The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|

literature list on: Musik

number of items: 1529

#1
Abbate, Carolyn: Wagner, cinema, and redemptive glee. In: The Opera Quarterly 21. 2005. No. 4. [?D] pp. 597-611.
Index:
Wagner, Richard
Religion ~ Religion
Musik ~ Music

#2
Abel, D.: Sound and image: Experimental music and the popular horror film (1960 to present day). - Preston, Lancashire: University of Central Lancashire, Ph.D. 2008. [Abstract in: Index to Theses with Abstracts 58-11041.]
Index:
Musik ~ Music
Horror ~ Horror
Experimentalfilme ~ Experimental Films

#3
Abel Ferrara. In: La musique à l’écran. Édite par Alain Garel et François Porcile. (= Cinémaction 1992. No. 62. [?D]) p. 111.
Description:
The director on his thougts on film music.
Index:
Ferrara, Abel
Musik ~ Music

#4
Adams, Doug: Sounds of the Empire. In: Film Score Monthly 4. 1999. No. 5. [?D] pp. 22 ff.
Index:
Lucas, George
Kershner, Irvin
Marquand, Richard
Star Wars (Filmreihe)
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Musik ~ Music

#5
Adams, Doug: The music of the Lord of the Rings films: A Comprehensive account of Howard Shore’s scores. - ?O: Carpentier / Alfred Music Publishing 2010.
Reviews:
Gajic, Alexander: Epische Klänge, munteres Piepsen: Zwei angelsächsische Bücher zum Sound populärer Franchises. In: EPD Film 28. 2011. No. 5. [May] p. 60.
Index:
Jackson, Peter
Shore, Howard
Lord of the Rings (Filmreihe)
Musik ~ Music

#6
Adapting The Wizard of Oz: Musical adaptations from Baum to MGM and beyond. Edited by Danielle Birkett and Dominic McHugh. - New York: Oxford University Press 2018.
Index:
Baum, L. Frank
Fleming, Victor
Wizard of Oz, The (1939)
Wizard of Oz, The (Filmreihe)
Musik ~ Music
MGM (Metro Goldwyn Mayer) ~ MGM (Metro Goldwyn Mayer)
Wonderful Wizard of Oz, The (Literatur ~ Literature)

#7
Ahrens, Stephan: Selbst/Begegnungen im Film: Erinnerungen an den deutschen Filmkomponisten Hans Posegga. In: Film-Dienst 70. 2017. No. 4. [February 16] pp. 28-31.
Index:
Posegga, Hans
Musik ~ Music
Deutschland ~ Germany

#8
Albrecht-Crane, Christa: Lost Highway as fugue: Adaptation of musicality as film. In: Adaptation studies: New approaches. Edited by Christa Albrecht-Crane and Dennis Cutchins. - Madison, New Jersey: Fairleigh Dickinson University Press 2010. pp. 244-262.
Index:
Lynch, David
Lost Highway (1996)
Literatur ~ Literature
Musik ~ Music

#9
Allen, Harry: Planet rock: Star Wars and hip-hop. In: A galaxy not so far away: Writers and artists on 25 years of Star Wars. Edited by Glenn Kenny. - New York: Holt 2002. (= An Owl book.) p. ?P.
Index:
Lucas, George
Star Wars (Filmreihe)
Musik ~ Music

#10
Allen, Steven: Audio Avery: Sound in Tex Avery’s MGM cartoons. In: Animation Journal 17. 2009. No. 1. [?D] pp. 7-22.
Index:
Avery, Tex
Musik ~ Music
MGM (Metro Goldwyn Mayer) ~ MGM (Metro Goldwyn Mayer)
Animation: Cartoons ~ Animation: Cartoons
Animation ~ Animation

#11
Alter, Nora M.: Berlin, Symphony of a Great City (1927): City, image, sound. In: Weimar cinema: An essential guide to classic films of the era. Edited by Noah Isenberg. - New York: Columbia University Press 2009. (= Film and culture.) p. ?P.
Index:
Ruttmann, Walter
Berlin - Die Sinfonie der Großstadt (1927)
Stadt ~ City
Musik ~ Music
Deutschland ~ Germany

#12
Ament, Vanessa Theme: The foley grail: The art of performing sound for film, games and animation. Second edition. - Burlington, Massachussetts: Focal Press 2014.
First edition:
[2009]
Index:
Musik ~ Music
Religion: Gral ~ Religion: Grail
Animation ~ Animation

#13
Ament, Vanessa Theme: The foley grail: The art of performing sound for film, games and animation. - Amsterdam; Boston: Focal Press / Elsevier 2009.
Reviews:
Hemphill, Jim: [untitled.] In: American Cinematographer. Online edition, December 2009.
Index:
Musik ~ Music
Religion: Gral ~ Religion: Grail
Animation ~ Animation

#14
Anderson, Jason: Carpenter nails it. In: Sight and Sound NS 25. 2015. No. 4. [April] p. 59.
Description:
On the horror film director’s work as composer.
Index:
Carpenter, John
Musik ~ Music
Horror ~ Horror

#15
Anger, Violaine: Les Nibelungen de Fritz Lang, musique de Gottfried Huppertz. - Paris: Harmattan 2012.
Index:
Lang, Fritz
Huppertz, Gottfried
Nibelungen, Die (1922-1924)
Musik ~ Music

#16
Antoine Duhamel. In: La musique à l’écran. Édite par Alain Garel et François Porcile. (= Cinémaction 1992. No. 62. [?D]) pp. 49-52.
Description:
Views of the composer who worked for Jean-Luc Godard’s Week-End and Bertrand Tavernier’s La mort en direct.
Index:
Duhamel, Antoine
Tavernier, Bertrand
Godard, Jean-Luc
mort en direct, La (1979)
Week-End (1967)
Musik ~ Music

#17
Arledler, Giovanni / Fantuzzi, Virgilio: Il flauto magico di Mozart-Bergman. In: La Civiltà cattolica 128. 1977. No. 3044. [?D] pp. 170-175.
Index:
Mozart, Wolfgang Amadeus
Bergman, Ingmar
Trolleflöjten (1974)
Religion ~ Religion
Zauberflöte, Die (Musik ~ Music)

#18
Arnold, Frank: Nicht von dieser Welt. In: EPD Film 31. 2014. No. 7. [July] p. 22.
Description:
On an exhibition at the Berlin "Gropius-Bau" dedicated to the filmic work of pop musician David Bowie.
Index:
Bowie, David
Musik ~ Music
Berlin ~ Berlin

#19
Arnold, James W.: Musical fantasy: The Little Prince. In: Shadows of the magic lamp: Fantasy and science fiction in film. Edited George E. Slusser and Eric S. Rabkin. - Carbondale: University of Southern Illinois Press 1985. (= Alternatives.) p. ?P.
Index:
Magie ~ Magic
Musik ~ Music
Fantasy ~ Fantasy
Science Fiction ~ Science Fiction

#20
Artt, S.: Reflections on the self-reflexive musical: The Rocky Horror Picture Show and the classic Hollywood musical. In: Reading Rocky Horror: The Rocky Horror Picture show and popular culture. Edited by Jeffrey Andrew Weinstock. - New York: Palgrave Macmillan 2008. p. ?P.
Index:
Sharman, Jim
Rocky Horror Picture Show, The (1974)
Hollywood ~ Hollywood
Musik ~ Music

#21
Asper, Helmut G.: Musik: Hans J. Salter: Ein filmmusikalisches Schaffen über fünf Jahrzehnte. In: Film-Dienst 51. 1998. No. 12. [June 7] pp. 32-35.
Index:
Salter, Hans J.
Musik ~ Music

#22
Asselin, O.: Cadence et décomposition: Le contrat du compositeur dans le cinéma de Peter Greenaway. In: 24 Images 1993. No. 67. [Summer] pp. 32-35.
Description:
On the importance of film composer Michael Nyman for Peter Greenaway’s work.
Index:
Greenaway, Peter
Nyman, Michael
Musik ~ Music

#23
Audissino, Emilio: John Williams’s film music: Jaws, Star Wars, Raiders of the Lost Ark, and the return of the classical Hollywood music style. - Madison, Wisconsin: The University of Wisconsin Press 2014. (= Wisconsin film studies.)
Index:
Spielberg, Steven
Lucas, George
Jaws (1975)
Star Wars (Filmreihe)
Raiders of the Lost Ark (1982)
Musik ~ Music
Hollywood ~ Hollywood

#24
Authenticity, medievalism, music. Edited by Karl Fugelso. - Cambridge; Rochester, New York: D. S. Brewer 2018. (= Studies in medievalism XXVII.)
Index:
Musik ~ Music
Geschichte: Mittelalter ~ History: Middle Ages

#25
Azzam Gómez, Marcos: Die Musik in Ingmar Bergmans Filmen. In: Kieler Beiträge zur Filmmusikforschung 2014. No. 11. [September] p. ?P.
Index:
Bergman, Ingmar
Musik ~ Music

#26
Bach, Jacqueline: Not just another love song: Buffy’s music as representation of emerging adulthood. In: The truth of Buffy: Essays on fiction illuminating reality. Edited by Emily Dial-Driver [et al.]. - Jefferson, North Carolina: McFarland 2008. p. ?P.
Index:
Buffy the Vampire Slayer (TV)
Musik ~ Music

#27
Balme, Christopher: Fitzcarraldo: Werner Herzog und die geschichtliche Last der Großen Oper im Urwald. In: Die Passion des Künstlers: Kreativität und Krise im Film. Hrsg. von Christopher Balme, Fabienne Liptay und Miriam Drewes. - München: Edition Text + Kritik 2011. pp. 177 ff.
Index:
Herzog, Werner
Fitzcarraldo (1981)
Musik ~ Music
Geschichte ~ History
Dschungel ~ Jungle
Kunst ~ Arts, The

#28
Barbano, Nicolas: Musik. In: Kosmorama 27. 1981. No. 155/156. [December] p. 175.
Index:
Jones, Terry
Monty Python’s Life of Brian (1979)
Musik ~ Music

#29
Barbano, Nicolas: Musik. In: Kosmorama 28. 1982. No. 157. [?D] pp. 6-7.
Description:
Review of the soundtrack recordings for Excalibur, Raiders of the Lost Ark, Clash of the Titans and For Your Eyes Only.
Index:
Boorman, John
Spielberg, Steven
Davis, Desmomd
Glen, John
Excalibur (1981)
Raiders of the Lost Ark (1982)
Clash of the Titans (1981)
For Your Eyes Only (1981)
Musik ~ Music

#30
Barham, Jeremy: Incorporating monsters: Music as context, character and construction in Kubrick’s The Shining. In: Terror tracks: Music, sound and horror cinema. Edited by Philip Hayward. - Oakville, Connecticut: Equinox 2009. (= Genre, Music and Sound.) p. ?P.
Index:
Kubrick, Stanley
Shining, The (1980)
Monster ~ Monster
Horror ~ Horror
Musik ~ Music

#31
Barham, Jeremy: The music of Gustav Mahler in experimental film contexts: Questions of visual music and intermedial theory. In: The music and sound of experimental film. Edited by Holly Rogers and Jeremy Barham. - New York: Oxford University Press 2017. p. ?P.
Index:
Mahler, Gustav
Musik ~ Music
Experimentalfilme ~ Experimental Films

#32
Barnes, R.: Collaboration and integration: A method of advancing film sound based on the Coen Brothers’ use of sound and their mode of production. - Bournemouth: University of Bournemouth, Ph.D. 2005. [Abstract in: Index to Theses with Abstracts 57-7623.]
Index:
Coen, Ethan
Coen, Joel
Musik ~ Music

#33
Barnes, Randall: Barton Fink: The atmospheric sounds of the creative mind. In: Scope [Nottingham] 2007. No. 9. [?D] p. ?P.
Index:
Coen, Ethan
Coen, Joel
Barton Fink (1991)
Musik ~ Music

#34
Barnett, Rob: Monster movie music album. In: Soundtrack: The Collector’s Quarterly 17. 1998. No. ?N. [September] p. 15.
Index:
Musik ~ Music
Monster ~ Monster

#35
Barnier, Martin: Sound of fear in recent Spanish films. In: Tracing the borders of Spanish horror cinema and television. Edited by Jorge Marí. - New York: Routledge 2017. (= Routledge research in cultural and media studies 107.) p. ?P.
Index:
Musik ~ Music
Fernsehen ~ Television
Angst ~ Fear
Horror ~ Horror
Spanien ~ Spain

#36
Barr, Charles: Blackmail: Silent and sound. In: Sight and Sound 52. 1983. No. 2. [Spring] pp. 123-126.
Description:
On the Hitchcock film planed as silent and realized as sound movie.
Index:
Hitchcock, Alfred
Blackmail (1929)
Musik ~ Music
Stummfilm ~ Silent Film

#37
Barrios, Richard: Dangerous rhythm: Why movie musicals matter. - Oxford; New York: Oxford University Press 2014.
Description:
Includes the chapter "Painting the clouds: Snow White, South Park, and other ways to animate a musical.
Index:
South Park (TV)
Schneewittchen ~ Snow White
Musik ~ Music
Kunst ~ Arts, The
Animation ~ Animation

#38
Barron, Lee and Inglis, Ian: Scary movies, scary music: Uses and unities of metal in the contemporary horror film. In: Terror tracks: Music, sound and horror cinema. Edited by Philip Hayward. - Oakville, Connecticut: Equinox 2009. (= Genre, Music and Sound.) p. ?P.
Index:
Horror ~ Horror
Musik ~ Music

#39
Barron, Lee: Fantasy meets electronica. In: The music of fantasy cinema. Edited by Janet K. Halfyard. - Sheffield, South Yorkshire; Oakville, Connecticut: Equinox Publishing 2012. (= Genre, music, and sound.) p. ?P.
Index:
Fantasy ~ Fantasy
Musik ~ Music

#40
Barron, Lee: Proto-electronica vs. martial marches: Doctor Who, Stingray, Thunderbirds and the music of 1960s’ British sf television. In: Science Fiction Film and Television 3. 2010. No. 2. [Autumn] pp. 239-252.
Index:
Doctor Who (TV)
Stingray (TV)
Thunderbirds (TV)
Musik ~ Music
Großbritannien ~ Great Britain
Fernsehen ~ Television

#41
Barron, Lee: What if Zarathustra had not spoken? Alex North’s counterfactual soundtrack to 2001: A Space Odyssey. In: New Review of Film and Television Studies 9. 2011. No. 1. [March] pp. 84-94.
Index:
Strauss, Richard Georg
Kubrick, Stanley
North, Alex
2001 - A Space Odyssey (1968)
Also sprach Zarathustra (Musik ~ Music)

#42
Barrow, Daniel: Retro spectres. In: Sight and Sound NS 25. 2015. No. 12. [December] pp. 50-51.
Description:
On "Ghost Box", a music label famous for the British horror film.
Index:
Musik ~ Music
Horror ~ Horror
Großbritannien ~ Great Britain
Ghost Box Music [Firma] ~ Ghost Box Music [Company]

#43
Barrow, Daniel: Soundings: Psychic weather. In: Sight and Sound NS 23. 2013. No. 11. [November] pp. 56-57.
Description:
On Eduard Artemiev’s scores for several films of Andrei Tarkovsky.
Index:
Artemiev, Eduard
Tarkovsky, Andrei Arsenyevich
Psychologie ~ Psychology
Musik ~ Music

#44
Bassetti, Sergio: Jurassic Park. In: Cineforum 33. 1993. No. ?N(328). [October] p. 96.
Description:
On the film score by John Williams.
Index:
Spielberg, Steven
Williams, John
Jurassic Park (1993)
Musik ~ Music

#45
Bassetti, Sergio: La musica secondo Kubrick. - Torino: Lindau 2002. (= Il Pesce volante.)
Index:
Kubrick, Stanley
Musik ~ Music

#46
Bassom, David / Garcia, Frank / Garcia, Robert T. / Uram, Sue: Babylon 5. In: Cinefantastique 31/32. 2000. No. 12/1. [June] pp. 32-117.
Description:
Articles on the TV series. Discusses, among others, the work of Bruce Boxleitner, Claudia Christian, Walter Koenig, Julie Caitlin Brown, Andrea Thompson, Patricia Tallman, and Bill Mumy, of the composer Christopher Franke, the designer John Iacovelli, the series founder J. Michael Straczynski, of cinematographer John C. Flinn, the makeup by John Vulich, the costumes by Anne Bruice-Aling, the CGI special effects and single episodes. Includes an episode guide.
Index:
Boxleitner, Bruce
Christian, Claudia
Koenig, Walter
Brown, Julie Caitlin
Thompson, Andrea
Tallman, Patricia
Franke, Christopher
Iacovelli, John
Straczynski, J. Michael
Flinn, John C.
Vulich, John
Bruice-Aling, Anne
Babylon 5 (TV)
Technik: Kamera ~ Technology: Camera
Technik: Spezialeffekte ~ Technology: Special Effects
Musik ~ Music
Fernsehen ~ Television
Technik: Computer ~ Technology: Computer

#47
Baxter, Keith: Filming Falstaff. In: Positif 1992. No. 378. [July/August] pp. 29-35.
Description:
On Orson Welles’s Campanadas a medianoche / Chimes at Midnight.
Index:
Welles, Orson
Verdi, Giuseppe
Campanadas a medianoche / Chimes at Midnight (1965)
Falstaff (Musik ~ Music)

#48
Beauchamp, Robin: Designing sound for animation. - Amsterdam; Boston: Elsevier / Focal Press 2005.
Index:
Musik ~ Music
Animation ~ Animation

#49
Beauchamp, Robin: Designing sound for animation. 2nd edition. - Waltham, Massachussetts: Focal Press 2013.
First edition:
[2005]
Index:
Musik ~ Music
Animation ~ Animation

#50
Becker, Jörg: Der Ort der Töne. In: CinemaScope: Zur Geschichte der Breitwandfilme. Hrsg. von Helga Belach und Wolfgang Jacobsen. - Berlin: Stiftung Deutsche Kinemathek / Wissenschaftsverlag Volker Spieß 1993. pp. 65-86.
Description:
On stereo sound for cinemascope films, including some fantastic movies.
Index:
Musik ~ Music
Cinemascope ~ Cinemascope

#51
Beeler, Stan: Songs for the older set: Music and multiple demographics in Shrek, Madagascar and Happy Feet. In: Children’s film in the digital age: Essays on audience, adaptation and consumer culture. Edited by Karin Beeler and Stan Beeler. - Jefferson, North Carolina: McFarland & Company 2015. p. ?P.
Index:
Adamson, Andrew
Jenson, Vicky
Darnell, Eric
McGrath, Tom
Miller, George
Shrek (2001)
Madagascar (2005)
Happy Feet (2006)
Musik ~ Music
Animation ~ Animation
Jugend ~ Youth
Technik: Computer ~ Technology: Computer

#52
Bell, Berthold: Die Emanzipation des Filmklangs: Musik, Sound und Film bei den Kasseler Musiktagen. In: EPD Film 17. 2000. No. 1. [January] pp. 12-13.
Description:
Discusses also several fantastic films.
Index:
Musik ~ Music
Kassel ~ Cassel

#53
Bell, Berthold: Genie zwischen zwei Welten: Der (Film-)Komponist Erich Wolfgang Korngold (1897-1957). In: EPD Film 14. 1997. No. 10. [October] pp. 17-21.
Index:
Korngold, Erich Wolfgang
Musik ~ Music

#54
Bell, Berthold: Oskar Sala. In: EPD Film 19. 2002. No. 4. [April] p. 4.
Description:
Orbituary for the musician who worked for Alfred Hitchcock’s The Birds.
Index:
Sala, Oskar
Hitchcock, Alfred
Birds, The (1962)
Musik ~ Music

#55
Bell, James: Stars in his eyes. In: Sight and Sound NS 19. 2009. No. 7. [July] pp. 30-31.
Description:
On David Lynch’s musical work.
Index:
Lynch, David
Musik ~ Music

#56
Bendazzi, Giannalberto / Cecconello, Manuele / Michelone, Guido: Coloriture: Voci, rumori, musiche nel cinema d’animazione. - Bologna: Pendragon 1995. (= Le Sfere 4.)
Index:
Musik ~ Music
Animation ~ Animation

#57
Bender, John: Monstrous movie music. In: Film Score Monthly ?G. 1996. No. ?N(76). [December] p. 20.
Index:
Musik ~ Music
Monster ~ Monster

#58
Bendrups, Dan: Sounds of Easter Island: Music and cultural representation in Ogú y Mampato en Rapanui. In: Animation Journal 17. 2009. No. 1. [?D] pp. 72-85.
Index:
Rojas, Alejandro
Ogú y Mampato en Rapa Nui (2002)
Musik ~ Music
Animation ~ Animation

#59
Berger, Adam: Original negative compositing for V. In: American Cinematographer 66. 1985. No. 5. [May] pp. 66-68.
Index:
Johnson, Kenneth
V (1983)
Musik ~ Music

#60
Berger, Ludwig: Filmmusikalischer Kubismus? Michael Nymans Musik zu den Filmen Peter Greenaways. - München: GRIN Verlag 2012.
Index:
Greenaway, Peter
Nyman, Michael
Musik ~ Music

#61
Berkwits, Jeff: For nearly 45 years ... In: Outré ?G. 1998. No. 14. [?D] pp. 12 ff.
Description:
On the scores for the Godzilla film series.
Index:
Godzilla (Filmreihe)
Musik ~ Music
Godzilla ~ Godzilla

#62
Berkwits, Jeff: Sounds, man ... sounds! In: Outré 1. 1996. No. 7. [?D] p. 8.
Index:
Lucas, George
Star Wars (Filmreihe)
Musik ~ Music

#63
Berkwits, Jeff: The words and the music of Frankenstein. In: Filmfax 2001. No. 85. [June/July] p. 86.
Index:
Frankenstein (Filmreihe)
Musik ~ Music
Frankenstein ~ Frankenstein

#64
Bernard, James: Frankenstein Must Be Destroyed: Incidental music. - London: Warner Bros. / Seven Arts Music 1969.
Index:
Fisher, Terence
Bernard, James
Frankenstein Must Be Destroyed (1969)
Musik ~ Music

#65
Berthomé, Jean-Pierre: Deux vois dans la nuit: La musique de La nuit du chasseur. In: Positif 1993. No. 389/390. [July/August] pp. 148-153.
Description:
On Walter Schumann’s score for Charles Laughton’s The Night of the Hunter.
Index:
Laughton, Charles
Schumann, Walter
Night of the Hunter, The (1955)
Nacht ~ Night
Musik ~ Music

#66
Berthomé, Jean-Pierre: Le rendez-vous manqué: Les Noirs, le jazz et le "cartoon". In: Positif 2000. No. 472. [June] pp. 101-103.
Description:
On the representation of Afro Americans and of Jazz music in American animated films and cartons of the World War II era. Discusses especially the work of Bob Clampett and Isadore Freleng.
Index:
Clampett, Bob
Freleng, Isadore Friz
USA (United States of America) ~ USA (United States of America)
Musik ~ Music
Krieg ~ War
Animation: Cartoons ~ Animation: Cartoons
Animation ~ Animation

#67
Berthomieu, Pierre / Lauliac, Christian: Music in a world of sounds ... David Lynch par Angelo Badalamenti. In: Positif 2001. No. 490. [December] pp. 89-92.
Index:
Cronenberg, David
Badalamenti, Angelo
Musik ~ Music

#68
Berthomieu, Pierre: Le retour de Star Wars: Héritage hollywoodien et guerre des sons. In: Positif 1997. No. 435. [May] pp. 96-97.
Description:
On John Williams’s scores for the first three Star Wars films.
Index:
Williams, John
Lucas, George
Kershner, Irvin
Marquand, Richard
Star Wars (Filmreihe)
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Star Wars ~ Star Wars
Musik ~ Music
Krieg ~ War
Hollywood ~ Hollywood

#69
Bertola, Mauro Fosco: Oper und Film als Anamorphose: Orphée zwischen Jean Cocteau und Philip Glass. In: Kieler Beiträge zur Filmmusikforschung 2014. No. 11. [September] p. ?P.
Index:
Glass, Philip
Cocteau, Jean
Orphée (1950)
Orphée (Musik ~ Music)

#70
Bertolina, Gian Carlo: Bernard Herrmann e il black and white sound. In: Filmcritica 32. 1981. No. 315. [June] pp. 289-296.
Description:
On the collaboration of the composer with Alfred Hitchcock.
Index:
Herrmann, Bernard
Hitchcock, Alfred
Psycho (1960)
Musik ~ Music

#71
Bertolina, Gian Carlo: John Williams, la musica la trascendenza (riflessioni). In: Filmcritica 34. 1983. No. 333. [April] pp. 161-163.
Description:
Discusses, among others, Williams’s work for Steven Spielberg’s E.T. - The Extra-Terrestrial.
Index:
Williams, John
Spielberg, Steven
E.T. - The Extra-Terrestrial (1982)
Musik ~ Music

#72
Beth, Uta: "Dann bringen wir eben das Orchester ins Kino": Gespräch mit Randall Meyers, dem amerikanischen Produzenten, Regisseur und Komponisten der Musik des norwegischen Zeichentrickfilms Der König, der mehr haben wollte als eine Krone. In: Kinder- und Jugendfilm Korrespondenz 21. 2000. No. 3(83). [?D] pp. 23-25.
Index:
Meyers, Randall
Kongen som ville ha mer enn en krone (1999)
USA (United States of America) ~ USA (United States of America)
Norwegen ~ Norway
Musik ~ Music
Animation: Comics ~ Animation: Comics
Animation ~ Animation

#73
Beylie, Claude: Revoir Intolérance ... en musique. In: Cinéma [Paris] 1990. No. 471. [?D] pp. 7-8.
Index:
Griffith, David Wark
Intolerance: Love’s Struggle Througout the Ages (1916)
Musik ~ Music

#74
Beyond the soundtrack: Representing music in cinema. Edited by Daniel Goldmark, Lawrence Kramer and Richard Leppert. - Berkeley, California; London: University of California Press 2007.
Reviews:
Davison, Annette: [untitled.] In: Music & Letters 90. 2009. No. 1. [?D] pp. 113-16.
Neumeyer, David: [untitled.] In: Journal of the American Musicological Society 61. 2008. No. 2. [?D] pp. 445-453.
Wierzbicki, James: [untitled.] In: Modernism/Modernity 15. 2008. No. 3. [?D] pp. 587-589.
Index:
Musik ~ Music

#75
Biancorosso, Giorgio: Ludwig’s Wagner and Visconti’s Ludwig. In: Wagner and cinema. Edited by Jeongwon Joe and Sander L. Gilman. Foreword by Tony Palmer. - Bloomington, Indiana: Indiana University Press 2010. p. ?P.
Index:
Wagner, Richard
Visconti, Lucino
Ludwig II. von Bayern
Ludwig (1972)
Musik ~ Music

#76
Bibel und Kultur: Das Buch der Bücher in Literatur, Musik und Film.
Hrs. von Paul-Gerhard Klumbies und Ilse Müllner. - Leipzig: Evangelische Verlagsanstalt 2016.
Index:
Religion ~ Religion
Musik ~ Music
Literatur ~ Literature

#77
Bibel-Impulse: Film - Kunst - Literatur - Musik - Theater - Theologie. Hrsg. von Rainer Dillmann. - Berlin; Münster: Lit Verlag 2006. (= Interdisziplinäre Paderborner Untersuchungen zur Theologie 5)
Index:
Theater ~ Theatre
Religion ~ Religion
Musik ~ Music
Literatur ~ Literature
Kunst ~ Arts, The

#78
Binns, Alexander G.: Music and fantasy types in Tim Burton’s Edward Scissorhands. In: The music of fantasy cinema. Edited by Janet K. Halfyard. - Sheffield, South Yorkshire; Oakville, Connecticut: Equinox Publishing 2012. (= Genre, music, and sound.) p. ?P.
Index:
Burton, Tim
Edward Scissorhands (1990)
Fantasy ~ Fantasy
Musik ~ Music

#79
Biodrowski, Steve: 1996 in review: A year of overwhelming films? Sound and fury, short on diversity and intelligence. In: Cinefantastique 28. 1997. No. 10. [April] pp. 46-48.
Index:
Musik ~ Music

#80
Biodrowski, Steve / Starita, Angela: Sounds of silents. In: Cinefantastique 30. 1998. No. 7/8. [October] pp. 99-103, 126.
Description:
Articles on the restoration of silent horror films and especially on the live music film scores.
Index:
Stummfilm ~ Silent Film
Musik ~ Music
Horror ~ Horror

