Alfred Hitchcock’s Marnie.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#194
Bellour, Raymond: L’analyse du film. - Paris: Albatros 1979. (= Ca cinema 18.)
Description:
Discusses, among others, the work of Alfred Hitchcock.
Index:
Hitchcock, Alfred

#195
Bellour, Raymond: Le corps de la fiction. In: Trafic 1999. No. 30. [Summer] pp. 114-117.
Index:
Hitchcock, Alfred
Vertigo (1958)
Körper ~ Bodies

#196
Bellour, Raymond: Pourquoi Lang pourrait devenir préférable à Hitchcock. In: Trafic 2002. No. 41. [Spring] pp. 163-172.
Description:
Compares the two directors.
Index:
Lang, Fritz
Hitchcock, Alfred

#197
Bellour, Raymond: Psychosis, neurosis, perversion. In: Camera Obscura 1979. No. 3/4. [Summer] pp. 104-132.
Description:
Psychoanalytic examination of Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Psychologie ~ Psychology

#198
Bellour, Raymond: Psychosis, neurosis, perversion. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#199
Bellour, Raymond: Sistem nekega fragmenta. In: Ekran 8. 1983. No. 9/10. [?D] pp. 21-35.
Index:
Hitchcock, Alfred
Birds, The (1962)

#200
Bellour, Raymond: The analysis of film. Edited by Constance Penley. - Bloomington, Indiana: Indiana University Press 2000.
Description:
Discusses, among others, the work of Alfred Hitchcock.
Index:
Hitchcock, Alfred

#201
Belton, John: Alfred Hitchcock’s Under Capricorn: Montage entranced by mise-en- scène. In: Quarterly Review Of Film Studies 6. 1981. No. 4. [Fall] pp. 365-383.
Description:
Discusses Rope and Under Capricorn.
Index:
Hitchcock, Alfred
Rope, The (1948)
Under Capricorn (1949)

#202
Belton, John: Can Hitchcock be saved from Hitchcock studies? In: Cineaste 28. 2003. No. 4. [Fall] pp. 16-21.
Description:
On the research literature on Hitchcock and his films.
Index:
Hitchcock, Alfred
Literatur ~ Literature

#203
Belton, John: Charles Bennett and the typical Hitchcock scenario. In: Film History 9. 1997. No. 3. pp. 320-332.
Description:
On the collaboration between the director and the screen author.
Index:
Bennett, Charles
Hitchcock, Alfred

#204
Belton, John: Cinema stylists. - Metuchen, New Jersey: Scarecrow Press 1983.
Description:
Articles on directors and actors, among them Alfred Hitchcock.
Index:
Hitchcock, Alfred

#205
Belton, John: Dexterity in a void: The formalist esthetics of Alfred Hitchcock. In: Cineaste 10. 1980. No. 3. [Summer] pp. 9-13.
Index:
Hitchcock, Alfred
Rear Window (1954)
Expressionismus ~ Expressionism

#206
Belton, John: Hitchcock and the classical paradigm. In: After Hitchcock: Influence, imitation, and intertextuality. Edited by David Boyd and R. Barton Palmer. - Austin, Texas: University of Texas Press 2006. pp. 235-247.
Index:
Hitchcock, Alfred

#207
Belton, John / Tector, Lyle: The bionic eye. In: Film Comment 16. 1980. No. ?N. [September/October] pp. 11 ff.
Index:
Hitchcock, Alfred
Vertigo (1958)
Augen ~ Eyes

#208
Belton, John: The space of Rear Window. In: Modern Language Notes 103. 1988. No. 5. [December] pp. 1121-1138.
Index:
Hitchcock, Alfred
Rear Window (1954)

#209
Belton, John: The space of Rear Window: In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 76-94.
Index:
Hitchcock, Alfred
Rear Window (1954)

#210
Benassi, Stéphane: Alfred Hitchcock, cinéaste catholique? In: Christianisme et cinéma. Dirigée par Guy Hennebelle. (= Cinémaction 1996. No. 80. [?D]) pp. 99-110.
Index:
Hitchcock, Alfred
Religion ~ Religion

#211
Benedetta, Mary: Britain’s leading film director gives some hints to the film stars of the future. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 14 ff.
Index:
Hitchcock, Alfred

#212
Bengtsson, Y. :Hitchcock på film och tv. In: Filmrutan 27. 1984. No. 2. [?D] p. 41.
Index:
Hitchcock, Alfred

#213
Bennett, Charles: Hitchcock’s partner in suspense: The life of screenwriter Charles Bennett. Edited by John Charles Bennett. - Lexington, Kentucky: University Press of Kentucky 2014. (= Screen classic.)
Reviews:
Barr, Charles: [untitled.] In: Sight and Sound NS 24. 2014. No. 8. [August] p. 106.
Index:
Bennett, Charles
Hitchcock, Alfred
Thriller ~ Thriller

#214
Bensard, Patrick: The oak room. In: Camera/Stylo ?G. 1981. No. 2. [November] pp. 40-46.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#215
Benson, Peter: Identification and slaughter. In: Cineaction 1988. No. 12. [Spring] pp. 12-18.
Index:
Hitchcock, Alfred
Psycho (1960)

#216
Benson, Thomas: Mother and monster: The rhetorical structure of The Man Who Knew Too Much. In: Monsters in and among us: Toward a Gothic criminology. Edited by Caroline Joan (Kay) Picart and Cecil Greek. - Madison, New Jersey: Fairleigh Dickinson University Press 2007. pp. 91-116.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
Mutter ~ Mothers
Monster ~ Monster
Horror ~ Horror

#217
Benton, Robert J.: Film as dream: Alfred Hitchcock’s Rear Window. In: The Psychoanalytic Review 71. 1984. No. 3. [November] pp. 483-500.
Index:
Hitchcock, Alfred
Rear Window (1954)
Traum ~ Dreams

#218
Berenstein, Rhona J.: "I’m not the sort of person men marry": Monsters, queers, and Hitchcock’s Rebecca. In: Out in culture: Gay, lesbian, and queer essays on popular culture. Edited by Corey K. Creekmur and Alexander Doty. - Durham, North Carolina: Duke University Press 1995. pp. 239-261.
Index:
Hitchcock, Alfred
Rebecca (1940)
Ehe ~ Marriage
Monster ~ Monster
Sexualität: Homosexualität ~ Sexuality: Homosexuality

#219
Berenstein, Rhona Joella: Adaption, censorship, and audiences of questionable type: lesbian sightings in Rebecca (1940) and Uninvited (1944). In: Cinema Journal 37. 1998. No. 3. [Spring] pp. 16-37.
Index:
Hitchcock, Alfred
Allen, Lewis
Rebecca (1940)
Uninvited, The (1944)
Zensur ~ Censorship
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Frauen ~ Women

#220
Berg, Ellen K.: Rebecca. In: Z Filmtidsskrift ?G. 1994. No. 1(47). [?D] pp. 26-29.
Index:
Hitchcock, Alfred
Rebecca (1940)

#221
Berger, James: The Hitchcock symptom: Duster flight patterns around "production values": A response to Griffiths. In: Postmodern Culture 20. 2010. No. 3. [?D] p. ?P.
Description:
Answers to Michael R. Griffiths’s essay "Production values: Fordism and formalism in North by Northwest".
Index:
Hitchcock, Alfred
North by Northwest (1959)

#222
Berger, James: The Hitchcock symptom: Duster flight patterns around "production values": A response to Griffiths. In: Postmodern Culture 20. 2010. No. 3. [?D] p. ?P.
Description:
Answers to Michael R. Griffiths’s essay "Production values: Fordism and formalism in North by Northwest".
Index:
Hitchcock, Alfred
North by Northwest (1959)

#223
Bergstrom, Janet: Enunciation and sexual difference (Part I). In: Camera Obscura 1979. No. 3/4. [Summer] pp. 32-69.
Description:
Discusses the importance of psychoanalysis for film interpretation and uses Alfred Hitchcock’s The Birds and Marnie as examples.
Index:
Hitchcock, Alfred
Birds, The (1962)
Marnie (1963/1964)
Psychologie ~ Psychology
Sexualität ~ Sexuality

#224
Bergstrom, Janet: Lost in translation? Listening to the Hitchcock-Truffaut interview. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred
Truffaut, François

#225
Bernal, Jordi: Crimen perfecto. In: Dirigido 2001. No. 298. [February] p. 55.
Description:
On Alfred Hitchcock’s Dial M for Murder.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)
Kriminalität ~ Crime

#226
Bernal, Jordi: Psicosis. In: Dirigido 2001. No. 298. [February] p. 56.
Index:
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)
Psycho (1998)

#227
Bernstein, Matthew H.: Unrecognizable origins: "The song of the dragon" and Notorious. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Hitchcock, Alfred
Notorious (1946)
Drachen ~ Dragons

#228
Berry, Sarah: "She’s too everything": Marriage and masquerade in Rear Window and To Catch a Thief. In: Hitchcock Annual 2001/2002. pp. 79-107.
Description:
On the roles of Grace Kelly in the two Hitchcock films.
Index:
Hitchcock, Alfred
Kelly, Grace
Rear Window (1954)
To Catch a Thief (1955)
Ehe ~ Marriage

#229
Bert, K.: Hitchoock revisited. In: Film en Televisie 1984. No. 322. [March] pp. 14-17.
Index:
Hitchcock, Alfred

#230
Bertelsen, Martin: Alfred Hitchcocks Rear Window - Eine Filmanalyse. - Hamburg: Universität Hamburg, Seminar für Englische Sprache und Kultur, Magisterarbeit 1988.
Index:
Hitchcock, Alfred
Rear Window (1954)

#231
Berthomé, Jean-Pierre: Hitchcock et Welles: "Je l’aimais beaucoup, il n’aimait pas mais films non plus". In: Positif 2000. No. 470. [April] pp. 76-81.
Index:
Hitchcock, Alfred
Welles, Orson

#232
Berthomieu, Pierre: 26 lettres pour 17 téléfilms: Alfred Hitchcock présente ... In: Positif 2000. No. 470. [April] pp. 93-97.
Index:
Hitchcock, Alfred

#233
Bertolina, Gian Carlo: Bernard Herrmann e il black and white sound. In: Filmcritica 32. 1981. No. 315. [June] pp. 289-296.
Description:
On the collaboration of the composer with Alfred Hitchcock.
Index:
Herrmann, Bernard
Hitchcock, Alfred
Psycho (1960)
Musik ~ Music

#234
Bertolini, John A.: Rear Window, or the reciprocated glance. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred
Rear Window (1954)

#235
Bertolini, John A.: Rear Window: Or, The reciprocated glance. In: Hitchcock Annual 1994. pp. 55-75.
Index:
Hitchcock, Alfred
Rear Window (1954)

#236
Bertozzi, Marco: Traduire le moderne: Alchimies architectoniques dans North by Northwest d’Alfred Hitchcock In: Iris 2004. No. 30. [Fall] pp. 71-82.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Architektur ~ Architecture

#237
Bertozzi, Marco: Ultimi sguardi dalla Finestra sul cortile. In: Cinema & Cinema NS 20. 1993. No. 66. [January-April] pp. 31-42.
Description:
On Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)

#238
Berube, R.-C.: North by Northwest. In: Séquences ?G. 1980. No. 101. [July] pp. 26-27.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#239
Beylie, Claude: Dossier: Vertigo: Abstraction et lyrisme. In: Cinématographe 1980. No. 59. [July/August] pp. 49-50.
Index:
Hitchcock, Alfred
Vertigo (1958)
Lyrik ~ Lyrics

#240
Biderman, Shai / Jacobowitz, Eliana: Rope: Nietzsche and the art of murder. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 33-45.
Index:
Hitchcock, Alfred
Nietzsche, Friedrich
Rope, The (1948)
Mord ~ Murder
Philosophie ~ Philosophy

#241
Bieger, Laura: Film als Schule des Schauens: Alfred Hitchcock: Vertigo (1958). In: Was lehrt das Kino? 24 Filme und Antworten. Herausgegeben von Stefan Keppler-Tasaki und Elisabeth K. Paefgen. - München: Edition Text + Kritik 2012. p. 268 ff.
Index:
Hitchcock, Alfred
Vertigo (1958)

#242
Bierbaum, Tom: Rear Window ruling favors Woolrich story rights-holder. In: Variety 333. 1989. No. ?N. [January 4] pp. 3 ff.
Index:
Hitchcock, Alfred
Woolrich, Cornell George
Rear Window (1954)

#243
Biette, Jean-Claude: Histoire d’un duel. In: Trafic 2002. No. 41. [Spring] pp. 5-11.
Description:
Introducing essay to a special issue on the directors Alfred Hitchcock and Fritz Lang.
Index:
Lang, Fritz
Hitchcock, Alfred

#244
Bigi, Emanuele: L’ombra e il prolilo: La TV di Alfred Hitchcock. - Torino: Lindau 2003. (= Cult.)
Reviews:
Comuzio, Ermanno: [untitled] In: Cineforum 44. 2004. No. ?N(433). [April] pp. 94-95.
Index:
Hitchcock, Alfred
Fernsehen ~ Television

#245
Bigwood, James: Solving a Spellbound-puzzle. In: American Cinematographer 72. 1991. No. 6. [June] pp. 34-40.
Description:
On the collaboration between the painter Salvador Dalí and the director Alfred Hitchcock for a dream sequence.
Index:
Hitchcock, Alfred
Spellbound (1945)
Traum ~ Dreams
Kunst ~ Arts, The

#246
Bikácsy, Gergely: A kesek es a formak. In: Filmvilag 29. 1986. No. 10. [?D] pp. 2-6.
Index:
Hitchcock, Alfred
Rear Window (1954)
Vertigo (1958)
Man Who Knew Too Much, The (1934)

#247
Bikácsy, Gergely: Alfred Hitchcock. In: Filmkultura 15. 1979. No. 5. [September/October] pp. 58-72.
Description:
Especially on The Birds and Psycho.
Index:
Hitchcock, Alfred
Birds, The (1962)
Psycho (1960)

#248
Binotto, Thomas: Die Dogmen des Altred Hitchcock. In: Zoom ?G. 1999. No. 8. [August] pp. 12-13.
Description:
On Hitchcock’s "Ten rules for suspense films".
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#249
Binotto, Thomas: Master of Suspense trifft Meister der Stimmung. In: Zoom ?G. 2001. No. 3. [March] pp. 16-17.
Description:
On the meaning of Friedrich Wilhelm Murnau for the filmic work of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Murnau, Friedrich Wilhelm
Thriller ~ Thriller

#250
Binotto, Thomas: Nichts als Zufälle: Die geistige Verwandtschaft von F. W. Murnau und Alfred Hitchcock. In: Film-Dienst 54. 2001. No. 4. [February 13] pp. 34-37.
Index:
Murnau, Friedrich Wilhelm
Hitchcock, Alfred

#251
Binotto, Thomas: Trinity, the One und das Evangelium: Christliche Bilderwelten im populären Kino. In: Film-Dienst 53. 2000. No. 25. [December 5] pp. 11-16.
Description:
Discusses, among others, the films of Alfred Hitchcock, Pier Paolo Pasolini, Lars von Trier, Steven Spielberg and George Lucas.
Index:
Hitchcock, Alfred
Pasolini, Pier Paolo
von Trier, Lars
Spielberg, Steven
Lucas, George
Religion ~ Religion

#252
Bischoff, Florian Norbert: Gestörte Erinnerung - Wenn Bilder versagen: Bild- und Medienreflexion in Memento und Rear Window. - München: GRIN Verlag 2012.
Index:
Nolan, Christopher
Hitchcock, Alfred
Memento (2000)
Rear Window (1954)

#253
Bishop, Kyle William: The threat of the gothic patriarchy in Alfred Hitchcock’s The Birds. In: Rocky Mountain E-Review 65. 2011. No. 2. [?D] p. ?P.
Index:
Hitchcock, Alfred
Birds, The (1962)
Horror ~ Horror

#254
Bitomsky, Hartmut: "Das Kino und der Tod": Ein Videofilm: Der Kommentar. In: Kino und Tod: Zur filmischen Inszenierung von Vergänglichkeit. Hrsg. von Ernst Karpf, Doron Kiesel und Karsten Visarius. - Marburg: Schüren Presseverlag 1993. (= Arnoldshainer Filmgespräche 10.) pp. 63-79.
Description:
Discusses, among others, Edward L. Cahn’s Betrayed Women, Alfred Hitchcock’s Torn Curtain and Psycho, Donald Siegel’s The Killers, Fritz Lang’s Hangman Also Die, Joseph Pevny’s Shakedown and Robert Aldrich’s Kiss Me Deadly.
Index:
Cahn, Edward L.
Hitchcock, Alfred
Siegel, Donald
Lang, Fritz
Pevny, Joseph
Aldrich, Robert
Betrayed Women (1955)
Torn Curtain (1966)
Psycho (1960)
Killers, The (1964)
Hangmen Also Die (1942)
Shakedown (1950)
Kiss Me Deadly (1955)
Video ~ Video
Tod ~ Death

#255
Bitomsky, Hartmut: Vertigo - aus dem Reich der Toten. In: Fernseh- und Kino-Technik 24. 1980. No. ?N. [June] pp. 244-247.
Index:
Hitchcock, Alfred
Vertigo (1958)

#256
Bjorkman, Stig: Stillbilden. In: Chaplin 31. 1989. No. 5(224). [?D] pp. 252 ff.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#257
Björkman, Stig: Stråkarnas inre röst. In: Chaplin 38. 1996. No. 3(264 [?D] pp. 24-25.
Description:
On Bernard Herrmann’s film music and his work for Alfred Hitchcock.
Index:
Herrmann, Bernard
Hitchcock, Alfred
Musik ~ Music

#258
Björkman, Stig: Trappan som biktstol. In: Chaplin 25. 1983. No. 4(187). [?D] pp. 167-169.
Description:
On the symbolic use of staircases in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred

#259
Black, John F.: Marnie. In: Scarlet Street 2000. No. 40. [?D] p. 24.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#260
Black, John F.: North by Northwest. In: Scarlet Street 2000. No. 40. [?D] pp. 22-23.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#261
Black, John F.: The Birds. In: Scarlet Street 2000. No. 38. [?D] p. 28.
Index:
Hitchcock, Alfred
Birds, The (1962)

#262
Blair, Sara: Hitchcock on location: America, icons, and the place of illusion. In: The Cambridge companion to Alfred Hitchcock. Edited by Jonathan Freedman. - Cambridge; New York: Cambridge University Press 2015. pp. 57-75.
Index:
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)

#263
Blake, Richard Aloysius: Afterimage: The indelible Catholic imagination of six American filmmakers. - Chicago, Illinois: Loyola Press 2000.
Reviews:
Costello, Donald P.: [untitled.] In: Religion and Literature 33. 2001. No. 3. [?D] pp. 75-78.
Description:
Discusses, among others, the work of Martin Scorsese, Frank Capra, Robert De Niro and Alfred Hitchcock.
Index:
Scorsese, Martin
Capra, Frank
De Niro, Robert
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)
Religion ~ Religion

#264
Blakeston, Oswell: Advance monologue. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 5 ff.
Index:
Hitchcock, Alfred

#265
Blank, Martin: Wilder, Hitchcock, and Shadow of a Doubt. In: Thornton Wilder: New essays. Edited by Martin Blank, Dalma Hunyadi Brunauer and David Garrett Izzo. - West Cornwall, Connecticut: Locust Hill Press 1999. (= Locust Hill literary studies 26.) pp. 409-416.
Index:
Hitchcock, Alfred
Wilder, Thornton
Shadow of a Doubt (1943)

#266
Blau, Stefan: Can ido it again? Alfred Hitchcocks nicht existierender Film The Short Night. In: Filmbulletin 41. 1999. No. ?N(223) [August] pp. 47-52.
Description:
On Hitchcock’s unfinished film project.
Index:
Hitchcock, Alfred
Short Night, The (o.J.)

#267
Blazer, Seth M.: Rear window ethics: Domestic privacy versus public responsibility in the evolution of voyeurism. In: The Midwest Quarterly 47. 2006. No. 4. [?D] pp. 379-392.
Index:
Hitchcock, Alfred
Rear Window (1954)
Fenster ~ Windows

#268
Blegvad, Peter: Phosphorescent milk. In: Sight and Sound NS 3. 1993. No. 4. [April] p. 33.
Description:
On the "milk glass" scene in Alfred Hitchcock’s Suspicion.
Index:
Hitchcock, Alfred
Suspicion (1941)

#269
Bliersbach, Gerd: Der Einzug in die Finsternis: Roman Polanskis Der Mieter und der Abscheu vor dem Fenster zum Hof. In: Projektion und Wirklichkeit: Die unbewusste Botschaft des Films. Hrsg. von Annegret Mahler-Bungers und Ralf Zwiebel. - Göttingen: Vandenhoeck und Ruprecht 2007. (= Schriften des Sigmund-Freud-Instituts: Reihe 2, Psychoanalyse im interdisziplinären Dialog 5.) pp. 204 ff.
Index:
Polanski, Roman
Hitchcock, Alfred
Locataire, Le / Tenant, The (1976)
Rear Window (1954)
Fenster ~ Windows
Psychologie ~ Psychology

#270
Bliersbach, Gerhard: Die eindringenden Blicke. In: Alfred Hitchcock. Vorträge vom 2. Mannheimer Filmseminar im März 2003. Mit Beiträgen von Peter Bär [et al.]. - Mannheim: Cinema Quadrat 2003. (= Im Dialog: Psychoanalyse und Filmtheorie Band 1.) pp. 2 ff.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#271
Bliersbach, Gerhard: Dramen des Begehrens: Beziehungskonstellationen bei Hitchcock und seinen Nachfolgern. In: Film-Dienst 52. 1999. No. 16. [August 3] pp. 22-24.
Index:
Hitchcock, Alfred

#272
Blume, Frank: Zur Funktion der Komik in Hitchcocks Frühwerk. - Alfeld: Coppi-Verlag 2002. (= Aufsätze zu Film und Fernsehen 81.)
Index:
Hitchcock, Alfred

#273
Bockow, Jörg: Ein vollkommen filmischer Film. In: Medien und Erziehung 28. 1984. No. 5. [?D] pp. 298-302.
Description:
On Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)

#274
Bogdanovich, Peter: Hitchcocok par Hitchcock: Entretien avec Peter Bogdanovich. In: Cahiers du Cinéma 1999. No. 537. [July/August] pp. 32-35.
Description:
Especially on The Lodger, Psycho and The Thirty-Nine Steps.
Index:
Hitchcock, Alfred
Lodger, The: A Story of the London Fog (1927)
Psycho (1960)
Thirty-Nine Steps, The (1935)

#275
Bogdanovich, Peter: The cinema of Alfred Hitchcock. - New York: Museum of Modern Art Film Library / Garden City: Doubleday 1963.
Index:
Hitchcock, Alfred

#276
Bogdanovich, Peter: Un giovane con la mente da maestro. In: Filmcritica 49. 1999. No. 499. [October] pp. 447-456.
Description:
Reprint of an interview with Alfred Hitchcock.
Index:
Hitchcock, Alfred

#277
Bogdanovich, Peter: Who the devil made it: Conversations with legendary film directors. - New York: Knopf 1997.
Description:
Interviews with actors and directors, among them Fritz Lang, Chuck Jones, Martin Scorsese, Alfred Hitchcock, Don Siegel, Edgar G. Ulmer, Robert Aldrich and Frank Tashlin.
Index:
Lang, Fritz
Jones, Chuck
Scorsese, Martin
Hitchcock, Alfred
Siegel, Donald
Ulmer, Edgar G[eorge]
Aldrich, Robert
Tashlin, Frank

#278
Bogdanovich, Peter: Who the devil made it? Conversations with legendary film directors. - New York: Ballantine Books 1998.
First edition:
[New York: Knopf 1997]
Reviews:
Baumgärtel, Tilman: [untitled] In: Medienwissenschaft 1999. No. 4. pp. 444-447.
Description:
Interviews with actors and directors, among them Fritz Lang, Chuck Jones, Martin Scorsese, Alfred Hitchcock, Don Siegel, Edgar G. Ulmer, Robert Aldrich and Frank Tashlin.
Index:
Lang, Fritz
Jones, Chuck
Scorsese, Martin
Hitchcock, Alfred
Siegel, Donald
Ulmer, Edgar G[eorge]
Aldrich, Robert
Tashlin, Frank

#279
Bogdanovitch, Peter: Wer hat denn den gedreht? - Zürich: Haffmanns Verlag 2000. (= Arte-Edition.)
First edition:
[New York: Knopf 1997. - New York: Knopf 1997]
Reviews:
Midding, Gerhard: Entdeckerfreude pur: Peter Bogdanovichs Interviews. In: EPD Film 18. 2001. No. 2. [February] pp. 18-19.
Mörchen, Roland: [untitled] In: Film-Dienst 53. 2000. No. 18. [August 29] p. 43.
Description:
Interviews with actors and directors, among them Fritz Lang, Chuck Jones, Martin Scorsese, Alfred Hitchcock, Don Siegel, Edgar G. Ulmer, Robert Aldrich and Frank Tashlin.
Index:
Lang, Fritz
Jones, Chuck
Scorsese, Martin
Hitchcock, Alfred
Siegel, Donald
Ulmer, Edgar G[eorge]
Aldrich, Robert
Tashlin, Frank

#280
Bohne, Luciana / Casetti, Francesco: Antonioni and Hitchcock: Two strategies of narrative investment. In: Substance 15. 1986. No. 3(51). [?D] pp. 69-86.
Description:
Discusses, among others, Alfred Hitchcock’s Stage Fright.
Index:
Hitchcock, Alfred
Antonioni, Michelangelo
Stage Fright (1950)

#281
Bokor, Nandor: Hitchcock tetthelyein. In: Filmvilag 39. 1996. No. 5. [?D] pp. 33-39.
Index:
Hitchcock, Alfred
Vertigo (1958)
Psycho (1960)
Birds, The (1962)

#282
Bokor, Nándor / Kerzoncuf, Alain: Alfred Hitchcock’s trailers. In: Senses of Cinema 2005. No. ?N. [Spring] p. ?P.
Index:
Hitchcock, Alfred

#283
Boltz, Steven: The Psycho returns! But why? In: Filmfax 2001. No. 87/88. [October] p. 117.
Index:
Van Sant, Gus
Hitchcock, Alfred
Psycho (1998)
Psycho (1960)

#284
Bond, Jeff: Jeff Bond’s special commemorative 30th anniversary ad hominem attack on Star Trek’s Rick Berman. In: Film Score Monthly 2. 1997. No. 1. [?D] pp. 27-30.
Description:
Discusses also Alfred Hitchcock’s Vertigo.
Index:
Frakes, Jonathan
Berman, Rick
Hitchcock, Alfred
Star Trek - First Contact (1996)
Vertigo (1958)
Star Trek (Filmreihe)

#285
Bond, Jeff: Newly recorded for your enjoyment. In: Film Score Monthly 2. 1997. No. 7. [?D] pp. 33-37.
Index:
Hitchcock, Alfred
Psycho (1960)

#286
Bond, Jeff: Vertigo. In: Film Score Monthly ?G. 1996. No. ?N(69). [May] p. 16.
Index:
Hitchcock, Alfred
Vertigo (1958)

#287
Les bonheurs d’Alfred H. In: Séquences ?G. 1980. No. 101. [July] pp. 24-28.
Description:
Collections of statements from various journalists on their favourite Hitchcock film.
Index:
Hitchcock, Alfred

#288
Bonitzer, Pascal / Daney, Serge / Douchet, Jean: Douchet decortique De Palma. In: Cahiers du Cinéma 1981. No. 326. [July/August] p. ?P.
Description:
Discusses especially the influence of Alfred Hitchcock’s films on De Palmas work.
Index:
De Palma, Brian
Hitchcock, Alfred
Dressed to Kill (1980)

#289
Bonitzer, Pascal / Delvaux, C.: [untitled]. In: Revue Belge du Cinéma 1984/1985. No. 10. [Winter] pp. 55-71.
Description:
Special section that contains excerpts from articles on and interviews with Alfred Hitchcock.
Index:
Hitchcock, Alfred

#290
Bonitzer, Pascal: Hitchcockian suspense. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 15-30.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#291
Bonitzer, Pascal: It’s only a film o la facciata del nulla. In: Filmcritica 32. 1981. No. 311. [January] pp. 10-16.
Description:
On the techniques of suspense in film. Discusses, among others, the work of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#292
Bonitzer, Pascal: It’s only a film ou la face du neant. In: Framework ?G. 1981. No. 14. [Spring] pp. 22-24.
Description:
On the techniques of suspense in film. Discusses, among others, the work of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#293
Bonitzer, Pascal: Notorius. In: Cahiers du Cinéma 1980. No. 309. [March] pp. 51-52.
Index:
Hitchcock, Alfred
Notorious (1946)

#294
Bonitzer, Pascal: Notorius. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 151-154.
Index:
Hitchcock, Alfred
Notorious (1946)

#295
Bonitzer, Pascal: The skin and the straw. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 178-184.
Description:
Especially on The Man who Knew Too Much.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)

#296
Bonneville, L.: The Birds. In: Séquences ?G. 1980. No. 101. [July] pp. 27-28.
Index:
Hitchcock, Alfred
Birds, The (1962)

#297
Booker, Marvin Keith: American film in the long 1950s: From Hitchcock to Disney. In: Booker, Marvin Keith: The post-utopian imagination: American culture in the long 1950s. - Westport, Connecticut: Greenwood Press 2002. p. ?P.
Index:
Hitchcock, Alfred
Disney, Walt
Utopie ~ Utopia
USA (United States of America) ~ USA (United States of America)
Disney ~ Disney

#298
Boost, Charles / Verstappen, Wim: Hitchcock blijft voortbestaan. In: Skoop 16. 1980. No. 4. [May/June] pp. 22-39.
Description:
Discusses especially a scene from North by Northwest.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#299
Boozer, Jack: The lethal femme fatale in the noir tradition. In: Journal of Film and Video 51. 1999. No. 3/4. [?D] pp. 20-35.
Description:
Discusses, among others, Alfred Hitchcock’s Marnie and Paul Verhoeven’s Basic Instinct.
Index:
Hitchcock, Alfred
Verhoeven, Paul
Marnie (1963/1964)
Basic Instinct (1992)
Frauen ~ Women
Film Noir ~ Film Noir

#300
Bordwell, David: Visual style in cinema: Vier Kapitel Filmgeschichte. Hrsg. und eingeleitet von Andreas Rost. - Frankfurt/M.: Verlag der Autoren 2001.
Reviews:
Staiger, Michael: [untitled] In: Film-Dienst 54. 2001. No. 13. [June 19] pp. 44-45.
Description:
Discusses, among others, Carl Theodor Dreyer’s La Passion de Jean d’Arc, Alfred Hitchcock’s North by Northwest and Tom Tykwer’s Lola rennt.
Index:
Dreyer, Carl Theodor
Hitchcock, Alfred
Tykwer, Tom
Passion de Jean d’Arc, La (1928)
North by Northwest (1959)
Lola rennt (1998)

#301
Borse, Gregory: "She look like a wrong one to you?" Bloody money body: Marxist subversion in Hitchcock’s Psycho and Frear’s The Grifters. In: Marxism and the movies: Critical essays on class struggle in the cinema. Edited by Mary K. Leigh and Kevin K. Durand. - Jefferson, North Carolina; London: McFarland 2013. p. ?P.
Index:
Marx, Karl
Hitchcock, Alfred
Frears, Stephen
Psycho (1960)
Grifters (1990)
Körper ~ Bodies
Blut ~ Blood
Politik ~ Politics

#302
Borstnar, Niels: Konstruktionen von Gender und Identität in Filmen von Alfrerd Hitchcock. In: All-Gemeinwissen: Kulturelle Kommunikation in populären Medien. Hrsg. von Hans Krah. - Kiel: Ludwig 2001. (= Literatur- und Medienwissenschaftliche Studien 2.) pp. 64 ff.
Index:
Hitchcock, Alfred
Sexualität ~ Sexuality

#303
Bortone, Giuseppe: Intrigo con doppio fondo. In: Cineforum 41. 2001. No. ?N(410). [December] pp. 38-47.
Description:
On Alfred Hitchcock’s North by Northwest.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#304
Boschi, Alberto: Like raisins in a bun: Le due versioni di Blackmail. In: Cinema & Cinema NS 19. 1992. No. 63. [?D] pp. 79-86.
Index:
Hitchcock, Alfred
Blackmail (1929)

#305
Botting, Jo / Lane, Christina: "What did Alma think?": Continuity, writing, editing, and adaptation. In: Hitchcock and adaptation: On the page and screen. Edited by Mark Osteen. - Lanham, Maryland: Rowman & Littlefield 2014. p. ?P.
Index:
Hitchcock, Alfred
Hitchcock, Alma

#306
Boulan, Stéphane / Riou, Alain: Hitch. - Paris: Avant-scène théâtre 2011. (= Collection des quatre-vents: Contemporain)
Index:
Hitchcock, Alfred

#307
Bourget, Jean-Loup: La mort aux trousses. In: Positif 1982. No. 254/255. [May] pp. 66-67.
Description:
On Alfred Hitchcock’s North by Northwest.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#308
Bouzereau, Laurent: Alfred Hitchcock. Vorwort von Patricia Hitchcock O’Connell. Aus dem Englischen von Ursula Fethke. - München: Knesebeck 2010.
First edition:
[Hitchcock, piece by piece.]
Reviews:
Wach, Alexandra: [untitled.] In: Film-Dienst 64. 2011. No. 10. [May 12] p. 49.
Index:
Hitchcock, Alfred

#309
Bouzereau, Laurent / Hitchcock O’Connell, Pat: Alma Hitchcock: The woman behind the man. - New York: Berkley Books 2003.
Index:
Hitchcock, Alfred
Hitchcock, Alma
Frauen ~ Women

#310
Bouzereau, Laurent: Hitchcock piece by piece. Foreward by Patricia Hitchcock O’Connell. - New York: Abrams 2010.
Index:
Hitchcock, Alfred

#311
Bouzereau, Laurent: Hitchcock, piece by piece. Foreword by Patricia Hitchcock O’Connell. - New York: Abrams 2010.
Index:
Hitchcock, Alfred

#312
Bouzereau, Laurent: The Alfred Hitchcock quote book. - Secaucus, New Jersey: Carol Publishing Group 1993. (= A Citadel Press Book.)
Index:
Hitchcock, Alfred

#313
Boyd, David: Film and the interpretive process: A study of Blow-Up, Rashomon, Citizen Kane, 8 1/2, Vertigo and Persona. - New York, Bern, Frankfurt/M., Paris: Lang 1989. (= Ars interpretandi 1.)
Reviews:
Rother, Rainer: [untitled] In: Medienwissenschaft 1990. No. 4. pp. 386-390.
Description:
Bibliography.
Index:
Antonioni, Michelangelo
Kurosawa, Akira
Welles, Orson
Fellini, Federico
Hitchcock, Alfred
Bergman, Ingmar
Blow Up (1966)
Rashomon (1950)
Citizen Kane (1940)
Otto e mezzo / Huit et demi (1962)
Vertigo (1958)
Persona (1966)

#314
Boyd, David / Palmer, R. Barton: Introduction: Recontextualizing Hitchcock’s authorship. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Hitchcock, Alfred

#315
Boyd, David: The parted eye: Spellbound and psychoanalysis. In: Senses of Cinema 2000. No. 6. [May] p. ?P.
Index:
Hitchcock, Alfred
Spellbound (1945)
Psychologie ~ Psychology
Augen ~ Eyes

#316
Boyd, David: The trouble with Rebecca. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Hitchcock, Alfred
Rebecca (1940)

#317
Bozovic, Miran: Der Mann hinter seiner eigenen Netzhaut. In: Ein Triumph des Blicks über das Auge: Psychoanalyse bei Alfred Hitchcock. Von Miran Bozovic [et al.]. Hrsg. von Slavoj Zizek. Übersetzt von Isolde Charim [et al.]. - Wien: Turia & Kant 1992. pp. 153-170.
Description:
On Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)

#318
Bozovic, Miran: Of "farther uses of the dead to the living": Hitchcock and Bentham. In: Hitchcock: Past and future. Edited by Richard Allen and Sam Ishii-Gonzales. - London; New York: Routledge 2004. p. ?P.
Index:
Hitchcock, Alfred

#319
Bozovic, Miran: The man behind his own retina. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 161-177.
Description:
On Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)

#320
Braad Thomsen, Christian: Dodens engel. In: Kosmorama 36. 1990. No. 191. [Spring] pp. 35-41.
Description:
Psychoanalytical interpretation of Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)
Psychologie ~ Psychology

#321
Braad Thomsen, Christian: Freud, psykoanalysen og filmen. In: Kosmorama 41. 1995. No. 214. [Winter] pp. 28-37.
Description:
On the dream motif in film. Discusses, among others, Georg Wilhelm Pabst’s Geheimnisse einer Seele, Luis Buñuel’s Un chien andalou, John Huston’s Freud and the films of Alfred Hitchcock, Pier Paolo Pasolini and Jean-Luc Godard.
Index:
Freud, Sigmund
Pabst, Georg Wilhelm
Buñuel, Luis
Huston, John
Hitchcock, Alfred
Pasolini, Pier Paolo
Godard, Jean-Luc
Geheimnisse einer Seele (1925)
chien andalou, Un (1928)
Freud (1963)
Traum ~ Dreams

#322
Brand, Dana: Rear-view mirror: Hitchcock, Poe, and the flaneur in America. In: Hitchcock’s America. Edited by Jonathan Freedman and Richard Millington. - New York; Oxford: Oxford University Press 1999. pp. 123-134.
Description:
Discusses especially Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Poe, Edgar Allan
Rear Window (1954)
USA (United States of America) ~ USA (United States of America)
Spiegel ~ Mirror

#323
Brand, Neil: Working with Hitch. In: Sight and Sound NS 22. 2012. No. 7. [July] pp. 34-37.
Description:
The composer on Hitchcock’s filmic techniques, especially in Blackmail.
Index:
Hitchcock, Alfred
Brand, Neil
Blackmail (1929)
Musik ~ Music

#324
Brandorf, Martin: Viljan att falla: Om begär och illusion i Hitchcocks Vertigo. In: Filmrutan 41. 1998. No. 1. [?D] pp. 2-7.
Index:
Hitchcock, Alfred
Vertigo (1958)

#325
Braudy, Leo: Hitchcock, Truffaut, and the irresponsible audience. In: Film Quarterly 21. 1968. No. 4. [Summer] pp. 21-27.
Index:
Hitchcock, Alfred
Truffaut, François

#326
Brent, Jessica: Beyond the gaze: Visual fascination and the feminine image in silent Hitchcock. In: Camera Obscura 19. 2004. No. 55. [May] pp. 76-111.
Index:
Hitchcock, Alfred
Stummfilm ~ Silent Film
Frauen ~ Women

#327
Breschand, Jean: Un oeil en cuisine. In: Vertigo 1998. No. 17. [?D] pp. 75-77.
Index:
Hitchcock, Alfred
Psycho (1960)
Augen ~ Eyes

#328
Briefel, Aviva: Specters of respectability: Victorian horrors in The Turn of the Screw and Psycho. In: The men who knew too much: Henry James and Alfred Hitchcock. Edited by Susan Griffin and Alan Nadel. - Oxford; New York: Oxford University Press 2011. p. ?P.
Index:
James, Henry
Hitchcock, Alfred
Psycho (1960)
Horror ~ Horror
Turn of the Screw, The (Literatur ~ Literature)

#329
Brill, Lesley: A brief anatomy of Family Plot. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Hitchcock, Alfred
Family Plot (1975)

#330
Brill, Lesley: Canetti and Hitchcock: Crowds and Power and North by Northwest. In: Arizona Quarterly 56. 2000. No. 4. [Winter] pp. 119-146.
Index:
Canetti, Elias
Hitchcock, Alfred
North by Northwest (1959)
Masse und Macht (Literatur ~ Literature)

#331
Brill, Lesley: Hitchcock and romance. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred

#332
Brill, Lesley: Hitchcock’s The Lodger. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Lodger, The: A Story of the London Fog (1927)

#333
Brill, Lesley: Hitchcockian silence: Psycho and Jonathan Demme’s The Silence of the Lambs. In: After Hitchcock: Influence, imitation, and intertextuality. Edited by David Boyd and R. Barton Palmer. - Austin, Texas: University of Texas Press 2006. pp. 31-46.
Index:
Hitchcock, Alfred
Demme, Jonathan
Psycho (1960)
Silence of the Lambs, The (1990)

#334
Brill, Lesley: Love’s not time’s fool: The Trouble with Harry (1955). In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 271-281.
Index:
Hitchcock, Alfred
Trouble with Harry, The (1955)

#335
Brill, Lesley: North by Northwest and Hitchcockian romance. In: Film Criticism 6. 1982. No. 3. [Spring] pp. 1-17.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#336
Brill, Lesley: The Hitchcock romance: Love and irony in Hitchcock’s films. - Princeton, New Jersey; Guildford: Princeton University Press 1992.
Reviews:
Thomas, Paul: The women who knew too much: The Hitchcock romance. In: Film Quarterly 42. 1989. No. 4. [Summer] pp. 40-42.
Index:
Hitchcock, Alfred

#337
Brill, Lesley: The Hitchcock romance: Love and irony in Hitchcock’s films. - Princeton, New Jersey; Guildford: Princeton University Press 1988.
Reviews:
Donovan, Francis: Hitchcockologie. In: Cinéma [Paris] 1990. No. 463. [?D] pp. 36-37.
Index:
Hitchcock, Alfred

#338
Brill, Lesley W.: Hitchcock’s The Lodger. In: Literature/Film Quarterly 11. 1983. No. 4. [October] pp. 257-265.
Description:
On Hitchcock’s silent film.
Index:
Hitchcock, Alfred
Lodger, The: A Story of the London Fog (1927)
Stummfilm ~ Silent Film

#339
Brill, Leslie: "A hero for our times": Foreign Correspondent, hero, and the bonfire of the vanities. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred
Foreign Correspondent (1940)
Helden ~ Heros

#340
Brill; Lesley: Crowds, power, and transformation in cinema. - Detroit, Michigan: Wayne State University Press 2006.
Description:
Discusses, among others, Alfred Hitchcock’s North by Northwest and Jonathan Demme’s The Silence of the Lambs.
Index:
Hitchcock, Alfred
Demme, Jonathan
North by Northwest (1959)
Silence of the Lambs, The (1990)

#341
Brion, Patrick: Hitchcock: Biographie, filmographie illustrée, analyse critique. - Paris: La Martinière 2000.
Index:
Hitchcock, Alfred

#342
Brisseau, Jean-Claude: Psycho. In: Projections 4. 1995. No. 1/2. [?D] pp. 33-35.
Index:
Hitchcock, Alfred
Psycho (1960)

#343
Brisseau, Jean-Claude: Psychose. In: Positif 1994. No. 400. [June] pp. 16-17.
Description:
The director on Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Brisseau, Jean-Claude
Psycho (1960)

#344
Britton, A.: Gary Grant: Comedy and male desire. In: Cineaction 1986. No. 7. [Winter] pp. 36-51.
Description:
Discusses, among others, Cary Grant’s role in Alfred Hitchcock’s North by Northwest.
Index:
Grant, Cary
Hitchcock, Alfred
North by Northwest (1959)
Männer ~ Men
Humor ~ Humor

#345
Broderick, James F.: Psycho. In: Broderick, James F.: Now a terrifying motion picture! Twenty-five classic works of horror adapted from book to film. - Jefferson, North Carolina: McFarland 2012. p. ?P.
Index:
Bloch, Robert N.
Hitchcock, Alfred
Psycho (1960)
Psycho (Literatur ~ Literature)
Literatur ~ Literature
Horror ~ Horror

#346
Broderick, James F.: The Birds. In: Broderick, James F.: Now a terrifying motion picture! Twenty-five classic works of horror adapted from book to film. - Jefferson, North Carolina: McFarland 2012. p. ?P.
Index:
Du Maurier, Daphne
Hitchcock, Alfred
Birds, The (1962)
Birds, The (Literatur ~ Literature)
Literatur ~ Literature
Horror ~ Horror

#347
Bronfen, Elisabeth: Aneignung der Fremde auf unheimliche Art: Rebecca (Alfred Hitchcock). In: Bronfen, Elisabeth: Heimweh: Illusionsspiele in Hollywood. - Berlin: Volk & Welt 1999. p. ?P.
Index:
Hitchcock, Alfred
Rebecca (1940)
Angst ~ Fear

#348
Bronfen, Elisabeth: From omphalos to phallus: Cultural representations of feminity and death. In: Women 3. 1992. No. 2. [?D] pp. 145-158.
Description:
Discusses, among others, Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Tod ~ Death
Frauen ~ Women

#349
Bronfen, Elisabeth: Risky resemblances: On repetition, mourning, and representation. In: Death & representation. Edited by Elisabeth Bronfen and Sarah Webster Goodwin. - Baltimore, Maryland: Johns Hopkins University Press 1993. pp. 103-129.
Description:
Compares Edgar Allan Poe’s novel Ligeia with Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Poe, Edgar Allan
Vertigo (1958)
Tod ~ Death
Ligeia (Literatur ~ Literature)

#350
Bronfen, Elisabeth: Screening and disclosing fantasy: Rear projection in Hitchcock. In: Screen 56. 2015. No. 1. [Spring] pp. 1-24. 24.
Index:
Hitchcock, Alfred
Fantasy ~ Fantasy

#351
Bronfen, Elisabeth: Uncanny appropriations: Rebecca. In: Bronfen, Elisabeth: Home in Hollywood: The imaginary geography of cinema. - New York: Columbia University Press 2004. (= Film and Culture.) pp. 31 ff.
First edition:
[Heimweh: Illusionsspiele in Hollywood. - Berlin: Volk & Welt 1999.]
Index:
Hitchcock, Alfred
Rebecca (1940)
Angst ~ Fear

#352
Brophy, Stephen: The use of glass in Alfred Hitchcock’s Blackmail. In: Cineaction 1999. No. 50. [?D] pp. 20-23.
Index:
Hitchcock, Alfred
Blackmail (1929)

#353
Brown, Bryan: The Alfred Hitchcock movie quiz book. - New York: Perigee Books 1986.
Index:
Hitchcock, Alfred

#354
Brown, Royal S.: Back from among the dead: The restoration of Alfred Hitchcock’s Vertigo. In: Cineaste 23. 1997. No. 1. [Winter] pp. 4-9.
Index:
Hitchcock, Alfred
Vertigo (1958)

#355
Brown, Royal S.: Bernard Herrmann and the subliminal pulse of violence. In: High Fidelity and Musical America 26. 1976. No. ?N. [March] pp. 75-76.
Description:
On the film composer.
Index:
Herrmann, Bernard
Hitchcock, Alfred
Psycho (1960)
Musik ~ Music
Gewalt ~ Violence

#356
Brown, Royal S.: Herrmann and Hitch: Mercury reissues the Vertigo soundtrack (now in stereo) while Elmer Bernstein rescues Herrmann’s unused Torn Curtain score. In: High Fidelity and Musical America 28. 1978. No. ?N. [April] pp. 80-81.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Bernstein, Elmer
Vertigo (1958)
Torn Curtain (1966)
Musik ~ Music

#357
Brown, Royal S.: Herrmann, Hitchcock, and the music of the irrational. In: Cinema Journal 21. 1982. No. 2. [Spring] pp. 14-49.
Index:
Herrmann, Bernard
Hitchcock, Alfred
Psycho (1960)
North by Northwest (1959)
Vertigo (1958)
Musik ~ Music

#358
Brown, Royal S.: Vertigo as Orphic tragedy. In: Literature/Film Quarterly 14. 1986. No. 1. [January] pp. 32-43.
Index:
Hitchcock, Alfred
Vertigo (1958)
Orpheus ~ Orpheus

#359
Bruce, Graham: Bernard Herrmann: Film music and narrative. - Ann Arbor, Michigan: UMI Research Press 1985. (= Studies in Cinema 38.)
Reviews:
Gerhold, Hans: [untitled] In: Medienwissenschaft 1987. No. 3. pp. 340-341.
Description:
On the composer, especially on his work for Alfred Hitchcock’s Vertigo and Psycho.
Index:
Herrmann, Bernard
Hitchcock, Alfred
Vertigo (1958)
Psycho (1960)
Musik ~ Music

#360
Brunas, John / Brunas, Michael / Weaver, Tom: Charles Bennett. In: Brunas, John / Brunas, Michael / Weaver, Tom: Attack of the monster movie makers: Interviews with 20 genre giants. - Jefferson, North Carolina; London: McFarland & Company 1994. pp. 17-30.
Description:
On the play- and screenwriter who wrote the model for Alfred Hitchcock’s Blackmail and worked for Irwin Allen’s The Lost World.
Index:
Bennett, Charles
Hitchcock, Alfred
Allen, Irwin
Blackmail (1929)
Lost World, The (1960)

#361
Brunas, John / Brunas, Michael / Weaver, Tom: Janet Leigh. In: Brunas, John / Brunas, Michael / Weaver, Tom: Science fiction stars and horror heroes: Interviews with actors, directors, producers and writers of the 1940s through 1960s. - Jefferson, North Carolina; London: McFarland & Company 1991. pp. 275-288.
Description:
On the actress who played in Orson Welles’s Touch of Evil, Alfred Hitchcock’s Psycho and John Carpenter’s The Fog spielte. Includes a filmography.
Index:
Leigh, Janet
Welles, Orson
Hitchcock, Alfred
Carpenter, John
Touch of Evil (1957)
Psycho (1960)
Fog, The / John Carpenter’s The Fog (1979)
Science Fiction ~ Science Fiction
Horror ~ Horror

#362
Brunas, John / Brunas, Michael / Weaver, Tom: Robert Shayne. In: Brunas, John / Brunas, Michael / Weaver, Tom: Science fiction stars and horror heroes: Interviews with actors, directors, producers and writers of the 1940s through 1960s. - Jefferson, North Carolina; London: McFarland & Company 1991. pp. 355-367.
Description:
On the actor who played in many fantastic films, among them Ewald André Dupont’s The Neanderthal Man, William Cameron Menzies’s Invaders from Mars, Herbert L. Strock’s How to Make a Monster and Alfred Hitchcock’s North by Northwest. Includes a filmography.
Index:
Shayne, Robert
Menzies, William Cameron
Strock, Herbert L.
Hitchcock, Alfred
Dupont, Ewald André
Invaders from Mars (1953)
How to Make a Monster (1958)
North by Northwest (1959)
Neanderthal Man, The (1953)
Science Fiction ~ Science Fiction
Horror ~ Horror

#363
Brunetta, Gian Piero: Alfred Hitchcock o l’universo della relatività. - Cittadella: Delta Tre 1971. (= Problemi e protagonisti dello spettacolo 1.)
Index:
Hitchcock, Alfred

#364
Brunetta, Gian Piero: Il cinema di Hitchcock. - Venezia: Marsilio 1994. (= Tascabili Marsilio 23.)
Index:
Hitchcock, Alfred

#365
Brunkhorst, Vicky: Metonymische und metaphorische Funktion der Farben in Alfred Hitchcocks Frenzy, untersucht am Motiv der "Glaubwürdigkeit". - Hamburg: Universität Hamburg, Literaturwissenschaftliches Seminar, Magisterarbeit 1995.
Index:
Hitchcock, Alfred
Frenzy (1971)

#366
Bruno, Edoardo: Falsi ingressi. In: Filmcritica 32. 1981. No. 311. [January] pp. 3-6.
Description:
On the narrative structure in the films of Alfred Hitchcock and his way of surprising the viewer.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#367
Bruno, Edoardo: Falsi ingressi. In: Filmcritica 49. 1999. No. 499. [October] pp. 443-446.
Description:
On the narrative structure in the films of Alfred Hitchcock and his way of surprising the viewer (Reprint from 1981).
Index:
Hitchcock, Alfred

#368
Bruno, Edoardo: La spirale del pensiero. In: Filmcritica 49. 1999. No. 499. [October] pp. 419-420.
Description:
On the use use of optical tricks in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Technik: Spezialeffekte ~ Technology: Special Effects

#369
Bruno, Marcello Walter: Bates Motel. In: Segnocinema 10. 1990. No. 45. [September/October] pp. 10-14.
Description:
On Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)

#370
Bruno, Marcello Walter: Hitchcockiano. In: Segnocinema ?G. 1993. No. 62. [July/August] pp. 70-71.
Description:
On Hitchcock’s influence on other directors in the 1950s.
Index:
Hitchcock, Alfred

#371
Bruno, Marcello Walter: Il film diviso. In: Segnocinema 10. 1990. No. 46. [November/December] pp. 8-10.
Description:
On Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)

#372
Bruns, John: "The proper geography": Hitchcock’s adaptation of Daphne du Maurier’s The Birds. In: Hitchcock and adaptation: On the page and screen. Edited by Mark Osteen. - Lanham, Maryland: Rowman & Littlefield 2014. p. ?P.
Index:
Du Maurier, Daphne
Hitchcock, Alfred
Birds, The (1962)
Birds, The (Literatur ~ Literature)

#373
Brupbacher, B.: Unmasking Alfred Hitchcock: A study of selected films in their context from Murder (1930) to Marnie (1964). - Oxford: University of Oxford, D.Phil. 1992. [Abstract in: Index to Theses with Abstracts 42. 1993. No. 3. p. 939(42-5140).]
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Murder (1930)

#374
Bubendorfer, Silvia / Holzinger, Claudia: Hitchcocks Universum: Psychoanalyse und Film: Das mütterliche Über-Ich & der Mangel im Anderen: Die Besessenheit des Blicks & die Absolute Andersheit. - Salzburg: Universität Salzburg, Diplom-Arbeit 1998.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology
Mutter ~ Mothers
Dämonen ~ Demons

#375
Buckley, M.:A handful of Hitchcock. In: Films in Review 35. 1984. No. 3. [March] pp. 142-143.
Description:
Reviews of several Hitchcock films.
Index:
Hitchcock, Alfred

#376
Buendia, Patrice: Les héritiers d’Hitchcock. In: Le suspence au cinéma. Dirigée par Jean Bessalel et André Gardies. (= Cinémaction 1994. No. 71. [?D]) pp. 62-69.
Description:
On suspense film in the tradition of Alfred Hitchcock. Discusses, among others, Brian De Palma’s Dressed to Kill, Martin Scorsese’s Cape Fear, Rob Reiner’s Misery and Paul Verhoeven’s Basic Instinct.
Index:
Hitchcock, Alfred
De Palma, Brian
Scorsese, Martin
Reiner, Rob
Verhoeven, Paul
Dressed to Kill (1980)
Cape Fear (1991)
Misery (1990)
Basic Instinct (1992)
Thriller ~ Thriller

#377
Bühler, Wolf-Eckart: Alfred Hitchcock: Zu einer Retrospektive in Wien. In: Filmmaker: The Magazine of Independent Film 21. 1977. No. ?N. [June] pp. 282-303.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Wien ~ Vienna

#378
Buiré, Jean-François: Hypothèse de film volé. In: Cinéma [Paris] 2005. No. 10(?N). [Autumn] pp. 86-97.
Description:
Compares Joseph Losey’s Monsieur Klein with Alfred Hitchcock’s North by Northwest.
Index:
Losey, Joseph
Hitchcock, Alfred
Monsieur Klein (1976)
North by Northwest (1959)

#379
Buiré, Jean-François: Vertigo west. In: Cinéma [Paris] 2007. No. 13(?N). [Spring] pp. 18-23.
Description:
On the representation of America and the Americans in Hitchcock’s films.
Index:
Hitchcock, Alfred
Vertigo (1958)
USA (United States of America) ~ USA (United States of America)

#380
Buller, Richard: Pyscho: Why so popular? In: Hollywood Studio Magazine 17. 1984. No. 11. [?D] pp. 24-25.
Index:
Hitchcock, Alfred
Psycho (1960)

#381
Bullerjahn, Claudia: Eklektizismus, Geschäftssinn und Mut zu Experimenten: Wie Alfred Hitchcock die Filmmusikentwicklung beeinflusste. In: Hitchcock und die Künste. Hrsg. von Henry Keazor. - Marburg: Schüren 2013. pp. 117 ff.
Index:
Hitchcock, Alfred
Musik ~ Music
Experimentalfilme ~ Experimental Films
Kunst ~ Arts, The

#382
Bullerjahn, Claudia: Gender-Konstruktion durch Filmmusik: Eine analytische Betrachtung am Beispiel der Vertonung von Frauenfiguren in Filmen von Alfred Hitchcock und im neueren Frauenfilm. In: Kieler Beiträge zur Filmmusikforschung 2008. No. 2. [October] pp. 7-26.
Index:
Hitchcock, Alfred
Sexualität ~ Sexuality
Musik ~ Music
Frauen ~ Women

#383
Buovolo, Marisa: Identität und Macht: Edith Head und ihre Kreationen für Hitchcocks "Kühle Blonde". In: Film-Dienst 59. 2006. No. 3. [February 2] pp. 11-13.
Index:
Hitchcock, Alfred
Head, Edith
Frauen ~ Women

#384
Burdeau, Emmanuel / Thirion, Antoine: L’acteur de A. A. à B. B. In: Cahiers du Cinéma 2005. No. 603. [July/August] pp. 20-26.
Description:
Asia Argento and Bertrand Bonello discuss their own work and several films, among them Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Argento, Asia
Bonello, Bertrand
Vertigo (1958)

#385
Burgin, Victor: Diderot, Barthes, Vertigo. In: Formations of fantasy. Edited by Victor Burgin, James Donald and Cora Kaplan. - London: Methuen 1986. pp. 85-108.
Description:
On Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Diderot, Denis
Barthes, Roland
Vertigo (1958)
Fantasy ~ Fantasy

#386
Buscema, M.: Marnie. In: Filmcritica 32. 1981. No. 311. [January] pp. 52-53.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#387
Busch, Justin E. A.: The centre cannot hold: Betrayals in Alfred Hitchcock’s Topaz. In: Cineaction 2005. No. 66. [Spring] pp. 29 ff.
Index:
Hitchcock, Alfred
Topaz (1968)

#388
Buss, Robin: Under the influence. In: Sight and Sound NS 16. 2006. No. 5. [May] pp. 20-22.
Description:
On Dominik Moll’s Lemming, a film influenced by Hitchcock’s The Birds.
Index:
Moll, Dominik
Hitchcock, Alfred
Lemming (2005)
Birds, The (1962)

#389
Butler, Ivan: The horror film. 3rd revised edition. - New York: A. S. Barnes and Company 1970.
Description:
Discusses especially the Dracula and the Frankenstein films, the films of Val Lewton and Roger Corman, Alfred Hitchcock’s Psycho, Roman Polanski’s Repulsion and Rosemary’s Baby, William Friedkin’s The Exorcist and Richard Donner’s The Omen.
Index:
Lewton, Val
Hitchcock, Alfred
Corman, Roger
Polanski, Roman
Friedkin, William
Donner, Richard
Psycho (1960)
Repulsion (1965)
Rosemary’s Baby (1968)
Exorcist, The (1973)
Omen, The / Birthmark (1976)
Vampire ~ Vampires
Horror ~ Horror
Frankenstein ~ Frankenstein

#390
Butler, Rex: William Rothman’s Vertigo. In: Film-Philosophy 18. 2014. No. 1. [?D] pp. 35-49.
Index:
Hitchcock, Alfred
Rothman, William
Vertigo (1958)
Philosophie ~ Philosophy

#391
Butte, George: I know that you know that I know: Narrating subjects from Moll Flanders to Marnie. - Columbus, Ohio: Ohio State University Press 2004. (= Theory and interpretation of narrative.)
Index:
Defoe, Daniel
Hitchcock, Alfred
Marnie (1963/1964)
Moll Flandres (Literatur ~ Literature)

#392
Butte, George: Theatricality and the comedy of the mutual gaze in Hitchcock’s Cary Grant films. In: Hitchcock Annual 1997. pp. 114-136.
Index:
Hitchcock, Alfred
Grant, Cary
North by Northwest (1959)
Theater ~ Theatre
Humor ~ Humor

#393
Byars, Jackie / Meehan, Eileen R.: Once in a lifetime: Constructing "The Working Woman" through cable narrowcasting. In: Camera Obscura 1994/1995. No. 33/34. [May-January] pp. 12-41.
Index:
Hitchcock, Alfred
Notorious (1946)
Frauen ~ Women

#394
Byers, Thomas B.: Shadows of modernity: What Maisie Knew and Shadow of a Doubt. In: The men who knew too much: Henry James and Alfred Hitchcock. Edited by Susan Griffin and Alan Nadel. - Oxford; New York: Oxford University Press 2011. p. ?P.
Index:
James, Henry
Hitchcock, Alfred
Shadow of a Doubt (1943)
What Maisie Knew (Literatur ~ Literature)

#395
Cagle, Chris: Rough trade: Sexual taxonomy in postwar America. In: RePresenting bisexualities: Subjects and cultures of fluid desire. Edited by Donald E. Hall and Maria Pramaggiore. - New York: New York University Press 1996. pp. 34-52.
Description:
Discusses, among others, the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)
Sexualität ~ Sexuality
Krieg ~ War

#396
Calabrese, John A.: Romanticism in Alfred Hitchcock’s Vertigo: Conflicts and dark reversals. In: Lamar Journal of the Humanities 18. 1992. No. 2. [Fall] pp. 51-65.
Index:
Hitchcock, Alfred
Vertigo (1958)
Romantik ~ Romanticism

#397
Calef, Scott: Featherless bipeds: The concept of humanity in The Birds. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 75-88.
Index:
Hitchcock, Alfred
Birds, The (1962)
Philosophie ~ Philosophy

#398
The Cambridge companion to Alfred Hitchcock. Edited by Jonathan Freedman. - Cambridge; New York: Cambridge University Press 2015.
Index:
Hitchcock, Alfred

#399
Cameron, Ian / Perkins, V. F.: Hitchcock. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 44 ff.
Index:
Hitchcock, Alfred

#400
Caminer, Sylvia / Gallagher, John Andrew: Joseph Stefano. In: Films in Review 47. 1996. No. 1/2. [January/February] pp. 27-35.
Description:
Interview with the screenwriter on his script for Alfred Hitchcock’s Psycho.
Index:
Stefano, Joseph
Hitchcock, Alfred
Psycho (1960)

#401
Camp, Jocelyn: John Buchan and Alfred Hitchcock. In: Literature/Film Quarterly 6. 1978. No. 3. [Summer] pp. 230-240.
Description:
On Alfred Hitchcock’s The Thirty-Nine Steps and North by Northwest, both adaptions of novels by John Buchan.
Index:
Hitchcock, Alfred
Buchan, John
Thirty-Nine Steps, The (1935)
North by Northwest (1959)

#402
Canby, Vincent: Rear Window - still a joy. In: New York Times, October 9, 1983. Sec. 2. pp. 21 ff.
Index:
Hitchcock, Alfred
Rear Window (1954)

#403
Cappabianca, Alessandro / Giacci, V.: Alfred Hitchcock nel 1990: Le 36 apparizioni di Hitchcock. In: Filmcritica 41. 1990. No. 405/406. [?D] pp. 282-287.
Description:
On Hitchcock’s filmic ouvre and on his cameo appearances in his films.
Index:
Hitchcock, Alfred

#404
Caprara, Valerio: L’occhio segreto del grande Hitch. In: Segnocinema ?G. 1984. No. 14. [September] pp. 3-5.
Index:
Hitchcock, Alfred
Rear Window (1954)
Vertigo (1958)

#405
Caprara, Valerio / Pugliese, Roberto: Il ritorno di Hitchcock. In: Segnocinema 4. 1945. No. 14. [September] pp. 3-8.
Description:
On the collaboration between Alfred Hitchcock and composer Bernard Herrmann.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Musik ~ Music

#406
Capuzzo, Heitor: Alfred Hitchcock: O cinema em construçÆo. - Vitória: Editora FundaçÆo Ceciliano Abel de Almeida, Universidade Federal do Espírito Santo 1993.
Index:
Hitchcock, Alfred

#407
Carbonnier, Alain / Dumont, P. / Magny, Joël: La femme selon Hitchcock. In: Cinéma [Paris] 1984. No. 303. [March] pp. 47-49.
Description:
Interview with Jean Douchet on the representation of women in Hitchcock’s films, especially in Vertigo.
Index:
Hitchcock, Alfred
Douchet, Jean
Vertigo (1958)
Frauen ~ Women

#408
Carcassonne, Philippe.:Le mauvais esprit du cinéma. In: Cinématographe 1984. No. 97. [February] pp. 2-4.
Description:
On the use of flashbacks in cinema. Duscusses, among others, the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred

#409
Cardullo, Bert: Four notes on classic films. In: Études Anglaises 42. 1989. No. 4. [?D] pp. 434-440.
Description:
Discusses John Ford’s Stagecoach, The Cameraman by Buster Keaton and Edward Sedgwick, Alfred Hitchcock’s Psycho and In Which We Serve by Noel Coward and David
Lean.
Index:
Ford, John
Keaton, Buster
Sedgwick, Edward
Hitchcock, Alfred
Stagecoach (1939)
Cameraman, The (1928)
Psycho (1960)

#410
Cardullo, Bert: Some notes on classic films. In: University Of Windsor Review 21. 1988. No. 2. [?D] pp. 82-86.
Description:
Discusses, among others, Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)

#411
Cardullo, Bert: Some notes on classic films. In: New Orleans Review 17. 1990. No. 2. [?D] pp. 5-13.
Description:
Discusses, among others, Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)

#412
Care, Ross: Rear Window: The music of sound. In: Scarlet Street 2000. No. 37. [?D] pp. 60 ff.
Index:
Hitchcock, Alfred
Rear Window (1954)
Musik ~ Music

#413
Care, Ross: Record rack. In: Scarlet Street 1995. No. 19. [Summer] pp. 64-66.
Description:
On various editions of film music, among them Franz Waxman’s score for Alfred Hitchcock’s Rebecca.
Index:
Hitchcock, Alfred
Waxman, Franz
Rebecca (1940)
Musik ~ Music

#414
Care, Ross: Record rack. In: Scarlet Street 1996. No. 21. [Winter] pp. 74, 76-77.
Description:
On Bernhard Herrmann’s scores for North by Northwest and other Hitchcock films.
Index:
Hitchcock, Alfred
Herrmann, Bernard
North by Northwest (1959)
Musik ~ Music

#415
Carlini, Fabio: Hitchcock. - Firenze: La nuova Italia 1974. (= Il Castoro cinema 5.)
Index:
Hitchcock, Alfred

#416
Carlo, S.: Rear Window (La finestra sul cortile) - 1954. In: Filmcritica 32. 1981. No. 311. [January] pp. 44-46.
Index:
Hitchcock, Alfred
Rear Window (1954)

#417
Carlson, Matthew Paul: Conrad’s The Secret Agent, Hitchcock’s Sabotage, and the inspiration of "public uneasiness". In: Hitchcock and adaptation: On the page and screen. Edited by Mark Osteen. - Lanham, Maryland: Rowman & Littlefield 2014. p. ?P.
Index:
Conrad, Joseph
Hitchcock, Alfred
Sabotage (1936)
Secret Agent, The (Literatur ~ Literature)

#418
Caron, André / Girard, Martin / Larue, Johanne: Brian De Palma. In: Séquences ?G. 1994. No. 168. [January] pp. 18-34.
Description:
Discusses, among others, De Palma’s relation to Hitchcock as well as the motifs of suspense and violence in De Palma’s films.
Index:
De Palma, Brian
Hitchcock, Alfred
Thriller ~ Thriller
Gewalt ~ Violence

#419
Carreño Abad, José Maria: Alfred Hitchcock. - Madrid: J. C. Ed. 1980. (= Directores de cine.)
Index:
Hitchcock, Alfred

#420
Carrère, E.: La somnambule et le magnetiseur (quelques images de reve dans le cinema fantastique). In: Positif 1977. No. 193. [May] pp. 48-52.
Description:
Discusses, among others, Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)
Traum ~ Dreams

#421
Carroll, Noel: Vertigo and the pathologies of romantic love. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 101-114.
Index:
Hitchcock, Alfred
Vertigo (1958)
Romantik ~ Romanticism
Philosophie ~ Philosophy

#422
Carson, Diane: The nightmare world of Hitchcock’s women. In: Michigan Academician 18. 1986. No. 3. [Summer] pp. 349-356.
Description:
Discusses, among others, Shadow of a Doubt.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)
Traum ~ Dreams
Frauen ~ Women

#423
Carson, Diane: The nightmare world of Hitchcock’s women: Selected papers from Tenth Annual Florida State University Conference on Literature & Film. In: The kingdom of dreams in literature and film. Edited by Douglas Fowler. - Tallahassee: Florida State University Press 1986. pp. 11-20.
Description:
Discusses, among others, Shadow of a Doubt.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)
Literatur ~ Literature
Frauen ~ Women
Traum ~ Dreams

#424
Case, Brian / Charity, Tom: Dizzy heights / The national Alf. In: Time Out 1997. No. 1391. [April 16] pp. 20-22, 24.
Description:
On Hitchcock’s Vertigo and the collaboration between the director and actress Kim Novak.
Index:
Hitchcock, Alfred
Novak, Kim
Vertigo (1958)

#425
Case, Brian: Cinefile: Alfred Hitchcock. In: Time Out 1992. No. 1121. [February 12] p. 135.
Index:
Hitchcock, Alfred

#426
Casel, José / Duarte, Fernando: Os filmes ingleses e americanos de Alfred Hitchcock. In: Celulóide 1980. No. 298/299. [September]. pp. 12-13.
Description:
On the films made between 1921 and 1931.
Index:
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)
Großbritannien ~ Great Britain

#427
Casel, José / Duarte, Fernando: Os filmes ingleses e americanos de Alfred Hitchcock (conclusÆo). In: Celulóide 1980. No. 306/307. [December]. pp. 309-312.
Description:
On the films made between 1943 and 1976.
Index:
Hitchcock, Alfred

#428
Casel, José / Duarte, Fernando: Os filmes ingleses e americanos de Alfred Hitchcock. In: Celulóide 1980. No. 300-302. [October]. pp. 29-31.
Description:
On the films made between 1932 and 1942.
Index:
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)
Großbritannien ~ Great Britain

#429
Casting a shadow: Creating the Alfred Hitchcock film. Edited by Will Schmenner and Corinne Granof. - Evanston, Illinois: Mary and Leigh Block Museum of Art / Northwestern University / Northwestern University Press 2007.
Index:
Hitchcock, Alfred

#430
Castro de Paz, José Luis: Alfred Hitchcock. - Madrid: Cátedra 2000. (= Signo e imagen: Cineastas 49.)
Index:
Hitchcock, Alfred

#431
Castro de Paz, José Luis: Alfred Hitchcock: Vértigo: De entre los muertos: Estudio
critico. - Barcelona: Paidós 1999. (= Paidós películas 5.)
Index:
Hitchcock, Alfred
Vertigo (1958)

#432
Castro de Paz, José Luis: El surgimiento del telefilme: Los años cincuenta y la crisis
de Hollywood: Alfred Hitchcock y la televisión. - Barcelona: Paidós 1999. (= Paidós comunicación 110.)
Index:
Hitchcock, Alfred
Hollywood ~ Hollywood
Fernsehen ~ Television

#433
Catania, Saviour: "Truth beauty" as "walking dream": Hitchcock’s Vertigo and the "mystic oxymoron" of Keats’s poetry. In: Literature/Film Quarterly 44. 2016. No. 1. pp. 19-33.
Index:
Hitchcock, Alfred
Keats, John
Vertigo (1958)
Traum ~ Dreams
Religion: Mystik ~ Religion: Mysticism

#434
Cavallero, Jonathan J.: Hitchcock and race: Is the Wrong Man a white man? In: Journal of Film and Video 62. 2010. No. 4. [Winter] pp. 3-14.
Index:
Hitchcock, Alfred
Wrong Man, The (1957)
Ethnie ~ Ethnicity

#435
Cavell, Stanley: North by Northwest. In: Critical Inquiry 7. 1981. No. 4. [Summer] pp. 761-776.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#436
Cavell, Stanley: North by Northwest. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#437
Cavell, Stanley: Pazzo solo tra nord e nord ovest. In: Filmcritica 48. 1998. No. ?N. [July/August] pp. 277-293.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#438
Cesario, Salvatore: La psicoanalisi e Hitchcock: Che cosa la psicoanalisi può imparare da Hitchcock. - Milano: Angeli 1996. (= Serie di psicologia 127.)
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#439
Chabrol, Claude / Rohmer, Eric: Hitchcock. - Paris: Edition Universitaires de France 1957. (= Classiques du cinema 6.)
Index:
Hitchcock, Alfred
Rohmer, Eric
Chabrol, Claude

#440
Chabrol, Claude / Rohmer, Eric: Hitchcock. - Paris: Ramsay 1986. (= Ramsay-poche cinéma 23.)
First edition:
[- Paris: Edition Universitaires de France 1957]
Index:
Hitchcock, Alfred
Rohmer, Eric
Chabrol, Claude

#441
Chabrol, Claude / Rohmer, Eric: Hitchcock. A cura di Antonio Costa. - Venezia: Marsilio 1986. (= Biblioteca.)
First edition:
[- Paris: Edition Universitaires de France 1957]
Index:
Hitchcock, Alfred
Rohmer, Eric
Chabrol, Claude

#442
Chabrol, Claude / Rohmer, Eric: Hitchcock: The first forty-four films. Translated by Stanley Hochman. - Oxford: Roundhouse Publishing 1992.
First edition:
[Paris: Delarge 1957]
Description:
The two French star directors analysing Hitchcock classics.
Index:
Hitchcock, Alfred
Rohmer, Eric
Chabrol, Claude
Frankreich ~ France

#443
Chabrol, Claude / Rohmer, Eric: Hitchcock: The first forty-four films. Translated by Stanley Hochman. - New York: F. Ungar 1979. (= Ungar film library.)
First edition:
[Paris: Delarge 1957]
Description:
The two French star directors analysing Hitchcock classics.
Index:
Hitchcock, Alfred
Rohmer, Eric
Chabrol, Claude
Frankreich ~ France

#444
Chabrol, Claude / Rohmer, Éric: Hitchcock. Hrsg. und aus dem Französischen übersetzt von Robert Fischer. - Berlin; Köln: Alexander-Verlag 2013.
Reviews:
Arnold, Frank: Was sie immer noch nicht über Hitchcock wissen. In: EPD Film 30. 2013. No. 12. [December] p. 64.
Koll, Horst Peter: Hitchcock: Die hymnische Würdigung von Eric Rohmer und Claude Chabrol. In: Film-Dienst 66. 2013. No. 12. [June 6] p. 23.
Schwanebeck, Wieland: Rezension im erweiterten Forschungskontext: Alfred Hitchcock. In: Medienwissenschaft 2014. No. 1. pp. 85-92.
Index:
Hitchcock, Alfred
Chabrol, Claude
Rohmer, Eric

#445
Chabrol, Claude: Story of an interview. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 38 ff.
Index:
Hitchcock, Alfred
Chabrol, Claude

#446
Chandler, Charlotte: Hitchcock: Die persönliche Biografie. Aus dem Amerikanischen von Dagmar Roth. - München: Herbig 2005.
First edition:
[It’s only a movie.]
Index:
Hitchcock, Alfred

#447
Chandler, Charlotte: It’s only a movie: Alfred Hitchcock, a personal biography. - New York: Simon & Schuster 2005.
Reviews:
Mac Adam, Elise: [untitled] In: Film Comment 41. 2005. No. 2. [March/April] p. 17.
Index:
Hitchcock, Alfred

#448
Chankin, Donald O.: Delusions and dreams in Hitchcock’s Vertigo. In: Hitchcock Annual 1993. pp. 28-40.
Description:
Psychoanalytic analysis.
Index:
Hitchcock, Alfred
Vertigo (1958)
Traum ~ Dreams
Psychologie ~ Psychology

#449
Chapman, James: Hitchcock and the spy film. - ?O: I.B. Tauris 2018.
Reviews:
Kemp, Philip: [untitled.] In: Sight and Sound NS 28. 2018. No. 4. [April] p. 92.
Index:
Hitchcock, Alfred

#450
CHAPMAN, JAMES: Hitchcock and Bond. In: Hitchcock Annual 19. 2014. pp. 153-180.
Index:
Hitchcock, Alfred
James Bond (Filmreihe)
James Bond ~ James Bond

#451
Chaput, Luc: Hitchcock et l’art: Coïncidences fatales. In: Séquences ?G. 2001. No. 212. [March/April] p. 9.
Description:
On a Hitchcock exhibition at the Musée des Beaux-Arts in Montréal.
Index:
Hitchcock, Alfred
Montreal ~ Montreal

#452
Cherchi Usai, Paolo: Il migliore è Saul Bass con Vertigo. In: Segnocinema 4. 1984. No. 14. [?D] p. 11.
Index:
Hitchcock, Alfred
Bass, Saul
Vertigo (1958)

#453
Cherchi Usai, Paolo: La donna che visse due volte. In: Segnocinema 17. 1997. No. 86. [July/August] pp. 33-34.
Description:
On the restoration of Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)

#454
Cheshire, Godfrey: Psycho analysis: Van Sant’s remake slavish but sluggish. In: Variety 373. 1998. No. 4. [December 7] pp. 53, 57.
Index:
Van Sant, Gus
Hitchcock, Alfred
Psycho (1998)
Psycho (1960)

#455
Chinen Biesen, Sheri: "Rawness to romance": "Gothic" thrillers as film noir prototypes from Alfred Hitchcock to Orson Welles. In: Film noir prototypes: Origins of the movement. Edited by Alain Silver and James Ursini. - Milwaukee, Wisconsin: Applause Theatre & Cinema Books 2018. p. ?P.
Index:
Hitchcock, Alfred
Welles, Orson
Thriller ~ Thriller
Horror ~ Horror
Film Noir ~ Film Noir

#456
Chion, Michel: Le muet sous le parlant: La surdétermination. In: Bref 2003. No. 57. [Summer] pp. 42-45.
Description:
On Alfred Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Birds, The (1962)
Stummfilm ~ Silent Film

#457
Chion, Michel: Le quatrieme cote. In: Cahiers du Cinéma 1984. No. 356. [February] pp. 4-7.
Index:
Hitchcock, Alfred
Rear Window (1954)

#458
Chion, Michel: The cipher of destiny. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 137-142.
Index:
Hitchcock, Alfred

#459
Chion, Michel: The fourth side. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 155-160.
Description:
Especially on Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)

#460
Chion, Michel: The impossible embodiment. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 195-207.
Description:
Especially on Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)

#461
Chow, Rey: When whiteness feminizes ... Some consequences of a supplementary logic. In: Differences [Bloomington] 11. 1999. No. 3. [Fall] pp. 137-168.
Description:
Discusses Alain Resnais’s Hiroshima, mon amour and Alfred Hitchcock’s Rebecca.
Index:
Resnais, Alain
Hitchcock, Alfred
Hiroshima, mon amour (1959)
Rebecca (1940)
Frauen ~ Women

#462
Christen, Thomas: Das Beobachten des Beobachters beim Beobachten. In: Cinema [Zürich] 1995. No. 41. [?D] pp. 64-74.
Description:
Discusses, among others, Alfred Hitchcock’s Rear Window and Patrice Leconte’s Monsieur Hire.
Index:
Hitchcock, Alfred
Leconte, Patrice
Rear Window (1954)
Monsieur Hire (1989)

#463
Chumo, Peter N.: The Crying Game and Vertigo: The quest for identity. In: Bright Lights 1993. No. 11. [Fall] pp. 26-29.
Description:
Compares the gender roles in the films by Neil Jordan and Alfred Hitchcock.
Index:
Jordan, Neil
Hitchcock, Alfred
Crying Game, The (1992)
Vertigo (1958)
Sexualität ~ Sexuality

#464
Chumo, Peter N.: The Crying Game, Hitchcockian romance, and the quest for identity. In: Literature/Film Quarterly 23. 1995. No. 4. [October] pp. 247-253.
Description:
Compares Neil Jordan’s The Crying Game with Hirtchcock’s Vertigo.
Index:
Jordan, Neil
Hitchcock, Alfred
Crying Game, The (1992)
Vertigo (1958)

#465
Churchill, David S.: The queer histories of a crime: Representations and narratives of Leopold and Loeb. In: Journal of the History of Sexuality 18. 2009. No. 2. [?D] pp. 287-324.
Index:
Hitchcock, Alfred
Rope, The (1948)
Sexualität ~ Sexuality
Kriminalität ~ Crime

#466
Cieutat, Michel: La loi du silence: Le mal aimé d’une filmo. In: Positif 2000. No. 470. [April] pp. 88-90.
Description:
On Hitchcock’s I Confess.
Index:
Hitchcock, Alfred
I Confess (1952)

#467
Cippitelli, Claudia: Marnie oder: Die Domestizierung der Frau. In: Kino und Couch: Zum Verhältnis von Psychoanalyse und Film. Redaktionelle Bearbeitung: Ernst Karpf. - Frankfurt/Main: Gemeinschaftswerk der evangelischen Publizistik / Schmitten/Taunus: Evangelische Akademie Arnoldshain 1990. (= Arnoldshainer Filmgespräche 7.) pp. 107-113.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Frauen ~ Women
Psychologie ~ Psychology

#468
Clandfield, Peter: Bridgespotting, Lepage, Hitchcock, and landmarks in Canadian Film. In: Canadian Journal of Film Studies 12. 2003. No. 1. [?D] p. ?P.
Index:
Lepage, Robert
Hitchcock, Alfred
Kanada ~ Canada

#469
Clark, Mark: Anthony Perkins in Psycho. In: Clark, Mark: Smirk, sneer, and scream: Great acting in horror cinema. - Jefferson, North Carolina: McFarland 2004. p. ?P.
Index:
Perkins, Anthony
Hitchcock, Alfred
Psycho (1960)
Horror ~ Horror

#470
The classic novel from page to screen. Edited by Robert Giddings and Erica Sheen. - Manchester: Manchester University Press 2000.
Reviews:
Scuriatti, Laura: [untitled] In: Medienwissenschaft 2000. No. 4. pp. 468-469.
Description:
Discusses, among others, Alfred Hitchcock’s Rebecca and Francis Ford Coppola’s Bram Stoker’s Dracula.
Index:
Hitchcock, Alfred
Coppola, Francis Ford
Rebecca (1940)
Bram Stoker’s Dracula (1992)
Literatur ~ Literature

#471
Clifton, Kevin: Unravelling music in Hitchcock’s Rope. In: Horror Studies 4. 2013. No. 1. [June] pp. 63-74.
Index:
Hitchcock, Alfred
Rope, The (1948)
Musik ~ Music
Horror ~ Horror

#472
Cloete, Antoinette: Body in pieces: Vertigo(nous) restructuring. In: Inter Action: Proceeding of 2nd Post-Graduate Conference held at Bain’s Kloof, September 1993. Edited by Loes Nas and Lesley Marx. - Cape Town: University of Cape Town, Department. of English / University of Western Cape, Department of English 1994. pp. 58-70.
Description:
Psychoanalytic examination.
Index:
Hitchcock, Alfred
Vertigo (1958)
Psychologie ~ Psychology
Körper ~ Bodies

#473
Clover, Carol: Her body, himself: Gender in the slasher film. In: The dread of difference: Gender and the horror film. Edited by Barry Keith Grant. Second edition. - Austin, Texas: University of Texas Press 2015. (= Texas film and media studies.) p. ?P.
Description:
Discusses, among others, Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Körper ~ Bodies
Horror ~ Horror
Sexualität ~ Sexuality

#474
Clover, Carol J.: "Her body, himself: Gender in the slasher film. In: Representations 1987. No. 20. [Fall] pp. 187-228.
Description:
Discusses, among others, Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Sexualität ~ Sexuality
Körper ~ Bodies
Horror ~ Horror

#475
Coates, Paul: Cinema and colour: The saturated image. - Houndmills, Basingstoke, Hampshire; New York: Palgrave Macmillan 2010.
Description:
Discusses a lot of fantastic films, among them Alfred Hitchcock’s Vertigo, Andrei Tarkovsky’s Soljaris, Joseph Losey’s The Boy With Green Hair, Hou Hsiao-hsien’s Le Voyage du ballon rouge, Krzysztof Kieslowski’s La double vie de Véronique, Jacques Rivette’s La religieuse, Michelangelo Antonioni’s Il mistero di Oberwald and the use of colour in the films of Guillermo del Toro.
Index:
Hitchcock, Alfred
Tarkovsky, Andrei Arsenyevich
Losey, Joseph
Hou Hsiao-hsien
Kieslowski, Krzysztof
Rivette, Jacques
Antonioni, Michelangelo
del Toro, Guillermo
Vertigo (1958)
Soljaris (1972)
Boy With Green Hair, The (1948)
Voyage du ballon rouge, Le (2007)
double vie de Véronique, La / Podwójne zycie Weroniki (1991)
religieuse, La / Suzanne Simonin, la religieuse de Diderot (1965)
mistero di Oberwald, Il (1981)

#476
Coates, Paul: Doubling, distance and identification in the cinema. - Houndmills, Bsingstoke, Hampshire; New York: Palgrave Macmillan 2015.
Description:
Discusses, among others, Krzysztof Kieslowski’s La double vie de Véronique, Alfred Hitchcock’s Vertigo and Wim Wenders’s Der Himmel über Berlin.
Index:
Kieslowski, Krzysztof
Hitchcock, Alfred
Wenders, Wim
double vie de Véronique, La / Podwójne zycie Weroniki (1991)
Vertigo (1958)
Himmel über Berlin, Der (1987)
Doppelgänger ~ Double

#477
Coates, Paul: Film at the intersection of high and mass culture. - Cambridge, Massachusetts; New York; Melbourne: Cambridge University Press 1994. (= Cambridge Studies in Film.)
Reviews:
Howells, Richard: [untitled] In: Historical Journal of Film, Radio and Television NS 15. 1995. No. 2. [?D] pp. 327-328.
Laderman, David: [untitled] In: Film Quarterly 49. 1995. No. 1. [Fall] pp. 44-45.
Description:
Discusses, among others, many horror and science fiction films. Contains detailed analysis of Woddy Allen’s The Purple Rose of Cairo, the films of Ingmar Bergman and David Cronenberg, especially The Fly, Brian De Palma, Alfred Hitchcock, especially on Psycho, Rear Window and Vertigo, Rex Ingram’s Four Horsemen of the Apocalypse, Fritz Lang, especially on Metropolis, Chris Marker’s La Jetée, Sylvester Stallone, Kidlat Tahimik’s Mababangong Bangungot / The Perfumed Nightmare, Andrej Tarkovskij, especially on Offret / Le Sacrifice and Soljaris, Jacques Tourneur’s Cat People, Peter Weir, especially on Mosquito Coast, Orson Welles and Robert Wiene’s Das Cabinet des Dr. Caligari.
Index:
Allen, Woody
Bergman, Ingmar
Cronenberg, David
De Palma, Brian
Hitchcock, Alfred
Ingram, Rex
Lang, Fritz
Marker, Chris
Stallone, Sylvester
Tahimik, Kidlat
Tarkovsky, Andrei Arsenyevich
Tourneur, Jacques
Weir, Peter
Welles, Orson
Wiene, Robert
Purple Rose of Cairo, The (1985)
Fly, The (1986)
Psycho (1960)
Rear Window (1954)
Vertigo (1958)
Four Horsemen of the Apocalypse, The (1921)
Metropolis (1925/1926)
Jetée, La (1962)
Mababangong Bangungot / Perfumed Nightmare, The (1976/1977)
Offret / Sacrifice, Le (1985)
Soljaris (1972)
Cat People (1942)
Mosquito Coast (1986)
Cabinet des Dr. Caligari, Das (1919)
Science Fiction ~ Science Fiction
Horror ~ Horror

#478
Cobos, J.: Hitchcock: La formacion inglesa. In: Casablanca ?G. 1984. No. 43. [July/August] pp. 28-29.
Description:
On Hitchcock’s English films.
Index:
Hitchcock, Alfred
Großbritannien ~ Great Britain

#479
Cobos, J. / Rubio, M.: Habla Hitchcock. In: Casablanca ?G. 1984. No. 43. [July/August] pp. 30-32.
Description:
Compilation of various texts on Hitchcock and his films.
Index:
Hitchcock, Alfred

#480
Coe, Jonathan: The Man Who Knew Too Much. In: Sight and Sound NS 9. 1999. No. 8. [August] Supplement p. 50.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1934)

#481
Coe, Jonathan: Vertigo. In: New Statesman 126. 1996. No. 4331. [April 25] pp. 43 ff.
Index:
Hitchcock, Alfred
Vertigo (1958)

#482
Cohan, Steven: Masked Men: Masculinity and the movies of the fifties. - Bloomington, Indiana: Indiana University Press 1997.
Reviews:
Nadel, Alan: [untitled] In: Film Quarterly 52. 1999. No. 3. [Spring] pp. 59-60.
Description:
Discusses, among others, Alfred Hitchcock’s North by Northwest and, in addition, the Hercules and the bible film.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Masken ~ Masks
Religion ~ Religion
Männer ~ Men
Herkules ~ Hercules

#483
Cohen, Alain J.-J.: 12 Monkeys, Vertigo and La Jetée: Postmodern mythologies and cult films. In: New Review of Film and Television Studies 1. 2003. No. 1. [November] pp. 149-164.
Description:
Structuralist analysis according to the theories of Claude Lévi-Strauss.
Index:
Gilliam, Terry
Hitchcock, Alfred
Marker, Chris
Lévi-Strauss, Claude
Twelve Monkeys (1995)
Vertigo (1958)
Jetée, La (1962)
Postmoderne ~ Postmodern
Mythologie ~ Mythology

#484
Cohen, Clélia: L’oeil et la bouche. In: Cahiers du Cinéma 1999. No. 537. [July/August] pp. 30-31.
Description:
On Tippi Hedren’s role in The Birds.
Index:
Hitchcock, Alfred
Hedren, Tippi
Birds, The (1962)
Augen ~ Eyes

#485
Cohen, Clélia / Saada, Nicolas / Toubiana, Serge: Alfred Hitchcock portrait(s) de l’artiste en jeune homme. In: Cahiers du Cinéma 1999. No. 537. [July/August] pp. 18-35.
Description:
Special section on Alfred Hitchcock, especially on The Birds.
Index:
Hitchcock, Alfred
Birds, The (1962)

#486
Cohen, Clélia [et al.]: RKO, spiendeur du chaos. In: Cahiers du Cinéma 2003. No. 582. [September] pp. 82-91.
Description:
On the American film company for which, among others, Alfred Hitchcock and Orson Welles did some work.
Index:
Hitchcock, Alfred
Welles, Orson
USA (United States of America) ~ USA (United States of America)
RKO ~ RKO

#487
Cohen, Keith: Psycho: The suppression of female desire (and its return). In: Reading narrative: Form, ethics, ideology. Edited by James Phelan. - Columbus, Ohio: Ohio State University Press 1989. pp. 147-161.
Index:
Hitchcock, Alfred
Psycho (1960)
Politik ~ Politics
Frauen ~ Women

#488
Cohen, Paula Marantz: Conceptual suspense in Hitchcock’s films. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#489
Cohen, Paula Marantz: Gus Van Sant vs. Alfred Hitchcock: The artist pays homage. In: Hitchcock Annual 2001/2002. pp. 127-132.
Index:
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)
Psycho (1998)

#490
Cohen, Paula Marantz: Hitchcock’s revised American visions: The Wrong Man and Vertigo. In: Hitchcock’s America. Edited by Jonathan Freedman and Richard Millington. - New York; Oxford: Oxford University Press 1999. pp. 155-72.
Index:
Hitchcock, Alfred
Wrong Man, The (1957)
Vertigo (1958)
USA (United States of America) ~ USA (United States of America)

#491
Cohen, Paula Marantz: Like cows. In: The Times Literary Supplement, September 5, 2008. p. 12.
Index:
Hitchcock, Alfred

#492
Cohen, Paula Marantz: The ideological transformation of Conrad’s The Secret Agent into Hitchcock’s Sabotage. In: Literature/Film Quarterly 22. 1994. No. 3. [July] pp. 199-209.
Index:
Hitchcock, Alfred
Conrad, Joseph
Sabotage (1936)
Politik ~ Politics
Secret Agent, The (Literatur ~ Literature)

#493
Cohen, R.: Dial M for Murder. In: Films and Filming ?G. 1983. No. ?N(349). [October] p. 37.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#494
Cohen, Tom: Anti-mimesis: From Plato to Hitchcock. - Cambridge; New York: Cambridge University Press 1994. (= Literature, culture, theory 10.)
Index:
Hitchcock, Alfred
Platon

#495
Cohen, Tom: Beyond "The Gaze": Zizek, Hitchcock, and the American sublime. In: American Literary History 7. 1995. No. 2. [Summer] pp. 350-378.
Index:
Hitchcock, Alfred
Zizek, Slavoj
USA (United States of America) ~ USA (United States of America)

#496
Cohen, Tom: Hitchcock and the death of (Mr.) memory. In: Qui Parle 6. 1993. No. 2. [Spring/Summer] pp. 41-74.
Description:
On The Thirty-Nine Steps and The Man Who Knew Too Much.
Index:
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)
Man Who Knew Too Much, The (1956)
Tod ~ Death

#497
Cohen, Tom: Hitchcock’s cryptonymies. Vol. 1: Secret agents. - Minneapolis; London: University of Minnesota Press 2005.
Reviews:
Gordon, Paul: [untitled] In: Comparative Literature 58. 2006. No. 2. [?D] pp. 183-185.
Morris, Christopher D.: [untitled] In: Film Criticism 30. 2005. No. 1. [Fall] pp. 72-78.
Valentis, Mary: [untitled.] In: Scope [Nottingham] 2007. No. 7. [?D] pp. ?P.
Index:
Hitchcock, Alfred
Spione ~ Spys

#498
Cohen, Tom: Hitchcock’s cryptonymies. Vol. 2: War machines. - Minneapolis: University of Minnesota Press 2005.
Reviews:
Gordon, Paul: [untitled] In: Comparative Literature 58. 2006. No. 2. [?D] pp. 183-185.
Morris, Christopher D.: [untitled] In: Film Criticism 30. 2005. No. 1. [Fall] pp. 72-78.
Valentis, Mary: [untitled.] In: Scope [Nottingham] 2007. No. 7. [?D] pp. ?P.
Index:
Hitchcock, Alfred
Krieg ~ War

#499
Cohen, Tom: Zarathustran bird wars: Hitchcock’s "Nietzsche" and the teletechnic loop. In: Discourse 31. 2009. No. 1/2. [?D] pp. 140-160.
Index:
Hitchcock, Alfred
Nietzsche, Friedrich
Birds, The (1962)
Technik ~ Technology
Krieg ~ War

#500
Coleman, J.: False trail. In: New Statesman 106. 1983. No. ?N. [August 5] pp. 29-30.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#501
Coleman, J.: Past presents. In: New Statesman 106. 1983. No. ?N. [December 2] p. 30.
Index:
Hitchcock, Alfred
Rear Window (1954)

#502
Coleman, J.: Soap flakes. In: New Statesman 107. 1984. No. ?N. [March 16] pp. 28-29.
Index:
Hitchcock, Alfred
Vertigo (1958)

#503
Collura, Joe: First of Hitchcock’s hidden treasures: Rear Window. In: Classic Images 1984. No. 105. [March] p. 45.
Index:
Hitchcock, Alfred
Rear Window (1954)

#504
Columpar, Corinn: Marnie: A site / sight for the convergence of gazes. In: Hitchcock Annual 1999/2000. pp. 51-73.
Description:
Especially on the representation of the woman in the Hitchcock movie.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Frauen ~ Women

#505
Combs, Richard: Heroine habit. In: Listener 122. 1989. No. 3131. [September 14] pp. 10-11.
Description:
On the women characters in Hitchcock’s films.
Index:
Hitchcock, Alfred
Frauen ~ Women

#506
Combs, Richard: Hitch in 3D. In: Sight and Sound 50. 1981. No. 2. [Spring] p. 82.
Description:
Especially on Dial M for Murder.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)
3-D Films

#507
Combs, Richard: Mountain masks. In: Listener 115. 1986. No. 2941. [January 2] p. 28.
Description:
On Alfred Hitchcock’s North by Northwest.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Berge ~ Mountains

#508
Combs, Richard: Murder II: Hitchcock’s German double. In: Sight and Sound 59. 1990. No. 4. [Autumn] pp. 220-221.
Description:
On the film Mary, the lost German version of Hitchcock’s Murder.
Index:
Hitchcock, Alfred
Mary Murder (1930)
Murder (1930)
Deutschland ~ Germany

#509
Combs, Richard: Perché Hitchcock? In: Sight and Sound 49. 1980. No. 3. [Summer] p. 142.
Description:
On a 1980 conference over Alfred Hitchcock held in Rome.
Index:
Hitchcock, Alfred
Rom ~ Rome

#510
A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - New York: Wiley 2014. (= Wiley-Blackwell companions to film directors.)
First edition:
[2011]
Index:
Hitchcock, Alfred

#511
A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.)
Index:
Hitchcock, Alfred

#512
Company, Juan Miguel / Sanchez Biosca, Vicente: La imposible mirada. In: Contracampo 1985. No. 38. [Winter] pp. 46-54.
Description:
On Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)

#513
Comuzio, Ermanno: Quella musica da vertigine. In: Cineforum 37. 1997. No. ?N(365). [June] pp. 7-9.
Index:
Hitchcock, Alfred
Vertigo (1958)
Musik ~ Music

#514
Con la censura en los vagones. In: Casablanca ?G. 1981. No. 7/8. [July/August] pp. 95-96.
Description:
Excerpts from the script of Alfred Hitchcock’s North by Northwest including some passages which were censored in the firt Spanish cinema version of the film.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Zensur ~ Censorship
Spanien ~ Spain

#515
Condon, Paul / Sangster, Jim: The complete Hitchcock. - London: Virgin 1999.
Reviews:
L. F.: [untitled] In: Sight and Sound NS 9. 1999. No. 8. [August] p. 33.
Index:
Hitchcock, Alfred

#516
Conforti, Angelo: Ancora sulla soggettività nel cinema. In: Cineforum 28. 1988. No. 2(272). [March] pp. 53-58.
Description:
On Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Birds, The (1962)

#517
Conforti, Angelo: Sguardo e soggetto in Gli uccelli di Alfred Hitchcock. In: Cineforum 28. 1988. No. ?N(271). [January/February] pp. 45-49.
Index:
Hitchcock, Alfred
Birds, The (1962)

#518
La congiura degli hitchcockiani. A cura di Davide D’Alto, Roberto Lasagna e Saverio Zumbo. - Alessandria: Falsopiano 2004. (= Falsopiano light.)
Index:
Hitchcock, Alfred

#519
Connelly, Mark: The 39 Steps. - London: Tauris 2003. (= A British film guide.)
Index:
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)

#520
Conomos, John: The Vertigo of time. In: Senses of Cinema 2000. No. 6. [May] p. ?P.
Index:
Hitchcock, Alfred
Vertigo (1958)

#521
Conrad, Peter: The Hitchcock murders. - London: Faber and Faber 2000.
Reviews:
Matthews, Peter: [untitled] In: Sight and Sound NS 11. 2001. No. 2. [February] p. 29.
Monder, Eric: [untitled] In: Variety 384. 2001. No. 6. [September 24] p. 39.
van de Merwe, Piet: De films van Hitchcock vakkundig ontleed. In: Skrien 34. 2002/2003. No. 10. [December/January] p. 56.
Index:
Hitchcock, Alfred
Mord ~ Murder

#522
Conrad, Peter: The Hitchcock murders. - New York: Faber and Faber 2002.
First edition:
[2000]
Index:
Hitchcock, Alfred
Mord ~ Murder

