Bibliografie des fantastischen Films / Bibliography of Fantastic Film
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Bibliografie des fantastischen Films / Bibliography of Fantastic Film
Bibliografie des Fantastischen Films
Bibliography of Fantastic Film
literature list results

The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|

literature list on: Memento (2000)

number of items: 91

You can download this literature list as ASCII text file.

Abbreviations
?O City of publication unknown
?V Publishing company unknown
?J Year of publication unknown
?N Issue number unknown
?G Volume number unknown
?D Date of publication unknown
?P Number of pages unknown
?R Series number unknown
Literature list

#1
Argent, Daniel: Memento. In: Creative Screenwriting 8. 2001. No. 2. [?D] pp. 49-54.
Index:
Nolan, Christopher
Memento (2000)

#2
Argent, Daniel / Nola N, Chris: Remembering Memento: Daniel Argent speaks with Chris Nolan. In: Creative Screenwriting 9. 2002. No. 1. [?D] pp. 47-52.
Index:
Nolan, Christopher
Memento (2000)

#3
Baumgartner, Holly: Visualizing Levinas: "Existence and Existents" through Mulholland Drive, Memento, and Vanilla Sky. - Bowling Green, Ohio: Bowling Green State University, Ph.D. 2005. [Abstract in: Dissertation Abstracts International A 66. 2005. No. 1. (July) p. 174.]
Index:
Levinas, Emmanuel
Nolan, Christopher
Crowe, Cameron
Lynch, David
Memento (2000)
Vanilla Sky (2001)
Mulholland Drive (2001)
Philosophie ~ Philosophy

#4
Baur, Michael: We all need mirrors to remind us who we are: Inherited meaning and inherited selves in Memento. In: Movies and the meaning of life: Philosophers take on Hollywood. Edited by Kimberly A. Blessing and Paul J. Tudico. - Chicago, Illinois: Open Court 2005. pp. 94-110.
Index:
Nolan, Christopher
Memento (2000)
Spiegel ~ Mirror
Philosophie ~ Philosophy
Hollywood ~ Hollywood

#5
Beier, Lars-Olav: Der Anfang vom Ende. In: kulturSpiegel 2001. No. 12. [December] pp. 22-25.
Description:
On Christopher Nolan’s Memento.
Index:
Nolan, Christopher
Memento (2000)

#6
Bianco, Jamie Skye: Techno-cinema. In: Comparative Literature Studies 41. 2004. No. 3. [?D] pp. 377-403.
Description:
Discusses, among others, Christopher Nolan’s Memento and Darren Aronofsky’s Requiem For a Dream.
Index:
Nolan, Christopher
Aronofsky, Darren
Memento (2000)
Requiem For a Dream (2000)
Technik ~ Technology

#7
Bischoff, Florian Norbert: Gestörte Erinnerung - Wenn Bilder versagen: Bild- und Medienreflexion in Memento und Rear Window. - München: GRIN Verlag 2012.
Index:
Nolan, Christopher
Hitchcock, Alfred
Memento (2000)
Rear Window (1954)

#8
Bodnar, Christopher: The database, logic, and suffering: Memento and random-access information aesthetics. In: Film-Philosophy 7. 2003. No. 10. [May] p. ?P.
Index:
Nolan, Christopher
Memento (2000)
Philosophie ~ Philosophy

#9
Bragues, George: Memory and morals in Memento: Hume at the movies. In: Film-Philosophy 12. 2008. No. 2. [?D] p. ?P.
Index:
Nolan, Christopher
Hume, David
Memento (2000)
Philosophie ~ Philosophy

#10
Brusberg-kiermeier, Stefani: Kampf der Fakten und Gefühle: Erzählen und Erinnern in Memento, Paycheck und Eternal Sunshine of the Spotless Mind. In: "Camera doesn’t lie": Spielarten erzählerischer Unzuverlässigkeit im Film. Hrsg. von Jörg Helbig. - Trier: Wissenschaftlicher Verlag Trier 2006. (= Focal point 4.) pp. 123 ff.
Index:
Nolan, Christopher
Wu Su-Yum [Pseudonym: Woo, John]
Gondry, Michael
Memento (2000)
Paycheck (2003)
Eternal Sunshine of the Spotless Mind (2004)
Technik: Kamera ~ Technology: Camera

#11
Carroll, Noël: Memento and the phenomenology of comprehending motion picture narration. In: Memento. Edited by Andrew Kania. - New York; London: Routledge 2009. p. ?P.
Index:
Nolan, Christopher
Memento (2000)

#12
Classen, René: Memento. In: Film-Dienst 54. 2001. No. 25. [December 4] p. 19.
Index:
Nolan, Christopher
Memento (2000)

#13
Content, Rob: Memento. In: Film Quarterly 56. 2003. No. 4. [Summer] pp. 36-41.
Index:
Nolan, Christopher
Memento (2000)

