The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Marnie (1963/1964)
number of items: 76
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
| ?G | Volume number unknown |
| ?D | Date of publication unknown |
| ?P | Number of pages unknown |
| ?R | Series number unknown |
#1
Allen, Richard: An interview with Jay Presson Allen. In: Hitchcock Annual 2000. pp. 3-22.
Index:
Hitchcock, Alfred
Presson, Jay
Marnie (1963/1964)
#2
Allen, Richard: An interview with Jay Presson. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred
Presson, Jay
Marnie (1963/1964)
#3
Allen, Richard: Belle du jour et Marnie. In: The Psychoanalytic Review 82. 1995. No. 6. [?D] pp. 933-936.
Index:
Buñuel, Luis
Hitchcock, Alfred
Belle de jour (1966)
Marnie (1963/1964)
Psychologie ~ Psychology
#4
Bailin, Rebecca: Feminist readership, violence, and Marnie. In: Film Reader 1982. No. 5. [?D] pp. 24-36.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Gewalt ~ Violence
Frauen ~ Women
#5
Bellour, Raymond: Hitchcock, the enunciator. In: Camera Obscura 1977. No. 2. [Fall] pp. 66-91.
Description:
On Alfred Hitchcock’s Marnie.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#6
Bergstrom, Janet: Enunciation and sexual difference (Part I). In: Camera Obscura 1979. No. 3/4. [Summer] pp. 32-69.
Description:
Discusses the importance of psychoanalysis for film interpretation and uses Alfred Hitchcock’s The Birds and Marnie as examples.
Index:
Hitchcock, Alfred
Birds, The (1962)
Marnie (1963/1964)
Psychologie ~ Psychology
Sexualität ~ Sexuality
#7
Bjorkman, Stig: Stillbilden. In: Chaplin 31. 1989. No. 5(224). [?D] pp. 252 ff.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#8
Black, John F.: Marnie. In: Scarlet Street 2000. No. 40. [?D] p. 24.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#9
Boozer, Jack: The lethal femme fatale in the noir tradition. In: Journal of Film and Video 51. 1999. No. 3/4. [?D] pp. 20-35.
Description:
Discusses, among others, Alfred Hitchcock’s Marnie and Paul Verhoeven’s Basic Instinct.
Index:
Hitchcock, Alfred
Verhoeven, Paul
Marnie (1963/1964)
Basic Instinct (1992)
Frauen ~ Women
Film Noir ~ Film Noir
#10
Brupbacher, B.: Unmasking Alfred Hitchcock: A study of selected films in their context from Murder (1930) to Marnie (1964). - Oxford: University of Oxford, D.Phil. 1992. [Abstract in: Index to Theses with Abstracts 42. 1993. No. 3. p. 939(42-5140).]
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Murder (1930)
#11
Buscema, M.: Marnie. In: Filmcritica 32. 1981. No. 311. [January] pp. 52-53.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#12
Butte, George: I know that you know that I know: Narrating subjects from Moll Flanders to Marnie. - Columbus, Ohio: Ohio State University Press 2004. (= Theory and interpretation of narrative.)
Index:
Defoe, Daniel
Hitchcock, Alfred
Marnie (1963/1964)
Moll Flandres (Literatur ~ Literature)
#13
Cippitelli, Claudia: Marnie oder: Die Domestizierung der Frau. In: Kino und Couch: Zum Verhältnis von Psychoanalyse und Film. Redaktionelle Bearbeitung: Ernst Karpf. - Frankfurt/Main: Gemeinschaftswerk der evangelischen Publizistik / Schmitten/Taunus: Evangelische Akademie Arnoldshain 1990. (= Arnoldshainer Filmgespräche 7.) pp. 107-113.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Frauen ~ Women
Psychologie ~ Psychology
#14
Columpar, Corinn: Marnie: A site / sight for the convergence of gazes. In: Hitchcock Annual 1999/2000. pp. 51-73.
