The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|

literature list on: Hitchcock, Alfred

number of items: 2683

#1
A chacun son Hitchcock. In: Cinéma [Paris] 1990. No. 467. [?D] pp. 31-37.
Description:
Collection of short statements by directors, actors and critics on Hitchcock.
Index:
Hitchcock, Alfred

#2
A chacun son Hitchcock [II]. In: Cinéma [Paris] 1990. No. 469. [?D] pp. 26-27.
Description:
Collection of short statements by directors, actors and critics on Hitchcock.
Index:
Hitchcock, Alfred

#3
A. H., biofilmografíe de Alfred Hitchcock. - Buenos Aires: Cine Club Núcleo 1960. (= Cine-ensayo 1.)
Index:
Hitchcock, Alfred

#4
Aachen, George: Psycho. In: Reid’s Film Index ?G. 1992. No. 8. [?D] pp. 116-119.
Index:
Hitchcock, Alfred
Psycho (1960)

#5
Aachen, George: Vertigo. In: Reid’s Film Index ?G. 1993. No. 10. [?D] pp. 180-184.
Index:
Hitchcock, Alfred
Vertigo (1958)

#6
Abel, Richard: Notorious: Perversion par excellence. In: Wide Angle 1. 1979. No. 1. [?D] pp. 66-71.
Index:
Hitchcock, Alfred
Notorious (1946)

#7
Abel, Richard: Notorious: Perversion par excellence. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Notorious (1946)

#8
Abel, Richard: Stage Fright: The knowing performance. In: Film Criticism 11. 1987. No. 1/2. [?D] pp. 5-14.
Index:
Hitchcock, Alfred
Stage Fright (1950)

#9
Abel, Richard: Stage Fright: The knowing performance. In: Film Criticism 9. 1984/1985. No. 2. [?D] pp. 41-50.
Index:
Hitchcock, Alfred
Stage Fright (1950)

#10
Abramson, Leslie H.: In the eye of the director: Self-reflexivity in the films of Alfred Hitchcock. - Chicago, Illinois: University of Chicago, Ph.D. 1997. [Abstract in: Dissertation Abstracts International A 58. 1998. No. 10. (April) p. 3761A.]
Index:
Hitchcock, Alfred
Augen ~ Eyes

#11
Abramson, Leslie H.: Stranger(s) than fiction: Adaptation, modernity, and the menace of fan culture in Hitchcock’s Strangers on a Train. In: Hitchcock and adaptation: On the page and screen. Edited by Mark Osteen. - Lanham, Maryland: Rowman & Littlefield 2014. p. ?P.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)
Angst ~ Fear

#12
Abramson, Leslie H.: The savage audience: Looking at Hitchcock’s The Birds. In: Film & History 41.2011. No. 2. [Fall] pp. 19-28.
Index:
Hitchcock, Alfred
Birds, The (1962)
Gewalt ~ Violence

#13
Abrash, Merritt: Hitchcock’s terrorists: Sources and significance. In: Literature/Film Quarterly 39. 2011. No. 3. [?D] p. 165-173.
Index:
Hitchcock, Alfred

#14
Ackermann, Christiane: "Paging Mr. George Kaplan!": "Der unsichtbare Dritte" und die filmische Hervorbringung des Agenten: Alfred Hitchcocks North by Northwest. In: Ich ist ein Agent: Ästhetische und politische Aspekte des Spionagefilms. Hrsg. von Heinz J. Drügh und Volker Mergenthaler. - Würzburg: Königshausen und Neumann 2005. (= Film, Medium, Diskurs 5.) pp. 69 ff.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Politik ~ Politics
Spione ~ Spys

#15
Ackroyd, Peter: Alfred Hitchcock. - London: Chatto & Windus 2015.
Reviews:
Miller, Henry K.: Man of mystery. In: Sight and Sound NS 25. 2015. No. 5. [May] pp. 104-105.
Index:
Hitchcock, Alfred

#16
Adair, Gene: Alfred Hitchcock: Filming our fears. - Oxford: Clarendon Press / New York: Oxford University Press 2002. (= Oxford portraits.)
Index:
Hitchcock, Alfred
Angst ~ Fear

#17
After Hitchcock: Influence, imitation, and intertextuality. Edited by David Boyd and R. Barton Palmer. - Austin, Texas: University of Texas Press 2006.
Reviews:
Armstrong, Stephen B.: [untitled.] In: Film Quarterly 63. 2009. No. 1. [Fall] pp. 80-81.
Domizio, Ricardo: [untitled.] In: Clues 26. 2008. No. 2. [?D] pp. 96-97.
Index:
Hitchcock, Alfred

#18
Agenten-Thriller. In: Thriller: Kino, das an den Nerven zerrt: Verhängnisvolle Affären, manische Psychopathen und ultracoole Cops. Hrsg. von Dirk Manthey und Jörg Altendorf. Redaktion: Willy Loderhose. Autoren: Adolf Heinzelmeier und Tilo Knops. - Hamburg: Kino Verlag 1991. (= Cinema Filmbuch.) pp. 54-63.
Description:
Discusses Michael Apted’s Gorky Park, Hitchcock’s North By Northwest, Sydney Pollack’s The Three Days of the Condor and John Schlesinger’s Marathon Man.
Index:
Apted, Michael
Hitchcock, Alfred
Pollack, Sydney
Schlesinger, John
Gorky Park (1983)
North by Northwest (1959)
Three Days of the Condor, The (1974)
Marathon Man (1976)
Spione ~ Spys
Psychologie ~ Psychology
Thriller ~ Thriller

#19
Agnel, Aimé: Hitchcock et l’ennui: Une psychologie à l’oeuvre. - Paris: Ellipses 2011.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#20
Ahlava, Antti / Ketola, Kimmo: Outous Hitchtcockilla ja nykyarkkitehtuurissa. In: Filmihullu 1999. No. 4. [?D] pp. 30-36.
Description:
Psychoanalytic examination of the uncanny in the horror film and in architecture. Discusses the films of Alfred Hitchcock and the work of the architects Peter Eisenman, Jacques Herzog and Pierre de Meuron.
Index:
Hitchcock, Alfred
Eisenman, Peter
Herzog, Jacques
Meuron, Pierre de
Psychologie ~ Psychology
Horror ~ Horror
Architektur ~ Architecture
Angst ~ Fear

#21
Aktsoglou, Bampes: Alphrent Chitskok. - Athens: Aigokeros 1985. (= Kinematographiko archeio 18.)
Index:
Hitchcock, Alfred

#22
Alberich, Enrique: Alfred Hitchcock: El poder de la imagen. - Barcelona: Publ. Fabregat 1987. (= Dirigido por... 4.)
Index:
Hitchcock, Alfred

#23
Alfred Hitchcock. - Berlin: Epilogmedia 2010. (= Epilog 3.)
Index:
Hitchcock, Alfred

#24
Alfred Hitchcock. In: Wide Angle 4. 1980. No. 1. [?D] pp. 4-61.
Description:
Special section containing seven articles on the director, especially on the motif of sexuality in his films.
Index:
Hitchcock, Alfred
Sexualität ~ Sexuality

#25
Alfred Hitchcock. - Lisbon: Cinemateca Portuguesa / FundaçÆo Calouste Gulbenkian 1982.
Index:
Hitchcock, Alfred

#26
Alfred Hitchcock - der Filmverführer: Un-Schuld im Spannungsfeld von Ethik und Ästhetik. Hrsg. von Nikolai Wojtko. - Hamburg: Kovac 2005. (= Schriften zur Medienwissenschaft 11.)
Index:
Hitchcock, Alfred
Verführung ~ Seduction

#27
Alfred Hitchcock: Centenary essays. Edited by Richard Allen and Sam Ishii-Gonzalès. - London: British Film Institute / Bloomington, Indiana: Indiana University Press 1999.
Reviews:
Ciment, Michel: [untitled] In: Positif 2000. No. 470. [April] p. 104.
Pisters, Patricia: Honderd Hitchcocks. In: Skrien 2000. No. 241. [March] p. 60.
Index:
Hitchcock, Alfred

#28
Alfred Hitchcock: Critical evaluations of leading film-makers. Edited by Neil Badmington. - New York: Routledge 2014.
Index:
Hitchcock, Alfred

#29
Alfred Hitchcock, director. In: Newsweek 47. 1956. No. ?N. [June 11]. pp. 105-108.
Index:
Hitchcock, Alfred

#30
Alfred Hitchcock. Hrsg. von Lars-Olav Beier und Georg Seeßlen. - Berlin: Bertz Verlag 1999. (= Reihe film 7.)
Reviews:
Barg, Werner C.: [untitled] In: Medienwissenschaft 2000. No. 3. pp. 330-332.
Hesse-Lichtenberger, Ulrich: Zwei Höhepunkte aus all den Geburtstags-Büchern zu Ehren von Sir Alfred Hitchcock. In: Steadycam 1999. No. 3(39). [?D] pp. 20-21.
Mörchen, Roland: [untitled] In: Film-Dienst 52. 1999. No. 18. [August 31] p. 36.
Worschech, Rudolf: All About Alfred? In: EPD Film 17. 2000. No. 7. [July] p. 7.
Description:
Includes an annotated filmography.
Index:
Hitchcock, Alfred

#31
Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.)
Index:
Hitchcock, Alfred

#32
Alfred Hitchcock: La critica, il pubblico, le fonti letterarie. Convegno internazionale di studi "Premio Fiesole ai maestri del cinema" 1979. A cura di Roberto Salvadori. - Firenze: la casa Usher 1981. (= Saggi 10.)
Index:
Hitchcock, Alfred

#33
Alfred Hitchcock: La vertigine del delitto 1980/1990. A cura di Alberto Morsiani e Francesco Morsiani. - Modena: Comune di Modena, Assessorato alla Cultura, Ufficio Cinema / ?O: Arci Nova, AICS, ENARS ACLI, ENDAS 1990.
Reviews:
Comuzio, Ermanno: [untitled] In: Cineforum 30. 1990. No. 11(299). [?D] p. 112.
Index:
Hitchcock, Alfred

#34
Alfred Hitchcock. Textes reunis par Jean Norboni [et al.]. - Paris: Ed. de l’Etoile 1980. (= Cahiers du Cinéma: Hors-Série 8.)
Index:
Hitchcock, Alfred

#35
Alfred Hitchcock. Vorträge vom 2. Mannheimer Filmseminar im März 2003. Mit Beiträgen von Peter Bär [et al.]. - Mannheim: Cinema Quadrat 2003. (= Im Dialog: Psychoanalyse und Filmtheorie Band 1.)
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#36
Alfred Hitchcock’s Berüchtigt! Text von Almut Oetjen. - Stuttgart: Verlag Uwe Wiedleroither 2002. (= Filmprogram 302.)
Description:
On Alfred Hitchcock’s Notorious.
Index:
Hitchcock, Alfred
Notorious (1946)

#37
Alfred Hitchcock’s borrowers of the night. Edited by Cathleen Jordan. Large print edition. - ?O: Chivers N. M. 1993.
Index:
Hitchcock, Alfred
Nacht ~ Night

#38
Alfred Hitchcock’s Psycho: A casebook. Edited by Robert Kolker. - Oxford; New York: Oxford University Press 2004. (= Casebooks in criticism.)
Index:
Hitchcock, Alfred
Psycho (1960)

#39
Alfred Hitchcock’s Psycho. Mit Beiträgen von Frank Arnold [et al.]. Hrsg. von Frank Schnelle. - Stuttgart: Verlag Robert Fischer + Uwe Wiedleroither 1993.
Description:
Includes a content protocoll plus texts on the film and its reception history.
Index:
Hitchcock, Alfred
Psycho (1960)

#40
Alfred Hitchcock’s Rear Window. Edited by John Belton. - Cambridge: Cambridge University Press 2000. (= The Cambridge University Press Film Handbooks.)
Reviews:
Ciment, Michel: [untitled] In: Positif 2000. No. 470. [April] p. 104.
Williams, Linda Ruth: [untitled] In: Sight and Sound NS 10. 2000. No. 8. [August] p. 32.
Index:
Hitchcock, Alfred
Rear Window (1954)

#41
Alfred Hitchcock’s Saboteur. In: Theatre Arts 26. 1942. No. 5. [May] p. 319.
Index:
Hitchcock, Alfred
Saboteur (1942)

#42
Alfred Hitchcock’s tales of the supernatural and the fantastic. Edited by Cathleen Jordan. - ?O: Smithmark Publications 1993.
Index:
Hitchcock, Alfred
Wunder ~ Miracles

#43
Alioff, Maurie: Haunted by Hitchcock: Robert Lepage’s Le Confessionnal. In: Take One ?G. 1995. No. 9. [Fall] pp. 8-15.
Index:
Lepage, Robert
Hitchcock, Alfred
Confessional, Le (1995)

#44
Alion, Yves: Le crime était presque parfait. In: La Revue du Cinéma 1992. No. 483. [June] p. 49.
Description:
On Alfred Hitchcock’s Dial M for Murder.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#45
All about Alfred: Hitchcock-Bibliographie. Zusammengestellt von Hans Jürgen Wulff. - Münster: Münsteraner Arbeitskreis für Semiotik 1983. (= MAkS-Publikationen.)
Index:
Hitchcock, Alfred

#46
All about Alfred: Hitchcock-Bibliographie. Zusammengestellt von Hans Jürgen Wulff. Neuausgabe. - Münster: Münsteraner Arbeitskreis für Semiotik 1988. (= MAkS-Publikationen.)
First edition:
[1983]
Reviews:
Kaufmann, Anette: [untitled] In: Medienwissenschaft 1988. No. 3. p. 302.
Index:
Hitchcock, Alfred

#47
All about Alfred: Hitchcock-Bibliographie. Zusammengestellt von Hans Jürgen Wulff. Erweiterte Neuausgabe als Public-Domain-Disketten-Edition. - Berlin: Gesellschaft für Theorie und Geschichte ausdiovisueller Kommunikation 1996.
Index:
Hitchcock, Alfred

#48
All about Alfred: Hitchcock-Bibliographie. Zusammengestellt von Hans-Jürgen Wulff. - Westerkappeln: Eigenvertrieb Hans-Jürgen Wulff (1996)
Index:
Hitchcock, Alfred

#49
Allen, Jeanne: Looking through Rear Window: Hitchcock’s traps and lures of heterosexual romance. In: Female spectators: Looking at film and television. Edited by E. Deidre Pribram. - London; New York: Verso 1988. (= Questions for feminism.) pp. 31-44.
Reviews:
Quart, Barbara: [untitled] In: Film Quarterly 45. 1991/1992. No. 2. [Winter] pp. 47-48.
Index:
Hitchcock, Alfred
Rear Window (1954)
Frauen ~ Women
Fernsehen ~ Television
Sexualität ~ Sexuality

#50
Allen, Jeanne T. / Palmer, R. Barton: Jeanne T. Allen responds to R. Barton Palmer’s "The metafictional Hitchcock: The experience of viewing and the viewing of experience in Rear Window and Psycho". In: Cinema Journal 25. 1986. No. 4. pp. 54-58.
Index:
Hitchcock, Alfred
Rear Window (1954)
Psycho (1960)

#51
Allen, Richard: An interview with Jay Presson Allen. In: Hitchcock Annual 2000. pp. 3-22.
Index:
Hitchcock, Alfred
Presson, Jay
Marnie (1963/1964)

#52
Allen, Richard: An interview with Jay Presson. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred
Presson, Jay
Marnie (1963/1964)

#53
Allen, Richard: Avian metaphor in The Birds. In: Hitchcock Annual 1994. pp. 40-67.
Index:
Hitchcock, Alfred
Birds, The (1962)

#54
Allen, Richard: Avian metaphor in The Birds. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred
Birds, The (1962)

#55
Allen, Richard: Avian metaphors in The Birds. In: Hitchcock Annual 1997. pp. 40-67.
Index:
Hitchcock, Alfred
Birds, The (1962)

#56
Allen, Richard: Belle du jour et Marnie. In: The Psychoanalytic Review 82. 1995. No. 6. [?D] pp. 933-936.
Index:
Buñuel, Luis
Hitchcock, Alfred
Belle de jour (1966)
Marnie (1963/1964)
Psychologie ~ Psychology

#57
Allen, Richard: Daphne du Maurier and Alfred Hitchcock. In: A companion to literature and film. Edited by Robert Stam and Alessandra Raengo. - Malden, Massachussetts; Oxford: Blackwell 2004. (= Blackwell companions in cultural studies 7.)
Index:
Hitchcock, Alfred
Du Maurier, Daphne
Literatur ~ Literature

#58
Allen, Richard: Hitchcock and Cavell. In: Journal of Aesthetics and Art Criticism 64. 2006. No. 1. [?D] pp. 43-53.
Index:
Cavell, Stanley
Hitchcock, Alfred

#59
Allen, Richard: Hitchcock, knowledge, and sexual difference. In: Recognition: The poetics of narrative: Interdisciplinary studies on anagnorisis. Edited by Philip F. Kennedy and Marilyn Lawrence. - New York; Frankfurt/Main: Lang 2009. (= Studies on themes and motifs in literature 96.) pp. 135-162.
Index:
Hitchcock, Alfred
Sexualität ~ Sexuality

#60
Allen, Richard: Hitchcock, or the pleasures of metascepticism. In: October 1999. No. 89. [Summer] pp. 69-86.
Index:
Hitchcock, Alfred

#61
Allen, Richard: Hitchcock’s legacy. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred

#62
Allen, Richard: Hitchcock’s romantic irony. - New York: Columbia University Press 2007. (= Film and culture.)
Reviews:
Cohen, Paula Marantz: [untitled.] In: The Times Literary Supplement, September 5, 2008. p. 12.
Greven, David: [untitled.] In: Cineaste 33. 2008. No. 3. [?D] pp. 78.
LeBlanc, Lisa: [untitled.] In: Journal of Popular Culture 41. 2008. No. 5. [?D] pp. 891-893.
Sterritt, David: [untitled.] In: Film Quarterly 62. 2009. No. 3. [Spring] pp. 83-84.
Index:
Hitchcock, Alfred
Romantik ~ Romanticism

#63
Allen, Richard: Introduction. In: Hitchcock: Past and future. Edited by Richard Allen and Sam Ishii-Gonzales. - London; New York: Routledge 2004. p. ?P.
Index:
Hitchcock, Alfred

#64
Allen, Richard: Sir John and the half-caste: Identity and representation in Hitchcock’s Murder!. In: Hitchcock Annual 2004/2005. pp. 192-126.
Index:
Hitchcock, Alfred
Murder (1930)

#65
Allen, Richard: The Lodger and the origins of Hitchcock’s aesthetic. In: Hitchcock Annual 2001/2002. pp. 38-78.
Index:
Hitchcock, Alfred
Lodger, The: A Story of the London Fog (1927)

#66
Allen, T.: Hitchcock’s half-century grin. In: America: The National Catholic Weekly 134. 1976. No. ?N. [April 3] pp. 290-291.
Index:
Hitchcock, Alfred

#67
Almansi, Renato J.: Alfred Hitchcock’s disappearing women: A study in scopophilia and object loss. In: International Review of Psycho-Analysis 19. 1992. No. 1. [Spring] pp. 81-90.
Description:
Psychoanalytic examination on Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
Psychologie ~ Psychology
Frauen ~ Women

#68
Alpigiano, Jean-Luc: Vertigo ou les puissances de l’imaginaire. In: Trafic 1997. No. 22. [Summer] pp. 103-108.
Index:
Hitchcock, Alfred
Vertigo (1958)

#69
Alter, Ethan: Psycho. In: Alter, Ethan: Film firsts: The 25 movies that created contemporary American cinema. - Santa Barbara, California: Praeger 2014. p. ?P.
Index:
Hitchcock, Alfred
Psycho (1960)
USA (United States of America) ~ USA (United States of America)

#70
Altman, Mark A.: Lifepod. In: Cinefantastique 24. 1993. No. 3/4. [October] pp. 116-117.
Description:
On Ron Silver’s version of the Hitchcock classic Lifeboat.
Index:
Silver, Ron
Hitchcock, Alfred
Lifepod (1993)
Lifeboat (1943)

#71
Ames, Deborah Lee: Vertigo: The nomenclature of despair. In: Hitchcock Annual 1997/1998. pp. 153-167.
Description:
On the motif of self identity and the christian and existentialist motifs in the film.
Index:
Hitchcock, Alfred
Vertigo (1958)
Existentialismus ~ Existentialism
Religion ~ Religion

#72
Ancelin, Pierre: À l’écoute de l’Amérique: Blow Out. In: L’Art du Cinéma 2001/2002. No. 35-37. [Winter] pp. 77-126.
Description:
Compares Brian De Palma’s Blow Out with Alfred Hitchcock’s Psycho and Michelangelo Antonioni’s Blow Up.
Index:
De Palma, Brian
Hitchcock, Alfred
Antonioni, Michelangelo
Blow Out (1981)
Psycho (1960)
Blow Up (1966)
USA (United States of America) ~ USA (United States of America)

#73
Andrew, Geoff: On pure cinema. In: Time Out 1991. No. 1063. [?D] p. 34.
Description:
Compares Brian De Palma with Alfred Hitchcock.
Index:
De Palma, Brian
Hitchcock, Alfred

#74
Andrew, Geoff: Watch a cock. In: Time Out 1993. No. 1202. [September 1] p. 66.
Description:
On Alfred Hitchcock.
Index:
Hitchcock, Alfred

#75
Ankerich, Michael: Psyched-up for Psycho. In: Classic Images 1995. No. 243. [September] pp. 32, C2, C4.
Description:
Interview with Janet Leigh on the Hitchcock classic.
Index:
Hitchcock, Alfred
Leigh, Janet
Psycho (1960)
Psychologie ~ Psychology

#76
Ansen, David: Minister of fear. In: Newsweek 95. 1980. No. ?N [May 12]. pp. 87-88.
Description:
Orbituary on Alfred Hitchcock.
Index:
Hitchcock, Alfred
Angst ~ Fear

#77
Ansen, David: Psycho analysis. In: Newsweek 132. 1998. No. ?N [December 7]. pp. 70-71.
Index:
Van Sant, Gus
Hitchcock, Alfred
Psycho (1998)
Psycho (1960)

#78
Antolini, Andrea: Hitchcock: Umano disumano. - Alessandria: Falsopiano 2010. (= Cinema.)
Index:
Hitchcock, Alfred

#79
Apers, M.: See you, Hitch. In: Film en Televisie 1980. No. 278/279. [July/August] pp. 28-29.
Description:
Obituary.
Index:
Hitchcock, Alfred

#80
Aprà, Adriano: Un malato, un drogato? In: Bianco e Nero 57. 1996. No. 3/4. [?D] pp. 23-26.
Index:
Hitchcock, Alfred
Vertigo (1958)

#81
Arabov, Jurij: Konsol’ Hickoka. In: Iskusstvo Kino 1999. No. 8. [August] pp. 46-50.
Description:
On Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)

#82
Araújo, Inácio: Alfred Hitchcock. - SÆo Paulo: Brasiliense 1982. (= ColeçÆo Encanto radical 15.)
Index:
Hitchcock, Alfred

#83
Ardolino, Frank: The iconic influence of the Dead: Iconoclasm and idolatry in Hitchcock’s Rebecca, Vertigo, and Psycho. In: Journal of Evolutionary Psychology 12. 1991. No. 1/2. [March] pp. 130-141.
Index:
Hitchcock, Alfred
Rebecca (1940)
Vertigo (1958)
Psycho (1960)

#84
Arecco, Sergio: Il killer della luna di miele. In: Filmcritica 51. 2001. No. 513. [March] pp. 101-110.
Description:
Discusses, among others, Tod Browning’s Dracula, Alfred Hitchcock’s The Man Who Knew Too Much and Pedro Almodóvar’s La ley dei deseo.
Index:
Browning, Tod
Hitchcock, Alfred
Almodóvar, Pedro
Dracula (1930)
Man Who Knew Too Much, The (1934)
Man Who Knew Too Much, The (1956)
ley del deseo, La (1986)
Mord ~ Murder

#85
Arginteanu, Judy: The movies of Alfred Hitchcock. - Minneapolis, Minnesota: Lerner Publications 1994.
Index:
Hitchcock, Alfred

#86
Aristarco, G.: Il 30 aprile più del 5 maggio. In: Cinema Nuovo 29. 1980. No. 266. [August] pp. 7-9.
Description:
Obituary for Alfred Hitchcock.
Index:
Hitchcock, Alfred

#87
Arnaud, Philippe: L’engendrement des images: Vertigo d’Alfred Hitchcock. In: Cinémathèque 1995. No. 8. [Autumn] pp. 24-32.
Index:
Hitchcock, Alfred
Vertigo (1958)

#88
Arnold, Frank: Du hast nur 23 Minuten: Alfred Hitchcocks Fernseharbeiten. In: Alfred Hitchcock. Hrsg. von Lars-Olav Beier und Georg Seeßlen. - Berlin: Bertz Verlag 1999. (= Reihe film 7.) pp. 163-184.
Index:
Hitchcock, Alfred
Fernsehen ~ Television

#89
Arnold, Frank: Mann und Muse: Hitchcock und The Girl: Zwei Filme über die Obsessionen des Meisters. In: EPD Film 30. 2013. No. 11. [November] p. 60.
Description:
On two DVD editions.
Index:
Gervasi, Sacha
Jarrold, Julian
Hitchcock, Alfred
Hitchcock (2012)
Girl, The (2012)
DVD ~ DVD

