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literature list on: Jones, Duncan
number of items: 36
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
| ?G | Volume number unknown |
| ?D | Date of publication unknown |
| ?P | Number of pages unknown |
| ?R | Series number unknown |
#1
Blouin, Michael J.: Tarrying with sublimity: The limits of cinematic form in Duncan Jones’ Source Code. In: Terror and the cinematic sublime: Essays on violence and the unpresentable in post-9/11 films. Edited by Todd A. Comer and Lloyd Isaac Vayo. Afterword by Patrick Fuery. - Jefferson, North Carolina; London: McFarland & Company 2013. pp. 103-118.
Index:
Jones, Duncan
Source Code (2011)
Gewalt ~ Violence
Politik ~ Politics
#2
Bruck, Peter: Future worlds: Blade Runner, Minority Report, I Robot, Gattaca, Moon: Unterrichtshinweise und Kopiervorlagen. - Stuttgart: Klett Sprachen 2012. (= Film im Englischunterricht.)
Index:
Scott, Ridley
Spielberg, Steven
Proyas, Alex
Niccol, Andrew
Jones, Duncan
Blade Runner (1982)
Minority Report (2002)
I, Robot (2004)
Gattaca (1997)
Moon (2009)
Pädagogik ~ Paedagogy
Utopie ~ Utopia
Science Fiction ~ Science Fiction
#3
Buckland, Warren: Source Code’s video game logic. In: Hollywood puzzle films. Edited by Warren Buckland. - New York: Routledge 2014. (= AFI film readers.) p. ?P.
Index:
Jones, Duncan
Source Code (2011)
Video ~ Video
Hollywood ~ Hollywood
USA (United States of America) ~ USA (United States of America)
#4
Busche, Andreas: Moon. In: EPD Film 27. 2010. No. 7. [July] p. 42.
Index:
Jones, Duncan
Moon (2009)
#5
Cameron, Allan / Misek, Richard: Modular spacetime in the "intelligent" blockbuster: Inception and Source Code. In: Hollywood puzzle films. Edited by Warren Buckland. - New York: Routledge 2014. (= AFI film readers.) p. ?P.
Index:
Nolan, Christopher
Jones, Duncan
Inception (2010)
Source Code (2011)
Hollywood ~ Hollywood
USA (United States of America) ~ USA (United States of America)
#6
Cinquegrani, Alessandro / Re, Valentina: L’innesto: Realtà e finzioni da Matrix a 1Q84. - Milano: Mimesis 2014. (= Cinema 30.)
Index:
Murakami, Haruki
Wachowski, Andy
Wachowski, Larry
Jones, Duncan
Scorsese, Martin
Nolan, Christopher
Matrix, The (Filmreihe)
Source Code (2011)
Shutter Island (2010)
Inception (2010)
1Q84 (Literatur ~ Literature)
#7
Clover, Joshua: The future in labor. In: Film Quarterly 63. 2009. No. 1. [Fall] pp. 6-8.
Description:
Discusses the TV series Dollhouse as well as Duncan Jones’s Moon, Alex Rivera’s Sleep Dealer and Steven Soderbergh’s The Girlfriend Experience.
Index:
Jones, Duncan
Rivera, Alex
Soderbergh, Steven
Dollhouse (TV)
Moon (2009)
Sleep Dealer (2008)
Girlfriend Experience, The (2009)
Utopie ~ Utopia
Fernsehen ~ Television
#8
Constable, Catherine: Utopia, dystopia and Moon. In: Science Fiction Film and Television 9. 2016. No. 1. [?D] pp. 79-81.
Index:
Jones, Duncan
Moon (2009)
Utopie ~ Utopia
#9
Crowley, Adam M.: That Moon is romantic: Duncan Jones’s dark fairy tale. In: Horror in space: Critical essays on a film subgenre. Edited by Michele Brittany. - Jefferson, North Carolina: McFarland & Company 2017. pp. 121 ff.
Index:
Jones, Duncan
Moon (2009)
Weltraum ~ Space
Märchen ~ Fairy Tales
Romantik ~ Romanticism
Science Fiction ~ Science Fiction
Horror ~ Horror
#10
Edwards, Graham: Acts of war: Warcraft. In: Cinefex 2016. No. 148. [August] p. ?P.
Description:
On the special effects by Industrial Light & Magic, Rodeo FX, Animatrik Film Design, Hybride Technologies, Prime Focus World, Lindala Schminken FX and Weta Workshop. Discusses especially the work of visual effects supervisor Bill Westenhofer, special effects supervisor Cameron Waldbauer and makeup effects supervisor Adrien Morot.
