The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: L&rsquo
number of items: 13
?O | City of publication unknown |
?V | Publishing company unknown |
?J | Year of publication unknown |
?N | Issue number unknown |
?G | Volume number unknown |
?D | Date of publication unknown |
?P | Number of pages unknown |
?R | Series number unknown |
#1
Bellour, Raymond: Ideal Hadaly. In: Camera Obscura 1986. No. 15. [Fall] pp. 110-136.
Description:
On the motif of an ideal mechanical man, beginning with Villiers de L’Isle-Adam’s novel L’Eve future, and on the representation of this idea in science, technique, the arts and in film.
Index:
Villiers de L’Isle-Adam, Jean-Marie Mathias Philippe-Auguste, Comte
Wissenschaft ~ Science
Technik ~ Technology
Kunst ~ Arts, The
Frauen ~ Women
Science Fiction ~ Science Fiction
Roboter ~ Robots
Eve future, L’ (Literatur ~ Literature)
#2
Bellour, Raymond: Ideal Hadaly. In: Close encounters: Film, feminism, and science fiction. Edited by Janet Bergstrom, Elisabeth Lyon, Constance Penley and Lynn Spigel. - Minneapolis, Minnesota; Oxford: University of Minnesota Press 1991. (= Camera Obscura Book.) pp. 107-130.
Description:
On the motif of an ideal mechanical man, beginning with Villiers de L’Isle-Adam’s novel L’Eve future, and on the representation of this idea in science, technique, the arts and in film.
Index:
Villiers de L’Isle-Adam, Jean-Marie Mathias Philippe-Auguste, Comte
Wissenschaft ~ Science
Technik ~ Technology
Kunst ~ Arts, The
Frauen ~ Women
Science Fiction ~ Science Fiction
Roboter ~ Robots
Eve future, L’ (Literatur ~ Literature)
#3
Chion, Michel: Concert sous un ecran. In: Cahiers du Cinéma 1988. No. 404. [February] p. IX.
Description:
On the score for several silent films including Robert Wiene’s Das Cabinet des Dr. Caligari, Marcel L’Herbier’s L’Inhumaine and Carl Theodor Dreyer’s La Passion de Jean d’Arc.
Index:
Wiene, Robert
L’Herbier, Marcel
Dreyer, Carl Theodor
Cabinet des Dr. Caligari, Das (1919)
Inhumaine, L’ (1924)
Passion de Jean d’Arc, La (1928)
Stummfilm ~ Silent Film
Musik ~ Music
#4
de Fren, Allison: The exquisite corpse: Disarticulations of the artificial female. - Los Angeles, California: University of Southern California, Ph.D. 2008. [Abstract in: Dissertation Abstracts International A 69. 2009. No. 12. (June) p. 4548.]
Description:
On the representation of artificial women in literature, art, and cinema. Discusses, among others, Villiers de l’Isle-Adam’s novel L’Eve future and E. T. A. Hoffmann’s Der Sandmann as well as Fritz Lang’s Metropolis, Bryan Forbes’s The Stepford Wives, Craig Gillespie’s Lars and the Real Girl.
Index:
Hoffmann, E[rnst] T[heodor] A[madeus] [Wilhelm]
Villiers de l’Isle-Adam, [Jean-Marie Mathias Philippe-Auguste Comte]
Lang, Fritz
Forbes, Bryan
Gillespie, Craig
Metropolis (1925/1926)
Stepford Wives, The (1975)
Lars and the Real Girl (2007)
Sexualität ~ Sexuality
Körper ~ Bodies
Frauen ~ Women
Sandmann, Der (Literatur ~ Literature)
Eve future, L’ (Literatur ~ Literature)
#5
Frank, Felicia Miller: L’Inhumaine, La fin du monde: Modernist utopias and film-making angels. In: Modern Language Notes 111. 1996. No. ?N. [?D] pp. 938-953.
Description:
On the films by Marcel L’Herbier and Abel Gance.
Index:
L’Herbier, Marcel
Gance, Abel
Inhumaine, L’ (1924)
fin du monde, La (1930)
Utopie ~ Utopia
Religion: Engel ~ Religion: Angels
#6
Hedges, Inez: The myth of the perfect woman: Cinemas as machine célibataire. In: L’Esprit Créateur 26. 1986. No. 4. [?D] pp. 26-37.