#81
Biodrowski, Steve / Szebin, Frederick C.: Interview with Danny Elfman. In: Soundtrack: The Collector’s Quarterly 16. 1997. No. 61. [March] pp. 4-7.
Description:
The composer on the scores for Tim Burton’s Mars Attacks! and Roland Emmerich’s Independence Day.
Index:
Elfman, Danny
Burton, Tim
Emmerich, Roland
Mars Attacks! (1996)
Independence Day (1996)
Musik ~ Music

#82
Biordrowski, Steve / Szebin, Frederick C.: Martian musician: Composer Danny Elfman: On Burtonizing the golden sci-fi scores of the past. In: Cinefantastique 28. 1997. No. 7. [January] pp. 28-29.
Description:
On the score for Tim Burton’s Mars Attacks.
Index:
Burton, Tim
Elfman, Danny
Mars Attacks! (1996)
Science Fiction ~ Science Fiction
Musik ~ Music

#83
Birchall, Danny: Found sound, cinema without cinema. In: Film Quarterly 62. 2009. No. 3. [Spring] pp. 68-70.
Description:
On the London Film Festival Artist’s Film and Video Weekend.
Index:
Video ~ Video
Musik ~ Music
London ~ London
Festival ~ Festival
Experimentalfilme ~ Experimental Films

#84
Bird, Michael: Secret arithmetic of the soul: Music as spiritual metaphor in the cinema of Ingmar Bergman. In: Kinema 1996. No. 5. [Spring] pp. 13-39.
Index:
Bergman, Ingmar
Musik ~ Music
Religion ~ Religion

#85
Birkett, Danielle: "The merry old land of Oz?": MGM’s concerns and the shifting reception history. In: Adapting The Wizard of Oz: Musical adaptations from Baum to MGM and beyond. Edited by Danielle Birkett and Dominic McHugh. - New York: Oxford University Press 2018. p. ?P.
Index:
Baum, L. Frank
Fleming, Victor
Wizard of Oz, The (1939)
Wizard of Oz, The (Filmreihe)
Musik ~ Music
MGM (Metro Goldwyn Mayer) ~ MGM (Metro Goldwyn Mayer)
Wonderful Wizard of Oz, The (Literatur ~ Literature)

#86
Birtwistle, Andy: Meaning and musicality: Sound-image relations in the films of John Smith. In: The music and sound of experimental film. Edited by Holly Rogers and Jeremy Barham. - New York: Oxford University Press 2017. p. ?P.
Index:
Smith, John
Musik ~ Music
Experimentalfilme ~ Experimental Films

#87
Björkman, Stig: Stråkarnas inre röst. In: Chaplin 38. 1996. No. 3(264 [?D] pp. 24-25.
Description:
On Bernard Herrmann’s film music and his work for Alfred Hitchcock.
Index:
Herrmann, Bernard
Hitchcock, Alfred
Musik ~ Music

#88
Blalack, Robert / Roth, Paul: Composite optical and photographic effects for Star Wars. In: American Cinematographer 58. 1977. No. ?N. [July] pp. 706-708.
Index:
Lucas, George
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Technik: Spezialeffekte ~ Technology: Special Effects
Musik ~ Music

#89
Bleek, Jennifer: Terrence Malicks Spielfilmdebüt Badlands und die Musik von Carl Orff: Interferenzen visueller und klanglicher Materialität und ihre signifikative Funktion im Film. In: Kieler Beiträge zur Filmmusikforschung 2008. No. 2. [October] pp. 27-41.
Index:
Malick, Terrence
Orff, Carl
Badlands (1973)
Musik ~ Music

#90
Blinn, Hansjürgen: Der deutsche Shakespeare: Eine annotierte Bibliographie zur Shakespeare-Rezeption des deutschsprachigen Kulturraums (Literatur, Theater, Film, Funk, Fernsehen, Musik und bildende Kunst). / The German Shakespeare: An annotated bibliography of the Shakespeare reception in German-speaking countries (Literature, theatre, mass media, music, fine arts. - Berlin: Erich Schmidt 1993.
Index:
Shakespeare, William
Literatur ~ Literature
Kunst ~ Arts, The
Theater ~ Theatre
Musik ~ Music
Fernsehen ~ Television
Deutschland ~ Germany

#91
Blocker, Judith: Synthesized sound for Brainstorm. In: American Cinematographer 65. 1984. No. 5. [May] pp. 95-98.
Index:
Trumbull, Douglas
Brainstorm (1983)
Musik ~ Music

#92
Blyn, Robin: Between silence and sound: Ventriloquism and the advent of the voice in The Unholy Three. In: The films of Tod Browning. Edited by Bernd Herzogenrath. - London: Black Dog Publishing 2006. pp. 117 ff.
Index:
Browning, Tod
Unholy Three, The (1925)
Musik ~ Music

#93
Blyn, Robin: Imitating the siren: West’s The Day of the Locust and the subject of sound. In: Literature/Film Quarterly 32. 2004. No. 1. [?D] pp. 51-59.
Index:
Weinstein, Nathan Wallenstein [Pseudonym: West, Nathanael]
Schlesinger, John
Day of the Locust, The (1975)
Musik ~ Music
Day of the Locust, The (Literatur ~ Literature)

#94
Bodde, Gerrit: Die Musik in den Filmen von Stanley Kubrick. - Osnabrück: Der Andere Verlag 2002.
Reviews:
Sperl, Stephan: [untitled.] In: Medienwissenschaft 2004. No. 2. pp. 207-208.
Index:
Kubrick, Stanley
Musik ~ Music

#95
Bodde, Gerrit: Die Musik in den Filmen von Stanley Kubrick. - Osnabrück: Universität Osnabrück, Dissertation 2001.
Index:
Kubrick, Stanley
Musik ~ Music

#96
Bohn, James Matthew: Music in Disney’s animated features: Snow White and the Seven Dwarfs to The Jungle Book. - Jackson, Mississippi: University Press of Mississippi 2017.
Index:
Hand, David
Reitherman, Wolfgang
Snow White and the Seven Dwarfs (1937)
Jungle Book, The (1967)
Musik ~ Music
Disney ~ Disney
Animation ~ Animation

#97
Bonanomi, Claudio / Gajani, Donatella / Vitali, Maurizio: Il giallo e il grigio: Animazione musicale e pensionati. - Bologna: Editrice CLUEB 1992. (= Musica e scienze umane 8.)
Index:
Thriller ~ Thriller
Musik ~ Music
Animation ~ Animation

#98
Bond, Jeff: A Clockwork composer. In: Film Score Monthly 4. 1999. No. 3. [?D] pp. 18-23.
Index:
Kubrick, Stanley
Clockwork Orange, A (1971)
Shining, The (1980)
Musik ~ Music

#99
Bond, Jeff: More music from the motion picture Gladiator. In: Film Score Monthly 6. 2001. No. 4. [?D] pp. 33-34.
Index:
Scott, Ridley
Gladiator (2000)
Musik ~ Music

#100
Bond, Jeff: The music of Star Trek. - Los Angeles, California: Lone Eagle Publishing 1998.
Index:
Star Trek (Filmreihe)
Musik ~ Music

#101
Bond, Jeff: The sound of sci-fi. In: Cinefantastique 36. 2004. No. 5. [October/November] pp. 6-68.
Description:
Obituary for composer Jerry Goldsmith.
Index:
Goldsmith, Jerry
Science Fiction ~ Science Fiction
Musik ~ Music

#102
Bond, Jeff: The sword & sandal sound. In: Film Score Monthly 5. 2000. No. 3. [?D] pp. 17-18.
Index:
Scott, Ridley
Gladiator (2000)
Musik ~ Music

#103
Bond, Jeff: The Towering Inferno and other disaster classics. In: Film Score Monthly 4. 1999. No. 4. [?D] p. 35.
Description:
On music in disaster films.
Index:
Guillermin, John
Allen, Irwin
Towering Inferno (1974)
Musik ~ Music
Katastrophen ~ Disasters

#104
Bond, Jeff: Trek’s scrambled music credits. In: Cinefantastique 28. 1996. No. 4/5. [November] p. 126.
Index:
Star Trek (Filmreihe)
Musik ~ Music

#105
Boniberger, Stephanie: Musical in Serie: Von Buffy bis Grey’s Anatomy: Über das reflexive Potential der special episodes amerikanischer TV-Serien. - Stuttgart: Ibidem-Verlag 2013. (= Film- und Medienwissenschaft 26.)
Index:
Buffy the Vampire Slayer (TV)
Grey’s Anatomy (TV)
USA (United States of America) ~ USA (United States of America)
Musik ~ Music
Fernsehen ~ Television

#106
Boomkens, René: De angstmachine: Over geweld in films, literatuur en popmuziek. - Amsterdam: De Balie 1996.
Index:
Horror ~ Horror
Literatur ~ Literature
Musik ~ Music
Technik ~ Technology
Gewalt ~ Violence
Angst ~ Fear

#107
Born, Simon: Filmmusik: Und es hat Braaams gemacht! In: EPD Film 35. 2018. No. 1. [January] pp. 24-29.
Description:
On scores for Hollywood blockbuster movies.
Index:
Musik ~ Music
Hollywood ~ Hollywood

#108
Borton, Douglas: Moonwalker. In: Cinefantastique 19. 1989. No. 5. [July] p. 51.
Description:
Review of Michael Jackson’s music video.
Index:
Chilvers, Colin
Kramer, Jeffrey
Jackson, Michael
Moonwalker (1988)
Video ~ Video
Musik ~ Music

#109
Boswell, Simon: Neither Mozart nor Hendrix. In: Sight and Sound NS 5. 1995. No. 4. [April] p. 37.
Description:
The composer of Danny Boyle’s horror film Shallow Grave on his work for Dario Argento and Alejandro Jodorowsky.
Index:
Boswell, Simon
Argento, Dario
Boyle, Danny
Mozart, Wolfgang Amadeus
Hendrix, Jimi
Shallow Grave (1994)
Musik ~ Music
Horror ~ Horror

#110
Brand, Neil: Working with Hitch. In: Sight and Sound NS 22. 2012. No. 7. [July] pp. 34-37.
Description:
The composer on Hitchcock’s filmic techniques, especially in Blackmail.
Index:
Hitchcock, Alfred
Brand, Neil
Blackmail (1929)
Musik ~ Music

#111
Braun, Adrienne: Vom Pathos zur Lüge: Anmerkungen zum Verhältnis von Oper und Film. In: Medium 24. 1994. No. 1. [?D] pp. 62-64.
Description:
Discusses, among others, Joseph Losey’s Don Giovanni and Ingmar Bergman’s Zauberflöte (Trolleflöjten).
Index:
Losey, Joseph
Bergman, Ingmar
Don Giovanni (1979)
Trolleflöjten (1974)
Musik ~ Music

#112
Braun, E.: Fantasia. In: Films [London] 2. 1982. No. 9. [August] p. 35.
Description:
On the re-release of the Disney classic with a new sound.
Index:
Disney, Walt
Algar, James
Armstrong, Samuel
Beebe, Ford L.
Ferguson, Norman
Handley, Jim
Hee, T[hornton]
Jackson, Wilfred
Luske, Hamilton
Roberts, Bill
Satterfield, Paul
Sharpsteen, Ben
Fantasia (1940)
Musik ~ Music
Disney ~ Disney

#113
Bridges, Elizabeth G.: Die Mensch-Maschine: Technologies of replication and reproduction in German-language literature and culture. - Bloomington, Indiana: Indiana University, Ph.D. 2005. [Abstract in: Dissertation Abstracts International A 66. 2006. No. 12. (June)]
Description:
Discusses especially the motif of the (female) robot and cyborg in German literature and film. Examines, as examples, the romantic fiction of E.T.A. Hoffmann as well as Fritz Lang’s Metropolis film, the art work of H. R. Giger and finally German techno music.
Index:
Hoffmann, E[rnst] T[heodor] A[madeus] [Wilhelm]
Lang, Fritz
Giger, H[ans] R[üdi]
Metropolis (1925/1926)
Technik ~ Technology
Roboter ~ Robots
Musik ~ Music
Literatur ~ Literature
Frauen ~ Women
Deutschland ~ Germany
Romantik ~ Romanticism

#114
Bridges, Elizabeth G.: Die Mensch-Maschine: Technologies of replication and reproduction in German-language literature and culture. - Bloomington, Indiana: Indiana University Press 2005.
Description:
Discusses especially the motif of the (female) robot and cyborg in German literature and film. Examines, as examples, the romantic fiction of E.T.A. Hoffmann as well as Fritz Lang’s Metropolis film, the art work of H. R. Giger and finally German techno music.
Index:
Hoffmann, E[rnst] T[heodor] A[madeus] [Wilhelm]
Lang, Fritz
Giger, H[ans] R[üdi]
Metropolis (1925/1926)
Technik ~ Technology
Roboter ~ Robots
Musik ~ Music
Literatur ~ Literature
Frauen ~ Women
Deutschland ~ Germany
Romantik ~ Romanticism

#115
Bridges, Rose: The legacy of Wagner’s Der Ring des Nibelungen as reflected in select late twentieth- and early twenty-first-century film media. - Boston, Massachusetts: Boston University, M.M. 2015. [Abstract in: Masters Abstracts International 55. 2015. No. 4M.]
Description:
Discusses, among others, the use of Wagner’s Ride of the Valkyries in Francis Ford Coppola’s Apocalypse Now.
Index:
Wagner, Richard
Coppola, Francis Ford
Apocalypse Now (1976-1979)
Ring des Nibelungen, Der (Musik ~ Music)

#116
Brill, Mark: Fantasy and the exotic other. In: The music of fantasy cinema. Edited by Janet K. Halfyard. - Sheffield, South Yorkshire; Oakville, Connecticut: Equinox Publishing 2012. (= Genre, music, and sound.) p. ?P.
Index:
Fantasy ~ Fantasy
Musik ~ Music

#117
Britton, Wesley: 007 on the turntable: The Bond music off-screen. In: James Bond in world and popular culture: The films are not enough. Edited by Jan Becker, Robert G. Weiner and B. Lynn Whitfield. - Newcastle upon Tyne: Cambridge Scholars 2010. p. ?P.
Index:
James Bond (Filmreihe)
Musik ~ Music
James Bond ~ James Bond

#118
Broadhurst, Laura Lynn: "Arlen and Harburg and more, oh my!": The cumulative creation of the Oz songs. In: Adapting The Wizard of Oz: Musical adaptations from Baum to MGM and beyond. Edited by Danielle Birkett and Dominic McHugh. - New York: Oxford University Press 2018. p. ?P.
Index:
Baum, L. Frank
Fleming, Victor
Wizard of Oz, The (1939)
Wizard of Oz, The (Filmreihe)
Musik ~ Music
MGM (Metro Goldwyn Mayer) ~ MGM (Metro Goldwyn Mayer)
Wonderful Wizard of Oz, The (Literatur ~ Literature)

#119
Brode, Douglas / Brode, Shea T.: Of medieval ballads and movie musicals: Walt Disney and the Robin Hood legend. In: It’s the Disney version: Popular cinema and literary classics. Edited by Douglas Brode and Shea T. Brode. - Lanham, Maryland: Rowman & Littlefield 2016. p. ?P.
Index:
Robin Hood (Filmreihe)
Musik ~ Music
Geschichte: Mittelalter ~ History: Middle Ages
Robin Hood ~ Robin Hood
Literatur ~ Literature
Disney ~ Disney

#120
Broderick, Richard / Nassour, Ellis: Rock opera: The creation of Jesus Christ Superstar, from record album to Broadway show and motion picture. - New York: Hawthorn Books 1973.
Index:
Webber, Andrew Lloyd
Jewison, Norman
Jesus Christ Superstar (1972)
Musik ~ Music
Broadway ~ Broadway
Jesus Christ Superstar (Musik ~ Music)

#121
Broman, Per F.: Aesthetic value, ethos, and Phil Collins: The power of music in South Park. In: South Park and philosophy: You know, I learned something today. Edited by Robert Arp. - Oxford; Malden, Massachussetts: Blackwell 2007. (= Blackwell philosophy and popculture.) p. ?P.
Index:
Collins, Phil
South Park (TV)
Pädagogik ~ Paedagogy
Musik ~ Music
Philosophie ~ Philosophy

#122
Broman, Per F.: Music, sound, and silence in the films of Ingmar Bergman. In: Music, sound and filmmakers: Sonic style in cinema. Edited by James Wierzbicki. - New York; Abingdon, Oxon: Routledge 2012. p. ?P.
Index:
Bergman, Ingmar
Musik ~ Music

#123
Bronfen, Elisabeth: Liebestod und Femme fatale: Der Austausch sozialer Energien zwischen Oper, Literatur und Film. - Frankfurt/Main: Suhrkamp 2004. (= Erbschaft unserer Zeit 13 / Edition Suhrkamp 2229.)
Reviews:
Löchel, Rolf: [untitled.] In: Medienwissenschaft 2004. No. 4. pp. 415-417.
Description:
Discusses, among others, the character of "Catwoman" in Tim Burton’s Batman Returns.
Index:
Burton, Tim
Batman Returns (1992)
Tod ~ Death
Musik ~ Music
Literatur ~ Literature
Frauen ~ Women
Film Noir ~ Film Noir
Sexualität ~ Sexuality

#124
Brophy, Philip: Arashi ga oka (Onimaru): The sound of the world turned inside out. In: Japanese horror cinema. Edited by Jay McRoy. - Edinburgh: Edinburgh University Press 2005. pp. 150 ff.
Index:
Yoshida, Yoshishige
Arashi ga oka (1988)
Musik ~ Music
Japan ~ Japan
Horror ~ Horror

#125
Brophy, Philip: Bring the noise. In: Film Comment 42. 2006. No. 5. [September/October] p. 16.
Description:
On the film sound of Michael Haneke’s 71 Fragmente einer Chronologie des Zufalls.
Index:
Haneke, Michael
71 Fragmente einer Chronologie des Zufalls (1994)
Musik ~ Music

#126
Brophy, Philip: The animation of sound. In: Movie music, the film reader. Edited by Kay Dickinson. - London; New York: Routledge 2003. (= In focus / Routledge film readers.) p. ?P.
Index:
Animation ~ Animation
Musik ~ Music

#127
Brophy, Philip: The animation of sound. In: The illusion of life: Essays on animation. Edited by Alan Cholodenko. - Sydney: Power Publications / Sydney: Australian Film Commission 1991. pp. 67-112.
Description:
On the meaning of music and sound for animated films.
Index:
Musik ~ Music
Animation ~ Animation

#128
Brown, Julie: Carnival of Souls and the organs of horror. In: Music in the horror film: Listening to fear. Edited by Neil Lerner. - New York: Routledge 2010. (= Routledge music and screen media.) p. ?P.
Index:
Harvey, Harold Arnold [Pseudonym: Harvey, Herk]
Carnival of Souls (1962)
Angst ~ Fear
Horror ~ Horror
Musik ~ Music

#129
Brown, Richard H.: Sound-on-film: John Cage and avant-garde cinema. - Los Angeles, California: University of Southern California, Ph.D. 2012. [Abstract in: Dissertation Abstracts International A 74. 2013. No. 2. (August).]
Index:
Cage, John Milton
Musik ~ Music
Experimentalfilme ~ Experimental Films

#130
Brown, Richard H.: Sound-on-film: John Cage and avant-garde cinema. - Los Angeles, California: University of Southern California, Ph.D. 2012. [Abstract in: Dissertation Abstracts International A 74. 2012. No. 2. [?D].]
Index:
Cage, John Milton
Experimentalfilme ~ Experimental Films
Musik ~ Music

#131
Brown, Royal S.: Bernard Herrmann and the subliminal pulse of violence. In: High Fidelity and Musical America 26. 1976. No. ?N. [March] pp. 75-76.
Description:
On the film composer.
Index:
Herrmann, Bernard
Hitchcock, Alfred
Psycho (1960)
Musik ~ Music
Gewalt ~ Violence

#132
Brown, Royal S.: Bernard Herrmann: La dynamique des émotions. In: Cahiers du Cinéma 1995. Numéro Special: Musiques au Cinéma. [?D] pp. 24-27.
Description:
On the composer.
Index:
Herrmann, Bernard
Musik ~ Music

#133
Brown, Royal S.: Film music: The good, the bad, and the ugly. In: Cineaste 21. 1995. No. 1/2. [?D] pp. 62-67.
Index:
Kubrick, Stanley
2001 - A Space Odyssey (1968)
Musik ~ Music
Gute, Das ~ Good

#134
Brown, Royal S.: Herrmann and Hitch: Mercury reissues the Vertigo soundtrack (now in stereo) while Elmer Bernstein rescues Herrmann’s unused Torn Curtain score. In: High Fidelity and Musical America 28. 1978. No. ?N. [April] pp. 80-81.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Bernstein, Elmer
Vertigo (1958)
Torn Curtain (1966)
Musik ~ Music

#135
Brown, Royal S.: Herrmann, Hitchcock, and the music of the irrational. In: Cinema Journal 21. 1982. No. 2. [Spring] pp. 14-49.
Index:
Herrmann, Bernard
Hitchcock, Alfred
Psycho (1960)
North by Northwest (1959)
Vertigo (1958)
Musik ~ Music

#136
Brown, Royal S.: Overtones and undertones: Reading film music. - Berkeley, California: University of California Press 1994.
Reviews:
Gorbman, Claudia: [untitled] In: Film Quarterly 49. 1996. No. 4. [Summer] pp. 51-52.
Description:
Discusses also a lot of fantastic films.
Index:
Musik ~ Music

#137
Bruce, Graham: Bernard Herrmann: Film music and narrative. - Ann Arbor, Michigan: UMI Research Press 1985. (= Studies in Cinema 38.)
Reviews:
Gerhold, Hans: [untitled] In: Medienwissenschaft 1987. No. 3. pp. 340-341.
Description:
On the composer, especially on his work for Alfred Hitchcock’s Vertigo and Psycho.
Index:
Herrmann, Bernard
Hitchcock, Alfred
Vertigo (1958)
Psycho (1960)
Musik ~ Music

#138
Bruce, Graham: Double score: Bernard Herrmann’s music for Cape Fear 1962 and 1991. In: Metro 1993. No. 96. [Summer] pp. 10-14.
Index:
Herrmann, Bernard
Thompson, J. Lee
Scorsese, Martin
Cape Fear (1962)
Cape Fear (1991)
Musik ~ Music

#139
Bruce-Novoa, Juan: Paradigms of attitudes towards immigration: Science fiction films as allegories in the mid-century. In: Aesthetic practices and politics in media, music, and art: Performing migration. Edited by Rocío G. Davis, Dorothea Fischer-Hornung and Johanna C. Kardux. - New York: Routledge 2010. (= Routledge research in cultural and media studies 26.) p. ?P.
Index:
Science Fiction ~ Science Fiction
Musik ~ Music
Politik ~ Politics

#140
Brüggenthies, Stephan: Schicksal und Zufall, Schuld und Reue: die Musikdramaturgie von Magnolia (1999). In: Der Soundtrack unserer Träume: Filmmusik und Psychoanalyse. Hrsg. von Konrad Heiland und Theo Piegler. - Gießen: Psychosozial-Verlag 2013. (= Imago.) p. 225 ff.
Index:
Anderson, Paul Thomas
Magnolia (1999)
Psychologie ~ Psychology
Musik ~ Music
Traum ~ Dreams

#141
Brunas, John / Brunas, Michael / Weaver, Tom: Albert Glasser. In: Brunas, John / Brunas, Michael / Weaver, Tom: Science fiction stars and horror heroes: Interviews with actors, directors, producers and writers of the 1940s through 1960s. - Jefferson, North Carolina; London: McFarland & Company 1991. pp. 95-107.
Description:
On the composer.
Index:
Glasser, Albert
Musik ~ Music
Science Fiction ~ Science Fiction
Horror ~ Horror

#142
Brunas, Michael: Attack of the 50 ft. soundtracks. In: Scarlet Street 1995. No. 20. [?D] pp. 34-36.
Description:
On composer Ronald Stein and his work for the science fiction film.
Index:
Stein, Ronald
Science Fiction ~ Science Fiction
Musik ~ Music

#143
Buchsbaum, Tony: Die Another Day. In: Soundtrack: The Collector’s Quarterly 21. 2002. No. 84. [Winter] p. 13.
Description:
On the score by David Arnold.
Index:
Tamahori, Lee
Arnold, David
Die Another Day (2002)
Musik ~ Music

#144
Buchsbaum, Tony: Star Wars Episode II: Attack of the Clones. In: Soundtrack: The Collector’s Quarterly 21. 2002. No. 82. [Summer] pp. 10-11.
Description:
On the film score by John Williams.
Index:
Lucas, George
Williams, John
Star Wars Episode II - Attack of the Clones (2002)
Musik ~ Music

#145
Buchsbaum, Tony: That’s all folks! Cartoon songs from Merrrie melodies & Looney tunes. In: Soundtrack: The Collector’s Quarterly 20. 2001. No. 80. [Winter] p. 13.
Description:
On a CD edition with cartoon scores.
Index:
Musik ~ Music
Animation: Cartoons ~ Animation: Cartoons
Animation ~ Animation

#146
Buhler, James: Music and the adult ideal in A Nightmare on Elm Street. In: Music in the horror film: Listening to fear. Edited by Neil Lerner. - New York: Routledge 2010. (= Routledge music and screen media.) p. ?P.
Index:
Craven, Wes
Nightmare on Elm Street, A (1984)
Angst ~ Fear
Horror ~ Horror
Musik ~ Music

#147
Bühler, Gerhard: Postmoderne auf dem Bildschirm, auf der Leinwand: Musikvideos, Werbespots und David Lynchs Wild at Heart. - St. Augustin: gardez! Verlag 2002. (= Filmstudien 24.)
Index:
Lynch, David
Wild at Heart (1990)
Video ~ Video
Postmoderne ~ Postmodern
Musik ~ Music

#148
Bullerjahn, Claudia: Eklektizismus, Geschäftssinn und Mut zu Experimenten: Wie Alfred Hitchcock die Filmmusikentwicklung beeinflusste. In: Hitchcock und die Künste. Hrsg. von Henry Keazor. - Marburg: Schüren 2013. pp. 117 ff.
Index:
Hitchcock, Alfred
Musik ~ Music
Experimentalfilme ~ Experimental Films
Kunst ~ Arts, The

#149
Bullerjahn, Claudia: Gender-Konstruktion durch Filmmusik: Eine analytische Betrachtung am Beispiel der Vertonung von Frauenfiguren in Filmen von Alfred Hitchcock und im neueren Frauenfilm. In: Kieler Beiträge zur Filmmusikforschung 2008. No. 2. [October] pp. 7-26.
Index:
Hitchcock, Alfred
Sexualität ~ Sexuality
Musik ~ Music
Frauen ~ Women

#150
Bullerjahn, Claudia / Rückert, Björn: Berlin - Die Sinfonie der Grossstadt (D 1927, Walter Ruttmann): Zur Originalstummfilmmusik von Edmund Meisel und einem heutigen Rekonstruktionsversuch. In: Kieler Beiträge zur Filmmusikforschung 2010. No. 4. [May] pp. 30-51.
Index:
Ruttmann, Walter
Meisel, Edmund
Berlin - Die Sinfonie der Großstadt (1927)
Stummfilm ~ Silent Film
Musik ~ Music

#151
Bullins, Jeffrey: Hearing the game: Sound design. In: To see the Saw movies: Essays on torture porn and post-9/11 horror. Edited by James Aston and John Walliss. - Jefferson, North Carolina; London: McFarland & Company 2013. pp. 176 ff.
Index:
Saw (Filmreihe)
Musik ~ Music
Sexualität ~ Sexuality
Horror ~ Horror
Gewalt ~ Violence

#152
Bullins, Jeffrey: High-senberg noon: Breaking Bad and the sounds of the West. In: Re-locating the sounds of the western. Edited by Kendra Preston Leonard and Mariana Whitmer. - Abingdon, Oxon; New York: Routledge 2018. (= Ashgate screen music.) p. ?P.
Index:
Breaking Bad (TV)
Western-Filme ~ Western Films
Musik ~ Music

#153
Burel, Marcel: Rock et fantastique: Un mariage de raison. In: Le cinéma fantastique. Réuni par Jean-Pierre Piton. (= Cinémaction 1995. No. 74. [?D]) pp. 154-159.
Index:
Musik ~ Music

