The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: ILM (Industrial Light and Magic)
number of items: 190
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
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| ?D | Date of publication unknown |
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#1
Appleyard, Rodney: Breaking the limits. In: Inside Film 2009. No. 127. [December] pp. 30-31.
Description:
On the special effects by ILM for Michael Bay’s Transformers and Transformers: Revenge of the Fallen.
Index:
Bay, Michael
Transformers (2007)
Transformers: Revenge of the Fallen (2009)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#2
Biodrowski, Steve: Martian effects: Special effects: ILM shows off CGI to stop-motion fan Burton. In: Cinefantastique 28. 1997. No. 7. [January] pp. 32-33.
Description:
On the special effects for Tim Burton’s Mars Attacks.
Index:
Burton, Tim
Mars Attacks! (1996)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Computer ~ Technology: Computer
#3
Cantaloube, Thomas: La magie digitale. In: Cahiers du Cinéma 1997. No. 513. [May] pp. 80-84.
Description:
On the special effects companies ILM and Digital Domain.
Index:
Magie ~ Magic
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Digital Domain [Firma] ~ Digital Domain [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik ~ Technology
#4
Carpenter, Lynn: Cocoon II: The Return challenges wizards. In: American Cinematographer 69. 1988. No. 12. [December] pp. 72-80.
Description:
Interview with Scott Farrar on the special effects by ILM for the film by Daniel Petrie.
Index:
Petrie, Daniel
Farrar, Scott
Cocoon: The Return (1988)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#5
Cohen, Karl: How to animate an alien. In: Animato! 1997. No. 37. [Spring] pp. 16-17, 56.
Description:
On the computer generated special effects by ILM for Tim Burton’s Mars Attacks!.
Index:
Burton, Tim
Mars Attacks! (1996)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Animation ~ Animation
Aliens ~ Aliens
#6
Coming: Star Wars II: Magic Light Industries formed. In: Cinefantastique 7. 1978. No. 3/4. [?D] p. 70.
Index:
Kershner, Irvin
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Magie ~ Magic
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#7
Cotta Vaz, Mark: A region of shadows. In: Cinefex 2000. No. 80. [January] pp. 86-109.
Description:
On the special effects by ILM for Tim Burton’s Sleepy Hollow.
Index:
Burton, Tim
Sleepy Hollow (1999)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#8
Cotta Vaz, Mark: After the rebellion. In: Cinefex 1996. No. 65. [March] p. ?P.
Description:
On the history of special effects company Industrial Light & Magic.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#9
Cotta Vaz, Mark: Cruising the digital backlot. In: Cinefex 1996. No. 67. [September] pp. 90-101.
Description:
On the computer generated special effects by ILM for Brian De Palma’s Mission: Impossible.
Index:
De Palma, Brian
Mission: Impossible (1996)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
#10
Cotta Vaz, Mark / Duignan, Patricia Rose: Industrial Light & Magic: Into the digital realm. - London: Virgin Publishing 1996. (= A Del Roy Book.)
Description:
On the history of the special effects company.
Index:
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik ~ Technology
#11
Cotta Vaz, Mark / Duncan, Jody / Martin, Kevin H.: Heroe’s journey. In: Cinefex 1999. No. 78. [July] pp. 74-79, 84-103, 108-125, 130-145.
Description:
On the special effects by ILM for the Star Wars prequel Star Wars Episode I - The Phantom Menace.
Index:
Lucas, George
Star Wars Episode I - The Phantom Menace (1999)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Helden ~ Heros
#12
Cotta Vaz, Mark: Martial art. In: Cinefex 1996. No. 68. [December] pp. 70-93.
Description:
On the special effects by ILM and the "Warner Digital Studio" for Tim Burton’s Mars Attacks!.
Index:
Burton, Tim
Mars Attacks! (1996)
Technik: Computer ~ Technology: Computer
Warner Bros. ~ Warner Bros.
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#13
Cotta Vaz, Mark: Maximum impact. In: Cinefex 1991. No. 45. [February] p. ?P.
Description:
On the special effects by ILM for Die Hard 2, especially on the work of Al Di Sarro and Michael McAlister.
Index:
Harlin, Renny
Di Sarro, Al
McAlister, Michael
Die Hard II (1990)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#14
Cotta Vaz, Mark: Return to neverland. In: Cinefex 1992. No. 49. [February] pp. 4-23.
Description:
On the special effects by ILM for Steven Spielberg’s Hook, especially on the work of Michael Lantieri.
Index:
Spielberg, Steven
Lantieri, Michael
Hook (1991)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#15
Cotta Vaz, Mark: Rocket blast. In: Cinefex 1991. No. 48. [November] p. ?P.
Description:
On the special effects by ILM for The Rocketeer, especially on the work of Jim Bissel and Jon G. Belyeu.
Index:
Johnston, Joe
Bissel, Jim
Belyeu, Jon G.
Rocketeer, The (1991)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#16
Cotta Vaz, Mark: The thrill of the hunt. In: Cinefex 1990. No. 42. [May] p. ?P.
Description:
On the special effects by ILM for John McTiernan’s The Hunt for Red October, especially on the work of effects supervisor Scott Squires.
Index:
McTiernan, John
Squires, Scott
Hunt for Red October, The (1990)
Thriller ~ Thriller
Technik: Spezialeffekte ~ Technology: Special Effects
Jagd ~ Hunt
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#17
Cotta Vaz, Mark [et al.]: A 20th anniversary salute to Industrial Light & Magic. In: Cinefex 1996. No. 65. [March] pp. 1-146.
Description:
Special edition.
Index:
Technik ~ Technology
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#18
Crisafulli, Chuck: The Mask: Computer graphics. In: Cinefantastique 25. 1994. No. 4. [August] p. 11.
Description:
Especially on ILM animation expert Steve Williams.
Index:
Russell, Charles
Williams, Steve
Mask, The (1994)
Animation ~ Animation
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Computer ~ Technology: Computer
#19
Crouchet, Bruce: Explorers complex visual effects by Industrial Light & Magic. In: Cinefantastique 15. 1986. No. 5. [January] p. 42.
Index:
Dante, Joe
Explorers (1985)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#20
Dowie, Jim / Kutzera, Dale / Szebin, Frederick C.: Wild Wild West. In: Cinefantastique 31. 1999. No. 7. [August] pp. 32, 35-47.
Description:
Articles on director Barry Sonnenfeld, the costumes by Debora Lee Scott, the set decoration by Bo Welch and Cheryl Carasik, the makeup by Rick Baker, on the special effects by Michael Lantieri and ILM and on the original TV series.
Index:
Sonnenfeld, Barry
Scott, Debora Lee
Welch, Bo
Carasik, Cheryl
Baker, Rick
Lantieri, Michael
Wild Wild West (1999)
Wild, Wild West, The (TV)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Fernsehen ~ Television
#21
Duffy, M. S.: Becoming regionally digital: Visual effects industries and aesthetics in the 1990s. - Nottingham: University of Nottingham, Ph.D. 2006. [Abstract in: Index to Theses with Abstracts 57. 2008. No. 1. p. 14(57-115).]
Description:
Discusses especially the importance of George Lucas’s "Industrial Light & Magic" for the development of special effects.
Index:
Lucas, George
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#22
Duncan Jesser, Jody: Ingenious: Mission: Impossible - Ghost Protocol. In: Cinefex 2012. No. 129. [April] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Fuel VFX, Rodeo FX and AFX Studio. Discusses especially the work of visual effects supervisor John Knoll and effects supervisor Michael Meinardus.
Index:
Bird, Brad
Knoll, John
Meinardus, Michael
Mission: Impossible - Ghost Protocol (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
AFX Studio [Firma] ~ AFX Studio [Company"
Rodeo FX [Firma] ~ Rodeo FX [Company]
Fuel VFX [Firma] ~ Fuel VFX [Company] | Fuel
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#23
Duncan Jesser, Jody: The avengers initiative: The Avengers. In: Cinefex 2012. No. 130. [July] p. ?P.
Description:
On the special effects by ILM and Weta Digital. Discusses especially the work of visual effects supervisor Janek Sirrs.
Index:
Whedon, Joss
Sirrs, Janek
Avengers, The (2012)
Technik: Spezialeffekte ~ Technology: Special Effects
Weta [Firma] ~ Weta [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#24
Duncan, Jody: 20 years of Industrial Light & Magic. In: Cinefex 1996. No. 65. [March] p. ?P.
Index:
Technik ~ Technology
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#25
Duncan, Jody: A family affair: Captain America: Civil War. In: Cinefex 2016. No. 147. [June] p. ?P.
Description:
On the special effects by Ironhead Studio, Legacy Effects, Quantum Creation, Industrial Light & Magic, Luma Pictures, Method Studios, Double Negative, Base FX and Cinesite. Discusses especially the work of special effects supervisor Daniel Sudick and special makeup effects artist Bart Mixon.
Index:
Russo, Anthony
Russo, Joe
Sudick, Daniel
Mixon, Bart
First Avenger, The: Civil War (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Familie ~ Family
Cinesite [Firma] ~ Cinesite [Company]
Base FX [Firma] ~ Base FX [Company]
Double Negative [Firma] ~ Double Negative [Company]
Method Studios [Firma] ~ Method Studios [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Quantum Creation FX [Firma] ~ Quantum Creation FX [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]
Ironhead Studios [Firma] ~ Ironhead Studios [Company]
#26
Duncan, Jody: A more perfect vision: Avengers: Age of Ultron. In: Cinefex 2015. No. 142. [July] p. ?P.
Description:
On the special effects by ILM, Double Negative, Animal Logic, Luma Pictures, Framestore and Legacy Effects. Discusses especially the work of visual effects supervisor Christopher Townsend and special effects supervisor Paul Corbould.
Index:
Whedon, Joss
Townsend, Christopher
Corbould, Paul
Avengers: Age of Ultron (2015)
Technik: Spezialeffekte ~ Technology: Special Effects
Legacy Effects [Firma] ~ Legacy Effects [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
Animal Logic [Firma] ~ Animal Logic [Company]
Double Negative [Firma] ~ Double Negative [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#27
Duncan, Jody: A Small Soldiers story. In: Cinefex 1998. No. 75. [October] pp. 96-117.
