The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Jarmusch, Jim
number of items: 62
| ?O | City of publication unknown |
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| ?J | Year of publication unknown |
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| ?D | Date of publication unknown |
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#1
Aufdermauer, Heiko: Nimm mir mein Ich: Über metaphysische Elemente im Amerikanischen Independent Kino. - Saarbrücken: VDM Verlag Dr. Müller 2011.
Description:
Discusses, among others, Jim Jarmusch’s Dead Man, Francis Ford Coppola’s Apocalypse Now and the films of David Lynch.
Index:
Jarmusch, Jim
Coppola, Francis Ford
Lynch, David
Dead Man (1995)
Apocalypse Now (1976-1979)
USA (United States of America) ~ USA (United States of America)
Religion ~ Religion
#2
Beier, Lars-Olav / Borcholte, Andreas: Fotogener Verfall. In: Der Spiegel 67. 2013. No. 52. [December 21] p. 103.
Description:
Interview with director Jim Jarmusch on Only Lovers Left Alive.
Index:
Jarmusch, Jim
Only Lovers Left Alive (2013)
Vampire ~ Vampires
#3
Biodrowski, Steve: Dead Man. In: Cinefantastique 28. 1996. No. 1. [August] p. 54.
Index:
Jarmusch, Jim
Dead Man (1995)
#4
Bradshaw, Nick: Only Lovers Left Alive. In: Sight and Sound NS 24. 2014. No. 3. [March] pp. 88-89.
Index:
Jarmusch, Jim
Only Lovers Left Alive (2013)
#5
Brauner, Frank: Mistery Drain: Dead Man. In: Splatting Image 1995. No. 24. [December] pp. 59-60.
Index:
Jarmusch, Jim
Dead Man (1995)
#6
Brooks, Xan: Ghost Dog The Way of the Samurai. In: Sight and Sound NS 10. 2000. No. 5. [May] pp. 49-50.
Index:
Jarmusch, Jim
Ghost Dog: The Way of the Samurai (1999)
#7
Busche, Andreas: Unsterblich schön: Eine Begegnung mit Jim Jarmusch. In: EPD Film 30. 2013. No. 12. [December] pp. 16-20.
Description:
Interview, especially on Only Lovers Left Alive.
Index:
Jarmusch, Jim
Only Lovers Left Alive (2013)
#8
Colleran, Daniel Ellington: Dead Man’s space and the language of democracy on the American frontier. - New York: City University of New York, Ph.D. 2012. [Abstract in: Dissertation Abstracts International A 73. 2013. No. 9. (March).]
Description:
On the traces of Henri Michaux’s and William Blake’s art work in Jim Jarmusch’s film.
Index:
Jarmusch, Jim
Michaux, Henri
Blake, William
Dead Man (1995)
USA (United States of America) ~ USA (United States of America)
#9
Curley, Melissa Anne-Marie: Dead men don’t lie: Sacred texts in Jim Jarmusch’s Dead Man and Ghost Dog: Way of the Samurai. In: Journal of Religion and Film 12. 2008. No. 2. [October] p. ?P.
Index:
Jarmusch, Jim
Dead Man (1995)
Ghost Dog: The Way of the Samurai (1999)
Religion ~ Religion
#10
Curnutte, Rick: Mad poets: William Blake, Jim Jarmusch and Dead Man. In: The Film Journal [Ohio] 2002. No. 1. [May] p. ?P.
Index:
Jarmusch, Jim
Blake, William
Dead Man (1995)
Wahnsinn ~ Madness
#11
Dead Man. - Uttendorf: Herbert Wilfinger ?J. (= Filmindex 117.)
Index:
Jarmusch, Jim
Dead Man (1995)
#12
Dead Man. - Remagen: Rudolf Benda ?J. (= Projekt Filmprogramm 84.)
Index:
Jarmusch, Jim
Dead Man (1995)
#13
Dead Man (Dead Man) In: Filme der 90er. Hrsg. von Jürgen Müller in Zusammenarbeit mit Herbert Klemens Filmbild Fundus Robert Fischer. - Köln; London; Madrid; New York; Tokyo: Taschen Verlag 2001. pp. 324 ff.