#14
Cox, Damian / Levine, Michael P.: Personal identity: The case of Memento. In: Cox, Damian / Levine, Michael P.: Thinking through film: Doing philosophy, watching movies. - Malden, Massachussetts: Wiley-Blackwell 2011. p. ?P.
Index:
Nolan, Christopher
Memento (2000)
Philosophie ~ Philosophy

#15
Darke, Chris: Mr Memory. In: Sight and Sound NS 10. 2000. No. 11. [November] pp. 42-43.
Description:
On Christopher Nolan’s Memento.
Index:
Nolan, Christopher
Memento (2000)

#16
Detweiler, Craig: Into the dark: Contemporary film and general revelation. - Pasadena, California: Fuller Theological Seminary, School of Theology, Ph.D. 2007. [Abstract in: Dissertation Abstracts International A 68. 2007. No. 3. (September)]
Description:
Presents the thesis that in modern times God speaks not through dreams but through the movies. Discusses, among others, Mel Gibson’s The Passion of the Christ, Andrew Adamson’s Chronicles of Narnia films, David Fincher’s Fight Club, Paul Thomas Anderson’s Magnolia, Christopher Nolan’s Memento and Michael Gondry’s Eternal Sunshine of the Spotless Mind.
Index:
Gibson, Mel
Adamson, Andrew
Fincher, David
Anderson, Paul Thomas
Nolan, Christopher
Gondry, Michael
Passion of the Christ, The (2004)
Chronicles of Narnia (Filmreihe)
Fight Club (1999)
Magnolia (1999)
Memento (2000)
Eternal Sunshine of the Spotless Mind (2004)

#17
Eckel, Julia: Zeitenwende(n) des Films: Temporale Nonlinearität im zeitgenössischen Erzählkino. - Bochum: Universität Bochum, Magisterarbeit 2011.
Description:
Discusses, among others, Alejandro González Iñárritu’s Babel, Christopher Nolan’s Inception and Memento, Michael Gondry’s Eternal Sunshine of the Spotless Mind and Greg Marcks’s 11:14.
Index:
González Iñárritu, Alejandro
Nolan, Christopher
Gondry, Michael
Marcks, Greg
Babel (2006)
Inception (2010)
Eternal Sunshine of the Spotless Mind (2004)
Memento (2000)
11:14 (2003)
Zeit ~ Time

#18
Eckel, Julia: Zeitenwende(n) des Films: Temporale Nonlinearität im zeitgenössischen Erzählkino. - Marburg: Schüren 2012. (= Marburger Schriften zur Medienforschung 32.)
Reviews:
Brandlmeier, Thomas: [untitled.] In: Film-Dienst 65. 2012. No. 12. [June 7] p. 63.
Description:
Discusses, among others, Alejandro González Iñárritu’s Babel, Christopher Nolan’s Inception and Memento, Michael Gondry’s Eternal Sunshine of the Spotless Mind and Greg Marcks’s 11:14.
Index:
González Iñárritu, Alejandro
Nolan, Christopher
Gondry, Michael
Marcks, Greg
Babel (2006)
Inception (2010)
Eternal Sunshine of the Spotless Mind (2004)
Memento (2000)
11:14 (2003)
Zeit ~ Time

#19
Eig, Jonathan: A beautiful mind(fuck): Hollywood structures of identity. In: Jump Cut 2003. No. 46. [?D] p. ?P.
Description:
Discusses, among others, Ron Howard’s A Beautiful Mind, David Fincher’s Fight Club, Christopher Nolan’s Memento, David Lynch’s Mulholland Drive and M. Night Shyamalan’s The Sixth Sense.
Index:
Howard, Ron
Fincher, David
Nolan, Christopher
Lynch, David
Shyamalan, M. Night
Beautiful Mind, A (2001)
Fight Club (1999)
Memento (2000)
Mulholland Drive (2001)
Sixth Sense, The (1999)
Sexualität ~ Sexuality
Psychologie ~ Psychology
Hollywood ~ Hollywood

#20
Elsaesser, Thomas: Hollywood heute: Geschichte, Gender und Nation im postklassischen Kino. - Berlin: Bertz + Fischer 2009. (= Deep Focus 1.)
Reviews:
Distelmeyer, Jan: Twister der Theorie. In: EPD Film 26. 2009. No. 7. [July] p. 56.
Description:
Includes, among others, detailed analyses of Quentin Tarantino’s Pulp Fiction, Francis Ford Coppola’s Bram Stoker’s Dracula, Jonathan Demme’s The Silence of the Lambs, the Die Hard and the Back to the Future series and on many other fantastic films like Christopher Nolan’s Memento, David Fincher’s Fight Club, Robert Schwentke’s Flightplan or Alejandro Amenábar’s The Others.
Index:
Tarantino, Quentin
Coppola, Francis Ford
Demme, Jonathan
Zemeckis, Robert
Nolan, Christopher
Fincher, David
Schwentke, Robert
Amenábar, Alejandro
Pulp Fiction (1994)
Bram Stoker’s Dracula (1992)
Silence of the Lambs, The (1990)
Die Hard (Filmreihe)
Back to the Future (Filmreihe)
Memento (2000)
Fight Club (1999)
Flightplan (2005)
Others, The (2001)
USA (United States of America) ~ USA (United States of America)
Sexualität ~ Sexuality
Hollywood ~ Hollywood
Geschichte ~ History