Description:
On the digital special effects by DreamWorks and ILM for the film by Joe Dante.
Index:
Dante, Joe
Small Soldiers (1998)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
DreamWorks ~ DreamWorks
#28
Duncan, Jody: Back to Back to the Future. In: Cinefex 1990. No. 43. [August] pp. 34-68.
Description:
On the special effects by ILM for Back to the Future Part II and Back to the Future Part III, especially on the work of Michael Lantieri and Ken Ralston.
Index:
Zemeckis, Robert
Lantieri, Michael
Ralston, Ken
Back to the Future II (1989)
Back to the Future (Filmreihe)
Back to the Future III (1990)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#29
Duncan, Jody: Braving the elements: The Last Airbender. In: Cinefex 2010. No. 123. [October] p. ?P.
Description:
On the special effects by ILM and the work of visual effects supervisor Pablo Helman.
Index:
Shyamalan, M. Night
Helman, Pablo
Last Airbender, The (2010)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#30
Duncan, Jody: Captain’s orders: Captain America: The Winter Soldier. In: Cinefex 2014. No. 138. [July] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Scanline VFX, Legacy Effects and Quantum Creation FX. Discusses especially the work of visual effects supervisor Dan DeLeeuw and special effects supervisor Daniel Sudick.
Index:
Russo, Anthony
Russo, Joe
Whedon, Joss
DeLeeuw, Dan
Sudick, Daniel
Captain America: The Winter Soldier / Captain America 2 (2014)
Technik: Spezialeffekte ~ Technology: Special Effects
Quantum Creation FX [Firma] ~ Quantum Creation FX [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]
Scanline [Firma] ~ Scanline [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#31
Duncan, Jody: Eragon: Searching for Saphira. In: Cinefex 2007. No. 108. [January] pp. 106-110, 116, 119-127,130.
Description:
On the special effects by ILM and "Weta Digital" as well as the work of visual effects supervisors Michael McAlister and John Van Vliet for Stefen Fangmeier’s dragon film.
Index:
Fangmeier, Stefen
McAlister, Michael
Van Vliet, John
Eragon (2006)
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Drachen ~ Dragons
#32
Duncan, Jody: Fallen: Jurassic World: Fallen Kingdom. In: Cinefex 2018. No. 160. [August] p. ?P.
Description:
On the special effects by Amalgamated Dynamics Incorporated, Creature FX, Industrial Light & Magic, Image Engine, Outpost VFX, One of Us, Nvizible, Proof Inc., Important Looking Pirates, and Base FX.
Index:
Bayona, Juan Antonio
Jurassic World: Fallen Kingdom (2018)
Creature Effects [Firma] ~ Creature Effects [Company]
Amalgamated Dynamics [Firma] ~ Amalgamated Dynamics [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Proof [Firma] ~ Proof [Company]
Outpost VFX [Firma] ~ Outpost VFX [Company]
One Of Us [Firma] ~ One Of Us [Company]
Nvizible [Firma] ~ Nvizible [Company]
Important Looking Pirates [Firma] ~ Important Looking Pirates [Company]
Image Engine [Firma] ~ Image Engine [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Base FX [Firma] ~ Base FX [Company]
#33
Duncan, Jody: Finding Calvin: Life. In: Cinefex 2017. No. 153. [June] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Double Negative, One of Us, Atomic Fiction, Nvizible, Outpost VFX and Lola VFX.
Index:
Espinosa, Daniel
Life (2017)
Outpost VFX [Firma] ~ Outpost VFX [Company]
Nvizible [Firma] ~ Nvizible [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
One Of Us [Firma] ~ One Of Us [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Double Negative [Firma] ~ Double Negative [Company]
Atomic Fiction [Firma] ~ Atomic Fiction [Company]
#34
Duncan, Jody: Gorilla warfare. In: Cinefex 1995. No. 62. [June] pp. 34-62.
Description:
On the special effects by ILM for Frank Marshall’s Congo, especially on the creation of the animals and on the work of Michael Lantieri.
Index:
Marshall, Frank
Lantieri, Michael
Congo (1995)
Tiere ~ Animals
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Krieg ~ War
Technik: Spezialeffekte ~ Technology: Special Effects
#35
Duncan, Jody: Heart and soul. In: Cinefex 1996. No. 66. [June] p. ?P.
Description:
On the special effects by ILM for Dragonheart.
Index:
Cohen, Rob
Dragonheart (1996)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#36
Duncan, Jody: Heavy metal: Transformers: Revenge of the Fallen. In: Cinefex 2009. No. 119. [October] p. 88-118.
Description:
On the special effects, especially the creation of the robots, by Industrial Light & Magic and Digital Domain.
Index:
Bay, Michael
Transformers: Revenge of the Fallen (2009)
Technik: Spezialeffekte ~ Technology: Special Effects
Roboter ~ Robots
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Digital Domain [Firma] ~ Digital Domain [Company]
#37
Duncan, Jody: In a mirror, darkly: Doctor Strange. In: Cinefex 2016. No. 150. [December] p. ?P.
Description:
On the special effects by ILM, Framestore, Luma Pictures, Method Studios and The Third Floor. Discusses especially the work of Paul Corbould and visual effects supervisor Stephane Ceretti.
Index:
Derrickson, Scott
Corbould, Paul
Ceretti, Stephane
Doctor Strange (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Spiegel ~ Mirror
Third Floor, The [Firma] ~ Third Floor, The [Company]
Method Studios [Firma] ~ Method Studios [Company]
Luma Pictures [Firma] ~ Luma Pictures [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#38
Duncan, Jody: Indominus: Jurassic World. In: Cinefex 2015. No. 142. [July] p. ?P.
Description:
On the special effects by ILM and Stan Winston Studio. Discusses especially the work of Phil Tippett.
Index:
Trevorrow, Colin
Tippett, Phil
Jurassic World (2015)
Technik: Spezialeffekte ~ Technology: Special Effects
Stan Winston Studio [Firma] ~ Stan Winston Studio [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#39
Duncan, Jody: Invasion of the body snatchers: Cowboys & Aliens. In: Cinefex 2011. No. 127. [October] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Legacy Effects, The Embassy, Shade VFX, New Deal Studios, Fuel VFX and Kerner Optical. Discusses especially the work of Daniel Sudick.
Index:
Favreau, Jon
Sudick, Daniel
Cowboys & Aliens (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
Krieg ~ War
Kerner Optical [Firma] ~ Kerner Optical [Company]
Fuel VFX [Firma] ~ Fuel VFX [Company] | Fuel
New Deal Studios [Firma] ~ New Deal Studios [Company]
Shade VFX [Firma] ~ Shade VFX [Company]
Embassy, The [Firma] ~ Embassy, The [Company]
Legacy Effects [Firma] ~ Legacy Effects [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#40
Duncan, Jody: Iron clad: Iron Man 2. In: Cinefex 2010. No. 122. [July] p. ?P.
Description:
On the special effects by Legacy Effects (the former Stan Winston Studio), ILM, Whiplash, Double Negative and Fuel VFX.
Index:
Favreau, Jon
Iron Man 2 (2010)
Whiplash [Firma] ~ Whiplash [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Legacy Effects [Firma] ~ Legacy Effects [Company]
Fuel VFX [Firma] ~ Fuel VFX [Company]
Double Negative [Firma] ~ Double Negative [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Stan Winston Studio [Firma] ~ Stan Winston Studio [Company]
#41
Duncan, Jody: Lady in the Water. In: Cinefex 2006. No. 107. [October] pp. 25-29.
Description:
On the special effects by "Spectral Motion" and ILM and on the work of creature effects supervisor Mike Elizalde and visual effects supervisor Ed Hirsh.
Index:
Shyamalan, M. Night
Elizalde, Mike
Hirsh, Ed
Lady in the Water (2006)
Spectral Motion [Firma] ~ Spectral Motion [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#42
Duncan, Jody: Lemony Snicket’s A Series of Unfortunate Events: A series of persnickety effects. In: Cinefex 2005. No. 100. [January] pp. 140-164, 172, 174.
Description:
On the special effects by ILM and the makeup effects by Bill Corso.
Index:
Silberling, Brad
Corso, Bill
Lemony Snicket’s A Series of Unfortunate Events (2004)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#43
Duncan, Jody: On the shoulders of giants. In: Cinefex 1997. No. 70. [June] pp. 72-109.
Description:
On the special effects by ILM and the work of Stan Winston, Dennis Muren and Michael Lantieri for Steven Spielberg’s The Lost World: Jurassic Park.
Index:
Spielberg, Steven
Winston, Stan
Muren, Dennis
Lantieri, Michael
Lost World, The: Jurassic Park (1997)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#44
Duncan, Jody: Perfecting the storm. In: Cinefex 2000. No. 82. [July] pp. 94-113.
Description:
On the special effects by ILM for Wolfgang Petersen’s The Perfect Storm, especially on the work of John Frazier.
Index:
Petersen, Wolfgang
Frazier, John
Perfect Storm, The (2000)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#45
Duncan, Jody: Poseidon: Wipeout. In: Cinefex 2006. No. 106. [July] pp. 106-120, 123-128, 131-134, 140, 142.
Description:
On Wolfgang Petersen’s remake of Ronald Neame’s 70’s catastrophe film The Poseidon Adventure. Discusses the special effects by ILM, "Giant Killer Robots", "The Moving Picture Company", "CIS Hollywood", and "Hydraulx" as well a the work of visual effects supervisor Boyd Shermis and practical effects specialist John Frazier.
Index:
Petersen, Wolfgang
Neame, Ronald
Shermis, Boyd
Frazier, John
Poseidon (2006)
Poseidon Adventure, The (1972)
Hydraulx [Firma] ~ Hydraulx [Company]
Giant Killer Robots [Firma] ~ Giant Killer Robots [Company]
CIS Hollywood [Firma] ~ CIS Hollywood [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Katastrophen ~ Disasters
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]
#46
Duncan, Jody: Q & A: George Lucas. In: Cinefex 2005. No. 102. [July] pp. 57-64.
