The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Man Who Knew Too Much, The (1956)
number of items: 37
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
| ?G | Volume number unknown |
| ?D | Date of publication unknown |
| ?P | Number of pages unknown |
| ?R | Series number unknown |
#1
Arecco, Sergio: Il killer della luna di miele. In: Filmcritica 51. 2001. No. 513. [March] pp. 101-110.
Description:
Discusses, among others, Tod Browning’s Dracula, Alfred Hitchcock’s The Man Who Knew Too Much and Pedro Almodóvar’s La ley dei deseo.
Index:
Browning, Tod
Hitchcock, Alfred
Almodóvar, Pedro
Dracula (1930)
Man Who Knew Too Much, The (1934)
Man Who Knew Too Much, The (1956)
ley del deseo, La (1986)
Mord ~ Murder
#2
Bauso, Thomas M.: Revalidating patriarchy: Why Hitchcock remade The Man Who Knew Too Much. In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 209-220.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
#3
Behrens, Ulrich: Trügerischer Schein: Der Mann, der zuviel wusste. In: F.LM - Texte zum Film. Online edition, July 2003.
Description:
On Alfred Hitchcock’s The Man Who Knew Too Much.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
#4
Benson, Thomas: Mother and monster: The rhetorical structure of The Man Who Knew Too Much. In: Monsters in and among us: Toward a Gothic criminology. Edited by Caroline Joan (Kay) Picart and Cecil Greek. - Madison, New Jersey: Fairleigh Dickinson University Press 2007. pp. 91-116.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
Mutter ~ Mothers
Monster ~ Monster
Horror ~ Horror
#5
Bonitzer, Pascal: The skin and the straw. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 178-184.
Description:
Especially on The Man who Knew Too Much.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
#6
Cohen, Tom: Hitchcock and the death of (Mr.) memory. In: Qui Parle 6. 1993. No. 2. [Spring/Summer] pp. 41-74.
Description:
On The Thirty-Nine Steps and The Man Who Knew Too Much.
Index:
Hitchcock, Alfred
Thirty-Nine Steps, The (1935)
Man Who Knew Too Much, The (1956)
Tod ~ Death
#7
de Kock, Ivo: The Man Who Knew too Much. In: Film en Televisie 1999. No. 496. [November] pp. 36-37.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
#8
de Kuyper, E.: The Man Who Knew Too Much. In: Skrien 1981. No. 111. [October] p. 43.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1934)
Man Who Knew Too Much, The (1956)
#9
Figlerowicz, Marta: Timing and vulnerability in three Hitchcock films. In: Film Quarterly 65. 2012. No. 3. [Spring] pp. 49-58.
Description:
Discusses The Man Who Knew Too Much, Marnie and Frenzy.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
Marnie (1963/1964)
Frenzy (1971)
#10
Garmon, Ronald Dale: The Man Who Knew Too Much: Hitchcock’s politics of terror. In: Scarlet Street 1996. No. 22. [?D] pp. 89-91, 97.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1934)
Man Who Knew Too Much, The (1956)
#11
Hark, Ina Rae: Keeping your amateur standing: Audience participation in Hitchcock’s political films. In: Cinema Journal 29. 1990. No. 2. [Winter] pp. 8-22.
Description:
Especially on The Man Who Knew Too Much and The 39 Steps.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1934)
Man Who Knew Too Much, The (1956)
Thirty-Nine Steps, The (1935)
Politik ~ Politics
#12
Hinrichsen, Jens: Wir pfeifen auf das Schicksalslied: Doris Day singt Que sera, sera in Der Mann, der zu viel wusste (1956) von Alfred Hitchcock. In: Film-Dienst 66. 2013. No. 23. [November 7] p. 12.
Index:
Hitchcock, Alfred
Day, Doris
Man Who Knew Too Much, The (1956)
Musik ~ Music
#13
Kühle, Sandra: Remakes: Amerikanische Versionen europäischer Filme. - Remscheid: Gardez! Verlag 2006. (= Filmstudien 52.)
Description:
Discusses, among others, Alfred Hitchcock’s US remake of his own The Man Who Knew Too Much and George Sluizer’s The Vanishing, a remake of his own Spoorloos.
Index:
Hitchcock, Alfred
Sluizer, George
Man Who Knew Too Much, The (1956)
Man Who Knew Too Much, The (1934)
Vanishing, The (1992)
Spoorloos (1988)
USA (United States of America) ~ USA (United States of America)
Europa ~ Europe
#14
Leitch, Thomas M.: Self and world at Paramount. In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 36-51.
