The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Maté, Rudolph
number of items: 19
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| ?J | Year of publication unknown |
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#1
Addison, Heather: Selective survival: When Worlds Collide (1951) as ark narrative. In: Quarterly Review of Film and Video 33. 2016. No. 5. [July] pp. 381-400.
Index:
Maté, Rudolph
When Worlds Collide (1951)
Religion ~ Religion
#2
Carter, Beverley: The war of the sexes: Men in film noir and D.O.A. (1950). In: Film noir reader 4: The crucial films and themes. Edited by Alain Silver and James Ursini. - Pompton Plains, New Jersey: Limelight Editions / Milwauke, Wisconsin: Hal Leonard 2004. p. ?P.
Index:
Maté, Rudolph
D.O.A. - Dead on Arrival (1949)
Sexualität ~ Sexuality
Krieg ~ War
Film Noir ~ Film Noir
#3
Cowan, Douglas E.: Intellects vast and cool and unsympathetic: Science, religion, and The War of the Worlds - Part II. In: Journal of Religion and Film 11. 2007. No. 2. [October] p. ?P.
Description:
Discusses also Robert Wise’s The Day the Earth Stood Still, Rudolph Maté’s When Worlds Collide, The Day of the Triffids by Freddie Francis and Steve Sekely, Cecil Blount DeMille’s Samson & Delilah and Gordon Douglas’s Them!.
Index:
Haskin, Byron
Wise, Robert
Maté, Rudolph
Francis, Freddie
Sekely, Steve
DeMille, Cecil Blount
Douglas, Gordon
War of the Worlds, The (1953)
Day the Earth Stood Still, The (1951)
When Worlds Collide (1951)
Day of the Triffids, The (1962)
Samson and Delilah (1950)
Them! (1954)
Wissenschaft ~ Science
Religion ~ Religion
#4
Doherty, Jim: When Worlds Collide / War of the Worlds. In: Soundtrack: The Collector’s Quarterly 4. 1985. No. 15. [September] p. 18.
Description:
On the film scores by Leith Stevens.
Index:
Maté, Rudolph
Haskin, Byron
When Worlds Collide (1951)
War of the Worlds, The (1953)
Musik ~ Music
#5
Flesher, Paul Virgil McCracken / Torry, Robert: Film & religion: An introduction. - Nashville, Tennessee: Abingdon Press 2007.
Description:
Includes chapters on Christmas films, on the representation of the Cold War and nuclear fears in film, on the representation of ancient history and the rise of the Christianity in film, on alien messiah figures, on the representation of the devil and finally on the representation of world religions like Islam, Judaism and Buddhism in film. Discusses, among others, How the Grinch Stole Christmas! by Chuck Jones and Ben Washam, Rudolph Maté’s When Worlds Collide, Robert Wise’s The Day the Earth Stood Still, Mervyn LeRoy’s Quo Vadis? and King of Kings, Henry Koster’s The Robe, Cecil Blount DeMille’s The Ten Commandments, Norman Jewison’s Jesus Christ Superstar and Agnes of Good, Martin Scorsese’s The Last Temptation of Christ, Mel Gibson’s The Passion of the Christ, William Friedkin’s The Exorcist, Richard Donner’s The Omen, Stanley Kubrick’s 2001 - A Space Odyssey, Steven Spielberg’s Close Encounters of the Third Kind, Barry Levinson’s The Natural, Phil Alden Robinson’s Field of Dreams and Bernardo Bertolucci’s Little Buddha.