Description:
Interview with the director on the completing of the Star Wars series and on his special effects company ILM.
Index:
Lucas, George
Star Wars (Filmreihe)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#47
Duncan, Jody: Rage against the machines: Terminator Salvation. In: Cinefex 2009. No. 118. [July] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Stan Winston Studio, Asylum Effects and Matte World Digital. Discusses especially the work of visual effects supervisor Charles Gibson.
Index:
McGinty Nichol, Joseph [Pseudonym: McG]
Gibson, Charles
Terminator Salvation (2009)
Asylum Models and Effects [Firma] ~ Asylum Models and Effects [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Stan Winston Studio [Firma] ~ Stan Winston Studio [Company]
Matte World Digital [Firma] ~ Matte World Digital [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#48
Duncan, Jody / Shay, Estelle: Trekking into the Klaatu nebula. In: Cinefex 2000. No. 81. [April] pp. 108-123.
Description:
On the computer generated special effects by ILM for Galaxy Quest.
Index:
Parisot, Dean
Galaxy Quest (1999)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#49
Duncan, Jody: Standing the heat. In: Cinefex 1991. No. 48. [November] p. ?P.
Description:
On the special effects by ILM for Ron Howard’s Backdraft, especially on the work of Allen Hall.
Index:
Howard, Ron
Hall, Allen
Backdraft (1991)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#50
Duncan, Jody: Star Wars Episode II: Attack of the Clones. In: Cinefex 2002. No. 90. [July] p. ?P.
Description:
Especially on the special effects by ILM.
Index:
Lucas, George
Star Wars Episode II - Attack of the Clones (2002)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#51
Duncan, Jody: Star Wars Episode III: Revenge of the Sith: Toward a new hope. In: Cinefex 2005. No. 102. [July] pp. 66-76, 79-93, 120, 122.
Description:
On the special effects by ILM and visual effects supervisors John Knoll and Roger Guyett.
Index:
Lucas, George
Knoll, John
Guyett, Roger
Star Wars Episode III - Revenge of the Sith (2005)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#52
Duncan, Jody: The Chronicles of Narnia: The Lion, the Witch and the Wardrobe: Deep magic. In: Cinefex 2006. No. 104. [January] pp. 86-92, 97-104, 107-111, 115-119, 124, 126.
Description:
On the special effects by ILM, "Sony Pictures Imageworks" and "Rhythm & Hues" as well as on the work of Andrew Adamson.
Index:
Adamson, Andrew
Adamson, Andrew
Chronicles of Narnia, The: The Lion, the Witch and the Wardrobe (2005)
Rhythm & Hues [Firma] ~ Rhythm & Hues [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Sony ~ Sony
Magie ~ Magic
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#53
Duncan, Jody: The gauntlet: Avengers: Infinity War. In: Cinefex 2018. No. 159. [June] p. ?P.
Description:
On the special effects by Digital Domain, Weta Digital, Industrial Light & Magic, Framestore, Double Negative and Cinesite. Discusses especially the work of visual effects supervisor Dan DeLeeuw and visual effects producer Jen Underdahl.
Index:
Russo, Anthony
Russo, Joe
DeLeeuw, Dan
Underdahl, Jen
Avengers: Infinity War (2018)
Technik: Computer ~ Technology: Computer
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Framestore CFC [Firma] ~ Framestore CFC [Company]
Double Negative [Firma] ~ Double Negative [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
Cinesite [Firma] ~ Cinesite [Company]
#54
Duncan, Jody: The Island. In: Cinefex 2005. No. 103. [October] pp. 21-24.
Description:
On the special effects by ILM and the work of visual effects supervisor Eric Brevig.
Index:
Bay, Michael
Brevig, Eric
Island, The (2005)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#55
Duncan, Jody: The making of a rockbuster. In: Cinefex 1994. No. 58. [June] pp. 34-64.
Description:
On the special effects by ILM for The Flintstones, especially on the work of Michael Lantieri.
Index:
Levant, Brian
Lantieri, Michael
Flintstones, The (1994)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#56
Duncan, Jody: The man in the iron mask: Iron Man. In: Cinefex 2008. No. 114. [July] p. ?P.
Description:
On the special effects by Stan Winston Studios, Industrial Light & Magic and The Orphanage and especially on the work of visual effects supervisor John Nelson for for the comic book filming.
Index:
Favreau, Jon
Nelson, John
Iron Man (2008)
Masken ~ Masks
Technik: Spezialeffekte ~ Technology: Special Effects
Stan Winston Studio [Firma] ~ Stan Winston Studio [Company]
Orphanage, The [Firma] ~ Orphanage, The [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Animation: Comics ~ Animation: Comics
#57
Duncan, Jody: The seduction of reality: Avatar. In: Cinefex 2010. No. 120. [January] p. ?P.
Description:
On the special effects by Weta Digital, Industrial Light & Magic, Framestore, Frantic Films, Hybride, Weta Workshop and the Stan Winston Studio.
Index:
Cameron, James
Avatar (2009)
Verführung ~ Seduction
Frantic Films [Firma] ~ Frantic Films [Company]
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Stan Winston Studio [Firma] ~ Stan Winston Studio [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Hybride [Firma] ~ Hybride [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
#58
Duncan, Jody: Transformers: Bots & bayhem. In: Cinefex 2007. No. 111. [October] pp. 64-70, 75-78, 81-87, 116.
Description:
Especially on the robot design by ILM and on the special effects by Digital Domain and Kerner Optical.
Index:
Bay, Michael
Transformers (2007)
Kerner Optical [Firma] ~ Kerner Optical [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Roboter ~ Robots
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Digital Domain [Firma] ~ Digital Domain [Company]
#59
Duncan, Jody: Van Helsing: Man made monsters. In: Cinefex 2004. No. 98. [July] pp. 98-106, 111-118, 123-124.
Description:
Especially on the computer generated special effects by ILM.
Index:
Sommers, Stephen
Van Helsing (2004)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Monster ~ Monster
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#60
Duncan, Jody: War machine: The Great Wall. In: Cinefex 2017. No. 152. [April] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Base FX, Hybride Technologies, Animal Logic, Weta Workshop and Quantum Creation FX. Discusses especially the work of Phil Brennan.
Index:
Zhang Yimou
Brennan, Phil
Great Wall, The (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Krieg ~ War
Quantum Creation FX [Firma] ~ Quantum Creation FX [Company]
Weta [Firma] ~ Weta [Company]
Animal Logic [Firma] ~ Animal Logic [Company]
Hybride [Firma] ~ Hybride [Company]
Base FX [Firma] ~ Base FX [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#61
Duncan, Jody: With a little help from our friends. In: Cinefex 1997. No. 71. [September] pp. 90-109.
Description:
On the special effects by ILM for Mark A. Z. Dippé’s Spawn.
Index:
Dippé, Mark A. Z.
Spawn (1997)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#62
Edlund, Richard / Muren, Dennis / Ralston, Ken: Jedi journal. In: Cinefex 1983. No. 13. [July] pp. 4-67.
Description:
On the special effects by ILM for Return of the Jedi.
Index:
Marquand, Richard
Edlund, Richard
Muren, Dennis
Ralston, Ken
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#63
Edwards, Graham: A lonely god: Kong: Skull Island. In: Cinefex 2017. No. 152. [April] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Hybride Technologies and Rodeo FX. Discusses especially the work of visual effects supervisor Jeff White.
Index:
Vogt-Roberts, Jordan
White, Jeff
Kong: Skull Island (2017)
Technik: Spezialeffekte ~ Technology: Special Effects
Rodeo FX [Firma] ~ Rodeo FX [Company]
Hybride [Firma] ~ Hybride [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#64
Edwards, Graham: Acts of war: Warcraft. In: Cinefex 2016. No. 148. [August] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Rodeo FX, Animatrik Film Design, Hybride Technologies, Prime Focus World, Lindala Schminken FX and Weta Workshop. Discusses especially the work of visual effects supervisor Bill Westenhofer, special effects supervisor Cameron Waldbauer and makeup effects supervisor Adrien Morot.
Index:
Jones, Duncan
Westerhofer, Bill
Waldbauer, Cameron
Morot, Adrien
Warcraft (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Krieg ~ War
Weta [Firma] ~ Weta [Company]
Lindala Schminken FX [Firma] ~ Lindala Schminken FX [Company]
Prime Focus [Firma] ~ Prime Focus [Company]
Hybride [Firma] ~ Hybride [Company]
Animatrik Film Design [Firma] ~ Animatrik Film Design [Company]
Rodeo FX [Firma] ~ Rodeo FX [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#65
Edwards, Graham: Explosive cocktail: Spectre. In: Cinefex 2016. No. 145. [February] p. 12-39.
Description:
On the special effects by Double Negative, Cinesite, ILM London, MPC, Peerless and BlueBolt. Discusses especially the work of special effects supervisors Chris Corbould and Steve Begg.
Index:
Mendes, Sam
Corbould, Chris
Begg, Steve
Spectre (2015)
Technik: Spezialeffekte ~ Technology: Special Effects
BlueBolt [Firma] ~ BlueBolt [Company]
Peerless Camera Company [Firma] ~ Peerless Camera Company [Company]
MPC [Firma] ~ MPC [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Cinesite [Firma] ~ Cinesite [Company]
Double Negative [Firma] ~ Double Negative [Company]
#66
Edwards, Graham: Kessel runner: Solo: A Star Wars Story. In: Cinefex 2018. No. 160. [August] p. ?P.
Description:
On the special effects by Industrial Light & Magic and BLIND Ltd. Discusses especially the work of visual effects supervisor and co-producer Rob Bredow, special effects supervisor Dominic Tuohy, and creature designer Neal Scanlan.
Index:
Howard, Ron
Bredow, Rob
Tuohy, Dominic
Scanlan, Neal
Solo: A Star Wars Story (2018)
Blind [Firma] ~ Blind [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#67
Edwards, Graham: Symphony of color: Valerian and the City of a Thousand Planets. In: Cinefex 2017. No. 154. [August] p. ?P.
Description:
On the special effects by Rodeo FX, Weta Digital, Industrial Light & Magic and Hybride Technologies. Discusses especially the work of visual effects supervisor Scott Stokdyk.
