The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Lady from Shanghai, The (1946)
number of items: 11
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
| ?G | Volume number unknown |
| ?D | Date of publication unknown |
| ?P | Number of pages unknown |
| ?R | Series number unknown |
#1
Bronfen, Elisabeth: Die Lady von Shanghai. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 151-155.
Description:
On Orson Welles’s The Lady from Shanghai.
Index:
Welles, Orson
Lady from Shanghai, The (1946)
Film Noir ~ Film Noir
#2
Fujita, Jun: Dorsalité: Vérité du cinéma. In: Vertigo 2001. No. 22. [October] pp. 47-53.
Description:
On the representation of the human back in the films of Jean-Luc Godard and in Orson Welles’s The Lady from Shanghai.
Index:
Godard, Jean-Luc
Welles, Orson
Lady from Shanghai, The (1946)
Körper ~ Bodies
#3
Hempel, Heike: Die stilbildenden Mittel der Kameraarbeit im amerikanischen s/w-Film der 40er Jahre am Beispiel von The Lady from Shanghai und Gilda. - Berlin: Freie Universität Berlin, Institut für Theaterwissenschaft, Magisterarbeit ?J (1992/1993).
Index:
Welles, Orson
Vidor, King
Lady from Shanghai, The (1946)
Gilda (1946)
Technik: Kamera ~ Technology: Camera
USA (United States of America) ~ USA (United States of America)
#4
Hockley, Luke: Detective films and images of the Orient: A post-Jungian reflection. In: Post-Jungian criticism: Theory and practice. Edited by James S. Baumlin, Tita French Baumlin and George H. Jensen. - Albany: New York State University Press 2004. (= SUNY series in psychoanalysis and culture.) pp. 75-91.
Description:
Discusses, among others, Orson Welles’s The Lady from Shanghai.
Index:
Jung, Carl Gustav
Welles, Orson
Lady from Shanghai, The (1946)
Orient ~ Orient
Detektive ~ Detectives
Psychologie ~ Psychology
#5
Kaplan, E. Ann: The dark continent of film noir: Race, displacement and metaphor in Tourneur’s Cat People (1942) and Welles’ The Lady from Shanghai (1948). In: Women in film noir. Edited by E. Ann Kaplan. Expanded edition. - London: British Film Institute / Bloomington: Indiana University Press 1998. pp. 183-201.
Index:
Tourneur, Jacques
Welles, Orson
Cat People (1942)
Lady from Shanghai, The (1946)
Ethnie ~ Ethnicity
Frauen ~ Women
Film Noir ~ Film Noir
#6
Lady von Shanghai. - Wien: ?V ?J. (= Illustrierter Film-Kurier 873.)
Index:
Welles, Orson
Lady from Shanghai, The (1946)
#7
Radell, Karen Marguerite: Orson Welles: The semiotics of focalization in The Lady from Shanghai. In: Journal of Narrative Technique 22. 1992. No. 2. [?D] pp. 97-104.
Index:
Welles, Orson
Lady from Shanghai, The (1946)
#8
Rasmussen, Randy: Orson Welles: Six films analyzed, scene by scene. - Jefferson, North Carolina; London: McFarland 2006.
Description:
Examines Citizen Kane, The Magnificent Ambersons, The Lady from Shanghai, Touch of Evil, The Trial and Chimes at Midnight.
Index:
Welles, Orson
Citizen Kane (1940)
Magnificent Ambersons, The (1941)
Lady from Shanghai, The (1946)
Touch of Evil (1957)
Trial, The / Procés, Le / processo, Il (1962)
Campanadas a medianoche / Chimes at Midnight (1965)
#9
Telotte, J. P.: Narration, desire, and a Lady from Shanghai. In: South Atlantic Review 49. 1984. No. 1. [?D] pp. 56-71.
Index:
Welles, Orson
Lady from Shanghai, The (1946)
#10
Tobin, Yann: Reès de yeux, près du coeur: Les gros plans de La Dame du Shanghai. In: Positif 1998. No. 449/450. [July/August] pp. 31-33.
Description:
On Orson Welles’s The Lady from Shanghai.
Index:
Welles, Orson
Lady from Shanghai, The (1946)
#11
Williamson, Judith: The Lady from Shanghai. In: Williamson, Judith: Deadline at dawn: Film criticism 1980-1990. - London; New York: Marion Boyars 1993. pp. 212-214.
Index:
Welles, Orson
Lady from Shanghai, The (1946)
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