Index:
Jones, Duncan
Westerhofer, Bill
Waldbauer, Cameron
Morot, Adrien
Warcraft (2016)
Technik: Spezialeffekte ~ Technology: Special Effects
Krieg ~ War
Weta [Firma] ~ Weta [Company]
Lindala Schminken FX [Firma] ~ Lindala Schminken FX [Company]
Prime Focus [Firma] ~ Prime Focus [Company]
Hybride [Firma] ~ Hybride [Company]
Animatrik Film Design [Firma] ~ Animatrik Film Design [Company]
Rodeo FX [Firma] ~ Rodeo FX [Company]
ILM (Industrial Light and Magic) ~ ILM (Industrial Light and Magic)
#11
Everschor, Franz: Ein Fremder im Zug: Der Regisseur Duncan Jones und sein Film Source Code. In: Film-Dienst 64. 2011. No. 10. [May 12] pp. 22-23.
Index:
Jones, Duncan
Source Code (2011)
Eisenbahn ~ Railroad
#12
Faber, Liz W.: From Star Trek to Siri: (Dis)embodied gender and the acousmatic computer in science fiction film and television. - Carbondale, Illinous: Southern Illinois University Carbondale, Ph.D. 2013.
[Abstract in: Dissertation Abstracts International A 75. 2014. No. 3. [September] p. ?P.]
Description:
On the representation of computers in science fiction film. Discusses especially Stanley Kubrick’s 2001 - A Space Odyssey, John Carpenter’s Dark Star, Duncan Jones’s Moon, Joseph Sargent’s Colossus - The Forbin Project, George Lucas’s THX 1138, Norman Jewison’s Rollerball, Donald Cammell’s Demon Seed, Steven Lisberger’s Tron, Steve Barron’s Electric Dreams, Stuart Gordon’s Fortress, LeVar Burton’s Smart House and the TV series Star Trek, Star Trek - The Next Generation, Quark and Eureka.
Index:
Kubrick, Stanley
Carpenter, John
Jones, Duncan
Sargent, Joseph
Lucas, George
Jewison, Norman
Cammell, Donald
Lisberger, Steven
Barron, Steve
Gordon, Stuart
Henry, Buck
Cosby, Andrew
Paglia, James
2001 - A Space Odyssey (1968)
Dark Star (1974)
Moon (2009)
Colossus - The Forbin Project / Forbin Project, The / Day the World Changed Hands, The (1969)
THX 1138 (1971)
Rollerball (1974)
Demon Seed (1976)
Tron (1982)
Electric Dreams (1984)
Fortress (1992)
Star Trek (TV)
Star Trek - The Next Generation (TV)
Quark (TV)
Eureka (TV)
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Sexualität ~ Sexuality
Science Fiction ~ Science Fiction
Fernsehen ~ Television
#13
Fordham, Joe: Reality deconstructed: Source Code. In: Cinefex 2011. No. 126. [July] p. ?P.
Description:
On the special effects by Modus FX, Rodeo FX, MPC, Oblique FX and Mr. X. Discusses especially the work of special effects supervisor Ryal Cosgrove, makeup effects supervisor Adrien Morot and visual effects supervisor Louis Morin.
Index:
Jones, Duncan
Cosgrove, Ryal
Morot, Adrien
Morin, Louis
Source Code (2011)
Technik: Spezialeffekte ~ Technology: Special Effects
Mr. X [Firma] ~ Mr. X [Company]
Oblique FX [Firma] ~ Oblique FX [Company]
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]
Rodeo FX [Firma] ~ Rodeo FX [Company]
Modus FX [Firma] ~ Modus FX [Company]
#14
García-catalán, Shaila / Navarro-Remesal, Victor: Try again: The time loop as a mystery-solving process in Save the Date and Source Code. In: Time travel in popular media: Essays on film, television, literature and video games. Edited by Matthew Jones and Joan Ormrod. - Jefferson, North Carolina: McFarland & Company 2015. p. ?P.
Index:
Jones, Duncan
Source Code (2011)
Zeit ~ Time
#15
Groh, Thomas: Destination Earth: Moon. In: Splatting Image 2009. No. 79. [September] p. 65.
Index:
Jones, Duncan
Moon (2009)
#16
Höltgen, Stefan: I am the one and only. In: F.LM - Texte zum Film. Online edition, January 2011.
Description:
On Duncan Jones’s Moon.
Index:
Jones, Duncan
Moon (2009)
#17
Höltgen, Stefan: Messen und Speichern. In: F.LM - Texte zum Film. Online edition, April 2011.
Description:
On Duncan Jones’s Source Code.
Index:
Jones, Duncan
Source Code (2011)
#18
Höltgen, Stefan: Zeitschleife als Quellcode: Source Code. In: Splatting Image 2011. No. 86 [June] pp. 56-57.
Index:
Jones, Duncan
Source Code (2011)
Zeit ~ Time
#19
I want to go home. In: F.LM - Texte zum Film. Online edition, August 2009.
Description:
On a screening of Duncan Jones’s Moon at the German "Fantasy Filmfest" 2009.