Index:
Besson, Luc
Stokdyk, Scott
Valerian and the City of a Thousand Planets (2017)
Weta [Firma] ~ Weta [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Rodeo FX [Firma] ~ Rodeo FX [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Hybride [Firma] ~ Hybride [Company]
#68
Edwards, Graham: Team Thor: Thor: Ragnarok. In: Cinefex 2017. No. 156. [December] p. ?P.
Description:
On the special effects by Framestore, ILM, Double Negative, Method Studios, Luma, Digital Domain, Image Engine, Rising Sun Pictures, The Third Floor, Ironhead Studio and Quantum Creation FX. Discusses especially the work of visual effects supervisor Jake Morrison and special effects supervisor R. Bruce Steinheimer.
Index:
Waititi, Taika
Morrison, Jake
Steinheimer, R. Bruce
Thor: Ragnarok (2017)
Luma Pictures [Firma] ~ Luma Pictures [Company]
Third Floor, The [Firma] ~ Third Floor, The [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Rising Sun Pictures [Firma] ~ Rising Sun Pictures [Company]
Quantum Creation FX [Firma] ~ Quantum Creation FX [Company]
Method Studios [Firma] ~ Method Studios [Company]
Ironhead Studios [Firma] ~ Ironhead Studios [Company]
Image Engine [Firma] ~ Image Engine [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Framestore CFC [Firma] ~ Framestore CFC [Company]
Double Negative [Firma] ~ Double Negative [Company]
Digital Domain [Firma] ~ Digital Domain [Company]
#69
Eisenberg, Adam: Father, son and the Holy Grail. In: Cinefex 1989. No. 40. [November] pp. 46-67.
Description:
On the special effects by George Gibbs and ILM for Steven Spielberg’s Indiana Jones and the Last Crusade.
Index:
Spielberg, Steven
Gibbs, George
Indiana Jones and the Last Crusade (1989)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
Religion: Gral ~ Religion: Grail
Technik ~ Technology
Religion ~ Religion
Vater ~ Fathers
#70
Feinberg, Sue / Hollander, Judd: Men in Black: Winging it: ILM’s CGI capabilities offered the filmmakers freedom to experiment. In: Cinefantastique 29. 1997. No. 1. [July] p. 27.
Index:
Sonnenfeld, Barry
Men in Black (1997)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Computer ~ Technology: Computer
#71
Fisher, Bob: Meteor Man gets his digital wings. In: American Cinematographer 74. 1993. No. 4. [April] pp. 42-46.
Description:
On the special effects by ILM and the work of cinematographer John A. Monzo for the film by Robert Townsend.
Index:
Townsend, Robert
Monzo, John A.
Meteor Man, The (1993)
Technik: Kamera ~ Technology: Camera
Technik: Computer ~ Technology: Computer
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#72
Fordham, Joe: A.I.: Mecha odyssey. In: Cinefex 2001. No. 87. [Octoberl] pp. 62-93.
Description:
Discusses, among others, the special effects by Dennis Muren and Scott Farrar and especially the creation of the humanoid robot in the film.
Index:
Spielberg, Steven
Muren, Dennis
Farrar, Scott
A.I. - Artificial Intelligence (2001)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Roboter ~ Robots
Technik: Spezialeffekte ~ Technology: Special Effects
#73
Fordham, Joe: A new enterprise: Star Trek. In: Cinefex 2009. No. 118. [July] p. ?P.
Description:
On the special effects by Industrial Light & Magic and Digital Domain for J. J. Abrams latest Star Trek feature film. Discusses especially the work of visual effects supervisor Roger Guyett and special effects supervisor Burt Dalton.
Index:
Abrams, J[effrey] J[acob]
Guyett, Roger
Dalton, Burt
Star Trek (2009)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Digital Domain [Firma] ~ Digital Domain [Company]
#74
Fordham, Joe: A tale of two cities: Elysium. In: Cinefex 2013. No. 135. [October] p. ?P.
Description:
On the special effects by Image Engine, Whiskytree, MPC, The Embassy VFX, Method Studios, Industrial Light & Magic, Weta Workshop and Kerner Optical. Discusses especially the work of visual effects supervisor Peter Muyzers and visual effects producer Shawn Walsh.
Index:
Blomkamp, Neill
Muyzers, Peter
Walsh, Shawn
Elysium (2013)
Technik: Spezialeffekte ~ Technology: Special Effects
Stadt ~ City
Kerner Optical [Firma] ~ Kerner Optical [Company]
Weta [Firma] ~ Weta [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Method Studios [Firma] ~ Method Studios [Company]
Embassy, The [Firma] ~ Embassy, The [Company]
MPC [Firma] ~ MPC [Company]
Whiskytree [Firma] ~ Whiskytree [Company]
Image Engine [Firma] ~ Image Engine [Company]
#75
Fordham, Joe: Atomic age hero: Indiana Jones and the Kingdom of the Crystal Skull. In: Cinefex 2008. No. 115. [October] p. ?P.
Description:
On the special effects by Daniel Sudick, the Stan Winston Studio and Industrial Light & Magic as well as the work of visual effects supervisor Pablo Helman.
Index:
Spielberg, Steven
Sudick, Daniel
Helman, Pablo
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Technik: Spezialeffekte ~ Technology: Special Effects
Stan Winston Studio [Firma] ~ Stan Winston Studio [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Helden ~ Heros
Atom ~ Nuclear
#76
Fordham, Joe: Beyond the void: Ant-Man and the Wasp. In: Cinefex 2018. No. 160. [August] p. ?P.
Description:
On the special effects by DNEG, Scanline VFX, Rodeo FX, Method Studios, Cinesite, Digital Domain, ILM, RISE VFX and Crafty Apes. Discusses especially the work of visual effects supervisor Stéphane Ceretti, visual effects producer Susan Pickett, and special effects supervisor Daniel Sudick.
Index:
Reed, Peyton
Ceretti, Stephane
Pickett, Susan
Sudick, Daniel
Ant-Man and the Wasp (2018)
DNEG [Firma] ~ DNEG [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Scanline [Firma] ~ Scanline [Company]
Rodeo FX [Firma] ~ Rodeo FX [Company]
RISE Visual Effects Studios [Firma] ~ RISE Visual Effects Studios [Company]
Method Studios [Firma] ~ Method Studios [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Digital Domain [Firma] ~ Digital Domain [Company]
Crafty Apes [Firma] ~ Crafty Apes [Company]
Cinesite [Firma] ~ Cinesite [Company]
#77
Fordham, Joe: Dark side of the earth: Star Trek Into Darkness. In: Cinefex 2013. No. 134. [July] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Pixomondo and Atomic Fiction. Discusses especially the work of visual effects supervisor Roger Guyett, visual effects producer Ron Ames, special effects supervisor Burt Dalton and makeup effects supervisor David Leroy Anderson.
Index:
Abrams, J[effrey] J[acob]
Guyett, Roger
Ames, Ron
Dalton, Burt
Anderson, Leroy
Star Trek Into Darkness (2013)
Technik: Spezialeffekte ~ Technology: Special Effects
Atomic Fiction [Firma] ~ Atomic Fiction [Company]
Pixomondo [Firma] ~ Pixomondo [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#78
Fordham, Joe: Force strong: Star Wars: The Last Jedi. In: Cinefex 2018. No. 157. [February] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Hybride, One of Us, Base FX, The Third Floor and Stereo D.. Discusses especially the work of visual effects supervisor Ben Morris, special effects supervisor Chris Corbould and creature designer Neal Scanlan.
Index:
Johnson, Rian
Morris, Ben
Corbould, Chris
Scanlan, Neal
Star Wars: Episode VIII - The Last Jedi (2017)
Third Floor, The [Firma] ~ Third Floor, The [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Stereo D [Firma] ~ Stereo D [Company]
One Of Us [Firma] ~ One Of Us [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Hybride [Firma] ~ Hybride [Company]
Base FX [Firma] ~ Base FX [Company]
#79
Fordham, Joe: Heritage of horror: The Mummy. In: Cinefex 2017. No. 154. [August] p. ?P.
Description:
On the special effects by MPC, Double Negative, Industrial Light & Magic, Furious FX, Factory VFX, Space Monkey, StereoD, Lola Visual Effects and Proof, Inc.. Discusses especially the work of visual effects supervisor Erik Nash, special effects supervisor Dominic Tuohy and makeup effects supervisor David White.
Index:
Kurtzman, Alex
Nash, Erik
Tuohy, Dominic
White, David
Mummy, The (2017)
Space Monkey [Firma] ~ Space Monkey [Company]
Furious FX [Firma] ~ Furious FX [Company]
Factory VFX [Firma] ~ Factory VFX [Company]
Stereo D [Firma] ~ Stereo D [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Proof [Firma] ~ Proof [Company]
MPC [Firma] ~ MPC [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Horror ~ Horror
Double Negative [Firma] ~ Double Negative [Company]
#80
Fordham, Joe: Kaiju dynasty: Pacific Rim. In: Cinefex 2013. No. 135. [October] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Mirada Studios, 32TEN Studio, Ghost VFX, Hybride, Rodeo FX, Base FX, Mr. X, Spectral Motion and Legacy Effects. Discusses especially the work of visual effects supervisor John Knoll and special effects supervisors Laird McMurray, Clay Pinney and Rocco Larizza.
Index:
del Toro, Guillermo
Pacific Rim (2013)
Technik: Spezialeffekte ~ Technology: Special Effects
Legacy Effects [Firma] ~ Legacy Effects [Company]
Spectral Motion [Firma] ~ Spectral Motion [Company]
Mr. X [Firma] ~ Mr. X [Company]
Base FX [Firma] ~ Base FX [Company]
Rodeo FX [Firma] ~ Rodeo FX [Company]
Hybride [Firma] ~ Hybride [Company]
Ghost VFX [Firma] ~ Ghost VFX [Company]
32TEN Studio [Company]
Mirada Studios [Firma] ~ Mirada Studios [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#81
Fordham, Joe: Lightning in the bottle: Ready Player One. In: Cinefex 2018. No. 159. [June] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Digital Domain, Territory Studio, Aaron Sims Creative and The Third Floor. Discusses especially the work of special effects supervisor Neil Corbould.