#154
Burger, Alissa: From The Wizard of Oz to Wicked: Trajectory of American myth. - Bowling Green, Ohio: Bowling Green State University, Ph.D. 2009. [Abstract in: Dissertation Abstracts International A 70. 2009. No. 3. (September)]
Description:
On L. Frank Baum’s novel The Wonderful Wizard of Oz and its adaptions as example for modern American mythmaking. Discusses, among others, Victor Fleming’s The Wizard of Oz, Sidney Lumet’s The Wiz, Gregory Maguire’s novel Wicked: The Life and Times of the Wicked Witch of the West and the Broadway musical Wicked by Winnie Holzman and Stephen Schwartz.
Index:
Holzman, Winnie
Schwartz, Stephen
Maguire, Gregory
Baum, L. Frank
Fleming, Victor
Lumet, Sidney
Wizard of Oz, The (1939)
Wiz, The (1978)
Wicked (Musik ~ Music)
Wicked: The Life and Times of the Wicked Witch of the West (Literatur ~ Literature)
Wonderful Wizard of Oz, The (Literatur ~ Literature)

#155
Burgess, Matt / Evans, Mark: Beyond the valley of the ultra cliché: Erotic plenitude in the films of Russ Meyer. In: Earogenous zones: Sound, sexuality and cinema. Edited by Bruce Johnson. - Oakville, Connecticut: Equinox 2010. (= Genre, music and sound.) p. ?P.
Index:
Meyer, Russ
Sexualität ~ Sexuality
Musik ~ Music

#156
Burlingame, Jon / Fry, S.: Henry Mancini receives SPFM 1992 career achievement award. In: Cue Sheet 9. 1992. No. 2. [?D] pp. 1-34.
Description:
On the composer who wrote the score for the Pink Panther films.
Index:
Mancini, Henry
Pink Panther (Filmreihe)
Musik ~ Music

#157
Burlingame, Jon: The music of James Bond. - Oxford; New York: Oxford University Press 2012.
Index:
James Bond (Filmreihe)
Musik ~ Music
James Bond ~ James Bond

#158
Burns, William: The 13 most terrifying horror film soundtracks. In: Burns, William: The thrill of repulsion: Excursions into horror culture. - Atglen, Pennsylvania: Schiffer Publishing 2016. p. ?P.
Index:
Thriller ~ Thriller
Musik ~ Music
Horror ~ Horror

#159
Burry, Alexander: Multi-mediated Dostoevsky: Transposing novels into opera, film, and drama. - Evanston, Illinois: Northwestern University Press 2011. (= Studies in Russian literature and theory.)
Description:
Discusses, among others, Akira Kurosawa’s Hakuchi.
Index:
Kurosawa, Akira
Dostoyevsky, Fyodor Mikhailovich
Hakuchi (1951)
Musik ~ Music

#160
Burry, Alexander: Multi-mediated Dostoevsky: Transposing novels into opera, film, and drama. - ?O: Northwestern University, Ph.D. 2001.
Description:
Discusses, among others, Akira Kurosawa’s Hakuchi.
Index:
Kurosawa, Akira
Dostoyevsky, Fyodor Mikhailovich
Hakuchi (1951)
Musik ~ Music

#161
Burson, Harry: The audible future: Dolby Atmos and the immersive sound of science fiction in contemporary science fiction. - ?O: Georgetown University, M.A. 2015. [Abstract in: Masters Abstracts International 54. 2016. No. 4. [August]]
Index:
Utopie ~ Utopia
Science Fiction ~ Science Fiction
Musik ~ Music

#162
Burt, W.: On the relation of sound and image in Moods. In: Cantrills Filmnotes 1981. No. 35/36. [?D] pp. 56-64.
Description:
The experimental filmmaker on his work.
Index:
Musik ~ Music
Experimentalfilme ~ Experimental Films

#163
Bush, Richard H.: Bitten on the keys: The music of Werewolf of London. In: Scarlet Street 1999. No. 33. [?D] pp. 35-36.
Index:
Walker, Stuart
Werewolf of London (1935)
Musik ~ Music

#164
Butkus, Clarice: Depraved desire: Sado-masochism, sexuality and sound in mid-1970s cinema. In: Earogenous zones: Sound, sexuality and cinema. Edited by Bruce Johnson. - Oakville, Connecticut: Equinox 2010. (= Genre, music and sound.) p. ?P.
Index:
Sexualität: Sadomasochismus ~ Sexuality: Sadomasochism
Sexualität ~ Sexuality
Musik ~ Music

#165
Butkus, Clarice M.: Sound warrior: Voice, music and power in Dark Angel. In: Science Fiction Film and Television 5. 2012. No. 2. [Autumn] pp. 179-199.
Index:
Dark Angel / James Cameron’s Dark Angel (TV)
Musik ~ Music

#166
Butler, David: Film noir and music. In: The Cambridge companion to film music. Edited by Mervyn Cooke and Fiona Ford. - Cambridge: Cambridge University Press 2016. (= Cambridge companions to music.) p. ?P.
Index:
Film Noir ~ Film Noir
Musik ~ Music

#167
Butler, David: Jazz noir: Listening to music from Phantom Lady to The Last Seduction. - Westport, Connecticut: Praeger 2002.
Description:
On Jazz music in film noir.
Index:
Siodmak, Robert
Dahl, John
Phantom Lady (1943)
Last Seduction, The (1993)
Musik ~ Music
Film Noir ~ Film Noir

#168
Butler, David: The days do not end: Film music, time and Bernard Herrmann. In: Film Studies [Manchester] 2006. No. 9. [Winter] pp. 51-63.
Description:
Discusses, among others, Herrmann’s score for Martin Scorsese’s Taxi Driver.
Index:
Herrmann, Bernard
Scorsese, Martin
Taxi Driver (1975)
Musik ~ Music

#169
Butler, David: The work of music in The age of steel: Themes, leitmotifs and stock music in the new Doctor Who. In: Music in science fiction television: Tuned to the future. Edited by K. J. Donnelly and Philip Hayward. - New York: Routledge 2013. (= Routledge music and screen media.) p. ?P.
Index:
Doctor Who (TV)
Fernsehen ~ Television
Science Fiction ~ Science Fiction
Musik ~ Music

#170
Buttgereit, Jörg: Deutsche Töne: Soundtrack für Land of the Dead. In: EPD Film 22. 2005. No. 10. [October] p. 60.
Index:
Romero, George A.
Land of the Dead / George A. Romero’s Land of the Dead (2005)
Musik ~ Music
Deutschland ~ Germany

#171
Buttgereit, Jörg: Interstella 5555: The Story of the Secret Star System: Symbiose aus japanischem Zeichentrick und zeitgenössischer französischer Tanzmusik. In: EPD Film 20. 2003. No. 9. [September] pp. 40-41.
Index:
Takenouchi, Kazuhisa
Interstella 5555 - The Story of the Secret Star System (2003)
Tanz ~ Dance
Musik ~ Music
Japan ~ Japan
Frankreich ~ France
Animation: Comics ~ Animation: Comics

#172
Buttgereit, Jörg: Von coolem Jazz bis Orchestersound: Sin City: Filmmusik und Comic-Vorlage. In: EPD Film 22. 2005. No. 8. [August] p. 60.
Index:
Miller, Frank
Rodriguez, Robert
Tarantino, Quentin
Sin City / Frank Miller’s Sin City (2005)
Musik ~ Music
Animation: Comics ~ Animation: Comics

#173
Butzmann, Frieder: Engelsmusik / Angelic Music. In: Flügelschlag: Engel im Film / A Beat of the Wings: Angels in Film: Eine Ausstellung des Filmmuseums Berlin in Kooperation mit dem Deutschen Filmmuseum Frankfurt am Main. Hrsg. von Christina Jaspers und Nicole Rother. - Berlin: Bertz Verlag 2003. pp. 70-75.
Index:
Musik ~ Music
Frankfurt/Main ~ Frankfurt on the Main
Religion: Engel ~ Religion: Angels
Berlin ~ Berlin

#174
Cagle, Robert L.: "Tell the story of my life ...": The making of meaning, "monsters", and music in John Greyson’s Zero Patience. In: The Velvet Light Trap 1995. No. 35. [Spring] pp. 69-81.
Index:
Greyson, John
Zero Patience (1993)
Monster ~ Monster
Musik ~ Music

#175
Calico, Joy H.: Wagner in East Germany: Joachim Herz’s Der fliegende Holländer (1964). In: Wagner and cinema. Edited by Jeongwon Joe and Sander L. Gilman. Foreword by Tony Palmer. - Bloomington, Indiana: Indiana University Press 2010. p. ?P.
Index:
Wagner, Richard
Herz, Joachim
fliegende Holländer, Der (1964)
Deutschland ~ Germany
Musik ~ Music

#176
Callaway, Kutter: Scoring transcendence: Film music as contemporary religious experience. - Waco, Texas: Baylor University Press 2013.
Reviews:
Donelan, James H.: [untitled.] In: Religion and the Arts 21. 2017. No. 1/2. [?D] pp. 271-273.
Konecny, Brandon A.: [untitled.] In: Journal of Religion and Film 18. 2014. No. 1. [?D] p. ?P.
Laamanen, Carl: [untitled.] In: Music, Sound & the Moving Image 8. 2014. No. 1. [?D] pp. 103-108.
Description:
Discusses especially the role of music for animated films.
Index:
Religion ~ Religion
Musik ~ Music
Animation ~ Animation

#177
The Cambridge companion to film music. Edited by Mervyn Cooke and Fiona Ford. - Cambridge: Cambridge University Press 2016. (= Cambridge companions to music.)
Index:
Musik ~ Music

#178
Cantrill, Arthur / Cantrill, Corinne: Music/film/video/performance - an interview with Chris Knowles. In: Cantrills Filmnotes 1990. No. 61/62. [?D] pp. 17-27.
Description:
On the Australian experimental filmmaker.
Index:
Knowles, Chris
Video ~ Video
Musik ~ Music
Experimentalfilme ~ Experimental Films
Australien ~ Australia

#179
Caprara, Valerio / Pugliese, Roberto: Il ritorno di Hitchcock. In: Segnocinema 4. 1945. No. 14. [September] pp. 3-8.
Description:
On the collaboration between Alfred Hitchcock and composer Bernard Herrmann.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Musik ~ Music

#180
Caps, John: Sound and vision: James Bond. In: Film Comment 39. 2003. No. 2. [March/April] p. 16.
Description:
On the music for the James Bond films.
Index:
James Bond (Filmreihe)
Musik ~ Music
James Bond ~ James Bond

#181
Care, Ross: Melody time. In: Soundtrack: The Collector’s Quarterly 8. 1989. No. 31. [?D] pp. 31-40.
Description:
On the music for Disney animation films of the 1940s and 1950s. Discusses especially the work of Oliver Wallace, Paul Smith, Edward Plumb, Charles Wolcott, Joseph Dubin and Jud Conlon.
Index:
Wallace, Oliver
Smith, Paul
Plumb, Edward
Wolcott, Charles
Dubin, Joseph
Conlon, Jud
Musik ~ Music
Disney ~ Disney
Animation ~ Animation

#182
Care, Ross: Rear Window: The music of sound. In: Scarlet Street 2000. No. 37. [?D] pp. 60 ff.
Index:
Hitchcock, Alfred
Rear Window (1954)
Musik ~ Music

#183
Care, Ross: Record rack. In: Scarlet Street 1995. No. 19. [Summer] pp. 64-66.
Description:
On various editions of film music, among them Franz Waxman’s score for Alfred Hitchcock’s Rebecca.
Index:
Hitchcock, Alfred
Waxman, Franz
Rebecca (1940)
Musik ~ Music

#184
Care, Ross: Record rack. In: Scarlet Street 1996. No. 21. [Winter] pp. 74, 76-77.
Description:
On Bernhard Herrmann’s scores for North by Northwest and other Hitchcock films.
Index:
Hitchcock, Alfred
Herrmann, Bernard
North by Northwest (1959)
Musik ~ Music

#185
Carey, Melissa / Hannan, Michael: Ambient soundscapes in Blade Runner. In: Off the planet: Music, sound and science fiction cinema. Edited by Philip Hayward. - London: John Libbey / Bloomington, Indiana: Indiana University Press 2004. p. ?P.
Index:
Scott, Ridley
Blade Runner (1982)
Science Fiction ~ Science Fiction
Musik ~ Music

#186
Carroll, Noël: Lang, Pabst and sound. In: Ciné-Tracts 2. 1978. No. 1. [?D] pp. 15-23.
Description:
Discusses, among others, Fritz Lang’s M - Eine Stadt sucht einen Mörder.
Index:
Lang, Fritz
Pabst, Georg Wilhelm
M - Eine Stadt sucht einen Mörder (1931)
Musik ~ Music

#187
Carroll, Noël: Lang, Pabst and sound. In: Carroll, Noël: Interpreting the moving image. - Cambridge; Mew York: Cambridge University Press 1998. p. ?P.
Index:
Lang, Fritz
Pabst, Georg Wilhelm
Musik ~ Music
Expressionismus ~ Expressionism

#188
Cartmell, Deborah: Adaptation, sound and Shakespeare in the 1930s. In: Screening text: Critical perspectives on film adaptation. Edited by
Ariane Hudelet and Shannon Wells-Lassagne. - Jefferson, North Carolina: McFarland & Company 2013. p. 9-21.
Index:
Shakespeare, William
Musik ~ Music
Literatur ~ Literature

#189
The cartoon music book. Edited by Daniel Goldmark and Yuval Taylor. - Chicago, Illinois: A Cappella 2002.
Reviews:
Burlingame, John / Rich, Martin: [untitled] In: Variety 392. 2003. No. 2. [August 25] p. 100.
Hung, Eric: Reviews. In: The Journal of Film Music 1. 2003. No. 2/3. [Fall/Winter] pp. 293-295.
Index:
Musik ~ Music
Animation: Cartoons ~ Animation: Cartoons
Animation ~ Animation

#190
Casetti, Francesco: Tra l’opera d’arte totale e il mondo quotidiano. In: La Valle dell’Eden 1. 1999. No. 1. [?D] pp. 7-21.
Description:
Discusses, among others, Walter Ruttmann’s Berlin - Die Sinfonie der Großstadt.
Index:
Ruttmann, Walter
Berlin - Die Sinfonie der Großstadt (1927)
Musik ~ Music

#191
Cashill, Robert: Star Wars: A new sound. In: TCI: Theatre Crafts International 31. 1997. No. ?N. [May] Supplement. pp. a12-a15.
Description:
On the digital restored first three Star Wars films.
Index:
Lucas, George
Kershner, Irvin
Marquand, Richard
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Technik: Computer ~ Technology: Computer
Musik ~ Music

#192
Ceccarelli, Luigi: Eyes Wide Shut: Film, musica, struttura. In: Il doppio sogno di Stanley Kubrick: Traumnovelle / Eyes Wide Shut: Contributi per una lettura comparata. A cura di Luigi Cimmino, Daniele Dottorini e Giorgio Pangaro. - Milano: Il castoro 2007. pp. 217 ff.
Index:
Schnitzler, Arthur
Kubrick, Stanley
Eyes Wide Shut (1999)
Musik ~ Music
Traumnovelle (Literatur ~ Literature)

#193
Celluloid jukebox: Popular music and movies since the 50s. Edited by Jonathan Romney and Adrian Wootton. - London: British Film Institute Publishing 1995.
Description:
Discusses, among others, the work of Quentin Tarantino and Wim Wenders.
Index:
Tarantino, Quentin
Wenders, Wim
Musik ~ Music

#194
Champetier, S.: Bourges: Du cinéma expérimental. In: Image et Son 1982. No. 375. [?D] p. 128.
Description:
On experimental films at the Bourges Music Festival.
Index:
Bourges ~ Bourges
Musik ~ Music
Festival ~ Festival
Experimentalfilme ~ Experimental Films

#195
Chan, Crystal: How to write a film on a piano. In: Sight and Sound NS 24. 2014. No. 4. [April] pp. 52-53.
Description:
On avantgardistic music in the films of Norman McLaren.
Index:
McLaren, Norman
Musik ~ Music
Animation ~ Animation

#196
Changing tunes: The use of pre-existing music in film. Edited by Phil Powrie and Robynn Stilwell. - Aldershot; Burlington, Vermont: Ashgate 2006.
Description:
Includes a filmography and a bibliography.
Index:
Musik ~ Music

#197
Cheng, Hui Tung Eos: Singable translating: A viewer-oriented approach to Cantonese translation of Disney animated musicals. - Hong Kong: The Chinese University of Hong Kong, Ph.D. 2013. [Abstract in: Dissertation Abstracts International A 75. 2015. No. 7. [January] p. ?P.]
Index:
Musik ~ Music
Disney ~ Disney
Animation ~ Animation
China ~ China

#198
Cherchi Usai, Paolo: Kubrick, Ligeti, Bartok. In: Segnocinema 6. 1986. No. 25. [November] pp. 38-39.
Description:
On music in the films of Stanley Kubrick, especially in Shining.
Index:
Kubrick, Stanley
Ligeti, György
Bartók, Béla
Shining, The (1980)
Musik ~ Music

#199
Cherchi Usai, Paolo: Nosferatu, dal film all’orchestra. In: Segnocinema 5. 1985. No. 16. [January] pp. 62-63.
Description:
Interview with conductor Berndt Heller on the restoration of the orchestral score for the silent vampire classic.
Index:
Murnau, Friedrich Wilhelm
Heller, Berndt
Nosferatu - Eine Symphonie des Grauens (1922)
Vampire ~ Vampires
Stummfilm ~ Silent Film
Musik ~ Music

#200
Cherchi Usai, Paolo / Rausa, G.: La musica della paura nel cinema di Argento. In: Segnocinema 5. 1985. No. 17. [?D] pp. 44-45.
Description:
On the music for the films of Dario Argento.
Index:
Argento, Dario
Angst ~ Fear
Musik ~ Music

#201
Chin, Daryl: Pop pop pop (new) music. In: Performing Arts Journal 12. 1990. No. 2-3(35-36). [?D] pp. 138-139.
Description:
On the use of popular music in theatre and film. Discusses, among others, the scores for the David Lynch films.
Index:
Lynch, David
Theater ~ Theatre
Musik ~ Music

#202
Chion, Michel: Audio-Vision: Sound on screen. - New York: Columbia University Press 1994.
Reviews:
Prince, Stephen: [untitled] In: Film Quarterly 48. 1995. No. 4. [Summer] pp. 40-42.
Rosenbaum, Jonathan: [untitled] In: Cineaste 21. 1995. No. 1/2. [?D] pp. 94-95.
Description:
Discusses, among others, Irvin Kershner’s The Empire Strikes Back, George Lucas’s THX 1138, Bergman’s Persona and Coppola’s Apocalypse Now.
Index:
Bergman, Ingmar
Coppola, Francis Ford
Kershner, Irvin
Lucas, George
Persona (1966)
Apocalypse Now (1976-1979)
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
THX 1138 (1971)
Musik ~ Music

#203
Chion, Michel: Concert sous un ecran. In: Cahiers du Cinéma 1988. No. 404. [February] p. IX.
Description:
On the score for several silent films including Robert Wiene’s Das Cabinet des Dr. Caligari, Marcel L’Herbier’s L’Inhumaine and Carl Theodor Dreyer’s La Passion de Jean d’Arc.
Index:
Wiene, Robert
L’Herbier, Marcel
Dreyer, Carl Theodor
Cabinet des Dr. Caligari, Das (1919)
Inhumaine, L’ (1924)
Passion de Jean d’Arc, La (1928)
Stummfilm ~ Silent Film
Musik ~ Music

#204
Chion, Michel: The voice in cinema. Translated by Claudia Gorbman. - New York: Columbia University Press ?J (1999).
Reviews:
Matthews, Peter: [untitled] In: Sight and Sound NS 9. 1999. No. 8. [August] p. 32.
Description:
Discusses, among others, Carl Theodor Dreyer’s Ordet and John Carpenter’s The Fog.
Index:
Dreyer, Carl Theodor
Carpenter, John
Ordet (1954)
Fog, The / John Carpenter’s The Fog (1979)
Musik ~ Music

#205
Chion, Michel: Without music: On Caché. In: A companion to Michael Haneke. Edited by Roy Grundmann. - New York: Wiley 2010. pp. 161 ff.
Index:
Haneke, Michael
Caché (2005)
Musik ~ Music

#206
Chow, Lesley: The push / pull game: The dynamics of sound in Bertolucci’s Last Tango in Paris, The Last Emperor and The Sheltering Sky. In: Earogenous zones: Sound, sexuality and cinema. Edited by Bruce Johnson. - Oakville, Connecticut: Equinox 2010. (= Genre, music and sound.) p. ?P.
Index:
Bertolucci, Bernardo
ultimo tango a Parigi, L’ / dernier tango a Paris, Le (1972)
Last Emperor, The (1986/1987)
Sheltering Sky, The (1990)
Sexualität ~ Sexuality
Musik ~ Music

#207
Ciment, Gilles: Concerto cannibale pour violoncello et scie musicale. In: Positif 1991. No. 364. [?D] pp. 39-41.
Description:
On Delicatessen by Jean-Pierre Jeunet and Marc Caro.
Index:
Caro, Marc
Jeunet, Jean-Pierre
Delicatessen (1990)
Kannibalismus ~ Cannibalism
Musik ~ Music

#208
Ciment, Michel / Masson, Alain / Ruchti, I.: Hermès et Dalila. In: Positif 1988. No. 332. [October] pp. 24-34.
Description:
On Peter Greenaway’s Drowning by Numbers plus interviews with the director and the composer Michael Nyman.
Index:
Greenaway, Peter
Nyman, Michael
Drowning by Numbers (1988)
Musik ~ Music

#209
Cipolloni, Marco: "Como un pequeño ciclón": La lunga corsa di Speedy Gonzales, tra connotazione linguistica, musica e pubblicità. In: Dubbing cartoonia: Mediazione interculturale e funzione didattica nel processo di traduzione dei cartoni animati. A cura di Gian Luigi De Rosa. - Casoria, Napoli: Loffredo University Press 2010. (= Margens: Oltre la traduzione 1.) pp. 29 ff.
Index:
Musik ~ Music
Animation ~ Animation
Animation: Cartoons ~ Animation: Cartoons

#210
Clanton Jr., Dan W.: Daring, disreputable, and devout: Interpreting the Hebrew Bible’s women in the arts and music. - London; New York: T & T Clark 2009.
Index:
Religion ~ Religion
Musik ~ Music
Frauen ~ Women
Religion: Juden ~ Religion: Jews

#211
Clanton Jr., Dan W.: If I perish, I perish: Esther in film. In: Clanton Jr., Dan W.: Daring, disreputable, and devout: Interpreting the Hebrew Bible’s women in the arts and music. - London; New York: T & T Clark 2009. p. ?P.
Index:
Religion ~ Religion
Musik ~ Music
Frauen ~ Women
Religion: Juden ~ Religion: Jews

#212
Clanton Jr., Dan W.: Judy in disguise: D. W. Griffith’s Judith of Bethulia. In: Clanton Jr., Dan W.: Daring, disreputable, and devout: Interpreting the Hebrew Bible’s women in the arts and music. - London; New York: T & T Clark 2009. p. ?P.
Index:
Griffith, David Wark
Judith of Bethulia (1914)
Musik ~ Music
Frauen ~ Women
Religion: Juden ~ Religion: Jews

#213
Claydon, E. Anna: Bonded to the series: Musical style, performance and the 007 theme song. In: The Soundtrack 7. 2014. No. 2. [October] pp. 105-118.
Index:
James Bond (Filmreihe)
Musik ~ Music
James Bond ~ James Bond

#214
Clem, David: Music, magic, and the intermedial gap; or How music aids the adaptation process in the Harry Potter films. In: Harry Potter intermedial: Untersuchungen zu den (Film-)Welten und Joanne K. Rowling. Hrsg. von Tobias Kurwinkel, Philipp Schmerheim und Annika Kurwinkel unter Mitarbeit von Alina Gierke. - Würzburg: Königshausen & Neumann 2014. (= Kinder- und Jugendliteratur intermedial 2.) p. 41 ff.
Index:
Rowling, J[oanne] K.
Harry Potter (Filmreihe)
Musik ~ Music
Magie ~ Magic
Harry Potter ~ Harry Potter
Harry Potter (Literatur ~ Literature)

#215
Cliff, Paul: Movie trax. In: Film Monthly 3. 1991. No. ?N. [April]. p. 27.
Description:
On soundtracks from American horror films.
Index:
USA (United States of America) ~ USA (United States of America)
Musik ~ Music
Horror ~ Horror

#216
Clifton, Kevin: Musical spirals: Eyes Wide Shut? Ears wide open. In: Earogenous zones: Sound, sexuality and cinema. Edited by Bruce Johnson. - Oakville, Connecticut: Equinox 2010. (= Genre, music and sound.) p. ?P.
Index:
Kubrick, Stanley
Eyes Wide Shut (1999)
Sexualität ~ Sexuality
Musik ~ Music

#217
Clifton, Kevin: Unravelling music in Hitchcock’s Rope. In: Horror Studies 4. 2013. No. 1. [June] pp. 63-74.
Index:
Hitchcock, Alfred
Rope, The (1948)
Musik ~ Music
Horror ~ Horror

#218
Close Encounters of the Third Kind: Original film soundtrack recording. In: High Fidelity and Musical America 28. 1978. No. ?N. [June] pp. 111-13.
Index:
Spielberg, Steven
Close Encounters of the Third Kind (1977)
Musik ~ Music

#219
Close Reading: Fünf Beiträge zu Peter Weirs The Truman Show (USA 1998). In: Kieler Beiträge zur Filmmusikforschung 2010. No. 4. [May] pp. 80 ff.
Index:
Weir, Peter
Truman Show, The (1998)
Musik ~ Music

#220
Cloutier, Mario / Ménard, Guy: Festival int du nouveau cinéma et de la vidéo. In: Ciné-Bulles 13. 1994. No. 2. [Spring] pp. 5-14.
Description:
On films dealing with music at the 1993 Montreal Festival. Discusses, among others, John Greyson’s Zero Patience and Jean-Luc Godard’s Hélas pour moi.
Index:
Greyson, John
Godard, Jean-Luc
Zero Patience (1993)
Hélas pour moi (1993)
Musik ~ Music
Montreal ~ Montreal
Festival ~ Festival

#221
Coates, Paul: The evidence of things not seen: Sound and the neighbour in Kieslowski, Haneke, Martel. In: Religion in contemporary European cinema: The postsecular constellation. Edited by Camil Ungureanu and Costica Bradatan. - New York: Routledge 2014. (= Routledge studies in religion and film 3.) p. ?P.
Index:
Kieslowski, Krzysztof
Haneke, Michael
Musik ~ Music
Europa ~ Europe
Religion ~ Religion

#222
Code, David J.: Rehearing The Shining: Musical undercurrents in the Overlook Hotel. In: Music in the horror film: Listening to fear. Edited by Neil Lerner. - New York: Routledge 2010. (= Routledge music and screen media.) p. ?P.
Index:
Kubrick, Stanley
Shining, The (1980)
Angst ~ Fear
Horror ~ Horror
Musik ~ Music

#223
Collins, Karen: I’ll be back: Recurrent sonic motifs in James Cameron’s Terminator films. In: Off the planet: Music, sound and science fiction cinema. Edited by Philip Hayward. - London: John Libbey / Bloomington, Indiana: Indiana University Press 2004. p. ?P.
Index:
Cameron, James
Terminator (Filmreihe)
Science Fiction ~ Science Fiction
Musik ~ Music

#224
Collins, Karen: Like razors through flesh: Hellraiser’s sound design and music. In: Terror tracks: Music, sound and horror cinema. Edited by Philip Hayward. - Oakville, Connecticut: Equinox 2009. (= Genre, Music and Sound.) p. ?P.
Index:
Hellraiser (Filmreihe)
Horror ~ Horror
Musik ~ Music

#225
Colton, Lisa: Medievalism, music, and agency in The Wicker Man (1973). In: Recomposing the past: Representations of early music on stage and screen. Edited by James Cook, Alexander Kolassa, and Adam Whittaker. - Abingdon, Oxon; New York: Routledge 2018. (= Ashgate screen music.) p. ?P.
Index:
Hardy, Robin
Wicker Man, The (1973)
Geschichte: Mittelalter ~ History: Middle Ages
Musik ~ Music