Description:
On Alfred Hitchcock’s Rear Window, The Man Who Knew Too Much and The Trouble With Harry.
Index:
Hitchcock, Alfred
Rear Window (1954)
Man Who Knew Too Much, The (1956)
Trouble with Harry, The (1955)
Paramount [Firma] ~ Paramount [Company]
#15
Lightning, Robert K.: A domestic trilogy. In: Cineaction 1999. No. 50. [?D] pp. 32-42.
Description:
On the representation of the family and the gender roles in the three Hitchcock films The Trouble with Harry, The Man Who Knew Too Much and The Wrong Man.
Index:
Hitchcock, Alfred
Trouble with Harry, The (1955)
Man Who Knew Too Much, The (1934)
Man Who Knew Too Much, The (1956)
Wrong Man, The (1957)
Sexualität ~ Sexuality
Familie ~ Family
#16
MacKenzie, Gina M.; O’Hara, Daniel T.: The vision of voice in James and Hitchcock: An experiment in reading. In: Boundary 2 37. 2010. No. 3. [?D] pp. 167-177.
Index:
Hitchcock, Alfred
James, Henry
Man Who Knew Too Much, The (1934)
Man Who Knew Too Much, The (1956)
#17
Masson, Alain: Le remake à Hollywood. In: Positif 1999. No. 459. [May] pp. 74-103.
Description:
Discusses, among others, the self remakes by Cecil B. DeMille, Jean Renoir and Fritz Lang and die two versions of Hitchcock’s The Man Who Knew Too Much, plus an analysis of the two Invasion of the Body Snatchers films by Don Siegel and Philip Kaufman.
Index:
DeMille, Cecil Blount
Renoir, Jean
Lang, Fritz
Hitchcock, Alfred
Siegel, Donald
Kaufman, Philip
Man Who Knew Too Much, The (1934)
Man Who Knew Too Much, The (1956)
Invasion of the Body Snatchers (1956)
Invasion of the Body Snatchers (1978)
Hollywood ~ Hollywood
#18
Maurelli, G.: The Man Who Knew Too Much. In: Filmcritica 32. 1981. No. 311. [January] pp. 48-49.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
#19
Michie, Elsie B.: Unveiling maternal desires: Hitchcock and American domesticity. In: Hitchcock’s America. Edited by Jonathan Freedman and Richard H. Millington. - New York; Oxford: Oxford University Press 1999. pp. 29-53.
Description:
Discusses, among others, The Man Who Knew Too Much and Shadow of a Doubt.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
Shadow of a Doubt (1943)
USA (United States of America) ~ USA (United States of America)
#20
Nadel, Alan: Colonial discourse and the unheard other in Washington Square and The Man Who Knew Too Much. In: The men who knew too much: Henry James and Alfred Hitchcock. Edited by Susan Griffin and Alan Nadel. - Oxford; New York: Oxford University Press 2011. p. ?P.
Index:
James, Henry
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
Washington Square (Literatur ~ Literature)
#21
Pomerance, Murray: Finding release: Storm Clouds and The Man Who Knew too Much. In: Music and cinema. Edited by James Buhler, Caryl Flinn and David Neumeyer. - Hanover, New Hampshire: University Press of New England / Wesleyan University Press 2000. (= Music / culture.) pp. 207-46.
Index:
Benjamin, Arthur
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
Storm Cloud Cantata (Musik ~ Music)
Musik ~ Music
#22
Pomerance, Murray: The horse who drank the sky: Film experience beyond narrative and theory. - New Brunswick, New Jersey: Rutgers University Press 2008.
Reviews:
Krohn, Bill: [untitled.] In: Cineaste 33. 2008. No. 4. [?D] pp. 70-72.
Description:
Discusses a lot of fantastic films, among them Alfred Hitchcock’s Blackmail, Rebecca, Stage Fright, The Man Who Knew Too Much, Vertigo and North by Northwest, Fritz Lang’s M - Eine Stadt sucht einen Mörder, Victor Fleming’s The Wizard of Oz, François Truffaut’s Fahrenheit 451, Ishiro Honda’s Gojira, Jim Jarmusch’s Dead Man, David Cronenberg’s The Dead Zone, William Friedkin’s The Exorcist, Guillermo del Toro’s El Laberinto del Fauno, Terence Young’s From Russia with Love, Doug Liman’s The Bourne Identity and Paul Greengrass’s The Bourne Supremacy, Alejandro González Iñárritu’s Babel, Wim Wenders’s Bis ans Ende der Welt, Michelangelo Antonioni’s Blow Up and Steven Spielberg’s Close Encounters of the Third Kind as well as Jaws.