Index:
Spielberg, Steven
Corbould, Neil
Ready Player One (2018)
Third Floor, The [Firma] ~ Third Floor, The [Company]
Territory Studio [Firma] ~ Territory Studio [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Digital Domain [Firma] ~ Digital Domain [Company]
Aaron Sims Company ~ Aaron Sims Company
#82
Fordham, Joe: Man in the moon: Hugo. In: Cinefex 2012. No. 128. [January] p. ?P.
Description:
On the special effects by Pixomondo, Uncharted Territory, ILM, Matte World Digital and New Deal Studios. Discusses especially the work of Robert Legato and Joss Williams.
Index:
Scorsese, Martin
Legato, Robert
Williams, Joss
Hugo (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
Mond ~ Moon
New Deal Studios [Firma] ~ New Deal Studios [Company]
Matte World Digital [Firma] ~ Matte World Digital [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Uncharted Territory [Firma] ~ Uncharted Territory [Company]
Pixomondo [Firma] ~ Pixomondo [Company]
#83
Fordham, Joe: Microcosmos: Ant-Man. In: Cinefex 2015. No. 143. [October] p. ?P.
Description:
On the special effects by Double Negative, Method Studios, Luma Pictures, Industrial Light & Magic, Cinesite, Lola VFX and The Third Floor. Discusses especially the work of visual effects supervisor Jake Morrison and visual effects producer Diana Giorgiutti.
Index:
Reed, Peyton
Morrison, Jake
Giorgiutti, Diana
Ant-Man (2015)
Technik: Spezialeffekte ~ Technology: Special Effects
Third Floor, The [Firma] ~ Third Floor, The [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
Cinesite [Firma] ~ Cinesite [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Luma Pictures [Firma] ~ Luma Pictures [Company]
Method Studios [Firma] ~ Method Studios [Company]
Double Negative [Firma] ~ Double Negative [Company]
#84
Fordham, Joe: Minority Report: Future reality. In: Cinefex 2002. No. 91. [October] pp. 36-77.
Description:
Especially on the special effects by Michael Lantieri and ILM for the film of Steven Spielberg.
Index:
Spielberg, Steven
Lantieri, Michael
Minority Report (2002)
Utopie ~ Utopia
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#85
Fordham, Joe: Pirates of the Caribbean: At World’s End: Into the maelstrom. In: Cinefex 2007. No. 110. [July] pp. 48-54, 59-64, 67-70, 73-79,116,118.
Description:
On the special effects by John Frazier, visual effects supervisor Charles Gibson, on the miniatures by "Kerner Optical" and the work of ILM for the film.
Index:
Verbinski, Gore
Frazier, John
Gibson, Charles
Pirates of the Caribbean: At World’s End (2007)
Kerner Optical [Firma] ~ Kerner Optical [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#86
Fordham, Joe: Pirates of the Caribbean: Dead Man’s Chest: Beneath the barnacles. In: Cinefex 2006. No. 107. [October] pp. 66-72, 75-82, 85-89.
Description:
On the special effects by ILM and the work of visual effects supervisor John Knoll, conceptual artist Mark "Crash" McCreery, makeup supervisor Ve Neill as well as the physical effects supervisors Michael Lantieri and Allen Hall.
Index:
Verbinski, Gore
Knoll, John
McCreery, Mark ""Crash""
Neil, Ve
Lantieri, Michael
Hall, Allen
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#87
Fordham, Joe: Sacred ground: Rogue One. In: Cinefex 2017. No. 151. [February] p. ?P.
Description:
On the special effects by Industrial Light & Magic. Discusses especially the work of visual effects supervisor John Knoll, makeup effects supervisor Neal Scanlan and special effects supervisor Neil Corbould.
Index:
Edwards, Gareth
Knoll, John
Scanlan, Neal
Corbould, Neil
Rogue One (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#88
Fordham, Joe: Son of the Mask: Acme effects. In: Cinefex 2005. No. 101. [April] pp. 80-112.
Description:
On Lawrence Guterman’s sequel of Charles Russell’s The Mask, discusses the special effects by "Captive Audience Productions", ILM and "Tippett Studio" as well as the work of visual effects supervisor Jamie Price and of special effects supervisor Brian Cox.
Index:
Guterman, Lawrence
Russell, Charles
Price, James
Cox, Brian
Son of the Mask (2005)
Mask, The (1994)
Tippett Studio [Firma] ~ Tippett Studio [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#89
Fordham, Joe: The Adventures of Rocky & Bullwinkle. In: Cinefantastique 32. 2000. No. 2. [August] pp. 32-43.
Description:
Discusses, among others, the special effects by ILM and the work of Keith Scott, Kenneth Lonergan and June Foray for the film. Discusses also the original cartoon show by Jay Ward.
Index:
McAnuff, Des
Scott, Keith
Lonergan, Kenneth
Foray, June
Ward, Jay
Adventures of Rocky & Bullwinkle, The (2000)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Animation: Cartoons ~ Animation: Cartoons
#90
Fordham, Joe: The Mummy Returns: Warrior kings. In: Cinefex 2001. No. 85. [April] pp. 13-16, 21-22, 27-30, 127-129.
Description:
On the special effects by ILM.
Index:
Sommers, Stephen
Mummy Returns, The (2000)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Krieg ~ War
#91
Fordham, Joe: The Spiderwick Chronicles: Fierce creatures. In: Cinefex 2008. No. 113. [April] p. ?P.
Description:
On the special effects by Tippett Studio and ILM for Mark Waters’s filming of a children’s book.
Index:
Waters, Mark
Spiderwick Chronicles, The (2008)
Technik: Spezialeffekte ~ Technology: Special Effects
Jugend ~ Youth
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Tippett Studio [Firma] ~ Tippett Studio [Company]
#92
Fordham, Joe: The spirit of ’77: Star Wars: The Force Awakens. In: Cinefex 2016. No. 145. [February] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Hybride, Base FX, Kelvin Optical and Blind Ltd.. Discusses especially the work of visual effects supervisor Roger Guyett, special effects supervisor Chris Corbould and special makeup effects supervisor Neal Scanlan.
Index:
Abrams, J[effrey] J[acob]
Guyett, Roger
Corbould, Chris
Scanlan, Neal
Star Wars: The Force Awakens (2015)
Technik: Spezialeffekte ~ Technology: Special Effects
Blind [Firma] ~ Blind [Company]
Kelvin Optical [Firma] ~ Kelvin Optical [Company]
Base FX [Firma] ~ Base FX [Company]
Hybride [Firma] ~ Hybride [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#93
Fordham, Joe: These little town blues: Downsizing. In: Cinefex 2018. No. 157. [February] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Framestore, Whiskytree, Rodeo FX, Atomic Fiction, Shade VFX, Tricky Guy VFX, Lola VFX, The Third Floor, Base FX, Halon and Mr. X.. Discusses especialy the work of visual effects supervisor James E. Price.
Index:
Payne, Alexander
Price, James E.
Downsizing (2017)
Tricky Guy [Firma] ~ Tricky Guy [Company]
Whiskytree [Firma] ~ Whiskytree [Company]
Third Floor, The [Firma] ~ Third Floor, The [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
Stadt ~ City
Shade VFX [Firma] ~ Shade VFX [Company]
Rodeo FX [Firma] ~ Rodeo FX [Company]
Mr. X [Firma] ~ Mr. X [Company]
Lola Visual Effects [Firma] ~ Lola Visual Effects [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Atomic Fiction [Firma] ~ Atomic Fiction [Company]
Halon Entertainment [Firma] ~ Halon Entertainment [Company]
Framestore CFC [Firma] ~ Framestore CFC [Company]
Base FX [Firma] ~ Base FX [Company]
#94
Fordham, Joe: War games: Battleship. In: Cinefex 2012. No. 130. [July] p. ?P.
Description:
On the special effects by ILM, Image Engine, Scanline VFX, New Deal Studios and The Embassy Visual Effects. Discusses especially the work of visual effects supervisors Pablo Helman and Grady Cofer and of special effects expert Burt Dalton.
Index:
Berg, Peter
Helman, Pablo
Cofer, Grady
Dalton, Burt
Battleship (2012)
Technik: Spezialeffekte ~ Technology: Special Effects
Krieg ~ War
Embassy, The [Firma] ~ Embassy, The [Company]
New Deal Studios [Firma] ~ New Deal Studios [Company]
Scanline [Firma] ~ Scanline [Company]
Image Engine [Firma] ~ Image Engine [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#95
Fordham, Joe: War of the Worlds: Alien apocalypse. In: Cinefex 2005. No. 103. [October] pp. 66-76, 79-87.
Description:
On Steven Spielberg’s remake of the Byron Haskin classic, especially on main actor Tom Cruise, on the special effects by ILM and on the work of visual effects supervisors Dennis Muren and Pablo Helman.
Index:
Spielberg, Steven
Haskin, Byron
Cruise, Tom
Muren, Dennis
Helman, Pablo
War of the Worlds (2005)
War of the Worlds, The (1953)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Religion: Apokalypse ~ Religion: Apocalypse
Aliens ~ Aliens
#96
French, Lawrence / Persons, Dan: Starship Troopers. In: Cinefantastique 29. 1997. No. 8. [December] pp. 16-31, 59.
Description:
Articles on the film. Discusses, among others, the work of Robert Heinlein, Ed Neumeier, Paul Verhoeven, Phil Tippett, Michael Ironside and the special effects by ILM and Sony Imageworks.
Index:
Verhoeven, Paul
Heinlein, Robert A.
Neumeier, Edward
Tippett, Phil
Ironside, Michael
Starship Troopers (1997)
Sony ~ Sony
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#97
French, Lawrence: Star Wars - Return of the Jedi: Phil Tippett on creatures effects: ILM’s monster shop supervisor on the challenging saga’s menagerie of aliens. In: Cinefantastique 28. 1997. No. 9. [March] pp. 30-31.