Description:
Especially on the representation of the woman in the Hitchcock movie.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Frauen ~ Women
#15
de Kock, Ivo: Marnie. In: Film en Televisie 2000. No. 500. [March] pp. 54-55.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#16
Dick, Bernard F.: Hitchcock’s terrible mothers. In: Literature/Film Quarterly 28. 2000. No. 4. [October] pp. 238-249.
Description:
On the mother figure in Hitchcocks films, especially in Psycho, The Birds and Marnie.
Index:
Hitchcock, Alfred
Psycho (1960)
Birds, The (1962)
Marnie (1963/1964)
Mutter ~ Mothers
#17
Figlerowicz, Marta: Timing and vulnerability in three Hitchcock films. In: Film Quarterly 65. 2012. No. 3. [Spring] pp. 49-58.
Description:
Discusses The Man Who Knew Too Much, Marnie and Frenzy.
Index:
Hitchcock, Alfred
Man Who Knew Too Much, The (1956)
Marnie (1963/1964)
Frenzy (1971)
#18
Fletcher, John: Versions of masquerade. In: Screen 29. 1988. No. 3. [?D] pp. 43-70.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#19
Flitterman, Sandy: Woman, desire and the look: Feminism and the enunciative apparatus in cinema. In: Ciné-Tracts 2. 1978. No. 1. [?D] pp. 63-68.
Description:
Discusses, among others, Alfred Hitchcock’s Marnie.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Frauen ~ Women
#20
Goldschmidt, D.: Marnie. In: Cinématographe 1985. No. 107. [February] pp. 60-61.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#21
Guérin, Marie-Anne: Le jour et la nuit. In: Trafic 2002. No. 41. [Spring] pp. 92-101.
Description:
Compares Tippi Hedren’s role in Alfred Hitchcock’s Marnie with the role of Barbara Stanwyck in Fritz Lang’s Clash By Night.
Index:
Hitchcock, Alfred
Lang, Fritz
Hedren, Tippi
Stanwyck, Barbara
Marnie (1963/1964)
Clash By Night (1952)
#22
Hoffstetter, Jeanne: Tippi Hedren, de Melanie a Marnie. In: Mensuel du Cinéma 1994. No. 17 [May] p. 73.
Description:
On Hedren’s roles in Alfred Hitchcock’s The Birds and Marnie.
Index:
Hedren, Tippi
Hitchcock, Alfred
Birds, The (1962)
Marnie (1963/1964)
#23
Hunter, Evan: Ja i Hic. In: Iskusstvo Kino 1999. No. 2. [February] pp. 120-134.
Description:
Excerpts from the Hitchcock book of the author who, under pseudonym Ed McBain, wrote the script for Alfred Hitchcock’s The Birds and Marnie.
Index:
Hitchcock, Alfred
Birds, The (1962)
Marnie (1963/1964)
#24
Hunter, Evan: Ja i Hic. In: Iskusstvo Kino 1999. No. 1. [January] pp. 129-145.
Description:
Excerpts from the Hitchcock book of the author who, under pseudonym Ed McBain, wrote the script for Alfred Hitchcock’s The Birds and Marnie.
Index:
Hitchcock, Alfred
Birds, The (1962)
Marnie (1963/1964)
#25
Hunter, Evan: Me and Hitch. In: Sight and Sound NS 7. 1997. No. 6. [June] pp. 24-37.
Description:
Excerpts from the Hitchcock book of the author who, under pseudonym Ed McBain, wrote the script for Alfred Hitchcock’s The Birds and Marnie.
Index:
Hitchcock, Alfred
Birds, The (1962)
Marnie (1963/1964)
#26
Jacobowitz, Florence: Hitchcock and feminist criticism: From Rebecca to Marnie. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred
Rebecca (1940)
Marnie (1963/1964)
Frauen ~ Women
#27
Jimenez de las Heras, Jose A.: Marnie y Vertigo, las dos caras de una misma obsesion. In: Dirigido 1999. No. 282. [September] pp. 76-82.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Vertigo (1958)
#28
Kaplan, E. Ann: Motherhood and representation: The mother in popular culture and melodrama. - New York; London: Routledge 1992.
