The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Hollow Man (2000)
number of items: 24
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
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| ?D | Date of publication unknown |
| ?P | Number of pages unknown |
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#1
Cappabianca, Alessandro: La mummia elettronica. In: Filmcritica 51. 2001. No. 514. [April] pp. 165-175.
Description:
On the digital special effects for Paul Verhoeven’s Hollow Man.
Index:
Verhoeven, Paul
Hollow Man (2000)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
#2
Conroy, Melissa: The invisible body of God: Paul Verhoeven’s Hollow Man. In: Journal of Religion and Film 8. 2004. No. 1. [April] p. ?P.
Index:
Verhoeven, Paul
Hollow Man (2000)
Körper ~ Bodies
Religion ~ Religion
#3
Eby, Douglas: Hollow Man: Director Paul Verhoeven on his update of The Invisible Man, starring Kevin Bacon. In: Cinefantastique 31/32. 2000. No. 12/1. [June] pp. 12-13.
Index:
Verhoeven, Paul
Whale, James
Bacon, Kevin
Hollow Man (2000)
Invisible Man, The (1933)
#4
Eby, Douglas / Wagner, Chuck: Hollow Man. In: Cinefantastique 32. 2000. No. 2. [August] pp. 27-29.
Description:
Discusses, among others, the work of director Paul Verhoeven and of actor Kevin Bacon.
Index:
Verhoeven, Paul
Bacon, Kevin
Hollow Man (2000)
#5
Everschor, Franz: Hollow Man - Unsichtbare Gefahr. In: Film-Dienst 53. 2000. No. 21. [October 10] p. 19.
Index:
Verhoeven, Paul
Hollow Man (2000)
#6
Falzon, Christopher: Philosophy goes to the movies: An introduction to philosophy. - London; New York: Routledge 2002.
Description:
Includes examinations on Stanley Kubrick’s A Clockwork Orange, M. Night Shyamalan’s The Sixth Sense, Victor Fleming’s Dr. Jekyll and Mr. Hyde, Spike Jonze’s Being John Malkovich, Akira Kurosawa’s Rashomon, Fritz Lang’s Metropolis, Paul Verhoeven’s Hollow Man, John Woo’s Face/Off, Jean-Pierre Jeunet’s Alien - Resurrection and Monty Python and the Holy Grail by Terry Gilliam and Terry Jones.
Index:
Kubrick, Stanley
Shyamalan, M. Night
Fleming, Victor
Jonze, Spike
Kurosawa, Akira
Lang, Fritz
Verhoeven, Paul
Wu Su-Yum [Pseudonym: Woo, John]
Jeunet, Jean-Pierre
Gilliam, Terry
Jones, Terry
Clockwork Orange, A (1971)
Sixth Sense, The (1999)
Dr. Jekyll and Mr. Hyde (1941)
Being John Malkovich (1999)
Rashomon (1950)
Metropolis (1925/1926)
Hollow Man (2000)
Face/Off (1997)
Alien - Resurrection / Alien 4 (1997)
Monty Python and the Holy Grail (1975)
Philosophie ~ Philosophy
#7
Falzon, Christopher: Philosophy goes to the movies: An introduction to philosophy. 2nd edition. - London; New York: Routledge 2007.
First edition:
[2002]
Reviews:
Bolton, Lucy: [untitled.] In: Film-Philosophy 11. 2007. No. 3. [?D] p. ?P.
Description:
Includes examinations on Stanley Kubrick’s A Clockwork Orange, M. Night Shyamalan’s The Sixth Sense, Victor Fleming’s Dr. Jekyll and Mr. Hyde, Spike Jonze’s Being John Malkovich, Akira Kurosawa’s Rashomon, Fritz Lang’s Metropolis, Paul Verhoeven’s Hollow Man, John Woo’s Face/Off, Jean-Pierre Jeunet’s Alien - Resurrection and Monty Python and the Holy Grail by Terry Gilliam and Terry Jones.
Index:
Kubrick, Stanley
Shyamalan, M. Night
Fleming, Victor
Jonze, Spike
Kurosawa, Akira
Lang, Fritz
Verhoeven, Paul
Wu Su-Yum [Pseudonym: Woo, John]
Jeunet, Jean-Pierre
Gilliam, Terry
Jones, Terry
Clockwork Orange, A (1971)
Sixth Sense, The (1999)
Dr. Jekyll and Mr. Hyde (1941)
Being John Malkovich (1999)
Rashomon (1950)
Metropolis (1925/1926)
Hollow Man (2000)
Face/Off (1997)
Alien - Resurrection / Alien 4 (1997)
Monty Python and the Holy Grail (1975)
Philosophie ~ Philosophy
#8
Flückiger, Barbara: Visual Effects: Filmbilder aus dem Computer. - Marburg: Schüren 2008.