Index:
Tippett, Phil
Marquand, Richard
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Monster ~ Monster
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Aliens ~ Aliens
#98
Glintenkamp, Pamela: Industrial Light & Magic: The art of innovation. Foreword by Jon Favreau. Preface by Gore Verbinski. - New York: Abrams 2011.
Description:
Includes chapters on the Star Trek and Star Wars series as well as many other films.
Index:
Lucas, George
Lucas, George
Star Trek (Filmreihe)
Star Wars (Filmreihe)
Technik ~ Technology
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#99
Holben, Jay: Robots run rampant. In: American Cinematographer 90. 2009. No. 8. [August] pp. 54-58.
Description:
On the work of Ben Seresin, Scott Farrar and ILM for Michael Bay’s Transformers: Revenge of the Fallen.
Index:
Bay, Michael
Seresin, Ben
Farrar, Scott
Transformers: Revenge of the Fallen (2009)
Roboter ~ Robots
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#100
Jurassic Park: Spielbergs Geschäftssinn und ILMs Hich Tech-Effekte bringen die Dinosaurier zurück. In: Moviestar 1. 1993. No. 2. [August/September] pp. 20-22.
Index:
Spielberg, Steven
Jurassic Park (1993)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Dinosaurier ~ Dinosaurs
#101
Kaplan, Michael: Industrial Light & Magic effects for Young Sherlock Holmes. In: Cinefantastique 16. 1986. No. 2. [May] pp. 39, 52.
Index:
Levinson, Barry
Young Sherlock Holmes (1985)
Technik: Spezialeffekte ~ Technology: Special Effects
Magie ~ Magic
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#102
Könekamp, Torsten: ILM: Illusionen, Legenden, Magie: George Lucas’ virtuose Hexenmeister. In: Cinema [Hamburg] 1991. No. 11(162). [?D] pp. 98-101.
Description:
On Lucas’s special effects company "Industrial Light and Magic".
Index:
Lucas, George
Magie ~ Magic
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#103
Le Péron, Serge: Lucas Film: Ça marche. In: Cahiers du Cinéma 1982. No. 334/335. [April] pp. 92-93.
Description:
Interview with Tom Smith, the director of Lucas’s special effects company "Industrial Light and Magic".
Index:
Smith, Tom
Lucas, George
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#104
Lee, Nora: Star Trek III - The Search For Spock. In: American Cinematographer 65. 1984. No. 8. [August/September] pp. 54-63.
Description:
On the special effects by ILM for the film.
Index:
Nimoy, Leonard
Star Trek III - The Search for Spock (1984)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#105
Lee, Nora: Zsigmond, ILM shoot the bull. In: American Cinematographer 71. 1990. No. 4. [April] pp. 58, 60, 62, 65-66.
Description:
On the collaboration between Vilmos Zsigmond, Lucasfilm and ILM for creating advertisement films.
Index:
Zsigmond, Vilmos
Lucasfilm [Firma] ~ Lucasfilm [Company]
Technik ~ Technology
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#106
Lokotsch, Stephan / Orlin, Scott / Stahl, Eric: Die Meister der digitalen Magie. In: Cinema [Hamburg] 1994. No. 12(199). [?D] pp. 51-54.
Description:
On the special effects company "Industrial Light & Magic" and their digital animations for Charles Russell’s The Mask.
Index:
Russell, Charles
Mask, The (1994)
Technik: Spezialeffekte ~ Technology: Special Effects
Magie ~ Magic
Technik: Computer ~ Technology: Computer
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik ~ Technology
Animation ~ Animation
#107
Luskin, Jonathan: Riders on the storm. In: Cinefex 1996. No. 66. [June] p. ?P.
Description:
On the special effects by ILM for Twister, especially on the work of John Frazier.
Index:
De Bont, Jan
Frazier, John
Twister (1996)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#108
Magid, Ron: 3M’s "Image" ad dazzles eye of the beholder. In: American Cinematographer 75. 1994. No. 10. [October] pp. 26-32.
Description:
On Steve Beck’s surrealistic advertisement films, produced by ILM.
Index:
Beck, Steve
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Augen ~ Eyes
Surrealismus ~ Surrealism
#109
Magid, Ron: A chilling chamber. In: American Cinematographer 83. 2002. No. 7. [July] pp. 46-49.
Description:
On the special effects by ILM for Spielberg’s Minority Report.
Index:
Spielberg, Steven
Minority Report (2002)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#110
Magid, Ron: Astonishing effects slate for Future. In: American Cinematographer 70. 1989. No. 12. [December] pp. 44-56.
Description:
On the special effects by ILM for Robert Zemeckis’s Back to the Future II; especially on the work of Ken Ralston.
Index:
Zemeckis, Robert
Ralston, Ken
Back to the Future II (1989)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#111
Magid, Ron: Bugging the Men in Black. In: American Cinematographer 78. 1997. No. 12. [December] pp. 102-103.
Description:
On the special effects by ILM.
Index:
Sonnenfeld, Barry
Men in Black (1997)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#112
Magid, Ron: Busting ghosts - Job that keeps returning. In: American Cinematographer 70. 1989. No. 12. [December] pp. 82-88.
Description:
On the special effects by ILM for Ghostbusters II; especially on the work of Dennis Muren.
Index:
Reitman, Ivan
Muren, Dennis
Ghostbusters II (1989)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
Geister ~ Ghosts
#113
Magid, Ron: Congo goes with the flow: Effects team concocts special recipe for lava. In: American Cinematographer 76. 1995. No. 12. [December] pp. 77-78.
Description:
On the film by Frank Marshall based on a novel by Michael Crichton and on the volcano effects by ILM.
Index:
Marshall, Frank
Crichton, Michael
Congo (1995)
Vulkane ~ Volcanos
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#114
Magid, Ron: Dennis Muren on Innerspace effects by ILM. In: Cinefantastique 18. 1987. No. 1. [December] pp. 43, 61.
Index:
Dante, Joe
Muren, Dennis
Innerspace (1987)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#115
Magid, Ron: Dragonheart fulfills filmic quest. In: American Cinematographer 77. 1996. No. 6. [June] pp. 96-105.
Description:
Especially on the work of cinematographer David Eggby, of special effects artist Scott Squires and of ILM for the film.
Index:
Cohen, Rob
Eggby, David
Squires, Scott
Dragonheart (1996)
Technik: Kamera ~ Technology: Camera
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#116
Magid, Ron: Effects team brings dinosaurs back from extinction. In: American Cinematographer 74. 1993. No. 6. [June] pp. 46-52.
Description:
On the special effects by ILM for Jurassic Park.
Index:
Spielberg, Steven
Jurassic Park (1993)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
Dinosaurier ~ Dinosaurs
#117
Magid, Ron: Fine-tuning Radioland Murders. In: American Cinematographer 76. 1995. No. 3. [March] pp. 66-72.
Description:
On the special effects by ILM.
Index:
Smith, Mel
Radioland Murders (1994)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#118
Magid, Ron: Growing pains. In: American Cinematographer 84. 2003. No. 7. [July] pp. 46-57.
Description:
On the special effects by ILM artists Dennis Muren and Ed Hirsh for Lee Ang’s The Hulk.
Index:
Lee Ang
Muren, Dennis
Hirsh, Ed
Hulk, The (2003)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#119
Magid, Ron: High-tech noon. In: American Cinematographer 80. 1999. No. 7. [July] pp. 48-53.
Description:
On the special effects by ILM for Barry Sonnenfeld’s Wild Wild West.
Index:
Sonnenfeld, Barry
Wild Wild West (1999)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#120
Magid, Ron: ILM creates new universe of effects for Star Trek: Generations. In: American Cinematographer 76. 1995. No. 4. [April] pp. 78-88.
Index:
Carson, David
Star Trek - Generations (1994)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#121
Magid, Ron: ILM employs old-fashioned ingenuity for Fire in the Sky. In: American Cinematographer 74. 1993. No. 12. [December] pp. 81-87.
Description:
On the film by Robert Lieberman and Michael Owens.
Index:
Lieberman, Robert
Owens, Michael
Fire in the Sky (1993)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#122
Magid, Ron: ILM gets a piece of the action. In: American Cinematographer 73. 1992. No. 1. [January] pp. 58-65.
Description:
On the special effects for the film Star Trek VI - The Undiscovered Country
Index:
Meyer, Nicholas
Star Trek VI - The Undiscovered Country (1991)
Action ~ Action
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#123
Magid, Ron: ILM magic is organzied mayhem. In: American Cinematographer 75. 1994. No. 12. [December] pp. 50-56.
Description:
On the special effects for Charles Russell’s The Mask.
Index:
Russell, Charles
Mask, The (1994)
Magie ~ Magic
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#124
Magid, Ron: ILM meets The Flintstones. In: American Cinematographer 75. 1994. No. 7. [July] pp. 58-65, 67-69.
Description:
On computer generated special effects for the film by Brian Levant.
Index:
Levant, Brian
Flintstones, The (1994)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Computer ~ Technology: Computer
#125
Magid, Ron: ILM’s digital dinosaurs tear up effects jungle. In: American Cinematographer 74. 1993. No. 12. [December] pp. 46-57.
Description:
On computer generated special effects for Jurassic Park.
Index:
Spielberg, Steven
Jurassic Park (1993)
Technik: Computer ~ Technology: Computer
Dschungel ~ Jungle
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
Dinosaurier ~ Dinosaurs
#126
Magid, Ron: Innerspace: A microscopic adventure. In: American Cinematographer 68. 1987. No. 8. [August] pp. 54-63.
Description:
Especially on the special effects by ILM.
Index:
Dante, Joe
Innerspace (1987)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
Abenteuer ~ Adventure
#127
Magid, Ron: Making Mission possible. In: American Cinematographer 77. 1996. No. 12. [December] pp. 82-83.
Description:
On the special effects by ILM for Brian De Palma’s Mission: Impossible.
Index:
De Palma, Brian
Mission: Impossible (1996)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#128
Magid, Ron: Making waves. In: American Cinematographer 81. 2000. No. 7. [July] pp. 104-109.
Description:
On the special effects by ILM for Wolfgang Petersen’s The Perfect Storm.