Index:
Jones, Duncan
Moon (2009)
Festival ~ Festival
Deutschland ~ Germany
#20
Kemp, Philip: Moon. In: Sight and Sound NS 19. 2009. No. 8. [August] p. 71.
Index:
Jones, Duncan
Moon (2009)
#21
Lyden, John C.: Eternal now: Recent time loop movies and the sanctity of the moment. In: Journal of Religion and Film 22. 2018. No. 3. [?D] p. ?P.
Description:
Discusses Duncan Jones’s Source Code (2011), Richard Curtis’s About Time (2013), and Ry Russo-Young’s Before I Fall (2017).
Index:
Jones, Duncan
Curtis, Richard
Russo-Young, Ry
Source Code (2011)
About Time (2013)
Before I Fall (2017)
Zeit ~ Time
Religion ~ Religion
#22
Mihm, Kai: Neben der Spur. In: EPD Film 27. 2010. No. 7. [July] p. 17.
Description:
On actor Sam Rockwell and his role in Duncan Jones’s Moon.
Index:
Rockwell, Sam
Jones, Duncan
Moon (2009)
#23
Mihm, Kai: Source Code. In: EPD Film 28. 2011. No. 6. [June] p. 40.
Index:
Jones, Duncan
Source Code (2011)
#24
Miller, Henry K.: Source Code. In: Sight and Sound NS 21. 2011. No. 6. [June] p. 77.
Index:
Jones, Duncan
Source Code (2011)
#25
Nayman, Adam: Mute. In: Sight and Sound NS 28. 2018. No. 5. [May] pp. 75-76.
Index:
Jones, Duncan
Mute (2018)
#26
Newman, Kim: Warcraft: The Beginning. In: Sight and Sound NS 26. 2016. No. 8. [August] p. 93.
Index:
Jones, Duncan
Warcraft (2016)
#27
Rauscher, Andreas: Holt die Leute vom PC! In: EPD Film 33. 2016. No. 6. [June] pp. 34-36.
Description:
On cinematic adaptions of video games.
Index:
Jones, Duncan
Warcraft (2016)
Video ~ Video
Animation ~ Animation
#28
Riepe, Manfred: Warcraft: The Beginning. In: EPD Film 33. 2016. No. 7. [July] pp. 56-57.
Index:
Jones, Duncan
Warcraft (2016)
#29
Römers, Holger: Moon. In: Film-Dienst 63. 2010. No. 14. [July 8] pp. 21-22.
Index:
Jones, Duncan
Moon (2009)
#30
Römers, Holger: Source Code. In: Film-Dienst 64. 2011. No. 11. [May 26] p. 28.
Index:
Jones, Duncan
Source Code (2011)
#31
Shay, Estelle: Moon madness. In: Cinefex 2009. No. 118. [July] p. ?P.
Description:
On the special effects by Cinesite for Duncan Jones’s feature film debut. Discusses especially the work of model supervisor Bill Pearson.
Index:
Jones, Duncan
Pearson, Bill
Moon (2009)
Wahnsinn ~ Madness
Technik: Spezialeffekte ~ Technology: Special Effects
Cinesite [Firma] ~ Cinesite [Company]
#32
Skeptical Prologue. In: Journal of Religion and Film 16. 2012. No. 2. [October] pp. 18 ff.
Description:
On Duncan Jones’s Source Code.
Index:
Jones, Duncan
Source Code (2011)
Religion ~ Religion
#33
Smith, David L.: "Everything’s going to be OK:" Source Code and the dramas of desire. In: Journal of Religion and Film 16. 2012. No. 2. [October] p. ?P.
Index:
Jones, Duncan
Source Code (2011)
Religion ~ Religion
#34
Springer, Katherine: Hard science fiction in film: Analyzing Duncan Jones’s Moon. In: Film Matters 3. 2012. No. 4. [Winter] pp. 38-42.
Index:
Jones, Duncan
Moon (2009)
Science Fiction ~ Science Fiction
#35
Thomson, Patricia: Clones in space. In: American Cinematographer 90. 2009. No. 7. [July] pp. 14-19.
Description:
On Duncan Jones’s Moon. Discusses especially the work of Gary Shaw, director of photography.
Index:
Jones, Duncan
Shaw, Gary
Moon (2009)
Technik: Kamera ~ Technology: Camera
Weltraum ~ Space
Gentechnik ~ Genetics
#36
Wight, Linda: Reclaiming virtue and (post)humanity in Moon. In: Science fiction and the Abolition of Man: Finding C. S. Lewis in sci-fi film and television. Edited by Mark J. Boone and Kevin C. Neece. - Eugene, Oregon: Pickwick Publications 2017. p. ?P.
Index:
Lewis, C[live] S[taples]
Jones, Duncan
Moon (2009)
Abolition of Man, The (Literatur ~ Literature)
Fernsehen ~ Television
Science Fiction ~ Science Fiction
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