Reviews:
Negra, Diane: [untitled] In: The Velvet Light Trap 1994. No. 33. [?D] pp. 66-67.
Description:
Discusses, among others, Hitchcock’s Marnie and Adrian Lyne’s Fatal Attraction.
Index:
Hitchcock, Alfred
Lyne, Adrian
Marnie (1963/1964)
Fatal Attraction (1987)
Mutter ~ Mothers
#29
Kapsis, Robert E.: Hitchcock in the James Bond era. In: Studies in Popular Culture 11. 1988. No. 1. [?D] pp. 64-79.
Description:
Discusses especially Alfred Hitchcock’s Marnie, Topaz and Torn Curtain.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Topaz (1968)
Torn Curtain (1966)
James Bond ~ James Bond
#30
Kapsis, Robert E.: The historical reception of Hitchcock’s Marnie. In: Journal of Film and Video 40. 1988. No. 3. [Summer] pp. 46-63.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#31
Kino und Couch: Zum Verhältnis von Psychoanalyse und Film. Redaktionelle Bearbeitung: Ernst Karpf. - Frankfurt/Main: Gemeinschaftswerk der evangelischen Publizistik / Schmitten/Taunus: Evangelische Akademie Arnoldshain 1990. (= Arnoldshainer Filmgespräche 7.)
Reviews:
[Untitled] In: Film-Dienst 44. 1991. No. 6. [March 19] p. 39.
er: [untitled] In: Filmwärts ?G. 1990/1991. No. 18. [?D] p. III.
Description:
Discusses, among others, Hitchcock’s Marnie and Polanski’s Repulsion.
Index:
Hitchcock, Alfred
Polanski, Roman
Marnie (1963/1964)
Repulsion (1965)
Psychologie ~ Psychology
#32
Knapp, Lucretia: Queer Marnie. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#33
Knapp, Lucretia: The queer voice in Marnie. In: Cinema Journal 32. 1993. No. 4. [Summer] pp. 6-23.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#34
Knapp, Lucretia: The queer voice in Marnie. In: Out in culture: Gay, lesbian, and queer essays on popular culture. Edited by Corey K. Creekmur and Alexander Doty. - Durham, North Carolina: Duke University Press 1995. pp. 62-81.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Sexualität: Homosexualität ~ Sexuality: Homosexuality
#35
Koll, Horst Peter: Der Reiz des schönen Scheins: Alfred Hitchcocks Marnie (1964) wird immer noch viel zu sehr unterschätzt. In: Film-Dienst 69. 2016. No. 1. [January 7] p. 3.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#36
Kornatowska, Maria: Portret w czerwieni. In: Kino [Warschau] 33. 1999. No. ?N(?N). [October] pp. 36-37.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#37
Latorre, José María: Marnie, la perversa inocente. In: Diablesas y diosas: 14 perversas para 14 autores. Editores de la colección: Joaquim Romaguera i Ramió Eduardo Suárez. - Barcelona: Editorial Laertes 1990. pp. 103-114.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#38
Lembeck, Karin: "Mama, ich will zu meiner Mama ..." (Marnie): Hitchcocks Frauenfiguren aus der Sicht der feministischen Filmtheorie. - Berlin: Technische Universität Berlin, Institut für Medienpädagogik ?J (1995/1996).
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Frauen ~ Women
#39
Lippert, Renate: Rotlicht: Die Farbe Rot in Vom Winde verweht und Marnie. In: Frauen und Film 1996. No. 58/59. [July] pp. 76-88.