#523
Contenti, Fulvio: Dial M for Murder (Il delitto perfetto) - 1954. In: Filmcritica ?G. 1981. No. 311. [January] p. 45.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#524
Cook, Page: North by Northwest. In: Films in Review 31. 1980. No. ?N. [December] pp. 615-616.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#525
Cooke, Lez: Hitchcock and the mechanics of cinematic suspense. In: Twentieth-century suspense: The thriller comes of age. Edited by Clive Bloom. - Basingstoke: Macmillan Press / New York: St. Martin’s Press 1990. pp. 189-202.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#526
Cooper, David: Bernard Herrmann’s Vertigo: A film score handbook. - Westport, Connecticut: Greenwood Press 2001.
Reviews:
Brown, Royal S.: [untitled] In: Cineaste 27. 2002. No. 3. [Summer] pp. 57-58.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Vertigo (1958)

#527
Cooper, David: Film form and musical form in Bernard Herrmann’s score to Vertigo. In: The Journal of Film Music 1. 2003. No. 2/3. [Fall/Winter] pp. 239-248.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Vertigo (1958)
Musik ~ Music

#528
Corber, Robert J.: "You wanna check my thumbprints?": Vertigo, the trope of invisibility and Cold War nationalism. In: Alfred Hitchcock: Centenary essays. Edited by Richard Allen and S. Ishii-Gonzales. - London: British Film Institute 1999. pp. 301-14.
Index:
Hitchcock, Alfred
Vertigo (1958)
Krieg ~ War

#529
Corber, Robert J.: Hitchcock’s Washington: Spectatorship, ideology, and the "homosexual menace" in Strangers on a Train. In: Hitchcock’s America. Edited by Jonathan Freedman and Richard Millington. - New York; Oxford: Oxford University Press 1999. pp. 99-121.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)
USA (United States of America) ~ USA (United States of America)
Politik ~ Politics
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Angst ~ Fear

#530
Corber, Robert J.: In the name of national security: Hitchcock, homophobia, and the political construction of gender in postwar America. - Durham, North Carolina; London: Duke University Press 1993. (= New Americanists.)
Reviews:
Mogg, Ken: [untitled] In: MacGuffin 1995. No. 17. [November] pp. 6-10.
Index:
Hitchcock, Alfred
Vertigo (1958)
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Krieg ~ War
USA (United States of America) ~ USA (United States of America)
Politik ~ Politics
Sexualität ~ Sexuality

#531
Corber, Robert J.: Reconstructing homosexuality: Hitchcock and the homoerotics of spectatorical pleasure. In: Discourse 13. 1991. No. 2. [Spring/Summer] pp. 50-82.
Index:
Hitchcock, Alfred
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Sexualität ~ Sexuality

#532
Corber, Robert J.: Resisting history: Rear Window and the limits of the postwar settlement. In: Boundary 2 19. 1992. No. 1. [Spring] pp. 121-148.
Index:
Hitchcock, Alfred
Rear Window (1954)
Geschichte ~ History

#533
Corber, Robert J.: Resisting history: Rear Window and the limits of the postwar settlement. In: National identities and post-Americanist narratives. Edited by Donald E. Pease. - Durham, North Carolina: Duke University Press 1994. pp. 121-148.
Index:
Hitchcock, Alfred
Vertigo (1958)
Geschichte ~ History
Krieg ~ War
USA (United States of America) ~ USA (United States of America)

#534
Corey, David: Fearful symmetries: The contest of authority in the Hitchcock narrative. - New York: New York University, Ph.D. 1980. [Abstract in: Dissertation Abstracts International A 41. 1980. No. 1. (July) p. 438A.]
Description:
Especially on Shadow of a Doubt, Notorius and Strangers on a Train.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)
Notorious (1946)
Strangers on a Train (1951)
Angst ~ Fear

#535
Corliss, Richard: The master who knew too much. In: Time 123. 1984. No. ?N. [March 26] pp. 77-78.
Index:
Hitchcock, Alfred
Rear Window (1954)
Vertigo (1958)

#536
Corliss, Richard: Your rent’s due, Jimmy. In: Time 135. 1990. No. ?N. [May 7] p. 91.
Index:
Hitchcock, Alfred
Rear Window (1954)

#537
Costa, Antonio: Cinema e arti visive: Lo spazio del museo. In: Bianco e Nero 62. 2001. No. 5. [September/October] pp. 4-17.
Description:
On museum exhibitions on films and film history, for example an exhibition on "Hitchcock and the visual arts".
Index:
Hitchcock, Alfred

#538
Costa, I. / Lannes-Lacroutz, M.: Le crime était presque parfait. In: Cinématographe 1982. No. 80. [July/August] pp. 59-61, 82.
Description:
On Alfred Hitchcock’s Dial M for Murder.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#539
Counts, Kyle B. / Rubin, Steve: The making of Alfred Hitchcock’s The Birds. In: Cinefantastique 10. 1980. No. 2 [?D] pp. 14-35.
Index:
Hitchcock, Alfred
Birds, The (1962)

#540
Counts, Kyle: Psycho II - The Return of Norman. In: Cinefantastique 12. 1982. No. 1. [February] p. 4.
Index:
Franklin, Richard
Hitchcock, Alfred
Psycho II (1982)
Psycho (1960)

#541
Crawford, Larry: Looking, film, painting: The trickster’s in site / in sight / insight / incite. In: Wide Angle 5. 1983. No. 3. [?D] pp. 64-69.
Description:
On Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Technik: Spezialeffekte ~ Technology: Special Effects
Kunst ~ Arts, The

#542
Crawford, Larry: Subsegmenting the filmic text: The Bakersfield car lot scene in Psycho. In: Enclitic 5/6. 1981/1982. No. 2/1. [Fall/Spring] pp. 35-43.
Index:
Hitchcock, Alfred
Psycho (1960)

#543
Crawford, Lawrence Allen: Economies and figurations of action and object in the text and discourse of narrative film. - ?O: University of Minnesota, Ph.D. 1983. [Abstract in: Dissertation Abstracts International A 44. 1983. No. 3. (September) p. 600A.]
Description:
Discusses, among others, Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Wirtschaft ~ Economy

#544
Creed, Barbara: Woman as death: Vertigo as source. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Hitchcock, Alfred
Vertigo (1958)
Tod ~ Death
Frauen ~ Women

#545
Creekmur, Corey K.: Session: Hitchcock and authorship. In: Quarterly Review Of Film Studies 10. 1985. No. 4. [Fall] pp. 363-364.
Index:
Hitchcock, Alfred

#546
Le crime était presque parfait. In: La Revue du Cinéma 1992. No. 483. [June] p. 49.
Description:
On Alfred Hitchcock’s Dial M for Murder.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#547
Crime Time: Alfred-Hitchcock-Musiknacht in Bonn: Filmmusik-Klassiker von Psycho bis Vertigo und Filmkonzert Der Mieter. In: F.LM - Texte zum Film. Online edition, October 2008.
Index:
Hitchcock, Alfred
Polanski, Roman
Psycho (1960)
Vertigo (1958)
Locataire, Le / Tenant, The (1976)
Musik ~ Music
Kriminalität ~ Crime
Bonn ~ Bonn

#548
Crogan, Patrick: Between heads: Thoughts on the merry widow tune in Shadow of a Doubt. In: Senses of Cinema 2000. No. 6. [May] p. ?P.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)

#549
Cuenca, Mercè: Invisibilizing the male body: Exploring the incorporeality of masculinity in 1950s American culture. In: Embodying masculinities: Towards a history of the male body in US culture and literature. Edited by Josep M. Armengol. - New York; Frankfurt/Main: Lang 2013. (= Masculinity studies: Literary and cultural representations 3.) pp. 49-62.
Description:
Discusses, among others, the representation of the male body in Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
USA (United States of America) ~ USA (United States of America)
Männer ~ Men
Literatur ~ Literature
Körper ~ Bodies

#550
Culpepper, Joseph Daniel: Reception and adaptation: Magic tricks, mysteries, con games. - Toronto, Ontario: University of Toronto, Ph.D. 2014. [Abstract in: Dissertation Abstracts International A 77. 2014. No. 11. [?D].
Description:
Discusses, among others, the films of Alfred Hitchcock andPedro Almodóvar.
Index:
Hitchcock, Alfred
Almodóvar, Pedro
Technik: Spezialeffekte ~ Technology: Special Effects
Magie ~ Magic

#551
Curran, Angela: Shadow of a Doubt: Secrets, lies, and the search for the truth. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 17-31.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)
Philosophie ~ Philosophy

#552
Curtis, Scott: The last word: Images in Hitchcock’s working method. In: Casting a shadow: Creating the Alfred Hitchcock film. Edited by Will Schmenner and Corinne Granof. - Evanston, Illinois: Mary and Leigh Block Museum of Art / Northwestern University / Northwestern University Press 2007. p. ?P.
Index:
Hitchcock, Alfred

#553
Cvetkovich, Ann: Postmodern Vertigo: The sexual politics of allusion in DePalma’s Body Double. In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 147-162.
Index:
De Palma, Brian
Hitchcock, Alfred
Vertigo (1958)
Body Double (1984)
Postmoderne ~ Postmodern
Politik ~ Politics
Sexualität ~ Sexuality

#554
Czaplinski, Leslaw / Modrzejewska, E.: Alfred Hitchcock przedstawia. In: Iluzjon 1986. No. 2(22). [?D] pp. 24-29, 51-52.
Description:
On Hitchcock’s filmic style.
Index:
Hitchcock, Alfred

#555
Cziraky, Dan: Psycho: Universal plans to film a remake from the original shooting script. In: Cinefantastique 30. 1998. No. 5/6. [September] p. 5.
Index:
Van Sant, Gus
Hitchcock, Alfred
Psycho (1998)
Psycho (1960)
Universal [Firma] ~ Universal [Company]

#556
Daems, P.: Alfred Hitchcock: Dial V for video. In: Film en Televisie 1986. No. 355. [December] p. 49.
Index:
Hitchcock, Alfred
Psycho (1960)
Video ~ Video

#557
Dalby, Richard: Alfred Hitchcock: Books, magazines and tie-ins. In: Book and Magazine Collector 1999. No. 185. [?D] pp. 28-39.
Index:
Hitchcock, Alfred

#558
Eine Dame verschwindet. - Vogt: Peter Kranzpiller ?J. (= Filmprogramm der Kinoszene 64.)
Index:
Hitchcock, Alfred
Lady Vanishes, The (1938)

#559
Eine Dame verschwindet. - Stuttgart: Verlag Uwe Wiedleroither ?J. (= Filmprogram 40.)
Description:
On Alfred Hitchcock’s The Lady Vanishes.
Index:
Hitchcock, Alfred
Lady Vanishes, The (1938)

#560
Damisch, Hubert: L’ellipse figures de la plus-value. In: Cahiers du Cinéma 2004. No. 595. [November] pp. 72-74.
Description:
On narrative structures ion the films of Joseph Mankiewicz and Alfred Hitchcock.
Index:
Mankiewicz, Joseph L.
Hitchcock, Alfred

#561
Damm, Barbara: "Ich lese eine Geschichte nur einmal": Hitchcock oder die Kunst der Literaturadaption. In: Hitchcock und die Künste. Hrsg. von Henry Keazor. - Marburg: Schüren 2013. pp. 48 ff.
Index:
Hitchcock, Alfred
Literatur ~ Literature
Kunst ~ Arts, The

#562
Daniel-richard, Debra: The dance of suspense: Sound and silence in North by Northwest. In: Journal of Film and Video 62. 2010. No. 3. [Fall] pp. 53-60.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Tanz ~ Dance
Thriller ~ Thriller
Musik ~ Music

#563
Daniels, Bill: MCA, its appeal defeated, may seek Supreme Court decision on Window. In: Variety 335. 1989. No. ?N. [April 26] p. 12.
Index:
Hitchcock, Alfred
Rear Window (1954)

#564
Davis, J. Madison: Alfred Hitchcock, creator and creation: Fictionalizing the "master of suspense". In: World Literature Today 87. 2013. No. 1. [?D] pp. 9-11.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#565
Dayal, Geeta: Synths of the fathers. In: Sight and Sound NS 25. 2015. No. 8. [August] pp. 54-55.
Description:
On the score for Alfred Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Birds, The (1962)
Vater ~ Fathers

#566
de Baecque, Antoine / Delorme, Stéphane: My own private Psycho. In: Cahiers du Cinéma 1999. No. 532. [February] pp. 47-49.
Description:
On the Psycho movies by Alfred Hitchcock and Gus Van Sant.
Index:
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)
Psycho (1998)

#567
de Baecque, Antoine: Hitchcock, ou comment fut écrit le plus célèbre livre de cinéma. In: Vertigo 1998. No. 17. [March] pp. 139-148.
Description:
On François Truffaut’s book "Le cinéma selon Hitchcock".
Index:
Truffaut, François
Hitchcock, Alfred

#568
de Costa, JoÆo Bénard / Duarte, Fernando: Os filmes ingleses e americanos de Alfred Hitchcock. In: Celulóide 1980. No. 296/97. [August] pp. 1-2.
Index:
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)
Großbritannien ~ Great Britain

#569
de Kock, Ivo: De eerste geluidsfilms van Hitch. In: Film en Televisie 1999. No. 489. [February] pp. 26-27.
Description:
On Alfred Hitchcock’s early sound films, especially on Murder.
Index:
Hitchcock, Alfred
Murder (1930)
Musik ~ Music

#570
de Kock, Ivo: De Hitchcock touch: Blackmail. In: Film en Televisie 1997. No. 470. [March] pp. 34-35.
Index:
Hitchcock, Alfred
Blackmail (1929)

#571
de Kock, Ivo: Early Hitchcock: The twenties. In: Film en Televisie 1999. No. 488. [January] pp. 30-31.
Description:
On Alfrfed Hitchcock’s silent films, especially The Manxman.
Index:
Hitchcock, Alfred
Manxman, The (1929)
Stummfilm ~ Silent Film

#572
de Kock, Ivo: Hitchcock in het museum. In: Film en Televisie 2001. No. 514. [September] p. 36.
Description:
On an Hitchcock exhibition located at the Paris "Centre Pompidou".
Index:
Hitchcock, Alfred
Paris ~ Paris

#573
de Kock, Ivo: Marnie. In: Film en Televisie 2000. No. 500. [March] pp. 54-55.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#574
de Kock, Ivo: North by Northwest. In: Film en Televisie 1998. No. 487. [December] pp. 32-33.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#575
de Kock, Ivo: Notorious. In: Film en Televisie 1999. No. 495. [October] pp. 42-43.
Index:
Hitchcock, Alfred
Notorious (1946)

#576
de Kock, Ivo: Notorious: Hitchcock-tentoonstelling en retro in Hasseltse begijnhof. In: Film en Televisie 2001. No. 517. [December] p. 32.
Description:
On a Hitchcock exhibition and a retrospective.
Index:
Hitchcock, Alfred
Notorious (1946)

#577
de Kock, Ivo: Psycho. In: Film en Televisie 1999. No. 490. [March] pp. 16-19.
Description:
On the Hitchcock classic and Gus Van Sant’s remake.
Index:
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)
Psycho (1998)

#578
de Kock, Ivo: Rear Window. In: Film en Televisie 1999. No. 491. [April] pp. 40-41.
Index:
Hitchcock, Alfred
Rear Window (1954)

#579
de Kock, Ivo: The Birds. In: Film en Televisie 2000. No. 499. [February] pp. 38-39.
Index:
Hitchcock, Alfred
Birds, The (1962)

#580
de Kock, Ivo: The Hitchcock collection. In: Film en Televisie 2002. No. 518. [January] pp. 40-41.
Description:
On a DVD edition wikth Alfred Hitchcock’s Universal films.
Index:
Hitchcock, Alfred
Universal [Firma] ~ Universal [Company]
DVD ~ DVD

#581
de Kock, Ivo: The Man Who Knew too Much. In: Film en Televisie 1999. No. 496. [November] pp. 36-37.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)

#582
de Kock, Ivo: The Man Who Knew Too Much. In: Film en Televisie 1997. No. 476. [November] pp. 38-39.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1934)

#583
de Kock, Ivo: Vertigo. In: Film en Televisie 1997. No. 474. [September] pp. 53-55.
Index:
Hitchcock, Alfred
Vertigo (1958)

#584
de Kuyper, E.: Hitchcock; of, hie men seen boog spant. In: Skrien 1981. No. 108/109. [Summer] pp. 74-79.
Description:
On the narrative structure in Hitchcock’s films.
Index:
Hitchcock, Alfred

#585
de Kuyper, E.: Rear Window. In: Skrien 1981. No. 110. [September] p. 11.
Index:
Hitchcock, Alfred
Rear Window (1954)

#586
de Kuyper, E.: The Man Who Knew Too Much. In: Skrien 1981. No. 111. [October] p. 43.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1934)
Man Who Knew Too Much, The (1956)

#587
de las Carreras-Kuntz, María Elena: The Catholic vision in Hollywood: Ford, Capra, Borzage and Hitchcock. In: Film History 14. 2002. No. 2. pp. 121-135.
Index:
Ford, John
Capra, Frank
Borzage, Frank
Hitchcock, Alfred
Religion ~ Religion
Hollywood ~ Hollywood

#588
de Laurentis, Theresa: Ödipus interruptus. In: Frauen und Film 1990. No. 48. [March] pp. 5-29.
Description:
Psychoanalytic examination on the relationship between men and women im film. Discusses, among others, Alfred Hitchcock’s Rebecca and Vertigo.
Index:
Hitchcock, Alfred
Rebecca (1940)
Vertigo (1958)
Psychologie ~ Psychology
Frauen ~ Women
Männer ~ Men

#589
de Mare, H.: Visuele wederkerigheid: De balans van vrouwelijke en mannelijke personages in Rebecca. In: Versus [NL] 1991. No. 3. [?D] pp. 90-121.
Index:
Hitchcock, Alfred
Rebecca (1940)

#590
De Belie, Daniel: Les etonnants secrets du tournage des Oiseaux, le celebre film d’Alfred Hitchcock! In: Cine-Tele-Revue 65. 1985. No. ?N. [March 21] pp. 52-53.
Index:
Hitchcock, Alfred
Birds, The (1962)

#591
De Dalí a Hitchcock: Los caminos en el cine: Actas del 5. congreso de la Asociación Española de Historiadores del Cine. - La Coruña: Centro Galego de Artes da Imaxe 1995. (= Dufusión: Serie Ensaios 7.)
Index:
Dalí, Salvador
Hitchcock, Alfred

#592
De Fornari, Oreste: Gli uccelli. In: Cabiria ?G. 2000. No. 8. [October] pp. 20-21.
Description:
On Alfred Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Birds, The (1962)

#593
De Kock, Ivo: The signature collection: Het eeuwige leven van Alfred Hitchcock. In: Film en Televisie 2005. No. 550. [March] p. 45.
Description:
On a DVD edition of Hitchcock’s films.
Index:
Hitchcock, Alfred
DVD ~ DVD

#594
De Plano, Daniele: Le funzioni della musica in Psycho. In: CineCritica 1. 1996. No. 4. [?D] pp. 69-77.
Index:
Hitchcock, Alfred
Psycho (1960)
Musik ~ Music

#595
De Voghelaer-Martinet, Nathalie: Obsession. In: Cinémaction 2005. No. 114. [January] pp. 167-171.
Description:
Compares the films of Brian De Palma with those of Alfred Hitchcock.
Index:
De Palma, Brian
Hitchcock, Alfred

#596
Deavel, Catherine Jack / Deavel, David Paul: Knowing when to be afraid: Rationality and suspense. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 239-252.
Index:
Hitchcock, Alfred
Suspicion (1941)
Birds, The (1962)
Spellbound (1945)
Wrong Man, The (1957)
Thriller ~ Thriller
Philosophie ~ Philosophy

#597
Decaux, Emmanuel [et al.]: Dossier: Alfred Hitchcock. In: Cinématographe 1984. No. 98. [March] pp. 1-22.
Index:
Hitchcock, Alfred

#598
Decobert, Lydie: L’escalier dans le cinéma d’Alfred Hitchcock: Une dynamique de l’effroi. - Paris: Harmattan 2008. (= Champs visuels.)
Index:
Hitchcock, Alfred

#599
Decobert, Lydie: La corde musicale d’Alfred Hitchcock. - Paris: L’Harmattan 2015. (= Coll. Cinéma(s).)
Index:
Hitchcock, Alfred
Musik ~ Music

#600
Deflem, Mathieu: Alfred Hitchcock’s visions of guilt and innocence. In: Framing law and crime: An interdisciplinary anthology. Edited by Caroline Joan "Kay" S. Picart, Michael Hviid Jacobsen and Cecil Greek. - Madison, Wisconsin: Fairleigh Dickinson University Press / Lanham, Maryland: Rowman & Littlefield Publishing 2016. (= Fairleigh Dickinson University Press Law, Culture, and the Humanities.) p. ?P.
Index:
Hitchcock, Alfred
Kriminalität ~ Crime
Justiz ~ Justice

#601
del Toro, Guillermo: Hitchcock. - Pozuelo de Alarcón; Madrid: Espasa 2009. (= Espasa fórum.)
Index:
Hitchcock, Alfred
del Toro, Guillermo

#602
del Toro, Guillermo: Lessons in darkness. In: Sight and Sound NS 22. 2012. No. 8. [August] pp. 38-42.
Description:
The director pays tribute to "the genius of Alfred Hitchcock".
Index:
Hitchcock, Alfred
del Toro, Guillermo

#603
Del Buono, Oreste: Alfred e Agatha. In: Segnocinema 2. 1982. No. 3. [March] pp. 12-15.
Description:
On the techniques of creating suspense in Alfred Hitchcock and Agatha Christie.
Index:
Hitchcock, Alfred
Christie, Agatha
Thriller ~ Thriller

#604
Del Ministro, Maurizio: Alfred Hitchcock: La donna che visse due volte. - Torino: Lindau 2004.
Reviews:
Comuzio, Ermanno: [untitled] In: Cineforum 45. 2005. No. ?N(441). [January/February] pp. 95-96.
Description:
On Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)

#605
Del Pozzo, Diego: Quando la citta dorme: Figure del "noir" anni ’50. In: Quaderni di Cinema 2. 1998. No. 60/61. [October-March] pp. 53-60.
Description:
Discusses, among others, Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Film Noir ~ Film Noir

#606
Deleyto, Celestino: Focalisation in Alfred Hitchcock’s The Birds. In: Miscelanea 1994. No. 15. [?D] pp. 155-191.
Index:
Hitchcock, Alfred
Birds, The (1962)

#607
Dellolio, Peter: Hitchcock and Kafka: Expressionist themes in Strangers on a Train. In: North Dakota Quarterly 70. 2003. No. 2. [?D] pp. 83-101.
Index:
Hitchcock, Alfred
Kafka, Franz
Strangers on a Train (1951)
Expressionismus ~ Expressionism

#608
Dellolio, Peter J.: Expressionist themes in Strangers on a Train. In: Literature/Film Quarterly 31. 2003. No. 4. [October] pp. 260-269.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)
Expressionismus ~ Expressionism

#609
Dellolio, Peter J.: Filmic space and real time in Rope. In: The Midwest Quarterly 50. 2008. No. 1. [?D] pp. 87-101.
Index:
Hitchcock, Alfred
Rope, The (1948)

#610
Dellolio, Peter J.: Hitchcock and Kafka: Expressionist themes in Strangers on a Train. In: The Midwest Quarterly 45. 2004. No. 3. [Spring] pp. 240-255.
Index:
Hitchcock, Alfred
Kafka, Franz
Strangers on a Train (1951)
Expressionismus ~ Expressionism

#611
Dellolio, Peter J.: Parallelism and prognostication: Figures of style in Strangers on a Train. In: Kinema 2006. No. 26. [?D] pp. 68-73.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)

#612
Delorme, Stéphane / Krohn, Bill: Le musée secret de monsieur Hitchcock. In: Cahiers du Cinéma 2001. No. 559. [July/August] pp. 66-75.
Description:
On Hitchcock’s private art collection, the meaning of arts for his films and the exhibition"Hitchcock et l’art" at the Paris "Centre Pompidou".
Index:
Hitchcock, Alfred
Paris ~ Paris
Kunst ~ Arts, The

#613
Delpeut, Peter: Rear Window. In: Skrien 1981. No. 110. [September] p. 19.
Index:
Hitchcock, Alfred
Rear Window (1954)

#614
Denby, David: Dream lover. In: New York Magazine 17. 1984. No. ?N. [January 9] pp. 61-62.
Index:
Hitchcock, Alfred
Vertigo (1958)
Traum ~ Dreams

#615
Denby, David: Through a glass darkly. In: New York Magazine 16. 1983. No. ?N. [October 17] pp. 98 ff.
Index:
Hitchcock, Alfred
Rear Window (1954)

#616
Derendinger, Franz: Odyssee ins Herz der Finsternis. In: Zoom 49. 1997. No. 3. [?D] pp. 14-19.
Description:
Compares the filmes of David Lynch with the filmic structures in Hitchcock. Includes a filmography.
Index:
Lynch, David
Hitchcock, Alfred

#617
DeRosa, Steven L.: A very different "slice of cake": Restoring Alfred Hitchcock’s Vertigo. In: MacGuffin 1997. No. 21. [February] pp. 6-7.
Index:
Hitchcock, Alfred
Vertigo (1958)

#618
DeRosa, Steven L. / Lee, Sander / Rasmussen, Jason / Ruedel, Ulrich: Vertigo. In: MacGuffin 1997. No. 22. [May-August] pp. 3-4.
Index:
Hitchcock, Alfred
Vertigo (1958)

#619
DeRosa, Steven: Writing with Hitchcock: The collaboration of Alfred Hitchcock and John Michael Hayes. - New York; London: Faber & Faber 2001.
Reviews:
Burnett, Allison: The scribe who knew too much. In: Variety 383. 2001. No. 3. [June 4.] p. 26.
Index:
Hitchcock, Alfred
Hayes, John Michael

#620
Derry, Charles: Dark dreams 2.0: A psychological history of the modern horror film from the 1950s to the 21st century. Foreword by John Russell Taylor. - Jefferson, North Carolina: McFarland & Company 2009.
First edition:
[New York: A. S. Barnes and Company 1977.]
Description:
Discusses especially the representation of madness, demons and of the apocalypse in film with emphasis on movies by Alfred Hitchcock, Brian De Palma, David Cronenberg, Guillermo del Toro, Michael Haneke and Roman Polanski. Includes, in addition, chapters on the apocalypse and on the Asian millennial horror film.
Index:
Hitchcock, Alfred
De Palma, Brian
Cronenberg, David
del Toro, Guillermo
Haneke, Michael
Polanski, Roman
Asien ~ Asia
Wahnsinn ~ Madness
Traum ~ Dreams
Psychologie ~ Psychology
Horror ~ Horror
Dämonen ~ Demons
Religion: Apokalypse ~ Religion: Apocalypse

#621
Deschamps, Youri: Meraviglia et complexe de corvick. In: Eclipses 2002. No. 34. [?D] pp. 4-9.
Description:
Compares the filmic techniques in David Lynch and Alfred Hitchcock.
Index:
Lynch, David
Hitchcock, Alfred

#622
Deschamps, Youri: Psycho-génie: Chronique d’une séance de cinéma peu ordinaire. In: Positif 2000. No. 470. [April] pp. 91-92.
Description:
Compares the two Psycho movies by Alfred Hitchcock and Gus Van Sant.
Index:
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)
Psycho (1998)

#623
DeSilva, Deborah Jay / Gustainis, J. Justin: Archetypes as propaganda in Alfred Hitchcock’s "lost" World War II films. In: Film & History 27. 1997. No. 1-4. [?D] pp. 80-87.
Description:
On Hitchcock’s work for the allied War propaganda, discusses his short films Bon Voyage and Aventure Malgache.
Index:
Hitchcock, Alfred
Bon Voyage (1944)
Aventure Malgache (1944)
Politik ~ Politics
Krieg ~ War

#624
Desowitz, Bill: Strangers on which train? In: Film Comment 28. 1992. No. 3. [May/June] pp. 4-5.
Description:
On the differences between the US and the British video version of Alfred Hitchcock’s Strangers on a Train.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)
Eisenbahn ~ Railroad
Video ~ Video
Großbritannien ~ Great Britain
USA (United States of America) ~ USA (United States of America)

#625
Dettmering, Peter: Alfred Hitchcock: The 39 Steps. In: Dettmering, Peter: Sechzig Jahre Filmesehen: Eine Hommage. - Eschborn bei Frankfurt/Main.: Klotz 2007. p. ?P.
Index:
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)

#626
Dettmering, Peter: Alfred Hitchcock: The Birds. In: Dettmering, Peter: Sechzig Jahre Filmesehen: Eine Hommage. - Eschborn bei Frankfurt/Main.: Klotz 2007. p. ?P.
Index:
Hitchcock, Alfred
Birds, The (1962)

#627
Dettmering, Peter: Literatur- und Filmanalyse. - Würzburg: Königshausen & Neumann 2012.
Description:
Includes, among others, chapters on Jean Renoir, Alfred Hitchcock, Satyajit Ray, Robert Bresson, Fritz Lang’s The Woman in the Window and on the films of Ethan and Joel Coen.
Index:
Renoir, Jean
Hitchcock, Alfred
Ray, Satyajit
Bresson, Robert
Lang, Fritz
Coen, Ethan
Coen, Joel
Woman in the Window, The (1944)
Literatur ~ Literature

#628
Deutelbaum, Marshall: Finding the right man in The Wrong Man. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Wrong Man, The (1957)

#629
Deutelbaum, Marshall: Logical dream / illogical space: Set design as narration in a key sequence in Vertigo. In: Hitchcock Annual 2002/2003. pp. 204-212.
Index:
Hitchcock, Alfred
Vertigo (1958)
Traum ~ Dreams

#630
Deutelbaum, Marshall: Seeing in Saboteur. In: Literature/Film Quarterly 12. 1984. No. 1. [January] pp. 58-64.
Index:
Hitchcock, Alfred
Saboteur (1942)

#631
Devas, Angela: How to be a hero: Space, place and masculinity in The 39 Steps. In: Journal of Gender Studies 14. 2005. No. 1. [March] pp. 45-54.
Index:
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)
Männer ~ Men
Helden ~ Heros

#632
Devereaux, M.: In defense of talking film. In: Persistence of Vision 1987. No. 5. [Spring] pp. 17-27.
Description:
Compares Alfred Hitchcock’s Notorious with Howard Hawks’s His Girl Friday.
Index:
Hitchcock, Alfred
Hawks, Howard
Notorious (1946)
His Girl Friday (1940)

#633
Devilliers, H.: Hitchcock: I confess. In: Cinématographe 1984. No. 98. [March] pp. 18-19.
Description:
On François Truffaut’s interpretation of Alfred Hitchcock’s work.
Index:
Hitchcock, Alfred
Truffaut, François

#634
di Claudio, Gianni: Il cinema North by Northwest: Poliziesco, noir, gangster film, spy story, thriller. - Chieti: Libereria Universitaria Ed. 2002.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Thriller ~ Thriller
Kriminalität ~ Crime
Film Noir ~ Film Noir

#635
Dialogue on film: Alfred Hitchcock. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 84 ff.
Index:
Hitchcock, Alfred

#636
Dick, Bernard F.: Ambiguous origins in Star Wars Episode I: The Phantom Menace. In: Dick, Bernard F.: The screen is red: Hollywood, communism, and the Cold War. - Jackson, Mississippi: University Press of Mississippi 2016. p. ?P.
Index:
Hitchcock, Alfred
Lucas, George
Star Wars Episode I - The Phantom Menace (1999)
Krieg ~ War
Kommunismus ~ Communism
Hollywood ~ Hollywood

#637
Dick, Bernard F.: Back to the Future as Baudrillardian parable. In: Dick, Bernard F.: The screen is red: Hollywood, communism, and the Cold War. - Jackson, Mississippi: University Press of Mississippi 2016. p. ?P.
Index:
Hitchcock, Alfred
Zemeckis, Robert
Baudrillard, Jean
Back to the Future (Filmreihe)
Politik ~ Politics
Krieg ~ War
Kommunismus ~ Communism
Hollywood ~ Hollywood

#638
Dick, Bernard F.: Baudrillard, The Matrix, and the "real 1999". In: Dick, Bernard F.: The screen is red: Hollywood, communism, and the Cold War. - Jackson, Mississippi: University Press of Mississippi 2016. p. ?P.
Index:
Hitchcock, Alfred
Wachowski, Andy
Wachowski, Larry
Baudrillard, Jean
Matrix, The (Filmreihe)
Politik ~ Politics
Krieg ~ War
Kommunismus ~ Communism
Hollywood ~ Hollywood

#639
Dick, Bernard F.: Hitchcock’s terrible mothers. In: Literature/Film Quarterly 28. 2000. No. 4. [October] pp. 238-249.
Description:
On the mother figure in Hitchcocks films, especially in Psycho, The Birds and Marnie.
Index:
Hitchcock, Alfred
Psycho (1960)
Birds, The (1962)
Marnie (1963/1964)
Mutter ~ Mothers

#640
Dick, Bernard F.: Looking for the real: Schindler’s List, Saving Private Ryan, and Titanic. In: Dick, Bernard F.: The screen is red: Hollywood, communism, and the Cold War. - Jackson, Mississippi: University Press of Mississippi 2016. p. ?P.
Index:
Hitchcock, Alfred
Spielberg, Steven
Cameron, James
Schindler’s List (1993)
Saving Private Ryan (1998)
Titanic (1997)
Politik ~ Politics
Krieg ~ War
Kommunismus ~ Communism
Hollywood ~ Hollywood

#641
Dick, Bernard F.: Reality / television: The Truman Show. In: Dick, Bernard F.: The screen is red: Hollywood, communism, and the Cold War. - Jackson, Mississippi: University Press of Mississippi 2016. p. ?P.
Index:
Hitchcock, Alfred
Weir, Peter
Truman Show, The (1998)
Krieg ~ War
Kommunismus ~ Communism
Hollywood ~ Hollywood
Fernsehen ~ Television

#642
Dick, Bernard F.: Recombinant reality in Jurassic Park. In: Dick, Bernard F.: The screen is red: Hollywood, communism, and the Cold War. - Jackson, Mississippi: University Press of Mississippi 2016. p. ?P.
Index:
Hitchcock, Alfred
Spielberg, Steven
Jurassic Park (1993)
Krieg ~ War
Kommunismus ~ Communism
Hollywood ~ Hollywood

#643
Dick, Bernard F.: Tarantino’s Pulp Fiction and Baudrillard’s perfect crime. In: Dick, Bernard F.: The screen is red: Hollywood, communism, and the Cold War. - Jackson, Mississippi: University Press of Mississippi 2016. p. ?P.
Index:
Hitchcock, Alfred
Tarantino, Quentin
Baudrillard, Jean
Pulp Fiction (1994)
Kriminalität ~ Crime
Krieg ~ War
Kommunismus ~ Communism
Hollywood ~ Hollywood

#644
Dick, Bernard F.: The Brad versus Tyler in Fight Club. In: Dick, Bernard F.: The screen is red: Hollywood, communism, and the Cold War. - Jackson, Mississippi: University Press of Mississippi 2016. p. ?P.
Index:
Hitchcock, Alfred
Fincher, David
Pitt, Brad
Fight Club (1999)
Krieg ~ War
Kommunismus ~ Communism
Hollywood ~ Hollywood

#645
Dick, Bernard F.: The hyperrealization of Arnold Schwarzenegger. In: Dick, Bernard F.: The screen is red: Hollywood, communism, and the Cold War. - Jackson, Mississippi: University Press of Mississippi 2016. p. ?P.
Index:
Hitchcock, Alfred
Schwarzenegger, Arnold
Krieg ~ War
Kommunismus ~ Communism
Hollywood ~ Hollywood

#646
Dick, Bernard F.: The screen is red: Hollywood, communism, and the Cold War. - Jackson, Mississippi: University Press of Mississippi 2016.
Description:
Discusses, among others, the representation of the East-West conflict in the horror, science fiction and thriller genre, especially in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Baudrillard, Jean
Thriller ~ Thriller
Science Fiction ~ Science Fiction
Politik ~ Politics
Krieg ~ War
Kommunismus ~ Communism
Horror ~ Horror
Hollywood ~ Hollywood

#647
Diehl, Heath A.: Reading Hitchcock / reading queer: Adaptation, narrativity, and a queer mode of address in Rope, Strangers on a Train, and Psycho. In: Clues 31. 2013. No. 1. [?D] pp. 33-42.
Index:
Hitchcock, Alfred
Rope, The (1948)
Strangers on a Train (1951)
Psycho (1960)

#648
Diehl, Heath A.: Reading Hitchcock / reading queer: Adaptation, narrativity, and a queer mode of address in Rope, Strangers on a Train, and Psycho. In: Hitchcock and adaptation: On the page and screen. Edited by Mark Osteen. - Lanham, Maryland: Rowman & Littlefield 2014. p. ?P.
Index:
Hitchcock, Alfred
Rope, The (1948)
Strangers on a Train (1951)
Psycho (1960)

#649
Digou, Mike: Hitchcock’s McGuffin in the works of David Mamet. In: Literature/Film Quarterly 31. 2003. No. 4. [October] pp. 270-275.
Description:
Compares the techniques of filmic narration in both directers, with special emphasis on Hitchcock’s North by Northwest.
Index:
Hitchcock, Alfred
Mamet, David
North by Northwest (1959)

#650
Dima, Vlad: A fantasy of one’s own: Rooms in Hitchcock’s Vertigo and Baudelaire’s prose texts. In: Mosaic 45. 2012. No. 4. [?D] pp. 69-84.
Index:
Hitchcock, Alfred
Baudelaire, Charles
Vertigo (1958)
Fantasy ~ Fantasy

#651
Directors on Hitchcock. In: Sight and Sound NS 9. 1999. No. 8. [August] Supplement pp. 20-36.
Description:
Various directors on the importance of Alfred Hitchcock for their own work.
Index:
Hitchcock, Alfred

#652
Diski, Jenny: The ticking clock. In: Sight and Sound NS 1. 1991. No. 4. [August] p. 35.
Description:
The writer on Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Diski, Jenny
Rear Window (1954)

#653
Dissolving views: Key writings in British cinema. Edited by Andrew Higson. - London: Cassell 1996.
Description:
Discusses, among others, the work of Alfred Hitchcock, Derek Jarman and the William Shakespeare adaptions.
Index:
Hitchcock, Alfred
Jarman, Derek
Shakespeare, William
Großbritannien ~ Great Britain

#654
Dittgen, Andrea: Hitchcock ist immer dabei. In: Film-Dienst 62. 2009. No. 6. [March 12] p. 46.
Description:
On Johan Grimonprez’s Double Take.
Index:
Grimonprez, Johan
Hitchcock, Alfred
Double Take (2009)

#655
Dixon, Bryony: The Hitchcock nine. In: Sight and Sound NS 22. 2012. No. 8. [August] pp. 43-45.
Description:
On Alfred Hitchcock’s British silent movies.
Index:
Hitchcock, Alfred
Stummfilm ~ Silent Film
Großbritannien ~ Great Britain

#656
Doane, Mary Ann: Caught and Rebecca: The inscription of femininity as absence. In: Enclitic 5/6. 1981/1982. No. 2/1. [Fall/Spring] pp. 75-89.
Index:
Ophüls, Max
Hitchcock, Alfred
Caught (1949)
Rebecca (1940)
Frauen ~ Women

#657
Doane, Mary Ann: Caught and Rebecca: The inscription of femininity as absence. In: Feminist film theory: A reader. Edited by Sue Thornham. - New York: New York University Press 1999. pp. 70-82.
Index:
Ophüls, Max
Hitchcock, Alfred
Caught (1949)
Rebecca (1940)
Frauen ~ Women

#658
Doane, Mary Ann: Donne fatali: Cinema, femminismo, psicoanalisi. Introduzione di Sandra Filippini. Trad. di Gloria Beltrani. - Parma: Pratiche 1995.
Description:
Discusses, among others, Hitchcock’s Blackmail and the representation of women in the American avant-garde film.
Index:
Hitchcock, Alfred
Blackmail (1929)
USA (United States of America) ~ USA (United States of America)
Psychologie ~ Psychology
Frauen ~ Women
Experimentalfilme ~ Experimental Films

#659
Doane, Mary Ann: Femmes fatales: Feminism, film theory, psychoanalysis. - New York; London: Routledge 1991.
Reviews:
Dixon, Wheeler Winston: [untitled] In: Prairie Schooner 67. 1993. No. 2. [?D] pp. 151-154.
Flinn, Caryl: [untitled] In: Signs 19. 1994. No. 3. [?D] pp. 786-791.
Higashi, Sumiko: [untitled] in In: Film Quarterly 45. 1992. No. 4. [?D] pp. 35-36.
Jablow, Valerie: [untitled] In: Belles Lettres 8. 1992. No. 1. [?D] p. 49.
Page, Barbara: [untitled] In: College English 54. 1992. No. 8. [?D] pp. 945-948.
Petro, Patrice: Lest we forget. In: Sight and Sound NS 2. 1992. No. 3. [July] pp. 36-37.
Reijnders, Gusta: [untitled] In: Skrien 1993/1994. No. 193. [December/January] p. 97.
Sorlin, Pierre: [untitled] In: Historical Journal of Film, Radio and Television 12. 1992. No. 2. [June] p. 186.
van Zoonen, Liesbet: Gender and film. In: Journal of Communication 42. 1992. No. 4. [Autumn] pp. 180-185.
Description:
Discusses, among others, Hitchcock’s Blackmail and the representation of women in the American avant-garde film.
Index:
Hitchcock, Alfred
Blackmail (1929)
USA (United States of America) ~ USA (United States of America)
Psychologie ~ Psychology
Frauen ~ Women
Experimentalfilme ~ Experimental Films

#660
Dobrincic, Vjeko: Alfred Hitchcock. - Zagreb: Stvarnost 1964.
Index:
Hitchcock, Alfred

#661
Doherty, Jim: North by Northwest. In: Cinemascore ?G. 1987. No. 15. [Summer] p. 154.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#662
Doherty, Jim: Vertigo. In: Soundtrack: The Collector’s Quarterly 15. 1996. No. 59. [September] p. 22.
Description:
On the film score by Bernard Herrmann.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Vertigo (1958)
Musik ~ Music

#663
Doherty, Thomas: We are all Hitchcock’s children. In: The Chronicle of Higher Education 45. 1999. No. 48. [August 6] p. B6pp.
Description:
On Hitchcock’s influence on contemporary filmmakers.
Index:
Hitchcock, Alfred

#664
Dolar, Mladen: A father who is not quite dead. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 143-150.
Description:
On the motif of the "observed observer" in the films of Alfred Hitchcock, especially in Suspicion and Rear Window.
Index:
Hitchcock, Alfred
Suspicion (1941)
Rear Window (1954)
Vater ~ Fathers

#665
Dolar, Mladen: Der Zuschauer, der zuviel wußte. In: Ein Triumph des Blicks über das Auge: Psychoanalyse bei Alfred Hitchcock. Von Miran Bozovic [et al.]. Hrsg. von Slavoj Zizek. Übersetzt von Isolde Charim [et al.]. - Wien: Turia & Kant 1992. pp. 131-138.
Description:
On the suspense in the films of Alfrfed Hitchcock.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#666
Dolar, Mladen: Ein Vater, der nicht ganz tot ist: In: Ein Triumph des Blicks über das Auge: Psychoanalyse bei Alfred Hitchcock. Von Miran Bozovic [et al.]. Hrsg. von Slavoj Zizek. Übersetzt von Isolde Charim [et al.]. - Wien: Turia & Kant 1992. pp. 143-151.
Description:
On the motif of the "observed observer" in the films of Alfred Hitchcock, especially in Suspicion and Rear Window.
Index:
Hitchcock, Alfred
Suspicion (1941)
Rear Window (1954)
Vater ~ Fathers
Tod ~ Death

#667
Dolar, Mladen: Hitchcock’s objects. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 31-46.
Description:
Especially on Shadow of a Doubt.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)

#668
Dolar, Mladen: Hitchcocks Objekte. In: Ein Triumph des Blicks über das Auge: Psychoanalyse bei Alfred Hitchcock. Von Miran Bozovic [et al.]. Hrsg. von Slavoj Zizek. Übersetzt von Isolde Charim [et al.]. - Wien: Turia & Kant 1992. pp. 25-42.
Description:
Especially on Shadow of a Doubt.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)

#669
Dolar, Mladen: The spectator who knew too much. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 129-136.
Description:
On suspense in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#670
Dominicus, Mart: Hitch & seks. In: Skrien 1997. No. 214. [June/July] pp. 28-31.
Description:
Collection of photos on "Hitchcock and sex".
Index:
Hitchcock, Alfred
Fotografie ~ Photography
Sexualität ~ Sexuality

#671
Dominicus, Mart:Hitchcock: Alleen maar 100% film. In: Skrien 1985. No. 141. [April/May] pp. 28-29.
Description:
On the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred

#672
Donatelli, Stephen: Hitchcock’s intense inanity. In: MacGuffin 1998. No. 24. [February] pp. 7-8.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#673
Donnelly, Kevin J.: Hitchcocks musiklektion. In: Filmhäftet 30. 2002. No. 122. [?D] pp. 26-33.
Description:
On the scores for Hitchcock’s films.
Index:
Hitchcock, Alfred
Musik ~ Music

#674
Doty, Alexander Michael: Alfred Hitchcock’s films of the 1940s: The emergence of personal style and theme within the american studio system. - Urbana-Champaign: University of Illinois at Urbana-Champaign, Ph.D. 1984. [Abstract in: Dissertation Abstracts International A 45. 1985. No. 8. (February) p. 2283A.]
Description:
Especially on Rebecca, Notorius and Spellbound.
Index:
Hitchcock, Alfred
Rebecca (1940)
Notorious (1946)
Spellbound (1945)
USA (United States of America) ~ USA (United States of America)

#675
Doty, Alexander: Queer Hitchcock. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred

#676
Dotzler, Bernhard J.: "An agency more than human": Kino, Fernsehen - und Hitchcock, zum Beispiel. In: Die schönen und die nützlichen Künste: Literatur, Technik und Medien seit der Aufklärung. Hrsg. von Knut Hickethier und Katja Schumann. - Paderborn; München: Fink 2007. pp. 301 ff.
Index:
Hitchcock, Alfred
Literatur ~ Literature
Fernsehen ~ Television
Technik ~ Technology

#677
Douchet, Jean: Alfred Hitchcock. - Paris: Editions de l’Herne 1967. (= Herne cinema 1.)
Index:
Hitchcock, Alfred

#678
Douchet, Jean: Hitch and his public. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred

#679
Douchet, Jean: Hitchcock. Nouv. édition. - Paris: Cahiers du Cinéma 1999. (= Petite bibliothèque des Cahiers du Cinéma 34.)
Index:
Hitchcock, Alfred

#680
Drate, Süencer / Salavetz, Jütka / Sarowitz, Sam: Art of the modern movie poster: International postwar style and design. Text by Dave Kehr. - San Francisco, California: Chronicle Books 2008.
Description:
Compares the film posters for several films in different countries.
Discusses, among others, the posters for Michelangelo Antonioni’s Blow Up, Francis Ford Coppola’s Apocalypse Now, Alfred Hitchcock’s Psycho, Terence Young’s Dr. No, Stanley Kubrick’s 2001 - A Space Odyssey, Federico Fellini’s La dolce vita and the Star Wars films.
Index:
Antonioni, Michelangelo
Coppola, Francis Ford
Hitchcock, Alfred
Young, Terence
Kubrick, Stanley
Fellini, Federico
Lucas, George
Blow Up (1966)
Apocalypse Now (1976-1979)
Psycho (1960)
Dr. No (1962)
2001 - A Space Odyssey (1968)
dolce vita, La (1959)
Star Wars (Filmreihe)
Krieg ~ War

#681
Dresner, Lisa M.: The female investigator in literature, film, and popular culture. - Jefferson, North Carolina: McFarland & Co. 2007.
Reviews:
Edney, Kathryn: Apparatus and gaze. In: Film & History 37. 2007. No. 2. [Fall] p. ?P.
Description:
Examines, among others, the motif of the "lesbian detective" and the representation of women in horror film. Discusses, as example, Daphne du Maurier’s novel Rebecca and its filmings.
Index:
Du Maurier, Daphne
Hitchcock, Alfred
Rebecca (1940)
Rebecca (Literatur ~ Literature)
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Literatur ~ Literature
Frauen ~ Women
Detektive ~ Detectives
Horror ~ Horror

#682
Dresner, Lisa: Woman, detective, other: Theorizing the female investigator in literature, film, and popular culture. - Berkeley, California: University of California, Berkeley, Ph.D. 2002. [Abstract in: Dissertation Abstracts International A 64. 2003. No. 2. (August) p. 491.]
Description:
Examines, among others, the motif of the "lesbian detective" and the representation of women in horror film. Discusses, as example, Daphne du Maurier’s novel Rebecca and its filmings.
Index:
Du Maurier, Daphne
Hitchcock, Alfred
Rebecca (1940)
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Horror ~ Horror
Frauen ~ Women
Detektive ~ Detectives
Rebecca (Literatur ~ Literature)

#683
Droese, Kerstin: Thrill und Suspense in den Filmen Alfred Hitchcocks. - Coppengrave: Coppi Verlag 1995.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#684
Droese, Kerstin: Thrill und Suspense in den Filmen Alfred Hitchcocks. - Hamburg: Universität Hamburg, Seminar für Englische Sprache und Kultur, Magisterarbeit ?J (1993/1994).
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#685
Drößler, Stefan: Spellbound: Alfred Hitchcock, Salvador Dalí und David O. Selznick. In: Experiment Mainstream? Differenz und Uniformierung im populären Kino. Hrsg. von Irmbert Schenk [et al.]. - Berlin: Bertz & Fischer 2006. (= Bremer Symposium zum Film.) pp. 65 ff.
Index:
Hitchcock, Alfred
Dalí, Salvador
Selznick, David O.
Spellbound (1945)

#686
Drumin, William A.: Sabotage: Chaos unleashed and the impossibility of utopia. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 3-16.
Index:
Hitchcock, Alfred
Sabotage (1936)
Utopie ~ Utopia
Philosophie ~ Philosophy

#687
Drumin, William A.: Thematic and methodological foundations of Alfred Hitchcock’s artistic vision. - Lewiston, New York; Lampeter: Edwin Mellen Press 2004. (= Studies in the history and criticism of film 8.)
Index:
Hitchcock, Alfred

#688
Du Mesnildot, Stéphane: Le motel rouge. In: L’Écran Fantastique 1999. No. 182. [February] pp. 25-26.
Index:
Hitchcock, Alfred
Psycho (1960)

#689
Du Mesnildot, Stéphane: Les liens du sang. In: L’Écran Fantastique 1999. No. 182. [February] pp. 30-32.
Index:
Hitchcock, Alfred
Psycho (1960)
Blut ~ Blood

#690
Duarte, Fernando: Revisao de Hitchcock. In: Celulóide 27. 1982. No. 335. [May]. pp. 14-16.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Psycho (1960)
Birds, The (1962)
Dial M for Murder (1954)

#691
Duckert, Michele: Original sins and classical narratives: Hitchcock through Foucault. In: Purdue University Seventh Annual Conference on Film. Edited by Marshall Deutelbaum and Thomas P. Adler. - West Lafayette, Indiana: Purdue University, Department of English 1983. pp. 295-300.
Index:
Hitchcock, Alfred
Foucault, Michel

#692
Ducout, Françoise: Les fantômes de grand central. - Paris: Horay 1988. (= Littérature buissonnière.)
Description:
On Alfred Hitchcock.
Index:
Hitchcock, Alfred

#693
Dudenhoeffer, Larrie: Elbows and assholes: The anal work ethic in Alfred Hitchcock’s Psycho. In: Dudenhoeffer, Larrie: Embodiment and horror cinema. - Basingstoke; New York: Palgrave Macmillan 2014. p. ?P.
Index:
Hitchcock, Alfred
Psycho (1960)
Körper ~ Bodies
Horror ~ Horror

#694
Due, Raidar: Hitchcock’s innocence plot. In: Film Studies [Manchester] 2004. No. 4. [Summer] pp. 48-57.
Description:
On the motif of innocence in Hitchcock’s The Thirty-Nine Steps, Young and Innocent, Saboteur, Strangers on a Train, I Confess, The Wrong Man and North by Northwest.
Index:
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)
Young and Innocent / Girl Was Young, The (1937)
Saboteur (1942)
Strangers on a Train (1951)
I Confess (1952)
Wrong Man, The (1957)
North by Northwest (1959)

#695
Dufreigne, Jean-Pierre: Hitchcock style. - New York: Assouline 2004.
Index:
Hitchcock, Alfred

#696
Dumas, Chris: Un-American psycho: Brian De Palma and the political invisible. - Bristol; Chicago, Illinois: Intellect 2012.
Index:
De Palma, Brian
Hitchcock, Alfred
Psycho (1960)
USA (United States of America) ~ USA (United States of America)
Psychologie ~ Psychology
Politik ~ Politics

#697
Duncan, Jody: Hitchcock homage. In: Cinefex 2000. No. 83. [October] pp. 59-66, 154.
Description:
On the special effects for What Lies Beneath.
Index:
Zemeckis, Robert
Hitchcock, Alfred
What Lies Beneath (2000)
Technik: Spezialeffekte ~ Technology: Special Effects

#698
Duncan, Paul: Alfred Hitchcock: Architect of anxiety, 1899-1980. - Köln: Taschen 2003.
Index:
Hitchcock, Alfred

#699
Duncan, Paul: Alfred Hitchcock: Architectre de l’angoisse, 1899-1980. - Köln: Taschen 2003.
Index:
Hitchcock, Alfred

#700
Duncan, Paul: Alfred Hitchcock: Architekt der Angst, 1899-1980. Übersetzung ins Deutsche: Paul Klock. - Köln; London; Los Angeles; Madrid; Paris; Tokio: Taschen 2003.
Reviews:
Kriest, Ulrich: Prachtvolle Taschen-Bücher. In: Film-Dienst 57. 2004. No. 20. [September 30] pp. 48-49.
Index:
Hitchcock, Alfred
Angst ~ Fear

#701
Duncan, Paul: Alfred Hitchcock: Architekt der Angst, 1899-1980. Übersetzung ins Deutsche: Paul Klock. - Köln: Taschen 2011.
Index:
Hitchcock, Alfred
Angst ~ Fear

#702
Duncan, Paul: Alfred Hitchcock: Meester van de suspense, 1899-1980. - Köln: Taschen 2003.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#703
Dunkleberger, Amy: So you want to be a film or TV editor? - Berkeley Heights, New Jersey: Enslow 2008. (= Careers in film and television.)
Description:
Discusses, among others, the "shower sequence" in Alfred Hitchcock’s Psycho and Francis Ford Coppola’s Apocalypse Now.
Index:
Hitchcock, Alfred
Coppola, Francis Ford
Psycho (1960)
Apocalypse Now (1976-1979)
Fernsehen ~ Television

#704
Durgnat, Ray: The business of fear. In: Sight and Sound NS 9. 1999. No. 8. [August] Supplement pp. 2-11.
Description:
On the thrillers from Hitchcocks English period: The Man Who Knew Too Much, The 39 Steps, Secret Agent, Sabotage, The Lady Vanishes and Young and Innocent.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1934)
Thirty-Nine Steps, The (1935)
Secret Agent (1936)
Sabotage (1936)
Lady Vanishes, The (1938)
Young and Innocent / Girl Was Young, The (1937)
Thriller ~ Thriller
Großbritannien ~ Great Britain
Angst ~ Fear

#705
Durgnat, Raymond: A long hard look at Psycho. - London: British Film Institute 2002.
Reviews:
Holmberg, Jan: [untitled] In: Film International 2003. No. 1. [?D] pp. 60-61.
Thomson, David: Lost highway. In: Sight and Sound NS 12. 2002. No. 12. [December] pp. 14-15.
von Thüna, Ulrich: [untitled.] In: Medienwissenschaft 2003. No. 2. pp. 227-229.
Index:
Hitchcock, Alfred
Psycho (1960)

#706
Durgnat, Raymond: If the "punishment" fits. In: Film Comment 33. 1997. No. 1. [January/February] p. 87.
Description:
On Alfred Hitchcock.
Index:
Hitchcock, Alfred

#707
Durgnat, Raymond: Takaikkuna. In: Filmihullu 1983. No. 6. [?D] pp. 7-12.
Index:
Hitchcock, Alfred
Rear Window (1954)

#708
Durgnat, Raymond: The strange case of Alfred Hitchcock: Or, the plain man’s Hitchcock. - Cambridge, Massachussetts: MIT Press 1974.
Index:
Hitchcock, Alfred

#709
Durgnat, Raymond: To catch a "Hitch": The murderous gaze. In: Quarterly Review Of Film Studies 8. 1983. No. 1. [Winter] pp. 43-48.
Index:
Hitchcock, Alfred
Mord ~ Murder

#710
Dursin, Andy: Autumn’s harvest. In: Film Score Monthly 5. 2000. No. 7. [?D] pp. 45-47.
Description:
Discusses, among others, Alfred Hitchcock’s North by Northwest as well as Steven Spielberg’s Jurassic Park and The Lost World: Jurassic Park.
Index:
Hitchcock, Alfred
Spielberg, Steven
North by Northwest (1959)
Jurassic Park (1993)
Lost World, The: Jurassic Park (1997)

#711
Düsberg, Eckhard: Vertigo - Aus dem Reich der Toten. In: Filmgenres: Kriminalfilm. Hrsg. von Knut Hickethier unter Mitarbeit von Katja Schumann. - Stuttgart: Reclam 2005. pp. 140-145.
Index:
Hitchcock, Alfred
Vertigo (1958)
Kriminalität ~ Crime

#712
Duval, Bruno / Lefèvre, Raymond: Alfred Hitchcock. In: La Revue du Cinéma 1985. No. 401. [January] pp. 71-86.
Description:
Special dossier.
Index:
Hitchcock, Alfred
Rear Window (1954)

#713
Duynslaegher, D. Beroep: Scenarioschrijver Ernest Lehman. In: Film en Televisie 1977. No. 246. [November] pp. 16-19.
Index:
Lehman, Ernest
Hitchcock, Alfred
North by Northwest (1959)

#714
Dyer, Jay: 007 and Hitchcock. In: Dyer, Jay: Esoteric Hollywood: Sex, cults and symbols in film. - Waterville, Oregon: Trine Day LLC 2016. p. ?P.
Index:
Hitchcock, Alfred
James Bond ~ James Bond
Sexualität ~ Sexuality
Hollywood ~ Hollywood

#715
Dyer, Peter John: Young and Innocent. In: Sight and Sound 30. 1961. No. 2. [Spring] pp. 80-83.
Index:
Hitchcock, Alfred
Young and Innocent / Girl Was Young, The (1937)

#716
Dyer, Richard: Kill and kill again. In: Sight and Sound NS 7. 1997. No. 9. [September] pp. 14-17.
Description:
On derial killer films. Discusses, among others, Fritz Lang’s M - Eine Stadt sucht einen Mörder, Alfred Hitchcock’s Psycho, Jonathan Demme’s The Silence of the Lambs, David Fincher’s Se7en and Jon Amiel’s Copycat.
Index:
Lang, Fritz
Hitchcock, Alfred
Demme, Jonathan
Fincher, David
Amiel, Jon
M - Eine Stadt sucht einen Mörder (1931)
Psycho (1960)
Silence of the Lambs, The (1990)
Se7en (1995)
Copycat (1995)
Mord ~ Murder

#717
Dynia, Philip A.: Alfred Hitchcock and the ghost of Thomas Hobbes. In: Cinema Journal 15. 1976. No. 2. [Spring] p. 27.
Index:
Hitchcock, Alfred
Hobbes, Thomas

#718
E-Nawab, Dina: Alfred Hitchcock’s Psycho: Exemplarische Filmanalyse unter besonderer Berücksichtigung des Suspense. - Alfeld: Coppi Verlag 1997. (= Aufsätze zu Film und Fernsehen 50.)
Index:
Hitchcock, Alfred
Psycho (1960)
Thriller ~ Thriller

#719
Easley, Greg / Rabinovitz, Lauren: The Rebecca project: CD-Rom. - London: British Film Institute Publishing 1996.
Description:
Multimedio CD-Rom on the Hitchcock classic.
Index:
Hitchcock, Alfred
Rebecca (1940)

#720
Easley, Greg / Rabinovitz, Lauren: The Rebecca project: CD-Rom. - New Brunswick, New Jersey: Rutgers University Press 1994.
Description:
Multimedio CD-Rom on the Hitchcock classic.
Index:
Hitchcock, Alfred
Rebecca (1940)

#721
Eaton, Michael: Drella and the MacGuffin: Alfred Hitchcock meets Andy Warhol and both get out of the encounter alive - just. In: Senses of Cinema 2000. No. 6. [May] p. ?P.
Index:
Hitchcock, Alfred
Warhola, Andrew [Pseudonym: Warhol, Andy]

#722
Eaton, Michael: The man who wasn’t there. In: Sight and Sound 15. 2005. No. 12. [December] pp. 18-19.
Description:
On scriptwriter Eliot Stannard’s work for the early Hitchcock films.
Index:
Stannard, Eliot
Hitchcock, Alfred

#723
Ebert, Jürgen: Die Basis des Make-Up. In: Fernseh- und Kino-Technik 24. 1980. No. ?N. [June] pp. 248-260.
Index:
Hitchcock, Alfred
Vertigo (1958)

#724
Ebert, Jürgen: Vertigo: The secret of the tower. In: Framework ?G. 1980. No. 13. [Autumn] pp. 17-18.
Index:
Hitchcock, Alfred
Vertigo (1958)

#725
Ebert, Jürgen [et al.]: Sequenzbeschreibungen. In: Fernseh- und Kino-Technik 24. 1984. No. ?N. [June] pp. 261-273.
Index:
Hitchcock, Alfred
Vertigo (1958)

#726
Ebert, Roger: Critics’ top ten: Vertigo. In: Sight and Sound NS 12. 2002. No. 9. [September] p. 30.
Index:
Hitchcock, Alfred
Vertigo (1958)

#727
Ebert, Roger: Notorious. In: Ebert, Roger: The great movies. - New York: Broadway Books 2002. pp. 334 ff.
Index:
Hitchcock, Alfred
Notorious (1946)

#728
Ebert, Roger: Psycho. In: Ebert, Roger: The great movies. - New York: Broadway Books 2002. pp. 374 ff.
Index:
Hitchcock, Alfred
Psycho (1960)

#729
Ebert, Roger: Rear Window. In: Ebert, Roger: The great movies II. - New York: Broadway Books 2005. p. ?P.
Index:
Hitchcock, Alfred
Rear Window (1954)

#730
Ebert, Roger: Strangers on a Train. In: Ebert, Roger: The great movies II. - New York: Broadway Books 2005. p. ?P.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)

#731
Ebert, Roger: Vertigo. In: Ebert, Roger: The great movies. - New York: Broadway Books 2002. pp. 477 ff.
Index:
Hitchcock, Alfred
Vertigo (1958)

#732
Eby, Douglas: Psycho: Desecrating a masterpiece? Director Gus Van Sant on stepping into Alfred Hitchcock’s shadow. In: Cinefantastique 30. 1998. No. 11. [December] p. 3.
Index:
Van Sant, Gus
Hitchcock, Alfred
Psycho (1998)
Psycho (1960)

#733
Ede, François: Hitchcock experimentateur. In: Cahiers du Cinéma 1997. No. 511. [March] p. 27.
Description:
On Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)

#734
Ede, François: Sueurs froides pour une restauration. In: Cahiers du Cinéma 1997. No. 511. [March] pp. 22-23.
Description:
On Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)

#735
Edelman, Lee: Piss elegant: Freud, Hitchcock, and the micturating penis. In: GLQ 2. 1995. No. 1/2. [?D] pp. 149-177.
Description:
Psychoanalytic analysis of the representation of sexuality and homosexuality in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Sexualität ~ Sexuality

#736
Edelman, Lee: Rear Window’s glasshole. In: Out takes: Essays on queer theory and film. Edited by Ellis Hanson. - Durham, North Carolina: Duke University Press 1999. pp. 72-96.
Index:
Hitchcock, Alfred
Rear Window (1954)

#737
Edema, Patricia Stella: Alfred Hitchcocks Filme im Zeichen der künstlerischen Moderne: Expressionismus, Pittura metafisica, Surrealismus. - Saarbrücken: VDM Verlag Dr. Müller 2012.
Index:
Hitchcock, Alfred
Surrealismus ~ Surrealism
Kunst ~ Arts, The
Expressionismus ~ Expressionism

#738
Eder, Bruce: Author, author. In: Village Voice 34. 1989. No. ?N. [February 28] p. 45.
Index:
Hitchcock, Alfred
Rear Window (1954)

#739
Eder, Bruce: Video kicked in the Rear Window. In: Village Voice 35. 1990. No. ?N. [June 12] p. 56.
Index:
Hitchcock, Alfred
Rear Window (1954)
Video ~ Video

#740
Edwards, Brian T.: Henry James and Alfred Hitchcock after the American century: Circulation and non-return in The American Scene and Strangers on a Train. In: The men who knew too much: Henry James and Alfred Hitchcock. Edited by Susan Griffin and Alan Nadel. - Oxford; New York: Oxford University Press 2011. p. ?P.
Index:
James, Henry
Hitchcock, Alfred
Strangers on a Train (1951)
USA (United States of America) ~ USA (United States of America)
American Scene, The (Literatur ~ Literature)

#741
Edwards, Kyle Dawson: Brand-name literature: Film adaptation and Selznick International Pictures’ Rebecca. In: Cinema Journal 45. 2006. No. 3. [?D] pp. 32-58.
Index:
Du Maurier, Daphne
Hitchcock, Alfred
Rebecca (1940)
Literatur ~ Literature
Rebecca (Literatur ~ Literature)

#742
Edwards, Richard: Hitchcock before noir: Hitchcock’s Gaumont British thrillers as film noir prototypes. In: Film noir prototypes: Origins of the movement. Edited by Alain Silver and James Ursini. - Milwaukee, Wisconsin: Applause Theatre & Cinema Books 2018. p. ?P.
Index:
Hitchcock, Alfred
Thriller ~ Thriller
Großbritannien ~ Great Britain
Gaumont [Firma] ~ Gaumont [Company]
Film Noir ~ Film Noir

#743
Ehrlich, Linda C.: Courtyards of shadow and light. In: Cinemaya 1997. No. 37. [Summer] pp. 8-16.
Index:
Hitchcock, Alfred
Rear Window (1954)

#744
Elhem, Philippe [et al.]: Directed by Alfred Hitchcock. In: Revue Belge du Cinéma 1984. No. 9. [Autumn] pp. 1-63.
Index:
Hitchcock, Alfred

#745
Elia, Maurice: Strangers on a Train d’Alfred Hitchcock: L’enfer à portée de la main. In: Séquences ?G. 2001. No. 212. [March/April] p. 21.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)

#746
Elliott, P.: Film theory of the postmodern scopic region: Hitchcock and the cinema of sensation. - Colchester, Essex: University of Essex, Ph.D. 2010. [Abstract in: Index to Theses with Abstracts 59-9066.]
Index:
Hitchcock, Alfred
Postmoderne ~ Postmodern

#747
Elliott, Paul: Hitchcock and the cinema of sensations: Embodied film theory and cinematic reception. - London / New York: I. B. Tauris / Palgrave Macmillan 2011. (= International library of visual culture 2.)
Reviews:
Blake, Linnie: [untitled.] In: Horror Studies 3. 2012. No. 1. [?D] pp. 308-309.
Whedbee, Eric: [untitled.] In: Film-Philosophy 19. 2015. No. 1. [?D] pp. 6-11.
Index:
Hitchcock, Alfred

#748
Elson, Brigid: Crucial devises: The role of the media in Orwell, Waugh, Hitchcock and Antonioni. In: Antigonish Review 1995. No. 102/103. [?D] pp. 133-141.
Index:
Blair, Eric [Pseudonym: Orwell, George]
Waugh, Evelyn
Hitchcock, Alfred
Antonioni, Michelangelo

#749
Enckell, Henrik: Det orfiska uppdraget i Vertigo. In: Kulturtidskriften Horisont 34. 1987. No. 3. [?D] pp. 40-47.
Index:
Hitchcock, Alfred
Vertigo (1958)

#750
Endless night: Cinema and psychoanalysis, parallel histories. Edited by Janet Bergstrom. - Berkeley, California; London: University of California Press 1999.
Reviews:
Berg, Briana: Film theory, psychoanalysis, and figuration. In: Film-Philosophy 7. 2003. No. 28. [September] p. ?P.
Clarke, Jamie: The parallax review. In: Film-Philosophy 7. 2003. No. 27. [September] p. ?P.
Decker, Christof: [untitled] In: Medienwissenschaft 2000. No. 1. pp. 71-73.
Gordon, Rebecca M.: Waiting for dawn to break. In: Film-Philosophy 7. 2003. No. 26. [September] p. ?P.
Greenberg, Harvey: [untitled] In: Film Quarterly 54. 2001. No. 4. [Summer] pp. 51-52.
O’Sullivan, Charlotte: [untitled.] In: Sight and Sound NS 10. 2000. No. 8. [August] p. 32.
Description:
Discusses, among others, the cyberspace motif in film and the work of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology
Nacht ~ Night
Cyberspace ~ Cyberspace

#751
Engel, Joel: Writing North by Northwest. In: Scenario 3. 1997. No. 1. [?D] pp. 208-212.
Description:
On the script text by Ernest Lehman.
Index:
Hitchcock, Alfred
Lehman, Ernest
North by Northwest (1959)

#752
Enticknap, Leo: Some bald assertion by an ignorant and badly educated Frenchman: Technology, film criticism, and the "restoration" of Vertigo (1996). In: Moving Image 4. 2004. No. 1. [Spring] pp. 130-141.
Index:
Hitchcock, Alfred
Vertigo (1958)
Technik ~ Technology
Frankreich ~ France

#753
Epp, Todd David: Alfred Hitchcock’s "expedient exaggerations" and the filming of North By Northwest at Mount Rushmore. In: South Dakota History 23. 1993. No. 3. [?D] pp. 181-196.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#754
Erb, Cynthia: "Have You ever seen the inside of one of those places?": Psycho, Foucault, and the postwar context of madness. In: Cinema Journal 45. 2006. No. 4. [Summer] pp. 45-63.
Index:
Hitchcock, Alfred
Foucault, Michel
Psycho (1960)
Wahnsinn ~ Madness
Krieg ~ War

#755
Erdmann-Rajski, Katja: Einen ganzen Film in einer Telefonzelle spielen lassen: Reflexionen zu einer choreografischen Auseinandersetzung mit Hitchcocks Traum(a). In: Hitchcock und die Künste. Hrsg. von Henry Keazor. - Marburg: Schüren 2013. pp. 143 ff.
Index:
Hitchcock, Alfred
Traum ~ Dreams
Kunst ~ Arts, The

#756
Erish, Andrew A.: Reclaiming Alfred Hitchcock Presents. In: Quarterly Review of Film and Video 26. 2009. No. 5. [?D] pp. 385-392.
Index:
Hitchcock, Alfred

#757
Esposito, Lorenzo: Omicidi, menzogne, forzature. In: Filmcritica 49. 1999. No. 499. [October] pp. 429-432.
Description:
On Alfred Hitchcock’s Sabotage, Stage Fright and The Wrong Man.
Index:
Hitchcock, Alfred
Sabotage (1936)
Stage Fright (1950)
Wrong Man, The (1957)

#758
Esquenazi, Jean-Pierre: Hitchcock et l’aventure de Vertigo: L’invention à Hollywood. - Paris: CNRS Ed. 2001.
Index:
Hitchcock, Alfred
Vertigo (1958)
Hollywood ~ Hollywood
Abenteuer ~ Adventure

#759
Essman, Scott: Psycho 98. In: L’Écran Fantastique 1999. No. 182. [February] pp. 22-24.
Index:
Van Sant, Gus
Hitchcock, Alfred
Psycho (1998)
Psycho (1960)

#760
Estève, Michel: Alfred Hitchcock. - Paris: Lettres modernes 1971. (= Études cinématographiques 84-87.)
Index:
Hitchcock, Alfred

#761
Eugène, Jean-Pierre: La musique dans les films d’Alfred Hitchcock. - Paris: Dreamland 2000.
Reviews:
Bourget, Jean-Loup / Berthomieu, Pierre: [untitled] In: Positif 2001. No. 485/486. [July/August] p. 158.
Index:
Hitchcock, Alfred
Musik ~ Music

#762
Evers, Marco / Wolf, Martin: "Wir wollten einzigartig sein". In: Der Spiegel 59. 2005. No. 32. [August 8] pp. 131-133.
Description:
Interview with actress Eva Maria Saint, especially on her work for Alfred Hitchcock.
Index:
Saint, Eva Maria
Hitchcock, Alfred

#763
Everschor, Franz: Hollywood spricht über ... eine Hitchcock-Entdeckung. In: Film-Dienst 64. 2011. No. 19. [September 15] p. 8.
Description:
On the rediscovery of Graham Cutts’s The White Shadow, a silent film produced under participation of young Alfred Hitchcock.
Index:
Cutts, Graham
Hitchcock, Alfred
White Shadow, The (1924)
Stummfilm ~ Silent Film
Hollywood ~ Hollywood

#764
Everschor, Franz: Remake von Hitchcocks Erpressung. In: Film-Dienst 44. 1991. No. 7. [April 2] p. 41.
Description:
On Blackmail by Ruben Preuss.
Index:
Hitchcock, Alfred
Preuss, Ruben
Blackmail (1929)
Blackmail (1991)

#765
Everschor, Franz: Suspense wie bei Hitchcock? In: Zoom 50. 1998. No. 9. [September] pp. 12-13.
Description:
On recent new filmings of Hitchcock subjects.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#766
Everschor, Franz: Suspense wie bei Hitchcock? Ein halbes Dutzend Hitchcock-Stoffe wird neu verfilmt. In: Film-Dienst 51. 1998. No. 16. [August 4] pp. 40-41.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#767
Everschor, Franz: Vertigo in 70 mm DTS: Ein neuer Höhepunkt der Film-Restauration. In: Film-Dienst 49. 1996. No. 22. [October 22] pp. 40-41.
Index:
Hitchcock, Alfred
Vertigo (1958)

#768
Everson, William K.: Rediscovery: Easy Virtue. In: Films in Review 26. 1975. No. ?N. [May] pp. 293-296.
Index:
Hitchcock, Alfred
Easy Virtue (1927)

#769
Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992.
Reviews:
Murphie, Andrew: I’m not joking - Lacanian nostalgia ain’t what it used to be. In: Film-Philosophy 2. 1998. No. 37. [November] p. ?P.
Thomas, Paul: [untitled] In: Film Quarterly 47. 1993. No. 1. [Fall] pp. 46-47.
Index:
Hitchcock, Alfred
Lacan, Jacques

#770
Eyuboglu, Selim: Four films: Crossing the boundaries of modernism and postmodernism. - Kent: University of Kent, Ph.D. 1992. [Abstract in: Index to Theses with Abstracts 43. 1994. No. 1. pp. 17-18(43-0112) / Dissertation Abstracts International A 53. 1993. No. 9. (March) p. 3022A.]
Description:
Discusses Lucino Visconti’s Morte a Venezia, Michelangelo Antonioni’s L’Avventura, Alfred Hitchcock’s Blackmail and David Lynch’s Blue Velvet.
Index:
Visconti, Lucino
Antonioni, Michelangelo
Hitchcock, Alfred
Lynch, David
Morte a Venezia (1970)
Avventura, L’ (1959)
Blackmail (1929)
Blue Velvet (1986)
Postmoderne ~ Postmodern

#771
Eyüboglu, Selim: The authorial text and postmodernism: Hitchcock’s Blackmail. In: Screen 32. 1991. No. 1. [Spring] pp. 58-78.
Index:
Hitchcock, Alfred
Blackmail (1929)
Postmoderne ~ Postmodern

#772
Fabe, Marilyn: Hollywood auteur: Alfred Hitchcock’s Notorious. In: Fabe, Marilyn: Closely watched films: An introduction to the art of narrative film technique. - Berkeley, California: University of California Press 2004.
Index:
Hitchcock, Alfred
Notorious (1946)
Hollywood ~ Hollywood

#773
Fabe, Marilyn: Mourning Vertigo. In: American Imago 66. 2009. No. 3. [?D] pp. 343-367.
Index:
Hitchcock, Alfred
Vertigo (1958)

#774
Falk, Quentin: Mr Hitchcock. - London: Haus 2007.
Reviews:
Cohen, Paula Marantz: [untitled.] In: The Times Literary Supplement, September 5, 2008. p. 12.
Index:
Hitchcock, Alfred

#775
Fallaci, Oriana: Alfred Hitchcock: Mr. Chastity. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 55 ff.
Index:
Hitchcock, Alfred
Fallaci, Oriana

#776
Familiengrab. - Vogt: Peter Kranzpiller ?J. (= Filmprogramm der Kinoszene 587.)
Index:
Hitchcock, Alfred
Family Plot (1975)

#777
Familiengrab. - Nürnberg: Verlag Karin Stähle ?J. (= Phantopia-Filmprogramm 458.)
Description:
On Alfred Hitchcock’s Family Plot.
Index:
Hitchcock, Alfred
Family Plot (1975)

#778
Farber, Stephen / Green, Marc: Hollywood on the couch: A candid look at the overheatetd love affair between psychiatrists and moviemakers. - New York: William Morrow 1993.
Reviews:
Greenberg, Harvey Roy: [untitled] In: Film Quarterly 47. 1994. No. 4. [Summer] pp. 43-45.
Description:
Discusses, among others, Stanley Kubrick’s A Clockwork Orange, Brian De Palma’s Dressed to Kill, William Friedkin’s The Exorcist, Milos Forman’s One Flew over the Cuckoo’s Nest, Jonathan Demme’s The Silence of the Lambs, Woody Allen’s Sleeper, Alfred Hitchcock’s Spellbound plus the films of Ingmar Bergman and Anthony Perkins.
Index:
Kubrick, Stanley
De Palma, Brian
Friedkin, William
Forman, Milos
Demme, Jonathan
Allen, Woody
Hitchcock, Alfred
Bergman, Ingmar
Perkins, Anthony
Clockwork Orange, A (1971)
Dressed to Kill (1980)
Exorcist, The (1973)
One Flew over the Cuckoo’s Nest (1975)
Silence of the Lambs, The (1990)
Sleeper (1973)
Spellbound (1945)
Psychologie ~ Psychology
Hollywood ~ Hollywood

#779
Farber, Stephen: Role models. In: Movieline 4. 1993. No. ?N. [September] p. 77.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#780
Farocki, Harun: Schuss-Gegenschuss: Der wichtigste Ausdruck im Wertgesetz Film. In: Fernseh- und Kino-Technik 25. 1981. No. ?N. [November/December] pp. 507-516.
Index:
Hitchcock, Alfred
Vertigo (1958)

#781
Farrell, Sean / Sullivan, Drew: Hitchcock on laser. In: Scarlet Street 1996. No. 22. [?D] pp. 30-33.
Description:
On a Laserdisc edition of ten Hitchcock films (The Trouble With Harry, Vertigo, Psycho, Frenzy, Strangers on a Train, The Wrong Man, Suspicion, To Catch a Thief, Lifeboat and Notorious).
Index:
Hitchcock, Alfred
Trouble with Harry, The (1955)
Vertigo (1958)
Psycho (1960)
Frenzy (1971)
Strangers on a Train (1951)
Wrong Man, The (1957)
Suspicion (1941)
To Catch a Thief (1955)
Lifeboat (1943)
Notorious (1946)

#782
Fass, Paula S.: Making and remaking an event: The Leopold and Loeb case in American culture. In: The Journal of American History 80. 1993. No. 3. [December] pp. 919-951.
Description:
Discusses, among others, Alfred Hitchcock’s Rope.
Index:
Hitchcock, Alfred
Rope, The (1948)
USA (United States of America) ~ USA (United States of America)

#783
Faubert, Patrick: The role and presence of authorship in Suspicion. In: Hitchcock and adaptation: On the page and screen. Edited by Mark Osteen. - Lanham, Maryland: Rowman & Littlefield 2014. p. ?P.
Index:
Hitchcock, Alfred
Suspicion (1941)

#784
Fawell, John: A loneliness amidst a populace: Hitchcock’s Rear Window. In: North Dakota Quarterly 68. 2001. No. 1. [Winter] pp. 107-120.
Index:
Hitchcock, Alfred
Rear Window (1954)

#785
Fawell, John: Fashion dreams: Hitchcock, women and Lisa Fremont. In: Literature/Film Quarterly 28. 2000. No. 4. [October] pp. 274-283.
Description:
On the representation of the woman in the films of Alfred Hitchcock, especially on the "Lisa Fremont" character in Rear Window.
Index:
Hitchcock, Alfred
Kleidung ~ Clothes
Traum ~ Dreams
Frauen ~ Women

#786
Fawell, John: Stage Fright: Alfred Hitchcock’s fear of acting. In: Film Criticism 26. 2001. No. 1. [Fall] pp. 25-41.
Description:
On autobiographical elements in the film.
Index:
Hitchcock, Alfred
Stage Fright (1950)
Angst ~ Fear

#787
Fawell, John: The musicality of the filmscript. In: Literature/Film Quarterly 17. 1989. No. 1. [?D] pp. 44-49.
Index:
Hitchcock, Alfred
Rear Window (1954)
Musik ~ Music

#788
Fawell, John: The sound of loneliness: Rear Window’s soundtrack. In: Studies in the Humanities 27. 2000. No. 1. [?D] pp. 62-74.
Index:
Hitchcock, Alfred
Rear Window (1954)
Musik ~ Music

#789
Fawell, John: Torturing women and mocking men: Hitchcock’s Rear Window. In: The Midwest Quarterly 44. 2002. No. 1. [Autumn] pp. 88-104.
Index:
Hitchcock, Alfred
Rear Window (1954)
Gewalt ~ Violence
Frauen ~ Women

#790
Fawell, John Wesley: Hitchcock’s Rear Window: The well-made film. - Carbondale, Illinois: Southern Illinois University Press 2001.
Index:
Hitchcock, Alfred
Rear Window (1954)

#791
fd: Alfred Hitchcock: The Early Years. In: Film-Dienst 57. 2004. No. 3. [February 5] p. 52.
Description:
On a DVD edition.
Index:
Hitchcock, Alfred
DVD ~ DVD

#792
Feldmann, Andre: Wie in Alfred Hitchcocks Psycho durch filmische Mittel Angst, Schrecken und Schockerlebnisse beim Zuschauer erzeugt werden. - München: GRIN Verlag 2013.
Index:
Hitchcock, Alfred
Psycho (1960)
Angst ~ Fear

#793
Feldvoß, Marli: Hitchcock und die Frauen. In: Alfred Hitchcock. Vorträge vom 2. Mannheimer Filmseminar im März 2003. Mit Beiträgen von Peter Bär [et al.]. - Mannheim: Cinema Quadrat 2003. (= Im Dialog: Psychoanalyse und Filmtheorie Band 1.) pp. 18 ff.
Index:
Hitchcock, Alfred
Frauen ~ Women
Psychologie ~ Psychology

#794
Felperin, Leslie: Beauty and the beasts. In: Sight and Sound NS 8. 1998. No. 10. [October] p. 65.
Description:
Interview with Camille Paglia on Alfred Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Paglia, Camille
Birds, The (1962)

#795
Fenimore, Ross J.: Voices that lie within: The heard and unheard in Psycho. In: Music in the horror film: Listening to fear. Edited by Neil Lerner. - New York: Routledge 2010. (= Routledge music and screen media.) p. ?P.
Index:
Hitchcock, Alfred
Psycho (1960)
Angst ~ Fear
Horror ~ Horror
Musik ~ Music

#796
Ferguson, Laura Eileen: American subdominant: The collapse of identity into image in the post-war American novels and films of European émigré writers and directors. - Los Angeles, California: University of California at Los Angeles, Ph.D. 1992. [Abstract in: Dissertation Abstracts International A 53. 1993. No. 9. (March) p. 3212A.]
Description:
Discusses, among others, Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Krieg ~ War
USA (United States of America) ~ USA (United States of America)
Europa ~ Europe

#797
Fernández Cuenca, Carlos: El cine británico de Alfred Hitchcock. - Madrid: Editora Nacional 1974. (= Libros de bolsillo.)
Index:
Hitchcock, Alfred

#798
Fernández Valentí, Tomás: Family Plot (La Trama): El guiño a la cámara. In: Dirigido 2004. No. 338. [October] p. 79.
Index:
Hitchcock, Alfred
Family Plot (1975)

#799
Ferrara, Patricia: The discontented Bourgeois: Bourgeois morality and the interplay of light and dark strains in Hitchcock’s films. In: New Orleans Review 14. 1987. No. 4. [Winter] pp. 79-87.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1934)

#800
Ferrara, Patricia: Through Hitchcock’s Rear Window again. In: New Orleans Review 12. 1985. No. 3. [Fall] pp. 21-30.
Index:
Hitchcock, Alfred
Rear Window (1954)

#801
Ferry, O. / Hitchcock, Alfred / Marías, M.: Alfred Hitchcock. In: Casablanca ?G. 1981. No. 9. [September] pp. 39-49.
Description:
Special section on the director, including his speach on occasion of the bestowal of the A.F.I.-Awards.
Index:
Hitchcock, Alfred

#802
Ferzetti, F.: The Lady Vanishes. In: Filmcritica 32. 1981. No. 311. [January] p. 35.
Index:
Hitchcock, Alfred
Lady Vanishes, The (1938)

#803
Fieschi, Jacques: Hitchcock le joueur. In: Cinématographe 1984. No. 98. [March] pp. 2-7.
Index:
Hitchcock, Alfred
Rear Window (1954)
Vertigo (1958)

#804
Figlerowicz, Marta: Timing and vulnerability in three Hitchcock films. In: Film Quarterly 65. 2012. No. 3. [Spring] pp. 49-58.
Description:
Discusses The Man Who Knew Too Much, Marnie and Frenzy.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
Marnie (1963/1964)
Frenzy (1971)

#805
I film di Alfred Hitchcock. Di Natalie Bruzzone [et al.]. - Roma: Gremese 1982. (= Effetto cinema 3/4.)
Index:
Hitchcock, Alfred

#806
Finler, Joel Waldo: Alfred Hitchcock: The Hollywood years. - New York: Continuum Publishing 1992.
Description:
Biography on the director, discusses especially his American films.
Index:
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)
Hollywood ~ Hollywood

#807
Finler, Joel Waldo: Alfred Hitchcock: The Hollywood years. - London: Batsford 1992.
Reviews:
Tobin, Yann: [untitled] In: Positif 1993. No. 384. [?D] pp. 75-76.
Description:
Biography on the director, discusses especially his American films.
Index:
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)
Hollywood ~ Hollywood

#808
Fischer, D.: Bernard Herrmann. In: Soundtrack: The Collector’s Quarterly 11. 1992. No. 43. [September] pp. 44-47.
Description:
Interview with Larry Cohen on composer Bernard Herrmann and his work for the films of Alfred Hitchcock.
Index:
Herrmann, Bernard
Cohen, Larry
Hitchcock, Alfred
Musik ~ Music

#809
Fischer, Dennis: "Not just a screamer!": A conversation with Janet Leigh. In: Filmfax 1996. No. 58. [October] pp. 53-57.
Index:
Leigh, Janet
Hitchcock, Alfred
Psycho (1960)

#810
Fischer, Dennis K.: Psycho with limits. In: Outré 1. 1995. No. 2. [Spring] pp. 28-32.
Description:
Interview with screenwriter Joseph Stefano, especially on his work for Hitchcock’s Psycho and for the TV series Outer Limits.
Index:
Stefano, Joseph
Hitchcock, Alfred
Psycho (1960)
Outer Limits (TV)
Fernsehen ~ Television

#811
Fischer, Herwig: Der Duschmord in Alfred Hitchcock’s Psycho: Eine Mikroanalyse. - Moosinning: Kirschner 1990. (= Erlanger Beiträge zur Medientheorie und -praxis 9.)
Index:
Hitchcock, Alfred
Psycho (1960)
Mord ~ Murder

#812
Fischer, Jens Malte: Filmwissenschaft - Filmgeschichte: Studien zu Welles, Hitchcock, Polanski, Pasolini und Max Steiner. - Tübingen: Gunter Narr 1983. (= Medienbibliothek Serie B 2.)
Reviews:
Paech, Joachim: [untitled] In: Medienwissenschaft 1984. No. 2. pp. 180-182.
Index:
Welles, Orson
Hitchcock, Alfred
Polanski, Roman
Pasolini, Pier Paolo
Steiner, Max

#813
Fischer, R.:Alfred Hitchcock zum 80. Geburtstag - "Suspense - eine subversive
Kraft". In: Filmfaust ?G. 1979. No. 15. [October] pp. 56-61.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#814
Fischer, Robert: Neu auf DVD: Hitchcocks Vertigo. In: EPD Film 17. 2000. No. 9. [September] p. 55.
Index:
Hitchcock, Alfred
Vertigo (1958)
DVD ~ DVD

#815
Fisher, Jean: Chasing dreams: Victor Hitchcock and Alfred Burgin. In: Artforum 22. 1984. No. ?N. [May] pp. 39-43.
Index:
Hitchcock, Alfred
Burgin, Alfred
Rear Window (1954)
Vertigo (1958)
Traum ~ Dreams

#816
Fisher, W.: Re-writing film history: From Hitchcock to De Palma. In: Persistence of Vision 1984. No. 1. [Summer] pp. 13-22.
Index:
Hitchcock, Alfred
De Palma, Brian

#817
Fleer, Cornelia: Alles über Alfred: Filmmuseen zeigen Hitchcocks Obsessionen. In: Film-Dienst 53. 2000. No. 1. [January 4] pp. 12-13.
Description:
On a travelling exhibition on Alfred Hitchcock.
Index:
Hitchcock, Alfred

#818
Fleishman, Avrom: The Secret Agent sabotaged? In: Conrad on film. Edited by Gene M. Moore. - Cambridge; New York: Cambridge University Press 1997. pp. 48-60.
Description:
On Conrads inderlying novel and Hitchcock’s filming Sabotage.
Index:
Conrad, Joseph
Hitchcock, Alfred
Sabotage (1936)
Secret Agent, The (Literatur ~ Literature)

#819
Fletcher, John: Primal scenes and the female gothic: Rebecca and Gaslight. In: Screen 36. 1995. No. 4. [Winter] pp. 341-370.
Description:
Psychoanalytic analysis of the Oedipus motif in both films.
Index:
Hitchcock, Alfred
Cukor, George
Rebecca (1940)
Gaslight (1944)
Psychologie ~ Psychology
Ödipus ~ Oedipus
Horror ~ Horror
Frauen ~ Women

#820
Fletcher, John: Versions of masquerade. In: Screen 29. 1988. No. 3. [?D] pp. 43-70.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#821
Flitterman, Sandy: Woman, desire and the look: Feminism and the enunciative apparatus in cinema. In: Ciné-Tracts 2. 1978. No. 1. [?D] pp. 63-68.
Description:
Discusses, among others, Alfred Hitchcock’s Marnie.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Frauen ~ Women

#822
Flitterman-Lewis, Sandy: To see and not to be: Female subjectivity and the law in Hitchcock’s Notorious. In: Literature and Psychology 33. 1987. No. 3/4. [?D] pp. 1-15.
Index:
Hitchcock, Alfred
Notorious (1946)
Justiz ~ Justice
Frauen ~ Women

#823
Flory, Dan: Hitchcock and deductive reasoning: Moving step by step in Vertigo. In: Film and Philosophy 1996. No. 3. [?D] pp. 38-52.
Index:
Hitchcock, Alfred
Vertigo (1958)

#824
Flory, Dan: Vertigo: Scientific method, obsession, and human minds. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 115-127.
Index:
Hitchcock, Alfred
Vertigo (1958)
Philosophie ~ Philosophy

#825
Flower, Dean: Some refrigerator talk about Alfred Hitchcock. In: The Hudson Review 58. 2006. No. 4. [?D] pp. 681-688.
Index:
Hitchcock, Alfred

#826
Focus on Hitchcock. Edited by Albert J. LaValley. - Englewood Cliffs, New Jersey: Prentice-Hall 1972. (= Film focus / A Spectrum Book.)
Index:
Hitchcock, Alfred

#827
Foery, Raymond: Alfred Hitchcock’s Frenzy: The last masterpiece. - Lanham, Maryland: Scarecrow Press 2012.
Reviews:
Brooke, Michael: Anatomy of a movie. In: Sight and Sound NS 22. 2012. No. 7. [July] p. 92.
Index:
Hitchcock, Alfred
Frenzy (1971)

#828
Fogli, Sandro: Hitchcock e la vertigine interpretativa. - Firenze: Romano 2010. (= Storie 4.)
Index:
Hitchcock, Alfred

#829
Foley, J.: The Lady Vanishes: Notes on memory in Hitchcock. In: Bright Lights 1993. No. 10. [July] pp. 10-15.
Index:
Hitchcock, Alfred
Lady Vanishes, The (1938)

#830
Forrest, Sean Kenneth: The Catholic Hitchcock. - Boulder, Colorado: University of Colorado at Boulder, M.A. 2010. [Abstract in: Masters Abstracts International 49. 2011. No. 1. (February).]
Index:
Hitchcock, Alfred
Religion ~ Religion

#831
Forster, Margaret: Daphne du Maurier. - London: Chatto & Windus 1993.
Description:
Discusses also the filmings of Du Maurier novels, among them Hitchcock’s Rebecca.
Index:
Du Maurier, Daphne
Hitchcock, Alfred
Rebecca (1940)

#832
Forster, Margaret: Daphne du Maurier. - Zürich, Hamburg: Arche 1994.
Description:
Discusses also the filmings of Du Maurier novels, among them Hitchcock’s Rebecca.
Index:
Du Maurier, Daphne
Hitchcock, Alfred
Rebecca (1940)

#833
Forum / Against ’em: Psycho ... Most influential modern horror movie? Edited by Anthony Ambrogio. In: Midnight Marquee 2008. No. 76. [September] pp. 4-17.
Index:
Hitchcock, Alfred
Psycho (1960)
Horror ~ Horror

#834
Fra suspense e psicoanalisi: Il cinema di Alfred Hitchcock. A cura di Paolo Pillitteri e Roberto Provenzano. - Milano: Arcipelago 1991. (= Linee 10.)
Index:
Hitchcock, Alfred
Psychologie ~ Psychology
Thriller ~ Thriller

#835
Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.)
Index:
Hitchcock, Alfred
Karneval ~ Carnival
Horror ~ Horror

#836
Francis, James: Recycled fear: The contemporary horror remake as American cinema industry standard. - Murfreesboro, Tennessee: Middle Tennessee State University, Ph.D. 2010. [Abstract in: Dissertation Abstracts International A 71. 2011. No. 11. (May)]
Description:
Discusses, among others, Gus Van Sant’s remake of Alfred Hitchcock’s Psycho as well as several follow-ups and remakes of Sean S. Cunningham’s Friday the 13th and Wes Craven’s A Nightmare on Elm Street.
Index:
Hitchcock, Alfred
Van Sant, Gus
Cunningham, Sean S.
Craven, Wes
Psycho (1960)
Psycho (1998)
Friday the 13th (1979)
Nightmare on Elm Street, A (1984)
Psycho (Filmreihe)
Friday the 13th (Filmreihe)
Nightmare on Elm Street, A (Filmreihe)
USA (United States of America) ~ USA (United States of America)
Horror ~ Horror
Angst ~ Fear

#837
Frank, David A. / Picart, Caroline J. S.: Horror and the Holocaust: Genre elements in Schindler’s List and Psycho. In: The horror film. Edited and with an introduction by Stephen Prince. - New Brunswick, New Jersey: Rutgers University Press 2004. (= Rutgers depth of field.) pp. 206-223.
Index:
Spielberg, Steven
Hitchcock, Alfred
Schindler’s List (1993)
Psycho (1960)
Holocaust ~ Holocaust
Horror ~ Horror

#838
Franklin, Richard: Psycho. In: Cinema Papers 1999. No. 130. [June] pp. 20-21, 57.
Description:
Compares the two Psycho films by Alfred Hitchcock and Gus Van Sant.
Index:
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)
Psycho (1998)

#839
Franz, Anne-Mareike: Alfred Hitchcock: Notorious: The love between Devlin and Alicia. - München: GRIN Verlag 2009.
Index:
Hitchcock, Alfred
Notorious (1946)

#840
Fredericksen, Donald: Remarks on the functions of the psychiatrist in Hitchcock’s Psycho and Bergman’s Persona. In: Eavesdropping: The psychotherapist in film and television. Edited by Lucy Huskinson. - Hove; New York: Routledge 2015. pp. 155-167.
Index:
Hitchcock, Alfred
Bergman, Ingmar
Psycho (1960)
Persona (1966)
Fernsehen ~ Television
Psychologie ~ Psychology

#841
Freedman, Carl: American civilization and its discontents: The persistence of evil in Hitchcock’s Shadow of a Doubt. In: The Cambridge companion to Alfred Hitchcock. Edited by Jonathan Freedman. - Cambridge; New York: Cambridge University Press 2015. pp. 92-105.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)
USA (United States of America) ~ USA (United States of America)
Böse, Das ~ Evil, The

#842
Freedman, Jonathan: From Spellbound to Vertigo: Alfred Hitchcock and therapeutic culture in America. In: Hitchcock’s America. Edited by Jonathan Freedman and Richard Millington. - New York; Oxford: Oxford University Press 1999. pp. 77-98.
Index:
Hitchcock, Alfred
Spellbound (1945)
Vertigo (1958)
USA (United States of America) ~ USA (United States of America)

#843
Freedman, Jonathan: Hands, objects and love in James and Hitchcock: Reading the touch in The Golden Bowl and Notorious. In: The men who knew too much: Henry James and Alfred Hitchcock. Edited by Susan Griffin and Alan Nadel. - Oxford; New York: Oxford University Press 2011. p. ?P.
Index:
James, Henry
Hitchcock, Alfred
Notorious (1946)
Golden Bowl, The (Literatur ~ Literature)

#844
Freedman, Jonathan: The school of Hitchcock: Swimming in the wake of the master. In: The Cambridge companion to Alfred Hitchcock. Edited by Jonathan Freedman. - Cambridge; New York: Cambridge University Press 2015. pp. 231-249.
Index:
Hitchcock, Alfred
Pädagogik ~ Paedagogy

#845
Freeland, Cynthia A.: The naked and the undead: Evil and the appeal of horror. - Boulder, Colorado: Westview Press 2000. (= Thinking through Cinema.)
Reviews:
Friday Jonathan: [untitled] In: The British Journal of Aesthetics 41. 2001. No. 4. [?D] pp. 458-460.
Jarvie, Ian: [untitled] In: Journal of Aesthetics and Art Criticism 59. 2001. No. 4. [?D] pp. 433-434.
Radner, Hilary: [untitled] In: Hypatia [Bloomington] 18. 2003. No. 2. [?D] pp. 215-222.
Description:
Includes chapters on mad scientists and monstrous mothers as well as chapters on the vampire and the disaster film. Discusses especially Tobe Hooper’s The Texas Chainsaw Massacre, Jonathan Demme’s The Silence of the Lambs, Roman Polanski’s Repulsion, David Cronenberg’s Dead Ringers, Francis Ford Coppola’s Bram Stoker’s Dracula, Neil Jordan’s Interview with the Vampire, Alfred Hitchcock’s Frenzy, Stanley Kubrick’s The Shining, David Lynch’s Eraserhead, Clive Barker’s Hellraiser, the Fly films and the Frankenstein and the Alien series.
Index:
Hooper, Tobe
Demme, Jonathan
Polanski, Roman
Cronenberg, David
Coppola, Francis Ford
Jordan, Neil
Hitchcock, Alfred
Kubrick, Stanley
Lynch, David
Barker, Clive
Texas Chainsaw Massacre, The (1974)
Silence of the Lambs, The (1990)
Repulsion (1965)
Dead Ringers (1988)
Bram Stoker’s Dracula (1992)
Interview with the Vampire (1994)
Frenzy (1971)
Shining, The (1980)
Eraserhead (1977)
Hellraiser (1987)
Frankenstein (Filmreihe)
Alien (Filmreihe)
Fly, The (Filmreihe)
Katastrophen ~ Disasters
Vampire ~ Vampires
Mutter ~ Mothers
Wissenschaft ~ Science
Wahnsinn ~ Madness
Horror ~ Horror
Böse, Das ~ Evil, The

#846
Freeman, David E.: De laatste weken van Alfred Hitchcock, deel 2. In: Skoop 18. 1982. No. 8. [November] pp. 25-32.
Description:
The scriptwriter on Hitchcock’s last and not finished film project The Short Night.
Index:
Hitchcock, Alfred

#847
Freeman, David E.: De laatste weken van Alfred Hitchcock. In: Skoop ?G. 1982. No. 6/7. [September/October] pp. 25-32.
Description:
The scriptwriter on Hitchcock’s last and not realized film project The Short Night.
Index:
Hitchcock, Alfred

#848
Freeman, David E.: The last days of Alfred Hitchcock: A memoir featuring the screenplay of Alfred Hitchcock’s The Short Night. - Woodstock, New York: Overlook Press 1984.
Reviews:
Der Drehbuchautor über Hitchcocks letztes, unrealisiertes Filmprojekt The Short Night.
Index:
Hitchcock, Alfred

#849
Freeman, David E.: The last days of Alfred Hitchcock: A memoir featuring the screenplay of Alfred Hitchcock’s The Short Night. - Woodstock, New York: Overlook Press 1999.
Reviews:
Der Drehbuchautor über Hitchcocks letztes, unrealisiertes Filmprojekt The Short Night.
Index:
Hitchcock, Alfred

#850
Freeman, David E.: The last days of Alfred Hitchcock: A memoir featuring the screenplay of Alfred Hitchcock’s The Short Night. - London: Pavilion 1985.
First edition:
[Woodstock: Overlook Press 1984]
Description:
The scriptwriter on Hitchcock’s last and not realized film project The Short Night.
Index:
Hitchcock, Alfred

#851
Freeman, David E.: The last days of Alfred Hitchcock. In: Esquire 97. 1982. No. 4. [?D] pp. 81-105.
Description:
The scriptwriter on Hitchcock’s last and not realized film project The Short Night.
Index:
Hitchcock, Alfred

#852
Freeman, David: The last days of Alfred Hitchcock: A memoir of his last
collaborator. With a new introduction. - Woodstock: Overlook Press 1999.
First edition:
[1984]
Index:
Hitchcock, Alfred

#853
Freihold, Konstanze: Rebecca: Hitchcocks Frauenfiguren aus der Sicht der feministischen Filmtheorie. - Berlin: Technische Universität Berlin, Institut für Medienpädagogik ?J (1995/1996).
Index:
Hitchcock, Alfred
Rebecca (1940)
Frauen ~ Women

#854
French, Philip: Alfred Hitchcock: The film-maker as Englishman and exile. In: Sight and Sound 54. 1985. No. 2. [Spring] pp. 116-122.
Description:
On Hitchcock’s relation to America.
Index:
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)
Großbritannien ~ Great Britain

#855
French, Todd: Out of the Dark: Paul Bartel sends up Brian DePalma imitating Alfred Hitchcock. In: Cinefantastique 18. 1988. No. 5. [July] p. 14.
Index:
Schroeder, Michael
Bartel, Paul
De Palma, Brian
Hitchcock, Alfred
Out of the Dark (1988)

#856
French, Tony: Your father’s method of relaxation: Hitchcock’s Shadow of a Doubt. In: Cineaction 1999. No. 50. [?D] pp. 43-45.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)
Familie ~ Family
Mord ~ Murder
Vater ~ Fathers

#857
Frenzy. - Nürnberg: Filmverlag Peter Schmidl 1993. (= Phantopia-Filmprogramm 236.)
Index:
Hitchcock, Alfred
Frenzy (1971)

#858
Freud - releituras brasileiras. Organizadores: Mauro Gus, Jussara Schestatsky Dal Zot, Ida Ioschpe Gus. - SÆo Paulo: Casa do Psicológo: AssociacÆo Brasileira de Psicanálise 2003.
Description:
Psychoanalytical examinations. Discusses especially the films of Alfred Hitchcock.
Index:
Freud, Sigmund
Hitchcock, Alfred
Psychologie ~ Psychology
Brasilien ~ Brazil

#859
Frey, Agnes: Triebfedern eines Nesthockers - Psycho. In:Alfred Hitchcock - der Filmverführer: Un-Schuld im Spannungsfeld von Ethik und Ästhetik. Hrsg. von Nikolai Wojtko. - Hamburg: Kovac 2005. (= Schriften zur Medienwissenschaft 11.) pp. 99 ff.
Index:
Hitchcock, Alfred
Psycho (1960)
Verführung ~ Seduction

#860
Friedman, S. P.: The Wrong Man. In: Film Comment 31. 1995. No. 6. [?D] pp. 86 ff.
Description:
Compares Hitchcock’s film with Robert Benton’s Still Of The Night.
Index:
Hitchcock, Alfred
Benton, Robert
Wrong Man, The (1957)
Still of the Night (1982)

#861
Frohne, Ursula: Anamorphosen des Kinos: Hitchcocks Filme im Spiegel zeitgenössischer Videoinstallationen. In: Hitchcock und die Künste. Hrsg. von Henry Keazor. - Marburg: Schüren 2013. pp. 152 ff.
Index:
Hitchcock, Alfred
Video ~ Video
Kunst ~ Arts, The

#862
Fründt, Bodo: Alfred Hitchcock und seine Filme. - München: Heyne 1986. (= Heyne Filmbibliothek 32/91.)
Reviews:
Kaufmann, Anette: [untitled] In: Medienwissenschaft 1986. No. 4. pp. 459-460.
Index:
Hitchcock, Alfred

#863
Fründt, Bodo: Alfred Hitchcock und seine Filme. 3. Auflage. - München: Heyne 1990. (= Heyne Filmbibliothek 32/91.)
First edition:
[1986]
Index:
Hitchcock, Alfred

#864
Fründt, Bodo: Alfred Hitchcock und seine Filme. 4. Auflage. - München: Heyne 1992. (= Heyne Filmbibliothek 32/91.)
First edition:
[1986]
Index:
Hitchcock, Alfred

#865
Fründt, Bodo / Jansen, Volker: The Birds. In: Enzyklopädie des phantastischen Films. 4. Ergänzungslieferung. - Meitingen: Corian-Verlag, März 1987.
Index:
Hitchcock, Alfred
Birds, The (1962)

#866
Fuller, Graham: Mystery trains. In: Sight and Sound NS 18. 2008. No. 1. [January] pp. 36-40.
Description:
On trains as claustrophibic film locations. Discusses, among others, Alfred Hitchcock’s The Lady Vanishes.
Index:
Hitchcock, Alfred
Lady Vanishes, The (1938)
Eisenbahn ~ Railroad

#867
Funck, J.: Fonctions et significations de l’escalier dans le cinéma d’Alfred Hitchcock.. In: Positif 1984. No. 286. [December] pp. 30-35.
Index:
Hitchcock, Alfred

#868
Furlan, S.: Dvoriscno okno. In: Ekran 9. 1984. No. 7/8. [?D] pp. 17-18.
Index:
Hitchcock, Alfred
Rear Window (1954)

#869
Gabbard, Glen O.: Vertigo: Female objectification, male desire, and object loss. In: Psychoanalytic Inquiry 18. 1998. No. 2. [?D] pp. 161-167.
Description:
Psychoanalytic analysis.
Index:
Hitchcock, Alfred
Vertigo (1958)
Psychologie ~ Psychology
Männer ~ Men
Frauen ~ Women

#870
Gabriel, Gilbert: Altered states, altered sounds: An investigation of how "subjective states" are signifed by the soundtrack in narrative fiction cinema. - Cardiff: University of Cardiff, Ph.D. 2011. [Abstract in: Index to Theses with Abstracts 61-13248.]
Description:
Discusses, among others, the music for Alfred Hitchcock’s films.
Index:
Hitchcock, Alfred
Musik ~ Music

#871
Galasso, Eugenio: Hitchcock e il suo rapporto con le fonti letterarie dei suoi film. In: Cristallo 24. 1982. No. 1. [?D] pp. 101-110.
Index:
Hitchcock, Alfred

#872
Gallafent, Ed: Black satin: Fantasy, murder and the couple in Gaslight and Rebecca. In: Screen 29. 1988. No. 3. [Summer] pp. 84-103.
Index:
Cukor, George
Hitchcock, Alfred
Gaslight (1944)
Rebecca (1940)
Mord ~ Murder
Fantasy ~ Fantasy

#873
Gallagher, Tag: Hitchcock, machines, and us. In: Senses of Cinema 2003. No. 24. [January/February] p. ?P.
Index:
Hitchcock, Alfred
Technik ~ Technology

#874
Gansera, Rainer: Ding-Poesie des Kinos: Hitchcocks Vertigo. In: Film-Dienst 69. 2016. No. 1. [January 7] p. 8.
Index:
Hitchcock, Alfred
Vertigo (1958)

#875
Gansera, Rainer: Magische Momente 4: Das Fenster zum Hof. In: Film-Dienst 66. 2013. No. 7. [March 28] p. 31.
Index:
Hitchcock, Alfred
Rear Window (1954)
Magie ~ Magic

#876
Gansky, Paul: Severed objects: Spellbound, archives, exhibitions, and film’s material history. In: Film History 25. 2013. No. 3. pp. 126-148.
Index:
Hitchcock, Alfred
Spellbound (1945)

#877
Garat, Anne-Marie: L’obscurite du sujet. In: Trafic 2000. No. 36. [Winter] pp. 49-62.
Index:
Hitchcock, Alfred
Psycho (1960)

#878
Garcia Brusco, Carlos: Encuentros y desencuentros entre Daphne y Alfred. In: Dirigido 1999. No. 281. [July/August] pp. 40-43.
Index:
Hitchcock, Alfred
Du Maurier, Daphne
Birds, The (1962)

#879
Garcia, Frank: All psyched up! In: Filmfax 2002/2003. No. 87/88. [October-January] pp. 54-56.
Index:
Hitchcock, Alfred
Psycho (1960)
Psychologie ~ Psychology

#880
Garcia, Frank: Psycho: Screenwriter Joseph Stefano on the controversial remake. In: Cinefantastique 30. 1999. No. 12. [January] pp. 40-41.
Index:
Stefano, Joseph
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)
Psycho (1998)

#881
Garmon, Ronald Dale: Stalking the blue-chip nightmare: The two legacies of Cornell Woolrich. In: Scarlet Street 1996. No. 21. [Winter] pp. 53-54, 57, 104.
Description:
On the copyright dispute over Hitchcock’s Woolrich filming Rear Window.
Index:
Hitchcock, Alfred
Woolrich, Cornell George
Rear Window (1954)
Traum ~ Dreams
It Had to be Murder (Literatur ~ Literature)

#882
Garmon, Ronald Dale: The Man Who Knew Too Much: Hitchcock’s politics of terror. In: Scarlet Street 1996. No. 22. [?D] pp. 89-91, 97.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1934)
Man Who Knew Too Much, The (1956)

#883
Garncarz, Joseph: German Hitchcock. In: Hitchcock Annual 2000/2001. pp. 73-99.
Index:
Hitchcock, Alfred
Deutschland ~ Germany

#884
Garncarz, Joseph: German Hitchcock. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred
Deutschland ~ Germany

#885
Garrett, Greg: Alfred Hitchcock and the deviant audience. In: New Orleans Review 18. 1991. No. 4. [Winter] pp. 29-32.
Index:
Hitchcock, Alfred

#886
Garrett, Greg: Hitchcock’s women on Hitchcock: Janet Leigh, Tippi Hedren, Karen Black, Suzanne Pleshette, and Eva Marie Saint. In: Literature/Film Quarterly 27. 1999. No. 2. [April] pp. 78-79.
Index:
Hitchcock, Alfred
Leigh, Janet
Hedren, Tippi
Black, Karen
Pleshette, Suzanne
Saint, Eva Maria
Frauen ~ Women

#887
Garrett, Greg: The men who knew too much: The unmade films of Hitchcock and Lehman. In: North Dakota Quarterly 61. 1993. No. 2. [Spring] pp. 47-57.
Description:
On The Wreck of the Mary Deare, Blind Man and The Short Night, not realized film projects planed by Alfred Hitchcock and scriptwriter Ernest Lehman.
Index:
Hitchcock, Alfred
Lehman, Ernest
Wreck of the Mary Deare, The (o.J.)
Blind Man (o.J.)
Short Night, The (o.J.)