#21
Erll, Astrid: Mediation, remediation and the dynamics of cultural memory. - Berlin; New York: Mouton de Gruyter 2009. (= Media and cultural memory 10.)
Description:
Discusses, among others, Christopher Nolan’s Memento and Michael Gondry’s Eternal Sunshine of the Spotless Mind.
Index:
Nolan, Christopher
Gondry, Michael
Memento (2000)
Eternal Sunshine of the Spotless Mind (2004)
Zeit ~ Time

#22
Fedderson, Kim / Richardson, J. Michael: Hamlet 9/11: Sound, noise, and fury in Almereyda’s Hamlet. In: College Literature 31. 2004. No. 4. [Fall] pp. 150-170.
Description:
Discusses also Christopher Nolan’s Memento.
Index:
Almereyda, Michael
Nolan, Christopher
Shakespeare, William
Tragicall Historie of Hamlet, Prince of Denmarke, The (Literatur ~ Literature)
Hamlet (2000)
Memento (2000)
Musik ~ Music
Hamlet ~ Hamlet

#23
Fedderson, Kim; Richardson, J. Michael: Shakespeare’s multiple metamorphoses: Authenticity agonistes. In: College Literature 36. 2009. No. 1. [?D] pp. 1-17.
Description:
Discusses, among others, Christopher Nolan’s Memento.
Index:
Nolan, Christopher
Shakespeare, William
Memento (2000)

#24
Ferenz, Volker: Fight Clubs, American Psychos and Mementos. In: New Review of Film and Television Studies 3. 2005. No. 2. [November] pp. 133-159.
Description:
On the concepts of narration in recent film.
Index:
Fincher, David
Harron, Mary
Nolan, Christopher
Fight Club (1999)
American Psycho (2000)
Memento (2000)
USA (United States of America) ~ USA (United States of America)
Psychologie ~ Psychology

#25
Gallagher, Mark: Tripped out: The psychedelic film and masculinity. In: Quarterly Review of Film and Video 21. 2004. No. 3. [July-September] pp. 161-171.
Description:
Discusses, among others, David Fincher’s Fight Club, Christopher Nolan’s Memento and the Matrix films.
Index:
Fincher, David
Nolan, Christopher
Wachowski, Andy
Wachowski, Larry
Fight Club (1999)
Memento (2000)
Matrix, The (Filmreihe)
Psychologie ~ Psychology
Männer ~ Men

#26
Gargett, Adrian: Nolan’s Memento, memory, and recognition. In: CLCWeb: Computers, Literature and Culture 4. 2002. No. 3. [?D] p. ?P.
Index:
Nolan, Christopher
Memento (2000)

#27
Ghislotti, Stefano: Narrative comprehension made difficult: Film form and mnemonic devices in Memento. In: Puzzle films: Complex storytelling in contemporary cinema. Edited by Warren Buckland. - Chichester, West Sussex; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Nolan, Christopher
Memento (2000)
Zeit ~ Time

#28
Görtz, Katharina: Die Suche nach der Identität: Erinnerungen erzählen im Spielfilm. - Remscheid: Gardez! Verlag 2007.
Description:
Discusses, among others, Christopher Nolan’s Memento.
Index:
Nolan, Christopher
Memento (2000)

#29
Hanley, Richard: Memento and personal identity: Do we have it backwards? In: Memento. Edited by Andrew Kania. - New York; London: Routledge 2009. p. ?P.
Index:
Nolan, Christopher
Memento (2000)

#30
Hermann, Martin: "Something to remember you by": Fotografie und Schrift als Erinnerungsmedien in Christopher Nolans Spielfilm Memento. In: Visuelle Evidenz: Fotografie im Reflex von Literatur und Film. Hrsg. von Sabina Becker und Barbara Korte. - Berlin; New York: De Gruyter 2011. (= Linguae & litterae 5.) pp. 164 ff.
Index:
Nolan, Christopher
Memento (2000)
Literatur ~ Literature
Fotografie ~ Photography

#31
Jackson, Tony E.: "Graphism" and story-time in Memento. In: Mosaic 40. 2007. No. 3. [?D] pp. 51-66.
Index:
Nolan, Christopher
Memento (2000)

#32
Jenny, Urs: Sato rückwärts. In: Der Spiegel 2001. No. 50. [December 10] p. 202.
Description:
On Christopher Nolan’s Memento.
Index:
Nolan, Christopher
Memento (2000)