Index:
Hitchcock, Alfred
Fleming, Victor
Marnie (1963/1964)
Gone With the Wind (1939)
#40
Magny, Joël: Pas de printemps pour Marnie. In: Cinéma [Paris] 1985. No. 313. [January] pp. 34-35.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#41
Manlove, Clifford T.: Visual "drive" and cinematic narrative: Reading gaze theory in Lacan, Hitchcock, and Mulvey. In: Cinema Journal 46. 2007. No. 3. [Spring] pp. 83-108.
Description:
Discusses especially Hitchcock’s Vertigo, Rear Window and Marnie which were used by Laura Mulvey to explain her own psychoanalytical theory.
Index:
Hitchcock, Alfred
Mulvey, Laura
Lacan, Jacques
Vertigo (1958)
Rear Window (1954)
Marnie (1963/1964)
Psychologie ~ Psychology
#42
McElhaney, Joe: The death of classical cinema: Hitchcock, Lang, Minnelli. - Albany: State University of New York Press 2006. (= SUNNY series: Horizons of cinema.)
Reviews:
Fife, Lucy: [untitled.] In: Film-Philosophy 11. 2007. No. 3. [?D] p. ?P.
Faucette, Brian: [untitled.] In: Journal of Popular Film and Television 36. 2008. No. 1. [?D] pp. 46-47.
Lohrey, James: [untitled.] In: Journal of Film and Video 60. 2008. No. 3/4. [Fall/Winter] pp. 122-123.
Description:
Discusses, among others, Fritz Lang’s Die 1000 Augen des Dr. Mabuse and Alfred Hitchcock’s Marnie.
Index:
Lang, Fritz
Hitchcock, Alfred
Minnelli, Vincente
1000 Augen des Dr. Mabuse, Die (1960)
Marnie (1963/1964)
#43
McElhaney, Joseph Edward: Qualities of imperfection: Melodrama and the decline of classical cinema. - New York: New York University, Ph.D. 1999. [Abstract in: Dissertation Abstracts International A 60. 1999. No. 2. (August) p. 272A.]
Description:
Discusses, among others, Fritz Lang’s Die 1000 Augen des Dr. Mabuse and Alfred Hitchcock’s Marnie.
Index:
Lang, Fritz
Hitchcock, Alfred
1000 Augen des Dr. Mabuse, Die (1960)
Marnie (1963/1964)
#44
McNamara, Donald Dailey: Alfred Hitchcock’s symbolic fantasies: A comedy of narrative form. - ?O: University of Missouri-Columbia, Ph.D. 1983. [Abstract in: Dissertation Abstracts International A 44. 1984. No. 12. (June) p. 3523A.]
Description:
Discusses, among others, Spellbound, Psycho and Marnie.
Index:
Hitchcock, Alfred
Spellbound (1945)
Psycho (1960)
Marnie (1963/1964)
Phantasie ~ Fantasy
Humor ~ Humor
#45
Mejean, Jean-Max: La psychanalyse a Hollywood. In: Cinémaction 2000. No. 94. [?D] pp. 194-198.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Psychologie ~ Psychology
Hollywood ~ Hollywood
#46
Meyring, Christoph: Kleptomanie als Verfahren: Zu Alfred Hitchcocks Film Marnie. In: Textprofile intermedial. Hrg. von Dagmar von Hoff und Bernhard Spies. - München: Meidenbauer 2008. (= Kontext 6.) pp. 221 ff.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#47
Mogg, Ken: Defending Marnie - and Hitchcock. In: Hitchcock Annual 1999. pp. 74-83.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#48
Moral, Tony Lee: Hitchcock and the making of Marnie. - Manchester: Manchester University Press 2002. (= Filmmakers 95.)
Reviews:
Davis, Bob: Disciplining Marnie. In: Film-Philosophy 8. 2004. No. 1. [January] p. ?P.
Fujiwara, Chris: lnterpretaion and production history: Eyes Wide Shut and Marnie. In: Film International 2003. No. 3. [?D] pp. 36-40.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#49
Moral, Tony Lee: Hitchcock and the making of Marnie. - Lanham, Maryland; London: Scarecrow Press 2002. (= Filmmakers 95.)