Index:
Jones, Chuck
Washam, Ben
Maté, Rudolph
Wise, Robert
LeRoy, Mervyn
Koster, Henry
DeMille, Cecil Blount
Jewison, Norman
Scorsese, Martin
Gibson, Mel
Friedkin, William
Donner, Richard
Kubrick, Stanley
Spielberg, Steven
Levinson, Barry
Robinson, Phil Alden
Bertolucci, Bernardo
How the Grinch Stole Christmas! (1966)
When Worlds Collide (1951)
Day the Earth Stood Still, The (1951)
Quo Vadis? (1951)
King of Kings (1961)
Robe, The (1953)
Ten Commandments, The (1957)
Jesus Christ Superstar (1972)
Agnes of Good (1985)
Last Temptation of Christ, The (1988)
Passion of the Christ, The (2004)
Exorcist, The (1973)
Omen, The / Birthmark (1976)
2001 - A Space Odyssey (1968)
Close Encounters of the Third Kind (1977)
Natural, The (1983)
Field of Dreams (1989)
Little Buddha (1993)
Religion: Teufel ~ Religion: Devil
Religion: Juden ~ Religion: Jews
Religion: Islam ~ Religion: Islam
Religion: Buddhismus ~ Religion: Buddhism
Religion ~ Religion
Krieg ~ War
Geschichte: Antike ~ History: Ancient Times
Atom ~ Nuclear
Angst ~ Fear
Aliens ~ Aliens
#6
Godfrey, T.: TAD at the movies: The treats of San Francisco. In: Armchair Detective 16. 1983. No. 2. [?D] p. 197.
Description:
On the representation of the city in film. Discusses, among others, Norman Foster’s Charlie Chan at Treasure Island, Rudolph Maté’s D.O.A. - Dead on Arrival, Tod Browning’s Miracles for Sale, Robert Benton’s Still of the Night and Alfred Hitchcock’s Vertigo.
Index:
Foster, Norman
Maté, Rudolph
Browning, Tod
Benton, Robert
Hitchcock, Alfred
Charlie Chan at Treasure Island (1939)
D.O.A. - Dead on Arrival (1949)
Miracles for Sale (1939)
Still of the Night (1982)
Vertigo (1958)
Stadt ~ City
San Francisco ~ San Francisco
#7
Der jüngste Tag. - Nürnberg: Verlag Karin Stähle ?J. (= Phantopia-Filmprogramm 534.)
Description:
On Rudolph Maté’s When Worlds Collide.
Index:
Maté, Rudolph
When Worlds Collide (1951)
#8
Der jüngste Tag (When Worlds Collide). - München: Verlag Filmbühne ?J. (= Illustrierte Film-Bühne 1499.)
Index:
Maté, Rudolph
When Worlds Collide (1951)
#9
Navarro, Antonio José: El león de Esparta. In: Dirigido 2005. No. 341. [January] p. 98.
Description:
On Rudolph Maté’s The 300 Spartans.
Index:
Maté, Rudolph
300 Spartans, The (1962)
#10
Ringel, Shoshana: Talk therapy: The representation of insight in the cinema. In: Celluloid couches, cinematic clients: Psychoanalysis and psychotherapy in the movies. Edited by Jerrold R. Brandell. - Albany: New York State University Press 2004. (= SUNY series in psychoanalysis and culture.) pp. 169-190.
Description:
Discusses, among others, Rudolph Maté’s The Dark Past and Jonathan Demme’s The Silence of the Lambs.
Index:
Maté, Rudolph
Demme, Jonathan
Dark Past, The (1948)
Silence of the Lambs, The (1990)
Psychologie ~ Psychology
#11
Roth, Wilhelm: Romantik aus 1001 Nacht. In: EPD Film 26. 2009. No. 5. [May] p. 59.
Description:
On DVD editions of the 1950s fairy tale films The Prince Who Was a Thief and The Golden Blade, both staring actress Piper Laurie.
Index:
Maté, Rudolph
Juran, Nathan
Laurie, Piper
Prince Who Was a Thief, The (1951)
Golden Blade, The (1953)
Nacht ~ Night
Märchen ~ Fairy Tales
DVD ~ DVD
Romantik ~ Romanticism
#12
Seeßlen, Georg: When Worlds Collide. In: Enzyklopädie des phantastischen Films. 11. Ergänzungslieferung. - Meitingen: Corian-Verlag, Juni 1989.