#226
Comer, Brooke: New York’s Sync Sound makes Beavis and Butt-head laugh. In: American Cinematographer 75. 1994. No. 9. [September] pp. 95-96.
Description:
On the making of the MTV animation clips with the Beavis and Butt-Head figures.
Index:
Beavis and Butt-Head (Filmreihe)
Animation ~ Animation
Musik ~ Music
Sync Sound [Firma] ~ Sync Sound [Company]
Animation: Comics ~ Animation: Comics
Humor ~ Humor
MTV ~ MTV
Beavis and Butt-Head ~ Beavis and Butt-Head
New York ~ New York

#227
A composer at work: Notebooks on The Secret Joy of Falling Angels. In: Animating the unconscious: Desire, sexuality and animation. Edited by Jayne Pilling. - London; New York: Wallflower Press 2012. p. ?P.
Index:
Pummell, Simon
Pangborn, Annabelle
Secret Joy of Falling Angels (1991)
Musik ~ Music
Sexualität ~ Sexuality
Animation ~ Animation

#228
Comuzio, Ermanno: Eventi musicali. In: Cineforum 39. 1999. No. ?N(381). [January] pp. 11-13.
Description:
On the importance of music for the 1990s animated film.
Index:
Musik ~ Music
Animation ~ Animation

#229
Comuzio, Ermanno: Il teatro lirico scatola dei prodigi: Il fantasma
(mutante) dell’opera. In: Cineforum 45. 2005. No. ?N(441). [January/February] pp. 46-49.
Description:
On the filmings of Gaston Leroux’s Le Fantôme de l’opera, especially on Joel Schumacher’s 2004 version.
Index:
Leroux, Gaston
Schumacher, Joel
Phantom of the Opera, The (2004)
Phantom of the Opera (Filmreihe)
Musik ~ Music
Monster ~ Monster
Fantôme de l’opera, Le (Literatur ~ Literature)

#230
Comuzio, Ermanno: Quella musica da vertigine. In: Cineforum 37. 1997. No. ?N(365). [June] pp. 7-9.
Index:
Hitchcock, Alfred
Vertigo (1958)
Musik ~ Music

#231
Comuzio, Ermanno: Rapsodia satanica (1915) e la musica di Mascagni. In: Cineforum 27. 1987. No. ?N(261). [January/February] pp. 7-12.
Index:
Oxilia, Nino
Mascagni, Pietro
Rapsodia satánica (1915)
Musik ~ Music

#232
Conrich, Ian: Before sound: Universal, silent cinema and the last of the horror-spectaculars. In: The horror film. Edited and with an introduction by Stephen Prince. - New Brunswick, New Jersey: Rutgers University Press 2004. (= Rutgers depth of field.) p. ?P.
Index:
Universal [Firma] ~ Universal [Company]
Stummfilm ~ Silent Film
Musik ~ Music
Horror ~ Horror

#233
A conversation with Jerry Goldsmith, 1977. In: The Hollywood film music reader. Edited by Mervyn Cooke. - Oxford; New York: Oxford University Press 2010. p. ?P.
Index:
Goldsmith, Jerry
Musik ~ Music
Hollywood ~ Hollywood

#234
Conway, Ronald: The gurus of sound and light: Science fiction films. In: Quadrant 30. 1986. No. 4(221). [April] p. 38.
Index:
Science Fiction ~ Science Fiction
Musik ~ Music

#235
Cook, James / Kolassa, Alexander / Whittaker, Adam: Music in fantasy pasts: Neomedievalism and Game of Thrones. In: Recomposing the past: Representations of early music on stage and screen. Edited by James Cook, Alexander Kolassa, and Adam Whittaker. - Abingdon, Oxon; New York: Routledge 2018. (= Ashgate screen music.) p. ?P.
Index:
Game of Thrones (TV)
Geschichte: Mittelalter ~ History: Middle Ages
Fantasy ~ Fantasy
Musik ~ Music

#236
Cook, Malcolm: A primitivism of the senses: The role of music in Len Lye’s experimental animation. In: The music and sound of experimental film. Edited by Holly Rogers and Jeremy Barham. - New York: Oxford University Press 2017. p. ?P.
Index:
Lye, Len
Animation ~ Animation
Musik ~ Music
Experimentalfilme ~ Experimental Films

#237
Cook, Malcolm: The lightning cartoon: Animation from music hall to cinema. In: Early Popular Visual Culture 11. 2013. No. 3. [August] pp. 237-254.
Description:
Discusses, among others, the work of J. Stuart Blackton and Winsor McCay in the USA, George Méliès in France, and Walter Booth in the UK.
Index:
Blackton, J. Stuart
McCay, Winsor
Méliès, Georges
Booth, Walter R.
USA (United States of America) ~ USA (United States of America)
Musik ~ Music
Frankreich ~ France
Animation: Cartoons ~ Animation: Cartoons
Animation ~ Animation

#238
Cook, Page: The sound track. In: Films in Review 31. 1980. No. 3. [March] pp. 163-165.
Description:
On Jerry Goldsmith’s score for Robert Wise’s Star Trek - The Motion Picture.
Index:
Wise, Robert
Goldsmith, Jerry
Star Trek - The Motion Picture (1979)
Musik ~ Music

#239
Cook, Page: The sound track. In: Films in Review 28. 1977. No. ?N. [August/September] pp. 422 ff.
Index:
Lucas, George
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Musik ~ Music

#240
Cook, Page: The sound track. In: Films in Review 36. 1985. No. 6/7. [June/July] pp. 378-381.
Description:
Discusses, among others, Alex North’s score for Stanley Kubrick’s Spartacus.
Index:
Kubrick, Stanley
North, Alex
Spartacus (1959/1960)
Musik ~ Music

#241
Cooper, B. Lee: Terror translated into comedy: The popular music metamorphosis of film and television horror, 1956-1991. In: Journal of American Culture 20. 1997. No. 3. [Fall] pp. 31-42.
Index:
Musik ~ Music
Humor ~ Humor
Horror ~ Horror
Fernsehen ~ Television

#242
Cooper, David: Film form and musical form in Bernard Herrmann’s score to Vertigo. In: The Journal of Film Music 1. 2003. No. 2/3. [Fall/Winter] pp. 239-248.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Vertigo (1958)
Musik ~ Music

#243
Copenhafer, David: Mourning and music in Blue Velvet. In: Camera Obscura 2008. No. 69. [?D] pp. 136-157.
Index:
Lynch, David
Blue Velvet (1986)
Musik ~ Music

#244
Cornell, J.: Rocky Horror glam rock. In: Reading Rocky Horror: The Rocky Horror Picture show and popular culture. Edited by Jeffrey Andrew Weinstock. - New York: Palgrave Macmillan 2008. p. ?P.
Index:
Sharman, Jim
Rocky Horror Picture Show, The (1974)
Musik ~ Music

#245
Corra, Bruno: Musica cromatica. In: Utopia e cinema: Cento anni di sogni, progetti e paradossi: Mostra Internazionale del Nuovo Cinema. A cura di Andrea Martini. - Venezia: Marsilio 1994. (= Nuovocinema / Pesaro 46.) pp. 65-72.
Description:
Text by the Italian futurist from the year 1912.
Index:
Corradini, Bruno Gianni [Pseudonym: Corra, Bruno]
Utopie ~ Utopia
Traum ~ Dreams
Futurismus ~ Futurism
Italien ~ Italy
Musik ~ Music

#246
Corradini, Bruno Ginnani: Chromatic Music. In: Animation Journal 4. 1996. No. 2. [Spring] pp. 78-84.
Description:
Reprint of an text by the Italian futurist from the year 1912.
Index:
Corradini, Bruno Gianni [Pseudonym: Corra, Bruno]
Animation ~ Animation
Traum ~ Dreams
Futurismus ~ Futurism
Italien ~ Italy
Musik ~ Music

#247
Costa De Beauregard, Raphaelle: Résonances musicales et labyrinthes sonores: Étude de l’intertextualité musicale dans The Dead / Les morts (Joyce, 1914 et Huston, 1987). In: Anglophonia 2002. No. 11. [?D] pp. 209-218.
Index:
Huston, John
Joyce, James
Dead, The (1987)
Labyrinth ~ Labyrinth
Musik ~ Music

#248
Costello, A. J.: Innovation yielding to convention: Music’s role in establishing Eon’s James Bond formula. - Liverpool: University of Liverpool, M.Phil. 2008. [Abstract in: Index to Theses with Abstracts 58-13953.]
Index:
James Bond (Filmreihe)
Musik ~ Music
James Bond ~ James Bond

#249
Cote, Paul: Sonic movie memories: Sound, childhood, and American cinema. - College Park, Maryland: University of Maryland, College Park, Ph.D. 2016. [Abstract in: Dissertation Abstracts International A 77. 2016. No. 10. [?D].]
Description:
Discusses, among others, the incorporation of Disney music in Steven Spielberg’s Close Encounters of the Third Kind.
Index:
Spielberg, Steven
Close Encounters of the Third Kind (1977)
USA (United States of America) ~ USA (United States of America)
Musik ~ Music
Jugend ~ Youth
Disney ~ Disney

#250
Coulthard, Lisa: Affect, intensities, and empathy: Sound and contemporary screen violence. In: The Routledge companion to screen music and sound. Edited by Miguel Mera, Ronald Sadoff, and Ben Winters. - New York; London: Routledge 2017. (= Routledge companions.) p. ?P.
Index:
Gewalt ~ Violence
Musik ~ Music

#251
Coulthard, Lisa: The attractions of repetition: Tarantino’s sonic style. In: Music, sound and filmmakers: Sonic style in cinema. Edited by James Wierzbicki. - New York; Abingdon, Oxon: Routledge 2012. p. ?P.
Index:
Tarantino, Quentin
Musik ~ Music

#252
Coyle, Rebecca / Fitzgerald, Jon: Disney does Broadway: Musical storytelling in The Little Mermaid and The Lion King. In: Drawn to sound: Animation film music and sonicity. Edited by Rebecca Coyle. - Oakville, Connecticut: Equinox 2010. (= Genre, music and sound.) p. ?P.
Index:
Clements, Ron
Musker, John
Allers, Roger
Minkoff, Rob
Little Mermaid, The (1989)
Lion King, The (1994)
Disney ~ Disney
Broadway ~ Broadway
Animation ~ Animation
Musik ~ Music

#253
Coyle, Rebecca / Fitzgerald, Jon / Hayward, Philip: Subtle idiosyncracy: Sound and music in the Australian animated short film The Lost Thing (2010). In: Film music in "minor" national cinemas. Edited by Germán Gil-Curiel. - New York; London: Bloomsbury Academic 2016. (= Topics and issues in national cinema 4.) p. ?P.
Index:
Ruhemann, Andrew
Tan, Shaun
Lost Thing, The (2010)
Australien ~ Australia
Animation ~ Animation
Musik ~ Music

#254
Coyle, Rebecca / Hayward, Philip: Texas chainsaws: Audio effect and iconicity. In: Terror tracks: Music, sound and horror cinema. Edited by Philip Hayward. - Oakville, Connecticut: Equinox 2009. (= Genre, Music and Sound.) p. ?P.
Index:
Texas Chainsaw Massacre (Filmreihe)
Texas ~ Texas
Technik: Spezialeffekte ~ Technology: Special Effects
Horror ~ Horror
Musik ~ Music

#255
Coyle, Rebecca: Hearing screen animation. In: Metro 2009. No. 161. [June] pp. 158-162.
Description:
On the sound for animated film in Australia.
Index:
Musik ~ Music
Australien ~ Australia
Animation ~ Animation

#256
Coyle, Rebecca / Mesker, Alex: Time warp: Sonic retro-futurism in The Jetsons. In: Music in science fiction television: Tuned to the future. Edited by K. J. Donnelly and Philip Hayward. - New York: Routledge 2013. (= Routledge music and screen media.) p. ?P.
Index:
Jetsons, The (TV)
Futurismus ~ Futurism
Fernsehen ~ Television
Science Fiction ~ Science Fiction
Musik ~ Music

#257
Coyle, Rebecca / Morris, Peter: Dreamworking Wallace & Gromit: Creating the music track for The Curse of the Were-Rabbit. In: Drawn to sound: Animation film music and sonicity. Edited by Rebecca Coyle. - Oakville, Connecticut: Equinox 2010. (= Genre, music and sound.) p. ?P.
Index:
Park, Nick
Wallace & Gromit: The Curse of the Were-Rabbit (2005)
Animation ~ Animation
Musik ~ Music

#258
Coyle, Rebecca: Point of audition: Sound and music in Cloverfield. In: Science Fiction Film and Television 3. 2010. No. 2. [Autumn] pp. 217-237.
Index:
Reeves, Matt
Cloverfield (2008)
Musik ~ Music

#259
Coyle, Rebecca: Sound and music in the Mad Max trilogy. In: Off the planet: Music, sound and science fiction cinema. Edited by Philip Hayward. - London: John Libbey / Bloomington, Indiana: Indiana University Press 2004. p. ?P.
Index:
Miller, George
Mad Max (Filmreihe)
Science Fiction ~ Science Fiction
Musik ~ Music

#260
Coyle, Rebecca: Spooked by sound: The Blair Witch Project. In: Terror tracks: Music, sound and horror cinema. Edited by Philip Hayward. - Oakville, Connecticut: Equinox 2009. (= Genre, Music and Sound.) p. ?P.
Index:
Blair Witch (Filmreihe)
Horror ~ Horror
Musik ~ Music

#261
Cranny-Francis, Anne: Why the cybermen stomp: Sound in the new Doctor Who. In: Mosaic 42. 2009. No. 2. [June] pp. 119-134.
Description:
On the sound in two episodes of the TV series: Rise of the Cybermen and Age of Steel.
Index:
Doctor Who (TV)
Musik ~ Music
Fernsehen ~ Television
Cyberspace ~ Cyberspace

#262
Crime Time: Alfred-Hitchcock-Musiknacht in Bonn: Filmmusik-Klassiker von Psycho bis Vertigo und Filmkonzert Der Mieter. In: F.LM - Texte zum Film. Online edition, October 2008.
Index:
Hitchcock, Alfred
Polanski, Roman
Psycho (1960)
Vertigo (1958)
Locataire, Le / Tenant, The (1976)
Musik ~ Music
Kriminalität ~ Crime
Bonn ~ Bonn

#263
Cubitt, Sean: The sound of sunlight. In: Screen 51. 2010. No. 2. [June] pp. 118-128.
Description:
On sunlight and the desert in film. Discusses especially Richard Boleslawski’s The Garden of Allah, David Lean’s Lawrence of Arabia, and Ridley Scott’s Kingdom of Heaven.
Index:
Boleslawski, Richard
Lean, David
Scott, Ridley
Garden of Allah, The (1936)
Lawrence of Arabia (1962)
Kingdom of Heaven (2005)
Wüste ~ Desert
Musik ~ Music

#264
Cueto, Roberto / Padrol, Joan: James Bernard / Los otros musicos. In: Dirigido 2004. No. 335. [June] pp. 60-61.
Description:
On the composer and his work for Hammer horror films.
Index:
Bernard, James
Musik ~ Music
Horror ~ Horror
Hammer [Firma] ~ Hammer [Company]

#265
Curtis, Scott: The sound of early Warner Bros. cartoon. In: Sound theory / sound practise. Edited by Rick Altman. - New York; London: Routledge 1992. pp. 191-203.
Index:
Musik ~ Music
Animation: Cartoons ~ Animation: Cartoons
Warner Bros. ~ Warner Bros.
Animation ~ Animation

#266
Cuthbert, Pamela: A night at the opera. In: Take One 6. 1997. No. 16. [?D] pp. 26-29.
Description:
Interview with Canadian animator Richard Condie on his computer generated opera film La Salla.
Index:
Condie, Richard
Salla, La (1996)
Technik: Computer ~ Technology: Computer
Musik ~ Music
Kanada ~ Canada
Animation ~ Animation

#267
Cutler, Aaron: The music of light. In: Sight and Sound NS 24. 2014. No. 2. [February] pp. 56-57.
Description:
On Brazilian director Júlio Bressane.
Index:
Bressane, Julio
Musik ~ Music
Brasilien ~ Brazil

#268
Cyrino, Monica S.: Magic, music, race: Screening "Black enchantment" after Black Orpheus (1959). In: Classical myth on screen. Edited by Monica S. Cyrino and Meredith E. Safran. - New York: Palgrave Macmillan 2015. p. ?P.
Index:
Camus, Marcel
Orfeu Negro (1959)
Musik ~ Music
Magie ~ Magic
Ethnie ~ Ethnicity
Mythologie ~ Mythology

#269
Dahl, Ingolf: Notes on cartoon music, 1949. In: The Hollywood film music reader. Edited by Mervyn Cooke. - Oxford; New York: Oxford University Press 2010. p. ?P.
Index:
Dahl, Ingolf
Animation: Cartoons ~ Animation: Cartoons
Musik ~ Music
Hollywood ~ Hollywood

#270
Dahm, Klaus: Filmmusik vom Wunderkind: Erich Wolfgang Korngold (1897-1957). In: Cinema [Hamburg] 1991. No. 12(163). [?D] p. 24.
Index:
Korngold, Erich Wolfgang
Musik ~ Music

#271
Dalton, Dirk: Synthesized sound effects for Star Trek - The Motion Picture. In: American Cinematographer 61. 1990. No. ?N. [February] pp. 160 ff.
Index:
Wise, Robert
Star Trek - The Motion Picture (1979)
Technik: Spezialeffekte ~ Technology: Special Effects
Musik ~ Music

#272
Daniel-richard, Debra: The dance of suspense: Sound and silence in North by Northwest. In: Journal of Film and Video 62. 2010. No. 3. [Fall] pp. 53-60.
Index:
Hitchcock, Alfred
North by Northwest (1959)
Tanz ~ Dance
Thriller ~ Thriller
Musik ~ Music

#273
Daniels, Dieter: Absolute sounding images: Abstract film and radio drama of the 1920s as complementary forms of a media-specific art. In: The music and sound of experimental film. Edited by Holly Rogers and Jeremy Barham. - New York: Oxford University Press 2017. p. ?P.
Index:
Musik ~ Music
Experimentalfilme ~ Experimental Films

#274
Darabont, Frank: Sound off: the final word on The Phantom Menace. In: Creative Screenwriting 7. 2000. No. 4. [?D] p. 4.
Index:
Lucas, George
Star Wars Episode I - The Phantom Menace (1999)
Musik ~ Music

#275
David Lynch - Dark splendor: Space images sound. A publication of Max-Ernst-Museum Brühl des LVR in collaboration with Fondation Cartier pour l’Art Contemporain. In conjunction with the Exhibition David Lynch - Dark Splendor. Space Images Sound, Max-Ernst-Museum Brühl of the LVR, November 22, 2009 - April 18, 2010. Edited by Werner Spies. With essays by Dietmar Dath [et al.]. - Ostfildern: Hatje Cantz 2010.
Index:
Lynch, David
Musik ~ Music

#276
Davies, Sam: Dark night of the pole. In: Sight and Sound NS 26. 2016. No. 2. [February] pp. 56-57.
Description:
On David Lynch’s collaboration with composer Marek Zebrowski.
Index:
Zebrowski, Marek
Lynch, David
Nacht ~ Night
Musik ~ Music

#277
Davis, Bob: Composing with color. In: American Cinematographer 83. 2002. No. 2. [February] pp. 30-35.
Description:
On Tsai Ming-Liang’s Ni neibian jidian.
Index:
Tsai Ming-Liang
Ni neibian jidian (2001)
Musik ~ Music

#278
Davis, Susan Shibe: Creative composing: The verbal art of Rita Dove, the visual art of Stephen Davis and the filmic art of Stanley Brakhage. - Tempe, Arizona: Arizona State University, Ph.D 1994. [Abstract in: Dissertation Abstracts International A 55. 1994. No. 3. (September) p. 547A].
Index:
Brakhage, Stan
Dove, Rita
Davis, Stephen
Musik ~ Music

#279
Davison, Annette: Demystified, remystified, and seduced by sirens: Listening to David Lynch’s films. In: Essays on sound and vision. Edited by John Richardson and Stan Hawkins. - Helsinki: Yliopistopaino / University of Helsinki Press 2009. p. ?P.
Index:
Lynch, David
Verführung ~ Seduction
Religion: Mystik ~ Religion: Mysticism
Musik ~ Music

#280
Dawes, S.: Interview: Bruce Broughton. In: Cue Sheet 5. 1988. No. 3. [July] pp. 86-94.
Description:
The composer on his work, especially on the score for Barry Levinson’s Young Sherlock Holmes.
Index:
Levinson, Barry
Broughton, Bruce
Young Sherlock Holmes (1985)
Musik ~ Music

#281
Dawn Goldsmith, Melissa Ursula / Fonseca, Anthony J. / Willson, Paige S.: Alienation, essentialism, and existentialism through technique: An analysis of set design, lighting, costume, and music in Dracula’s Daughter and Nadja. In: Dracula’s daughters: The female vampire on film. Edited by Douglas Brode and Leah Deyneka. - Lanham, Maryland: Scarecrow Press 2014. p. ?P.
Index:
Hillyer, Lambert
Almereyda, Michael
Dracula’s Daughter (1936)
Nadja / Vampire Girl (1994)
Technik ~ Technology
Musik ~ Music
Existentialismus ~ Existentialism
Vampire ~ Vampires
Frauen ~ Women

#282
Dayal, Geeta: The world is full of noise. In: Sight and Sound NS 25. 2015. No. 2. [February] pp. 58-59.
Description:
On Louis and Bebe Barron’s "electronic tonalities" for Fred McLeod Wilcox’s Forbidden Planet.
Index:
Wilcox, Fred McLeod
Barron, Louis
Barron, Bebe
Forbidden Planet (1956)
Musik ~ Music

#283
de Kock, Ivo: De eerste geluidsfilms van Hitch. In: Film en Televisie 1999. No. 489. [February] pp. 26-27.
Description:
On Alfred Hitchcock’s early sound films, especially on Murder.
Index:
Hitchcock, Alfred
Murder (1930)
Musik ~ Music

#284
De Plano, Daniele: Le funzioni della musica in Psycho. In: CineCritica 1. 1996. No. 4. [?D] pp. 69-77.
Index:
Hitchcock, Alfred
Psycho (1960)
Musik ~ Music

#285
De Rentiis, Dina: Believing and laughing - Medievalism as critique of idealism and of ideology in Robert Bresson’s Lancelot du Lac and Monty Python and the Holy Grail. In: Healers and redeemers: The reception and transformation of their medieval and late antique representations in literature, film and music. Edited by Dina De Rentiis and Christoph Houswitschka. - Trier: Wissenschaftlicher Verlag Trier 2010. pp. 133 ff.
Index:
Bresson, Robert
Gilliam, Terry
Jones, Terry
Lancelot du Lac (1973)
Monty Python and the Holy Grail (1975)
Politik ~ Politics
Musik ~ Music
Literatur ~ Literature
Humor ~ Humor
Geschichte: Mittelalter ~ History: Middle Ages
Religion ~ Religion

#286
Deaville, James: The beauty of horror: Kilar, Coppola, and Dracula. In: Music in the horror film: Listening to fear. Edited by Neil Lerner. - New York: Routledge 2010. (= Routledge music and screen media.) p. ?P.
Index:
Kilar, Wojciech
Coppola, Francis Ford
Bram Stoker’s Dracula (1992)
Angst ~ Fear
Horror ~ Horror
Musik ~ Music

#287
Deaville, James: The topos of "evil medieval" in American horror film music. In: Music, meaning and media. Edited by Erkki Pekkilä, David Neumeyer and Richard Littlefield. - Imatra: International Semiotics Institute / Helsinki: Semiotic Society of Finland / Helsinki: University of Helsinki 2006. p. ?P.
Index:
USA (United States of America) ~ USA (United States of America)
Musik ~ Music
Horror ~ Horror
Geschichte: Mittelalter ~ History: Middle Ages
Böse, Das ~ Evil, The

#288
Dechert, S. Renee: "My boyfriend’s in the band!" Buffy and the rhetoric of music. In: Fighting the forces: What’s at stake in Buffy the Vampire Slayer? Edited by Rhonda V. Wilcox and David Lavery. - Lanham, Maryland; Oxford: Rowman & Littlefield 2002. pp. 218-226.
Index:
Buffy the Vampire Slayer (TV)
Musik ~ Music
Fernsehen ~ Television

#289
Decobert, Lydie: La corde musicale d’Alfred Hitchcock. - Paris: L’Harmattan 2015. (= Coll. Cinéma(s).)
Index:
Hitchcock, Alfred
Musik ~ Music

#290
Deguchi, Tomoko: Gaze from the Heavens, ghost from the past: Symbolic meanings in Toru Takemitsu’s music for Akira Kurosawa’s film, Ran (1985). In: The Journal of Film Music 3. 2010. No. 1. [Winter] pp. 51-64.
Index:
Kurosawa, Akira
Takemitsu, Toro
Ran (1985)
Musik ~ Music
Geister ~ Ghosts

#291
Derichs, Lothar: Eher sperrig: Die Musik zu Rache der Sith. In: EPD Film 22. 2005. No. 10. [October] p. 60.
Index:
Lucas, George
Star Wars Episode III - Revenge of the Sith (2005)
Musik ~ Music

#292
Derichs, Lothar: Er schuf den legendären sexy Bond-Sound. In: EPD Film 20. 2003. No. 7. [July] p. 56.
Description:
On the composer John Barry.
Index:
Barry, John
Sexualität ~ Sexuality
Musik ~ Music
James Bond ~ James Bond

#293
Derichs, Lothar: Howard Shores Musik zu The Lord of the Rings. In: EPD Film 19. 2002. No. 2. [February] p. 12.
Index:
Jackson, Peter
Shore, Howard
Lord of the Rings, The: The Fellowship of the Ring (2001)
Musik ~ Music

#294
Derichs, Lothar: Leidenschaft und Detailversessenheit: Die Vermarktung der Herr-der-Ringe-Musik. In: EPD Film 21. 2004. No. 2. [February] p. 56.
Index:
Jackson, Peter
Lord of the Rings (Filmreihe)
Musik ~ Music

#295
Deslandes, Jeanne: Dune psychanalyse de la musique au cinéma. In: Cinémas 6. 1996. No. 2/3. [Spring] pp. 189-197.
Description:
On the psychological meaning of film music.
Index:
Psychologie ~ Psychology
Musik ~ Music

#296
Deutsch, Didier C.: Monstrous movie music. In: Soundtrack: The Collector’s Quarterly 15. 1997. No. 61. [March] p. 18.
Description:
On music for horror and science fiction films of the 1950s.
Index:
Science Fiction ~ Science Fiction
Musik ~ Music
Horror ~ Horror

#297
Deutsch, Reinhard / Klell, Christine: Dracula - Mythen und Wahrheiten: Ein Handbuch der Vampire. - Wien; Graz; Klagenfurt: Styria 2010. (= Styria Premium.)
Description:
On the vampire motif in literature, film, comic, theatre, music, the arts and religion.
Index:
Vampire ~ Vampires
Theater ~ Theatre
Religion ~ Religion
Mythologie ~ Mythology
Musik ~ Music
Literatur ~ Literature
Animation: Comics ~ Animation: Comics

#298
DeWolfe, Stacey: The affective correspondence of sado-masochism and sound in Lars von Trier’s Breaking the Waves and Dancer in the Dark. - Montréal, Québec: Concordia University, M.A. 2008. [Abstract in: Masters Abstracts International 47. 2009. No. 1. [February] p. ?P.]
Index:
von Trier, Lars
Breaking the Waves (1996)
Dancer in the Dark (2000)
Sexualität: Sadomasochismus ~ Sexuality: Sadomasochism
Musik ~ Music

#299
Dialog 3: Gespräch mit Hans Jürgen Syberberg. In: Wagner-Kino: Spuren und Wirkungen Richard Wagners in der Filmkunst. Hrsg. von Jan Drehmel. - Hamburg: Junius 2013. pp. 120 ff.
Index:
Wagner, Richard
Syberberg, Hans Jürgen
Parsifal (1982)
Kunst ~ Arts, The
Musik ~ Music

#300
Dialogue on film: Alan Silvestri. In: American Film 16. 1991. No. 8. [August] pp. 14-17.
Description:
On the composer’s work for John McTiernan’s Predator, Robert Zemeckis’s Who Framed Roger Rabbit as well as James Cameron’s Abyss and Romancing the Stone.
Index:
Silvestri, Alan
Cameron, James
McTiernan, John
Zemeckis, Robert
Predator (1987)
Who Framed Roger Rabbit (1988)
Abyss, The (1989)
Romancing the Stone (1984)
Musik ~ Music