Index:
Jarmusch, Jim
Dead Man (1995)
#14
Dittgen, Andrea: Ghost Dog: Der Weg des Samuarai. In: Film-Dienst 53. 2000. No. 1. [January 4] pp. 24-25.
Index:
Jarmusch, Jim
Ghost Dog: The Way of the Samurai (1999)
#15
Dittgen, Andrea: Ten Minutes Older - The Trumpet. In: Film-Dienst 55. 2002. No. 26. [December 17] pp. 30-31.
Index:
Kaurismäki, Aki
Erice, Victor
Herzog, Werner
Jarmusch, Jim
Wenders, Wim
Lee, Spike
Chen Kaige
Ten Minutes Older - The Trumpet (2002)
#16
Falcon, Richard: Ten Minutes Older The Trumpet. In: Sight and Sound NS 13. 2003. No. 12. [December] pp. 53-54.
Index:
Kaurismäki, Aki
Erice, Victor
Herzog, Werner
Jarmusch, Jim
Wenders, Wim
Lee, Spike
Chen Kaige
Ten Minutes Older - The Trumpet (2002)
#17
Ghost Dog - Der Weg des Samurai. - Remagen: Rudolf Benda ?J. (= Projekt Filmprogramm 117.)
Index:
Jarmusch, Jim
Ghost Dog: The Way of the Samurai (1999)
#18
Ghost Dog - Der Weg des Samurai. - Uttendorf: Herbert Wilfinger ?J. (= Filmindex 460.)
Index:
Jarmusch, Jim
Ghost Dog: The Way of the Samurai (1999)
#19
Greuner, Suzanne: Dead Man. In: EPD Film 13. 1996. No. 1. [January] pp. 38-39.
Index:
Jarmusch, Jim
Dead Man (1995)
#20
Hall, Mary Katherine: Now you are a killer of white men: Jim Jarmusch’s Dead Man and traditions of revisionism in the western. In: Journal of Film and Video 52. 2001. No. 4. [?D] pp. 3-14.
Index:
Jarmusch, Jim
Dead Man (1995)
Western-Filme ~ Western Films
Mord ~ Murder
#21
Hanel, Heiko: Ozu/Keaton/Jarmusch: The Blessing Bell. In: Splatting Image 2003. No. 56. [December] pp. 58-59.
Index:
Tanaka, Hiroyuki [Pseudonym: Sabu]
Ozu, Yasujirô
Keaton, Buster
Jarmusch, Jim
Koufuko no kane (2002)
#22
Hastie, Amelie: The vulnerable spectator: Blood and photons: The fundamental particles of Only Lovers Left Alive. In: Film Quarterly 68. 2014. No. 1. [Fall] p. 63-68.
Index:
Jarmusch, Jim
Only Lovers Left Alive (2013)
Blut ~ Blood
#23
Horiya, Hiromi: Ghost Dog ou l’utopie du samouraï. In: Cinémaction 2005. No. 115. [March] pp. 85-88.
Index:
Jarmusch, Jim
Ghost Dog: The Way of the Samurai (1999)
Samurai ~ Samurai
Utopie ~ Utopia
#24
James, Nick [et al.]: Remembering Abbas Kiarostami. In: Sight and Sound NS 26. 2016. No. 9. [September] pp. 48-52.
Description:
Includes tributes from Victor Erice, Shirin Neshat, Mike Leigh, Nicolas Philibert, John Akomfrah, and Jim Jarmusch.
Index:
Kiarostami, Abbas
Erice, Victor
Neshat, Shirin
Leigh, Mike
Philibert, Nicolas
Akomfrah, John
Jarmusch, Jim
#25
Jones, Kent: Dead Man. In: Cineaste 22. 1996. No. 2. [?D] pp. 45-46.
Index:
Jarmusch, Jim
Dead Man (1995)
#26
Kirsner, Inge: Dead Man - Die Geschichte eines Todes. In: Gewalt: Filmanalysen für den Religionsunterricht. Hrsg. von Inge Kirsner und Michael Wermke. - Göttingen: Vandenhoeck & Ruprecht 2004. pp. 79 ff.