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#50
Mörchen, Roland: Reifewerke. In: Film-Dienst 53. 2000. No. 25. [December 5] p. 41.
Description:
On a CD editions of the scores for Alfred Hitchcock’s Marnie and Mark Robson’s Peyton Place.
Index:
Hitchcock, Alfred
Robson, Mark
Marnie (1963/1964)
Peyton Place (1957)
Musik ~ Music
#51
Morfoot, P.: Three films of Alfred Hitchcock. - Colchester, Essex: University of Essex, Ph.D. 1986. [Abstract in: Index to Theses with Abstracts 35. 1987. No. 4. p. 1485(35-7533).]
Description:
Discusses Psycho, The Birds and Marnie.
Index:
Hitchcock, Alfred
Psycho (1960)
Birds, The (1962)
Marnie (1963/1964)
#52
Newman, Kim: The Birds / Marnie. In: Video Watchdog 2000. No. 62. [?D] pp. 50-53.
Index:
Hitchcock, Alfred
Birds, The (1962)
Marnie (1963/1964)
#53
Obadia, Paul: L’heure du thé dans Marnie: Une question de style. In: Cinémaction 2003. No. 108. [June] pp. 129-135.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#54
Parker-Sparrow, Bradley: Marnie. In: Film Score Monthly ?G. 1995. No. ?N(53/54). [?D] p. 16.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#55
Piso, Michael: Mark’s Marnie. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#56
Pomerance, Murray: Marnie. - ?O: Palgrave Macmillan 2014. (= BFI Film Classics.)
Reviews:
Stevens, Brad: [untitled.] In: Sight and Sound NS 24. 2014. No. 11. [November] p. 105.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#57
Pomerance, Murray:: Once in love with Marnie. In: Pomerance, Murray: An eye for Hitchcock. - New Brunswick, New Jersey: Rutgers University Press 2004. p. ?P.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Augen ~ Eyes
#58
Regensburger, Dietmar: "Are you still in the mood for killing?" Mimetic rivalry, scapegoating and sacrifice in Hitchcock’s Marnie, Cacoyannis’ Zorba the Greek and Pasolini’s Medea. In: Passions in economy, politics, and the media: In discussion with Christian theology. Edited by Wolfgang Palaver [et al.]. - Wien: Lit 2005. (= Beiträge zur mimetischen Theorie 17.) pp. 363-385.
Index:
Hitchcock, Alfred
Cacoyannis, Michael
Pasolini, Pier Paolo
Marnie (1963/1964)
Zorba, the Greek (1964)
Medea (1969)
Wirtschaft ~ Economy
Politik ~ Politics
Opfer ~ Sacrifice
Religion ~ Religion
#59
Regensburger, Dietmar: Religion(en) und Gewalt: Systematische Reflexionen zu einem aktuellen und brisanten Spannungsfeld im Lichte der mimetischen Theorie René Girards. In: Weltreligionen im Film: Christentum, Islam, Judentum, Hinduismus, Buddhismus. Hrsg. von Joachim Valentin unter Mitarbeit von Matthias Müller. - Marburg: Schüren 2002. (= Film und Theologie 3.) pp. 15-34.
Description:
Discusses, among others, Alfred Hitchcock’s Marnie and Pier Paolo Pasolini’s Medea.
Index:
Girard, René
Hitchcock, Alfred
Pasolini, Pier Paolo
Marnie (1963/1964)
Medea (1969)
Religion ~ Religion
Gewalt ~ Violence
Religion ~ Religion
#60
Rothman, William: Hitchcock: The murderous gaze. 2nd. edition. - Albany: State University of New York Press 2012. (= Suny series: Horizons of cinema.)
First edition:
[1982]
Description:
Discusses The Lodger, Murder, The 39 Steps, Shadow of a Doubt, Psycho and Marnie.