#90
Arnold, Frank: Thriller-Kombinat. In: EPD Film 26. 2009. No. 3. [March] p. 15.
Description:
On a Hitchcock exhibition at tne Museum for Film and Television Berlin.
Index:
Hitchcock, Alfred
Thriller ~ Thriller
Fernsehen ~ Television
Berlin ~ Berlin

#91
Arslan-Erben, Nusin: Dramatic slices of cake: Schauspielen und andere Ver-Stellungen in den Filmen The Thirty-Nine Steps, Notorius & Vertigo von Alfred Hitchcock. - Wien: Universität für Angewandte Kunst Wien, Diplom-Arbeit 1999.
Index:
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)
Notorious (1946)
Vertigo (1958)

#92
Atkinson, David: Hitchcock’s techniques tell Rear Window story. In: American Cinematographer 71. 1990. No. 1. [January] pp. 34-40.
Index:
Hitchcock, Alfred
Rear Window (1954)
Technik ~ Technology

#93
Atkinson, Michael: Psycho-a-go-go. In: Village Voice 43. 1998. No. ?N. [December 22] p. 138.
Index:
Van Sant, Gus
Hitchcock, Alfred
Psycho (1998)
Psycho (1960)

#94
Atkinson, Michael: The Birds. In: Village Voice 43. 1998. No. ?N. [August 25] p. 123.
Index:
Hitchcock, Alfred
Birds, The (1962)

#95
Auböck, Tobias: The Downward Spiral - Repetition in Hitchcock’s Vertigo. - München: GRIN Verlag 2012.
Index:
Hitchcock, Alfred
Vertigo (1958)

#96
Auerbach, Jonathan / Gitelman, Lisa: Microfilm, containment, and the Cold War. In: American Literary History 19. 2007. No. 3. [?D] pp. 745-768.
Description:
Discusses, among others, Alfred Hitchcock’s North by Northwest, Roy William Neill’s Sherlock Holmes in Washington and Samuel Fuller’s Pickup on South Street.
Index:
Hitchcock, Alfred
Neill, Roy William
Fuller, Samuel
North by Northwest (1959)
Sherlock Holmes in Washington (1943)
Pickup on South Street (1953)
Krieg ~ War

#97
Auiler, Dan: Hitchcock’s notebooks: An unauthorized and illustrated look inside the creative mind of Alfred Hitchcock. - New York: Spike/ New York: Avon Books 1999.
Reviews:
Morrison, James: [untitled] In: Film Quarterly 55. 2001. No. 1. [Fall] pp. 62-64.
Turner, George: [untitled] In: American Cinematographer 80. 1999. No. 6. [June] p. 163.
Index:
Hitchcock, Alfred

#98
Auiler, Dan: Hitchcock’s secret notebooks: An authorized and illustrated look inside the creative mind of Alfred Hitchcock. - London: Bloomsbury 1999.
Reviews:
Berthomé, Jean-Pierre: [untitled] In: Positif 2000. No. 470. [April] pp. 102-103.
Index:
Hitchcock, Alfred

#99
Auiler, Dan: Les Cahiers de Hitchcock: Les secrets d’un créateur de génie. - Paris: Lattès 1999.
First edition:
[Hitchcock’s secret notebooks. - London: Bloomsbury 1999]
Reviews:
Berthomé, Jean-Pierre: [untitled] In: Positif 2000. No. 470. [April] pp. 102-103.
Index:
Hitchcock, Alfred

#100
Auiler, Dan / Rebello, Stephen: North by Northwest: The making of Hitchcock’s classic thriller. - London: Titan 2001.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Thriller ~ Thriller

#101
Auiler, Dan / Rebello, Stephen: North by Northwest: The making of Hitchcock’s classic thriller. - New York: St. Martin’s Press 2001.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Thriller ~ Thriller

#102
Auiler, Dan: Vertigo: The making of a Hitchcock classic. Foreword by Martin Scorsese. - New York: St. Martin’s Press 1998.
Reviews:
Paletz, Gabriel M.: [untitled] In: Film Quarterly 55. 2001. No. 1. [Fall] pp. 68-69.
Index:
Hitchcock, Alfred
Vertigo (1958)

#103
Auiler, Dan: Vertigo: The making of a Hitchcock classic. Foreword by Martin Scorsese. - London: Titan Books 1999.
First edition:
[New York: St. Martin’s Press 1998]
Reviews:
Bruzzi, Stella: [untitled] In: Sight and Sound NS 9. 1999. No. 2. [February] p. 31.
Paletz, Gabriel M.: [untitled] In: Film Quarterly 55. 2001. No. 1. [?D] pp. 68-69.
Index:
Hitchcock, Alfred
Vertigo (1958)

#104
Auiler, Dan: Vertigo: The making of a Hitchcock classic. - New York: Griffin 2001.
First edition:
[New York: St. Martin’s Press 1998]
Index:
Hitchcock, Alfred
Vertigo (1958)

#105
Aus dem Reich der Toten. - Nürnberg: Filmverlag Peter Schmidl 1994. (= Phantopia-Filmprogramm 286.)
Description:
On Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)

#106
Aus dem Reich der Toten (Vertigo). - Nürnberg: Verlag Karin Stähle ?J. (= Super 8 Filmblätter.)
Index:
Hitchcock, Alfred
Vertigo (1958)

#107
Auslandskorrespondent. - Vogt: Peter Kranzpiller ?J. (= Filmprogramm der Kinoszene 205.)
Index:
Hitchcock, Alfred
Foreign Correspondent (1940)

#108
Auslandskorrespondent. Text von Uwe Wiedleroither. - Stuttgart: Verlag Uwe Wiedleroither 1991. (= Filmprogramm 227.)
Description:
On Hitchcock’s Foreign Correspondent.
Index:
Hitchcock, Alfred
Foreign Correspondent (1940)

#109
Austad, Jonathan A.: Hemingway and Hitchcock: An examination of the aesthetic modernity. - Tallahassee, Florida: Florida State University, Ph.D. 2008. [Abstract in: Dissertation Abstracts International A 69. 2009. No. 7. (January).]
Index:
Hemingway, Ernest
Hitchcock, Alfred

#110
Austin-Smith, Brenda: Secrets, lies, and virtuous attachments: The Ambassadors and The 39 Steps. In: The men who knew too much: Henry James and Alfred Hitchcock. Edited by Susan Griffin and Alan Nadel. - Oxford; New York: Oxford University Press 2011. p. ?P.
Index:
James, Henry
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)
Ambassadors, The (Literatur ~ Literature)

#111
Auzel, Dominique: Alfred Hitchcock. - Toulouse: Milan 1997. (= Les Essentiels Milan 93.)
Index:
Hitchcock, Alfred

#112
Babineau, Dan: Stairs in cinema: A formal and thematic investigation. - Montreal, Quebec: Concordia University, M.A. 2004. [Abstract in: Masters Abstracts International 42. 2004. No. 6. p. 1904.]
Description:
Discusses the stair motif in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred

#113
Babington, Bruce: Launder and Gilliat. - Manchester; New York: Manchester University Press 2002. (= British film makers.)
Reviews:
Williams, Tony: In: Quarterly Review of Film and Video 21. 2004. No. 3. [?D] pp. 257-261.
Index:
Hitchcock, Alfred

#114
Backer, Ron: The Birds by Daphne du Maurier. In: Backer, Ron: Classic horror films and the literature that inspired them. - Jefferson, North Carolina: McFarland & Company 2015. p. 263 ff.
Index:
Du Maurier, Daphne
Hitchcock, Alfred
Birds, The (1962)
Birds, The (Literatur ~ Literature)
Horror ~ Horror
Literatur ~ Literature

#115
Bade, James N.: Murnau’s The Last Laugh and Hitchcock’s subjective camera. In: Quarterly Review of Film and Video 23. 2006. No. 3. [?D] pp. 257-266.
Description:
How Hitchcock learned from the German director by visiting him in Berlin in 1924.
Index:
Hitchcock, Alfred
Murnau, Friedrich Wilhelm
letzte Mann, Der (1924)
Technik: Kamera ~ Technology: Camera
Deutschland ~ Germany
Berlin ~ Berlin

#116
Badham, John: Virtual Hitchcock. In: DGA: Director’s Guild of America 21. 1996. No. 5/6. [November-February] pp. 22, 24.
Index:
Hitchcock, Alfred

#117
Badmington, Neil: Hitchcock’s magic. - ?O: University of Wales Press 2011.
Reviews:
Macleod Jr., Douglas C.: [untitled.] In: Film & History 43. 2013. No. 1. [Spring] pp. 44-48.
Index:
Hitchcock, Alfred
Magie ~ Magic

#118
Baer, Bill: Ernest Lehman. In: Creative Screenwriting 7. 2000. No. 6. [?D] pp. 47-53.
Description:
On Lehman’s script for Alfred Hitchcock’s North by Northwest.
Index:
Lehman, Ernest
Hitchcock, Alfred
North by Northwest (1959)

#119
Bailin, Rebecca: Feminist readership, violence, and Marnie. In: Film Reader 1982. No. 5. [?D] pp. 24-36.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Gewalt ~ Violence
Frauen ~ Women

#120
Bait; Charles: English Hitchcock. - London: Cameron & Mollis 1999.
Index:
Hitchcock, Alfred
Großbritannien ~ Great Britain

#121
Baiz Quevedo, Frank: Saber-ver: Hipersaber y observadores en el cine. In: Objeto Visual ?G. 1996. No. 3. [?D] pp. 123-141.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#122
Baker, David: Seeing is believing: Detective and romance in Rear Window. In: Screen Education 2008. No. 51. [Spring] pp. 125-130.
Index:
Hitchcock, Alfred
Rear Window (1954)
Detektive ~ Detectives

#123
Baldwin, Ian: Psycho in America: Gender politics, movie culture, and the horror film in Cold War America. - Fayetteville, Arkansas: University of Arkansas, M.A. 2010. [Abstract in: Masters Abstracts International 48. 2010. No. 5. (October)]
Description:
On horror films seen as a reflection of ideologies that were central to American culture in the 1940s and 1950s.
Index:
Hitchcock, Alfred
Psycho (1960)
USA (United States of America) ~ USA (United States of America)
Sexualität ~ Sexuality
Politik ~ Politics
Krieg ~ War
Horror ~ Horror

#124
Ball, Edward: Alfred’s world. In: Village Voice 39. 1994. No. ?N. [September 6] pp. 64-65.
Index:
Hitchcock, Alfred
Vertigo (1958)

#125
Ball, Karyn: Primal revenge and other anthropomorphic projections for literary history. In: New Literary History 39. 2008. No. 3. [?D] pp. 533-563.
Index:
Hitchcock, Alfred
Birds, The (1962)
Geschichte ~ History

#126
Balla, P.: Cinema della radicalità. In: Filmcritica 35. 1984. No. 345. [June] pp. 240-344.
Description:
Compars the cinematographic techniques of Alfred Hitchcock’s The Rope and Klassenverhältnisse by Danièle Huillet and Jean-Marie Straub.
Index:
Hitchcock, Alfred
Huillet, Danièle
Straub, Jean-Marie
Rope, The (1948)
Klassenverhältnisse (1984)
Technik: Kamera ~ Technology: Camera

#127
Balsamo, Beatrice: Hitchcock: Il volto e la cosa. - Milano: Mimesis 2010. (= Cinema 1.)
Description:
Psychoanalytical examination.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#128
Balsom, Erika: History repeating. In: Sight and Sound NS 26. 2016. No. 4. [April] p. 59.
Description:
On Stan Douglas’s Hitchcock adaption The Secret Agent.
Index:
Douglas, Stan
Hitchcock, Alfred
Secret Agent, The (2015)
Secret Agent (1936)
Kunst ~ Arts, The
Experimentalfilme ~ Experimental Films

#129
Banash, David: Alfred Hitchcock’s Psycho and the cinematic novels of Don DeLillo and Manuel Muñoz. In: Literature/Film Quarterly 43. 2015. No. 1. [?D] pp. 4-17.
Description:
On the impact of Hitchcocks classic on in Don DeLillo’s Point Omega and Manuel Muñoz’s What You See in the Dark.
Index:
DeLillo, Don
Hitchcock, Alfred
DeLillo, Don
Muñoz, Manuel
Psycho (1960)
What You See in the Dark (Literatur ~ Literature)
Point Omega (Literatur ~ Literature)

#130
Bannon, Barbara M.: Double, double, toil and trouble. In: Literature/Film Quarterly 13. 1985. No. 1. [January] pp. 56-65.
Description:
On the double motif in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Doppelgänger ~ Double

#131
Bär, Peter: Hitchcocks Spiel mit dem Zuschauer. In: Alfred Hitchcock. Vorträge vom 2. Mannheimer Filmseminar im März 2003. Mit Beiträgen von Peter Bär [et al.]. - Mannheim: Cinema Quadrat 2003. (= Im Dialog: Psychoanalyse und Filmtheorie Band 1.) pp. 52 ff.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#132
Barbi, Derna / Cremonini, Giorgio: Una finestra sul cinema. In: Cineforum 34. 1994. No. ?N(334). [May] pp. 3-8.
Index:
Hitchcock, Alfred
Rear Window (1954)

#133
Barbier, Philippe / Moreau, Jacques: Alfred Hitchcock. Avec la collaboration de Elisabeth Personne et Jean-Laurent Passy. - Paris: Editions PAC 1985. (= Album photos / Collection "Grand Écran".)
Index:
Hitchcock, Alfred

#134
Baring, Norah: The man who made the 39 steps: Pen portrait of Alfred Hitchcock. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 10 ff.
Index:
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)

#135
Barnett, Vincent: Dualling for Judy: The concept of the double in the films of Kim Novak. In: Film History 19. 2007. No. 1. pp. 86-101.
Description:
Discusses, among others, Novak’s roles in Alfred Hitchcock’s Vertigo and Richard Quine’s Bell, Book and Candle.
Index:
Novak, Kim
Hitchcock, Alfred
Quine, Richard
Vertigo (1958)
Bell, Book and Candle (1958)
Doppelgänger ~ Double

#136
Baron, G.: "Szedules". In: Filmvilag 28. 1985. No. 12. [?D] p. 52.
Index:
Hitchcock, Alfred
Vertigo (1958)

#137
Báron, György: Alászállás az alvilágba: Psycho analízis. - Budapest: Uj Mandátum 2007. (= Nagyítás kónyvek 1.)
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#138
Barr, Charles: Blackmail: Charles Bennett and the decisive turn. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Bennett, Charles
Hitchcock, Alfred
Blackmail (1929)
Blackmail (Theater ~ Theatre)

#139
Barr, Charles: Blackmail: Silent and sound. In: Sight and Sound 52. 1983. No. 2. [Spring] pp. 123-126.
Description:
On the Hitchcock film planed as silent and realized as sound movie.
Index:
Hitchcock, Alfred
Blackmail (1929)
Musik ~ Music
Stummfilm ~ Silent Film

#140
Barr, Charles: Deserter or honored exile? Views of Hitchcock from wartime Britain. In: Hitchcock Annual 2004/2005. pp. 1-24.
Index:
Hitchcock, Alfred
Krieg ~ War

#141
Barr, Charles: Englantilainen Hitchcock. In: Filmihullu 1999. No. 4. [?D] pp. 25-27.
Description:
On Hitchcock’s British films (excerpt from Barr’s 1999 book "English Hitchcock").
Index:
Hitchcock, Alfred
Großbritannien ~ Great Britain

#142
Barr, Charles: English Hitchcock. - Moffat: Cameron & Hollis 1999. (= Movie Books.)
Reviews:
Eaton, Michael: Reviews. In: Film Studies [Manchester] 2000. No. 2. [Spring] pp. 111-112.
Gottlieb, Sidney: [untitled] In: Film Quarterly 56. 2002. No. 1. [Fall] pp. 54-56.
MacKenzie, Scott: Book reviews. In: Canadian Journal of Film Studies 9. 2000. No. 1. [Spring] pp. 131-134.
Matthews, Peter: [untitled] In: Sight and Sound NS 9. 1999. No. 11. [November] p. 32.
McDonald, Lawrence: Charles Barr and "English Hitchcock". In: Illusions 2000/2001. No. 31. [Summer] pp. 13-16.
Description:
On Hitchcock’s British films.
Index:
Hitchcock, Alfred
Großbritannien ~ Great Britain

#143
Barr, Charles: Hitchcock and early filmmakers. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred

#144
Barr, Charles: Hitchcock and Powell: Two directions for British cinema. In: Screen 46. 2005. No. 1. [Spring] pp. 5-13.
Description:
Compares Alfred Hitchcock’s Psycho with Michael Powell’s Peeping Tom.
Index:
Hitchcock, Alfred
Powell, Michael
Psycho (1960)
Peeping Tom (1959)
Großbritannien ~ Great Britain

#145
Barr, Charles: Hitchcock, engelsman. In: Filmhäftet 27. 1999. No. 107. [?D] pp. 20-25.
Index:
Hitchcock, Alfred

#146
Barr, Charles / Kerzoncuf, Alain: Hitchcock lost and found: The forgotten films. - ?O: University Press of Kentucky 2015. (= Screen classics.)
Reviews:
Miller, Henry K.: Man of mystery. In: Sight and Sound NS 25. 2015. No. 5. [May] pp. 104-105.
Index:
Hitchcock, Alfred

#147
Barr, Charles: Stannard and Hitchcock. In: Young and innocent? The cinema in Britain, 1896-1930. Edited by Andrew Higson. - Exeter, Devon: University of Exeter Press 2002. (= Exeter studies in film history.) p. ?P.
Index:
Hitchcock, Alfred
Stannard, Eliot

#148
Barr, Charles: Vertigo. - London: British Film Institute 2002. (= BFI Film Classics.)
Reviews:
Oldmeadow, Harry: [untitled] In: Metro 2003. No. 136. [?D] pp. 192-193.
Waardenburg, André: Mooie maar nutteloze tabellen over Vertigo. In: Skrien 35. 2003. No. 2. [March] p. 56.
Index:
Hitchcock, Alfred
Vertigo (1958)

#149
Barratt, Daniel: Tracing the routes to empathy: Association, simulation, or appraisal? In: Film Studies [Manchester] 2006. No. 8. [Summer] pp. 39-52.
Description:
Psycholgical analysis of the "sinking car" scene in Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Psychologie ~ Psychology

#150
Barrette, Pierre: Hollywood, terre d’exil et de compromis. In: 24 Images 2001. No. 106. [Spring] pp. 13-15.
Description:
On european directors in Hollywood, discusses Fritz Lang and Alfred Hitchcock.
Index:
Lang, Fritz
Hitchcock, Alfred
Hollywood ~ Hollywood
Europa ~ Europe

#151
Barrette, Pierre: Les objets dans l’oeuvre de Hitchcock: Symboles, marques et démarques au service du cinéma. In: 24 Images 2007. No. 133. [September] pp. 13-15.
Description:
Discusses especially Vertigo and Rear Window.
Index:
Hitchcock, Alfred
Vertigo (1958)
Rear Window (1954)

#152
Barten, E.: Vertigo: Hitchcocks meest persoonlijke film. In: Skoop 21. 1985. No. ?N. [March/April] p. 25.
Index:
Hitchcock, Alfred
Vertigo (1958)

#153
Barton, Sabrina: "Crisscross": Paranoia and projection in Strangers on a Train. In: Out in culture: Gay, lesbian, and queer essays on popular culture. Edited by Corey K. Creekmur and Alexander Doty. - Durham, North Carolina: Duke University Press 1995. pp. 216-38.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)
Wahnsinn ~ Madness
Sexualität: Homosexualität ~ Sexuality: Homosexuality

#154
Barton, Sabrina: "Crisscross": Paranoia and projection in Strangers on a Train. In: Camera Obscura 1991. No. 25/26. [January-May] pp. 74-100.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)
Wahnsinn ~ Madness

#155
Barton, Sabrina: Hitchcock’s hands. In: Hitchcock Annual 2000. pp. 47-72.
Index:
Hitchcock, Alfred
Birds, The (1962)

#156
Barton, Sabrina: Hitchcock’s hands. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred
Birds, The (1962)

#157
Batdorf, Emerson: Let’s hear it for Hitchcock. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 73 ff.
Index:
Hitchcock, Alfred

#158
Bauso, Thomas M.: Revalidating patriarchy: Why Hitchcock remade The Man Who Knew Too Much. In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 209-220.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)

#159
Bauso, Thomas M.: Rope: Hitchcock’s unkindest cut. In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 226-239.
Index:
Hitchcock, Alfred
Rope, The (1948)

#160
Bauso, Tom: Mother knows best: The voices of Mrs. Bates in Psycho. In: Hitchcock Annual 1994. pp. 3-17.
Index:
Hitchcock, Alfred
Psycho (1960)
Mutter ~ Mothers

#161
Baxt, George: The Alfred Hitchcock murder case. - New York: International Polygonics 1987.
First edition:
[1986]
Index:
Hitchcock, Alfred
Mord ~ Murder

#162
Baxt, George: The Alfred Hitchcock murder case. - New York: St. Martin’s Press 1986.
Index:
Hitchcock, Alfred
Mord ~ Murder

#163
Baxter, B.: Vertigo. In: Films and Filming ?G. 1984. No. ?N(354). [March] p. 46.
Index:
Hitchcock, Alfred
Vertigo (1958)

#164
Bazin, André: The cinema of cruelty: From Buñuel to Hitchcock. - New York: Seaver Books 1982.
Index:
Buñuel, Luis
Hitchcock, Alfred

#165
Beard, William: Psycho. In: A new literary history of America. Edited by Greil Marcus and Werner Sollors. - Cambridge, Massachuissetts: Belknap Press / Harvard University Press 2009. (= Harvard University Press reference library.) p. ?P.
Index:
Hitchcock, Alfred
Psycho (1960)
Literatur ~ Literature
USA (United States of America) ~ USA (United States of America)

#166
Beaulieu, Simon: The Man Who Knew Too Much. In: Séquences ?G. 1980. No. 101. [July] p. 25.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1934)

#167
Beckman, Karen: Vanishing women. - Princeton, New Jersey: Princeton University, Ph.D. 1999. [Abstract in: Dissertation Abstracts International A 60. 1999. No. 4. (October) pp. 912A-913A.]
Description:
Dioscusses Alfred Hitchcock’s The Lady Vanishes.
Index:
Hitchcock, Alfred
Lady Vanishes, The (1938)
Geister ~ Ghosts
Frauen ~ Women

#168
Beckman, Karen: Vanishing women: Hitchcock, Harlan, and the politics of prestidigitation. In: Critical Matrix 1997. No. 11. [?D] pp. 33-59.
Index:
Hitchcock, Alfred
Lady Vanishes, The (1938)
Geister ~ Ghosts
Politik ~ Politics
Frauen ~ Women

#169
Beckman, Karen: Violent vanishings: Hitchcock, Harlan, and the disappearing woman. In: Camera Obscura 1999. No. 39. [?D] pp. 79-104.
Description:
On the motif of the vanishing woman in Alfred Hitchcock’s The Lady Vanishes and Veit Harlan’s Verwehte Spuren.
Index:
Hitchcock, Alfred
Harlan, Veit
Lady Vanishes, The (1938)
Verwehte Spuren (1938)
Gewalt ~ Violence
Frauen ~ Women

#170
Beebe, John: The Notorious postwar psyche. In: Journal of Popular Film and Television 18. 1990. No. 1. [Spring] pp. 28-35.
Description:
Discusses the Hitchcock movie using the theories of C. G. Jung.
Index:
Hitchcock, Alfred
Jung, Carl Gustav
Notorious (1946)
Krieg ~ War
Psychologie ~ Psychology

#171
Beeckmann, Gerald: Die 39 Stufen. In: Filmgenres: Kriminalfilm. Hrsg. von Knut Hickethier unter Mitarbeit von Katja Schumann. - Stuttgart: Reclam 2005. pp. 79-83.
Description:
On Alfred Hitchcock’s The Thirty-Nine Steps.
Index:
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)
Kriminalität ~ Crime

#172
Béghin, Cyril: Faites comme Rembrandt. In: Cahiers du Cinéma 2007. No. 625. [July/August] pp. 91-92.
Description:
On a section of Jean-Luc Godard’s Histoire(s) du cinéma which compares the films of Alfred Hitchcock to Rembrandt’s paintings.
Index:
Hitchcock, Alfred
Godard, Jean-Luc
Rembrandt [R. Harmenesz van Rijn]
Histoire(s) du cinéma (1989)
Kunst ~ Arts, The

#173
Behrens, Ulrich: Der Krawattenmörder: Frenzy. In: F.LM - Texte zum Film. Online edition, July 2003.
Index:
Hitchcock, Alfred
Frenzy (1971)
Mord ~ Murder

#174
Behrens, Ulrich: Die Schlinge: Cocktail für eine Leiche. In: F.LM - Texte zum Film. Online edition, July 2003.
Description:
On Alfred Hitchcock’s The Rope.
Index:
Hitchcock, Alfred
Rope, The (1948)

#175
Behrens, Ulrich: Ein skrupellos-schönes Spiel: Psycho. In: F.LM - Texte zum Film. Online edition, July 2003.
Index:
Hitchcock, Alfred
Psycho (1960)

#176
Behrens, Ulrich: Eine Parodie auf Suspense-Filme? Familiengrab. In: F.LM - Texte zum Film. Online edition, July 2003.
Description:
On Alfred Hitchcock’s Family Plot.
Index:
Hitchcock, Alfred
Family Plot (1975)
Thriller ~ Thriller
Humor ~ Humor

#177
Behrens, Ulrich: Hitchcock auf Abwegen? Topas. In: F.LM - Texte zum Film. Online edition, July 2003.
Index:
Hitchcock, Alfred
Topaz (1968)