Index:
Jarmusch, Jim
Dead Man (1995)
Pädagogik ~ Paedagogy
Tod ~ Death
Gewalt ~ Violence
Religion ~ Religion
#27
Kleiner, Felicitas: Verweile doch, du bist so schön: Only Lovers Left Alive: Jim Jarmuschs feigeistige Blutsauger ringen mit dem alterslosen Dasein in einer sterblich-brutalen Welt. In: Film-Dienst 66. 2013. No. 26. [December 19] pp. 36-37.
Index:
Jarmusch, Jim
Only Lovers Left Alive (2013)
Gewalt ~ Violence
Blut ~ Blood
#28
Kopp, Simon: Grenzüberschreitungen: Zum Verhältnis von Bild und Musik in Jim Jarmuschs Dead Man. - Luzern: Pro Libro 2010.
Index:
Jarmusch, Jim
Dead Man (1995)
Musik ~ Music
#29
Lange-berndt, Petra: Durch den Zauberwald des Wilden Westens: Zur Rezeption surrealistischer Filmexperimente in Jim Jarmuschs Dead Man. In: Surrealismus und Film: Von Fellini bis Lynch. Hrsg. von Michael Lommel. - Bielefeld: Transcript 2008. (= Medienumbrüche 25.) pp. 161 ff.
Index:
Jarmusch, Jim
Dead Man (1995)
Wald ~ Wood
Magie ~ Magic
Experimentalfilme ~ Experimental Films
Surrealismus ~ Surrealism
#30
Levich, Jacob: Western auguries: Jim Jarmusch’s Dead Man. In: Film Comment 32. 1996. No. 3. [May/June] pp. 39-41.
Index:
Jarmusch, Jim
Dead Man (1995)
#31
Levy, Shawn: Postcards from Mars. In: Sight and Sound NS 10. 2000. No. 4. [April] pp. 22-24.
Description:
On Jim Jarmusch’s Ghost Dog: The Way of the Samurai.
Index:
Jarmusch, Jim
Ghost Dog: The Way of the Samurai (1999)
#32
Luisetti, Federico: Illusioni estetiche. In: Filmcritica 52. 2002. No. 530. [December] pp. 545-552.
Description:
Discusses, among others, Jim Jarmusch’s Ghost Dog.
Index:
Jarmusch, Jim
Ghost Dog: The Way of the Samurai (1999)
#33
Minks, Patrick: Reis naar het einde van de nacht. In: Skrien 1996. No. 208. [June/July] pp. 23-25.
Description:
On the representation of death in film. Discusses especially Jim Jarmusch’s Dead Man.
Index:
Jarmusch, Jim
Dead Man (1995)
Tod ~ Death
Nacht ~ Night
#34
Moir, Patricia: Dead Man. In: Cinefantastique 28. 1996. No. 6. [December] pp. 59-60.
Index:
Jarmusch, Jim
Dead Man (1995)
#35
in Jim Jarmuschs Dead Man. In: Das Kino der Gesellschaft - die Gesellschaft des Kinos: Interdisziplinäre Positionen, Analysen und Zugänge. Hrsg. von Manfred Mai. - Köln: von Halem 2006. pp. 289 ff.
Index:
Jarmusch, Jim
Dead Man (1995)
Politik ~ Politics
#36
Nieland, Justus: Graphic violence: Native Americans and the western archive in Dead Man. In: The New Centennial Review 1. 2001. No. 2. [?D] pp. 171-200.
Index:
Jarmusch, Jim
Dead Man (1995)
Western-Filme ~ Western Films
USA (United States of America) ~ USA (United States of America)
Gewalt ~ Violence
#37
Oeler, Karla: A grammar of murder: Violent scenes and film form. - Chicago, Illinois; London: The University of Chicago Press 2009.
Reviews:
Meier, Inga: [untitled.] In: Film & History 42. 2012. No. 1. [Spring] pp. 15-16.
Sterritt, David: [untitled.] In: Film Quarterly 65. 2011. No. 2. [Winter] pp. 78-80.