Reviews:
Krewani, Angela: [untitled.] In: Medienwissenschaft 2008. No. 4. pp. 454-455.
Müller, Corinna: [untitled.] In: Film-Dienst 61. 2008. No. 21. [October 9] p. 46.
Rall, Veronika: Wie lässt man Keanu Reeves fliegen und versenkt die Titanic? In: EPD Film 25. 2008. No. 9. [September] p. 56.
Description:
On the visual film design from early animation up to nowadays computer technologies. Discusses, as examples, a lot of fantastic films, among them Stanley Kubrick’s 2001 - A Space Odyssey, James Cameron’s The Abyss, Terminator II - Judgement Day and Titanic, Ridley Scott’s Blade Runner and Gladiator, Mark Steven Johnson’s Daredevil, Roland Emmerich’s The Day After Tomorrow, David Fincher’s Fight Club, Final Fantasy: The Spirits Within by Hironobu Sakaguchi and Moto Sakakibara, Paul Verhoeven’s Hollow Man, Lee Ang’s The Hulk, Alex Proyas’s I, Robot, Neil Jordan’s Interview with the Vampire, Robert Longo’s Johnny Mnemonic, Steven Spielberg’s Jurassic Park and Minority Report, Simon West’s Lara Croft: Tomb Raider, Charles Russell’s The Mask, Fritz Lang’s Metropolis, Sam Raimi’s Spider-Man, Brett Leonard’s Virtuosity, Vincent Ward’s What Dreams May Come, Robert Zemeckis’s Who Framed Roger Rabbit and the Matrix, the Lord of the Rings and the X-Men series.
Index:
Kubrick, Stanley
Cameron, James
Scott, Ridley
Johnson, Mark Steven
Emmerich, Roland
Fincher, David
Sakaguchi, Hironobu
Sakakibara, Moto
Verhoeven, Paul
Lee Ang
Proyas, Alex
Jordan, Neil
Longo, Robert
Spielberg, Steven
West, Simon
Russell, Charles
Lang, Fritz
Raimi, Samuel M.
Leonard, Brett
Ward, Vincent
Zemeckis, Robert
Wachowski, Andy
Wachowski, Larry
Jackson, Peter
2001 - A Space Odyssey (1968)
Abyss, The (1989)
Blade Runner (1982)
Daredevil (2003)
Day After Tomorrow, The (2004)
Fight Club (1999)
Final Fantasy: The Spirits Within (2001)
Gladiator (2000)
Hollow Man (2000)
Hulk, The (2003)
I, Robot (2004)
Interview with the Vampire (1994)
Johnny Mnemonic (1995)
Jurassic Park (1993)
Minority Report (2002)
Tomb Raider / Lara Croft: Tomb Raider (2001)
Mask, The (1994)
Metropolis (1925/1926)
Spider-Man (2002)
Terminator II - Judgement Day (1991)
Titanic (1997)
Virtuosity (1995)
What Dreams May Come (1998)
Who Framed Roger Rabbit (1988)
Matrix, The (Filmreihe)
Lord of the Rings (Filmreihe)
X-Men (Filmreihe)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Animation ~ Animation
#9
Gerle, Jörg: Ton-Terror. In: Film-Dienst 53. 2000. No. 24. [November 21] p. 42.
Description:
On a CD editions of ther scores for Paul Verhoeven’s Hollow Man and Robert Zemeckis’s What Lies Beneath.
Index:
Verhoeven, Paul
Zemeckis, Robert
Hollow Man (2000)
What Lies Beneath (2000)
Musik ~ Music
#10
Hairapetian, Marc / Tour-Sarkissian, Claudia: Das Schweigen Gottes: Gespräch mit Paul Verhoeven über Hollow Man. In: Film-Dienst 53. 2000. No. 21. [October 10] pp. 10-11.
Index:
Verhoeven, Paul
Hollow Man (2000)
Religion ~ Religion
#11
Holben, Jay: Invisible force. In: American Cinematographer 81. 2000. No. 8. [August] pp. 50-55.
Description:
Interview with Paul Verhoeven on Hollow Man.
Index:
Verhoeven, Paul
Hollow Man (2000)
#12
Hollow Man. - Wien: ?V ?J. (= Neues Filmprogramm 10683.)
Index:
Verhoeven, Paul
Hollow Man (2000)
#13
Kregel, Marko: Jost Vacano: Die Kamera als Auge des Zuschauers. - Marburg: Schüren 2005.
Reviews:
Brandlmeier, Thomas: [untitled.] In: Film-Dienst 58. 2005. No. 16. [August 4] p. 40.