#888
Geheimagent. - Stuttgart: Verlag Uwe Wiedleroither ?J. (= Filmprogram 292.)
Description:
On Alfred Hitchcock’s Secret Agent.
Index:
Hitchcock, Alfred
Secret Agent (1936)

#889
Gehler, F.: Der unsichtbare Dritte. In: Film und Fernsehen 13. 1985. No. 11. [?D] pp. 26-27.
Description:
On Alfred Hitchcock’s North by Northwest.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#890
Gelsi, Salvatore: A tavola con Hitchcock: Film e ricette di un grande gourmet. Con un saggio di Claude Beylie e un ricordo di Alida Valli. - Mantova: Tre lune 2004. (= Lune 11.)
Index:
Hitchcock, Alfred
Nahrung ~ Food

#891
The genius of Hitchcock. In: Sight and Sound NS 22. 2012. No. 8. [August] pp. 38 ff.
Description:
Special section.
Index:
Hitchcock, Alfred

#892
Genter, Robert: "We all go a little mad sometimes": Alfred Hitchcock, American psychoanalysis, and the construction of the cold war psychopath. In: Canadian Review of American Studies 40. 2010. No. 2. [?D] pp. 133-162.
Index:
Hitchcock, Alfred
Psycho (1960)
Wahnsinn ~ Madness
USA (United States of America) ~ USA (United States of America)
Psychologie ~ Psychology
Krieg ~ War

#893
Gerlach, Alf: Angstlust: Psychoanalytische Anmerkungen zur Wirkung von Hitchcocks Filmkunst auf den Betrachter. In: Hitchcock und die Künste. Hrsg. von Henry Keazor. - Marburg: Schüren 2013. pp. 203 ff.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology
Angst ~ Fear
Kunst ~ Arts, The

#894
Gerlach, Alf: Spellbound: Angstlust - Psychoanalytische Überlegungen zur Wirkung von Hitchcocks Spellbound auf den Betrachter. In: Filmräume - Leinwandträume: Psychoanalytische Filminterpretationen. Hrsg. von Christine Popund AlfGerlach. - Gießen: Psychosozial-Verlag 2012. (= Imago.) pp. 137 ff.
Index:
Hitchcock, Alfred
Spellbound (1945)
Traum ~ Dreams
Angst ~ Fear
Psychologie ~ Psychology

#895
Gerle, Jörg: Besinnungslos: Hitchcock, Herrmann und die Zeit danach. In: Film-Dienst 52. 1999. No. 16. [August 3] p. 43.
Description:
On the collaboration between the director and the composer.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Musik ~ Music

#896
Gerle, Jörg: Hitchcocks Erben kommen aus Südkorea. In: Film-Dienst 66. 2013. No. 10. [May 9] pp. 22-23.
Description:
On Park Chan-Wook and the Korean thriller genre.
Index:
Park Chan-wook
Hitchcock, Alfred
Thriller ~ Thriller
Korea ~ Korea

#897
Gerle, Jörg: Hörbarer Suspense: Drei Einspielungen von Bernard Herrmanns Musik zu Hitchcocks Vertigo. In: Film-Dienst 50. 1997. No. 4. [February 18] pp. 8-9.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Vertigo (1958)
Thriller ~ Thriller
Musik ~ Music

#898
Gerle, Jörg: Musik als Hauptdarsteller: Hitchcock, Herrmann und die Zeit danach. In: Lexikon des Internationalen Films: Kino, Fernsehen, Video, DVD. Redaktion: Horst Peter Kroll [et al.]. Herausgegeben vom Katholischen Institut für Medieninformation und der Katholischen Filmkommission für Deutschland. Band 2: H-P. - Frankfurt/Main: Zweitausendeins 2002. pp. H9-H10.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Musik ~ Music

#899
Gervasi, Sacha: Dramatizing the master of suspense. In: American Cinematographer 94. 2013. No. 1. [January] p. 82.
Description:
The director on his biopic Hitchcock.
Index:
Gervasi, Sacha
Hitchcock, Alfred
Hitchcock (2012)
Thriller ~ Thriller

#900
Ghezzi, Enrico: Il cinema (che) non si vede (2002/1999). In: Filmcritica 50. 2000. No. 501/502. [January/February] pp. 3-6.
Description:
The death of Stanley Kubrick seen as the symbolic end of a film era which was formed by directors as Oson Welles, René Clair and Alfred Hitchcock.
Index:
Kubrick, Stanley
Welles, Orson
Chomette, René [Pseudonym: Clair, René]
Hitchcock, Alfred
Tod ~ Death

#901
Ghezzi, Enrico: North by Northwest (Intrigo internazionale) - 1959. In: Filmcritica 32. 1981. No. 311. [January] pp. 50-51.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#902
Ghezzi, Enrico: The Birds (Gli uccelli) - 1963. In: Filmcritica 32. 1981. No. 311. [January] p. 52.
Index:
Hitchcock, Alfred
Birds, The (1962)

#903
Giacci, V.: Alfred Hitchcock: Allegory of ambiguous sexuality. In: Wide Angle 4. 1980. No. 1. [?D] pp. 4-11.
Description:
On the representation of sexuality in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Sexualität ~ Sexuality

#904
Giacci, Vittorio: Alfred Hitchcock. In: Filmcritica 49. 1999. No. 499. [October] pp. 418-460.
Description:
Introduction to a special section on Alfred Hitchcock.
Index:
Hitchcock, Alfred

#905
Giacci, Vittorio: La geografia dello schermo. In: Filmcritica 49. 1999. No. 499. [October] pp. 421-424.
Description:
On the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred

#906
Giacci, Vittorio: North by Northwest. In: Filmcritica 32. 1981. No. 311. [January] pp. 50-51.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#907
Giacci, Vittorio: Un remake da brivido. In: Rivista del Cinematografo 69. 1999. No. ?N. [June] pp. 75 ff.
Index:
Van Sant, Gus
Hitchcock, Alfred
Psycho (1998)
Psycho (1960)

#908
Giacci, Vittorio: Vertigo. In: Filmcritica 32. 1981. No. 311. [January] p. 50.
Index:
Hitchcock, Alfred
Vertigo (1958)

#909
Giacci, Vittorio: Vertigo: Il sogno, il cinema. In: Filmcritica 30. 1979. No. 300. [November/December] p. 457.
Index:
Hitchcock, Alfred
Vertigo (1958)
Traum ~ Dreams

#910
Giampietro, Manfred: Prelude to Vertigo (e altre note). In: I fantasmi del moderno: Temi e figure del cinema noir. A cura di Mario Pezzella e Antonio Tricomi. - Ancona: Cattedrale 2010. (= Immagini di pensiero 1.) pp. 174 ff.
Index:
Hitchcock, Alfred
Vertigo (1958)
Film Noir ~ Film Noir

#911
Giblin, Gary: Alfred Hitchcock’s London: A reference guide to locations. - Baltimore, Maeyland: Midnight Marquee Press 2006.
Index:
Hitchcock, Alfred
London ~ London

#912
Giesen, Rolf / Hahn, Ronald M.: Alfred Hitchcock: Der Meister der Angst. - München: Droemer Knaur 1999. (= Knaur 77455.)
Index:
Hitchcock, Alfred
Angst ~ Fear

#913
Gilbert, Francis: Vertigo. In: New Statesman 128. 1996. No. 4421. [January 29] pp. 46 ff.
Index:
Hitchcock, Alfred
Vertigo (1958)

#914
Gilbert, Nora: "She makes love for the papers’: Love, sex, and exploitation in Hitchcock’s Mata Hari films. In: Film & History 41.2011. No. 2. [Fall] pp. 6-18.
Index:
Hitchcock, Alfred
Zelle, Margaretha Geertruida "Margreet" [Pseudonym: Mata Hari]
Sexualität ~ Sexuality
Exploitation ~ Exploitation

#915
Giles, Paul: Guilt and salvation: Alfred Hitchcock and Martin Scorsese. In: Giles, Paul: American Catholic arts and fictions: Culture, ideology, aesthetics. - Cambridge; New York: Cambridge University Press 1992. (= Cambridge studies in American literature and culture.) p. ?P.
Index:
Hitchcock, Alfred
Scorsese, Martin
USA (United States of America) ~ USA (United States of America)
Religion ~ Religion

#916
Gilmore, Richard A.: A "the usual suspects" moment in Vertigo: The epistemology of identity. In: Gilmore, Richard A.: Doing philosophy at the movies. - Albany: State University of New York Press 2005.p. 45pp.
Index:
Hitchcock, Alfred
Vertigo (1958)
Philosophie ~ Philosophy

#917
Gilmore, Richard: Hitchcock and philosophy. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred
Philosophie ~ Philosophy

#918
Giori, Mauro / Subini, Tomaso: Nel vortice della passione: Vertigo di Alfred Hitchcock. - Milano: CUEM 2006. (= Arte, comunicazione e spettacolo.)
Index:
Hitchcock, Alfred
Vertigo (1958)

#919
Girard, Martin: The Birds: Un chef-d’oeuvre qui divisa la critique. In: Séquences ?G. 1994. No. 169.. [February] pp. 52-53.
Description:
On the contemporary reviews of the Hitchcock classic when it was first released.
Index:
Hitchcock, Alfred
Birds, The (1962)

#920
Gire, Dann: Director Kenneth Branagh on Dead Again, sending-up Sir Alfred Hitchcock. In: Cinefantastique 22. 1992. No. 4. [February] pp. 58, 61.
Index:
Branagh, Kenneth
Hitchcock, Alfred
Dead Again (1990)

#921
Glancy, H. Mark: The 39 Steps. - London: I. B. Tauris 2003.
Index:
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)

#922
Glancy, Mark: The Man Who Knew Too Much (1934): Alfred Hitchcock, John Buchan, and the thrill of the chase. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Hitchcock, Alfred
Buchan, John
Man Who Knew Too Much, The (1934)
Thriller ~ Thriller

#923
Glenn, Kathleen M.: Alusion al tiempo and Hitchcock’s Rear Window: Voyeurism and self-reflexivity. In: Monographic Review / Revista Monografica 1988. No. 4. [?D] pp. 16-24.
Description:
Compares the short novel by Ignacio Martinez de Pison with Hitchcock’s film.
Index:
Hitchcock, Alfred
Martinez de Pison, Ignacio
Rear Window (1954)

#924
Gobbers, E.: Rear Window. In: Andere Sinema 1984. No. 60. [July/August] p. 24.
Index:
Hitchcock, Alfred
Rear Window (1954)

#925
Goble, Mark: Awkward ages: James and Hitchcock in between. In: The men who knew too much: Henry James and Alfred Hitchcock. Edited by Susan Griffin and Alan Nadel. - Oxford; New York: Oxford University Press 2011. p. ?P.
Index:
James, Henry
Hitchcock, Alfred

#926
Goble, Mark: Live nude Hitchcock: Final frenzies. In: The Cambridge companion to Alfred Hitchcock. Edited by Jonathan Freedman. - Cambridge; New York: Cambridge University Press 2015. pp. 207-228.
Index:
Hitchcock, Alfred

#927
Godfrey, T.: TAD at the movies: The treats of San Francisco. In: Armchair Detective 16. 1983. No. 2. [?D] p. 197.
Description:
On the representation of the city in film. Discusses, among others, Norman Foster’s Charlie Chan at Treasure Island, Rudolph Maté’s D.O.A. - Dead on Arrival, Tod Browning’s Miracles for Sale, Robert Benton’s Still of the Night and Alfred Hitchcock’s Vertigo.
Index:
Foster, Norman
Maté, Rudolph
Browning, Tod
Benton, Robert
Hitchcock, Alfred
Charlie Chan at Treasure Island (1939)
D.O.A. - Dead on Arrival (1949)
Miracles for Sale (1939)
Still of the Night (1982)
Vertigo (1958)
Stadt ~ City
San Francisco ~ San Francisco

#928
Goergen, Jeanpaul: 1944: Hitchcock goes war: Zwei propagandistische Kriegsfilme von Alfred Hitchcock. In: Film-Dienst 48. 1995. No. 17. [August 15] pp. 14-15.
Description:
On the films Bon Voyage and Adventure Malgache starring French actors.
Index:
Hitchcock, Alfred
Bon Voyage (1944)
Adventure Malgache (1944)
Politik ~ Politics
Krieg ~ War
Frankreich ~ France

#929
Gogwilt, Christopher Lloyd: The fiction of geopolitics: Afterimages of culture, from Wilkie Collins to Alfred Hitchcock. - Stanford, California: Stanford University Press 2000.
Reviews:
Israel, Nico: [untitled] In: Modernism/Modernity 8. 2001. No. 4. [?D] pp. 691-692.
Description:
Discusses, among others, Hitchcock’s Sabotage.
Index:
Collins, Wilkie
Hitchcock, Alfred
Sabotage (1936)
Politik ~ Politics

#930
Golden, Cameron: From punishment to possibility: Re-imagining Hitchcockian paradigms in the New York trilogy. In: Mosaic 37. 2004. No. 3. [?D] pp. 93-108.
Description:
On the influence of Hitchcock’s films on the writings of Paul Auster.
Index:
Hitchcock, Alfred
Auster, Paul
New York ~ New York

#931
Goldschmidt, D.: Marnie. In: Cinématographe 1985. No. 107. [February] pp. 60-61.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#932
Gomez Mesa, L.: Alfred Hitchcock, en persona. In: Cinema 2002 1980. No. 63. [May] pp. 7-8.
Description:
On Alfred Hitchcocks visit in Spain.
Index:
Hitchcock, Alfred
Spanien ~ Spain

#933
Gonzalez, Juan Carlos: Para atrapar a un soltero. In: Kinetoscopio 10. 1999. No. 50. [?D] pp. 120-124.
Index:
Hitchcock, Alfred
Rear Window (1954)

#934
González Requena, Jesús: Escenas fantasmáticas: Un diálogo secreto entre Alfred Hitchcock y Luis Buñuel. - Granada: Centro José Guerrero 2011.
Index:
Hitchcock, Alfred
Buñuel, Luis

#935
Goodkin, Richard E.: Film and fiction: Hitchcock’s Vertigo and Proust’s Vertigo. In: Modern Language Notes 102. 1987. No. 5. [December] pp. 1171-1181.
Index:
Hitchcock, Alfred
Proust, Marcel
Vertigo (1958)
A la recherche du temps perdu (Literatur ~ Literature)

#936
Goodson Jr., William Wilson: Birds II: Remembering Hitchcock. In: Cinefantastique 25. 1994. No. 2. [April] p. 51.
Description:
On actress Tippi Hedren who played in the original from 1962 as well as in the remake from 1993.
Index:
Rosenthal, Rick [Pseudonym: Smithee, Alan]
Hitchcock, Alfred
Hedren, Tippi
Birds, The (1962)
Birds II, The: Land’s End (1993)
Frauen ~ Women

#937
Goodson Jr., William Wilson: Roll over Hitchcock: Birds II: Land’s End. In: Cinefantastique 25. 1994. No. 2. [April] pp. 48-49, 50.
Description:
On the remake of the Hitchcock classic.
Index:
Rosenthal, Rick [Pseudonym: Smithee, Alan]
Hitchcock, Alfred
Birds II, The: Land’s End (1993)

#938
Goodwin, James: Conrad and Hitchcock: Secret sharers. In: The English novel and the movies. Edited by Michael Klein and Gillian Parker. - New York: Ungar 1981. (= Ungar Film Library.) pp. 218-227.
Description:
On the influence of Joseph Conrad’s novel The Secret Agent on Hitchcock’s Sabotage.
Index:
Hitchcock, Alfred
Conrad, Joseph
Sabotage (1936)
Großbritannien ~ Great Britain
Secret Agent, The (Literatur ~ Literature)

#939
Gordon, Paul: Dial "M" for mother: A Freudian Hitchcock. - Madison, New Jersey: Fairleigh Dickinson University Press 2008.
Index:
Hitchcock, Alfred
Freud, Sigmund
Mutter ~ Mothers
Psychologie ~ Psychology

#940
Gordon, Paul: Sometimes a cigar is not just a cigar: A Freudian analysis of uncle Charles in Hitchcock’s Shadow of a Doubt. In: Literature/Film Quarterly 19. 1991. No. 4. [October] pp. 267-276.
Index:
Hitchcock, Alfred
Freud, Sigmund
Shadow of a Doubt (1943)
Psychologie ~ Psychology

#941
Gosetti, Giorgio: Alfred Hitchcock. - Milano: Il Castoro 1996. (= Il Castoro Cinema 178.)
Index:
Hitchcock, Alfred

#942
Gottlieb, Sidney: Early Hitchcock: The German influence. In: Hitchcock Annual 1999. pp. 100-130.
Index:
Hitchcock, Alfred
Expressionismus ~ Expressionism
Deutschland ~ Germany

#943
Gottlieb, Sidney: Early Hitchcock: The German influence. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred
Deutschland ~ Germany

#944
Gottlieb, Sidney: Hitchcock and the art of the kiss: A preliminary survey. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred

#945
Gottlieb, Sidney: Hitchcock and the three pleasure gardens. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Hitchcock, Alfred

#946
Gottlieb, Sidney: Hitchcock on Griffith. In: Hitchcock Annual 2005/2006. pp. 32-45.
Index:
Hitchcock, Alfred
Griffith, David Wark

#947
Gottlieb, Sidney: Hitchcock on Truffaut. In: Film Quarterly 66. 2013. No. 4. [Summer] p. ?P.
Index:
Hitchcock, Alfred
Truffaut, François

#948
Gottlieb, Sidney: Hitchcock’s silent cinema. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred
Stummfilm ~ Silent Film

#949
Gottlieb, Sidney: Hitchcock’s wartime work: Bon voyage and aventure malgache. In: Hitchcock Annual 1994. pp. 158-167.
Index:
Hitchcock, Alfred
Abenteuer ~ Adventure
Krieg ~ War

#950
Gottlieb, Sidney: Kissing and telling in Hitchcock’s easy virtue. In: Hitchcock Annual 1992. pp. 3-38.
Index:
Hitchcock, Alfred

#951
Gottlieb, Sidney: The unknown Hitchcock: Watchtower Over Tomorrow. In: Hitchcock Annual 1996/1997. pp. 96-97.
Description:
On Hitchcock’s participation in the propaganda film.
Index:
Hitchcock, Alfred
Politik ~ Politics

#952
Gottlieb, Sydney: Unknown Hitchcock: The unrealized projects. In: Hitchcock: Past and future. Edited by Richard Allen and Sam Ishii-Gonzales. - London; New York: Routledge 2004. p. ?P.
Index:
Hitchcock, Alfred

#953
Goudet, Stéphane: Criss-cross: Une analyse pas à pas de L’inconnu du Nord-Express. In: Positif 2000. No. 470. [April] pp. 84-87.
Description:
On Alfred Hitchcock’s Stangers on a Train.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)

#954
Gough-Yates, Kevin: Private madness and public lunacy. In: Films and Filming 18. 1972. No. 5(?N). [February] pp. 26-30.
Description:
Discusses Michael Powell’s Peeping Tom, Robert Rossen’s Lilith and Alfred Hitchcock’s Psycho.
Index:
Powell, Michael
Rossen, Robert
Hitchcock, Alfred
Peeping Tom (1959)
Lilith (1963)
Psycho (1960)
Wahnsinn ~ Madness

#955
Goulet, Robert G.: Life with(out) father: The ideological masculine in Rope and other Hitchcock films. In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 240-252.
Index:
Hitchcock, Alfred
Rope, The (1948)
Politik ~ Politics
Männer ~ Men
Vater ~ Fathers

#956
Gourdon, Gilles: Des fleurs dans la mer. In: Cinématographe 1984. No. 98. [March] p. 10.
Index:
Hitchcock, Alfred
Vertigo (1958)

#957
Gow, Gordon: Frenzy. In: Films and Filming 18. 1972. No. 10(?N). [July] pp. 58-59.
Index:
Hitchcock, Alfred
Frenzy (1971)

#958
Grant, Barry Keith: Experience and meaning in genre films. In: Persistence of Vision 1986. No. 3/4. [Summer] pp. 5-14.
Index:
Hitchcock, Alfred
Psycho (1960)

#959
Grant, Michael: "Cinema is an abattoir": Horror film and explanation. In: Horror Studies 3. 2012. No. 2. [September] pp. 205-222.
Index:
Hitchcock, Alfred
Psycho (1960)
Horror ~ Horror

#960
Granum, B.:Filmen var hele hans verden. In: Film & Kino 48. 1980. No. 4. [?D] p. 152.
Description:
Obituary for Alfred Hitchcock.
Index:
Hitchcock, Alfred

#961
Graysmith, Robert: The girl in Alfred Hitchcock’s shower: A murder that became a real-life mystery, a mystery that became an obsession. - New York: Berkley Books 2010.
Description:
On former showgirl and model Marli Renfro who was the body double for actress Janet Leigh in the famous shower scene of Alfred Hitchsock’s Psycho.
Index:
Hitchcock, Alfred
Renfro, Marli
Leigh, Janet
Psycho (1960)
Mord ~ Murder
Körper ~ Bodies

#962
Greenberg, Harvey Roy: Psycho: The apes at the windows. In: Greenberg, Harvey Roy: Screen memories: Hollywood cinema on the psychoanalytic couch. - New York: Columbia University Press 1993. pp. 111-143.
Index:
Hitchcock, Alfred
Psycho (1960)
Affen ~ Apes
Psychologie ~ Psychology
Fenster ~ Windows
Hollywood ~ Hollywood

#963
Greenberg, Harvey Roy: Screen memories: Hollywood cinema on the psychoanalytic couch. - New York: Columbia University Press 1993.
Reviews:
D’Andrade, Kendall: [untitled] In: Film Quarterly 47. 1994. No. 4. [Summer] pp. 55-56.
Greenberg, Harvey Roy: BeauKhoo exceptions. In: Film-Philosophy 2. 1998. No. 20. [July] p. ?P. [Reply to Olivia Khoo]
Khoo, Olivia: Lounging with a Big Mac in one hand and Freud by my side. In: Film-Philosophy 2. 1998. No. 18. [July] p. ?P.
Shary, Timothy: [untitled] In: Post Script 14. 1995. No. 3. [Summer] pp. 75-77.
Description:
Collection of essays on various films, among them Hitchcock’s Psycho, Ridley Scott’s Alien and Spielberg’s Always.
Index:
Hitchcock, Alfred
Scott, Ridley
Spielberg, Steven
Psycho (1960)
Alien (1979)
Always (1989)
Psychologie ~ Psychology
Hollywood ~ Hollywood

#964
Greenberg, James: Rear Window source material owner charges c’right violations. In: Variety 314. 1984. No. ?N. [April 25] pp. 2 ff.
Index:
Hitchcock, Alfred
Rear Window (1954)

#965
Greenhouse, Linda: Final twist in Rear Window case. In: New York Times, April 25, 1990. p. D1pp.
Index:
Hitchcock, Alfred
Rear Window (1954)

#966
Greig, D.: The sexual differentiation of the Hitchcock text. In: Screen 28. 1987. No. 1. [Winter] pp. 28-46.
Index:
Hitchcock, Alfred
Sexualität ~ Sexuality

#967
Greub, Thierry: Alfred Hitchcocks "marnie’scher" Blick auf Vermeer. In: Hitchcock und die Künste. Hrsg. von Henry Keazor. - Marburg: Schüren 2013. pp. 83 ff.
Index:
Hitchcock, Alfred
van der Meer, Jan [Pseudonym: Vermeer, Jan]
Kunst ~ Arts, The

#968
Greven, David: Engorged with desire: The films of Alfred Hitchcock and the gendered politics eating. In: Reel food: Essays on food and film. Edited by Anne L. Bower. - New York: Routledge 2004.
Index:
Hitchcock, Alfred
Nahrung ~ Food
Sexualität ~ Sexuality
Politik ~ Politics

#969
Greven, David: Hitchcock and queer sexuality. In: The Cambridge companion to Alfred Hitchcock. Edited by Jonathan Freedman. - Cambridge; New York: Cambridge University Press 2015. pp. 127-142.
Index:
Hitchcock, Alfred
Sexualität ~ Sexuality

#970
Greven, David: Psycho-sexual: Male desire in Hitchcock, De Palma, Scorsese, and Friedkin. - Austin, Texas: Texas University Press 2013.
Reviews:
Hart, Kylo-Patrick R.: [untitled.] In: Journal of American Culture 36. 2013. No. 4. [?D] pp. 390-391.
Index:
Hitchcock, Alfred
De Palma, Brian
Scorsese, Martin
Friedkin, William
Sexualität ~ Sexuality
Psychologie ~ Psychology
Männer ~ Men

#971
Greven, David: The most dangerous game: Failed male friendship in De Palmas Snake Eyes. In: Cineaction 2002. No. 58. [June] pp. 52-57.
Description:
On the representation of men in the films of De Palma compared to Alfred Hitchcock’s oeuvre.
Index:
DePalma, Brian
Hitchcock, Alfred
Snake Eyes (1998)
Männer ~ Men

#972
Griffin, Susan / Nadel, Alan: Reading James with Hitchcock, reading Hitchcock with James. In: The men who knew too much: Henry James and Alfred Hitchcock. Edited by Susan Griffin and Alan Nadel. - Oxford; New York: Oxford University Press 2011. p. ?P.
Index:
James, Henry
Hitchcock, Alfred

#973
Griffin, Susan: National bodies. In: The men who knew too much: Henry James and Alfred Hitchcock. Edited by Susan Griffin and Alan Nadel. - Oxford; New York: Oxford University Press 2011. p. ?P.
Index:
James, Henry
Hitchcock, Alfred
Körper ~ Bodies

#974
Griffith, James: Not guilty as charged: Psycho. In: Film Comment 32. 1996. No. 4. [July/August] pp. 76-79.
Index:
Hitchcock, Alfred
Psycho (1960)

#975
Griffiths, Michael R.: Production values: Fordism and formalism in North by Northwest. In: Postmodern Culture 20. 2010. No. 3. [?D] p. ?P.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Technik ~ Technology

#976
Grimes, Larry E.: Shall these bones live? The problem of bodies in Alfred Hitchcock’s Psycho and Joel Coen’s Blood Simple. In: Screening the sacred: Religion, myth, and ideology in popular American film. Edited by Joel W. Martin and Conrad E. Ostwald Jr. - Boulder, Colorado; San Francisco, California; Oxford: Westview Press 1995. pp. 19-29.
Index:
Hitchcock, Alfred
Coen, Joel
Psycho (1960)
Blood Simple (1984)
USA (United States of America) ~ USA (United States of America)
Körper ~ Bodies
Politik ~ Politics
Religion ~ Religion

#977
Grob, Norbert: "Die Zauberkräfte des Schattens": Zur Musikalität suggestiver Kinofilme. In: Grob, Norbert: Zwischen Licht und Schatten: Essays zum Film. - St. Augustin: Gardez! Verlag 2002. pp. 51-69.
Description:
Discusses, among others, the music for several Hitchcock thrillers.
Index:
Hitchcock, Alfred
Thriller ~ Thriller
Musik ~ Music

#978
Grob, Norbert: Die Kamera als erzählerische Instanz: Zur Theorie des filmischen Blicks. In: Grob, Norbert: Zwischen Licht und Schatten: Essays zum Film. - St. Augustin: Gardez! Verlag 2002. pp. 139-157.
Description:
Discusses, among others, the films of Alfred Hitchcock, Fritz Lang’s Das Testament des Dr. Mabuse and David Lynch’s Blue Velvet.
Index:
Hitchcock, Alfred
Lang, Fritz
Lynch, David
Testament des Dr. Mabuse, Das (1932/1933)
Blue Velvet (1986)
Technik: Kamera ~ Technology: Camera

#979
Grob, Norbert: Jenseits der Götter: Das suggestive Kino des Alfred Hitchcock - Bilder und Lektüren, Themen und Thesen. In: EPD Film 16. 1999. No. 8. [August] pp. 16-25.
Index:
Hitchcock, Alfred

#980
Groh, Fred: Vertigo’s three towers. In: Hitchcock Annual 1992. pp. 106-114.
Index:
Hitchcock, Alfred
Vertigo (1958)

#981
Grongaard, Peder: Hitchcock’s cinematic style: A study of Marion Crane’s metaphorical journey into darkness. In: P.O.V. 1997. No. 4. [December] pp. 101-134.
Index:
Hitchcock, Alfred
Psycho (1960)

#982
Gross, Larry: Parallel lines: Hitchcock the screenwriter. In: Sight and Sound NS 9. 1999. No. 8. [August] Supplement pp. 38-44.
Index:
Hitchcock, Alfred

#983
Gross, Rainer: Die psychoanalytischen Filme" des Alfred Hitchcock. In: Gross, Rainer: Der Psychotherapeut im Film. 1. Aufl.. - Stuttgart: Kohlhammer 2012. (= Lindauer Beiträge zur Psychotherapie und Psychosomatik.) pp. 35 ff.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#984
Groth, Carina: Alfred Hitchcocks Psycho in Bezug zu Robert Blochs gleichnamigen Roman als Vorlage für den Film. - München: GRIN Verlag 2011.
Index:
Bloch, Robert N.
Hitchcock, Alfred
Psycho (1960)
Psycho (Literatur ~ Literature)

#985
Guérin, Marie-Anne: Le jour et la nuit. In: Trafic 2002. No. 41. [Spring] pp. 92-101.
Description:
Compares Tippi Hedren’s role in Alfred Hitchcock’s Marnie with the role of Barbara Stanwyck in Fritz Lang’s Clash By Night.
Index:
Hitchcock, Alfred
Lang, Fritz
Hedren, Tippi
Stanwyck, Barbara
Marnie (1963/1964)
Clash By Night (1952)

#986
Gunning, Tom: Hitchcock and the picture in the frame. In: New England Review 28. 2007. No. 3. [?D] pp. 14-31.
Index:
Hitchcock, Alfred

#987
Gunning, Tom: In and out of the frame: Paintings in Hitchcock. In: Casting a shadow: Creating the Alfred Hitchcock film. Edited by Will Schmenner and Corinne Granof. - Evanston, Illinois: Mary and Leigh Block Museum of Art / Northwestern University / Northwestern University Press 2007. p. ?P.
Index:
Hitchcock, Alfred
Kunst ~ Arts, The

#988
Gunning, Tom / Pippin, Robert B.: The desire and pursuit of the hole: Cinema’s obscure object of desire. In: Erotikon: Essays on eros, ancient and modern. Edited by Shadi Bartsch and Thomas Bartscherer. - Chicago, Illinois; London: Chicago University Press 2005. pp. 261-281.
Description:
Discusses, among others, Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)
Sexualität ~ Sexuality

#989
Haacke, Paul Christoph: The vertical turn: Topographies of metropolitan modernism. - Berkeley, California: University of California, Berkeley, Ph.D. 2011. [Abstract in: Dissertation Abstracts International A 75. 2014. No. 1. [July] p. ?P.]
Description:
Analyses the dominant vertical orientation of metropolitan modernist culture, especially in urban skyscraper architecture and - as a symbol - in literature and film. Discusses, as example, Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)
Stadt ~ City
Literatur ~ Literature

#990
Haeffner, Nicholas: Alfred Hitchcock. - Harlow; New York; London: Pearson Longman 2005.
Reviews:
Carstensen, Thorsten: [untitled.] In: Scope [Nottingham] 2009. No. 14. [?D] p. ?P.
Index:
Hitchcock, Alfred

#991
Haffter, Petra: Hitchcock wollte ihn. In: EPD Film 30. 2013. No. 3. [March] pp. 32-33.
Description:
On Norman Lloyd, producer of the TV series "Alfred Hitchcock presents".
Index:
Hitchcock, Alfred
Lloyd, Norman
Fernsehen ~ Television

#992
Hagen, .: En spenningsfilm blir karikatur ... In: Film & Kino 48. 1980. No. 6. [?D] p. 231.
Description:
On Alfred Hitchcock’s The Lady Vanishes.
Index:
Hitchcock, Alfred
Lady Vanishes, The (1938)

#993
Häger, Kathrin: Keine Vertragsblondine: Hitchcock: Wie Hitchcock den Horror entdeckte. In: Film-Dienst 66. 2013. No. 6. [March 14] p. 41.
Index:
Gervasi, Sacha
Hitchcock, Alfred
Hitchcock (2012)
Horror ~ Horror

#994
Hain, Mark: Explicit ambiguity: Sexual identity, Hitchcockian criticism, and the films of François Ozon. In: Quarterly Review of Film and Video 24. 2007. No. 3. [?D] pp. 277-288.
Index:
Hitchcock, Alfred
Ozon, François
Sexualität ~ Sexuality

#995
Haines, Richard W.: Technicolor movies: The history of dye transfer printing. - Jefferson, North Carolina: McFarland & Company 1993.
Reviews:
Svehla, Gary J.: [untitled] In: Midnight Marquee 1995. No. 48. [?D] p. 78.
Description:
Discusses, among others, Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)
Technicolor ~ Technicolor

#996
Hairapetian, Marc: Alfred Hitchcock zeigt. In: Film-Dienst 61. 2008. No. 15. [July 17.] p. 35.
Description:
On a DVD collection.
Index:
Hitchcock, Alfred
DVD ~ DVD

#997
Haley, Michael: The Alfred Hitchcock album. - Englewood Cliffs: Prentice-Hall 1981.
Index:
Hitchcock, Alfred

#998
Half the world in a talkie. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 7 ff.
Index:
Hitchcock, Alfred

#999
Hall, John W.: Touch of Psycho? Hitchcock’s debt to Welles. In: Bright Lights 1995. No. 14. [?D] pp. 18-22.
Description:
Compares Alfred Hitchcock’s Psycho with Orson Welles’s Touch of Evil.
Index:
Hitchcock, Alfred
Welles, Orson
Psycho (1960)
Touch of Evil (1957)

#1000
Hall, Kenneth E.: Cabrera Infante and the work of Alfred Hitchcock. In: World Literature Today 61. 1987. No. 4. [Autumn] pp. 598-600.
Description:
Discusses, among others, Psycho.
Index:
Hitchcock, Alfred
Cabrera Infante, Guillermo

#1001
Hall, Sheldon: Dial M for Murder. In: Film History 16. 2004. No. 3. pp. 243-255.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#1002
Halliwell, Martin: Images of idiocy: The idiot figure in modern fiction and film. - Aldershot, Hants; Burlington, Vermont: Ashgate 2004.
Description:
Discusses, among others, Alfred Hitchcock’s Secret Agent and Sabotage.
Index:
Hitchcock, Alfred
Secret Agent (1936)
Sabotage (1936)
Wahnsinn ~ Madness

#1003
Halwani, Raja / Jones, Steven: The Birds: Plato and romantic love. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 63-73.
Index:
Hitchcock, Alfred
Platon
Birds, The (1962)
Romantik ~ Romanticism
Philosophie ~ Philosophy

#1004
Hammond, Mary: Hitchcock and The Manxman: A Victorian bestseller on the silent screen. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Caine, Sir Thomas Henry Hall
Hitchcock, Alfred
Manxman, The (1929)
Stummfilm ~ Silent Film
Manxman, The (Literatur ~ Literature)

#1005
Handlin, O.: Fear and laughter. In: The Atlantic 221. 1968. No. ?N. [January] pp. 116 ff.
Description:
On Alfred Hitchcock.
Index:
Hitchcock, Alfred
Humor ~ Humor
Angst ~ Fear

#1006
Hanks, Robert: Perfect murders. In: Sight and Sound NS 26. 2016. No. 2. [February] pp. 94-95.
Description:
On the TV series Alfred Hitchcock presents .
Index:
Hitchcock, Alfred
De Jarnatt, Steve
Haines, Randa
Oliansky, Joel
Walton, Fred
Alfred Hitchcock Presents (TV)
Mord ~ Murder
Fernsehen ~ Television

#1007
Hanson, Helen: From Suspicion (1941) to Deceived (1991): Gothic continuities, feminism and postfeminism in the neo-gothic film. In: Gothic Studies 9. 2007. No. 2. [November] pp. 20-32.
Description:
Discusses also Alfred Hitchcock’s Rebecca, Joseph Ruben’s Sleeping with the Enemy, Randal Kleiser’s Shadow of Doubt and Robert Zemeckis’s What Lies Beneath.
Index:
Hitchcock, Alfred
Harris, Damian
Ruben, Joseph
Kleiser, Randal
Zemeckis, Robert
Suspicion (1941)
Rebecca (1940)
Deceived (1991)
Sleeping with the Enemy (1990)
Shadow of Doubt (1997)
What Lies Beneath (2000)
Horror ~ Horror
Frauen ~ Women

#1008
Hantke, Steffen: The aesthetics of affect in the shot-by-shot remakes of Psycho and Funny Games. In: English Language Notes 48. 2010. No. 1. [?D] pp. 113-127.
Index:
Hitchcock, Alfred
Van Sant, Gus
Haneke, Michael
Psycho (1960)
Psycho (1998)
Funny Games (1997)
Funny Games U.S. (2007)

#1009
Harbord, Janet: Between identification and desire: Rereading Rebecca. In: Feminist Review 1996. No. 53. [?D] pp. 95-107.
Index:
Hitchcock, Alfred
Rebecca (1940)

#1010
Hare, William: Hitchcock and the methods of suspense. Foreword by Robert Kendall. - Jefferson, North Carolina; London: McFarland 2007.
Reviews:
Armstrong, Stephen B.: [untitled.] In: Film Quarterly 63. 2009. No. 1. [Fall] pp. 80-81.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#1011
Hark, Ina Rae: Alfred Hitchcock presents Dial M for Murder: The submerged televisuality of a stage-to-screen adaptation. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)
Fernsehen ~ Television

#1012
Hark, Ina Rae: Hitchcock discovers America: The Selznick-era films. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred
Selznick, David O.
USA (United States of America) ~ USA (United States of America)

#1013
Hark, Ina Rae: Keeping your amateur standing: Audience participation in Hitchcock’s political films. In: Cinema Journal 29. 1990. No. 2. [Winter] pp. 8-22.
Description:
Especially on The Man Who Knew Too Much and The 39 Steps.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1934)
Man Who Knew Too Much, The (1956)
Thirty-Nine Steps, The (1935)
Politik ~ Politics

#1014
Hark, Ina Rae: Psycho or psychic? Hitchcock, Dead Again, and the paranormal. In: After Hitchcock: Influence, imitation, and intertextuality. Edited by David Boyd and R. Barton Palmer. - Austin, Texas: University of Texas Press 2006. pp. 65-82.
Description:
Discusses also Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Branagh, Kenneth
Psycho (1960)
Dead Again (1990)
Psychologie ~ Psychology

#1015
Harmetz, Aljean: After 22 years, Psycho sequel. In: New York Times, August 11, 1982. p. C17.
Index:
Hitchcock, Alfred
Franklin, Richard
Psycho (1960)
Psycho II (1982)

#1016
Harpt, Scott: Rebecca before her time. In: Journal of Evolutionary Psychology 18. 1997. No. 3/4. [August] pp. 186-190.
Index:
Hitchcock, Alfred
Rebecca (1940)

#1017
Harris, Robert A. / Lasky, Michael P.: Alfred Hitchcock. - Paris: Veyrier 1980.
First edition:
[The films of Alfred Hitchcock. - Secaucus, New Jersey: Citadel Press 1976]
Index:
Hitchcock, Alfred

#1018
Harris, Robert A. / Lasky, Michael P.: Alfred Hitchcock. Adaption française par Marc Esposito et Michel Massuyeau. - Paris: Veyrier 1990.
First edition:
[The films of Alfred Hitchcock. - Secaucus, New Jersey: Citadel Press 1976]
Index:
Hitchcock, Alfred

#1019
Harris, Robert A / Lasky, Michael P.: The complete films of Alfred Hitchcock. - London: Virgin Publishing 1990.
First edition:
[The films of Alfred Hitchcock. - Secaucus, New Jersey: Citadel Press 1976.]
Index:
Hitchcock, Alfred

#1020
Harris, Robert A / Lasky, Michael P.: The complete films of Alfred Hitchcock. 3. edition. - Secaucus, New Jersey: Citadel Press 2002. (= A Citadel Press Book.)
First edition:
[The films of Alfred Hitchcock. - Secaucus, New Jersey: Citadel Press 1976.]
Index:
Hitchcock, Alfred

#1021
Harris, Robert A. / Lasky, Michael P.: The films of Alfred Hitchcock. - Secaucus, New Jersey: Citadel Press 1976.
Index:
Hitchcock, Alfred

#1022
Harris, Thomas: Rear Window and Blow-Up: Hitchcock’s straightforwardness vs. Antonioni’s ambiguity. In: Literature/Film Quarterly 15. 1987. No. 1. [January] pp. 60-63.
Index:
Hitchcock, Alfred
Antonioni, Michelangelo
Rear Window (1954)
Blow Up (1966)

#1023
Harrison, Matthew B.: Making strange impressions: The unsettling craft of self-critical cinema. In: Quarterly Review of Film and Video 23. 2006. No. 5. [?D] pp. 423-436.
Description:
Discusses especially Alfred Hitchcock’s Rear Window, C’est arrivé prés de chez vous by Rémy Belvaux, André Bonzel and Benoît Poelvoorde, and The Blair Witch Project by Daniel Myrick and Eduardo Sanchez.
Index:
Hitchcock, Alfred
Belvaux, Rémy
Bonzel, André
Poelvoorde, Benoît
Myrick, Daniel
Sanchez, Eduardo
Rear Window (1954)
C’est arrivé prés de chez vous (1992)
Blair Witch Project, The (1999)

#1024
Hart, Adam Charles: A cinema of wounded bodies: Sensational abjection and the spaces of modern horror. - Chicago, Illinois: University of Chicago, Ph.D. 2014. [Abstract in: Dissertation Abstracts International A 75. 2015. No. 7 [January] p. ?P.]
Description:
Discusses especially Alfred Hitchcock’s Psycho, John Carpenter’s Halloween, Sean S. Cunningham’s Friday the 13th and Wes Craven’s A Nightmare on Elm Street.
Index:
Hitchcock, Alfred
Carpenter, John
Cunningham, Sean S.
Craven, Wes
Psycho (1960)
Halloween (1978)
Friday the 13th (1979)
Nightmare on Elm Street, A (1984)
Körper ~ Bodies
Horror ~ Horror

#1025
Hartman, G. H.: Plenty of nothing: Hitchcock’s North by Northwest". In: Yale Review 71. 1981. No. 1. [?D] pp. 13-27.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#1026
Hartmann, Britta: Aller Anfang: Zur Initialphase des Spielfilms. - Marburg: Schüren 2009.
Description:
On the initial scenes of motion picturers. Discusses, as examples, Alfred Hitchcock’s Shadow of a Doubt, Takeshi Kitano’s Hana-Bi and M. Night Shyamalan’s The Sixth Sense.
Index:
Hitchcock, Alfred
Kitano, Takeshi
Shyamalan, M. Night
Shadow of a Doubt (1943)
Hana-Bi / Fireworks (1997)
Sixth Sense, The (1999)

#1027
Hasan, Uzma: Teen Hitchcock. In: ScriptWriter 2007. No. 34. [May] pp. 63-65.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#1028
Hass, Natascha Alexandra: Das Motiv der Schuld in Hitchcocks Filmen (Psycho, Vertigo, Rope): Die Verwicklung des Zuschauers in Schuld. - München: GRIN Verlag 2012.
Index:
Hitchcock, Alfred
Psycho (1960)
Vertigo (1958)
Rope, The (1948)

#1029
Hatt, Harold: Notorious: Penance as a paradigm of redemption. In: Image and likeness: Religious visions in American film classics. Edited by John R. May. - New York; Mahwah, New Jersey: Paulist Press 1992. (= Isaac Hecker Studies in Religion and American Culture.) pp. 126-134.
Index:
Hitchcock, Alfred
Notorious (1946)
USA (United States of America) ~ USA (United States of America)
Religion ~ Religion

#1030
Hauschild, Markus: Suspense und Surprise: Untersuchung und Vergleich der Wissensverteilung in Spannungsmomenten zwischen Hauptfiguren und Zuschauern in Hitchcocks Vertigo und Clouzots Les Diaboliques. - München: GRIN Verlag 2012.
Index:
Hitchcock, Alfred
Clouzot, Henri-Georges
Vertigo (1958)
diaboliques, Les (1954)
Thriller ~ Thriller

#1031
Havemann, Ernest: We present Alfred Hitchcock. In: Theatre Arts 40. 1956. No. 9. [September] p. 27.
Index:
Hitchcock, Alfred

#1032
Hawkins, Harriett: Classics and trash: Traditions and taboos in high literature and popular modern genres. - New York; London; Toronto; Sydney; Tokio; Singapore: Harvester Wheatsheaf 1990.
Reviews:
Estes, Jack: [untitled] In: Journal of Popular Culture 27. 1993. No. 1. [?D] pp. 216-218.
Description:
Discusses also many fantastic films, among them Fred McLeod Wilcox’s Forbidden Planet, the two King Kong films by Merian C. Cooper and Ernest B. Schoedsack as well as by John Guillermin, Hitchcock’s North by Northwest and Rebecca, Milos Forman’s One Flew over the Cuckoo’s Nest, the two Phantom of the Opera films by Rupert Julian and Arthur Lubin, the Star Trek TV series, The Thief of Bagdad by Ludwig Berger, Michael Powell, Tim Whelan, Alexander and Zoltan as well as William Cameron Menzies, Kurosawa’s Kumonosu-djo and Michael Levesque’s Werewolves on Wheels / Lost Exorcist.
Index:
Guillermin, John
Wilcox, Fred McLeod
Cooper, Merian C.
Schoedsack, Ernest B.
Hitchcock, Alfred
Forman, Milos
Julian, Rupert
Lubin, Arthur
Bamberger, Ludwig [Pseudonym: Berger, Ludwig]
Powell, Michael
Whelan, Tim
Korda, Alexander
Korda, Zoltan
Menzies, William Cameron
Kurosawa, Akira
Levesque, Michael
Forbidden Planet (1956)
King Kong (1931-1933)
King Kong (1976)
North by Northwest (1959)
Rebecca (1940)
One Flew over the Cuckoo’s Nest (1975)
Phantom of the Opera, The (1925)
Phantom of the Opera (1943)
Star Trek (TV)
Thief of Bagdad, The (1940)
Kumonosu-djo (1957)
Werewolves on Wheels / Lost Exorcist (1973)
Star Trek (Filmreihe)
Phantom of the Opera (Filmreihe)
King Kong (Filmreihe)
Trash ~ Trash
Literatur ~ Literature
Fernsehen ~ Television

#1033
Hawkins, Joan: "See it from the beginning": Hitchcock’s reconstruction of film history. In: Hitchcock Annual 1999. pp. 13-29.
Index:
Hitchcock, Alfred
Psycho (1960)

#1034
Hawkins, Joan: "See it from the beginning": Hitchcock’s reconstruction of film history. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Description:
Discusses especially Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)

#1035
Hawkins, Joan: "See it from the beginning": Hitchcock’s reconstruction of film history. In: Hitchcock Annual 1999/2000. pp. 13-29.
Description:
Discusses especially Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)

#1036
Haynes, Jonathan Everett: The Mid-Atlantic: Fantasmatic genealogies of the French and American New Waves. - Berkeley, California: University of California, Berkeley, Ph.D. 2014. [Abstract in: Dissertation Abstracts International A 76. 2016. No. 8 [February] p. ?P.]
Description:
Discusses, among others, Jean-Luc Godard’s Week-End, Pier Paolo Pasolini’s Salò, and the influence of Alfred Hitchcock on François Truffaut.
Index:
Godard, Jean-Luc
Pasolini, Pier Paolo
Hitchcock, Alfred
Truffaut, François
Week-End (1967)
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
USA (United States of America) ~ USA (United States of America)
Frankreich ~ France

#1037
Heijer, J.: Hitchcock’s Psycho in Stephen Frears’ The Grifters. In: Canadian Journal of Film Studies 3. 1994. No. 1. [Spring] pp. 45-65.
Index:
Hitchcock, Alfred
Frears, Stephen
Psycho (1960)
Grifters (1990)

#1038
Heimpel, Rod S.: Hitchcock’s Psycho in Stephen Frear’s The Grifters. In: Canadian Journal of Film Studies 3. 1994. No. 1. [?D] pp. 45-66.
Index:
Hitchcock, Alfred
Frears, Stephen
Psycho (1960)
Grifters (1990)

#1039
Heinke, Ralf Heiner: Tagungsbericht: Sabotaging "Hitchcock": Eine kritische Annäherung (TU Dresden, 29.-21. Juni 2014). In: Medienwissenschaft 2014. No. 4. pp. 334-336.
Index:
Hitchcock, Alfred
Dresden ~ Dresden

#1040
Heller, Franziska: Alfred Hitchcock: Einführung in seine Filme und Filmästhetik. - Paderborn: Fink 2015. (= directed by.)
Reviews:
Czekaj, Sonja: [untitled.] In: Medienwissenschaft 2016. No. 1. pp. 87-89.
Hinrichsen, Jens: [untitled.] In: Film-Dienst 68. 2015. No. 18. [September 3] p. 26.
Index:
Hitchcock, Alfred

#1041
Heller-Nicholas, Alexandra: The dream team. In: The Big Picture 2012. No. 18. [?D] pp. 26-29.
Description:
On the collaboration of Alfred Hitchcock and Salvador Dalí for Spellbound.
Index:
Hitchcock, Alfred
Dalí, Salvador
Spellbound (1945)
Traum ~ Dreams
Surrealismus ~ Surrealism

#1042
Hemmeter, Thomas: Adaptation, history, and textual suppression: Literary sources of Hitchcock’s Sabotage. In: Literature and film in the historical dimension: Selected Papers from the Fifteenth Annual Florida State University Conference on Literature and Film. Edited by John D. Simons. - Gainesville, Florida: University of Florida Press 1994. (= Florida State University Conference on Literature and Film 15.) pp. 149-161.
Description:
On the influence of Joseph Conrad’s novel The Secret Agent on the movie.
Index:
Hitchcock, Alfred
Conrad, Joseph
Sabotage (1936)
Literatur ~ Literature
Geschichte ~ History
Secret Agent, The (Literatur ~ Literature)

#1043
Hemmeter, Thomas: Hitchcock the feminist: Rereading Shadow of a Doubt. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)
Frauen ~ Women

#1044
Hemmeter, Thomas: Hitchcock’s melodramatic silence. In: Journal of Film and Video 48. 1996. No. 1/2. [Spring/Summer] pp. 32-40.
Description:
On the usage of silence as style element in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred

#1045
Hemmeter, Thomas: Hitchcock’s narrative modernism: Ironies of fictional time. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred

#1046
Hemmeter, Thomas: Horror beyond the camera: Cultural sources of violence in Hitchcock’s mid-century America. In: Post Script 22. 2003. No. 2. [Winter/Spring] pp. 7-19.
Description:
Discusses especially the representation of violence in Hitchcock’s Psycho and in the remake by Gus Van Sant.
Index:
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)
Psycho (1998)
USA (United States of America) ~ USA (United States of America)
Horror ~ Horror
Gewalt ~ Violence

#1047
Hemmeter, Thomas Martin: Hitchcocl the stylist. - Cleveland, Ohio: Case Western Reserve University, Ph.D. 1980. [Abstract in: Dissertation Abstracts International A 41. 1981. No. 7. (January) p. 2805A.]
Index:
Hitchcock, Alfred

#1048
Hemmeter, Thomas: Twisted writing: Rope as an experimental film. In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 253-265.
Index:
Hitchcock, Alfred
Rope, The (1948)
Experimentalfilme ~ Experimental Films

#1049
Hemphill, Jim: North By Northwest. In: American Cinematographer. Online edition, November 2009.
Description:
On a Blu-Ray edition.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Blu-Ray Disk ~ Blu-Ray Disc

#1050
Hemphill, Jim: Psycho. In: American Cinematographer. Online edition, December 2008.
Description:
On a DVD edition.
Index:
Hitchcock, Alfred
Psycho (1960)
DVD ~ DVD

#1051
Hendershot, Cyndy: The Cold War horror film: Taboo and transgression in The Bad Seed, The Fly, and Psycho. In: Journal of Popular Film and Television 29. 2001. No. 1. [Spring] pp. 20-31.
Index:
LeRoy, Mervyn
Cronenberg, David
Hitchcock, Alfred
Bad Seed, The (1956)
Fly, The (1986)
Psycho (1960)
Krieg ~ War
Horror ~ Horror

#1052
Hendershot, Cyndy: The possession of the male body: Masculinity in The Italian, Psycho and Dressed to Kill. In: Readerly/Writerly Texts 2. 1995. No. 2. [Spring/Summer] pp. 75-112.
Index:
Hitchcock, Alfred
De Palma, Brian
Psycho (1960)
Dressed to Kill (1980)
Männer ~ Men
Körper ~ Bodies

#1053
Henderson, B.: Notes on set design and cinema. In: Film Quarterly 42. 1988. No. 1. [?D] pp. 17-28.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#1054
Hendricks, Gay / Simon, Stephen: The new wave of spiritual cinema: Must-see movies that illuminate facets of the spiritual landscape. In: Hendricks, Gay / Simon, Stephen: Spiritual cinema: A guide to movies that inspire, heal, and empower your life. - Carlsbad, California: Hay House 2005. p. ?P.
Description:
Discusses, among others, Robert Zemeckis’s Cast Away, Brett Ratner’s Family Man, David Lynch’s Mulholland Drive, Richard Linklater’s Waking Life, Ron Howard’s A Beautiful Mind, Spike Jonze’s Adaption, Jon Amiel’s The Core, Andrew Davis’s Holes, Alfred Hitchcock’s Spellbound, Andrew Stanton’s Finding Nemo, American Splendor by Shari Springer Berman, Shari and Robert Pulcini, Tim Burton’s Big Fish, What the Bleep Do We Know? by William Arntz, Betsy Chasse and Mark Vicente, Roland Emmerich’s The Day After Tomorrow and Marc Forster’s Finding Neverland.
Index:
Zemeckis, Robert
Ratner, Brett
Lynch, David
Linklater, Richard
Howard, Ron
Jonze, Spike
Amiel, Jon
Davis, Andrew
Hitchcock, Alfred
Stanton, Andrew
Springer Berman, Shari
Pulcini, Robert
Burton, Tim
Arntz, William
Chasse, Betsy
Vicente, Mark
Emmerich, Roland
Forster, Marc
Cast Away (2000)
Family Man (2000)
Mulholland Drive (2001)
Waking Life (2001)
Beautiful Mind, A (2001)
Adaption (2003)
Core, The (2003)
Holes (2003)
Spellbound (1945)
Finding Nemo (2003)
American Splendor (2003)
Big Fish (2003)
What the Bleep Do We Know? (2004)
Day After Tomorrow, The (2004)
Finding Neverland (2004)
Religion ~ Religion

#1055
HenneIly Jr., Mark M.: Alfred Hitchcock’s carnival. In: Hitchcock Annual 2004/2005. pp. 154-188.
Index:
Hitchcock, Alfred
Karneval ~ Carnival

#1056
Henriksen, Margot A.: Dr. Strangelove’s America: Society and culture in the atomic age. - Berkeley, California: University of California Press 1997.
Reviews:
Van Ells, Mark D.: [untitled] In: Journal of American Culture 22. 1999. No. 1. [?D] p. 103.
Description:
Discusses, alongside Stanley Kubrick’s Dr. Strangelove, the film noir, the science fiction film and the films of Alfred Hitchcock.
Index:
Kubrick, Stanley
Hitchcock, Alfred
Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb (1963)
USA (United States of America) ~ USA (United States of America)
Science Fiction ~ Science Fiction
Film Noir ~ Film Noir
Atom ~ Nuclear

#1057
Hepworth, John: Hitchcock’s homophobia. In: Out in culture: Gay, lesbian, and queer essays on popular culture. Edited by Corey K. Creekmur and Alexander Doty. - Durham, North Carolina: Duke University Press 1995. pp. 186-196.
Index:
Hitchcock, Alfred
Sexualität: Homosexualität ~ Sexuality: Homosexuality

#1058
Herbst, Maren: Alfred Hitchcocks Psycho: Eine Betrachtung der einführenden Szene. - München: GRIN Verlag 2002.
Index:
Hitchcock, Alfred
Psycho (1960)

#1059
Heredero, Carlos Fernandez: Psicosis. In: Dirigido 2000. No. 290. [May] pp. 49-51.
Index:
Hitchcock, Alfred
Psycho (1960)

#1060
Hermsdorf, Daniel: Filmbild und Körperwelt: Anthropomorphismus in Naturphilosophie, Ästhetik und Medientheorie der Moderne. - Würzburg: Königshausen & Neumann 2011. (= Film - Medium - Diskurs 34.
Reviews:
Paech, Joachim: [untitled.] In: Germanistik 52. 2011. No. 3/4. p. 985.
Description:
Includes, among others, chapters on Jacques Feyder’s Visages d’enfants, Robert Siodmak’s The Dark Mirror, Harry O. Hoyt’s The Lost World, Fritz Lang’s The Blue Gardenia, Dr. Mabuse, der Spieler and Die Spinnen, Alfred Hitchcock’s The Wrong Man, László Benedek’s episode Wolf 359 for the TV series Outer Limits, Henrik Galeen’s Alraune, Curse of the Cat People by Robert Wise and Gunther von Fritsch, Karl Grune’s Die Straße, Maya Deren’s Ritual in Transfigured Time, Michael Curtiz’s Die Sklavenkönigin, Marcel L’Herbier’s Feu Mathias Pascal, Leni Riefenstahl’s Das blaue Licht, Ernst Lubitsch’s Die Augen der Mumie Ma, Rex Ingram’s The Magician, Paul Leni’s The Cat and the Canary, Walt Disney’s The Haunted House, René Clair’s The Ghost Goes West, Jacques Tourneur’s I Walked with a Zombie, Douglas Sirk’s Sleep, My Love and John Gilling’s The Gamma People.
Index:
Feyder, Jacques
Siodmak, Robert
Hoyt, Harry O.
Lang, Fritz
Hitchcock, Alfred
Benedek, László
Galeen, Henrik
Wise, Robert
Fritsch, Gunther von
Grune, Karl
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Curtiz, Michael [Pseudonym: Kertész, Michael]
L’Herbier, Marcel
Riefenstahl, Leni
Lubitsch, Ernst
Ingram, Rex
Leni, Paul
Disney, Walt
Chomette, René [Pseudonym: Clair, René]
Tourneur, Jacques
Sirk, Douglas
Gilling, John
Visages d’enfants (1925)
Dark Mirror, The (1946)
Lost World, The (1925)
Blue Gardenia, The (1952/1953)
Dr. Mabuse, der Spieler (1921/1922)
Spinnen, Die (1919)
Wrong Man, The (1957)
Outer Limits (TV)
Alraune (1927)
Curse of the Cat People (1944)
Straße, Die (1923)
Ritual in Transfigured Time (1946)
Sklavenkönigin, Die (1924)
Feu Mathias Pascal (1926)
blaue Licht, Das (1932)
Augen der Mumie Ma, Die (1918)
Magician, The (1926)
Cat and the Canary, The (1927)
Haunted House, The (1929)
Ghost Goes West, The (1935)
I Walked with a Zombie (1943)
Sleep, My Love (1948)
Gamma People, The (1956)
Natur ~ Nature
Körper ~ Bodies
Fernsehen ~ Television
Disney ~ Disney
Stummfilm ~ Silent Film
Philosophie ~ Philosophy

#1061
Hermsdorf, Daniel: Filmbild und Körperwelt: Anthropomorphismus in Naturphilosophie, Ästhetik und Medientheorie der Moderne. - Paderborn: Universität Paderborn, Dissertation 2010.
Reviews:
Paech, Joachim: [untitled.] In: Germanistik 52. 2011. No. 3/4. p. 985.
Description:
Includes, among others, chapters on Jacques Feyder’s Visages d’enfants, Robert Siodmak’s The Dark Mirror, Harry O. Hoyt’s The Lost World, Fritz Lang’s The Blue Gardenia, Dr. Mabuse, der Spieler and Die Spinnen, Alfred Hitchcock’s The Wrong Man, László Benedek’s episode Wolf 359 for the TV series Outer Limits, Henrik Galeen’s Alraune, Curse of the Cat People by Robert Wise and Gunther von Fritsch, Karl Grune’s Die Straße, Maya Deren’s Ritual in Transfigured Time, Michael Curtiz’s Die Sklavenkönigin, Marcel L’Herbier’s Feu Mathias Pascal, Leni Riefenstahl’s Das blaue Licht, Ernst Lubitsch’s Die Augen der Mumie Ma, Rex Ingram’s The Magician, Paul Leni’s The Cat and the Canary, Walt Disney’s The Haunted House, René Clair’s The Ghost Goes West, Jacques Tourneur’s I Walked with a Zombie, Douglas Sirk’s Sleep, My Love and John Gilling’s The Gamma People.
Index:
Feyder, Jacques
Siodmak, Robert
Hoyt, Harry O.
Lang, Fritz
Hitchcock, Alfred
Benedek, László
Galeen, Henrik
Wise, Robert
Fritsch, Gunther von
Grune, Karl
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Curtiz, Michael [Pseudonym: Kertész, Michael]
L’Herbier, Marcel
Riefenstahl, Leni
Lubitsch, Ernst
Ingram, Rex
Leni, Paul
Disney, Walt
Chomette, René [Pseudonym: Clair, René]
Tourneur, Jacques
Sirk, Douglas
Gilling, John
Visages d’enfants (1925)
Dark Mirror, The (1946)
Lost World, The (1925)
Blue Gardenia, The (1952/1953)
Dr. Mabuse, der Spieler (1921/1922)
Spinnen, Die (1919)
Wrong Man, The (1957)
Outer Limits (TV)
Alraune (1927)
Curse of the Cat People (1944)
Straße, Die (1923)
Ritual in Transfigured Time (1946)
Sklavenkönigin, Die (1924)
Feu Mathias Pascal (1926)
blaue Licht, Das (1932)
Augen der Mumie Ma, Die (1918)
Magician, The (1926)
Cat and the Canary, The (1927)
Haunted House, The (1929)
Ghost Goes West, The (1935)
I Walked with a Zombie (1943)
Sleep, My Love (1948)
Gamma People, The (1956)
Natur ~ Nature
Körper ~ Bodies
Fernsehen ~ Television
Disney ~ Disney
Stummfilm ~ Silent Film
Philosophie ~ Philosophy

#1062
Herpe, Noël: Rebecca: Une esquisse du procès de l’idéalisme. In: Positif 1993. No. 389/390. [July/August] pp. 112-114.
Index:
Hitchcock, Alfred
Rebecca (1940)

#1063
Herrmann, Bernard: Portrait of Hitch. - Sevenoaks, Kent: Fairfield 1969.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Musik ~ Music

#1064
Herrmann, Bernard: The contemporary use of music in film: Citizen Kane, Psycho, Fahrenheit 451. In: University Film Study Center Newsletter 7. 1977. No. 3. [?D] pp. 5-10.
Index:
Welles, Orson
Hitchcock, Alfred
Truffaut, François
Herrmann, Bernard
Citizen Kane (1940)
Psycho (1960)
Fahrenheit 451 (1966)
Musik ~ Music

#1065
Hesling, W. J. M.: Classical cinema and the spectator. In: Literature/Film Quarterly 15. 1987. No. 3. [July] pp. 181-189.
Description:
Discusses, among others, Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)

#1066
Hesse, Beatrix: Sister Arts? Alfred Hitchcock und das Londoner Theater der 20er und 30er Jahre. In: Hitchcock und die Künste. Hrsg. von Henry Keazor. - Marburg: Schüren 2013. pp. 67 ff.
Index:
Hitchcock, Alfred
Theater ~ Theatre
London ~ London
Kunst ~ Arts, The

#1067
Higham, Charles: Hitchcock’s world. In: Film Quarterly 16. 1962/1963. No. 2. [Winter] pp. 3-16.
Index:
Hitchcock, Alfred

#1068
Hinrichsen, Jens: Alfred Hitchcock und der Nationalsozialismus. In: Film-Dienst 67. 2014. No. 5. [February 27] pp. 32-33.
Index:
Hitchcock, Alfred
Faschismus ~ Fascism

#1069
Hinrichsen, Jens: Alfred-Hitchcock-Collection. In: Film-Dienst 57. 2004. No. 26. [December 23] p. 51.
Description:
On a DVD edition.
Index:
Hitchcock, Alfred
DVD ~ DVD

#1070
Hinrichsen, Jens: Der Gott der kleinen Räume: Liebeshunger und Todesgefahr: Alfred Hitchcocks komplexe Raum-Dramen. In: Film-Dienst 58. 2005. No. 10. [May 12] pp. 10-11.
Index:
Hitchcock, Alfred
Tod ~ Death

#1071
Hinrichsen, Jens: Madeleine ... verzweifelt gesucht: Annäherungen an Alfred Hitchcocks Vertigo. In: Film-Dienst 61. 2008. No. 10. [May 8] pp. 43-44.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1072
Hinrichsen, Jens: Sklavin des Herzens & Murder. In: Film-Dienst 59. 2006. No. 12. [June 8] p. 44.
Description:
On DVD editions od Alfred Hitchcock’s Under Capricorn and Murder.
Index:
Hitchcock, Alfred
Under Capricorn (1949)
Murder (1930)
DVD ~ DVD

#1073
Hinrichsen, Jens: Wir pfeifen auf das Schicksalslied: Doris Day singt Que sera, sera in Der Mann, der zu viel wusste (1956) von Alfred Hitchcock. In: Film-Dienst 66. 2013. No. 23. [November 7] p. 12.
Index:
Hitchcock, Alfred
Day, Doris
Man Who Knew Too Much, The (1956)
Musik ~ Music

#1074
Hinrichsen, Jens: With a Little Help from My Friends. In: Film-Dienst 62. 2009. No. 5. [February 26] pp. 10-12.
Description:
On an Alfred Hitchcock exhibition at the Berlin Film Museum.
Index:
Hitchcock, Alfred
Berlin ~ Berlin

#1075
Hinton, Laura: (G)aping women; Or, when a man plays the fetish. In: Framework 48. 2007. No. 2. [Fall] p. ?P.
Description:
On the gaze in motion pictures. Discusses, amomg others, Alfred Hitchcock’s Notorious.
Index:
Hitchcock, Alfred
Notorious (1946)
Sexualität ~ Sexuality
Frauen ~ Women

#1076
Hinton, Laura: A "woman’s" view: The Vertigo frame-up. In: Film Criticism 19. 1994/1995. No. 2. [Winter] pp. 2-22.
Description:
Feminist analysis of the gender roles in the film.
Index:
Hitchcock, Alfred
Vertigo (1958)
Sexualität ~ Sexuality
Frauen ~ Women

#1077
Hitchchck, Alfred: A Columbus of the screen. In: Hitchcock Annual 2005/2006. pp. 46-49.
Index:
Hitchcock, Alfred

#1078
Hitchcock. In: Sight and Sound 52. 1982/1983. No. 1. [Winter] pp. 32-33.
Description:
Discusses especially Dial M for Murder.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#1079
Hitchcock, Alfred: Alfred Hitchcock’s Psycho. Edited by Richard J. Anobile. - London: Pan Books 1974. (= The Film classics library.)
Index:
Hitchcock, Alfred
Psycho (1960)

#1080
Hitchcock, Alfred: All about melodrama. In: Cahiers du Cinéma 1999. No. 537. [July/August] pp. 20-24.
Description:
Reprint of a speech held in 1939.
Index:
Hitchcock, Alfred

#1081
Hitchcock, Alfred: Conférence à l’Université de Columbia. In: Trafic 2002. No. 41. [Spring] pp. 12-19.
Description:
Reprint of a Hitchcock speech from the year 1939 discussing basic motifs in his films and his techniques of creating suspense.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#1082
Hitchcock, Alfred: Hitchcock on Hitchcock: Selected writings and interviews. Edited by Sidney Gottlieb. - London: Faber and Faber 1995.
Index:
Hitchcock, Alfred

#1083
Hitchcock, Alfred: Hitchcock on Hitchcock: Selected writings and interviews. Edited by Sidney Gottlieb. Volume 2. - Berkeley, California; London: University of California Press 2014.
Reviews:
Miller, Henry K.: Man of mystery. In: Sight and Sound NS 25. 2015. No. 5. [May] pp. 104-105.
Index:
Hitchcock, Alfred

#1084
Hitchcock, Alfred: Hitchcock on Hitchcock: Selected writings and interviews. Edited by Sidney Gottlieb. - London: Faber Paperbacks 1997.
Index:
Hitchcock, Alfred

#1085
Hitchcock, Alfred: Hitchcock on Hitchcock: Selected writings and interviews. Edited by Sidney Gottlieb. - Berkeley, California: University of California Press 1995.
Reviews:
Aumont, Jacques: Comptes rendus. In: Cinémathèque 1996. No. 9. [Spring] pp. 123-128.
Bernstein, matthew: [untitled] In: Film Quarterly 50. 1996. No. 1. [Fall] pp. 53-55.
Bourget, Jean-Loup: [untitled] In: Positif 1996. No. 420. [February] pp. 63-64.
Hark, Ina Rae: [untitled] In: Hitchcock Annual 1995/1996. pp. 157-161.
Howells, Richard: [untitled] In: Historical Journal of Film, Radio and Television NS 16. 1996. No. 3. [?D] pp. 451-452.
Turner, George: [untitled] In: American Cinematographer 76. 1995. No. 11. [November] pp. 102-103.
Index:
Hitchcock, Alfred

#1086
Hitchcock, Alfred: Hitchcock secondo Hitchcock: Idee e confessioni del maestro del brivido. A cura di Sidney Gottlieb. Traduzione di Riccardo Caccia. - Milano: Baldini & Castoldi 1996. (= I Saggi/Cinema 3.)
Index:
Hitchcock, Alfred

#1087
Hitchcock, Alfred: Le siecle Hitchcock. In: Cahiers du Cinéma 1999. No. 537. [July/August] pp. 18-35.
Description:
Compilation of texts mostly from the 1030s.
Index:
Hitchcock, Alfred

#1088
Hitchcock, Alfred / Legrand, Gérard.: La mise en scène + Petit diptyque pour "Sir Alfred". In: Positif 1980. No. 234. [September] pp. 2-17.
Description:
Reprint of a Hitchcock text first published in 1937 plus a comment by Gérard Legrand.
Index:
Hitchcock, Alfred

#1089
Hitchcock, Alfred: Les films que nous pourrions faire. In: Positif 1995. No. 416. [October] pp. 45-46.
Description:
Reprint of an article from the year 1927.
Index:
Hitchcock, Alfred

#1090
Hitchcock, Alfred: Lifeboat / Das Rettungsboot. Transcript von Ricarda Strobel. - Tübingen: Narr 1983. (= Medienbibliothek Serie A: Texte 9.)
Reviews:
Schönekäs, Klaus: [untitled] In: Medienwissenschaft 1986. No. 1. p. 73.
Index:
Hitchcock, Alfred
Lifeboat (1943)

#1091
Hitchcock, Alfred: Mes souvenirs de l’ecran. In: Cahiers du Cinéma 1999. No. 537. [July/August] pp. 26-28.
Description:
Reprint of a text from the year 1936.
Index:
Hitchcock, Alfred

#1092
Hitchcock, Alfred / Montcoffe, Francis: Fenêtre sur cour. - ?O: ?V ?J (1996).
Reviews:
Donovan, Francis: Hitchcockologie. In: Cinéma [Paris] 1990. No. 471. [November] p.54.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1093
Hitchcock, Alfred: Psikhoz. In: Iskusstvo Kino 1990. No. 11. [?D] pp. 133-161.
Index:
Hitchcock, Alfred
Psycho (1960)

#1094
Hitchcock, Alfred: The benefits of shock. In: Lambert, Gavin: The dangerous edge. - London: Barrie & Jenkins 1975. p. ?P.
Index:
Hitchcock, Alfred
Angst ~ Fear

#1095
Hitchcock, Alfred: The benefits of shock. In: Lambert, Gavin: The dangerous edge. - New York: Grossman Publishers 1976. p. ?P.
Index:
Hitchcock, Alfred
Angst ~ Fear

#1096
Hitchcock, Alfred: The Lady Vanishes. - London: Lorrimer 1984.
Index:
Hitchcock, Alfred
Lady Vanishes, The (1938)

#1097
Hitchcock and adaptation: On the page and screen. Edited by Mark Osteen. - Lanham, Maryland: Rowman & Littlefield 2014.
Index:
Hitchcock, Alfred

#1098
Hitchcock and art: Fatal coincidences. Edited by Dominique Paini and Guy Cogeval. - Milano: Mazzotta 2000.
Index:
Hitchcock, Alfred

#1099
Hitchcock and Cukor. In: Cineaction 1999. No. 50. [?D] pp. 1-88.
Description:
Special issue on the two directors, especially on the representation of women in their work.
Index:
Hitchcock, Alfred
Cukor, George
Frauen ~ Women

#1100
Hitchcock and moralist narrative. In:Great film directors: Acritical anthology. Edited by Leo Braudy and Morris Dickstein. - New York: Oxford University Press 1978. p. ?P.
Index:
Hitchcock, Alfred

#1101
Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.)
Index:
Hitchcock, Alfred
Philosophie ~ Philosophy

#1102
The Hitchcock Annual anthology: Selected essays from volumes 10-15. Edited by Richard Allen and Sidney Gottlieb. - ?O: Wallflower Press 2009.
Reviews:
Brisset, Tifenn: [untitled.] In: Film-Philosophy 15. 2011. No. 1. [?D] pp. 262-266.
Index:
Hitchcock, Alfred

#1103
Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.)
Reviews:
Cutshaw, Debbie: [untitled.] In: Film & History 44. 2014. No. 1. [Spring] pp. 74-77.
Kunze, Peter C.: [untitled.] In: Literature/Film Quarterly 41. 2013. No. 2. [?D] p. 154-156.
Index:
Hitchcock, Alfred

#1104
Hitchcock: Brividi di cana: Catalogo a cura di Roberto Festi. Contributi di Christopher Frayling [et al.]. - Trento: Stampalith 2002.
Description:
Exhibition catalogue.
Index:
Hitchcock, Alfred

#1105
Hitchcock: Brividi di carta. Catalogo a cura di Roberto Festi. Contributi di Christopher Frayling [et al.]. - Trento: Stampalith 2002.
Index:
Hitchcock, Alfred

#1106
Hitchcock et l’art: Coincidences fatales. Édite par Dominique Paini et Guy Cogeval. - Milano: Mazzotta 2000.
Reviews:
Bourget, Jean-Loup / Berthomieu, Pierre: [untitled] In: Positif 2001. No. 485/486. [July/August] p. 158.
Index:
Hitchcock, Alfred

#1107
Hitchcock: Il maestro negato: Bibliografia e filmografia critica. A cura di Marina Fabbri. Ricerche bibliografiche di Francesca Fanuele e Mario Paola Sutto. - Roma: La Meridiana 1991.
Index:
Hitchcock, Alfred

#1108
Hitchcock in Frankfurt: Katalog zur Ausstellung des Deutschen Filmmuseums. Redaktion: Hans-Peter Reichmann und Maren Wurster. - Frankfurt/M.: Deutsches Filmmuseum 2000. (= Kinematograph 15.)
Index:
Hitchcock, Alfred
Frankfurt/Main ~ Frankfurt on the Main

#1109
Hitchcock in prime time. Edited by Francis M. Nevins Jr. and Martin Harry Greenberg. - New York: Avon Books 1985.
Description:
On Hitchcock on TV.
Index:
Hitchcock, Alfred
Fernsehen ~ Television

#1110
Hitchcock: Past and future. Edited by Richard Allen and Sam Ishii-Gonzales. - London; New York: Routledge 2004.
Reviews:
Pomerance, Murray: Reviews. In: Quarterly Review of Film and Video 21. 2004. No. 3. [July-September] pp. 261-266.
Index:
Hitchcock, Alfred

#1111
Hitchcock poster art. Edited by Tony Nourmand and Mark H. Wolff. - London: Aurum Press 1999.
Reviews:
Matthews, Peter: [untitled] In: Sight and Sound NS 9. 1999. No. 11. [November] p. 34.
Index:
Hitchcock, Alfred

#1112
Hitchcock poster art. Edited by Tony Nourmand and Mark H. Wolff. - Woodstock, New York: Overlook Press 2000.
Index:
Hitchcock, Alfred

#1113
Hitchcock poster art. Edited by Tony Nourmand and Mark H. Wolff. - Woodstock, New York: Overlook Press 1999.
Index:
Hitchcock, Alfred

#1114
A Hitchcock reader. Edited by Marshall Deutelbaum and Leland Poague. - Ames: Iowa State University Press 1986.
Index:
Hitchcock, Alfred

#1115
A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009.
Index:
Hitchcock, Alfred

#1116
Hitchcock und die Filmmusik: Die Entwicklung und Verwendungsmöglichkeiten der Filmmusik anhand ausgewählter Werke des Regisseurs Alfred Hitchcock. - München: GRIN Verlag 2010.
Index:
Hitchcock, Alfred
Musik ~ Music

#1117
Hitchcock und die Künste. Hrsg. von Henry Keazor. - Marburg: Schüren 2013.
Reviews:
Arnold, Frank: Was sie immer noch nicht über Hitchcock wissen. In: EPD Film 30. 2013. No. 12. [December] p. 64.
Koll, Horst Peter: [untitled.] In: Film-Dienst 66. 2013. No. 12. [June 6] p. 23.
Schwanebeck, Wieland: Rezension im erweiterten Forschungskontext: Alfred Hitchcock. In: Medienwissenschaft 2014. No. 1. pp. 85-92.
Index:
Hitchcock, Alfred
Kunst ~ Arts, The

#1118
Hitchcock visto por sus actrices. In: Contracampo 1985. No. 38. [?D] pp. 69-76.
Description:
Interviews with Elsie Randolph, Ann Todd, Grace Kelly and Kim Novak on their collaboration with Hitchcock.
Index:
Hitchcock, Alfred
Randolph, Elsie
Todd, Ann
Kelly, Grace
Novak, Kim

#1119
Hitchcock’s America. Edited by Jonathan Freedman and Richard H. Millington. - New York; Oxford: Oxford University Press 1999.
Reviews:
Gottlieb, Sidney: [untitled] In: Film Quarterly 53. 2000. No. 4. [Summer] pp. 56-58.
Langdale, Allan: [untitled] In: American Literature 72. 2000. No. 4. [?D] pp. 895-896.
Index:
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)

#1120
Hitchcock’s feature films. In: Sight and Sound NS 9. 1999. No. 8. [August] Supplement pp. 12-19.
Description:
Annotated filmography.
Index:
Hitchcock, Alfred

#1121
Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubichek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991.
Reviews:
Parrish, Virginia: [untitled] In: Hitchcock Annual 1993. pp. 137-139.
Silet, Charles L. P.: [untitled] In: Film Criticism 18. 1993. No. 1. [Fall] pp. 54-60.
Index:
Hitchcock, Alfred
Rope, The (1948)
Vertigo (1958)

#1122
Hitchcock’s shower scene: Another view. In: Cinefantastique 16. 1986. No. 4/5. [October] pp. 64-67.
Description:
On the shower murder scene in Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Mord ~ Murder

#1123
Hitchcock-(DVD)-Retrospektive in Berlin. In: F.LM - Texte zum Film. Online edition, June 2011.
Description:
On a Hitchcock retrospective at the Berlin Babylon Mitte movie theatre.
Index:
Hitchcock, Alfred
DVD ~ DVD
Berlin ~ Berlin

#1124
Hitchcocks Vertigo. In: Fernseh- und Kino-Technik 24. 1980. No. ?N. [June] pp. 242-243.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1125
Hitchoock visto por suas actrices. In: Contracampo 1985. No. 38. [Winter] pp. 69-76.
Description:
Interviews with Elsie Randolph, Ann Todd, Grace Kelly and Kim Novak on their collaboration with Alfred Hitchcok.
Index:
Hitchcock, Alfred
Randolph, Elsie
Todd, Ann
Kelly, Grace
Novak, Kim

#1126
Hoberman, J.: Alfred Hitchcock, Dial M for Murder (in 3-D). In: Artforum 18. 1980. No. ?N. [Summer] p. 79.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)
3-D Films

#1127
Hoberman, J.: City limits. In: Village Voice 44. 1999. No. ?N. [October 26] p. 157.
Description:
Discusses, among others, Alfred Hitchcock’s North by Northwest and David Fincher’s Fight Club.
Index:
Hitchcock, Alfred
Fincher, David
North by Northwest (1959)
Fight Club (1999)
Stadt ~ City

#1128
Hoberman, J.: The stunt men. In: Village Voice 44. 1999. No. ?N. [April 13] p. 145.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#1129
Hock, Stephen: This is too big for one old name: Hitchcock and Smithee in the signature centrifuge. In: Directed by Allen Smithee. Edited by Jeremy Braddock and Stephen Hock. Foreword by Andrew Sarris. - Minneapolis, Minnesota: University of Minnesota Press 2001. (= Commerce and mass culture.) pp. 175-205.
Index:
Hitchcock, Alfred
Smithee, Alan

#1130
Hoffmann, Katrin: Obsessionen: Die Hitchcock-Ausstellung in München. In: EPD Film 17. 2000. No. 7. [July] pp. 5-6.
Index:
Hitchcock, Alfred
München ~ Munich

#1131
Hoffstetter, Jeanne: Tippi Hedren, de Melanie a Marnie. In: Mensuel du Cinéma 1994. No. 17 [May] p. 73.
Description:
On Hedren’s roles in Alfred Hitchcock’s The Birds and Marnie.
Index:
Hedren, Tippi
Hitchcock, Alfred
Birds, The (1962)
Marnie (1963/1964)

#1132
Hogan, David J.: Psycho. In: Filmfax 1997. No. 61. [June/July] p. 53.
Description:
On a video edition of the Hitchcock classic.
Index:
Hitchcock, Alfred
Psycho (1960)
Video ~ Video

#1133
Hogenbirk, Kees: Een koude douche: Psycho 1998. In: Skrien 1999. No. 232. [April] pp. 14-15, 17.
Description:
Compares the two Psycho films by Alfred Hitchcock and Gus Van Sant.
Index:
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)
Psycho (1998)

#1134
Holben, Jay: An auteur’s angst. In: American Cinematographer 94. 2013. No. 1. [January] pp. 78-88.
Description:
On Jeff Cronenwerth’s camera work for Sacha Gervasi’s biopic Hitchcock.
Index:
Gervasi, Sacha
Cronenweth, Jeff
Hitchcock, Alfred
Hitchcock (2012)
Technik: Kamera ~ Technology: Camera
Angst ~ Fear

#1135
Hollander, Anne: Moving pictures. - Cambridge, Massachusetts; London: Harvard University Press 1991.
Reviews:
de Francia, Peter: Artful dodge. In: Sight and Sound NS 1. 1991. No. 4. [August] pp. 32-33.
Description:
On the relationship between film and painting. Discusses, among others, Robert Wiene’s Das Cabinet des Dr. Caligari, Piero Fosco’s Cabira, Carl Theodor Dreyer’s Vredens dag, Fritz Lang’s Metropolis, Michelangelo Antonioni’s La notte and Cecil Blount DeMille’s Samson and Delilah. Discusses also the expressionist film, the film noir and the animation film in general and analyses the filmic work of Walt Disney and Alfred Hitchcock.
Index:
Lang, Fritz
Wiene, Robert
Pastrone, Giovanni [Pseudonym: Fosco, Piero]
Dreyer, Carl Theodor
Antonioni, Michelangelo
DeMille, Cecil Blount
Disney, Walt
Hitchcock, Alfred
Metropolis (1925/1926)
Cabinet des Dr. Caligari, Das (1919)
Cabira (1914)
Vredens dag / Dies irae (1943)
notte, La (1960)
Samson and Delilah (1950)
Disney ~ Disney
Kunst ~ Arts, The
Film Noir ~ Film Noir
Expressionismus ~ Expressionism
Animation ~ Animation

#1136
Hollinger, Karen: "The look", narrativity, and the female spectator in Vertigo. In: Journal of Film and Video 39. 1987. No. 4. [Fall] pp. 18-27.
Index:
Hitchcock, Alfred
Vertigo (1958)
Frauen ~ Women

#1137
Hollinger, Karen: The female oedipal drama of Rebecca from novel to film. In: Quarterly Review of Film and Video 14. 1993. No. 4. [August] pp. 17-30.
Index:
Hitchcock, Alfred
Du Maurier, Daphne
Rebecca (1940)
Rebecca (Literatur ~ Literature)
Ödipus ~ Oedipus
Frauen ~ Women

#1138
Holt, Jason: The Hitchcock cameo: Aesthetic considerations. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) p. ?P.
Index:
Hitchcock, Alfred
Philosophie ~ Philosophy

#1139
Höltgen, Miriam-Maleika: Schwarz-weiße Engel: Präsentationsformen des Weiblichen im britischen Werk Alfred Hitchcocks. - Köln: Teiresias-Verlag 2004. (= Filmwissenschaft 9.)
Index:
Hitchcock, Alfred
Großbritannien ~ Great Britain
Frauen ~ Women

#1140
Hopcraft, Arthur: Rebecca: The screenplay: From the novel by Daphne du Maurier. - London: Chameleon 1996.
Index:
Hitchcock, Alfred
Rebecca (1940)

#1141
Höpfl, Heather: Hitchcock’s Vertigo and the tragic sublime. In: Journal of Organizational Change Management 15. 2002. No. 1. [?D] pp. 21-34.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1142
Horton, R.: Rear Window. In: Informer ?G. 1983. No. ?N. [October/November] pp. 2-3.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1143
Horwitz, Margaret M.: The Birds: A mother’s love. In: Wide Angle 5. 1982. No. 1. [?D] pp. 42-48.
Description:
On the representation of gender roles in the film.
Index:
Hitchcock, Alfred
Birds, The (1962)
Sexualität ~ Sexuality
Mutter ~ Mothers

#1144
Hosking, Lynda: Emancipatory discourses: Utilizing Kleinian psychoanalysis and poststructuralist theory to deconstruct and (re)present phallocentric themes in Rebecca and American Beauty. - Ottawa, Ontario: University of Ottawa (Canada), Ph.D. 2007. [Abstract in: Dissertation Abstracts International A 68. 2008. No. 11. (May)]
Index:
Hitchcock, Alfred
Mendes, Sam
Klein, Melanie
Rebecca (1940)
American Beauty (1999)