Description:
Discusses, among others, Jules Dassin’s The Naked City, Stanley Kubrick’s Shining, Jim Jarmusch’s Dead Man as well as other examples from western, film noir, war film and horror.
Index:
Dassin, Jules
Kubrick, Stanley
Jarmusch, Jim
Naked City, The (1948)
Shining, The (1980)
Dead Man (1995)
Western-Filme ~ Western Films
Mord ~ Murder
Krieg ~ War
Horror ~ Horror
Gewalt ~ Violence
Film Noir ~ Film Noir
#38
Peranson, Mark: Stranger than fiction: The rise and fall of Jim Jarmusch. In: Fifty contemporary filmmakers. Edited by Yvonne Tasker. - London; New York: Routledge 2002. (= Routledge key guides.) pp. 177 ff.
Index:
Jarmusch, Jim
#39
Pinkerton, Nick: The Interview - Jim Jarmusch. In: Sight and Sound NS 24. 2014. No. 3. [March] pp. 50-56.
Index:
Jarmusch, Jim
Only Lovers Left Alive (2013)
#40
Plate, S. Brent: Ghost Dog: The Way of the Samurai. In: Journal of Religion and Film 4. 2000. No. 2. [October] p. ?P.
Index:
Jarmusch, Jim
Ghost Dog: The Way of the Samurai (1999)
#41
Pomerance, Murray: The horse who drank the sky: Film experience beyond narrative and theory. - New Brunswick, New Jersey: Rutgers University Press 2008.
Reviews:
Krohn, Bill: [untitled.] In: Cineaste 33. 2008. No. 4. [?D] pp. 70-72.
Description:
Discusses a lot of fantastic films, among them Alfred Hitchcock’s Blackmail, Rebecca, Stage Fright, The Man Who Knew Too Much, Vertigo and North by Northwest, Fritz Lang’s M - Eine Stadt sucht einen Mörder, Victor Fleming’s The Wizard of Oz, François Truffaut’s Fahrenheit 451, Ishiro Honda’s Gojira, Jim Jarmusch’s Dead Man, David Cronenberg’s The Dead Zone, William Friedkin’s The Exorcist, Guillermo del Toro’s El Laberinto del Fauno, Terence Young’s From Russia with Love, Doug Liman’s The Bourne Identity and Paul Greengrass’s The Bourne Supremacy, Alejandro González Iñárritu’s Babel, Wim Wenders’s Bis ans Ende der Welt, Michelangelo Antonioni’s Blow Up and Steven Spielberg’s Close Encounters of the Third Kind as well as Jaws.
Index:
Hitchcock, Alfred
Lang, Fritz
Fleming, Victor
Truffaut, François
Honda, Ishiro
Jarmusch, Jim
Cronenberg, David
Friedkin, William
del Toro, Guillermo
Young, Terence
Liman, Doug
Greengrass, Paul
González Iñárritu, Alejandro
Wenders, Wim
Antonioni, Michelangelo
Spielberg, Steven
Blackmail (1929)
Rebecca (1940)
Stage Fright (1950)
Man Who Knew Too Much, The (1956)
Vertigo (1958)
North by Northwest (1959)
M - Eine Stadt sucht einen Mörder (1931)
Wizard of Oz, The (1939)
Fahrenheit 451 (1966)
Gojira (1954)
Dead Man (1995)
Dead Zone, The (1983)
Exorcist, The (1973)
Laberinto del Fauno, El (2006)
From Russia with Love (1963)
Bourne Identity, The (2002)
Bourne Supremacy, The (2004)
Babel (2006)
Bis ans Ende der Welt (1991)
Blow Up (1966)
Close Encounters of the Third Kind (1977)
Jaws (1975)
#42
Quéméner, Roselyne: Comment Ghost Dog est devenu samouraï. In: Eclipses 2006. No. 38. [?D] pp. 24-31.
Index:
Jarmusch, Jim
Ghost Dog: The Way of the Samurai (1999)
Samurai ~ Samurai
Martial Art ~ Martial Art
#43
Rosenbaum, Jonathan: A gun up your ass: An interview with Jim Jarmusch. In: Cineaste 22. 1996. No. 2. [?D] pp. 20-23.