#33
Kania, Andrew: Memento. In: The Routledge companion to philosophy and film. Edited by Paisley Livingston and Carl Plantinga. - London; New York: Routledge 2008. (= Routledge philosophy companions.) p. ?P.
Index:
Nolan, Christopher
Memento (2000)
Philosophie ~ Philosophy

#34
Kania, Andrew: What is Memento? Ontology and interpretation in mainstream film. In: Memento. Edited by Andrew Kania. - New York; London: Routledge 2009. p. ?P.
Index:
Nolan, Christopher
Memento (2000)

#35
Klecker, Cornelia: Skip and rewind: When time gets out of line in mainstream film. In: Moderne Sprachen 2009. No. 53. [?D] pp. 7-35.
Index:
Nolan, Christopher
Memento (2000)
Zeit ~ Time

#36
Kleinman, Dennis: Back to a wilder noir. In: Cinefantastique 33. 2001. No. 3. [June] p. 60.
Description:
On Christopher Nolan’s Memento.
Index:
Nolan, Christopher
Memento (2000)
Film Noir ~ Film Noir

#37
Knight, Deborah / McKnight, George: Reconfiguring the past: Memento and neo-noir. In: Memento. Edited by Andrew Kania. - New York; London: Routledge 2009. p. ?P.
Index:
Nolan, Christopher
Memento (2000)
Film Noir ~ Film Noir

#38
Kravitz, Bennett: The culture of disease and the dis-case of culture: Re-membering the body in Fight Club and Memento. In: Studies in Popular Culture 26. 2004. No. 3. [?D] pp. 29-48.
Index:
Fincher, David
Nolan, Christopher
Fight Club (1999)
Memento (2000)
Krankheit ~ Illness
Körper ~ Bodies

#39
Kubiak, Klay: "Are you watching closely?": Cinematic deception in Christopher Nolan’s Memento, The Prestige, and Inception. - Fort Worth, Texas: Texas Christian University, M.A. 2013. [Abstract in: Masters Abstracts International 51. 2013. No. 6M.]
Index:
Nolan, Christopher
Memento (2000)
Prestige, The (2006)
Inception (2010)

#40
Kubiak, Klay: "Are you watching closely?": Cinematic deception in Christopher Nolan’s Memento, The Prestige, and Inception. - Fort Worth, Texas: Texas Christian University, M.A. 2013. [Abstract In: Masters Abstracts International 51. 2013. No. 6. [December] p. ?P.]
Index:
Nolan, Christopher
Memento (2000)
Prestige, The (2006)
Inception (2010)

#41
Lally, Kevin: Memento. In: Film Journal 104. 2001. No. ?N. [March] pp. 109-110.
Index:
Nolan, Christopher
Memento (2000)

#42
Lampropoulos, Apostolos: Spelling out amnesia, or "forgetting me on the pretext of understanding me". In: Synthesis 2010. No. 2. [?D] pp. 67-72.
Index:
Nolan, Christopher
Memento (2000)

#43
Laytham, D. Brent: Time for hope: The Sixth Sense, American Beauty, Memento, and Twelve Monkeys. In: The gift of story: Narrating hope in a postmodern world. Edited by Emily Griesinger and Mark Eaton. - Waco, Texas: Baylor University 2006. pp. 69-83.
Index:
Shyamalan, M. Night
Mendes, Sam
Nolan, Christopher
Gilliam, Terry
Sixth Sense, The (1999)
American Beauty (1999)
Memento (2000)
Twelve Monkeys (1995)
Postmoderne ~ Postmodern

#44
Levine, Joseph: Leonard’s system: Why doesn’t it work? In: Memento. Edited by Andrew Kania. - New York; London: Routledge 2009. p. ?P.
Index:
Nolan, Christopher
Memento (2000)

#45
Litch, Mary M.: Philosophy through film. - London; New York: Routledge 2002.
Description:
Includes, among others, chapters on Paul Verhoeven’s Total Recall, the Matrix films by Andy and Larry Wachowski, Spike Jonze’s Being John Malkovich, Christopher Nolan’s Memento, Steven Spielberg’s A.I. - Artificial Intelligence, Andrew Niccol’s Gattaca and Ingmar Bergman’s Det sjunde inseglet.
Index:
Verhoeven, Paul
Wachowski, Andy
Wachowski, Larry
Jonze, Spike
Nolan, Christopher
Spielberg, Steven
Niccol, Andrew
Bergman, Ingmar
Total Recall (1990)
Matrix, The (Filmreihe)
Being John Malkovich (1999)
Memento (2000)
A.I. - Artificial Intelligence (2001)
Gattaca (1997)
sjunde inseglet, Det (1956)
Philosophie ~ Philosophy