Index:
Hitchcock, Alfred
Lodger, The: A Story of the London Fog (1927)
Murder (1930)
Thirty-Nine Steps, The (1935)
Shadow of a Doubt (1943)
Psycho (1960)
Marnie (1963/1964)
Mord ~ Murder
#61
Saada, Nicolas: Herrmann et son fils spirituel. In: Cahiers du Cinéma 1995. No. 490. [April] p. 22.
Description:
Compares Bernhard Herrmann’s music for Alfred Hitchcock’s Marnie with Danny Elfman’s score for Henry Selick’s Tim Burton’s The Nightmare Before Christmas.
Index:
Herrmann, Bernard
Hitchcock, Alfred
Elfman, Danny
Selick, Henry
Marnie (1963/1964)
Nightmare Before Christmas / Tim Burton’s The Nightmare Before Christmas (1993)
Religion ~ Religion
Musik ~ Music
#62
Saada, Nicolas: Un grand film mineur. In: Cahiers du Cinéma 2000. No. 548. [July/August] p. 8.
Index:
Hitchcock, Alfred
Vertigo (1958)
Marnie (1963/1964)
#63
Silet, Charles L. P.: Writing for Hitch: An interview with Evan Hunter. In: Hitchcock Annual 1995. pp. 117-125.
Description:
Interview with the scriptwriter of Hitchcock’s The Birds and Marnie.
Index:
Hitchcock, Alfred
Hunter, Evan
Birds, The (1962)
Marnie (1963/1964)
#64
Smith, Allan Lloyd: Marnie, the dead mother, and the phantom. In: Hitchcock Annual 2002/2003. pp. 164-180.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Mutter ~ Mothers
#65
Sonbert, Warren: Warren Sonbert on Marnie. In: Framework 56. 2015. No. 1. [Spring] pp. 208-213.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#66
Stern, Emil: Hitchcock’s Marnie: Dreams, surrealism, and the sublime. In: Hitchcock Annual 1999. pp. 30-50.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
Traum ~ Dreams
Surrealismus ~ Surrealism
#67
Street, Sarah: Hitchcockian haberdashery. In: Hitchcock Annual 1995. pp. 23-37.
Index:
Hitchcock, Alfred
Vertigo (1958)
Dial M for Murder (1954)
Marnie (1963/1964)
#68
Thomas, Deborah: Self-possession and dispossession in Hitchcock’s Marnie. In: Cineaste 33. 2007. No. 1. [?D] pp. 107-121.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#69
Thumin, Janet: Celluloid sisters: Women and popular cinema. Consultant editor Jo Campling. - Basingstoke; London: Macmillan Press 1992.
Description:
On women’s roles in popular British and American film between 1945 and 1965. Discusses also a lot of fantastic films, among them Black Narzissus by Michael Powell and Emeric Pressburger, Caesar and Cleopatra by Gabriel Pascal, The Curse of Frankenstein by Terence Fisher, the James Bond films Dr. No and From Russia with Love by Terence Young as well as Goldfinger by Guy Hamilton, the Hitchcock films The Man who Knew too Much, Marnie, Rear Window and Spellbound, Mary Poppins by Robert Stevenso and The Seventh Veil by Compton Bennett.
Index:
Powell, Michael
Pressburger, Emeric
Pascal, Gabriel
Fisher, Terence
Young, Terence
Hamilton, Guy
Hitchcock, Alfred
Stevenson, Robert
Bennett, Compton
Black Narcissus (1947)
Caesar and Cleopatra (1946)
Curse of Frankenstein, The (1957)
Dr. No (1962)
From Russia with Love (1963)
Goldfinger (1964)
Man Who Knew Too Much, The (1956)
Marnie (1963/1964)
Rear Window (1954)
Spellbound (1945)
Mary Poppins (1964)
Seventh Veil, The (1945)
USA (United States of America) ~ USA (United States of America)
Großbritannien ~ Great Britain
Frauen ~ Women
James Bond ~ James Bond
#70
Thumin, Janet: Celluloid sisters: Women and popular cinema. Consultant editor Jo Campling. - New York: St. Martin’s Press 1992.