Description:
On Dead Man.
Index:
Jarmusch, Jim
Dead Man (1995)
#44
Rosenbaum, Jonathan: Dead Man. - London: British Film Institute 2000. (= BFI Classics.)
Reviews:
Matthews, Peter: [untitled] In: Sight and Sound NS 11. 2001. No. 2. [February] p. 29.
Index:
Jarmusch, Jim
Dead Man (1995)
#45
Schelkle, Rainer: Stranger on a train: William Blake and Jim Jarmusch’s Dead Man - media and violence, poetry and politics. In: Zeitschrift für Anglistik und Amerikanistik 58. 2010. No. 4. [?D] pp. 335-349.
Index:
Jarmusch, Jim
Blake, William
Dead Man (1995)
Politik ~ Politics
Gewalt ~ Violence
Eisenbahn ~ Railroad
#46
Schifferle, Hans: Totentanz in der Großstadt: Ghost Dog - Der Weg des Samurai von Jim Jarmusch. In: EPD Film 17. 2000. No. 1. [January] pp. 35-36.
Index:
Jarmusch, Jim
Ghost Dog: The Way of the Samurai (1999)
Tanz ~ Dance
Tod ~ Death
Stadt ~ City
#47
Schnelle, Frank: Only Lovers Left Alive. In: EPD Film 30. 2013. No. 12. [December] p. 36.
Index:
Jarmusch, Jim
Only Lovers Left Alive (2013)
#48
Stanislawski, K.: O Lynchu Jarmuschu Wendersie i o sobie movi John Lurie. In: Kino [Warschau] 26. 1992. No. 2(296). [February] pp. 2-6.
Description:
Interview with John Lurie on his collaboration with the three directors.
Index:
Lurie, John
Lynch, David
Jarmusch, Jim
Wenders, Wim
#49
Stepien, Justyna: Transgression of postindustrial dissonance and excess: (Re)valuation of gothicism in Jim Jarmusch’s Only Lovers Left Alive. In: Text Matters 6. 2016. No. 1. [?D] pp. 213-226.
Index:
Jarmusch, Jim
Only Lovers Left Alive (2013)
Horror ~ Horror
#50
Taubin, Amy: Film as life: Jonas Mekas. In: Sight and Sound NS 23. 2013. No. 1. [January] pp. 40-45.
Description:
Includes statements on Mekas by Chantal Akerman, Ken Jacobs, Jim Jarmusch and Peter Kubelka.
Index:
Mekas, Jonas
Akerman, Chantal
Jacobs, Ken
Jarmusch, Jim
Kubelka, Peter
#51
Thomas, Troy: William Blake and Dead Man. In: Adaptation 5. 2012. No. 1. [January] pp. 57-87.
Index:
Jarmusch, Jim
Blake, William
Dead Man (1995)
#52
tk: Samurai Fiction: Ghost Dog - The Way of the Samurai. In: Splatting Image 1999. No. 40. [December] p. 64.
Index:
Jarmusch, Jim
Ghost Dog: The Way of the Samurai (1999)
#53
Townsend, Lynda: Dead Man (1995). In: Fifty key American films. Edited by John White and Sabine Haenni. - London; New York: Routledge 2009. (= Routledge key guides.) p. ?P.
Index:
Jarmusch, Jim
Dead Man (1995)
USA (United States of America) ~ USA (United States of America)
#54
Valentin, Joachim: Spiegel, Reisen, Klänge: Jim Jarmuschs Filme eröffnen Räume jenseits der Alltagsrealität. In: Räume, Körper und Ikonen: (Post-)Konfessionelle Filmikonographien. Hrsg. von Charles Martig, Joachim Valentin und Karsten Visarius. - Marburg: Schüren 2013. (= Film & Theologie 19.) pp. 245 ff.
Index:
Jarmusch, Jim
Spiegel ~ Mirror
Religion ~ Religion
Körper ~ Bodies
#55
Vasse, David: En service commandé. In: Eclipses 2006. No. 38. [?D] pp. 32-33.