#1145
Höss, Tilman: Poe, James, Hitchcock: Die Rationalisierung der Kunst. - Heidelberg: Winter 2003. (= American Studies 111.)
Index:
Poe, Edgar Allan
James, Henry
Hitchcock, Alfred
Kunst ~ Arts, The

#1146
Houston, Penelope: Figure in the carpet. In: Sight and Sound 32. 1963. No. 4. [Autumn] pp. 158-164.
Description:
On Alfred Hitchcock.
Index:
Hitchcock, Alfred

#1147
Houston, Penelope: Frenzy. In: Sight and Sound 16. 1972. No. 3. [Summer] pp. 166-167.
Index:
Hitchcock, Alfred
Frenzy (1971)

#1148
Houston, Penelope: Hitchcockery. In: Sight and Sound 37. 1968. No. 4. [Autumn] pp. 188-189.
Index:
Hitchcock, Alfred

#1149
Hovde, Bjørn: Vertigo. In: Z Filmtidsskrift ?G. 1997. No. 3(61). [?D] pp. 44-45.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1150
Howard, Tom: Dial M for Murder. In: Reid’s Film Index ?G. 1994. No. 13. [?D] pp. 103-107.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#1151
Howard, Tom: North by Northwest. In: Reid’s Film Index ?G. 1994. No. 13. [?D] pp. 198-200.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#1152
Howard, Tom: Rear Window. In: Reid’s Film Index ?G. 1994. No. 13. [?D] pp. 208-210.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1153
Howe, Lawrence: Through the looking glass: Reflexivity, reciprocality, and defenestration in Hitchcock’s Rear Window. In: College Literature 35. 2008. No. 1. [Winter] pp. 16-37.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1154
Hughes, Rowland: Shadows and doubts: Hitchcock, genre and villainy. In: The Devil himself: Villainy in detective fiction and film. Edited by Stacy Gillis and Philippa Gates. - Westport, Connecticut: Greenwood Press 2002. (= Contributions to the study of popular culture 73.) p. ?P.
Index:
Hitchcock, Alfred
Böse, Das ~ Evil, The
Detektive ~ Detectives

#1155
Humbert, David: Desire and monstrosity in the disaster film: Alfred Hitchcock’s The Birds. In: Contagion ?G. 2010. No. 17. [?D] pp. 87-103.
Index:
Hitchcock, Alfred
Birds, The (1962)
Katastrophen ~ Disasters

#1156
Humbert, David: Hitchcock and the scapegoat: Violence and victimization in The Wrong Man. In: Journal of Religion and Film 16. 2012. No. 2. [October] p. ?P.
Index:
Hitchcock, Alfred
Wrong Man, The (1957)
Gewalt ~ Violence
Religion ~ Religion

#1157
Humbert, Michelle: Volutes: Vertigo, Alfred Hitchcock, 1958. In: Vertigo 2001. No. 22. [October] p. 56.
Description:
On a scene from the film.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1158
Humble, Paul: Hitchcock’s story of the London fog: A very English expressionism. In: Scope [Nottingham] 2008. No. 12. [?D] p. ?P.
Index:
Hitchcock, Alfred
Lodger, The: A Story of the London Fog (1927)
London ~ London
Großbritannien ~ Great Britain
Expressionismus ~ Expressionism

#1159
Humphries, Patrick: The films of Alfred Hitchcock. - London: Hamlyn 1986. (= A Bison book.)
Index:
Hitchcock, Alfred

#1160
Hunsecker, J. J.: Off her trolly. In: Sight and Sound 59. 1989. No. 1. [?D] p. 35.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#1161
Hunter, Evan: Ja i Hic. In: Iskusstvo Kino 1999. No. 2. [February] pp. 120-134.
Description:
Excerpts from the Hitchcock book of the author who, under pseudonym Ed McBain, wrote the script for Alfred Hitchcock’s The Birds and Marnie.
Index:
Hitchcock, Alfred
Birds, The (1962)
Marnie (1963/1964)

#1162
Hunter, Evan: Ja i Hic. In: Iskusstvo Kino 1999. No. 1. [January] pp. 129-145.
Description:
Excerpts from the Hitchcock book of the author who, under pseudonym Ed McBain, wrote the script for Alfred Hitchcock’s The Birds and Marnie.
Index:
Hitchcock, Alfred
Birds, The (1962)
Marnie (1963/1964)

#1163
Hunter, Evan: Me and Hitch. - London; Boston, Massachussetts: Faber & Faber 1997.
Reviews:
Berthomé, Jean-Pierre: [untitled] In: Positif 2000. No. 470. [April] pp. 102-103.
Silet, Charles L. P.: Hitch and me. In: Hitchcock Annual 1998. pp. 129-131.
Description:
Autobiografie of the scriptwriter of Alfred Hitchcock.
Index:
Hunter, Evan
Hitchcock, Alfred

#1164
Hunter, Evan: Me and Hitch. In: Sight and Sound NS 7. 1997. No. 6. [June] pp. 24-37.
Description:
Excerpts from the Hitchcock book of the author who, under pseudonym Ed McBain, wrote the script for Alfred Hitchcock’s The Birds and Marnie.
Index:
Hitchcock, Alfred
Birds, The (1962)
Marnie (1963/1964)

#1165
Hunter, Evan: The Birds. In: Scenario 5. 1999. No. 2. [?D] pp. 110-159.
Index:
Hitchcock, Alfred
Birds, The (1962)

#1166
Hurley, James Stephens III: After the panopticon: Surveillance, scopophilia, and the subject of the gaze. - Charlottesville, Virginia: University of Virginia, Ph.D. 1997. [Abstract in: Dissertation Abstracts International A 58. 1998. No. 7. (January) p. 2433A.]
Description:
Discusses, among others, Alfred Hitchcock’s Rear Window and Psycho as well as Michael Powell’s Peeping Tom.
Index:
Hitchcock, Alfred
Powell, Michael
Rear Window (1954)
Psycho (1960)
Peeping Tom (1959)

#1167
Hurley, Neil P.: Alfred Hitchcock. In: Religion in film. Edited by John R. May and Michael Bird. - Knoxville, Tennessee: University of Tennessee Press 1982. p. ?P.
Index:
Hitchcock, Alfred
Religion ~ Religion

#1168
Hurley, Neil P.: Inside the Hitchcock vision. In: America: The National Catholic Weekly 134. 1976. No. ?N. [June 12] pp. 512-514.
Index:
Hitchcock, Alfred

#1169
Hurley, Neil P.: Neil Hurley on Sir Alfred Hitchcock. In: New Orleans Review 7. 1980. No. 2. [Summer] p. 190.
Index:
Hitchcock, Alfred

#1170
Hurley, Neil P.: Soul in suspense: Hitchcock’s fright and delight. - Metuchen, New Jersey; London: Scarecrow Press 1993.
Reviews:
Brookhouse, Christopher: [untitled] In: Hitchcock Annual 1993. pp. 157-161.
Description:
On Hitchcock’s experiences in a Jesuit scholl and how they influenced his later filmic work. Includes a filmography and a bibliography.
Index:
Hitchcock, Alfred
Religion ~ Religion
Angst ~ Fear
Thriller ~ Thriller

#1171
Hurley, Neil P.: Soul in suspense: The Catholic / Jesuit influences on Hitchcock. In: New Orleans Review 17. 1990. No. 4. [Winter] pp. 44-52.
Index:
Hitchcock, Alfred
Thriller ~ Thriller
Religion ~ Religion

#1172
Hurlez, N. P.: Entretien avec James Stewart. In: Cahiers du Cinéma 1984. No. 358. [April] pp. 18-25.
Description:
Discusses, among others, Stewart’s work for the films of Frank Capra and Alfred Hitchcock.
Index:
Stewart, James
Capra, Frank
Hitchcock, Alfred

#1173
Hurlez, N. P.: Interview with James Stewart. In: New Orleans Review 10. 1983. No. 2/3. [?D] p. ?P.
Description:
Discusses, among others, Stewart’s work for the films of Frank Capra and Alfred Hitchcock.
Index:
Stewart, James
Capra, Frank
Hitchcock, Alfred

#1174
Hußmann, Wolfgang: Zwischen Schuld und Unschuld: Zum Schweigen verurteilt von Alfred Hitchcock (1952). In: Spuren des Religiösen im Film: Meilensteine aus 100 Jahren Filmgeschichte. Hrsg. von Peter Hasenberg, Wolfgang Luley und Charles Martig im Auftrag der Zentralstelle Medien der Deutschen Bischofskonferenz Bonn und des Katholischen Mediendienstes Zürich. - Mainz: Matthias Grünewald Verlag / Köln: Katholisches Institut für Medieninformation 1995. pp. 243-244.
Description:
On Alfred Hitchcock’s I Confess.
Index:
Hitchcock, Alfred
I Confess (1952)
Religion ~ Religion

#1175
Hutchings, Peter J.: Modernity: A film by Alfred Hitchcock. In: Senses of Cinema 2000. No. 6. [May] p. ?P.
Index:
Hitchcock, Alfred

#1176
Hyde, Thomas: The moral universe of Hitchcock’s Spellbound. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Spellbound (1945)

#1177
If I do what you tell me, will you love me? Vertigo. In: The movie book. Contributors: Louis Baxter, John Farndon, Kieran Grant, Damon Wise. Consultant editor: Danny Leigh. - New York: DK Publishing 2016. (= Big ideas simply explained.) p. ?P.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1178
Immer Ärger mit Harry. - Nürnberg: Verlag Karin Stähle ?J. (= Super 8 Filmblätter.)
Index:
Hitchcock, Alfred
Trouble with Harry, The (1955)

#1179
Immer Ärger mit Harry. - Nürnberg: Verlag Karin Stähle ?J. (= Phantopia-Filmprogramm 714.)
Description:
On Alfred Hitchcock’s The Trouble with Harry.
Index:
Hitchcock, Alfred
Trouble with Harry, The (1955)

#1180
L’inconnu du Nord-Express de Alfred Hitchcock. (= L’Avant-Scène Cinéma 1982. No. 297/298. [December])
Description:
On Alfred Hitchcock’s Stranger on a Train.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)

#1181
Ingersoll, Earl G.: Conrad and film: The Secret Agent and Hitchcock’s Sabotage. In: Conradiana 29. 1997. No. 2. [Summer] pp. 134-149.
Index:
Hitchcock, Alfred
Conrad, Joseph
Sabotage (1936)
Secret Agent, The (Literatur ~ Literature)

#1182
Interrogaciones sobre Hitchcock. Comp. par Eduardo A. Russo. Textos de Fabio Benavídez [et al.]. - Buenos Aires: Simurg 2001. (= Cuadernos de cine.)
Index:
Hitchcock, Alfred

#1183
Ishii-Gonzales, Sam: Gus Van Sant vs. AIfred Hitchcock: An analysis of the parlor scene in Psycho x2. In: Hitchcock Annual 2001/2002. pp. 149-154.
Index:
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)
Psycho (1998)

#1184
Ishii-Gonzales, Sam: Hitchcock with Deleuze. In: Hitchcock: Past and future. Edited by Richard Allen and Sam Ishii-Gonzales. - London; New York: Routledge 2004. p. ?P.
Index:
Hitchcock, Alfred
Deleuze, Gilles

#1185
Issues in feminist film criticism. Edited by Patricia Erens. - Bloomington, Indiana: Indiana University Press 1990.
Reviews:
Erb, Cynthia: [untitled] In: Film Quarterly 45. 1992. No. 3. [Spring] pp. 58-59.
van Zoonen, Liesbet: Gender and film. In: Journal of Communication 42. 1992. No. 4. [Autumn] pp. 180-185.
Description:
Discusses, among others, the representation of the woman in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Frauen ~ Women

#1186
Izaguirre, Boris: El armario secreto de Hitchcock. - Pozuelo de Alarcón, Madrid: Espasa 2005.
Index:
Hitchcock, Alfred

#1187
Izzo, Donatella: Sounds of silence in The Wings of the Dove and Blackmail. In: The men who knew too much: Henry James and Alfred Hitchcock. Edited by Susan Griffin and Alan Nadel. - Oxford; New York: Oxford University Press 2011. p. ?P.
Index:
James, Henry
Hitchcock, Alfred
Blackmail (1929)
Musik ~ Music
Wings of the Dove, The (Literatur ~ Literature)

#1188
Jack, E. J. R.: Reading Shakespearean cinema. - Bristol: University of Bristol, Ph.D. 2006. [Abstract in: Index to Theses with Abstracts 57-2609.]
Description:
Examines Akira Kurosawa’s Throne of Blood (Kumonosu-djo), Alfred Hitchcock’s North by Northwest and Baz Luhrman’s William Shakespeare’s Romeo & Juliet.
Index:
Shakespeare, William
Kurosawa, Akira
Hitchcock, Alfred
Luhrman, Baz
Kumonosu-djo (1957)
North by Northwest (1959)
William Shakespeare’s Romeo & Juliet (1996)

#1189
Jack, Edward: Literary cinema: North by Northwest and Hamlet. In: Shakespeare Studies [Tokyo] 2009. No. 47. [?D] pp. 17-36.
Index:
Shakespeare, William
Hitchcock, Alfred
North by Northwest (1959)
Tragicall Historie of Hamlet, Prince of Denmarke, The (Literatur ~ Literature)

#1190
Jackson, Crispin: John Buchan’s The Thirty-Nine Steps. In: Book and Magazine Collector 2000. No. 197. [?D] pp. 4-16.
Description:
On the filmings of the novel, especially on the Alfred Hitchcock version.
Index:
Buchan, John
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)
Thirty-Nine Steps, The (Literatur ~ Literature)

#1191
Jacobowitz, Florence: Hitchcock and feminist criticism: From Rebecca to Marnie. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred
Rebecca (1940)
Marnie (1963/1964)
Frauen ~ Women

#1192
Jacobowitz, Florence: Seeing and believing: Sid Bernstein’s German Atrocities Film and the question of Hitchcock’s participation. In: Cineaction 1999. No. 50. [?D] pp. 86-88.
Index:
Hitchcock, Alfred
Deutschland ~ Germany

#1193
Jacobs, Steven: Dial A for Architecture: Fünf Gründe, die Gebäude in Hitchcock-Filmen zu untersuchen. In: Hitchcock und die Künste. Hrsg. von Henry Keazor. - Marburg: Schüren 2013. pp. 104 ff.
Index:
Hitchcock, Alfred
Kunst ~ Arts, The

#1194
Jacobs, Steven: Galleries of the gaze: The museum in Rossellini’s Viaggio in Italia and Hitchcock’s Vertigo. In: Jacobs, Steven: Framing pictures: Film and the visual arts. - Edinburgh: Edinburgh University Press 2011. (= Edinburgh studies in film.) p. ?P.
Index:
Rossellini, Roberto
Hitchcock, Alfred
Viaggio in Italia (1953)
Vertigo (1958)
Kunst ~ Arts, The

#1195
Jacobs, Steven: Hitchcock, the Holocaust, and the long take: Memory of the camps. In: Arcadia 45. 2010. No. 2. [?D] pp. 265-276.
Index:
Hitchcock, Alfred
Holocaust ~ Holocaust

#1196
Jacobs, Steven: The video that knew too much: Hitchcock, contemporary art and post-cinema. In: Jacobs, Steven: Framing pictures: Film and the visual arts. - Edinburgh: Edinburgh University Press 2011. (= Edinburgh studies in film.) p. ?P.
Index:
Hitchcock, Alfred
Video ~ Video
Kunst ~ Arts, The

#1197
Jacobs, Steven: The wrong house: The architecture of Alfred Hitchcock. - Rotterdam: 010 Publishers 2007.
Reviews:
Hinrichsen, Jens: Hitchcocks Häuser. In: Film-Dienst 67. 2014. No. 4. [February 13] p. 6.
Description:
On the meaning of architectural landscapes, houses, other buildings and special locations for the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Natur ~ Nature

#1198
Jaeger, C. Stephen: Enchantment: On charisma and the sublime in the arts of the West. - Philadelphia, Pennsylvania: University of Pennsylvania Press 2012. (= Haney foundation.)
Reviews:
Classen, Albrecht: [untitled.] In: Arthuriana 23. 2013. No. 1. [?D] pp. 75-76.
Description:
Includes an chapter on Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1199
James, Nick: Late great Hitchcock. In: Sight and Sound NS 11. 2001. No. 12 [December] p. 64.
Description:
On several DVD editions.
Index:
Hitchcock, Alfred
DVD ~ DVD

#1200
Jameson, Frederic: Spatial systems in North by Northwest. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 47-72.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#1201
Jampol’skij, M.: Ledij ischezact, Velikobritannia (1938). In: Iskusstvo Kino 1988. No. 11. [November] pp. 110-112.
Description:
On Alfred Hitchcock’s The Lady Vanishes.
Index:
Hitchcock, Alfred
Lady Vanishes, The (1938)

#1202
Jancovich, Mark: "The English master of movie melodrama": Hitchcock, horror and the woman’s film. In: Film International 2011. No. 9. [July] pp. 51-67.
Index:
Hitchcock, Alfred
Horror ~ Horror
Großbritannien ~ Great Britain
Frauen ~ Women

#1203
Janisch, Attila: Psycho. In: Filmvilag 36. 1993. No. 10. [?D] pp. 32-35.
Index:
Hitchcock, Alfred
Psycho (1960)

#1204
Jansen, Peter W.: Jesuitische Dramaturgie: Alfred Hitchcocks Spiel mit dem Schuldgefühl - des Zuschauers. In: Filmbulletin 41. 1999. No. ?N(223) [August] pp. 18-19.
Index:
Hitchcock, Alfred

#1205
Jean-Luc Godard zum Tode von Alfred Hitchcock. In: Filmkritik 24. 1980. No. 6. [June] pp. 280-284.
Description:
Obituary.
Index:
Hitchcock, Alfred
Godard, Jean-Luc
Tod ~ Death

#1206
Jekubzik, Günter H.: Hitchcock online. In: Film-Dienst 52. 1999. No. 16. [August 3] p. 42.
Description:
Links to Internet sites on Alfred Hitchcock.
Index:
Hitchcock, Alfred
Internet ~ Internet

#1207
Jendricke, Bernhard: Alfred Hitchcock mit Selbstzeugnissen und Bilddokumenten. - Reinbek: Rowohlt 1993. (= rowohlts monographien 420.)
Reviews:
Pst.: [untitled] In: Film-Dienst 47. 1994. No. 7. [March 29] p. 33.
Index:
Hitchcock, Alfred

#1208
Jenkins, Steve: Hitchcock x 2: Refocusing the spectator. In: Monthly Film Bulletin 51. 1984. No. 601. [February] pp. 34-38.
Description:
Discusses especially Rear Window, The Rope and Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)
Rear Window (1954)
Rope, The (1948)

#1209
Jenn, Pierre: Techniques du scénario. - Paris: Éditions Femis / Institut de formation et d’enseignement pour les métiers de l’image et du son 1991. (= Écrits-écrans 7.)
Reviews:
Niel, Philippe: [untitled] In: Positif 1992. No. 379. [September] p. 83.
Description:
Discusses, among others, Hitchcock’s North by Northwest and Psycho as well as George Lucas’s Star Wars.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Psycho (1960)
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Technik ~ Technology

#1210
Jenny, Urs / Weingarten, Susanne: Das gute Alte, das beste Neue. In: Der Spiegel 52. 1998. No. 53. [December 28] pp. 138-140.
Description:
On the increasing numbers of remakes, discusses especially Gus Van Sant’s remake of Hitchcock’s Psycho.
Index:
Van Sant, Gus
Hitchcock, Alfred
Psycho (1998)
Psycho (1960)

#1211
Jensen, Sören: Das Verhalten Norman Bates im Film Psycho von Alfred Hitchcock vor und nach beiden Mordszenen. - München: GRIN Verlag 2011.
Index:
Hitchcock, Alfred
Psycho (1960)
Mord ~ Murder

#1212
Jhirad, Susan: Hitchcock’s women. In: Cineaste 13. 1984. No. 4. [?D] pp. 31-33.
Index:
Hitchcock, Alfred
Frauen ~ Women

#1213
Jimenez de las Heras, Jose A.: Marnie y Vertigo, las dos caras de una misma obsesion. In: Dirigido 1999. No. 282. [September] pp. 76-82.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Vertigo (1958)

#1214
Johan Grimonprez - looking for Alfred: The Hitchcock castings: In conjunction with the Exhibition Looking for Alfred, Johan Grimonprez, at Pinakothek der Moderne, Munich, May 10 - August 19, 2007. Edited by Steven Bode. Texts by Patricia Allmer [et al.]. - Ostfildern: Hatje Cantz 2007.
Index:
Hitchcock, Alfred
Grimonprez, Johan
München ~ Munich

#1215
Johnson, Albert: Echoes from The Birds. In: Sight and Sound 32. 1963. No. 2. [Spring] pp. 65-66.
Index:
Hitchcock, Alfred
Birds, The (1962)

#1216
Johnson, Albert: Frenzy. In: Film Quarterly 26. 1972. No. 1. [Fall] pp. 58-60.
Index:
Hitchcock, Alfred
Frenzy (1971)

#1217
Johnson, William: A fine Frenzy. In: Film Comment 8. 1972. No. 4. [November/December] pp. 54-57.
Index:
Hitchcock, Alfred
Frenzy (1971)

#1218
Johnson, William: Enigma variations. In: Film Comment 33. 1997. No. 6. [November/December] pp. 70-73.
Description:
On narrative structures in Hitchcock’s Vertigo, Anthony Minghella’s The English Patient, Vicente Aranda*s Libertarias, Mohsan Makhmalbaf’s Nun va goldun and Kohei Oguris’s Nemuru otoko.
Index:
Hitchcock, Alfred
Minghella, Anthony
Aranda, Vicente
Makhmalbaf, Mohsan
Oguri, Kohei
Vertigo (1958)
English Patient, The (1996)
Libertarias (1996)
Nun va goldun (1996)
Nemuru otoko (1996)

#1219
Johnson, William: Sound and image. In: Film Quarterly 43. 1989. No. 1. [?D] pp. 24-35.
Index:
Hitchcock, Alfred
Vertigo (1958)
Musik ~ Music

#1220
Joly, Martine: Le cinéma qui n’aimait pas les femmes. In: Vertigo 1996. No. 14. [January] pp. 123-126.
Description:
On the representation of violence in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Gewalt ~ Violence
Frauen ~ Women

#1221
Jones, Alan: Hitchcock’s pupil. In: Cinefantastique 17. 1987. No. 1. [January] pp. 36-39.
Description:
On director Richard Franklin.
Index:
Franklin, Richard
Hitchcock, Alfred

#1222
Jousse, Thierry: Bernard Herrmann: North by Northwest. In: Cahiers du Cinéma 1995. Hors-série. p. 125.
Index:
Hitchcock, Alfred
Herrmann, Bernard
North by Northwest (1959)

#1223
Joyce, Paul: 25 years of "Film": Interviews: Hitchcock and the dying art. In: Film [London] 1979. No. ?N(79). [November] pp. 25-28.
Description:
Reprint of an article from "Film" No. 46.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1224
Judnick, Maria A.: "The name of Hitchcock! The fame of Steinbeck! The legacy of Lifeboat. In: Hitchcock and adaptation: On the page and screen. Edited by Mark Osteen. - Lanham, Maryland: Rowman & Littlefield 2014. p. ?P.
Index:
Hitchcock, Alfred
Steinbeck, John
Lifeboat (1943)

#1225
Jung und unschuldig. - Stuttgart: Verlag Uwe Wiedleroither ?J. (= Filmprogram 113.)
Description:
On Alfred Hitchcock’s Young and Innocent / The Girl Was Young.
Index:
Hitchcock, Alfred
Young and Innocent / Girl Was Young, The (1937)

#1226
Kaganski, Serge: Alfred Hitchcock. - Pariz: Hazan 1997. (= Lumières 1.)
Index:
Hitchcock, Alfred

#1227
Kalinak, Kathryn: The language of music: A brief analysis of Vertigo. In: Movie music, the film reader. Edited by Kay Dickinson. - London; New York: Routledge 2003. (= In focus / Routledge film readers.) p. ?P.
Index:
Hitchcock, Alfred
Vertigo (1958)
Musik ~ Music

#1228
Kaltenecker, Siegfried: Spiegelformen: Männlichkeit und Differenz im Kino. - Basel; Frankfurt/M.: Stoemfeld verlag 1996. (= Nexus 31.)
Reviews:
Römers, Holger: [untitled] In: Film-Dienst 51. 1998. No. 1. [January 6] pp. 32-33.
Description:
Includes a chapter on Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)
Männer ~ Men

#1229
Kaminsky, Stuart M.: Dressed to Kill: An appreciation. In: Armchair Detective 14. 1981. No. 1. [?D] pp. 14-16.
Index:
De Palma, Brian
Hitchcock, Alfred
Dressed to Kill (1980)
Psycho (1960)

#1230
Kane, Lawrence: The shadow world of Alfred Hitchcock. In: Theatre Arts 33. 1949. No. 4. [May] p. 32.
Index:
Hitchcock, Alfred

#1231
Kaplan, E. Ann: Motherhood and representation: The mother in popular culture and melodrama. - New York; London: Routledge 1992.
Reviews:
Negra, Diane: [untitled] In: The Velvet Light Trap 1994. No. 33. [?D] pp. 66-67.
Description:
Discusses, among others, Hitchcock’s Marnie and Adrian Lyne’s Fatal Attraction.
Index:
Hitchcock, Alfred
Lyne, Adrian
Marnie (1963/1964)
Fatal Attraction (1987)
Mutter ~ Mothers

#1232
Kapsis, Robert E.: Alfred Hitchcock: Auteur or hack? How the filmmaker reshaped his reputation among the critics. In: Cineaste 14. 1986. No. 3. [?D] pp. 30-35.
Index:
Hitchcock, Alfred
Birds, The (1962)

#1233
Kapsis, Robert E.: Hitchcock in the James Bond era. In: Studies in Popular Culture 11. 1988. No. 1. [?D] pp. 64-79.
Description:
Discusses especially Alfred Hitchcock’s Marnie, Topaz and Torn Curtain.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Topaz (1968)
Torn Curtain (1966)
James Bond ~ James Bond

#1234
Kapsis, Robert E.: Hitchcock: The making of a reputation. - Chicago, Illinois; London: University of Chicago Press 1992.
Reviews:
Maland, Charles: [untitled] In: Film Quarterly 47. 1993. No. 1. [Fall] pp. 52-53.
Manchel, Frank: [untitled] In: Historical Journal of Film, Radio and Television NS 13. 1993. No. 3. [August] pp. 370-372.
Mogg, Ken: [untitled] In: Hitchcock Annual 1993. pp. 96-116.
Thompson, Robert J.: [untitled] In: Journal of Popular Culture 27. 1993. No. 1. [?D] pp. 223-224.
Index:
Hitchcock, Alfred

#1235
Kapsis, Robert E.: Hollywood filmmaking and reputation building: Hitchcock’s The Birds. In: Journal of Popular Film and Television 15. 1987. No. 1. [Spring] pp. 5-15.
Index:
Hitchcock, Alfred
Birds, The (1962)
Hollywood ~ Hollywood

#1236
Kapsis, Robert E.: Multimedia Hitchcock DVD-ROM: The master and his legacy - 100 years. - Bloomington, Indiana: Indiana University Press 2000.
Index:
Hitchcock, Alfred
DVD ~ DVD

#1237
Kapsis, Robert E.: Reputation building and the film art world: The case of Alfred Hitchock. In: Sociological Quarterly 30. 1989. No. 1. [Spring] pp. 15-35.
Description:
On the changing way in which Hitchcock was seen in public viewing througout his career.
Index:
Hitchcock, Alfred

#1238
Kapsis, Robert E.: The historical reception of Hitchcock’s Marnie. In: Journal of Film and Video 40. 1988. No. 3. [Summer] pp. 46-63.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#1239
Kara, Sema: Female characters as neurotic male projections in Alfred Hitchcock’s Vertigo and Francois Truffaut’s La Sirène du Mississippi: Femininity and the male gaze. - München: GRIN Verlag 2014.
Index:
Hitchcock, Alfred
Truffaut, François
Vertigo (1958)
sirène du Mississipi, La (1968-1969)
Sexualität ~ Sexuality
Männer ~ Men
Frauen ~ Women
Psychologie ~ Psychology

#1240
Karasek, Hellmuth: North by Northwest (1959) (Der unsichtbare Dritte). In: Karasek, Hellmuth: Mein Kino: Die hundert schönsten Filme. - Hamburg: Hoffmann und Campe 1994. pp. 310-314.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#1241
Karasek, Hellmuth: Notorious (1946) (Berüchtigt). In: Karasek, Hellmuth: Mein Kino: Die hundert schönsten Filme. - Hamburg: Hoffmann und Campe 1994. pp. 208-212.
Index:
Hitchcock, Alfred
Notorious (1946)

#1242
Karasek, Hellmuth: Psycho (1960). In: Karasek, Hellmuth: Mein Kino: Die hundert schönsten Filme. - Hamburg: Hoffmann und Campe 1994. pp. 323-327.
Index:
Hitchcock, Alfred
Psycho (1960)

#1243
Karasek, Hellmuth: The Lady Vanishes (1938) (Eine Dame verschwindet). In: Karasek, Hellmuth: Mein Kino: Die hundert schönsten Filme. - Hamburg: Hoffmann und Campe 1994. pp. 89-92.
Index:
Hitchcock, Alfred
Lady Vanishes, The (1938)

#1244
Karasek, Hellmuth: Vertigo (1958) (Aus dem Reich der Toten - Vertigo). In: Karasek, Hellmuth: Mein Kino: Die hundert schönsten Filme. - Hamburg: Hoffmann und Campe 1994. pp. 297-301.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1245
Karban, Thomas: Ein Doppelleben: Zum Tode von Miklos Rozsa. In: Film-Dienst 48. 1995. No. 17. [August 15] pp. 16-17.
Description:
On the composer who wrote the score for many fantastic films, among them The Thief of Bagdad by Ludwig Berger, Michael Powell, Tim Whelan, Alexander and Zoltan as well as William Cameron Menzies; Zoltan Korda’s Four Feathers; The Jungle Book by Zoltan Korda and André de Toth; Hitchcock’s Spellbound; Mervyn LeRoy’s Quo Vadis; Anthony Mann’s El Cid and William Wyler’s Ben Hur.
Index:
Rózsa, Miklós
Berger, Ludwig
Powell, Michael
Whelan, Tim
Korda, Zoltan
Korda, Alexander
Korda, Zoltan
Menzies, William Cameron
de Toth, André
Hitchcock, Alfred
LeRoy, Mervyn
Mann, Anthony
Wyler, William
Thief of Bagdad, The (1940)
Four Feathers (1939)
Jungle Book (1942)
Spellbound (1945)
Quo Vadis? (1951)
Cid, El (1961)
Ben Hur (1959)
Tod ~ Death
Musik ~ Music

#1246
Karceva, E.: Hickok dIja vseh: Hickok o Hickoke. In: Iskusstvo Kino 1990. No. 11. [November] pp. 130-132, 162-172.
Index:
Hitchcock, Alfred

#1247
Karetnikova, Inga: Seven masterpieces of 1940s cinema. - Oxford; Portsmouth, New Hampshire: Heinemann 2006.
Description:
Discusses, among others, Frank Capra’s It’s a Wonderful Life and Alfred Hitchcock’s Notorious.
Index:
Capra, Frank
Hitchcock, Alfred
It’s a Wonderful Life (1947)
Notorious (1946)

#1248
Karren, Howard: Peep show. In: Premiere 4. 1991. No. ?N. [Winter] pp. 88-89.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1249
Kaska, Kathleen: Alfred Hitchcock triviography and quiz book. - Los Angeles: Renaissance Books 1999.
Index:
Hitchcock, Alfred

#1250
Katz, Jim: Jim Katz talks about Vertigo. In: Films in Review 47. 1996. No. 9/10. [?D] pp. 40-41.
Description:
The producer and film restorer on the restored version of the Hitchcock classic.
Index:
Hitchcock, Alfred
Katz, James C.
Vertigo (1958)

#1251
Kau, Edvin: Separation or combination of fragments? Reflections on editing. In: P.O.V. 1998. No. 6. [December] pp. 49-73.
Index:
Hitchcock, Alfred
Psycho (1960)

#1252
Kaufmann, Anette: Angst, Wahn, Mord: Von Psycho-Killern und anderen Film-Verrückten. - Münster: MAkS-Publ. 1990. (= Film- und fernsehwissenschaftliche Arbeiten.)
Reviews:
Felix, Jürgen: [untitled] In: Medienwissenschaft 1991. No. 3. pp. 354-357.
Description:
Discusses, among others, Hitchcock’s Psycho and Frenzy as well as zu Max Mack’s Der Andere. Includes a bibliography and a filmograpy.
Index:
Hitchcock, Alfred
Mack, Max
Psycho (1960)
Frenzy (1971)
Andere, Der (1913)
Psychologie ~ Psychology
Mord ~ Murder
Wahnsinn ~ Madness
Angst ~ Fear

#1253
Kaufmann, Anette: Angst, Wahn, Mord: Von Psycho-Killern und anderen Film-Verrückten. - Marburg: Universität Marburg, Dissertation ?J (1990).
Description:
Discusses, among others, Hitchcock’s Psycho and Frenzy as well as Max Mack’s Der Andere. Includes a bibliography and a filmograpy.
Index:
Hitchcock, Alfred
Mack, Max
Psycho (1960)
Frenzy (1971)
Andere, Der (1913)
Psychologie ~ Psychology
Mord ~ Murder
Wahnsinn ~ Madness
Angst ~ Fear

#1254
Kaut, Susanne: Das Fenster zum Hof (Regie: Alfred Hitchcock; USA 1954). In: "Ich sehe was, was du nicht siehst": Psychoanalytische Filminterpretationen. Hrsg. von Theo Piegler. - Gießen: Psychosozial-Verlag 2010. (= Imago.) pp. 43 ff.
Index:
Hitchcock, Alfred
Rear Window (1954)
Psychologie ~ Psychology

#1255
Keane, Marian: A closer look at scopophilia: Mulvey, Hitchcock and Vertigo. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1256
Keane, Marian: Åter till studie i brott. In: Filmhäftet 27. 1999. No. 107. [?D] pp. 55-62.
Description:
On Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1257
Keane, Marian: The designs of authorship: An essay on North by Northwest. In: Wide Angle 4. 1980. No. 1. [?D] pp. 44-52.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#1258
Keazor, Henry: "Hitchbook", "Hitchcook", "Hitchlook" ...: Hitchcock und die Künste - eine Einführung. In: Hitchcock und die Künste. Hrsg. von Henry Keazor. - Marburg: Schüren 2013. pp. 9 ff.
Index:
Hitchcock, Alfred
Kunst ~ Arts, The

#1259
Keazor, Henry / Martinetti, Anne: "A little ’trouty’, but quite good": Fisch-Frauen (und Fisch-Rezepte) bei Hitchcock. In: Hitchcock und die Künste. Hrsg. von Henry Keazor. - Marburg: Schüren 2013. pp. 192 ff.
Index:
Hitchcock, Alfred
Frauen ~ Women
Kunst ~ Arts, The

#1260
Keazor, Henry / Samuel, Benjamin: "... wie die Ringe des Saturn": Ein Gespräch mit Benjamin Samuel vor seinen Werken Hitchcock30 und Kubrick13*9*10 im Frankfurter Filmmuseum. In: Hitchcock und die Künste. Hrsg. von Henry Keazor. - Marburg: Schüren 2013. pp. 33 ff.
Index:
Hitchcock, Alfred
Samuel, Benjamin
Frankfurt/Main ~ Frankfurt on the Main
Kunst ~ Arts, The

#1261
Keeler, Robert: Can someone solve some mysteries concerning Alfred Hitchcock’s Vertigo. In: Films in Review 39. 1988. No. ?N. [February] p. 126.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1262
Kehr, Dave: Hitchcock is guilty. In: Film Comment 20. 1984. No. ?N. [May/June] pp. 9-18.
Index:
Hitchcock, Alfred

#1263
Kehr, Dave: Hitchcock’s riddle. In: Film Comment 20. 1984. No. ?N. [May/June] pp. 9-18.
Index:
Hitchcock, Alfred
Rear Window (1954)
Vertigo (1958)

#1264
Kelly, David: Oedipus at Los Angeles: Hitch and the tragic muse. In: Senses of Cinema 2003. No. 24. [January/February] p. ?P.
Index:
Hitchcock, Alfred
Los Angeles ~ Los Angeles

#1265
Kemp, Philip: Aventure Malgache. In: Sight and Sound NS 3. 1993. No. 11. [November] p. 57.
Index:
Hitchcock, Alfred
Aventure Malgache (1944)

#1266
Kemp, Philip: Hitch before Hollywood. In: Sight and Sound NS 18. 2008. No. 4. [April] p. 84.
Description:
On a DVD edition of Hitchcock’s early British films.
Index:
Hitchcock, Alfred
Hollywood ~ Hollywood
Großbritannien ~ Great Britain
DVD ~ DVD

#1267
Kendrick, James: Disturbing new pathways: Psycho and the priming of the audience. In: Journal of Popular Film and Television 38. 2010. No. 1. [?D] pp. 2-9.
Index:
Hitchcock, Alfred
Psycho (1960)

#1268
Kent, Carol Fleisher: Constrained extremists: Generic constrained and transgression in the work of Flannery O’Connor and Alfred Hitchcock. - Providence, Rhode Island: Brown University, Ph.D. 1992. [Abstract in: Dissertation Abstracts International A 53. 1993. No. 11. (May) p. 3903A.]
Index:
Hitchcock, Alfred
O’Connor, Flannery

#1269
Keough, Peter: Out of the ashes. In: Sight and Sound NS 2. 1992. No. 8. [December] pp. 14-15.
Description:
On Brian de Palma’s Raising Cain and on de Palma’s use of Hitchcockian techniques for his filmmaking.
Index:
De Palma, Brian
Hitchcock, Alfred
Raising Cain (1992)
Technik ~ Technology

#1270
Kilbourn, Russell J. A.: The second look, the second death: W. G. Sebald’s orphic adaptation of Hitchcock’s Vertigo. In: Hitchcock and adaptation: On the page and screen. Edited by Mark Osteen. - Lanham, Maryland: Rowman & Littlefield 2014. p. ?P.
Index:
Hitchcock, Alfred
Sebald, W. G.
Vertigo (1958)
Tod ~ Death

#1271
Kindem, G. A.: Peirce’s semiotic phenomenalism and film. In: Quarterly Review Of Film Studies 4. 1979. No. 1. [Winter] pp. 61-69.
Description:
Analyzing the initial sequence of Hitchcock’s To Catch a Thief by using the semiotic theory of Charles Sanders Peirce.
Index:
Hitchcock, Alfred
Peirce, Charles Sanders
To Catch a Thief (1955)

#1272
Kindem, Gorham Anders: Toward a semiotic theory of visual communication in the cinema: A reappraisal of semiotic theories from a cinematic perspective and a semiotic analysis of color signs and communication in the color films of Alfred Hitchcock. - New York: Arno Press 1980. (= Dissertations on film 1980.)
Index:
Hitchcock, Alfred

#1273
King, David A.: Hitched: The similar legacies of Flannery O’Connor and Alfred Hitchcock. In: Flannery O’Connor Review 2013. No. 11. pp. 50-69.
Index:
Hitchcock, Alfred
O’Connor, Flannery

#1274
King, Noel / Miller, Toby: Accidental heroes and gifted amateurs: Hitchcock and ideology. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred
Politik ~ Politics
Helden ~ Heros

#1275
King, Noel / Miller, Toby: The Lady Vanishes, but she won’t go away. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Hitchcock, Alfred
Lady Vanishes, The (1938)

#1276
Kinghorn, Kevin: Plot twists and surprises: Why are some things improbable? In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 215-227.
Index:
Hitchcock, Alfred
Philosophie ~ Philosophy

#1277
Kino und Couch: Zum Verhältnis von Psychoanalyse und Film. Redaktionelle Bearbeitung: Ernst Karpf. - Frankfurt/Main: Gemeinschaftswerk der evangelischen Publizistik / Schmitten/Taunus: Evangelische Akademie Arnoldshain 1990. (= Arnoldshainer Filmgespräche 7.)
Reviews:
[Untitled] In: Film-Dienst 44. 1991. No. 6. [March 19] p. 39.
er: [untitled] In: Filmwärts ?G. 1990/1991. No. 18. [?D] p. III.
Description:
Discusses, among others, Hitchcock’s Marnie and Polanski’s Repulsion.
Index:
Hitchcock, Alfred
Polanski, Roman
Marnie (1963/1964)
Repulsion (1965)
Psychologie ~ Psychology

#1278
Kirkham, Pat: The jeweller’s eye. In: Sight and Sound NS 7. 1997. No. 4. [April] pp. 18-19.
Description:
On Saul Bass’s leader for Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Bass, Saul
Vertigo (1958)
Augen ~ Eyes

#1279
Kirsch, Konrad: Der zweite Blick / A second look. - Stuttgart; London: Ed. Menges 2013.
Index:
Hitchcock, Alfred

#1280
Kirshner, Jonathan: Alfred Hitchcock and the art of research. In: Political Science and Politics 29. 1996. No. 3. [September] pp. 511 ff.
Index:
Hitchcock, Alfred

#1281
Kistner, Winfried: Ikonographie der Frau in den Filmen von Alfred Hitchcock. - München: Universität München, Institut für Kommunikationswissenschaft, Magisterarbeit ?J (1987).
Index:
Hitchcock, Alfred
Frauen ~ Women

#1282
Klaassen, Klaas: Das Fenster zum Hof. In: Filmgenres: Kriminalfilm. Hrsg. von Knut Hickethier unter Mitarbeit von Katja Schumann. - Stuttgart: Reclam 2005. pp. 115-119.
Description:
On Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
Kriminalität ~ Crime

#1283
Klabbers, Johannes: Notorious: Alfred Hitchcock and contemporary art. In: Metro 2000. No. 123. [?D] pp. 110-114.
Description:
On an art exhibition at the "Museum of Contemporary Art" in Sydney which treats themes from Hitchcock films.
Index:
Hitchcock, Alfred
Notorious (1946)
Sydney ~ Sydney
Kunst ~ Arts, The

#1284
Kleiner, Felicitas: D wie Dusche. In: Film-Dienst 68. 2015. No. 4. [February 19] p. 66.
Description:
On showers in film.Discusses, among others, Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)

#1285
Kleinert, Uwe: Analyse des Hitchcock-Films Berüchtigt unter besonderer Berücksichtigung filmdramatischer Mittel. - Braunschweig: Technische Universität Braunschweig, Erziehungswissenschaftlicher Fachbereich, Staatsexamensarbeit 1983/1984.
Index:
Hitchcock, Alfred
Notorious (1946)

#1286
Kleinman, Dennis: The truth about The Birds. In: Cinefantastique 33. 2001. No. 3. [June] pp. 50-53.
Index:
Hitchcock, Alfred
Birds, The (1962)

#1287
Klepikov, Milan D.: Nemecký Hitchcock. In: Iluminace 14. 2002. No. 3. [?D] pp. 23-29.
Index:
Hitchcock, Alfred

#1288
Klevan, Andrew: Vertigo and the spectator of film analysis. In: Film-Philosophy 17. 2013. No. 1. [?D] pp. 147-171.
Index:
Hitchcock, Alfred
Vertigo (1958)
Philosophie ~ Philosophy

#1289
Kline, T. Jefferson: Recuperating Hitchcock’s doubles: Experiencing Vertigo in Garcia’s Place Vendôme (1997). In: Studies in French Cinema 3. 2003. No. 1. [?D] pp. 35-46.
Index:
Hitchcock, Alfred
Garcia, Nicole
Vertigo (1958)
Place Vendôme (1997)
Doppelgänger ~ Double

#1290
Klinger, Barbara: Psycho: The institutionalization of female sexuality. In: Wide Angle 5. 1982. No. 1. [?D] pp. 49-55.
Index:
Hitchcock, Alfred
Psycho (1960)
Frauen ~ Women
Sexualität ~ Sexuality

#1291
Klingholz, Friederike: Alfred Hitchcock oder: wie ich lernte, die Bombe zu fürchten: Die Suspendierung des Wissensvorsprungs: Suspense als visuelle Konzeption. - Würzburg: Königshausen & Neumann 2010. (= Film, Medium, Diskurs 31.)
Index:
Hitchcock, Alfred
Notorious (1946)
Vertigo (1958)
Thriller ~ Thriller

#1292
Klopcic, Matjas: Sueurs froides (Vertigo). In: Positif 1994. No. 400. [June] p. 65.
Index:
Hitchcock, Alfred
Klopcic, Matjaz
Vertigo (1958)

#1293
Klopcic, Matjaz: Vertigo. In: Projections 4. 1995. No. 1/2. [?D] pp. 105-106.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1294
Klopcic, Matjaz: Vrtoglavica. In: Ekran 20. 1995. No. 10. [?D] pp. 14-15.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1295
Kloppenburg, Josef: Die dramaturgische Funktion der Musik in den Filmen Alfred Hitchcocks. - München: Wilhelm Fink Verlag 1986.
Reviews:
Gassen, Heiner: Zwei Bücher zur Filmmusik. In: EPD Film 3. 1986. No. 12. [December] pp. 12-13.
Index:
Hitchcock, Alfred
Musik ~ Music

#1296
Kloppenburg, Josef: Die dramaturgische Funktion der Musik in Filmen Alfred Hitchcocks. - Berlin: Technische Universität Berlin, Dissertation 1986.
Index:
Hitchcock, Alfred
Musik ~ Music

#1297
Knapp, Lucretia: Queer Marnie. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#1298
Knapp, Lucretia: The queer voice in Marnie. In: Cinema Journal 32. 1993. No. 4. [Summer] pp. 6-23.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#1299
Knapp, Lucretia: The queer voice in Marnie. In: Out in culture: Gay, lesbian, and queer essays on popular culture. Edited by Corey K. Creekmur and Alexander Doty. - Durham, North Carolina: Duke University Press 1995. pp. 62-81.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Sexualität: Homosexualität ~ Sexuality: Homosexuality

#1300
Knee, Adam: Shadows of Shadow of a Doubt. In: After Hitchcock: Influence, imitation, and intertextuality. Edited by David Boyd and R. Barton Palmer. - Austin, Texas: University of Texas Press 2006. pp. 49-64.
Description:
Discusses, among others, Paul Landres’s The Return of Dracula.
Index:
Hitchcock, Alfred
Landres, Paul
Shadow of a Doubt (1943)
Return of Dracula, The (1958)

#1301
Knight, Arthur: Conversation with Alfred Hitchcock. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 160 ff.
Index:
Hitchcock, Alfred

#1302
Knight, Marilyn: Hawthorne, Hitchcock, and the fine women of Blithedale and Psycho. In: Studies in Weird Fiction 2001. No. 25. [?D] pp. 12-17.
Index:
Hitchcock, Alfred
Hawthorne, Nathaniel
Psycho (1960)
Frauen ~ Women

#1303
Knowlton, Barry C. / Knowlton, Eloise: Murder mystery meets sacred mystery: The Catholic sacramental in Hitchcock’s I Confess. In: Roman Catholicism in fantastic film: Essays on belief, spectacle, ritual and imagery. Edited by Regina Hansen. - Jefferson, North Carolina; London: McFarland & Company 2011. pp. 196-208.
Index:
Hitchcock, Alfred
I Confess (1952)
Mord ~ Murder
Religion ~ Religion

#1304
Koch, Gertrud: "Ich schreie, also bin ich" - zur Ästhetik des weiblichen Schreis: Ein Gespräch mit Dietburg Spohr und Gerhard R. Koch zum Horrorfilm. In: Frauen und Film 1990. No. 49. [December] pp. 91-102.
Description:
Interview with the musicologist. Discusses, among others, Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Musik ~ Music
Horror ~ Horror
Frauen ~ Women

#1305
Koch, Gertrud: Das obskure Objekt der Begierde - eine kurze Bildergeschichte des Verhältnisses von Psychoanalyse und Film. In: Kino und Couch: Zum Verhältnis von Psychoanalyse und Film. Redaktionelle Bearbeitung: Ernst Karpf. - Frankfurt/Main: Gemeinschaftswerk der evangelischen Publizistik / Schmitten/Taunus: Evangelische Akademie Arnoldshain 1990. (= Arnoldshainer Filmgespräche 7.) pp. 21-37.
Description:
Discusses, among others, Pabst’s Geheimnisse einer Seele, Buñuel’s Ensayo de un crimen, John Huston’s Freud movie, Hitchcock’s Psycho and Michael Powell’s Peeping Tom.
Index:
Pabst, Georg Wilhelm
Buñuel, Luis
Huston, John
Hitchcock, Alfred
Powell, Michael
Freud, Sigmund
Geheimnisse einer Seele (1925)
Ensayo de un crimen (1955)
Freud (1963)
Psycho (1960)
Peeping Tom (1959)
Psychologie ~ Psychology

#1306
Koch, Manfred: Wer ist der Verräter? Zu Alfred Hitchcocks Torn Curtain. In: Ich ist ein Agent: Ästhetische und politische Aspekte des Spionagefilms. Hrsg. von Heinz J. Drügh und Volker Mergenthaler. - Würzburg: Königshausen und Neumann 2005. (= Film, Medium, Diskurs 5.) pp. 195 ff.
Index:
Hitchcock, Alfred
Torn Curtain (1966)
Politik ~ Politics
Spione ~ Spys

#1307
Koebner, Sascha: Psycho. In: Filmgenres: Horrorfilm. Hrsg. von Ursula Vossen. - Stuttgart: Reclam 2004. pp. 147-153.
Index:
Hitchcock, Alfred
Psycho (1960)
Horror ~ Horror

#1308
Koebner, Thomas: Suspense und Surprise: Dramaturgie des Unvorhersehbaren. In: Lexikon des Internationalen Films: Kino, Fernsehen, Video, DVD. Redaktion: Horst Peter Kroll [et al.]. Herausgegeben vom Katholischen Institut für Medieninformation und der Katholischen Filmkommission für Deutschland. Band 2: H-P. - Frankfurt/Main: Zweitausendeins 2002. pp. H2-H6.
Description:
On the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#1309
Koebner, Thomas: Suspense und Surprise: Hitchcocks Dramaturgie des Unvorhersehbaren. In: Film-Dienst 52. 1999. No. 16. [August 3] pp. 15-19.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#1310
Kohler, Michael: Vertigo (1958). In: Der Filmkanon: 35 Filme, die Sie kennen müssen. Hrsg. von Alfred Holighaus. - Bonn: Bundeszentrale für Politische Bildung / Berlin: Bertz + Fischer 2005. pp. 113 ff.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1311
Kolin, Philip C.: "A play about terrible birds": Tennesseee Williams’s The Gnädiges Fräulein and Alfred Hitchcock’s The Birds. In: Southern Atlantic Review 66. 2001. No. 1. [Winter] pp. 1-22.
Index:
Hitchcock, Alfred
Williams, Tennessee
Birds, The (1962)

#1312
Kolker, Robert P.: Algebraic figures: Recalculating the Hitchcock formula. In: Play it again, Sam: Retakes on remakes. Edited by Andrew Horton and Stuart Y. McDougal. - Berkeley, California: University of California Press 1998. pp. 34-51.
Index:
Hitchcock, Alfred

#1313
Kolker, Robert Phillip: Alfred Hitchcock (1941-1946). In: Kolker, Robert Phillip: The cultures of American film. - New York: Oxford University Press 2015. p. ?P.
Index:
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)

#1314
Kolker, Robert Phillip: Ford, Welles, and Hitchcock in the 1950s (1948-1960). In: Kolker, Robert Phillip: The cultures of American film. - New York: Oxford University Press 2015. p. ?P.
Index:
Ford, John
Welles, Orson
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)

#1315
Koll, Horst Peter: Der Reiz des schönen Scheins: Alfred Hitchcocks Marnie (1964) wird immer noch viel zu sehr unterschätzt. In: Film-Dienst 69. 2016. No. 1. [January 7] p. 3.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#1316
Kolokitha, Trias-Afroditi: Im Rahmen: Zwischenräume, Übergänge und die Kinematographie Jean-Luc Godards. - Bielefeld: Transcript Verlag 2005.
Reviews:
Szameit, Jens: Im Rahmen neuer Möglichkeiten: Jean-Luc Godard im Lichte des Poststrukturalismus. In: EPD Film 22. 2005. No. 12. [December] p. 53.
Description:
Includes also references to Hitchcock, Kurosawa and Greenaway.
Index:
Godard, Jean-Luc
Hitchcock, Alfred
Kurosawa, Akira
Greenaway, Peter

#1317
Königshausen, Josephine: Trauer und Melancholie: Die Folgen nicht geleisteter Trauerarbeit am Beispiel Alfred Hitchcock’s Vertigo. - München: GRIN Verlag 2009.
Index:
Hitchcock, Alfred
Vertigo (1958)
Psychologie ~ Psychology

#1318
Kooyman, Ben: Richard Franklin: Ozploitation auteur, Hitchcock heir, cinema underdog. In: International horror film directors: Global fear. Edited by Danny Shipka and Ralph Beliveau. - Bristol; Chicago, Illinois: Intellect 2017. p. ?P.
Index:
Franklin, Richard
Hitchcock, Alfred
Exploitation ~ Exploitation
Angst ~ Fear
Horror ~ Horror

#1319
Köppl, Rainer M.: Hitchcock und die IG Farben: Filmsynchronisation als Tanz in Ketten. In: Sprach(en)kontakt - Mehrsprachigkeit - Translation: 60 Jahre Innsbrucker Institut für Translationswissenschaft. Hrsg. von Lew N. Zybatow. - Frankfurt/Main; Berlin; Bern; Bruxelles; New York; Oxford; Wien: Lang 2007. (= Innsbrucker Ringvorlesungen zur Translationswissenschaft 5 / Forum Translationswissenschaft 7.) pp. 107-141.
Index:
Hitchcock, Alfred
Tanz ~ Dance

#1320
Kormanov, A.: Alfred Hickok. In: Kinoizkustvo 35. 1980. No. 11. [November] pp. 63-74.
Index:
Hitchcock, Alfred

#1321
Kornatowska, Maria: Portret w czerwieni. In: Kino [Warschau] 33. 1999. No. ?N(?N). [October] pp. 36-37.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#1322
Kornatowska, Maria: Uwodzicielski czar Tanatosa. In: Kino [Warschau] 33. 1999. No. ?N(386/387). [July/August] pp. 49-52.
Description:
On Alfred Hitchcock.
Index:
Hitchcock, Alfred

#1323
Kornhaber, Donna: Hitchcock’s diegetic imagination, Thornton Wilder, Shadow of a Doubt and Hitchcock’s mise-en-scène. In: Hitchcock and adaptation: On the page and screen. Edited by Mark Osteen. - Lanham, Maryland: Rowman & Littlefield 2014. p. ?P.
Index:
Hitchcock, Alfred
Wilder, Thornton
Shadow of a Doubt (1943)

#1324
Korte, Helmut: Trügerische Realität: Vertigo - Aus dem Reich der Toten (Vertigo, 1958). In: Fischer Filmgeschichte. Band 3: Auf der Suche nach Werten 1945-1960. Hrsg. von Werner Faulstich und Helmut Korte. - Frankfurt/Main: Fischer Taschenbuch Verlag 1990. (= Fischer Taschenbuch 4493.) pp. 331-361.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1325
Koster, Serge: L’aura de leur nom. - Paris: Presses universitaires de France 2003. (= Perspectives critiques.)
Index:
Hitchcock, Alfred

#1326
Kothenschulte, Daniel: Landschaft mit Vögeln. In: Film-Dienst 66. 2013. No. 6. [March 14] pp. 10-14.
Description:
On the 50th anniversary of the release of Alfred Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Birds, The (1962)
Natur ~ Nature

#1327
Kothenschulte, Daniel: Overtüren des Kinos: Saul Bass - Meister des Filmvorspanns. In: Film-Dienst 47. 1994. No. 1. [January 4] pp. 8-11.
Description:
On the director who created the leader and some scenes for Hitchcock’s Vertigo and on his own film Phase IV.
Index:
Bass, Saul
Hitchcock, Alfred
Phase IV (1974)
Vertigo (1958)

#1328
Kraft, Jeff / Leventhal, Aaron: Footsteps in the fog: Alfred Hitchcock’s San Francisco. - Santa Monica, California: Santa Monica Press 2002.
Reviews:
Zone, Ray: [untitled] In: American Cinematographer 84. 2003. No. 1. [January] pp. 131-132.
Index:
Hitchcock, Alfred
San Francisco ~ San Francisco

#1329
Kremski, Peter: "Hitchcocks Frauenbild ist sehr ambivalent". In: Filmbulletin 41. 1999. No. ?N(223) [August] pp. 44-46.
Description:
Interview with Hitchcock expert Eva Warth on Hitchcock’s relation to women and on the representation of women in his films.
Index:
Hitchcock, Alfred
Warth, Eva
Frauen ~ Women

#1330
Kremski, Peter: Blondinen bevorzugt oder: Wie bringt man seine Frau um? In: Filmbulletin 41. 1999. No. ?N(223) [August] pp. 42-43.
Description:
On the representation of the woman in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Frauen ~ Women

#1331
Krohn, B.: Reissues: Hitchcock classics. In: Boxoffice 120. 1984. No. ?N. [February] pp. R23-R24.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1332
Krohn, Bill: Alfred Hitchcock. Revised English edition. - Paris: Cahiers du cinéma 2010. (= Masters of cinema.)
Index:
Hitchcock, Alfred

#1333
Krohn, Bill: Ambivalence (Suspicion). In: Trafic 2002. No. 41. [Spring] pp. 38-61.
Index:
Hitchcock, Alfred
Suspicion (1941)

#1334
Krohn, Bill: Ambivalence (Suspicion). In: Hitchcock Annual 2002/2003. pp. 67-116.
Index:
Hitchcock, Alfred
Suspicion (1941)

#1335
Krohn, Bill: Hitchcock at work. - London; New York: Phaidon 2003.
First edition:
[2000]
Index:
Hitchcock, Alfred

#1336
Krohn, Bill: Hitchcock at work. - London: Phaidon 2000.
Reviews:
Williams, Tony: [untitled] In: Film Quarterly 55. 2001/2002. No. 2. [Winter] pp. 64-65.
Index:
Hitchcock, Alfred

#1337
Krohn, Bill: Hitchcock au travail. - Paris: Cahiers du Cinéma 1999.
First edition:
[Hitchcock at work. - London: Phaidon 1999]
Reviews:
Viviani, Christian: [untitled] In: Positif 2000. No. 470. [April] pp. 101-102.
Index:
Hitchcock, Alfred

#1338
Krohn, Bill: Hitchcock-Dali, le rêve mutile. In: Cahiers du Cinéma 2001. No. 559. [July/August] p. 71.
Description:
On Dalís designs for a dream sequence of Hitchcock’s Spellbound.
Index:
Hitchcock, Alfred
Dalí, Salvador
Spellbound (1945)
Traum ~ Dreams

#1339
Krohn, Bill: I Confess and Nos deux consciences. In: Casting a shadow: Creating the Alfred Hitchcock film. Edited by Will Schmenner and Corinne Granof. - Evanston, Illinois: Mary and Leigh Block Museum of Art / Northwestern University / Northwestern University Press 2007. p. ?P.
Index:
Hitchcock, Alfred
I Confess (1952)

#1340
Krohn, Bill: L’autre fin de Vertigo. In: Cahiers du Cinéma 1997. No. 511. [March] pp. 26-27.
Description:
On the difference between the original planed and the realized finish of the film.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1341
Krohn, Bill: La guerre des Oiseaux. In: Cahiers du Cinéma 1999. No. 540. [November] pp. 102-109.
Description:
On Alfred Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Birds, The (1962)

#1342
Krohn, Bill [et al.]: Ils ont fabrique Les oiseaux. In: Cahiers du Cinéma 1982. No. 337. [June] pp. 36-48.
Index:
Hitchcock, Alfred
Birds, The (1962)

#1343
Krohn, Bill [et al.]: Ils ont fabriqué "Les oiseaux" ... In: Cahiers du Cinéma 1982. No. 337. [?D] pp. 36-48.
Description:
Articles on the special effects for Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Birds, The (1962)
Technik: Spezialeffekte ~ Technology: Special Effects

#1344
Królikowska-Avis, Elzbieta: Londynskimi tropami Hitchcocka. In: Kino [Warschau] 33. 1999. No. ?N(389). [October] pp. 32-35.
Description:
On Hitchcock’s relation to London and on the representation of the city in his films.
Index:
Hitchcock, Alfred
Stadt ~ City
London ~ London

#1345
Krüger-Zeul, Mechthild: Der Knoten: Phantasien über Weiblichkeit und ihre Kostüme in Alfred Hitchcocks Vertigo. In: Frauen und Film 1985. No. 38. [May] pp. 21-29.
Index:
Hitchcock, Alfred
Vertigo (1958)
Frauen ~ Women
Phantasie ~ Fantasy

#1346
Kühle, Sandra: Remakes: Amerikanische Versionen europäischer Filme. - Remscheid: Gardez! Verlag 2006. (= Filmstudien 52.)
Description:
Discusses, among others, Alfred Hitchcock’s US remake of his own The Man Who Knew Too Much and George Sluizer’s The Vanishing, a remake of his own Spoorloos.
Index:
Hitchcock, Alfred
Sluizer, George
Man Who Knew Too Much, The (1956)
Man Who Knew Too Much, The (1934)
Vanishing, The (1992)
Spoorloos (1988)
USA (United States of America) ~ USA (United States of America)
Europa ~ Europe

#1347
Kunst und Künstler im Film. Hrsg. von Helmut Korte und Johannes Zahlten. - Hameln: Verlag C. W. Niemeyer 1990. (= Art in Science - Science in Art 1.)
Reviews:
Hohenberger, Eva: [untitled] In: Film-Dienst 44. 1991. No. 16. [August 6] p. 35.
Minas, Günter: Kunst und Künstler im Film. In: EPD Film 8. 1991. No. 9. [September] p. 7.
Description:
Discusses, among others, Fellini’s E la nave va and Hitchcock’s Psycho.
Index:
Fellini, Federico
Hitchcock, Alfred
E la nave va / Et vogue le navire (1983)
Psycho (1960)
Kunst ~ Arts, The

#1348
Kurbis, Susan Christine: Ecstasy and agony: The melodramatic visions of Douglas Sirk and Alfred Hitchcock. - Winnipeg, Manitoba: University of Manitoba, M.A. 2003. [Abstract in: Masters Abstracts International 42. 2004. No. 5. p. 1421.]
Index:
Sirk, Douglas
Hitchcock, Alfred

#1349
Kurpanek, Carsten: Mord in der Dusche: Unsterblich durch Hitchcock: Janet Leigh. In: EPD Film 21. 2004. No. 11. [November] p. 6.
Description:
Obituary.
Index:
Leigh, Janet
Hitchcock, Alfred
Mord ~ Murder

#1350
Kwok, Yenni: Shock tratment. In: South China Morning Post [HK], June 12, 2008. p. C6.
Description:
On M. Night Shyamalan’s use of Hitchcock techniques to create suspense and on his latest film The Happening.
Index:
Shyamalan, M. Night
Hitchcock, Alfred
Happening, The (2008)
Thriller ~ Thriller
Angst ~ Fear

#1351
Kytasty, Victor George: Toward an identity theory of literature. - San Diego: University of California at San Diego, Ph.D. 1984. [Abstract in: Dissertation Abstracts International A 45. 1985. No. 10. (April) p. 3127A.]
Description:
Psychoanalytic examination. Discusses, among others, Hitchcock’s North by Northwest.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Literatur ~ Literature
Psychologie ~ Psychology

#1352
La Rochelle, Real: La voix empaillee de la mere: Hitchcock et la phonographie. In: 24 Images 1998. No. 95. [Winter] pp. 18-19.
Index:
Hitchcock, Alfred
Psycho (1960)
Birds, The (1962)

#1353
La Rochelle, Réal: Hitchcock d’entre les morts. In: 24 Images 1997. No. 88/89. [Autumn] pp. 14-15.
Description:
On the restoration of Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)
Tod ~ Death

#1354
La Rochelle, Réal: Psycho en DVD: La voix empaillée de la mère: Hitchcock et la phonographic. In: 24 Images 1998. No. 95. [Winter] pp. 18-19.
Description:
On a DVD edition of Psycho and on the importsance of the score for Psycho and The Birds.
Index:
Hitchcock, Alfred
Psycho (1960)
Birds, The (1962)
Mutter ~ Mothers
Musik ~ Music
DVD ~ DVD

#1355
Lacy, Norris J.: Medieval McGuffins: The Arthurian model. In: Arthuriana 15. 2005. No. 4. [?D] pp. 413-444.
Index:
Hitchcock, Alfred
Geschichte: Mittelalter ~ History: Middle Ages
Artus-Sage ~ Arthurian Legend

#1356
Lagazzi, Paolo: Vertigo: L’ansia moderna del tempo. - Milano: Archinto 2002. (= Gli Aquiloni.)
Index:
Hitchcock, Alfred
Vertigo (1958)

#1357
Lagrange, Thierry: Rooms with a view. In: Andere Sinema 1996. No. 133. [May/June] pp. 50-54.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1358
Lalanne, Jean-Marc: Psycho 98. In: Cahiers du Cinéma 1999. No. 532. [February] pp. 44-46.
Index:
Van Sant, Gus
Hitchcock, Alfred
Psycho (1998)
Psycho (1960)

#1359
Lally, Kevin: Mr. Stewart goes to N.Y. to promote Rear Window. In: Film Journal 86. 1983. No. ?N. [October 28] p. 24.
Index:
Hitchcock, Alfred
Stewart, James
Rear Window (1954)

#1360
Landau, Idan: Hierarchical structure in schematic representations: Aspects of meaning in the cinematic shot. In: Journal of Pragmatics 26. 1996. No. 6. [December] pp. 737-766.
Description:
Discusses as an example the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred

#1361
Landsteiner, Norbert: Der Nabel des Raums: Alfred Hitchcock’s North By Northwest - eine Filmanalyse. - Wien: Universität Wien, Diplom-Arbeit 1998.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#1362
Lane, Anthony: In love with fear. In: The New Yorker 75. 1999. No. 23. [August 16] pp. 80-86.
Description:
On Alfred Hitchcock.
Index:
Hitchcock, Alfred
Angst ~ Fear

#1363
Lang, Robert / Palmer, R. B.: Alfred Hitchcock’s rereleased films. In: Quarterly Review of Film and Video 11. 1989. No. 2. [August] pp. 91-99, 101-107.
Description:
On a conference held in New York in 1986. Discusses, among others, Rope, Rear Window, The Man Who Knew Too Much and Vertigo.
Index:
Hitchcock, Alfred
New York ~ New York

#1364
Langkjaer, Birger: Der hörende Zuschauer: Über Musik, Perzeption und Gefühle in der audiovisuellen Fiktion. In: Montage/AV 9. 2000. No. 1. pp. 97-124.
Description:
Discusses, among others, Alfred Hitchcock’s Psycho and Steven Spielberg’s Jaws.
Index:
Hitchcock, Alfred
Spielberg, Steven
Psycho (1960)
Jaws (1975)
Musik ~ Music

#1365
Langlois, Gérard: Sueurs froides. In: Cinémaction 2005. No. 114. [January] pp. 95-103.
Description:
On Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1366
Langosch, Gunhild: Morphologisch-psychologische Untersuchung des Filmerlebens von Hitchcocks Horrorfilm Die Vögel. - Köln Universität Köln, Dissertation 1970.
Index:
Hitchcock, Alfred
Birds, The (1962)
Psychologie ~ Psychology
Horror ~ Horror

#1367
Lannes-Lacroutz, M.: Le crime était presque parfait. In: Cinématographe 1982. No. 80. [July/August] pp. 59-61.
Description:
On Alfred Hitchcock’s Dial M for Murder.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#1368
Larson, Randall D.: Dial M for Murder. In: Film Score Monthly ?G. 1993. No. ?N(39). [?D] p. 12.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#1369
Latham, Brandon: Cobblestones and Doppelgängers: How gothic literature contributed to the dawn of Film Noir. In: Film Matters 7. 2016. No. 2. [Fall] pp. 17-21.
Description:
Discusses especially Alfred Hitchcock’s Spellbound and Psycho.
Index:
Hitchcock, Alfred
Spellbound (1945)
Psycho (1960)
Literatur ~ Literature
Horror ~ Horror
Film Noir ~ Film Noir
Doppelgänger ~ Double

#1370
Latorre, José María: La dama del tren. In: Dirigido 2003. No. 324. [June] pp. 78-79.
Description:
On Alfred Hitchcock’s The Lady Vanishes.
Index:
Hitchcock, Alfred
Lady Vanishes, The (1938)

#1371
Latorre, José María: Marnie, la perversa inocente. In: Diablesas y diosas: 14 perversas para 14 autores. Editores de la colección: Joaquim Romaguera i Ramió Eduardo Suárez. - Barcelona: Editorial Laertes 1990. pp. 103-114.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#1372
Lauder, Robert E.: Alfred Hitchcock: A film maker of the conscience. In: America: The National Catholic Weekly 151. 1984. No. 11. [August 4] pp. 52-54.
Index:
Hitchcock, Alfred

#1373
Laufer, Laura: Le chant d’Ariel. In: Trafic 2002. No. 41. [Spring] pp. 26-37.
Description:
On the early films of Alfred Hitchcock. Discusses, among others, The Lodger, Blackmail, Murder and Rich and Strange.
Index:
Hitchcock, Alfred
Lodger, The: A Story of the London Fog (1927)
Blackmail (1929)
Murder (1930)
Rich and Strange / East of Shanghai (1932)

#1374
Lauliac, Christian: La musique de l’irrationnel: De Waxman à Herrmann ... In: Positif 2000. No. 470. [April] pp. 98-100.
Description:
On the scores by Franz Waxman, Dimitri Tiomkin and Bernard Herrmann for several Hitchcock films.
Index:
Hitchcock, Alfred
Waxman, Franz
Tiomkin, Dimitri
Herrmann, Bernard
Musik ~ Music

#1375
Launder, Frank: The Lady Vanishes: Directed by Alfred Hitchcock, screenplay by Frank Launder and Sidney Gilliat. - London: Lorrimer 1984. (= Classic Film Scripts.)
Index:
Hitchcock, Alfred
Launder, Frank
Gilliat, Sidney
Lady Vanishes, The (1938)

#1376
Laura, Ernesto G.: Hitchcock e il surrealismo: Il filo inesplorato che lega il maestro del cinema all’arte del Novecento. - Palermo: L’epos 2005. (= Paralleli 4.)
Index:
Hitchcock, Alfred
Surrealismus ~ Surrealism

#1377
Lauritz, Sebastian: Jenseits der Unschuld - Shadow of a Doubt. In: Alfred Hitchcock - der Filmverführer: Un-Schuld im Spannungsfeld von Ethik und Ästhetik. Hrsg. von Nikolai Wojtko. - Hamburg: Kovac 2005. (= Schriften zur Medienwissenschaft 11.) pp. 11 ff.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)
Verführung ~ Seduction

#1378
Lavoie, André: Ouand le rêve (américain) tourne au cauchemar. In: Ciné-Bulles 19. 2001. No. 2. [Winter] pp. 22-25.
Description:
On the exhibition "Hitchcock et l’art" at the "Musée des Beaux-Arts" in Montréal.
Index:
Hitchcock, Alfred
Montreal ~ Montreal
USA (United States of America) ~ USA (United States of America)

#1379
Lawrence, Amy: American shame: Rope, James Stewart, and the postwar crisis in American masculinity. In: Hitchcock’s America. Edited by Jonathan Freedman and Richard Millington. - New York; Oxford: Oxford University Press 1999. pp. 55-76.
Index:
Hitchcock, Alfred
Stewart, James
Rope, The (1948)
USA (United States of America) ~ USA (United States of America)
Männer ~ Men
Krieg ~ War

#1380
Lawrence, Amy: Constructing a priest, silencing a saint: The PCA and I Confess (1953). In: Film History 19. 2007. No. 1. pp. 58-72.
Index:
Hitchcock, Alfred
I Confess (1952)
Zensur ~ Censorship
Religion ~ Religion

#1381
Lawrence, Amy: Feminine discourse in Blackmail. In: Spectatorship: Shifting theories of gender, sexuality, and media. Edited by Roxanne Samer and William Whittington. - Austin, Texas: University of Texas Press 2017. p. ?P.
Index:
Hitchcock, Alfred
Blackmail (1929)
Frauen ~ Women
Sexualität ~ Sexuality

#1382
Lawrence, Amy: Jimmy Stewart’s being beaten: Rope and the postwar crisis in American masculinity. In: Quarterly Review of Film and Video 16. 1995. No. 1. [July] pp. 41-48.
Index:
Hitchcock, Alfred
Stewart, James
Rope, The (1948)
USA (United States of America) ~ USA (United States of America)
Männer ~ Men
Krieg ~ War

#1383
Lazar, David: On the art of survival: North by Northwest. In: Denver Quarterly 30. 1996. No. 4. [Spring] pp. 121-131.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#1384
Le Berre, Carole: La diagonale de fuite. In: Vertigo 1994. No. 11/12. [Winter] pp. 92-95.
Description:
On a scene from Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1385
Leconte, Bernard: Fenêtre sur film: Quelques considérations cinématographiques à propos du début de Fenêtre sur cour. In: La Revue du Cinéma 1992. No. 484. [July/August] pp. 62-70.
Description:
Semiotic analysis of Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
Fenster ~ Windows

#1386
Lee, Sander H.: Alfred Hitchcock: Misogynist or feminist? In: Post Script 10. 1991. No. 3. [Summer] pp. 38-48.
Index:
Hitchcock, Alfred
Frauen ~ Women

#1387
Lee, Sander H.: Escape and commitment in Hitchcock’s Rear Window. In: Post Script 7. 1988. No. 2. [Winter] pp. 18-28.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1388
Lee, Sander: Hitchcock’s existentialism: Anguish, despair, and redemption in breakdown. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) p. ?P.
Index:
Hitchcock, Alfred
Religion ~ Religion
Existentialismus ~ Existentialism
Philosophie ~ Philosophy

#1389
Lefebvre, Martin: On memory and imagination in the cinema. In: New Literary History 30. 1999. No. 2. [?D] pp. 479-498.
Description:
On Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)

#1390
Lefebvre, Martin: Psycho: De la figure au musée imaginaire: Théorie et pratique de l’acte de spectature. - Paris: L’Harmattan 1997. (= Champs Visuels.)
Reviews:
[anonym]: [untitled] In: Séquences ?G. 1999. No. 200.. [January/February] p. 62.
Véronneau, Pierre: [untitled] In: Journal of Film Preservation ?G. 1998. No. 56. [June] pp. 70-71.
Index:
Hitchcock, Alfred
Psycho (1960)

#1391
Lefèvre, Raymond: Les enchainés. In: Image et Son 1980. No. 347. [February] pp. 51-52.
Index:
Hitchcock, Alfred
Notorious (1946)

#1392
Leff, Leonard J.: Ernest Lehman, filmmaker. In: Manuscripts 34. 1982. No. 4. [?D] pp. 257-268.
Description:
On the scriptwriter who worked for many Hitchcock films.
Index:
Lehman, Ernest
Hitchcock, Alfred

#1393
Leff, Leonard J.: Hitchcock and Selznick: The rich and strange collaboration of Alfred Hitchcock and David O. Selznik in Hollywood. - Los Angeles, California; Berkeley, California; London: University of California Press 1999.
First edition:
[1988]
Reviews:
Roddick, Nick: [untitled] In: Sight and Sound NS 9. 1999. No. 11. [November] p. 33.
Index:
Hitchcock, Alfred
Selznick, David O.
Hollywood ~ Hollywood

#1394
Leff, Leonard J.: Hitchcock and Selznick: The rich and strange collaboration of Alfred Hitchcock and David O. Selznik in Hollywood. - New York; London: Weidenfeld & Nicolson 1988.
Reviews:
Combs, Richard: Starving Hitchcock. In: Sight and Sound 57. 1988. No. 3. [May/June] pp. 215-216.
Spoto, Donald: Mogul Psycho. In: Film Comment 24. 1988. No. 1. [January/February] pp. 78-79.
Thomas, Paul: [untitled] In: Film Quarterly 42. 1988. No. 1. [Fall] pp. 50-53.
Index:
Hitchcock, Alfred
Selznick, David O.
Hollywood ~ Hollywood

#1395
Leff, Leonard J.: Hitchcock and the censors. In: World and I 14. 1999. No. 8. [August] p. 108.
Description:
Discusses, among others, Rebecca, Rear Window, Shadow of a Doubt and Psycho.
Index:
Hitchcock, Alfred
Rebecca (1940)
Rear Window (1954)
Shadow of a Doubt (1943)
Psycho (1960)
Zensur ~ Censorship

#1396
Leff, Leonard J.: Hitchcock et Selznick: La riche et étrange collaboration entre Alfred Hitchcock et David O. Selznick à Hollywood. - Paris: Édition Ramsay 1990. (= Ramsay cinéma.)
First edition:
[Hitchcock and Selznick. - London: Weidenfeld and Nicholson 1988]
Index:
Hitchcock, Alfred
Selznick, David O.
Hollywood ~ Hollywood

#1397
Leff, Leonard J.: Hitchock at Metro. In: Western Humanities Review 37. 1983. No. 2. [?D] pp. 97-124.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#1398
Leff, Leonard J.: Ingrid in the lion’s dent: Cutting Notorious. In: Film Comment 35. 1999. No. 2. [March/April] pp. 26-29.
Index:
Hitchcock, Alfred
Bergman, Ingrid
Notorious (1946)

#1399
Legrand, Gérard: Hitchcock au quart de siècle, en quatre mouvements. In: Positif 1984. No. 286. [December] pp. 36-44.
Index:
Hitchcock, Alfred

#1400
Lehman, David: Alfred Hitchcock’s America. In: American Heritage 58. 2007. No. 2. [?D] pp. 28-36.
Index:
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)

#1401
Lehman, Ernest: Back story. In: Fade In 2. 1996. No. 3. [?D] p. 47.
Description:
The scriptwriter on his work for Alfred Hitchcock’s North by Northwest.
Index:
Hitchcock, Alfred
Lehman, Ernest
North by Northwest (1959)

#1402
Lehman, Ernest: Hitch. In: American Film 5. 1980. No. 9. [July/August] p. 18.
Index:
Hitchcock, Alfred

#1403
Lehman, Ernest: La mort aux trousses. Trad. de l’anglais par Stephan Levine. - Paris: Édition de l’Étoile 1999. (= Petite bibliothèque des Cahiers du Cinéma.)
Description:
The English and the French script text for North By Northwest.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#1404
Lehman, Ernest: North by Northwest. In: Scenario 3. 1997. No. 1. [?D] pp. 146-207.
Description:
Script text.
Index:
Hitchcock, Alfred
Lehman, Ernest
North by Northwest (1959)

#1405
Lehman, Ernest: North by Northwest. In: Sight and Sound NS 10. 2000. No. 3. [March] Supplement. pp. vi-xii, 1-196.
Description:
Script text.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#1406
Lehman, Ernest: North by Northwest. - London: Faber 1999.
Description:
Script text.
Index:
Hitchcock, Alfred
Lehman, Ernest
North by Northwest (1959)

#1407
Lehmann, Ulrich: Language of the PurSuit: Cary Grant’s clothes in Alfred Hitchcock’s North by Northwest. In: Fashion Theory 4. 2000. No. 4. [?D] pp. 467-485.
Index:
Hitchcock, Alfred
Grant, Cary
North by Northwest (1959)
Kleidung ~ Clothes

#1408
Leigh, Janet / Christopher Nickens: Psycho: Behind the scenes of the classic thriller. - New York: Harmony Books 1995.
Reviews:
Franklin, Richard: [untitled] In: Cinema Papers 1996. No. 109. [April] pp. 46-48.
Hogan, David J.: [untitled] In: Filmfax 1995. No. 52. [September/October] p. 12.
Lightcap, Torey L.: [untitled] In: Journal of American Culture 21. 1998. No. 1. [?D] p. 98.
Silet, Charles L. P.: [untitled] In: MacGuffin 1996. No. 19. [May] pp. 16-18.
Turner, George: [untitled] In: American Cinematographer 76. 1995. No. 9. [September] pp. 101-102.
Description:
The actress on her role in the Hitchcock film.
Index:
Hitchcock, Alfred
Leigh, Janet
Psycho (1960)
Thriller ~ Thriller

#1409
Leigh, Janet / Nickens, Christopher: Psycho: Behind the scenes of the classic thriller. - London: Pavillion 1995.
Description:
The actress on her role in the Hitchcock film.
Index:
Hitchcock, Alfred
Leigh, Janet
Psycho (1960)
Thriller ~ Thriller

#1410
Leigh, Janet / Nickens, Christopher: Psycho: Hinter den Kulissen von Hitchcocks Kultthriller. - München: Heyne Verlag 1996. (= Heyne Filmbibliothek 243.)
First edition:
[Psycho. - New York: Harmony Books 1995]
Index:
Hitchcock, Alfred
Leigh, Janet
Psycho (1960)
Thriller ~ Thriller

#1411
Leigh, Janet: Zuhany Hitchcockkal. In: Filmvilag 39. 1996. No. 12. [?D] pp. 30-33.
Index:
Hitchcock, Alfred
Psycho (1960)

#1412
Leitch, Thomas: Hitchcock and company. In: Hitchcock Annual 2005/2006. pp. 1-31.
Index:
Hitchcock, Alfred

#1413
Leitch, Thomas: Hitchcock and his writers: Authorship and authority in adaption. In: Authorship in film adaptation. Edited and with an introduction by Jack Boozer. - Austin: University of Texas Press 2008. p. ?P.
Index:
Hitchcock, Alfred
Literatur ~ Literature

#1414
Leitch, Thomas: Hitchcock from stage to page. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Hitchcock, Alfred

#1415
Leitch, Thomas: Hitchcock’s lives. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred

#1416
Leitch, Thomas M.: 101 ways to tell Hitchcock’s Psycho from Gus Van Sant’s. In: Literature/Film Quarterly 28. 2000. No. 4. [October] pp. 269-273.
Description:
Compares the original with the remake.
Index:
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)
Psycho (1998)

#1417
Leitch, Thomas M.: Find the director and other Hitchcock games. - Athens, Georgia; London: University of Georgia Press 1991.
Reviews:
Garrett, Greg: [untitled] In: South Central Review 9. 1992. No. 4. [?D] pp. 99-101.
Horak, Jan-Christopher: [untitled] In: Historical Journal of Film, Radio and Television 11. 1991. No. 3. [?D] pp. 296-297.
Poague, Leland: Visual pleasures, narrative contracts: Taking Hitchcock lucidly? In: Hitchcock Annual 1992. pp. 128-143.
Thomas, Paul: [untitled] In: Film Quarterly 46. 1992. No. 1. [Fall] pp. 35-36.
Welsh, James M.: [untitled] In: Historical Journal of Film, Radio and Television 11. 1991. No. 3. [?D] p. 296.
Index:
Hitchcock, Alfred

#1418
Leitch, Thomas M.: Hitchcock the author. In: Hitchcock and adaptation: On the page and screen. Edited by Mark Osteen. - Lanham, Maryland: Rowman & Littlefield 2014. p. ?P.
Index:
Hitchcock, Alfred

#1419
Leitch, Thomas M.: Hitchcock without Hitchcock. In: Literature/Film Quarterly 31. 2003. No. 4. [October] pp. 248-259.
Description:
Compares Hitchcock’s Psycho with the remake by Gus Van Sant.
Index:
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)
Psycho (1998)

#1420
Leitch, Thomas M.: How to steal from Hitchcock. In: After Hitchcock: Influence, imitation, and intertextuality. Edited by David Boyd and R. Barton Palmer. - Austin, Texas: University of Texas Press 2006. pp. 251-270.
Description:
On the filmic work of Brian De Palma.
Index:
Hitchcock, Alfred
De Palma, Brian

#1421
Leitch, Thomas M.: It’s the Cold War, stupid: An obvious history of the political Hitchcock. In: Literature/Film Quarterly 27. 1999. No. 1. [January] pp. 3-15.
Description:
On hidden political motifs in the films of Alfred Hitchcock, especially in North by Northwest and Marnie.
Index:
Hitchcock, Alfred
Geschichte ~ History
Politik ~ Politics
Krieg ~ War

#1422
Leitch, Thomas M.: Murderous victims in The Secret Agent and Sabotage. In: Literature/Film Quarterly 14. 1986. No. 1. [January] pp. 64-68.
Index:
Hitchcock, Alfred
Secret Agent (1936)
Sabotage (1936)
Mord ~ Murder

#1423
Leitch, Thomas M.: Narrative as a way of knowing: The example of Alfred Hitchcock. In: The Centennial Review 30. 1986. No. 3. [Summer] pp. 315-330.
Index:
Hitchcock, Alfred

#1424
Leitch, Thomas M.: Self and world at Paramount. In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 36-51.
Description:
On Alfred Hitchcock’s Rear Window, The Man Who Knew Too Much and The Trouble With Harry.
Index:
Hitchcock, Alfred
Rear Window (1954)
Man Who Knew Too Much, The (1956)
Trouble with Harry, The (1955)
Paramount [Firma] ~ Paramount [Company]

#1425
Leitch, Thomas M.: The encyclopedia of Alfred Hitchcock. - New York: Facts on File 2001. (= Great Filmmakers.)
Reviews:
Morris, Christopher D.: Catching an oversized talent: All about Hitch. In: Literature/Film Quarterly 31. 2003. No. 1. [January] pp. 77-79.
Index:
Hitchcock, Alfred

#1426
Leitch, Thomas M.: The Hitchcock moment. In: Hitchcock Annual 1997/1998. pp. 19-39.
Description:
Compares Hitchcock with the work of Brian De Palma, Roman Polanski, David Lynch and Quentin Tarantino.
Index:
Hitchcock, Alfred
De Palma, Brian
Polanski, Roman
Lynch, David
Tarantino, Quentin

#1427
Leitch, Thomas M.: The Hitchcock moment. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred

#1428
Leitch, Thomas / Poague, Leland: Introduction. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred

#1429
Leith, Alex: John Buchan: Master of suspense. In: The John Buchan Journal 2010. No. 42. [?D] pp. 13-19.
Index:
Buchan, John
Hitchcock, Alfred
Thriller ~ Thriller

#1430
Lejeune, C. A.: Hitchcock, the man Korda cannot sign. In: MacGuffin 1997. No. 22. [May/August] pp. 15-16.
Description:
Excerpts from an interview from 1936.
Index:
Hitchcock, Alfred

#1431
Lembeck, Karin: "Mama, ich will zu meiner Mama ..." (Marnie): Hitchcocks Frauenfiguren aus der Sicht der feministischen Filmtheorie. - Berlin: Technische Universität Berlin, Institut für Medienpädagogik ?J (1995/1996).
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Frauen ~ Women

#1432
Lengdobler, Martin: "Look, Look!" - Koppelungen des Blickes in Alfred Hitchcocks Rear Window. - München: GRIN Verlag 2010.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1433
Leonard, Garry: Monsters and mortgages: The horror movie as prime economic indicator. In: Film International 8. 2010. No. 1. [?D] pp. 11-17.
Description:
Discusses, among others, Alfred Hitchcock’s Psycho, Stanley Kubrick’s The Shining and the A Nightmare on Elm Street films.
Index:
Hitchcock, Alfred
Kubrick, Stanley
Psycho (1960)
Shining, The (1980)
Nightmare on Elm Street, A (Filmreihe)
Wirtschaft ~ Economy
Tod ~ Death
Monster ~ Monster
Horror ~ Horror

#1434
Leonard, Gary M.: A fall from grace: The fragmentation of masculine subjectivity and the impossibility of femininity in Hitchcock’s Vertigo. In: American Imago 47. 1990. No. 3/4. [Fall/Winter] pp. 271-292.
Index:
Hitchcock, Alfred
Vertigo (1958)
Männer ~ Men
Frauen ~ Women

#1435
Lessard, Bruno: "It’s the end of the world!": The paradox of event and body in Hitchcock’s The Birds. In: Film-Philosophy 14. 2010. No. 1. [?D) pp. 144-173.
Index:
Hitchcock, Alfred
Birds, The (1962)
Körper ~ Bodies
Philosophie ~ Philosophy

#1436
Lev, Peter: Vertigo, novel and film. In: The literature/film reader: Issues of adaptation. Edited by James M. Welsh and Peter Lev. - Lanham, Maryland: Scarecrow Press 2007. p. ?P.
Index:
Boileau, Pierre
Narcejac, Thomas
Hitchcock, Alfred
Vertigo (1958)
Literatur ~ Literature
Entre les morts, D’ (Literatur ~ Literature)

#1437
Levine, Michael: "Watching horror: A gendered look at terrorism; or, Everything I need to know I learned in Psycho. In: Senses of Cinema 2001. No. ?N. [July/August] p. ?P.
Index:
Hitchcock, Alfred
Psycho (1960)
Sexualität ~ Sexuality
Horror ~ Horror

#1438
Levy, Denis: Bernard Herrmann, Vertigo et Tristan. In: Vertigo 1999. No. 18. [?D] pp. 157-159.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Vertigo (1958)

#1439
Leydon, Joe: Aventure Malgache: Bon voyage. In: Variety 350. 1993. No. 9. [March 29] pp. 83-84.
Index:
Hitchcock, Alfred
Aventure Malgache (1944)

#1440
Liberti, Fabrizio: L’uomo che uccise il popcorn time. In: Cineforum 37. 1997. No. ?N(365). [June] pp. 10-11.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1441
Lie, Sulgi: Die Außenseite des Films: Zur politischen Filmästhetik. - Zürich: Diaphanes 2012.
Description:
Examines, among others, the films of Alfred Hitchcock, Michelangelo Antonioni, Michael Haneke and Stanley Kubrick.
Index:
Hitchcock, Alfred
Antonioni, Michelangelo
Haneke, Michael
Kubrick, Stanley
Politik ~ Politics

#1442
Light, Alison: Rebecca. In: Sight and Sound NS 6. 1996. No. 5. [May] pp. 28-31.
Description:
Compares the underlying novel by Daphne du Maurier with the Hitchcock film.
Index:
Hitchcock, Alfred
Du Maurier, Daphne
Rebecca (1940)
Rebecca (Literatur ~ Literature)

#1443
Lightning, Robert K.: A domestic trilogy. In: Cineaction 1999. No. 50. [?D] pp. 32-42.
Description:
On the representation of the family and the gender roles in the three Hitchcock films The Trouble with Harry, The Man Who Knew Too Much and The Wrong Man.
Index:
Hitchcock, Alfred
Trouble with Harry, The (1955)
Man Who Knew Too Much, The (1934)
Man Who Knew Too Much, The (1956)
Wrong Man, The (1957)
Sexualität ~ Sexuality
Familie ~ Family

#1444
Lilley, Jessie: Granger on a train. In: Scarlet Street 1996. No. 21. [Winter] pp. 66-68, 71-73.
Description:
Interview with actor Farley Granger, especially on his role in Hitchcock’s Rope and Strangers on a Train.
Index:
Granger, Farley
Hitchcock, Alfred
Hitchcock, Alfred
Rope, The (1948)
Strangers on a Train (1951)
Eisenbahn ~ Railroad

#1445
Linderman, D.: The screen in Hitchcock’s Blackmail. In: Wide Angle 4. 1980. No. 1. [?D] pp. 20-28.
Description:
Feminist and psychoanalytic interpretation.
Index:
Hitchcock, Alfred
Blackmail (1929)
Psychologie ~ Psychology
Frauen ~ Women

#1446
Linderman, Deborah Judith: Structuring absence in the fiction film: A problematic in oedipal representation. - Providence, Rhode Island: Brown University, Ph.D. 1983. [Abstract in: Dissertation Abstracts International A 44. 1984. No. 7. (January) p. 1954A.]
Description:
Discusses, among others, Hitchcock’s Blackmail and Vertigo, Carl Theodor Dreyer’s La Passion de Jean d’Arc as well as Cat People.
Index:
Hitchcock, Alfred
Dreyer, Carl Theodor
Blackmail (1929)
Vertigo (1958)
Passion de Jean d’Arc, La (1928)
Ödipus ~ Oedipus

#1447
Linderman, Deborah: The mise-en-abime in Hitchock’s Vertigo. In: Cinema Journal 30. 1991. No. 4. [?D] pp. 51-74.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1448
Linderman, Deborah: The mise-en-abîme in Hitchcock’s Vertigo. In: Cinema Journal 30. 1991. No. 4. [Summer] pp. 51-74.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1449
Link, Stan: Sympathy with the devil? Music of the psycho post-Psycho. In: Screen 45. 2004. No. 1. [Spring] pp. 1-20.
Description:
On the function of music in recent horror film.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Psycho (1960)
Religion: Teufel ~ Religion: Devil
Psychologie ~ Psychology
Musik ~ Music
Horror ~ Horror

#1450
Linssen, C.: Rebecca. In: Skrien 1983. No. 125. [March] p. 13.
Index:
Hitchcock, Alfred
Rebecca (1940)

#1451
Linvall, Daniel: Hitchcock och modernismen. In: Filmhäftet 27. 1999. No. 107. [?D] pp. 26-34.
Description:
On the influence of the German expressionism on the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Expressionismus ~ Expressionism
Deutschland ~ Germany

#1452
Lippe, Richard: Kim Novak: Vertigo, performance, and image. In: Cineaction 1999. No. 50. [?D] pp. 46-55.
Index:
Novak, Kim
Hitchcock, Alfred
Vertigo (1958)

#1453
Lippe, Richard: Vertigo: Imagined and imaged. In: Cineaction 1999. No. 50. [?D] pp. 52-55.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1454
Lippert, Renate: Panisches Töten: Psychohorrorfilme der 60er Jahre. In: Frauen und Film 1990. No. 49. [December] pp. 52-77.
Description:
Discusses, among others, Hitchcock’s Psycho, Michael Powell’s Peeping Tom, Richard Fleischer’s The Boston Strangler, What Ever Happened To Baby Jane and Hush... Hush Sweet Charlotte by Robert Aldrich as well as Polanski’s Repulsion.
Index:
Hitchcock, Alfred
Powell, Michael
Fleischer, Richard
Aldrich, Robert
Polanski, Roman
Psycho (1960)
Peeping Tom (1959)
Boston Strangler, The (1968)
What Ever Happened To Baby Jane? (1962)
Hush... Hush, Sweet Charlotte (1964)
Repulsion (1965)
Psychologie ~ Psychology
Horror ~ Horror

#1455
Lippert, Renate: Rotlicht: Die Farbe Rot in Vom Winde verweht und Marnie. In: Frauen und Film 1996. No. 58/59. [July] pp. 76-88.
Index:
Hitchcock, Alfred
Fleming, Victor
Marnie (1963/1964)
Gone With the Wind (1939)

#1456
Liptay, Fabienne: Vertigo - Aus dem Reich der Toten. In: Filmgenres: Melodram und Liebeskomödie. Hrsg. von Thomas Koebner und Jürgen Felix. - Stuttgart: Reclam 2007. pp. 152-158.
Index:
Hitchcock, Alfred
Vertigo (1958)
Humor ~ Humor

#1457
Literaturverfilmungen. Hrsg. von Franz Josef Albersmeier und Volker Roloff. - Frankfurt/M.: Suhrkamp 1989. (= suhrkamp taschenbuch materialien 2093.)
Description:
Structured by German, Anglo-american an Romanesque literary sources. Short articles on each film. Discusses, among others, Murnau’s Faust, Zelnik’s Die Weber, the filmings of Heinrich von Kleist and of Fontane’s Effi Briest, Fassbinder’s Bolwieser, Schlöndorff’s Blechtrommel, Zanussi’s Blaubart, Wuthering Heights, The Third Man, The Birds, Clockwork Orange, Il gattopardo and Pasolini’s Trilogia della vita.
Index:
Murnau, Friedrich Wilhelm
Fassbinder, Rainer Werner
Schlöndorff, Volker
Reed, Carol
Hitchcock, Alfred
Kubrick, Stanley
Pasolini, Pier Paolo
Kleist, Heinrich von
Faust - Eine deutsche Volkssage (1926)
Bolwieser (1976-1977)
Blechtrommel, Die / tambour, Le (1978)
Third Man, The (1949)
Birds, The (1962)
Clockwork Orange, A (1971)
USA (United States of America) ~ USA (United States of America)
Literatur ~ Literature
Großbritannien ~ Great Britain
Deutschland ~ Germany

#1458
LoBrutto, Vincent: Rudi Fehr. In: LoBrutto, Vincent: Selected takes: Film editors on editing. - Westport, Connecticut; New York; London: Praeger Publishing 1991. pp. 27-37.
Description:
On the cutter and his work for Curtis Bernhardt’s Possessed, André de Toth’s House of Wax and Alfred Hitchcock’s Dial M for Murder.
Index:
Bernhart, Kurt [Pseudonym: Bernhardt, Curtis]
de Toth, André
Hitchcock, Alfred
Fehr, Rudi
Possessed (1947)
House of Wax (1953)
Dial M for Murder (1954)

#1459
Lodato, Nuccio / Piccardi, Adriano: Nessun cadavere, nessun delitto ... In: Cineforum 24. 1984. No. 11(?N). [November] pp. 42-57.
Description:
On Alfred Hitchcock’s The Rope, Rear Window, The Trouble with Harry, Vertigo and The Man Who Knew Too Much.
Index:
Hitchcock, Alfred
Rope, The (1948)
Rear Window (1954)
Trouble with Harry, The (1955)
Vertigo (1958)
Man Who Knew Too Much, The (1934)

#1460
Longacre, Jeffrey: The difference between crows and blackbirds: Alfred Hitchcock and the treason of images. In: Post Script 34. 2015. No. 2/3. [Winter/Summer] pp. 53-70.
Description:
Discusses especially Vertigo, Psycho, and The Birds.
Index:
Hitchcock, Alfred
Vertigo (1958)
Psycho (1960)
Birds, The (1962)
Horror ~ Horror

#1461
Lorence, James J.: The "foreign policy of Hollywood": Interventionist sentiment in the American film, 1938-1941. In: Hollywood as mirror: Changing views of "outsiders" and "enemies" in American movies. Edited by Robert Brent Toplin. - Westport, Connecticut; London: Greenwood Press 1993. (= Contributions to the Study of Popular Culture 38.) pp. 95-116.
Description:
Discusses, among others, Alfred Hitchcock’s Foreign Correspondent.
Index:
Hitchcock, Alfred
Foreign Correspondent (1940)
USA (United States of America) ~ USA (United States of America)
Hollywood ~ Hollywood

#1462
Lorey, Barbara: Der unsichtbare Dritte. In: Zoom ?G. 2001. No. 8. [August] p. 13.
Description:
On a Hitchcock exhibition in Paris.
Index:
Hitchcock, Alfred
Paris ~ Paris

#1463
Los 100 años de la vida y la obra cinematografica de Alfred Hitchcock. Por Gonzalo
Muinelo
[et al.]. - Valladolid: Fancy Ed. 1999.
Index:
Hitchcock, Alfred

#1464
Losilla, Carlos: Los pajaros. In: Dirigido 1999. No. 279. [May] pp. 40-41.
Index:
Hitchcock, Alfred
Birds, The (1962)

#1465
Lowe, Victoria: "Performing Hitchcock": Robert Donat, film acting, and The 39 Steps (1935). In: Scope [Nottingham] 2009. No. 14. [?D] p. ?P.
Index:
Hitchcock, Alfred
Donat, Robert
Thirty-Nine Steps, The (1935)