Index:
Petersen, Wolfgang
Perfect Storm, The (2000)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#129
Magid, Ron: Renewing the Star Wars sequels. In: American Cinematographer 78. 1997. No. 4. [April] pp. 58-68.
Description:
On the digital restored Star Wars films and especially on the work of ILM.
Index:
Lucas, George
Kershner, Irvin
Marquand, Richard
Star Wars (Filmreihe)
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Technik: Computer ~ Technology: Computer
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Star Wars ~ Star Wars
#130
Magid, Ron: Star Trek VI: ILM’s effects final frontier. In: Cinefantastique 22. 1992. No. 5. [April] p. 47.
Index:
Meyer, Nicholas
Star Trek VI - The Undiscovered Country (1991)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#131
Magid, Ron: Strange invaders. In: American Cinematographer 77. 1996. No. 12. [December] pp. 50-56.
Description:
On the special effects by ILM for Tim Burton’s Mars Attacks!.
Index:
Burton, Tim
Mars Attacks! (1996)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#132
Magid, Ron: The Golden Child effects by ILM that you didn’t see. In: Cinefantastique 17. 1987. No. 3/4. [June] p. 103.
Index:
Ritchie, Michael
Golden Child, The (1986)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#133
Magid, Ron: Transparent effects make Casper a landmark: ILM combines slapstick and supernatural. In: American Cinematographer 76. 1995. No. 12. [December] pp. 54-60.
Index:
Silberling, Brad
Casper (1995)
Technik: Spezialeffekte ~ Technology: Special Effects
Wunder ~ Miracles
Humor ~ Humor
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#134
Magid, Ron: Twister kicks up a storm. In: American Cinematographer 77. 1996. No. 12. [December] pp. 76-81.
Description:
On the special effects by ILM and the work of Stefen Fangmeier for the film.
Index:
De Bont, Jan
Fangmeier, Stefen
Twister (1996)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#135
Magid, Ron: Views of the future. In: American Cinematographer 82. 2001. No. 8. [August] pp. 60-67.
Description:
On the special effects by ILM for Steven Spielberg’s A.I., especially on the work of Dennis Muren, Scott Farrar and Stan Winston.
Index:
Spielberg, Steven
Muren, Dennis
Farrar, Scott
Winston, Stan
A.I. - Artificial Intelligence (2001)
Utopie ~ Utopia
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#136
Magid, Ron: Welcome to the jungle. In: American Cinematographer 77. 1996. No. 2. [February] pp. 73-80.
Description:
On Joe Johnston’s Jumanji and the special effects by ILM.
Index:
Johnston, Joe
Jumanji (1995)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Dschungel ~ Jungle
#137
Magid, Ron: Where no Trek has gone before. In: American Cinematographer 77. 1996. No. 12. [December] pp. 68-74.
Description:
On the special effects by ILM for Jonathan Frakes’s Star Trek - First Contact.
Index:
Frakes, Jonathan
Star Trek - First Contact (1996)
Star Trek (Filmreihe)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#138
Magid, Ron: Willow: Grandiose showplace for visuals. In: American Cinematographer 69. 1988. No. 7. [July] pp. 76-88.
Description:
On the special effects by ILM.
Index:
Howard, Ron
Willow (1988)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#139
Magni, Federico: Meraviglioso: Effetti speciali al cinema. - Alessandria: Edizioni Falsopiano 2014. (= Falsopiano cinema.)
Index:
Lucas, George
Star Wars (Filmreihe)
Technik ~ Technology
Star Wars ~ Star Wars
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#140
Malmquist, Allen: Star Trek III: Star Trek’s ILM look. In: Cinefantastique 17. 1987. No. 3/4. [June] pp. 64-67.
Index:
Nimoy, Leonard
Star Trek III - The Search for Spock (1984)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Star Trek ~ Star Trek
#141
Mandell, Paul: Poltergeist - stilling the restless animus. In: Cinefex 1982. No. 10. [October] pp. 4-39.
Description:
On the special effects by ILM.
Index:
Hooper, Tobe
Poltergeist (1982)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#142
Mandell, Paul: Tauntauns, walkers and probots. In: Cinefex 1980. No. 3. [December] pp. 4-41.
Description:
On the special effects by ILM for The Empire Strikes Back.
Index:
Kershner, Irvin
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Roboter ~ Robots
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#143
Martin, Kevin H.: A walk on the wild side. In: Cinefex 1999. No. 79. [October] pp. 15-18, 23-24, 29-34, 39-40, 133-136, 141-142.
Description:
On the digital special effects by ILM and Cinecite for Barry Sonnenfeld’s Wild Wild West, especially on the work of Rick Baker and Michael Lantieri.
Index:
Sonnenfeld, Barry
Baker, Rick
Lantieri, Michael
Wild Wild West (1999)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#144
Martin, Kevin H.: Deep Impact: The angry rock. In: Cinefex 1998. No. 74. [July] pp. 13-14, 19-22, 139-140.
Description:
On the digital special effects by ILM for Mimi Leder’s Deep Impact.
Index:
Leder, Mimi
Deep Impact (1998)
Technik: Computer ~ Technology: Computer
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#145
Martin, Kevin H.: Incredible effects: The Hulk is brought to big-screen life not by gamma radiation, but by ILM’s equally powerful animation. In: Cinefantastique 35. 2003. No. 3. [June/July] pp. 28-29.
Index:
Lee Ang
Hulk, The (2003)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Animation ~ Animation
#146
Martin, Kevin H.: Kirk out. In: Cinefex 1995. No. 61. [March] pp. 62-77.
Description:
On the special effects by ILM for Star Trek - Generations.
Index:
Carson, David
Star Trek - Generations (1994)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#147
Martin, Kevin H.: Letting slip the dogs of war. In: Cinefex 1992. No. 49. [February] pp. 40-59.
Description:
On the special effects by ILM for Star Trek VI: The Undiscoverd Country, especially on the work of Michael J. Mills.
Index:
Meyer, Nicholas
Mills, Michael J.
Star Trek VI - The Undiscovered Country (1991)
Technik: Spezialeffekte ~ Technology: Special Effects
Krieg ~ War
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#148
Martin, Kevin H.: Life neverlasting. In: Cinefex 1992. No. 52. [November] pp. 54-75.
Description:
On the special effects by ILM and Amalgamated Dynamics for Death Becomes Her, especially on the work of Dick Smith and Kevin Haney.
Index:
Zemeckis, Robert
Smith, Dick
Haney, Kevin
Death Becomes Her (1992)
Amalgamated Dynamics [Firma] ~ Amalgamated Dynamics [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#149
Martin, Kevin H.: Mission accomplished. In: Cinefex 2000. No. 81. [April] pp. 60-81.
Description:
On the digital special effects byDream Quest Images and ILM for Mission to Mars.
Index:
De Palma, Brian
Mission to Mars (2000)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Dream Quest Images [Firma] ~ Dream Quest Images [Company]
#150
Martin, Kevin H.: Phoenix rising. In: Cinefex 1997. No. 69. [March] pp. 98-119.
Description:
On the special effects by ILM and the work of makeup artist Michael Westmore for Star Trek - First Contact.
Index:
Frakes, Jonathan
Westmore, Michael
Star Trek - First Contact (1996)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#151
Martin, Kevin H.: Playing with fire. In: Cinefex 1990. No. 44. [November] pp. 52-67.
Description:
On the special effects by ILM for Spielberg’s Always, besonders on the work of Mike Wood.
Index:
Spielberg, Steven
Wood, Mike
Always (1989)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#152
Martin, Kevin H.: War stories. In: Cinefex 1996. No. 65. [March] pp. 70-93.
Description:
On the founding of the special effects company "Industrial Light & Magic" and its meaning for the Star Wars films.
Index:
Lucas, George
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Star Wars (Filmreihe)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
Krieg ~ War
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#153
Mehring, Frank: Illusionsinjektionen: Träume auf Zelluloid: Industrial Light & Magic. In: Film-Dienst 56. 2003. No. 23. [November 4] pp. 13-14.
Description:
On the special effects company.
Index:
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#154
Munson, Brad: Building a better Pug. In: Cinefex 2002. No. 91. [October] pp. 82-116.
Description:
On the special effects by Rick Baker and ILM for Men in Black II.
Index:
Sonnenfeld, Barry
Baker, Rick
Men in Black II (2002)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#155
Munson, Brad: The final voyage of the starhip "Enterprise". In: Cinefex 1984. No. 18. [August] pp. 42-67.
Description:
On the special effects by Ken Ralston and ILM for Star Trek III.
Index:
Nimoy, Leonard
Ralston, Ken
Star Trek III - The Search for Spock (1984)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#156
Nordman, January: Ghostly light and shadow. In: American Cinematographer 71. 1990. No. 12. [December] pp. 77-78.
Description:
On the special effects by ILM for Ghost.
Index:
Zucker, Jerry
Ghost (1990)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Geister ~ Ghosts
Technik: Spezialeffekte ~ Technology: Special Effects
#157
Orlin, Scott / Ströh, Christian: Die neue Dimension der Spezialeffekte. In: Cinema [Hamburg] 1992. No. 1(164). [?D] pp. 86-88.
Description:
On Scott Scuires’s Space Race and the special effects by ILM.
Index:
Squires, Scott
Space Race Ride (1993)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#158
Pourroy, Janine: Backyard adventures - Spielberg style. In: Cinefex 1985. No. 24. [November] pp. 38-67.
Description:
On the special effects by ILM for The Goonies and Back to the Future.
Index:
Donner, Richard
Zemeckis, Robert
Spielberg, Steven
Goonies, The (1985)
Back to the Future (1985)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Abenteuer ~ Adventure
#159
Pourroy, Janine: Basic Black. In: Cinefex 1997. No. 70. [June] pp. 15-20, 23-26, 31-32, 37-38, 43-44, 155-156, 166.
Description:
On the special effects by ILM and the work of makeup artist Rick Baker for Men in Black.
Index:
Sonnenfeld, Barry
Baker, Rick
Men in Black (1997)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#160
Pourroy, Janine: Inside Martin Short. In: Cinefex 1987. No. 32. [November] pp. 42-67.
Description:
On the special effects by "Industrial Light and Magic" for Joe Dante’s Innerspace.