Description:
On the hero figure in Jim Jarmusch’s Ghost Dog: The Way of the Samurai.
Index:
Jarmusch, Jim
Ghost Dog: The Way of the Samurai (1999)
Helden ~ Heros
#56
von Thüna, Ulrich: Ten Minutes Older - The Trumpet: Sieben Autorenfilmer betrachten den Fluss der Zeit. In: EPD Film 20. 2003. No. 1. [January] p. 51.
Index:
Kaurismäki, Aki
Erice, Victor
Herzog, Werner
Jarmusch, Jim
Wenders, Wim
Lee, Spike
Chen Kaige
Ten Minutes Older - The Trumpet (2002)
Zeit ~ Time
#57
Wall, James Kent: Environment in narrative films by Lars von Trier and Jim Jarmusch: An ecocritical film study. - Atlanta, Georgia: Emory University, M.A. 2004. [Abstract in: Masters Abstracts International 42. 2004. No. 5. p. 1421.]
Description:
Discusses, among others, von Trier’s Forbrydelsens element, Medea, Europa, Breaking the Waves, Idioterne and Dancer in the Dark as well as Jim Jarmusch’s Dead Man.
Index:
von Trier, Lars
Jarmusch, Jim
Forbrydelsens element / Element of Crime, The (1984)
Medea (1987/1988)
Europa (1990)
Breaking the Waves (1996)
Idioterne (1998)
Dancer in the Dark (2000)
Dead Man (1995)
Natur ~ Nature
#58
Wegner, Phillip E.: Where the prospective horizon is omitted: Naturalism, dystopia, and politics in Fight Club and Ghost Dog. In: Wegner, Phillip E.: Life between two deaths, 1989-2001: U.S. culture in the long nineties. - Durham, North Carolina: Duke University Press 2009. (= Post-contemporary interventions.) p. ?P.
Index:
Fincher, David
Jarmusch, Jim
Fight Club (1999)
Ghost Dog: The Way of the Samurai (1999)
Utopie ~ Utopia
Naturalismus ~ Naturalism
Tod ~ Death
Politik ~ Politics
USA (United States of America) ~ USA (United States of America)
#59
Wegner, Phillip E.: Where the prospective horizon is omitted: Naturalism and dystopia in Fight Club and Ghost Dog. In: Dark horizons: Science fiction and the dystopian imagination. Edited by Rafaella Baccolini and Tom Moylan. - New York: Routledge 2003. p. ?P
Index:
Fincher, David
Jarmusch, Jim
Fight Club (1999)
Ghost Dog: The Way of the Samurai (1999)
Natur ~ Nature
Utopie ~ Utopia
Science Fiction ~ Science Fiction
#60
Weingarten, Susanne: "Eine Frage des Respekts". In: Der Spiegel 54. 2000. No. 1. [January 3] pp. 161-162.
Description:
Interview with Jim Jarmusch on Ghost Dog: The Way of the Samurai.
Index:
Jarmusch, Jim
Ghost Dog: The Way of the Samurai (1999)
#61
Wende, Johannes: Der Tod im Spielfilm: Eine exemplarische Analyse. - München: Edition Text + Kritik 2014. (= Forschungen zu Film- und Medienwissenschaft.)
Reviews:
Planka, Sabine: [untitled.] In: Medienwissenschaft 2014. No. 4. pp. 432-434.
Description:
Discusses, among others, Fritz Lang’s Metropolis, Jim Jarmusch’s Dead Man, Martin Brest’s Meet Joe Black and Corpse Bride by Tim Burton and Mike Johnson.
Index:
Lang, Fritz
Jarmusch, Jim
Brest, Martin
Burton, Tim
Johnson, Mike
Metropolis (1925/1926)
Dead Man (1995)
Meet Joe Black (1998)
Corpse Bride / Tim Burton’s Corps Bride (2005)
Tod ~ Death
#62
Widmer, Markus: What makes the films of David Lynch and Jim Jarmusch postmodern? - München: GRIN Verlag 2008.
Index:
Lynch, David
Jarmusch, Jim
Postmoderne ~ Postmodern
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