Description:
On women’s roles in popular British and American film between 1945 and 1965. Discusses also a lot of fantastic films, among them Black Narzissus by Michael Powell and Emeric Pressburger, Caesar and Cleopatra by Gabriel Pascal, The Curse of Frankenstein by Terence Fisher, the James Bond films Dr. No and From Russia with Love by Terence Young as well as Goldfinger by Guy Hamilton, the Hitchcock films The Man who Knew too Much, Marnie, Rear Window and Spellbound, Mary Poppins by Robert Stevenso and The Seventh Veil by Compton Bennett.
Index:
Powell, Michael
Pressburger, Emeric
Pascal, Gabriel
Fisher, Terence
Young, Terence
Hamilton, Guy
Hitchcock, Alfred
Stevenson, Robert
Bennett, Compton
Black Narcissus (1947)
Caesar and Cleopatra (1946)
Curse of Frankenstein, The (1957)
Dr. No (1962)
From Russia with Love (1963)
Goldfinger (1964)
Man Who Knew Too Much, The (1956)
Marnie (1963/1964)
Rear Window (1954)
Spellbound (1945)
Mary Poppins (1964)
Seventh Veil, The (1945)
USA (United States of America) ~ USA (United States of America)
Großbritannien ~ Great Britain
Frauen ~ Women
James Bond ~ James Bond
#71
Vrdlovec, Zdenko: Marnie. In: Ekran 9. 1984. No. 7/8. [?D] pp. 19-21.
Index:
Hitchcock, Alfred
Marnie (1963/1964)
#72
Walter, Raubicheck, / Srebnick, Walter: Scripting Hitchcock: Psycho, The Birds, and Marnie. - Urbana, Illinois: University of Illinois Press 2011.
Reviews:
Boon, Kevin Alexander: [untitled.] In: Literature/Film Quarterly 41. 2013. No. 1. [?D] pp. 77-79.
Bray, Christopher: [untitled.] In: Cineaste 37. 2012. No. 2. [?D] pp. 66-67.
Harris, Oliver: [untitled.] In: Journal of Screenwriting 4. 2013. No. 2. [?D] pp. 199-201.
Smyth, J. E.: [untitled.] In: Scope [Nottingham] 2014. No. 26. [?D] pp. 147-152.
Index:
Hitchcock, Alfred
Psycho (1960)
Birds, The (1962)
Marnie (1963/1964)
#73
Wollen, Peter: Hitchcock: Hybrid plots in Psycho. In: Framework ?G. 1980. No. 13. [Autumn] pp. 14-16.
Description:
Discusses also North by Northwest and Marnie.
Index:
Hitchcock, Alfred
Psycho (1960)
North by Northwest (1959)
Marnie (1963/1964)
#74
Wood, Robin: Att se Fåglarna och Marnie genom Fönstret åt garden In: Filmhäftet 27. 1999. No. 108. [?D] pp. 46-52.
Description:
Psychoanalytic interpretation of the Hitchcock films The Birds, Marnie and Rear Window.
Index:
Hitchcock, Alfred
Birds, The (1962)
Marnie (1963/1964)
Rear Window (1954)
Psychologie ~ Psychology
#75
Wood, Robin: Looking at The Birds and Marnie through the Rear Window. In: Cineaction 1999. No. 50. [?D] pp. 80-85.
Description:
Psychoanalytic interpretation of the three Hitchcock films.
Index:
Hitchcock, Alfred
Birds, The (1962)
Marnie (1963/1964)
Rear Window (1954)
Psychologie ~ Psychology
#76
Yanal, Robert J.: Shadow of a Doubt and Marnie: Entries into a mind. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 253-260.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)
Marnie (1963/1964)
Philosophie ~ Philosophy
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