#301
Dibble, Terry: Noise and music, doctor and police: Kurosawa and interpretation. In: Cinefocus 1. 1990. No. 2. [?D] pp. 19-26.
Description:
On Kurosawa’s Ikimono.
Index:
Kurosawa, Akira
Ikimono no kiroku (1955)
Krankheit ~ Illness
Polizei ~ Police
Musik ~ Music

#302
Dickinson, Kay: Troubling synthesis: The horrific sights and incompatible sounds of video nasties. In: Sleaze artists: Cinema at the margins of taste, style, and politics. Edited by Jeffrey Sconce. - Durham, North Carolina: Duke University Press 2007. p. ?P.
Index:
Video ~ Video
Musik ~ Music
Trash ~ Trash

#303
Dienstfrey, Eric: The myth of the speakers: A critical reexamination of Dolby history. In: Film History 28. 2016. No. 1. [January] pp. 167-193.
Description:
Discusses, among others, the sound effects for Francis Ford Coppola’s Apocalypse Now.
Index:
Coppola, Francis Ford
Apocalypse Now (1976-1979)
Technik: Spezialeffekte ~ Technology: Special Effects
Mythologie ~ Mythology
Musik ~ Music

#304
Digioia, Amanda: A cry in the dark: The howls of wolves in horror and heavy metal music. In: Horror Studies 7. 2016. No. 2. [October] pp. 293-306.
Index:
Wölfe ~ Wolves
Musik ~ Music
Horror ~ Horror

#305
DiLeonardi, Vincent A.: Music for Frankenstein. In: Midnight Marquee 1997. No. 55. [Fall] pp. 56-58.
Index:
Frankenstein (Filmreihe)
Musik ~ Music
Frankenstein ~ Frankenstein

#306
Dilivio, Lois: Two reviews: Music for silent films in contemporary performance. In: Cue Sheet 11. 1995. No. 4. [October] pp. 16-19.
Description:
Discusses the scores for Friedrich Wilhelm Murnau’s Nosferatu - Eine Symphonie des Grauens and Tod Browning’s The Unknown.
Index:
Murnau, Friedrich Wilhelm
Browning, Tod
Nosferatu - Eine Symphonie des Grauens (1922)
Unknown, The (1927)
Stummfilm ~ Silent Film
Musik ~ Music

#307
Dillon, Mark: Gothic godess. In: American Cinematographer 79. 1998. No. 8. [August] pp. 60-70.
Description:
On the fantastic music videos of Canadian artist Floria Sigismondi.
Index:
Sigismondi, Floria
Horror ~ Horror
Video ~ Video
Religion ~ Religion
Musik ~ Music
Kanada ~ Canada

#308
Dittgen, Andrea: Das Leben ein Bild - permanent übermalt: Jochen Kuhn: Buch, Malerei, Kamera, Produktion, Sprechen, Musik. In: Film-Dienst 55. 2002. No. 26. [December 17] pp. 14-16.
Description:
On the experimental filmmaker.
Index:
Kuhn, Jochen
Technik: Kamera ~ Technology: Camera
Musik ~ Music
Kunst ~ Arts, The
Experimentalfilme ~ Experimental Films

#309
Dittgen, Andrea: Klang der Ewigkeit. In: Film-Dienst 59. 2006. No. 12. [June 8] p. 28.
Index:
Clevé, Bastian
Klang der Ewigkeit (2006)
Musik ~ Music

#310
Dixon, Deborah P.: Scream: The sound of the monstrous. In: Cultural Geographies 18. 2011. No. 4. [October] pp. 435-455.
Description:
Psychological examination of the uncanny "sound" in horror film.
Index:
Psychologie ~ Psychology
Musik ~ Music
Horror ~ Horror
Angst ~ Fear

#311
Dobson, Terence: "bump...bup...bup": Aural innovation in the films of Norman McLaren. In: The music and sound of experimental film. Edited by Holly Rogers and Jeremy Barham. - New York: Oxford University Press 2017. p. ?P.
Index:
McLaren, Norman
Musik ~ Music
Experimentalfilme ~ Experimental Films

#312
Doherty, Jim: Fantastic journey. In: Soundtrack: The Collector’s Quarterly 9. 1990. No. ?N. [September] p. 34.
Description:
On soundtracks from fantasy films.
Index:
Fantasy ~ Fantasy
Musik ~ Music

#313
Doherty, Jim: Horror! In: Soundtrack: The Collector’s Quarterly 15. 1996. No. 59. [?D] p. 21.
Description:
On the scores for 1950s and 1960s Britisc horror films.
Index:
Musik ~ Music
Horror ~ Horror
Großbritannien ~ Great Britain

#314
Doherty, Jim: Mythology in music: Bernard Herrmann scores Jason and the Argonauts. In: Midnight Marquee 1988. No. 37. [?D] pp. 175-178.
Index:
Herrmann, Bernard
Chaffey, Don
Jason and the Argonauts (1963)
Mythologie ~ Mythology
Musik ~ Music

#315
Doherty, Jim: Prelude to terror: The evolution of music in early horror films. In: Midnight Marquee 1985. No. 34. [Fall] pp. 19-23.
Index:
Musik ~ Music
Horror ~ Horror

#316
Doherty, Jim: Vertigo. In: Soundtrack: The Collector’s Quarterly 15. 1996. No. 59. [September] p. 22.
Description:
On the film score by Bernard Herrmann.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Vertigo (1958)
Musik ~ Music

#317
Doherty, Jim: When Worlds Collide / War of the Worlds. In: Soundtrack: The Collector’s Quarterly 4. 1985. No. 15. [September] p. 18.
Description:
On the film scores by Leith Stevens.
Index:
Maté, Rudolph
Haskin, Byron
When Worlds Collide (1951)
War of the Worlds, The (1953)
Musik ~ Music

#318
Dompke, Christoph: Das Phantom der Oper: Joel Schumachers Verfilmung des Erfolgsmusicals von Andrew Lloyd Webber. In: EPD Film 21. 2004. No. 12. [December] p. 41.
Description:
On The Phantom of the Opera.
Index:
Schumacher, Joel
Webber, Andrew Lloyd
Phantom of the Opera, The (2004)
Musik ~ Music
Phantom of the Opera (Musik ~ Music)

#319
Donadio, Rachel: Zeffirelli still has a taste for excess. In: International Herald Tribune, August 20, 2009. p. 9.
Description:
On Franco Zeffirelli’s film and opera work.
Index:
Zeffirelli, Franco
Musik ~ Music

#320
Donnelly, K. J.: Hearing deep seated fears: John Carpenter’s The Fog (1980). In: Music in the horror film: Listening to fear. Edited by Neil Lerner. - New York: Routledge 2010. (= Routledge music and screen media.) p. ?P.
Index:
Carpenter, John
Fog, The / John Carpenter’s The Fog (1979)
Angst ~ Fear
Horror ~ Horror
Musik ~ Music

#321
Donnelly, K. J.: Saw heard: musical sound design in contemporary cinema. In: Film theory & contemporary Hollywood movies. Edited by Warren Buckland. - New York: Routledge 2009. p. ?P.
Index:
Musik ~ Music
Hollywood ~ Hollywood

#322
Donnelly, K. J.: Television’s musical imagination: Space: 1999. In: Music in science fiction television: Tuned to the future. Edited by K. J. Donnelly and Philip Hayward. - New York: Routledge 2013. (= Routledge music and screen media.) p. ?P.
Index:
Space: 1999 (TV)
Fernsehen ~ Television
Science Fiction ~ Science Fiction
Musik ~ Music

#323
Donnelly, K. J.: The ghostly effect revisited. In: The Routledge companion to screen music and sound. Edited by Miguel Mera, Ronald Sadoff, and Ben Winters. - New York; London: Routledge 2017. (= Routledge companions.) p. ?P.
Index:
Technik: Spezialeffekte ~ Technology: Special Effects
Geister ~ Ghosts
Musik ~ Music

#324
Donnelly, Kevin J.: Between prosaic functionalism and sublime experimentation: Doctor Who and musical sound design. In: Time and relative dissertations in space: Critical perspectives on Doctor Who. Edited by David Butler. - Manchester; New York: Manchester University Press / New York: Palgrave 2007. p. ?P.
Index:
Doctor Who (TV)
Musik ~ Music

#325
Donnelly, Kevin J.: Hitchcocks musiklektion. In: Filmhäftet 30. 2002. No. 122. [?D] pp. 26-33.
Description:
On the scores for Hitchcock’s films.
Index:
Hitchcock, Alfred
Musik ~ Music

#326
Drawn to sound: Animation film music and sonicity. Edited by Rebecca Coyle. - Oakville, Connecticut: Equinox 2010. (= Genre, music and sound.)
Index:
Animation ~ Animation
Musik ~ Music

#327
Dreßler, Doris: Der Vampir eines Vergessenen: Höhepunkte einer englischen TV Operninszenierung. In: Fantastisches Forum 5. 1994. No. 13. [June] pp. 38-39.
Description:
On Nigel Finch’s BBC TV version of Heinrich August Marschner’s opera Der Vampyr.
Index:
Finch, Nigel
Marschner, Heinrich August
Vampyr, The (1992)
Musik ~ Music
Großbritannien ~ Great Britain
Vampire ~ Vampires
BBC (British Broadcasting Corporation) ~ BBC (British Broadcasting Corporation)
Fernsehen ~ Television
Vampyr, Der (Musik ~ Music)

#328
Dubowsky, Jack Curtis: Intersecting film, music, and queerness. - Houndmills, Basingstoke, Hampshire; New York: Palgrave Macmillan 2016.
Description:
Discusses, among others, James Whale’s The Bride of Frankenstein and Tim Burton’s Edward Scissorhands.
Index:
Whale, James
Burton, Tim
Bride of Frankenstein, The (1935)
Edward Scissorhands (1990)
Sexualität ~ Sexuality
Musik ~ Music
Sexualität: Homosexualität ~ Sexuality: Homosexuality

#329
Dudenhoeffer, Larrie: Grindhouse ago-go: Sounding the collagenous commons of Rob Zombie’s The Lords of Salem. In: Dudenhoeffer, Larrie: Embodiment and horror cinema. - Basingstoke; New York: Palgrave Macmillan 2014. p. ?P.
Index:
Zombie, Rob
Lords of Salem, The (2012)
Musik ~ Music
Exploitation ~ Exploitation
Körper ~ Bodies
Horror ~ Horror

#330
Duhamel, Antoine / Jansen, Pierre: Dialogue. In: Cahiers du Cinéma 1995. Numéro Special: Musiques au Cinéma. [?D] pp. 76-78.
Description:
A discussion on the meaning of music for David Wark Griffith’s Intolerance.
Index:
Griffith, David Wark
Intolerance: Love’s Struggle Througout the Ages (1916)
Musik ~ Music

#331
Dunn, Thomas P. / Erlich, Richard D.: Clockworks: A multimedia bibliography of works useful for the study of human/machine interface in science fiction. - Westport, Connecticut; London: Greenwood Press 1993.
Reviews:
Hassler, Donald M.: [untitled] In: Extrapolation 35. 1994. No. 2. [?D] pp. 157-158.
Description:
Detailed annotated selected bibliography on robots and cyborgs in science fiction. The bibliography lists reference books, anthologies, fictional works, critical works on literature, theatre, film, television and music as well as general secondary literature on the robot issue. The book is an expanded and updated edition of a bibliography who was first published in 1982 as part of the collection "The mechanical god".
Index:
Literatur ~ Literature
Musik ~ Music
Theater ~ Theatre
Fernsehen ~ Television
Religion ~ Religion
Roboter ~ Robots
Science Fiction ~ Science Fiction

#332
Dunn, Thomas P. / Erlich, Richard D.: List of works useful for the study of machines in science fiction. In: The mechanical God: Machines in science fiction. Edited by Thomas P. Dunn and Richard D. Erlich. - Westport, Connecticut; London: Greenwood Press 1982. pp. 225-273.
Description:
Detailed annotated selected bibliography on robots and cyborgs in science fiction. The bibliography lists reference books, anthologies, fictional works, critical works on literature, theatre, film, television and music as well as general secondary literature on the robot issue.
Index:
Technik ~ Technology
Literatur ~ Literature
Musik ~ Music
Theater ~ Theatre
Fernsehen ~ Television
Religion ~ Religion
Roboter ~ Robots
Science Fiction ~ Science Fiction

#333
During, Michael / Vanderbeke, Dirk: "It Is Not Falsehood But Truth That Kills Hope": Jerzy Andrzejewski’s and Andrzej Wajda’s The Gates to Paradise. In: Healers and redeemers: The reception and transformation of their medieval and late antique representations in literature, film and music. Edited by Dina De Rentiis and Christoph Houswitschka. - Trier: Wissenschaftlicher Verlag Trier 2010. pp. 119 ff.
Index:
Andrzejewski, Jerzy
Wajda, Andrzej
Gates to Paradise (1968)
Musik ~ Music
Bramy Raju (Literatur ~ Literature)
Geschichte: Mittelalter ~ History: Middle Ages
Religion ~ Religion

#334
Dursin, Andy / Kendall, Lukas: Bondmania! In: Film Score Monthly ?G. 1995. No. ?N(63). [November] pp. 11-14.
Index:
Barry, John
James Bond (Filmreihe)
James Bond ~ James Bond
Musik ~ Music

#335
Dworschak, Manfred: "Wir sehen nur, was wir hören". In: Der Spiegel 54. 2000. No. 18. [May 1] pp. 226-231.
Description:
On digital sound effects in film.
Index:
Musik ~ Music
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#336
Earogenous zones: Sound, sexuality and cinema. Edited by Bruce Johnson. - Oakville, Connecticut: Equinox 2010. (= Genre, music and sound.)
Index:
Sexualität ~ Sexuality
Musik ~ Music

#337
Eby Douglas / Hughes, David / Larson, Randall R. / Vitaris, Paula / Warlick, Debra: The X-Files. In: Cinefantastique 30. 1998. No. 7/8. [October] pp. 26-51, 124.
Description:
Articles on the TV series. Discusses, among others, the work of Charles Cioffi, Mitch Pileggi, Veronica Cartwright, Toby Lindala and the music and special effects for the series. Includes an episode guide.
Index:
Cioffi, Charles
Pileggi, Mitch
Cartwright, Veronica
Lindala, Toby
X-Files, The (TV)
Technik: Spezialeffekte ~ Technology: Special Effects
Musik ~ Music
Fernsehen ~ Television

#338
Eder, Barbara: Ein ver-rückter Ort des Films: Alice in Wonderland und die queeren Nachleben des Porno-Musicals. In: Sexualität im Film. Redaktion: Annette Brauerhoch. - Frankfurt/Main; Basel: Stroemfeld 2011. (= Frauen und Film 66.) pp. 39 ff.
Index:
Geronimi, Clyde
Luske, Hamilton
Jackson, Wilfred
Alice in Wonderland (1951)
Musik ~ Music
Frauen ~ Women
Sexualität ~ Sexuality

#339
Edney, Kathryn: Resurrecting the American musical: Film noir, jazz, and the rhetoric of tradition in City of Angels. In: Journal of Popular Culture 40. 2007. No. 6. [?D] pp. 936-952.
Index:
Silberling, Brad
City of Angels (1998)
USA (United States of America) ~ USA (United States of America)
Musik ~ Music
Film Noir ~ Film Noir

#340
Eggers, Katrin: "Je näher man ein Wort ansieht, desto ferner sieht es zurück": Sprachinseln und Musiksoziotope bei Alexander Kluge. In: Kieler Beiträge zur Filmmusikforschung 2009. No. 3. [May] pp. 96-109.
Index:
Kluge, Alexander
Musik ~ Music

#341
Ehl, Silvia: Die Musikdramaturgie im Animationsfilm. - Saarbrücken: VDM Verlag Dr. Müller 2008.
Index:
Musik ~ Music
Animation ~ Animation

#342
Ehninger, Eva / Feß. Eike / Müller, Jens-Oliver: Das Alte Testament in Bildender Kunst, Musik und Film des 20. Jahrhunderts: Eine Werkauswahl mit bibliographischen Hinweisen. In: Das Alte Testament und die Kunst: Beiträge des Symposiums "Das Alte Testament und die Kultur der Moderne" anlässlich des 100. Geburtstags Gerhard von Rads (1901-1971), Heidelberg, 18.-21. Oktober 2001. Hrsg. von John Barton. - Münster: Lit 2005. (= Altes Testament und Moderne 15.) pp. 227-252.
Index:
Musik ~ Music
Kunst ~ Arts, The
Heidelberg ~ Heidelberg
Religion ~ Religion

#343
Eicke, Stephan: Molto amoroso - Musik einer Entfremdung: Die Filmmusik als Kommentar einer gescheiterten Beziehung in Sam Peckinpahs Straw Dogs. In: Splatting Image 2012. No. 92. [December] pp. 55-57.
Index:
Peckinpah, Sam
Fielding, Jerry
Straw Dogs (1971)
Musik ~ Music

#344
Eisner, Lotte H.: Le cinema expressionniste: De l’aube a minuit: Colloque organise par le Centre d’Etudes Germaniques de l’Université de Strasboure & l’Equipe de Recherches Theatrales & Musicologiques du CNRS (Strasbourg, 27 November-1 December 1968). In: L’Expressionnisme dans le theatre europeen. Edité par Denis Bablet et Jean Jacquot. - Paris: Centre Nationale de la Recherche Scientifique 1984. pp. 213-220.
Description:
Especially on Robert Wiene’s paradigmatic expressionist film Das Cabinet des Dr. Caligari.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Straßburg ~ Strasbourg
Theater ~ Theatre
Europa ~ Europe
Expressionismus ~ Expressionism
Musik ~ Music
Deutschland ~ Germany

#345
Eller, Claudia: Composer Menken: Disney in tune. In: Variety 344. 1991. No. ?N. [July 22] p. 17.
Index:
Menkes, Nina
Musik ~ Music
Disney ~ Disney

#346
Engel, Charlene: Language and the music of the spheres: Steven Spielberg’s Close Encounters of the Third Kind. In: Literature/Film Quarterly 24. 1996. No. 4. [October] pp. 376-382.
Index:
Spielberg, Steven
Close Encounters of the Third Kind (1977)
Musik ~ Music

#347
Engel, Charlene: Language and the music of the spheres: Steven Spielberg’s Close Enounters of the Third Kind. In: The films of Steven Spielberg: Critical essays. Edited by Charles L. P. Silet. - Lanham, Maryland: Scarecrow Press 2002. (= Filmmakers 94.) p. ?P.
Index:
Spielberg, Steven
Close Encounters of the Third Kind (1977)
Musik ~ Music

#348
Engel, Felix / Wildfeuer, Janina: Hearing music in dreams: Towards a semiotic role of music in Nolan’s Inception. In: The cinema of Christopher Nolan: Imagining the impossible. Edited by Jacqueline Furby and Stuart Joy. - New York: Wallflower Press 2015. (= Directors’ cuts.) p. ?P.
Index:
Nolan, Christopher
Inception (2010)
Traum ~ Dreams
Musik ~ Music

#349
Entretien avec Danny Elfman. In: Cahiers du Cinéma 1995. Numéro Special: Musiques au Cinéma. [?D] pp. 41-44.
Description:
Interview with the composer, especially on his collaboration with Tim Burton.
Index:
Elfman, Danny
Burton, Tim
Musik ~ Music

#350
Éric Serra. In: La musique à l’écran. Éd. Alain Garel et François Porcile. (= Cinémaction 1992. No. 62. [?D]) pp. 86-88.
Description:
Views of the composer who worked for Luc Besson’s Le Grand Bleu and Nikita.
Index:
Serra, Éric
Besson, Luc
Grand Bleu, Le (1987)
Nikita (1990)
Musik ~ Music

#351
Erickson, Gregory / Santana, Richard W.: Religion and popular culture: Rescripting the sacred. Second edition. - Jefferson, North Carolina; London: McFarland 2016.
First edition:
[2008]
Description:
On religion in popular American culture including music and film.
Index:
USA (United States of America) ~ USA (United States of America)
Religion ~ Religion
Musik ~ Music

#352
Erickson, Gregory / Santana, Richard W.: Religion and popular culture: Rescripting the sacred. - Jefferson, North Carolina; London: McFarland 2008.
Reviews:
St Germain, Amos: [untitled.] In: Journal of Popular Culture 42. 2009. No. 1. [?D] pp. 204-205.
Description:
On religion in popular American culture including music and film.
Index:
USA (United States of America) ~ USA (United States of America)
Religion ~ Religion
Musik ~ Music

#353
Erman, Jonathan: Tracking Headwig’s flight: Part 1. In: Film Score Monthly 12. 2007. No. 7. [July] p. 18.
Index:
Harry Potter (Filmreihe)
Harry Potter ~ Harry Potter
Musik ~ Music

#354
Erzählen im Film: Unzuverlässigkeit - Audiovisualität - Musik. Hrsg. von Susanne Kaul. - Bielefeld: Transcript 2009. (= Medien - Kultur - Analyse 6.)
Reviews:
Dannenberg, Pascale Anja: Michael Haneke und "Subjektives Erzählen" im Autorenfilm. In: Medienwissenschaft 2010. No. 4. pp. 499-502.
Index:
Musik ~ Music

#355
Essays on sound and vision. Edited by John Richardson and Stan Hawkins. - Helsinki: Yliopistopaino / University of Helsinki Press 2009.
Index:
Musik ~ Music

#356
Eugène, Jean-Pierre: La musique dans les films d’Alfred Hitchcock. - Paris: Dreamland 2000.
Reviews:
Bourget, Jean-Loup / Berthomieu, Pierre: [untitled] In: Positif 2001. No. 485/486. [July/August] p. 158.
Index:
Hitchcock, Alfred
Musik ~ Music

#357
Evans, Mark: Mapping the Matrix: Virtual spatiality and the realm of the perceptual. In: Off the planet: Music, sound and science fiction cinema. Edited by Philip Hayward. - London: John Libbey / Bloomington, Indiana: Indiana University Press 2004. p. ?P.
Index:
Wachowski, Andy
Wachowski, Larry
Matrix, The (Filmreihe)
Cyberspace ~ Cyberspace
Science Fiction ~ Science Fiction
Musik ~ Music

#358
Evans, Mark: Rhythms of evil: Exorcising sound from The Exorcist. In: Terror tracks: Music, sound and horror cinema. Edited by Philip Hayward. - Oakville, Connecticut: Equinox 2009. (= Genre, Music and Sound.) p. ?P.
Index:
Friedkin, William
Exorcist, The (1973)
Religion: Exorzismus ~ Religion: Exorcism
Böse, Das ~ Evil, The
Horror ~ Horror
Musik ~ Music

#359
Evans, Mark: Straining the future: Battlefield Earth, Space Jazz and the sounds of Scientology. In: Science Fiction Film and Television 3. 2010. No. 2. [Autumn] pp. 201-216.
Index:
Hubbard, L. Ron
Christian, Roger
Battlefield Earth (2000)
Space Jazz (Musik ~ Music)
Battlefield Earth: A Saga of the Year 3000 (Literatur ~ Literature)
Utopie ~ Utopia
Musik ~ Music
Religion ~ Religion

#360
Everschor, Franz: Beschwörung des Ewig-Wiederkehrenden: Philip Glass’ ungewöhnliche Filmmusik zu Martin Scorseses Kundrun. In: Film-Dienst 51. 1998. No. 5. [March 3] pp. 40-41.
Index:
Glass, Philip
Scorsese, Martin
Kundrun (1997)
Musik ~ Music

#361
Everschor, Franz: Cats als Trickfilm: Spielberg und Webber als Produktionsteam. In: Film-Dienst 43. 1990. No. 15. [July 24] p. 38.
Description:
On a planned animated film version of the musical success.
Index:
Spielberg, Steven
Webber, Andrew Lloyd
Animation: Comics ~ Animation: Comics
Musik ~ Music
Animation ~ Animation
Cats (Musik ~ Music)

#362
Everschor, Franz: Ein Chamäleon der Filmmusik: Flexibilität und Pragmatismus: Der Komponist Jerry Goldsmith. In: Film-Dienst 52. 1999. No. 20. [September 28] pp. 45-47.
Description:
On the composer who worked for many action, fantasy and science fiction films.
Index:
Goldsmith, Jerry
Science Fiction ~ Science Fiction
Musik ~ Music
Fantasy ~ Fantasy
Action ~ Action

#363
Everschor, Franz: Film als Oper: Der Komponist Erich Wolfgang Korngold und seine Filmmusiken. In: Film-Dienst 50. 1997. No. 25. [December 9] pp. 36-37.
Index:
Korngold, Erich Wolfgang
Musik ~ Music

#364
Fabich, Rainer: Musik für den Stummfilm: Analysierende Beschreibung originaler Filmkompositionen. - Frankfurt/Main: Verlag Peter Lang 1993.
Reviews:
Anfang, Günter: (Fast) alles über Filmmusik. In: Medien und Erziehung 40. 1996. No. 1. [?D] pp. 46-48.
Description:
Discusses also some fantastic films, among them Der Student von Prag and Die Nibelungen.
Index:
Lang, Fritz
Galeen, Henrik
Nibelungen, Die (1922-1924)
Student von Prag, Der (1926)
Stummfilm ~ Silent Film
Musik ~ Music

#365
Fabrich, Rainer: Die Nibelungen (Regie: Fritz Lang, Musik: Gottfried Huppertz). In: Musik für den Stummfilm: Analysierende Beschreibungen originaler Filmkompositionen. Hrsg. von Rainer Fabrich. - Frankfurt/M.; Berlin; Bern; New York; Paris; Wien: Lang 1993. p. ?P.
Index:
Lang, Fritz
Huppertz, Gottfried
Nibelungen, Die (1922-1924)
Stummfilm ~ Silent Film
Musik ~ Music

#366
Faden, Eric S.: Assimilating new technologies: Early cinema, sound, and computer imagery. In: Convergence 5. 1999. No. 2. [?D] pp. 51-79.
Description:
Discusses, among others, Steven Spielberg’s Jurassic Park.
Index:
Spielberg, Steven
Jurassic Park (1993)
Technik ~ Technology
Technik: Computer ~ Technology: Computer
Musik ~ Music

#367
Faden, Eric S.: Crowd control: Early cinema, sound, and digital images. In: Journal of Film and Video 53. 2001. No. 2/3. [Summer/Fall] pp. 93-106.
Index:
Technik: Computer ~ Technology: Computer
Technik ~ Technology
Musik ~ Music

#368
Fahlenbrach, Kathrin: Utopia and dystopia in the science fiction film circa 1968. In: The global sixties in sound and vision: Media, counterculture, revolt. Edited by Timothy Scott Brown and Andrew Lison. - New York: Palgrave Macmillan 2013. p. ?P.
Index:
Utopie ~ Utopia
Science Fiction ~ Science Fiction
Musik ~ Music
Politik ~ Politics

#369
Fahy, Thomas: Killer culture: Classical music and the art of killing in Silence of the Lambs and Se7en. In: Journal of Popular Culture 37. 2003. No. 1. [August] pp. 28-42.
Index:
Demme, Jonathan
Fincher, David
Silence of the Lambs, The (1990)
Se7en (1995)
Musik ~ Music
Mord ~ Murder

#370
Fairweather, Elizabeth: Andrey Tarkovsky: The refrain of the sonic fingerprint. In: Music, sound and filmmakers: Sonic style in cinema. Edited by James Wierzbicki. - New York; Abingdon, Oxon: Routledge 2012. p. ?P.
Index:
Tarkovsky, Andrei Arsenyevich
Musik ~ Music

#371
Farmer, James Clark: Opera and the new German cinema: Between distance and fascination. - Iowa City, Iowa: University of Iowa, Ph.D. 2003. [Abstract in: Dissertation Abstracts International A 64, 2003. No. 4. (October) p. 1117.]
Description:
On the role of music in the films of Alexander Kluge, Werner Schroeter and Hans Jürgen Syberberg. Discusses especially the religious connotations in Syberberg’s use of Richard Wagner’s music.
Index:
Kluge, Alexander
Schroeter, Werner
Syberberg, Hans Jürgen
Wagner, Richard
Religion ~ Religion
Musik ~ Music
Deutschland ~ Germany