Index:
Hitchcock, Alfred
Lang, Fritz
Fleming, Victor
Truffaut, François
Honda, Ishiro
Jarmusch, Jim
Cronenberg, David
Friedkin, William
del Toro, Guillermo
Young, Terence
Liman, Doug
Greengrass, Paul
González Iñárritu, Alejandro
Wenders, Wim
Antonioni, Michelangelo
Spielberg, Steven
Blackmail (1929)
Rebecca (1940)
Stage Fright (1950)
Man Who Knew Too Much, The (1956)
Vertigo (1958)
North by Northwest (1959)
M - Eine Stadt sucht einen Mörder (1931)
Wizard of Oz, The (1939)
Fahrenheit 451 (1966)
Gojira (1954)
Dead Man (1995)
Dead Zone, The (1983)
Exorcist, The (1973)
Laberinto del Fauno, El (2006)
From Russia with Love (1963)
Bourne Identity, The (2002)
Bourne Supremacy, The (2004)
Babel (2006)
Bis ans Ende der Welt (1991)
Blow Up (1966)
Close Encounters of the Third Kind (1977)
Jaws (1975)
#23
Pomerance, Murray: The skin of our teeth: The Man Who Knew Too Much dines out. In: MacGuffin 1998. No. 25a. [December] pp. 10-13.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
Zähne ~ Teeth
#24
Pomerance, Murray: Two bits for Hitch: Small performanace and gross structure in The Man Who Knew Too Much (1956). In: Hitchcock Annual 2000/2001. pp. 127-145.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
#25
Pulleine, Tim: The Man Who Knew Too Much. In: Films and Filming ?G. 1984. No. ?N(358). [July] pp. 20-21.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
#26
Rubin, Martin: Thrillers. - New York; Cambridge: Cambridge University Press 1999. (= Genres in American Cinema.)
Reviews:
Morsch, Thomas: [untitled] In: Medienwissenschaft 2000. No. 1. pp. 93-94.
Shaiman, Mark: [untitled] In: Film Quarterly 54. 2000. No. 1. [Fall] pp. 61-62.
Description:
Discusses, among others, the films of Alfred Hitchcock, especially The Man Who Knew To Much, and Wes Cravens Scream.
Index:
Hitchcock, Alfred
Craven, Wes
Man Who Knew Too Much, The (1956)
Scream (1996)
Thriller ~ Thriller
#27
Serenellini, M.: Un gioco dell’intelligenza aldilà di Hitchcock. In: Cinema Nuovo 35. 1986. No. 299. [January/February] pp. 10-11.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
#28
Smith, Murray: Altered states: Character and emotional response in the cinema. In: Cinema Journal 33. 1994. No. 4. [Summer] pp. 34-56.
Description:
Especially on Hitchcock’s The Man Who Knew too Much.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
#29
Strick, P.: Alfred Hitchcock. In: Films and Filming ?G. 1983. No. ?N(351). [December] pp. 18-21.
Description:
Especially on The Rope, Rear Window, The Man Who Knew Too Much, The Trouble with Harry and Vertigo.
Index:
Hitchcock, Alfred
Rope, The (1948)
Rear Window (1954)
Man Who Knew Too Much, The (1956)
Trouble with Harry, The (1955)
Vertigo (1958)
#30
Thumin, Janet: Celluloid sisters: Women and popular cinema. Consultant editor Jo Campling. - Basingstoke; London: Macmillan Press 1992.
Description:
On women’s roles in popular British and American film between 1945 and 1965. Discusses also a lot of fantastic films, among them Black Narzissus by Michael Powell and Emeric Pressburger, Caesar and Cleopatra by Gabriel Pascal, The Curse of Frankenstein by Terence Fisher, the James Bond films Dr. No and From Russia with Love by Terence Young as well as Goldfinger by Guy Hamilton, the Hitchcock films The Man who Knew too Much, Marnie, Rear Window and Spellbound, Mary Poppins by Robert Stevenso and The Seventh Veil by Compton Bennett.