#46
Litch, Mary M.: Philosophy through film. 2nd. edition. - London; New York: Routledge 2010.
First edition:
[2002]
Description:
Includes, among others, chapters on Paul Verhoeven’s Total Recall, the Matrix films by Andy and Larry Wachowski, Spike Jonze’s Being John Malkovich, Christopher Nolan’s Memento, Steven Spielberg’s A.I. - Artificial Intelligence, Andrew Niccol’s Gattaca and Ingmar Bergman’s Det sjunde inseglet.
Index:
Verhoeven, Paul
Wachowski, Andy
Wachowski, Larry
Jonze, Spike
Nolan, Christopher
Spielberg, Steven
Niccol, Andrew
Bergman, Ingmar
Total Recall (1990)
Matrix, The (Filmreihe)
Being John Malkovich (1999)
Memento (2000)
A.I. - Artificial Intelligence (2001)
Gattaca (1997)
sjunde inseglet, Det (1956)
Philosophie ~ Philosophy

#47
Little, William G.: Surviving Memento. In: Narrative 13. 2005. No. 1. [January] pp. 67-83.
Index:
Nolan, Christopher
Memento (2000)

#48
Lyons, Diran: Vengeance, the powers of the false, and the time-image in Christopher Nolan’s Memento: A note on ressentiment at the beginning of the new millennium. In: Angelaki 11. 2006. No. 1. [April] pp. 127-135.
Index:
Nolan, Christopher
Memento (2000)

#49
Mallin, Eric S.: Out of joint: Memento as contemporary Hamlet. In: Journal of Narrative Theory 40. 2010. No. 3. [?D] pp. 297-337.
Index:
Shakespeare, William
Nolan, Christopher
Memento (2000)
Hamlet ~ Hamlet
Tragicall Historie of Hamlet, Prince of Denmarke, The (Literatur ~ Literature)

#50
Martin, Raymond: The value of memory: Reflections on Memento. In: Memento. Edited by Andrew Kania. - New York; London: Routledge 2009. p. ?P.
Index:
Nolan, Christopher
Memento (2000)

#51
Martin-Jones, D.: Becoming-other in time: The Deleuzian subject in cinema. - Glasgow: University of Glasgow, Ph.D. 2002. [Abstract in: Index to Theses with Abstracts 52. 2003. No. 2. p. 373(52-2896)].
Description:
Discusses, among others, Peter Howitt’s Sliding Doors, Tom Tykwer’s Lola rennt and Christopher Nolan’s Memento.
Index:
Deleuze, Gilles
Howitt, Peter
Tykwer, Tom
Nolan, Christopher
Sliding Doors (1997)
Lola rennt (1998)
Memento (2000)

#52
McDonnell, Brian: "Now, where was I?": Memento as an "effect-and-cause" narrative. In: New Zealand Journal of Media Studies 8. 2001. No. 1. [?D] pp. 19-29.
Index:
Nolan, Christopher
Memento (2000)

#53
McGowan, Todd: Conclusion: An infinite Memento. In: McGowan, Todd: Out of time: Desire in atemporal cinema. - Minneapolis, Minnesota; London: University of Minnesota Press 2011. p. ?P.
Index:
Nolan, Christopher
Memento (2000)
Zeit ~ Time

#54
McKenna, Michael: Moral monster or responsible person? Memento’s Leonard as a case study in defective agency. In: Memento. Edited by Andrew Kania. - New York; London: Routledge 2009. p. ?P.
Index:
Nolan, Christopher
Memento (2000)
Monster ~ Monster

#55
Memento. - Wien: ?V ?J. (= Neues Filmprogramm 10833.)
Index:
Nolan, Christopher
Memento (2000)

#56
Memento. In: Sight and Sound NS 10. 2000. No. 11. [November] p. 58.
Index:
Nolan, Christopher
Memento (2000)

#57
Memento. Edited by Andrew Kania. - New York; London: Routledge 2009.
Index:
Nolan, Christopher
Memento (2000)

#58
Mihm, Kai: Memento: Christopher Nolan erzählt seinen Thriller von hinten nach vorne. In: EPD Film 18. 2001. No. 12. [December] p. 46.
Index:
Nolan, Christopher
Memento (2000)
Thriller ~ Thriller

#59
Molloy, Claire: Memento. - Edinburgh: Edinburgh University Press 2010. (= American indies.)
Reviews:
Bleasdale, John: [untitled.] In: Film-Philosophy 15. 2011. No. 1. [?D] pp. 255-261.
Index:
Nolan, Christopher
Memento (2000)

#60
Murphy, J. J.: Me and You and Memento and Fargo: How independent screenplays work. - New York; London: Continuum 2007.
Reviews:
Frye, Brian L.: [untitled.] In: Cineaste 33. 2007. No. 1. [?D] pp. 87-88.
Holm, D. K.: [untitled.] In: Film Quarterly 62. 2009. No. 3. [Spring] p. 89.
Index:
Nolan, Christopher
Coen, Joel
Memento (2000)
Fargo (1995)

#61
Neff, Renfreu: Memento: Renfreu Neff speaks with Christopher Nolan. In: Creative Screenwriting 8. 2001. No. 2. [?D] pp. 47-56.
Index:
Nolan, Christopher
Memento (2000)