#1466
Lowenstein, Adam: The master, the maniac, and Frenzy: Hitchcock’s legacy of horror. In: Hitchcock: Past and future. Edited by Richard Allen and Sam Ishii-Gonzales. - London; New York: Routledge 2004. p. ?P.
Index:
Hitchcock, Alfred
Frenzy (1971)
Horror ~ Horror

#1467
Lucas, Tim: Psycho. In: Video Watchdog 1998. No. 47. [?D] pp. 60-62.
Description:
On a DVD edition of the Hitchcock classic.
Index:
Hitchcock, Alfred
Psycho (1960)
DVD ~ DVD

#1468
Lucas, Tim: Vertigo. / Vertigo before Hitchcock. In: Video Watchdog 1997. No. 40. [?D] pp. 67-71.
Description:
On a laserdisc edition of the Hitchcock classic.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1469
Luna, Alina M.: Visual perversity: A re-articulation of maternal instinct. - Lanham, Maryland: Lexington 2004.
Description:
Discusses, among others, Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Mutter ~ Mothers

#1470
Luna, Alina Marie A.: Visual perversity: A rearticulation of maternal instinct. - Albany, New York: State University of New York at Albany, Ph.D. 2002. [Abstract in: Dissertation Abstracts International A 63. 2003. No. 7. [January] p. 2534.]
Description:
Discusses, among others, Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Mutter ~ Mothers

#1471
Lunde, Erik S.: "Saying it with pictures": Alfred Hitchcock and painterly images in Psycho. In: Beyond the stars III. Edited by Paul Loukides and Linda K. Fuller. - Bowling Green, Ohio: Bowling Green University Popular Press 1990. pp. 97-105.
Index:
Hitchcock, Alfred
Psycho (1960)
Kunst ~ Arts, The

#1472
Lurie, Susan: The construction of the "castrated woman" in psychoanalysis and cinema. In: Discourse ?G. 1981/1982. No. 4. [Winter] pp. 52-74.
Description:
Discusses, among others, Alfred Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Birds, The (1962)
Psychologie ~ Psychology
Frauen ~ Women

#1473
Lyons, Donald: I Confess. In: Film Comment 31. 1995. No. ?N. [May/June] pp. 80 ff.
Description:
On the representation of the priest and the church in the Hitchcock film.
Index:
Hitchcock, Alfred
I Confess (1952)
Religion ~ Religion

#1474
Lyons, Donald: Notes while falling. In: Film Comment 32. 1996. No. 5. [September/October] p. 64.
Description:
On the restored version of Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1475
MacKenzie, Gina M.; O’Hara, Daniel T.: The vision of voice in James and Hitchcock: An experiment in reading. In: Boundary 2 37. 2010. No. 3. [?D] pp. 167-177.
Index:
Hitchcock, Alfred
James, Henry
Man Who Knew Too Much, The (1934)
Man Who Knew Too Much, The (1956)

#1476
MacKinnon, Kenneth: Love, tears, and the male spectator. - Madison, New Jersey: Fairleigh Dickinson University Press / London: Associated University Presses 2002.
Description:
Discusses, among others, the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Männer ~ Men

#1477
Macksey, Richard: Four emigre directors: Shadows of careers. In: Modern Language Notes 98. 1983. No. 5. [December] pp. 1187-1196.
Description:
On the American films of Ernst Lubitsch, Fritz Lang, Max Ophüls and Alfred Hitchcock.
Index:
Lubitsch, Ernst
Lang, Fritz
Hitchcock, Alfred
Ophüls, Max
USA (United States of America) ~ USA (United States of America)

#1478
MacNiven, Susan S.: A matinee idyll? In: Deus Loci 1993. No. 2. [?D] pp. 163-164.
Description:
On the influence of Lawrence Durrell on Hitchcock’s Spellbound.
Index:
Hitchcock, Alfred
Durrell, Lawrence
Spellbound (1945)

#1479
Madsen, Axel: Who’s afraid of Alfred Hitchcock? An interview of sorts with Ernest Lehman. In: Sight and Sound 37. 1967/1968. No. 1. [Winter] pp. 26-27.
Index:
Hitchcock, Alfred
Lehman, Ernest

#1480
Magistrale, Tony: Abject terrors: Surveying the modern and postmodern horror film. - New York; Washington, DC; Baltimore; Bern; Frankfurt/Main; Berlin; Brussels; Wien; Oxford: Lang 2005.
Reviews:
Morsch, Thomas: [untitled.] In: Medienwissenschaft 2006. No. 4. pp. 451-453.
Description:
Discusses, among others, the films of Alfred Hitchcock and Stanley Kubrick.
Index:
Hitchcock, Alfred
Kubrick, Stanley
Postmoderne ~ Postmodern
Horror ~ Horror

#1481
Magny, Joël: Alfred Hitchcock (1899-1980). In: Cinéma [Paris] 1980. No. 258. [June] pp. 41-51.
Index:
Hitchcock, Alfred

#1482
Magny, Joël: Encore un effort pour être "hitchcocko-hawksiens". In: Cahiers du Cinéma 1997. No. 517. [October] p. 14.
Index:
Hitchcock, Alfred

#1483
Magny, Joël: Fenetre sur cour. In: Cinéma [Paris] 1984. No. 302. [February] pp. 41-42.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1484
Magny, Joël: Hitchcock, entre l’etre et le neant. In: Telecine ?G. 1976. No. 205. [April] pp. 17-18.
Index:
Hitchcock, Alfred
Birds, The (1962)

#1485
Magny, Joël: Les oiseaux. In: Cinéma [Paris] 1985. No. 332. [December] p. 4.
Index:
Hitchcock, Alfred
Birds, The (1962)

#1486
Magny, Joël: Pas de printemps pour Marnie. In: Cinéma [Paris] 1985. No. 313. [January] pp. 34-35.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#1487
Maheo, Michel: Le suspense hitchcockien, à la source du "giallo". In: Le suspence au cinéma. Dirigée par Jean Bessalel et André Gardies. (= Cinémaction 1994. No. 71. [?D]) pp. 70-75.
Description:
On the Italian suspense thriller in the Hitchcock tradition, especially on the films of Mario Bava.
Index:
Hitchcock, Alfred
Bava, Mario
Thriller ~ Thriller
Italien ~ Italy

#1488
Mahoney, MaryKay: A train running on two sets of tracks: Highsmith’s and Hitchcock’s Strangers on a Train. In: It’s a print! Detective fiction from page to screen. Edited by William Reynolds and Elizabeth A. Trembley. - Bowling Green, Ohio: Bowling Green State University Popular Press 1994. pp. 103-114.
Description:
On Hitchcock’s adaption of the Highsmith novel.
Index:
Hitchcock, Alfred
Highsmith, Patricia
Strangers on a Train (1951)
Eisenbahn ~ Railroad
Detektive ~ Detectives

#1489
Mainardi, Angelo: Tre offese. - Roma: Edizioni del Gallo 1990. (= Il terzo uomo 2.)
Description:
On Alfred Hitchcock’s The Lady Vanishes.
Index:
Hitchcock, Alfred
Lady Vanishes, The (1938)

#1490
Mallory, Michael: Family plot: Patricia Hitchcock. In: Scarlet Street 1996. No. 21. [Winter] pp. 58-60.
Description:
Interview with Alfred Hitchcock’s daughter on her work for Stage Fright, Strangers on a Train, Psycho and for the TV series Alfred Hitchcock Presents.
Index:
Hitchcock, Patricia
Hitchcock, Alfred
De Jarnatt, Steve
Haines, Randa
Oliansky, Joel
Walton, Fred
Stage Fright (1950)
Strangers on a Train (1951)
Psycho (1960)
Alfred Hitchcock Presents (TV)
Fernsehen ~ Television
Familie ~ Family

#1491
Malmberg, Carl-Johan Hitchcocks reptrick. In: Chaplin 25. 1983. No. 4(187). [?D] pp. 182-187.
Index:
Hitchcock, Alfred
Rope, The (1948)

#1492
Malmberg, Carl-Johan: Legenden, minnet och begaret: En studie i Hitchcocks Vertigo". In: Chaplin 27. 1985. No. 4(199). [?D] pp. 210-218.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1493
Mamber, Stephen: Hitchcock: The conceptual and the pre-digital. In: Stanford Humanities Review 7. 1999. No. 2. [Autumn] pp. 128-136.
Index:
Hitchcock, Alfred
Technik: Computer ~ Technology: Computer

#1494
The man who collected psychos: Critical essays on Robert Bloch. Edited by Benjamin Szumskyj. Foreword by Robert Hood. - Jefferson, North Carolina: McFarland & Co. 2009.
Reviews:
Svehla, Gary J.: [untitled.] In: Midnight Marquee 2010. No. 77. [Spring] p. 23.
Index:
Bloch, Robert N.
Hitchcock, Alfred
Psycho (1960)
Psycho (Literatur ~ Literature)

#1495
Manassero, Roberto: Alfred Hitchcock: Lo sguardo del desiderio. - Roma: Fondazione Ente dello spettacolo 2008. (= Le torri 10.)
Index:
Hitchcock, Alfred

#1496
Manlove, Clifford T.: Visual "drive" and cinematic narrative: Reading gaze theory in Lacan, Hitchcock, and Mulvey. In: Cinema Journal 46. 2007. No. 3. [Spring] pp. 83-108.
Description:
Discusses especially Hitchcock’s Vertigo, Rear Window and Marnie which were used by Laura Mulvey to explain her own psychoanalytical theory.
Index:
Hitchcock, Alfred
Mulvey, Laura
Lacan, Jacques
Vertigo (1958)
Rear Window (1954)
Marnie (1963/1964)
Psychologie ~ Psychology

#1497
Der Mann, der zuviel wußte. - Vogt: Peter Kranzpiller ?J. (= Filmprogramm der Kinoszene 335.)
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1934)

#1498
Manzoli, Giacomo: La camera alta. In: Cineforum 37. 1997. No. ?N(365). [?D] pp. 14-17.
Index:
Hitchcock, Alfred
Vertigo (1958)
Technik: Kamera ~ Technology: Camera

#1499
Marantz Cohen, Paula: Alfred Hitchcock: The legacy of Victorianism. - Lexington, Kentucky: University Press of Kentucky 1995.
Reviews:
Fyne, Robert: [untitled] In: Film & History 25. 1995. No. 1-4. [?D] p. 70.
Helman, Alicja: Hitchcock mial córke. In: Kino [Warschau] 34. 2000. No. ?N(394). [?D] pp. 48-49.
Leff, Leonard J.: [untitled] In: Journal of Popular Culture 30. 1996. No. 3. [?D] pp. 242-243.
Turner, George: [untitled] In: American Cinematographer 76. 1995. No. 12. [December] p. 114.
Description:
Includes detailed analysis of Shadow of a Doubt, Rear Window, Vertigo and Psycho.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)
Rear Window (1954)
Vertigo (1958)
Psycho (1960)

#1500
Marcelli, Miroslav: Kazdá podobnosí je ciste náhodná, a teda skutocná. In: Iluminace 11. 1999. No. 4. [?D] pp. 113-115.
Description:
On Alfred Hitchcock’s North by Northwest.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#1501
Marchant, S.: Rebecca, Laura and Kane: The event in 1940s Hollywood. - Norwich, Norfolk: University of East Anglia, Ph.D. 2000. [Abstract in: Index to Theses with Abstracts 51. 2002. No. 3. p. 615(51-4078)].
Index:
Hitchcock, Alfred
Preminger, Otto
Welles, Orson
Rebecca (1940)
Laura (1944)
Citizen Kane (1940)
USA (United States of America) ~ USA (United States of America)
Hollywood ~ Hollywood

#1502
Marchesini, Mauro: L’ombra del dubbio: Alfred Hitchcock. - Recco: Lemani 1996.
First edition:
[La carta del cattivo. - Bergamo: Pierluigi Lubrina 1993]
Index:
Hitchcock, Alfred

#1503
Marchesini, Mauro: La carta del cattivo: Alfred Hitchcock e l’ombra del dubbio. - Bergamo: Pierluigi Lubrina 1993. (= Ventuno per quindici 1.)
Index:
Hitchcock, Alfred

#1504
Marías, Miguel: Forever falling. In: Sight and Sound NS 21. 2011. No. 5. [May] pp. 44-47.
Description:
On Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1505
Marineau, J.-C.: Hitchcock’s Quebec shoot. In: Cinema Canada 1985. No. 116. [March] pp. 18-19.
Index:
Hitchcock, Alfred
Quebec ~ Quebec
Religion ~ Religion

#1506
Marinero, M.: Con la muerte en los talones. In: Casablanca ?G. 1981. No. 5. [May] pp. 45-46.
Description:
On Alfred Hitchcock’s North by Northwest.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#1507
Marker, Chris: A free replay (notes on Vertigo). In: Projections 4. 1995. No. 1/2. [?D] pp. 123-130.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1508
Marker, Chris.: A free replay (notes sur Vertigo). In: Positif 1994. No. 400. [June] pp. 79-84.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1509
Marker, Chris: A free replay: Notizen zu Vertigo. In: Chris Marker: Filmessayist. Hrsg. von Birgit Kämper und Thomas Tode. (= Revue CICIM 1997. No. 45/46/47. [September]) pp. 182-191.
Index:
Marker, Chris
Hitchcock, Alfred
Vertigo (1958)

#1510
Marocco, Paolo: La figura della vertigine in Vertigo. In: Filmcritica 50. 2000. No. 504. [April] pp. 168-177.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1511
Marocco, Paolo: Vertigo: La donna che visse due volte di Alfred Hitchcock: Lo sguardo dell’ozio nell’America del lavoro. - Recco: Le Mani 2003.
Reviews:
Comuzio, Ermanno: [untitled] In: Cineforum 44. 2004. No. ?N(433). [April] pp. 94-95.
Index:
Hitchcock, Alfred
Vertigo (1958)
USA (United States of America) ~ USA (United States of America)

#1512
Marsilius, Hans Jörg: Zurück ans Licht: Zur Wiederaufführung von Vertigo in restaurierter Fassung. In: Film-Dienst 50. 1997. No. 4. [February 18] pp. 4-9.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1513
Martin, Adrian: Gus Van Sant vs. Alfred Hithcock: Shot-by-shot follies. In: Hitchcock Annual 2001/2002. pp. 133-139.
Index:
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)
Psycho (1998)

#1514
Martin Arias, L.: Psicosis el encuentro del ojo con lo real. In: Contracampo 1987. No. 42. [Summer/Fall] pp. 79-90.
Description:
On Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Psychologie ~ Psychology

#1515
Martin, Carey: The master of suspense and the acrobat of the drawing room: How the relationship of Cary Grant and Alfred Hitchcock shaped their collaborations in Suspicion, Notorious, To Catch a Thief and North by Northwest. In: The Film Journal [Ohio] 2005. No. 12. [April] p. ?P.
Index:
Hitchcock, Alfred
Grant, Cary
Suspicion (1941)
Notorious (1946)
To Catch a Thief (1955)
North by Northwest (1959)
Thriller ~ Thriller

#1516
Martin, Peter: Film masters and film mentors: Peter Martin calls on Hitchcock. In: Film makers on film making: Statements on their art by thirty directors. Edited by Harry M. Geduld. - Bloomington, Indiana: Indiana University Press 1967. p. ?P.
Index:
Hitchcock, Alfred

#1517
Martin-Jones, David: Deleuze, cinema, and national identity: Narrative time in national contexts. - ?O: Edinburgh University Press 2006.
Reviews:
Charlton, Colin: [untitled.] In: Post Script 28. 2008. No. 1. [Fall] pp. 110-112.
Wall, Thomas Carl: The time-image: Deleuze, cinema, and perhaps language. In: Film-Philosophy 8. 2004. No. 23. [July] p. ?P.
Description:
Discusses, among others, Alfred Hitchcock’s Vertigo, Federico Fellini’s Otto e mezzo, Tom Tykwer’s Lola rennt and Michael Gondry’s Eternal Sunshine of the Spotless Mind.
Index:
Hitchcock, Alfred
Fellini, Federico
Tykwer, Tom
Gondry, Michael
Deleuze, Gilles
Vertigo (1958)
Otto e mezzo / Huit et demi (1962)
Lola rennt (1998)
Eternal Sunshine of the Spotless Mind (2004)
Zeit ~ Time
Philosophie ~ Philosophy

#1518
Martin-Vaillant, Benedicte: L’image condamnatoire. In: Cinergon ?G. 1998. No. 6/7. [?D] pp. 35-48.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#1519
Martini, Emanuela: Dal regno dei morti. In: Cineforum 37. 1997. No. ?N(365). [June] pp. 4-7.
Index:
Hitchcock, Alfred
Vertigo (1958)
Rear Window (1954)
Tod ~ Death

#1520
Martins, Constantino Pereira: Everybody’s got a hungry heart: Kierkegaard and Hitchcock. In: Seduction in popular culture, psychology, and philosophy. Edited by Constantino Pereira Martins and Manuel José Damásio. - Hershey: Information Science Reference 2016. (= Advances in psychology, mental health and behavioral studies (APMHBS).) p. ?P.
Index:
Kierkegaard, Søren Aabye
Hitchcock, Alfred
Psychologie ~ Psychology
Philosophie ~ Philosophy
Verführung ~ Seduction
Sexualität ~ Sexuality

#1521
Marty, A.: L’Inconnu du Nord-Express et le Maccarthisme. In: Image et Son 1980. No. 352. [July/August] pp. 117-125.
Description:
On political motifs in Alfred Hitchcock’s Strangers on a Train.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)
Politik ~ Politics

#1522
Maslin, Janet: Alfred Hitchcock. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 105 ff.
Index:
Hitchcock, Alfred

#1523
Maslin, Janet: Dial M for Murder in remake. In: New York Times, April 9, 1981. p. C23.
Description:
On Boris Sagal’s remake of the Hitchcock classic.
Index:
Sagal, Boris
Hitchcock, Alfred
Dial M for Murder (1981)
Dial M for Murder (1954)

#1524
Maslin, Janet: Vertigo still gives rise to powerful emotions. In: New York Times, January 15, 1984. Sec. 2. pp. 19 ff.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1525
Mason, Carol: Rear Window’s Lisa Freemont: Masochistic female spectator or post war socioeconomic threat? In: Social and political change in literature and film: Selected papers from the Sixteenth Annual Florida State University Conference on Literature and Film. Edited by Richard Chapple. - Gainesville, Florida: University of Florida Press 1994. (= Florida State University Conference on Literature and Film 16.) pp. 109-121.
Index:
Hitchcock, Alfred
Rear Window (1954)
Wirtschaft ~ Economy
Krieg ~ War
Literatur ~ Literature
Sexualität: Sadomasochismus ~ Sexuality: Sadomasochism
Politik ~ Politics
Frauen ~ Women

#1526
Massimi, G.: Strangers on a Train. In: Filmcritica 32. 1981. No. 311. [January] pp. 43-44.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)

#1527
Masson, Alain: Le remake à Hollywood. In: Positif 1999. No. 459. [May] pp. 74-103.
Description:
Discusses, among others, the self remakes by Cecil B. DeMille, Jean Renoir and Fritz Lang and die two versions of Hitchcock’s The Man Who Knew Too Much, plus an analysis of the two Invasion of the Body Snatchers films by Don Siegel and Philip Kaufman.
Index:
DeMille, Cecil Blount
Renoir, Jean
Lang, Fritz
Hitchcock, Alfred
Siegel, Donald
Kaufman, Philip
Man Who Knew Too Much, The (1934)
Man Who Knew Too Much, The (1956)
Invasion of the Body Snatchers (1956)
Invasion of the Body Snatchers (1978)
Hollywood ~ Hollywood

#1528
Mather, Philippe: Les raccords cachés dans La corde d’Alfred Hitchcock. In: Cinémathèque 1993. No. 3. [Spring/Summer] pp. 27-33.
Description:
On narrative structures in Alfred Hitchcock’s The Rope.
Index:
Hitchcock, Alfred
Rope, The (1948)

#1529
Matthew-Walker, Robert: Hitchcock’s little joke. In: Films and Filming ?G. 1986. No. ?N(382). [July] pp. 26-27.
Description:
On Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)

#1530
Matthews, Kristin L.: Reading, guidance, and Cold War consensus in Alfred Hitchcock’s Rope. In: Journal of Popular Culture 43. 2010. No. 4. [?D] pp. 738-760.
Index:
Hitchcock, Alfred
Rope, The (1948)
Krieg ~ War

#1531
Matthews, Kristin: The re(a)d menace: Cold War fiction and the politics of reading. - Madison, Wisconsin: University of Wisconsin - Madison, Ph.D. 2004. [Abstract in: Dissertation Abstracts International A 65. 2005. No. 8. (February) p. 2992.]
Description:
Discusses, among others, the representation of Cold War in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Krieg ~ War
Angst ~ Fear
Literatur ~ Literature
Politik ~ Politics

#1532
Matthews, Peter: The greatest films of all time: Vertigo, Alfred Hitchcock. In: Sight and Sound NS 22. 2012. No. 9. [September] pp. 54-55.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1533
Maurelli, G.: The Man Who Knew Too Much. In: Filmcritica 32. 1981. No. 311. [January] pp. 48-49.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)

#1534
Maxfield, James F.: A dreamer and his dream: Another way of looking at Hitchcock’s Vertigo. In: Film Criticism 14. 1990. No. 3. [Spring] pp. 3-13.
Description:
Psychoanalytic analysis of Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)
Psychologie ~ Psychology
Traum ~ Dreams

#1535
Maxford, Howard: The A - Z of Hitchcock. - London: Batsford 2002.
Index:
Hitchcock, Alfred

#1536
Mazzella, Anthony J.: Author, auteur: Rereading Rear Window from Woolrich to Hitchcock. In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 62-75.
Description:
Compares the novel It Had to be Murder by Cornell Woolrich with the Hitchcock film.
Index:
Hitchcock, Alfred
Woolrich, Cornell George
Rear Window (1954)
It Had to be Murder (Literatur ~ Literature)

#1537
Mazzotta, Walter: Alfred Hitchcock: La scena spostata. In: Filmcritica 49. 1999. No. 499. [October] pp. 433-437.
Description:
On narrative structures in the films of Alfred Hitchcock, especially in The Rope.
Index:
Hitchcock, Alfred
Rear Window (1954)
Rope, The (1948)

#1538
McAlpin, C.: Psychotic? Anthony Perkins! In: Film Directions 9. 1988. No. 34. [?D] pp. 8-9.
Description:
Perkins on his "permanent" role als "Norman Bates" in the Psycho films.
Index:
Perkins, Anthony
Hitchcock, Alfred
Psycho (Filmreihe)
Psychologie ~ Psychology

#1539
McArthur, Colin / Mulvey, Laura / Smith, Ian: Hitchcock. In: Film Studies [Manchester] 2000. No. 2. [Spring] pp. 5-43.
Description:
Special section on the director.
Index:
Hitchcock, Alfred

#1540
McArthur, Colin: The critics who knew too little: Hitchcock and the absent dass paradigm. In: Film Studies [Manchester] 2000. No. 2. [Spring] pp. 15-28.
Description:
On political statements in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Politik ~ Politics

#1541
McBride, Joseph: Alfred Hitchcock’s Mary Rose: An old master’s unheard cri de coeur. In: Cineaste 26. 2001. No. 2. [Spring] pp. 24-28.
Description:
On Hitchcock’s unsuccessfull attempt to film the stage play by J. M. Barrie.
Index:
Hitchcock, Alfred
Barrie, Sir James Matthew
Theater ~ Theatre
Mary Rose (Theater ~ Theatre)

#1542
McBride, Joseph: Hitchcock: A defense and an update. In: Film Comment 15. 1979. No. ?N. [May] pp. 69-70.
Index:
Hitchcock, Alfred

#1543
McBride, Ryan: Fatal spaces: Alfred Hitchcock, Fritz Lang, and the art of murder. - Saarbrücken: VDM Verlag Dr. Müller 2007.
Description:
Compares The Thirty-Nine Steps to Ministry of Fear and Blackmail to The Blue Gardenia. Includes also a chapter on the use of staircases in both director’s work.
Index:
Hitchcock, Alfred
Lang, Fritz
Thirty-Nine Steps, The (1935)
Ministry of Fear (1944)
Blackmail (1929)
Blue Gardenia, The (1952/1953)
Mord ~ Murder

#1544
McCarthy, Todd: Rear Window (Restoration - 1954). In: Variety 377. 2000. No. 9. [Janiary 17] pp. 48, 55.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1545
McCartney, George: Alfred Hitchcock’s empty suit: 50s counterculture. In: Chronicles 32. 2008. No. 8. [?D] pp. 20-23.
Description:
Discusses especially Vertigo and North by Northwest.
Index:
Hitchcock, Alfred
Vertigo (1958)
North by Northwest (1959)

#1546
McCombe, John P.: "Oh, I see ...": The Birds and the culmination of Hitchcock’s hyper-romantic vision. In: Cinema Journal 44. 2005. No. 3. [Spring] pp. 64-80.
Index:
Hitchcock, Alfred
Birds, The (1962)
Romantik ~ Romanticism

#1547
Mccombes, John P.: "Oh, I see ...": The Birds and the culmination of Hitchcock’s romantic vision. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Birds, The (1962)
Romantik ~ Romanticism

#1548
McCourt, James: Vertigo: Alfred Hitchcock’s vision of the fall of man. In: Performing Arts - Motion Pictures ?G. 1998. No. ?N. [May] pp. 12-27.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1549
McDevitt, Jim / San Juan, Eric: A year of Hitchcock: 52 weeks with the master of suspense. - Lanham, Maryland; London: Scarecrow Press 2009.
Reviews:
Hemphill, Jim: [untitled.] In: American Cinematographer. Online edition, June 2009.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#1550
McDevitt, Jim / San Juan, Eric: Hitchcock’s villains: Murderers, maniacs, and mother issues. - Lanham, Maryland: Scarecrow Press 2013.
Index:
Hitchcock, Alfred
Mutter ~ Mothers
Mord ~ Murder
Böse, Das ~ Evil, The

#1551
Mcdonald, Paul: Why study film acting? Some opening reflections. In: More than a method: trends and traditions in contemporary film performance. Edited by Cynthia Baron, Diane Carson and Frank P. Tomasulo. - Detroit, Michigan: Wayne State University Press 2004. (= Contemporary approaches to film and television.) pp. 23-41.
Description:
Discusses, among others, Alfred Hitchcock’s Notorious and the two Psycho films by Hitchcock and Gus Van Sant’s.
Index:
Hitchcock, Alfred
Van Sant, Gus
Notorious (1946)
Psycho (1960)
Psycho (1998)

#1552
McDougal, Stuart Y.: Mirth, sexuality and suspense: Alfred Hitchcock’s adaptation of The Thirty-Nine Steps. In: Literature/Film Quarterly 3. 1975. No. 3. [Summer] p. 232.
Index:
Hitchcock, Alfred
Buchan, John
Thirty-Nine Steps, The (1935)
Thriller ~ Thriller
Sexualität ~ Sexuality
Thirty-Nine Steps, The (Literatur ~ Literature)

#1553
McDougal, Stuart Y.: The director who knew too much: Hitchcock remakes himself. In: Play it again, Sam: Retakes on remakes. Edited by Andrew Horton and Stuart Y. McDougal. - Berkeley, California: University of California Press 1998. pp. 52-69.
Index:
Hitchcock, Alfred

#1554
Mcelhaney, Joe: Hitchcock, metteur-en-scène: 1954-60. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred

#1555
McElhaney, Joe: The death of classical cinema: Hitchcock, Lang, Minnelli. - Albany: State University of New York Press 2006. (= SUNNY series: Horizons of cinema.)
Reviews:
Fife, Lucy: [untitled.] In: Film-Philosophy 11. 2007. No. 3. [?D] p. ?P.
Faucette, Brian: [untitled.] In: Journal of Popular Film and Television 36. 2008. No. 1. [?D] pp. 46-47.
Lohrey, James: [untitled.] In: Journal of Film and Video 60. 2008. No. 3/4. [Fall/Winter] pp. 122-123.
Description:
Discusses, among others, Fritz Lang’s Die 1000 Augen des Dr. Mabuse and Alfred Hitchcock’s Marnie.
Index:
Lang, Fritz
Hitchcock, Alfred
Minnelli, Vincente
1000 Augen des Dr. Mabuse, Die (1960)
Marnie (1963/1964)

#1556
McElhaney, Joseph Edward: Qualities of imperfection: Melodrama and the decline of classical cinema. - New York: New York University, Ph.D. 1999. [Abstract in: Dissertation Abstracts International A 60. 1999. No. 2. (August) p. 272A.]
Description:
Discusses, among others, Fritz Lang’s Die 1000 Augen des Dr. Mabuse and Alfred Hitchcock’s Marnie.
Index:
Lang, Fritz
Hitchcock, Alfred
1000 Augen des Dr. Mabuse, Die (1960)
Marnie (1963/1964)

#1557
McElhaney, Joseph: The object and the face: Notorious, Bergman and the close-up. In: Hitchcock: Past and future. Edited by Richard Allen and Sam Ishii-Gonzales. - London; New York: Routledge 2004. p. ?P.
Index:
Hitchcock, Alfred
Bergman, Ingmar
Notorious (1946)

#1558
Mcfarland, Douglas: Bruno’s game, or the case of the sardonic psychopath. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#1559
Mcfarlane, Brian: Psycho: Trust the tale. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Bloch, Robert N.
Hitchcock, Alfred
Psycho (1960)
Psycho (Literatur ~ Literature)

#1560
Mcgee, John: Reel reviewer. In: Classic Film Collector ?G. 1976. No. 52. [Fall] pp. 36-38.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1934)

#1561
McGilligan, Patrick: Alfred Hitchcock: A life in darkness and light. - Chichester: Wiley / New York: Regan Books 2003.
Reviews:
Belton, John: Book reviews. In: Film International 2004. No. 8. [?D] pp. 46-48.
Brown, Royal S.: Book reviews. In: Cineaste 29. 2004. No. 4. [Fall] pp. 62-63.
Deutelbaum, Marshall: Annual film book survey. In: Film Quarterly 58. 2004. No. 1. [Fall] pp. 56-58.
Flower, Dean: [untitled.] In: The Hudson Review 58. 2006. No. 4. [?D] pp. 681-688.
Glancy H. Mark: [untitled] In: Journal of British Cinema and Television 1. 2004. No. 2. [?D] pp. 316-318.
Sklar, Robert: [untitled] In: Book World 2003. No. ?N. [November 16] p. 8.
Viviani, Christian: Culture "bio". In: Positif 2004. No. 519. [May] pp. 49-53.
Index:
Hitchcock, Alfred

#1562
McGilligan, Patrick: Alfred Hitchcock: Before the flickers. In: Film Comment 35. 1999. No. 4. [July/August] pp. 22-31.
Description:
Excerpt from McGilligan’s Hitchcock biography "Darkness and Light".
Index:
Hitchcock, Alfred

#1563
McGilligan, Patrick: Hitchcock på Henley’s. In: Filmhäftet 27. 1999. No. 107. [?D] pp. 12-20.
Description:
On Hitchcock’s early films.
Index:
Hitchcock, Alfred

#1564
McGilligan, Patrick: Passion: Hitchcock, Alma & filmen (1921-1925). In: Filmhäftet 28. 2000. No. 110. [?D] pp. 33-48.
Description:
Excerpt from McGilligan’s book "Darkness and light: A biography of Alfred Hitchcock".
Index:
Hitchcock, Alfred

#1565
McGilvray, Joanne: Rebecca. In: Séquences ?G. 1995. No. 180. [September/October] p. 35.
Index:
Hitchcock, Alfred
Rebecca (1940)

#1566
McGinty, Mac: The filmic dialogue: A theoretical application of Grice’s cooperative principle and conversational maxims to film. - ?O: University of Houston - Clear Lake, M.A. 1997. [Abstract in: Masters Abstracts International 36. 1998. No. 3. pp. 652-653.]
Description:
Discusses, among others, Alfred Hitchcock’s Strangers on a Train.
Index:
Hitchcock, Alfred
Grice, H. Paul
Strangers on a Train (1951)

#1567
McGonigal, Jane: Watching horror: A gendered look at terrorism, or, Everything I need to know I learned in Psycho. In: Senses of Cinema 2001. No. 17. [November/December] p. ?P.
Index:
Hitchcock, Alfred
Psycho (1960)
Sexualität ~ Sexuality
Horror ~ Horror

#1568
McGowan, Todd: Hitchcock’s ethics of suspense: Psychoanalysis and the devaluation of the object. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred
Thriller ~ Thriller
Psychologie ~ Psychology

#1569
McIntyre, Heather Faye: In the absence of the woman: The spectator’s presence in Hitchcock’s Rear Window, Polanski’s The Tenant, and Lynch’s Blue Velvet. - Winnipeg, Manitoba: University of Manitoba, M.A. 1990. [Abstract in: Masters Abstracts International 31. 1993. No. 2. p. 496.]
Index:
Hitchcock, Alfred
Polanski, Roman
Lynch, David
Rear Window (1954)
Locataire, Le / Tenant, The (1976)
Blue Velvet (1986)
Sexualität: Sadomasochismus ~ Sexuality: Sadomasochism
Frauen ~ Women

#1570
McIver, Linda: Hitchcock. - Clwyd: Clwyd Centre Educational Technology 1984.
Index:
Hitchcock, Alfred

#1571
Mclaughlin, James: All in the family: Alfred Hitchcock’s Shadow of a Doubt. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)
Familie ~ Family

#1572
McLaughlin, J. B.: All in the family. In: Wide Angle 4. 1980. No. 1. [?D] pp. 12-19.
Description:
On the representation of the family in Hitchcock’s Shadow of a Doubt.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)
Familie ~ Family

#1573
McNamara, Donald Dailey: Alfred Hitchcock’s symbolic fantasies: A comedy of narrative form. - ?O: University of Missouri-Columbia, Ph.D. 1983. [Abstract in: Dissertation Abstracts International A 44. 1984. No. 12. (June) p. 3523A.]
Description:
Discusses, among others, Spellbound, Psycho and Marnie.
Index:
Hitchcock, Alfred
Spellbound (1945)
Psycho (1960)
Marnie (1963/1964)
Phantasie ~ Fantasy
Humor ~ Humor

#1574
McNeill, David: Cohesion and gesture. In: Discourse Processes 16. 1993. No. 4. [October-December] pp. 363-386.
Description:
On Alfred Hitchcock’s Blackmail.
Index:
Hitchcock, Alfred
Blackmail (1929)

#1575
Mecke, Christoph: Der Fremde im Zug / Verschwörung im Nordexpress. In: Filmgenres: Kriminalfilm. Hrsg. von Knut Hickethier unter Mitarbeit von Katja Schumann. - Stuttgart: Reclam 2005. pp. 107-110.
Description:
On Alfred Hitchcock’s Strangers on a Train.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)
Kriminalität ~ Crime

#1576
Mecke, Christoph: Psycho. In: Filmgenres: Kriminalfilm. Hrsg. von Knut Hickethier unter Mitarbeit von Katja Schumann. - Stuttgart: Reclam 2005. pp. 159-163.
Index:
Hitchcock, Alfred
Psycho (1960)
Kriminalität ~ Crime

#1577
Meehan, Paul: Hitchcock’s psychological ghosts and doppelgängers. In: Meehan, Paul: Horror noir: Where cinema’s dark sisters meet. - Jefferson, North Carolina; London: McFarland & Company 2010.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology
Geister ~ Ghosts
Doppelgänger ~ Double
Film Noir ~ Film Noir
Horror ~ Horror

#1578
Mejean, Jean-Max: La psychanalyse a Hollywood. In: Cinémaction 2000. No. 94. [?D] pp. 194-198.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Psychologie ~ Psychology
Hollywood ~ Hollywood

#1579
Mellier, Denis: La montage à l’oeil nu: Alfred Hitchcock: Fenêtre sur cour. In: Les conceptions du montage. Dirigée par Pierre Maillot et Valérie Mouroux. (= Cinémaction 1994. No. 72. [?D]) pp. 120-126.
Description:
On Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
Augen ~ Eyes

#1580
The men who knew too much: Henry James and Alfred Hitchcock. Edited by Susan Griffin and Alan Nadel. - Oxford; New York: Oxford University Press 2011.
Reviews:
Raw, Laurence: Two masters. In: Literature/Film Quarterly 42. 2014. No. 1. [?D] pp. 402-404.
Index:
James, Henry
Hitchcock, Alfred

#1581
Mentrup, Maria: Vertigo - Aus dem Reich der Toten - Hitchcocks Frauenfiguren aus der Sicht der feministischen Filmtheorie. - Berlin: Technische Universität Berlin, Institut für Medienpädagogik ?J (1995/1996).
Index:
Hitchcock, Alfred
Vertigo (1958)
Frauen ~ Women

#1582
Meola, Frank M.: Hitchcock’s Emersonian edges. In: Hitchcock Annual 2000/2001. pp. 23-46.
Index:
Hitchcock, Alfred
Emerson, Ralph Waldo
North by Northwest (1959)
Psycho (1960)

#1583
Meola, Frank M.: Hitchcock’s Emersonian edges. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred
Emerson, Ralph Waldo

#1584
Messias, Hans: Grenzen ausloten: Alfred Hitchcocks Fernsehjahre. In: Film-Dienst 52. 1999. No. 16. [August 3] pp. 24-25.
Index:
Hitchcock, Alfred
Fernsehen ~ Television

#1585
Met, Philippe:"Knowing too much" about Hitchcock: The genesis of the Italian giallo. In: After Hitchcock: Influence, imitation, and intertextuality. Edited by David Boyd and R. Barton Palmer. - Austin, Texas: University of Texas Press 2006. pp. 195-214.
Index:
Hitchcock, Alfred
Thriller ~ Thriller
Italien ~ Italy

#1586
Metz, Walter: Exposing the lies of Hitchcock’s truth. In: After Hitchcock: Influence, imitation, and intertextuality. Edited by David Boyd and R. Barton Palmer. - Austin, Texas: University of Texas Press 2006. pp. 109-124.
Description:
On James Cameron’s True Lies.
Index:
Hitchcock, Alfred
Cameron, James
True Lies (1994)

#1587
Metz, Walter: Modernity and the crisis in truth: Alfred Hitchcock and Fritz Lang. In: Cinema and modernity. Edited by Murray Pomerance. - New Brunswick, New Jersey: Rutgers University Press 2006. pp. 74-89.
Index:
Hitchcock, Alfred
Lang, Fritz

#1588
Meyer, Holt: Meta-Mediale und / als geopolitische Einrahmungen des Agententums: American technology in Alfred Hitchcocks Foreign Correspondent. In: Ich ist ein Agent: Ästhetische und politische Aspekte des Spionagefilms. Hrsg. von Heinz J. Drügh und Volker Mergenthaler. - Würzburg: Königshausen und Neumann 2005. (= Film, Medium, Diskurs 5.) pp. 85 ff.
Index:
Hitchcock, Alfred
Foreign Correspondent (1940)
USA (United States of America) ~ USA (United States of America)
Technik ~ Technology
Politik ~ Politics
Spione ~ Spys

#1589
Meyring, Christoph: Kleptomanie als Verfahren: Zu Alfred Hitchcocks Film Marnie. In: Textprofile intermedial. Hrg. von Dagmar von Hoff und Bernhard Spies. - München: Meidenbauer 2008. (= Kontext 6.) pp. 221 ff.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#1590
Michaelsen, Torsten: Bei Anruf Mord. In: Filmgenres: Kriminalfilm. Hrsg. von Knut Hickethier unter Mitarbeit von Katja Schumann. - Stuttgart: Reclam 2005. pp. 111-114.
Description:
On Alfred Hitchcock’s Dial M for Murder.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)
Kriminalität ~ Crime

#1591
Michie, Elsie B.: Unveiling maternal desires: Hitchcock and American domesticity. In: Hitchcock’s America. Edited by Jonathan Freedman and Richard H. Millington. - New York; Oxford: Oxford University Press 1999. pp. 29-53.
Description:
Discusses, among others, The Man Who Knew Too Much and Shadow of a Doubt.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
Shadow of a Doubt (1943)
USA (United States of America) ~ USA (United States of America)

#1592
Midding, Gerhard: Lob des Geburtshelfers. In: EPD Film 28. 2011. No. 9. [September] p. 10.
Description:
On the exhibition "Zwischen Film und Kunst: Storyboards von Hitchcock bis Spielberg" (Between film and art: Storyboards from Hitchcock to Spielberg") at the Berlin Film Museum.
Index:
Hitchcock, Alfred
Spielberg, Steven
Technik ~ Technology
Kunst ~ Arts, The
Berlin ~ Berlin

#1593
Miess, Julie: Neue Monster: Postmoderne Horrortexte und ihre Autorinnen. - Köln; Weimar; Wien: Böhlau 2010. (= Literatur, Kultur, Geschlecht, Große Reihe 56.)
Description:
On female gothic horror in literature and film. Includes chapters on Joyce Carol Oates’s Foxfire and the filming by Annette Haywood-Carter, on Jonathan Mostow’s Terminator 3, Roy Ward Baker’s Dr. Jekyll and Sister Hyde, René Manzor’s Dédales and Alfred Hitchcock’s Psycho.
Index:
Oates, Joyce Carol
Haywood-Carter, Annette
Mostow, Jonathan
Baker, Roy Ward
Manzor, René
Hitchcock, Alfred
Foxfire (1996)
Terminator 3: Rise of the Machines (2003)
Dr. Jekyll and Sister Hyde (1971)
Dédales (2003)
Psycho (1960)
Postmoderne ~ Postmodern
Foxfire (Literatur ~ Literature)
Literatur ~ Literature
Horror ~ Horror
Frauen ~ Women
Monster ~ Monster

#1594
Miess, Julie: Neue Monster: Postmoderne Horrortexte und ihre Autorinnen. - Berlin: Humboldt-Universität, Dissertation 2008.
Description:
On female gothic horror in literature and film. Includes chapters on Joyce Carol Oates’s Foxfire and the filming by Annette Haywood-Carter, on Jonathan Mostow’s Terminator 3, Roy Ward Baker’s Dr. Jekyll and Sister Hyde, René Manzor’s Dédales and Alfred Hitchcock’s Psycho.
Index:
Oates, Joyce Carol
Haywood-Carter, Annette
Mostow, Jonathan
Baker, Roy Ward
Manzor, René
Hitchcock, Alfred
Foxfire (1996)
Terminator 3: Rise of the Machines (2003)
Dr. Jekyll and Sister Hyde (1971)
Dédales (2003)
Psycho (1960)
Postmoderne ~ Postmodern
Foxfire (Literatur ~ Literature)
Literatur ~ Literature
Horror ~ Horror
Frauen ~ Women
Monster ~ Monster

#1595
Millar, Gavin: Hitchcock versus Truffaut. In: Sight and Sound 38. 1969. No. 2. [Spring] pp. 82-87.
Index:
Hitchcock, Alfred
Truffaut, François

#1596
Miller, A. I.: North by Northwest (1959). In: Film News 37. 1980. No. ?N. [Winter] p. 37.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#1597
Miller, D. A.: Anal Rope. In: Representations 1990. No. 32. [Autumn] pp. 114-133.
Index:
Hitchcock, Alfred
Rope, The (1948)

#1598
Miller, D. A.: Anal Rope. In: Inside / out: Lesbian theories, gay theories. Edited by Diana Fuss. - New York: Routledge 1991. p. ?P.
Index:
Hitchcock, Alfred
Rope, The (1948)
Sexualität: Homosexualität ~ Sexuality: Homosexuality

#1599
Miller, D. A.: Hitchcock’s hidden pictures. In: Critical Inquiry 37. 2010. No. 1. [?D] pp. 106-130.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)

#1600
Miller, D. A.: Second time around: Vertigo. In: Film Quarterly 62. 2008/2009. No. 2. [Winter] pp. 12-18.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1601
Miller, Gabriel: Beyond the frame: Hitchcock, art, and the ideal. In: Post Script 5. 1986. No. 2. [Winter] pp. 31-46.
Description:
Especially on Rear Window and Vertigo.
Index:
Hitchcock, Alfred
Rear Window (1954)
Vertigo (1958)

#1602
Miller, Henry K.: Papa du cinema. In: Sight and Sound NS 26. 2016. No. 3. [March] pp. 36-41.
Description:
On Kent Jones’s documentary Hitchcock/Truffaut.
Index:
Jones, Kent
Hitchcock, Alfred
Truffaut, François
Hitchcock/Truffaut (2015)
Dokumentarfilm ~ Documentary Film

#1603
Miller, M. C.: In memoriam - A. H. (1899-1980). In: New Republic 183. 1980. No. ?N [July 26] pp. 27-31.
Description:
Obituary.
Index:
Hitchcock, Alfred

#1604
Miller, Mark Crispin: Hitchcock’s suspicions and Suspicion. In: Modern Language Notes 98. 1983. No. 5. [December] pp. 1143-1186.
Index:
Hitchcock, Alfred
Suspicion (1941)

#1605
Miller, Nicholas Andrew: "Dear Miss Lonelyhearts": Voyeurism and the spectacle of human suffering in Rear Window. In: Hitchcock and adaptation: On the page and screen. Edited by Mark Osteen. - Lanham, Maryland: Rowman & Littlefield 2014. p. ?P.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1606
Miller, Toby: 39 Steps to "the borders of the possible": Alfred Hitchcock, amateur observer and the new cultural history. In: Alfred Hitchcock: Centenary essays. Edited by Richard Allen and S. Ishii-Gonzales. - London: British Film Institute 1999. pp. 301-314.
Index:
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)

#1607
Millington, Richard H.: Hitchcock and American character: The comedy of self-construction in North by Northwest. In: Hitchcock’s America. Edited by Jonathan Freedman and Richard Millington. - New York; Oxford: Oxford University Press 1999. pp. 135-154.
Index:
Hitchcock, Alfred
North by Northwest (1959)
USA (United States of America) ~ USA (United States of America)
Humor ~ Humor

#1608
Minissale, Gregory: Beyond internalism and externalism: Husserl and Sartre’s image consciousness in Hitchcock and Buñuel. In: Film-Philosophy 14. 2010. No. 1. [?D) pp. 174-201.
Index:
Husserl, Edmund
Sartre, Jean-Paul
Hitchcock, Alfred
Buñuel, Luis
Philosophie ~ Philosophy

#1609
Mitchell, R.: Bernard Herrmann’s rejected score for Alfred Hitchcock’s Torn Curtain. In: Films in Review 29. 1978. No. ?N. [March] pp. 189-190.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Torn Curtain (1966)

#1610
Modleski, Tania: "Never to be thirty-six years old": Rebecca as female Oedipal drama. In: Wide Angle 5. 1982. No. 1. [?D] pp. 34-41.
Index:
Hitchcock, Alfred
Rebecca (1940)
Ödipus ~ Oedipus
Frauen ~ Women

#1611
Modleski, Tania: Hitchcock et la théorie féministe: Les femmes qui en savaient trop. - Paris: L’Harmattan 2002. (= Champs visuels étrangers.)
First edition:
[The women who knew too much: Hitchcock and feminist criticism. - New York: Methuen 1988]
Reviews:
Garson, Charlotte: Lady Hitchcock. In: Cahiers du Cinéma 2003. No. 578. [April] p. 30.
Montagne, Albert: [untitled] In: Cahiers de la Cinémathèque 2002. No. 74. [December] pp. 154-155.
Index:
Hitchcock, Alfred
Frauen ~ Women

#1612
Modleski, Tania: Hitchcocks Töchter. In: Frauen und Film 1990. No. 48. [March] pp. 56-63.
Description:
On the representation of the woman in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Frauen ~ Women

#1613
Modleski, Tania: Les femmes qui savaient trop’: Un nouveau regard sur Hitchcock. In: 20 ans de théories féministes sur le cinéma. Réuni par Ginette Vincendeau et Bérénice Reynaud. (= Cinémaction 1993. No. 67. [March]) pp. 92-95.
Description:
Especially on Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)
Frauen ~ Women

#1614
Modleski, Tania: Rape versus mans/laughter: Hitchcock’s Blackmail and feminist interpretation. In: Publications of the Modern Language Association of America 102. 1987. No. 3. [May] pp. 304-315.
Index:
Hitchcock, Alfred
Blackmail (1929)
Vergewaltigung ~ Rape
Humor ~ Humor
Frauen ~ Women

#1615
Modleski, Tania: Rituals of defilement: Frenzy. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Frenzy (1971)

#1616
Modleski, Tania: Suspicion: Collusion and resistance in the work of Hitchcock’s female collaborators. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred
Suspicion (1941)
Frauen ~ Women

#1617
Modleski, Tania: The women who knew too much: Hitchcock and feminist criticism. - New York: Methuen / London: Routledge and Kegan Paul 1988.
Reviews:
Abbott, R.: Women watching Hitchcock. In: Literature/Film Quarterly 19. 1991. No. 4. [October] pp. 277-280.
Thomas, Paul: The women who knew too much: The Hitchcock romance. In: Film Quarterly 42. 1989. No. 4. [Summer] pp. 40-42.
Index:
Hitchcock, Alfred
Frauen ~ Women

#1618
Modleski, Tania / Vincendeau, Ginette: "Les femmes qui en savaient trop": Un nouveau regard sur Hitchcock. In: Cinémaction 1993. No. 67. [?D] pp. 106-112.
Index:
Hitchcock, Alfred
Vertigo (1958)
Frauen ~ Women

#1619
Mogg, Ken: Background to what follows: Excerpts from a controversy ... In: MacGuffin 1998. No. 24. [February] pp. 12-14.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1620
Mogg, Ken: Bloopers. In: MacGuffin 1997. No. 22. [May-August] p. 15.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1621
Mogg, Ken: Brief critique of the above article, by its author. In: MacGuffin 1998. No. 25. [August] pp. 26-28.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1622
Mogg, Ken: Death of Peggy Robertson. In: MacGuffin 1998. No. 24. [February] p. 6.
Index:
Hitchcock, Alfred
Psycho (1960)
Tod ~ Death

#1623
Mogg, Ken: Defending Marnie - and Hitchcock. In: Hitchcock Annual 1999. pp. 74-83.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#1624
Mogg, Ken: Engendering the truth about Vertigo: Thoughts on an article by Leland Poague in the 1994 "Hitchcock Annual". In: MacGuffin 1995. No. 17. [November] pp. 14-26.
Index:
Hitchcock, Alfred
Vertigo (1958)
Sexualität ~ Sexuality

#1625
Mogg, Ken: Hitchcock made only one horror film: Matters of time, space, causality, and the Schopenhauerian will. In: Dark thoughts: Philosophic reflections on cinematic horror. Edited by Steven Jay Schneider and Daniel Shaw. - Lanham, Maryland; London: Scarecrow Press 2003. pp. 84-104.
Description:
On Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Schopenhauer, Arthur
Hitchcock, Alfred
Psycho (1960)
Philosophie ~ Philosophy
Horror ~ Horror

#1626
Mogg, Ken: Hitchcock’s literary sources. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred

#1627
Mogg, Ken: Ken Mogg responds. In: MacGuffin 1998. No. 24. [February] pp. 19-22.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1628
Mogg, Ken: Melancholy elephants: Hitchcock and ingenious adaptation. In: Hitchcock and adaptation: On the page and screen. Edited by Mark Osteen. - Lanham, Maryland: Rowman & Littlefield 2014. p. ?P.
Index:
Hitchcock, Alfred

#1629
Mogg, Ken: Notes for "Engendering the truth about Vertigo" - carried over from "MacGuffin" 17. In: MacGuffin 1996. No. 18. [February/May] pp. 25-26.
Index:
Hitchcock, Alfred
Vertigo (1958)
Sexualität ~ Sexuality

#1630
Mogg, Ken: Rear Window in the news. In: MacGuffin 1997. No. 23. [November] pp. 1-2.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1631
Mogg, Ken: Some thoughts occasioned by reading Camille Paglia’s The Birds. In: MacGuffin 1998. No. 25. [August] pp. 11-13.
Index:
Hitchcock, Alfred
Birds, The (1962)

#1632
Mogg, Ken: The Alfred Hitchcock story. Foreword by Janet Leigh. With contributions by Dan Auiler [et al.]. Revised edition. - London: Titan 2008.
First edition:
[1999]
Index:
Hitchcock, Alfred

#1633
Mogg, Ken: The Alfred Hitchcock story. With contributions by Dan Auiler [et al.]. - Dallas: Taylor 1999.
Index:
Hitchcock, Alfred

#1634
Mogg, Ken: The Alfred Hitchcock story. With contributions by Dan Auiler [et al.]. - London: Titan Books 1999.
Index:
Hitchcock, Alfred

#1635
Mogg, Ken: The fragments of the mirror: Vertigo and its sources. In: MacGuffin 1998. No. 25. [August] pp. 13-26.
Index:
Hitchcock, Alfred
Vertigo (1958)
Spiegel ~ Mirror

#1636
Mogg, Ken: The Gioconda smile: Archetypes in/of Hitchcock’s Rear Window (1954). In: MacGuffin 1997. No. 23. [November] pp. 7-26.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1637
Möhn, Julia: Hitchcock in Sasel. In: Die Welt, 14.12.1991. p. 34.
Index:
von Kamptz, Berthold
Hitchcock, Alfred
Psycho: Das Geheimnis des Phantom-Killers (1992)
Psycho (1960)

#1638
Molnar, Gal Peter: Anaké a furdoszobaban. In: Filmkultura 21. 1985. No. 12. [December] pp. 23-25.
Description:
On Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1639
Montagu, Ivor: Mi trabajo con Hitchcock. In: Contracampo 1985. No. 38. [Winter] pp. 55-68.
Description:
The cutter on his collaboration with Alfred Hitchcock in the 1920s and 1930s.
Index:
Hitchcock, Alfred
Montagu, Ivor

#1640
Montagu, Ivor: Working with Hitchcock. In: Sight and Sound 49. 1980. No. 3. [Summer] pp. 186-193.
Description:
The cutter on his collaboration with Alfred Hitchcock in the 1920s and 1930s.
Index:
Hitchcock, Alfred

#1641
Monteleone, Massimo: Psycho. In: Rivista del Cinematografo 63. 1993. Supplement. p. V.
Index:
Hitchcock, Alfred
Psycho (1960)

#1642
Montes-Huidobro, Matias: From Hitchcock to Garcia Marquez: The methodology of suspense. In: Critical perspectives on Gabriel Garcia Marquez. Edited by Bradley A. Shaw and Nora Vera-Godwin. - Lincoln, Nebraska: Society of Spanish and Spanish-American Studies 1986. pp. 105-123.
Index:
Hitchcock, Alfred
García Márquez, Gabriel
Thriller ~ Thriller

#1643
Mooney, Joshua: Grace Kelly in Rear Window. In: Movieline 7. 1996. No. ?N. [January/February] p. 79.
Index:
Hitchcock, Alfred
Kelly, Grace
Rear Window (1954)

#1644
Moore, Matthew: Watching cosmic time in midcentury suspense films. - Vestal, New York: State University of New York at Binghamton, Ph.D. 2011. [Abstract in: Dissertation Abstracts International A 72. 2012. No. 10. (April)]
Description:
Discusses, among others, Alfred Hitchcock’s Shadow of a Doubt, Orson Welles’s The Stranger and Carol Reed’s Odd Man Out.
Index:
Hitchcock, Alfred
Welles, Orson
Reed, Carol
Shadow of a Doubt (1943)
Stranger, The (1946)
Odd Man Out (1947)
Zeit ~ Time
Thriller ~ Thriller

#1645
Moral, Tony Lee: Hitchcock and the making of Marnie. - Manchester: Manchester University Press 2002. (= Filmmakers 95.)
Reviews:
Davis, Bob: Disciplining Marnie. In: Film-Philosophy 8. 2004. No. 1. [January] p. ?P.
Fujiwara, Chris: lnterpretaion and production history: Eyes Wide Shut and Marnie. In: Film International 2003. No. 3. [?D] pp. 36-40.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#1646
Moral, Tony Lee: Hitchcock and the making of Marnie. - Lanham, Maryland; London: Scarecrow Press 2002. (= Filmmakers 95.)
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#1647
Moral, Tony Lee: Hitchcock’s moviemaking master class: Learning about film from the master of suspense. - Studio City, California: Michael Wiese Productions 2013.
Index:
Hitchcock, Alfred
Thriller ~ Thriller
Pädagogik ~ Paedagogy

#1648
Mörchen, Roland: "Ego te absolvo": Alfred Hitchcocks unterschätzter Film Ich beichte. In: Film-Dienst 52. 1999. No. 16. [August 3] pp. 20-21.
Index:
Hitchcock, Alfred
I Confess (1952)

#1649
Mörchen, Roland: I Confess: Ein unterschätzter Film. In: Lexikon des Internationalen Films: Kino, Fernsehen, Video, DVD. Redaktion: Horst Peter Kroll [et al.]. Herausgegeben vom Katholischen Institut für Medieninformation und der Katholischen Filmkommission für Deutschland. Band 2: H-P. - Frankfurt/Main: Zweitausendeins 2002. pp. H10-H13.
Index:
Hitchcock, Alfred
I Confess (1952)

#1650
Mörchen, Roland: Reifewerke. In: Film-Dienst 53. 2000. No. 25. [December 5] p. 41.
Description:
On a CD editions of the scores for Alfred Hitchcock’s Marnie and Mark Robson’s Peyton Place.
Index:
Hitchcock, Alfred
Robson, Mark
Marnie (1963/1964)
Peyton Place (1957)
Musik ~ Music

#1651
Mord - Sir John greift ein. - Vogt: Peter Kranzpiller ?J. (= Filmprogramm der Kinoszene 132.)
Index:
Hitchcock, Alfred
Murder (1930)

#1652
Morfoot, P.: Three films of Alfred Hitchcock. - Colchester, Essex: University of Essex, Ph.D. 1986. [Abstract in: Index to Theses with Abstracts 35. 1987. No. 4. p. 1485(35-7533).]
Description:
Discusses Psycho, The Birds and Marnie.
Index:
Hitchcock, Alfred
Psycho (1960)
Birds, The (1962)
Marnie (1963/1964)

#1653
Morris, Christopher D.: Feminism, deconstruction and the pursuit of the tenable in Vertigo. In: Hitchcock Annual 1996/1997. pp. 3-25.
Index:
Hitchcock, Alfred
Vertigo (1958)
Frauen ~ Women

#1654
Morris, Christopher D.: Reading the birds and The Birds. In: Literature/Film Quarterly 28. 2000. No. 4. [October] pp. 250-258.
Description:
On the symbolic meaning of the birds in the film.
Index:
Hitchcock, Alfred
Birds, The (1962)
Tiere ~ Animals

#1655
Morris, Christopher D.: Ro/pe. In: Film Criticism 24. 1999. No. 2. [Winter] pp. 17-40.
Description:
Psychoanalytic interpretation of Hitchcock’s Rope.
Index:
Hitchcock, Alfred
Rope, The (1948)
Psychologie ~ Psychology

#1656
Morris, Christopher D.: The allegory of seeing in Hitchcock’s silent films. In: Film Criticism 22. 1997/1998. No. 2. [Winter] pp. 27-50.
Index:
Hitchcock, Alfred
Stummfilm ~ Silent Film

#1657
Morris, Christopher D.: The direction of North by Northwest. In: Cinema Journal 36. 1997. No. 4. [Summer] pp. 43-56.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#1658
Morris, Christopher D.: The hanging figure: On suspense and the films of Alfred Hitchcock. - Westport, Connecticut; London: Praeger 2002.
Reviews:
Spinks, Randall: Hanging with Hitchcock. In: Literature/Film Quarterly 32. 2004. No. 3. [July] pp. 237-239.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#1659
Morris, Christopher D.: The Lodger’s allegory of seeing. In: Film and Philosophy 1998. No. 4. [?D] pp. 11-19.
Index:
Hitchcock, Alfred
Lodger, The: A Story of the London Fog (1927)

#1660
Morris, Christopher D.: Torn Curtain’s futile talk. In: Cinema Journal 39. 1999. No. 1. [Fall] pp. 54-73.
Index:
Hitchcock, Alfred
Torn Curtain (1966)

#1661
Morris, Christopher: Easy virtue’s frames. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred

#1662
Morris, Christopher: Psycho’s allegory of seeing. In: Literature/Film Quarterly 24. 1996. No. 1. [January] pp. 47-51.
Index:
Hitchcock, Alfred
Psycho (1960)

#1663
Morris, Christopher: Psycho’s allegory of seeing. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Psycho (1960)

#1664
Morris, Natalie: The early career of Alma Reville. In: Hitchcock Annual 2006/2007. pp. 1-31.
Index:
Reville, Alma
Hitchcock, Alfred

#1665
Morrison, James: Hitchcock’s Ireland: The performance of Irish identity in Juno and the Paycock and Under Capricorn. In: Hitchcock: Past and future. Edited by Richard Allen and Sam Ishii-Gonzales. - London; New York: Routledge 2004. p. ?P.
Index:
Hitchcock, Alfred
Juno and the Paycock (1930)
Under Capricorn (1949)
Irland ~ Ireland

#1666
Morrison, K.: The technology of homicide: Constructions of evidence and truth in American murder films. In: Cineaction 1995. No. 38. [September] pp. 16-24.
Description:
Discusses, among others, Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Technik ~ Technology
Körper ~ Bodies
USA (United States of America) ~ USA (United States of America)
Mord ~ Murder

#1667
Moscati, Italo: Hitchcock: Il laboratorio dei brividi. - Roma: Rai-ERI / Ediesse 2009. (= Cinema / lavoro.)
Index:
Hitchcock, Alfred

#1668
Mott, George: Vertigo. In: The Psychoanalytic Review 84. 1997. No. 4. [?D] pp. 631-635.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1669
Mulvey, Laura: Death 24x a second: Stillness and the moving image. - London: Reaktion Books 2006.
Reviews:
Fradley, Martin: [untitled.] In: Film Quarterly 64. 2010. No. 1. [?D] pp. 70-74.
Herbert, Daniel: [untitled.] In: Scope [Nottingham] 2008. No. 10. [?D] p. ?P.
Walsh, Maria: Against fetishism: The moving quiescence of life 24 frames a second. In: Film-Philosophy 10. 2006. No. 2. [?D] p. ?P.
Index:
Hitchcock, Alfred
Psycho (1960)
Tod ~ Death

#1670
Mulvey, Laura: Death drives: Hitchcock’s Psycho. In: Film Studies [Manchester] 2000. No. 2. [Spring] pp. 5-14.
Description:
Psychoanalytic analysis.
Index:
Hitchcock, Alfred
Psycho (1960)
Tod ~ Death
Psychologie ~ Psychology

#1671
Mulvey, Laura: Death drives. In: Hitchcock: Past and future. Edited by Richard Allen and Sam Ishii-Gonzales. - London; New York: Routledge 2004. p. ?P.
Index:
Hitchcock, Alfred
Tod ~ Death

#1672
Mulvey, Laura: Death Drives: Alfred Hitchocks Psycho und Freuds Konzepte des "Todestriebes" und des "Unheimlichen". In: Psyche im Kino: Sigmund Freud und der Film. Hrsg. von Thomas Ballhausen, Günter Krenn und Lydia Marinelli. - Wien: Verlag Filmarchiv Austria 2006. pp. 260 ff.
Index:
Freud, Sigmund
Hitchcock, Alfred
Psycho (1960)
Tod ~ Death
Angst ~ Fear
Psychologie ~ Psychology

#1673
Murphy, Scott: An audiovisual foreshadowing in the first thirty seconds of the last eight minutes of Psycho. In: Terror tracks: Music, sound and horror cinema. Edited by Philip Hayward. - Oakville, Connecticut: Equinox 2009. (= Genre, Music and Sound.) p. ?P.
Index:
Hitchcock, Alfred
Psycho (1960)
Horror ~ Horror
Musik ~ Music

#1674
Murphy, Terence Patrick: From fairy tale to film screenplay: Working with plot genotypes. - Houndmills, Basingstoke, Hampshire; New York: Palgrave Macmillan 2015.
Description:
Discusses, among others, faity tale elements in Rob Schmidt’s Wrong Turn, Charles Russell’s The Mask and Alfred Hitchcock’s Psycho.
Index:
Schmidt, Rob
Russell, Charles
Hitchcock, Alfred
Wrong Turn (2003)
Mask, The (1994)
Psycho (1960)
Märchen ~ Fairy Tales

#1675
N’doua, Kadjo: Home cinema (le salaire du zappeur). In: Vertigo 1999. No. 18. [?D] p. 108.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1676
Nadel, Alan: Colonial discourse and the unheard other in Washington Square and The Man Who Knew Too Much. In: The men who knew too much: Henry James and Alfred Hitchcock. Edited by Susan Griffin and Alan Nadel. - Oxford; New York: Oxford University Press 2011. p. ?P.
Index:
James, Henry
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
Washington Square (Literatur ~ Literature)

#1677
Nadel, Alan: Expedient exaggeration and the scale of Cold War farce in North by Northwest. In: The Cambridge companion to Alfred Hitchcock. Edited by Jonathan Freedman. - Cambridge; New York: Cambridge University Press 2015. pp. 161-179.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Krieg ~ War

#1678
Narboni, J.: Hitchcock l’egiziano. In: Filmcritica 32. 1981. No. 311. [January] pp. 17-23.
Index:
Hitchcock, Alfred

#1679
Naremore, James: Filmguide to Psycho. - Bloomington, Indiana: Indiana University Press 1973. (= Indiana University Press Filmguide.)
Index:
Hitchcock, Alfred
Psycho (1960)

#1680
Naremore, James: Hitchcock and humor. In: Hitchcock: Past and future. Edited by Richard Allen and Sam Ishii-Gonzales. - London; New York: Routledge 2004. p. ?P.
Index:
Hitchcock, Alfred
Humor ~ Humor

#1681
Naremore, James: Remaking Psycho. In: Hitchcock Annual 1999. pp. 3-12.
Index:
Van Sant, Gus
Hitchcock, Alfred
Psycho (1998)
Psycho (1960)

#1682
Naremore, James: Remaking Psycho. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)
Psycho (1998)

#1683
Naugrette, Jean-Pierre: Pour une esthétique de l’espionnage: Le cas étrange du Dr Pedersen dans The Heroes of Telemark, d’Anthony Mann (1965). In: Études Anglaises 62. 2009. No. 1. [?D] pp. 101-112.
Index:
Mann, Anthony
Hitchcock, Alfred
Heroes of Telemark, The (1965)
Torn Curtain (1966)
Spione ~ Spys

#1684
Neame, Ronald: Remembering Hitchcock. In: DGA: Director’s Guild of America 22. 1997. No. 2. [May/June] pp. 52-54.
Index:
Hitchcock, Alfred
Neame, Ronald

#1685
Negra, Diane: Coveting the feminine: Victor Frankenstein, Norman Bates, and Buffalo Bill. In: Literature/Film Quarterly 24. 1996. No. 2. [April] pp. 193-200.
Description:
On sexual motivated crimes in the novel by Mary Shelley, in Alfred Hitchcock’s Psycho and in Jonathan Demme’s The Silence of the Lambs.
Index:
Shelley, Mary Wollstonecraft
Hitchcock, Alfred
Demme, Jonathan
Psycho (1960)
Silence of the Lambs, The (1990)
Frankenstein (Filmreihe)
Frankenstein ~ Frankenstein
Sexualität ~ Sexuality
Psychologie ~ Psychology
Kriminalität ~ Crime
Frauen ~ Women
Frankenstein or The Modern Prometheus (Literatur ~ Literature)

#1686
Nemes, Károly: Alfred Hitchcock. - Budapest: Népmüvelési Propaganda Iroda / Budapest: Magyar Filmtodományi Intézet és Filmarchivum 1983.
Index:
Hitchcock, Alfred

#1687
Ness, Richard R.: Family plots: Hitchcock and melodrama. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred
Familie ~ Family

#1688
Ness, Richard R.: Hitchcock, Bergman, and the divided self. In: Hitchcock Annual 2002/2003. pp. 181-203.
Index:
Hitchcock, Alfred
Bergman, Ingmar

#1689
Neumann, Jan M.: Alfred Hitchcock’s The Birds: Eine Modellanalyse. - Hamburg: Universität Hamburg, Seminar für Englische Sprache und Kultur, Staatsexamensarbeit ?J (1993/1994).
Index:
Hitchcock, Alfred
Birds, The (1962)

#1690
Neupert, Richard: Red blood on white bread: Hitchcock, Chabrol, and French cinema. In: After Hitchcock: Influence, imitation, and intertextuality. Edited by David Boyd and R. Barton Palmer. - Austin, Texas: University of Texas Press 2006. pp. 127-143.
Index:
Hitchcock, Alfred
Chabrol, Claude
Frankreich ~ France
Blut ~ Blood

#1691
Nevers, Camille: A l’ombre des serial killers. In: Cahiers du Cinéma 1992. No. 461. [November] pp. 82-89.
Description:
On psychopathic serial killers in film. Discusses, among others, Jonathan Demme’s The Silence of the Lambs, Paul Verhoeven’s Basic Instinct, David Lynch’s Twin Peaks: Fire Walk with Me, Rémy Belvaux’s C’est arrivé prés de chez vous, John McNaughton’s Henry - Portrait of a Serial Killer and films by Alfred Hitchcock and Fritz Lang.
Index:
Demme, Jonathan
Verhoeven, Paul
Lynch, David
Belvaux, Rémy
McNaughton, John
Hitchcock, Alfred
Lang, Fritz
Silence of the Lambs, The (1990)
Basic Instinct (1992)
Twin Peaks: Fire Walk with Me (1992)
C’est arrivé prés de chez vous (1992)
Henry - Portrait of a Serial Killer (1989)
Psychologie ~ Psychology
Mord ~ Murder

#1692
Nevins, Francis M.: Fade to black: Part two. In: Armchair Detective 20. 1987. No. 2 [?D] pp. 160 ff.
Description:
On the mystery film and the film noir, especially on Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
Film Noir ~ Film Noir

#1693
Newman, Kim: North by Northwest. In: Video Watchdog 2000. No. 66. [?D] pp. 60-63.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#1694
Newman, Kim: The Birds / Marnie. In: Video Watchdog 2000. No. 62. [?D] pp. 50-53.
Index:
Hitchcock, Alfred
Birds, The (1962)
Marnie (1963/1964)

#1695
Neyrat, Cyril: L’épaisseur d’Hitchcock. In: Cahiers du Cinéma 2006. No. 611. [April] p. 38.
Description:
On Alfred Hitchcock’s relation to fine arts.
Index:
Hitchcock, Alfred

#1696
Ngai, Sianne: Moody subjects / projectile objects: Anxiety and intellectual displacement in Hitchcock, Heidegger, and Melville. In: Qui Parle 12. 2001. No. 2. [?D] pp. 15-55.
Index:
Hitchcock, Alfred
Heidegger, Martin
Melville, Jean-Pierre

#1697
Ngai, Sianne: Reading dispositions: Negative affect and critical practice. - Cambridge, Massachusetts: Harvard University, Ph.D. 2000. [Abstract in: Dissertation Abstracts International A 61. 2000. No. 5. (November) p. 1843.]
Description:
On the role of negative emotional categories in the formation and dissemination of social and aesthetic values in American literature, film, psychoanalysis and philosophy. Discusses, among others, Alfred Hitchcock’s Vertigo and Barbet Schroeder’s Single White Female.
Index:
Hitchcock, Alfred
Schroeder, Barbet
Vertigo (1958)
Single White Female (1992)
USA (United States of America) ~ USA (United States of America)
Psychologie ~ Psychology
Philosophie ~ Philosophy
Literatur ~ Literature

#1698
Niccoli, V.: Hitchcock, plagiaro o plagiato? In: Cinema Nuovo 38. 1989. No. 319. [?D] p. 35.
Description:
Alfred Hitchcock in a 1960s conversation with Italian journalists on his film Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Journalismus ~ Journalism
Italien ~ Italy

#1699
Nichols, Bill: The Birds: At the window. In: Film Reader 1979. No. 4. [?D] pp. 120-144.
Description:
Psychoanalytic analysis of the Hitchcock classic, discusses especially its hidden sexual motifs.
Index:
Hitchcock, Alfred
Birds, The (1962)
Sexualität ~ Sexuality
Psychologie ~ Psychology
Fenster ~ Windows

#1700
Nichols, Mary P. / Schaeffer, Denise: Art and Liberalism in Hitchcock’s Rear Window. In: Perspectives on Political Science 28. 1999. No. 3. [Summer] p. 125.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1701
Nickel, Philip J.: Horror and the idea of everyday life: On skeptical threats in Psycho and The Birds. In: The philosophy of horror. Edited by Thomas Fahy. - Lexington, Kentucky: University Press of Kentucky 2010. (= The philosophy of popular culture.) pp. 14-32.
Index:
Hitchcock, Alfred
Psycho (1960)
Birds, The (1962)
Horror ~ Horror
Philosophie ~ Philosophy

#1702
Nielsen, Ray: Ray’s way: Rudy Fehr and Dial M for Murder. In: Classic Images 1992. No. 202. [April] p. 48.
Index:
Hitchcock, Alfred
Fehr, Rudi
Dial M for Murder (1954)

#1703
Niessen, Niels: Why he really doesn’t get her: Deleuze’s whatever-space and the crisis of the male quest. In: Film-Philosophy 16. 2012. No 1. [?D] pp. 127-148.
Description:
Discusses, among others, Bernardo Bertolucci’s L’ultimo tango a Parigi, the films of Hitchcock and Polanski and the representation of the search for the Holy Grail in film.
Index:
Deleuze, Gilles
Bertolucci, Bernardo
Hitchcock, Alfred
Polanski, Roman
ultimo tango a Parigi, L’ / dernier tango a Paris, Le (1972)
Religion: Gral ~ Religion: Grail
Religion ~ Religion
Männer ~ Men
Philosophie ~ Philosophy

#1704
Niogret, Hubert / Tobin, Yann: De Hitchcock à Hammer: Un Anglais pas comme les autres: Entretien avec Roy Ward Baker. In: Positif 1995. No. 416. [October] pp. 102-109.
Index:
Baker, Roy Ward
Hitchcock, Alfred
Großbritannien ~ Great Britain
Hammer [Firma] ~ Hammer [Company]

#1705
Noble, Peter: Index to the work of Alfred Hitchcock. Reprint. - New York: Gordon 1980. (= Gordon Press Films.)
First edition:
[London: Sight and Sound 1949]
Index:
Hitchcock, Alfred

#1706
Nocenti, Annie: Writing The Birds. In: Scenario 5. 1999. No. 2. [?D] pp. 160 ff.
Index:
Hitchcock, Alfred
Birds, The (1962)

#1707
Nochimson, Martha P.: Amnesia ’R’ us: The retold melodrama, soap opera, and the representation of reality. In: Film Quarterly 50. 1997. No. 3. [Spring] pp. 27-38.
Description:
On the representation of amnesia in film. Discusses, among others, Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1708
Nogueira, Rui / Zalaffi, Nicoletta: Entrevista con Alfred Hitchcock. In: Contracampo 1981. No. 23. [September] pp. 19-26.
Description:
Interview eith the director, especially on Topaz and Frenzy.
Index:
Hitchcock, Alfred
Topaz (1968)
Frenzy (1971)

#1709
Nogueira, Rui / Zalaffi, Nicoletta: Hitch, Hitch, Hitch, hurrah! In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 119 ff.
Index:
Hitchcock, Alfred

#1710
Noguez, Dominique: Le malin genie fume le cigare. In: Camera/Stylo ?G. 1981. No. 2. [November] pp. 27-30.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#1711
Nordon, Pierre: Hollywood reflet d’une societe: Esquisse d’examen diachronique. In: Hollywood: Reflexions sur l’ecran. Ed. par Daniel Royot. - Aix-en-Provence: Groupe de Recherche et d’Etudes Nord-Americaines, Universitée de Provence 1984. pp. 129-139.
Description:
Discusses, among others, Alfred Hitchcock’s Strangers on a Train.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)
Hollywood ~ Hollywood

#1712
North by Northwest: Alfred Hitchcock, director. Edited by James Naremore. - New Brunswick, New Jersey: Rutgers University Press 1993. (= Rutgers films in print 20.)
Reviews:
Turner, George: [untitled] In: American Cinematographer 75. 1994. No. 10. [October] p. 97.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#1713
Notorious: Alfred Hitchcock and contemporary Art. Curated by Kerry Brougher, Michael Tarantino and Astrid Bowron. Essays by Kerry Brougher and Michael Tarantino. - Oxford: Museum of Modern Art Oxford 1999.
Index:
Hitchcock, Alfred
Notorious (1946)

#1714
Nugent, Frank S.: Mr. Hitchcock discovers love. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 17 ff.
Index:
Hitchcock, Alfred

#1715
Nunca es tarde ... In: Casablanca ?G 1984. No. 40/41. [April/May] pp. 37-41.
Description:
On Alfred Hitchcock.
Index:
Hitchcock, Alfred

#1716
O’Brien, Catherine M.: "Love, what have You done to me?’ Eros and agape in Alfred Hitchcock’s I Confess. In: Journal of Religion and Film 18. 2014. No. 1. [?D] p. 1-38.
Index:
Hitchcock, Alfred
I Confess (1952)
Sexualität ~ Sexuality
Religion ~ Religion

#1717
O’Donnell, Patrick: James’s Birdcage / Hitchcock’s Birds. In: Arizona Quarterly 62. 2006. No. 3. [Autumn] pp. 45-62.
Index:
Hitchcock, Alfred
Birds, The (1962)

#1718
O’Donnell, Patrick: James’s Birdcage / Hitchcock’s Birds. In: The men who knew too much: Henry James and Alfred Hitchcock. Edited by Susan Griffin and Alan Nadel. - Oxford; New York: Oxford University Press 2011. p. ?P.
Index:
James, Henry
Hitchcock, Alfred
Birds, The (1962)
Birdcage, The (Literatur ~ Literature)

#1719
O’farrell, Mary Ann: Bump: Concussive knowledge in James and Hitchcock. In: The men who knew too much: Henry James and Alfred Hitchcock. Edited by Susan Griffin and Alan Nadel. - Oxford; New York: Oxford University Press 2011. p. ?P.
Index:
James, Henry
Hitchcock, Alfred

#1720
O’Neill, Eithne: La sensation du cinéma: Eléments de forme dans l’oeuvre muette de Hitchcock. In: Positif 2000. No. 470. [April] pp. 82-83.
Description:
On Hitchcock’s silent films Easy Virtue, The Manxman, The Farmer’s Wife and Blackmail.
Index:
Hitchcock, Alfred
Easy Virtue (1927)
Manxman, The (1929)
Farmer’s Wife, The (1928)
Blackmail (1929)
Stummfilm ~ Silent Film

#1721
O’Pray, Mike: Overwhelming bodies. In: Sight and Sound NS 2. 1992. No. 8. [December] pp. 16-17.
Description:
On surrealist views on the body in film. Discusses, among others, Alfred Hitchcock’s Psycho, Roger Corman’s The Tomb of Ligeia, Paul Verhoeven’s Robocop and Basic Instinct, Kathryn Bigelow’s Blue Steel, Jonathan Demme’s The Silence of the Lambs and Tim Burton’s Edward Scissorhands.
Index:
Hitchcock, Alfred
Corman, Roger
Verhoeven, Paul
Bigelow, Kathryn
Demme, Jonathan
Burton, Tim
Psycho (1960)
Tomb of Ligeia, The (1964)
Robocop (1987)
Basic Instinct (1992)
Blue Steel (1989)
Silence of the Lambs, The (1990)
Edward Scissorhands (1990)
Körper ~ Bodies
Surrealismus ~ Surrealism

#1722
Obadia, Paul: L’heure du thé dans Marnie: Une question de style. In: Cinémaction 2003. No. 108. [June] pp. 129-135.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#1723
Obsessionen: Die Alptraum-Fabrik des Alfred Hitchcock. Hrsg. vom Filmmuseum der Landeshauptstadt Düsseldorf. Redaktion: Sabine Lenk. - Marburg: Schüren Verlag 2000.
Reviews:
Nagel, Josef: Obsessionen. In: Film-Dienst 53. 2000. No. 5. [February 29] p. 37.
Index:
Hitchcock, Alfred
Düsseldorf ~ Dusseldorf
Traum ~ Dreams

#1724
Odabashian, Barbara: Double vision: Scorsese and Hitchcock. In: Social and political change in literature and film: Selected papers from the Sixteenth Annual Florida State University Conference on Literature and Film. Edited by Richard Chapple. - Gainesville, Florida: University of Florida Press 1994. (= Florida State University Conference on Literature and Film 16.) pp. 21-35.
Description:
Compares Hitchcock’s Vertigo with Scorsese’s Taxi Driver.
Index:
Hitchcock, Alfred
Scorsese, Martin
Vertigo (1958)
Taxi Driver (1975)
Literatur ~ Literature
Politik ~ Politics

#1725
Odabashian, Barbara: The unspeakable crime in Hitchcock’s Rear Window: Hero as lay detective, spectator as lay analyst. In: Hitchcock Annual 1993. pp. 3-11.
Description:
Psychoanalytic analysis.
Index:
Hitchcock, Alfred
Rear Window (1954)
Psychologie ~ Psychology
Kriminalität ~ Crime
Helden ~ Heros
Detektive ~ Detectives

#1726
Odahashian, Barbara: Portrait of an artist: Hitchcock’s Vertigo. In: Hitchcock Annual 1999. pp. 93-99.
Description:
On the symbolic meaning of Hitchcock’s cameo appearance in the film.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1727
Oetjen, Almut: Alfred Hitchcocks Verdacht. - Stuttgart: Wiedleroither 2003.
Index:
Hitchcock, Alfred
Suspicion (1941)

#1728
Oldham, Gabriella: Diplomatic takes: Rudi Fehr. In: First cut: Conversations with film editors. - Berkeley, California; Los Angeles, California; Oxford: University of California Press 1992. pp. 341-358.
Description:
On the editor and his work for Alfred Hitchcock’s I Confess and Dial M for Murder as well as André de Toth’s House of Wax and Howard Hawks’s Land of the Pharaohs. Includes a filmography.
Index:
Fehr, Rudi
Hitchcock, Alfred
de Toth, André
Hawks, Howard
I Confess (1952)
Dial M for Murder (1954)
House of Wax (1953)
Land of the Pharaohs (1955)

#1729
Oldmeadow, Harry: Robin Wood’s Hitchcock. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred

#1730
Oldrini, G.: Hitchcock, ne mago ne genio. In: Cinema Nuovo 36. 1987. No. 306. [March/April] pp. 55-59.
Description:
On the secondary literature on Hitchcock.
Index:
Hitchcock, Alfred
Literatur ~ Literature

#1731
Oldrini, G.: I cattivi esempi da che parte arrivano? In: Cinema Nuovo 29. 1980. No. 266. [August] pp. 10-12.
Description:
On Italian film critic, especially the treatment of Hitchcock films.
Index:
Hitchcock, Alfred
Italien ~ Italy

#1732
Oldrini, G.: Un maestro assoluto del capolavoro imperfetto. In: Cinema Nuovo 33. 1984. No. 289. [June] pp. 2-3.
Description:
On Alfred Hitchcock.
Index:
Hitchcock, Alfred

#1733
Oliva, L.: Muz, který vedel, prilis mnoho. In: Film a Doba 26. 1980. No. 12. [December] pp. 695-703.
Description:
On the narrative style in the films of of Alfred Hitchcock.
Index:
Hitchcock, Alfred

#1734
Oliver, Kelly: Alfred Hitchcock: Fowl play and the domestication of horror. In: Cinematic thinking: philosophical approaches to the new cinema. Edited by James Phillips. - Stanford, California: Stanford University Press 2008. p. ?P.
Index:
Hitchcock, Alfred
Horror ~ Horror
Philosophie ~ Philosophy

#1735
Olson, Debbie: The Hitchcock imp: Children and the hyperreal in Alfred Hitchcock’s The Birds (1963). In: Lost and othered children in contemporary cinema. Edited by Debbie C. Olson and Andrew Scahill. - Lanham, Maryland: Lexington Books 2012. p. 287-305.
Index:
Hitchcock, Alfred
Birds, The (1962)
Jugend ~ Youth

#1736
Olsson, Jan: Hitchcock à la carte: Menus, marketing, and the macabre. In: Casting a shadow: Creating the Alfred Hitchcock film. Edited by Will Schmenner and Corinne Granof. - Evanston, Illinois: Mary and Leigh Block Museum of Art / Northwestern University / Northwestern University Press 2007. p. ?P.
Index:
Hitchcock, Alfred
Nahrung ~ Food

#1737
Orpen, V. A.: Splicing emotion: The expressive dimensions of editing in the sound film. - Coventry: University of Warwick, Ph.D. 2000. [Abstract in: Index to Theses with Abstracts 50. 2001. No. 5. p. 1599(50-9992)]
Description:
Discusses, among others, Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
Musik ~ Music

#1738
Orr, John: American gothic: Fear of the feminine. In: Film West 2001. No. 45. [Autumn] pp. 44-46.
Description:
On the motiv of the "fear of the female" in the nwork of various directors, among them Alfred Hitchcock, David Lynch and Tim Burton.
Index:
Hitchcock, Alfred
Burton, Tim
Lynch, David
Horror ~ Horror
USA (United States of America) ~ USA (United States of America)
Frauen ~ Women
Angst ~ Fear

#1739
Orr, John: Hitch as matrix figure: Hitchcock and Twentieth Century cinema. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred

#1740
Orr, John: Hitchcock and Hume revisited: Fear, confusion and Stage Fright. In: Film-Philosophy 11. 2007. No. 1. [?D] p. ?P.
Index:
Hitchcock, Alfred
Hume, David
Stage Fright (1950)
Angst ~ Fear
Philosophie ~ Philosophy

#1741
Orr, John: Hitchcock and twentieth-century media. - London: Wallflower 2005.
Reviews:
Aymerich, Nerea: [untitled] In: Film Ireland 2006. No. 109. [March/April] p. 41.
Christie, Ian: [untitled] In: Sight and Sound NS 16. 2006. No. 1. [January] p. 94.
Sterrit, David: [untitled.] In: Film-Philosophy 11. 2007. No. 3. [?D] p. ?P.
Wayant, Chelsea: [untitled] In: Film International 4. 2006. No. 24. [?D] pp. 76-78.
Index:
Hitchcock, Alfred

#1742
Orwig, Gail / Orwig, Ray: The Bird’s eye view of Bodega and Bodega Bay. In: Films of the Golden Age ?G. 1997. No. 11. [Winter] pp. 92-93.
Index:
Hitchcock, Alfred
Birds, The (1962)
Augen ~ Eyes

#1743
Os pássaros. In: Cinema Novo 3. 1981. No. 15/16. [February] pp. 105-107.
Description:
On Alfred Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Birds, The (1962)

#1744
Osteen, Mark: "It doesn’t pay to antagonize the public": Sabotage and Hitchcock’s audience. In: Literature/Film Quarterly 28. 2000. No. 4. [October] pp. 259-268.
Index:
Hitchcock, Alfred
Sabotage (1936)

#1745
Osteen, Mark: Extraordinary renditions: Delillo’s Point Omega and Hitchcock’s Psycho. In: Hitchcock and adaptation: On the page and screen. Edited by Mark Osteen. - Lanham, Maryland: Rowman & Littlefield 2014. p. ?P.
Index:
DeLillo, Don
Hitchcock, Alfred
Psycho (1960)
Point Omega (Literatur ~ Literature)

#1746
Osteen, Mark: Extraordinary renditions: DeLillo’s Point Omega and Hitchcock’s Psycho. In: Clues 31. 2013. No. 1. [?D] pp. 103-113.
Index:
DeLillo, Don
Hitchcock, Alfred
Psycho (1960)
Point Omega (Literatur ~ Literature)

#1747
Out in culture: Gay, lesbian and queer essays on popular culture. Edited by Corey K. Creekmur and Alexander Doty. - London: Cassell ?J (1995).
Description:
Includes an article on Hitchcock.
Index:
Hitchcock, Alfred
Sexualität: Homosexualität ~ Sexuality: Homosexuality

#1748
Paba, Stefano: L’ultima frontiera di Hitch. In: Filmcritica 42. 1991. No. 420. [December] pp. 558-561.
Description:
On Hitchcock’s television work.
Index:
Hitchcock, Alfred
Fernsehen ~ Television

#1749
Paefgen, Elisabeth Katharina: Dem Bewusstsein bei der Arbeit zusehen: Alfred Hitchcocks Rear Window und Ilse Aichingers Das Fenster-Theater. In: Paefgen, Elisabeth Katharina: Wahlverwandte: Filmische und literarische Erzählungen im Dialog. - Berlin: Bertz+Fischer 2009. (= Deep focus 6.) pp. 110-122.
Index:
Aichinger, Ilse
Hitchcock, Alfred
Rear Window (1954)
Fenster-Theater, Das (Literatur ~ Literature)
Literatur ~ Literature

#1750
Paganelli, M.: Notorius. In: Filmcritica 32. 1981. No. 311. [January] pp. 39-40.
Index:
Hitchcock, Alfred
Notorious (1946)

#1751
Paglia, Camille: Beauty and the beasts. In: Sight and Sound NS 8. 1998. No. 10. [October] p. 65.
Description:
On the relation between nature and civilization in Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Birds, The (1962)
Natur ~ Nature

#1752
Paglia, Camille: Die Vögel: der Filmklassiker von Alfred Hitchcock. Aus dem Englischen von Karlheinz Dürr. - Hamburg; Wien: Europa Verlag 2000.
First edition:
[The Birds. - London: British Film Institut Publishing / Bloomington, Indiana: Indiana University Press 1998]
Index:
Hitchcock, Alfred
Birds, The (1962)

#1753
Paglia, Camille: The Birds. - London: British Film Institut Publishing / Bloomington, Indiana: Indiana University Press 1998. (= BFI Film Classics.)
Reviews:
Aitio, Tommi: 2 näkökulmaa Hitchcockiin. In: Filmihullu 1999. No. 4. [?D] pp. 28-29.
Canfield, Craig Richard: [untitled] In: MacGuffin 1998. No. 25a. [December] pp. 7-8.
Ciment, Michel: [untitled] In: Positif 2000. No. 470. [April] p. 104.
Crousse, Jeffrey: [untitled] In: Journal of Film and Video 54. 2002. No. 2/3. [Summer/Fall] pp. 101-102.
Fogg, Claire: [untitled] In: Historical Journal of Film, Radio and Television 19. 1999. No. 2. [June] pp. 289-290.
Hendrickx, Gerd: [untitled] In: Skrien 1999. No. 233. [May] p. 41.
Kakmi, Dmetri: [untitled] In: Cinema Papers 1999. No. 130. [June] pp. 44-45.
Ness, Richard: [untitled] In: Hitchcock Annual 1999. pp. 161-165.
Pipolo, Tony: In: Cineaste 24. 1999. No. 4. [September] pp. 59-60.
Swift, Susan: [untitled] In: Film Quarterly 52. 1999. No. 3. [Spring] p. 64.
Weber, Myles: Camille Paglia meets Alfred Hitchcock! In: Michigan Quarterly Review 38. 1999. No. 4. [?D] pp. 684-687.
Zucker, Carole: [untitled] In: Canadian Journal of Film Studies 7. 1998. No. 2. [?D] pp. 81-82.
Index:
Hitchcock, Alfred
Birds, The (1962)

#1754
Paini, Dominique: Au commencement etait le portrait. In: Iris 1992. No. 14/15. [Autumn] pp. 107-115.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1755
Païni, Dominique: Cocteau, Hitchcock, Truffaut ... et retour. In: Cinéma [Paris] 2002. No. 4(?N). [Autumn] pp. 83-90.
Description:
Compares the three directors.
Index:
Cocteau, Jean
Hitchcock, Alfred
Truffaut, François

#1756
Palasmaa, Juhani: Kauhun ja nostalgian tilat. In: Filmihullu 1997. No. 1. [?D] pp. 12-19.
Description:
On the meaning of architecture in the films of Alfred Hitchcock and Andrej Tarkovskij.
Index:
Hitchcock, Alfred
Tarkovsky, Andrei Arsenyevich
Architektur ~ Architecture

#1757
Pallant, Chris / Price, Steven: Storyboarding: A critical history. - Houndmills, Basingstoke, Hampshire; New York: Palgrave Macmillan 2015. (= Palgrave studies in screenwriting.)
Description:
Discusses, among others, storyboarding in animated Disney films as well as in films of Alfred Hitchcock, Steven Spielberg and George Lucas.
Index:
Hitchcock, Alfred
Spielberg, Steven
Lucas, George
Disney ~ Disney
Animation ~ Animation

#1758
Pallasmaa, Juhani: Kauhun ja nostalgian tilat. In: Filmihullu 1997. No. 1. [?D] pp. 12-19.
Description:
On the meaning of architecture in the films of Alfred Hitchcock and Andrej Tarkovskij.
Index:
Hitchcock, Alfred
Tarkovsky, Andrei Arsenyevich
Architektur ~ Architecture

#1759
Palmer, R. Barton: Secret Agent: Coming in from the cold, Maugham style. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Hitchcock, Alfred
Maugham, William Somerset
Secret Agent (1936)

#1760
Palmer, R. Barton: The Hitchcock romance and the 1970s paranoid thriller. In: After Hitchcock: Influence, imitation, and intertextuality. Edited by David Boyd and R. Barton Palmer. - Austin, Texas: University of Texas Press 2006. pp. 85-108.
Description:
Discusses, among others, Alfred Hitchcock’s North by Northwest, Rear Window and Vertigo as well as Francis Ford Coppola’s The Conversation and Alan J. Pakula’s The Parallax View.
Index:
Hitchcock, Alfred
Coppola, Francis Ford
Pakula, Alan J.
North by Northwest (1959)
Rear Window (1954)
Vertigo (1958)
Conversation, The (1973)
Parallax View, The (1973)
Wahnsinn ~ Madness
Thriller ~ Thriller

#1761
Palmer, R. Barton: The metafictional Hitchcock: The experience of viewing and the viewing of experience in Rear Window and Psycho. In: Cinema Journal 25. 1986. No. 2. [Winter] pp. 4-19.
Index:
Hitchcock, Alfred
Rear Window (1954)
Psycho (1960)

#1762
Palmieri, Riccardo: Alfred Hitchcock: Il maestro del brivido. - Roma: A. Curcio 2013. (= Electi.)
Index:
Hitchcock, Alfred

#1763
Parker-Sparrow, Bradley: Marnie. In: Film Score Monthly ?G. 1995. No. ?N(53/54). [?D] p. 16.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#1764
Partners in suspense: Critical essays on Bernard Herrmann and Alfred Hitchcock. Edited by Steven Rawle and K. J. Donnelly. - Manchester: Manchester University Press 2017.
Reviews:
Sinyard, Neil: [untitled.] In: Sight and Sound NS 27. 2017. No. 4. [April] p. 108.
Index:
Herrmann, Bernard
Hitchcock, Alfred
Thriller ~ Thriller
Musik ~ Music

#1765
Pascall, Jeremy: The cinema greats. - Morristown, New Jersey: Silver Burdett 1983. (= In profile.)
Description:
Includes, among others, chapters Alfred Hitchcock and Walt Disney.
Index:
Hitchcock, Alfred
Disney, Walt
Disney ~ Disney

#1766
Patalas, Enno: Alfred Hitchcock. - München: Deutscher Taschenbuch Verlag 1999. (= dtv Portrait.)
Reviews:
Kriest, Ulrich: [untitled] In: Film-Dienst 52. 1999. No. 20. [September 28] p. 43.
Worschech, Rudolf: All About Alfred? In: EPD Film 17. 2000. No. 7. [July] p. 7.
Index:
Hitchcock, Alfred

#1767
Patterson, Steven W.: On being Mr. Kaplan: Personal identity in North by Northwest. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 129-140.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Philosophie ~ Philosophy

#1768
Paul, William: Laughing, screaming: Modern Hollywood horror and comedy. - New York: Columbia University Press 1994. (= Film and culture.)
Reviews:
Disky, Jenny: Animal farm. In: Sight and Sound NS 4. 1994. No. 8. [August] p. 32.
Dowell, John A.: [untitled] In: Journal of Popular Film and Television 22. 1994. No. 3. [?D] pp. 137-138.
Lewis, Paul: [untitled.] In: Humor: International Journal of Humor Research 8. 1995. No. 4. [?D] pp. 426-429.
Plantinga, Carl: [untitled.] In: Journal of Aesthetics and Art Criticism 53. 1995. No. 3. [?D] pp. 332-334.
Roberts, Garyn: [untitled.] In: Journal of Popular Culture 28. 1994. No. 2. [?D] pp. 226-227.
Waller, Gregory A.: [untitled] In: Film Quarterly 48. 1995. No. 4. [Summer] pp. 50-51.
Description:
Discusses, among others, Mervyn LeRoy’s The Bad Seed, George A. Romero’s Night of the Living Dead, Wes Craven’s A Nightmare on Elm Street, Cronenberg’s The Brood and The Fly, Kubrick’s The Shining, William Friedkin’s The Exorcist, John Carpenter’s Halloween, Polanski’s Rosemarys Baby, Brian De Palma’s Carrie, Kubrick’s The Shining and the films of Alfred Hitchcock.
Index:
Friedkin, William
Carpenter, John
De Palma, Brian
Kubrick, Stanley
Hitchcock, Alfred
Romero, George A.
Cronenberg, David
Kubrick, Stanley
Polanski, Roman
Craven, Wes
LeRoy, Mervyn
Exorcist, The (1973)
Halloween (1978)
Carrie (1976)
Shining, The (1980)
Night of the Living Dead (1968)
Brood, The (1979)
Fly, The (1986)
Shining, The (1980)
Rosemary’s Baby (1968)
Nightmare on Elm Street, A (1984)
Bad Seed, The (1956)
Sexualität ~ Sexuality
Gewalt ~ Violence
Humor ~ Humor
Horror ~ Horror
Hollywood ~ Hollywood

#1769
Pearson, Roberta / Stam, Robert: Hitchcock’s Rear Window: Reflexivity and the critique of voyeurism. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1770
Pearson, Roberta / Stam, Robert: Hitchcock’s Rear Window: Reflexivity and the critique of voyeurism. In: Enclitic 7. 1983. No. 1. [Spring] pp. 136-145.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1771
Peary, Gerald: "Hitch" vu par sa fille. In: Positif 1984. No. 286. [December] pp. 27-29.
Description:
Interview with Patricia Hitchcock on her father and on her own career as an actress.
Index:
Hitchcock, Alfred
Hitchcock, Patricia
Vater ~ Fathers

#1772
Peary, Gerald: At home with Hitchcock. In: Washington Post, October 7, 1984. p. L8, col 2.
Index:
Hitchcock, Alfred

#1773
Pechter, W. S.: Frenzy. In: Commentary 54. 1972. No. ?N. [September] pp. 77-79.
Index:
Hitchcock, Alfred
Frenzy (1971)

#1774
Pechter, W. S.: Hitchcock in retrospect. In: Commentary 62. 1976. No. ?N. [November] pp. 75-78.
Index:
Hitchcock, Alfred

#1775
Peek, Wendy Chapman: Cherchez la femme: The Searchers, Vertigo, and masculinity in post-Kinsey America. In: Journal of American Culture 21. 1998. No. 2. [Summer] pp. 73-88.
Index:
Hitchcock, Alfred
Vertigo (1958)
USA (United States of America) ~ USA (United States of America)
Männer ~ Men
Frauen ~ Women

#1776
Peele, Stanton: Personality, pathology, and the act of creation: The case of Alfred Hitchcock. In: Biography 9. 1986. No. 3. [Summer] pp. 202-218.
Index:
Hitchcock, Alfred

#1777
Peeters, Benoît: Hitchcock: Le travail du film. - Paris: Impressions Nouvelles 1992.
Reviews:
Renard, Paul: [untitled] In: Positif 1993. No. 393. [?D] p. 71.
Index:
Hitchcock, Alfred

