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literature list on: Hou Hsiao-hsien
number of items: 36
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
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| ?D | Date of publication unknown |
| ?P | Number of pages unknown |
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#1
Amiel, Vincent: Le maître de marionettes: Un lancinant sentiment d’absence. In: Positif 1993. No. 394. [?D] pp. 8-9.
Description:
On Hsimeng rensheng by Taiwanese director Hou Hsiao-hsien.
Index:
Hou Hsiao-hsien
Hsimeng rensheng (1993)
Taiwan ~ Taiwan
#2
Browne, Nick: Hou Hsiao Hsien’s The Puppetmaster: The poetics of landscape. In: Island on the edge: Taiwan new cinema and after. Edited by Chris Berry and Feii Lu. - Hong Kong: Hong Kong University Press 2005. p. ?P.
Index:
Hou Hsiao-hsien
Hsimeng rensheng (1993)
Natur ~ Nature
Taiwan ~ Taiwan
#3
Browne, Nick: Hou Hsiao-hsien’s Puppetmaster: The poetics of landscape. In: Asian Cinema 8. 1996. No. 1. [?D] pp. 28-38.
Description:
On Hou Hsiao-hsien’s Hsimeng rensheng.
Index:
Hou Hsiao-hsien
Hsimeng rensheng (1993)
#4
Chen, Leo Chanjen: Cinema, dream, existence: The films of Hsiao-Hsien. In: New Left Review 2006. No. 39. [May/June] pp. 73-106.
Index:
Hou Hsiao-hsien
Traum ~ Dreams
#5
Cheshire, Godfrey: Time span: The cinema of Hou Hsiao-Hsien. In: Film Comment 29. 1993. No. 6. [November/December] pp. 56-63.
Index:
Hou Hsiao-hsien
#6
Ciment, Michel: La révélation de la libertè: Entretien avec Hou Hsiao Hsien. In: Positif 1993. No. 394. [?D] pp. 10-14.
Description:
Especially on Hsimeng rensheng.
Index:
Hou Hsiao-hsien
Hsimeng rensheng (1993)
#7
Clarke, Roger: The Assassin. In: Sight and Sound NS 26. 2016. No. 2. [February] p. 68.
Index:
Hou Hsiao-hsien
Nie yin niang (2015)
#8
Coates, Paul: Cinema and colour: The saturated image. - Houndmills, Basingstoke, Hampshire; New York: Palgrave Macmillan 2010.
Description:
Discusses a lot of fantastic films, among them Alfred Hitchcock’s Vertigo, Andrei Tarkovsky’s Soljaris, Joseph Losey’s The Boy With Green Hair, Hou Hsiao-hsien’s Le Voyage du ballon rouge, Krzysztof Kieslowski’s La double vie de Véronique, Jacques Rivette’s La religieuse, Michelangelo Antonioni’s Il mistero di Oberwald and the use of colour in the films of Guillermo del Toro.
Index:
Hitchcock, Alfred
Tarkovsky, Andrei Arsenyevich
Losey, Joseph
Hou Hsiao-hsien
Kieslowski, Krzysztof
Rivette, Jacques
Antonioni, Michelangelo
del Toro, Guillermo
Vertigo (1958)
Soljaris (1972)
Boy With Green Hair, The (1948)
Voyage du ballon rouge, Le (2007)
double vie de Véronique, La / Podwójne zycie Weroniki (1991)
religieuse, La / Suzanne Simonin, la religieuse de Diderot (1965)
mistero di Oberwald, Il (1981)
#9
Diffrient, David Scott / Burgchardt, Carl R.: A tale of two balloons: Intercultural cinema and transnational nostalgia in Le voyage du ballon rouge. In: Transnational film remakes. Edited by Iain Robert Smith and Constantine Verevis. - Edinburgh: Edinburgh University Press 2017. (= Traditions in world cinema.) p. ?P.
Index:
Hou Hsiao-hsien
Voyage du ballon rouge, Le (2007)
#10
Gombeaud, Adrien: Taches et fourmis: Mémoire et sensualité dans l’oeuvre de Hou Hsiao-Hsien. In: Cinémaction 2006. No. 121. [October] pp. 88-92.
Index:
Hou Hsiao-hsien
Körper ~ Bodies
#11
Hoberman, J.: Film after film; or, what became of 21st-century cinema? - New York: Verso 2012.
Description:
Discusses, among others, The Matrix, Oshii Mamoru’s Avalon, Alexander Sokurov’s Russian Ark, Lars von Trier’s Dogville, David Lynch’s Inland Empire and Hou Hsiao-hsien’s Le Voyage du ballon rouge.
Index:
Wachowski, Andy
Wachowski, Larry
Oshii Mamoru
Sokurov, Alexander Nikolayevich
von Trier, Lars
Lynch, David
Hou Hsiao-hsien
Matrix, The (1999)
Avalon (2001)
Russkij kovceg / Russian Ark (2002)
Dogville (2003)
Inland Empire (2006)
Voyage du ballon rouge, Le (2007)
#12
Hoberman, James: Hou Hsiao-Hsien: The edge of the world. In: Hoberman, James: Vulgar modernism: Writings on movies and other media. - Philadelphia, Pennsylvania: Temple University Press 1991. (= Culture and the Moving Image.) pp. 104-107.