#178
Behrens, Ulrich: Schwindel und Entschleierung: Vertigo. In: F.LM - Texte zum Film. Online edition, July 2003.
Index:
Hitchcock, Alfred
Vertigo (1958)

#179
Behrens, Ulrich: Suspense vom Feinsten: Der unsichtbare Dritte. In: F.LM - Texte zum Film. Online edition, July 2003.
Description:
On Alfred Hitchcock’s North by Northwest.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Thriller ~ Thriller

#180
Behrens, Ulrich: Trügerischer Schein: Der Mann, der zuviel wusste. In: F.LM - Texte zum Film. Online edition, July 2003.
Description:
On Alfred Hitchcock’s The Man Who Knew Too Much.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)

#181
Behrens, Ulrich: Unperfekter perfekter Mord: Bei Anruf - Mord. In: F.LM - Texte zum Film. Online edition, July 2003.
Description:
On Alfred Hitchcock’s Dial M for Murder.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)
Mord ~ Murder

#182
Behrens, Ulrich: Vogel-Horror ohne digitale Effekte: Die Vögel. In: F.LM - Texte zum Film. Online edition, July 2003.
Description:
On Alfred Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Birds, The (1962)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Horror ~ Horror

#183
Behrens, Ulrich: Voyeurismus und Suspense: Das Fenster zum Hof. In: F.LM - Texte zum Film. Online edition, July 2003.
Description:
On Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
Thriller ~ Thriller

#184
Bei Anruf Mord. - Nürnberg: Verlag Karin Stähle ?J. (= Phantopia-Filmprogramm 584.)
Description:
On Alfred Hitchcock’s Dial M for Murder.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#185
Beier, Lars-Olav: Die kalkulierte Willkür: Wie Alfred Hitchcock seinen ärgsten Feind bekämpfte: die Logik. In: Filmbulletin 41. 1999. No. ?N(223) [August] pp. 20-31.
Index:
Hitchcock, Alfred

#186
Beier, Lars-Olav / Midding, Gerhard: "Die Studioszenen sahen am besten aus, einfach weil man da für die Kamera bauen kann": Gespräch mit Henry Bumstead. In: Filmbulletin 34. 1992. No. 1(180). [?D] pp. 28-40.
Description:
On the set decorator who worked for many Hitchcock films and for Martin Scorsese’s Cape Fear. Plus a filmography.
Index:
Bumstead, Henry
Hitchcock, Alfred
Scorsese, Martin
Cape Fear (1991)
Technik: Kamera ~ Technology: Camera

#187
Beier, Lars-Olav: Sinfonien der Ängste. In: Der Spiegel 67. 2013. No. 11. [March 11] pp. 132-133.
Description:
On Anthony Hopkins’s role als Alfred Hitchcock in Sacha Gervasi’s biopic.
Index:
Gervasi, Sacha
Hopkins, Anthony
Hitchcock, Alfred
Hitchcock (2012)
Angst ~ Fear

#188
Beil, Benjamin: Mindscapes: Erinnerungsräume im zeitgenössischen Film. In: Rabbit Eye 2010. No. 2. pp. 4-18.
Description:
Discusses, among others, Spike Jonze’s Being John Malkovich, Michael Gondry’s Eternal Sunshine of the Spotless Mind, John Carpenter’s In the Mouth of Madness, Satoshi Kon’s Sennen joyû, Akira Kurosawa’s Rashomon, Alfred Hitchcock’s Stage Fright and Ingmar Bergman’s Smultronstället.
Index:
Jonze, Spike
Gondry, Michael
Carpenter, John
Kon, Satoshi
Kurosawa, Akira
Hitchcock, Alfred
Bergman, Ingmar
Being John Malkovich (1999)
Eternal Sunshine of the Spotless Mind (2004)
In the Mouth of Madness (1994)
Sennen joyû (2001)
Rashomon (1950)
Stage Fright (1950)
Smultronstället (1957)

#189
Bekaert, Geert: Rooms with a view. In: Andere Sinema 1996. No. 133. [May/June] pp. 50-54.
Description:
On the motif of voyeurism in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred

#190
Bell, Berthold: Oskar Sala. In: EPD Film 19. 2002. No. 4. [April] p. 4.
Description:
Orbituary for the musician who worked for Alfred Hitchcock’s The Birds.
Index:
Sala, Oskar
Hitchcock, Alfred
Birds, The (1962)
Musik ~ Music

#191
Bell, Berthold: Unerhörte Klänge, absonderliche Töne: Oskar Sala und seine Erfindung des Trautoniums. In: EPD Film 15. 1998. No. 10. [October] pp. 18-21.
Description:
Discusses, among others, Sala’s work for Alfred Hitchcock’s The Birds.
Index:
Sala, Oskar
Hitchcock, Alfred
Birds, The (1962)

#192
La belle ensorceleuse. In: La Revue du Cinéma 1988. No. 442. [October] p. 37.
Description:
On Alfred Hitchcock’s Rebecca.
Index:
Hitchcock, Alfred
Rebecca (1940)

#193
Bellour, Raymond: Hitchcock, the enunciator. In: Camera Obscura 1977. No. 2. [Fall] pp. 66-91.
Description:
On Alfred Hitchcock’s Marnie.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#194
Bellour, Raymond: L’analyse du film. - Paris: Albatros 1979. (= Ca cinema 18.)
Description:
Discusses, among others, the work of Alfred Hitchcock.
Index:
Hitchcock, Alfred

#195
Bellour, Raymond: Le corps de la fiction. In: Trafic 1999. No. 30. [Summer] pp. 114-117.
Index:
Hitchcock, Alfred
Vertigo (1958)
Körper ~ Bodies

#196
Bellour, Raymond: Pourquoi Lang pourrait devenir préférable à Hitchcock. In: Trafic 2002. No. 41. [Spring] pp. 163-172.
Description:
Compares the two directors.
Index:
Lang, Fritz
Hitchcock, Alfred

#197
Bellour, Raymond: Psychosis, neurosis, perversion. In: Camera Obscura 1979. No. 3/4. [Summer] pp. 104-132.
Description:
Psychoanalytic examination of Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Psychologie ~ Psychology

#198
Bellour, Raymond: Psychosis, neurosis, perversion. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#199
Bellour, Raymond: Sistem nekega fragmenta. In: Ekran 8. 1983. No. 9/10. [?D] pp. 21-35.
Index:
Hitchcock, Alfred
Birds, The (1962)

#200
Bellour, Raymond: The analysis of film. Edited by Constance Penley. - Bloomington, Indiana: Indiana University Press 2000.
Description:
Discusses, among others, the work of Alfred Hitchcock.
Index:
Hitchcock, Alfred

#201
Belton, John: Alfred Hitchcock’s Under Capricorn: Montage entranced by mise-en- scène. In: Quarterly Review Of Film Studies 6. 1981. No. 4. [Fall] pp. 365-383.
Description:
Discusses Rope and Under Capricorn.
Index:
Hitchcock, Alfred
Rope, The (1948)
Under Capricorn (1949)

#202
Belton, John: Can Hitchcock be saved from Hitchcock studies? In: Cineaste 28. 2003. No. 4. [Fall] pp. 16-21.
Description:
On the research literature on Hitchcock and his films.
Index:
Hitchcock, Alfred
Literatur ~ Literature

#203
Belton, John: Charles Bennett and the typical Hitchcock scenario. In: Film History 9. 1997. No. 3. pp. 320-332.
Description:
On the collaboration between the director and the screen author.
Index:
Bennett, Charles
Hitchcock, Alfred

#204
Belton, John: Cinema stylists. - Metuchen, New Jersey: Scarecrow Press 1983.
Description:
Articles on directors and actors, among them Alfred Hitchcock.
Index:
Hitchcock, Alfred

#205
Belton, John: Dexterity in a void: The formalist esthetics of Alfred Hitchcock. In: Cineaste 10. 1980. No. 3. [Summer] pp. 9-13.
Index:
Hitchcock, Alfred
Rear Window (1954)
Expressionismus ~ Expressionism

#206
Belton, John: Hitchcock and the classical paradigm. In: After Hitchcock: Influence, imitation, and intertextuality. Edited by David Boyd and R. Barton Palmer. - Austin, Texas: University of Texas Press 2006. pp. 235-247.
Index:
Hitchcock, Alfred

#207
Belton, John / Tector, Lyle: The bionic eye. In: Film Comment 16. 1980. No. ?N. [September/October] pp. 11 ff.
Index:
Hitchcock, Alfred
Vertigo (1958)
Augen ~ Eyes

#208
Belton, John: The space of Rear Window. In: Modern Language Notes 103. 1988. No. 5. [December] pp. 1121-1138.
Index:
Hitchcock, Alfred
Rear Window (1954)

#209
Belton, John: The space of Rear Window: In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 76-94.
Index:
Hitchcock, Alfred
Rear Window (1954)

#210
Benassi, Stéphane: Alfred Hitchcock, cinéaste catholique? In: Christianisme et cinéma. Dirigée par Guy Hennebelle. (= Cinémaction 1996. No. 80. [?D]) pp. 99-110.
Index:
Hitchcock, Alfred
Religion ~ Religion

#211
Benedetta, Mary: Britain’s leading film director gives some hints to the film stars of the future. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 14 ff.
Index:
Hitchcock, Alfred

#212
Bengtsson, Y. :Hitchcock på film och tv. In: Filmrutan 27. 1984. No. 2. [?D] p. 41.
Index:
Hitchcock, Alfred

#213
Bennett, Charles: Hitchcock’s partner in suspense: The life of screenwriter Charles Bennett. Edited by John Charles Bennett. - Lexington, Kentucky: University Press of Kentucky 2014. (= Screen classic.)
Reviews:
Barr, Charles: [untitled.] In: Sight and Sound NS 24. 2014. No. 8. [August] p. 106.
Index:
Bennett, Charles
Hitchcock, Alfred
Thriller ~ Thriller

#214
Bensard, Patrick: The oak room. In: Camera/Stylo ?G. 1981. No. 2. [November] pp. 40-46.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#215
Benson, Peter: Identification and slaughter. In: Cineaction 1988. No. 12. [Spring] pp. 12-18.
Index:
Hitchcock, Alfred
Psycho (1960)

#216
Benson, Thomas: Mother and monster: The rhetorical structure of The Man Who Knew Too Much. In: Monsters in and among us: Toward a Gothic criminology. Edited by Caroline Joan (Kay) Picart and Cecil Greek. - Madison, New Jersey: Fairleigh Dickinson University Press 2007. pp. 91-116.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
Mutter ~ Mothers
Monster ~ Monster
Horror ~ Horror

#217
Benton, Robert J.: Film as dream: Alfred Hitchcock’s Rear Window. In: The Psychoanalytic Review 71. 1984. No. 3. [November] pp. 483-500.
Index:
Hitchcock, Alfred
Rear Window (1954)
Traum ~ Dreams

#218
Berenstein, Rhona J.: "I’m not the sort of person men marry": Monsters, queers, and Hitchcock’s Rebecca. In: Out in culture: Gay, lesbian, and queer essays on popular culture. Edited by Corey K. Creekmur and Alexander Doty. - Durham, North Carolina: Duke University Press 1995. pp. 239-261.
Index:
Hitchcock, Alfred
Rebecca (1940)
Ehe ~ Marriage
Monster ~ Monster
Sexualität: Homosexualität ~ Sexuality: Homosexuality

#219
Berenstein, Rhona Joella: Adaption, censorship, and audiences of questionable type: lesbian sightings in Rebecca (1940) and Uninvited (1944). In: Cinema Journal 37. 1998. No. 3. [Spring] pp. 16-37.
Index:
Hitchcock, Alfred
Allen, Lewis
Rebecca (1940)
Uninvited, The (1944)
Zensur ~ Censorship
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Frauen ~ Women

#220
Berg, Ellen K.: Rebecca. In: Z Filmtidsskrift ?G. 1994. No. 1(47). [?D] pp. 26-29.
Index:
Hitchcock, Alfred
Rebecca (1940)

#221
Berger, James: The Hitchcock symptom: Duster flight patterns around "production values": A response to Griffiths. In: Postmodern Culture 20. 2010. No. 3. [?D] p. ?P.
Description:
Answers to Michael R. Griffiths’s essay "Production values: Fordism and formalism in North by Northwest".
Index:
Hitchcock, Alfred
North by Northwest (1959)

#222
Berger, James: The Hitchcock symptom: Duster flight patterns around "production values": A response to Griffiths. In: Postmodern Culture 20. 2010. No. 3. [?D] p. ?P.
Description:
Answers to Michael R. Griffiths’s essay "Production values: Fordism and formalism in North by Northwest".
Index:
Hitchcock, Alfred
North by Northwest (1959)

#223
Bergstrom, Janet: Enunciation and sexual difference (Part I). In: Camera Obscura 1979. No. 3/4. [Summer] pp. 32-69.
Description:
Discusses the importance of psychoanalysis for film interpretation and uses Alfred Hitchcock’s The Birds and Marnie as examples.
Index:
Hitchcock, Alfred
Birds, The (1962)
Marnie (1963/1964)
Psychologie ~ Psychology
Sexualität ~ Sexuality

#224
Bergstrom, Janet: Lost in translation? Listening to the Hitchcock-Truffaut interview. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred
Truffaut, François

#225
Bernal, Jordi: Crimen perfecto. In: Dirigido 2001. No. 298. [February] p. 55.
Description:
On Alfred Hitchcock’s Dial M for Murder.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)
Kriminalität ~ Crime

#226
Bernal, Jordi: Psicosis. In: Dirigido 2001. No. 298. [February] p. 56.
Index:
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)
Psycho (1998)

#227
Bernstein, Matthew H.: Unrecognizable origins: "The song of the dragon" and Notorious. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Hitchcock, Alfred
Notorious (1946)
Drachen ~ Dragons

#228
Berry, Sarah: "She’s too everything": Marriage and masquerade in Rear Window and To Catch a Thief. In: Hitchcock Annual 2001/2002. pp. 79-107.
Description:
On the roles of Grace Kelly in the two Hitchcock films.
Index:
Hitchcock, Alfred
Kelly, Grace
Rear Window (1954)
To Catch a Thief (1955)
Ehe ~ Marriage

#229
Bert, K.: Hitchoock revisited. In: Film en Televisie 1984. No. 322. [March] pp. 14-17.
Index:
Hitchcock, Alfred

#230
Bertelsen, Martin: Alfred Hitchcocks Rear Window - Eine Filmanalyse. - Hamburg: Universität Hamburg, Seminar für Englische Sprache und Kultur, Magisterarbeit 1988.
Index:
Hitchcock, Alfred
Rear Window (1954)

#231
Berthomé, Jean-Pierre: Hitchcock et Welles: "Je l’aimais beaucoup, il n’aimait pas mais films non plus". In: Positif 2000. No. 470. [April] pp. 76-81.
Index:
Hitchcock, Alfred
Welles, Orson

#232
Berthomieu, Pierre: 26 lettres pour 17 téléfilms: Alfred Hitchcock présente ... In: Positif 2000. No. 470. [April] pp. 93-97.
Index:
Hitchcock, Alfred

#233
Bertolina, Gian Carlo: Bernard Herrmann e il black and white sound. In: Filmcritica 32. 1981. No. 315. [June] pp. 289-296.
Description:
On the collaboration of the composer with Alfred Hitchcock.
Index:
Herrmann, Bernard
Hitchcock, Alfred
Psycho (1960)
Musik ~ Music

#234
Bertolini, John A.: Rear Window, or the reciprocated glance. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred
Rear Window (1954)

#235
Bertolini, John A.: Rear Window: Or, The reciprocated glance. In: Hitchcock Annual 1994. pp. 55-75.
Index:
Hitchcock, Alfred
Rear Window (1954)

#236
Bertozzi, Marco: Traduire le moderne: Alchimies architectoniques dans North by Northwest d’Alfred Hitchcock In: Iris 2004. No. 30. [Fall] pp. 71-82.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Architektur ~ Architecture

#237
Bertozzi, Marco: Ultimi sguardi dalla Finestra sul cortile. In: Cinema & Cinema NS 20. 1993. No. 66. [January-April] pp. 31-42.
Description:
On Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)

#238
Berube, R.-C.: North by Northwest. In: Séquences ?G. 1980. No. 101. [July] pp. 26-27.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#239
Beylie, Claude: Dossier: Vertigo: Abstraction et lyrisme. In: Cinématographe 1980. No. 59. [July/August] pp. 49-50.
Index:
Hitchcock, Alfred
Vertigo (1958)
Lyrik ~ Lyrics

#240
Biderman, Shai / Jacobowitz, Eliana: Rope: Nietzsche and the art of murder. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 33-45.
Index:
Hitchcock, Alfred
Nietzsche, Friedrich
Rope, The (1948)
Mord ~ Murder
Philosophie ~ Philosophy

#241
Bieger, Laura: Film als Schule des Schauens: Alfred Hitchcock: Vertigo (1958). In: Was lehrt das Kino? 24 Filme und Antworten. Herausgegeben von Stefan Keppler-Tasaki und Elisabeth K. Paefgen. - München: Edition Text + Kritik 2012. p. 268 ff.
Index:
Hitchcock, Alfred
Vertigo (1958)

#242
Bierbaum, Tom: Rear Window ruling favors Woolrich story rights-holder. In: Variety 333. 1989. No. ?N. [January 4] pp. 3 ff.
Index:
Hitchcock, Alfred
Woolrich, Cornell George
Rear Window (1954)

#243
Biette, Jean-Claude: Histoire d’un duel. In: Trafic 2002. No. 41. [Spring] pp. 5-11.
Description:
Introducing essay to a special issue on the directors Alfred Hitchcock and Fritz Lang.
Index:
Lang, Fritz
Hitchcock, Alfred

#244
Bigi, Emanuele: L’ombra e il prolilo: La TV di Alfred Hitchcock. - Torino: Lindau 2003. (= Cult.)
Reviews:
Comuzio, Ermanno: [untitled] In: Cineforum 44. 2004. No. ?N(433). [April] pp. 94-95.
Index:
Hitchcock, Alfred
Fernsehen ~ Television

#245
Bigwood, James: Solving a Spellbound-puzzle. In: American Cinematographer 72. 1991. No. 6. [June] pp. 34-40.
Description:
On the collaboration between the painter Salvador Dalí and the director Alfred Hitchcock for a dream sequence.
Index:
Hitchcock, Alfred
Spellbound (1945)
Traum ~ Dreams
Kunst ~ Arts, The

#246
Bikácsy, Gergely: A kesek es a formak. In: Filmvilag 29. 1986. No. 10. [?D] pp. 2-6.
Index:
Hitchcock, Alfred
Rear Window (1954)
Vertigo (1958)
Man Who Knew Too Much, The (1934)

#247
Bikácsy, Gergely: Alfred Hitchcock. In: Filmkultura 15. 1979. No. 5. [September/October] pp. 58-72.
Description:
Especially on The Birds and Psycho.
Index:
Hitchcock, Alfred
Birds, The (1962)
Psycho (1960)

#248
Binotto, Thomas: Die Dogmen des Altred Hitchcock. In: Zoom ?G. 1999. No. 8. [August] pp. 12-13.
Description:
On Hitchcock’s "Ten rules for suspense films".
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#249
Binotto, Thomas: Master of Suspense trifft Meister der Stimmung. In: Zoom ?G. 2001. No. 3. [March] pp. 16-17.
Description:
On the meaning of Friedrich Wilhelm Murnau for the filmic work of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Murnau, Friedrich Wilhelm
Thriller ~ Thriller

#250
Binotto, Thomas: Nichts als Zufälle: Die geistige Verwandtschaft von F. W. Murnau und Alfred Hitchcock. In: Film-Dienst 54. 2001. No. 4. [February 13] pp. 34-37.
Index:
Murnau, Friedrich Wilhelm
Hitchcock, Alfred

#251
Binotto, Thomas: Trinity, the One und das Evangelium: Christliche Bilderwelten im populären Kino. In: Film-Dienst 53. 2000. No. 25. [December 5] pp. 11-16.
Description:
Discusses, among others, the films of Alfred Hitchcock, Pier Paolo Pasolini, Lars von Trier, Steven Spielberg and George Lucas.
Index:
Hitchcock, Alfred
Pasolini, Pier Paolo
von Trier, Lars
Spielberg, Steven
Lucas, George
Religion ~ Religion

#252
Bischoff, Florian Norbert: Gestörte Erinnerung - Wenn Bilder versagen: Bild- und Medienreflexion in Memento und Rear Window. - München: GRIN Verlag 2012.
Index:
Nolan, Christopher
Hitchcock, Alfred
Memento (2000)
Rear Window (1954)

#253
Bishop, Kyle William: The threat of the gothic patriarchy in Alfred Hitchcock’s The Birds. In: Rocky Mountain E-Review 65. 2011. No. 2. [?D] p. ?P.
Index:
Hitchcock, Alfred
Birds, The (1962)
Horror ~ Horror

#254
Bitomsky, Hartmut: "Das Kino und der Tod": Ein Videofilm: Der Kommentar. In: Kino und Tod: Zur filmischen Inszenierung von Vergänglichkeit. Hrsg. von Ernst Karpf, Doron Kiesel und Karsten Visarius. - Marburg: Schüren Presseverlag 1993. (= Arnoldshainer Filmgespräche 10.) pp. 63-79.
Description:
Discusses, among others, Edward L. Cahn’s Betrayed Women, Alfred Hitchcock’s Torn Curtain and Psycho, Donald Siegel’s The Killers, Fritz Lang’s Hangman Also Die, Joseph Pevny’s Shakedown and Robert Aldrich’s Kiss Me Deadly.
Index:
Cahn, Edward L.
Hitchcock, Alfred
Siegel, Donald
Lang, Fritz
Pevny, Joseph
Aldrich, Robert
Betrayed Women (1955)
Torn Curtain (1966)
Psycho (1960)
Killers, The (1964)
Hangmen Also Die (1942)
Shakedown (1950)
Kiss Me Deadly (1955)
Video ~ Video
Tod ~ Death

#255
Bitomsky, Hartmut: Vertigo - aus dem Reich der Toten. In: Fernseh- und Kino-Technik 24. 1980. No. ?N. [June] pp. 244-247.
Index:
Hitchcock, Alfred
Vertigo (1958)

#256
Bjorkman, Stig: Stillbilden. In: Chaplin 31. 1989. No. 5(224). [?D] pp. 252 ff.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#257
Björkman, Stig: Stråkarnas inre röst. In: Chaplin 38. 1996. No. 3(264 [?D] pp. 24-25.
Description:
On Bernard Herrmann’s film music and his work for Alfred Hitchcock.
Index:
Herrmann, Bernard
Hitchcock, Alfred
Musik ~ Music

#258
Björkman, Stig: Trappan som biktstol. In: Chaplin 25. 1983. No. 4(187). [?D] pp. 167-169.
Description:
On the symbolic use of staircases in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred

#259
Black, John F.: Marnie. In: Scarlet Street 2000. No. 40. [?D] p. 24.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#260
Black, John F.: North by Northwest. In: Scarlet Street 2000. No. 40. [?D] pp. 22-23.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#261
Black, John F.: The Birds. In: Scarlet Street 2000. No. 38. [?D] p. 28.
Index:
Hitchcock, Alfred
Birds, The (1962)

#262
Blair, Sara: Hitchcock on location: America, icons, and the place of illusion. In: The Cambridge companion to Alfred Hitchcock. Edited by Jonathan Freedman. - Cambridge; New York: Cambridge University Press 2015. pp. 57-75.
Index:
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)

#263
Blake, Richard Aloysius: Afterimage: The indelible Catholic imagination of six American filmmakers. - Chicago, Illinois: Loyola Press 2000.
Reviews:
Costello, Donald P.: [untitled.] In: Religion and Literature 33. 2001. No. 3. [?D] pp. 75-78.
Description:
Discusses, among others, the work of Martin Scorsese, Frank Capra, Robert De Niro and Alfred Hitchcock.
Index:
Scorsese, Martin
Capra, Frank
De Niro, Robert
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)
Religion ~ Religion

#264
Blakeston, Oswell: Advance monologue. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 5 ff.
Index:
Hitchcock, Alfred

#265
Blank, Martin: Wilder, Hitchcock, and Shadow of a Doubt. In: Thornton Wilder: New essays. Edited by Martin Blank, Dalma Hunyadi Brunauer and David Garrett Izzo. - West Cornwall, Connecticut: Locust Hill Press 1999. (= Locust Hill literary studies 26.) pp. 409-416.
Index:
Hitchcock, Alfred
Wilder, Thornton
Shadow of a Doubt (1943)

#266
Blau, Stefan: Can ido it again? Alfred Hitchcocks nicht existierender Film The Short Night. In: Filmbulletin 41. 1999. No. ?N(223) [August] pp. 47-52.
Description:
On Hitchcock’s unfinished film project.
Index:
Hitchcock, Alfred
Short Night, The (o.J.)

