The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Murphy, Dudley
number of items: 13
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
| ?G | Volume number unknown |
| ?D | Date of publication unknown |
| ?P | Number of pages unknown |
| ?R | Series number unknown |
#1
Alsen, Eberhard: Racism and the film version of Eugene O’Neill’s The Emperor Jones. In: CLA Journal 49. 2006. No. 4. [?D] pp. 406-422.
Index:
O’Neill, Eugene
Murphy, Dudley
Emperor Jones, The (1933)
Ethnie ~ Ethnicity
Emperor Jones, The (Literatur ~ Literature)
#2
Davis, Melody: Fernand Leger’s Ballet Mecanique and the culture of fetishization. In: Millennium Film Journal 1995. No. 28. [?D] pp. 109-121.
Description:
On the experimental film.
Index:
Léger, Fernand
Murphy, Dudley
Ballet mécanique (1924)
Sexualität ~ Sexuality
Experimentalfilme ~ Experimental Films
#3
Eisler, Garrett: Backstory as black story: The cinematic reinvention of O’Neill’s The Emperor Jones. In: Eugene O’Neill Review 2010. No. 32. [?D] pp. 148-162.
Index:
O’Neill, Eugene
Murphy, Dudley
Emperor Jones, The (1933)
Emperor Jones, The (Literatur ~ Literature)
#4
Freeman, Judi: Bridging purism and surrealism: The origins and production of Fernand Leger’s Ballet Mecanique. In: Dada / Surrealism 15. 1986. No. ?N. [?D] pp. 28-45.
Index:
Léger, Fernand
Murphy, Dudley
Ballet mécanique (1924)
Surrealismus ~ Surrealism
#5
Gerle, Jörg: Der absolute Film. In: Film-Dienst 61. 2008. No. 13. [June 19] p. 39.
Description:
On a compilation of avant-garde films shown at the Berlin "UFA-Palast" in november 1925. The compilation contains Ballet mécanique by Fernand Léger and Dudley Murphy, Viking Eggeling’s Symphonie diagonale, Hans Richter’s Film ist Rhythmus, René Clair’s Entr’acte, Walter Ruttmann’s Opus II, Opus III and Opus IV and Ludwig Hirschfeld-Macks’s Reflektorische Farbenlichtspiele: Sonate und Kreuzspiel.
Index:
Léger, Fernand
Murphy, Dudley
Eggeling, Viking
Richter, Hans
Chomette, René [Pseudonym: Clair, René]
Ruttmann, Walter
Hirschfeld-Macks, Ludwig
absolute Film, Der (1925)
Ballet mécanique (1924)
Symphonie diagonale (1924)
Rhytmus 21 / Film ist Rhythmus (1921-1923)
Entr’acte (1924)
Opus II (1921)
Opus III (1924)
Opus IV (1925)
Reflektorische Farbenlichtspiele: Sonate und Kreuzspiel (1922/1923)
UFA ~ UFA
Experimentalfilme ~ Experimental Films
Berlin ~ Berlin
#6
Lowe, John: Creating the circum-Caribbean imaginary: DuBose Heyward’s and Paul Robeson’s revision of The Emperor Jones. In: Philological Quarterly 90. 2011. No. 2/3. [?D] pp. 311-333.
Index:
Murphy, Dudley
DuBose Heyward, Edwin
Robeson, Paul
Emperor Jones, The (1933)
#7
Lueger, Michael: Women in three film adaptations of O’Neill. In: Eugene O’Neill Review 2010. No. 32. [?D] pp. 134-147.
Description:
Discusses, among others, Dudley Murphy’s The Emperor Jones.
Index:
O’Neill, Eugene
Murphy, Dudley
Emperor Jones, The (1933)
Frauen ~ Women
#8
MacQueen, Scott: Rise and fall of The Emperor Jones, 1933. In: American Cinematographer 71. 1990. No. 2. [February] pp. 34-40.
Description:
On Dudley Murphy’s film classic.
Index:
Murphy, Dudley
Emperor Jones, The (1933)
#9
Siomopoulos, Anna: The "eighth o’style": Black nationalism, the New Deal, and The Emperor Jones. In: Arizona Quarterly 58. 2002. No. 3. [Autumn] pp. 57-81.
Index:
Murphy, Dudley
Emperor Jones, The (1933)
#10
Stenzl, Jürg: Zwei frühe Tanzfilme von Dudley Murphy (1897-1968): The Soul of the Cypress (1920) und Danse Macabre (1922). In: Kieler Beiträge zur Filmmusikforschung 2013. No. 10. [December] p. ?P.
Index:
Murphy, Dudley
Soul of the Cypress, The (1921)
Danse macabre (1922)
Tanz ~ Dance
Musik ~ Music
#11
Strauven, Wanda: Le mecanoide et l’androide: Deux faces du mythe futuriste dans le cinema d’avant-garde des annees vingt. In: Cinémas 12. 2002. No. 3. [?D] pp. 33-51.
Description:
Discusses, among others, Ballet mécanique by Fernand Léger and Dudley Murphy as well as Fritz Lang’s Metropolis.
Index:
Léger, Fernand
Murphy, Dudley
Lang, Fritz
Ballet mécanique (1924)
Metropolis (1925/1926)
Roboter ~ Robots
Mythologie ~ Mythology
Futurismus ~ Futurism
Experimentalfilme ~ Experimental Films
#12
Turvey, Malcolm: The avant-garde and the "New Spirit": The case of Ballet mécanique. In: October 102. 2002. No. ?N. [Fall] pp. 35-58.
Index:
Léger, Fernand
Murphy, Dudley
Ballet mécanique (1924)
Experimentalfilme ~ Experimental Films
#13
Westerdale, Joel: 3 May 1925: French and German avant-garde converge at Der absolute Film. In: A new history of German cinema. Edited by Jennifer M. Kapczynski and Michael D. Richardson. - Rochester, New York; Woodbridge, Suffolk: Camden House 2012. (= Screen cultures: German film and the visual.) pp. 160 ff.
Index:
Léger, Fernand
Murphy, Dudley
Eggeling, Viking
Richter, Hans
Chomette, René [Pseudonym: Clair, René]
Ruttmann, Walter
Hirschfeld-Macks, Ludwig
absolute Film, Der (1925)
Frankreich ~ France
Experimentalfilme ~ Experimental Films
Deutschland ~ Germany
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