Description:
On the cinematographer who worked for Wolfgang Petersen’s Die unendliche Geschichte as well as for Paul Verhoeven’s Robocop, Total Recall, Starship Troopers and Hollow Man.
Index:
Vacano, Jost
Petersen, Wolfgang
Verhoeven, Paul
unendliche Geschichte, Die (1984)
Robocop (1987)
Total Recall (1990)
Starship Troopers (1997)
Hollow Man (2000)
Technik: Kamera ~ Technology: Camera
#14
Magid, Ron / Probst, Christopher / Robley, Les Paul: Sight unseen. In: American Cinematographer 81. 2000. No. 8. [August] pp. 38-49.
Description:
Articles on Paul Verhoeven’s Hollow Man, especially on the camera work of Jost Vacano and on the special effects for the film.
Index:
Verhoeven, Paul
Vacano, Jost
Hollow Man (2000)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
#15
Merschmann, Helmut: Hollow Man: Paul Verhoevens Trash-Version des Unsichtbaren Mannes. In: EPD Film 17. 2000. No. 10. [October] p. 51.
Index:
Verhoeven, Paul
Hollow Man (2000)
Invisible Man (Filmreihe)
Trash ~ Trash
#16
Ndalianis, Angela: Hybrid science fiction: Paul Verhoeven and his Hollow Men. In: Ndalianis, Angela: Science fiction experiences. - Washington, D.C.: New Academia Publishing 2011. pp. 11 ff.
Index:
Verhoeven, Paul
Hollow Man (2000)
Science Fiction ~ Science Fiction
#17
Pischel, Christian: Die Orchestrierung der Empfindungen: Affektpoetiken des amerikanischen Großfilms der 1990er Jahre. - Bielefeld: Transcript 2013. (= Film.)
Reviews:
Pötting, Sven: [untitled.] In: Medienwissenschaft 2014. No. 1. pp. 68-70.
Description:
Includes, among others, chapters on James Cameron’s Terminator II - Judgement Day, Steven Spielberg’s Jurassic Park and Paul Verhoeven’s Hollow Man.
Index:
Cameron, James
Spielberg, Steven
Verhoeven, Paul
Terminator II - Judgement Day (1991)
Jurassic Park (1993)
Hollow Man (2000)
USA (United States of America) ~ USA (United States of America)
Psychologie ~ Psychology
#18
Renzi, Thomas Charles: The Invisible Man. In: Renzi, Thomas Charles: H. G. Wells: Six scientific romances adapted for film. Second edition. - Lanham, Maryland: Scarecrow Press 2004. pp. 100 ff.
Index:
Wells, Herbert George
Verhoeven, Paul
Whale, James
Hollow Man (2000)
Invisible Man, The (1933)
Invisible Man, The (Literatur ~ Literature)
#19
Shay, Estelle: Disappearing act. In: Cinefex 2000. No. 83. [October] pp. 104-131.
Description:
On the computer generated special effects for Paul Verhoeven’s Hollow Man, especially on the work of Scott Anderson, Craig Hayes and Stan Parks.
Index:
Verhoeven, Paul
Anderson, Scott
Hayes, Craig
Parks, Stan
Hollow Man (2000)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
#20
Telotte, J. P.: What you can’t see can hurt you: Of invisible and hollow men. In: Dark thoughts: Philosophic reflections on cinematic horror. Edited by Steven Jay Schneider and Daniel Shaw. - Lanham, Maryland; London: Scarecrow Press 2003. pp. 105-119.
Index:
Verhoeven, Paul
Hollow Man (2000)
Philosophie ~ Philosophy
Horror ~ Horror
#21
Thompson, David: Hollow Man. In: Sight and Sound NS 10. 2000. No. 10. [October] p. 45.
Index:
Verhoeven, Paul
Hollow Man (2000)
#22
Traber, Bodo: Hohl: Hollow Man. In: Splatting Image 2000. No. 43. [September] p. 57.
Index:
Verhoeven, Paul
Hollow Man (2000)
#23
Wagner, Chuck: Hollow Man: Invisibility effects taken to a new level by Sony Imageworks. In: Cinefantastique 32. 2000. No. 3. [October] pp. 56-58.
Index:
Verhoeven, Paul
Hollow Man (2000)
Technik: Spezialeffekte ~ Technology: Special Effects
Sony ~ Sony
#24
Wagner, Chuck: Hollow Man: Kevin Bacon. In: Cinefantastique 32. 2000. No. 3. [October] p. 59.
Description:
On the actor.
Index:
Verhoeven, Paul
Bacon, Kevin
Hollow Man (2000)
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