#267
Blazer, Seth M.: Rear window ethics: Domestic privacy versus public responsibility in the evolution of voyeurism. In: The Midwest Quarterly 47. 2006. No. 4. [?D] pp. 379-392.
Index:
Hitchcock, Alfred
Rear Window (1954)
Fenster ~ Windows

#268
Blegvad, Peter: Phosphorescent milk. In: Sight and Sound NS 3. 1993. No. 4. [April] p. 33.
Description:
On the "milk glass" scene in Alfred Hitchcock’s Suspicion.
Index:
Hitchcock, Alfred
Suspicion (1941)

#269
Bliersbach, Gerd: Der Einzug in die Finsternis: Roman Polanskis Der Mieter und der Abscheu vor dem Fenster zum Hof. In: Projektion und Wirklichkeit: Die unbewusste Botschaft des Films. Hrsg. von Annegret Mahler-Bungers und Ralf Zwiebel. - Göttingen: Vandenhoeck und Ruprecht 2007. (= Schriften des Sigmund-Freud-Instituts: Reihe 2, Psychoanalyse im interdisziplinären Dialog 5.) pp. 204 ff.
Index:
Polanski, Roman
Hitchcock, Alfred
Locataire, Le / Tenant, The (1976)
Rear Window (1954)
Fenster ~ Windows
Psychologie ~ Psychology

#270
Bliersbach, Gerhard: Die eindringenden Blicke. In: Alfred Hitchcock. Vorträge vom 2. Mannheimer Filmseminar im März 2003. Mit Beiträgen von Peter Bär [et al.]. - Mannheim: Cinema Quadrat 2003. (= Im Dialog: Psychoanalyse und Filmtheorie Band 1.) pp. 2 ff.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#271
Bliersbach, Gerhard: Dramen des Begehrens: Beziehungskonstellationen bei Hitchcock und seinen Nachfolgern. In: Film-Dienst 52. 1999. No. 16. [August 3] pp. 22-24.
Index:
Hitchcock, Alfred

#272
Blume, Frank: Zur Funktion der Komik in Hitchcocks Frühwerk. - Alfeld: Coppi-Verlag 2002. (= Aufsätze zu Film und Fernsehen 81.)
Index:
Hitchcock, Alfred

#273
Bockow, Jörg: Ein vollkommen filmischer Film. In: Medien und Erziehung 28. 1984. No. 5. [?D] pp. 298-302.
Description:
On Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)

#274
Bogdanovich, Peter: Hitchcocok par Hitchcock: Entretien avec Peter Bogdanovich. In: Cahiers du Cinéma 1999. No. 537. [July/August] pp. 32-35.
Description:
Especially on The Lodger, Psycho and The Thirty-Nine Steps.
Index:
Hitchcock, Alfred
Lodger, The: A Story of the London Fog (1927)
Psycho (1960)
Thirty-Nine Steps, The (1935)

#275
Bogdanovich, Peter: The cinema of Alfred Hitchcock. - New York: Museum of Modern Art Film Library / Garden City: Doubleday 1963.
Index:
Hitchcock, Alfred

#276
Bogdanovich, Peter: Un giovane con la mente da maestro. In: Filmcritica 49. 1999. No. 499. [October] pp. 447-456.
Description:
Reprint of an interview with Alfred Hitchcock.
Index:
Hitchcock, Alfred

#277
Bogdanovich, Peter: Who the devil made it: Conversations with legendary film directors. - New York: Knopf 1997.
Description:
Interviews with actors and directors, among them Fritz Lang, Chuck Jones, Martin Scorsese, Alfred Hitchcock, Don Siegel, Edgar G. Ulmer, Robert Aldrich and Frank Tashlin.
Index:
Lang, Fritz
Jones, Chuck
Scorsese, Martin
Hitchcock, Alfred
Siegel, Donald
Ulmer, Edgar G[eorge]
Aldrich, Robert
Tashlin, Frank

#278
Bogdanovich, Peter: Who the devil made it? Conversations with legendary film directors. - New York: Ballantine Books 1998.
First edition:
[New York: Knopf 1997]
Reviews:
Baumgärtel, Tilman: [untitled] In: Medienwissenschaft 1999. No. 4. pp. 444-447.
Description:
Interviews with actors and directors, among them Fritz Lang, Chuck Jones, Martin Scorsese, Alfred Hitchcock, Don Siegel, Edgar G. Ulmer, Robert Aldrich and Frank Tashlin.
Index:
Lang, Fritz
Jones, Chuck
Scorsese, Martin
Hitchcock, Alfred
Siegel, Donald
Ulmer, Edgar G[eorge]
Aldrich, Robert
Tashlin, Frank

#279
Bogdanovitch, Peter: Wer hat denn den gedreht? - Zürich: Haffmanns Verlag 2000. (= Arte-Edition.)
First edition:
[New York: Knopf 1997. - New York: Knopf 1997]
Reviews:
Midding, Gerhard: Entdeckerfreude pur: Peter Bogdanovichs Interviews. In: EPD Film 18. 2001. No. 2. [February] pp. 18-19.
Mörchen, Roland: [untitled] In: Film-Dienst 53. 2000. No. 18. [August 29] p. 43.
Description:
Interviews with actors and directors, among them Fritz Lang, Chuck Jones, Martin Scorsese, Alfred Hitchcock, Don Siegel, Edgar G. Ulmer, Robert Aldrich and Frank Tashlin.
Index:
Lang, Fritz
Jones, Chuck
Scorsese, Martin
Hitchcock, Alfred
Siegel, Donald
Ulmer, Edgar G[eorge]
Aldrich, Robert
Tashlin, Frank

#280
Bohne, Luciana / Casetti, Francesco: Antonioni and Hitchcock: Two strategies of narrative investment. In: Substance 15. 1986. No. 3(51). [?D] pp. 69-86.
Description:
Discusses, among others, Alfred Hitchcock’s Stage Fright.
Index:
Hitchcock, Alfred
Antonioni, Michelangelo
Stage Fright (1950)

#281
Bokor, Nandor: Hitchcock tetthelyein. In: Filmvilag 39. 1996. No. 5. [?D] pp. 33-39.
Index:
Hitchcock, Alfred
Vertigo (1958)
Psycho (1960)
Birds, The (1962)

#282
Bokor, Nándor / Kerzoncuf, Alain: Alfred Hitchcock’s trailers. In: Senses of Cinema 2005. No. ?N. [Spring] p. ?P.
Index:
Hitchcock, Alfred

#283
Boltz, Steven: The Psycho returns! But why? In: Filmfax 2001. No. 87/88. [October] p. 117.
Index:
Van Sant, Gus
Hitchcock, Alfred
Psycho (1998)
Psycho (1960)

#284
Bond, Jeff: Jeff Bond’s special commemorative 30th anniversary ad hominem attack on Star Trek’s Rick Berman. In: Film Score Monthly 2. 1997. No. 1. [?D] pp. 27-30.
Description:
Discusses also Alfred Hitchcock’s Vertigo.
Index:
Frakes, Jonathan
Berman, Rick
Hitchcock, Alfred
Star Trek - First Contact (1996)
Vertigo (1958)
Star Trek (Filmreihe)

#285
Bond, Jeff: Newly recorded for your enjoyment. In: Film Score Monthly 2. 1997. No. 7. [?D] pp. 33-37.
Index:
Hitchcock, Alfred
Psycho (1960)

#286
Bond, Jeff: Vertigo. In: Film Score Monthly ?G. 1996. No. ?N(69). [May] p. 16.
Index:
Hitchcock, Alfred
Vertigo (1958)

#287
Les bonheurs d’Alfred H. In: Séquences ?G. 1980. No. 101. [July] pp. 24-28.
Description:
Collections of statements from various journalists on their favourite Hitchcock film.
Index:
Hitchcock, Alfred

#288
Bonitzer, Pascal / Daney, Serge / Douchet, Jean: Douchet decortique De Palma. In: Cahiers du Cinéma 1981. No. 326. [July/August] p. ?P.
Description:
Discusses especially the influence of Alfred Hitchcock’s films on De Palmas work.
Index:
De Palma, Brian
Hitchcock, Alfred
Dressed to Kill (1980)

#289
Bonitzer, Pascal / Delvaux, C.: [untitled]. In: Revue Belge du Cinéma 1984/1985. No. 10. [Winter] pp. 55-71.
Description:
Special section that contains excerpts from articles on and interviews with Alfred Hitchcock.
Index:
Hitchcock, Alfred

#290
Bonitzer, Pascal: Hitchcockian suspense. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 15-30.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#291
Bonitzer, Pascal: It’s only a film o la facciata del nulla. In: Filmcritica 32. 1981. No. 311. [January] pp. 10-16.
Description:
On the techniques of suspense in film. Discusses, among others, the work of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#292
Bonitzer, Pascal: It’s only a film ou la face du neant. In: Framework ?G. 1981. No. 14. [Spring] pp. 22-24.
Description:
On the techniques of suspense in film. Discusses, among others, the work of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#293
Bonitzer, Pascal: Notorius. In: Cahiers du Cinéma 1980. No. 309. [March] pp. 51-52.
Index:
Hitchcock, Alfred
Notorious (1946)

#294
Bonitzer, Pascal: Notorius. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 151-154.
Index:
Hitchcock, Alfred
Notorious (1946)

#295
Bonitzer, Pascal: The skin and the straw. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 178-184.
Description:
Especially on The Man who Knew Too Much.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)

#296
Bonneville, L.: The Birds. In: Séquences ?G. 1980. No. 101. [July] pp. 27-28.
Index:
Hitchcock, Alfred
Birds, The (1962)

#297
Booker, Marvin Keith: American film in the long 1950s: From Hitchcock to Disney. In: Booker, Marvin Keith: The post-utopian imagination: American culture in the long 1950s. - Westport, Connecticut: Greenwood Press 2002. p. ?P.
Index:
Hitchcock, Alfred
Disney, Walt
Utopie ~ Utopia
USA (United States of America) ~ USA (United States of America)
Disney ~ Disney

#298
Boost, Charles / Verstappen, Wim: Hitchcock blijft voortbestaan. In: Skoop 16. 1980. No. 4. [May/June] pp. 22-39.
Description:
Discusses especially a scene from North by Northwest.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#299
Boozer, Jack: The lethal femme fatale in the noir tradition. In: Journal of Film and Video 51. 1999. No. 3/4. [?D] pp. 20-35.
Description:
Discusses, among others, Alfred Hitchcock’s Marnie and Paul Verhoeven’s Basic Instinct.
Index:
Hitchcock, Alfred
Verhoeven, Paul
Marnie (1963/1964)
Basic Instinct (1992)
Frauen ~ Women
Film Noir ~ Film Noir

#300
Bordwell, David: Visual style in cinema: Vier Kapitel Filmgeschichte. Hrsg. und eingeleitet von Andreas Rost. - Frankfurt/M.: Verlag der Autoren 2001.
Reviews:
Staiger, Michael: [untitled] In: Film-Dienst 54. 2001. No. 13. [June 19] pp. 44-45.
Description:
Discusses, among others, Carl Theodor Dreyer’s La Passion de Jean d’Arc, Alfred Hitchcock’s North by Northwest and Tom Tykwer’s Lola rennt.
Index:
Dreyer, Carl Theodor
Hitchcock, Alfred
Tykwer, Tom
Passion de Jean d’Arc, La (1928)
North by Northwest (1959)
Lola rennt (1998)

#301
Borse, Gregory: "She look like a wrong one to you?" Bloody money body: Marxist subversion in Hitchcock’s Psycho and Frear’s The Grifters. In: Marxism and the movies: Critical essays on class struggle in the cinema. Edited by Mary K. Leigh and Kevin K. Durand. - Jefferson, North Carolina; London: McFarland 2013. p. ?P.
Index:
Marx, Karl
Hitchcock, Alfred
Frears, Stephen
Psycho (1960)
Grifters (1990)
Körper ~ Bodies
Blut ~ Blood
Politik ~ Politics

#302
Borstnar, Niels: Konstruktionen von Gender und Identität in Filmen von Alfrerd Hitchcock. In: All-Gemeinwissen: Kulturelle Kommunikation in populären Medien. Hrsg. von Hans Krah. - Kiel: Ludwig 2001. (= Literatur- und Medienwissenschaftliche Studien 2.) pp. 64 ff.
Index:
Hitchcock, Alfred
Sexualität ~ Sexuality

#303
Bortone, Giuseppe: Intrigo con doppio fondo. In: Cineforum 41. 2001. No. ?N(410). [December] pp. 38-47.
Description:
On Alfred Hitchcock’s North by Northwest.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#304
Boschi, Alberto: Like raisins in a bun: Le due versioni di Blackmail. In: Cinema & Cinema NS 19. 1992. No. 63. [?D] pp. 79-86.
Index:
Hitchcock, Alfred
Blackmail (1929)

#305
Botting, Jo / Lane, Christina: "What did Alma think?": Continuity, writing, editing, and adaptation. In: Hitchcock and adaptation: On the page and screen. Edited by Mark Osteen. - Lanham, Maryland: Rowman & Littlefield 2014. p. ?P.
Index:
Hitchcock, Alfred
Hitchcock, Alma

#306
Boulan, Stéphane / Riou, Alain: Hitch. - Paris: Avant-scène théâtre 2011. (= Collection des quatre-vents: Contemporain)
Index:
Hitchcock, Alfred

#307
Bourget, Jean-Loup: La mort aux trousses. In: Positif 1982. No. 254/255. [May] pp. 66-67.
Description:
On Alfred Hitchcock’s North by Northwest.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#308
Bouzereau, Laurent: Alfred Hitchcock. Vorwort von Patricia Hitchcock O’Connell. Aus dem Englischen von Ursula Fethke. - München: Knesebeck 2010.
First edition:
[Hitchcock, piece by piece.]
Reviews:
Wach, Alexandra: [untitled.] In: Film-Dienst 64. 2011. No. 10. [May 12] p. 49.
Index:
Hitchcock, Alfred

#309
Bouzereau, Laurent / Hitchcock O’Connell, Pat: Alma Hitchcock: The woman behind the man. - New York: Berkley Books 2003.
Index:
Hitchcock, Alfred
Hitchcock, Alma
Frauen ~ Women

#310
Bouzereau, Laurent: Hitchcock piece by piece. Foreward by Patricia Hitchcock O’Connell. - New York: Abrams 2010.
Index:
Hitchcock, Alfred

#311
Bouzereau, Laurent: Hitchcock, piece by piece. Foreword by Patricia Hitchcock O’Connell. - New York: Abrams 2010.
Index:
Hitchcock, Alfred

#312
Bouzereau, Laurent: The Alfred Hitchcock quote book. - Secaucus, New Jersey: Carol Publishing Group 1993. (= A Citadel Press Book.)
Index:
Hitchcock, Alfred

#313
Boyd, David: Film and the interpretive process: A study of Blow-Up, Rashomon, Citizen Kane, 8 1/2, Vertigo and Persona. - New York, Bern, Frankfurt/M., Paris: Lang 1989. (= Ars interpretandi 1.)
Reviews:
Rother, Rainer: [untitled] In: Medienwissenschaft 1990. No. 4. pp. 386-390.
Description:
Bibliography.
Index:
Antonioni, Michelangelo
Kurosawa, Akira
Welles, Orson
Fellini, Federico
Hitchcock, Alfred
Bergman, Ingmar
Blow Up (1966)
Rashomon (1950)
Citizen Kane (1940)
Otto e mezzo / Huit et demi (1962)
Vertigo (1958)
Persona (1966)

#314
Boyd, David / Palmer, R. Barton: Introduction: Recontextualizing Hitchcock’s authorship. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Hitchcock, Alfred

#315
Boyd, David: The parted eye: Spellbound and psychoanalysis. In: Senses of Cinema 2000. No. 6. [May] p. ?P.
Index:
Hitchcock, Alfred
Spellbound (1945)
Psychologie ~ Psychology
Augen ~ Eyes

#316
Boyd, David: The trouble with Rebecca. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Hitchcock, Alfred
Rebecca (1940)

#317
Bozovic, Miran: Der Mann hinter seiner eigenen Netzhaut. In: Ein Triumph des Blicks über das Auge: Psychoanalyse bei Alfred Hitchcock. Von Miran Bozovic [et al.]. Hrsg. von Slavoj Zizek. Übersetzt von Isolde Charim [et al.]. - Wien: Turia & Kant 1992. pp. 153-170.
Description:
On Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)

#318
Bozovic, Miran: Of "farther uses of the dead to the living": Hitchcock and Bentham. In: Hitchcock: Past and future. Edited by Richard Allen and Sam Ishii-Gonzales. - London; New York: Routledge 2004. p. ?P.
Index:
Hitchcock, Alfred

#319
Bozovic, Miran: The man behind his own retina. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 161-177.
Description:
On Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)

#320
Braad Thomsen, Christian: Dodens engel. In: Kosmorama 36. 1990. No. 191. [Spring] pp. 35-41.
Description:
Psychoanalytical interpretation of Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)
Psychologie ~ Psychology

#321
Braad Thomsen, Christian: Freud, psykoanalysen og filmen. In: Kosmorama 41. 1995. No. 214. [Winter] pp. 28-37.
Description:
On the dream motif in film. Discusses, among others, Georg Wilhelm Pabst’s Geheimnisse einer Seele, Luis Buñuel’s Un chien andalou, John Huston’s Freud and the films of Alfred Hitchcock, Pier Paolo Pasolini and Jean-Luc Godard.
Index:
Freud, Sigmund
Pabst, Georg Wilhelm
Buñuel, Luis
Huston, John
Hitchcock, Alfred
Pasolini, Pier Paolo
Godard, Jean-Luc
Geheimnisse einer Seele (1925)
chien andalou, Un (1928)
Freud (1963)
Traum ~ Dreams

#322
Brand, Dana: Rear-view mirror: Hitchcock, Poe, and the flaneur in America. In: Hitchcock’s America. Edited by Jonathan Freedman and Richard Millington. - New York; Oxford: Oxford University Press 1999. pp. 123-134.
Description:
Discusses especially Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Poe, Edgar Allan
Rear Window (1954)
USA (United States of America) ~ USA (United States of America)
Spiegel ~ Mirror

#323
Brand, Neil: Working with Hitch. In: Sight and Sound NS 22. 2012. No. 7. [July] pp. 34-37.
Description:
The composer on Hitchcock’s filmic techniques, especially in Blackmail.
Index:
Hitchcock, Alfred
Brand, Neil
Blackmail (1929)
Musik ~ Music

#324
Brandorf, Martin: Viljan att falla: Om begär och illusion i Hitchcocks Vertigo. In: Filmrutan 41. 1998. No. 1. [?D] pp. 2-7.
Index:
Hitchcock, Alfred
Vertigo (1958)

#325
Braudy, Leo: Hitchcock, Truffaut, and the irresponsible audience. In: Film Quarterly 21. 1968. No. 4. [Summer] pp. 21-27.
Index:
Hitchcock, Alfred
Truffaut, François

#326
Brent, Jessica: Beyond the gaze: Visual fascination and the feminine image in silent Hitchcock. In: Camera Obscura 19. 2004. No. 55. [May] pp. 76-111.
Index:
Hitchcock, Alfred
Stummfilm ~ Silent Film
Frauen ~ Women

#327
Breschand, Jean: Un oeil en cuisine. In: Vertigo 1998. No. 17. [?D] pp. 75-77.
Index:
Hitchcock, Alfred
Psycho (1960)
Augen ~ Eyes

#328
Briefel, Aviva: Specters of respectability: Victorian horrors in The Turn of the Screw and Psycho. In: The men who knew too much: Henry James and Alfred Hitchcock. Edited by Susan Griffin and Alan Nadel. - Oxford; New York: Oxford University Press 2011. p. ?P.
Index:
James, Henry
Hitchcock, Alfred
Psycho (1960)
Horror ~ Horror
Turn of the Screw, The (Literatur ~ Literature)

#329
Brill, Lesley: A brief anatomy of Family Plot. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Hitchcock, Alfred
Family Plot (1975)

#330
Brill, Lesley: Canetti and Hitchcock: Crowds and Power and North by Northwest. In: Arizona Quarterly 56. 2000. No. 4. [Winter] pp. 119-146.
Index:
Canetti, Elias
Hitchcock, Alfred
North by Northwest (1959)
Masse und Macht (Literatur ~ Literature)

#331
Brill, Lesley: Hitchcock and romance. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred

#332
Brill, Lesley: Hitchcock’s The Lodger. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Lodger, The: A Story of the London Fog (1927)

#333
Brill, Lesley: Hitchcockian silence: Psycho and Jonathan Demme’s The Silence of the Lambs. In: After Hitchcock: Influence, imitation, and intertextuality. Edited by David Boyd and R. Barton Palmer. - Austin, Texas: University of Texas Press 2006. pp. 31-46.
Index:
Hitchcock, Alfred
Demme, Jonathan
Psycho (1960)
Silence of the Lambs, The (1990)

#334
Brill, Lesley: Love’s not time’s fool: The Trouble with Harry (1955). In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 271-281.
Index:
Hitchcock, Alfred
Trouble with Harry, The (1955)

#335
Brill, Lesley: North by Northwest and Hitchcockian romance. In: Film Criticism 6. 1982. No. 3. [Spring] pp. 1-17.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#336
Brill, Lesley: The Hitchcock romance: Love and irony in Hitchcock’s films. - Princeton, New Jersey; Guildford: Princeton University Press 1992.
Reviews:
Thomas, Paul: The women who knew too much: The Hitchcock romance. In: Film Quarterly 42. 1989. No. 4. [Summer] pp. 40-42.
Index:
Hitchcock, Alfred

#337
Brill, Lesley: The Hitchcock romance: Love and irony in Hitchcock’s films. - Princeton, New Jersey; Guildford: Princeton University Press 1988.
Reviews:
Donovan, Francis: Hitchcockologie. In: Cinéma [Paris] 1990. No. 463. [?D] pp. 36-37.
Index:
Hitchcock, Alfred

#338
Brill, Lesley W.: Hitchcock’s The Lodger. In: Literature/Film Quarterly 11. 1983. No. 4. [October] pp. 257-265.
Description:
On Hitchcock’s silent film.
Index:
Hitchcock, Alfred
Lodger, The: A Story of the London Fog (1927)
Stummfilm ~ Silent Film

#339
Brill, Leslie: "A hero for our times": Foreign Correspondent, hero, and the bonfire of the vanities. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred
Foreign Correspondent (1940)
Helden ~ Heros

#340
Brill; Lesley: Crowds, power, and transformation in cinema. - Detroit, Michigan: Wayne State University Press 2006.
Description:
Discusses, among others, Alfred Hitchcock’s North by Northwest and Jonathan Demme’s The Silence of the Lambs.
Index:
Hitchcock, Alfred
Demme, Jonathan
North by Northwest (1959)
Silence of the Lambs, The (1990)

#341
Brion, Patrick: Hitchcock: Biographie, filmographie illustrée, analyse critique. - Paris: La Martinière 2000.
Index:
Hitchcock, Alfred

#342
Brisseau, Jean-Claude: Psycho. In: Projections 4. 1995. No. 1/2. [?D] pp. 33-35.
Index:
Hitchcock, Alfred
Psycho (1960)

#343
Brisseau, Jean-Claude: Psychose. In: Positif 1994. No. 400. [June] pp. 16-17.
Description:
The director on Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Brisseau, Jean-Claude
Psycho (1960)

#344
Britton, A.: Gary Grant: Comedy and male desire. In: Cineaction 1986. No. 7. [Winter] pp. 36-51.
Description:
Discusses, among others, Cary Grant’s role in Alfred Hitchcock’s North by Northwest.
Index:
Grant, Cary
Hitchcock, Alfred
North by Northwest (1959)
Männer ~ Men
Humor ~ Humor

#345
Broderick, James F.: Psycho. In: Broderick, James F.: Now a terrifying motion picture! Twenty-five classic works of horror adapted from book to film. - Jefferson, North Carolina: McFarland 2012. p. ?P.
Index:
Bloch, Robert N.
Hitchcock, Alfred
Psycho (1960)
Psycho (Literatur ~ Literature)
Literatur ~ Literature
Horror ~ Horror

#346
Broderick, James F.: The Birds. In: Broderick, James F.: Now a terrifying motion picture! Twenty-five classic works of horror adapted from book to film. - Jefferson, North Carolina: McFarland 2012. p. ?P.
Index:
Du Maurier, Daphne
Hitchcock, Alfred
Birds, The (1962)
Birds, The (Literatur ~ Literature)
Literatur ~ Literature
Horror ~ Horror

#347
Bronfen, Elisabeth: Aneignung der Fremde auf unheimliche Art: Rebecca (Alfred Hitchcock). In: Bronfen, Elisabeth: Heimweh: Illusionsspiele in Hollywood. - Berlin: Volk & Welt 1999. p. ?P.
Index:
Hitchcock, Alfred
Rebecca (1940)
Angst ~ Fear

#348
Bronfen, Elisabeth: From omphalos to phallus: Cultural representations of feminity and death. In: Women 3. 1992. No. 2. [?D] pp. 145-158.
Description:
Discusses, among others, Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Tod ~ Death
Frauen ~ Women

#349
Bronfen, Elisabeth: Risky resemblances: On repetition, mourning, and representation. In: Death & representation. Edited by Elisabeth Bronfen and Sarah Webster Goodwin. - Baltimore, Maryland: Johns Hopkins University Press 1993. pp. 103-129.
Description:
Compares Edgar Allan Poe’s novel Ligeia with Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Poe, Edgar Allan
Vertigo (1958)
Tod ~ Death
Ligeia (Literatur ~ Literature)

#350
Bronfen, Elisabeth: Screening and disclosing fantasy: Rear projection in Hitchcock. In: Screen 56. 2015. No. 1. [Spring] pp. 1-24. 24.
Index:
Hitchcock, Alfred
Fantasy ~ Fantasy

#351
Bronfen, Elisabeth: Uncanny appropriations: Rebecca. In: Bronfen, Elisabeth: Home in Hollywood: The imaginary geography of cinema. - New York: Columbia University Press 2004. (= Film and Culture.) pp. 31 ff.
First edition:
[Heimweh: Illusionsspiele in Hollywood. - Berlin: Volk & Welt 1999.]
Index:
Hitchcock, Alfred
Rebecca (1940)
Angst ~ Fear