#62
Nesselson, Lisa: Mystery to remember. In: Variety 380. 2000. No. ?N. [September 18] p. 31.
Index:
Nolan, Christopher
Memento (2000)

#63
Nolan, Christopher: The final scene: Memento. In: Creative Screenwriting 8. 2001. No. 2. [?D] p. 92.
Index:
Nolan, Christopher
Memento (2000)

#64
O’Donnell, Patrick: Henry James’s Memento. In: Henry James Review 30. 2009. No. 2. [?D] pp. 115-128.
Index:
Nolan, Christopher
James, Henry
Memento (2000)

#65
Pantoliano, Joe: Asylum: Hollywood tales about my great depression: Brain dis-ease, recovery, and being my mother’s son. - New York: Weinstein Books 2012.
Description:
Autobiography of the actor famos for his roles in the Matrix films and Christopher Nolan’s Memento.
Index:
Pantoliano, Joe
Wachowski, Andy
Wachowski, Larry
Nolan, Christopher
Matrix, The (Filmreihe)
Memento (2000)
Mutter ~ Mothers
Hollywood ~ Hollywood
Gehirn ~ Brain

#66
Parker, Tracey K.: "Do I lie to myself to be happy?": Self-help culture and fragmentation in postmodern film. In: Interdisciplinary Literary Studies 10. 2008. No. 1. [?D] pp. 1-15.
Description:
Discusses, among others, Michael Gondry’s Eternal Sunshine of the Spotless Mind, David Fincher’s Fight Club and Christopher Nolan’s Memento.
Index:
Gondry, Michael
Fincher, David
Nolan, Christopher
Eternal Sunshine of the Spotless Mind (2004)
Fight Club (1999)
Memento (2000)
Postmoderne ~ Postmodern

#67
Pavlus, John: Sleepless in Alaska. In: American Cinematographer 83. 2002. No. 5. [May] pp. 34-45.
Description:
On the work of cinematographer Wally Pfister and director Christopher Nolan for Memento, a remake of Erik Skjoldbjærg’s Insomnia.
Index:
Nolan, Christopher
Pfister, Wally
Skjoldbjærg, Erik
Memento (2000)
Insomnia (1997)
Technik: Kamera ~ Technology: Camera

#68
Perdigao, Lisa K.: "The dream has become their reality": Infinite regression in Christopher Nolan’s Memento and Inception. In: The cinema of Christopher Nolan: Imagining the impossible. Edited by Jacqueline Furby and Stuart Joy. - New York: Wallflower Press 2015. (= Directors’ cuts.) p. ?P.
Index:
Nolan, Christopher
Memento (2000)
Inception (2010)
Traum ~ Dreams

#69
Perlmutter, Ruth: Memories, dreams, screens. In: Quarterly Review of Film and Video 22. 2005. No. 2. [April-June] pp. 125-134.
Description:
Psychoanalytic interpretation of the use of dreams and memories in Maya Deren’s Meshes of the Afternoon, Ingmar Bergman’s Persona, Christopher Nolan’s Memento and David Lynch’s Mulholland Drive.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Hackenschmied, Alexander [Pseudonym: Hammid]
Bergman, Ingmar
Nolan, Christopher
Lynch, David
Meshes of the Afternoon (1943)
Persona (1966)
Memento (2000)
Mulholland Drive (2001)
Psychologie ~ Psychology
Traum ~ Dreams

#70
Persons, Mitch: Memento: Time flows backwards in Chris Nolan’s intriguing thriller. In: Cinefantastique 33. 2001. No. 1/2. [April] p. 119.
Description:
Discusses, among others, the work of actress Carrie-Anne Moss and of Joe Pantoliano.
Index:
Nolan, Christopher
Moss, Carrie-Anne
Pantoliano, Joe
Memento (2000)
Thriller ~ Thriller

#71
Rauscher, Andreas: "How can I remember to forget you?": Memento. In: Splatting Image 2001. No. 47. [September] pp. 65-66.
Index:
Nolan, Christopher
Memento (2000)

#72
Renner, Karen: Repeat viewings revisited: Emotions, memory, and Memento. In: Film Studies [Manchester] 2006. No. 8. [Summer] pp. 106-115.
Index:
Nolan, Christopher
Memento (2000)
Psychologie ~ Psychology

#73
Rits Volloch, R.: Visual viscerality in the experience of contemporary cinema. - Cambridge: University of Cambridge, Ph.D. 2005. [Abstract in: Index to Theses with Abstracts 54. 2005. No. 5. p. 1284-1285(54-9898).]
Description:
Discusses, among others, Peter Weir’s The Truman Show, Christopher Nolan’s Memento, Gaspar Noé’s Irréversible as well as Faust and Spiklenci slasti by Jan Svankmajer.
Index:
Weir, Peter
Nolan, Christopher
Noé, Gaspar
Svankmajer, Jan
Truman Show, The (1998)
Memento (2000)
Irréversible (2002)
Faust (1994)