Index:
Hou Hsiao-hsien
#13
Hou Hsiao-hsien. Edited by Richard I. Suchenski. - Wien: SYNEMA Gesellschaft für Film und Medien 2014. (= FilmmuseumSynemaPublikationen 23.)
Reviews:
Stevens, Brad: [untitled.] In: Sight and Sound NS 25. 2015. No. 1. [January] p. 106.
Treihaft, Lauren: [untitled.] In: Film Quarterly 68. 2015. No. 3. [Winter] p. ?P.
Index:
Hou Hsiao-hsien
#14
Hou Hsiao-Hsien. Ed. al cuidado de Peio Aldazabal. Recopilación de textos: Nieves Amieva. - Donostia; San Sebastián: Euskadiko Filmategia; Filmoteca Vasca 1995.
Index:
Hou Hsiao-hsien
#15
Joyard, Olivier / Lalanne, Jean-Marc: Convergences: Lynch et HHH, l’autre avant-garde. In: Cahiers du Cinéma 2001. No. 562. [November] pp. 12-23.
Description:
Compares David Lynch’s Mulholand Drive with Hou Hsiao-hsien’s Millennium Mambo (Qianxi manbo).
Index:
Lynch, David
Hou Hsiao-hsien
Mulholland Drive (2001)
Qianxi manbo (2001)
Experimentalfilme ~ Experimental Films
#16
Kreuzer, Dorothée: Ehrgeizige Pläne: Hou Hsiao-hsien. In: Film-Dienst 45. 1992. No. 15. [July 21] pp. 12-13.
Index:
Hou Hsiao-hsien
#17
Li, Ya-Mei: Speaking for Taiwanese history, culture and past: Hou Hsiao-Hsien’s "Taiwan Trilogy". - Los Angeles, California: University of Southern California, M.A. 1996. [Abstract in: Masters Abstracts International 35. 1997. No. 3. pp. 608-609.]
Description:
On A City of Sadness (Beiqing Chengshi), The Puppetmaster (Hsimeng rensheng) and Good Men and Good Women (Haonan haonu).
Index:
Hou Hsiao-hsien
Beiqing Chengshi (1989)
Hsimeng rensheng (1993)
Haonan haonu (1995)
Geschichte ~ History
Taiwan ~ Taiwan
#18
Lo Wai-luk: Traditional Chinese aesthetics and contemporary Chinese films: Applying the idea of qi-yun to understand the temporal structure of selected films of Hou Hsiao-hsien. In: East Asian cinema and cultural heritage: From China, Hong Kong, Taiwan to Japan and South Korea. Edited by Kinnia Yau Shuk-ting. - New York: Palgrave Macmillan 2011. p. ?P.
Index:
Hou Hsiao-hsien
China ~ China
Asien ~ Asia
#19
Lupke, Christopher: The sinophone cinema of Hou Hsiao-Hsien: Culture, style, voice and motion. - Amherst, New York: Cambria Press 2015. (= Cambria sinophone world series.)
Index:
Hou Hsiao-hsien
#20
Ma, Jean Y.: Doubled lives, dissimulated history: Hou Hsiao-hsien’s Good Men, Good Women. In: Post Script 22. 2003. No. 3. [Summer] pp. 21-33.
Description:
On the representation of schizophrenia in Hou Hsiao-hsien’s Haonan haonu.
Index:
Hou Hsiao-hsien
Haonan haonu (1995)
Wahnsinn ~ Madness
Doppelgänger ~ Double
#21
Ma, Jean Yen-Chun: Time without measure, sadness without cure: Hou Hsiao-hsien’s films of history. - Chicago, Illinois: University of Chicago, Ph.D. 2003. [Abstract in: Dissertation Abstracts International A 64. 2003. No. 4. [October] p. 1117.]
Description:
Discusses, among others, City of Sadness (Beiqing Chengshi) and The Puppet Master (Hsimeng rensheng).
Index:
Hou Hsiao-hsien
Beiqing Chengshi (1989)
Hsimeng rensheng (1993)
Geschichte ~ History
#22
Ma, Kuei-Lan Anna: Symbolist films: The metaphorical expression of narrative films. - Athens, Ohio: Ohio University, Ph.D. 2005. [Abstract in: Dissertation Abstracts International A 66. 2006. No. 11. [May] p. ?P.]
Description:
Discusses, among others, Peter Greenaway’s The Cook, the Thief, His Wife & Her Lover, Hou Hsiao-hsien’s Beiqing Chengshi and Lars von Trier’s Dancer in the Dark.
Index:
Greenaway, Peter
Hou Hsiao-hsien
von Trier, Lars
Cook, the Thief, His Wife & Her Lover, The (1989)
Beiqing Chengshi (1989)
Dancer in the Dark (2000)
#23
Manceau, Jean-Louis: Le Maître de marionettes: Qui tire les fils? In: Cinéma [Paris] 1993. No. 521. [?D] p. 1.