#1778
Pelko, Stojan: Punctum caesum oder Über Einsicht und Blindheit. In: Ein Triumph des Blicks über das Auge: Psychoanalyse bei Alfred Hitchcock. Von Miran Bozovic [et al.]. Hrsg. von Slavoj Zizek. Übersetzt von Isolde Charim [et al.]. - Wien: Turia & Kant 1992. pp. 107-124.
Index:
Hitchcock, Alfred
Blindheit ~ Blindness

#1779
Pelko, Stojan: Punctum caesum, or, Of insight and blindness. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 106-121.
Index:
Hitchcock, Alfred
Blindheit ~ Blindness

#1780
Peltonen, O.: Intohimon hamara kohde. In: Filmihullu 1984. No. 5. [?D] pp. 34-38.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1781
Penley, Constance: Time travel, primal scene, and the critical dystopia. In: The cultural politics of "postmodernism". Edited by John Tagg. - Binghamton: Department of Art History, State University of New York 1989. (= Current Debates in Art History 1.) pp. 33-49.
Description:
Discusses, among others, Alfred Hitchcock’s Psycho, Chris Marker’s La Jetée and James Cameron’s Terminator.
Index:
Hitchcock, Alfred
Marker, Chris
Cameron, James
Psycho (1960)
Jetée, La (1962)
Terminator, The (1984)
Utopie ~ Utopia
Postmoderne ~ Postmodern
Politik ~ Politics
Zeit ~ Time

#1782
Penley, Constance: Time travel, primal scene and the critical dystopia. In: Alien zone: Cultural theory and contemporary science fiction cinema. Edited by Annette Kuhn. - London: Verso Books 1990. pp. 116-127.
Description:
Discusses, among others, Alfred Hitchcock’s Psycho, Chris Marker’s La Jetée and James Cameron’s Terminator.
Index:
Hitchcock, Alfred
Marker, Chris
Cameron, James
Psycho (1960)
Jetée, La (1962)
Terminator, The (1984)
Utopie ~ Utopia
Aliens ~ Aliens
Zeit ~ Time
Science Fiction ~ Science Fiction

#1783
Penley, Constance: Time travel, primal scene, and the critical dystopia. In: Close encounters: Film, feminism, and science fiction. Edited by Janet Bergstrom, Constance Penley and Lynn Speigel. - Minneapolis, Minnesota: University of Minnesota Press 1991. (= Camera Obscura Book.) pp. 63-80.
Description:
Discusses, among others, Alfred Hitchcock’s Psycho, Chris Marker’s La Jetée and James Cameron’s Terminator.
Index:
Hitchcock, Alfred
Marker, Chris
Cameron, James
Psycho (1960)
Jetée, La (1962)
Terminator, The (1984)
Utopie ~ Utopia
Zeit ~ Time
Frauen ~ Women
Science Fiction ~ Science Fiction

#1784
Penley, Constance: Time travel, primal scene, and the critical dystopia. In: Camera Obscura 1986. No. 15. [Fall] pp. 66-85.
Description:
Discusses, among others, Alfred Hitchcock’s Psycho, Chris Marker’s La Jetée and James Cameron’s Terminator.
Index:
Hitchcock, Alfred
Marker, Chris
Cameron, James
Psycho (1960)
Jetée, La (1962)
Terminator, The (1984)
Utopie ~ Utopia
Zeit ~ Time

#1785
Penning, Lars: Die Universalität des Bösen: Nicht Horror, nicht Thriller: Der erste Psycho-Thriller. In: Alfred Hitchcock’s Psycho. Mit Beiträgen von Frank Arnold [et al.]. Hrsg. von Frank Schnelle. - Stuttgart: Verlag Robert Fischer + Uwe Wiedleroither 1993. pp. 55-63.
Index:
Hitchcock, Alfred
Psycho (1960)
Thriller ~ Thriller
Böse, Das ~ Evil, The
Horror ~ Horror

#1786
Per Alfred Hitchcock. A cura di Edoardo Bruno. - Montepulciano: Edition del Grifo 1981. (= Fotogramma 1.)
Index:
Hitchcock, Alfred

#1787
Percheron, Daniel: Appels de fond. In: Vertigo 1999. No. 18. [?D] pp. 49-50.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1788
Peretz, Evgenia: Horrors! A remake! In: Vanity Fair 1998. No. 460. [December] pp. 256-261.
Description:
On Gus Van Sant’s remake of Alfred Hitchcock’s Psycho.
Index:
Van Sant, Gus
Hitchcock, Alfred
Psycho (1998)
Psycho (1960)
Horror ~ Horror

#1789
Perkins, V. F.: I Confess: Photographs of people speaking. In: Cineaction 2000. No. 52. [?D] pp. 28-39.
Index:
Hitchcock, Alfred
I Confess (1952)
Fotografie ~ Photography

#1790
Perlmutter, Ruth: Rear Window: A "construction-story". In: Journal of Film and Video 37. 1985. No. 2. [Spring] pp. 53-65.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1791
Perron, Bernard: Les ciseaux. In: Ciné-Bulles 19. 2001. No. 2. [Winter] pp. 26-29.
Description:
On Hitchcock’s techniques of editing.
Index:
Hitchcock, Alfred
Technik ~ Technology

#1792
Perry, Dennis R.: Annotated checklist of Edgar Allan Poe connections to Alfred Hitchcock. In: Poe Studies Association Newsletter 27. 1999. No. 2. [?D] pp. 7-9.
Index:
Poe, Edgar Allan
Hitchcock, Alfred

#1793
Perry, Dennis R.: Apocalypse: Crises of fragmentation: The Masque of the Red Death and The Birds. In: Perry, Dennis R.: Hitchcock and Poe: The legacy of delight and terror. - Lanham, Maryland; London: Scarecrow Press 2003. (= Filmmakers.) p. ?P.
Index:
Hitchcock, Alfred
Poe, Edgar Allan
Birds, The (1962)
Religion: Apokalypse ~ Religion: Apocalypse
Masque of the Red Death, The (Literatur ~ Literature)

#1794
Perry, Dennis R.: Bibliography of scholarship linking Alfred Hitchcock and Edgar Allan Poe. In: Hitchcock Annual 2000/2001. pp. 163-73.
Index:
Hitchcock, Alfred
Poe, Edgar Allan

#1795
Perry, Dennis R.: Doubles: The universe of others: William Wilson and Strangers on a Train. In: Perry, Dennis R.: Hitchcock and Poe: The legacy of delight and terror. - Lanham, Maryland; London: Scarecrow Press 2003. (= Filmmakers.) p. ?P.
Index:
Hitchcock, Alfred
Poe, Edgar Allan
Strangers on a Train (1951)
Doppelgänger ~ Double
William Wilson

#1796
Perry, Dennis R.: Hitchcock and Poe: The legacy of delight and terror. - Lanham, Maryland; London: Scarecrow Press 2003. (= Filmmakers.)
Index:
Hitchcock, Alfred
Poe, Edgar Allan
Horror ~ Horror

#1797
Perry, Dennis R.: Humor and horror: Collapsing into unity: Ligeia and The 39 Steps. In: Perry, Dennis R.: Hitchcock and Poe: The legacy of delight and terror. - Lanham, Maryland; London: Scarecrow Press 2003. (= Filmmakers.) p. ?P.
Index:
Hitchcock, Alfred
Poe, Edgar Allan
Thirty-Nine Steps, The (1935)
Humor ~ Humor
Horror ~ Horror
Ligeia (Literatur ~ Literature)

#1798
Perry, Dennis R.: Imps of the perverse: Diffusion from the self: The Tell-Tale Heart and Rope. In: Perry, Dennis R.: Hitchcock and Poe: The legacy of delight and terror. - Lanham, Maryland; London: Scarecrow Press 2003. (= Filmmakers.) p. ?P.
Index:
Hitchcock, Alfred
Poe, Edgar Allan
Rope, The (1948)
Tell-Tale Heart, The (Literatur ~ Literature)

#1799
Perry, Dennis R.: Imps of the perverse: Discovering the Poe/Hitchcock connection. In: Literature/Film Quarterly 24. 1996. No. 4. [October] pp. 393-399.
Description:
Especially on Poe motifs in Vertigo.
Index:
Hitchcock, Alfred
Poe, Edgar Allan
Vertigo (1958)

#1800
Perry, Dennis R.: Inexplicable predicaments: Diffusion from the Center: The Pit and the Pendulum and North by Northwest. In: Perry, Dennis R.: Hitchcock and Poe: The legacy of delight and terror. - Lanham, Maryland; London: Scarecrow Press 2003. (= Filmmakers.) p. ?P.
Index:
Hitchcock, Alfred
Poe, Edgar Allan
North by Northwest (1959)
Pit and the Pendulum, The (Literatur ~ Literature)

#1801
Perry, Dennis R.: Romantic obsession: Return to transcendence: The Fall of the House of Usher and Vertigo. In: Perry, Dennis R.: Hitchcock and Poe: The legacy of delight and terror. - Lanham, Maryland; London: Scarecrow Press 2003. (= Filmmakers.) p. ?P.
Index:
Hitchcock, Alfred
Poe, Edgar Allan
Vertigo (1958)
Religion ~ Religion
Romantik ~ Romanticism
Fall of the House of Usher, The (Literatur ~ Literature)

#1802
Perry, Dennis R. / Sederholm, Carl H.: Dark adaptations: Robert Bloch and Hitchcock on the small screen. In: Hitchcock and adaptation: On the page and screen. Edited by Mark Osteen. - Lanham, Maryland: Rowman & Littlefield 2014. p. ?P.
Index:
Bloch, Robert N.
Hitchcock, Alfred
Psycho (1960)
Psycho (Literatur ~ Literature)

#1803
Perry, Dennis R.: The Purloined Letter and Murder. In: Perry, Dennis R.: Hitchcock and Poe: The legacy of delight and terror. - Lanham, Maryland; London: Scarecrow Press 2003. (= Filmmakers.) p. ?P.
Index:
Hitchcock, Alfred
Poe, Edgar Allan
Murder (1930)
Purloined Letter, The (Literatur ~ Literature)

#1804
Perry, Dennis R.: Voyeurism: Eyes of the perverse: A Man of the Crowd and Rear Window. In: Perry, Dennis R.: Hitchcock and Poe: The legacy of delight and terror. - Lanham, Maryland; London: Scarecrow Press 2003. (= Filmmakers.) p. ?P.
Index:
Hitchcock, Alfred
Poe, Edgar Allan
Rear Window (1954)
Augen ~ Eyes
Man of the Crowd, A (Literatur ~ Literature)

#1805
Perry, George C.: Hitchcock. - Garden City, New York: Doubleday 1975. (= The Movie Makers.)
Index:
Hitchcock, Alfred

#1806
Perry, George C.: Hitchcock. - London: Macmillan 1975. (= The Movie Makers.)
Index:
Hitchcock, Alfred

#1807
Perry, George C.: The films of Alfred Hitchcock. - New York: Dutton 1965. (= Dutton Vista Pictureback.)
Index:
Hitchcock, Alfred

#1808
Perry, George: Hitchcock on location. In: American Heritage 58. 2007. No. 2. [?D] pp. 37-41.
Index:
Hitchcock, Alfred

#1809
Perspectives on Alfred Hitchcock. Edited by David Boyd. - New York: G. K. Hall / London: Prentice Hall International 1995. (= Perspectives on film.)
Reviews:
Fyne, Robert: [untitled] In: Historical Journal of Film, Radio and Television NS 16. 1996. No. 1. [?D] pp. 112-113.
Index:
Hitchcock, Alfred

#1810
Peters, Rosemary: "Oculi omnium": Mystery and spectacle on the altar and the screen. In: Excavatio 12. 2007. No. 1/2 [?D] pp. 87-100.
Description:
Discusses, among others, Robert Bresson’s Le Journal d’un curé de campagne and Alfred Hitchcock’s I Confess.
Index:
Bresson, Robert
Hitchcock, Alfred
Journal d’un curé de campagne, Le (1951)
I Confess (1952)
Religion ~ Religion

#1811
Petersen, George: Building character through violence: A one-two punch. In: Creative Screenwriting 3. 1996. No. 1. [Summer] pp. 107-117.
Description:
Analyses the scripts of Speed, Pulp Fiction and North By Northwest.
Index:
De Bont, Jan
Tarantino, Quentin
Hitchcock, Alfred
Speed (1994)
Pulp Fiction (1994)
North by Northwest (1959)
Gewalt ~ Violence

#1812
Petit, Chris: Insane memory: What memory may choose to remember is a central mystery in Chris Marker’s films. In: Sight and Sound NS 4. 1994. No. 7. [July] p. 13.
Description:
On the meaning of Hitchcock’s Vertigo for Marker’s films.
Index:
Marker, Chris
Hitchcock, Alfred
Vertigo (1958)
Zeit ~ Time

#1813
Petit, Maryse: Temps, folie, mémoire, dérive des causes: L’Armée des 12 singes, La Jetée, Vertigo. In: Les nouvelles formes de la science-fiction. Colloque du Cerisy. Présenté par Roger Bozzetto et Gilles Menegaldo. - Paris: Bragelonne 2006. (= Essais.) pp. 351-370.
Index:
Gilliam, Terry
Marker, Chris
Hitchcock, Alfred
Twelve Monkeys (1995)
Jetée, La (1962)
Vertigo (1958)
Wahnsinn ~ Madness
Science Fiction ~ Science Fiction

#1814
Petlewski, Paul: Generic tension in Psycho. In: Ambiguities in literature and film: Selected papers from Seventh Annual Florida State University Conference on Literature & Film. Edited by Hans P. Braendlin. - Gainesville, Florida: University Presses of Florida / Tallahassee, Florida: Florida State University Press 1988. pp. 50-55.
Index:
Hitchcock, Alfred
Psycho (1960)
Literatur ~ Literature

#1815
Petrícek, Miroslav: Na sever alternativním svetem. In: Iluminace 11. 1999. No. 4. [?D] pp. 116-118.
Description:
On Alfred Hitchcock’s North by Northwest.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#1816
Petrie, Graham: Transfer of guilt. In: Sight and Sound NS 19. 2009. No. 7. [July] pp. 46-49.
Description:
On Alfred Hitchcock’s Strangers on a Train.
Index:
Hitchcock, Alfred
Chandler, Raymond Thornton
Strangers on a Train (1951)

#1817
Petro, Patrice: Rematerializing the vanishing "lady": Feminism, Hitchcock, and interpretation. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Lady Vanishes, The (1938)
Frauen ~ Women

#1818
Pettey, Homer B.: Hitchcock, class, and noir. In: The Cambridge companion to Alfred Hitchcock. Edited by Jonathan Freedman. - Cambridge; New York: Cambridge University Press 2015. pp. 76-91.
Index:
Hitchcock, Alfred
Film Noir ~ Film Noir

#1819
Peucker, Brigitte: Aesthetic space in Hitchcock. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred

#1820
Peucker, Brigitte: Blood, paint, or red? The color bleed in Hitchcock. In: The Cambridge companion to Alfred Hitchcock. Edited by Jonathan Freedman. - Cambridge; New York: Cambridge University Press 2015. pp. 194-206.
Index:
Hitchcock, Alfred
Blut ~ Blood

#1821
Peucker, Brigitte: Incorporating images: Film and the rival arts. - Princeton, New Jersey: Princeton University Press 1995.
Reviews:
Shary, Timothy: [untitled] In: Film Quarterly 50. 1996/1997. No. 2. [Winter] pp. 52-54.
Description:
On the representation of the human body in film and in other art forms. Discusses, among others, films by Alfred Hitchcock, Wim Wenders and Peter Greenaway.
Index:
Hitchcock, Alfred
Wenders, Wim
Greenaway, Peter
Körper ~ Bodies
Kunst ~ Arts, The

#1822
Pezzella, Mario: Il fascino discreto dell’ambiguità: Vertigo di Alfred Hitchcock. In: I fantasmi del moderno: Temi e figure del cinema noir. A cura di Mario Pezzella e Antonio Tricomi. - Ancona: Cattedrale 2010. (= Immagini di pensiero 1.) pp. 137 ff.
Index:
Hitchcock, Alfred
Vertigo (1958)
Film Noir ~ Film Noir

#1823
Pezzotta, Alberto: Déjà vu all’incontrario. In: Filmcritica 49. 1999. No. 496/497. [June/July] pp. 337-339.
Index:
Van Sant, Gus
Hitchcock, Alfred
Psycho (1998)
Psycho (1960)

#1824
Philippon, Alain: Preparez vos lunettes. In: Cahiers du Cinéma 1982. No. 338. [July/August] p. ?P.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#1825
Phillips, Gene D.: Alfred Hitchcock. - Boston, Massachusetts: Twayne 1984. (= Twayne’s filmmakers.)
Index:
Hitchcock, Alfred

#1826
Phillips, Gene D.: Alfred Hitchcock. - Boston, Massachusetts: G. K. Hall 1984.
Index:
Hitchcock, Alfred

#1827
Phillips, Gene D.: Alfred Hitchcock. - London: Columbus 1986. (= Columbus filmmakers.)
Index:
Hitchcock, Alfred

#1828
Phillips, Gene D.: Film criticism versus film maker: Greene’s criticism of Hitchcock’s films. In: Essays in Graham Greene. Edited by Peter Wolfe. - Greenwood, Florida: Penkevill 1987. (= Essays in Graham Greene. An annual review 1.) pp. 119-126.
Description:
Especially on The Thirty-Nine Steps and Sabotage.
Index:
Hitchcock, Alfred
Greene, Graham
Thirty-Nine Steps, The (1935)
Sabotage (1936)

#1829
Phillips, Gene D.: Hitchcock’s forgotten films: The twenty teleplays. In: Journal of Popular Film and Television 10. 1982. No. 2. [?D] pp. 73-76.
Description:
On Hitchcock’s TV work of the 1950s and early 1960s.
Index:
Hitchcock, Alfred
Fernsehen ~ Television

#1830
Phillips, Gene D.: Major film directors of the American and British cinema. - Bethlehem: Lehig University Press 1990.
Reviews:
Slide, Anthony: [untitled] In: Journal of Popular Culture 24. 1990. No. 1. [?D] p. 187.
Description:
Includes chapters on Alfred Hitchcock, Stanley Kubrick, Francis Ford Coppola and Ken Russell.
Index:
Hitchcock, Alfred
Kubrick, Stanley
Coppola, Francis Ford
Russell, Ken
USA (United States of America) ~ USA (United States of America)
Großbritannien ~ Great Britain

#1831
Phillips, Louis: The burden the living bear. In: Armchair Detective 19. 1986. No. 3. [?D] pp. 293-298.
Description:
Discusses, among others, Hitchcock’s The Trouble with Harry.
Index:
Hitchcock, Alfred
Trouble with Harry, The (1955)

#1832
Phillips, Louis: The Hitchcock universe: Thirty-nine steps and then some. In: Films in Review 46. 1995. No. 3/4. [March/April] pp. 22-27.
Index:
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)

#1833
Phillips, Louis: Through a glass darkly: A consideration of Alfred Hitchcock’s Rear Window. In: Armchair Detective 18. 1985. No. 2. [?D] pp. 190-193.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1834
Phillips, Louis: Vertigo: After such knowledge, what forgiveness?. In: Armchair Detective 17. 1984. No. 2. [?D] pp. 188-191.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1835
Phillips, Louis: Wherein the truth lies: Honesty and deception in Hitchcock’s North by Northwest. In: Armchair Detective 20. 1987. No. 3. [?D] pp. 254-259.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#1836
Piccardi, Adriano: I meccanismi del cinema di Hitchcock. In: Cineforum 22. 1982. No. ?N(213). [April] pp. 37-42.
Description:
Discusses, among others, Notorious.
Index:
Hitchcock, Alfred
Notorious (1946)

#1837
Pickrell, Alan: The power of three: Alfred Hitchcock’s Three Investigators series. In: The boy detectives: Essays on the Hardy Boys and others. Edited by Michael G. Cornelius. - Jefferson, North Carolina; London: McFarland 2010. pp. 132-142.
Index:
Hitchcock, Alfred
Detektive ~ Detectives

#1838
Piegler, Theo / Heiland, Konrad: Rettungsfantasien in Bild und Ton: Psychoanalytische Betrachtungen über die Filme Vertigo (Hitchcock 1958) und The Artist (Hazanavicius 2011). In: Der Soundtrack unserer Träume: Filmmusik und Psychoanalyse. Hrsg. von Konrad Heiland und Theo Piegler. - Gießen: Psychosozial-Verlag 2013. (= Imago.) p. 171 ff.
Index:
Hitchcock, Alfred
Hazanavicius, Michel
Vertigo (1958)
Artist, The (2011)
Psychologie ~ Psychology
Musik ~ Music
Traum ~ Dreams

#1839
Piela, Mikko: Samaa kakkua. In: Filmihullu 1984. No. 5. [?D] pp. 46-47.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1840
Pike, David: Hitchcock’s underground. In: Modernism/Modernity 22. 2015. No. 1. [?D] pp. 125-151.
Index:
Hitchcock, Alfred

#1841
Pippin, Robert B.: The philosophical Hitchcock: Vertigo and the anxieties of unknowingness. - Chicago; London: The University of Chicago Press 2017.
Reviews:
James, Nick: [untitled.] In: Sight and Sound NS 28. 2018. No. 4. [April] p. 92.
Index:
Hitchcock, Alfred
Vertigo (1958)
Philosophie ~ Philosophy

#1842
Pirolini, Alessandro: Dial M for Murder di Alfred Hitchcock: Una teatralita cinematografica. In: Cinema Sud 33. 1993. No. 112. [?D] pp. 29-31.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#1843
Piso, Michael: Mark’s Marnie. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#1844
Piso, Michele: Alfred Hitchcock: For loss of the world. - ?O: University of Oregon, Ph.D. 1986. [Abstract in: Dissertation Abstracts International A 47. 1987. No. 7. (January) p. 2347A.]
Description:
On the representation of the stranger in the films of Alfred Hitchcock, especially in The Birds and Psycho.
Index:
Hitchcock, Alfred
Birds, The (1962)
Psycho (1960)

#1845
Pisters, Patricia: Lessen van Hitchcock: Een inleiding in de mediatheorie. - Amsterdam: Amsterdam University Press 2002.
Reviews:
Kester, Bernadette C. M.: Gezien, gehoord, gelezen. In: Tijdschrift voor Mediageschiedenis 5. 2002. No. 2. [?D] pp. 158-159.
Index:
Hitchcock, Alfred

#1846
Pisters, Patricia: New subjectivity in cinema: The Vertigo of Strange Days. In: Subjectivity. Edited by Willem van Reijen and Willem G. Weststeijn. - Amsterdam; Atlanta, Georgia: Rodopi 2000. pp. 283-314.
Index:
Hitchcock, Alfred
Bigelow, Kathryn
Vertigo (1958)
Strange Days (1995)

#1847
Pisters, Patricia: The matrix of visual culture: Working with Deleuze in film theory. - Stanford, California: Stanford University Press 2003.
Reviews:
Fleming, D. H.: [untitled.] In: Film-Philosophy 13. 2009. No. 1. [?D] p. ?P.
Description:
Discusses, among others, Alfred Hitchcock’s Rear Window and Vertigo, Kathryn Bigelow’s Strange Days, Quentin Tarantino’s Pulp Fiction, David Fincher’s Fight Club, Neil Jordan’s The Company of Wolves, David Cronenberg’s The Fly, Francis Ford Coppola’s The Conversation and Luc Besson’s Le Grand Bleu.
Index:
Deleuze, Gilles
Hitchcock, Alfred
Bigelow, Kathryn
Tarantino, Quentin
Fincher, David
Jordan, Neil
Cronenberg, David
Coppola, Francis Ford
Besson, Luc
Rear Window (1954)
Vertigo (1958)
Strange Days (1995)
Pulp Fiction (1994)
Fight Club (1999)
Company of Wolves, The (1984)
Fly, The (1986)
Conversation, The (1973)
Grand Bleu, Le (1987)
Philosophie ~ Philosophy

#1848
Pizzello, Stephen: Hitchcock blonde. In: American Cinematographer 93. 2012. No. 10. [October] pp. 76-85.
Description:
On John Pardue’s camera work for Julian Jarrold’s The Girl, a film which explores Alfred Hitchcock’s obsession with actress Tippi Hedren.
Index:
Jarrold, Julian
Hitchcock, Alfred
Hedren, Tippi
Girl, The (2012)
Technik: Kamera ~ Technology: Camera

#1849
Pizzello, Stephen: The Birds collector’s edition. In: American Cinematographer 81. 2000. No. 7. [July] p. 18.
Index:
Hitchcock, Alfred
Birds, The (1962)

#1850
Plantinga, Carl: Affect, cognition and the power of the movies. In: Post Script 13. 1993. No. 1. [?D] pp. 10-29.
Description:
Psychological examination on how films affect the audience. Discusses, among others, Hitchcock’s North By Northwest and George Lucas’s Star Wars.
Index:
Hitchcock, Alfred
Lucas, George
North by Northwest (1959)
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Psychologie ~ Psychology

#1851
Plantinga, Carl: Synästhetische Affekte: Szenarios von Schuld und Scham in Hitchcocks Filmen. In: Audiovisuelle Emotionen: Emotionsdarstellung und Emotionsvermittlung durch audiovisuelle Medienangebote. Hrsg. von Anne Bartsch, Jens Eder und Kathrin Fahlenbrach. - Köln: Halem 2007. pp. 350 ff.
Index:
Hitchcock, Alfred

#1852
Plater, Edward M. V.: American friends and strangers on trains: The temptation of Jonathan Zimmerman: Wim Wenders’ The American Friend. In: Literature/Film Quarterly 16. 1988. No. 3. [July] pp. 181-200.
Description:
Compares Hitchcock’s Strangers on a Train with Wenders’s Der amerikanische Freund.
Index:
Hitchcock, Alfred
Wenders, Wim
Strangers on a Train (1951)
amerikanische Freund, Der / Ami américain, L’ (1976)
Eisenbahn ~ Railroad
USA (United States of America) ~ USA (United States of America)

#1853
Platte, Nathan R.: Musical collaboration in the films of David O. Selznick, 1932-1957. - Ann Arbor, Michigan: University of Michigan, Ph.D. 2010. [Abstract in: Dissertation Abstracts International A 71. 2010. No. 5. [November] p. ?P.]
Description:
Discusses, among others, King Kong by Merian C. Cooper and Ernest B. Schoedsack, William Dieterle’s Portrait of Jennie and Alfred Hitchcock’s Rebecca and Spellbound.
Index:
Selznick, David O.
Cooper, Merian C.
Schoedsack, Ernest B.
Dieterle, Wilhelm [Pseudonym: Dieterle, William]
Hitchcock, Alfred
King Kong (1931-1933)
Jenny / Portrait of Jennie / Tidal Wave (1948)
Rebecca (1940)
Spellbound (1945)
Musik ~ Music

#1854
Play it again, Sam: Retakes on remakes. Edited by Andrew Horton and Stuart Y. Dougal. - Berkeley, California: University of California Press 1998.
Reviews:
Rothschild, Thomas: [untitled] In: Medienwissenschaft 1998. No. 4. pp. 478-479.
Shetley, Vernon: [untitled.] In: College English 61. 1999. No. 4. [?D] pp. 475-484.
Wyatt, Justin: [untitled] In: Cineaste 23. 1998. No. 4. [?D] p. 61.
Description:
Discusses, among others, the new filming of Hitchcockian topics as well as the King Kong and Cape Fear filmings.
Index:
Hitchcock, Alfred
Cape Fear (Filmreihe)
King Kong (Filmreihe)

#1855
Poague, Leland: "Tell me the story so far": Hitchcock and his writers. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred

#1856
Poague, Leland: Criticism and/as history. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Geschichte ~ History

#1857
Poague, Leland: Engendering (more) Vertigo. In: MacGuffin 1998. No. 24. [February] pp. 14-19.
Index:
Hitchcock, Alfred
Vertigo (1958)
Sexualität ~ Sexuality

#1858
Poague, Leland: Engendering Vertigo. In: Hitchcock Annual 1994. pp. 18-53.
Index:
Hitchcock, Alfred
Vertigo (1958)
Sexualität ~ Sexuality

#1859
Poague, Leland: Engendering Vertigo. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred
Vertigo (1958)
Sexualität ~ Sexuality

#1860
Poitras, H.: Psycho. In: Séquences ?G. 1980. No. 101. [July] p. 27.
Index:
Hitchcock, Alfred
Psycho (1960)

#1861
Polan, Dana: Psycho: Den cyniska geometrin. In: Filmhäftet 27. 1999. No. 3(107). [?D] pp. 62-68.
Description:
On the Hitchcock classic.
Index:
Hitchcock, Alfred
Psycho (1960)

#1862
Polihronis, A.: Reclaiming the popular: Perception and reception of Hollywood film. - Kent: University of Kent, Ph.D. 1999. [Abstract in: Index to Theses with Abstracts 49. 2000. No. 6. p. 1962(49-12041).]
Description:
Discusses, among others, Hitchcock’s Vertigo, King Vidor’s Gilda and Ridley Scott’s Alien.
Index:
Hitchcock, Alfred
Vidor, King
Scott, Ridley
Vertigo (1958)
Gilda (1946)
Alien (1979)
Hollywood ~ Hollywood

#1863
Pomerance, Murray: "Don’t understand, my darling": The girl grows up in Shadow of a Doubt. In: Sugar, spice, and everything nice: Cinemas of girlhood. Edited by Frances Gateward and Murray Pomerance. - Detroit, Michigan: Wayne State University Press 2002. (= Contemporary film and television.) pp. 39-53.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)
Frauen ~ Women

#1864
Pomerance, Murray: A bromide for Ballantine: Spellbound, psychoanalysis, light. In: Pomerance, Murray: An eye for Hitchcock. - New Brunswick, New Jersey: Rutgers University Press 2004. p. ?P.
Index:
Hitchcock, Alfred
Spellbound (1945)
Psychologie ~ Psychology
Augen ~ Eyes

#1865
Pomerance, Murray: A great fall: Action north by sincerity northwest. In: Pomerance, Murray: An eye for Hitchcock. - New Brunswick, New Jersey: Rutgers University Press 2004. p. ?P.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Augen ~ Eyes
Action ~ Action

#1866
Pomerance, Murray: Alfred Hitchcock’s America. - New York: J. Wiley J 2013. (= PALS - Polity America Through the Lens.)
Index:
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)

#1867
Pomerance, Murray: An eye for Hitchcock. - New Brunswick, New Jersey: Rutgers University Press 2004.
Reviews:
Deutelbaum, Marshall: [untitled] In: Film Quarterly 61. 2007. No. 1. [Fall] pp. 83-84.
Landrum, Jason: [untitled] In: Journal of American Culture 28. 2005. No. 1. [?D] p. 133.
Landy, Marcia: [untitled] In: Quarterly Review of Film and Video 23. 2006. No. 2. [?D] pp. 174-178.
Panek, Elliot: [untitled] In: The Velvet Light Trap 2006. No. 57. [Spring] pp. 108-111.
Worland, Rick: [untitled] In: Historical Journal of Film, Radio and Television 26. 2006. No. 2. [June] pp. 281-282.
Index:
Hitchcock, Alfred
Augen ~ Eyes

#1868
Pomerance, Murray: Finding release: Storm Clouds and The Man Who Knew too Much. In: Music and cinema. Edited by James Buhler, Caryl Flinn and David Neumeyer. - Hanover, New Hampshire: University Press of New England / Wesleyan University Press 2000. (= Music / culture.) pp. 207-46.
Index:
Benjamin, Arthur
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
Storm Cloud Cantata (Musik ~ Music)
Musik ~ Music

#1869
Pomerance, Murray: Gabriel’s horn: Vertigo and the golden passage. In: Pomerance, Murray: An eye for Hitchcock. - New Brunswick, New Jersey: Rutgers University Press 2004. p. ?P.
Index:
Hitchcock, Alfred
Vertigo (1958)
Augen ~ Eyes

#1870
Pomerance, Murray: Hitchcock quotes. In: Quarterly Review of Film and Video 23. 2006. No. 2. [?D] pp. 139-154.
Index:
Hitchcock, Alfred

#1871
Pomerance, Murray: Hitchcock’s canine uncanny. In: Cinematic canines: Dogs and their work in the fiction film. Edited by Adrienne L. McLean. - New Brunswick, New Jersey: Rutgers University Press 2014. p. ?P.
Index:
Hitchcock, Alfred
Angst ~ Fear
Hunde ~ Dogs

#1872
Pomerance, Murray: I Confess and the men inside. In: Pomerance, Murray: An eye for Hitchcock. - New Brunswick, New Jersey: Rutgers University Press 2004. p. ?P.
Index:
Hitchcock, Alfred
I Confess (1952)
Augen ~ Eyes

#1873
Pomerance, Murray. Looking up: Class, England, and America in The Man Who Knew Too Much. In: The Cambridge companion to Alfred Hitchcock. Edited by Jonathan Freedman. - Cambridge; New York: Cambridge University Press 2015. pp. 180-193.
Index:
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)
Großbritannien ~ Great Britain

#1874
Pomerance, Murray: Marion Crane dies twice. In: Monstrous adaptations: Generic and thematic mutations in horror film. Edited by Richard J. Hand and Jay McRoy. - Manchester; New York: Manchester University Press 2007. p. ?P.
Index:
Hitchcock, Alfred
Psycho (1960)
Monster ~ Monster
Horror ~ Horror

#1875
Pomerance, Murray: Marnie. - ?O: Palgrave Macmillan 2014. (= BFI Film Classics.)
Reviews:
Stevens, Brad: [untitled.] In: Sight and Sound NS 24. 2014. No. 11. [November] p. 105.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#1876
Pomerance, Murray:: Once in love with Marnie. In: Pomerance, Murray: An eye for Hitchcock. - New Brunswick, New Jersey: Rutgers University Press 2004. p. ?P.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Augen ~ Eyes

#1877
Pomerance, Murray: Some Hitchcockian shots. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred

#1878
Pomerance, Murray: The consumer perversity of Roger Thornhill. In: Quarterly Review of Film and Video 17. 2000. No. 1. [March] pp. 19-34.
Description:
On Alfred Hitchcock’s North By Northwest and the main film character played by Cary Crant.
Index:
Hitchcock, Alfred
Crane, Barry
North by Northwest (1959)

#1879
Pomerance, Murray: The horse who drank the sky: Film experience beyond narrative and theory. - New Brunswick, New Jersey: Rutgers University Press 2008.
Reviews:
Krohn, Bill: [untitled.] In: Cineaste 33. 2008. No. 4. [?D] pp. 70-72.
Description:
Discusses a lot of fantastic films, among them Alfred Hitchcock’s Blackmail, Rebecca, Stage Fright, The Man Who Knew Too Much, Vertigo and North by Northwest, Fritz Lang’s M - Eine Stadt sucht einen Mörder, Victor Fleming’s The Wizard of Oz, François Truffaut’s Fahrenheit 451, Ishiro Honda’s Gojira, Jim Jarmusch’s Dead Man, David Cronenberg’s The Dead Zone, William Friedkin’s The Exorcist, Guillermo del Toro’s El Laberinto del Fauno, Terence Young’s From Russia with Love, Doug Liman’s The Bourne Identity and Paul Greengrass’s The Bourne Supremacy, Alejandro González Iñárritu’s Babel, Wim Wenders’s Bis ans Ende der Welt, Michelangelo Antonioni’s Blow Up and Steven Spielberg’s Close Encounters of the Third Kind as well as Jaws.
Index:
Hitchcock, Alfred
Lang, Fritz
Fleming, Victor
Truffaut, François
Honda, Ishiro
Jarmusch, Jim
Cronenberg, David
Friedkin, William
del Toro, Guillermo
Young, Terence
Liman, Doug
Greengrass, Paul
González Iñárritu, Alejandro
Wenders, Wim
Antonioni, Michelangelo
Spielberg, Steven
Blackmail (1929)
Rebecca (1940)
Stage Fright (1950)
Man Who Knew Too Much, The (1956)
Vertigo (1958)
North by Northwest (1959)
M - Eine Stadt sucht einen Mörder (1931)
Wizard of Oz, The (1939)
Fahrenheit 451 (1966)
Gojira (1954)
Dead Man (1995)
Dead Zone, The (1983)
Exorcist, The (1973)
Laberinto del Fauno, El (2006)
From Russia with Love (1963)
Bourne Identity, The (2002)
Bourne Supremacy, The (2004)
Babel (2006)
Bis ans Ende der Welt (1991)
Blow Up (1966)
Close Encounters of the Third Kind (1977)
Jaws (1975)

#1880
Pomerance, Murray: The man who wanted to go back. In: The end of cinema as we know it: American film in the nineties. Edited by Jon Lewis. - New York: New York University Press 2001. pp. 43-49.
Description:
On Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)
USA (United States of America) ~ USA (United States of America)

#1881
Pomerance, Murray: The skin of our teeth: The Man Who Knew Too Much dines out. In: MacGuffin 1998. No. 25a. [December] pp. 10-13.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
Zähne ~ Teeth

#1882
Pomerance, Murray: The tear in the curtain: I forbid you to leave this room. In: Pomerance, Murray: An eye for Hitchcock. - New Brunswick, New Jersey: Rutgers University Press 2004. p. ?P.
Index:
Hitchcock, Alfred
Torn Curtain (1966)
Augen ~ Eyes

#1883
Pomerance, Murray: Thirteen ways of looking at The Birds. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Hitchcock, Alfred
Birds, The (1962)

#1884
Pomerance, Murray: Two bits for Hitch: Small performanace and gross structure in The Man Who Knew Too Much (1956). In: Hitchcock Annual 2000/2001. pp. 127-145.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)

#1885
Pomier, Frédéric: Hitchcock en Bordurie. In: Cinéma et bande dessinée. Dirigée par Gilles Ciment. (= CinémAction 1990. Hors-Série.) pp. 227-232.
Description:
Compares the work of Belgian comic artist Hergé with Hitchcock’s Torn Curtain.
Index:
Hitchcock, Alfred
Remi, Georges [Pseudonym: Hergé]
Torn Curtain (1966)
Belgien ~ Belgium
Animation: Comics ~ Animation: Comics
Animation ~ Animation

#1886
Pondelicek, Ivo: Hitchockovy obrazy choré mysli. In: Iluminace 10. 1998. No. 1. [?D] pp. 51-78.
Description:
Psychoanalytic analysis.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#1887
Potts, N.: The television work of Alfred Hitchcock. - Coventry: University of Warwick, Ph.D. 2005. [Abstract in Index to Theses with Abstracts 55. 2006. No. 1. p. 17(55-136).]
Index:
Hitchcock, Alfred
Fernsehen ~ Television

#1888
Powell, Paige: Hitch up. In: Interview ?G. 1998. No. ?N. [December] pp. 32 ff.
Description:
On Gus Van Sant’s remake of Alfred Hitchcock’s Psycho.
Index:
Van Sant, Gus
Hitchcock, Alfred
Psycho (1998)
Psycho (1960)

#1889
Powers, Stephen / Rothman, David J. / Rothman, Stanley: Hollywood’s America: Social and political themes in motion pictures. - Boulder, Colorado: Westview Press 1996.
Reviews:
Maltby, Richard: [untitled] In: Film Quarterly 51. 1997/1998. No. 2. [Winter] pp. 62-64.
Description:
Discusses, among others, Alfred Hitchcock’s Rear Window and Tim Burton’s Beetlejuice.
Index:
Hitchcock, Alfred
Burton, Tim
Rear Window (1954)
Beetlejuice (1988)
USA (United States of America) ~ USA (United States of America)
Politik ~ Politics
Hollywood ~ Hollywood

#1890
Poznar, Walter: Orpheus descending: Love in Vertigo. In: Literature/Film Quarterly 17. 1989. No. 1. [January] pp. 59-65.
Index:
Hitchcock, Alfred
Vertigo (1958)
Orpheus ~ Orpheus

#1891
Pratley, Gerald: Alfred Hitchcock’s working credo. In: Films in Review 3. 1952. No. 10. [December] pp. 500 ff.
Index:
Hitchcock, Alfred

#1892
Pratley, Gerald: Alfred Hitchcock’s working credo. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 34 ff.
Index:
Hitchcock, Alfred

#1893
Pravadelli, Veronica: Alfred Hitchcock: Notorius. - Torino: Lindau 2003. (= Universale: Film 33.)
Index:
Hitchcock, Alfred
Notorious (1946)

#1894
Prédal, René: Alfred Hitchcock et le policier psychologique. In: Prédal, René: Histoire du cinéma: Abrégé pédagogique. (= Cinémaction 1994. No. 73. [?D]) p. 83.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#1895
Prédal, René: Faire un cinéma d’expression à Hollywood. In: Prédal, René: Histoire du cinéma: Abrégé pédagogique. (= Cinémaction 1994. No. 73. [?D]) pp. 116-117.
Description:
Discusses, among others, the films of Orson Welles and Alfred Hitchcock.
Index:
Welles, Orson
Hitchcock, Alfred
Hollywood ~ Hollywood

#1896
Preminger, Aner: François Truffaut rewrites Hitchcock: A Pygmalion trilogy. In: Literature/Film Quarterly 35. 2007. No. 3. [?D] pp. 170-180.
Description:
On the Pygmalion myth in Alfred Hitchcock’s Vertigo and in François Truffaut’s Jules et Jim as well as in Tirez sur le pianiste.
Index:
Truffaut, François
Hitchcock, Alfred
Vertigo (1958)
Jules et Jim (1961)
Tirez sur le pianiste (1959-1960)

#1897
Pressler, Michael: Hitchcock and the melodramatic pattern. In: Chicago Review 35. 1986. No. 3. [Spring] pp. 4-16.
Description:
Discusses, among others, Strangers on a Train.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)

#1898
Pressler, Michael: Hitchcock’s Suspicion: Reading between the lines. In: Studies in the Humanities 31. 2004. No. 1. [June] pp. 99-104.
Index:
Hitchcock, Alfred
Suspicion (1941)

#1899
Price, Robert M.: Off their rocker: The many faces of Psycho’s Mrs. Bates. In: Scarlet Street 1994. No. 14. [Spring] pp. 26-31.
Index:
Hitchcock, Alfred
Psycho (1960)
Psycho (Filmreihe)
Psychologie ~ Psychology

#1900
Price, Steven: The screenplay: Authorship, theory and criticism. - Basingstoke; New York: Palgrave Macmillan 2010.
Description:
Discusses, among others, Alfred Hitchcock’s The Birds and Billy Wilder’s Sunset Boulevard.
Index:
Hitchcock, Alfred
Wilder, Billy
Birds, The (1962)
Sunset Boulevard (1950)

#1901
Price, Theodore: Hitchcock and homosexuality: His 50-year obsession with Jack the Ripper and the superbitch prostitute: A psychoanalytic view. - Metuchen, New Jersey: Scarecrow Press 1992.
Reviews:
Brookhouse, Christopher: [untitled] In: Hitchcock Annual 1993. pp. 157-161.
Description:
Includes a bibliography.
Index:
Hitchcock, Alfred
Jack the Ripper ~ Jack the Ripper
Prostitution ~ Prostitution
Psychologie ~ Psychology
Sexualität: Homosexualität ~ Sexuality: Homosexuality

#1902
Price, Theodore: Hitchcock and homosexuality: The truth about "The Paradine Case": Proceedings of 2nd Annual Film Conference of Kent State University, April 11, 1984. In: Sex and Love in Motion Pictures. Edited by Douglas Radcliff-Umstead. - Kent: Romance Language Department, Kent State University 1984. pp. 18-24.
Index:
Hitchcock, Alfred
Sexualität ~ Sexuality
Sexualität: Homosexualität ~ Sexuality: Homosexuality

#1903
Price, Theodore: Hitchcock e l’omosessualità: Uno sguardo psicanalitico tra Jack lo squartatore e la prostituta supertroia. - ?O: Unicopli 1995.
Reviews:
Comuzio, Ermanno: [untitled] In: Cineforum 36. 1996. No. ?N(353). [?D] pp. 93-94.
Index:
Hitchcock, Alfred
Prostitution ~ Prostitution
Sexualität: Homosexualität ~ Sexuality: Homosexuality

#1904
Price, Theodore: The hidden meaning of Hitchcock’s Vertigo: Proceedings of the Third Annual Film Conference of Kent State University: National traditions in motion pictures. Edited by Douglas Radcliff-Umstead. - Kent: Romance Languages Department, Kent State University 1985. pp. 19-25.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1905
Production methods compared. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 23 ff.
Index:
Hitchcock, Alfred
Technik ~ Technology

#1906
Prokopová, Alena: Okno do dvora. In: Film a Doba 36. 1990. No. 10. [October] pp. 586-588.
Description:
On Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1907
Provaas, Gabriëlle: De dikke Alfred: Hitchcock en de kritiek. In: Skrien 1997. No. 214. [June/July] pp. 32-33.
Index:
Hitchcock, Alfred

#1908
Psycho. - Nürnberg: Verlag Karin Stähle ?J. (= Super 8 Filmblätter.)
Index:
Hitchcock, Alfred
Psycho (1960)

#1909
Psycho. - Nürnberg: Filmverlag Peter Schmidl ?J. (= Phantopia-Filmprogramm 96.)
Index:
Hitchcock, Alfred
Psycho (1960)

#1910
Psycho. 2. Auflage. - Nürnberg: Filmverlag Peter Schmidl 1993. (= Phantopia-Filmprogramm 96.)
Index:
Hitchcock, Alfred
Psycho (1960)

#1911
Psycho-Remake aus Sasel im Metropolis. In: Hamburger Morgenpost, 21.3.1992. p. 38.
Index:
von Kamptz, Berthold
Hitchcock, Alfred
Psycho: Das Geheimnis des Phantom-Killers (1992)
Psycho (1960)

#1912
Psycho-Thriller. In: Thriller: Kino, das an den Nerven zerrt: Verhängnisvolle Affären, manische Psychopathen und ultracoole Cops. Hrsg. von Dirk Manthey und Jörg Altendorf. Redaktion: Willy Loderhose. Autoren: Adolf Heinzelmeier und Tilo Knops. - Hamburg: Kino Verlag 1991. (= Cinema Filmbuch.) pp. 10-29.
Description:
Discusses, among others, John Schlesinger’s Pacific Heights, Adrian Lyne’s Fatal Attraction, Brian De Palma’s Dressed to Kill, Carl Schenkel’s Abwärts, Hitchcock’s Psycho, Dennis Hopper’s Hot Spot, Polanski’s Repulsion, James Foley’s After Dark, My Sweet and Henri-Georges Clouzot’s Les Diaboliques.
Index:
Schlesinger, John
Lyne, Adrian
De Palma, Brian
Schenkel, Carl
Hitchcock, Alfred
Hopper, Dennis
Polanski, Roman
Foley, James
Clouzot, Henri-Georges
Pacific Heights (1990)
Fatal Attraction (1987)
Dressed to Kill (1980)
Abwärts (1984)
Psycho (1960)
Hot Spot, The (1990)
Repulsion (1965)
After Dark, My Sweet (1990)
diaboliques, Les (1954)
Psychologie ~ Psychology
Thriller ~ Thriller

#1913
Puaux, Françoise: Château, maison, villa: Le rôle clé de la demeure. In: Architecture décor et cinéma. Dirigée par Françoise Puaux. (= Cinémaction 1995. No. 75. [?D]) pp. 34-43.
Description:
On the architecture of the uncanny in the films of the 1940s. Discusses, among others, Alfred Hitchcock’s Rebecca, George Cukor’s Gaslight, Joseph L. Mankiewicz’s The Ghost and Mrs. Muir and Fritz Lang’s Secret Beyond the Door.
Index:
Hitchcock, Alfred
Cukor, George
Mankiewicz, Joseph L.
Lang, Fritz
Rebecca (1940)
Gaslight (1944)
Ghost and Mrs. Muir, The (1947)
Secret beyond the Door (1947)
Architektur ~ Architecture
Angst ~ Fear
Haus ~ House

#1914
Puccini, Dario: Il gioco delle simmetrie. In: Cinema & Cinema ?G. 1987. No. 49. [June] p. 78.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1915
Pulleine, Tim: Rope. In: Films and Filming ?G. 1984. No. ?N(361). [October] p. 46.
Index:
Hitchcock, Alfred
Rope, The (1948)

#1916
Pulleine, Tim: The Man Who Knew Too Much. In: Films and Filming ?G. 1984. No. ?N(358). [July] pp. 20-21.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)

#1917
Pye, Douglas: Enter Lisa: Rear Window (1954). In: Film moments: Criticism, history, theory. Edited by Tom Brown and James Walters. - London: Palgrave Macmillan / British Film Institute 2010. p. ?P.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1918
Quinodoz, Danielle: Hitchcock’s Vertigo: The collapse of a rescue fantasy. In: International Journal of Psycho-Analysis 79. 1998. No. 2. [April] pp. 391-393.
Description:
Psychoanalytic interpretation.
Index:
Hitchcock, Alfred
Vertigo (1958)
Psychologie ~ Psychology
Fantasy ~ Fantasy

#1919
Rabourdin, D.: Le crime était presque parfait. In: Cinéma [Paris] 1982. No. 283/284. [July/August] p. 101.
Description:
On Alfred Hitchcock’s Dial M for Murder.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#1920
Radner, Hilary: To Catch a Thief: Light reading on a dark topic. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Hitchcock, Alfred
To Catch a Thief (1955)

#1921
Rafferty, Terrence: Vertigo. In: The New Yorker 72. 1996. No. 35. [November 18] pp. 123 ff.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1922
Rall, Veronika: Kinoanalyse: Plädoyer für eine Re-Vision von Kino und Psychoanalyse. - Marburg: Schüren 2011. (= Zürcher Filmstudien 28.)
Reviews:
Klix, Bettina: Die Couch vor der Leinwand. In: Film-Dienst 65. 2012. No. 15. [July 19] p. 46.
Index:
Pabst, Georg Wilhelm
Hitchcock, Alfred
Huston, John
Mankiewicz, Joseph L.
Geheimnisse einer Seele (1925)
Spellbound (1945)
Freud (1963)
Suddenly, Last Summer (1959)
Psychologie ~ Psychology

#1923
Rall, Veronika: Kinoanalyse: Plädoyer für eine Re-Vision von Kino und Psychoanalyse. - Zürich: Universität Zürich, Dissertation 2009.
Index:
Pabst, Georg Wilhelm
Hitchcock, Alfred
Huston, John
Mankiewicz, Joseph L.
Geheimnisse einer Seele (1925)
Spellbound (1945)
Freud (1963)
Suddenly, Last Summer (1959)
Psychologie ~ Psychology

#1924
Rancière, Jacques: Les écarts du cinéma. - Paris: Fabrique éditions 2011.
Reviews:
Toscano, Alberto: [untitled.] In: Film Quarterly 65. 2012. No. 3. [?D] pp. 83-85.
Index:
Hitchcock, Alfred
Philosophie ~ Philosophy

#1925
Ranvaud, Don: Rebecca. In: Framework ?G. 1980. No. 13. [Autumn] pp. 19-24.
Index:
Hitchcock, Alfred
Rebecca (1940)

#1926
Ranzato, Emilio: Wrong turn: Il cinema horror americano da Psyco a Le colline hanno gli occhi. - Roma: Sovera edizioni 2013. (= Ciak si scrive: Le storie.)
Index:
Hitchcock, Alfred
Psycho (1960)
Hills Have Eyes, The (Filmreihe)
USA (United States of America) ~ USA (United States of America)
Horror ~ Horror

#1927
Rascaroli, Laura: Scopic drive, time travel and film spectatorship in Gilliam’s Twelve Monkeys and Bigelow’s Strange Days. In: Kinema 2001. No. 15. [Spring] pp. 29-41.
Description:
Discusses also Alfred Hitchcock’s Vertigo.
Index:
Gilliam, Terry
Bigelow, Kathryn
Hitchcock, Alfred
Twelve Monkeys (1995)
Strange Days (1995)
Vertigo (1958)
Science Fiction ~ Science Fiction
Zeit ~ Time

#1928
Rasmussen, Randy Loren: Psycho, The Birds and Halloween: The intimacy of terror in three classic films. - Jefferson, North Carolina; London: McFarland 2014.
Reviews:
Wandless, William: [untitled.] In: Journal of the Fantastic in the Arts 26. 2015. No. 2. [?D] pp. 426-428.
Index:
Hitchcock, Alfred
Carpenter, John
Psycho (1960)
Birds, The (1962)
Halloween (1978)

#1929
Raubicheck, Walter: Hitchcock, the first forty-four films: Chabrol and Rohmer’s "politique des auteurs". In: Hitchcock: Past and future. Edited by Richard Allen and Sam Ishii-Gonzales. - London; New York: Routledge 2004. p. ?P.
Index:
Hitchcock, Alfred
Chabrol, Claude
Rohmer, Eric

#1930
Raubicheck, Walter / Srebnick, Walter: Wrong men on the run: The 39 Steps as Hitchcock’s espionage paradigm. In: Hitchcock and adaptation: On the page and screen. Edited by Mark Osteen. - Lanham, Maryland: Rowman & Littlefield 2014. p. ?P.
Index:
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)
Spione ~ Spys

#1931
Raum-Deinzer, Uwe: Ein Jahrhundertwerk in neuem Glanz: Vertigo - Aus dem Reich der Toten. In: Moviestar 5. 1997. No. 4(27) [?D] pp. 10-12.
Description:
On the restored version of the Hitchcock classic.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1932
Rear Window. In: Revue Belge du Cinéma 1983. No. 4. [Summer] p. 60.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1933
Rebecca. - Wien: ?V ?J. (= Das Programm von heute 206.)
Index:
Hitchcock, Alfred
Rebecca (1940)

#1934
The Rebecca project. Edited by Lauren Rabinovitz and Greg Easley. - New Brunswick, New Jersey: Rutgers University Press1995.
Reviews:
Silet, Charles L. P.: [untitled] In: Film Criticism 22. 1998. No. 3. [?D] pp. 60-64.
Description:
CD-ROM edition.
Index:
Hitchcock, Alfred
Rebecca (1940)

#1935
Rebecca: Un film de Alfred Hitchcock. - Bruxelles: Centre de Documentation sur le cinéma 1985. (= Ciné press-book 3.)
Index:
Hitchcock, Alfred
Rebecca (1940)

#1936
Rebello, Stephen: Alfred Hitchcock and the making of Psycho. - London: Marion Boyars 1990.
First edition:
[New York: Dembner Books 1990]
Reviews:
Bono, Francesco: [untitled] In: Script 1991. No. 12. [Summer] pp. 33-34.
Index:
Hitchcock, Alfred
Psycho (1960)

#1937
Rebello, Stephen: Alfred Hitchcock and the making of Psycho. - New York: St. Martin’s Griffin 1998.
First edition:
[New York: Dembner Books 1990]
Index:
Hitchcock, Alfred
Psycho (1960)

#1938
Rebello, Stephen: Alfred Hitchcock and the making of Psycho. - London: Boyars 1998.
First edition:
[New York: Dembner Books 1990]
Index:
Hitchcock, Alfred
Psycho (1960)

#1939
Rebello, Stephen: Alfred Hitchcock and the making of Psycho. - New York: Harper Perennial 1991.
First edition:
[New York: Dembner Books 1990]
Index:
Hitchcock, Alfred
Psycho (1960)

#1940
Rebello, Stephen: Alfred Hitchcock and the making of Psycho. - London: Mandarin 1992.
First edition:
[New York: Dembner Books 1990]
Reviews:
Brill, Lesley: [untitled] In: Hitchcock Annual 1992. pp. 144-150.
Channell, Carrie: [untitled] In: Filmfax 2000. No. 75/76. [October] pp. 12 ff.
Index:
Hitchcock, Alfred
Psycho (1960)

#1941
Rebello, Stephen: Alfred Hitchcock and the making of Psycho. - New York: Dembner Books 1990.
Reviews:
Donovan, Francis: Hitchcockologie. In: Cinéma [Paris] 1990. No. 471. [November] p. 54.
Garrett, Greg: [untitled] In: Journal of Popular Film and Television 19. 1991. No. 1. [?D] p. 47.
Kimmel, Dan: [untitled] In: Variety 339. 1990. No. ?N. [May 23] p. 90.
Thomas, Paul: [untitled] In: Film Quarterly 45. 1991/1992. No. 2. [Winter] pp. 54-55.
Index:
Hitchcock, Alfred
Psycho (1960)

#1942
Rebello, Stephen: Come Hitchcock ha realizzato Psycho. Con un intervista a Gus
Van Sant
. - Milano: Il Castoro 1999.
First edition:
[Alfred Hitchcock and the making of Psycho. - New York: Dembner Books 1990]
Reviews:
Comuzio, Ermanno: [untitled] In: Cineforum 40. 2000. No. ?N(391). [January/February] p. 94.
Index:
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)

#1943
Rebello, Stephen: Hitchcock goes Psycho. In: American Film 15. 1990. No. 7. [April] pp. 38-43, 48.
Index:
Hitchcock, Alfred
Psycho (1960)

#1944
Rebello, Stephen: Hitchcock und die Geschichte von Psycho. Aus dem Englischen von Lisa Kögeböhn, Bernhard Matt und Uli Mayer. - München: Heyne 2013.
First edition:
[Alfred Hitchcock and the Making of Psycho.]
Index:
Hitchcock, Alfred
Psycho (1960)

#1945
Rebello, Stephen: Hitchcock und die Geschichte von Psycho. Aus dem Englischen von Bernhard Matt. - München: E-Books der Verlagsgruppe Random House 2013.
First edition:
[Alfred Hitchcock and the Making of Psycho.]
Reviews:
Arnold, Frank: Was sie immer noch nicht über Hitchcock wissen. In: EPD Film 30. 2013. No. 12. [December] p. 64.
Index:
Hitchcock, Alfred
Psycho (1960)

#1946
Rebello, Stephen: Hitchcock! Alfred Hitchcock and the making of Psycho. - Berkeley, California: Soft Skull Press 2013.
Index:
Hitchcock, Alfred
Psycho (1960)

#1947
Rebello, Stephen: Hitchcock’s tour of the Bates motel. In: Cinefantastique 16. 1986. No. 4/5. [October] p. 77.
Description:
On a six-minute trailer for Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)

#1948
Rebello, Stephen: Psycho. In: Cinefantastique 16. 1986. No. 4/5. [October] pp. 48-63, 68-76, 78-80.
Description:
On the Alfred Hitchcock classic.
Index:
Hitchcock, Alfred
Psycho (1960)

#1949
Rebello, Stephen: Return to Bates Motel. In: Movieline 10. 1998. No. ?N. [December/January] pp. 68 ff.
Index:
Van Sant, Gus
Hitchcock, Alfred
Psycho (1998)
Psycho (1960)

#1950
Rebello, Steve: Mommie weirdest. In: Premiere 2. 1988. No. ?N. [September] p. 12.
Index:
Hitchcock, Alfred
Psycho (1960)

#1951
Recchia, Edward: Through a shower curtain darkly: Reflexivity as a dramatic component of Psycho. In: Literature/Film Quarterly 19. 1991. No. 4. [October] pp. 258-266.
Index:
Hitchcock, Alfred
Psycho (1960)

#1952
Redman, Nick: North by Northwest. In: DGA: Director’s Guild of America 25. 2000. No. 4. [?D] pp. 63-64.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#1953
Redman, Nick: Vertigo. In: DGA: Director’s Guild of America 22. 1997. No. 3. [July/August] p. 45.
Description:
On a laserdisc edition of the Hitchcock classic.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1954
Redotté, Hartmut W.: Hitchcock-Glossarium: Formen, Themen und Motive im Werk Alfred Hitchcocks. In: Filmbulletin 37. 1995. No. 1(198). [?D] pp. 47-59.
Description:
Alphabetical glossary of the main subjects and motifs in the films of Alfred Hitchcock. Each entry includes a reference filmography.
Index:
Hitchcock, Alfred

#1955
Regensburger, Dietmar: "Are you still in the mood for killing?" Mimetic rivalry, scapegoating and sacrifice in Hitchcock’s Marnie, Cacoyannis’ Zorba the Greek and Pasolini’s Medea. In: Passions in economy, politics, and the media: In discussion with Christian theology. Edited by Wolfgang Palaver [et al.]. - Wien: Lit 2005. (= Beiträge zur mimetischen Theorie 17.) pp. 363-385.
Index:
Hitchcock, Alfred
Cacoyannis, Michael
Pasolini, Pier Paolo
Marnie (1963/1964)
Zorba, the Greek (1964)
Medea (1969)
Wirtschaft ~ Economy
Politik ~ Politics
Opfer ~ Sacrifice
Religion ~ Religion

#1956
Regensburger, Dietmar: Religion(en) und Gewalt: Systematische Reflexionen zu einem aktuellen und brisanten Spannungsfeld im Lichte der mimetischen Theorie René Girards. In: Weltreligionen im Film: Christentum, Islam, Judentum, Hinduismus, Buddhismus. Hrsg. von Joachim Valentin unter Mitarbeit von Matthias Müller. - Marburg: Schüren 2002. (= Film und Theologie 3.) pp. 15-34.
Description:
Discusses, among others, Alfred Hitchcock’s Marnie and Pier Paolo Pasolini’s Medea.
Index:
Girard, René
Hitchcock, Alfred
Pasolini, Pier Paolo
Marnie (1963/1964)
Medea (1969)
Religion ~ Religion
Gewalt ~ Violence
Religion ~ Religion

#1957
Regie Alfred Hitchcock: Eine Bilddokumentation seiner Kunst. Hrsg. von Robert Fischer. - Schondorf/Ammersee: Programm Roloff und Seesslen 1979. (= Enzyklopädie des populären Films: Ergänzungsband 1.)
Index:
Hitchcock, Alfred

#1958
Reif, Monika: Film und Text: Zum Problem von Wahrnehmung und Vorstellung in Film und Literatur. - Tübingen: Gunter Narr Verlag 1984.
Reviews:
Bechtold, Gerhard / Neuhauser, Thomas: [untitled] In: Medienwissenschaft 1985. No. 2. pp. 177-178.
Description:
Detailed discussion of Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Literatur ~ Literature

#1959
Reijnhoudt, Bram: Hitchcock, dertig jaar later: Vlaflips van humor en spanning In: Skoop 20. 1984. No. 3. [April] pp. 18-21.
Index:
Hitchcock, Alfred
Rear Window (1954)
Vertigo (1958)
Humor ~ Humor

#1960
Reiter, Gershon: Shadow of a Doubt: The other by numbers. In: Reiter, Gershon: The shadow self in film: Projecting the unconscious other. - Jefferson, North Carolina: McFarland & Company 2014. p. ?P.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)
Mathematik ~ Mathematics
Psychologie ~ Psychology
Doppelgänger ~ Double

#1961
Reiter, Gershon: Strangers on a Train: Playing doubles. In: Reiter, Gershon: The shadow self in film: Projecting the unconscious other. - Jefferson, North Carolina: McFarland & Company 2014. p. ?P.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)
Psychologie ~ Psychology
Doppelgänger ~ Double

#1962
Renov, Michael: From identification to ideology: The male system of Hitchcock’s Notorious. In: Wide Angle 4. 1980. No. 1. [?D] pp. 30-37.
Description:
On the representation of gender roles in the film.
Index:
Hitchcock, Alfred
Notorious (1946)
Sexualität ~ Sexuality
Politik ~ Politics
Männer ~ Men

#1963
Requena, J. G.: En el umbral de lo inverosimil (con la muerte en los talones). In: Contracampo 1981. No. 23. [September] pp. 11-18.
Description:
On the film language in Alfred Hitchcock’s North by Northwest.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#1964
Restivo, Angelo: Hitchcock and the postmodern. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred
Postmoderne ~ Postmodern

#1965
Restivo, Angelo: The silence of The Birds: Sound aesthetics and public space in later Hitchcock. In: Hitchcock: Past and future. Edited by Richard Allen and Sam Ishii-Gonzales. - London; New York: Routledge 2004. p. ?P.
Index:
Hitchcock, Alfred
Birds, The (1962)
Musik ~ Music

#1966
Reuter, Vibke: Alfred Hitchcocks Handschrift: Vom literarischen zum filmischen Text. - Trier: Wissenschaftlicher Verlag Trier 2005.
Reviews:
Kirchner, Andreas: [untitled.] In: Medienwissenschaft 2006. No. 4. pp. 458-460.
Missel, Sebastian: Aufschlussreiche Vergleiche: Hitchcocks Filme und ihre literarischen Vorlagen. In: EPD Film 23. 2006. No. 3. [March] p. 55.
Index:
Hitchcock, Alfred

#1967
Reville, Alma: Alma in wonderland. In: Hitchcock Annual 2006/2007. pp. 35-37.
Index:
Hitchcock, Alfred
Reville, Alma

#1968
Reville, Alma: Cutting and continuity. In: Hitchcock Annual 2006/2007. pp. 32-34.
Index:
Hitchcock, Alfred

#1969
Richter, Babette: Die stumme Verführung: Das innere Bild und das Phänomen Kino. - Köln: R und B 2003.
Description:
Includes, among others, chapters on the silent films of Ernst Lubitsch, Erich von Stroheim and Alfred Hitchcock.
Index:
Lubitsch, Ernst
Stroheim, Erich von
Hitchcock, Alfred
Verführung ~ Seduction
Stummfilm ~ Silent Film

#1970
Rieger, Eva: Alfred Hitchcock und die Musik: Eine Untersuchung zum Verhältnis von Film, Musik und Geschlecht. - Bielefeld: Kleine 1996. (= Wissenschaftliche Reihe 84.)
Index:
Hitchcock, Alfred
Sexualität ~ Sexuality
Musik ~ Music

#1971
Riepe, Manfred: Hitchcock vs. Herschell Gordon Lewis. In: Enzyklopädie des phantastischen Films. 30. Ergänzungslieferung. - Meitingen: Corian-Verlag, Juni 1993.
Index:
Hitchcock, Alfred
Lewis, Herschell Gordon

#1972
Rivero, Enrique: Alfred Hitchcock: The masterpiece collection. In: Variety 400. 2005. No. 11. [October 31] p. 63.
Description:
On a DVD edition.
Index:
Hitchcock, Alfred
DVD ~ DVD

#1973
Robb, David: Haunting thrown out the Window. In: Variety 339. 1990. No. ?N. [May 9] pp. 5 ff.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1974
Roberts III, James Henry: Shadow zones: The rhetoric of cinematic affect. - University Park, Pennsylvania: Pennsylvania State University, Ph.D. 1999. [Abstract in: Dissertation Abstracts International A 61. 2000. No. 2. [August] p. 406.]
Description:
Discusses especially the films of Sergei Eisenstein, Dziga Vertov and Alfred Hitchcock.
Index:
Eisenstein, Sergei Mikhailovich
Vertov, Dziga
Hitchcock, Alfred

#1975
Roberts, John W.: Survival versus salvation: The conflicting visions of Welles and Hitchcock. In: The Midwest Quarterly 32. 1991. No. 2. [Winter] pp. 197 ff.
Index:
Welles, Orson
Hitchcock, Alfred

#1976
Robertson, David Alan: Casting Alfred Hitchcock: An art historical perspective. In: Casting a shadow: Creating the Alfred Hitchcock film. Edited by Will Schmenner and Corinne Granof. - Evanston, Illinois: Mary and Leigh Block Museum of Art / Northwestern University / Northwestern University Press 2007. p. ?P.
Index:
Hitchcock, Alfred

#1977
Robertson Wojcik, Pamela: The author of this claptrap: Cornell Woolrich, Alfred Hitchcock, and Rear Window. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Woolrich, Cornell George
Hitchcock, Alfred
Rear Window (1954)
It Had to be Murder (Literatur ~ Literature)

#1978
Robinson, H.: Frenzy. In: Films in Review 23. 1972. No. 7. [August/September] pp. 429-430.
Index:
Hitchcock, Alfred
Frenzy (1971)

#1979
Robinson, M. J.: The poetics of camp in the films of Alfred Hitchcock. In: Rocky Mountain Review of Language and Literature 54. 2000. No. 1. [?D] pp. 53-65.
Index:
Hitchcock, Alfred

#1980
Roche, Mark W.: Hitchcock and the transcendence of tragedy: I Confess as speculative art. In: Post Script 10. 1991. No. 3. [Summer] pp. 30-37.
Description:
Philosophical examination of the film according to the theories of Hegel.
Index:
Hitchcock, Alfred
Hegel, Georg Wilhelm Friedrich
I Confess (1952)
Philosophie ~ Philosophy

#1981
Rodenberg, Hans-Peter: Der Hollywoodfilm der 30er und 40er Jahre (Curtiz, Fleming, Chaplin, Disney, Ford, Hawks, Hitchcock, Welles). In: Medienwissenschaft/Media: Technology, history, communications, aesthetics. Edited by Wolfgang Krank, Joachim Felix Leonhard, Hans-Werner Ludwig and Erich Straßner. - Berlin; New York: Walter de Gruyter 1997.
Index:
Curtiz, Michael
Fleming, Victor
Chaplin, Charles Spencer
Disney, Walt
Ford, John
Hawks, Howard
Hitchcock, Alfred
Welles, Orson
Technik ~ Technology
Hollywood ~ Hollywood
Disney ~ Disney

#1982
Rodrigue, Carl: Alfred Hitchcock sur le net: L’homme qui en savait trop. In: Séquences ?G. 2003. No. 226.. [July/August] pp. 18-19.
Description:
On Internet sites dedicated to Alfred Hitchcock.
Index:
Hitchcock, Alfred
Internet ~ Internet

#1983
Rodrigue, Carl: La restauration des films. In: Séquences ?G. 2004. No. 232. [July/August] pp. 24-29.
Description:
Discusses as an example the restoration of Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)

#1984
Rodríguez, Hilario J.: Crimen perfecto. In: Dirigido 2003. No. 319. [January] pp. 44-45.
Description:
On Alfred Hitchcock’s Dial M for Murder.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)
Kriminalität ~ Crime

#1985
Rogers, Alan: The contemporary horror film (gothic tradition). - ?O: Council for National Academic Awards, Ph.D. 1990. [Abstract in: Dissertation Abstracts International A 52. 1992. No. 8. [February] p. 2737.]
Description:
Includes chapters on gothic elements in Alfred Hitchcock’s Psycho, on John Carpenter’s classic Halloween and on the "body horror" in the 1080s.
Index:
Hitchcock, Alfred
Carpenter, John
Psycho (1960)
Halloween (1978)
Körper ~ Bodies
Horror ~ Horror

#1986
Roginskii, Boris / Zhezhelenko, M. L.: Mir Al’freda Khichkoka. - Moskva: Novoe literaturnoe obozrenie 2006. (= Kinoteksty.)
Index:
Hitchcock, Alfred

#1987
Rohmer, Éric: L’hélice et l’idée. In: Cahiers du Cinéma 1984. No. 357. [March] pp. 24-27.
Description:
Reprint of a 1959 review of Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Rohmer, Eric
Vertigo (1958)

#1988
Rollet, Patrice: Jacques Tourneur, le faux depart et l’apres-coup. In: Trafic 1999. No. 30. [Summer] pp. 118-130.
Description:
Compares Jacques Tourneur to Alfred Hitchcock.
Index:
Tourneur, Jacques
Hitchcock, Alfred

#1989
Romney, Jonathan: Being Alfred Hitchcock. In: Sight and Sound NS 20. 2010. No. 4. [April] pp. 48-49.
Description:
On Johan Grimonprez’s Double Take.
Index:
Grimonprez, Johan
Hitchcock, Alfred
Double Take (2009)

#1990
Roof, Judith: The perfect enigma. In: The men who knew too much: Henry James and Alfred Hitchcock. Edited by Susan Griffin and Alan Nadel. - Oxford; New York: Oxford University Press 2011. p. ?P.
Index:
James, Henry
Hitchcock, Alfred

#1991
Ropert, Axelle: L’occupant des lieux. In: Vertigo 1996. No. 15. [November] pp. 43-45.
Description:
On Alfred Hitchcock’s legendary cameo appearances in his own films.
Index:
Hitchcock, Alfred

#1992
Rose, Jacqueline: Paranoia and the film system. In: Screen 17. 1977. No. 4. [Winter] pp. 85-104.
Index:
Hitchcock, Alfred
Birds, The (1962)
Religion ~ Religion
Wahnsinn ~ Madness

#1993
Rose, Lloyd: Alfred again. In: The Atlantic 252. 1983. No. ?N. [October] pp. 100 ff.
Index:
Hitchcock, Alfred
Rear Window (1954)

#1994
Rosenbaum, Jonathan: Le vrai coupable: Two kinds of criticism in Godard’s work. In: Screen 40. 1999. No. 3. [Autumn] pp. 316-322.
Description:
On Godard’s preoccupation with the work of Alfred Hitchcock, especially his critic on The Wrong Man.
Index:
Godard, Jean-Luc
Hitchcock, Alfred
Wrong Man, The (1957)

#1995
Rosenbladt, Bettina: Doubles and doubts in Hitchcock: The German connection. In: Hitchcock: Past and future. Edited by Richard Allen and Sam Ishii-Gonzales. - London; New York: Routledge 2004. p. ?P.
Index:
Hitchcock, Alfred
Doppelgänger ~ Double
Deutschland ~ Germany

#1996
Rosetti, R.: Il rilievo comune. In: Filmcritica 32. 1981. No. 311. [January] pp. 7-9.
Description:
On the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred

#1997
Ross, A.: Rebecca and the Hitchcock genre in the 1940s. - Stirling: University of Stirling, M.Litt. 1990. [Abstract in: Index to Theses with Abstracts 41. 1992. No. 2. pp. 451-452(41-2223).]
Index:
Hitchcock, Alfred
Rebecca (1940)

#1998
Ross, Philippe: Mais qui a tué Alfred? In: La Revue du Cinéma 1987. No. 427. [May] pp. 6-7.
Description:
On Hitchcock’s importance for the development of modern thriller.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#1999
Rösser, Thomas: Bilder zum Hören: Die Zusammenarbeit von Alfred Hitchcock mit dem Komponisten Bernard Herrmann. - Hamburg: Kovac 2013. (= Schriftenreihe Schriften zur Medienwissenschaft 37.)
Reviews:
Jung, Uli: [untitled.] In: Medienwissenschaft 2014. No. 4. pp. 421-423.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Musik ~ Music

#2000
Rossi, John: Hitchcock’s Foreign Correspondent (1940). In: Film & History 12. 1982. No. 2. [May] pp. 25-35.
Index:
Hitchcock, Alfred
Foreign Correspondent (1940)

#2001
Die rote Lola. - Nürnberg: Filmverlag Peter Schmidl 1992. (= Phantopia-Filmprogramm 163.)
Description:
On Alfred Hitchcock’s Stage Fright.
Index:
Hitchcock, Alfred
Stage Fright (1950)

#2002
Rotem, Ornan: The world as one whole: The syntactic role of colour in film. In: Kinema 2003. No. 19. [Spring] pp. 5-26.
Description:
Discusses especially Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2003
Roth, Marty: Hitchcock’s secret agency. In: Camera Obscura 1992. No. 30. [May] pp. 35-48.
Description:
On the motif of homosexuality in The Secret Agent.
Index:
Hitchcock, Alfred
Secret Agent (1936)
Sexualität: Homosexualität ~ Sexuality: Homosexuality

#2004
Roth, Marty: Remembering Psycho. In: North Dakota Quarterly 62. 1995. No. 3. [Summer] pp. 161-174.
Index:
Hitchcock, Alfred
Psycho (1960)

#2005
Roth-Lindberg, Örjan: Det osynliga ögat. In: Chaplin 24. 1983. No. 4(187). [?D] pp. 170-181.
Description:
On Alfred Hitchcock’s Rope.
Index:
Hitchcock, Alfred
Rope, The (1948)

#2006
Roth-Lindberg, Örjan: Hitchcock revisited. In: Filmhäftet 27. 1999. No. 107. [?D] pp. 7-11.
Description:
Overview of the secondary literature on Alfred Hitchcock.
Index:
Hitchcock, Alfred
Literatur ~ Literature

#2007
Roth-Lindberg, Örjan: Porträttet, spegeln och dubbelgångaren. In: Filmhäftet 27. 1999. No. 107. [?D] pp. 48-54.
Description:
On the motifs of the mirror and the double in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Rear Window (1954)
Spiegel ~ Mirror
Doppelgänger ~ Double

#2008
Roth-Lindberg, Örjan: Världens bedrägliga sken. In: Chaplin 36. 1994. No. 6(255). [?D] pp. 18-25.
Description:
On the narrative and aesthetic structures in the films of Alfred Hirtchcock, especially in The Pleasure Garden.
Index:
Hitchcock, Alfred
Pleasure Garden, The (1927)

#2009
Rother, Rainer: Das Markenzeichen: Alfred Hitchcock, dem populärsten Experimentalfilmer der Kinogeschichte, zum 100. Geburtstag. In: Berliner Zeitung Magazin. 7./8. August 1999. pp. I-II.
Index:
Hitchcock, Alfred
Experimentalfilme ~ Experimental Films

#2010
Rother, Rainer: Der männliche Zuschauer in Hitchcocks Rear Window und Vertigo. In: Filmwärts ?G. 1987. No. 8. [September] pp. 14-17.
Index:
Hitchcock, Alfred
Rear Window (1954)
Vertigo (1958)
Männer ~ Men

#2011
Rothman, William: Alfred Hitchcock’s Murder: Theater, authorship, and the presence of the camera. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Murder (1930)
Theater ~ Theatre
Technik: Kamera ~ Technology: Camera

#2012
Rothman, William: Alfred Hitchcock’s Murder! In: Wide Angle 4. 1980. No. 1. [?D] pp. 54-61.
Index:
Hitchcock, Alfred
Murder (1930)

#2013
Rothman, William: Alfred Hitchcock’s Notorious. In: The Georgia Review 29. 1975. No. 4. [Winter] p. 884.
Index:
Hitchcock, Alfred
Notorious (1946)

#2014
Rothman, William: Hitchcock, auteur: Kommentarer till Hitchcock - The murderous gaze. In: Filmhäftet 27. 1999. No. 107. [?D] pp. 69-76.
Description:
The author’s remarks on his own Hitchcock book "The murderous gaze".
Index:
Hitchcock, Alfred
Mord ~ Murder

#2015
Rothman, William: Hitchcock: Ten mysteries from the master of suspense. In: American Film 9. 1983. No. 1. [October] pp. 81-86.
Description:
On video editions of Hitchcock films.
Index:
Hitchcock, Alfred
Video ~ Video
Thriller ~ Thriller

#2016
Rothman, William: Hitchcock, the murderous gaze. - Cambridge, Massachussetts: Harvard University Press 1982. (= Harvard Film Studies.)
Description:
Discusses The Lodger, Murder, The Thirty-Nine Steps, Shadow of a Doubt and Psycho.
Index:
Hitchcock, Alfred
Lodger, The: A Story of the London Fog (1927)
Murder (1930)
Thirty-Nine Steps, The (1935)
Shadow of a Doubt (1943)
Psycho (1960)
Mord ~ Murder

#2017
Rothman, William: Hitchcock: The murderous gaze. 2nd. edition. - Albany: State University of New York Press 2012. (= Suny series: Horizons of cinema.)
First edition:
[1982]
Description:
Discusses The Lodger, Murder, The 39 Steps, Shadow of a Doubt, Psycho and Marnie.
Index:
Hitchcock, Alfred
Lodger, The: A Story of the London Fog (1927)
Murder (1930)
Thirty-Nine Steps, The (1935)
Shadow of a Doubt (1943)
Psycho (1960)
Marnie (1963/1964)
Mord ~ Murder

#2018
Rothman, William: Judy’s plan: A reading of the "Flashback" sequence in Vertigo (1958). In: Film moments: Criticism, history, theory. Edited by Tom Brown and James Walters. - London: Palgrave Macmillan / British Film Institute 2010. p. ?P.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2019
Rothman, William: Must we kill the thing we love? Emersonian perfectionism and the films of Alfred Hitchcock. - New York: Columbia University Press 2014. (= Film and culture.)
Reviews:
Sterritt, David: [untitled.] In: Film Quarterly 67. 2014. No. 4. [Summer] p. ?P.
Index:
Hitchcock, Alfred
Emerson, Ralph Waldo

#2020
Rothman, William: North by Northwest: Hitchcock’s monument to the Hitchcock film. In: Rothman, William: The "I" of the camera: Essays in film criticism, history, and aesthetics. - Cambridge; New York: Cambridge University Press 1988. (= Cambridge studies in film.) p. ?P.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#2021
Rothman, William: North by Northwest: Hitchcock’s monument to the Hitchcock film. In: North Dakota Quarterly 51. 1983. No. 3. [Summer] pp. 11-23.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#2022
Rothman, William: The "I" of the camera: Essays in film criticism, history, and aesthetics 2nd edition. - Cambridge; New York: Cambridge University Press 2004.
Index:
Hitchcock, Alfred
Technik: Kamera ~ Technology: Camera

#2023
Rothman, William: The "I" of the camera: Essays in film criticism, history, and aesthetics. - Cambridge; New York: Cambridge University Press 1988. (= Cambridge studies in film.)
Reviews:
Prince, Stephen: [untitled] In: Film Quarterly 43. 1990. No. 4. [Summer] pp. 36-38.
Description:
Discusses, among others, the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Technik: Kamera ~ Technology: Camera

#2024
Rothman, William: The Universal Hitchcock. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred
Universal [Firma] ~ Universal [Company]

#2025
Rothman, William: The villain in Hitchcock. In: Hitchcock Annual 2002/2003. pp. 149-163.
Index:
Hitchcock, Alfred
Böse, Das ~ Evil, The

#2026
Rothman, William: The villain in Hitchcock: "Does he look like a ’wrong one’ to you?" In: Bad: Infamy, darkness, evil, and slime on screen. Edited by Murray Pomerance. - Albany: New York State University Press 2004. (= SUNY series: Cultural studies in cinema/video.) pp. 213-222.
Index:
Hitchcock, Alfred
Böse, Das ~ Evil, The

#2027
Rothman, William: Thoughts on Hitchcock’s authorship. In: Rothman, William: The "I" of the camera: Essays in film criticism, history, and aesthetics 2nd edition. - Cambridge; New York: Cambridge University Press 2004. p. ?P.
Index:
Hitchcock, Alfred

#2028
Rothman, William: Vertigo: The unknown woman in Hitchcock. In: Rothman, William: The "I" of the camera: Essays in film criticism, history, and aesthetics. - Cambridge; New York: Cambridge University Press 1988. (= Cambridge studies in film.) p. ?P.
Index:
Hitchcock, Alfred
Vertigo (1958)
Frauen ~ Women

#2029
Rothman, William: Virtue and villainy in the face of the camera. In: Making visible the invisible: An anthology of essays on film acting. Edited by Carole Zucker. - Metuchen, New Jersey; London: Scarecrow Press 1990. pp. 28-43.
Description:
Discusses, among others, Billy Wilder’s Double Indemnity, Ralph Thomas’s The 39 Steps and Alfred Hitchcock’s Psycho.
Index:
Wilder, Billy
Hitchcock, Alfred
Thomas, Ralph
Double Indemnity (1944)
Psycho (1960)
39 Steps, The (1959)
Böse, Das ~ Evil, The

#2030
Roux, Baptiste: Caméra-stylet ou de l’assassinat cinématographique considéré comme un des beaux-arts. In: Positif 2001. No. 485/486. [July/August] pp. 153-157.
Description:
On the motif of space and on voyeurism in Michael Powell’s Peeping Tom and Alfred Hitchcock’s Psycho.
Index:
Powell, Michael
Hitchcock, Alfred
Peeping Tom (1959)
Psycho (1960)

#2031
Rowe, John Carlos: Caged heat: Feminist rebellion in Henry James’s In the Cage and Alfred Hitchcock’s Rear Window. In: The men who knew too much: Henry James and Alfred Hitchcock. Edited by Susan Griffin and Alan Nadel. - Oxford; New York: Oxford University Press 2011. p. ?P.
Index:
James, Henry
Hitchcock, Alfred
Rear Window (1954)
Frauen ~ Women
In the Cage (Literatur ~ Literature)

#2032
Roy, André: Hitchcock: Un formaliste au musée. In: 24 Images 2000. No. 103/104. [Autumn] p. 11.
Description:
On a Hitchcock exhibition at the "Musée des beaux-arts" in Montréal.
Index:
Hitchcock, Alfred
Montreal ~ Montreal

#2033
Royer, Carl / Royer, Diana: "And I brought You nightmares": The play of horror in Hitchcock’s films. In: Royer, Carl / Royer, Diana: The spectacle of isolation in horror films: Dark parades. - New York; London: Haworth Press 2005. p. ?P.
Index:
Hitchcock, Alfred
Traum ~ Dreams
Horror ~ Horror

#2034
Rubin, Martin: Thrillers. - New York; Cambridge: Cambridge University Press 1999. (= Genres in American Cinema.)
Reviews:
Morsch, Thomas: [untitled] In: Medienwissenschaft 2000. No. 1. pp. 93-94.
Shaiman, Mark: [untitled] In: Film Quarterly 54. 2000. No. 1. [Fall] pp. 61-62.
Description:
Discusses, among others, the films of Alfred Hitchcock, especially The Man Who Knew To Much, and Wes Cravens Scream.
Index:
Hitchcock, Alfred
Craven, Wes
Man Who Knew Too Much, The (1956)
Scream (1996)
Thriller ~ Thriller

#2035
Rubin, Stan Sanvel: "Artifice that deepens and humanizes": An interview with Donald Spoto. In: Hitchcock Annual 1996/1997. pp. 26-48.
Description:
The book author on the films and the life of Alfred Hitchcock.
Index:
Hitchcock, Alfred

#2036
Rubio, M.: El Hitchcock americano: La dificultad de la forma. In: Casablanca ?G. 1984. No. 44. [September] pp. 32-39.
Description:
On Hitchcock’s American films.
Index:
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)

#2037
Rubio, M.: Vertigo. In: Casablanca ?G. 1984. No. 44. [September] pp. 40-42.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2038
Ruedel, Ulrich: Vertigo. In: MacGuffin 1997. No. 22. [May-August] p. 3.
Description:
On the restored version of the Hitchcock classic, especially on the film music.
Index:
Hitchcock, Alfred
Vertigo (1958)
Musik ~ Music

#2039
Rushton, Richard: The psychoanalytic structure of trauma: Spellbound. In: Journal for Cultural Research 8. 2004. No. 3. [July] pp. 371-384.
Index:
Hitchcock, Alfred
Spellbound (1945)
Psychologie ~ Psychology

#2040
Russell, Lee: Alfred Hitchcock. In: New Left Review 1966. No. 35. [January/February] p. 89.
Index:
Hitchcock, Alfred

#2041
Ryall, Tom: Alfred Hitchcock and the British cinema. - Urbana: University of Illinois Press 1986.
Index:
Hitchcock, Alfred
Großbritannien ~ Great Britain

#2042
Ryall, Tom: Alfred Hitchcock and the British cinema. - London, Sidney: Croom Helm 1986.
Reviews:
Jung, Uli: [untitled] In: Medienwissenschaft 1988. No. 2. pp. 205-206.
Index:
Hitchcock, Alfred
Großbritannien ~ Great Britain

#2043
Ryall, Tom: Alfred Hitchcock and the British cinema. - ?O: Council for National Academic Awards, M.Phil. 1979. [Abstract in: Index to Theses with Abstracts 30. 1982. No. 2. p. 186(30-4400).]
Index:
Hitchcock, Alfred
Großbritannien ~ Great Britain

#2044
Ryall, Tom: Alfred Hitchcock and the British cinema. Second edition. - London; Atlantic Highlands, New Jersey: The Athlone Press 1996.
First edition:
[London: Croom Helm 1986]
Index:
Hitchcock, Alfred
Großbritannien ~ Great Britain

#2045
Ryall, Tom: Blackmail. - Bloomington, Indiana: Indiana University Press / London: British Film Institute Publishing 1993. (= BFI Classics.)
Reviews:
Fell, John: [untitled] In: Film Quarterly 48. 1994. No. 1. [Fall] pp. 38-39.
Index:
Hitchcock, Alfred
Blackmail (1929)

#2046
Ryall, Tom: Gaumont Hitchcock. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred
Gaumont [Firma] ~ Gaumont [Company]

#2047
Ryall, Tom: One hundred and seventeen steps towards masculinity. In: You Tarzan: Masculinity, movies and men. Edited by Pat Kirkham and Janet Thumim. - London: Lawrence & Wishart 1993. pp. 153-166.
Description:
On the spy classic The Thirty-Nine Steps by John Buchan and the three filmings by Alfred Hitchcock, Ralph Thomas and Don Sharp.
Index:
Buchan, John
Hitchcock, Alfred
Thomas, Ralph
Sharp, Don
Thirty-Nine Steps, The (1935)
39 Steps, The (1959)
Thirty-Nine Steps, The (1978)
Spione ~ Spys
Männer ~ Men
Thirty-Nine Steps, The (Literatur ~ Literature)

#2048
Saada, Nicolas: 12 juin 1939: Un télex de Selznick à Hitchcock. In: Cahiers du Cinéma 1995. Numéro Special: 100 Journées qui ont fait le Cinéma. [?D] p. 51.
Index:
Hitchcock, Alfred
Selznick, David O.