#352
Brophy, Stephen: The use of glass in Alfred Hitchcock’s Blackmail. In: Cineaction 1999. No. 50. [?D] pp. 20-23.
Index:
Hitchcock, Alfred
Blackmail (1929)

#353
Brown, Bryan: The Alfred Hitchcock movie quiz book. - New York: Perigee Books 1986.
Index:
Hitchcock, Alfred

#354
Brown, Royal S.: Back from among the dead: The restoration of Alfred Hitchcock’s Vertigo. In: Cineaste 23. 1997. No. 1. [Winter] pp. 4-9.
Index:
Hitchcock, Alfred
Vertigo (1958)

#355
Brown, Royal S.: Bernard Herrmann and the subliminal pulse of violence. In: High Fidelity and Musical America 26. 1976. No. ?N. [March] pp. 75-76.
Description:
On the film composer.
Index:
Herrmann, Bernard
Hitchcock, Alfred
Psycho (1960)
Musik ~ Music
Gewalt ~ Violence

#356
Brown, Royal S.: Herrmann and Hitch: Mercury reissues the Vertigo soundtrack (now in stereo) while Elmer Bernstein rescues Herrmann’s unused Torn Curtain score. In: High Fidelity and Musical America 28. 1978. No. ?N. [April] pp. 80-81.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Bernstein, Elmer
Vertigo (1958)
Torn Curtain (1966)
Musik ~ Music

#357
Brown, Royal S.: Herrmann, Hitchcock, and the music of the irrational. In: Cinema Journal 21. 1982. No. 2. [Spring] pp. 14-49.
Index:
Herrmann, Bernard
Hitchcock, Alfred
Psycho (1960)
North by Northwest (1959)
Vertigo (1958)
Musik ~ Music

#358
Brown, Royal S.: Vertigo as Orphic tragedy. In: Literature/Film Quarterly 14. 1986. No. 1. [January] pp. 32-43.
Index:
Hitchcock, Alfred
Vertigo (1958)
Orpheus ~ Orpheus

#359
Bruce, Graham: Bernard Herrmann: Film music and narrative. - Ann Arbor, Michigan: UMI Research Press 1985. (= Studies in Cinema 38.)
Reviews:
Gerhold, Hans: [untitled] In: Medienwissenschaft 1987. No. 3. pp. 340-341.
Description:
On the composer, especially on his work for Alfred Hitchcock’s Vertigo and Psycho.
Index:
Herrmann, Bernard
Hitchcock, Alfred
Vertigo (1958)
Psycho (1960)
Musik ~ Music

#360
Brunas, John / Brunas, Michael / Weaver, Tom: Charles Bennett. In: Brunas, John / Brunas, Michael / Weaver, Tom: Attack of the monster movie makers: Interviews with 20 genre giants. - Jefferson, North Carolina; London: McFarland & Company 1994. pp. 17-30.
Description:
On the play- and screenwriter who wrote the model for Alfred Hitchcock’s Blackmail and worked for Irwin Allen’s The Lost World.
Index:
Bennett, Charles
Hitchcock, Alfred
Allen, Irwin
Blackmail (1929)
Lost World, The (1960)

#361
Brunas, John / Brunas, Michael / Weaver, Tom: Janet Leigh. In: Brunas, John / Brunas, Michael / Weaver, Tom: Science fiction stars and horror heroes: Interviews with actors, directors, producers and writers of the 1940s through 1960s. - Jefferson, North Carolina; London: McFarland & Company 1991. pp. 275-288.
Description:
On the actress who played in Orson Welles’s Touch of Evil, Alfred Hitchcock’s Psycho and John Carpenter’s The Fog spielte. Includes a filmography.
Index:
Leigh, Janet
Welles, Orson
Hitchcock, Alfred
Carpenter, John
Touch of Evil (1957)
Psycho (1960)
Fog, The / John Carpenter’s The Fog (1979)
Science Fiction ~ Science Fiction
Horror ~ Horror

#362
Brunas, John / Brunas, Michael / Weaver, Tom: Robert Shayne. In: Brunas, John / Brunas, Michael / Weaver, Tom: Science fiction stars and horror heroes: Interviews with actors, directors, producers and writers of the 1940s through 1960s. - Jefferson, North Carolina; London: McFarland & Company 1991. pp. 355-367.
Description:
On the actor who played in many fantastic films, among them Ewald André Dupont’s The Neanderthal Man, William Cameron Menzies’s Invaders from Mars, Herbert L. Strock’s How to Make a Monster and Alfred Hitchcock’s North by Northwest. Includes a filmography.
Index:
Shayne, Robert
Menzies, William Cameron
Strock, Herbert L.
Hitchcock, Alfred
Dupont, Ewald André
Invaders from Mars (1953)
How to Make a Monster (1958)
North by Northwest (1959)
Neanderthal Man, The (1953)
Science Fiction ~ Science Fiction
Horror ~ Horror

#363
Brunetta, Gian Piero: Alfred Hitchcock o l’universo della relatività. - Cittadella: Delta Tre 1971. (= Problemi e protagonisti dello spettacolo 1.)
Index:
Hitchcock, Alfred

#364
Brunetta, Gian Piero: Il cinema di Hitchcock. - Venezia: Marsilio 1994. (= Tascabili Marsilio 23.)
Index:
Hitchcock, Alfred

#365
Brunkhorst, Vicky: Metonymische und metaphorische Funktion der Farben in Alfred Hitchcocks Frenzy, untersucht am Motiv der "Glaubwürdigkeit". - Hamburg: Universität Hamburg, Literaturwissenschaftliches Seminar, Magisterarbeit 1995.
Index:
Hitchcock, Alfred
Frenzy (1971)

#366
Bruno, Edoardo: Falsi ingressi. In: Filmcritica 32. 1981. No. 311. [January] pp. 3-6.
Description:
On the narrative structure in the films of Alfred Hitchcock and his way of surprising the viewer.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#367
Bruno, Edoardo: Falsi ingressi. In: Filmcritica 49. 1999. No. 499. [October] pp. 443-446.
Description:
On the narrative structure in the films of Alfred Hitchcock and his way of surprising the viewer (Reprint from 1981).
Index:
Hitchcock, Alfred

#368
Bruno, Edoardo: La spirale del pensiero. In: Filmcritica 49. 1999. No. 499. [October] pp. 419-420.
Description:
On the use use of optical tricks in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Technik: Spezialeffekte ~ Technology: Special Effects

#369
Bruno, Marcello Walter: Bates Motel. In: Segnocinema 10. 1990. No. 45. [September/October] pp. 10-14.
Description:
On Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)

#370
Bruno, Marcello Walter: Hitchcockiano. In: Segnocinema ?G. 1993. No. 62. [July/August] pp. 70-71.
Description:
On Hitchcock’s influence on other directors in the 1950s.
Index:
Hitchcock, Alfred

#371
Bruno, Marcello Walter: Il film diviso. In: Segnocinema 10. 1990. No. 46. [November/December] pp. 8-10.
Description:
On Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)

#372
Bruns, John: "The proper geography": Hitchcock’s adaptation of Daphne du Maurier’s The Birds. In: Hitchcock and adaptation: On the page and screen. Edited by Mark Osteen. - Lanham, Maryland: Rowman & Littlefield 2014. p. ?P.
Index:
Du Maurier, Daphne
Hitchcock, Alfred
Birds, The (1962)
Birds, The (Literatur ~ Literature)

#373
Brupbacher, B.: Unmasking Alfred Hitchcock: A study of selected films in their context from Murder (1930) to Marnie (1964). - Oxford: University of Oxford, D.Phil. 1992. [Abstract in: Index to Theses with Abstracts 42. 1993. No. 3. p. 939(42-5140).]
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Murder (1930)

#374
Bubendorfer, Silvia / Holzinger, Claudia: Hitchcocks Universum: Psychoanalyse und Film: Das mütterliche Über-Ich & der Mangel im Anderen: Die Besessenheit des Blicks & die Absolute Andersheit. - Salzburg: Universität Salzburg, Diplom-Arbeit 1998.
Index:
Hitchcock, Alfred
Psychologie ~ Psychology
Mutter ~ Mothers
Dämonen ~ Demons

#375
Buckley, M.:A handful of Hitchcock. In: Films in Review 35. 1984. No. 3. [March] pp. 142-143.
Description:
Reviews of several Hitchcock films.
Index:
Hitchcock, Alfred

#376
Buendia, Patrice: Les héritiers d’Hitchcock. In: Le suspence au cinéma. Dirigée par Jean Bessalel et André Gardies. (= Cinémaction 1994. No. 71. [?D]) pp. 62-69.
Description:
On suspense film in the tradition of Alfred Hitchcock. Discusses, among others, Brian De Palma’s Dressed to Kill, Martin Scorsese’s Cape Fear, Rob Reiner’s Misery and Paul Verhoeven’s Basic Instinct.
Index:
Hitchcock, Alfred
De Palma, Brian
Scorsese, Martin
Reiner, Rob
Verhoeven, Paul
Dressed to Kill (1980)
Cape Fear (1991)
Misery (1990)
Basic Instinct (1992)
Thriller ~ Thriller

#377
Bühler, Wolf-Eckart: Alfred Hitchcock: Zu einer Retrospektive in Wien. In: Filmmaker: The Magazine of Independent Film 21. 1977. No. ?N. [June] pp. 282-303.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Wien ~ Vienna

#378
Buiré, Jean-François: Hypothèse de film volé. In: Cinéma [Paris] 2005. No. 10(?N). [Autumn] pp. 86-97.
Description:
Compares Joseph Losey’s Monsieur Klein with Alfred Hitchcock’s North by Northwest.
Index:
Losey, Joseph
Hitchcock, Alfred
Monsieur Klein (1976)
North by Northwest (1959)

#379
Buiré, Jean-François: Vertigo west. In: Cinéma [Paris] 2007. No. 13(?N). [Spring] pp. 18-23.
Description:
On the representation of America and the Americans in Hitchcock’s films.
Index:
Hitchcock, Alfred
Vertigo (1958)
USA (United States of America) ~ USA (United States of America)

#380
Buller, Richard: Pyscho: Why so popular? In: Hollywood Studio Magazine 17. 1984. No. 11. [?D] pp. 24-25.
Index:
Hitchcock, Alfred
Psycho (1960)

#381
Bullerjahn, Claudia: Eklektizismus, Geschäftssinn und Mut zu Experimenten: Wie Alfred Hitchcock die Filmmusikentwicklung beeinflusste. In: Hitchcock und die Künste. Hrsg. von Henry Keazor. - Marburg: Schüren 2013. pp. 117 ff.
Index:
Hitchcock, Alfred
Musik ~ Music
Experimentalfilme ~ Experimental Films
Kunst ~ Arts, The

#382
Bullerjahn, Claudia: Gender-Konstruktion durch Filmmusik: Eine analytische Betrachtung am Beispiel der Vertonung von Frauenfiguren in Filmen von Alfred Hitchcock und im neueren Frauenfilm. In: Kieler Beiträge zur Filmmusikforschung 2008. No. 2. [October] pp. 7-26.
Index:
Hitchcock, Alfred
Sexualität ~ Sexuality
Musik ~ Music
Frauen ~ Women

#383
Buovolo, Marisa: Identität und Macht: Edith Head und ihre Kreationen für Hitchcocks "Kühle Blonde". In: Film-Dienst 59. 2006. No. 3. [February 2] pp. 11-13.
Index:
Hitchcock, Alfred
Head, Edith
Frauen ~ Women

#384
Burdeau, Emmanuel / Thirion, Antoine: L’acteur de A. A. à B. B. In: Cahiers du Cinéma 2005. No. 603. [July/August] pp. 20-26.
Description:
Asia Argento and Bertrand Bonello discuss their own work and several films, among them Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Argento, Asia
Bonello, Bertrand
Vertigo (1958)

#385
Burgin, Victor: Diderot, Barthes, Vertigo. In: Formations of fantasy. Edited by Victor Burgin, James Donald and Cora Kaplan. - London: Methuen 1986. pp. 85-108.
Description:
On Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Diderot, Denis
Barthes, Roland
Vertigo (1958)
Fantasy ~ Fantasy

#386
Buscema, M.: Marnie. In: Filmcritica 32. 1981. No. 311. [January] pp. 52-53.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#387
Busch, Justin E. A.: The centre cannot hold: Betrayals in Alfred Hitchcock’s Topaz. In: Cineaction 2005. No. 66. [Spring] pp. 29 ff.
Index:
Hitchcock, Alfred
Topaz (1968)

#388
Buss, Robin: Under the influence. In: Sight and Sound NS 16. 2006. No. 5. [May] pp. 20-22.
Description:
On Dominik Moll’s Lemming, a film influenced by Hitchcock’s The Birds.
Index:
Moll, Dominik
Hitchcock, Alfred
Lemming (2005)
Birds, The (1962)

#389
Butler, Ivan: The horror film. 3rd revised edition. - New York: A. S. Barnes and Company 1970.
Description:
Discusses especially the Dracula and the Frankenstein films, the films of Val Lewton and Roger Corman, Alfred Hitchcock’s Psycho, Roman Polanski’s Repulsion and Rosemary’s Baby, William Friedkin’s The Exorcist and Richard Donner’s The Omen.
Index:
Lewton, Val
Hitchcock, Alfred
Corman, Roger
Polanski, Roman
Friedkin, William
Donner, Richard
Psycho (1960)
Repulsion (1965)
Rosemary’s Baby (1968)
Exorcist, The (1973)
Omen, The / Birthmark (1976)
Vampire ~ Vampires
Horror ~ Horror
Frankenstein ~ Frankenstein

#390
Butler, Rex: William Rothman’s Vertigo. In: Film-Philosophy 18. 2014. No. 1. [?D] pp. 35-49.
Index:
Hitchcock, Alfred
Rothman, William
Vertigo (1958)
Philosophie ~ Philosophy

#391
Butte, George: I know that you know that I know: Narrating subjects from Moll Flanders to Marnie. - Columbus, Ohio: Ohio State University Press 2004. (= Theory and interpretation of narrative.)
Index:
Defoe, Daniel
Hitchcock, Alfred
Marnie (1963/1964)
Moll Flandres (Literatur ~ Literature)

#392
Butte, George: Theatricality and the comedy of the mutual gaze in Hitchcock’s Cary Grant films. In: Hitchcock Annual 1997. pp. 114-136.
Index:
Hitchcock, Alfred
Grant, Cary
North by Northwest (1959)
Theater ~ Theatre
Humor ~ Humor

#393
Byars, Jackie / Meehan, Eileen R.: Once in a lifetime: Constructing "The Working Woman" through cable narrowcasting. In: Camera Obscura 1994/1995. No. 33/34. [May-January] pp. 12-41.
Index:
Hitchcock, Alfred
Notorious (1946)
Frauen ~ Women

#394
Byers, Thomas B.: Shadows of modernity: What Maisie Knew and Shadow of a Doubt. In: The men who knew too much: Henry James and Alfred Hitchcock. Edited by Susan Griffin and Alan Nadel. - Oxford; New York: Oxford University Press 2011. p. ?P.
Index:
James, Henry
Hitchcock, Alfred
Shadow of a Doubt (1943)
What Maisie Knew (Literatur ~ Literature)

#395
Cagle, Chris: Rough trade: Sexual taxonomy in postwar America. In: RePresenting bisexualities: Subjects and cultures of fluid desire. Edited by Donald E. Hall and Maria Pramaggiore. - New York: New York University Press 1996. pp. 34-52.
Description:
Discusses, among others, the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)
Sexualität ~ Sexuality
Krieg ~ War

#396
Calabrese, John A.: Romanticism in Alfred Hitchcock’s Vertigo: Conflicts and dark reversals. In: Lamar Journal of the Humanities 18. 1992. No. 2. [Fall] pp. 51-65.
Index:
Hitchcock, Alfred
Vertigo (1958)
Romantik ~ Romanticism

#397
Calef, Scott: Featherless bipeds: The concept of humanity in The Birds. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 75-88.
Index:
Hitchcock, Alfred
Birds, The (1962)
Philosophie ~ Philosophy

#398
The Cambridge companion to Alfred Hitchcock. Edited by Jonathan Freedman. - Cambridge; New York: Cambridge University Press 2015.
Index:
Hitchcock, Alfred

#399
Cameron, Ian / Perkins, V. F.: Hitchcock. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 44 ff.
Index:
Hitchcock, Alfred

#400
Caminer, Sylvia / Gallagher, John Andrew: Joseph Stefano. In: Films in Review 47. 1996. No. 1/2. [January/February] pp. 27-35.
Description:
Interview with the screenwriter on his script for Alfred Hitchcock’s Psycho.
Index:
Stefano, Joseph
Hitchcock, Alfred
Psycho (1960)

#401
Camp, Jocelyn: John Buchan and Alfred Hitchcock. In: Literature/Film Quarterly 6. 1978. No. 3. [Summer] pp. 230-240.
Description:
On Alfred Hitchcock’s The Thirty-Nine Steps and North by Northwest, both adaptions of novels by John Buchan.
Index:
Hitchcock, Alfred
Buchan, John
Thirty-Nine Steps, The (1935)
North by Northwest (1959)

#402
Canby, Vincent: Rear Window - still a joy. In: New York Times, October 9, 1983. Sec. 2. pp. 21 ff.
Index:
Hitchcock, Alfred
Rear Window (1954)

#403
Cappabianca, Alessandro / Giacci, V.: Alfred Hitchcock nel 1990: Le 36 apparizioni di Hitchcock. In: Filmcritica 41. 1990. No. 405/406. [?D] pp. 282-287.
Description:
On Hitchcock’s filmic ouvre and on his cameo appearances in his films.
Index:
Hitchcock, Alfred

#404
Caprara, Valerio: L’occhio segreto del grande Hitch. In: Segnocinema ?G. 1984. No. 14. [September] pp. 3-5.
Index:
Hitchcock, Alfred
Rear Window (1954)
Vertigo (1958)

#405
Caprara, Valerio / Pugliese, Roberto: Il ritorno di Hitchcock. In: Segnocinema 4. 1945. No. 14. [September] pp. 3-8.
Description:
On the collaboration between Alfred Hitchcock and composer Bernard Herrmann.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Musik ~ Music

#406
Capuzzo, Heitor: Alfred Hitchcock: O cinema em construçÆo. - Vitória: Editora FundaçÆo Ceciliano Abel de Almeida, Universidade Federal do Espírito Santo 1993.
Index:
Hitchcock, Alfred

#407
Carbonnier, Alain / Dumont, P. / Magny, Joël: La femme selon Hitchcock. In: Cinéma [Paris] 1984. No. 303. [March] pp. 47-49.
Description:
Interview with Jean Douchet on the representation of women in Hitchcock’s films, especially in Vertigo.
Index:
Hitchcock, Alfred
Douchet, Jean
Vertigo (1958)
Frauen ~ Women

#408
Carcassonne, Philippe.:Le mauvais esprit du cinéma. In: Cinématographe 1984. No. 97. [February] pp. 2-4.
Description:
On the use of flashbacks in cinema. Duscusses, among others, the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred

#409
Cardullo, Bert: Four notes on classic films. In: Études Anglaises 42. 1989. No. 4. [?D] pp. 434-440.
Description:
Discusses John Ford’s Stagecoach, The Cameraman by Buster Keaton and Edward Sedgwick, Alfred Hitchcock’s Psycho and In Which We Serve by Noel Coward and David
Lean.
Index:
Ford, John
Keaton, Buster
Sedgwick, Edward
Hitchcock, Alfred
Stagecoach (1939)
Cameraman, The (1928)
Psycho (1960)

#410
Cardullo, Bert: Some notes on classic films. In: University Of Windsor Review 21. 1988. No. 2. [?D] pp. 82-86.
Description:
Discusses, among others, Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)

#411
Cardullo, Bert: Some notes on classic films. In: New Orleans Review 17. 1990. No. 2. [?D] pp. 5-13.
Description:
Discusses, among others, Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)

#412
Care, Ross: Rear Window: The music of sound. In: Scarlet Street 2000. No. 37. [?D] pp. 60 ff.
Index:
Hitchcock, Alfred
Rear Window (1954)
Musik ~ Music

#413
Care, Ross: Record rack. In: Scarlet Street 1995. No. 19. [Summer] pp. 64-66.
Description:
On various editions of film music, among them Franz Waxman’s score for Alfred Hitchcock’s Rebecca.
Index:
Hitchcock, Alfred
Waxman, Franz
Rebecca (1940)
Musik ~ Music

#414
Care, Ross: Record rack. In: Scarlet Street 1996. No. 21. [Winter] pp. 74, 76-77.
Description:
On Bernhard Herrmann’s scores for North by Northwest and other Hitchcock films.
Index:
Hitchcock, Alfred
Herrmann, Bernard
North by Northwest (1959)
Musik ~ Music

#415
Carlini, Fabio: Hitchcock. - Firenze: La nuova Italia 1974. (= Il Castoro cinema 5.)
Index:
Hitchcock, Alfred

#416
Carlo, S.: Rear Window (La finestra sul cortile) - 1954. In: Filmcritica 32. 1981. No. 311. [January] pp. 44-46.
Index:
Hitchcock, Alfred
Rear Window (1954)

#417
Carlson, Matthew Paul: Conrad’s The Secret Agent, Hitchcock’s Sabotage, and the inspiration of "public uneasiness". In: Hitchcock and adaptation: On the page and screen. Edited by Mark Osteen. - Lanham, Maryland: Rowman & Littlefield 2014. p. ?P.
Index:
Conrad, Joseph
Hitchcock, Alfred
Sabotage (1936)
Secret Agent, The (Literatur ~ Literature)

#418
Caron, André / Girard, Martin / Larue, Johanne: Brian De Palma. In: Séquences ?G. 1994. No. 168. [January] pp. 18-34.
Description:
Discusses, among others, De Palma’s relation to Hitchcock as well as the motifs of suspense and violence in De Palma’s films.
Index:
De Palma, Brian
Hitchcock, Alfred
Thriller ~ Thriller
Gewalt ~ Violence

#419
Carreño Abad, José Maria: Alfred Hitchcock. - Madrid: J. C. Ed. 1980. (= Directores de cine.)
Index:
Hitchcock, Alfred

#420
Carrère, E.: La somnambule et le magnetiseur (quelques images de reve dans le cinema fantastique). In: Positif 1977. No. 193. [May] pp. 48-52.
Description:
Discusses, among others, Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)
Traum ~ Dreams

#421
Carroll, Noel: Vertigo and the pathologies of romantic love. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 101-114.
Index:
Hitchcock, Alfred
Vertigo (1958)
Romantik ~ Romanticism
Philosophie ~ Philosophy

#422
Carson, Diane: The nightmare world of Hitchcock’s women. In: Michigan Academician 18. 1986. No. 3. [Summer] pp. 349-356.
Description:
Discusses, among others, Shadow of a Doubt.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)
Traum ~ Dreams
Frauen ~ Women

#423
Carson, Diane: The nightmare world of Hitchcock’s women: Selected papers from Tenth Annual Florida State University Conference on Literature & Film. In: The kingdom of dreams in literature and film. Edited by Douglas Fowler. - Tallahassee: Florida State University Press 1986. pp. 11-20.
Description:
Discusses, among others, Shadow of a Doubt.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)
Literatur ~ Literature
Frauen ~ Women
Traum ~ Dreams

#424
Case, Brian / Charity, Tom: Dizzy heights / The national Alf. In: Time Out 1997. No. 1391. [April 16] pp. 20-22, 24.
Description:
On Hitchcock’s Vertigo and the collaboration between the director and actress Kim Novak.
Index:
Hitchcock, Alfred
Novak, Kim
Vertigo (1958)

#425
Case, Brian: Cinefile: Alfred Hitchcock. In: Time Out 1992. No. 1121. [February 12] p. 135.
Index:
Hitchcock, Alfred

#426
Casel, José / Duarte, Fernando: Os filmes ingleses e americanos de Alfred Hitchcock. In: Celulóide 1980. No. 298/299. [September]. pp. 12-13.
Description:
On the films made between 1921 and 1931.
Index:
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)
Großbritannien ~ Great Britain

#427
Casel, José / Duarte, Fernando: Os filmes ingleses e americanos de Alfred Hitchcock (conclusÆo). In: Celulóide 1980. No. 306/307. [December]. pp. 309-312.
Description:
On the films made between 1943 and 1976.
Index:
Hitchcock, Alfred

#428
Casel, José / Duarte, Fernando: Os filmes ingleses e americanos de Alfred Hitchcock. In: Celulóide 1980. No. 300-302. [October]. pp. 29-31.
Description:
On the films made between 1932 and 1942.
Index:
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)
Großbritannien ~ Great Britain

#429
Casting a shadow: Creating the Alfred Hitchcock film. Edited by Will Schmenner and Corinne Granof. - Evanston, Illinois: Mary and Leigh Block Museum of Art / Northwestern University / Northwestern University Press 2007.
Index:
Hitchcock, Alfred

#430
Castro de Paz, José Luis: Alfred Hitchcock. - Madrid: Cátedra 2000. (= Signo e imagen: Cineastas 49.)
Index:
Hitchcock, Alfred

#431
Castro de Paz, José Luis: Alfred Hitchcock: Vértigo: De entre los muertos: Estudio
critico. - Barcelona: Paidós 1999. (= Paidós películas 5.)
Index:
Hitchcock, Alfred
Vertigo (1958)

#432
Castro de Paz, José Luis: El surgimiento del telefilme: Los años cincuenta y la crisis
de Hollywood: Alfred Hitchcock y la televisión. - Barcelona: Paidós 1999. (= Paidós comunicación 110.)
Index:
Hitchcock, Alfred
Hollywood ~ Hollywood
Fernsehen ~ Television