#372
Farnell, Andy: Designing sound. - Cambridge, Massachussetts: MIT Press 2010.
Index:
Musik ~ Music
Animation ~ Animation
Technik: Computer ~ Technology: Computer
Technik ~ Technology

#373
Faulstich, Werner: Stürmische Höhen: Sound- und Shooting-Transkripts: Wuthering Heights. - Rottenburg-Oberndorf: Wissenschaftler-Verlag 1986. (= Filmtranskripte 5.)
Description:
On the film by Robert Fuest.
Index:
Fuest, Robert
Wuthering Heights (1970)
Musik ~ Music

#374
Fawell, John: The musicality of the filmscript. In: Literature/Film Quarterly 17. 1989. No. 1. [?D] pp. 44-49.
Index:
Hitchcock, Alfred
Rear Window (1954)
Musik ~ Music

#375
Fawell, John: The sound of loneliness: Rear Window’s soundtrack. In: Studies in the Humanities 27. 2000. No. 1. [?D] pp. 62-74.
Index:
Hitchcock, Alfred
Rear Window (1954)
Musik ~ Music

#376
fd: Sven Nykvist. In: Film-Dienst 59. 2006. No. 21. [October 12] p. 26.
Description:
Obituary for the composer.
Index:
Nykvist, Sven
Musik ~ Music

#377
Fedderson, Kim / Richardson, J. Michael: Hamlet 9/11: Sound, noise, and fury in Almereyda’s Hamlet. In: College Literature 31. 2004. No. 4. [Fall] pp. 150-170.
Description:
Discusses also Christopher Nolan’s Memento.
Index:
Almereyda, Michael
Nolan, Christopher
Shakespeare, William
Tragicall Historie of Hamlet, Prince of Denmarke, The (Literatur ~ Literature)
Hamlet (2000)
Memento (2000)
Musik ~ Music
Hamlet ~ Hamlet

#378
Fehse, Marc: "Wir durften frei experimentieren": Claudio Simonetti über Goblins Filmmusik für Dario Argento. In: Dario Argento: Anatomie der Angst. Hrsg. von Michael Flintrop und Marcus Stiglegger. - Berlin: Bertz und Fischer 2013. (= Deep Focus 16.) pp. 110 ff.
Index:
Argento, Dario
Simonetti, Claudio
Musik ~ Music
Angst ~ Fear

#379
Feldvoß, Marli: Zatoichi: Takeshi Kitano inszeniert klassische Schwertkämpfe und japanischen Bauern im Hip-Hop-Fieber. In: EPD Film 21. 2004. No. 6. [June] p. 32f.
Index:
Kitano, Takeshi
Zatoichi (2003)
Musik ~ Music
Japan ~ Japan
Martial Art ~ Martial Art

#380
Fenimore, Ross J.: Voices that lie within: The heard and unheard in Psycho. In: Music in the horror film: Listening to fear. Edited by Neil Lerner. - New York: Routledge 2010. (= Routledge music and screen media.) p. ?P.
Index:
Hitchcock, Alfred
Psycho (1960)
Angst ~ Fear
Horror ~ Horror
Musik ~ Music

#381
Fernandez, Daniel: The sorcerer’s apprentices: Authorship and sound aesthetics in Walt Disney’s Fantasia. - Boca Raton, Florida: Florida Atlantic University, M.A. 2017. [Abstract in: Masters Abstracts International 56. 2017. No. 4M.]
Index:
Algar, James
Armstrong, Samuel
Beebe, Ford L.
Ferguson, Norman
Handley, Jim
Hee, T[hornton]
Jackson, Wilfred
Luske, Hamilton
Roberts, Bill
Satterfield, Paul
Sharpsteen, Ben
Fantasia (1940)
Musik ~ Music
Disney ~ Disney

#382
Fernandez-Vander Kaay, Kathleen / Vander Kaay, Chris: The fantastical worlds of musicals. In: Fernandez-Vander Kaay, Kathleen / Vander Kaay, Chris: Indie science fiction cinema today: Conversations with 21st century filmmakers. - Jefferson, North Carolina: McFarland & Company 2018. p. ?P.
Description:
Discusses Cory McAbee’s The American Astronaut, Paul Bunnell’s The Ghastly Love of Johnny X and Rod Bingaman’s Ripped!.
Index:
McAbee, Cory
Bunnell, Paul
Bingaman, Rod
American Astronaut, The (2001)
Ghastly Love of Johnny X, The (2012)
Ripped! (2014)
Musik ~ Music
Science Fiction ~ Science Fiction

#383
Ferrigno, Emily D.: The dark side: Representing science fiction in drum ’n’ bass. In: New Review of Film and Television Studies 9. 2011. No. 1. [March] pp. 95-104.
Index:
Science Fiction ~ Science Fiction
Musik ~ Music

#384
Fichert, Stefan / Forster, Susanne: Das Spiel ein Leben: Das musikalische und poetische Figurentheater der Puppet Players. - Frankfurt/Main: Nold 2010.
Index:
Theater ~ Theatre
Musik ~ Music
Animation: Puppen ~ Animation: Puppets
Animation ~ Animation

#385
Fiedler, Jeannine: Kolumbus - im Kraftwerk der Gefühle: Peter Greenaway auf dritter Entdeckungsfahrt ins Land der Oper. In: Filmbulletin 41. 1999. No. 1(220). [February] pp. 4-5.
Index:
Greenaway, Peter
Musik ~ Music

#386
Fiegel, E. Todd: Bernard Herrmann as musical colorist: A musicodramatic analysis of his score for The Day the Earth Stood Still. In: The Journal of Film Music 1. 2003. No. 2/3. [Fall/Winter] pp. 185-215.
Index:
Herrmann, Bernard
Wise, Robert
Day the Earth Stood Still, The (1951)
Musik ~ Music

#387
Film forum: The Magic Flute and Don Giovanni. In: Eighteenth-century Life 12. 1988. No. 1. [?D] pp. 52-57.
Description:
On Bergman’s Mozart filming.
Index:
Bergman, Ingmar
Mozart, Wolfgang Amadeus
Trolleflöjten (1974)
Zauberflöte, Die (Musik ~ Music)

#388
Film music in "minor" national cinemas. Edited by Germán Gil-Curiel. - New York; London: Bloomsbury Academic 2016. (= Topics and issues in national cinema 4.)
Index:
Musik ~ Music

#389
Film und Musik: Avantgardefilme der zwanziger Jahre: Joris Ivens, Walter Ruttmann. - Oberhausen: Westdeutsche Kurzfilmtage 1983.
Index:
Ivens, Joris
Ruttmann, Walter
Musik ~ Music
Experimentalfilme ~ Experimental Films

#390
Filmmusik: Beiträge zu ihrer Theorie und Vermittlung. Hrsg. von Victoria Piel. - Hildesheim; Zürich; New York: Olms 2008.
Reviews:
zu Hüningen, James: [untitled.] In: Kieler Beiträge zur Filmmusikforschung 2010. No. 4. [May] pp. 227-231.
Index:
Musik ~ Music

#391
Finler, Joel Waldo: All-time movie favorites: Comedies, thrillers, epics, musicals, love storys, westerns, war films and others. - London: Sundial Books 1975.
Index:
Humor ~ Humor
Western-Filme ~ Western Films
Thriller ~ Thriller
Musik ~ Music
Krieg ~ War

#392
Finstere Scheußlichkeiten, operettenhafte Heiterkeit: Zeitgenössische Kritiken. In: Das Wachsfigurenkabinett: Drehbuch von Henrik Galeen zu Paul Lenis Film von 1923. Hrsg. von Helga Belach und Hans-Michael Bock. Mit einem einführenden Essay von Thomas Koebner und Materialien zum Film von Hans-Michael Bock. - München: Edition text + kritik 1994. (= FILMtext.) pp. 139-143.
Index:
Leni, Paul
Galeen, Henrik
Wachsfigurenkabinett, Das (1924)
Musik ~ Music

#393
Finzel, Peter: Dolby Surround und der phantastische Film. In: Moviestar 2. 1994. No. 8. [?D] pp. 7-9.
Index:
Musik ~ Music

#394
Fischer, D.: Bernard Herrmann. In: Soundtrack: The Collector’s Quarterly 11. 1992. No. 43. [September] pp. 44-47.
Description:
Interview with Larry Cohen on composer Bernard Herrmann and his work for the films of Alfred Hitchcock.
Index:
Herrmann, Bernard
Cohen, Larry
Hitchcock, Alfred
Musik ~ Music

#395
Fischer, Dennis: A world of childhood delights: The Thief of Bagdad. In: Filmfax 1997. No. 60. [April/May] pp. 59-63, 70, 72, 74-75.
Description:
Discusses mainly the special effects by Lawrence Butler and the film score by Miklós Rózsa.
Index:
Berger, Ludwig
Powell, Michael
Whelan, Tim
Korda, Alexander
Korda, Zoltan
Menzies, William Cameron
Butler, Lawrence
Rózsa, Miklós
Thief of Bagdad, The (1940)
Technik: Spezialeffekte ~ Technology: Special Effects
Musik ~ Music
Jugend ~ Youth

#396
Fischer, Dennis: Dream Quest special effects for Moonwalker. In: Cinefantastique 19. 1989. No. 5. [July] pp. 50-51.
Description:
On the music video for Michael Jackson.
Index:
Chilvers, Colin
Kramer, Jeffrey
Jackson, Michael
Moonwalker (1988)
Video ~ Video
Technik: Spezialeffekte ~ Technology: Special Effects
Musik ~ Music
Dream Quest Images [Firma] ~ Dream Quest Images [Company]

#397
Fischer, Norman: Hans-Jurgen Syberberg’s opera film Parsifal: Visual transformation and philosophical reconstruction. In: Film and Philosophy 1996. No. 3. [?D] pp. 145-153.
Index:
Syberberg, Hans Jürgen
Parsifal (1982)
Philosophie ~ Philosophy
Musik ~ Music

#398
Fischer, Robert: Alan R. Splet: 5.12.1939-2.12.1994. In: EPD Film 12. 1995. No. 2. [February] p. 16.
Description:
Obituary for the sound designer of most of the David Lynch films who also worked for Peter Weir.
Index:
Splet, Alan R.
Lynch, David
Weir, Peter
Musik ~ Music

#399
Fischer, Rüben: Friedrich Goldmann: Till Eulenspiegel. In: Klang der Zeiten: Musik im DEFA-Spielfilm - eine Annäherung. Hrsg. von Klaus-Dieter Felsmann. - Berlin: Bertz + Fischer 2013. (= Schriftenreihe der DEFA-Stiftung.) pp. 242 ff.
Index:
Simon, Rainer
Goldmann, Friedrich
Till Eulenspiegel (1975)
Musik ~ Music
DEFA ~ DEFA
Deutschland ~ Germany

#400
Fischer, Rüben: Karl-Ernst Sasse: Signale - ein Weltraumabenteuer. In: Klang der Zeiten: Musik im DEFA-Spielfilm - eine Annäherung. Hrsg. von Klaus-Dieter Felsmann. - Berlin: Bertz + Fischer 2013. (= Schriftenreihe der DEFA-Stiftung.) pp. 219 ff.
Index:
Kolditz, Gottfried
Sasse, Karl-Ernst
Signale - Ein Weltraumabenteuer (1970)
Musik ~ Music
DEFA ~ DEFA
Deutschland ~ Germany

#401
Fisher, Kevin: Sounds between worlds: The audiovisual hyperchiasm in The Thirteenth Floor and The Matrix. In: New Review of Film and Television Studies 9. 2011. No. 1. [March] pp. 57-70.
Description:
Discusses the relation between real and virtual in film by using Maurice Merleau-Ponty’s theories.
Index:
Rusnak, Josef
Wachowski, Andy
Wachowski, Larry
Merleau-Ponty, Maurice
Thirteenth Floor, The (1999)
Matrix, The (1999)
Technik ~ Technology
Musik ~ Music
Cyberspace ~ Cyberspace

#402
Fitzgerald, Jon / Hayward, Philip: Inflamed: Synthetic folk music and paganism in the island world of the Wicker Man. In: Terror tracks: Music, sound and horror cinema. Edited by Philip Hayward. - Oakville, Connecticut: Equinox 2009. (= Genre, Music and Sound.) p. ?P.
Index:
Horror ~ Horror
Musik ~ Music

#403
Fitzgerald, Jon / Hayward, Philip: Resilient appliances: Music, sound, image and narrative in The Brave Little Toaster. In: Drawn to sound: Animation film music and sonicity. Edited by Rebecca Coyle. - Oakville, Connecticut: Equinox 2010. (= Genre, music and sound.) p. ?P.
Index:
Ranft, Joe
Rees, Jerry
Brave Little Toaster (1988)
Animation ~ Animation
Musik ~ Music

#404
Fitzner, Frauke: Lotte Reinigers Musikfilm Papageno: Die Rolle der Musik in der Produktion. In: Kieler Beiträge zur Filmmusikforschung 2012. No. 8. [July] pp. 7-19.
Index:
Reiniger, Lotte
Papageno (1935)
Musik ~ Music

#405
Fitzner, Frauke: Zwischen Stumm- und Tonfilm: Zur Beziehung von Musik und Bild in Die Abenteuer des Prinzen Achmed (1926). In: Reflex 2012. No. 5. [?D] p. ?P.
Index:
Reiniger, Lotte
Abenteuer des Prinzen Achmed, Die (1923-1926)
Musik ~ Music
Animation ~ Animation

#406
Fleer, Cornelia: Sinfonien des Wahnsinns. In: Film-Dienst 57. 2004. No. 26. [December 23] p. 60.
Description:
On the representation of madness in silent films screened at the 15. Bielefeld silent film and music festival.
Index:
Wahnsinn ~ Madness
Stummfilm ~ Silent Film
Musik ~ Music
Festival ~ Festival

#407
Flinn, C.: Sound, woman and the bomb: Dismembering the "Great whatsit" in Kiss Me Deadly. In: Wide Angle 8. 1986. No. 3/4. [?D] pp. 115-l27.
Description:
Psychoanalytic interpretation of the nuclear bomb motif in the film by Robert Aldrich.
Index:
Aldrich, Robert
Kiss Me Deadly (1955)
Psychologie ~ Psychology
Musik ~ Music
Frauen ~ Women
Atom ~ Nuclear

#408
Flinn, Carol Ann: Film music and Hollywood’s promise of utopia in film noir and the woman’s film. - Iowa City, Iowa: University of Iowa, Ph.D. 1988.
Index:
Utopie ~ Utopia
Musik ~ Music
Hollywood ~ Hollywood
Frauen ~ Women
Film Noir ~ Film Noir

#409
Flinn, Carol: The most romantic art of all: Music in the classic Hollywood cinema. In: Cinema Journal 29. 1990. No. 4. [Summer] pp. 35-50.
Description:
Discusses also several fantastic films.
Index:
Romantik ~ Romanticism
Musik ~ Music
Hollywood ~ Hollywood

#410
Flinn, Caryl: The new German cinema: Music, history, and the matter of style. - Berkeley, California: University of California Press 2004.
Description:
Includes chapters on Alexander Kluge, Monika Treut and Ulrike Ottinger.
Index:
Kluge, Alexander
Treut, Monika
Ottinger, Ulrike
Musik ~ Music
Geschichte ~ History
Deutschland ~ Germany

#411
Flückiger, Barbara: Sound Design: Die virtuelle Klangwelt des Films. - Marburg: Schüren Verlag 2001. (= Zürcher Filmstudien.)
Reviews:
Deeken, Annette: [untitled] In: Medienwissenschaft 2002. No. 3. pp. 351-352.
Description:
Discusses, among others, the score of George Lucas’s Star Wars, Francis Ford Coppola’s Apocalypse Now, Steven Spielberg’s Jurassic Park and Jonathan Demme’s The Silence of the Lambs.
Index:
Lucas, George
Coppola, Francis Ford
Spielberg, Steven
Demme, Jonathan
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Apocalypse Now (1976-1979)
Jurassic Park (1993)
Silence of the Lambs, The (1990)
Musik ~ Music

#412
Folklore: An encyclopedia of beliefs, customs, tales, music, and art. Edited by Charlie T. McCormick and Kim Kennedy White. Volumes 1-3. 2nd edition. - Santa Barbara, California: ABC-CLIO 2011.
First edition:
[1997]
Description:
Discuses also folkloric motifs in film.
Index:
Religion ~ Religion
Musik ~ Music

#413
Folklore: An encyclopedia of beliefs, customs, tales, music, and art. Edited by Charlie T. McCormick and Kim Kennedy White. Volumes 1-3. 2nd edition. - Santa Barbara, California: ABC-CLIO 1997.
Description:
Discuses also folkloric motifs in film.
Index:
Religion ~ Religion
Musik ~ Music

#414
Fonseca, Tony: Bela Lugosi’s dead, but vampire music stalks the airwaves. In: The fantastic vampire: Studies in the children of the night: Selected essays from the Eighteenth International Conference on the Fantastic in the Arts. Edited by James Craig Holte. - Westport, Connecticut: Greenwood Press 2002. (= Contributions to the study of science fiction and fantasy 91.) p. ?P.
Index:
Lugosi, Bela
Musik ~ Music
Vampire ~ Vampires

#415
Ford, Fiona: Parental guidance advised? Mash-ups and mating penguins in Happy Feet. In: The Cambridge companion to film music. Edited by Mervyn Cooke and Fiona Ford. - Cambridge: Cambridge University Press 2016. (= Cambridge companions to music.) p. ?P.
Index:
Miller, George
Happy Feet (2006)
Musik ~ Music

#416
Forde, Teresa: The Sunshine soundtrack as aural attraction. In: New Review of Film and Television Studies 9. 2011. No. 1. [March] pp. 71-83.
Index:
Boyle, Danny
Sunshine (2007)
Musik ~ Music

#417
Forte, Sandro: Les justiciers et les musiciens qui leur font justice. In: Séquences ?G. 2001. No. 211. [January/February] p. 61.
Index:
Schifrin, Lalo
Musik ~ Music
Justiz ~ Justice
Detektive ~ Detectives

#418
Francillon, Vincent J.: An interview with Jerry Goldsmith. In: Cue Sheet 10. 1993/1994. No. 3/4. [?D] pp. 14-27.
Description:
Interview with the composer, especially on Legend an on Alex North’s score for Kubrick’s 2001: A Space Odyssey.
Index:
Goldsmith, Jerry
Scott, Ridley
North, Alex
Kubrick, Stanley
Legend (1985)
2001 - A Space Odyssey (1968)
Musik ~ Music

#419
Franco, Judith: Gender, genre and female pleasure in the contemporary revenge narrative: Baise moi and What It Feels Like For a Girl. In: Quarterly Review of Film and Video 21. 2004. No. 1. [January-March] pp. 1-10.
Description:
On the representation of female violence in the film and in Madonna’s music video.
Index:
Coralie Trinh Thi [Pseudonym: Coralie]
Despentes, Virginie
Ciccone, Madonna Louise [Pseudonym: Madonna]
Baise-moi (2000)
Video ~ Video
Sexualität ~ Sexuality
Musik ~ Music
Gewalt ~ Violence
Frauen ~ Women

#420
Franklin, Peter: Mystical intimations, the scenic sublime, and the opening of the vault: De-classicizing the late-romantic revival in the scoring of "New Hollywood" blockbusters c. 1977-1993. In: The Routledge companion to screen music and sound. Edited by Miguel Mera, Ronald Sadoff, and Ben Winters. - New York; London: Routledge 2017. (= Routledge companions.) p. ?P.
Index:
Religion: Mystik ~ Religion: Mysticism
Hollywood ~ Hollywood
Romantik ~ Romanticism
Musik ~ Music

#421
Franklin, Peter: The boy on the train (or bad symphonies and good movies): The revealing error of the "symphonic score". In: Beyond the soundtrack: Representing music in cinema. Edited by Daniel Goldmark, Lawrence Kramer and Richard Leppert. - Berkeley, California; London: University of California Press 2007. pp. 13-26.
Description:
Discusses, among others, the score for the Star Wars films.
Index:
Lucas, George
Star Wars (Filmreihe)
Eisenbahn ~ Railroad
Musik ~ Music

#422
Fraser, P.: The musical mode: Putting on The Red Shoes. In: Cinema Journal 26. 1987. No. 3. [Spring] pp. 44-57.
Index:
Powell, Michael
Pressburger, Emeric
Red Shoes, The (1948)
Musik ~ Music

#423
Freitag, Gretel: Metaphern von Musik und Stille als Erkenntnismittel in den Filmen Pasolinis. - Frankfurt/M.; Berlin; Bern; New York; Paris; Wien: Lang 1999. (= Europäische Hochschulschriften Reihe 36; Musikwissenschaft 190.)
Index:
Pasolini, Pier Paolo
Musik ~ Music

#424
Freitag, Gretel: Metaphern von Musik und Stille als Erkenntnismittel in den Filmen Pasolinis. - Bonn: Universität Bonn, Dissertation 1998.
Index:
Pasolini, Pier Paolo
Musik ~ Music

#425
Frey, Mattias: Fidelio: Love, adaption and Eyes Wide Shut. In: Literature/Film Quarterly 34. 2006. No. 1. [January] pp. 39-45.
Index:
Kubrick, Stanley
Beethoven, Ludwig van
Eyes Wide Shut (1999)
Fidelio (Musik ~ Music)

#426
Frisch, Walter: "Beyond the rainbow": Afterlives of the songs from The Wizard of Oz (1939). In: Adapting The Wizard of Oz: Musical adaptations from Baum to MGM and beyond. Edited by Danielle Birkett and Dominic McHugh. - New York: Oxford University Press 2018. p. ?P.
Index:
Baum, L. Frank
Fleming, Victor
Wizard of Oz, The (1939)
Wizard of Oz, The (Filmreihe)
Musik ~ Music
MGM (Metro Goldwyn Mayer) ~ MGM (Metro Goldwyn Mayer)
Wonderful Wizard of Oz, The (Literatur ~ Literature)

#427
Fu, Xiangyi: Horror movie aesthetics: How color, time, space and sound elicit fear in an audience. - Boston, Massachusetts: Northeastern University, M.F.A. 2016. [Abstract in: Masters Abstracts International 55. 2016. No. 4M.]
Index:
Musik ~ Music
Horror ~ Horror
Angst ~ Fear

#428
Fuksiewicz, Jacek: Miedzy ballada a opera. In: Kino [Warschau] 27. 1993. No. ?N(?N). [February/March] pp. 12-14.
Index:
Coppola, Francis Ford
Bram Stoker’s Dracula (1992)
Musik ~ Music

#429
Funder, Claudia: Dancing through Oz: Choreographic context in The Wizard of Oz. In: Adapting The Wizard of Oz: Musical adaptations from Baum to MGM and beyond. Edited by Danielle Birkett and Dominic McHugh. - New York: Oxford University Press 2018. p. ?P.
Index:
Baum, L. Frank
Fleming, Victor
Wizard of Oz, The (1939)
Wizard of Oz, The (Filmreihe)
Tanz ~ Dance
Musik ~ Music
MGM (Metro Goldwyn Mayer) ~ MGM (Metro Goldwyn Mayer)
Wonderful Wizard of Oz, The (Literatur ~ Literature)

#430
Furniss, Maureen: John Whitney’s path to IBM. In: Animation Journal 21. 2013. No. ?N. [?D] pp. 26-46.
Description:
On the animator and composer.
Index:
Whitney, John
Musik ~ Music
Animation ~ Animation

#431
Gabbard, Glen O. / Gabbard, Krin: The science fiction film and psychoanalysis: Alien and Melanie Klein’s night music. In: Psychoanalytic approaches to literature and film. Edited by Maurice Charney and Joseph Reppen. - Rutherford, NJ: Fairleigh Dickinson University Press 1987. pp. 171-179.
Index:
Scott, Ridley
Alien (1979)
Nacht ~ Night
Literatur ~ Literature
Psychologie ~ Psychology
Science Fiction ~ Science Fiction
Musik ~ Music

#432
Gabbard, Krin: White face, black noise: Miles Davis and the soundtrack. In: Beyond the soundtrack: Representing music in cinema. Edited by Daniel Goldmark, Lawrence Kramer and Richard Leppert. - Berkeley, California; London: University of California Press 2007. pp. 260-276.
Description:
Discusses, among others, Davis’s music for Gary Ross’s Pleasantville and Dennis Hopper’s The Hot Spot.
Index:
Davis, Miles
Ross, Gary
Hopper, Dennis
Pleasantville (1998)
Hot Spot, The (1990)
Musik ~ Music

#433
Gabriel, Gilbert: Altered states, altered sounds: An investigation of how "subjective states" are signifed by the soundtrack in narrative fiction cinema. - Cardiff: University of Cardiff, Ph.D. 2011. [Abstract in: Index to Theses with Abstracts 61-13248.]
Description:
Discusses, among others, the music for Alfred Hitchcock’s films.
Index:
Hitchcock, Alfred
Musik ~ Music

#434
Gajic, Alexander: Bis die Wände wackeln. In: EPD Film 30. 2013. No. 5. [Mai] p. 11.
Description:
On 3D audio techniques.
Index:
Technik ~ Technology
Musik ~ Music
3-D Films

#435
Gallo, Phil: Sun Ra brews blend of jazz and soul sci-fi. In: Variety 393. 2003. No. 6. [December 22] p. 53.
Description:
On a DVD edition of John Coney’s Space Is the Place.
Index:
Coney, John
Space Is the Place (1974)
Sun Ra [Musikgruppe] ~ Sun Ra [Music Band]
Science Fiction ~ Science Fiction
Musik ~ Music
DVD ~ DVD

#436
Garcia, Bob: Batman: Batmusic. In: Cinefantastique 24/25. 1994. No. 6/1. [February] pp. 37, 61.
Description:
On composer Nelson Riddle.
Index:
Riddle, Nelson
Batman (TV)
Musik ~ Music
Batman ~ Batman

#437
Garcia, Bob: Batmann, the animmated series: Composing music for animation. In: Cinefantastique 24/25. 1994. No. 6/1. [February] pp. 108-110.
Description:
On musical supervisor Shirley Walker.
Index:
Walker, Shirley
Batman [The Animated Series] (TV)
Musik ~ Music
Animation ~ Animation
Batman ~ Batman

#438
Garcia, Frank: Star Wars: Ben Burtt: Sound designer redoes his Oscar-winning work. In: Cinefantastique 28. 1997. No. 8. [February] pp. 18-20, 22, 2727, 29-30.
Index:
Burtt, Ben
Lucas, George
Star Wars (Filmreihe)
Musik ~ Music
Star Wars ~ Star Wars
Academy Award ~ Academy Award

#439
Gassen, Heiner: Die Nibelungen und Das neue Babylon. In: EPD Film 3. 1986. No. 5. [May] pp. 6-7.
Description:
On the scores for the films by Fritz Lang and by Leonid Trauberg and Grigorij Kozincev.
Index:
Lang, Fritz
Trauberg, Leonid Zakharovich
Kozincev, Grigorij
Nibelungen, Die (1922-1924)
Novyy Vavilon (1929)
Musik ~ Music

#440
Gateward, Frances: Wong Fei-Hung in da house: Hong Kong martial-arts films and hip-hop culture. In: Chinese connections: Critical perspectives on film, identity and diaspora. Edited by Tan See-Kam, Peter X. Feng and Gina Marchetti. - Philadelphia: Temple University Press 2009. p. ?P.
Index:
Xu Ke [Pseudonym: Tsui Hark]
Wong fei-hung / Huang Fei-hong / Once Upon a Time in China (1991)
Musik ~ Music
Martial Art ~ Martial Art
Hongkong ~ Hong Kong
China ~ China

#441
Gengaro, Christine Lee: Listening to Stanley Kubrick: The music in his films. - Lanham, Maryland: Scarecrow Press 2013.
Reviews:
Metzner, Felix Wolfgang: [untitled.] In: Kieler Beiträge zur Filmmusikforschung 2014. No. 11. [September] p. ?P.
Index:
Kubrick, Stanley
Musik ~ Music

#442
Gengaro, Christine Lee: Music in flux: Musical transformation and time travel in Back to the Future. In: The worlds of Back to the Future: Critical essays on the films. Edited by Sorcha Ni Fhlainn. - Jefferson, North Carolina; London: McFarland & Co. 2010. pp. 112-132.
Index:
Zemeckis, Robert
Back to the Future (Filmreihe)
Musik ~ Music