Index:
Powell, Michael
Pressburger, Emeric
Pascal, Gabriel
Fisher, Terence
Young, Terence
Hamilton, Guy
Hitchcock, Alfred
Stevenson, Robert
Bennett, Compton
Black Narcissus (1947)
Caesar and Cleopatra (1946)
Curse of Frankenstein, The (1957)
Dr. No (1962)
From Russia with Love (1963)
Goldfinger (1964)
Man Who Knew Too Much, The (1956)
Marnie (1963/1964)
Rear Window (1954)
Spellbound (1945)
Mary Poppins (1964)
Seventh Veil, The (1945)
USA (United States of America) ~ USA (United States of America)
Großbritannien ~ Great Britain
Frauen ~ Women
James Bond ~ James Bond
#31
Thumin, Janet: Celluloid sisters: Women and popular cinema. Consultant editor Jo Campling. - New York: St. Martin’s Press 1992.
Description:
On women’s roles in popular British and American film between 1945 and 1965. Discusses also a lot of fantastic films, among them Black Narzissus by Michael Powell and Emeric Pressburger, Caesar and Cleopatra by Gabriel Pascal, The Curse of Frankenstein by Terence Fisher, the James Bond films Dr. No and From Russia with Love by Terence Young as well as Goldfinger by Guy Hamilton, the Hitchcock films The Man who Knew too Much, Marnie, Rear Window and Spellbound, Mary Poppins by Robert Stevenso and The Seventh Veil by Compton Bennett.
Index:
Powell, Michael
Pressburger, Emeric
Pascal, Gabriel
Fisher, Terence
Young, Terence
Hamilton, Guy
Hitchcock, Alfred
Stevenson, Robert
Bennett, Compton
Black Narcissus (1947)
Caesar and Cleopatra (1946)
Curse of Frankenstein, The (1957)
Dr. No (1962)
From Russia with Love (1963)
Goldfinger (1964)
Man Who Knew Too Much, The (1956)
Marnie (1963/1964)
Rear Window (1954)
Spellbound (1945)
Mary Poppins (1964)
Seventh Veil, The (1945)
USA (United States of America) ~ USA (United States of America)
Großbritannien ~ Great Britain
Frauen ~ Women
James Bond ~ James Bond
#32
Valley, Richard: The Hayes office: John Michael Hayes. In: Scarlet Street 1996. No. 22. [?D] pp. 84-88, 97.
Description:
Interview with the scriptwriter on his work for Hitchcock’s The Trouble with Harry and The Man Who Knew Too Much.
Index:
Hayes, John Michael
Hitchcock, Alfred
Trouble with Harry, The (1955)
Man Who Knew Too Much, The (1956)
#33
Verscheure, Jean-Pierre: The challenge of sound restoration from 1927 to digital. In: Film History 7. 1995. No. 3. pp. 264-276.
Description:
Discusses in detail, as an example, the score of Alfred Hitchcock’s The Man Who Knew Too Much.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
Technik: Computer ~ Technology: Computer
Musik ~ Music
#34
Verscheure, Jean-Pierre: Une réalisation de Cinévolution. In: Journal of Film Preservation ?G. 1995. No. 50. [March] pp. 75-83.
Description:
On the sound design in Alfred Hitchcock’s The Man Who Knew Too Much (1956).
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
Musik ~ Music
#35
Weis, Elizabeth: Consolidation of a classical style: The Man Who Knew Too Much. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1934)
Man Who Knew Too Much, The (1956)
#36
Wierzbicki, James: Grand illusion: The Storm Cloud music in Hitchcock’s The Man Who Knew Too Much. In: The Journal of Film Music 1. 2003. No. 2/3. [Fall/Winter] pp. 217-238.
Description:
On the usage of the cantata by Arthur Benjamin in both versions of the Hitchcock film.
Index:
Hitchcock, Alfred
Benjamin, Arthur
Man Who Knew Too Much, The (1934)
Man Who Knew Too Much, The (1956)
Musik ~ Music
Storm Cloud Cantata (Musik ~ Music)
#37
Wood, Robin: The Man Who Knew Too Much: And the women who knew much better. In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 194-208.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
nFrauen ~ Women
This literature list was generated on Tuesday, April 23, 2024
Do You have problems creating a proper list result or do You have a special inquiry? Then please let me know.
If You found mistakes or bugs, if You have any questions not answered at the faq site or if You know literature titles related to Your search that are not yet mentioned in the "Bibliography of Fantastic Film" feel free to send me an email with Your suggestions.