#433
Catania, Saviour: "Truth beauty" as "walking dream": Hitchcock’s Vertigo and the "mystic oxymoron" of Keats’s poetry. In: Literature/Film Quarterly 44. 2016. No. 1. pp. 19-33.
Index:
Hitchcock, Alfred
Keats, John
Vertigo (1958)
Traum ~ Dreams
Religion: Mystik ~ Religion: Mysticism

#434
Cavallero, Jonathan J.: Hitchcock and race: Is the Wrong Man a white man? In: Journal of Film and Video 62. 2010. No. 4. [Winter] pp. 3-14.
Index:
Hitchcock, Alfred
Wrong Man, The (1957)
Ethnie ~ Ethnicity

#435
Cavell, Stanley: North by Northwest. In: Critical Inquiry 7. 1981. No. 4. [Summer] pp. 761-776.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#436
Cavell, Stanley: North by Northwest. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#437
Cavell, Stanley: Pazzo solo tra nord e nord ovest. In: Filmcritica 48. 1998. No. ?N. [July/August] pp. 277-293.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#438
Cesario, Salvatore: La psicoanalisi e Hitchcock: Che cosa la psicoanalisi può imparare da Hitchcock. - Milano: Angeli 1996. (= Serie di psicologia 127.)
Index:
Hitchcock, Alfred
Psychologie ~ Psychology

#439
Chabrol, Claude / Rohmer, Eric: Hitchcock. - Paris: Edition Universitaires de France 1957. (= Classiques du cinema 6.)
Index:
Hitchcock, Alfred
Rohmer, Eric
Chabrol, Claude

#440
Chabrol, Claude / Rohmer, Eric: Hitchcock. - Paris: Ramsay 1986. (= Ramsay-poche cinéma 23.)
First edition:
[- Paris: Edition Universitaires de France 1957]
Index:
Hitchcock, Alfred
Rohmer, Eric
Chabrol, Claude

#441
Chabrol, Claude / Rohmer, Eric: Hitchcock. A cura di Antonio Costa. - Venezia: Marsilio 1986. (= Biblioteca.)
First edition:
[- Paris: Edition Universitaires de France 1957]
Index:
Hitchcock, Alfred
Rohmer, Eric
Chabrol, Claude

#442
Chabrol, Claude / Rohmer, Eric: Hitchcock: The first forty-four films. Translated by Stanley Hochman. - Oxford: Roundhouse Publishing 1992.
First edition:
[Paris: Delarge 1957]
Description:
The two French star directors analysing Hitchcock classics.
Index:
Hitchcock, Alfred
Rohmer, Eric
Chabrol, Claude
Frankreich ~ France

#443
Chabrol, Claude / Rohmer, Eric: Hitchcock: The first forty-four films. Translated by Stanley Hochman. - New York: F. Ungar 1979. (= Ungar film library.)
First edition:
[Paris: Delarge 1957]
Description:
The two French star directors analysing Hitchcock classics.
Index:
Hitchcock, Alfred
Rohmer, Eric
Chabrol, Claude
Frankreich ~ France

#444
Chabrol, Claude / Rohmer, Éric: Hitchcock. Hrsg. und aus dem Französischen übersetzt von Robert Fischer. - Berlin; Köln: Alexander-Verlag 2013.
Reviews:
Arnold, Frank: Was sie immer noch nicht über Hitchcock wissen. In: EPD Film 30. 2013. No. 12. [December] p. 64.
Koll, Horst Peter: Hitchcock: Die hymnische Würdigung von Eric Rohmer und Claude Chabrol. In: Film-Dienst 66. 2013. No. 12. [June 6] p. 23.
Schwanebeck, Wieland: Rezension im erweiterten Forschungskontext: Alfred Hitchcock. In: Medienwissenschaft 2014. No. 1. pp. 85-92.
Index:
Hitchcock, Alfred
Chabrol, Claude
Rohmer, Eric

#445
Chabrol, Claude: Story of an interview. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 38 ff.
Index:
Hitchcock, Alfred
Chabrol, Claude

#446
Chandler, Charlotte: Hitchcock: Die persönliche Biografie. Aus dem Amerikanischen von Dagmar Roth. - München: Herbig 2005.
First edition:
[It’s only a movie.]
Index:
Hitchcock, Alfred

#447
Chandler, Charlotte: It’s only a movie: Alfred Hitchcock, a personal biography. - New York: Simon & Schuster 2005.
Reviews:
Mac Adam, Elise: [untitled] In: Film Comment 41. 2005. No. 2. [March/April] p. 17.
Index:
Hitchcock, Alfred

#448
Chankin, Donald O.: Delusions and dreams in Hitchcock’s Vertigo. In: Hitchcock Annual 1993. pp. 28-40.
Description:
Psychoanalytic analysis.
Index:
Hitchcock, Alfred
Vertigo (1958)
Traum ~ Dreams
Psychologie ~ Psychology

#449
Chapman, James: Hitchcock and the spy film. - ?O: I.B. Tauris 2018.
Reviews:
Kemp, Philip: [untitled.] In: Sight and Sound NS 28. 2018. No. 4. [April] p. 92.
Index:
Hitchcock, Alfred

#450
CHAPMAN, JAMES: Hitchcock and Bond. In: Hitchcock Annual 19. 2014. pp. 153-180.
Index:
Hitchcock, Alfred
James Bond (Filmreihe)
James Bond ~ James Bond

#451
Chaput, Luc: Hitchcock et l’art: Coïncidences fatales. In: Séquences ?G. 2001. No. 212. [March/April] p. 9.
Description:
On a Hitchcock exhibition at the Musée des Beaux-Arts in Montréal.
Index:
Hitchcock, Alfred
Montreal ~ Montreal

#452
Cherchi Usai, Paolo: Il migliore è Saul Bass con Vertigo. In: Segnocinema 4. 1984. No. 14. [?D] p. 11.
Index:
Hitchcock, Alfred
Bass, Saul
Vertigo (1958)

#453
Cherchi Usai, Paolo: La donna che visse due volte. In: Segnocinema 17. 1997. No. 86. [July/August] pp. 33-34.
Description:
On the restoration of Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)

#454
Cheshire, Godfrey: Psycho analysis: Van Sant’s remake slavish but sluggish. In: Variety 373. 1998. No. 4. [December 7] pp. 53, 57.
Index:
Van Sant, Gus
Hitchcock, Alfred
Psycho (1998)
Psycho (1960)

#455
Chinen Biesen, Sheri: "Rawness to romance": "Gothic" thrillers as film noir prototypes from Alfred Hitchcock to Orson Welles. In: Film noir prototypes: Origins of the movement. Edited by Alain Silver and James Ursini. - Milwaukee, Wisconsin: Applause Theatre & Cinema Books 2018. p. ?P.
Index:
Hitchcock, Alfred
Welles, Orson
Thriller ~ Thriller
Horror ~ Horror
Film Noir ~ Film Noir

#456
Chion, Michel: Le muet sous le parlant: La surdétermination. In: Bref 2003. No. 57. [Summer] pp. 42-45.
Description:
On Alfred Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Birds, The (1962)
Stummfilm ~ Silent Film

#457
Chion, Michel: Le quatrieme cote. In: Cahiers du Cinéma 1984. No. 356. [February] pp. 4-7.
Index:
Hitchcock, Alfred
Rear Window (1954)

#458
Chion, Michel: The cipher of destiny. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 137-142.
Index:
Hitchcock, Alfred

#459
Chion, Michel: The fourth side. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 155-160.
Description:
Especially on Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)

#460
Chion, Michel: The impossible embodiment. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 195-207.
Description:
Especially on Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)

#461
Chow, Rey: When whiteness feminizes ... Some consequences of a supplementary logic. In: Differences [Bloomington] 11. 1999. No. 3. [Fall] pp. 137-168.
Description:
Discusses Alain Resnais’s Hiroshima, mon amour and Alfred Hitchcock’s Rebecca.
Index:
Resnais, Alain
Hitchcock, Alfred
Hiroshima, mon amour (1959)
Rebecca (1940)
Frauen ~ Women

#462
Christen, Thomas: Das Beobachten des Beobachters beim Beobachten. In: Cinema [Zürich] 1995. No. 41. [?D] pp. 64-74.
Description:
Discusses, among others, Alfred Hitchcock’s Rear Window and Patrice Leconte’s Monsieur Hire.
Index:
Hitchcock, Alfred
Leconte, Patrice
Rear Window (1954)
Monsieur Hire (1989)

#463
Chumo, Peter N.: The Crying Game and Vertigo: The quest for identity. In: Bright Lights 1993. No. 11. [Fall] pp. 26-29.
Description:
Compares the gender roles in the films by Neil Jordan and Alfred Hitchcock.
Index:
Jordan, Neil
Hitchcock, Alfred
Crying Game, The (1992)
Vertigo (1958)
Sexualität ~ Sexuality

#464
Chumo, Peter N.: The Crying Game, Hitchcockian romance, and the quest for identity. In: Literature/Film Quarterly 23. 1995. No. 4. [October] pp. 247-253.
Description:
Compares Neil Jordan’s The Crying Game with Hirtchcock’s Vertigo.
Index:
Jordan, Neil
Hitchcock, Alfred
Crying Game, The (1992)
Vertigo (1958)

#465
Churchill, David S.: The queer histories of a crime: Representations and narratives of Leopold and Loeb. In: Journal of the History of Sexuality 18. 2009. No. 2. [?D] pp. 287-324.
Index:
Hitchcock, Alfred
Rope, The (1948)
Sexualität ~ Sexuality
Kriminalität ~ Crime

#466
Cieutat, Michel: La loi du silence: Le mal aimé d’une filmo. In: Positif 2000. No. 470. [April] pp. 88-90.
Description:
On Hitchcock’s I Confess.
Index:
Hitchcock, Alfred
I Confess (1952)

#467
Cippitelli, Claudia: Marnie oder: Die Domestizierung der Frau. In: Kino und Couch: Zum Verhältnis von Psychoanalyse und Film. Redaktionelle Bearbeitung: Ernst Karpf. - Frankfurt/Main: Gemeinschaftswerk der evangelischen Publizistik / Schmitten/Taunus: Evangelische Akademie Arnoldshain 1990. (= Arnoldshainer Filmgespräche 7.) pp. 107-113.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Frauen ~ Women
Psychologie ~ Psychology

#468
Clandfield, Peter: Bridgespotting, Lepage, Hitchcock, and landmarks in Canadian Film. In: Canadian Journal of Film Studies 12. 2003. No. 1. [?D] p. ?P.
Index:
Lepage, Robert
Hitchcock, Alfred
Kanada ~ Canada

#469
Clark, Mark: Anthony Perkins in Psycho. In: Clark, Mark: Smirk, sneer, and scream: Great acting in horror cinema. - Jefferson, North Carolina: McFarland 2004. p. ?P.
Index:
Perkins, Anthony
Hitchcock, Alfred
Psycho (1960)
Horror ~ Horror

#470
The classic novel from page to screen. Edited by Robert Giddings and Erica Sheen. - Manchester: Manchester University Press 2000.
Reviews:
Scuriatti, Laura: [untitled] In: Medienwissenschaft 2000. No. 4. pp. 468-469.
Description:
Discusses, among others, Alfred Hitchcock’s Rebecca and Francis Ford Coppola’s Bram Stoker’s Dracula.
Index:
Hitchcock, Alfred
Coppola, Francis Ford
Rebecca (1940)
Bram Stoker’s Dracula (1992)
Literatur ~ Literature

#471
Clifton, Kevin: Unravelling music in Hitchcock’s Rope. In: Horror Studies 4. 2013. No. 1. [June] pp. 63-74.
Index:
Hitchcock, Alfred
Rope, The (1948)
Musik ~ Music
Horror ~ Horror

#472
Cloete, Antoinette: Body in pieces: Vertigo(nous) restructuring. In: Inter Action: Proceeding of 2nd Post-Graduate Conference held at Bain’s Kloof, September 1993. Edited by Loes Nas and Lesley Marx. - Cape Town: University of Cape Town, Department. of English / University of Western Cape, Department of English 1994. pp. 58-70.
Description:
Psychoanalytic examination.
Index:
Hitchcock, Alfred
Vertigo (1958)
Psychologie ~ Psychology
Körper ~ Bodies

#473
Clover, Carol: Her body, himself: Gender in the slasher film. In: The dread of difference: Gender and the horror film. Edited by Barry Keith Grant. Second edition. - Austin, Texas: University of Texas Press 2015. (= Texas film and media studies.) p. ?P.
Description:
Discusses, among others, Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Körper ~ Bodies
Horror ~ Horror
Sexualität ~ Sexuality

#474
Clover, Carol J.: "Her body, himself: Gender in the slasher film. In: Representations 1987. No. 20. [Fall] pp. 187-228.
Description:
Discusses, among others, Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Sexualität ~ Sexuality
Körper ~ Bodies
Horror ~ Horror

#475
Coates, Paul: Cinema and colour: The saturated image. - Houndmills, Basingstoke, Hampshire; New York: Palgrave Macmillan 2010.
Description:
Discusses a lot of fantastic films, among them Alfred Hitchcock’s Vertigo, Andrei Tarkovsky’s Soljaris, Joseph Losey’s The Boy With Green Hair, Hou Hsiao-hsien’s Le Voyage du ballon rouge, Krzysztof Kieslowski’s La double vie de Véronique, Jacques Rivette’s La religieuse, Michelangelo Antonioni’s Il mistero di Oberwald and the use of colour in the films of Guillermo del Toro.
Index:
Hitchcock, Alfred
Tarkovsky, Andrei Arsenyevich
Losey, Joseph
Hou Hsiao-hsien
Kieslowski, Krzysztof
Rivette, Jacques
Antonioni, Michelangelo
del Toro, Guillermo
Vertigo (1958)
Soljaris (1972)
Boy With Green Hair, The (1948)
Voyage du ballon rouge, Le (2007)
double vie de Véronique, La / Podwójne zycie Weroniki (1991)
religieuse, La / Suzanne Simonin, la religieuse de Diderot (1965)
mistero di Oberwald, Il (1981)

#476
Coates, Paul: Doubling, distance and identification in the cinema. - Houndmills, Bsingstoke, Hampshire; New York: Palgrave Macmillan 2015.
Description:
Discusses, among others, Krzysztof Kieslowski’s La double vie de Véronique, Alfred Hitchcock’s Vertigo and Wim Wenders’s Der Himmel über Berlin.
Index:
Kieslowski, Krzysztof
Hitchcock, Alfred
Wenders, Wim
double vie de Véronique, La / Podwójne zycie Weroniki (1991)
Vertigo (1958)
Himmel über Berlin, Der (1987)
Doppelgänger ~ Double

#477
Coates, Paul: Film at the intersection of high and mass culture. - Cambridge, Massachusetts; New York; Melbourne: Cambridge University Press 1994. (= Cambridge Studies in Film.)
Reviews:
Howells, Richard: [untitled] In: Historical Journal of Film, Radio and Television NS 15. 1995. No. 2. [?D] pp. 327-328.
Laderman, David: [untitled] In: Film Quarterly 49. 1995. No. 1. [Fall] pp. 44-45.
Description:
Discusses, among others, many horror and science fiction films. Contains detailed analysis of Woddy Allen’s The Purple Rose of Cairo, the films of Ingmar Bergman and David Cronenberg, especially The Fly, Brian De Palma, Alfred Hitchcock, especially on Psycho, Rear Window and Vertigo, Rex Ingram’s Four Horsemen of the Apocalypse, Fritz Lang, especially on Metropolis, Chris Marker’s La Jetée, Sylvester Stallone, Kidlat Tahimik’s Mababangong Bangungot / The Perfumed Nightmare, Andrej Tarkovskij, especially on Offret / Le Sacrifice and Soljaris, Jacques Tourneur’s Cat People, Peter Weir, especially on Mosquito Coast, Orson Welles and Robert Wiene’s Das Cabinet des Dr. Caligari.
Index:
Allen, Woody
Bergman, Ingmar
Cronenberg, David
De Palma, Brian
Hitchcock, Alfred
Ingram, Rex
Lang, Fritz
Marker, Chris
Stallone, Sylvester
Tahimik, Kidlat
Tarkovsky, Andrei Arsenyevich
Tourneur, Jacques
Weir, Peter
Welles, Orson
Wiene, Robert
Purple Rose of Cairo, The (1985)
Fly, The (1986)
Psycho (1960)
Rear Window (1954)
Vertigo (1958)
Four Horsemen of the Apocalypse, The (1921)
Metropolis (1925/1926)
Jetée, La (1962)
Mababangong Bangungot / Perfumed Nightmare, The (1976/1977)
Offret / Sacrifice, Le (1985)
Soljaris (1972)
Cat People (1942)
Mosquito Coast (1986)
Cabinet des Dr. Caligari, Das (1919)
Science Fiction ~ Science Fiction
Horror ~ Horror

#478
Cobos, J.: Hitchcock: La formacion inglesa. In: Casablanca ?G. 1984. No. 43. [July/August] pp. 28-29.
Description:
On Hitchcock’s English films.
Index:
Hitchcock, Alfred
Großbritannien ~ Great Britain

#479
Cobos, J. / Rubio, M.: Habla Hitchcock. In: Casablanca ?G. 1984. No. 43. [July/August] pp. 30-32.
Description:
Compilation of various texts on Hitchcock and his films.
Index:
Hitchcock, Alfred

#480
Coe, Jonathan: The Man Who Knew Too Much. In: Sight and Sound NS 9. 1999. No. 8. [August] Supplement p. 50.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1934)

#481
Coe, Jonathan: Vertigo. In: New Statesman 126. 1996. No. 4331. [April 25] pp. 43 ff.
Index:
Hitchcock, Alfred
Vertigo (1958)

#482
Cohan, Steven: Masked Men: Masculinity and the movies of the fifties. - Bloomington, Indiana: Indiana University Press 1997.
Reviews:
Nadel, Alan: [untitled] In: Film Quarterly 52. 1999. No. 3. [Spring] pp. 59-60.
Description:
Discusses, among others, Alfred Hitchcock’s North by Northwest and, in addition, the Hercules and the bible film.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Masken ~ Masks
Religion ~ Religion
Männer ~ Men
Herkules ~ Hercules

#483
Cohen, Alain J.-J.: 12 Monkeys, Vertigo and La Jetée: Postmodern mythologies and cult films. In: New Review of Film and Television Studies 1. 2003. No. 1. [November] pp. 149-164.
Description:
Structuralist analysis according to the theories of Claude Lévi-Strauss.
Index:
Gilliam, Terry
Hitchcock, Alfred
Marker, Chris
Lévi-Strauss, Claude
Twelve Monkeys (1995)
Vertigo (1958)
Jetée, La (1962)
Postmoderne ~ Postmodern
Mythologie ~ Mythology

#484
Cohen, Clélia: L’oeil et la bouche. In: Cahiers du Cinéma 1999. No. 537. [July/August] pp. 30-31.
Description:
On Tippi Hedren’s role in The Birds.
Index:
Hitchcock, Alfred
Hedren, Tippi
Birds, The (1962)
Augen ~ Eyes

#485
Cohen, Clélia / Saada, Nicolas / Toubiana, Serge: Alfred Hitchcock portrait(s) de l’artiste en jeune homme. In: Cahiers du Cinéma 1999. No. 537. [July/August] pp. 18-35.
Description:
Special section on Alfred Hitchcock, especially on The Birds.
Index:
Hitchcock, Alfred
Birds, The (1962)

#486
Cohen, Clélia [et al.]: RKO, spiendeur du chaos. In: Cahiers du Cinéma 2003. No. 582. [September] pp. 82-91.
Description:
On the American film company for which, among others, Alfred Hitchcock and Orson Welles did some work.
Index:
Hitchcock, Alfred
Welles, Orson
USA (United States of America) ~ USA (United States of America)
RKO ~ RKO

#487
Cohen, Keith: Psycho: The suppression of female desire (and its return). In: Reading narrative: Form, ethics, ideology. Edited by James Phelan. - Columbus, Ohio: Ohio State University Press 1989. pp. 147-161.
Index:
Hitchcock, Alfred
Psycho (1960)
Politik ~ Politics
Frauen ~ Women

#488
Cohen, Paula Marantz: Conceptual suspense in Hitchcock’s films. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#489
Cohen, Paula Marantz: Gus Van Sant vs. Alfred Hitchcock: The artist pays homage. In: Hitchcock Annual 2001/2002. pp. 127-132.
Index:
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)
Psycho (1998)

#490
Cohen, Paula Marantz: Hitchcock’s revised American visions: The Wrong Man and Vertigo. In: Hitchcock’s America. Edited by Jonathan Freedman and Richard Millington. - New York; Oxford: Oxford University Press 1999. pp. 155-72.
Index:
Hitchcock, Alfred
Wrong Man, The (1957)
Vertigo (1958)
USA (United States of America) ~ USA (United States of America)

#491
Cohen, Paula Marantz: Like cows. In: The Times Literary Supplement, September 5, 2008. p. 12.
Index:
Hitchcock, Alfred

#492
Cohen, Paula Marantz: The ideological transformation of Conrad’s The Secret Agent into Hitchcock’s Sabotage. In: Literature/Film Quarterly 22. 1994. No. 3. [July] pp. 199-209.
Index:
Hitchcock, Alfred
Conrad, Joseph
Sabotage (1936)
Politik ~ Politics
Secret Agent, The (Literatur ~ Literature)

#493
Cohen, R.: Dial M for Murder. In: Films and Filming ?G. 1983. No. ?N(349). [October] p. 37.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#494
Cohen, Tom: Anti-mimesis: From Plato to Hitchcock. - Cambridge; New York: Cambridge University Press 1994. (= Literature, culture, theory 10.)
Index:
Hitchcock, Alfred
Platon

#495
Cohen, Tom: Beyond "The Gaze": Zizek, Hitchcock, and the American sublime. In: American Literary History 7. 1995. No. 2. [Summer] pp. 350-378.
Index:
Hitchcock, Alfred
Zizek, Slavoj
USA (United States of America) ~ USA (United States of America)

#496
Cohen, Tom: Hitchcock and the death of (Mr.) memory. In: Qui Parle 6. 1993. No. 2. [Spring/Summer] pp. 41-74.
Description:
On The Thirty-Nine Steps and The Man Who Knew Too Much.
Index:
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)
Man Who Knew Too Much, The (1956)
Tod ~ Death

#497
Cohen, Tom: Hitchcock’s cryptonymies. Vol. 1: Secret agents. - Minneapolis; London: University of Minnesota Press 2005.
Reviews:
Gordon, Paul: [untitled] In: Comparative Literature 58. 2006. No. 2. [?D] pp. 183-185.
Morris, Christopher D.: [untitled] In: Film Criticism 30. 2005. No. 1. [Fall] pp. 72-78.
Valentis, Mary: [untitled.] In: Scope [Nottingham] 2007. No. 7. [?D] pp. ?P.
Index:
Hitchcock, Alfred
Spione ~ Spys

#498
Cohen, Tom: Hitchcock’s cryptonymies. Vol. 2: War machines. - Minneapolis: University of Minnesota Press 2005.
Reviews:
Gordon, Paul: [untitled] In: Comparative Literature 58. 2006. No. 2. [?D] pp. 183-185.
Morris, Christopher D.: [untitled] In: Film Criticism 30. 2005. No. 1. [Fall] pp. 72-78.
Valentis, Mary: [untitled.] In: Scope [Nottingham] 2007. No. 7. [?D] pp. ?P.
Index:
Hitchcock, Alfred
Krieg ~ War

#499
Cohen, Tom: Zarathustran bird wars: Hitchcock’s "Nietzsche" and the teletechnic loop. In: Discourse 31. 2009. No. 1/2. [?D] pp. 140-160.
Index:
Hitchcock, Alfred
Nietzsche, Friedrich
Birds, The (1962)
Technik ~ Technology
Krieg ~ War

#500
Coleman, J.: False trail. In: New Statesman 106. 1983. No. ?N. [August 5] pp. 29-30.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#501
Coleman, J.: Past presents. In: New Statesman 106. 1983. No. ?N. [December 2] p. 30.
Index:
Hitchcock, Alfred
Rear Window (1954)

#502
Coleman, J.: Soap flakes. In: New Statesman 107. 1984. No. ?N. [March 16] pp. 28-29.
Index:
Hitchcock, Alfred
Vertigo (1958)

#503
Collura, Joe: First of Hitchcock’s hidden treasures: Rear Window. In: Classic Images 1984. No. 105. [March] p. 45.
Index:
Hitchcock, Alfred
Rear Window (1954)

#504
Columpar, Corinn: Marnie: A site / sight for the convergence of gazes. In: Hitchcock Annual 1999/2000. pp. 51-73.
Description:
Especially on the representation of the woman in the Hitchcock movie.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Frauen ~ Women

#505
Combs, Richard: Heroine habit. In: Listener 122. 1989. No. 3131. [September 14] pp. 10-11.
Description:
On the women characters in Hitchcock’s films.
Index:
Hitchcock, Alfred
Frauen ~ Women

#506
Combs, Richard: Hitch in 3D. In: Sight and Sound 50. 1981. No. 2. [Spring] p. 82.
Description:
Especially on Dial M for Murder.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)
3-D Films

#507
Combs, Richard: Mountain masks. In: Listener 115. 1986. No. 2941. [January 2] p. 28.
Description:
On Alfred Hitchcock’s North by Northwest.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Berge ~ Mountains