#74
Ryan, Marie-Laure: Temporal paradoxes in narrative. In: Style 43. 2009. No. 2. [?D] pp. 142-164.
Index:
Nolan, Christopher
Memento (2000)
Zeit ~ Time

#75
Schwartzberg, Shlomo: Memento. In: Boxoffice 136. 2000. No. ?N. [November] p. 166.
Index:
Nolan, Christopher
Memento (2000)

#76
Sibielski, Rosalind: Postmodern narrative or narrative of the postmodern? History, identity, and the failure of rationality as an ordering principle in Memento. In: Literature and Psychology 49. 2004. No. 4. [?D] pp. 82-100.
Index:
Nolan, Christopher
Memento (2000)
Postmoderne ~ Postmodern
Geschichte ~ History

#77
Smith, Basil: John Locke, personal identity, and Memento. In: Southern Humanities Review 40. 2006. No. 4. [?D] pp. 313-326.
Index:
Nolan, Christopher
Locke, John
Memento (2000)

#78
Smith, Basil: John Locke, personal identity, and Memento. In: The philosophy of neo-noir. Edited by Mark T. Conard. - Lexington, Kentucky: University Press of Kentucky 2007. (= The philosophy of popular culture.) p. ?P.
Index:
Nolan, Christopher
Locke, John
Memento (2000)
Philosophie ~ Philosophy
Film Noir ~ Film Noir

#79
Stewart, Garrett: Framed time: Toward a postfilmic cinema. - Chicago, Illinois: University of Chicago Press 2007. (= Cinema and modernity.)
Reviews:
Fradley, Martin: [untitled.] In: Film Quarterly 64. 2010. No. 1. [?D] pp. 70-74.
Jacobson, Brian R.: [untitled.] In: Discourse 32. 2010. No. 2. [?D] pp. 260-263.
Description:
Discusses, among others, Christopher Nolan’s Memento, Erik Skjoldbjærg’s Insomnia, Tom Tykwer’s Lola rennt, Krzysztof Kieslowski’s La double vie de Véronique, Julio Medem’s La ardilla roja, Alex Proyas’s Dark City, Alejandro Amenábar’s Abre los ojos and The Others, Cameron Crowe’s Vanilla Sky, Steven Spielberg’s A.I. - Artificial Intelligence, M. Night Shyamalan’s The Sixth Sense, Adrian Lyne’s Jacob’s Ladder, Spike Jonze’s Adaption and Being John Malkovich, Mark Romanek’s One Hour Photo, James Mangold’s Identity, Robert Longo’s Johnny Mnemonic, René Clair’s Paris qui dort, Gregory Hoblit’s Frequency, Richard Kelly’s Donnie Darko, Josef Rusnak’s The Thirteenth Floor, Michael Gondry’s Eternal Sunshine of the Spotless Mind, Stanley Kubrick’s 2001 - A Space Odyssey, Joseph Ruben’s The Forgotten, La cité des enfants perdus by Marc Caro and Jean-Pierre Jeunet, Butterfly Effect by Eric Bress and J. Mackye Gruber, and the Matrix films by the Wachowsky’s.
Index:
Nolan, Christopher
Tykwer, Tom
Skjoldbjærg, Erik
Kieslowski, Krzysztof
Medem, Julio
Proyas, Alex
Amenábar, Alejandro
Crowe, Cameron
Spielberg, Steven
Shyamalan, M. Night
Lyne, Adrian
Jonze, Spike
Romanek, Mark
Mangold, James
Longo, Robert
Chomette, René [Pseudonym: Clair, René]
Hoblit, Gregory
Kelly, Richard
Rusnak, Josef
Gondry, Michael
Kubrick, Stanley
Jonze, Spike
Ruben, Joseph
Caro, Marc
Jeunet, Jean-Pierre
Bress, Eric
Gruber, J. Mackye
Wachowski, Andy
Wachowski, Larry
Memento (2000)
Lola rennt (1998)
Insomnia (1997)
double vie de Véronique, La / Podwójne zycie Weroniki (1991)
ardilla roja, La (1993)
Dark City / Dark World / Dark Empire (1997)
Abre los ojos (1997)
Others, The (2001)
Vanilla Sky (2001)
A.I. - Artificial Intelligence (2001)
Sixth Sense, The (1999)
Jacob’s Ladder (1990)
Adaption (2003)
One Hour Photo (2002)
Identity (2003)
Johnny Mnemonic (1995)
Paris qui dort (1923)
Frequency (2000)
Donnie Darko (2001)
Thirteenth Floor, The (1999)
Eternal Sunshine of the Spotless Mind (2004)
2001 - A Space Odyssey (1968)
Being John Malkovich (1999)
Forgotten, The (2004)
cité des enfants perdus, La (1995)
Butterfly Effect (2004)
Matrix, The (Filmreihe)
Zeit ~ Time