#443
Gentry, Ric: Alan Splet and sound effects for Dune. In: American Cinematographer 65. 1984. No. 11. [December] pp. 62-72.
Index:
Lynch, David
Splet, Alan R.
Dune (1983)
Technik: Spezialeffekte ~ Technology: Special Effects
Musik ~ Music

#444
Gergely, Hubai: Recapturing the Midas touch: A critical reading of the Bond songs’ chart positions. In: James Bond in world and popular culture: The films are not enough. Edited by Jan Becker, Robert G. Weiner and B. Lynn Whitfield. - Newcastle upon Tyne: Cambridge Scholars 2010. p. ?P.
Index:
James Bond (Filmreihe)
Musik ~ Music
James Bond ~ James Bond

#445
Gerle, Jörg: "Schöne Musik": Die Musik zu Stanley Kubricks Filmen. In: Film-Dienst 52. 1999. No. 7. [March 30] pp. 32-33.
Index:
Kubrick, Stanley
Musik ~ Music

#446
Gerle, Jörg: Bernard Herrmann. In: Film-Dienst 53. 2000. No. 3. [February 1] p. 42.
Description:
On the composer.
Index:
Herrmann, Bernard
Musik ~ Music

#447
Gerle, Jörg: Besinnungslos: Hitchcock, Herrmann und die Zeit danach. In: Film-Dienst 52. 1999. No. 16. [August 3] p. 43.
Description:
On the collaboration between the director and the composer.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Musik ~ Music

#448
Gerle, Jörg: Blade. In: Film-Dienst 52. 1999. No. 3. [February 2] p. 13.
Description:
On the score by Mark Isham.
Index:
Norrington, Stephen
Isham, Mark
Blade (1998)
Musik ~ Music

#449
Gerle, Jörg: Can You Dig it? In: Film-Dienst 63. 2010. No. 14. [July 8] p. 39.
Description:
On a CD edition of the music for black action films from 1969 to 1975.
Index:
Musik ~ Music
Action ~ Action

#450
Gerle, Jörg: Das Omen 1 & 3. In: Film-Dienst 54. 2001. No. 25. [December 4] p. 36.
Description:
On the film scores for the series.
Index:
Omen, The (Filmreihe)
Musik ~ Music

#451
Gerle, Jörg: Der "Music-Man" der "Yellow Ones": Meisterhafter Arrangeur: Alf Clausen. In: Film-Dienst 60. 2007. No. 15. [July 19] p. 11.
Description:
On the film score for David Silverman’s The Simpsons Movie.
Index:
Silverman, David
Clausen, Alf
Simpsons Movie, The (2007)
Musik ~ Music

#452
Gerle, Jörg: Der Herr der Ringe. In: Film-Dienst 55. 2002. No. 3. [January 29] p. 46.
Description:
On the score for Peter Jackson’s The Lord of the Rings.
Index:
Jackson, Peter
Lord of the Rings, The: The Fellowship of the Ring (2001)
Musik ~ Music

#453
Gerle, Jörg: Der Klang Gottes. In: Film-Dienst 57. 2004. No. 10. [May 13] p. 38.
Description:
On the role of musik in religious films.
Index:
Religion ~ Religion
Musik ~ Music

#454
Gerle, Jörg: Der Sound-Tracker: Ekstatische Zeitgeist-Kommentare: Der Komponist Cliff Martinez. In: Film-Dienst 69. 2016. No. 17. [August 18] pp. 32-33.
Index:
Martinez, Cliff
Winding-Refn, Nicolas
Neon Demon, The (2016)
Musik ~ Music

#455
Gerle, Jörg: Die fabelhafte Welt der Amélie. In: Film-Dienst 54. 2001. No. 18. [August 28] p. 36.
Description:
On the film score.
Index:
Jeunet, Jean-Pierre
fabuleux destin d’Amélie Poulain, Le / Amélie (2001)
Musik ~ Music

#456
Gerle, Jörg: Die schönste Nachtmusik: Vampirfilm-Soundtracks. In: Film-Dienst 66. 2013. No. 26. [December 19] pp. 14-15.
Index:
Vampire ~ Vampires
Nacht ~ Night
Musik ~ Music

#457
Gerle, Jörg: Dracula revisited. In: Film-Dienst 53. 2000. No. 13. [June 20] p. 37.
Description:
On DVD and CD editions of classic vampire films and music.
Index:
Musik ~ Music
DVD ~ DVD
Vampire ~ Vampires

#458
Gerle, Jörg: Dunkle Messe: Die Musik zu The Dark Knight. In: Film-Dienst 61. 2008. No. 17. [August 14] p. 13.
Index:
Nolan, Christopher
Dark Knight, The (2008)
Musik ~ Music

#459
Gerle, Jörg: E.T. - The Extra Terrestrial. In: Film-Dienst 55. 2002. No. 10. [May 7] p. 44.
Description:
On a CD edition of the film score.
Index:
Spielberg, Steven
E.T. - The Extra-Terrestrial (1982)
Musik ~ Music

#460
Gerle, Jörg: Exerzitien in Leidenschaft - Nino Rota und Federico Fellini. In: Film-Dienst 55. 2002. No. 23. [November 5] p. 39.
Description:
On CD editions of Nino Rota’s music for Federico Fellini’s films.
Index:
Rota, Nino
Fellini, Federico
Musik ~ Music

#461
Gerle, Jörg: Experimentierwille: Komponiert in Deutschland (3): Martin Todsharow. In: Film-Dienst 60. 2007. No. 13. [June 21] pp. 42-43.
Description:
On the film music composer who worked for Robert Schwentke’s Tattoo, Oskar Roehler’s Suck my Dick and Jonathan English’s Minotaur.
Index:
Todsharow, Martin
Schwentke, Robert
Roehler, Oskar
English, Jonathan
Tattoo (2001)
Suck my Dick (2001)
Minotaur (2006)
Musik ~ Music
Deutschland ~ Germany

#462
Gerle, Jörg: Final Fantasy. In: Film-Dienst 54. 2001. No. 19. [September 11] p. 38.
Description:
On the film score.
Index:
Sakaguchi, Hironobu
Sakakibara, Moto
Final Fantasy: The Spirits Within (2001)
Musik ~ Music

#463
Gerle, Jörg: Hammer-Sinfonien. In: Film-Dienst 49. 1996. No. 20. [September 24] p. 35.
Description:
On a CD collection with Hammer film scores.
Index:
Musik ~ Music
Hammer [Firma] ~ Hammer [Company]

#464
Gerle, Jörg: Höllenmacher. In: Film-Dienst 61. 2008. No. 20. [September 25] p. 42.
Description:
On Danny Elfman’s film music for Guillermo del Toro’s Hellboy II: The Golden Army and Timur Bekmambetov’s Wanted.
Index:
del Toro, Guillermo
Bekmambetov, Timur
Elfman, Danny
Hellboy II: The Golden Army (2008)
Wanted (2008)
Religion: Hölle ~ Religion: Hell
Musik ~ Music

#465
Gerle, Jörg: Hörbarer Suspense: Drei Einspielungen von Bernard Herrmanns Musik zu Hitchcocks Vertigo. In: Film-Dienst 50. 1997. No. 4. [February 18] pp. 8-9.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Vertigo (1958)
Thriller ~ Thriller
Musik ~ Music

#466
Gerle, Jörg: In (zu) großen Fußstapfen: Bonds Musik. In: Film-Dienst 68. 2015. No. 22. [October 29] p. 14.
Description:
On the music for the James Bond films.
Index:
James Bond (Filmreihe)
Musik ~ Music
James Bond ~ James Bond

#467
Gerle, Jörg: James Bernard. In: Film-Dienst 54. 2001. No. 25. [December 4] p. 16.
Description:
Obituary for the composer.
Index:
Bernard, James
Musik ~ Music

#468
Gerle, Jörg: Kino für die Ohren. In: Film-Dienst 57. 2004. No. 16. [August 5] pp. 40-41.
Description:
On several CD editions of film music, among others for Marcus Mittermeier’s Muxmäuschenstill.
Index:
Mittermeier, Marcus
Muxmäuschenstill (2003)
Musik ~ Music

#469
Gerle, Jörg: Meister aller Klassen. In: Film-Dienst 58. 2005. No. 20. [September 29] p. 54.
Description:
On a CD edition of film music composed by Miklós Rózsa.
Index:
Rózsa, Miklós
Musik ~ Music

#470
Gerle, Jörg: Men in Black II / Spiderman. In: Film-Dienst 55. 2002. No. 18. [August 27] p. 46.
Description:
On CD editions of the scores.
Index:
Sonnenfeld, Barry
Raimi, Samuel M.
Men in Black II (2002)
Spider-Man (2002)
Musik ~ Music

#471
Gerle, Jörg: Mulholland Drive. In: Film-Dienst 55. 2002. No. 5. [February 26] p. 38.
Description:
On the film score.
Index:
Lynch, David
Mulholland Drive (2001)
Musik ~ Music

#472
Gerle, Jörg: Musik als Hauptdarsteller: Hitchcock, Herrmann und die Zeit danach. In: Lexikon des Internationalen Films: Kino, Fernsehen, Video, DVD. Redaktion: Horst Peter Kroll [et al.]. Herausgegeben vom Katholischen Institut für Medieninformation und der Katholischen Filmkommission für Deutschland. Band 2: H-P. - Frankfurt/Main: Zweitausendeins 2002. pp. H9-H10.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Musik ~ Music

#473
Gerle, Jörg: Musik von Alejandro Amenábar. In: Film-Dienst 55. 2002. No. 5. [February 26] p. 38.
Description:
On CD editions of the scores for Abre los ojos and The Others.
Index:
Amenábar, Alejandro
Abre los ojos (1997)
Others, The (2001)
Musik ~ Music

#474
Gerle, Jörg: Musik zu neuen Trickfilmen. In: Film-Dienst 52. 1999. No. 25. [December 7] p. 37.
Index:
Musik ~ Music
Animation ~ Animation

#475
Gerle, Jörg: Ronin. In: Film-Dienst 52. 1999. No. 1. [January 5] p. 33.
Description:
On a CD edition of Elia Cmiral’s film score.
Index:
Frankenheimer, John
Cmiral, Elia
Ronin (1998)
Musik ~ Music

#476
Gerle, Jörg: Schwarze Musik. In: Film-Dienst 54. 2001. No. 16. [July 31] p. 37.
Description:
On a CD edition with horror film scores for Michael Armstrong’s Hexen bis aufs Blut gequält, Adrian Hoven’s Hexen geschändet und zu Tode gequält and Terence Fisher’s The Devil Rides Out. Discusses the work of composers Michael Holm, Don Banks, Sam Sklair, John Scott, Eddie Warner, Tony Tape and James Bernhard.
Index:
Armstrong, Michael
Hoven, Adrian
Fisher, Terence
Holm, Michael
Banks, Don
Sklair, Sam
Scott, John
Warner, Eddie
Tape, Tony
Bernhard, James
Hexen bis aufs Blut gequält (1969)
Hexen - geschändet und zu Tode gequält (1972)
Devil Rides Out, The (1967)
Horror ~ Horror
Musik ~ Music

#477
Gerle, Jörg: Sinnlich: Der Versuch, Dr. Caligari musikalisch zum Leben zu erwecken. In: Film-Dienst 67. 2014. No. 6. [March 13] p. 31.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Musik ~ Music

#478
Gerle, Jörg: Todesmelodien. In: Film-Dienst 53. 2000. No. 16. [August 1] p. 39.
Description:
ON CD editions of the scores for Roland Emmerich’s The Patriot and Wolfgang Petersen’s The Perfect Storm.
Index:
Emmerich, Roland
Petersen, Wolfgang
Patriot, The (2000)
Perfect Storm, The (2000)
Tod ~ Death
Musik ~ Music

#479
Gerle, Jörg: Ton-Terror. In: Film-Dienst 53. 2000. No. 24. [November 21] p. 42.
Description:
On a CD editions of ther scores for Paul Verhoeven’s Hollow Man and Robert Zemeckis’s What Lies Beneath.
Index:
Verhoeven, Paul
Zemeckis, Robert
Hollow Man (2000)
What Lies Beneath (2000)
Musik ~ Music

#480
Gerle, Jörg: Tonterror II. In: Film-Dienst 54. 2001. No. 7. [March 27] pp. 39-40.
Description:
On music for horror films. Discusses Christopher Young’s score for Chuck Russell’s Bless the Child, Christopher Franke’s score for Richard Caesar’s The Calling, James Newton Howard’s score for M. Night Shyamalan’s Unbreakable, John Ottman’s score for his own film Urban Legends: Final Cut and Jan A. P. Kaczmarek’s score for Janusz Kaminski’s Lost Souls.
Index:
Young, Christopher
Russell, Chuck
Franke, Christopher
Caesar, Richard
Howard, James Newton
Shyamalan, M. Night
Ottman, John
Kaczmarek, Jan A. P.
Kaminski, Janusz
Bless the Child (2000)
Calling, The (2000)
Unbreakable (2000)
Urban Legends: Final Cut (2000)
Lost Souls (2000)
Musik ~ Music
Horror ~ Horror

#481
Gerle, Jörg: Tonterror III - Marco Beltrami. In: Film-Dienst 54. 2001. No. 10. [May 8] p. 36.
Description:
On the composer and his work for the horror film.
Index:
Beltrami, Marco
Musik ~ Music
Horror ~ Horror

#482
Gerle, Jörg: Tron Legacy. In: Film-Dienst 64. 2011. No. 4. [February 17] p. 49.
Description:
On a CD edition containing the soundtrack.
Index:
Kosinski, Joseph
Tron: Legacy (2010)
Musik ~ Music

#483
Gerle, Jörg: Und die Unschuld endet: Summer Wine aus Stoker. In: Film-Dienst 66. 2013. No. 23. [November 7] p. 14.
Index:
Park Chan-wook
Stoker (2013)
Musik ~ Music

#484
Gerle, Jörg: Weltall und Märchen. In: Film-Dienst 59. 2006. No. 10. [May 11] p. 39.
Description:
On two CD editions of scores for several DEFA science fiction and fairy tale films.
Index:
Science Fiction ~ Science Fiction
Musik ~ Music
Märchen ~ Fairy Tales
DEFA ~ DEFA

#485
Germa, Élizabeth: La citation musicale dans 2001: A Space Odyssey (1968) de Stanley Kubrick. In: Anglophonia 2002. No. 11. [?D] pp. 245-253.
Description:
Discusses, among others, Barry Lyndon and A Clockwork Orange.
Index:
Kubrick, Stanley
2001 - A Space Odyssey (1968)
Barry Lyndon (1975)
Clockwork Orange, A (1971)
Musik ~ Music

#486
Gerwin, Carsten: "Kill the Wabbit!" - Richard Wagner im Hollywood-Cartoon. In: Kieler Beiträge zur Filmmusikforschung 2014. No. 11. [September] p. ?P.
Index:
Wagner, Richard
Hollywood ~ Hollywood
Animation: Cartoons ~ Animation: Cartoons
Musik ~ Music

#487
Gerz, Raimund: Den Unterton eines Filmes verstehen: Der Filmkomponist Hans Zimmer. In: EPD Film 13. 1996. No. 5. [May] pp. 19-24..
Description:
On the composer who worked for The Lion King by Roger Allers and Rob Minkoff.
Index:
Allers, Roger
Minkoff, Rob
Zimmer, Hans
Lion King, The (1994)
Musik ~ Music

#488
Gifford, Barry: Sound and vision: Lost Highway (the opera). In: Film Comment 40. 2004. No. 2. [March/April] p. 16.
Description:
On the opera by Elfriede Jelinek and Olga Neuwirth based on the David Lynch film.
Index:
Lynch, David
Jelinek, Elfriede
Neuwirth, Olga
Lost Highway (1996)
Musik ~ Music
Lost Highway (Musik ~ Music)

#489
Gil-Curiel, Germán: Chinese identity: Poetics of cinema and music in Hero. In: Film music in "minor" national cinemas. Edited by Germán Gil-Curiel. - New York; London: Bloomsbury Academic 2016. (= Topics and issues in national cinema 4.) p. ?P.
Index:
Zhang Yimou
Ying Xiong (2002)
China ~ China
Musik ~ Music

#490
Gilman, Sander L.: Epilogue: Some thoughts about Wagner and cinema; opera and politics, style and reception. In: Wagner and cinema. Edited by Jeongwon Joe and Sander L. Gilman. Foreword by Tony Palmer. - Bloomington, Indiana: Indiana University Press 2010. p. ?P.
Index:
Wagner, Richard
Politik ~ Politics
Musik ~ Music

#491
Giuffre, Liz: Entering the labyrinth. In: The music of fantasy cinema. Edited by Janet K. Halfyard. - Sheffield, South Yorkshire; Oakville, Connecticut: Equinox Publishing 2012. (= Genre, music, and sound.) p. ?P.
Index:
Labyrinth ~ Labyrinth
Fantasy ~ Fantasy
Musik ~ Music

#492
Giusti, Marco [et al.]: Se c’e una rana al pianoforte / Ub Iwerks - skrewi bu - ubbe ert iwwerks / Materiali dai film di Ub Iwerks. In: Griffithiana 3. 1980. No. 7. [?D] pp. 20-27, 35-47, 61-81.
Description:
On Ub Iwerk’s trick film character "Flip the Frog" and on the score for the TV series (1933-1936)
Index:
Musik ~ Music
Fernsehen ~ Television
Animation: Comics ~ Animation: Comics

#493
Glaspey, Terry W.: 75 masterpieces every Christian should know: The fascinating stories behind great works of art, literature, music, and film. - Grand Rapids, Michigan: Baker Books 2015.
Index:
Musik ~ Music
Literatur ~ Literature
Religion ~ Religion

#494
Glebas, Francis: The animator’s eye: Adding life to animation with timing, layout, design, color and sound. - Waltham, Massachusetts: Focal Press 2012.
Index:
Musik ~ Music
Augen ~ Eyes
Animation ~ Animation

#495
Gloede, Katherine: Sexual politics in the music and sound of Eyes Wide Shut and Spring Awakening. - Medford/Somerville, Massachussetts: Tufts University, M.A. 2014. [Abstract in: Masters Abstracts International 53. 2015. No. 3. (June).]
Index:
Kubrick, Stanley
Gold, Jack
Eyes Wide Shut (1999)
Spring Awakening (1994)
Sexualität ~ Sexuality
Politik ~ Politics
Musik ~ Music

#496
Goergen, Jeanpaul: Musik des Lichts: Zum 100. Geburtstag Walter Ruttmanns. In: EPD Film 4. 1987. No. 12. [December] pp. 20-27.
Description:
Discusses especially Walter Ruttmann’s Berlin - Die Sinfonie der Großstadt.
Index:
Ruttmann, Walter
Berlin - Die Sinfonie der Großstadt (1927)
Musik ~ Music

#497
Gold, Richard: Jedi disk spinoffs outsell soundtrack. In: Variety 311. 1983. No. ?N. [July 27] pp. 5 ff.
Index:
Marquand, Richard
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Musik ~ Music

#498
Goldmark, Daniel: Before Willie: Reconsidering music and the animated cartoon of the 1920s. In: Beyond the soundtrack: Representing music in cinema. Edited by Daniel Goldmark, Lawrence Kramer and Richard Leppert. - Berkeley, California; London: University of California Press 2007. p. ?P.
Index:
Animation: Cartoons ~ Animation: Cartoons
Animation ~ Animation
Musik ~ Music

#499
Goldmark, Daniel Ira: Happy harmonies: Music and the Hollywood animated cartoon. - Los Angeles, California: University of California, Los Angeles, Ph.D. 2001. [Abstract in: Dissertation Abstracts International A 62. 2001. No. 2. (August) p. 380.]
Index:
Musik ~ Music
Hollywood ~ Hollywood
Animation: Cartoons ~ Animation: Cartoons
Animation ~ Animation

#500
Goldmark, Daniel: Pixar and the animated soundtrack. In: The Oxford handbook of new audiovisual aesthetics. Edited by John Richardson, Claudia Gorbman and Carol Vernallis. - New York: Oxford University Press 2013. p. ?P.
Index:
Pixar [Firma] ~ Pixar [Company]
Animation ~ Animation
Musik ~ Music

#501
Goldmark, Daniel: Sonic nostalgia and Les Triplettes de Belleville. In: Drawn to sound: Animation film music and sonicity. Edited by Rebecca Coyle. - Oakville, Connecticut: Equinox 2010. (= Genre, music and sound.) p. ?P.
Index:
Chomet, Sylvain
Triplettes de Belleville, Les (2002)
Animation ~ Animation
Musik ~ Music

#502
Goldmark, Daniel: Sounds funny / funny sounds: Theorizing cartoon music. In: Funny pictures: Animation and comedy in studio-era Hollywood. Edited by Daniel Goldmark and Charlie Keil. - Berkeley, California: University of California Press 2011. p. ?P.
Index:
Musik ~ Music
Animation: Cartoons ~ Animation: Cartoons
USA (United States of America) ~ USA (United States of America)
Hollywood ~ Hollywood
Humor ~ Humor
Animation ~ Animation

#503
Goldmark, Daniel: Tunes for ’toons: Music and the Hollywood cartoon. - Los Angeles: University of California Press 2005.
Reviews:
Furniss, Maureen: [untitled.] In: Animation Journal 14. 2006. No. 1. [?D] pp. 93-94.
Index:
Musik ~ Music
Hollywood ~ Hollywood
Animation: Cartoons ~ Animation: Cartoons
Animation ~ Animation

#504
Goldschmitt, Kariann: From Disney to dystopia: Transforming Brazil for a US audience. In: The Routledge companion to screen music and sound. Edited by Miguel Mera, Ronald Sadoff, and Ben Winters. - New York; London: Routledge 2017. (= Routledge companions.) p. ?P.
Index:
Gilliam, Terry
Brazil (1985)
Utopie ~ Utopia
Disney ~ Disney
Musik ~ Music

#505
Goldstein, Lynda R.: Cultural interpellations: Popular song interpolations in narrative film. - Philadelphia, Pennsylvania: Temple University, Ph.D. 1992. [Abstract in: Dissertation Abstracts International A 53. 1992. No. 5. (November) p. 1303A.]
Description:
Discusses, among others, the film score of David Lynch’s Blue Velvet.
Index:
Lynch, David
Blue Velvet (1986)
Musik ~ Music

#506
Gonzalez-Fernandez, Pedro: Communicating fear in film music: A sociophobic analysis of zombie film soundtracks. - College Park, Maryland: University of Maryland, College Park, M.A. 2014.
[Abstract in: MAI 53. 2015. No. 3. (June).]
Index:
Zombies ~ Zombies
Musik ~ Music
Angst ~ Fear

#507
Gorbman, Claudia: Ears wide open: Kubrick’s music. In: Changing tunes: The use of pre-existing music in film. Edited by Phil Powrie and Robynn Stilwell. - Aldershot; Burlington, Vermont: Ashgate 2006. pp. 1 ff.
Index:
Kubrick, Stanley
Musik ~ Music

#508
Goslar, Nina / Zurhorst, Meinolf: Liebe Kollegen vom "Film-Dienst", ... In: Film-Dienst 54. 2001. No. 21. [October 9] pp. 40-41.
Description:
A critical response to an article by Lothar Prox in "Film-Dienst" No. 20, September 25, 2001 on the restoration of the score for the Fritz Lang classic Metropolis.
Index:
Lang, Fritz
Metropolis (1925/1926)
Musik ~ Music

#509
Gracyk, Theodore: The music of the Matrix: Where are we hearing when we hear the future? In: More Matrix and philosophy: Revolutions and reloaded decoded. Edited by William Irwin. - Chicago, Illinois: Open Court 2005. (= Popular culture and philosophy 11.) p. ?P.
Index:
Wachowski, Andy
Wachowski, Larry
Matrix, The (Filmreihe)
Utopie ~ Utopia
Philosophie ~ Philosophy
Musik ~ Music

#510
Graf, Dominik: Der wildeste Rausch von allen: Die Musik der frühen Filme von Dario Argento. In: Dario Argento: Anatomie der Angst. Hrsg. von Michael Flintrop und Marcus Stiglegger. - Berlin: Bertz und Fischer 2013. (= Deep Focus 16.) pp. 101 ff.
Index:
Argento, Dario
Musik ~ Music
Angst ~ Fear

#511
Grajdian, Maria: Befremdende Vertraulichkeiten: Anime-Soundtracks von domestizierendem Plagiarismus zu hybridisierender Authentizität. In: Kieler Beiträge zur Filmmusikforschung 2012. No. 8. [July] pp. 20-61.
Index:
Animation: Comics ~ Animation: Comics
Animation ~ Animation
Musik ~ Music

#512
Granade, S. Andrew: Some people call me the space cowboy: Sonic markers of the science fiction western. In: Re-locating the sounds of the western. Edited by Kendra Preston Leonard and Mariana Whitmer. - Abingdon, Oxon; New York: Routledge 2018. (= Ashgate screen music.) p. ?P.
Index:
Weltraum ~ Space
Science Fiction ~ Science Fiction
Western-Filme ~ Western Films
Musik ~ Music

#513
Grant, Barry Keith: "Jungle nights in Harlem": Jazz, ideology, and the animated cartoon. In: University of Hartford Studies in Literature 21. 1989. No. 3. [?D] pp. 3-12.
Index:
Musik ~ Music
Animation: Cartoons ~ Animation: Cartoons
Dschungel ~ Jungle
Nacht ~ Night
Politik ~ Politics
Animation ~ Animation

#514
Greeley, Andrew: Religion in der Popkultur: Musik, Film und Roman. Mit Kurzbiographien von Bruce Springsteen, Madonna, Woody Allen und Andrew Greeley. Aus dem Amerikanischen von Anton Grabner-Haider. - Graz; Wien; Köln: Styria Verlag 1993.
First edition:
[God in popular culture. Chicago, Illinois: Thomas More Press 1988]
Reviews:
Schwendemann, Wilhelm: [untitled] In: Medien Praktisch 18. 1994. No. 2(70). [?D] p. 70.
Index:
Ciccone, Madonna Louise [Pseudonym: Madonna]
Allen, Woody
Greeley, Andrew
Religion ~ Religion
Musik ~ Music

#515
Gricksch, Gernot: "Durchgekautes Gehirn". In: Cinema [Hamburg] 1993. No. 1(176). [?D] p. 81.
Description:
On the composer Philip Glass and his work for Bernard Rose’s Candyman.
Index:
Rose, Bernard
Glass, Philip
Candyman (1992)
Gehirn ~ Brain
Musik ~ Music

#516
Grieve, Ann: Reflets et mirages: De Berio à Greenaway. In: Positif 1991. No. 368. [October] pp. 34-35.
Description:
Compares Luciano Berio’s opera version of Shakespeare’s The Tempest with Greenaway’s film Prospero’s Books.
Index:
Greenaway, Peter
Shakespeare, William
Berio, Luciano
Prospero’s Books (1991)
Musik ~ Music
Tempest, The (Literatur ~ Literature)

#517
Griffin, Dominic: The NBK soundtrack story as told by NIN Trent Reznor. In: Film Threat ?G. 1994. No. 19. [December] p. 75.
Index:
Stone, Oliver
Natural Born Killers (1994)
Musik ~ Music

#518
Grimm, William E.: The Faust legend in music and literature. Vol. 1. - Lewiston, New York; Queenston; Lampeter: Edwin Mellen Press 1988. (= Studies in the history and interpretation of music 5.)
Index:
Musik ~ Music
Literatur ~ Literature
Faust ~ Faust

#519
Grimm, William E.: The Faust legend in music and literature. Vol. 2. - Lewiston, New York; Queenston; Lampeter: Edwin Mellen Press 1992. (= Studies in the history and interpretation of music 36.)
Reviews:
Foell, Kristie A.: [untitled] In: Ars Lyrica 1994. No. 8. [?D] pp. 180-184.
Description:
On musically, literarary and filmic Faust adaptions. Discusses, among others, five Faust films: Stellan Rye’s Der Student von Prag, Murnau’s Faust - Eine deutsche Volkssage, Doctor Faustus by Richard Burton and Nevill Coghill, István Szabó’s Mephisto and Walter Hill’s Crossroads.
Index:
Rye, Stellan
Murnau, Friedrich Wilhelm
Burton, Richard
Coghill, Nevill
Szabó, István
Hill, Walter
Student von Prag, Der (1913)
Faust - Eine deutsche Volkssage (1926)
Doctor Faustus (1967)
Mephisto (1980)
Crossroads (1986)
Literatur ~ Literature
Faust ~ Faust
Musik ~ Music