#508
Combs, Richard: Murder II: Hitchcock’s German double. In: Sight and Sound 59. 1990. No. 4. [Autumn] pp. 220-221.
Description:
On the film Mary, the lost German version of Hitchcock’s Murder.
Index:
Hitchcock, Alfred
Mary Murder (1930)
Murder (1930)
Deutschland ~ Germany

#509
Combs, Richard: Perché Hitchcock? In: Sight and Sound 49. 1980. No. 3. [Summer] p. 142.
Description:
On a 1980 conference over Alfred Hitchcock held in Rome.
Index:
Hitchcock, Alfred
Rom ~ Rome

#510
A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - New York: Wiley 2014. (= Wiley-Blackwell companions to film directors.)
First edition:
[2011]
Index:
Hitchcock, Alfred

#511
A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.)
Index:
Hitchcock, Alfred

#512
Company, Juan Miguel / Sanchez Biosca, Vicente: La imposible mirada. In: Contracampo 1985. No. 38. [Winter] pp. 46-54.
Description:
On Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)

#513
Comuzio, Ermanno: Quella musica da vertigine. In: Cineforum 37. 1997. No. ?N(365). [June] pp. 7-9.
Index:
Hitchcock, Alfred
Vertigo (1958)
Musik ~ Music

#514
Con la censura en los vagones. In: Casablanca ?G. 1981. No. 7/8. [July/August] pp. 95-96.
Description:
Excerpts from the script of Alfred Hitchcock’s North by Northwest including some passages which were censored in the firt Spanish cinema version of the film.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Zensur ~ Censorship
Spanien ~ Spain

#515
Condon, Paul / Sangster, Jim: The complete Hitchcock. - London: Virgin 1999.
Reviews:
L. F.: [untitled] In: Sight and Sound NS 9. 1999. No. 8. [August] p. 33.
Index:
Hitchcock, Alfred

#516
Conforti, Angelo: Ancora sulla soggettività nel cinema. In: Cineforum 28. 1988. No. 2(272). [March] pp. 53-58.
Description:
On Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Birds, The (1962)

#517
Conforti, Angelo: Sguardo e soggetto in Gli uccelli di Alfred Hitchcock. In: Cineforum 28. 1988. No. ?N(271). [January/February] pp. 45-49.
Index:
Hitchcock, Alfred
Birds, The (1962)

#518
La congiura degli hitchcockiani. A cura di Davide D’Alto, Roberto Lasagna e Saverio Zumbo. - Alessandria: Falsopiano 2004. (= Falsopiano light.)
Index:
Hitchcock, Alfred

#519
Connelly, Mark: The 39 Steps. - London: Tauris 2003. (= A British film guide.)
Index:
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)

#520
Conomos, John: The Vertigo of time. In: Senses of Cinema 2000. No. 6. [May] p. ?P.
Index:
Hitchcock, Alfred
Vertigo (1958)

#521
Conrad, Peter: The Hitchcock murders. - London: Faber and Faber 2000.
Reviews:
Matthews, Peter: [untitled] In: Sight and Sound NS 11. 2001. No. 2. [February] p. 29.
Monder, Eric: [untitled] In: Variety 384. 2001. No. 6. [September 24] p. 39.
van de Merwe, Piet: De films van Hitchcock vakkundig ontleed. In: Skrien 34. 2002/2003. No. 10. [December/January] p. 56.
Index:
Hitchcock, Alfred
Mord ~ Murder

#522
Conrad, Peter: The Hitchcock murders. - New York: Faber and Faber 2002.
First edition:
[2000]
Index:
Hitchcock, Alfred
Mord ~ Murder

#523
Contenti, Fulvio: Dial M for Murder (Il delitto perfetto) - 1954. In: Filmcritica ?G. 1981. No. 311. [January] p. 45.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#524
Cook, Page: North by Northwest. In: Films in Review 31. 1980. No. ?N. [December] pp. 615-616.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#525
Cooke, Lez: Hitchcock and the mechanics of cinematic suspense. In: Twentieth-century suspense: The thriller comes of age. Edited by Clive Bloom. - Basingstoke: Macmillan Press / New York: St. Martin’s Press 1990. pp. 189-202.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#526
Cooper, David: Bernard Herrmann’s Vertigo: A film score handbook. - Westport, Connecticut: Greenwood Press 2001.
Reviews:
Brown, Royal S.: [untitled] In: Cineaste 27. 2002. No. 3. [Summer] pp. 57-58.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Vertigo (1958)

#527
Cooper, David: Film form and musical form in Bernard Herrmann’s score to Vertigo. In: The Journal of Film Music 1. 2003. No. 2/3. [Fall/Winter] pp. 239-248.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Vertigo (1958)
Musik ~ Music

#528
Corber, Robert J.: "You wanna check my thumbprints?": Vertigo, the trope of invisibility and Cold War nationalism. In: Alfred Hitchcock: Centenary essays. Edited by Richard Allen and S. Ishii-Gonzales. - London: British Film Institute 1999. pp. 301-14.
Index:
Hitchcock, Alfred
Vertigo (1958)
Krieg ~ War

#529
Corber, Robert J.: Hitchcock’s Washington: Spectatorship, ideology, and the "homosexual menace" in Strangers on a Train. In: Hitchcock’s America. Edited by Jonathan Freedman and Richard Millington. - New York; Oxford: Oxford University Press 1999. pp. 99-121.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)
USA (United States of America) ~ USA (United States of America)
Politik ~ Politics
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Angst ~ Fear

#530
Corber, Robert J.: In the name of national security: Hitchcock, homophobia, and the political construction of gender in postwar America. - Durham, North Carolina; London: Duke University Press 1993. (= New Americanists.)
Reviews:
Mogg, Ken: [untitled] In: MacGuffin 1995. No. 17. [November] pp. 6-10.
Index:
Hitchcock, Alfred
Vertigo (1958)
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Krieg ~ War
USA (United States of America) ~ USA (United States of America)
Politik ~ Politics
Sexualität ~ Sexuality

#531
Corber, Robert J.: Reconstructing homosexuality: Hitchcock and the homoerotics of spectatorical pleasure. In: Discourse 13. 1991. No. 2. [Spring/Summer] pp. 50-82.
Index:
Hitchcock, Alfred
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Sexualität ~ Sexuality

#532
Corber, Robert J.: Resisting history: Rear Window and the limits of the postwar settlement. In: Boundary 2 19. 1992. No. 1. [Spring] pp. 121-148.
Index:
Hitchcock, Alfred
Rear Window (1954)
Geschichte ~ History

#533
Corber, Robert J.: Resisting history: Rear Window and the limits of the postwar settlement. In: National identities and post-Americanist narratives. Edited by Donald E. Pease. - Durham, North Carolina: Duke University Press 1994. pp. 121-148.
Index:
Hitchcock, Alfred
Vertigo (1958)
Geschichte ~ History
Krieg ~ War
USA (United States of America) ~ USA (United States of America)

#534
Corey, David: Fearful symmetries: The contest of authority in the Hitchcock narrative. - New York: New York University, Ph.D. 1980. [Abstract in: Dissertation Abstracts International A 41. 1980. No. 1. (July) p. 438A.]
Description:
Especially on Shadow of a Doubt, Notorius and Strangers on a Train.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)
Notorious (1946)
Strangers on a Train (1951)
Angst ~ Fear

#535
Corliss, Richard: The master who knew too much. In: Time 123. 1984. No. ?N. [March 26] pp. 77-78.
Index:
Hitchcock, Alfred
Rear Window (1954)
Vertigo (1958)

#536
Corliss, Richard: Your rent’s due, Jimmy. In: Time 135. 1990. No. ?N. [May 7] p. 91.
Index:
Hitchcock, Alfred
Rear Window (1954)

#537
Costa, Antonio: Cinema e arti visive: Lo spazio del museo. In: Bianco e Nero 62. 2001. No. 5. [September/October] pp. 4-17.
Description:
On museum exhibitions on films and film history, for example an exhibition on "Hitchcock and the visual arts".
Index:
Hitchcock, Alfred

#538
Costa, I. / Lannes-Lacroutz, M.: Le crime était presque parfait. In: Cinématographe 1982. No. 80. [July/August] pp. 59-61, 82.
Description:
On Alfred Hitchcock’s Dial M for Murder.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#539
Counts, Kyle B. / Rubin, Steve: The making of Alfred Hitchcock’s The Birds. In: Cinefantastique 10. 1980. No. 2 [?D] pp. 14-35.
Index:
Hitchcock, Alfred
Birds, The (1962)

#540
Counts, Kyle: Psycho II - The Return of Norman. In: Cinefantastique 12. 1982. No. 1. [February] p. 4.
Index:
Franklin, Richard
Hitchcock, Alfred
Psycho II (1982)
Psycho (1960)

#541
Crawford, Larry: Looking, film, painting: The trickster’s in site / in sight / insight / incite. In: Wide Angle 5. 1983. No. 3. [?D] pp. 64-69.
Description:
On Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Technik: Spezialeffekte ~ Technology: Special Effects
Kunst ~ Arts, The

#542
Crawford, Larry: Subsegmenting the filmic text: The Bakersfield car lot scene in Psycho. In: Enclitic 5/6. 1981/1982. No. 2/1. [Fall/Spring] pp. 35-43.
Index:
Hitchcock, Alfred
Psycho (1960)

#543
Crawford, Lawrence Allen: Economies and figurations of action and object in the text and discourse of narrative film. - ?O: University of Minnesota, Ph.D. 1983. [Abstract in: Dissertation Abstracts International A 44. 1983. No. 3. (September) p. 600A.]
Description:
Discusses, among others, Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Wirtschaft ~ Economy

#544
Creed, Barbara: Woman as death: Vertigo as source. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Hitchcock, Alfred
Vertigo (1958)
Tod ~ Death
Frauen ~ Women

#545
Creekmur, Corey K.: Session: Hitchcock and authorship. In: Quarterly Review Of Film Studies 10. 1985. No. 4. [Fall] pp. 363-364.
Index:
Hitchcock, Alfred

#546
Le crime était presque parfait. In: La Revue du Cinéma 1992. No. 483. [June] p. 49.
Description:
On Alfred Hitchcock’s Dial M for Murder.
Index:
Hitchcock, Alfred
Dial M for Murder (1954)

#547
Crime Time: Alfred-Hitchcock-Musiknacht in Bonn: Filmmusik-Klassiker von Psycho bis Vertigo und Filmkonzert Der Mieter. In: F.LM - Texte zum Film. Online edition, October 2008.
Index:
Hitchcock, Alfred
Polanski, Roman
Psycho (1960)
Vertigo (1958)
Locataire, Le / Tenant, The (1976)
Musik ~ Music
Kriminalität ~ Crime
Bonn ~ Bonn

#548
Crogan, Patrick: Between heads: Thoughts on the merry widow tune in Shadow of a Doubt. In: Senses of Cinema 2000. No. 6. [May] p. ?P.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)

#549
Cuenca, Mercè: Invisibilizing the male body: Exploring the incorporeality of masculinity in 1950s American culture. In: Embodying masculinities: Towards a history of the male body in US culture and literature. Edited by Josep M. Armengol. - New York; Frankfurt/Main: Lang 2013. (= Masculinity studies: Literary and cultural representations 3.) pp. 49-62.
Description:
Discusses, among others, the representation of the male body in Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
USA (United States of America) ~ USA (United States of America)
Männer ~ Men
Literatur ~ Literature
Körper ~ Bodies

#550
Culpepper, Joseph Daniel: Reception and adaptation: Magic tricks, mysteries, con games. - Toronto, Ontario: University of Toronto, Ph.D. 2014. [Abstract in: Dissertation Abstracts International A 77. 2014. No. 11. [?D].
Description:
Discusses, among others, the films of Alfred Hitchcock andPedro Almodóvar.
Index:
Hitchcock, Alfred
Almodóvar, Pedro
Technik: Spezialeffekte ~ Technology: Special Effects
Magie ~ Magic

#551
Curran, Angela: Shadow of a Doubt: Secrets, lies, and the search for the truth. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 17-31.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)
Philosophie ~ Philosophy

#552
Curtis, Scott: The last word: Images in Hitchcock’s working method. In: Casting a shadow: Creating the Alfred Hitchcock film. Edited by Will Schmenner and Corinne Granof. - Evanston, Illinois: Mary and Leigh Block Museum of Art / Northwestern University / Northwestern University Press 2007. p. ?P.
Index:
Hitchcock, Alfred

#553
Cvetkovich, Ann: Postmodern Vertigo: The sexual politics of allusion in DePalma’s Body Double. In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 147-162.
Index:
De Palma, Brian
Hitchcock, Alfred
Vertigo (1958)
Body Double (1984)
Postmoderne ~ Postmodern
Politik ~ Politics
Sexualität ~ Sexuality

#554
Czaplinski, Leslaw / Modrzejewska, E.: Alfred Hitchcock przedstawia. In: Iluzjon 1986. No. 2(22). [?D] pp. 24-29, 51-52.
Description:
On Hitchcock’s filmic style.
Index:
Hitchcock, Alfred

#555
Cziraky, Dan: Psycho: Universal plans to film a remake from the original shooting script. In: Cinefantastique 30. 1998. No. 5/6. [September] p. 5.
Index:
Van Sant, Gus
Hitchcock, Alfred
Psycho (1998)
Psycho (1960)
Universal [Firma] ~ Universal [Company]

#556
Daems, P.: Alfred Hitchcock: Dial V for video. In: Film en Televisie 1986. No. 355. [December] p. 49.
Index:
Hitchcock, Alfred
Psycho (1960)
Video ~ Video

#557
Dalby, Richard: Alfred Hitchcock: Books, magazines and tie-ins. In: Book and Magazine Collector 1999. No. 185. [?D] pp. 28-39.
Index:
Hitchcock, Alfred

#558
Eine Dame verschwindet. - Vogt: Peter Kranzpiller ?J. (= Filmprogramm der Kinoszene 64.)
Index:
Hitchcock, Alfred
Lady Vanishes, The (1938)

#559
Eine Dame verschwindet. - Stuttgart: Verlag Uwe Wiedleroither ?J. (= Filmprogram 40.)
Description:
On Alfred Hitchcock’s The Lady Vanishes.
Index:
Hitchcock, Alfred
Lady Vanishes, The (1938)

#560
Damisch, Hubert: L’ellipse figures de la plus-value. In: Cahiers du Cinéma 2004. No. 595. [November] pp. 72-74.
Description:
On narrative structures ion the films of Joseph Mankiewicz and Alfred Hitchcock.
Index:
Mankiewicz, Joseph L.
Hitchcock, Alfred

#561
Damm, Barbara: "Ich lese eine Geschichte nur einmal": Hitchcock oder die Kunst der Literaturadaption. In: Hitchcock und die Künste. Hrsg. von Henry Keazor. - Marburg: Schüren 2013. pp. 48 ff.
Index:
Hitchcock, Alfred
Literatur ~ Literature
Kunst ~ Arts, The

#562
Daniel-richard, Debra: The dance of suspense: Sound and silence in North by Northwest. In: Journal of Film and Video 62. 2010. No. 3. [Fall] pp. 53-60.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Tanz ~ Dance
Thriller ~ Thriller
Musik ~ Music

#563
Daniels, Bill: MCA, its appeal defeated, may seek Supreme Court decision on Window. In: Variety 335. 1989. No. ?N. [April 26] p. 12.
Index:
Hitchcock, Alfred
Rear Window (1954)

#564
Davis, J. Madison: Alfred Hitchcock, creator and creation: Fictionalizing the "master of suspense". In: World Literature Today 87. 2013. No. 1. [?D] pp. 9-11.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#565
Dayal, Geeta: Synths of the fathers. In: Sight and Sound NS 25. 2015. No. 8. [August] pp. 54-55.
Description:
On the score for Alfred Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Birds, The (1962)
Vater ~ Fathers

#566
de Baecque, Antoine / Delorme, Stéphane: My own private Psycho. In: Cahiers du Cinéma 1999. No. 532. [February] pp. 47-49.
Description:
On the Psycho movies by Alfred Hitchcock and Gus Van Sant.
Index:
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)
Psycho (1998)

#567
de Baecque, Antoine: Hitchcock, ou comment fut écrit le plus célèbre livre de cinéma. In: Vertigo 1998. No. 17. [March] pp. 139-148.
Description:
On François Truffaut’s book "Le cinéma selon Hitchcock".
Index:
Truffaut, François
Hitchcock, Alfred

#568
de Costa, JoÆo Bénard / Duarte, Fernando: Os filmes ingleses e americanos de Alfred Hitchcock. In: Celulóide 1980. No. 296/97. [August] pp. 1-2.
Index:
Hitchcock, Alfred
USA (United States of America) ~ USA (United States of America)
Großbritannien ~ Great Britain

#569
de Kock, Ivo: De eerste geluidsfilms van Hitch. In: Film en Televisie 1999. No. 489. [February] pp. 26-27.
Description:
On Alfred Hitchcock’s early sound films, especially on Murder.
Index:
Hitchcock, Alfred
Murder (1930)
Musik ~ Music

#570
de Kock, Ivo: De Hitchcock touch: Blackmail. In: Film en Televisie 1997. No. 470. [March] pp. 34-35.
Index:
Hitchcock, Alfred
Blackmail (1929)

#571
de Kock, Ivo: Early Hitchcock: The twenties. In: Film en Televisie 1999. No. 488. [January] pp. 30-31.
Description:
On Alfrfed Hitchcock’s silent films, especially The Manxman.
Index:
Hitchcock, Alfred
Manxman, The (1929)
Stummfilm ~ Silent Film

#572
de Kock, Ivo: Hitchcock in het museum. In: Film en Televisie 2001. No. 514. [September] p. 36.
Description:
On an Hitchcock exhibition located at the Paris "Centre Pompidou".
Index:
Hitchcock, Alfred
Paris ~ Paris

#573
de Kock, Ivo: Marnie. In: Film en Televisie 2000. No. 500. [March] pp. 54-55.
Index:
Hitchcock, Alfred
Marnie (1963/1964)

#574
de Kock, Ivo: North by Northwest. In: Film en Televisie 1998. No. 487. [December] pp. 32-33.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#575
de Kock, Ivo: Notorious. In: Film en Televisie 1999. No. 495. [October] pp. 42-43.
Index:
Hitchcock, Alfred
Notorious (1946)

#576
de Kock, Ivo: Notorious: Hitchcock-tentoonstelling en retro in Hasseltse begijnhof. In: Film en Televisie 2001. No. 517. [December] p. 32.
Description:
On a Hitchcock exhibition and a retrospective.
Index:
Hitchcock, Alfred
Notorious (1946)

#577
de Kock, Ivo: Psycho. In: Film en Televisie 1999. No. 490. [March] pp. 16-19.
Description:
On the Hitchcock classic and Gus Van Sant’s remake.
Index:
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)
Psycho (1998)

#578
de Kock, Ivo: Rear Window. In: Film en Televisie 1999. No. 491. [April] pp. 40-41.
Index:
Hitchcock, Alfred
Rear Window (1954)

#579
de Kock, Ivo: The Birds. In: Film en Televisie 2000. No. 499. [February] pp. 38-39.
Index:
Hitchcock, Alfred
Birds, The (1962)

#580
de Kock, Ivo: The Hitchcock collection. In: Film en Televisie 2002. No. 518. [January] pp. 40-41.
Description:
On a DVD edition wikth Alfred Hitchcock’s Universal films.
Index:
Hitchcock, Alfred
Universal [Firma] ~ Universal [Company]
DVD ~ DVD

#581
de Kock, Ivo: The Man Who Knew too Much. In: Film en Televisie 1999. No. 496. [November] pp. 36-37.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)

#582
de Kock, Ivo: The Man Who Knew Too Much. In: Film en Televisie 1997. No. 476. [November] pp. 38-39.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1934)

#583
de Kock, Ivo: Vertigo. In: Film en Televisie 1997. No. 474. [September] pp. 53-55.
Index:
Hitchcock, Alfred
Vertigo (1958)

#584
de Kuyper, E.: Hitchcock; of, hie men seen boog spant. In: Skrien 1981. No. 108/109. [Summer] pp. 74-79.
Description:
On the narrative structure in Hitchcock’s films.
Index:
Hitchcock, Alfred

#585
de Kuyper, E.: Rear Window. In: Skrien 1981. No. 110. [September] p. 11.
Index:
Hitchcock, Alfred
Rear Window (1954)

#586
de Kuyper, E.: The Man Who Knew Too Much. In: Skrien 1981. No. 111. [October] p. 43.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1934)
Man Who Knew Too Much, The (1956)

#587
de las Carreras-Kuntz, María Elena: The Catholic vision in Hollywood: Ford, Capra, Borzage and Hitchcock. In: Film History 14. 2002. No. 2. pp. 121-135.
Index:
Ford, John
Capra, Frank
Borzage, Frank
Hitchcock, Alfred
Religion ~ Religion
Hollywood ~ Hollywood

#588
de Laurentis, Theresa: Ödipus interruptus. In: Frauen und Film 1990. No. 48. [March] pp. 5-29.
Description:
Psychoanalytic examination on the relationship between men and women im film. Discusses, among others, Alfred Hitchcock’s Rebecca and Vertigo.
Index:
Hitchcock, Alfred
Rebecca (1940)
Vertigo (1958)
Psychologie ~ Psychology
Frauen ~ Women
Männer ~ Men

#589
de Mare, H.: Visuele wederkerigheid: De balans van vrouwelijke en mannelijke personages in Rebecca. In: Versus [NL] 1991. No. 3. [?D] pp. 90-121.
Index:
Hitchcock, Alfred
Rebecca (1940)

#590
De Belie, Daniel: Les etonnants secrets du tournage des Oiseaux, le celebre film d’Alfred Hitchcock! In: Cine-Tele-Revue 65. 1985. No. ?N. [March 21] pp. 52-53.
Index:
Hitchcock, Alfred
Birds, The (1962)

#591
De Dalí a Hitchcock: Los caminos en el cine: Actas del 5. congreso de la Asociación Española de Historiadores del Cine. - La Coruña: Centro Galego de Artes da Imaxe 1995. (= Dufusión: Serie Ensaios 7.)
Index:
Dalí, Salvador
Hitchcock, Alfred

#592
De Fornari, Oreste: Gli uccelli. In: Cabiria ?G. 2000. No. 8. [October] pp. 20-21.
Description:
On Alfred Hitchcock’s The Birds.
Index:
Hitchcock, Alfred
Birds, The (1962)

#593
De Kock, Ivo: The signature collection: Het eeuwige leven van Alfred Hitchcock. In: Film en Televisie 2005. No. 550. [March] p. 45.
Description:
On a DVD edition of Hitchcock’s films.
Index:
Hitchcock, Alfred
DVD ~ DVD

#594
De Plano, Daniele: Le funzioni della musica in Psycho. In: CineCritica 1. 1996. No. 4. [?D] pp. 69-77.
Index:
Hitchcock, Alfred
Psycho (1960)
Musik ~ Music

#595
De Voghelaer-Martinet, Nathalie: Obsession. In: Cinémaction 2005. No. 114. [January] pp. 167-171.
Description:
Compares the films of Brian De Palma with those of Alfred Hitchcock.
Index:
De Palma, Brian
Hitchcock, Alfred

#596
Deavel, Catherine Jack / Deavel, David Paul: Knowing when to be afraid: Rationality and suspense. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 239-252.
Index:
Hitchcock, Alfred
Suspicion (1941)
Birds, The (1962)
Spellbound (1945)
Wrong Man, The (1957)
Thriller ~ Thriller
Philosophie ~ Philosophy

#597
Decaux, Emmanuel [et al.]: Dossier: Alfred Hitchcock. In: Cinématographe 1984. No. 98. [March] pp. 1-22.
Index:
Hitchcock, Alfred

#598
Decobert, Lydie: L’escalier dans le cinéma d’Alfred Hitchcock: Une dynamique de l’effroi. - Paris: Harmattan 2008. (= Champs visuels.)
Index:
Hitchcock, Alfred

#599
Decobert, Lydie: La corde musicale d’Alfred Hitchcock. - Paris: L’Harmattan 2015. (= Coll. Cinéma(s).)
Index:
Hitchcock, Alfred
Musik ~ Music

#600
Deflem, Mathieu: Alfred Hitchcock’s visions of guilt and innocence. In: Framing law and crime: An interdisciplinary anthology. Edited by Caroline Joan "Kay" S. Picart, Michael Hviid Jacobsen and Cecil Greek. - Madison, Wisconsin: Fairleigh Dickinson University Press / Lanham, Maryland: Rowman & Littlefield Publishing 2016. (= Fairleigh Dickinson University Press Law, Culture, and the Humanities.) p. ?P.
Index:
Hitchcock, Alfred
Kriminalität ~ Crime
Justiz ~ Justice

#601
del Toro, Guillermo: Hitchcock. - Pozuelo de Alarcón; Madrid: Espasa 2009. (= Espasa fórum.)
Index:
Hitchcock, Alfred
del Toro, Guillermo

#602
del Toro, Guillermo: Lessons in darkness. In: Sight and Sound NS 22. 2012. No. 8. [August] pp. 38-42.
Description:
The director pays tribute to "the genius of Alfred Hitchcock".
Index:
Hitchcock, Alfred
del Toro, Guillermo

#603
Del Buono, Oreste: Alfred e Agatha. In: Segnocinema 2. 1982. No. 3. [March] pp. 12-15.
Description:
On the techniques of creating suspense in Alfred Hitchcock and Agatha Christie.
Index:
Hitchcock, Alfred
Christie, Agatha
Thriller ~ Thriller