Description:
On Hsimeng rensheng by Hou Hsiao-Hsien.
Index:
Hou Hsiao-hsien
Hsimeng rensheng (1993)
#24
Rayns, Tony: Taipei Tang. In: Sight and Sound NS 26. 2016. No. 2. [February] pp. 28-32.
Description:
On Hou Hsiao-hsien’s Nie yin niang.
Index:
Hou Hsiao-hsien
Nie yin niang (2015)
Taipei ~ Taipei
#25
Reynaud, Bérénice: A City of Sadness. - London: British Film Institute Publishing 2002.
Index:
Hou Hsiao-hsien
Beiqing Chengshi (1989)
#26
Rother, Rainer: Distanzierte Beobachtung - einfache Geschichten: Die Filme Hou Hsiao Hsiens. In: Filmwärts ?G. 1990/1991. No. 18. [?D] pp. 15-25.
Index:
Hou Hsiao-hsien
#27
Rother, Rainer: Variationen im strengen Stil: Hou Hsiao-Hsien. In: Lexikon des Internationalen Films: Kino, Fernsehen, Video, DVD. Redaktion: Horst Peter Kroll [et al.]. Herausgegeben vom Katholischen Institut für Medieninformation und der Katholischen Filmkommission für Deutschland. Band 1: A-G. - Frankfurt/Main: Zweitausendeins 2002. pp. F16-F19.
Index:
Hou Hsiao-hsien
#28
Rother, Rainer: Variationen im strengen Stil: Zu den jüngsten Filmen von Hou Hsiao-hsien. In: Film-Dienst 50. 1997. No. 20. [September 30] pp. 4-7.
Index:
Hou Hsiao-hsien
#29
Shen, Shiao-Ying: Permutations of the foreign/er: A study of the works of Edward Yang, Stan Lai, Chang Yi, and Hou Hsiao-Hsien. - Ithaca, New York: Cornell University, Ph.D. 1995. [Abstract in: Dissertation Abstracts International A 56. 1996. No. 7. (January) p. 2457A.]
Index:
Yang, Edward
Lai, Stan
Chang Yi
Hou Hsiao-hsien
#30
Spence, Stephen Edward: "Revealing reality": Four Asian filmmakers visualize the transnational imaginary. - Albuquerque, New Mexico: University of New Mexico, Ph.D. 2017. [Abstract in: Dissertation Abstracts International A 79. 2017. No. 1. [?D].]
Description:
Discusses the work of Hou Hsiao-hsien, Jia Zhangke, Tsai Ming-Liang, and Apichatpong Weerasethakul.
Index:
Hou Hsiao-hsien
Jia Zhangke
Tsai Ming-Liang
Weerasethakul, Apichatpong
Asien ~ Asia
#31
Stables, Kate: Flight of the Red Balloon. In: Sight and Sound NS 18. 2008. No. 4. [April] p. 58.
Description:
On Hou Hsiao-hsien’s Le Voyage du ballon rouge.
Index:
Hou Hsiao-hsien
Voyage du ballon rouge, Le (2007)
#32
Suchsland, Rüdiger: The Assassin: Betörend schöne Elegie auf eine Wuxia-Killerin von Hou Hsiao-hsien. In: Film-Dienst 69. 2016. No. 13. [June 23] p. 39.
Index:
Hou Hsiao-hsien
Nie yin niang (2015)
Mord ~ Murder
Martial Art ~ Martial Art
#33
Udden, James Nathan: Hou Hsiao-hsien and the aesthetics of historical experience. - Madison, Wisconsin: University of Wisconsin - Madison, Ph.D. 2003. [Abstract in: Dissertation Abstracts International A 64. 2003. No. 5. [November] p. 1444.]
Description:
Discusses, among others, City of Sadness (Beiqing Chengshi) and The Puppet Master (Hsimeng rensheng).
Index:
Hou Hsiao-hsien
Beiqing Chengshi (1989)
Hsimeng rensheng (1993)
Geschichte ~ History
#34
Udden, James: No man an island: The cinema of Hou Hsiao-hsien. - Hong Kong: Hong Kong University Press 2009.
Reviews:
Mentz, Tristan: [untitled.] In: The Velvet Light Trap 2010. No. 66. [Fall] pp. 62-64.
Rayns, Tony: [untitled.] In: Sight and Sound NS 19. 2009. No. 12. [December] p. 93.
Index:
Hou Hsiao-hsien
#35
Westphal, Sascha: The Assassin. In: EPD Film 33. 2016. No. 7. [July] pp. 46-47.
Index:
Hou Hsiao-hsien
Nie yin niang (2015)
#36
Yeh Yueh-yu: Politics and poetics of Hou Hsiao-hsien’s films. In: Post Script 20. 2001. No. 2/3. [Winter/Spring] pp. 61 ff.
Index:
Hou Hsiao-hsien
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