#80
Sutton, John: The feel of the world: Exograms, habits, and the confusion of types of memory. In: Memento. Edited by Andrew Kania. - New York; London: Routledge 2009. p. ?P.
Index:
Nolan, Christopher
Memento (2000)

#81
Thomas, Peter: Victimage and violence: Memento and trauma theorv. In: Screen 44. 2003. No. 2. [?D] pp. 200-207.
Index:
Nolan, Christopher
Memento (2000)
Gewalt ~ Violence

#82
Toth, Margaret A.: Memento’s postmodern noir fantasy: Place, domesticity and gender identity. In: The cinema of Christopher Nolan: Imagining the impossible. Edited by Jacqueline Furby and Stuart Joy. - New York: Wallflower Press 2015. (= Directors’ cuts.) p. ?P.
Index:
Nolan, Christopher
Memento (2000)
Sexualität ~ Sexuality
Postmoderne ~ Postmodern
Film Noir ~ Film Noir
Fantasy ~ Fantasy

#83
Tubrett, Dion: "So where are you?": On Memento, memory, and the sincerity of self-deception. In: Cineaction 2001. No. 56. [?D] pp. 2-10.
Index:
Nolan, Christopher
Memento (2000)

#84
Werner, Paul: Film Noir und Neo-Noir. 5. erweiterte Ausgabe. - München: Vertigo Verlag 2000.
First edition:
[Film Noir: Die Schattenspiele der "Schwarzen Serie".- Frankfurt/M.: Fischer 1985. (= Fischer Cinema; Fischer Taschenbuch 4452.)]
Description:
Discusses also some "neo noir" films like Christopher Nolan’s Memento and Michael Mann’s Collateral.
Index:
Nolan, Christopher
Mann, Michael
Memento (2000)
Collateral (2004)
Film Noir ~ Film Noir

#85
Whitehouse, Glenn: Unimaginable variations: Christian responsibility in the cinema of broken identity. In: Literature and Theology 18. 2004. No. 3. [?D] pp. 321-350.
Description:
Discusses, among others, David Fincher’s Fight Club, the Matrix films by Andy and Larry Wachowski and Christopher Nolan’s Memento.
Index:
Fincher, David
Wachowski, Andy
Wachowski, Larry
Nolan, Christopher
Fight Club (1999)
Matrix, The (Filmreihe)
Memento (2000)
Religion ~ Religion

#86
Williams, G. Christopher: Factualizing the tattoo: Actualizing personal history through memory in Christopher Nolan’s Memento. In: Post Script 23. 2003. No. 1. [?D] pp. 27-36.
Index:
Nolan, Christopher
Memento (2000)

#87
Williams, G: Little gods: Claiming worlds in Postmodern literature, film, and online gaming. - DeKalb, Illinois: Northern Illinois University, Ph.D. 2002. [Abstract in: Dissertation Abstracts International A 63. 2002. No. 6. (December) p. 2238.]
Description:
Discusses, among others, The Matrix by Andy and Larry Wachowski as well as Christopher Nolan’s Memento.
Index:
Wachowski, Andy
Wachowski, Larry
Nolan, Christopher
Matrix, The (1999)
Memento (2000)
Religion ~ Religion
Postmoderne ~ Postmodern
Literatur ~ Literature

#88
Worschech, Rudolf: Memento. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 372-375.
Index:
Nolan, Christopher
Memento (2000)
Film Noir ~ Film Noir

#89
Yeo, Dennis: The mindfreak: Monstrous memory in McGrath’s The Grotesque (1989) and Nolan’s Memento (2000). In: Irish Journal of Gothic and Horror Studies 2014. No. 13. [?D] pp. 77-93.
Index:
McGrath, Patrick
Nolan, Christopher
Memento (2000)
Grotesque, The (Literatur ~ Literature)

#90
Zeitsprünge: Wie Filme Geschichte(n) erzählen. Hrsg. von Christine Rüffert, Irmbert Schenk, Karl-Heinz Schmid und Alfred Tews. - Berlin: Bertz Verlag 2004.
Reviews:
Haas, Christoph: As Time Goes By: Aufsätze über die Zeit im Film. In: EPD Film 21. 2004. No. 8. [August] p. 55.
Volk, Stefan: [untitled.] In: Film-Dienst 57. 2004. No. 20. [September 30] p. 47.
Description:
Includes articles on Theo Angelopoulos, Andrej Tarkovskij, Christopher Nolan’s Memento and The Hudsucker Proxy by Ethan and Joel Coen.
Index:
Angelopoulos, Theodoros
Tarkovsky, Andrei Arsenyevich
Nolan, Christopher
Coen, Joel
Memento (2000)
Hudsucker Proxy, The (1994)
Zeit ~ Time

#91
Zierler, Wendy: Memento: Memory. In: Zierler, Wendy: Midrash and movies: Popular film and Jewish religious conversation. - Albany: State University of New York Press 2017. p. ?P.
Index:
Nolan, Christopher
Memento (2000)
Religion ~ Religion
Religion: Juden ~ Religion: Jews


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