Description:
Discusses, among others, the film versions of novels by Villiers d’Isle Adam and Jules Verne.
Index:
Villiers de L’Isle-Adam, Jean-Marie Mathias Philippe-Auguste, Comte
Verne, Jules
Technik ~ Technology
Roboter ~ Robots
Mythologie ~ Mythology
Frauen ~ Women
#7
Heil, Jerry Tyrone: The Russian literary avant-garde and the cinema (1920s and 1930s): The film-work of Isaak Babel’ and Jurij Tynjanov. - ?O: University of California, Ph.D. 1984.
Index:
Babel’, Isaak [Emmanuilovic]
Russland ~ Russia
Experimentalfilme ~ Experimental Films
#8
Hermsdorf, Daniel: Filmbild und Körperwelt: Anthropomorphismus in Naturphilosophie, Ästhetik und Medientheorie der Moderne. - Würzburg: Königshausen & Neumann 2011. (= Film - Medium - Diskurs 34.
Reviews:
Paech, Joachim: [untitled.] In: Germanistik 52. 2011. No. 3/4. p. 985.
Description:
Includes, among others, chapters on Jacques Feyder’s Visages d’enfants, Robert Siodmak’s The Dark Mirror, Harry O. Hoyt’s The Lost World, Fritz Lang’s The Blue Gardenia, Dr. Mabuse, der Spieler and Die Spinnen, Alfred Hitchcock’s The Wrong Man, László Benedek’s episode Wolf 359 for the TV series Outer Limits, Henrik Galeen’s Alraune, Curse of the Cat People by Robert Wise and Gunther von Fritsch, Karl Grune’s Die Straße, Maya Deren’s Ritual in Transfigured Time, Michael Curtiz’s Die Sklavenkönigin, Marcel L’Herbier’s Feu Mathias Pascal, Leni Riefenstahl’s Das blaue Licht, Ernst Lubitsch’s Die Augen der Mumie Ma, Rex Ingram’s The Magician, Paul Leni’s The Cat and the Canary, Walt Disney’s The Haunted House, René Clair’s The Ghost Goes West, Jacques Tourneur’s I Walked with a Zombie, Douglas Sirk’s Sleep, My Love and John Gilling’s The Gamma People.
Index:
Feyder, Jacques
Siodmak, Robert
Hoyt, Harry O.
Lang, Fritz
Hitchcock, Alfred
Benedek, László
Galeen, Henrik
Wise, Robert
Fritsch, Gunther von
Grune, Karl
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Curtiz, Michael [Pseudonym: Kertész, Michael]
L’Herbier, Marcel
Riefenstahl, Leni
Lubitsch, Ernst
Ingram, Rex
Leni, Paul
Disney, Walt
Chomette, René [Pseudonym: Clair, René]
Tourneur, Jacques
Sirk, Douglas
Gilling, John
Visages d’enfants (1925)
Dark Mirror, The (1946)
Lost World, The (1925)
Blue Gardenia, The (1952/1953)
Dr. Mabuse, der Spieler (1921/1922)
Spinnen, Die (1919)
Wrong Man, The (1957)
Outer Limits (TV)
Alraune (1927)
Curse of the Cat People (1944)
Straße, Die (1923)
Ritual in Transfigured Time (1946)
Sklavenkönigin, Die (1924)
Feu Mathias Pascal (1926)
blaue Licht, Das (1932)
Augen der Mumie Ma, Die (1918)
Magician, The (1926)
Cat and the Canary, The (1927)
Haunted House, The (1929)
Ghost Goes West, The (1935)
I Walked with a Zombie (1943)
Sleep, My Love (1948)
Gamma People, The (1956)
Natur ~ Nature
Körper ~ Bodies
Fernsehen ~ Television
Disney ~ Disney
Stummfilm ~ Silent Film
Philosophie ~ Philosophy
#9
Hermsdorf, Daniel: Filmbild und Körperwelt: Anthropomorphismus in Naturphilosophie, Ästhetik und Medientheorie der Moderne. - Paderborn: Universität Paderborn, Dissertation 2010.
Reviews:
Paech, Joachim: [untitled.] In: Germanistik 52. 2011. No. 3/4. p. 985.