#2049
Saada, Nicolas: Alfred Hitchcock réapparaît. In: Cahiers du Cinéma 1994. No. 486. [December] p. 9.
Description:
On a new French video edition on Alfred Hitchcock.
Index:
Hitchcock, Alfred
Frankreich ~ France
Video ~ Video

#2050
Saada, Nicolas: Franz Waxman: Crime in the Streets / Rear Window. In: Cahiers du Cinéma 1995. Hors-série. p. 130.
Description:
On the composer.
Index:
Waxman, Franz
Siegel, Donald
Hitchcock, Alfred
Crime in the Streets (1956)
Rear Window (1954)
Musik ~ Music

#2051
Saada, Nicolas: Herrmann et son fils spirituel. In: Cahiers du Cinéma 1995. No. 490. [April] p. 22.
Description:
Compares Bernhard Herrmann’s music for Alfred Hitchcock’s Marnie with Danny Elfman’s score for Henry Selick’s Tim Burton’s The Nightmare Before Christmas.
Index:
Herrmann, Bernard
Hitchcock, Alfred
Elfman, Danny
Selick, Henry
Marnie (1963/1964)
Nightmare Before Christmas / Tim Burton’s The Nightmare Before Christmas (1993)
Religion ~ Religion
Musik ~ Music

#2052
Saada, Nicolas: La mort aux trousses: Alfred Hitchcock. In: Cahiers du Cinéma 1993. Hors-Série. p. 76.
Description:
On North by Northwest.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#2053
Saada, Nicolas / Toubiana, Serge: Vertigo ou l’amour à mort. In: Cahiers du Cinéma 1997. No. 511. [March] pp. 20-23.
Index:
Hitchcock, Alfred
Vertigo (1958)
Tod ~ Death

#2054
Saada, Nicolas: Un grand film mineur. In: Cahiers du Cinéma 2000. No. 548. [July/August] p. 8.
Index:
Hitchcock, Alfred
Vertigo (1958)
Marnie (1963/1964)

#2055
Saada, Nicolas: Vertige de la musique. In: Cahiers du Cinéma 1997. No. 511. [March] p. 25.
Description:
On Bernard Hermann’s film score for Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Vertigo (1958)
Musik ~ Music

#2056
Saba, Cosetta G.: Alfred Hitchcock: La finestra sul cortile. - Torino: Lindau 2001. (= Universale: Film 21.)
Index:
Hitchcock, Alfred

#2057
Saba, Cosetta G.: Psycho ovvero la teoria (in)consapevole di Gus Van Sant. In: Close-up: Storie della Visione 3. 1999. No. 8. [?D] pp. 21-27.
Index:
Van Sant, Gus
Hitchcock, Alfred
Psycho (1998)
Psycho (1960)

#2058
Saba, Cosetta G.: Pubblicità: Interferenze autoriali. In: Bianco e Nero 63. 2002. No. 1. [January/February] pp. 31-51.
Description:
On advertisement in cinema. Discusses, among others, the trailer for the two Psycho films by Alfred Hitchcock and Gus Van Sant.
Index:
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)
Psycho (1998)

#2059
Sabotage. - Vogt: Peter Kranzpiller ?J. (= Filmprogramm der Kinoszene 33.)
Index:
Hitchcock, Alfred
Sabotage (1936)

#2060
Saito, Ayako: Affect incorporated: Melancholy, cinema, and psychoanalysis. - Los Angeles: University of California at Los Angeles, Ph.D. 1999. [Abstract in: Dissertation Abstracts International A 60. 2000. No. 12. (June) p. 4224A.]
Description:
Discusses, among others, Alfred Hitchcock’s Vertigo, North By Northwest and Psycho.
Index:
Hitchcock, Alfred
Vertigo (1958)
North by Northwest (1959)
Psycho (1960)
Psychologie ~ Psychology

#2061
Saito, Ayako: Hitchcock’s trilogy: A logic of mise en scene. In: Endless night: Cinema and psychoanalysis, parallel histories. Edited by Janet Bergstrom. - Berkeley, California; London: University of California Press 1999. pp. 200-248.
Description:
An interpretation of Hitchcock’s Vertigo, North by Northwest and Psycho according to the theories of Jacques Lacan.
Index:
Hitchcock, Alfred
Vertigo (1958)
North by Northwest (1959)
Psycho (1960)
Psychologie ~ Psychology

#2062
Salecl, Renata: Der richtige Mann und die falsche Frau. In: Ein Triumph des Blicks über das Auge: Psychoanalyse bei Alfred Hitchcock. Von Miran Bozovic [et al.]. Hrsg. von Slavoj Zizek. Übersetzt von Isolde Charim [et al.]. - Wien: Turia & Kant 1992. pp. 171-181.
Description:
On Alfred Hitchcock’s The Wrong Man.
Index:
Hitchcock, Alfred
Wrong Man, The (1957)
Frauen ~ Women

#2063
Salecl, Renata: The right man and the wrong woman. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 185-194.
Description:
On Alfred Hitchcock’s The Wrong Man.
Index:
Hitchcock, Alfred
Wrong Man, The (1957)
Frauen ~ Women

#2064
Salje, Gunther: Hitchcock: Regieanalyse, Regiepraxis. - Bassum: Verlag Media-Institut 1996. (= Praxisstudium Film/Fernsehen.)
Description:
Discusses especially The Birds and Psycho.
Index:
Hitchcock, Alfred
Birds, The (1962)
Psycho (1960)

#2065
Sallitt, D.: Point of view and "intrarealism" in Hitchcock. In: Wide Angle 4. 1980. No. 1. [?D] pp. 38-43.
Index:
Hitchcock, Alfred

#2066
Salotto, Eleanor: Gothic returns in Collins, Dickens, Zola, and Hitchcock. - Basingstoke; New York: Palgrave Macmillan 2006.
Index:
Collins, William
Dickens, Charles
Zola, Emile Edouard Charles Antoine
Hitchcock, Alfred
Horror ~ Horror

#2067
Salt, Barry: ... film in a lifeboat? In: Film History 6. 1994. No. 1. pp. 94-99.
Index:
Hitchcock, Alfred
Schiffe ~ Ships

#2068
Samuels, Charles Thomas: Alfred Hitchcock. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 129 ff.
Index:
Hitchcock, Alfred

#2069
Samuels, Charles Thomas: Alfred Hitchcock. In: Samuels, Charles Thomas: Encountering directors. - New York: Putnam 1972. p. ?P.
Index:
Hitchcock, Alfred

#2070
Samuels, Charles Thomas: Hitchcock. In: The American Scholar 39. 1970. No. ?N. [Spring] pp. 295-304.
Index:
Hitchcock, Alfred

#2071
Samuels, Robert: Hitchcock’s bi-textuality: Lacan, feminisms, and queer theory. - Albany: State University of New York Press 1998. (= SUNY Series in Psychoanalysis and Culture.)
Index:
Hitchcock, Alfred
Lacan, Jacques
Frauen ~ Women

#2072
Samuels, Robert: Vertigo: Sexual disorientation and the engendering of the real. In: Gender and Psychoanalysis 5. 2000. No. 1. [?D] pp. 81-97.
Index:
Hitchcock, Alfred
Vertigo (1958)
Sexualität ~ Sexuality

#2073
San Francisco: Chasing visions of Vertigo. In: Advocate: The National Gay & Lesbian Newsmagazine 2005. No. ?N. [March 1] p. S60pp.
Index:
Hitchcock, Alfred
Vertigo (1958)
San Francisco ~ San Francisco

#2074
San Francisco thrillers: True crimes and dark mysteries from the city by the Bay. Edited by John Miller and Tim Smith. - San Francisco, California: Chronicle Books 1995.
Description:
Discusses, among others, Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)
Thriller ~ Thriller
Stadt ~ City
San Francisco ~ San Francisco
Kriminalität ~ Crime

#2075
Sanchez Biosca, Vicente: La mirada indiscreta. In: Contracampo 1985. No. 38. [Winter] pp. 7-19.
Description:
On Alfred Hitchcock’s filmic narrative style.
Index:
Hitchcock, Alfred

#2076
Sanders, Steven M.: Why be moral? Amorality and psychopathy in Strangers on a Train. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 175-185.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)
Psychologie ~ Psychology
Philosophie ~ Philosophy

#2077
Sandler, Kevin S.: The concept of shame in the films of Alfred Hitchcock. In: Hitchcock Annual 1997/1998. pp. 137-152.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2078
Sani, Andrea: I film degli "anni d’oro". In: Quaderni di Cinema ?G. 1985. No. 25. [April] pp. 16-26.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2079
Santiago, Carlos Henrique: Desejo morbido na filmografia de Alfred Hitchcock. In: Minas Gerais 21. 1986. No. 1019. [?D] Suplemento Literario. pp. 4-5.
Index:
Hitchcock, Alfred

#2080
Santiago, Thom: Music from Alfred Hitchcock films. In: Soundtrack: The Collector’s Quarterly 4. 1985. No. 15. [September] pp. 15-16.
Index:
Hitchcock, Alfred
Musik ~ Music

#2081
Sarris, Andrew: Alfred Hitchcock - Prankster of paradox. In: Film Comment 10. 1974. No. ". [March/April] p. 8.
Index:
Hitchcock, Alfred

#2082
Sarris, Andrew: Alfred Hitchcock. In: Sarris, Andrew: "You ain’t heard nothin’ yet": The American talking film, history & memory, 1927-1949. - New York: Oxford University Press 1998. p. ?P.
Index:
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)

#2083
Sarris, Andrew: Deep threat. In: Village Voice 25. 1980. No. ?N. [March 31] pp. 43 ff.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#2084
Sarris, Andrew: Film: Hitchcock’s les parents terribles. In: Village Voice 29. 1984. No. ?N. [June 12] p. 45.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1934)

#2085
Sarris, Andrew: Here at "the village valium". In: Village Voice 25. 1980. No. ?N. [August 13] p. 41.
Index:
Hitchcock, Alfred
Psycho (1960)

#2086
Sarris, Andrew: Hitchcock’s split vision. In: Village Voice 29. 1984. No. ?N. [January 3] pp. 47 ff.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2087
Sarris, Andrew: Return of the "missing" Hitchcocks. In: Village Voice 28. 1983. No. ?N. [August 23] p. 41.
Index:
Hitchcock, Alfred
Rear Window (1954)

#2088
Sarris, Andrew: The critical anatomy of Alfred Hitchcock. In: Village Voice 28. 1983. No. ?N. [October 18] pp. 57 ff.
Index:
Hitchcock, Alfred
Rear Window (1954)

#2089
Sator, Marc: Les films a la television: La mort aux trousses. In: Cahiers du Cinéma 1978. No. 295. [December] pp. 54-56.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Fernsehen ~ Television

#2090
Savoy, Eric: The touch of the real: Circumscribing Vertigo. In: The men who knew too much: Henry James and Alfred Hitchcock. Edited by Susan Griffin and Alan Nadel. - Oxford; New York: Oxford University Press 2011. p. ?P.
Index:
James, Henry
Hitchcock, Alfred
Vertigo (1958)

#2091
Scapperotti, Dan: Bats: Lou Diamond Phillips on playing a riff on Hitchcock’s Birds. In: Cinefantastique 31. 1999. No. 9. [December] pp. 28-29.
Index:
Phillips, Lou Diamond
Morneau, Louis
Hitchcock, Alfred
Bats (1999)
Birds, The (1962)

#2092
Scarbrough, Marsha: "A boy’s best friend is his mother," and other Psycho revelations. In: Written By 2. 1998. No. ?N. [October] p. 24.
Index:
Hitchcock, Alfred
Psycho (1960)
Mutter ~ Mothers

#2093
Scarrone, C.: Blackmail. In: Filmcritica 32. 1981. No. 311. [January] pp. 29-30.
Index:
Hitchcock, Alfred
Blackmail (1929)

#2094
Scarrone, C.: Rear Window. In: Filmcritica 32. 1981. No. 311. [January] pp. 45-47..
Index:
Hitchcock, Alfred
Rear Window (1954)

#2095
Scarrone, C.: Spellbound. In: Filmcritica 32. 1981. No. 311. [January] pp. 38-39.
Index:
Hitchcock, Alfred
Spellbound (1945)

#2096
Schaefer, Joy C.: Must we burn Hitchcock? (Re)viewing trauma and effecting solidarity with The Birds (1963). In: Quarterly Review of Film and Video 32. 2015. No. 4. [May/June] pp. 329-343.
Index:
Hitchcock, Alfred
Birds, The (1962)
Traum ~ Dreams
Sexualität: Sadomasochismus ~ Sexuality: Sadomasochism

#2097
Schäfer, Horst / Schwarzer, Wolfgang: Spotlight 1: The Hitler Gang - Vorläufer des Polit-Thrillers in Hollywoods Anti-Nazi-Filmen. In: Schäfer, Horst / Schwarzer, Wolfgang: Von Che bis Z: Politthriller im Kino. - Frankfurt/Main: Fischer Taschenbuch Verlag 1991. (= Fischer Cinema 4469.) pp. 46-51.
Description:
Discusses, among others, Hitchcock’s Saboteur and Foreign Correspondent as well as Fritz Lang’s Ministry of Fear and Man Hunt.
Index:
Hitchcock, Alfred
Lang, Fritz
Hitler, Adolf
Saboteur (1942)
Foreign Correspondent (1940)
Ministry of Fear (1944)
Man Hunt (1941)
Faschismus ~ Fascism
Thriller ~ Thriller
Hollywood ~ Hollywood

#2098
Schaffer, Bill: Cutting the flow: Thinking Psycho. In: Senses of Cinema 2000. No. 6. [May] p. ?P.
Index:
Hitchcock, Alfred
Psycho (1960)

#2099
Schantz, Ned: Hospitality and the unsettled viewer: Hitchcock’s shadow scenes. In: Camera Obscura 2010. No. 73. [?D] pp. 1-27.
Index:
Hitchcock, Alfred
Krankheit ~ Illness

#2100
Schatz, Thomas: Hitchcock and the studio system. In: The Cambridge companion to Alfred Hitchcock. Edited by Jonathan Freedman. - Cambridge; New York: Cambridge University Press 2015. pp. 25-39.
Index:
Hitchcock, Alfred

#2101
Schechter, Harold: For reel: The real-life stories that inspired some of the most popular movies of all time. - ?O: Berkeley Boulevard ?J (1999).
Description:
Discusses especially fantastic films, among them King Kong, M - Eine Stadt sucht einen Mörder, Psycho, Barton Fink, Jaws and The Exorcist.
Index:
Cooper, Merian C.
Schoedsack, Ernest B.
Lang, Fritz
Hitchcock, Alfred
Coen, Ethan
Coen, Joel
Spielberg, Steven
Friedkin, William
King Kong (1931-1933)
M - Eine Stadt sucht einen Mörder (1931)
Psycho (1960)
Barton Fink (1991)
Jaws (1975)
Exorcist, The (1973)

#2102
Scheffler, Sebastian: Der Schwindel mit der Realität - Vertigo. In: Alfred Hitchcock - der Filmverführer: Un-Schuld im Spannungsfeld von Ethik und Ästhetik. Hrsg. von Nikolai Wojtko. - Hamburg: Kovac 2005. (= Schriften zur Medienwissenschaft 11.) pp. 55 ff.
Index:
Hitchcock, Alfred
Vertigo (1958)
Verführung ~ Seduction

#2103
Schenk, Ralf: Aufrichtigen Dank. Hitch: Zwei Spätwerke von Alfred Hitchcock: Topas und Der zerrissene Vorhang. In: Film-Dienst 67. 2014. No. 21. [October 9] p. 66.
Description:
On two DVD editions.
Index:
Hitchcock, Alfred
Topaz (1968)
Torn Curtain (1966)
DVD ~ DVD

#2104
Schenk, Ralf: Die Welt der verlorenen Illusionen: Drei frühe Stummfilme von Alfred Hitchcock: The Lodger, Downhill und Easy Virtue. In: Film-Dienst 68. 2015. No. 21. [October 15] p. 55.
Index:
Hitchcock, Alfred
Lodger, The: A Story of the London Fog (1927)
Downhill (1927)
Easy Virtue (1927)
Stummfilm ~ Silent Film
DVD ~ DVD

#2105
Schifferle, Hans: Perfect Blue: Satoshi Kon vereint Alfred Hitchcock mit Walt Disney. In: EPD Film 17. 2000. No. 7. [July] p. 36.
Index:
Kon, Satoshi
Hitchcock, Alfred
Disney, Walt
Perfect Blue (1997)
Disney ~ Disney

#2106
Schizo an der Rezeption: Ein Psycho bleibt sich treu. In: Der Horror-Film. Hrsg. von Dirk Manthey und Jörg Altendorf. Band 2. Autoren: Peter Clasen, Joachim Müller und Kerstin Schlemmer. - Hamburg: Kino Verlag 1991. (= Cinema Filmbuch.) pp. 42-51.
Description:
On the Psycho films by Alfred Hitchcock, Richard Franklin and Anthony Perkins.
Index:
Hitchcock, Alfred
Franklin, Richard
Perkins, Anthony
Psycho (1960)
Psycho II (1982)
Psycho III (1985)
Psycho (Filmreihe)
Wahnsinn ~ Madness
Psychologie ~ Psychology
Horror ~ Horror

#2107
Schmenner, Will: Creating the Alfred Hitchcock film: An introduction. In: Casting a shadow: Creating the Alfred Hitchcock film. Edited by Will Schmenner and Corinne Granof. - Evanston, Illinois: Mary and Leigh Block Museum of Art / Northwestern University / Northwestern University Press 2007. p. ?P.
Index:
Hitchcock, Alfred

#2108
Schmidt, Johann N.: Literary adaptation as pure Cinema: Alfred Hitchcock’s Psycho. In: Anglistik & Englischunterricht 1988. No. 36. [?D] pp. 11-24.
Index:
Hitchcock, Alfred
Psycho (1960)

#2109
Schmitt, Johannes: Spielfilme im Vergleich: Hitchcocks Psycho und die Tradition der rollensubjektiven Perspektive. - Münster; Hamburg; London: Lit 2003. (= Beiträge zur Medienästhetik und Mediengeschichte 18.)
Index:
Hitchcock, Alfred
Psycho (1960)

#2110
Schnakenberg, Robert: Die grossen Filmregisseure und ihre Geheimnisse. - Berlin: Walde + Graf 2010.
First edition:
[Secret lives of great filmmakers.]
Index:
Allen, Woody
Chaplin, Charles Spencer
Hitchcock, Alfred
Kubrick, Stanley
Tarantino, Quentin

#2111
Schnakenberg, Robert: Die grossen Filmregisseure und ihre Geheimnisse. - Berlin: Die Anderen Verlage 2010.
First edition:
[Secret lives of great filmmakers.]
Index:
Allen, Woody
Chaplin, Charles Spencer
Hitchcock, Alfred
Kubrick, Stanley
Tarantino, Quentin

#2112
Schnakenberg, Robert: Secret lives of great filmmakers: What your teachers never told you about the world’s greatest directors. - Philadelphia: Quirk Books / San Francisco: Chronicle Books 2010.
Index:
Allen, Woody
Chaplin, Charles Spencer
Hitchcock, Alfred
Kubrick, Stanley
Tarantino, Quentin
Pädagogik ~ Paedagogy

#2113
Schnakenberg, Robert: Secret lives of great filmmakers: What your teachers never told you about the world’s greatest directors. - Philadelphia: Quirk Books / San Francisco: Chronicle Books 2008.
Index:
Allen, Woody
Chaplin, Charles Spencer
Hitchcock, Alfred
Kubrick, Stanley
Tarantino, Quentin
Pädagogik ~ Paedagogy

#2114
Schneider, Gerhard: Tödliche (Ent-)Bindungen. In: Alfred Hitchcock. Vorträge vom 2. Mannheimer Filmseminar im März 2003. Mit Beiträgen von Peter Bär [et al.]. - Mannheim: Cinema Quadrat 2003. (= Im Dialog: Psychoanalyse und Filmtheorie Band 1.) pp. 58 ff.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#2115
Schneider, Irving: Deus ex animo, or, Why a doc?. In: Journal of Popular Film and Television 18. 1990. No. 1. [Spring] pp. 36-39.
Description:
On the representaion of psychiatrists in film, Discusses especially Robert Wiene’s Das Cabinet des Dr. Caligari, Mark Robson’s Home of the Brave, Alfred Hitchcock’s Psycho and Russ Meyer’s The Immoral Mr. Teas. Includes a bibliography.
Index:
Wiene, Robert
Robson, Mark
Hitchcock, Alfred
Meyer, Russ
Cabinet des Dr. Caligari, Das (1919)
Home of the Brave (1949)
Immoral Mr. Teas, The (1959)
Psycho (1960)
Psychologie ~ Psychology

#2116
Schneider, Kirk J.: Hitchcock’s Vertigo: An existential view of spirituality. In: Journal of Humanistic Psychology 33. 1993. No. 2. [?D] pp. 91-100.
Index:
Hitchcock, Alfred
Vertigo (1958)
Religion ~ Religion

#2117
Schneider, Lissa: The woman alone in Conrad and Hitchcock. In: Conrad on film. Edited by Gene M. Moore. - Cambridge; New York: Cambridge University Press 1997. pp. 61-77.
Index:
Conrad, Joseph
Hitchcock, Alfred
Sabotage (1936)
Secret Agent, The (Literatur ~ Literature)
Frauen ~ Women

#2118
Schneider, Steven Jay: Gus Van Sant vs. Alfred Hitchcock: Van Sant the provoca(u)teur. In: Hitchcock Annual 2001/2002. pp. 140-148.
Index:
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)
Psycho (1998)

#2119
Schneider, Steven: Manufacturing horror in Hitchcock’s Psycho. In: Cineaction 1999. No. 50. [?D] pp. 70-75.
Index:
Hitchcock, Alfred
Psycho (1960)
Horror ~ Horror

#2120
Schnelle, Frank: Hitchcocks Leading Ladies: Alma, Ingrid, Kim und die anderen. In: Film-Dienst 52. 1999. No. 16. [August 3] pp. 6-9.
Index:
Hitchcock, Alfred
Reville, Alma
Bergman, Ingrid
Novak, Kim

#2121
Schnelle, Frank / Wiedleroither, Uwe: "Mother isn’t quite herself today": Inhaltsprotokoll. In: Alfred Hitchcock’s Psycho. Mit Beiträgen von Frank Arnold [et al.]. Hrsg. von Frank Schnelle. - Stuttgart: Verlag Robert Fischer + Uwe Wiedleroither 1993. pp. 7-54.
Index:
Hitchcock, Alfred
Psycho (1960)
Mutter ~ Mothers

#2122
Schnelle, Josef: Fenster zur Seele: Alfred Hitchcocks Das Fenster zum Hof. In: Lexikon des Internationalen Films: Kino, Fernsehen, Video, DVD. Redaktion: Horst Peter Kroll [et al.]. Herausgegeben vom Katholischen Institut für Medieninformation und der Katholischen Filmkommission für Deutschland. Band 2: H-P. - Frankfurt/Main: Zweitausendeins 2002. pp. N16-N18.
Index:
Hitchcock, Alfred
Rear Window (1954)
Fenster ~ Windows

#2123
Schnelle, Josef: Fenster zur Seele: Wieder im Kino: Alfred Hitchcocks Das Fenster zum Hof. In: Film-Dienst 53. 2000. No. 14. [July 4] pp. 46-47.
Index:
Hitchcock, Alfred
Rear Window (1954)
Fenster ~ Windows

#2124
Schnelle, Josef: The First and the Leading Ladies: Alma, Ingrid, Kim und die anderen. In: Lexikon des Internationalen Films: Kino, Fernsehen, Video, DVD. Redaktion: Horst Peter Kroll [et al.]. Herausgegeben vom Katholischen Institut für Medieninformation und der Katholischen Filmkommission für Deutschland. Band 2: H-P. - Frankfurt/Main: Zweitausendeins 2002. pp. H6-H9.
Description:
On the women around Hitchcock.
Index:
Hitchcock, Alfred
Hitchcock, Alma
Bergman, Ingrid
Novak, Kim
Frauen ~ Women

#2125
Schoell, William: Creature features: Nature turned nasty in the movies. - Jefferson, North Carolina; London: McFarland 2008.
Description:
On scary and dangerous animals like dragons, dinosaurs, and prehistoric or mythological giants in film. Discusses especially Eugène Lourie’s The Beast from 20000 Fathoms, Gordon Douglas’s Them!, Robert Gordon’s It Came from Beneath the Sea, Alfred Hitchcock’s The Birds and Irvin S. Yeaworth’s The Blob.
Index:
Lourie, Eugène
Douglas, Gordon
Gordon, Robert
Hitchcock, Alfred
Yeaworth Jr., Irvin S.
Beast from 20000 Fathoms, The (1953)
Them! (1954)
It Came from Beneath the Sea (1955)
Birds, The (1962)
Blob, The (1958)
Tiere ~ Animals
Natur ~ Nature
Mythologie ~ Mythology
Geschichte: Urzeit ~ History: Prehistory
Drachen ~ Dragons
Dinosaurier ~ Dinosaurs

#2126
Schoell, William: Stay out of the shower: 25 years of shocker films, beginning with Psycho. - New York: Dembner Books 1985.
Index:
Hitchcock, Alfred
Psycho (1960)
Horror ~ Horror
Angst ~ Fear

#2127
Scholtmeijer, Marian: The animal at the door: Modern works of horror and the natural animal. In: State of the fantastic: Studies in the theory and practise of fantastic literature and film: Selected essays from the Eleventh International Conference on the Fantastic in the Arts, 1990. Edited by Nicholas Ruddick. - Westport, Connecticut; London: Greenwood Press 1992. (= Contributions to the Study of Science Fiction and Fantasy 50.) pp. 189-197.
Description:
On horror films in which demonic or fierce animals appear. Discusses, among others, Russell Mulcahy’s Razorback, Hitchcock’s The Birds, Robert Clouse’s The Pack, George McCowan’s The Frogs as well as the Stephen King filmings Cujo by Lewis Teague and Monkey Shines by George A. Romero.
Index:
Mulcahy, Russell
Hitchcock, Alfred
Clouse, Robert
McCowan, George
Teague, Lewis
Romero, George A.
King, Stephen
Razorback (1984)
Birds, The (1962)
Pack, The (1977)
Frogs (1972)
Cujo (1983)
Monkey Shines (1988)
Natur ~ Nature
Dämonen ~ Demons
Literatur ~ Literature
Tiere ~ Animals
Horror ~ Horror
Angst ~ Fear

#2128
Schreckenberg, Ernst: Der unsichtbare Zweite. In: Weltwunder der Kinematographie ?G. 1997. No. 4. [?D] pp. 4-10.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#2129
Schreckenberg, Ernst: Wenn Filme Texte sind. In: Filmbulletin 36. 1994. No. 5(196) [?D] pp. 44-51.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#2130
Schroeder, David P.: Hitchcock’s ear: Music and the director’s art. - New York: Continuum 2012.
Index:
Hitchcock, Alfred
Musik ~ Music

#2131
Schulz, Berndt: Das Hitchcock Krimi-Kochbuch: Mord und Mahlzeiten. - Weingarten: Weingarten 1995.
Index:
Hitchcock, Alfred
Nahrung ~ Food
Mord ~ Murder
Kriminalität ~ Crime

#2132
Schulz, Berndt: El libro de cocina de Hitchcock. Trad.: Carlos Fortea. - Madrid: Ed. Temas de Hoy 1996. (= Colección Raros y curiosos.)
First edition:
[Das Hitchcock Krimi-Kochbuch: Mord und Mahlzeiten. - Weingarten: Weingarten 1995.]
Index:
Hitchcock, Alfred
Nahrung ~ Food
Mord ~ Murder
Kriminalität ~ Crime

#2133
Schumacher, Kim: Psycho vender turage. In: Levende Billeder 9. 1983. No. ?N. [July 15]. pp. 10-12.
Index:
Hitchcock, Alfred
Psycho (1960)

#2134
Schupp, Patrick: Alfred Hitchcock. In: Séquences ?G. 1984. No. 115. [January] pp. 25-27.
Index:
Hitchcock, Alfred

#2135
Schupp, Patrick: Vertigo. In: Séquences ?G. 1980. No. 101. [July] pp. 25-26.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2136
Schwab, Angelica: Serienkiller in Wirklichkeit und Film: Störenfried oder Stabilisator? Eine sozioästhetische Untersuchung. - München: Universität München, Dissertation 1999.
Description:
Discusses, among others, Fritz Lang’s M - Eine Stadt sucht einen Mörder, Nachts, wenn der Teufel kam, Phantom Lady and The Spiral Staircase by Robert Siodmak, Alfred Hitchcock’s Psycho, Tobe Hooper’s The Texas Chainsaw Massacre, Louis Feuillade’s Les Vampires, Michael Mann’s Manhunter, Jonathan Demme’s The Silence of the Lambs, Bruce Robinson’s Jennifer Eight and Michael Apted’s Blink.
Index:
Lang, Fritz
Siodmak, Robert
Hitchcock, Alfred
Hooper, Tobe
Feuillade, Louis
Mann, Michael
Demme, Jonathan
Robinson, Bruce
Apted, Michael
M - Eine Stadt sucht einen Mörder (1931)
Nachts, wenn der Teufel kam (1957)
Phantom Lady (1943)
Spiral Staircase, The (1945)
Psycho (1960)
Texas Chainsaw Massacre, The (1974)
Vampires, Les (1915-1916)
Manhunter (1986)
Silence of the Lambs, The (1990)
Jennifer Eight (1992)
Blink (1994)
Mord ~ Murder

#2137
Schwab, Angelica: Serienkiller in Wirklichkeit und Film: Störenfried oder Stabilisator? Eine sozioästhetische Untersuchung. - Münster; Hamburg; London: Lit 2001. (= Nordamerikastudien 1)
Description:
Discusses, among others, Fritz Lang’s M - Eine Stadt sucht einen Mörder, Nachts, wenn der Teufel kam, Phantom Lady and The Spiral Staircase by Robert Siodmak, Alfred Hitchcock’s Psycho, Tobe Hooper’s The Texas Chainsaw Massacre, Louis Feuillade’s Les Vampires, Michael Mann’s Manhunter, Jonathan Demme’s The Silence of the Lambs, Bruce Robinson’s Jennifer Eight and Michael Apted’s Blink.
Index:
Lang, Fritz
Siodmak, Robert
Hitchcock, Alfred
Hooper, Tobe
Feuillade, Louis
Mann, Michael
Demme, Jonathan
Robinson, Bruce
Apted, Michael
M - Eine Stadt sucht einen Mörder (1931)
Nachts, wenn der Teufel kam (1957)
Phantom Lady (1943)
Spiral Staircase, The (1945)
Psycho (1960)
Texas Chainsaw Massacre, The (1974)
Vampires, Les (1915-1916)
Manhunter (1986)
Silence of the Lambs, The (1990)
Jennifer Eight (1992)
Blink (1994)
Mord ~ Murder

#2138
Schwanebeck, Wieland: Alfred Hitchcock und Der Weiße Hai: Eine Spurensuche. In: Der weisse Hai revisited: Steven Spielbergs Jaws und die Geburt eines amerikanischen Albtraums. Hrsg. von Wieland Schwanebeck. - Berlin: Bertz + Fischer 2015. (= Deep focus 22.) p. 63 ff.
Index:
Spielberg, Steven
Hitchcock, Alfred
Jaws (1975)
Jaws (Filmreihe)
USA (United States of America) ~ USA (United States of America)
Horror ~ Horror
Tiere ~ Animals

#2139
Schwanebeck, Wieland: Rezension im erweiterten Forschungskontext: Alfred Hitchcock. In: Medienwissenschaft 2014. No. 1. pp. 85-92.
Index:
Hitchcock, Alfred

#2140
Schwarz, Eva: Visual paranoia in Rear Window, Blow-Up and The Truman Show. - Stuttgart: Ibidem-Verlag 2011.
Index:
Hitchcock, Alfred
Antonioni, Michelangelo
Weir, Peter
Rear Window (1954)
Blow Up (1966)
Truman Show, The (1998)
Wahnsinn ~ Madness

#2141
Sciorra, Severine: Psychose. In: L’Écran Fantastique 1999. No. 182. [February] pp. 28-29.
Index:
Hitchcock, Alfred
Psycho (1960)

#2142
Scorsese, Martin: Ma cinéphilie. In: Cahiers du Cinéma 1996. No. 500. [March] pp. 60-63.
Description:
The director on his colleagues Bertolucci, Hitchcock, Ferrara, Renoir, Welles and Ophuls.
Index:
Scorsese, Martin
Bertolucci, Bernardo
Hitchcock, Alfred
Ferrara, Abel
Renoir, Jean
Welles, Orson
Ophüls, Max

#2143
Scott, Helen G. / Truffaut, François: Hitchcock. - London: Secker & Warburg 1968.
Index:
Hitchcock, Alfred
Truffaut, François

#2144
Scott, Helen G. / Truffaut, François: Hitchcock. - New York: Simon & Schuster 1967.
Index:
Hitchcock, Alfred
Truffaut, François

#2145
Scott, Helen G. / Truffaut, François: Hitchcock - Truffaut. - Paris: Ramsay 1984.
Index:
Hitchcock, Alfred
Truffaut, François

#2146
Scott, Helen G. / Truffaut, François: Hitchcock - Truffaut. Edition définitive. - Paris: Édition Gallimard 1993.
Index:
Hitchcock, Alfred
Truffaut, François

#2147
Scott, Helen G. / Truffaut, François: Hitchcock - Truffaut. Edition définitive. - Paris: Ramsay 1985. (= Ramsay poche cinéma 7/8.)
Index:
Hitchcock, Alfred
Truffaut, François

#2148
Scott, Helen G. / Truffaut, François: Hitchcock. Revised edition. - New York: Simon & Schuster 1984.
Index:
Hitchcock, Alfred
Truffaut, François

#2149
Scott, Helen G. / Truffaut, François: Hitchcock. Revised edition. - London: Paladin 1986.
Index:
Hitchcock, Alfred
Truffaut, François

#2150
Scott, Helen G. / Truffaut, François: Hitchcock / Truffaut. Vert. uit het Engels en Frans door Loes Goedbloed. - Amsterdam: International Theatre Bookshop 1988.
First edition:
[Paris: Ramsay 1983]
Index:
Hitchcock, Alfred
Truffaut, François

#2151
Scott, Helen G. / Truffaut, François: Mr. Hitchcock, wie haben Sie das gemacht? Hrsg. von Robert Fischer. - München: Heyne 2003. (= HeyneSachbuch 847.)
First edition:
[Le cinéma selon Hitchcock. - Paris: Laffont 1966.]
Index:
Hitchcock, Alfred
Truffaut, François

#2152
Scott, Helen G. / Truffaut, François: Truffaut/Hitchcock. Vollständige Ausgabe. Hrsg. von Robert Fischer. Aus dem Französischen von Frieda Grafe und Enno Patalas. - München; Zürich: Diana Verlag 1999.
First edition:
[Le cinéma selon Hitchcock. - Paris: Laffont 1966.]
Reviews:
Hamacher, Rolf-Ruediger: [untitled] In: Film-Dienst 52. 1999. No. 16. [August 3] p. 44.
Hesse-Lichtenberger, Ulrich: Zwei Höhepunkte aus all den Geburtstags-Büchern zu Ehren von Sir Alfred Hitchcock. In: Steadycam 1999. No. 3(39). [?D] pp. 20-21.
Oplustil, Karlheinz: Das "Hitchbook": Truffaut/Hitchcock. In: EPD Film 16. 1999. No. 8. [August] p. 11.
Index:
Hitchcock, Alfred
Truffaut, François

#2153
Sears, John: "All over again": Form, subjectivity, and desire in Neil Bartlett’s Mr Clive & Mr Page. In: Critique: Studies in Contemporary Fiction 44. 2002. No. 1. [?D] pp. 49-59.
Index:
Hitchcock, Alfred

#2154
Sebbah, Alain: Revenir sur ses pas ou le vertige du temps. In: Aux confins de l’ailleurs: Voyage, altérité, utopie: Hommages offerts au professeur Jean-Michel Racault. Sur la diréction de Marie-Françoise Bosquet, Serge Meitinger et Bernard Terramorsi. - Paris: Klincksieck 2008. pp. 265-282.
Description:
Discusses, among others, Chris Marker’s La Jetée and the representation of time in Alfred Hitchcock and George Pal.
Index:
Marker, Chris
Hitchcock, Alfred
Pal, George
Jetée, La (1962)
Time Machine, The (1960)
Zeit ~ Time
Utopie ~ Utopia

#2155
Seed, David: The culture of spectacle in American Psycho. In: Hitchcock and adaptation: On the page and screen. Edited by Mark Osteen. - Lanham, Maryland: Rowman & Littlefield 2014. p. ?P.
Index:
Ellis, Bret Easton
Hitchcock, Alfred
American Psycho (Literatur ~ Literature)

#2156
Seeßlen, Georg: Peter Pan auf der Psychiatercouch: Anthony Perkins: Eine Karriere im Schatten von Psycho. In: Alfred Hitchcock’s Psycho. Mit Beiträgen von Frank Arnold [et al.]. Hrsg. von Frank Schnelle. - Stuttgart: Verlag Robert Fischer + Uwe Wiedleroither 1993. pp. 65-69.
Description:
Includes a filmography.
Index:
Perkins, Anthony
Hitchcock, Alfred
Psycho (1960)
Peter Pan ~ Peter Pan
Psychologie ~ Psychology

#2157
Seeßlen, Georg: Psycho. In: Enzyklopädie des phantastischen Films. 1. Ergänzungslieferung. - Meitingen: Corian-Verlag, Mai 1986.
Index:
Hitchcock, Alfred
Psycho (1960)

#2158
Semin, Didier: Ce que j’aurais fait si j’avais repêché Kim Novak inconsciente dans la baie de San Francisco. In: Cinéma [Paris] 2003. No. 5(?N). [Spring] pp. 4-11.
Description:
The author on his personal view on Alfred Hitchcock’s Vertigo and Don Siegel’s Invasion of the Body Snatchers.
Index:
Hitchcock, Alfred
Siegel, Donald
Vertigo (1958)
Invasion of the Body Snatchers (1956)
San Francisco ~ San Francisco

#2159
Semm, Didier: Ce que j’aurais fait si j’avais repêché Kim Novak inconsciente dans la baie de San Francisco. In: Cinéma [Paris] 2003. No. 5(?N). [Spring] pp. 4-11.
Description:
Compares Alfred Hitchcock’s Vertigo with Don Siegel’s Invasion of the Body Snatchers.
Index:
Hitchcock, Alfred
Siegel, Donald
Novak, Kim
Vertigo (1958)
Invasion of the Body Snatchers (1956)
San Francisco ~ San Francisco

#2160
Sennett, Robert S.: Lost innocence: Art direction and Alfred Hitchcock. In: Sennett, Robert S.: Setting the scene: The great Hollywood art directors. - New York: Harry N. Abrams 1994. pp. 176-185.
Description:
Discusses, among others, the work of Alexander Golitzen for Foreign Correspondent, the work of John B. Goodman and Robert Boyle for Shadow of a Doubt, the work of Hal Pereira and Joseph McMillan Johnson for Rear Window as well as the work of Robert Boyle, William A. Horning and Merrill Pye for North by Northwest.
Index:
Hitchcock, Alfred
Golitzen, Alexander
Goodman, John B.
Boyle, Robert
Pereira, Hal
Johnson, Joseph McMillan
Horning, William A.
Pye, Merrill
Foreign Correspondent (1940)
Shadow of a Doubt (1943)
Rear Window (1954)
North by Northwest (1959)
Hollywood ~ Hollywood

#2161
Serceau, Michel: Alfred Hitchcock: L’image à la rencontre de l’idée. In: Le remake et l’adaption. Réuni par Michel Serceau avec le concours de Daniel Protopoppoff. (= Cinémaction 1989. No. 53. [October]) pp. 132-139.
Description:
On major motifs in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred

#2162
Serceau, Michel: Hitchcock, maître du suspense? In: Le suspence au cinéma. Dirigée par Jean Bessalel et André Gardies. (= Cinémaction 1994. No. 71. [?D]) pp. 55-61.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#2163
Serceau, Michel: Le plaisir et l’ordre, ou Hitchcock "directeur ... de spectateurs". In: Image et Son 1982. No. 378. [December] pp. 44-56.
Index:
Hitchcock, Alfred

#2164
Sered, Jean: The dark side. In: Armchair Detective 22. 1989. No. 2. [?D] pp. 116-134.
Description:
On Hitchcock’s adaption of novels by Cornell Woolrich.
Index:
Hitchcock, Alfred
Woolrich, Cornell George

#2165
Sered, Jean: The dark side. In: Armchair Detective 22. 1989. No. 3. [?D] pp. 240-258.
Description:
On Hitchcock’s adaption of novels by Cornell Woolrich.
Index:
Hitchcock, Alfred
Woolrich, Cornell George

#2166
Serenellini, M.: Un gioco dell’intelligenza aldilà di Hitchcock. In: Cinema Nuovo 35. 1986. No. 299. [January/February] pp. 10-11.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)

#2167
Sertoli, Giuseppe: The Secret Agent dal testo alla scena. In: Compagni segreti: Joseph Conrad e i suoi traduttori in Italia. A cura di Marialuisa Bignami. - Milano: Cisalpino 2008. (= Quaderni di Acme.) pp. 159-170.
Index:
Conrad, Joseph
Hitchcock, Alfred
Secret Agent (1936)
Italien ~ Italy
Secret Agent, The (Literatur ~ Literature)

#2168
Sevastakis, Michael: Alfred Hitchcock’s Number Seventeen (1932): A descriptive shot list. In: Hitchcock Annual 1994. pp. 76-145.
Index:
Hitchcock, Alfred
Number Seventeen (1932)

#2169
Sexual difference. In: Wide Angle 5. 1982. No. 1. [?D] pp. 2-55.
Description:
Special section of six articles on the topic including one article on Alfred Hitchcock.
Index:
Hitchcock, Alfred
Sexualität ~ Sexuality

#2170
Seyboth, Patrick: Vertigo: Legion of Honor, San Francisco. In: EPD Film 31. 2014. No. 12. [December] p. 32.
Description:
Part of a special section on films that play in famous museums.
Index:
Hitchcock, Alfred
Vertigo (1958)
San Francisco ~ San Francisco

#2171
Sgammato, Joseph: Discreet qualms of the bourgeoisie: Hitchcock’s Frenzy. In: Sight and Sound ?G. 1973. No. 3. [Summer] pp. 134-137.
Index:
Hitchcock, Alfred
Frenzy (1971)

#2172
Shaffer, Anthony: The wicker man and others: On screen-writing and working with directors, including Hitchcock. In: Sight and Sound NS 5. 1995. No. 8. [August] pp. 28-29.
Index:
Hitchcock, Alfred
Böse, Das ~ Evil, The

#2173
Shapiro, James David: One-way mirror: Self-aware artifice in Hitchcock’s narrative cinema. - ?O: University of Berkeley, Ph.D. 1991. [Abstract in: Dissertation Abstracts International A 53. 1992. No. 5. (November) p. 1511A.]
Index:
Hitchcock, Alfred
Spiegel ~ Mirror

#2174
Sharff, Stefan: Alfred Hitchcock’s high vernacular: Theory and practise. - New York; Oxford: Columbia University Press 1991.
Reviews:
Jones, D. B.: [untitled] In: Historical Journal of Film, Radio and Television 11. 1991. No. 3. [?D] pp. 298-299.
Poague, Leland: [untitled] In: Film Quarterly 45. 1992. No. 4. [Summer] pp. 24-25.
Index:
Hitchcock, Alfred

#2175
Sharff, Stefan: The art of looking in Hitchcock’s Rear Window. - New York: Limelight Editions 1997.
Reviews:
Aitio, Tommi: 2 näkökulmaa Hitchcockiin. In: Filmihullu 1999. No. 4. [?D] pp. 28-29.
Deutelbaum, Marshall: [untitled] In: Hitchcock Annual 1998. pp. 122-126.
Index:
Hitchcock, Alfred
Rear Window (1954)

#2176
Sharff, Stefan: The elements of cinema: Toward a theory of cinesthetic impact. - New York: Columbia University Press 1982.
Description:
Discusses, among others, the films of Sergej Eisenstein, Jean Renoir, Alain Resnais and Alfred Hitchcock.
Index:
Eisenstein, Sergei Mikhailovich
Renoir, Jean
Resnais, Alain
Hitchcock, Alfred

#2177
Sharrett, Christopher: The myth of apocalypse and the horror film: The primacy of Psycho and The Birds. In: Hitchcock Annual 1995. pp. 38-60.
Index:
Hitchcock, Alfred
Psycho (1960)
Birds, The (1962)
Mythologie ~ Mythology
Horror ~ Horror
Religion: Apokalypse ~ Religion: Apocalypse

#2178
Sharrett, Christopher: The myth of apocalypse and the horror film: The primacy of Psycho and The Birds. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred
Psycho (1960)
Birds, The (1962)
Mythologie ~ Mythology
Horror ~ Horror
Religion: Apokalypse ~ Religion: Apocalypse

#2179
Sheridan, John: Vertigo. In: MacGuffin 1998. No. 25. [August] pp. 3-4.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2180
Shetley, Vernon: The presence of the past: Mulholland Drive against Vertigo. In: Raritan 25. 2006. No. 3. [Winter] pp. 112-128.
Index:
Lynch, David
Hitchcock, Alfred
Mulholland Drive (2001)
Vertigo (1958)
Zeit ~ Time

#2181
Shinnick, Kevin G.: Chips off the ol’ Bloch: Robert Bloch. In: Scarlet Street 1994. No. 14. [Spring] pp. 32 ff.
Index:
Bloch, Robert N.
Hitchcock, Alfred
Psycho (1960)

#2182
Shwartz, Ronald: Neo-noir: The new film noir style from Psycho to Collateral. - Lanham, Maryland; London: Scarecrow Press 2005.
Index:
Hitchcock, Alfred
Mann, Michael
Psycho (1960)
Collateral (2004)
Film Noir ~ Film Noir

#2183
Siegl, Irmtraud: The representation of women in the films of Alfred Hitchcock. - Klagenfurt: Universität Klagenfurt, Diplomarbeit 1996.
Index:
Hitchcock, Alfred
Frauen ~ Women

#2184
Silberstein, Michael: Rear Window: Hitchcock’s allegory of the cave. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 187-202.
Index:
Hitchcock, Alfred
Rear Window (1954)
Philosophie ~ Philosophy

#2185
Silet, Charles L. P.: Through a woman’s eyes: Sexuality and memory in The 39 Steps. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)
Sexualität ~ Sexuality
Frauen ~ Women
Augen ~ Eyes

#2186
Silet, Charles L. P.: Writing for Hitch: An interview with Evan Hunter. In: Hitchcock Annual 1995. pp. 117-125.
Description:
Interview with the scriptwriter of Hitchcock’s The Birds and Marnie.
Index:
Hitchcock, Alfred
Hunter, Evan
Birds, The (1962)
Marnie (1963/1964)

#2187
Silet, Charles L. P.: Writings for Hitch: An interview with Evan Hunter. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred
Hunter, Evan

#2188
Simon, William G.: Hitchcock: The language of madness. In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 109-115.
Index:
Hitchcock, Alfred
Wahnsinn ~ Madness

#2189
Simond, Clotilde: Du MacGuffin dans les images. In: Cinémathèque 1999. No. 15. [Spring] pp. 95-101.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#2190
Simone, Sam Paul: Alfred Hitchcock, advocate of freedom: A study of Foreign Correspondent, Saboteur, Lifeboat and Notorius. - Provo, Utah: Brigham Young University, Ph.D. 1982. [Abstract in: Dissertation Abstracts International A 43. 1982. No. 6. (December) p. 1727A.]
Index:
Hitchcock, Alfred
Foreign Correspondent (1940)
Saboteur (1942)
Lifeboat (1943)
Notorious (1946)

#2191
Simone, Sam Paul: Hitchcock as activist: Politics and the war films. - Ann Arbor: UMI Research Press / Epping: Bowker 1985. (= Studies in cinema 36.)
Index:
Hitchcock, Alfred
Krieg ~ War
Politik ~ Politics

#2192
Simonelli, Giorgio: Invito al cinema di Alfred Hitchcock. - Milano: Mursia 1996. (= Invito al cinema 3.)
Index:
Hitchcock, Alfred

#2193
Simons, Roger: The sound of music. In: Ciné-Fiches de Grand Angle ?G. 1997. No. 209. [November] pp. 57-58.
Index:
Hitchcock, Alfred
Vertigo (1958)
Musik ~ Music

#2194
Simpson, Philip Lockwood: Blurring all boundaries: The postmodern narratives of multiple murder. - Carbondale, Illinous: Southern Illinois University Carbondale, Ph.D. 1996. [Abstract in: Dissertation Abstracts International A 57. 1997. No. 10. [April] p. 4372.]
Description:
On serial killers in literature and film.Discusses, among others, Alfred Hitchcock’s Shadow of a Doubt, Jonathan Demme’s The Silence of the Lambs, John McNaughton’s Henry - Portrait of a Serial Killer, Bernard Rose’s Candyman, Dominic Sena’s Kalifornia and Oliver Stone’s Natural Born Killers.
Index:
Demme, Jonathan
Hitchcock, Alfred
McNaughton, John
Rose, Bernard
Sena, Dominic
Stone, Oliver
Silence of the Lambs, The (1990)
Shadow of a Doubt (1943)
Henry - Portrait of a Serial Killer (1989)
Candyman (1992)
Kalifornia (1993)
Natural Born Killers (1994)
Postmoderne ~ Postmodern
Mord ~ Murder
Literatur ~ Literature

#2195
Sims, Jethro Michael: Ernest Lehman, Alfred Hitchcock, North by Northwest: A case study of narrative elaboration in Hollywood filmmaking. - Austin, Texas: University of Texas at Austin, Ph.D. 1990. [Abstract in: Dissertation Abstracts International A 51. 1990. No. 6. (December) p. 1810A.]
Description:
On the collaboration between scriptwriter and director on the film.
Index:
Hitchcock, Alfred
Lehman, Ernest
North by Northwest (1959)
Hollywood ~ Hollywood

#2196
Simsolo, Noël: Alfred Hitchcock. - Paris: Seghers 1969. (= Cinema d’aujourd’hui 54.)
Index:
Hitchcock, Alfred

#2197
Simsolo, Noël: Alfred Hitchcock (1899-1980). In: L’inconnu du Nord-Express de Alfred Hitchcock. (= L’Avant-Scène Cinéma 1982. No. 297/298. [December]) pp. 35-66.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)

#2198
Sinclair, Ian: London necropolis of fretful ghosts. In: Sight and Sound NS 4. 1994. No. 6. [June] pp. 12 ff.
Description:
On the representation of the city in film, especially in the work of Alfred Hitchcock and Patrick Keiller.
Index:
Hitchcock, Alfred
Keiller, Patrick
Tod ~ Death
Stadt ~ City
London ~ London
Geister ~ Ghosts

#2199
Singer, Irving: Three philosophical filmmakers: Hitchcock, Welles, Renoir. - Cambridge, Massachussetts: MIT Press 2004.
Reviews:
Denker, Christian W.: [untitled] In: The British Journal of Aesthetics 45. 2005. No. ?N. [?D] pp. 308-309.
French Overstreet, Susan: Irving Singer’s reality revisited. In: Film-Philosophy 9. 2005. No. 47. [December] p. ?P.
Khatib, Kate: [untitled] In: Modern Language Notes 120. 2005. No. 5. [?D] pp. 1256-1259.
Shinagel, Michael: [untitled.] In: Harvard Review 2004. No. 27. pp. 194-196.
Index:
Hitchcock, Alfred
Welles, Orson
Renoir, Jean
Philosophie ~ Philosophy

#2200
Sinyard, Neil: The films of Alfred Hitchcock. - ?O: Multimedia Books 1995.
Index:
Hitchcock, Alfred

#2201
Sinyard, Neil: The films of Alfred Hitchcock. - ?O: Grange Books 1995.
Index:
Hitchcock, Alfred

#2202
Sipière, Dominique: Alfred Hitchcock: Procès et procédés. In: Cinémaction 2002. No. 105. [September] pp. 157-164.
Description:
On the representation of trials in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred

#2203
Sipière, Dominique: Arrière-pensées sur la "tradition grasse" dans les films d’Alfred Hitchcock, avec un détour par Lubitsch. In: Cinémaction 2003. No. 108. [June] pp. 222-231.
Description:
On the motifs of food and eating in the films of Alfred Hitchcock and Ernst Lubitsch.
Index:
Hitchcock, Alfred
Lubitsch, Ernst
Nahrung ~ Food

#2204
Sipière, Dominique: Le vol des oiseaux: Statut et interprétation de l’escape chez Du Maurier et Hitchcock. In: La Licorne 1994. No. 28. [?D] pp. 231-247.
Index:
Hitchcock, Alfred
Du Maurier, Daphne

#2205
Sipière, Dominique: Qu’annoncent les ’effects d’annonce? L’exemple de Hitchcock. In: Caliban 1995. No. 32. [?D] pp. 5-18.
Index:
Hitchcock, Alfred
Technik: Spezialeffekte ~ Technology: Special Effects

#2206
Skarderud, Finn: Vindu mot kinorommet. In: Film & Kino ?G. 1989. No. 7. [?D] pp. 26-28.
Index:
Hitchcock, Alfred
Rear Window (1954)

#2207
Skerry, Philip J.: Dark energy: Hitchcock’s absolute camera and the physics of cinematic spacetime. - New York: Bloomsbury Academic 2013.
Description:
Discusses especially Rear Window, Psycho and Vertigo.
Index:
Hitchcock, Alfred
Rear Window (1954)
Psycho (1960)
Vertigo (1958)
Technik: Kamera ~ Technology: Camera

#2208
Skerry, Philip J.: Psycho in the shower: The history of cinema’s most famous scene. - New York: Continuum 2009.
Reviews:
Hemphill, Jim: [untitled.] In: American Cinematographer. Online edition, October 2009.
Index:
Hitchcock, Alfred
Psycho (1960)

#2209
Skerry, Philip J.: The shower scene in Hitchcock’s Psycho: Creating cinematic suspense and terror. - Lewiston, New York; Lampeter: Mellen Press 2005. (= Studies in the history and criticism of film 11.)
Index:
Hitchcock, Alfred
Psycho (1960)
Thriller ~ Thriller

#2210
Sklar, Robert: Death at work: Hitchcock’s violence and spectator identification. In: After Hitchcock: Influence, imitation, and intertextuality. Edited by David Boyd and R. Barton Palmer. - Austin, Texas: University of Texas Press 2006. pp. 217-234.
Description:
Discusses, among others, Alfred Hitchcock’s Frenzy and Psycho.
Index:
Hitchcock, Alfred
Frenzy (1971)
Psycho (1960)
Tod ~ Death
Gewalt ~ Violence

#2211
Skoble, Aeon J.: Rear Window: Looking at things ethically. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 203-212.
Index:
Hitchcock, Alfred
Rear Window (1954)
Philosophie ~ Philosophy

#2212
Skoller, D.: Aspects of cinematic consciousness. In: Film Comment 8. 1972. No. 3. [September/October] pp. 41-51.
Description:
Discusses Hitchcock’s Vertigo, Resnais’s L’Année dernière à Marienbad and Snow’s Wavelength.
Index:
Hitchcock, Alfred
Resnais, Alain
Snow, Michael
Vertigo (1958)
Année dernière à Marienbad, L’ (1960/1961)
Wavelength (1967)

#2213
Skrentny, Werner: Wo Hitchcocks Vögel schreien: USA-Guide für Filmfans. - Hamburg: Europa Verlag 2002.
Index:
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)

#2214
Skytte, Asbjorn: Gensyn med Hitchcock. In: Kosmorama 30. 1984. No. 168. [August] pp. 77-82.
Description:
Discusses The Trouble with Harry, Rope, Rear Window, The Man Who Knew Too Much and Vertigo.
Index:
Hitchcock, Alfred
Trouble with Harry, The (1955)
Rope, The (1948)
Rear Window (1954)
Man Who Knew Too Much, The (1934)
Vertigo (1958)

#2215
Skytte, Asbjorn: Hitchcock 1899-1980. In: Kosmorama 26. 1980. No. 148. [September] pp. 124-125.
Index:
Hitchcock, Alfred

#2216
Sloan, Jane E.: Alfred Hitchcock: A filmography and bibliography. - Berkeley, California: University of California Press 1994. (= A Reference Publication in Film.)
Index:
Hitchcock, Alfred

#2217
Sloan, Jane E.: Alfred Hitchcock: A guide to references and resources. - New York: G. K. Hall / Oxford; Toronto: Maxwell Macmillan International 1993. (= A Reference Publication in Film.)
Index:
Hitchcock, Alfred

#2218
Sloan, Jane E.: Alfred Hitchcock: A guide to references and resources. - Berkeley, California: University of California Press 1995. (= A Reference Publication in Film.)
Index:
Hitchcock, Alfred

#2219
Sloan, Kay: Three Hitchcock heroines: The domestication of violence. In: New Orleans Review 12. 1985. No. 4. [Winter] pp. 91-95.
Description:
On Blackmail, Shadow of a Doubt and The Birds.
Index:
Hitchcock, Alfred
Blackmail (1929)
Shadow of a Doubt (1943)
Birds, The (1962)
Gewalt ~ Violence

#2220
Smith, Allan Lloyd: Marnie, the dead mother, and the phantom. In: Hitchcock Annual 2002/2003. pp. 164-180.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Mutter ~ Mothers

#2221
Smith, Bob: The Birds as a pre-Stonewall parable. In: Gay and Lesbian Review Worldwide 8. 2001. No. 2. [March] pp. 25-26.
Index:
Hitchcock, Alfred
Birds, The (1962)

#2222
Smith, Greg: Dark side of the dream: The social Gothic in Vietnam era America. - Kalamazoo, Michigan: Western Michigan University, Ph.D. 2000. [Abstract in: Dissertation Abstracts International A 61. 2001. No. 10. (April) p. 4055.]
Description:
On Gothic horror narratives in literature and film as reflections of the Vietnam war and political upheavals in American society. Discusses, among others, Alfred Hitchcock’s Psycho and Milos Forman’s One Flew over the Cuckoo’s Nest.
Index:
Hitchcock, Alfred
Forman, Milos
Psycho (1960)
One Flew over the Cuckoo’s Nest (1975)
Vietnam ~ Vietnam
USA (United States of America) ~ USA (United States of America)
Traum ~ Dreams
Politik ~ Politics
Literatur ~ Literature
Krieg ~ War
Horror ~ Horror

#2223
Smith, Gregory O.: Jolly old sports: English character, comedy, and cricket in The Lady Vanishes. In: Film & History 42. 2012. No. 2. [Fall] pp. 55-70.
Index:
Hitchcock, Alfred
Lady Vanishes, The (1938)
Sport ~ Sports
Humor ~ Humor
Großbritannien ~ Great Britain

#2224
Smith, Ian: "My name’s not Chaplin": North by Northwest and the screen persona of Cary Grant. In: Film Studies [Manchester] 2000. No. 2. [Spring] pp. 29-43.
Index:
Hitchcock, Alfred
Grant, Cary
North by Northwest (1959)

#2225
Smith, Joseph W.: The Psycho file: A comprehensive guide to Hitchcock’s classic shocker. - Jefferson, North Carolina; London: McFarland 2009.
Index:
Hitchcock, Alfred
Psycho (1960)
Angst ~ Fear

#2226
Smith, Julian: The strange case of Lars Thorwald: Rounding up the usual suspect in Rear Window. In: New Orleans Review 19. 1992. No. 2. [Summer] pp. 21-29.
Index:
Hitchcock, Alfred
Rear Window (1954)

#2227
Smith, M.: Technological determination, aesthetic resistance or A Cottage on Dartmoor: Goat-land talkie or masterpiece? In: Wide Angle 12. 1990. No. 3. [July] pp. 80-97.
Description:
Compares Anthony Asquith’s A Cottage on Dartmoor with Alfred Hitchcock’s Blackmail.
Index:
Hitchcock, Alfred
Blackmail (1929)
Technik ~ Technology

#2228
Smith, Murray: Altered states: Character and emotional response in the cinema. In: Cinema Journal 33. 1994. No. 4. [Summer] pp. 34-56.
Description:
Especially on Hitchcock’s The Man Who Knew too Much.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)

#2229
Smith, Steven C.: A heart at fire’s center: The life and music of Bernard Herrmann. - Berkeley, California: University of California Press 1991.
Reviews:
Chanan, Michael: American rhapsodies. In: Sight and Sound NS 1. 1991. No. 7. [November] p. 32.
Description:
On the composer who did the score for a lot of fantastic films, among them Hitchcock’s The Birds and Robert Wise’s The Day the Earth Stood Still.
Index:
Herrmann, Bernard
Hitchcock, Alfred
Wise, Robert
Birds, The (1962)
Day the Earth Stood Still, The (1951)
Musik ~ Music

#2230
Smith, Steven C.: A heart at fire’s center: The life and music of Bernard Herrmann. New edition. - Berkeley, California: University of California Press 2002.
First edition:
[1991.]
Description:
On the composer who did the score for a lot of fantastic films, among them Hitchcock’s The Birds and Robert Wise’s The Day the Earth Stood Still.
Index:
Herrmann, Bernard
Hitchcock, Alfred
Wise, Robert
Birds, The (1962)
Day the Earth Stood Still, The (1951)
Musik ~ Music

#2231
Smith, Susan: Cinematic point of view in the films of Hitchcock. - Sunderland, Tyne and Wear: University of Sunderland, Ph.D. 1997. [Abstract in: Index to Theses with Abstracts 48. 1999. No. 5. p. 1604(48-10151).]
Index:
Hitchcock, Alfred

#2232
Smith, Susan: Disruption, destruction, denial: Hitchcock as Saboteur Alfred. In: Alfred Hitchcock: Centenary essays. Edited by Richard Allen and S. Ishii-Gonzales. - London: British Film Institute 1999. pp. 45-57.
Index:
Hitchcock, Alfred
Saboteur (1942)

#2233
Smith, Susan: Hitchcock: Suspense, humour and tone. - London: British Film Institute 2000.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#2234
Smith, Susan: The spatial world of Hitchcock’s films: The point-of-view shot, the camera, and "intrarealism". In: Cineaction 1999. No. 50. [?D] pp. 2-15.
Index:
Hitchcock, Alfred
Technik: Kamera ~ Technology: Camera

#2235
Smithouser, Bob: Movie nights for teens: 25 more movies to spark spiritual discussions with your teen. - Wheaton, Illinois: Tyndale House 2005.
Index:
Wyler, William
Emmerich, Roland
Forster, Marc
Bird, Brad
Jackson, Peter
Shyamalan, M. Night
Conran, Kerry
Hitchcock, Alfred
Raimi, Samuel M.
Ben Hur (1959)
Day After Tomorrow, The (2004)
Finding Neverland (2004)
Incredibles, The (2004)
Lord of the Rings (Filmreihe)
Signs (2002)
Sky Captain and the World of Tomorrow (2004)
Spellbound (1945)
Spider-Man (2002)
Religion ~ Religion

#2236
Snoek, Sonja: Weg met de distopie! In: Skrien 1993. No. 188. [February/March] pp. 68-71.
Description:
On the influence of Kafka on Alfred Hitchcock’s filmic work.
Index:
Hitchcock, Alfred
Kafka, Franz

#2237
Sohn, Nadine: Von Manet bis Matrix - Darstellungen von Aufmerksamkeit in der bildenden Kunst und im Film. - München: GRIN Verlag 2007.
Description:
Includes chapters on Luis Buñuel’s Un chien andalou, Alfred Hitchcock’s Rear Window and the Matrix series.
Index:
Manet, Édouard
Buñuel, Luis
Dalí, Salvador
Hitchcock, Alfred
Wachowski, Andy
Wachowski, Larry
chien andalou, Un (1928)
Rear Window (1954)
Matrix, The (Filmreihe)
Kunst ~ Arts, The

#2238
Soles, Carter: "And no birds sing": Discourses of environmental apocalypse in The Birds and Night of the Living Dead. In: ISLE 21. 2014. No. 3. [?D] pp. 526-537.
Index:
Hitchcock, Alfred
Romero, George A.
Birds, The (1962)
Night of the Living Dead (1968)
Religion: Apokalypse ~ Religion: Apocalypse
Natur ~ Nature

#2239
Sonbert, Warren: Alfred Hitchcock, master of morality. In: Framework 56. 2015. No. 1. [Spring] pp. 200-203.
Index:
Hitchcock, Alfred

#2240
Sonbert, Warren: Warren Sonbert on Marnie. In: Framework 56. 2015. No. 1. [Spring] pp. 208-213.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#2241
Speidel, Suzanne: Time of death in Joseph Conrad’s The Secret Agent and Alfred Hitchcock’s Sabotage. In: The classic novel: From page to screen. Edited by Robert Giddings and Erica Sheen. - Manchester: Manchester University Press 2000. pp. 131-146.
Index:
Conrad, Joseph
Hitchcock, Alfred
Sabotage (1936)
Tod ~ Death
Secret Agent, The (Literatur ~ Literature)

#2242
Spinks, Randall David: Tacit knowledge, spirals and MacGuffins in Moby Dick and Vertigo: An essay in political criticism. - ?O: University of Houston, Ph.D. 1993. [Abstract in: Dissertation Abstracts International A 55. 1994. No. 2. (August) pp. 280A-281A.]
Description:
Compares the novel by Herman Melville with the Hitchcock film.
Index:
Hitchcock, Alfred
Melville, Herman
Vertigo (1958)
Politik ~ Politics
Moby Dick (Literatur ~ Literature)

#2243
Spinks, Randall: The hallucinatory (cultural) logic of Hitchcock’s Vertigo. In: Quarterly Review of Film and Video 34. 2017. No. 3. [April] pp. 212-242.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2244
Spivack, Avi: 50 years in the rearview mirror (Rear Window). In: The Film Journal [Ohio] 2004. No. 9. [July] p. ?P.
Index:
Hitchcock, Alfred
Rear Window (1954)
Spiegel ~ Mirror

#2245
Spoto, Donald: Alfred Hitchcock: Dark genius of Rebecca, Notorious and Psycho in Bel-Air. In: Architectural Digest 47. 1990. No. 4. [April] pp. 236-237.
Description:
On Hitchcock’s home in Los Angeles.
Index:
Hitchcock, Alfred
Rebecca (1940)
Notorious (1946)
Psycho (1960)
Los Angeles ~ Los Angeles

#2246
Spoto, Donald: Alfred Hitchcock: Die dunkle Seite des Genies. - München: Heyne 1986. (= Heyne-Biographien 145.)
First edition:
[The dark side of genius: The life of Alfred Hitchcock. - London: Collins 1983]
Index:
Hitchcock, Alfred

#2247
Spoto, Donald: Alfred Hitchcock: Die dunkle Seite des Genies: Biografie. Aus dem Amerikanischen von Bodo Frünth. - Hamburg: Ernst Kabel 1984.
First edition:
[The dark side of genius: The life of Alfred Hitchcock. - London: Collins 1983]
Reviews:
Kaufmann, Anette: [untitled] In: Medienwissenschaft 1986. No. 1. pp. 71-72.
Pflaum, Hans Günther: Hitchcock. In: EPD Film 2. 1985. No. 5. [May] p. 15.
Index:
Hitchcock, Alfred
Deutschland ~ Germany

#2248
Spoto, Donald: Alfred Hitchcock: Die dunkle Seite des Genies. - München: Heyne 1999. (= Serie Piper 2798.)
First edition:
[The dark side of genius: The life of Alfred Hitchcock. - London: Collins 1983]
Index:
Hitchcock, Alfred

#2249
Spoto, Donald: Alfred Hitchcock: Die dunkle Seite des Genies. - München: Heyne Verlag 1993. (= Heyne Biographien 234.)
First edition:
[The dark side of genius: The life of Alfred Hitchcock. - London: Collins 1983]
Index:
Hitchcock, Alfred

#2250
Spoto, Donald: Alfred Hitchcock: El lado oscuro de un genio - Barcelona: Ultramar 1985.
First edition:
[The dark side of a genius. The life of Alfred Hitchcock. - London: Collins 1983]
Index:
Hitchcock, Alfred

#2251
Spoto, Donald: Alfred Hitchcock und seine Filme. - München: Heyne 1999. (= Heyne Filmbibliothek 270.)
First edition:
[The art of Alfred Hitchcock. - New York: Doubleday 1992]
Reviews:
Kothenschulte, Daniel: [untitled] In: Film-Dienst 52. 1999. No. 16. [August 3] p. 45.
Worschech, Rudolf: All About Alfred? In: EPD Film 17. 2000. No. 7. [July] p. 7.
Index:
Hitchcock, Alfred

#2252
Spoto, Donald: Hitchcock the designer. In: Print [New York] 31. 1977. No. ?N. [July] pp. 37-43.
Index:
Hitchcock, Alfred

#2253
Spoto, Donald: L’art d’Alfred Hitchcock. - Paris: Edilig 1986. (= Cinégraphiques.)
First edition:
[The life of Alfred Hitchcock. - London: Collins 1983]
Reviews:
Donovan, Francis: [untitled] In: Cinéma [Paris] 1986. No. 381. [December] p. 10.
Index:
Hitchcock, Alfred

#2254
Spoto, Donald: La face cachée d’un génie: La vraie vie d’Alfred Hitchcock. - ?O: Ed. Albin Michel 1989.
First edition:
[The dark side of a genius. The life of Alfred Hitchcock.- London: Collins 1983]
Reviews:
Donovan, Francis: Hitchcockologie. In: Cinéma [Paris] 1990. No. 463. [?D] pp. 36-37.
Lenne, Gérard: [untitled] In: La Revue du Cinéma 1990. No. 460. [?D] p. 78.
Magny, Joël: [untitled] In: Cahiers du Cinéma 1990. No. 427. [?D] p. 79.
Index:
Hitchcock, Alfred

#2255
Spoto, Donald: Spellbound by beauty: Alfred Hitchcock and his leading ladies. - New York: Harmony Books 2008.
Reviews:
Bockwoldt, Johannes: [untitled.] In: Journal of Film and Video 62. 2010. No. 3. [Fall] pp. 63-64.
Description:
On the relations between Hitchcock and his female actors, especially Ingrid Bergman, Grace Kelly, Kim Novak and Tippi Hedren.
Index:
Hitchcock, Alfred
Bergman, Ingrid
Kelly, Grace
Novak, Kim
Hedren, Tippi
Frauen ~ Women

#2256
Spoto, Donald: The 53 steps: A filmography. In: Esquire 97. 1982. No. 4. [April] p. 102.
Description:
Filmography on Alfred Hitchcock.
Index:
Hitchcock, Alfred

#2257
Spoto, Donald: The art of Alfred Hitchcock: Fifty years of his films. Revised and updated edition. - London: Fourth Estate 1992.
First edition:
[New York: Hopkinson and Blake 1976]
Index:
Hitchcock, Alfred

#2258
Spoto, Donald: The art of Alfred Hitchcock: Fifty years of his films. - New York: Hopkinson and Blake 1976.
Index:
Hitchcock, Alfred

#2259
Spoto, Donald: The art of Alfred Hitchcock: Fifty years of his films. Revised and updated edition. - New York: Doubleday 1992. (= Anchor Books.)
First edition:
[New York: Hopkinson and Blake 1976]
Index:
Hitchcock, Alfred

#2260
Spoto, Donald: The dark side of genius: The life of Alfred Hitchcock. - New York: Da Capo Press 1999.
First edition:
[London: Collins 1983]
Index:
Hitchcock, Alfred

#2261
Spoto, Donald: The dark side of genius: The life of Alfred Hitchcock. - Boston: Little, Brown and Company 1983.
First edition:
[London: Collins 1983]
Index:
Hitchcock, Alfred

#2262
Spoto, Donald: The dark side of genius: The life of Alfred Hitchcock. - London: Muller 1988.
First edition:
[London: Collins 1983]
Index:
Hitchcock, Alfred

#2263
Spoto, Donald: The dark side of genius: The life of Alfred Hitchcock. - London: Plexus Publishing 1994.
First edition:
[London: Collins 1983]
Index:
Hitchcock, Alfred

#2264
Spoto, Donald: The dark side of genius: The life of Alfred Hitchcock. - London: Collins 1983.
Index:
Hitchcock, Alfred

#2265
Sprengler, Christine: Hitchcock and contemporary art. - New York: Palgrave Macmillan 2014.
Index:
Hitchcock, Alfred

#2266
Spring, Lori: Notorious. In: Cineaction 2005. No. 67. [September] pp. 10-11.
Index:
Hitchcock, Alfred
Notorious (1946)

#2267
Srebnick, Daniel: Music and identity: The struggle for harmony in Vertigo. In: Hitchcock: Past and future. Edited by Richard Allen and Sam Ishii-Gonzales. - London; New York: Routledge 2004. p. ?P.
Index:
Hitchcock, Alfred
Vertigo (1958)
Musik ~ Music

#2268
Srebnick, Walter: Working with Hitch: A screenwriter’s forum with Evan Hunter, Arthur Laurents, and Joseph Stefano. In: Hitchcock Annual 2001/2002. pp. 1-37.
Index:
Hitchcock, Alfred
Hunter, Evan
Laurents, Arthur
Stefano, Joseph

#2269
Stage cinématographique d’été, 18/27 juillet 1980: Analyse cinématographique, l’oeuvre de Frederick Wiseman, rétrospective Alfred Hitchcock. - Bruxelles: Service National des Ciné Clubs 1980.
Index:
Wiseman, Frederick
Hitchcock, Alfred

#2270
Staiger, Janet: Creating the brand: The Hitchcock touch. In: The Cambridge companion to Alfred Hitchcock. Edited by Jonathan Freedman. - Cambridge; New York: Cambridge University Press 2015. pp. 40-56.
Index:
Hitchcock, Alfred

#2271
Staiger, Janet: Hitchcock in Texas: Intertextuality in the face of blood and gore. In: The cult film reader. Edited by Ernest Mathijs and Xavier Mendik. - Maidenhead: Open University Press / New York: McGraw-Hill Education 2008. p. ?P.
Index:
Hitchcock, Alfred
Texas ~ Texas
Horror ~ Horror
Blut ~ Blood

#2272
Stam, Huib: Hitchcock toen & nu. In: Skoop 24/25. 1988/1989. No. ?N. [December/January] pp. 18-19.
Index:
Hitchcock, Alfred
Rear Window (1954)
Vertigo (1958)

#2273
Stam, Robert: Hitchcock and Buñuel: Authority, desire, and the absurd. In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 116-146.
Index:
Hitchcock, Alfred
Buñuel, Luis
Birds, The (1962)
Religion ~ Religion

#2274
Stam, Robert: Hitchcock and Buñuel: Desire and the law. In: Studies in the Literary Imagination 16. 1983. No. 1. [Spring] pp. 7-27.
Index:
Hitchcock, Alfred
Buñuel, Luis
Birds, The (1962)
Justiz ~ Justice
Religion ~ Religion

#2275
Stefano, J.: Psihoz. In: Iskusstvo Kino 1990. No. 11. [November] pp. 133-161.
Description:
The script text of Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)

#2276
Steffen-Fluhr, Nancy: Disabled by desire: Body doubles in Rear Window (1942), Rear Window (1954), and Rear Window (1998). In: Post Script 22. 2003. No. 3. [Summer] pp. 69-88.
Index:
Hitchcock, Alfred
Bleckner, Jeff
Rear Window (1954)
Rear Window (1999)
Behinderung ~ Disability
Körper ~ Bodies
Doppelgänger ~ Double

#2277
Steimatsky, Noa: What the clerk saw: Face to face with The Wrong Man. In: Framework 48. 2007. No. 2. [Fall] p. 111-136.
Index:
Hitchcock, Alfred
Wrong Man, The (1957)

#2278
Steinacker, Florian: Die Entwicklung des O. - North by Northwest. In: Alfred Hitchcock - der Filmverführer: Un-Schuld im Spannungsfeld von Ethik und Ästhetik. Hrsg. von Nikolai Wojtko. - Hamburg: Kovac 2005. (= Schriften zur Medienwissenschaft 11.) pp. 81 ff.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Verführung ~ Seduction

#2279
Stelzner, Barbara: Filmtechnische Übersetzung psychologischer Phänomene im Werk von Alfred Hitchcock am Beispiel von Psycho. - Bonn: Universität Bonn, Kunsthistorisches Institut, Magisterarbeit 1988.
Index:
Hitchcock, Alfred
Psycho (1960)
Psychologie ~ Psychology

#2280
Stelzner-Large, Barbara: Zur Bedeutung der Bilder in Alfred Hitchcocks Psycho. In: Kunst und Künstler im Film. Hrsg. von Helmut Korte und Johannes Zahlten. - Hameln: Verlag C. W. Niemeyer 1990. (= Art in Science - Science in Art 1.) pp. 121-133.
Index:
Hitchcock, Alfred
Psycho (1960)
Kunst ~ Arts, The

#2281
Stempel, Tom: Rear Window: A John Michael Hayes’ film. In: Creative Screenwriting 4. 1997. No. 4. [Winter] pp. 85-96.
Description:
On the script for Hitchcock’s adaption of a Cornell Woolrich novel.
Index:
Hitchcock, Alfred
Woolrich, Cornell George
Rear Window (1954)
It Had to be Murder (Literatur ~ Literature)

#2282
Stengel, Wayne: Brian DePalma’s Body Double and the shadow of Alfred Hitchcock. In: New Orleans Review 12. 1985. No. 3. [Fall] pp. 88-93.
Index:
De Palma, Brian
Hitchcock, Alfred
Body Double (1984)

#2283
Stern, Emil: Hitchcock’s Marnie: Dreams, surrealism, and the sublime. In: Hitchcock Annual 1999. pp. 30-50.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Traum ~ Dreams
Surrealismus ~ Surrealism

#2284
Sterritt, David: Alfred Hitchcock: Registrar of births and deaths. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred
Tod ~ Death
Geburt ~ Birth

#2285
Sterritt, David: Alfred Hitchcock: Registrar of births and deaths. In: Hitchcock Annual 1997/1998. pp. 3-18.
Description:
Discusses also religious motifs in the films of Alfred Hitchcock, especially in Family Plot.
Index:
Hitchcock, Alfred
Family Plot (1975)
Geburt ~ Birth
Religion ~ Religion
Tod ~ Death

#2286
Sterritt, David: From Transatlantic to Warner Bros.. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred

#2287
Sterritt, David: Hitchcock work resurfaces: A distributor recovers two obscure short films. In: Christian Science Monitor 85. 1993. No. 159. [July 14] p. 13, col 1pp.
Description:
Discusses Aventure Malgache and Bon Voyage.
Index:
Hitchcock, Alfred
Aventure Malgache (1944)
Bon Voyage (1944)

#2288
Sterritt, David: Hitchcock’s Psycho still influences movies. In: Christian Science Monitor 82. 1990. No. 171. [July 31] p. 11, col 4.
Index:
Hitchcock, Alfred
Psycho (1960)
Religion ~ Religion

#2289
Sterritt, David: Morbid psychologies and so forth: The fine art of Rope. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Hitchcock, Alfred
Rope, The (1948)
Psychologie ~ Psychology

#2290
Sterritt, David: The diabolic imagination: Hitchcock, Bakhtin, and the carnivalization of cinema. In: Hitchcock Annual 1992. pp. 39-67.
Description:
Discusses especially Psycho, Rope and Frenzy.
Index:
Hitchcock, Alfred
Bakhtin, Michail Michailowitsch
Psycho (1960)
Rope, The (1948)
Frenzy (1971)
Karneval ~ Carnival

#2291
Sterritt, David: The diabolic imagination: Hitchcock, Bakhtin, and the carnivalization of cinema. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Description:
Discusses especially Psycho, Rope and Frenzy.
Index:
Hitchcock, Alfred
Bakhtin, Michail Michailowitsch
Psycho (1960)
Rope, The (1948)
Frenzy (1971)
Karneval ~ Carnival

#2292
Sterritt, David: The films of Alfred Hitchcock. - Cambridge, Massachusetts; New York: Cambridge University Press 1993. (= Cambridge film classics.)
Reviews:
Christie, Ian: Classics illustrated. In: Sight and Sound NS 3. 1993. No. 10. [October] pp. 34-36.
Gottlieb, Sidney: [untitled] In: Film Quarterly 47. 1994. No. 3. [Spring] pp. 55-56.
Mogg, Ken: [untitled] In: Cinema Papers 1994. No. 97/98. [April] pp. 58-59.
Rieser, Susanne E.: [untitled] In: Blimp 1994. No. 30. [Winter] p. 74.
Silet, Charles L. P.: [untitled] In: Hitchcock Annual 1994. pp. 179-182.
Stromgren, Richard L.: [untitled] In: Journal of Popular Film and Television 24. 1997. No. 4. [Winter] p. 182.
Description:
Includes a bibliography and a filmography.
Index:
Hitchcock, Alfred

#2293
Stevens, Brad: 50 film directors on TV: Alfred Hitchcock. In: Sight and Sound NS 23. 2013. No. 9. [September] pp. 27-28.
Index:
Hitchcock, Alfred
Fernsehen ~ Television

#2294
Stiegler, Christina: Die Bombe unter dem Tisch: Suspense bei Alfred Hitchcock - oder: wie viel weiß das Publikum wirklich? - Konstanz: UVK-Verlagsgesellschaft 2011. (= Filmwissenschaft.)
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#2295
Stiegler, Christina: Die Bombe unter dem Tisch: Suspense bei Alfred Hitchcock - oder: wie viel weiß das Publikum wirklich? - Erlangen: Universität Nürnberg/Erlangen, Dissertation 2011.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#2296
Stiglegger, Marcus: Blondes Gift: Alfred Hitchcocks Epigonen. In: Film-Dienst 52. 1999. No. 16. [August 3] pp. 10-15.
Description:
Discusses, among others, the work of Brian De Palma, Dario Argento, John Schlesinger, Paul Verhoeven and Abel Ferrara.
Index:
Hitchcock, Alfred
De Palma, Brian
Argento, Dario
Schlesinger, John
Verhoeven, Paul
Ferrara, Abel

#2297
Stiglegger, Marcus: Blondes Gift: Remakes und Epigonen. In: Lexikon des Internationalen Films: Kino, Fernsehen, Video, DVD. Redaktion: Horst Peter Kroll [et al.]. Herausgegeben vom Katholischen Institut für Medieninformation und der Katholischen Filmkommission für Deutschland. Band 2: H-P. - Frankfurt/Main: Zweitausendeins 2002. pp. H13-H16.
Description:
On the impotrance of Alfred Hitchcock for the history of film.
Index:
Hitchcock, Alfred

#2298
Stiglegger, Marcus: Der Blick des Ich: Anmerkungen zur Ersten Person. In: Film-Dienst 52. 1999. No. 12. [June 8] pp. 42-43.
Description:
On films which deal with the problem of the human self. Discusses, among others, Darren Aronofsky’s Pi and the films of Dario Argento, Alfred Hitchcock, Ingmar Bergman and David Cronenberg.
Index:
Aronofsky, Darren
Argento, Dario
Hitchcock, Alfred
Bergman, Ingmar
Cronenberg, David
Pi (1998)

#2299
Stoichita, Victor I.: The Pygmalion effect: From Ovid to Hitchcock. - Chicago, Illinois; London: Chicago University Press 2008.
Index:
Ovid [Publius Ovidius Naso]
Hitchcock, Alfred

#2300
Stone, James D.: America through a British lens: Cinematic portrayals, 1930-2010. - Jefferson, North Carolina: McFarland & Company 2016.
Description:
Includes a chapter "’But he’s so kind and friendly!’: The mysterious American in 1930s British cinema".
Index:
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)
Großbritannien ~ Great Britain

#2301
Stratmann, Ingo: Der Kampf der Geschlechter: Die Situation von Mann und Frau in den späten amerikanischen Filmen Alfred Hitchcocks. - Bielefeld: Universität Bielefeld, Fakultät für Linguistik und Literaturwissenschaft, Magisterarbeit ?J (1989/1990)
Index:
Hitchcock, Alfred
Frauen ~ Women
USA (United States of America) ~ USA (United States of America)
Sexualität ~ Sexuality

#2302
Straumann, Barbara: Figurations of exile in Hitchcock and Nabokov. - Edinburgh: Edinburgh University Press 2008.
Index:
Hitchcock, Alfred
Nabokov, Vladimir

#2303
Strauss, Marc: Hitchcock nonetheless: The master’s touch in his least celebrated films. - Jefferson, North Carolina; London: McFarland & Co. 2007.
Description:
Includes chapters on Number Seventeen, Waltzes from Vienna, Secret Agent, Jamaica Inn, Mr. and Mrs. Smith, The Paradine Case, Under Capricorn, Stage Fright, I Confess, The Wrong Man, Torn Curtain and Topaz.
Index:
Hitchcock, Alfred
Number Seventeen (1932)
Waltzes from Vienna (1934)
Secret Agent (1936)
Jamaica Inn (1939)
Mr. and Mrs. Smith (1941)
Paradine Case, The (1947)
Under Capricorn (1949)
Stage Fright (1950)
I Confess (1952)
Wrong Man, The (1957)
Torn Curtain (1966)
Topaz (1968)

#2304
Strauss, Marc Raymond: Alfred Hitchcock’s silent films. - Jefferson, North Carolina; London: McFarland 2004.
Index:
Hitchcock, Alfred
Stummfilm ~ Silent Film

#2305
Strauss, Marc: The painted jester: Notes on the visual arts in Hitchcock’s films. In: Journal of Popular Film and Television 35. 2007. No. 2. [Summer] pp. 52-56.
Description:
How artworks inspired Hitchcock’s film aesthetics.
Index:
Hitchcock, Alfred
Expressionismus ~ Expressionism
Surrealismus ~ Surrealism
Kunst ~ Arts, The

#2306
Strazzulla, Gaetano: Gli ingredienti di Hitchcock. In: Rivista del Cinematografo 68. 1998. No. ?N. [October] pp. 57-59.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#2307
Street, Sarah: Hitchcockian haberdashery. In: Hitchcock Annual 1995. pp. 23-37.
Index:
Hitchcock, Alfred
Vertigo (1958)
Dial M for Murder (1954)
Marnie (1963/1964)

#2308
Street, Sarah: Hitchcockian haberdashery. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred
Vertigo (1958)
Psycho (1960)

#2309
Strick, P.: Alfred Hitchcock. In: Films and Filming ?G. 1983. No. ?N(351). [December] pp. 18-21.
Description:
Especially on The Rope, Rear Window, The Man Who Knew Too Much, The Trouble with Harry and Vertigo.
Index:
Hitchcock, Alfred
Rope, The (1948)
Rear Window (1954)
Man Who Knew Too Much, The (1956)
Trouble with Harry, The (1955)
Vertigo (1958)

#2310
Strick, P.: Rear Window. In: Films and Filming ?G. 1983. No. ?N(350). [November] pp. 38-39.
Index:
Hitchcock, Alfred
Rear Window (1954)

#2311
Strobel, Ricarda: Propagandafilm und Melodram: Untersuchungen zu Alfred Hitchcocks Lifeboat und Orson Welles’ The Stranger. - Rottenburg-Oberndorf: Wissenschaftler-Verlag Faulstich 1984.
Index:
Hitchcock, Alfred
Welles, Orson
Lifeboat (1943)
Stranger, The (1946)
Politik ~ Politics

#2312
Strobel, Ricarda: Propagandafilm und Melodram: Untersuchungen zu Alfred Hitchcocks Lifeboat und Orson Welles’ The Stranger. - Tübingen: Universität Tübingen, Dissertation 1984.
Index:
Hitchcock, Alfred
Welles, Orson
Lifeboat (1943)
Stranger, The (1946)
Politik ~ Politics

#2313
Stromgren, Dick: "Now to the banquet we press": Hitchcook’s gourmet and gourmand offerings. In: Beyond the Stars III. Edited by Paul Loukides and Linda K. Fuller. - Bowling Green, Ohio: Bowling Green University Popular Press 1990. pp. 38-50.
Index:
Hitchcock, Alfred
Nahrung ~ Food

#2314
Su Alfred Hitchcock. In: Filmcritica 32. 1981. No. 311. [January] pp. 1-56.
Index:
Hitchcock, Alfred

#2315
Suárez Sánchez, Juan A.: The rea view: Paranoia and homosicial desire in Alfred Hitchcock’s Rear Window. In: Gender, I-deology: Essays on theory, fiction and film. Edited by Chantal Cornut-Gentille D’Arcy and José Ángel García Landa. - Atlanta, Georgia; Amsterdam: Rodopi 1996. (= Postmodern Studies 16.) pp. 359-369.
Index:
Hitchcock, Alfred
Rear Window (1954)
Wahnsinn ~ Madness
Sexualität ~ Sexuality

#2316
Suchsland, Rüdiger: Crimson Peak: Hitchcocks Rebecca lässt grüßen: Schauerromantik à la Guillermo del Toro. In: Film-Dienst 68. 2015. No. 21. [October 15] p. 47.
Index:
del Toro, Guillermo
Hitchcock, Alfred
Crimson Peak (2015)
Rebecca (1940)
Angst ~ Fear
Romantik ~ Romanticism

#2317
Suchsland, Rüdiger: Risiken und Nebenwirkungen: Side Effects: Soderberghs "letzter" Film wandelt auf den Spuren von Hitchcock. In: Film-Dienst 66. 2013. No. 9. [April 25] p. 39.
Index:
Soderbergh, Steven
Hitchcock, Alfred
Side Effects (2013)

#2318
Sullivan, Jack: Hitchcock and music. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred
Musik ~ Music

#2319
Sullivan, Jack: Hitchcock’s music. - New Haven, Connecticut; London: Yale University Press 2006.
Reviews:
Kemp, Philip: Sound science. In: Sight and Sound NS 18. 2008. No. 9. [September] p. 92.
Thomas, Paul: [untitled] In: Film Quarterly 61. 2008. No. 4. [Summer] pp. 83-84.
Wierzbicki, James: [untitled.] In: Modernism/Modernity 15. 2008. No. 1. [?D] pp. 210-211.
Wulff, Hans Jürgen: [untitled.] In: Kieler Beiträge zur Filmmusikforschung 2013. No. 10. [December] p. ?P.
Index:
Hitchcock, Alfred
Musik ~ Music

#2320
Sullivan, Jack: Musical redemption in Hitchcock’s Rear Window. In: The Chronicle of Higher Education 50. 2004. No. 39. [June] pp. B18-B19.
Index:
Hitchcock, Alfred
Rear Window (1954)
Religion ~ Religion
Musik ~ Music

#2321
Sullivan, Jack: Psycho: The music of terror. In: Cineaste 32. 2006. No. 1. [Winter] pp. 20-28.
Index:
Hitchcock, Alfred
Psycho (1960)
Musik ~ Music

#2322
Sullivan, K. E.: Ed Gein and the figure of the transgendered serial killer. In: Jump Cut 2000. No. 43. [July] pp. 38-47.
Description:
Discusses, among others, the representation of the sexual disturbed murderer in Alfred Hitchcock’s Psycho and Jonathan Demme’s The Silence of the Lambs.
Index:
Gein, Ed
Hitchcock, Alfred
Demme, Jonathan
Psycho (1960)
Silence of the Lambs, The (1990)
Sexualität ~ Sexuality
Mord ~ Murder

#2323
Supanick, Jim: Saul Bass: "... to hit the ground running ...". In: Film Comment 33. 1997. No. 2. [March/April] pp. 72-77.
Description:
On the designer and his leaders for Alfred Hitchcock and Martin Scorsese.
Index:
Bass, Saul
Hitchcock, Alfred
Scorsese, Martin

#2324
Svehla, Gary J.: Psycho. In: Midnight Marquee 2010. No. 77. [Spring] pp. 35-36.
Description:
On a DVD edition.
Index:
Hitchcock, Alfred
Psycho (1960)
DVD ~ DVD

#2325
Sweeney, Kenneth: Psycho. In: American Cinematographer. Online edition, January 2011.
Description:
On a Blu-ray edition.
Index:
Hitchcock, Alfred
Psycho (1960)
Blu-Ray Disk ~ Blu-Ray Disc

#2326
Sweeney, Kenneth: To Catch a Thief. In: American Cinematographer 88. 2007. No. 10. [October] pp. 12-14.
Description:
On a DVD edition.
Index:
Hitchcock, Alfred
To Catch a Thief (1955)
DVD ~ DVD

#2327
Systematische Filmanalyse in der Praxis: Mit Analysbeispielen der Filme Der Prozeß (1962), Die Vögel (1963), Der diskrete Charme der Bourgeoisie (1972), Duell (1972), Die Ehe der Maria Braun (1979). Hrsg. von Helmut Korte. - Braunschweig: Hochschule für Bildende Künste HBK 1986. (= HBK Materialien 1.)
Reviews:
Hickethier, Knut: [untitled] In: Medienwissenschaft 1987. No. 2. pp. 198-200.
Index:
Welles, Orson
Hitchcock, Alfred
Buñuel, Luis
Spielberg, Steven
Fassbinder, Rainer Werner
Trial, The / Procés, Le / processo, Il (1962)
Birds, The (1962)
charme discret de la bourgeoisie, Le (1972)
Duel (1971)
Ehe der Maria Braun, Die (1978)

#2328
S[auvaget], D.:Hitch n’a plus la mort aux trousses. In: Image et Son 1980. No. 351. [?D] pp. 8-9.
Description:
On political and religious subtexts in Hitchcock’s films.
Index:
Hitchcock, Alfred
Tod ~ Death
Religion ~ Religion
Politik ~ Politics

#2329
The talkie king talks. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 3 ff.
Index:
Hitchcock, Alfred

#2330
Tallon, Philip: Psycho: Horror, Hitchcock, and the problem of evil. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 49-62.
Index:
Hitchcock, Alfred
Psycho (1960)
Horror ~ Horror
Böse, Das ~ Evil, The
Philosophie ~ Philosophy

#2331
Tanner, Louise: Anthony Perkins. In: Films in Review 37. 1986. No. 8/9. [August/September] pp. 418-421.
Description:
Especially on Perkins’s role in Alfred Hitchcock’s Psycho.
Index:
Perkins, Anthony
Hitchcock, Alfred
Psycho (1960)

#2332
Tapper, Michael: Alfred Hitchcock 100 år. In: Filmhäftet 27. 1999. No. 107. [?D] pp. 1-100.
Description:
Special section on Alfred Hitchcock’s 100. birthday. Includes a filmography and a bibliography.
Index:
Hitchcock, Alfred

#2333
Tapper, Michael: Notorious. In: Filmhäftet 30. 2002. No. 122. [?D] pp. 56-57.
Index:
Hitchcock, Alfred
Notorious (1946)

#2334
Tarnowski, Jean-François: Le crime était presque parfait: Re-connaissance d’un maître. In: Positif 1982. No. 261. [November] pp. 66-70.
Description:
On Alfred Hitchcock’s Dial M for Murder.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#2335
Tarnowski, Jean-François: Re-conocimiento de un maestro. In: Contracampo 1984. No. 35. [Spring] pp. 94-104.
Description:
On Alfred Hitchcock’s Dial M for Murder.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#2336
Taubin, Amy: Killing men: Serial killer movies run riot in our imaginations. In: Sight and Sound NS 1. 1991. No. 1. [May] pp. 14-19.
Description:
On recent serial killer films, among them John McNaughton’s Henry: Portrait of a Serial Killer and Jonathan Demme’s The Silence of the Lambs. These films are compared with classics like Psycho by Alfred Hitchcock and Peeping Tom by Michael Powell.
Index:
McNaughton, John
Demme, Jonathan
Hitchcock, Alfred
Powell, Michael
Henry - Portrait of a Serial Killer (1989)
Silence of the Lambs, The (1990)
Psycho (1960)
Peeping Tom (1959)
Mord ~ Murder

#2337
Taylor, Alan: Jacobean visions: Webster, Hitchcock, and Google culture. - Frankfurt/M.; Berlin; Bern; Bruxelles; New York; Oxford; Wien: Peter Lang 2007.
Index:
Hitchcock, Alfred
Webster, John

#2338
Taylor, John Russell: Die Hitchcock-Biographie: Alfred Hitchcocks Leben und Werk. Aus dem Englischen von Klaus Budzinski. - Frankfurt/M.: Fischer 1982. (= Fischer Cinema.)
First edition:
[New York: Pantheon Books 1978]
Index:
Hitchcock, Alfred

#2339
Taylor, John Russell: Die Hitchcock-Biographie: Alfred Hitchcocks Leben und Werk. Aus dem Englischen von Klaus Budzinski. - München; Wien: Hanser Verlag 1980.
First edition:
[New York: Pantheon Books 1978]
Reviews:
Pflaum, Hans Günther: Hitchcock. In: EPD Film 2. 1985. No. 5. [May] p. 15.
Index:
Hitchcock, Alfred

#2340
Taylor, John Russell: Hitch: La vita e l’opera di Alfred Hitchcock. - Milano: Garzanti 1980. (= I Garzanti: Cinema.)
First edition:
[1978]
Index:
Hitchcock, Alfred

#2341
Taylor, John Russell: Hitch: The life and times of Alfred Hitchcock. - New York: Pantheon Books 1978.
Index:
Hitchcock, Alfred

#2342
Taylor, John Russell: Hitch: The life and times of Alfred Hitchcock. - New York: Da Capo Press 1996.
First edition:
[1978]
Index:
Hitchcock, Alfred

#2343
Taylor, John Russell: Hitch: The life and times of Alfred Hitchcock. - London; Boston: Faber and Faber 1978.
Index:
Hitchcock, Alfred

#2344
Taylor, John Russell: Hitch: The life and times of Alfred Hitchcock. - London: Abacus 1981.
First edition:
[1978]
Index:
Hitchcock, Alfred

#2345
Taylor, John Russell: Hitch: The life and work of Alfred Hitchcock. - London; Boston: Faber and Faber 1978.
Index:
Hitchcock, Alfred

#2346
Taylor, John Russell: The Trouble with Harry. In: Films and Filming ?G. 1984. No. ?N(357). [June] pp. 40-41.
Index:
Hitchcock, Alfred
Trouble with Harry, The (1955)

#2347
Taylor, Samuel: A talk by Samuel Taylor, screenwriter of Vertigo. In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 287-299.
Index:
Hitchcock, Alfred
Taylor, Samuel
Vertigo (1958)

#2348
Taylor, Sue: The man who saw too much. In: Art in America 89. 2001. No. 6. [June] pp. 36 ff.
Description:
On Alfred Hitchcock.
Index:
Hitchcock, Alfred

#2349
Teachout, Terry: Hitchcock at 100. In: National Review 51. 1999. No. 16. [August 30] p. 45.
Description:
Especially on the collaboration between Hitchcock and composer Bernard Herrmann.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Musik ~ Music

#2350
Telotte, J. P.: Faith and idolatry in the horror film. In: Literature/Film Quarterly 8. 1980. No. 3. [July] pp. 143-155.
Description:
Especially on Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Horror ~ Horror

#2351
Telotte, J. P.: The sounds of Blackmail: Hitchcock and sound aesthetic. In: Journal of Popular Film and Television 28. 2001. No. 4. [?D] pp. 184-191.
Index:
Hitchcock, Alfred
Blackmail (1929)
Musik ~ Music

#2352
Telotte, J. P.: The sounds of Blackmail: Hitchcock and sound aesthetic. In: Journal of Popular Film and Television 28. 2001. No. 4. [Winter] pp. 184-191.
Index:
Hitchcock, Alfred
Blackmail (1929)
Musik ~ Music

#2353
Terr, Lenore C.: Childhood trauma and the creative product: A look at the early lives and later works of Poe, Wharton, Magritte, Hitchcock, and Bergman. In: The Psychoanalytic Study of the Child 42. 1987. No. ?N. [?D] pp. 545-572.
Index:
Poe, Edgar Allan
Wharton, Edith
Magritte, René
Hitchcock, Alfred
Bergman, Ingmar
Jugend ~ Youth
Psychologie ~ Psychology

#2354
Terziev, Janko: Alfred Hitchcock - nabedenijat vinoven. / Fragmenti. In: Kinoizkustvo 44. 1989. No. 10. [October] pp. 35-63.
Index:
Hitchcock, Alfred

#2355
Thain, Alanna Michael: Suspended (re)animations: Affect, immediation and the film body. - Durham, North Carolina: Duke University, Ph.D. 2005. [Abstract in: Dissertation Abstracts International A 67. 2007. No. 9. (March).]
Description:
Discusses, as examples, Alfred Hitchcock’s Vertigo, David Lynch’s Lost Highway, Ye Lou’s Suzhou River (Suzhou he) and Hirokazu Kore-eda’s After Life (Wandafuru raifu).
Index:
Hitchcock, Alfred
Lynch, David
Lou, Ye
Kore-eda, Hirokazu
Deleuze, Gilles
Vertigo (1958)
Lost Highway (1996)
Suzhou he (2000)
Wandafuru raifu (1998)
Körper ~ Bodies
Animation ~ Animation

#2356
Thal, Ortwin: Eine Lektion in Sachen Phantasie und Imagination. In: Medien und Erziehung 28. 1984. No. 4. [?D] pp. 227-230.
Index:
Hitchcock, Alfred
Vertigo (1958)
Phantasie ~ Fantasy

#2357
Tharp, Julie: The transvestite as monster: Gender horror in Silence of the Lambs and Psycho. In: Journal of Popular Film and Television 19. 1991. No. 3. [Fall] pp. 106-113.
Index:
Demme, Jonathan
Hitchcock, Alfred
Silence of the Lambs, The (1990)
Psycho (1960)
Sexualität: Transvestiten ~ Sexuality: Transvestites
Monster ~ Monster
Sexualität ~ Sexuality
Horror ~ Horror

#2358
Theweleit, Klaus: Der kleine Hitchcock war oft erschreckt: Erschreckt er uns deshalb mit seinen Filmen? Zur Lust am Biographischen. In: Jahrbuch der Deutschen Akademie für Sprache und Dichtung 1986. pp. 136-168.
Index:
Hitchcock, Alfred

#2359
Theweleit, Klaus: Deutschlandfilme: Filmdenken & Gewalt: Godard, Hitchcock, Pasolini. - Frankfurt/Main: Verlag Stroemfeld / Roter Stern 2003.
Reviews:
Girke, Michael: Was Gewaltbilder berühren. In: Film-Dienst 57. 2004. No. 7. [April 1] pp. 40-41.
Scalla, Mario: Textbildertext. In: EPD Film 21. 2004. No. 1. [January] p. 54.
Index:
Godard, Jean-Luc
Hitchcock, Alfred
Pasolini, Pier Paolo
Gewalt ~ Violence
Deutschland ~ Germany

#2360
Thomas, Allen Jeanne: The representation of violence to women: Hitchcock’s Frenzy. In: Film Quarterly 38. 1985. No. 3. [Spring] pp. 30-38.
Index:
Hitchcock, Alfred
Frenzy (1971)
Gewalt ~ Violence
Frauen ~ Women

#2361
Thomas, Bob: Alfred Hitchcock: The German years. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 156 ff.
Index:
Hitchcock, Alfred
Deutschland ~ Germany

#2362
Thomas, Deborah: On being Norman: Performance and inner life in Hitchcock’s Psycho. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Psycho (1960)

#2363
Thomas, Deborah: On being Norman: Performance and inner life in Hitchcock’s Psycho. In: Cineaction 1997. No. 44. [July] pp. 66-72.
Description:
On Anthony Perkins’s role as psychopathic killer "Norman Bates".
Index:
Hitchcock, Alfred
Perkins, Anthony
Psycho (1960)
Mord ~ Murder
Körper ~ Bodies
Psychologie ~ Psychology

#2364
Thomas, Deborah: Reading Hollywood: Spaces and meanings in American film. - London; New York: Wallflower Press 2001. (= Short Cuts 5.)
Reviews:
Chopra-Gant, Mike: Hollywood spaces. In: Film-Philosophy 7. 2003. No. 5. [February] p. ?P.
Leuffen, Michael: [untitled] In: Medienwissenschaft 2003. No. 1. pp. 111-112.
Thomas, Deborah: A reply to Mogg and Chopra-Gant. In: Film-Philosophy 7. 2003. No. 6. [February] p. ?P.
Description:
Discusses, among others, Frank Capra’s It’s a Wonderful Life and Alfred Hitchcock’s Vertigo.
Index:
Capra, Frank
Hitchcock, Alfred
It’s a Wonderful Life (1947)
Vertigo (1958)
USA (United States of America) ~ USA (United States of America)
Hollywood ~ Hollywood

#2365
Thomas, Deborah: Self-possession and dispossession in Hitchcock’s Marnie. In: Cineaste 33. 2007. No. 1. [?D] pp. 107-121.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#2366
Thomas, Gary: Men at the keyboard: Liminal spaces and the heterotopian function of music. In: Beyond the soundtrack: Representing music in cinema. Edited by Daniel Goldmark, Lawrence Kramer and Richard Leppert. - Berkeley, California; London: University of California Press 2007. pp. 277-291.
Description:
Discusses, among others, Alfred Hitchcock’s The Rope.
Index:
Hitchcock, Alfred
Rope, The (1948)
Musik ~ Music

#2367
Thompson, D.: Anotber stab at Psycho. In: Radio Times 273. 1992. No. 3569. [May 23] pp. 42-43.
Description:
Interview with Anthony Perkins on his roles in Alfred Hitchcock’s Psycho and in the two 1980s remakes Psycho II and Psycho III.
Index:
Perkins, Anthony
Hitchcock, Alfred
Franklin, Richard
Psycho (1960)
Psycho II (1982)
Psycho III (1985)

#2368
Thompson, Kaelie: The suspense thriller’s Pygmalion complex: Masculine desire in Vertigo (1958), Les Biches (1968), and Body Double (1984). In: Classical myth on screen. Edited by Monica S. Cyrino and Meredith E. Safran. - New York: Palgrave Macmillan 2015. p. ?P.
Index:
Hitchcock, Alfred
Chabrol, Claude
De Palma, Brian
Vertigo (1958)
Biches, Les (1968)
Body Double (1984)
Thriller ~ Thriller
Männer ~ Men
Mythologie ~ Mythology

#2369
Thomsen, Christian Braad: Hitchcock: Hans liv og film. - Köbenhavn: Gyldendal 1990.
Index:
Hitchcock, Alfred

#2370
Thomson, David: Big Hitch. In: Film Comment 15. 1979. No. ?N. [March] pp. 26-29.
Description:
On the bestowal of the "AFI Life Achievement Award" to Alfred Hitchcock.
Index:
Hitchcock, Alfred

#2371
Thomson, David: H for Hitchcock. In: Sight and Sound NS 7. 1997. No. 1. [January] pp. 26 ff.
Description:
Overview of Hitchcock’s life and filmic work.
Index:
Hitchcock, Alfred

#2372
Thomson, David: Hitchcock. In: Sight and Sound NS 7. 1997. No. 1. [January] pp. 26-30.
Index:
Hitchcock, Alfred

#2373
Thomson, David: Salieri, Psycho. In: Film Comment 21. 1985. No. 1. [January/February] pp. 70-75.
Description:
Compares the character of "Salieri" from Milos Forman’s Amadeus with the character of "Norman Bates" from Alfred Hitchcock’s Psycho.
Index:
Forman, Milos
Hitchcock, Alfred
Amadeus (1984)
Psycho (1960)

#2374
Thomson, David: Ten films that showed Hollywood how to live. In: Movieline 8. 1997. No. ?N. [July] pp. 60 ff.
Description:
Discusses, among others, Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Hollywood ~ Hollywood

#2375
Thomson, David: The moment of Psycho: How Alfred Hitchcock taught America to love murder. - New York: Basic Books 2009.
Reviews:
Genzlinger, Neil: [untitled.] In: New York Times Book Review, January 24, 2010. p. 8.
James, Nick: [untitled.] In: Sight and Sound NS 20. 2010. No. 5. [May] p. 101.
Index:
Hitchcock, Alfred
Psycho (1960)
USA (United States of America) ~ USA (United States of America)
Mord ~ Murder

#2376
Thorpe, Brian John: Psycho. In: Cinefantastique 16. 1986. No. 1. [March] pp. 27-28.
Index:
Hitchcock, Alfred
Psycho (1960)

#2377
Die Thriller-Elite: Alfred Hitchcock. In: Thriller: Kino, das an den Nerven zerrt: Verhängnisvolle Affären, manische Psychopathen und ultracoole Cops. Hrsg. von Dirk Manthey und Jörg Altendorf. Redaktion: Willy Loderhose. Autoren: Adolf Heinzelmeier und Tilo Knops. - Hamburg: Kino Verlag 1991. (= Cinema Filmbuch.) pp. 158-161.
Description:
Includes a filmography.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology
Thriller ~ Thriller

#2378
Thumin, Janet: Celluloid sisters: Women and popular cinema. Consultant editor Jo Campling. - Basingstoke; London: Macmillan Press 1992.
Description:
On women’s roles in popular British and American film between 1945 and 1965. Discusses also a lot of fantastic films, among them Black Narzissus by Michael Powell and Emeric Pressburger, Caesar and Cleopatra by Gabriel Pascal, The Curse of Frankenstein by Terence Fisher, the James Bond films Dr. No and From Russia with Love by Terence Young as well as Goldfinger by Guy Hamilton, the Hitchcock films The Man who Knew too Much, Marnie, Rear Window and Spellbound, Mary Poppins by Robert Stevenso and The Seventh Veil by Compton Bennett.
Index:
Powell, Michael
Pressburger, Emeric
Pascal, Gabriel
Fisher, Terence
Young, Terence
Hamilton, Guy
Hitchcock, Alfred
Stevenson, Robert
Bennett, Compton
Black Narcissus (1947)
Caesar and Cleopatra (1946)
Curse of Frankenstein, The (1957)
Dr. No (1962)
From Russia with Love (1963)
Goldfinger (1964)
Man Who Knew Too Much, The (1956)
Marnie (1963/1964)
Rear Window (1954)
Spellbound (1945)
Mary Poppins (1964)
Seventh Veil, The (1945)
USA (United States of America) ~ USA (United States of America)
Großbritannien ~ Great Britain
Frauen ~ Women
James Bond ~ James Bond