Index:
Maté, Rudolph
When Worlds Collide (1951)
#13
Seewald, Franziska: Bilder vom Ende: Zur Affizierung im Kino am Beispiel des Naturkatastrophenfilms Hollywoods. - Marburg: Tectum-Verlag 2011.
Reviews:
Weidner, Sven: [untitled.] In: Medienwissenschaft 2013. No. 4. pp. 489-490.
Description:
Discusses, as examples, W. S. van Dyke’s San Francisco, Rudolph Maté’s When Worlds Collide, Mark Robson’s Earthquake, Jan De Bont’s Twister and Roland Emmerich’s The Day After Tomorrow.
Index:
van Dyke, Woodbridge Strong
Maté, Rudolph
Robson, Mark
De Bont, Jan
Emmerich, Roland
San Francisco (1936)
When Worlds Collide (1951)
Earthquake (1974)
Twister (1996)
Day After Tomorrow, The (2004)
Natur ~ Nature
Katastrophen ~ Disasters
Hollywood ~ Hollywood
#14
Seewald, Franziska: Bilder vom Ende: Zur Affizierung im Kino am Beispiel des Naturkatastrophenfilms Hollywoods. - Berlin: Freie Universität Berlin, Dissertation 2009.
Description:
Discusses, as examples, W. S. van Dyke’s San Francisco, Rudolph Maté’s When Worlds Collide, Mark Robson’s Earthquake, Jan De Bont’s Twister and Roland Emmerich’s The Day After Tomorrow.
Index:
van Dyke, Woodbridge Strong
Maté, Rudolph
Robson, Mark
De Bont, Jan
Emmerich, Roland
San Francisco (1936)
When Worlds Collide (1951)
Earthquake (1974)
Twister (1996)
Day After Tomorrow, The (2004)
Natur ~ Nature
Katastrophen ~ Disasters
Hollywood ~ Hollywood
#15
Senn, Bryan: When Worlds Collide (1951). In: Senn, Bryan: A year of fear: A day-by-day guide to 366 horror films. - Jefferson, North Carolina: McFarland & Co. 2007. p. ?P.
Index:
Maté, Rudolph
When Worlds Collide (1951)
Horror ~ Horror
#16
Torry, Robert: Apocalypse then: Benefits of the bomb in fifties science fiction films. In: Cinema Journal 31. 1991. No. 1. [Fall] pp. 7-21.
Description:
Especially on Rudolph Maté’s When Worlds Collide, Robert Wise’s The Day the Earth Stood Still and Byron Haskin’s The War of the Worlds.
Index:
Maté, Rudolph
Wise, Robert
Haskin, Byron
When Worlds Collide (1951)
Day the Earth Stood Still, The (1951)
War of the Worlds, The (1953)
Science Fiction ~ Science Fiction
Religion: Apokalypse ~ Religion: Apocalypse
#17
Turner, George: "I want to report a murder". In: American Cinematographer 69. 1988. No. 8. [August] pp. 35-40.
Description:
On Rudolph Maté’s D.O.A. - Dead on Arrival.
Index:
Maté, Rudolph
D.O.A. - Dead on Arrival (1949)
Mord ~ Murder
#18
Turner, George: D.O.A. - Classic reprised. In: American Cinematographer 69. 1988. No. 8. [August] pp. 30-34.
Description:
On the remake by Annabel Jankel and Rocky Morton.
Index:
Maté, Rudolph
Jankel, Annabel
Morton, Rocky
D.O.A. - Dead on Arrival (1949)
D.O.A. - Dead on Arrival (1988)
#19
von Berg, Ulrich: Opfer der Unterwelt. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 169-174.
Description:
On Rudolph Maté’s D.O.A. - Dead on Arrival.
Index:
Maté, Rudolph
D.O.A. - Dead on Arrival (1949)
Film Noir ~ Film Noir
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