Description:
Includes, among others, chapters on Jacques Feyder’s Visages d’enfants, Robert Siodmak’s The Dark Mirror, Harry O. Hoyt’s The Lost World, Fritz Lang’s The Blue Gardenia, Dr. Mabuse, der Spieler and Die Spinnen, Alfred Hitchcock’s The Wrong Man, László Benedek’s episode Wolf 359 for the TV series Outer Limits, Henrik Galeen’s Alraune, Curse of the Cat People by Robert Wise and Gunther von Fritsch, Karl Grune’s Die Straße, Maya Deren’s Ritual in Transfigured Time, Michael Curtiz’s Die Sklavenkönigin, Marcel L’Herbier’s Feu Mathias Pascal, Leni Riefenstahl’s Das blaue Licht, Ernst Lubitsch’s Die Augen der Mumie Ma, Rex Ingram’s The Magician, Paul Leni’s The Cat and the Canary, Walt Disney’s The Haunted House, René Clair’s The Ghost Goes West, Jacques Tourneur’s I Walked with a Zombie, Douglas Sirk’s Sleep, My Love and John Gilling’s The Gamma People.
Index:
Feyder, Jacques
Siodmak, Robert
Hoyt, Harry O.
Lang, Fritz
Hitchcock, Alfred
Benedek, László
Galeen, Henrik
Wise, Robert
Fritsch, Gunther von
Grune, Karl
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Curtiz, Michael [Pseudonym: Kertész, Michael]
L’Herbier, Marcel
Riefenstahl, Leni
Lubitsch, Ernst
Ingram, Rex
Leni, Paul
Disney, Walt
Chomette, René [Pseudonym: Clair, René]
Tourneur, Jacques
Sirk, Douglas
Gilling, John
Visages d’enfants (1925)
Dark Mirror, The (1946)
Lost World, The (1925)
Blue Gardenia, The (1952/1953)
Dr. Mabuse, der Spieler (1921/1922)
Spinnen, Die (1919)
Wrong Man, The (1957)
Outer Limits (TV)
Alraune (1927)
Curse of the Cat People (1944)
Straße, Die (1923)
Ritual in Transfigured Time (1946)
Sklavenkönigin, Die (1924)
Feu Mathias Pascal (1926)
blaue Licht, Das (1932)
Augen der Mumie Ma, Die (1918)
Magician, The (1926)
Cat and the Canary, The (1927)
Haunted House, The (1929)
Ghost Goes West, The (1935)
I Walked with a Zombie (1943)
Sleep, My Love (1948)
Gamma People, The (1956)
Natur ~ Nature
Körper ~ Bodies
Fernsehen ~ Television
Disney ~ Disney
Stummfilm ~ Silent Film
Philosophie ~ Philosophy
#10
Nikitkina, E.: Mnogoe isces’ zanovo ... In: Iskusstvo Kino 1980. No. 7. [?D] pp. 72-74.
Description:
Interview with animator Natal’ja Bodjul.
Index:
Bodjul, Natal’ja
Animation ~ Animation
#11
Paech, Joachim: Die Anfänge der Avantgarde im Film: Die Unmenschliche (L’Inhumaine, 1924). In: Fischer Filmgeschichte. Band 1: Von den Anfängen bis zum etablierten Medium 1895-1924. Hrsg. von Werner Faulstich und Helmut Korte. - Frankfurt/Main: Fischer Taschenbuch Verlag 1994. (= Fischer Taschenbuch 4491.) pp. 412-430.
Description:
On the film by Marcel L’Herbier.
Index:
L’Herbier, Marcel
Inhumaine, L’ (1924)
Experimentalfilme ~ Experimental Films
#12
Shanahan, Maureen G.: Indeterminate and inhuman: Georgette Leblanc in L’Inhumanité (1924). In: Cinema Journal 43. 2004. No. 4. [Summer] pp. 53-75.
Index:
L’Herbier, Marcel
Leblanc, Georgette
Inhumaine, L’ (1924)
#13
Thiel, Wolfgang: Die Musik der falschen Nasen: Darius Milhaud und die französische Filmmusik. In: Film-Dienst 45. 1992. No. 17. [August 18] pp. 34-38.
Description:
On the French composer who wrote the music for L’Herbier’s Raspoutine.
Index:
Milhaud, Darius
L’Herbier, Marcel
Raspoutine (1938)
Frankreich ~ France
Musik ~ Music
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