#2379
Thumin, Janet: Celluloid sisters: Women and popular cinema. Consultant editor Jo Campling. - New York: St. Martin’s Press 1992.
Description:
On women’s roles in popular British and American film between 1945 and 1965. Discusses also a lot of fantastic films, among them Black Narzissus by Michael Powell and Emeric Pressburger, Caesar and Cleopatra by Gabriel Pascal, The Curse of Frankenstein by Terence Fisher, the James Bond films Dr. No and From Russia with Love by Terence Young as well as Goldfinger by Guy Hamilton, the Hitchcock films The Man who Knew too Much, Marnie, Rear Window and Spellbound, Mary Poppins by Robert Stevenso and The Seventh Veil by Compton Bennett.
Index:
Powell, Michael
Pressburger, Emeric
Pascal, Gabriel
Fisher, Terence
Young, Terence
Hamilton, Guy
Hitchcock, Alfred
Stevenson, Robert
Bennett, Compton
Black Narcissus (1947)
Caesar and Cleopatra (1946)
Curse of Frankenstein, The (1957)
Dr. No (1962)
From Russia with Love (1963)
Goldfinger (1964)
Man Who Knew Too Much, The (1956)
Marnie (1963/1964)
Rear Window (1954)
Spellbound (1945)
Mary Poppins (1964)
Seventh Veil, The (1945)
USA (United States of America) ~ USA (United States of America)
Großbritannien ~ Great Britain
Frauen ~ Women
James Bond ~ James Bond

#2380
Tifft, Stephen. Mrs Bates’s smile: Psycho and psychoanalysis. In: The Cambridge companion to Alfred Hitchcock. Edited by Jonathan Freedman. - Cambridge; New York: Cambridge University Press 2015. pp. 143-158.
Index:
Hitchcock, Alfred
Psycho (1960)
Psychologie ~ Psychology

#2381
Till, Renate: Männerbilder in ausgewählten Filmen Alfred Hitchcocks: Rear Window, To Catch a Thief, Vertigo, North by Northwest. - München: Universität München, Institut für Kommunikationswissenschaft, Magisterarbeit 1994.
Index:
Hitchcock, Alfred
Rear Window (1954)
To Catch a Thief (1955)
Vertigo (1958)
North by Northwest (1959)
Männer ~ Men

#2382
Timm, Monika: Bit Parts: Alfred Hitchcock und seine Cameos. - Norderstedt: Books on Demand 2011.
Index:
Hitchcock, Alfred

#2383
Timmer, Andreas Arnold: Making the ordinary extra-ordinary: The film-related work of Saul Bass. - New York: Columbia University, Ph.D. 1999. [Abstract in: Dissertation Abstracts International A 60. 2000. No. 11. (May) p.3828A.]
Description:
Discusses especially Bass’s own film Phase IV and his work for Alfred Hitchcock’s Psycho and Stanley Kubrick’s Spartacus.
Index:
Bass, Saul
Hitchcock, Alfred
Kubrick, Stanley
Phase IV (1974)
Psycho (1960)
Spartacus (1959/1960)

#2384
Tinazzi, Giorgio: Psycho da Hitchcock a Van Sant. In: Bianco e Nero 55. 1999. No. 5. [September/October] pp. 37-41.
Description:
Compares the two Psycho films by Alfred Hitchcock and Gus Van Sant.
Index:
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)
Psycho (1998)

#2385
Tobin, Yann: Vertigo revient. In: Positif 1984. No. 281/282. [July/August] pp. 54-56.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2386
Todd, Ian Scott: Hitchcock’s "good-looking blondes": First glimpses and second glances. In: Situating the feminist gaze and spectatorship in postwar cinema. Edited by Marcelline Block. - Newcastle upon Tyne: Cambridge Scholars 2008. pp. 52-66.
Index:
Hitchcock, Alfred
Frauen ~ Women

#2387
Toles, George E.: "If thine eye offend thee ...": Psycho and the art of infection. In: New Literary History 15. 1984. No. 3. [Spring] pp. 631-651.
Index:
Hitchcock, Alfred
Psycho (1960)
Augen ~ Eyes

#2388
Toles, George E.: Alfred Hitchcock’s Rear Window as critical allegory. In: Boundary 2 16. 1989. No. 2/3. [Winter/Spring] pp. 225-245.
Index:
Hitchcock, Alfred
Rear Window (1954)

#2389
Toles, George: Occasions of sin: The forgotten cigarette lighter and other moral accidents in Hitchcock. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred

#2390
Toles, George: The forgotten lighter and other moral accidents in Strangers on a Train. In: Raritan 28. 2009. No. 4. [?D] pp. 111-137.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)

#2391
Tomasulo, Frank P.:"You’re tellin’ me you didn’t see": Hitchcock’s Rear Window and Antonioni’s Blow-Up. In: After Hitchcock: Influence, imitation, and intertextuality. Edited by David Boyd and R. Barton Palmer. - Austin, Texas: University of Texas Press 2006. pp. 145-172.
Index:
Hitchcock, Alfred
Antonioni, Michelangelo
Rear Window (1954)
Blow Up (1966)

#2392
Tomlinson, Carol: The aura of horror. - New York: Long Island University, The Brooklyn Center, M.A. 2006. [Abstract in: Masters Abstracts International 45. 2007. No. 1. (February). p. 24.]
Description:
Discusses especially Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Horror ~ Horror

#2393
Tomlinson, Doug: "They should be treated like cattle": Hitchcock and the question of performance. In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 95-108.
Index:
Hitchcock, Alfred

#2394
Tomlinson, Doug R.: Studies in the use and visualization of film performance: Alfred Hitchcock, Robert Bresson, Jean Renoir. - New York: New York University, Ph.D. 1986. [Abstract in: Dissertation Abstracts International A 47. 1987. No. 12. (June) p. 4213A.]
Description:
Discusses, among others, Alfred Hitchcock’s Vertigo and Robert Bresson’s A Man Escaped.
Index:
Hitchcock, Alfred
Bresson, Robert
Renoir, Jean
Vertigo (1958)
condamné à mort s’est échappé, Un / vent souffle où il veut, Le (1956)

#2395
Tong, Jacqueline: Hong Kong Rear Window: Backyard Adventures (1955). In: Hitchcock Annual 2005/2006. pp. 121-138.
Description:
On Hou chang, a Hong Kong remake of Alfred Hitchcock’s Rear Window.
Index:
Pei Chan
Wui Ng
Ji Zhu
Hitchcock, Alfred
Hou chang (1955)
Rear Window (1954)
Hongkong ~ Hong Kong

#2396
Torres-Dulce Infante, E.:Hitchcock: Falsario o genie? In: Cinema 2002 1980. No. 63. [May] pp. 8-9.
Index:
Hitchcock, Alfred

#2397
Toubiana, Serge: 8 avril 1962: Le "Hitchbook" germe dans l’esprit de Truffaut. In: Cahiers du Cinéma 1995. Numéro Special: 100 Journées qui ont fait le Cinéma. [?D] p. 91.
Index:
Hitchcock, Alfred
Truffaut, François

#2398
Tout ce que vous avez toujours voulu davoir sur Lacan sans jamais oser le demander à Hitchcock. Sous la direction de Slavoj Zizek. Par Mladen Dolar [et al.]. - Paris: Navarin 1988. (= Analytica 53; Supplement)
Reviews:
Donovan, Francis: Hitchcockologie. In: Cinéma [Paris] 1990. No. 463. [?D] pp. 36-37.
Index:
Hitchcock, Alfred
Lacan, Jacques

#2399
Travers, Peter: Rear Window. In: Rolling Stone 2000. No. 834. [February 17] pp. 63 ff.
Index:
Hitchcock, Alfred
Rear Window (1954)

#2400
Les 39 marches. In: L’Avant-Scène Cinéma 1980. No. 249. [June 1] pp. 3-9, 11-48.
Description:
Special section on Alfred Hitchcock’s The Thirty-Nine Steps.
Index:
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)

#2401
Ein Triumph des Blicks über das Auge: Psychoanalyse bei Alfred Hitchcock. Von Miran Bozovic [et al.]. Hrsg. von Slavoj Zizek. Übersetzt von Isolde Charim [et al.]. - Wien: Turia & Kant 1992.
Reviews:
Rothschild, Thomas: [untitled] In: Medienwissenschaft 1994. No. 1. pp. 81-82.
Index:
Hitchcock, Alfred

#2402
Trosman, Harry: Contemporary psychoanalysis and masterworks of art and film. - New York: New York University Press 1996.
Description:
Includes, among others, a chapter on Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)
Psychologie ~ Psychology

#2403
Truffaut, François: Alfred Hitchcock nel 1980. In: Filmcritica 49. 1999. No. 499. [October] pp. 438-442.
Index:
Hitchcock, Alfred
Truffaut, François

#2404
Truffaut, François: Die Filme meines Lebens: Aufsätze und Kritiken. Hrsg. von Robert Fischer. Aus dem Französischen von Frieda Grafe und Enno Patalas. - Frankfurt/M.: Verlag der Autoren 1997.
Reviews:
Koll, Horst Peter: [untitled] In: Film-Dienst 50. 1997. No. 12. [June 10] p. 33.
Oplustil, Karlheinz: [untitled] In: EPD Film 14. 1997. No. 9. [September] pp. 13-14.
Schulte, Christian: [untitled] In: Medien und Erziehung 41. 1997. No. 4. [?D] p. 264.
Description:
Discusses, among others, the films of Alfred Hitchcock.
Index:
Truffaut, François
Hitchcock, Alfred

#2405
Truffaut, François: Il cinema secondo Hitchcock. - Parma: Pratiche 1978. (= Le forme del discorso 6.)
First edition:
[Le cinéma selon Hitchcock. - Paris: Laffont 1966]
Index:
Hitchcock, Alfred
Truffaut, François

#2406
Truffaut, François: Il cinema secondo Hitchcock. Ed. definitiva. - Milano: Pratiche 1996.
First edition:
[Le cinéma selon Hitchcock. - Paris: Laffont 1966]
Index:
Hitchcock, Alfred
Truffaut, François

#2407
Truffaut, François: Il cinema secondo Hitchcock. Traduzione di Giuseppe Ferrari e Francesco Pititto. - Milano: Nuova Pratiche 1997.
First edition:
[Le cinéma selon Hitchcock. - Paris: Laffont 1966]
Index:
Hitchcock, Alfred
Truffaut, François

#2408
Truffaut, François: Le cinéma selon Hitchcock. - Paris: Laffont 1966.
Index:
Hitchcock, Alfred
Truffaut, François

#2409
Truffaut, François: Slow fade: The declining years of Alfred Hitchcock. In: American Film 10. 1984. No. 2. [November] pp. 40-47.
Description:
The director on his colleague.
Index:
Truffaut, François
Hitchcock, Alfred

#2410
Truffaut, François: The films in my life. - New York: Da Capo Press 1994.
Description:
Essays by Truffaut on films of other directors, among them Alfred Hitchcock, Orson Welles, Jean Cocteau, Ingmar Bergman and Luis Buñuel.
Index:
Hitchcock, Alfred
Welles, Orson
Cocteau, Jean
Bergman, Ingmar
Buñuel, Luis

#2411
Trumpener, Katie: Fragments of the mirror: Self-reference, mise-en-abyme, Vertigo. In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 175-188.
Index:
Hitchcock, Alfred
Vertigo (1958)
Spiegel ~ Mirror

#2412
Turner, D.: The interiority of the unknown woman in film. - Kent: University of Kent, Ph.D. 2006. [Abstract in: Index to Theses with Abstracts 58-1400.]
Description:
Discusses, among others, Alfred Hitchcock’s Psycho, Eric Rohmer’s Le rayon vert, Ingmar Bergman’s Persona and Luis Buñuel’s Belle de jour.
Index:
Hitchcock, Alfred
Rohmer, Eric
Bergman, Ingmar
Buñuel, Luis
Psycho (1960)
rayon vert, Le (1986)
Persona (1966)
Belle de jour (1966)
Frauen ~ Women

#2413
Turner, George: Du Maurier + Selznick + Hitchcock = Rebecca. In: American Cinematographer 78. 1997. No. 7. [July] pp. 84-88.
Description:
Compares the novel by Daphne Du Maurier with the Hitchcock film produced by Selznick.
Index:
Hitchcock, Alfred
Du Maurier, Daphne
Selznick, David O.
Rebecca (1940)
Rebecca (Literatur ~ Literature)

#2414
Turner, George E.: Rope - Something different. In: American Cinematographer 66. 1985. No. 2. [February] pp. 34-40.
Index:
Hitchcock, Alfred
Rope, The (1948)

#2415
Turner, George E.: Saboteur: Hitchcock set free. In: American Cinematographer 74. 1993. No. 12. [December] pp. 88-93.
Description:
Two-part series on the film.
Index:
Hitchcock, Alfred
Saboteur (1942)

#2416
Turner, George E.: Saboteur: Hitchcock set free. In: American Cinematographer 74. 1993. No. 11. [November] pp. 67-72.
Description:
Two-part series on the film.
Index:
Hitchcock, Alfred
Saboteur (1942)

#2417
Turner, George: Foreign Correspondent - The best spy thriller of all: World War II is backdrop for suspense classic. In: American Cinematographer 76. 1995. No. 8. [August] pp. 75-81.
Index:
Hitchcock, Alfred
Foreign Correspondent (1940)
Krieg ~ War
Thriller ~ Thriller

#2418
Turner, George: Hitchcock’s acrophobic vision. In: American Cinematographer 77. 1996. No. 11. [November] pp. 86-91.
Description:
On Robert Burks’s camera work on Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Burks, Robert
Vertigo (1958)
Technik: Kamera ~ Technology: Camera

#2419
Turner, George: Hitchcock’s mastery is beyond doubt in Shadow. In: American Cinematographer 74. 1993. No. 5. [May] pp. 62-67.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)

#2420
Turner, George: Vertigo restored to dizzying splendor. In: American Cinematographer 77. 1996. No. 11. [November] p. 90.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2421
Turner, John B.: On suspense and other film matters: An interview with Alfred Hitchcock. In: Films in Review 1. 1950. No. 3. [April] p. 21.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#2422
Tuska, Jon: Alfred Hitchcock. In: Tuska, Jon: Encounters with filmmakers: Eight career studies. - Westport, Connecticut; New York; London: Greenwood Press 1991. (= Contributions to the Study of Popular Culture 29.) pp. 65-93.
Description:
Includes a filmography.
Index:
Hitchcock, Alfred

#2423
Tuska, Jon: Encounters with filmmakers: Eight career studies. - Westport, Connecticut; New York; London: Greenwood Press 1991. (= Contributions to the Study of Popular Culture 29.)
Reviews:
Sobchack, Tom: [untitled] In: Journal of Popular Film and Television 20. 1992. No. 1. [?D] pp. 38-39.
Description:
Includes chapters on H. Bruce Humberstone, Henry King, Alfred Hitchcock, John Huston, Orson Welles and Roman Polanski.
Index:
Hitchcock, Alfred
Welles, Orson
Humberstone, H. Bruce
King, Henry
Huston, John
Polanski, Roman

#2424
Über den Dächern von Nizza. - Nürnberg: Verlag Karin Stähle ?J. (= Super 8 Filmblätter.)
Description:
On Alfred Hitchcock’s To Catch a Thief.
Index:
Hitchcock, Alfred
To Catch a Thief (1955)

#2425
Una rosa è una rosa è una rosa: Il cinema secondo Alfredo Hitchcock. A cura di Giuliana Callegari e Nuccio Lodato. - Pavia: Centro stampa dell’Amministrazione provinciale 1979. (= Vedere è un modo di pensare: Quaderno di documentazione 15.)
Index:
Hitchcock, Alfred

#2426
Das unbewußte Sehen: Texte zu Psychoanalyse, Film, Kino. Hrsg. von August Ruhs , Bernhard Riff und Gottfried Schlemmer. - Wien: Löcker Verlag 1989.
Reviews:
Hagmann, Karl Eugen: [untitled] In: Film-Dienst 43. 1990. No. 11. [May 29] pp. 39-40.
Paech, Joachim: Filmtheorie aus Österreich. In: EPD Film 7. 1990. No. 4. [April] pp. 9-10.
Rother, Rainer: Psychoanalytisches zu Film und Kino. In: Filmwärts ?G. 1990. No. 17. [?D] pp. VI-VII.
Wulff, Hans J.: [untitled] In: Medienwissenschaft 1989. No. 3. pp. 354-356.
Description:
Includes essays on Alfred Hitchcock’s Rear Window and Spellbound, Jerry Lewis’s The Nutty Professor, Simon Wincer’s D.A.R.Y.L. and Jean Cocteau’s Le Sang d’un poète.
Index:
Hitchcock, Alfred
Wincer, Simon
Lewis, Jerry
Cocteau, Jean
Rear Window (1954)
Spellbound (1945)
Nutty Professor, The (1963)
D.A.R.Y.L. (1985)
Sang d’un poète, Le (1931)
Psychologie ~ Psychology

#2427
Das Universum David Lynch. In: Zoom ?G. 1997. No. 3. [March] pp. 12-29.
Description:
Especially on Lost Highway. In addition, Lynch’s films are compared to those of Alfred Hitchcock.
Index:
Lynch, David
Hitchcock, Alfred
Lost Highway (1996)

#2428
Der unsichtbare Dritte. - Nürnberg: Verlag Karin Stähle ?J. (= Super 8 Filmblätter.)
Description:
On Alfred Hitchcock’s North by Nortwest.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#2429
Der unsichtbare Dritte. - Nürnberg: Filmverlag Peter Schmidl 1995. (= Phantopia-Filmprogramm 309.)
Description:
On Alfred Hitchcock’s North by Northwest.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#2430
Der unsichtbare Dritte. Text von Stefan Otto. - Stuttgart: Verlag Uwe Wiedleroither 1994. (= Filmprogramm 249.)
Description:
On Alfred Hitchcock’s North by Northwest.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#2431
Uth Jensen, Henrik: Som årene går. In: Kosmorama 42. 1996. No. 216. [Summer] pp. 16-17.
Description:
On the motif of the "déjà vu" in Chris Marker’s La Jetée, Alfred Hitchcock’s Vertigo and Terry Gilliam’s Twelve Monkeys.
Index:
Marker, Chris
Hitchcock, Alfred
Gilliam, Terry
Jetée, La (1962)
Vertigo (1958)
Twelve Monkeys (1995)
Zeit ~ Time

#2432
Utsch, Carolin: Ti piace Hitchcock? (2005). In: Dario Argento: Anatomie der Angst. Hrsg. von Michael Flintrop und Marcus Stiglegger. - Berlin: Bertz und Fischer 2013. (= Deep Focus 16.) pp. 246 ff.
Index:
Argento, Dario
Hitchcock, Alfred
Ti piace Hitchcock? (2005)
Angst ~ Fear

#2433
Vachaud, Laurent: La collection Hitchcock. In: Positif 2001. No. 489. [November] p. 39.
Description:
On a DVD edition of Hitchcock films.
Index:
Hitchcock, Alfred
DVD ~ DVD

#2434
Valenti, Peter: Musique de films. In: Séquences ?G. 1981. No. 104. [April] pp. 61-62.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Musik ~ Music

#2435
Vallerand, P.: North by Northwest de Bernard Herrmann. In: Séquences ?G. 1981. No. 104.. [April] pp. 61-62.
Description:
On the film score.
Index:
Hitchcock, Alfred
Herrmann, Bernard
North by Northwest (1959)
Musik ~ Music

#2436
Valley, Jean: Brian De Palma: The new Hitchcock or just another rip-off? In: Brian de Palma: Interviews. Edited by Laurence F. Knapp. - Jackson, Mississippi; London: University Press of Mississippi 2003. (= Conversations with Filmmakers.) pp. 69 ff.
Index:
De Palma, Brian
Hitchcock, Alfred

#2437
Valley, Richard: The Hayes office: John Michael Hayes. In: Scarlet Street 1996. No. 21. [Winter] pp. 90-94, 97.
Description:
Interview with the scriptwriter on his work for Hitchcock’s Rear Window, To Catch a Thief and The Trouble with Harry.
Index:
Hayes, John Michael
Hitchcock, Alfred
Rear Window (1954)
To Catch a Thief (1955)
Trouble with Harry, The (1955)

#2438
Valley, Richard: The Hayes office: John Michael Hayes. In: Scarlet Street 1996. No. 22. [?D] pp. 84-88, 97.
Description:
Interview with the scriptwriter on his work for Hitchcock’s The Trouble with Harry and The Man Who Knew Too Much.
Index:
Hayes, John Michael
Hitchcock, Alfred
Trouble with Harry, The (1955)
Man Who Knew Too Much, The (1956)

#2439
Valley, Richard: The trouble with Hitchcock: Stage Fright and Strangers on a Train investigated! In: Scarlet Street 1996. No. 21. [Winter] pp. 61-65.
Description:
On the plagiarism reproach against the two Hitchcock films.
Index:
Hitchcock, Alfred
Stage Fright (1950)
Strangers on a Train (1951)

#2440
Vallorani, Nicoletta: Il guanto a rovescio: The Secret Agent al cinema, e altri esperimenti. In: Compagni segreti: Joseph Conrad e i suoi traduttori in Italia. A cura di Marialuisa Bignami. - Milano: Cisalpino 2008. (= Quaderni di Acme.) pp. 137-150.
Index:
Conrad, Joseph
Hitchcock, Alfred
Secret Agent (1936)
Italien ~ Italy
Secret Agent, The (Literatur ~ Literature)

#2441
van de Graaf, Paul: De films die Alfred Hitchcock niet maakte: Van Hamlet en Cleopatra tot Gangsters op zoek naar een lijk. In: Skrien 32. 2000/2001. No. 10. [December/January] pp. 41-43.
Description:
On Alfred Hitchcock’s unrealized film projects.
Index:
Hitchcock, Alfred

#2442
van de Merwe, Piet: Spellbound en Lost Horizon: Van 78-toeren naar CD. In: Skrien 33. 2001. No. 5. [June/July] p. 53.
Description:
On CD editions of the two film scores.
Index:
Hitchcock, Alfred
Capra, Frank
Spellbound (1945)
Lost Horizon (1937)
Musik ~ Music

#2443
van de Ven, L.: Alfred Hitchcock’s film music. In: Soundtrack: The Collector’s Quarterly 4. 1985. No. 16. [December] pp. 5-6.
Description:
On Bernard Herrmann’s scores for North by Northwest and Psycho.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Psycho (1960)
Musik ~ Music

#2444
van den Oever, Roel: Mama’s boy: Momism and homophobia in postwar American culture. - Basingstoke; New York: Palgrave Macmillan 2012.
Description:
Discusses, among others, Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
USA (United States of America) ~ USA (United States of America)
Psychologie ~ Psychology
Krieg ~ War
Sexualität: Homosexualität ~ Sexuality: Homosexuality

#2445
van der Kooij, Fred: Weit und breit keine Höhe: Vom Verlust des Vertikalen im Kino. In: Cinema [Zürich] 1999. No. 44. [?D] pp. 116-139.
Description:
Discusses also a lot of fantastic films, among them Alfred Hitchcock’s Vertigo, North by Northwest and Psycho as well as Andrej Tarkovskij’s Offret.
Index:
Hitchcock, Alfred
Tarkovsky, Andrei Arsenyevich
Vertigo (1958)
North by Northwest (1959)
Psycho (1960)
Offret / Sacrifice, Le (1985)

#2446
van Eynde, Laurent: Vertige de l’image: L’esthétique réflexive d’Alfred Hitchcock. - Paris: Presses universitaires de France 2011. (= Lignes d’art.)
Index:
Hitchcock, Alfred

#2447
van Uffelen, René: Op de montagetafel: de mooiste kus uit de filmgeschiedenis. In: Skrien 32. 2000. No. 9(?N). [November] pp. 23-25.
Description:
On the kissing scene in Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)

#2448
Varjola, Markku: Täydellinen rikos kolmiulotteisena. In: Filmihullu 2001. No. 4. [?D] p. 15.
Description:
On the 3-D-version of Alfred Hitchcock’s Dial M for Murder.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)
3-D Films

#2449
Verdacht. - Nürnberg: Verlag Karin Stähle ?J. (= Super 8 Filmblätter.)
Index:
Hitchcock, Alfred
Suspicion (1941)

#2450
Verdacht. - Stuttgart: Verlag Uwe Wiedleroither ?J. (= Filmprogram 302.)
Description:
On Alfred Hitchcock’s Suspicion.
Index:
Hitchcock, Alfred
Suspicion (1941)

#2451
Verdacht. - Nürnberg: Filmverlag Peter Schmidl ?J. (= Phantopia-Filmprogramm 19.)
Description:
On Alfred Hitchcock’s Suspicion.
Index:
Hitchcock, Alfred
Suspicion (1941)

#2452
Verdacht. 2. Auflage. - Nürnberg: Filmverlag Peter Schmidl 1991. (= Phantopia-Filmprogramm 19.)
Description:
On Alfred Hitchcock’s Suspicion.
Index:
Hitchcock, Alfred
Suspicion (1941)

#2453
Verevis, Constantine: For ever Hitchcock: Psycho and its remakes. In: After Hitchcock: Influence, imitation, and intertextuality. Edited by David Boyd and R. Barton Palmer. - Austin, Texas: University of Texas Press 2006. pp. 15-29.
Description:
Discusses, among others, Brian De Palma’s Body Double and Dressed to Kill.
Index:
Hitchcock, Alfred
Van Sant, Gus
De Palma, Brian
Psycho (1960)
Psycho (1998)
Psycho (Filmreihe)
Body Double (1984)
Dressed to Kill (1980)

#2454
Verevis, Constantine: Psycho (redux). In: Metro 2000. No. 121/122. [?D] pp. 144-145.
Index:
Hitchcock, Alfred
Psycho (1960)

#2455
Verevis, Constantine: Under a distemperate star: Under Capricorn (1949). In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Hitchcock, Alfred
Under Capricorn (1949)

#2456
Vermilye, Jerry: An Alfred Hitchcock index. In: Films in Review 17. 1966. No. 4. [April] p. 231.
Index:
Hitchcock, Alfred

#2457
Vernet, Marc: Autour de suspense: Réflexions sur le fétichisme. In: Cinéma et psychoanalyse. Reuni par Alain Dhote. (= Cinémaction 1989. No. 50. [January]) pp. 150-158.
Description:
Analyses the techniques of producing suspense in Hitchcock’s films according to the the theory of voyeurism founded by German psychoanalyst Karl Abraham.
Index:
Hitchcock, Alfred
Abraham, Karl
Psychologie ~ Psychology
Thriller ~ Thriller
Deutschland ~ Germany

#2458
Verscheure, Jean-Pierre: The challenge of sound restoration from 1927 to digital. In: Film History 7. 1995. No. 3. pp. 264-276.
Description:
Discusses in detail, as an example, the score of Alfred Hitchcock’s The Man Who Knew Too Much.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
Technik: Computer ~ Technology: Computer
Musik ~ Music

#2459
Verscheure, Jean-Pierre: Une réalisation de Cinévolution. In: Journal of Film Preservation ?G. 1995. No. 50. [March] pp. 75-83.
Description:
On the sound design in Alfred Hitchcock’s The Man Who Knew Too Much (1956).
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
Musik ~ Music

#2460
Verstappen, Wim: Analyse op de montagetafel: North by Northwest de meest amusante Hitchcock. In: Skoop 16. 1980. No. ?N. [May/June] pp. 24-38.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#2461
Verstappen, Wim: De eenvoud van Hitchcock. In: Skoop 17. 1981. No. 3. [April] pp. 32-35.
Description:
On Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)

#2462
Verstraten, P.: Stage Fright: De filmleugen, de leugenfilm. In: Versus [NL] 1989. No. 3. [?D] pp. 46-53.
Description:
On the narrative structures in the Hitchcock movie.
Index:
Hitchcock, Alfred
Stage Fright (1950)

#2463
Verstraten, Paul: Close-up: Grace Kelly en James Stewart in Rear Window van Alfred Hitchcock. In: Skrien 1987. No. 154. [Summer] p. 25.
Index:
Hitchcock, Alfred
Kelly, Grace
Stewart, James
Rear Window (1954)

#2464
Verstraten, Paul: The essential Hitchcock: Een fragmentarische rekonstrucktie als aperitief. In: Skrien 1984. No. 135. [April/May] pp. 15-19.
Index:
Hitchcock, Alfred
Rear Window (1954)
Vertigo (1958)

#2465
Vertigo (1958). In: Film classics. - New York: Spark Publishing 2006. p. ?P.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2466
Vertigo - aus dem Reich der Toten, Alfred Hitchcock. - München: Filmkritiker-Kooperative 1980. (= Filmkritik 282.)
Index:
Hitchcock, Alfred
Vertigo (1958)

#2467
Vertigo. Edited by Katalin Makkai. - Abingdon, Oxon; New York: Routledge 2013. (= Philosophers on film.)
Reviews:
Schwanebeck, Wieland: Rezension im erweiterten Forschungskontext: Alfred Hitchcock. In: Medienwissenschaft 2014. No. 1. pp. 85-92.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2468
Vertigo. Text von Stefan Otto. - Stuttgart: Verlag Uwe Wiedleroither 1995. (= Filmprogramm 252.)
Index:
Hitchcock, Alfred
Vertigo (1958)

#2469
Vertlieb, Steve: Hitchcock and Herrmann: The torn curtain. In: Midnight Marquee NS 2. 2002. No. 1(65/66) [Spring] pp. 82-95.
Description:
On the collaboration between the director and the composer.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Musik ~ Music

#2470
Vervis, Constantine: Gus Van Sant vs. Alfred Hitchcock: Psxcho (redux). In: Hitchcock Annual 2001/2002. pp. 155-158.
Index:
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)
Psycho (1998)

#2471
Vest, James M.: Alfred Hitchcock’s cameo in Vertigo. In: Hitchcock Annual 1999. pp. 84-92.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2472
Vest, James M.: Echoes of Alfred Hitchcock’s Vertigo, The Birds, and Frenzy in Francois Truffaut’s Story of Adale H.. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred
Truffaut, François
Vertigo (1958)
Birds, The (1962)
Frenzy (1971)
histoire d’Adèle H., L’ (1975)

#2473
Vest, James M.: Echoes of Alfred Hitchcock’s Vertigo, The Birds, and Frenzy in Francois Truffaut’s Story of Adèle H. In: Hitchcock Annual 1997-98; p.96-113.
Index:
Hitchcock, Alfred
Truffaut, François
Vertigo (1958)
Birds, The (1962)
Frenzy (1971)
histoire d’Adèle H., L’ (1975)

#2474
Vest, James M.: French Hitchcock, 1945-55. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred
Frankreich ~ France

#2475
Vest, James M.: Hitchcock and France: The forging of an auteur. - Westport, Connecticut; London: Praeger 2003.
Index:
Hitchcock, Alfred
Frankreich ~ France

#2476
Vest, James M.: Phones as instruments of betrayal in Alfred Hitchcock’s Bon Voyage and Aventure Malgache. In: The French Review 72. 1999. No. 3. [February] pp. 529-542.
Index:
Hitchcock, Alfred
Bon Voyage (1944)
Adventure Malgache (1944)

#2477
Vest, James M.: Reflections of Ophelia (and of Hamlet) in Alfred Hitchcock’s Vertigo. In: Journal of the Midwest Modern Language Association 22. 1989. No. 1. [Spring] pp. 1-9.
Index:
Hitchcock, Alfred
Vertigo (1958)
Ophelia ~ Ophelia
Hamlet ~ Hamlet

#2478
Vest, James M.: The controller controlled: Hitchcock’s cameo in Torn Curtain. In: Hitchcock Annual 1998/1999. pp. 3-19.
Index:
Hitchcock, Alfred
Torn Curtain (1966)

#2479
Vest, James M.: The emergence of an auteur: Hitchcock and French film criticism, 1950-1954. In: Hitchcock Annual 2001/2002. pp. 108-124.
Index:
Hitchcock, Alfred
Frankreich ~ France

#2480
Vest, James M.: To catch a liar: Bazin, Chabrol and Truffaut encounter Hitchcock. In: Hitchcock: Past and future. Edited by Richard Allen and Sam Ishii-Gonzales. - London; New York: Routledge 2004. p. ?P.
Index:
Hitchcock, Alfred
Bazin, André
Chabrol, Claude
Truffaut, François

#2481
Vezin, Annette / Vezin, Luc: Musen des 20. Jahrhunderts: Wer die Künstler inspirierte. - München: Knesebeck 2003.
First edition:
[Egéries dans l’ombre des créateurs.]
Description:
Discusses, among others, the representatrion of blonde women in the films of Alfred Hitchcock and the importance of Nico for the work of Andy Warhol.
Index:
Hitchcock, Alfred
Päffgen, Christa [Pseudonym: Nico]
Warhola, Andrew [Pseudonym: Warhol, Andy]
Kunst ~ Arts, The
Frauen ~ Women

#2482
Vibeke, Reuter: Alfred Hitchcocks Handschrift: Vom literarischen zum filmischen Text. - Trier: Wissenschaftlicher Verlag Trier 2005.
Description:
Compares ten Hitchcock classics, among them Vertigo, Psycho and Frenzy, with the underlying novels.
Index:
Hitchcock, Alfred
Vertigo (1958)
Psycho (1960)
Frenzy (1971)

#2483
Vieth, Lynne: Restored to color: Ghosts of art past in Hitchcock’s Vertigo. In: Stanford Humanities Review 7. 1999. No. 2. [Autumn] pp. 137-149.
Index:
Hitchcock, Alfred
Vertigo (1958)
Geister ~ Ghosts

#2484
Viggi, Bruno: Les débuts d’Alfred Hitchcock aux Giornate del Cinema
Muto, Pordenone, 9-16 octobre 1999. In: "1895" 2000. No. 30. [October] pp. 119-128.
Description:
On Hitchcock’s early film shown at the festival.
Index:
Hitchcock, Alfred
Pordenone ~ Pordenone
Festival ~ Festival

#2485
Villien, Bruno: Hitchcock. - Paris: Colona 1982. (= L’oeil du cinéma.)
Index:
Hitchcock, Alfred

#2486
Villien, Bruno: Hitchcock. - Paris: Rivages 1985. (= Rivages-cinéma 2.)
Index:
Hitchcock, Alfred

#2487
Villien, Bruno: Patricia Hitchcock. In: Cinématographe 1984. No. 98. [March] pp. 11-17.
Description:
Interview with Alfred Hitchcock’s daughter.
Index:
Hitchcock, Alfred
Hitchcock, Patricia

#2488
Vincer, Ellen: Lying, language-games, and film. - Guelph, Ontario: University of Guelph, M.A. 1996. [Abstract In: Masters Abstracts International 34. 1996. No. 5. (October) p. 1776.]
Description:
Discusses, among others, the films of Alfred Hitchcock.
Index:
Wittgenstein, Ludwig
Hitchcock, Alfred
Philosophie ~ Philosophy

#2489
Viviani, Christian: Alfred Hitchcock. In: Positif 2000. No. 470. [April] pp. 74-104.
Index:
Hitchcock, Alfred

#2490
Viviani, Christian: Alfred Hitchcock et la tentation expérimentale. In: Positif 2001. No. 485/486. [July/August] pp. 149-152.
Description:
On Hitchcock’s interest in filmic experiments and in special effects.
Index:
Hitchcock, Alfred
Technik: Spezialeffekte ~ Technology: Special Effects
Experimentalfilme ~ Experimental Films

#2491
Viviani, Christian: Culture "bio". In: Positif 2004. No. 519. [May] pp. 49-53.
Description:
On new secondary literature on Alfred Hitchcock.
Index:
Hitchcock, Alfred
Literatur ~ Literature

#2492
Vogel, Andreas: "Directing the audience": Alfred Hitchcock und die Manipulation des Publikums. - Leipzig: Leipziger Universitätsverlag 2003. (= Media-Studien 11.)
Index:
Hitchcock, Alfred

#2493
Die Vögel. - Nürnberg: Filmverlag Peter Schmidl ?J. (= Phantopia-Filmprogramm 3.)
Description:
On Alfred Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Birds, The (1962)

#2494
Die Vögel. 2. Auflage. - Nürnberg: Filmverlag Peter Schmidl 1991. (= Phantopia-Filmprogramm 3.)
Description:
On Alfred Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Birds, The (1962)

#2495
Die Vögel II - Die Rückkehr. In: Moviestar 2. 1994. No. 8. [?D] pp. 40-41.
Description:
On Rick Rosenthal’s Hitchcock remake The Birds II: Land’s End.
Index:
Rosenthal, Rick [Pseudonym: Smithee, Alan]
Hitchcock, Alfred
Birds II, The: Land’s End (1993)

#2496
von Bagh, Peter: Hitchcock takaikkunasta. In: Filmihullu 1983. No. 6. [?D] pp. 4-6.
Index:
Hitchcock, Alfred
Rear Window (1954)

#2497
von Keitz, Ursula: Die Spirale: Zu einer obsessiven Form bei Alfred Hitchcock. In: Alfred Hitchcock. Vorträge vom 2. Mannheimer Filmseminar im März 2003. Mit Beiträgen von Peter Bär [et al.]. - Mannheim: Cinema Quadrat 2003. (= Im Dialog: Psychoanalyse und Filmtheorie Band 1.) pp. 30 ff.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#2498
von Petersdorff, Friedrich: Hitchcocks Film Rope und Nietzsche. In: Nietzsche im Film: Projektionen und Götzen-Dämmerungen. Hrsg. von Volker Gerhardt und Renate Reschke. - Berlin: Akademie-Verlag 2009. (= Nietzscheforschung 16.) pp. 49 ff.
Index:
Nietzsche, Friedrich
Hitchcock, Alfred
Rope, The (1948)
Religion ~ Religion
Philosophie ~ Philosophy

#2499
Voyeur-Thriller. In: Thriller: Kino, das an den Nerven zerrt: Verhängnisvolle Affären, manische Psychopathen und ultracoole Cops. Hrsg. von Dirk Manthey und Jörg Altendorf. Redaktion: Willy Loderhose. Autoren: Adolf Heinzelmeier und Tilo Knops. - Hamburg: Kino Verlag 1991. (= Cinema Filmbuch.) pp. 110-115.
Description:
Discusses, among others, David Lynch’s Blue Velvet and Alfred Hitchcock’s Rear Window.
Index:
Lynch, David
Hitchcock, Alfred
Blue Velvet (1986)
Rear Window (1954)
Psychologie ~ Psychology
Thriller ~ Thriller

#2500
Vrdlovec, Zdenko: Hitchcockovski suspenz. In: Ekran 16. 1979. No. 7/8. [?D] pp. 49-51.
Index:
Hitchcock, Alfred

#2501
Vrdlovec, Zdenko: Marnie. In: Ekran 9. 1984. No. 7/8. [?D] pp. 19-21.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#2502
Waardenburg, André: Goede transfer belangrijker dan extra’s. In: Skrien 33. 2001/2002. No. 10. [December/January] p. 54.
Description:
On a DVD edition with Hitchcock films.
Index:
Hitchcock, Alfred
DVD ~ DVD

#2503
Wacker, Holger: Vertigo. In: Enzyklopädie des phantastischen Films. 38. Ergänzungslieferung. - Meitingen: Corian-Verlag, Dezember 1994.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2504
Wahner, Stephan: Antagonismen, die Frauen und das Dritte: Frauenfiguren im Stage Fright von Alfred Hitchcock. - Berlin: Technische Universität Berlin, Institut für Medienpädagogik ?J (1995/1996).
Index:
Hitchcock, Alfred
Stage Fright (1950)
Frauen ~ Women

#2505
Waldmah, Diane:"At last I can tell it to someone!": Feminine point of view and subjectivity in the gothic romance film of the 1940s. In: Cinema Journal 23. 1984. No. 2. [Winter] pp. 29-40.
Description:
Discusses, among others, Alfred Hitchcock’s Rebecca and Suspicion as well as George Cukor’s Gaslight.
Index:
Hitchcock, Alfred
Cukor, George
Rebecca (1940)
Suspicion (1941)
Gaslight (1944)
Horror ~ Horror
Frauen ~ Women

#2506
Walker, Janet: Couching resistance: Women, film, and psychoanalytic psychiatry. - Minneapolis, Minnesota: University of Minnesota Press 1993.
Reviews:
Bean, Jennifer M.: [untitled] In: The Velvet Light Trap 1995. No. 35. [Spring] pp. 85-87.
McKee, A. L.: Negotiating gender in post-World War II America. In: Quarterly Review of Film and Video 15. 1994. No. 3. [December] pp. 47-56.
White, Mimi: [untitled] In: Film Quarterly 48. 1995. No. 3. [Spring] pp. 48-50.
Description:
On the representation of women, film and psychoanalysis in American film from Second World War to mid 1960s. Discusses, among others, Robert Rossen’s Lilith, Hitchcock’s Spellbound, Alfred L. Werker’s Shock, Anatole Litvak’s The Snake Pit and John Huston’s Freud movie.
Index:
Rossen, Robert
Hitchcock, Alfred
Litvak, Anatole
Huston, John
Werker, Alfred L.
Lilith (1963)
Spellbound (1945)
Snake Pit, The (1948)
Freud (1963)
Shock (1946)
Psychologie ~ Psychology
Frauen ~ Women
Krieg ~ War
USA (United States of America) ~ USA (United States of America)

#2507
Walker, John A.: Art and artists on screen. - Manchester; New York: Manchester University Press (1993).
Reviews:
Woods, Alan: For art’s sake. In: Sight and Sound NS 3. 1993. No. 8. [August] p. 38.
Description:
Discusses, among others, Cocteau’s Blood of a Poet (Le Sang d’un poète), André de Toth’s House of Wax, Andrei Tarkovsky’s Andrej Rubljow, Hitchcock’s Spellbound, Buñuel’s Un chien andalou as well as Peter Greenaway’s The Draughtsman’s Contract, The Belly of an Architect and A Zed and Two Noughts.
Index:
Cocteau, Jean
de Toth, André
Tarkovsky, Andrei Arsenyevich
Hitchcock, Alfred
Buñuel, Luis
Greenaway, Peter
Sang d’un poète, Le (1931)
House of Wax (1953)
Andrej Rubljow (1966-1969)
Spellbound (1945)
chien andalou, Un (1928)
Draughtsman’s Contract, The (1982)
Belly of an Architect, The (1986)
Zed & Two Noughts, A (1985)

#2508
Walker, Michael: A Hitchcock compendium: Narrative strategies in Torn Curtain. In: Hitchcock Annual 2005/2006. pp. 95-120.
Index:
Hitchcock, Alfred
Torn Curtain (1966)

#2509
Walker, Michael: Hitchcock’s motifs. - Amsterdam: Amsterdam University Press 2005. (= Film culture in transition.)
Reviews:
Adler, Maryl: [untitled] In: Skrien 38. 2006. No. 4. [May] p. 49.
Index:
Hitchcock, Alfred

#2510
Walker, Michael: Hitchcockian narrative: A provisional structural model. In: Hitchcock Annual 2004/2005. pp. 127-153.
Index:
Hitchcock, Alfred

#2511
Walker, Michael: Topaz and Cold War politics. In: Hitchcock Annual 2004/2005. pp. 127-153.
Index:
Hitchcock, Alfred
Topaz (1968)
Politik ~ Politics
Krieg ~ War

#2512
Wallace, Lee: Continuous sex: The editing of homosexuality in Bound and Rope. In: Screen 41. 2000. No. 4. [Winter] pp. 369-387.
Index:
Wachowski, Larry
Wachowski, Andy
Hitchcock, Alfred
Bound (1996)
Rope, The (1948)
Sexualität ~ Sexuality
Sexualität: Homosexualität ~ Sexuality: Homosexuality

#2513
Walter, Raubicheck, / Srebnick, Walter: Scripting Hitchcock: Psycho, The Birds, and Marnie. - Urbana, Illinois: University of Illinois Press 2011.
Reviews:
Boon, Kevin Alexander: [untitled.] In: Literature/Film Quarterly 41. 2013. No. 1. [?D] pp. 77-79.
Bray, Christopher: [untitled.] In: Cineaste 37. 2012. No. 2. [?D] pp. 66-67.
Harris, Oliver: [untitled.] In: Journal of Screenwriting 4. 2013. No. 2. [?D] pp. 199-201.
Smyth, J. E.: [untitled.] In: Scope [Nottingham] 2014. No. 26. [?D] pp. 147-152.
Index:
Hitchcock, Alfred
Psycho (1960)
Birds, The (1962)
Marnie (1963/1964)

#2514
Warhol, Andy: Hitchcock. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 186 ff.
Index:
Hitchcock, Alfred
Warhola, Andrew [Pseudonym: Warhol, Andy]

#2515
Wark, McKenzie: Vectoral cinema. In: Senses of Cinema 2000. No. 6. [May] p. ?P.
Index:
Hitchcock, Alfred

#2516
Warner, Rick: Difficult work in a popular medium: Godard on "Hitchcock’s method". In: Critical Quarterly 51. 2009. No. 3. [?D] pp. 63-84.
Index:
Hitchcock, Alfred
Godard, Jean-Luc

#2517
Warren, Alicyn: Levels of reality in dramatic music. - Princeton, New Jersey: Princeton University, Ph.D. 1992. [Abstract in: Dissertation Abstracts International A 53. 1993. No. 11. [May] p. 3729.]
Description:
Discusses, among others, the scores for the filmes of Robert Altman, Emile Ardolino, Jean-Jacques Beineix, Francis Ford Coppola, Alfred Hitchcock and Orson Welles.
Index:
Altman, Robert
Ardolino, Emile
Beineix, Jean-Jacques
Coppola, Francis Ford
Hitchcock, Alfred
Welles, Orson
Musik ~ Music

#2518
Warren, Denise: Hitchcock’s Psycho: The spatial film-work of madness. In: Interdisciplinary Journal for Germanic Linguistics & Semiotic Analysis 5. 2000. No. 1. [Spring] pp. 37-70.
Index:
Hitchcock, Alfred
Psycho (1960)
Wahnsinn ~ Madness

#2519
Wartenberg, Thomas E.: Ethics or film theory? The real McGuffin in North by Northwest. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 141-155.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Philosophie ~ Philosophy

#2520
Was sie immer schon über Lacan wissen wollten und Hitchcock nie zu fragen wagten. Hrsg. von Slavoj Zizek. Aus dem Englischen von Isolde Charim, Thomas Hübel, Robert Pfaller und Michael Wiesmüller. - Frankfurt/Main: Suhrkamp 2002. (= Suhrkamp Taschenbuch.)
First edition:
[Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). - London; New York: Verso Books 1992]
Reviews:
Haas, Christoph: Hitchcock - ein verkappter Psychoanalytiker. In: EPD Film 20. 2003. No. 1. [January] p. 17.
Index:
Hitchcock, Alfred
Lacan, Jacques

#2521
Waugh, Thomas: Hauling an old corpse out of Hitchcock’s trunk: Rope. In: Waugh, Thomas: The fruit machine: Twenty years of writings on queer cinema. - Durham, North Carolina: Duke University Press 2000. pp. 148-50.
Index:
Hitchcock, Alfred
Rope, The (1948)

#2522
Weber, Gregor: Brust oder Keule? Die Korrelation zwischen Essen, Sexualität und Tod in Hitchcocks Filmen. In: Hitchcock und die Künste. Hrsg. von Henry Keazor. - Marburg: Schüren 2013. pp. 173 ff.
Index:
Hitchcock, Alfred
Tod ~ Death
Sexualität ~ Sexuality
Nahrung ~ Food
Kunst ~ Arts, The

#2523
Weber, Gregor J.: Jeder tötet, was er liebt: Liebes- und Todesszenen in den Filmen Alfred Hitchcocks. - Marburg: Schüren 2007.
Reviews:
Wojtko, Nikolaj: [untitled.] In: Medienwissenschaft 2007. No. 3. pp. 360-361.
Description:
On the relationship between sexuality and death in Hitchcock’s films.
Index:
Hitchcock, Alfred
Tod ~ Death
Sexualität ~ Sexuality

#2524
Webster, Andy: Classic scene. In: Premiere 14. 2001. No. ?N. [April] p. 120.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#2525
Weemaes, G.: Psycho II: Terug naar Alfreds moordhuis. In: Film en Televisie 1983. No. 316. [September] pp. 20-21.
Index:
Franklin, Richard
Hitchcock, Alfred
Psycho II (1982)
Psycho (1960)

#2526
Weibel, Adrian: Spannung bei Hitchcock: Zur Funktionsweise des auktorialen suspense. - Würzburg: Königshausen & Neumann 2008.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#2527
Weinstock, J.: 5 minutes to Alexanderplatz. In: Camera Obscura 1991. No. 27. [September] pp. 76-87.
Description:
On two Berlin exhibitions on voyeurism. Discusses, among others, Hitchcocks Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
Berlin ~ Berlin

#2528
Weis, Elisabeth: Alfred Hitchcock’s aural style. - New York: Columbia University, Ph.D. 1978. [Abstract in: Dissertation Abstracts International A 40. 1980. No. 11. (May) p. 5631A.]
Index:
Hitchcock, Alfred

#2529
Weis, Elisabeth: The silent scream: Alfred Hitchcock’s sound track. - Rutherford, New Jersey: Fairleigh Dickinson University Press 1982.
Index:
Hitchcock, Alfred
Musik ~ Music

#2530
Weis, Elisabeth: The sound of one wing flapping. In: Film Comment 14. 1978. No. 5. [September/October] pp. 42-48.
Description:
On the usage of noise and sound in Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Birds, The (1962)
Musik ~ Music

#2531
Weis, Elizabeth: Consolidation of a classical style: The Man Who Knew Too Much. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1934)
Man Who Knew Too Much, The (1956)

#2532
Wells, Amanda Sheahan: Psycho. - Harlow: Longman 2001. (= The Ultimate Film Guides.)
Index:
Hitchcock, Alfred
Psycho (1960)

#2533
Werner, Gosta: Inte bara spänning ... In: Chaplin 25. 1983. No. 4(187). [?D] pp. 164-166.
Description:
On the techniques of creating suspense in Hitchcock’s films.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#2534
Werner, Gosta: Saga, sagen, film. In: Chaplin 31. 1989. No. 3(222). [?D] pp. 136-137.
Description:
On the usage of legends and fairy tale motifs in film, especially in Alfred Hitchcock and Steven Spielberg.
Index:
Hitchcock, Alfred
Spielberg, Steven
Mythologie ~ Mythology
Märchen ~ Fairy Tales

#2535
West, Ann Adele: Comedie noire thrillers of Alfred Hitchcock: Genres, psychoanalysis, and woman’s image. - Berkeley, California: University of California at Berkeley, Ph.D. 1982. [Abstract in: Dissertation Abstracts International A 44. 1983. No. 1. (July) p. 3A.]
Index:
Hitchcock, Alfred
Humor ~ Humor
Psychologie ~ Psychology
Thriller ~ Thriller
Film Noir ~ Film Noir
Frauen ~ Women

#2536
West, Ann: The concept of the fantastic in Vertigo. In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 163-174.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2537
Westerbeck Jr., C. L.: The waning: Kubrick’s grandiose hotel. In: Commonweal 111. 1984. No. ?N. [January 27] pp. 49-50.
Index:
Hitchcock, Alfred
Rear Window (1954)

#2538
Wetzel, Michael: "Wie wirklich ist es?": Authentizität als Schwindel oder: Vertigo der Autorschaft. In: Realitätskonstruktionen in der zeitgenössischen Kultur: Beiträge zu Literatur, Kunst, Fotografie, Film und zum Alltagsleben. Hrsg. von Susanne Knaller. - Wien; Köln; Weimar: Böhlau 2008. pp. 23-35.
Index:
Hitchcock, Alfred
Vertigo (1958)
Fotografie ~ Photography
Literatur ~ Literature
Kunst ~ Arts, The

#2539
Wexman, Virginia Wright: The critic as consumer: Film study in the University, Vertigo, and the film canon. In: Film Quarterly 39. 1986. No. 3. [Spring] pp. 32-41.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2540
Weyl, Daniel: Reflexion sur la theorie du texte: L’exemple filmique de L’Inconnu de Nord-Express d’Alfred Hitchcock. In: Litterature 1985. No. 60. [?D] pp. 109-121.
Description:
On Hitchcock’s Strangers on a Train.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)

#2541
Weyl, Daniel: Semiologie et theorie du texte: Sur Chaplin, Hitchcock, Balzac. In: Degres 16. 1988. No. 56. [?D] pp. d1-d22.
Description:
Discusses, among others, Alfred Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Chaplin, Charles Spencer
Balzac, Honoré de
Birds, The (1962)

#2542
Wharton, Dennis: Stewart loses Window ruling. In: Variety 339. 1990. No. ?N. [April 25] p. 4.
Index:
Hitchcock, Alfred
Rear Window (1954)

#2543
Wharton, Dennis: Studios’ profits from rereleased pix could go out the Rear Window. In: Variety 338. 1990. No. ?N. [January 17] p. 24.
Index:
Hitchcock, Alfred
Rear Window (1954)

#2544
Wheatley, Kim: Gender politics and the gothic in Alfred Hitchcock’s Rebecca. In: Gothic Studies 4. 2002. No. 2. [November] pp. 133-144.
Index:
Hitchcock, Alfred
Rebecca (1940)
Sexualität ~ Sexuality
Politik ~ Politics
Horror ~ Horror

#2545
Wheldon, Huw: Alfred Hitchcock on his films. In: Listener 72. 1964. No. 1845. [August 6] p. 189.
Index:
Hitchcock, Alfred

#2546
Wheldon, Huw: Alfred Hitchcock on his films. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 67 ff.
Index:
Hitchcock, Alfred

#2547
White, Brandon: Camera, character, counterplot: On watching Hitchcock wrong. In: Film Quarterly 66. 2013. No. 3. [Spring] p. ?P.
Description:
[GA:] [KoDeu] [End GA][KoDeu]
Index:
Hitchcock, Alfred
Technik: Kamera ~ Technology: Camera

#2548
White, John: Psycho (1960). In: Fifty key American films. Edited by John White and Sabine Haenni. - London; New York: Routledge 2009. (= Routledge key guides.) p. ?P.
Index:
Hitchcock, Alfred
Psycho (1960)
USA (United States of America) ~ USA (United States of America)

#2549
White, Patricia: Hitchcock and hom(m)osexuality. In: Hitchcock: Past and future. Edited by Richard Allen and Sam Ishii-Gonzales. - London; New York: Routledge 2004. p. ?P.
Index:
Hitchcock, Alfred
Sexualität ~ Sexuality
Sexualität: Homosexualität ~ Sexuality: Homosexuality

#2550
White, Patricia: The uninvited: Cinema and the conditions of lesbian representability. - Santa Cruz: University of California at Santa Cruz, Ph.D. 1993. [Abstract in: Dissertation Abstracts International A 55. 1994. No. 3. (September) p. 403A.]
Description:
Discusses especially the fantastic film, among others Alfred Hitchcock’s Rebecca and Robert Wise’s The Haunting.
Index:
Hitchcock, Alfred
Wise, Robert
Rebecca (1940)
Haunting, The (1963)
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Frauen ~ Women

#2551
White, Susan: A surface collaboration: Hitchcock and performance. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred

#2552
White, Susan: Alfred Hitchcock and feminist film theory (yet again). In: The Cambridge companion to Alfred Hitchcock. Edited by Jonathan Freedman. - Cambridge; New York: Cambridge University Press 2015. pp. 109-126.
Index:
Hitchcock, Alfred
Frauen ~ Women

#2553
White, Susan: Allegory and referentiality: Vertigo and feminist criticism. In: Modern Language Notes 106. 1991. No. 5. [December] pp. 910-932.
Index:
Hitchcock, Alfred
Vertigo (1958)
Frauen ~ Women

#2554
White, Susan: Vertigo and the problems of knowledge in feminist film theory. In: Alfred Hitchcock: Centenary essays. Edited by Richard Allen and S. Ishii-Gonzales. - London: British Film Institute 1999. pp. 279-298.
Index:
Hitchcock, Alfred
Vertigo (1958)
Frauen ~ Women

#2555
Whitlock, Albert: Matte Shots für Disney und Hitchcock. In: Künstliche Welten: Tricks, Special Effects und die Computeranimation im Film von den Anfängen bis heute. Hrsg. von Rolf Giesen und Claudia Meglin. - Hamburg; Wien: Europa Verlag 2000. pp. 47 ff.
Index:
Hitchcock, Alfred
Matte-Painting ~ Matte-Painting
Disney ~ Disney
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Roboter ~ Robots
Animation ~ Animation

#2556
Wiater, Stanley: Joseph Stefano. In: Wiater, Stanley: Dark visions: Conversations with the masters of the horror film. - New York: Avon Books 1992. pp. 179-188.
Description:
Interview with the scriptwriter of Hitchcock’s Psycho. Includes a selective filmography.
Index:
Stefano, Joseph
Hitchcock, Alfred
Psycho (1960)
Horror ~ Horror

#2557
Wickbom, Kaj: Rebecca. In: Filmrutan 42. 1999. No. 3. [Autumn] pp. 10-11.
Index:
Hitchcock, Alfred
Rebecca (1940)

#2558
Wiedmann, Natalia: Das mentale Bild - Bedeutung und Bedeutungsgenerierung in Hitchcocks Filmen. In: Alfred Hitchcock - der Filmverführer: Un-Schuld im Spannungsfeld von Ethik und Ästhetik. Hrsg. von Nikolai Wojtko. - Hamburg: Kovac 2005. (= Schriften zur Medienwissenschaft 11.) pp. 123 ff.
Index:
Hitchcock, Alfred
Verführung ~ Seduction

#2559
Wierzbicki, James: Grand illusion: The Storm Cloud music in Hitchcock’s The Man Who Knew Too Much. In: The Journal of Film Music 1. 2003. No. 2/3. [Fall/Winter] pp. 217-238.
Description:
On the usage of the cantata by Arthur Benjamin in both versions of the Hitchcock film.
Index:
Hitchcock, Alfred
Benjamin, Arthur
Man Who Knew Too Much, The (1934)
Man Who Knew Too Much, The (1956)
Musik ~ Music
Storm Cloud Cantata (Musik ~ Music)

#2560
Wierzbicki, James: Psycho-analysis: Form and function in Bernard Herrmann’s music for Hitchcock’s masterpiece. In: Terror tracks: Music, sound and horror cinema. Edited by Philip Hayward. - Oakville, Connecticut: Equinox 2009. (= Genre, Music and Sound.) p. ?P.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Psycho (1960)
Horror ~ Horror
Musik ~ Music

#2561
Williams, Dan: North by Northwest. - Harlow: Longman / London: York Press 2001. (= The Ultimate Film Guides.)
Index:
Hitchcock, Alfred
North by Northwest (1959)

#2562
Williams, Linda: Discipline and distraction: Psycho, visual culture, and postmodern cinema. In: "Culture" and the problem of the disciplines. Edited by John Carlos Rowe. - New York: Columbia University Press 1998. (= Critical Theory Institute Books.) pp. 87-120.
Index:
Hitchcock, Alfred
Psycho (1960)
Postmoderne ~ Postmodern

#2563
Williams, Linda: Discipline and fun: Psycho and postmodern cinema. In:Reinventing film studies. Edited by Christine Gledhill and Linda Williams. - London: Arnold / New York: Oxford University Press 2000. pp. 351-78.
Index:
Hitchcock, Alfred
Psycho (1960)
Postmoderne ~ Postmodern

#2564
Williams, Linda: Disciplinering och underhallning. In: Filmhäftet 27. 1999. No. 3(107). [?D] pp. 77-90.
Index:
Hitchcock, Alfred
Psycho (1960)

#2565
Williams, Linda: Learning to scream. In: Sight and Sound NS 4. 1994. No. 12. [December] pp. 14-17.
Description:
On Hitchcock’s techniques of manipulating the audience in Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Technik ~ Technology

#2566
Williams, Linda: Psycho och den postmoderna filmen: Diciplinering och underhållning. In: Filmhäftet 27. 1999. No. 107. [?D] pp. 77-90.
Description:
On the Hitchcock classic.
Index:
Hitchcock, Alfred
Psycho (1960)
Postmoderne ~ Postmodern

#2567
Williams, Tony: From Kaleidoscope to Frenzy: Hitchcock’s second British homecoming. In: Hitchcock and adaptation: On the page and screen. Edited by Mark Osteen. - Lanham, Maryland: Rowman & Littlefield 2014. p. ?P.
Index:
Hitchcock, Alfred
Frenzy (1971)
Großbritannien ~ Great Britain

#2568
Williams, Tony: Hearths of darkness: The family in the American horror film. - Madison, New Jersey: Fairleigh Dickinson University Press / London: Associated University Presses 1996.
Reviews:
Reynolds, Matthew: [untitled] In: Film Quarterly 51. 1998. No. 4. [Summer] pp. 42-44.
Simpson, Philip L.: [untitled.] In: Journal of Popular Culture 31. 1998. No. 4. [?D] pp. 183-185.
Description:
Discusses, among others, the family in Alfred Hitchcock’s Psycho, Tobe Hooper’s The Texas Chainsaw Massacre and Poltergeist, the A Nightmare on Elm Street series and in several Stephen King filmings.
Index:
Hitchcock, Alfred
Hooper, Tobe
King, Stephen
Psycho (1960)
Texas Chainsaw Massacre, The (1974)
Poltergeist (1982)
Nightmare on Elm Street, A (Filmreihe)
USA (United States of America) ~ USA (United States of America)
Horror ~ Horror
Familie ~ Family

#2569
Williams, Tony: Hearths of darkness: The family in the American horror film. New edition. - Jackson, Mississippi; London: University Press of Mississippi 2014.
First edition:
[1996]
Reviews:
Baxter, Lee: [untitled.] In: Irish Journal of Gothic and Horror Studies 2016. No. 15. [?D] pp. 113-115.
Sells, Angela: [untitled.] In: Journal of Popular Culture 49. 2016. No. 2. [?D] pp. 449-451.
Description:
Discusses, among others, the family in Alfred Hitchcock’s Psycho, Tobe Hooper’s The Texas Chainsaw Massacre and Poltergeist, the A Nightmare on Elm Street series and in several Stephen King filmings.
Index:
Hitchcock, Alfred
Hooper, Tobe
King, Stephen
Psycho (1960)
Texas Chainsaw Massacre, The (1974)
Poltergeist (1982)
Nightmare on Elm Street, A (Filmreihe)
USA (United States of America) ~ USA (United States of America)
Horror ~ Horror
Familie ~ Family

#2570
Williams, Tony: John Buchan and Alfred Hitchcock. In: The John Buchan Journal 2005. No. 33. [?D] pp. 10-22.
Index:
Buchan, John
Hitchcock, Alfred

#2571
Williams, Tony: Vertigo: Authorship as transformation. In: Cineaction 1999. No. 50. [?D] pp. 56-59.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2572
Williams, Victoria: "All at once the birds were everywhere": Hitchcock and the avian apocalypse. In: Apocalyptic chic: Visions of the apocalypse and post-apocalypse in literature and visual arts. Edited by Barbara Brodman and James E. Doan. - Madison: Fairleigh Dickinson University Press / Lanham, Maryland: Rowman & Littlefield 2017. p. ?P.
Index:
Hitchcock, Alfred
Birds, The (1962)
Religion: Apokalypse ~ Religion: Apocalypse

#2573
Willis, Holly: Pleasure and pain: Post-cinematic remakes. In: Terror and the cinematic sublime: Essays on violence and the unpresentable in post-9/11 films. Edited by Todd A. Comer and Lloyd Isaac Vayo. Afterword by Patrick Fuery. - Jefferson, North Carolina; London: McFarland & Company 2013. pp. 119-133.
Index:
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)
Psycho (1998)
Gewalt ~ Violence
Politik ~ Politics

#2574
Wilson, George M.: The maddest McGuffin: Some notes on North by Northwest. In: Modern Language Notes 94. 1979. No. 5. [December] pp. 1159-1172.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#2575
Wilson, Judith: Court ruling may limit movie classics. In: Classic Images 1990. No. 180. [June] p. 4.
Index:
Hitchcock, Alfred
Rear Window (1954)

#2576
Wise, Damon: Dizzying blondes. In: Sight and Sound NS 12. 2002. No. 6. [June] p. 62.
Description:
Interview with Paul Verhoeven on the meaning of Alfred Hitchcock’s Vertigo for hios own film Basic Instinct.
Index:
Verhoeven, Paul
Hitchcock, Alfred
Basic Instinct (1992)
Vertigo (1958)
Frauen ~ Women

#2577
Wojtko, Nikolai: CrissXCross - Strangers on a Train. In: Alfred Hitchcock - der Filmverführer: Un-Schuld im Spannungsfeld von Ethik und Ästhetik. Hrsg. von Nikolai Wojtko. - Hamburg: Kovac 2005. (= Schriften zur Medienwissenschaft 11.) pp. 33 ff.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)
Verführung ~ Seduction

#2578
Wojtko, Nikolai: Einleitung. In: Alfred Hitchcock - der Filmverführer: Un-Schuld im Spannungsfeld von Ethik und Ästhetik. Hrsg. von Nikolai Wojtko. - Hamburg: Kovac 2005. (= Schriften zur Medienwissenschaft 11.) pp. 7 ff.
Index:
Hitchcock, Alfred
Verführung ~ Seduction

#2579
Wolcott, James: Death and the master. In: Vanity Fair 1999. No. 464. [April] pp. 136 ff.
Index:
Hitchcock, Alfred
Tod ~ Death

#2580
Wolitzer, Meg: Shadow of a Doubt: Fat man and little girl. In: The movie that changed my life. Edited by David Rosenberg. - New York: Viking 1991. pp. 25-33.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)

#2581
Wollaeger, Mark A.: From Conrad to Hitchcock: Modernism, film, and the art of propaganda. In: Wollaeger, Mark A.: Modernism, media, and propaganda: British narrative from 1900 to 1945. - Princeton: Princeton University Press 2006. p. ?P.
Index:
Conrad, Joseph
Hitchcock, Alfred
Großbritannien ~ Great Britain
Politik ~ Politics

#2582
Wollaeger, Mark A.: From the thirties to World War II: Negotiating modernism and propaganda in Hitchcock and Welles. In: Wollaeger, Mark A.: Modernism, media, and propaganda: British narrative from 1900 to 1945. - Princeton: Princeton University Press 2006. p. ?P.
Index:
Hitchcock, Alfred
Welles, Orson
Krieg ~ War
Großbritannien ~ Great Britain
Politik ~ Politics

#2583
Wollaeger, Mark A.: Killing Stevie: Modernity, modernism, and mastery in Conrad and Hitchcock. In: Modern Language Quarterly 58. 1997. No. 3. [September] pp. 323-350.
Index:
Conrad, Joseph
Hitchcock, Alfred
Sabotage (1936)
Secret Agent, The (Literatur ~ Literature)

#2584
Wollen, Peter: Compulsion. In: Sight and Sound NS 7. 1997. No. 4. [April] pp. 14-18.
Description:
On Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2585
Wollen, Peter: Hitch: A tale of two cities (London and Los Angeles). In: Hitchcock: Past and future. Edited by Richard Allen and Sam Ishii-Gonzales. - London; New York: Routledge 2004. p. ?P.
Index:
Hitchcock, Alfred
Los Angeles ~ Los Angeles
London ~ London
Stadt ~ City

#2586
Wollen, Peter: Hitch: L’histoire de deux villes. In: Trafic 2002. No. 41. [Spring] pp. 20-25.
Description:
On Hitchcock’s working places London and Los Angeles.
Index:
Hitchcock, Alfred
Stadt ~ City
Los Angeles ~ Los Angeles
London ~ London

#2587
Wollen, Peter: Hitchcock: Hybrid plots in Psycho. In: Framework ?G. 1980. No. 13. [Autumn] pp. 14-16.
Description:
Discusses also North by Northwest and Marnie.
Index:
Hitchcock, Alfred
Psycho (1960)
North by Northwest (1959)
Marnie (1963/1964)

#2588
Wollen, Peter: Rope: Three hypotheses. In: Alfred Hitchcock: Centenary essays. Edited by Richard Allen and S. Ishii-Gonzales. - London: British Film Institute 1999. pp. 75-85.
Index:
Hitchcock, Alfred
Rope, The (1948)

#2589
Wollen, Peter: Theme park and variations. In: Sight and Sound NS 3. 1993. No. 7. [July] pp. 6-9.
Description:
On dinosaurs and other animal monsters in film, compares especially Steven Spielberg’s Jurassic Park with Alfred Hitchcock’s The Birds.
Index:
Spielberg, Steven
Hitchcock, Alfred
Jurassic Park (1993)
Birds, The (1962)
Tiere ~ Animals
Dinosaurier ~ Dinosaurs
Monster ~ Monster

#2590
Wondra, Janet Clare: American medusa, American sphinx: The female gaze and knowledge in modern fiction and film. - Baton Rouge, Louisiana: Louisiana State University and Agricultural & Mechanical College, Ph.D. 1998. [Abstract in: Dissertation Abstracts International A 59. 1998. No. 2. [August] p. 490.]
Description:
Discusses, among others, Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
USA (United States of America) ~ USA (United States of America)
Frauen ~ Women

#2591
Wood, Bret: Foreign correspondence: The rediscovered war films of Alfred Hitchcock. In: Film Comment 29. 1993. No. 4. [July/August] pp. 54-56, 58.
Description:
Discusses Foreign Correspondent and the two short films Bon Voyage and Aventure Malgache.
Index:
Hitchcock, Alfred
Foreign Correspondent (1940)
Bon Voyage (1944)
Aventure Malgache (1944)
Krieg ~ War

#2592
Wood, Catherine: The influence on art of the master of suspense. In: Lancet 354. 1999. No. 9181. [September 4.] p. 872.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#2593
Wood, Michael: No second chances: Fiction and adultery in Vertigo. In: Scarlet letters: Fictions of adultery from antiquity to the 1990s. Edited by Nicholas White and Naomi Segal. - Houndsmills: Macmillan Press / New York: St. Martin’s Press 1997. pp. 189-98.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2594
Wood, Robin: Att se Fåglarna och Marnie genom Fönstret åt garden In: Filmhäftet 27. 1999. No. 108. [?D] pp. 46-52.
Description:
Psychoanalytic interpretation of the Hitchcock films The Birds, Marnie and Rear Window.
Index:
Hitchcock, Alfred
Birds, The (1962)
Marnie (1963/1964)
Rear Window (1954)
Psychologie ~ Psychology

#2595
Wood, Robin: Fear of spying. In: American Film 9. 1983. No. 2. [November] pp. 28-35.
Description:
Psychoanalytic analysis of Alfred Hitchcock’s Vertigo and Rear Window.
Index:
Hitchcock, Alfred
Vertigo (1958)
Rear Window (1954)
Psychologie ~ Psychology
Angst ~ Fear

#2596
Wood, Robin: Hitchcock and fascism. In: Hitchcock Annual 2004/2005. pp. 25-63.
Index:
Hitchcock, Alfred
Faschismus ~ Fascism

#2597
Wood, Robin: Hitchcock’s films. - South Brunswick, New Jersey: A. S. Barnes 1977.
Index:
Hitchcock, Alfred

#2598
Wood, Robin: Hitchcock’s films. - London: A. Zwemmer / New York: A. S. Barnes 1965.
Index:
Hitchcock, Alfred

#2599
Wood, Robin: Hitchcock’s films. 2nd enlarged edition. - London: A. Zwemmer / New York: A. S. Barnes 1969.
Index:
Hitchcock, Alfred

#2600
Wood, Robin: Hitchcock’s films revisited. - London: Faber and Faber 1991.
Index:
Hitchcock, Alfred

#2601
Wood, Robin: Hitchcock’s films revisited. - London: Faber 1989.
Index:
Hitchcock, Alfred

#2602
Wood, Robin: Hitchcock’s films revisited. - New York; Oxford: Columbia University Press 1989.
Reviews:
Donovan, Francis: Hitchcockologie. In: Cinéma [Paris] 1990. No. 463. [?D] pp. 36-37.
Fell, J.: [untitled] In: Film Quarterly 43. 1990. No. 4. [Summer] pp. 38-39.
Jones, D. B.: [untitled] In: Film Criticism 14. 1989/1990. No. 2. [?D] pp. 49-53.
Pernod, Pascal: [untitled] In: Positif 1990. No. 350. [?D] p. 76.
Index:
Hitchcock, Alfred

#2603
Wood, Robin: Hitchcock’s films revisited. Revised edition. - New York: Columbia University Press 2002.
First edition:
[1989]
Index:
Hitchcock, Alfred

#2604
Wood, Robin: Hitchcocks antinazistiska filmer. In: Filmhäftet 27. 1999. No. 107. [?D] pp. 34-41.
Description:
On Hitchcock’s political engagement against Nazi Germany.
Index:
Hitchcock, Alfred
Politik ~ Politics
Faschismus ~ Fascism
Deutschland ~ Germany

#2605
Wood, Robin: Katsomisen pelko. In: Filmihullu 1984. No. 5. [?D] pp. 39-46.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2606
Wood, Robin: Looking at The Birds and Marnie through the Rear Window. In: Cineaction 1999. No. 50. [?D] pp. 80-85.
Description:
Psychoanalytic interpretation of the three Hitchcock films.
Index:
Hitchcock, Alfred
Birds, The (1962)
Marnie (1963/1964)
Rear Window (1954)
Psychologie ~ Psychology

#2607
Wood, Robin: Male desire, male anxiety: The essential Hitchcock. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Männer ~ Men

#2608
Wood, Robin: Retrospective. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred

#2609
Wood, Robin: Strangers on a Train. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)

#2610
Wood, Robin: The Man Who Knew Too Much: And the women who knew much better. In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 194-208.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
nFrauen ~ Women

#2611
Wood, Robin: The murderous gays: Hitchcock’s homophobia. In: Out in culture: Gay, lesbian, and queer essays on popular culture. Edited by Corey K. Creekmur and Alexander Doty. - Durham, North Carolina: Duke University Press 1995. pp. 197-215.
Index:
Hitchcock, Alfred
Mord ~ Murder
Sexualität: Homosexualität ~ Sexuality: Homosexuality

#2612
Wood, Robin: Why we should (still) take Hitchcock seriously. In: Cineaction 1993. No. 31. [?D] pp. 44-49.
Index:
Hitchcock, Alfred

#2613
Woodcock, John M.: The name dropper. In: The American Screenwriter 40. 1990. No. 2. [?D] pp. 36-37.
Index:
Hitchcock, Alfred
Rear Window (1954)

#2614
Woodcock, John M.: The name dropper: Alfred Hitchcock. In: The American Screenwriter 40. 1990. No. 3. [?D] pp. 32-33.
Index:
Hitchcock, Alfred
Rear Window (1954)

#2615
Woolfolk, Alan: Depth psychology on the surface: Hitchcock’s Spellbound. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Hitchcock, Alfred
Spellbound (1945)
Psychologie ~ Psychology

#2616
Worden, Jason: Thirty-nine steps to immortality. In: Armchair Detective 29. 1996. No. 4. [?D] pp. 453-457.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Tod ~ Death

#2617
Working with Hitchcock: A collaborators’ forum with Patricia Hitchcock, Janet Leigh, Teresa Wright, and Eva Marie Saint. Edited by Walter Raubicheck. In: Hitchcock Annual 2002/2003. pp. 32-66.
Index:
Hitchcock, Alfred
Hitchcock, Patricia
Leigh, Janet
Wright, Teresa
Saint, Eva Maria

#2618
Worland, Rick: Before and after the fact: Writing and reading Hitchcocks Suspicion. In: Cinema Journal 41. 2002. No. 4. [Summer] pp. 3-26.
Index:
Hitchcock, Alfred
Suspicion (1941)

#2619
Worschech, Rudolf: Die Marke Hitch. In: EPD Film 30. 2013. No. 3. [March] pp. 26-31.
Description:
On how Alfred Hitchcock created and controlled his own image.
Index:
Hitchcock, Alfred

#2620
Wörtche, Thomas: Hitchcock hatte doch recht: Krimiverfilmungen der letzten Jahre. In: EPD Film 26. 2009. No. 10. [October] pp. 16-21.
Index:
Hitchcock, Alfred
Kriminalität ~ Crime

#2621
Wrigley, Nick: There’s a Hitch. In: Sight and Sound NS 22. 2012. No. 12. [December] pp. 110-111.
Description:
On the Blu-ray release of "Alfred Hitchcock: The Masterpiece Collection".
Index:
Hitchcock, Alfred
Blu-Ray Disk ~ Blu-Ray Disc

#2622
Wrye, Harriet Kimble: Projections of domestic violence and erotic terror on the film screen. In: The Psychoanalytic Review 84. 1997. No. 5. [?D] pp. 681-699.
Description:
Discusses, among others, Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Sexualität ~ Sexuality
Gewalt ~ Violence

#2623
Wulff, Hans J.: Darstellen und Mitteilen: Elemente der Pragmasemiotik des Films. - Berlin: Freie Universität Berlin, Habilitationschrift 1999.
Description:
Discusses, among others, Alfred Hitchcock’s North By Northwest.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#2624
Wulff, Hans J.: Darstellen und Mitteilen: Elemente der Pragmasemiotik des Films. - Tübingen: Narr 1999.
Description:
Discusses, among others, Alfred Hitchcock’s North By Northwest.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#2625
Wulff, Hans J.: Die Maisfeld-Szene aus North by Northwest: Eine situationale Analyse. In: Montage/AV 3. 1994. No. 1. pp. 97-114.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#2626
Wulff, Hans J.: Szene, Erzählung, Konstellation: Dramaturgische Analyse einer Szene aus Hitchcock’s North by Northwest. In: Montage/AV 7. 1998. No. 1. pp. 123-144.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#2627
Wurzer, Wilhelm S.: Beyond an aesthetics of the West: Hitchcock’s Vertigo. In: Filmästhetik. Hrsg. von Ludwig Nagl. - Wien: Oldenbourg Verlag / Akademie Verlag 1999. p. ?P.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2628
Wuss, Peter: Grundformen filmischer Spannung. In: Montage/AV 2. 1993. No. 2. pp. 101-116.
Description:
Discusses, among others, Hitchcock’s Young and Innocent.
Index:
Hitchcock, Alfred
Young and Innocent / Girl Was Young, The (1937)
Thriller ~ Thriller

#2629
Wydra, Thilo: Alfred Hitchcock. - Berlin: Suhrkamp 2010. (= Suhrkamp-BasisBiographie 43.)
Reviews:
Schweizerhof, Barbara: Hitch für Einsteiger. In: EPD Film 27. 2010. No. 8. [August] p. 61.
Index:
Hitchcock, Alfred

#2630
Yacowar, Maurice: Hitchcock’s British films. - Hamden, Connecticut: Archon Books 1977.
Index:
Hitchcock, Alfred
Großbritannien ~ Great Britain

#2631
Yacowar, Maurice: Hitchcock’s British films. Foreword by Barry Keith Grant. 2nd edition. - Detroit, Michigan: Wayne State University Press 2010. (= Contemporary approaches to film and television.)
Reviews:
Zurba, Zorianna: [untitled.] In: Film-Philosophy 16. 2012. No 1. [?D] pp. 317-319.
Index:
Hitchcock, Alfred
Großbritannien ~ Great Britain

#2632
Yacowar, Maurice: Hitchcock’s imagery and art (1977). In: Auteurs and authorship: A film reader. Edited by Barry Keith Grant. - Malden, Massachussetts; Oxford: Blackwell Publishing 2008. p. ?P.
Index:
Hitchcock, Alfred

#2633
Yacowar, Maurice: Hitchcock’s imagery and art. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred

#2634
Yacowar, Maurice: I found it at the movies: Studies in the art of Ingmar Bergman, Alfred Hitchcock, Howard Hawks, Jean-Luc Godard and the genre film. - New York: Revisionist Press 1976. (= Revisionist Press Cinema.)
Index:
Bergman, Ingmar
Hitchcock, Alfred
Hawks, Howard
Godard, Jean-Luc

#2635
Yanal, Robert J.: Hitchcock as philosopher. - Jefferson, North Carolina; London: McFarland 2005.
Reviews:
MacLeod, Douglas: [untitled] In: Film & History 36. 2006. No. 1. [Spring] p. 83.
Index:
Hitchcock, Alfred
Philosophie ~ Philosophy

#2636
Yanal, Robert J.: Shadow of a Doubt and Marnie: Entries into a mind. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 253-260.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)
Marnie (1963/1964)
Philosophie ~ Philosophy

#2637
Yanal, Robert J.: The end of suspicion: Hitchcock, Descartes, and Joan Fontaine. In: Film and knowledge: Essays on the integration of images and ideas. Edited by Kevin L. Stoehr. - Jefferson, North Carolina; London: McFarland 2002. pp. 50-66.
Index:
Hitchcock, Alfred
Descartes, René
Fontaine, Joan

#2638
Yau, Ka-Fai: Recon-figuration: Revisiting modernity and reality in Deleuze’s taxonomy of cinema. In: Wide Angle 20. 1998. No. 4. [?D] pp. 51-74.
Description:
Discusses, among others, Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)

#2639
Yellowlees Douglas, J.: American Friends and Strangers on Trains. In: Literature/Film Quarterly 16. 1988. No. 3. [July] pp. 181-190.
Description:
On Wim Wenders’s Der amerikanischer Freund and Hitchcock’s Strangers on a Train.
Index:
Hitchcock, Alfred
Wenders, Wim
amerikanische Freund, Der / Ami américain, L’ (1976)
Strangers on a Train (1951)

#2640
Young, Jane: A continuous spiral: Boileau-Narcejac’s Sueurs froides and Hitchcock’s Vertigo. In: Crime scenes: Detective narratives in European culture since 1945. Edited by Anne Mullen and Emer O’Beirne. - Amsterdam; Atlanta, Georgia: Rodopi 2000. (= Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft 50.) pp. 48-58.
Index:
Boileau, Pierre
Narcejac, Thomas
Hitchcock, Alfred
Vertigo (1958)
Sueurs froides (Literatur ~ Literature)
Kriminalität ~ Crime
Europa ~ Europe
Detektive ~ Detectives

#2641
Zamolska, Anna: Märchenmerkmale in Rebecca - Daphne du Mauriers Roman und Alfred Hitchcocks Film im Vergleich. In: Intertextualität, Intermedialität, Transmedialität: Zur Beziehung zwischen Literatur und anderen Medien. Hrsg. von Volker C. Dörr und Tobias Kurwinkel. - Würzburg: Königshausen & Neumann 2014. pp. 120 ff.
Index:
Du Maurier, Daphne
Hitchcock, Alfred
Rebecca (1940)
Märchen ~ Fairy Tales
Rebecca (Literatur ~ Literature)
Literatur ~ Literature

#2642
Zander, Ulf: Alfred Hitchcock’s krigsinsats: Politik och propaganda i andra världskrigets skugga. In: Filmhäftet 27. 1999. No. 107. [?D] pp. 42-48.
Description:
On Hitchcock’s political engagement against Nazi Germany.
Index:
Hitchcock, Alfred
Politik ~ Politics
Faschismus ~ Fascism
Deutschland ~ Germany

#2643
Zanger, Anat: Film remakes as ritual and disguise: From Carmen to Ripley. - Amsterdam: Amsterdam University Press 2006. (= Film culture in transition.)
Description:
Follows three topics in literature and film history: Joan of Arc (who is seen as a role model for Ltd. Ripley in the Alien series as well as in the character of "Bess" in Lars von Trier’s Breaking the Waves), Carmen and Psycho.
Index:
von Trier, Lars
Hitchcock, Alfred
Alien (Filmreihe)
Breaking the Waves (1996)
Psycho (1960)
Psycho (Filmreihe)
Literatur ~ Literature
Jeanne d’Arc ~ Joan of Arc

#2644
Zaniello, Tom: Hitched or Lynched: Who directed Twin Peaks? In: Studies in Popular Culture 17. 1994. No. 1. [October] pp. 55-64.
Description:
On the influence of Hitchcock style elements on David Lynch’s TV series.
Index:
Lynch, David
Hitchcock, Alfred
Twin Peaks (TV)
Fernsehen ~ Television

#2645
Zapiola, Guillermo: El suspenso está triste: Murió su maestro, Sir Alfred. In: Cinemateca Revista ?G. 1980. No. 18. [July] pp. 28-33.
Index:
Hitchcock, Alfred

#2646
Zborowski, J.: "Between sympathy and detachment": Point of view and distance in movies directed by Alfred Hitchcock, Otto Preminger, and Max Ophuls. - Coventry: University of Warwick, Ph.D. 2008. [Abstract in: Index to Theses with Abstracts 58-15966.]
Index:
Hitchcock, Alfred
Preminger, Otto
Ophüls, Max
Vertigo (1958)
Anatomy of a Murder (1959)
Reckless Moment, The (1949)

#2647
Zborowski, James: Beyond the male gaze: Departures from Scottie’s point of view in Vertigo. In: Cineaction 2011. No. 84. [?D] pp. 13-23.
Index:
Hitchcock, Alfred
Vertigo (1958)
Männer ~ Men

#2648
Zeul, Mechthild: Weiblichkeit und Sexualität im Film. - Stuttgart: Verlag Internationale Psychoanalyse 1997.
Reviews:
Morsch, Thomas: [untitled] In: Medienwissenschaft 1999. No. 1. pp. 99-101.
Description:
Discusses, among others, Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)
Sexualität ~ Sexuality
Frauen ~ Women

#2649
Zimmer, Jacques: Alfred Hitchcock. - Paris: Ed. J’ai lu 1988. (= J’ai lu cinéma. Les grands réalisateurs 9.)
Reviews:
Donovan, Francis: Hitchcockologie. In: Cinéma [Paris] 1990. No. 463. [?D] pp. 36-37.
Index:
Hitchcock, Alfred

#2650
Zimmer, Jacques: Hitchcock memories. In: Mensuel du Cinéma 1993. No. 3 [February] pp. 88-90.
Description:
On the early Hitchcock films.
Index:
Hitchcock, Alfred

#2651
Zimmerman, Jacqueline Noll: Hitchcock, chaos, and the devils of unreason. In: Zimmerman, Jacqueline Noll: People like ourselves: Portrayals of mental illness in the movies. - Lanham, Maryland: Scarecrow Press 2003. (= Studies in film genres 3.) p. ?P.
Index:
Hitchcock, Alfred
Wahnsinn ~ Madness
Krankheit ~ Illness

#2652
Zinman, Gregory: Analog circuit palettes, cathode ray canvases: Digital’s analog, experimental past. In: Film History 24. 2012. No. 2. pp. 135-157.
Description:
Discusses, among others, the title sequence of Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)
Technik ~ Technology
Experimentalfilme ~ Experimental Films
Technik: Computer ~ Technology: Computer

#2653
Zirnite, Dennis: Hitchcock, on the level: The height of spatial tension. In: Film Criticism 10. 1986. No. 3. [Spring] pp. 2-21.
Index:
Hitchcock, Alfred

#2654
Zizek, Slavoj: "Die Frau existiert nicht". In: Ein Triumph des Blicks über das Auge: Psychoanalyse bei Alfred Hitchcock. Von Miran Bozovic [et al.]. Hrsg. von Slavoj Zizek. Übersetzt von Isolde Charim [et al.]. - Wien: Turia & Kant 1992. p. 139.
Description:
On The Lady Vanishes by AlfredHitchcock.
Index:
Hitchcock, Alfred
Lady Vanishes, The (1938)
Frauen ~ Women

#2655
Zizek, Slavoj: "The thing that thinks": The Kantian background of the noir subject. In: Shades of noir: A reader. Edited by Joan Copjec. - London; New York: Verso Books 1993. pp. 199-226.
Description:
Discusses, among others, Alan Parker’s Angel Heart, Ridley Scott’s Blade Runner and the films of Alfred Hitchcock.
Index:
Parker, Alan
Scott, Ridley
Kant, Immanuel
Hitchcock, Alfred
Angel Heart (1987)
Blade Runner (1982)
Film Noir ~ Film Noir

#2656
Zizek, Slavoj: Das Einzelne: Hitchcocks Universum. In: Ein Triumph des Blicks über das Auge: Psychoanalyse bei Alfred Hitchcock. Von Miran Bozovic [et al.]. Hrsg. von Slavoj Zizek. Übersetzt von Isolde Charim [et al.]. - Wien: Turia & Kant 1992. pp. 199-274.
Description:
Detailed psychoanalytic interpretation of Hitchcock’s films.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#2657
Zizek, Slavoj: Der Hitchcocksche Schnitt: Pornographie, Nostalgie, Montage. In: Ein Triumph des Blicks über das Auge: Psychoanalyse bei Alfred Hitchcock. Von Miran Bozovic [et al.]. Hrsg. von Slavoj Zizek. Übersetzt von Isolde Charim [et al.]. - Wien: Turia & Kant 1992. pp. 43-68.
Index:
Hitchcock, Alfred
Sexualität ~ Sexuality

#2658
Zizek, Slavoj: Einleitung: Alfred Hitchcock oder Die Form und ihre geschichtliche Vermittlung. In: Ein Triumph des Blicks über das Auge: Psychoanalyse bei Alfred Hitchcock. Von Miran Bozovic [et al.]. Hrsg. von Slavoj Zizek. Übersetzt von Isolde Charim [et al.]. - Wien: Turia & Kant 1992. pp. 9-21.
Index:
Hitchcock, Alfred

#2659
Zizek, Slavoj: Enjoy your symptom! Jacques Lacan in Hollywood and out. - New York; London: Routledge 1992.
Description:
Psychoanalytic analysis on film. Discusses, among others, the films of Alfred Hitchcock, David Lynch, Roberto Rossellini and Ingmar Bergman plus an analysis of film noir.
Index:
Hitchcock, Alfred
Lynch, David
Rossellini, Roberto
Bergman, Ingmar
Psychologie ~ Psychology
Film Noir ~ Film Noir
Hollywood ~ Hollywood

#2660
Zizek, Slavoj: Enjoy your symptom! Jacques Lacan in Hollywood and out. 2nd edition. - New York; London: Routledge 2000.
First edition:
[1992]
Description:
Psychoanalytic analysis on film. Discusses, among others, the films of Alfred Hitchcock, David Lynch, Roberto Rossellini and Ingmar Bergman plus an analysis of film noir.
Index:
Hitchcock, Alfred
Lynch, David
Rossellini, Roberto
Bergman, Ingmar
Psychologie ~ Psychology
Film Noir ~ Film Noir
Hollywood ~ Hollywood

#2661
Zizek, Slavoj: Grimaces of the real: Or, when the phallus appears. In: October 1991. No. 58. [Fall] pp. 45-68.
Description:
Discusses, among others, Gaston Leroux’s Fantôme de l’opera as well as the films of Alfred Hitchcock and David Lynch.
Index:
Leroux, Gaston
Hitchcock, Alfred
Lynch, David
Fantôme de l’opera, Le (Literatur ~ Literature)

#2662
Zizek, Slavoj: Hitchcock’s organs. In: lacanian ink 2003. No. 22. [?D] pp. 124-139.
Index:
Hitchcock, Alfred

#2663
Zizek, Slavoj: Hitchcockian sinthome. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 125-128.
Description:
On basic motifs in the filmes of Alfred Hitchcock.
Index:
Hitchcock, Alfred

#2664
Zizek, Slavoj: Hitchcocks Sinthome. In: Ein Triumph des Blicks über das Auge: Psychoanalyse bei Alfred Hitchcock. Von Miran Bozovic [et al.]. Hrsg. von Slavoj Zizek. Übersetzt von Isolde Charim [et al.]. - Wien: Turia & Kant 1992. pp. 127-130.
Description:
On basic motifs in the filmes of Alfred Hitchcock.
Index:
Hitchcock, Alfred

#2665
Zizek, Slavoj: How the non-duped err. In: Qui Parle 4. 1990. No. 1. [Fall] pp. 1-20.
Index:
Hitchcock, Alfred

#2666
Zizek, Slavoj: Introduction: Alfred Hitchcock, or, The form and its historical mediation. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 1-12.
Index:
Hitchcock, Alfred

#2667
Zizek, Slavoj: Is there a proper way to remake a Hitchcock film? In: Hitchcock: Past and future. Edited by Richard Allen and Sam Ishii-Gonzales. - London; New York: Routledge 2004. p. ?P.
Index:
Hitchcock, Alfred

#2668
Zizek, Slavoj: L’écharde dans ton oeil: Pour une ontologie hitchcockienne. In: Trafic 2002. No. 41. [Spring] pp. 79-91.
Description:
On basic motifs in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Augen ~ Eyes

#2669
Zizek, Slavoj: Lacrimae rerum: Ensayos sobre cine moderno y ciberespacio. - ?O: Debate 2006.
Reviews:
Vidal Estévez, Manuel: [untitled.] In: Secuencias 2006. No. 24. [?D] pp. 129-132.
Description:
Includes, among others, essays on the films of Krzysztof Kieslowski, Alfred Hitchcock, Andrej Tarkovskij, David Lynch and on the Matrix series.
Index:
Kieslowski, Krzysztof
Hitchcock, Alfred
Tarkovsky, Andrei Arsenyevich
Lynch, David
Wachowski, Andy
Wachowski, Larry
Matrix, The (Filmreihe)
Cyberspace ~ Cyberspace

#2670
Zizek, Slavoj: Looking awry: An introduction to Jacques Lacan through popular culture. - Cambridge, Massachusetts; London: MIT Press 1991. (= October Books.)
Reviews:
Wilson, Rob: [untitled] In: East-West Film Journal 6. 1992. No. 1. [?D] pp. 192-193.
Description:
Discusses also a lot of fantastic films, especially the Hitchcock films as well as Terry Gilliam’s Brazil and George Miller’s Mad Max II.
Index:
Hitchcock, Alfred
Gilliam, Terry
Miller, George
Lacan, Jacques
Brazil (1985)
Mad Max II / Road Warrior, The (1981)

#2671
Zizek, Slavoj: Metastasen des Begehrens. Von Wagner über Magritte zu Ridley Scott. In: Der Entzug der Bilder. Visuelle Realitäten. Hrsg. von Michael Wetzel und Herta Wolf. - München: Wilhelm Fink 1994. pp. 249-270.
Description:
On the motif of desire in various art forms. Discusses also the fantastic film, especially the films of Alfred Hitchcock and Ridley Scott.
Index:
Scott, Ridley
Hitchcock, Alfred
Wagner, Richard
Magritte, René
Kunst ~ Arts, The

#2672
Zizek, Slavoj: Sublimierung und der Fall des Objekts. In: Ein Triumph des Blicks über das Auge: Psychoanalyse bei Alfred Hitchcock. Von Miran Bozovic [et al.]. Hrsg. von Slavoj Zizek. Übersetzt von Isolde Charim [et al.]. - Wien: Turia & Kant 1992. pp. 183-189.
Description:
On Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2673
Zizek, Slavoj: The individual: Hitchcock’s universe. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 209-272.
Description:
Detailed psychoanalytic interpretation of Hitchcock’s films.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#2674
Zizek, Slavoj: The Trouble with Harry: The corpse that wouldn’t die: The Birds: The maternal superego. In: October 1986. No. 38. [Fall] pp. 99-111.
Index:
Hitchcock, Alfred
Trouble with Harry, The (1955)
Birds, The (1962)

#2675
Zizek, Slavoj: Warum greifen die Vögel an? In: Ein Triumph des Blicks über das Auge: Psychoanalyse bei Alfred Hitchcock. Von Miran Bozovic [et al.]. Hrsg. von Slavoj Zizek. Übersetzt von Isolde Charim [et al.]. - Wien: Turia & Kant 1992. pp. 191-197.
Description:
On Alfred Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2676
Zumalde Arregi, Imanol: Paisaje edípico: Retorno a Psycho, 40 años después. In: Secuencias 2001. No. 14. [?D] pp. 40-51.
Description:
On the Hitchcock classic.
Index:
Hitchcock, Alfred
Psycho (1960)

#2677
Zupancic, Alenka: A perfect place to die: Theatre in Hitchcock’s films. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 73-105.
Description:
Discusses especially Murder.
Index:
Hitchcock, Alfred
Murder (1930)
Theater ~ Theatre

#2678
Zupancic, Alenka: Ein perfekter Platz, um zu sterben: Theater in Hitchcocks Filmen. In: Ein Triumph des Blicks über das Auge: Psychoanalyse bei Alfred Hitchcock. Von Miran Bozovic [et al.]. Hrsg. von Slavoj Zizek. Übersetzt von Isolde Charim [et al.]. - Wien: Turia & Kant 1992. pp. 69-105.
Description:
Discusses especially Murder.
Index:
Hitchcock, Alfred
Murder (1930)
Theater ~ Theatre
Tod ~ Death

#2679
Zuska, Vlastimil: Fil(m)osofická meditace o závrati a casu Hitchcockovo Vertigo. In: Iluminace 10. 1998. No. 2. [?D] pp. 57-67.
Index:
Hitchcock, Alfred
Vertigo (1958)

#2680
Zwiebel, Ralf: Höhenschwindel - psychoanalytische Anmerkungen zu Trauma und Melancholie in Hitchcocks Vertigo. In: Alfred Hitchcock. Vorträge vom 2. Mannheimer Filmseminar im März 2003. Mit Beiträgen von Peter Bär [et al.]. - Mannheim: Cinema Quadrat 2003. (= Im Dialog: Psychoanalyse und Filmtheorie Band 1.) pp. 40 ff.
Index:
Hitchcock, Alfred
Vertigo (1958)
Psychologie ~ Psychology

#2681
Zwiebel, Ralf: Ist psychoanalytisches Denken interkontextuell? Film-psychoanalytische Überlegungen zu Hitchcocks Spellbound. In: Projektion und Wirklichkeit: Die unbewusste Botschaft des Films. Hrsg. von Annegret Mahler-Bungers und Ralf Zwiebel. - Göttingen: Vandenhoeck und Ruprecht 2007. (= Schriften des Sigmund-Freud-Instituts: Reihe 2, Psychoanalyse im interdisziplinären Dialog 5.) pp. 149 ff.
Index:
Hitchcock, Alfred
Spellbound (1945)
Psychologie ~ Psychology

#2682
Zwischen Film und Kunst: Storyboards von Hitchcock bis Spielberg. Anlässlich der Ausstellung "Zwischen Film und Kunst: Storyboards von Hitchcock bis Spielberg", Kunsthalle Emden, 16. April bis 17. Juli 2011 und Deutsche Kinemathek - Museum für Film und Fernsehen, 11. August bis 27. November 2011]. Hrsg. von Katharina Henkel. Aus dem Englischen von Raoul Blankenburg. - Bielefeld; Berlin: Kerber 2012.
Index:
Hitchcock, Alfred
Spielberg, Steven
Technik ~ Technology
Kunst ~ Arts, The
Fernsehen ~ Television

#2683
Zwischen Film und Kunst: Storyboards von Hitchcock bis Spielberg. Anlässlich der Ausstellung "Zwischen Film und Kunst: Storyboards von Hitchcock bis Spielberg", Kunsthalle Emden, 16. April bis 17. Juli 2011 und Deutsche Kinemathek - Museum für Film und Fernsehen, 11. August bis 27. November 2011]. Hrsg. von Katharina Henkel. Aus dem Englischen von Raoul Blankenburg. - Emden: Kunsthalle Emden / Berlin: Deutsche Kinemathek - Museum für Film und Fernsehen 2011.
Reviews:
Baer, Volker: [untitled.] In: Film-Dienst 64. 2011. No. 17. [August 18] p. 46.
Index:
Hitchcock, Alfred
Spielberg, Steven
Technik ~ Technology
Kunst ~ Arts, The
Fernsehen ~ Television


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