Index:
Dante, Joe
Innerspace (1987)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#161
Pourroy, Janine: Unfriendly skies. In: Cinefex 1993. No. 54. [May] pp. 9-10.
Description:
On the special effects by ILM for Fire in the Sky.
Index:
Lieberman, Robert
Owens, Michael
Fire in the Sky (1993)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#162
Ralston, Ken / Smith, A. R. / Veilleux, Jim: Special effects for Star Trek II - The Wrath of Khan. In: American Cinematographer 63. 1982. No. 10. [October] pp. 1030-1039, 1048, 1050-1054, 1056, 1058.
Description:
ILM’s Special effects artists Ken Ralston and Jim Veilleux on the Star Trek film.
Index:
Meyer, Nicholas
Ralston, Ken
Veilleux, Jim
Star Trek II - The Wrath of Khan (1982)
Technik: Spezialeffekte ~ Technology: Special Effects
Star Trek ~ Star Trek
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#163
Reid, Craig: John Dykstra: Effects supervisor: The architect of ILM on the innovation of Star Wars. In: Cinefantastique 29. 1997. No. 1. [July] p. 44.
Description:
On the special effects for Joel Schumacher’s Batman & Robin.
Index:
Schumacher, Joel
Dykstra, John
Batman & Robin (1997)
Star Wars (Filmreihe)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#164
Ringler, Mathias J.: Die Digitalisierung Hollywoods: Zu Kohärenz von Ökonomie-, Technik- und Ästhetikgeschichte und der Rolle von Industrial Light & Magic. - Konstanz: UVK 2009.
Reviews:
Gajic, Alexander: Quo vadis? In: EPD Film 27. 2010. No. 5. [May] p. 61.
Heller, Franziska: [untitled.] In: Medienwissenschaft 2011. No. 4. pp. 491-493.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Hollywood ~ Hollywood
#165
Robertson, Barbara: Dark magic. In: Computer Graphics World 30. 2007. No. 8. [August] pp. 14-18.
Description:
On the ILM special effects for David Yates’s Harry Potter and the Order of the Phoenix.
Index:
Yates, David
Harry Potter and the Order of the Phoenix (2007)
Technik: Spezialeffekte ~ Technology: Special Effects
Magie ~ Magic
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#166
Robertson, Barbara: Weighty matters. In: Computer Graphics World 32. 2009. No. 7. [July] pp. 20-29.
Description:
On the special effects by ILM and Digital Domain for Michael Bay’s Transformers: Revenge of the Fallen.
Index:
Bay, Michael
Transformers: Revenge of the Fallen (2009)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Digital Domain [Firma] ~ Digital Domain [Company]
#167
Salza, Giuseppe: La storia di Industrial Light & Magic. In: Segnocinema 6. 1986. No. 21. [January] pp. 25-26.
Index:
Lucas, George
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Technik ~ Technology
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#168
Schlockoff, Alain: Les effets speciaux visuels ILM. In: L’Écran Fantastique 2003. No. 235. [July/August] pp. 48-50.
Description:
On the special effects for Lee Ang’s The Hulk.
Index:
Lee Ang
Hulk, The (2003)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#169
Shay, Don: 30 minutes with the Godfather of digital cinema. In: Cinefex 1996. No. 65. [March] pp. 58-67.
Description:
Interview with George Lucas on his special effects company "Industrial Light & Magic" and its work for the Star Wars films.
Index:
Lucas, George
Star Wars (Filmreihe)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#170
Shay, Don: Of ice planets, bog planets and cities in the sky. In: Cinefex 1980. No. 2. [August] pp. 4-23.
Description:
On the special effects by ILM for Irvin Kershner’s The Empire Strikes Back.
Index:
Kershner, Irvin
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Stadt ~ City
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#171
Shay, Don: The wrath of God ... and other illusions. In: Cinefex 1981. No. 6. [October] pp. 62-79.
Description:
On the special effects by ILM for Raiders of the Lost Ark.
Index:
Spielberg, Steven
Raiders of the Lost Ark (1982)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
Religion ~ Religion
#172
Shay, Estelle: Thoroughly modern mummy. In: Cinefex 1999. No. 77. [April] pp. 100-119.
Description:
On the digital special effects by ILM for Stephen Sommers’s The Mummy, especially on the work of John Berton.
Index:
Sommers, Stephen
Berton Jr., John Andrew
Mummy, The (1999)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Mumien ~ Mummies
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#173
Sleight of hand will become cheaper. In: American Film 14. 1989. No. 4. [?D] pp. 32-33.
Description:
On ILM’s new techniques of creating digital special effects.
Index:
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#174
Smith, Thomas G.: Industrial Light and Magic: The art of special effects. - New York: Ballantine Books 1986.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#175
Solman, Gregory: The illusion of a future. In: Film Comment 28. 1992. No. 2. [March/April] pp. 32-39, 41.
Description:
On the history of George Lucas’s special effects company ILM. Includes a filmography.
Index:
Lucas, George
Technik: Spezialeffekte ~ Technology: Special Effects
Utopie ~ Utopia
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Animation ~ Animation
#176
Stasukevich, Iain: ILM projects terror. In: American Cinematographer 92. 2011. No. 7. [July] p. 28.
Description:
On the special effects for J. J. Abrams’s Super 8.
Index:
Abrams, J[effrey] J[acob]
Super 8 (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#177
Turner, George: Computer imagery enhances Die Hard II. In: American Cinematographer 71. 1990. No. 12. [December] pp. 58-61.
Description:
On the special effects by ILM for the film.
Index:
Harlin, Renny
Die Hard II (1990)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Computer ~ Technology: Computer
Technik: Spezialeffekte ~ Technology: Special Effects
#178
Turner, George: Die Hard II: Terror takes the skies. In: American Cinematographer 71. 1990. No. 12. [December] pp. 50-56.
Description:
On the special effects by ILM for the film.
Index:
Harlin, Renny
Die Hard II (1990)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#179
Turner, George: Ghost: This year’s sleeper hit. In: American Cinematographer 71. 1990. No. 12. [December] pp. 68-76.
Description:
On the special effects by ILM for the film.
Index:
Zucker, Jerry
Ghost (1990)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#180
Turner, George: Terminator II: For FX, the future is now. In: American Cinematographer 72. 1991. No. 12. [December] pp. 62-69.
Description:
Interview with Dennis Muren on the special effects and the trick techniques by ILM for the film by James Cameron.
Index:
Cameron, James
Muren, Dennis
Terminator II - Judgement Day (1991)
Technik ~ Technology
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Utopie ~ Utopia
Technik: Spezialeffekte ~ Technology: Special Effects
#181
Turnock, Julie: Before Industrial Light and Magic: The independent Hollywood special effects business, 1968-75. In: New Review of Film and Television Studies 7. 2009. No. 2. [June] pp. 133-156.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Technik ~ Technology
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Hollywood ~ Hollywood
#182
Turnock, Julie: The ILM version: Recent digital effects and the aesthetics of 1970s cinematography. In: Film History 24. 2012. No. 2. pp. 158-168.
Description:
Discusses especially the effects for the original Star Wars trilogy.
Index:
Lucas, George
Star Wars (Filmreihe)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Kamera ~ Technology: Camera
Technik ~ Technology
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Computer ~ Technology: Computer
#183
Unter der ILM-Lupe: Martins Magengeschwüre. In: Geheim. Hrsg. von Dirk Manthey und Jörg Altendorf. Autoren: Christian Hellmann, Artur Jung, Andreas Kern und Richard Pleuger. - Hamburg: Kino Verlag 1990. (= Cinema Filmbuch.) pp. 87-90.
Description:
On the special effects for Joe Dante’s Innerspace.
Index:
Dante, Joe
Innerspace (1987)
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
Technik: Spezialeffekte ~ Technology: Special Effects
#184
van Hise, James: Dragonheart. In: Cinefantastique 28. 1996. No. 2. [September] pp. 46-51, 62.
Description:
Discusses, among others, the special effects by Phil Tippett and ILM.
Index:
Cohen, Rob
Tippett, Phil
Dragonheart (1996)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#185
Van Hise, James: Spawn: Computer graphics effects by ILM: Chris Kubsch and Steven Williams on visualizing a comic book world. In: Cinefantastique 29. 1997. No. 3. [September] pp. 40-42.
Index:
Dippé, Mark A. Z.
Kubsch, Chris
Williams, Steven
Spawn (1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Animation: Comics ~ Animation: Comics
Technik: Computer ~ Technology: Computer
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#186
Van Hise, James: Spawn: Director Marc Dippé and ILM bring Todd McFarlane’s hit comic book to the screen. In: Cinefantastique 29. 1997. No. 1. [July] pp. 14-15.
Index:
Dippé, Mark A. Z.
McFarlane, Todd
Spawn (1997)
Animation: Comics ~ Animation: Comics
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#187
Van Hise, James: Spawn: ILM refugees take the reins of comic epic. In: Cinefantastique 29. 1997. No. 2. [August] p. 7.
Index:
Dippé, Mark A. Z.
Spawn (1997)
Animation: Comics ~ Animation: Comics
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#188
Van Hise, James: Spawn: Mark Dippé, director: ILM’s T2 effects wizard expands his vision. In: Cinefantastique 29. 1997. No. 3. [September] pp. 36-37.
Index:
Dippé, Mark A. Z.
McFarlane, Todd
Spawn (1997)
Terminator II - Judgement Day (1991)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#189
Van Hise, James: The special effects of ILM. In: Cinefantastique 13. 1982. No. 2/3 [?D] pp. 19-21.
Description:
On Steven Spielberg’s E.T. - The Extra-Terrestrial.
Index:
Spielberg, Steven
E.T. - The Extra-Terrestrial (1982)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#190
Wagner, Chuck: Film effects for The Mummy Returns. In: Cinefantastique 33. 2001. No. 4. [August] pp. 58-59.
Description:
Discusses especially the work of ILM visual effects supervisor John Berton.
Index:
Sommers, Stephen
Berton Jr., John Andrew
Mummy Returns, The (2000)
Technik: Spezialeffekte ~ Technology: Special Effects
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
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