#604
Del Ministro, Maurizio: Alfred Hitchcock: La donna che visse due volte. - Torino: Lindau 2004.
Reviews:
Comuzio, Ermanno: [untitled] In: Cineforum 45. 2005. No. ?N(441). [January/February] pp. 95-96.
Description:
On Alfred Hitchcock’s Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)

#605
Del Pozzo, Diego: Quando la citta dorme: Figure del "noir" anni ’50. In: Quaderni di Cinema 2. 1998. No. 60/61. [October-March] pp. 53-60.
Description:
Discusses, among others, Alfred Hitchcock’s Psycho.
Index:
Hitchcock, Alfred
Psycho (1960)
Film Noir ~ Film Noir

#606
Deleyto, Celestino: Focalisation in Alfred Hitchcock’s The Birds. In: Miscelanea 1994. No. 15. [?D] pp. 155-191.
Index:
Hitchcock, Alfred
Birds, The (1962)

#607
Dellolio, Peter: Hitchcock and Kafka: Expressionist themes in Strangers on a Train. In: North Dakota Quarterly 70. 2003. No. 2. [?D] pp. 83-101.
Index:
Hitchcock, Alfred
Kafka, Franz
Strangers on a Train (1951)
Expressionismus ~ Expressionism

#608
Dellolio, Peter J.: Expressionist themes in Strangers on a Train. In: Literature/Film Quarterly 31. 2003. No. 4. [October] pp. 260-269.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)
Expressionismus ~ Expressionism

#609
Dellolio, Peter J.: Filmic space and real time in Rope. In: The Midwest Quarterly 50. 2008. No. 1. [?D] pp. 87-101.
Index:
Hitchcock, Alfred
Rope, The (1948)

#610
Dellolio, Peter J.: Hitchcock and Kafka: Expressionist themes in Strangers on a Train. In: The Midwest Quarterly 45. 2004. No. 3. [Spring] pp. 240-255.
Index:
Hitchcock, Alfred
Kafka, Franz
Strangers on a Train (1951)
Expressionismus ~ Expressionism

#611
Dellolio, Peter J.: Parallelism and prognostication: Figures of style in Strangers on a Train. In: Kinema 2006. No. 26. [?D] pp. 68-73.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)

#612
Delorme, Stéphane / Krohn, Bill: Le musée secret de monsieur Hitchcock. In: Cahiers du Cinéma 2001. No. 559. [July/August] pp. 66-75.
Description:
On Hitchcock’s private art collection, the meaning of arts for his films and the exhibition"Hitchcock et l’art" at the Paris "Centre Pompidou".
Index:
Hitchcock, Alfred
Paris ~ Paris
Kunst ~ Arts, The

#613
Delpeut, Peter: Rear Window. In: Skrien 1981. No. 110. [September] p. 19.
Index:
Hitchcock, Alfred
Rear Window (1954)

#614
Denby, David: Dream lover. In: New York Magazine 17. 1984. No. ?N. [January 9] pp. 61-62.
Index:
Hitchcock, Alfred
Vertigo (1958)
Traum ~ Dreams

#615
Denby, David: Through a glass darkly. In: New York Magazine 16. 1983. No. ?N. [October 17] pp. 98 ff.
Index:
Hitchcock, Alfred
Rear Window (1954)

#616
Derendinger, Franz: Odyssee ins Herz der Finsternis. In: Zoom 49. 1997. No. 3. [?D] pp. 14-19.
Description:
Compares the filmes of David Lynch with the filmic structures in Hitchcock. Includes a filmography.
Index:
Lynch, David
Hitchcock, Alfred

#617
DeRosa, Steven L.: A very different "slice of cake": Restoring Alfred Hitchcock’s Vertigo. In: MacGuffin 1997. No. 21. [February] pp. 6-7.
Index:
Hitchcock, Alfred
Vertigo (1958)

#618
DeRosa, Steven L. / Lee, Sander / Rasmussen, Jason / Ruedel, Ulrich: Vertigo. In: MacGuffin 1997. No. 22. [May-August] pp. 3-4.
Index:
Hitchcock, Alfred
Vertigo (1958)

#619
DeRosa, Steven: Writing with Hitchcock: The collaboration of Alfred Hitchcock and John Michael Hayes. - New York; London: Faber & Faber 2001.
Reviews:
Burnett, Allison: The scribe who knew too much. In: Variety 383. 2001. No. 3. [June 4.] p. 26.
Index:
Hitchcock, Alfred
Hayes, John Michael

#620
Derry, Charles: Dark dreams 2.0: A psychological history of the modern horror film from the 1950s to the 21st century. Foreword by John Russell Taylor. - Jefferson, North Carolina: McFarland & Company 2009.
First edition:
[New York: A. S. Barnes and Company 1977.]
Description:
Discusses especially the representation of madness, demons and of the apocalypse in film with emphasis on movies by Alfred Hitchcock, Brian De Palma, David Cronenberg, Guillermo del Toro, Michael Haneke and Roman Polanski. Includes, in addition, chapters on the apocalypse and on the Asian millennial horror film.
Index:
Hitchcock, Alfred
De Palma, Brian
Cronenberg, David
del Toro, Guillermo
Haneke, Michael
Polanski, Roman
Asien ~ Asia
Wahnsinn ~ Madness
Traum ~ Dreams
Psychologie ~ Psychology
Horror ~ Horror
Dämonen ~ Demons
Religion: Apokalypse ~ Religion: Apocalypse

#621
Deschamps, Youri: Meraviglia et complexe de corvick. In: Eclipses 2002. No. 34. [?D] pp. 4-9.
Description:
Compares the filmic techniques in David Lynch and Alfred Hitchcock.
Index:
Lynch, David
Hitchcock, Alfred

#622
Deschamps, Youri: Psycho-génie: Chronique d’une séance de cinéma peu ordinaire. In: Positif 2000. No. 470. [April] pp. 91-92.
Description:
Compares the two Psycho movies by Alfred Hitchcock and Gus Van Sant.
Index:
Hitchcock, Alfred
Van Sant, Gus
Psycho (1960)
Psycho (1998)

#623
DeSilva, Deborah Jay / Gustainis, J. Justin: Archetypes as propaganda in Alfred Hitchcock’s "lost" World War II films. In: Film & History 27. 1997. No. 1-4. [?D] pp. 80-87.
Description:
On Hitchcock’s work for the allied War propaganda, discusses his short films Bon Voyage and Aventure Malgache.
Index:
Hitchcock, Alfred
Bon Voyage (1944)
Aventure Malgache (1944)
Politik ~ Politics
Krieg ~ War

#624
Desowitz, Bill: Strangers on which train? In: Film Comment 28. 1992. No. 3. [May/June] pp. 4-5.
Description:
On the differences between the US and the British video version of Alfred Hitchcock’s Strangers on a Train.
Index:
Hitchcock, Alfred
Strangers on a Train (1951)
Eisenbahn ~ Railroad
Video ~ Video
Großbritannien ~ Great Britain
USA (United States of America) ~ USA (United States of America)

#625
Dettmering, Peter: Alfred Hitchcock: The 39 Steps. In: Dettmering, Peter: Sechzig Jahre Filmesehen: Eine Hommage. - Eschborn bei Frankfurt/Main.: Klotz 2007. p. ?P.
Index:
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)

#626
Dettmering, Peter: Alfred Hitchcock: The Birds. In: Dettmering, Peter: Sechzig Jahre Filmesehen: Eine Hommage. - Eschborn bei Frankfurt/Main.: Klotz 2007. p. ?P.
Index:
Hitchcock, Alfred
Birds, The (1962)

#627
Dettmering, Peter: Literatur- und Filmanalyse. - Würzburg: Königshausen & Neumann 2012.
Description:
Includes, among others, chapters on Jean Renoir, Alfred Hitchcock, Satyajit Ray, Robert Bresson, Fritz Lang’s The Woman in the Window and on the films of Ethan and Joel Coen.
Index:
Renoir, Jean
Hitchcock, Alfred
Ray, Satyajit
Bresson, Robert
Lang, Fritz
Coen, Ethan
Coen, Joel
Woman in the Window, The (1944)
Literatur ~ Literature

#628
Deutelbaum, Marshall: Finding the right man in The Wrong Man. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Wrong Man, The (1957)

#629
Deutelbaum, Marshall: Logical dream / illogical space: Set design as narration in a key sequence in Vertigo. In: Hitchcock Annual 2002/2003. pp. 204-212.
Index:
Hitchcock, Alfred
Vertigo (1958)
Traum ~ Dreams

#630
Deutelbaum, Marshall: Seeing in Saboteur. In: Literature/Film Quarterly 12. 1984. No. 1. [January] pp. 58-64.
Index:
Hitchcock, Alfred
Saboteur (1942)

#631
Devas, Angela: How to be a hero: Space, place and masculinity in The 39 Steps. In: Journal of Gender Studies 14. 2005. No. 1. [March] pp. 45-54.
Index:
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)
Männer ~ Men
Helden ~ Heros

#632
Devereaux, M.: In defense of talking film. In: Persistence of Vision 1987. No. 5. [Spring] pp. 17-27.
Description:
Compares Alfred Hitchcock’s Notorious with Howard Hawks’s His Girl Friday.
Index:
Hitchcock, Alfred
Hawks, Howard
Notorious (1946)
His Girl Friday (1940)

#633
Devilliers, H.: Hitchcock: I confess. In: Cinématographe 1984. No. 98. [March] pp. 18-19.
Description:
On François Truffaut’s interpretation of Alfred Hitchcock’s work.
Index:
Hitchcock, Alfred
Truffaut, François

#634
di Claudio, Gianni: Il cinema North by Northwest: Poliziesco, noir, gangster film, spy story, thriller. - Chieti: Libereria Universitaria Ed. 2002.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Thriller ~ Thriller
Kriminalität ~ Crime
Film Noir ~ Film Noir

#635
Dialogue on film: Alfred Hitchcock. In: Alfred Hitchcock: Interviews. Edited by Sidney Gottlieb. - Jackson, Mississippi: University Press of Mississippi 2003. (= Conversations with filmmakers.) pp. 84 ff.
Index:
Hitchcock, Alfred

#636
Dick, Bernard F.: Ambiguous origins in Star Wars Episode I: The Phantom Menace. In: Dick, Bernard F.: The screen is red: Hollywood, communism, and the Cold War. - Jackson, Mississippi: University Press of Mississippi 2016. p. ?P.
Index:
Hitchcock, Alfred
Lucas, George
Star Wars Episode I - The Phantom Menace (1999)
Krieg ~ War
Kommunismus ~ Communism
Hollywood ~ Hollywood

#637
Dick, Bernard F.: Back to the Future as Baudrillardian parable. In: Dick, Bernard F.: The screen is red: Hollywood, communism, and the Cold War. - Jackson, Mississippi: University Press of Mississippi 2016. p. ?P.
Index:
Hitchcock, Alfred
Zemeckis, Robert
Baudrillard, Jean
Back to the Future (Filmreihe)
Politik ~ Politics
Krieg ~ War
Kommunismus ~ Communism
Hollywood ~ Hollywood

#638
Dick, Bernard F.: Baudrillard, The Matrix, and the "real 1999". In: Dick, Bernard F.: The screen is red: Hollywood, communism, and the Cold War. - Jackson, Mississippi: University Press of Mississippi 2016. p. ?P.
Index:
Hitchcock, Alfred
Wachowski, Andy
Wachowski, Larry
Baudrillard, Jean
Matrix, The (Filmreihe)
Politik ~ Politics
Krieg ~ War
Kommunismus ~ Communism
Hollywood ~ Hollywood

#639
Dick, Bernard F.: Hitchcock’s terrible mothers. In: Literature/Film Quarterly 28. 2000. No. 4. [October] pp. 238-249.
Description:
On the mother figure in Hitchcocks films, especially in Psycho, The Birds and Marnie.
Index:
Hitchcock, Alfred
Psycho (1960)
Birds, The (1962)
Marnie (1963/1964)
Mutter ~ Mothers

#640
Dick, Bernard F.: Looking for the real: Schindler’s List, Saving Private Ryan, and Titanic. In: Dick, Bernard F.: The screen is red: Hollywood, communism, and the Cold War. - Jackson, Mississippi: University Press of Mississippi 2016. p. ?P.
Index:
Hitchcock, Alfred
Spielberg, Steven
Cameron, James
Schindler’s List (1993)
Saving Private Ryan (1998)
Titanic (1997)
Politik ~ Politics
Krieg ~ War
Kommunismus ~ Communism
Hollywood ~ Hollywood

#641
Dick, Bernard F.: Reality / television: The Truman Show. In: Dick, Bernard F.: The screen is red: Hollywood, communism, and the Cold War. - Jackson, Mississippi: University Press of Mississippi 2016. p. ?P.
Index:
Hitchcock, Alfred
Weir, Peter
Truman Show, The (1998)
Krieg ~ War
Kommunismus ~ Communism
Hollywood ~ Hollywood
Fernsehen ~ Television

#642
Dick, Bernard F.: Recombinant reality in Jurassic Park. In: Dick, Bernard F.: The screen is red: Hollywood, communism, and the Cold War. - Jackson, Mississippi: University Press of Mississippi 2016. p. ?P.
Index:
Hitchcock, Alfred
Spielberg, Steven
Jurassic Park (1993)
Krieg ~ War
Kommunismus ~ Communism
Hollywood ~ Hollywood

#643
Dick, Bernard F.: Tarantino’s Pulp Fiction and Baudrillard’s perfect crime. In: Dick, Bernard F.: The screen is red: Hollywood, communism, and the Cold War. - Jackson, Mississippi: University Press of Mississippi 2016. p. ?P.
Index:
Hitchcock, Alfred
Tarantino, Quentin
Baudrillard, Jean
Pulp Fiction (1994)
Kriminalität ~ Crime
Krieg ~ War
Kommunismus ~ Communism
Hollywood ~ Hollywood

#644
Dick, Bernard F.: The Brad versus Tyler in Fight Club. In: Dick, Bernard F.: The screen is red: Hollywood, communism, and the Cold War. - Jackson, Mississippi: University Press of Mississippi 2016. p. ?P.
Index:
Hitchcock, Alfred
Fincher, David
Pitt, Brad
Fight Club (1999)
Krieg ~ War
Kommunismus ~ Communism
Hollywood ~ Hollywood

#645
Dick, Bernard F.: The hyperrealization of Arnold Schwarzenegger. In: Dick, Bernard F.: The screen is red: Hollywood, communism, and the Cold War. - Jackson, Mississippi: University Press of Mississippi 2016. p. ?P.
Index:
Hitchcock, Alfred
Schwarzenegger, Arnold
Krieg ~ War
Kommunismus ~ Communism
Hollywood ~ Hollywood

#646
Dick, Bernard F.: The screen is red: Hollywood, communism, and the Cold War. - Jackson, Mississippi: University Press of Mississippi 2016.
Description:
Discusses, among others, the representation of the East-West conflict in the horror, science fiction and thriller genre, especially in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Baudrillard, Jean
Thriller ~ Thriller
Science Fiction ~ Science Fiction
Politik ~ Politics
Krieg ~ War
Kommunismus ~ Communism
Horror ~ Horror
Hollywood ~ Hollywood

#647
Diehl, Heath A.: Reading Hitchcock / reading queer: Adaptation, narrativity, and a queer mode of address in Rope, Strangers on a Train, and Psycho. In: Clues 31. 2013. No. 1. [?D] pp. 33-42.
Index:
Hitchcock, Alfred
Rope, The (1948)
Strangers on a Train (1951)
Psycho (1960)

#648
Diehl, Heath A.: Reading Hitchcock / reading queer: Adaptation, narrativity, and a queer mode of address in Rope, Strangers on a Train, and Psycho. In: Hitchcock and adaptation: On the page and screen. Edited by Mark Osteen. - Lanham, Maryland: Rowman & Littlefield 2014. p. ?P.
Index:
Hitchcock, Alfred
Rope, The (1948)
Strangers on a Train (1951)
Psycho (1960)

#649
Digou, Mike: Hitchcock’s McGuffin in the works of David Mamet. In: Literature/Film Quarterly 31. 2003. No. 4. [October] pp. 270-275.
Description:
Compares the techniques of filmic narration in both directers, with special emphasis on Hitchcock’s North by Northwest.
Index:
Hitchcock, Alfred
Mamet, David
North by Northwest (1959)

#650
Dima, Vlad: A fantasy of one’s own: Rooms in Hitchcock’s Vertigo and Baudelaire’s prose texts. In: Mosaic 45. 2012. No. 4. [?D] pp. 69-84.
Index:
Hitchcock, Alfred
Baudelaire, Charles
Vertigo (1958)
Fantasy ~ Fantasy

#651
Directors on Hitchcock. In: Sight and Sound NS 9. 1999. No. 8. [August] Supplement pp. 20-36.
Description:
Various directors on the importance of Alfred Hitchcock for their own work.
Index:
Hitchcock, Alfred

#652
Diski, Jenny: The ticking clock. In: Sight and Sound NS 1. 1991. No. 4. [August] p. 35.
Description:
The writer on Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Diski, Jenny
Rear Window (1954)

#653
Dissolving views: Key writings in British cinema. Edited by Andrew Higson. - London: Cassell 1996.
Description:
Discusses, among others, the work of Alfred Hitchcock, Derek Jarman and the William Shakespeare adaptions.
Index:
Hitchcock, Alfred
Jarman, Derek
Shakespeare, William
Großbritannien ~ Great Britain

#654
Dittgen, Andrea: Hitchcock ist immer dabei. In: Film-Dienst 62. 2009. No. 6. [March 12] p. 46.
Description:
On Johan Grimonprez’s Double Take.
Index:
Grimonprez, Johan
Hitchcock, Alfred
Double Take (2009)

#655
Dixon, Bryony: The Hitchcock nine. In: Sight and Sound NS 22. 2012. No. 8. [August] pp. 43-45.
Description:
On Alfred Hitchcock’s British silent movies.
Index:
Hitchcock, Alfred
Stummfilm ~ Silent Film
Großbritannien ~ Great Britain

#656
Doane, Mary Ann: Caught and Rebecca: The inscription of femininity as absence. In: Enclitic 5/6. 1981/1982. No. 2/1. [Fall/Spring] pp. 75-89.
Index:
Ophüls, Max
Hitchcock, Alfred
Caught (1949)
Rebecca (1940)
Frauen ~ Women

#657
Doane, Mary Ann: Caught and Rebecca: The inscription of femininity as absence. In: Feminist film theory: A reader. Edited by Sue Thornham. - New York: New York University Press 1999. pp. 70-82.
Index:
Ophüls, Max
Hitchcock, Alfred
Caught (1949)
Rebecca (1940)
Frauen ~ Women

#658
Doane, Mary Ann: Donne fatali: Cinema, femminismo, psicoanalisi. Introduzione di Sandra Filippini. Trad. di Gloria Beltrani. - Parma: Pratiche 1995.
Description:
Discusses, among others, Hitchcock’s Blackmail and the representation of women in the American avant-garde film.
Index:
Hitchcock, Alfred
Blackmail (1929)
USA (United States of America) ~ USA (United States of America)
Psychologie ~ Psychology
Frauen ~ Women
Experimentalfilme ~ Experimental Films

#659
Doane, Mary Ann: Femmes fatales: Feminism, film theory, psychoanalysis. - New York; London: Routledge 1991.
Reviews:
Dixon, Wheeler Winston: [untitled] In: Prairie Schooner 67. 1993. No. 2. [?D] pp. 151-154.
Flinn, Caryl: [untitled] In: Signs 19. 1994. No. 3. [?D] pp. 786-791.
Higashi, Sumiko: [untitled] in In: Film Quarterly 45. 1992. No. 4. [?D] pp. 35-36.
Jablow, Valerie: [untitled] In: Belles Lettres 8. 1992. No. 1. [?D] p. 49.
Page, Barbara: [untitled] In: College English 54. 1992. No. 8. [?D] pp. 945-948.
Petro, Patrice: Lest we forget. In: Sight and Sound NS 2. 1992. No. 3. [July] pp. 36-37.
Reijnders, Gusta: [untitled] In: Skrien 1993/1994. No. 193. [December/January] p. 97.
Sorlin, Pierre: [untitled] In: Historical Journal of Film, Radio and Television 12. 1992. No. 2. [June] p. 186.
van Zoonen, Liesbet: Gender and film. In: Journal of Communication 42. 1992. No. 4. [Autumn] pp. 180-185.
Description:
Discusses, among others, Hitchcock’s Blackmail and the representation of women in the American avant-garde film.
Index:
Hitchcock, Alfred
Blackmail (1929)
USA (United States of America) ~ USA (United States of America)
Psychologie ~ Psychology
Frauen ~ Women
Experimentalfilme ~ Experimental Films

#660
Dobrincic, Vjeko: Alfred Hitchcock. - Zagreb: Stvarnost 1964.
Index:
Hitchcock, Alfred

#661
Doherty, Jim: North by Northwest. In: Cinemascore ?G. 1987. No. 15. [Summer] p. 154.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#662
Doherty, Jim: Vertigo. In: Soundtrack: The Collector’s Quarterly 15. 1996. No. 59. [September] p. 22.
Description:
On the film score by Bernard Herrmann.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Vertigo (1958)
Musik ~ Music

#663
Doherty, Thomas: We are all Hitchcock’s children. In: The Chronicle of Higher Education 45. 1999. No. 48. [August 6] p. B6pp.
Description:
On Hitchcock’s influence on contemporary filmmakers.
Index:
Hitchcock, Alfred

#664
Dolar, Mladen: A father who is not quite dead. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 143-150.
Description:
On the motif of the "observed observer" in the films of Alfred Hitchcock, especially in Suspicion and Rear Window.
Index:
Hitchcock, Alfred
Suspicion (1941)
Rear Window (1954)
Vater ~ Fathers

#665
Dolar, Mladen: Der Zuschauer, der zuviel wußte. In: Ein Triumph des Blicks über das Auge: Psychoanalyse bei Alfred Hitchcock. Von Miran Bozovic [et al.]. Hrsg. von Slavoj Zizek. Übersetzt von Isolde Charim [et al.]. - Wien: Turia & Kant 1992. pp. 131-138.
Description:
On the suspense in the films of Alfrfed Hitchcock.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#666
Dolar, Mladen: Ein Vater, der nicht ganz tot ist: In: Ein Triumph des Blicks über das Auge: Psychoanalyse bei Alfred Hitchcock. Von Miran Bozovic [et al.]. Hrsg. von Slavoj Zizek. Übersetzt von Isolde Charim [et al.]. - Wien: Turia & Kant 1992. pp. 143-151.
Description:
On the motif of the "observed observer" in the films of Alfred Hitchcock, especially in Suspicion and Rear Window.
Index:
Hitchcock, Alfred
Suspicion (1941)
Rear Window (1954)
Vater ~ Fathers
Tod ~ Death

#667
Dolar, Mladen: Hitchcock’s objects. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 31-46.
Description:
Especially on Shadow of a Doubt.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)

#668
Dolar, Mladen: Hitchcocks Objekte. In: Ein Triumph des Blicks über das Auge: Psychoanalyse bei Alfred Hitchcock. Von Miran Bozovic [et al.]. Hrsg. von Slavoj Zizek. Übersetzt von Isolde Charim [et al.]. - Wien: Turia & Kant 1992. pp. 25-42.
Description:
Especially on Shadow of a Doubt.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)

#669
Dolar, Mladen: The spectator who knew too much. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 129-136.
Description:
On suspense in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Thriller ~ Thriller

#670
Dominicus, Mart: Hitch & seks. In: Skrien 1997. No. 214. [June/July] pp. 28-31.
Description:
Collection of photos on "Hitchcock and sex".
Index:
Hitchcock, Alfred
Fotografie ~ Photography
Sexualität ~ Sexuality

#671
Dominicus, Mart:Hitchcock: Alleen maar 100% film. In: Skrien 1985. No. 141. [April/May] pp. 28-29.
Description:
On the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred

#672
Donatelli, Stephen: Hitchcock’s intense inanity. In: MacGuffin 1998. No. 24. [February] pp. 7-8.
Index:
Hitchcock, Alfred
North by Northwest (1959)

#673
Donnelly, Kevin J.: Hitchcocks musiklektion. In: Filmhäftet 30. 2002. No. 122. [?D] pp. 26-33.
Description:
On the scores for Hitchcock’s films.
Index:
Hitchcock, Alfred
Musik ~ Music

#674
Doty, Alexander Michael: Alfred Hitchcock’s films of the 1940s: The emergence of personal style and theme within the american studio system. - Urbana-Champaign: University of Illinois at Urbana-Champaign, Ph.D. 1984. [Abstract in: Dissertation Abstracts International A 45. 1985. No. 8. (February) p. 2283A.]
Description:
Especially on Rebecca, Notorius and Spellbound.
Index:
Hitchcock, Alfred
Rebecca (1940)
Notorious (1946)
Spellbound (1945)
USA (United States of America) ~ USA (United States of America)

#675
Doty, Alexander: Queer Hitchcock. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred

#676
Dotzler, Bernhard J.: "An agency more than human": Kino, Fernsehen - und Hitchcock, zum Beispiel. In: Die schönen und die nützlichen Künste: Literatur, Technik und Medien seit der Aufklärung. Hrsg. von Knut Hickethier und Katja Schumann. - Paderborn; München: Fink 2007. pp. 301 ff.
Index:
Hitchcock, Alfred
Literatur ~ Literature
Fernsehen ~ Television
Technik ~ Technology

#677
Douchet, Jean: Alfred Hitchcock. - Paris: Editions de l’Herne 1967. (= Herne cinema 1.)
Index:
Hitchcock, Alfred

#678
Douchet, Jean: Hitch and his public. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred