Bibliografie des fantastischen Films / Bibliography of Fantastic Film
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Bibliografie des fantastischen Films / Bibliography of Fantastic Film
Bibliografie des Fantastischen Films
Bibliography of Fantastic Film
literature list results

The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|

literature list on: LeRoy, Mervyn

number of items: 27

You can download this literature list as ASCII text file.

Abbreviations
?O City of publication unknown
?V Publishing company unknown
?J Year of publication unknown
?N Issue number unknown
?G Volume number unknown
?D Date of publication unknown
?P Number of pages unknown
?R Series number unknown
Literature list

#1
Babington, Bruce / Evans, Peter William: Biblical epics: Sacred narrative in the Hollywood cinema. - Manchester; New York: Manchester University Press 1993.
Reviews:
Hertkorn, Ottmar: [untitled] In: Medienwissenschaft 1994. No. 2. pp. 189-191.
Description:
Discusses, among others, both The Ten Commandment films by Cecil Blount DeMille, Salome by Wilhelm Dieterle, The Robe by Henry Koster, Ben Hur by William Wyler, Quo Vadis by Mervyn LeRoy, Spartacus by Stanley Kubrick, Demetrius and the Gladiators by Delmer Daves, both The King of Kings films by Cecil Blount DeMille and Nicholas Ray, The Greatest Story Ever Told by George Stevens and finally The Last Temptation of Christ by Martin Scorsese. Includes a bibliography.
Index:
DeMille, Cecil Blount
Dieterle, Wilhelm [Pseudonym: Dieterle, William]
Koster, Henry
Wyler, William
LeRoy, Mervyn
Kubrick, Stanley
Daves, Delmer
Ray, Nicholas
Stevens, George
Scorsese, Martin
Ten Commandments, The (1923)
Ten Commandments, The (1957)
Salome (1953)
Robe, The (1953)
Ben Hur (1959)
Quo Vadis? (1951)
Spartacus (1959/1960)
Demetrius and the Gladiators (1954)
King of Kings, The (1927)
King of Kings, The (1960)
Greatest Story Ever Told, The (1963)
Last Temptation of Christ, The (1988)
Religion ~ Religion
Religion ~ Religion
Hollywood ~ Hollywood

#2
Calhoun, John: Childhood’s end: Let the Right One In and other deaths of innocence. In: Cineaste 35. 2009. No. 1. [Winter] pp. 27-31.
Description:
Discusses also Mervyn LeRoy’s The Bad Seed and Jack Clayton’s The Innocents.
Index:
Alfredson, Tomas
LeRoy, Mervyn
Clayton, Jack
Låt den rätte komma in (2008)
Bad Seed, The (1956)
Innocents, The (1961)
Tod ~ Death
Jugend ~ Youth

#3
Casillo, Robert: Moments in Italian American cinema: From Little Caesar to Coppola and Scorsese. In: From the margin: Writings in Italian Americana. Edited by Anthony Julian Tamburri, Paolo A. Giordano and Fred L. Gardaphe. - West Lafayette: Rurdue University Press 1991.
Index:
Coppola, Francis Ford
Scorsese, Martin
LeRoy, Mervyn
Little Caesar (1930)
USA (United States of America) ~ USA (United States of America)
Italien ~ Italy

#4
Flesher, Paul Virgil McCracken / Torry, Robert: Film & religion: An introduction. - Nashville, Tennessee: Abingdon Press 2007.
Description:
Includes chapters on Christmas films, on the representation of the Cold War and nuclear fears in film, on the representation of ancient history and the rise of the Christianity in film, on alien messiah figures, on the representation of the devil and finally on the representation of world religions like Islam, Judaism and Buddhism in film. Discusses, among others, How the Grinch Stole Christmas! by Chuck Jones and Ben Washam, Rudolph Maté’s When Worlds Collide, Robert Wise’s The Day the Earth Stood Still, Mervyn LeRoy’s Quo Vadis? and King of Kings, Henry Koster’s The Robe, Cecil Blount DeMille’s The Ten Commandments, Norman Jewison’s Jesus Christ Superstar and Agnes of Good, Martin Scorsese’s The Last Temptation of Christ, Mel Gibson’s The Passion of the Christ, William Friedkin’s The Exorcist, Richard Donner’s The Omen, Stanley Kubrick’s 2001 - A Space Odyssey, Steven Spielberg’s Close Encounters of the Third Kind, Barry Levinson’s The Natural, Phil Alden Robinson’s Field of Dreams and Bernardo Bertolucci’s Little Buddha.
Index:
Jones, Chuck
Washam, Ben
Maté, Rudolph
Wise, Robert
LeRoy, Mervyn
Koster, Henry
DeMille, Cecil Blount
Jewison, Norman
Scorsese, Martin
Gibson, Mel
Friedkin, William
Donner, Richard
Kubrick, Stanley
Spielberg, Steven
Levinson, Barry
Robinson, Phil Alden
Bertolucci, Bernardo
How the Grinch Stole Christmas! (1966)
When Worlds Collide (1951)
Day the Earth Stood Still, The (1951)
Quo Vadis? (1951)
King of Kings (1961)
Robe, The (1953)
Ten Commandments, The (1957)
Jesus Christ Superstar (1972)
Agnes of Good (1985)
Last Temptation of Christ, The (1988)
Passion of the Christ, The (2004)
Exorcist, The (1973)
Omen, The / Birthmark (1976)
2001 - A Space Odyssey (1968)
Close Encounters of the Third Kind (1977)
Natural, The (1983)
Field of Dreams (1989)
Little Buddha (1993)
Religion: Teufel ~ Religion: Devil
Religion: Juden ~ Religion: Jews
Religion: Islam ~ Religion: Islam
Religion: Buddhismus ~ Religion: Buddhism
Religion ~ Religion
Krieg ~ War
Geschichte: Antike ~ History: Ancient Times
Atom ~ Nuclear
Angst ~ Fear
Aliens ~ Aliens

#5
Gurel, Perin: A natural little girl: Reproduction and naturalism in The Bad Seed as novel, play, and film. In: Adaptation 3. 2010. No. 2. [July] pp. 132-154.
Index:
Anderson, James Maxwell
March, William
LeRoy, Mervyn
Bad Seed, The (1956)
Naturalismus ~ Naturalism
Bad Seed, The (Theater ~ Theatre)
Bad Seed, The (Literatur ~ Literature)

#6
Harmetz, Aljean: The making of The Wizard of Oz: Movie magic and studio power in the prime of MGM and the miracle of production No. 1060. - New York: Limelight Edition 1984.
First edition:
[New York: Knopf 1977]
Index:
LeRoy, Mervyn
Wizard of Oz, The (1939)
Magie ~ Magic
Wunder ~ Miracles
MGM (Metro Goldwyn Mayer) ~ MGM (Metro Goldwyn Mayer)

#7
Harmetz, Aljean: The making of The Wizard of Oz: Movie magic and studio power in the prime of MGM and the miracle of production No. 1060. - London: Pavilion 1989.
First edition:
[New York: Knopf 1977]
Index:
LeRoy, Mervyn
Wizard of Oz, The (1939)
Magie ~ Magic
Wunder ~ Miracles
MGM (Metro Goldwyn Mayer) ~ MGM (Metro Goldwyn Mayer)

#8
Harmetz, Aljean: The making of The Wizard of Oz: Movie magic and studio power in the prime of MGM and the miracle of production No. 1060. - New York: Dell Publ. 1989.
First edition:
[New York: Knopf 1977]
Index:
LeRoy, Mervyn
Wizard of Oz, The (1939)
Magie ~ Magic
Wunder ~ Miracles
MGM (Metro Goldwyn Mayer) ~ MGM (Metro Goldwyn Mayer)

#9
Hendershot, Cyndy: The Cold War horror film: Taboo and transgression in The Bad Seed, The Fly, and Psycho. In: Journal of Popular Film and Television 29. 2001. No. 1. [Spring] pp. 20-31.
Index:
LeRoy, Mervyn
Cronenberg, David
Hitchcock, Alfred
Bad Seed, The (1956)
Fly, The (1986)
Psycho (1960)
Krieg ~ War
Horror ~ Horror

#10
Householder, Johanna: Bad seeds: Rhoda, Patty and me. In: Offscreen 18. 2014. No. 6/7, [June/July[ p. 1.
Index:
LeRoy, Mervyn
McCormack, Patty
Bad Seed, The (1956)

#11
Jackson, Chuck: Little, violent, white: The Bad Seed and the matter of children. In: Journal of Popular Film and Television 28. 2000. No. 2. [Summer] pp. 64-73.
Index:
LeRoy, Mervyn
Bad Seed, The (1956)
Gewalt ~ Violence
Jugend ~ Youth

#12
Karban, Thomas: Ein Doppelleben: Zum Tode von Miklos Rozsa. In: Film-Dienst 48. 1995. No. 17. [August 15] pp. 16-17.
Description:
On the composer who wrote the score for many fantastic films, among them The Thief of Bagdad by Ludwig Berger, Michael Powell, Tim Whelan, Alexander and Zoltan as well as William Cameron Menzies; Zoltan Korda’s Four Feathers; The Jungle Book by Zoltan Korda and André de Toth; Hitchcock’s Spellbound; Mervyn LeRoy’s Quo Vadis; Anthony Mann’s El Cid and William Wyler’s Ben Hur.
Index:
Rózsa, Miklós
Berger, Ludwig
Powell, Michael
Whelan, Tim
Korda, Zoltan
Korda, Alexander
Korda, Zoltan
Menzies, William Cameron
de Toth, André
Hitchcock, Alfred
LeRoy, Mervyn
Mann, Anthony
Wyler, William
Thief of Bagdad, The (1940)
Four Feathers (1939)
Jungle Book (1942)
Spellbound (1945)
Quo Vadis? (1951)
Cid, El (1961)
Ben Hur (1959)
Tod ~ Death
Musik ~ Music

#13
Liebrand, Claudia: Gute Mädchen kommen in den Himmel, böse Mädchen trifft der Blitz: Mervyn LeRoys The Bad Seed (USA 1956). In: Rebellisch - verzweifelt - infam: Das böse Mädchen als ästhetische Figur. Hrsg. von Renate Möhrmann. - Bielefeld: Aisthesis-Verlag 2012. pp. 349 ff.
Index:
LeRoy, Mervyn
Bad Seed, The (1956)
Gute, Das ~ Good
Böse, Das ~ Evil, The
Frauen ~ Women

#14
LoBrutto, Vincent: Ralph Winters. In: LoBrutto, Vincent: Selected takes: Film editors on editing. - Westport, Connecticut; New York; London: Praeger Publishing 1991. pp. 39-50.
Description:
On the cutter and his work for King Solomon’s Mines by Compton Bennett and Andrew Marton, Mervyn LeRoy’s Quo Vadis?, William Wyler’s Ben Hur and John Guillermin’s King Kong.
Index:
Bennett, Compton
Marton, Andrew
LeRoy, Mervyn
Wyler, William
Guillermin, John
Winters, Ralph
King Solomon’s Mines (1949/1950)
Quo Vadis? (1951)
Ben Hur (1959)
King Kong (1976)

#15
Mason, Fran: American gangster cinema: From Little Cesar to Pulp Fiction. - Basingstoke; London: Palgrave Macmillan 2002. (= Crime Files.)
Index:
LeRoy, Mervyn
Tarantino, Quentin
Little Caesar (1930)
Pulp Fiction (1994)
USA (United States of America) ~ USA (United States of America)
Kriminalität ~ Crime

#16
Meyer, Stephen C.: Spectacle and authenticity in Miklós Rózsa’s Quo Vadis score. In: Meyer, Stephen C.: Epic sound: Music in postwar Hollywood biblical films. - Bloomington; Indianapolis: Indiana University Press 2015.p. ?P.
Index:
LeRoy, Mervyn
Rózsa, Miklós
Quo Vadis? (1951)
Hollywood ~ Hollywood
Krieg ~ War
Religion ~ Religion
Musik ~ Music

#17
Munby, Jonathan: Public enemies, public heroes: Screening the gangster from Little Caesar to Touch of Evil. - Chicago, Illinois; London: University of Chicago Press 1999.
Reviews:
Brauer, Stephen: [untitled] In: American Quarterly 53. 2001. No. 3. [?D] pp. 535-547.
Kaltenecker, Siegfried: [untitled] In: Medienwissenschaft 2000. No. 1. pp. 82-83.
Wilson, Ronald W.: [untitled] In: Film Quarterly 54. 2000. No. 1. [Fall] pp. 54-56.
Index:
LeRoy, Mervyn
Welles, Orson
Little Caesar (1930)
Touch of Evil (1957)
Kriminalität ~ Crime
Helden ~ Heros

#18
Paul, William: Laughing, screaming: Modern Hollywood horror and comedy. - New York: Columbia University Press 1994. (= Film and culture.)
Reviews:
Disky, Jenny: Animal farm. In: Sight and Sound NS 4. 1994. No. 8. [August] p. 32.
Dowell, John A.: [untitled] In: Journal of Popular Film and Television 22. 1994. No. 3. [?D] pp. 137-138.
Lewis, Paul: [untitled.] In: Humor: International Journal of Humor Research 8. 1995. No. 4. [?D] pp. 426-429.
Plantinga, Carl: [untitled.] In: Journal of Aesthetics and Art Criticism 53. 1995. No. 3. [?D] pp. 332-334.
Roberts, Garyn: [untitled.] In: Journal of Popular Culture 28. 1994. No. 2. [?D] pp. 226-227.
Waller, Gregory A.: [untitled] In: Film Quarterly 48. 1995. No. 4. [Summer] pp. 50-51.
Description:
Discusses, among others, Mervyn LeRoy’s The Bad Seed, George A. Romero’s Night of the Living Dead, Wes Craven’s A Nightmare on Elm Street, Cronenberg’s The Brood and The Fly, Kubrick’s The Shining, William Friedkin’s The Exorcist, John Carpenter’s Halloween, Polanski’s Rosemarys Baby, Brian De Palma’s Carrie, Kubrick’s The Shining and the films of Alfred Hitchcock.
Index:
Friedkin, William
Carpenter, John
De Palma, Brian
Kubrick, Stanley
Hitchcock, Alfred
Romero, George A.
Cronenberg, David
Kubrick, Stanley
Polanski, Roman
Craven, Wes
LeRoy, Mervyn
Exorcist, The (1973)
Halloween (1978)
Carrie (1976)
Shining, The (1980)
Night of the Living Dead (1968)
Brood, The (1979)
Fly, The (1986)
Shining, The (1980)
Rosemary’s Baby (1968)
Nightmare on Elm Street, A (1984)
Bad Seed, The (1956)
Sexualität ~ Sexuality
Gewalt ~ Violence
Humor ~ Humor
Horror ~ Horror
Hollywood ~ Hollywood

#19
Paulsen, Thomas: "Was für ein Künstler geht mit mir zugrunde!" Peter Ustinovs Nero-Psychogramm und die antiken Quellen. In: Antike und Mittelalter im Film: Konstruktion - Dokumentation - Projektion. Hrsg. von Mischa Meier und Simona Slanicka. - Köln; Weimar; Wien: Böhlau 2007. (= Beiträge zur Geschichtskultur 29.) p. ?P.
Description:
On Ustinov’s role as Roman emperor in Mervyn LeRoy’s Quo Vadis?.
Index:
Ustinov, Peter
Nero Claudius Caesar Augustus Germanicus
LeRoy, Mervyn
Quo Vadis? (1951)
Rom ~ Rome
Psychologie ~ Psychology
Kunst ~ Arts, The
Geschichte: Antike ~ History: Ancient Times

#20
Pauly, Thomas H.: The way to salvation: The Hollywood Blockbuster of the 1950s. In: Prospects 1980. No. 5. [?D] pp. 467-487.
Description:
On biblical motifs in the Hollywood monumental film, especially on Cecil Blount DeMille’s Samson and Delilah, Henry King’s David and Bathseba and Quo Vadis by Mervyn Le Roy.
Index:
DeMille, Cecil Blount
King, Henry
LeRoy, Mervyn
Samson and Delilah (1950)
David and Bathseba (1951)
Quo Vadis? (1951)
Religion ~ Religion
Hollywood ~ Hollywood

#21
Quo Vadis. - Wien: ?V ?J. (= Illustrierter Film-Kurier 1784.)
Index:
LeRoy, Mervyn
Quo Vadis? (1951)

#22
Quo vadis?. - Wien: ?V ?J. (= Neues Filmprogramm 1505.)
Index:
LeRoy, Mervyn
Quo Vadis? (1951)

#23
Rózsa, Miklós: Quo Vadis, 1951. In: The Hollywood film music reader. Edited by Mervyn Cooke. - Oxford; New York: Oxford University Press 2010. p. ?P.
Index:
Rózsa, Miklós
LeRoy, Mervyn
Quo Vadis? (1951)
Musik ~ Music
Hollywood ~ Hollywood

#24
Singer, Robert: "Error bred in the bone": The Bad Seed. In: Horror Studies 6. 2015. No. 2. [October] pp. 177-194.
Index:
LeRoy, Mervyn
Bad Seed, The (1956)

#25
Staats, Hans: Don’t look now: The child in horror cinema and media. - Stony Brook, New York: State University of New York at Stony Brook, Ph.D. 2016. [Abstract in: Dissertation Abstracts International A 78. 2016. No. 5. [?D].]
Description:
Discusses, among others, Charles Laughton’s The Night of the Hunter, Mervyn LeRoy’s The Bad Seed, Wolf Rilla’s Village of the Damned, Jack Clayton’s The Innocents, Nicolas Roeg’s Don’t Look Now, Dario Argento’s Profondo rosso, Brian De Palma’s Carrie, John Carpenter’s Halloween, Tom Holland’s Child’s Play and Jaume Collet-Serra’s Orphan.
Index:
Laughton, Charles
LeRoy, Mervyn
Rilla, Wolf
Clayton, Jack
Roeg, Nicolas
Argento, Dario
De Palma, Brian
Carpenter, John
Holland, Tom
Collet-Serra, Jaume
Night of the Hunter, The (1955)
Bad Seed, The (1956)
Village of the Damned (1960)
Innocents, The (1961)
Don’t Look Now (1973)
Profondo rosso (1975)
Carrie (1976)
Halloween (1978)
Child’s Play (1988)
Orphan (2009)
Jugend ~ Youth
Horror ~ Horror

#26
Sullivan, Joseph M.: MGM’s 1953 Knights of the Round Table in its manuscript context. In: Arthuriana 14. 2004. No. 3. [?D] pp. 53-68.
Description:
Discusses also Richard Thorpe’s Ivanhoe (1952) and Mervyn LeRoy’s Quo Vadis? (1951).
Index:
Thorpe, Richard
LeRoy, Mervyn
Knights of the Round Table (1953)
Ivanhoe (1952)
Quo Vadis? (1951)
MGM (Metro Goldwyn Mayer) ~ MGM (Metro Goldwyn Mayer)
Geschichte: Mittelalter ~ History: Middle Ages

#27
Winkler, Martin M.: The Roman salute: Cinema, history, ideology. - Columbus, Ohio: Ohio State University Press 2009.
Description:
On the tradition of the Roman salute in history and culture. Discusses, among others, saluting in film, especially in ancient monumental films like Ben Hur, Quo Vadis? or Alexander as well as in the Star Trek films and TV series.
Index:
Wyler, William
LeRoy, Mervyn
Stone, Oliver
Ben Hur (1959)
Quo Vadis? (1951)
Alexander (2004)
Star Trek (Filmreihe)
Geschichte ~ History
Fernsehen ~ Television
Politik ~ Politics
Rom ~ Rome
Geschichte: Antike ~ History: Ancient Times


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Bibliografie des fantastischen Films / Bibliography of Fantastic Film

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