#520
Grob, Norbert: "Die Zauberkräfte des Schattens": Zur Musikalität suggestiver Kinofilme. In: Grob, Norbert: Zwischen Licht und Schatten: Essays zum Film. - St. Augustin: Gardez! Verlag 2002. pp. 51-69.
Description:
Discusses, among others, the music for several Hitchcock thrillers.
Index:
Hitchcock, Alfred
Thriller ~ Thriller
Musik ~ Music

#521
Groenewold, Eike: In Between Soundscapes - Schwellenbereiche auditiver Ebenen im Film. - München: GRIN Verlag 2011.
Description:
Includes an analysis of the sound in David Lynch’s Eraserhead.
Index:
Lynch, David
Eraserhead (1977)
Musik ~ Music

#522
Groh, Thomas: Antenna UK - Experimentelle Musikvideoreihe in Berlin: Neue Filmreihe in Berlin: Experimentelle Musikvideos aus Großbritannien. In: F.LM - Texte zum Film. Online edition, August 2006.
Index:
Video ~ Video
Musik ~ Music
Großbritannien ~ Great Britain
Experimentalfilme ~ Experimental Films
Berlin ~ Berlin

#523
Gross, Edward: Agent provocateur. In: Cinefantastique 35. 2003. No. 5. [October/November] pp. 46-75.
Description:
On the second season of the TV series Alias. Includes articles on several actors, on composer Michael Giacchino and on costume designer Laura Goldsmith.
Index:
Giacchino, Michael
Goldsmith, Laura
Alias (TV)
Musik ~ Music
Fernsehen ~ Television

#524
Grosse-Ladevie, Christine: Geliebtes Ungetüm. In: Filmgeschichte [Berlin] 2001. No. 15. [September] pp. 4-6.
Description:
On the longtime friendship between the musician Eleanor Rosé and Fritz Lang as shown in their correspondence.
Index:
Lang, Fritz
Rosé, Eleanor
Musik ~ Music

#525
Guzzo, Anne Marie: The life and music of Carl Stalling: From toy pianos to dog ears. - Davis, California: University of California, Davis, Ph.D. 2002. [Abstract in: Dissertation Abstracts International A 63. 2003. No. 9. (March) p. 3051.]
Description:
On the composer and his music for early Disney animation.
Index:
Stalling, Carl
Musik ~ Music
Hunde ~ Dogs
Disney ~ Disney
Animation ~ Animation

#526
Hadley, Chris: King of Kong. In: Film Score Monthly 22. 2017. No. 3. [March] p. 1.
Description:
Interview with composer Henry Jackman on the score for
Jordan Vogt-Roberts’s Kong: Skull Island.
Index:
Vogt-Roberts, Jordan
Jackman, Henry
Kong: Skull Island (2017)
Musik ~ Music

#527
Hagood, Mack: Unpacking a punch: Transduction and the sound of combat foley in Fight Club. In: Cinema Journal 53. 2014. No. 4. [Summer] pp. 98-120.
Index:
Fincher, David
Fight Club (1999)
Musik ~ Music

#528
Haines, John: Music in films on the Middle Ages: Authenticity vs. fantasy. - Abingdon, New York: Routledge 2014. (= Routledge research in music 7.)
Reviews:
Harty, Kevin J.: [untitled.] In: Arthuriana 25. 2015. No. 1. [?D] pp. 173-175.
Index:
Musik ~ Music
Geschichte: Mittelalter ~ History: Middle Ages
Fantasy ~ Fantasy

#529
Hainge, Greg: No sympathy for the devil or lobby music: Spaces of disjunction in Barton Fink, The Shining and Muzak. In: Moving pictures / stopping places: Hotels and motels on film. Edited by David B. Clarke, Valerie Crawford Pfannhauser and Marcus A. Doel. - Lanham, Maryland: Lexington Books 2009. p. ?P.
Index:
Coen, Ethan
Coen, Joel
Kubrick, Stanley
Barton Fink (1991)
Shining, The (1980)
Religion: Teufel ~ Religion: Devil
Musik ~ Music

#530
Hairapetian, Marc: Primaten-Literatur und Affen-Musik: Bücher und Musik zu Tim Burtons Planet der Affen. In: Film-Dienst 54. 2001. No. 21. [October 9] p. 36.
Index:
Burton, Tim
Planet of the Apes (2001)
Affen ~ Apes
Musik ~ Music
Literatur ~ Literature

#531
Hairston, Andrea: Lord of the monsters: Minstrelsy redux: King Kong, hip hop, and the brutal Black buck. In: Journal of the Fantastic in the Arts 18. 2007. No. 2. [?D] pp. 187-199.
Index:
Jackson, Peter
King Kong (2005)
Musik ~ Music
Monster ~ Monster
Gewalt ~ Violence

#532
Haletzki, Paul: Pionier der Filmmusik: Der Komponist Gottfried Huppertz. In: Film und Ton Magazin 25. 1979. No. ?N. [December] pp. 59-62.
Description:
On the composer and his score for Fritz Lang’s Die Nibelungen and Metropolis.
Index:
Huppertz, Gottfried
Lang, Fritz
Nibelungen, Die (1922-1924)
Metropolis (1925/1926)
Musik ~ Music

#533
Halfyard, Janet K.: Cue the big theme? The sound of the superhero. In: The Oxford handbook of new audiovisual aesthetics. Edited by John Richardson, Claudia Gorbman and Carol Vernallis. - New York: Oxford University Press 2013. p. ?P.
Index:
Helden ~ Heros
Musik ~ Music

#534
Halfyard, Janet K.: Everybody scream! Tim Burton’s animated gothic-horror musical-comedies. In: Drawn to sound: Animation film music and sonicity. Edited by Rebecca Coyle. - Oakville, Connecticut: Equinox 2010. (= Genre, music and sound.) p. ?P.
Index:
Burton, Tim
Humor ~ Humor
Horror ~ Horror
Animation ~ Animation
Musik ~ Music

#535
Halfyard, Janet K. / Hancock, Victoria: Scoring fantasy girls. In: The music of fantasy cinema. Edited by Janet K. Halfyard. - Sheffield, South Yorkshire; Oakville, Connecticut: Equinox Publishing 2012. (= Genre, music, and sound.) p. ?P.
Index:
Fantasy ~ Fantasy
Frauen ~ Women
Musik ~ Music

#536
Halfyard, Janet K.: Mischief afoot: Supernatural horror-comedies and the Diabolus in musica. In: Music in the horror film: Listening to fear. Edited by Neil Lerner. - New York: Routledge 2010. (= Routledge music and screen media.) p. ?P.
Index:
Humor ~ Humor
Wunder ~ Miracles
Angst ~ Fear
Horror ~ Horror
Musik ~ Music

#537
Halfyard, Janet K.: Music of the night: Scoring the vampire in contemporary film. In: Terror tracks: Music, sound and horror cinema. Edited by Philip Hayward. - Oakville, Connecticut: Equinox 2009. (= Genre, Music and Sound.) p. ?P.
Index:
Vampire ~ Vampires
Nacht ~ Night
Horror ~ Horror
Musik ~ Music

#538
Halfyard, Janet K.: Superconductors. In: The music of fantasy cinema. Edited by Janet K. Halfyard. - Sheffield, South Yorkshire; Oakville, Connecticut: Equinox Publishing 2012. (= Genre, music, and sound.) p. ?P.
Index:
Fantasy ~ Fantasy
Musik ~ Music

#539
Hanisch, Michael: Der "Kilar-Sound": Der polnische Filmkomponist Wojciech Kilar wird 80. In: Film-Dienst 65. 2012. No. 14. [July 5] pp. 18-19.
Index:
Kilar, Wojciech
Polen ~ Poland
Musik ~ Music

#540
Hanisch, Michael: Gefühlte Realität: Ein Perfektionist: Der Komponist Ennio Morricone. In: Film-Dienst 56. 2003. No. 23. [November 4] pp. 46-47.
Index:
Morricone, Ennio
Musik ~ Music

#541
Hanna, Suzie: Composers and animators: The creation of interpretative and collaborative vocabularies. In: Journal of Media Practice 9. 2008. No. 1. [?D] pp. 29-41.
Description:
On music in science fiction film.
Index:
Science Fiction ~ Science Fiction
Musik ~ Music
Animation ~ Animation

#542
Hannan, Michael: Sound and music in Hammer’s vampire films. In: Terror tracks: Music, sound and horror cinema. Edited by Philip Hayward. - Oakville, Connecticut: Equinox 2009. (= Genre, Music and Sound.) p. ?P.
Index:
Vampire ~ Vampires
Hammer [Firma] ~ Hammer [Company]
Horror ~ Horror
Musik ~ Music

#543
Hanssen, Tina Rigby: The omnipresent soundscape of drones: reflections on Bill Viola’s sound design in Five Angels for the Millennium. In: The Soundtrack 2. 2009. No. 2. [?D] pp. 127-141.
Index:
Viola, Bill
Five Angels for the Millennium (2001)
Musik ~ Music
Kunst ~ Arts, The
Experimentalfilme ~ Experimental Films

#544
Harmann, Donald Conrad: The Don Quichotte à Dulcinée of Maurice Ravel and the Chansons de Don Quichotte of Jacques Ibert: A study of two song cycles composed for the film Don Quixote, which starred Feodor Chaliapin. - Norman, Oklahoma: University of Oklahoma, D.M.A. 1994. [Abstract in: Dissertation Abstracts International A 55. 1995. No. 11. (May) p. 3346A.]
Description:
On the score for Pabst’s Don Quichotte and on main actor Feodor Schaljapin.
Index:
Pabst, Georg Wilhelm
Schaljapin, Feodor
Ravel, Maurice
Ibert, Jacques
Don Quichotte (1933)
Musik ~ Music

#545
Harris, Thomas J.: Children’s live-action musical films: A critical survey and filmography. - Jefferson, North Carolina: McFarland 1989.
Description:
Discusses also fantastic films.
Index:
Musik ~ Music
Jugend ~ Youth

#546
Harst, Joachim: MM: Vom Gesetz ein Liedchen singen. In: Fritz Lang: M - eine Stadt sucht einen Mörder: Texte und Kontexte. Hrsg. von Christoph Bareither und Urs Büttner in Zusammenarbeit mit Dorothee Kimmich. Vorwort von Anton Kaes. - Würzburg: Königshausen & Neumann 2010. (= Film, Medium, Diskurs 28.) pp. 55 ff.
Index:
Lang, Fritz
M - Eine Stadt sucht einen Mörder (1931)
Musik ~ Music

#547
Hasenberg, Peter: Clown und Superstar: Die Jesus-Musicals der 70er Jahre. In: Jesus in der Hauptrolle: Zur Geschichte und Ästhetik der Jesus-Filme. - Köln: Katholisches Institut für Medieninformation 1992. (= Film-Dienst Extra [November].) pp. 36-41.
Description:
Especially on Milos Forman’s Hair, Norman Jewison’s Jesus Christ Superstar and David Greene’s Godspell.
Index:
Forman, Milos
Jewison, Norman
Greene, David
Hair (1977)
Jesus Christ Superstar (1972)
Godspell (1973)
Religion ~ Religion
Musik ~ Music

#548
Hasson, Matthew: Carl Stalling project vol. 2. In: Animato! 1996. No. 34. [?D] p. 11.
Description:
On a collection of Stalling’s scores for Warner Bros. Cartoons.
Index:
Stalling, Carl
Musik ~ Music
Animation: Cartoons ~ Animation: Cartoons

#549
Hatch, Craig: The horror of progressive rock: Goblin and horror soundtracks. In: Italian horror cinema. Edited by Stefano Baschiera and Russ Hunter. - Edinburgh: Edinburgh University Press 2016. p. ?P.
Index:
Musik ~ Music
Goblin [Band] ~ Goblin [Band]
Horror ~ Horror
Italien ~ Italy

#550
Hawk, Wayne: Carl Stalling: Master of the Merrie Melody. In: Filmfax 1992. No. 34. [?D] pp. 74-77.
Description:
On composer and his work for the Warner Bros. cartoons.
Index:
Stalling, Carl
Warner Bros. ~ Warner Bros.
Musik ~ Music
Animation: Cartoons ~ Animation: Cartoons

#551
Hawkins, Stan / Lindvig, Kyrre Tromm: Eyes Wide Shut - eyes wide open? Om å se med ørene. In: Z Filmtidsskrift ?G. 2003. No. ?N(83). [April] pp. 42-46.
Description:
On the usage of pop music in the films of Stanley Kubrick.
Index:
Kubrick, Stanley
Eyes Wide Shut (1999)
Musik ~ Music
Augen ~ Eyes

#552
Hawksley, Theodora: "But it did happen": Sound as deep narrative in P. T. Anderson’s Magnolia (1999). In: Journal of Religion and Film 13. 2009. No. 2. [October] p. 1.
Index:
Anderson, Paul Thomas
Magnolia (1999)
Musik ~ Music
Religion ~ Religion

#553
Hayward, Phil: Lust in space: Science fiction themes & sex cinema (1960-82). In: Earogenous zones: Sound, sexuality and cinema. Edited by Bruce Johnson. - Oakville, Connecticut: Equinox 2010. (= Genre, music and sound.) p. ?P.
Index:
Science Fiction ~ Science Fiction
Sexualität ~ Sexuality
Musik ~ Music

#554
Hayward, Philip / Fitzgerald, Jon: Rematerialization: Musical engagements with the British TV series Doctor Who. In: Music in science fiction television: Tuned to the future. Edited by K. J. Donnelly and Philip Hayward. - New York: Routledge 2013. (= Routledge music and screen media.) p. ?P.
Index:
Doctor Who (TV)
Großbritannien ~ Great Britain
Fernsehen ~ Television
Science Fiction ~ Science Fiction
Musik ~ Music

#555
Hayward, Philip: Inter-planetary soundclash: Music, technology and territorialisation in Mars Attacks!. In: Off the planet: Music, sound and science fiction cinema. Edited by Philip Hayward. - London: John Libbey / Bloomington, Indiana: Indiana University Press 2004. p. ?P.
Index:
Burton, Tim
Mars Attacks! (1996)
Technik ~ Technology
Science Fiction ~ Science Fiction
Musik ~ Music

#556
Hayward, Philip / Lewandowski, Natalie: Sounds of The Silent Star: The context, score and thematics of the 1960 film adaptation of Stanislaw Lem’s novel Astronauci. In: Science Fiction Film and Television 3. 2010. No. 2. [Autumn] pp. 183-200.
Description:
On the score for Kurt Maetzig’s Der schweigende Stern.
Index:
Maetzig, Kurt
Lem, Stanislaw
schweigende Stern, Der (1960)
Musik ~ Music

#557
Hayward, Philip / Minassian, Harry: Terror in the outback: Wolf Creek and Australian horror cinema. In: Terror tracks: Music, sound and horror cinema. Edited by Philip Hayward. - Oakville, Connecticut: Equinox 2009. (= Genre, Music and Sound.) p. ?P.
Index:
McLean, Greg
Wolf Creek (2005)
Australien ~ Australia
Horror ~ Horror
Musik ~ Music

#558
Hayward, Philip: Numinous ambience. In: The music of fantasy cinema. Edited by Janet K. Halfyard. - Sheffield, South Yorkshire; Oakville, Connecticut: Equinox Publishing 2012. (= Genre, music, and sound.) p. ?P.
Index:
Fantasy ~ Fantasy
Musik ~ Music

#559
Hayward, Philip: Polar grooves: Dance, music and musicality in Happy Feet. In: Drawn to sound: Animation film music and sonicity. Edited by Rebecca Coyle. - Oakville, Connecticut: Equinox 2010. (= Genre, music and sound.) p. ?P.
Index:
Miller, George
Happy Feet (2006)
Tanz ~ Dance
Animation ~ Animation
Musik ~ Music

#560
Hayward, Philip: Sci fidelity: Music, sound and genre history. In: Off the planet: Music, sound and science fiction cinema. Edited by Philip Hayward. - London: John Libbey / Bloomington, Indiana: Indiana University Press 2004. p. ?P.
Index:
Science Fiction ~ Science Fiction
Musik ~ Music

#561
Hayward, Philip: Whimsical complexity: Music and sound design in The Clangers. In: Animation Journal 17. 2009. No. 1. [?D] pp. 36-51.
Index:
Firmin, Peter
Postgate, Oliver
Clangers, The (1969)
Musik ~ Music
Animation ~ Animation

#562
Hayward, Philip: Whimsical complexity: Music and sound design in The Clangers. In: Music in science fiction television: Tuned to the future. Edited by K. J. Donnelly and Philip Hayward. - New York: Routledge 2013. (= Routledge music and screen media.) p. ?P.
Index:
Clangers, The (TV)
Fernsehen ~ Television
Science Fiction ~ Science Fiction
Musik ~ Music

#563
Healers and redeemers: The reception and transformation of their medieval and late antique representations in literature, film and music. Edited by Dina De Rentiis and Christoph Houswitschka. - Trier: Wissenschaftlicher Verlag Trier 2010.
Index:
Musik ~ Music
Literatur ~ Literature
Geschichte: Mittelalter ~ History: Middle Ages
Religion ~ Religion

#564
Hébert, Pierre: Musicalité ou oralité? Réflexions d’un cinéaste qui voulait "faire comme un mucicien". In: Cinémas 3. 1992. No. 1. [?D] pp. 43-63.
Description:
The director on the importance of music for the animated film.
Index:
Hébert, Pierre
Musik ~ Music
Animation ~ Animation

#565
Hegarty, Paul: Grid intensities: Hearing structures in Chantal Akerman’s films of the 1970s. In: The music and sound of experimental film. Edited by Holly Rogers and Jeremy Barham. - New York: Oxford University Press 2017. p. ?P.
Index:
Akerman, Chantal
Musik ~ Music
Experimentalfilme ~ Experimental Films

#566
Heiland, Konrad: Die Hochzeit von Ton und Bild bei David Lynch, die Tonspur als eigenständiges Kunstwerk bei Jean-Luc Godard. In: Der Soundtrack unserer Träume: Filmmusik und Psychoanalyse. Hrsg. von Konrad Heiland und Theo Piegler. - Gießen: Psychosozial-Verlag 2013. (= Imago.) p. 143 ff.
Index:
Lynch, David
Godard, Jean-Luc
Kunst ~ Arts, The
Psychologie ~ Psychology
Musik ~ Music
Traum ~ Dreams

#567
Heiland, Konrad: Tonspuren im Schnee: Zur Filmmusik von Stanley Kubricks The Shining (1980). In: Der Soundtrack unserer Träume: Filmmusik und Psychoanalyse. Hrsg. von Konrad Heiland und Theo Piegler. - Gießen: Psychosozial-Verlag 2013. (= Imago.) p. 165 ff.
Index:
Kubrick, Stanley
Shining, The (1980)
Schnee ~ Snow
Psychologie ~ Psychology
Musik ~ Music
Traum ~ Dreams

#568
Heiland, Konrad: Tonspuren im Schnee: Zur Filmmusik von The Shining (USA 1980, Stanley Kubrick). In: Kieler Beiträge zur Filmmusikforschung 2013. No. 10. [December] p. ?P.
Index:
Kubrick, Stanley
Shining, The (1980)
Schnee ~ Snow
Musik ~ Music

#569
Heimerdinger, Julia: Von "schreienden Dissonanzen" und "gedankenlesender Zwölftonmusik": Musikalische Modernen im Hollywoodkino am Beispiel von Creature From the Black Lagoon (1954) und The Cobweb (1955). In: Kieler Beiträge zur Filmmusikforschung 2012. No. 8. [July] pp. 80-132.
Index:
Arnold, Jack
Minelli, Vincente
Creature from the Black Lagoon, The (1954)
Cobweb, The (1955)
Musik ~ Music
Hollywood ~ Hollywood

#570
Heine, Erik: Controlling and controlled: Ophelia and the ghost as defined by music in Grigori Kozintsev’s Hamlet. In: Literature/Film Quarterly 37. 2009. No. 2. [?D] p. ?P.
Index:
Kozintsev, Grigori Mikhaylovich
Gamlet / Hamlet (1964)
Ophelia ~ Ophelia
Musik ~ Music
Geister ~ Ghosts

#571
Heine, Erik: Musical rebirth in Fearless and The Truman Show. In: Journal of Religion and Film 18. 2014. No. 1. [?D] p. 1-36.
Index:
Weir, Peter
Fearless (1993)
Truman Show, The (1998)
Musik ~ Music
Geburt ~ Birth
Religion ~ Religion

#572
Heiniger, Wolfgang: Horror als Funktion: Überlegungen zu Mauricio Kagels MM51, Stanley Kubricks Shining und Christof Schlingensiefs Kirche der Angst. In: Überblendungen: Neue Musik mit Film/Video. Herausgegeben von Jörn Peter Hiekel. - Mainz: Schott 2016. (= Veröffentlichungen des Instituts für Neue Musik und Musikerziehung Darmstadt Band 56.) p. ?P.
Index:
Schlingensief, Christoph
Kagel, Mauricio
Kubrick, Stanley
Shining, The (1980)
Video ~ Video
Religion ~ Religion
Horror ~ Horror
Angst ~ Fear
Kirche der Angst vor dem Fremden in mir, Eine (Musik ~ Music)

#573
Heldt, Guido: His master’s voice: Musik und Fiktionalitätsebenen in The Truman Show. In: Kieler Beiträge zur Filmmusikforschung 2010. No. 4. [May] pp. 104-115.
Index:
Weir, Peter
Truman Show, The (1998)
Musik ~ Music

#574
Heldt, Guido: Schizophrenic chords and warm shivers in the stomach: The "new astronautic sound" of Raumpatrouille. In: Music in science fiction television: Tuned to the future. Edited by K. J. Donnelly and Philip Hayward. - New York: Routledge 2013. (= Routledge music and screen media.) p. ?P.
Index:
Raumpatrouille - Die phantastischen Abenteuer des Raumschiffs ORION (TV)
Wahnsinn ~ Madness
Fernsehen ~ Television
Science Fiction ~ Science Fiction
Musik ~ Music

#575
Heller, Heinz-B.: "Deaf, dumb and blind" und die Befreiung im Geiste der Pop Art: Tommy (1975). In: Kieler Beiträge zur Filmmusikforschung 2011. No. 7. [October] pp. 55-64.
Index:
Russell, Ken
Tommy (1974)
Blindheit ~ Blindness
Musik ~ Music

#576
Heller, Jason: Strange stars: David Bowie, pop music, and the decade sci-fi exploded. - Brooklyn, New York: Melville House / London: Blackstock Mews 2018. (= Strange stars.)
Index:
Bowie, David
Science Fiction ~ Science Fiction
Musik ~ Music

#577
Henderson, Clara: "When hearts beat like native drums": Music and the sexual dimensions of the notions of "savage" and "civilized" in Tarzan and His Mate, 1934. In: Africa Today 48. 2002. No. 4. [Winter] pp. 90 ff.
Index:
Gibbons, Cedric
Tarzan and his Mate (1934)
Gewalt ~ Violence
Sexualität ~ Sexuality
Musik ~ Music

#578
Henderson, Jan Alan: Music for Frankenstein, Dracula, The Mummy, The Wolf Man, and other old friends. In: Filmfax 1992. No. 32. [?D] pp. 28-30.
Description:
On Hans J. Salter’s music for several horror films.
Index:
Salter, Hans J.
Mumien ~ Mummies
Wölfe ~ Wolves
Vampire ~ Vampires
Musik ~ Music
Horror ~ Horror
Frankenstein ~ Frankenstein

#579
Henderson, Jan Alan: Music from Hammer films. In: Filmfax 1991. No. 26. [?D] pp. 29-30, 32.
Description:
On the Hammer composers James Bernard, Christopher Gunning and David Whitaker.
Index:
Bernard, James
Gunning, Christopher
Whitaker, David
Musik ~ Music
Hammer [Firma] ~ Hammer [Company]

#580
Henderson, Jan Alan: Plan 9 from Outer Space. In: Filmfax 1992. No. 33. [June/July] p. 34.
Description:
On the score for the film by Edward D. Wood Jr.
Index:
Wood Jr., Edward D.
Plan 9 from Outer Space (1958)
Musik ~ Music

#581
Henderson, Kirk: Alex North’s 2001 and beyond. In: Soundtrack: The Collector’s Quarterly 13. 1994. No. 49. [March] pp. 30-31.
Description:
On North’s ignored score for the Kubrick classic.
Index:
Kubrick, Stanley
North, Alex
2001 - A Space Odyssey (1968)
Musik ~ Music

#582
Henry Mancini. In: La musique à l’écran. Éd. Alain Garel et François Porcile. (= Cinémaction 1992. No. 62. [?D]) p. 63.
Description:
Views of the composer who worked for Orson Welles’s Touch of Evil, Terence Young’s Wait Until Dark and Tobe Hooper’s Lifeforce.
Index:
Mancini, Henry
Welles, Orson
Young, Terence
Hooper, Tobe
Touch of Evil (1957)
Wait Until Dark (1967)
Lifeforce (1985)
Musik ~ Music

#583
Hentschel, Frank: Musik im Horrorfilm: 2010-2017. In: Horror-Kultfilme. Hrsg. von Angela Fabris, Jörg Helbig und Arno Rußegger. - Marburg: Schüren 2017. (= Marburger Schriften zur Medienforschung 78.) pp. 161 ff.
Index:
Musik ~ Music
Horror ~ Horror

#584
Hentschel, Frank: Töne der Angst: Die Musik im Horrorfilm. - Berlin: Bertz + Fischer 2011.
Reviews:
Klos, Stefanie: [untitled.] In: Medienwissenschaft 2012. No. 2. pp. 214-216.
Metzner, Felix Wolfgang: [untitled.] In: Kieler Beiträge zur Filmmusikforschung 2013. No. 10. [December] p. ?P.
Index:
Musik ~ Music
Horror ~ Horror
Angst ~ Fear

#585
Hentschel, Frank: Vom Orientalismus zur heimischen Folklore - Ken Russell’s The Lair of the White Worm. In: Kieler Beiträge zur Filmmusikforschung 2011. No. 7. [October] pp. 74-84.
Index:
Russell, Ken
Lair of the White Worm, The (1988)
Orient ~ Orient
Musik ~ Music

#586
Herland, Karen: Always hearing voices, never hearing mine: Sound and fury in The Snake Pit. In: Recovering 1940s horror cinema: Traces of a lost decade. Edited by Mario DeGiglio-Bellemare, Charlie EllbeÞ and Kristopher Woofter. - Lanham, Maryland: Lexington Books 2014. p. ?P.
Index:
Litvak, Anatole
Snake Pit, The (1948)
Musik ~ Music
Horror ~ Horror

#587
Herrmann, Bernard: A lecture on film music, 1973. In: The Hollywood film music reader. Edited by Mervyn Cooke. - Oxford; New York: Oxford University Press 2010. p. ?P.
Index:
Herrmann, Bernard
Musik ~ Music
Hollywood ~ Hollywood

#588
Herrmann, Bernard: Portrait of Hitch. - Sevenoaks, Kent: Fairfield 1969.
Index:
Hitchcock, Alfred
Herrmann, Bernard
Musik ~ Music

#589
Herrmann, Bernard: The contemporary use of music in film: Citizen Kane, Psycho, Fahrenheit 451. In: University Film Study Center Newsletter 7. 1977. No. 3. [?D] pp. 5-10.
Index:
Welles, Orson
Hitchcock, Alfred
Truffaut, François
Herrmann, Bernard
Citizen Kane (1940)
Psycho (1960)
Fahrenheit 451 (1966)
Musik ~ Music

#590
Hess, Hans: Black Orpheus. In: Film music in "minor" national cinemas. Edited by Germán Gil-Curiel. - New York; London: Bloomsbury Academic 2016. (= Topics and issues in national cinema 4.) p. ?P.
Index:
Camus, Marcel
Orfeu Negro (1959)
Musik ~ Music

#591
Hickman, Roger: Wavering sonorities and the nascent film noir musical style. In: The Journal of Film Music 2. 2009. No. 2-4. [Winter] pp. 165-174.
Index:
Musik ~ Music
Film Noir ~ Film Noir
Expressionismus ~ Expressionism

#592
Hiemke, Michael: Von der Erwartbarkeit des Unerwartbaren: Die Filmmusik. In: Der weisse Hai revisited: Steven Spielbergs Jaws und die Geburt eines amerikanischen Albtraums. Hrsg. von Wieland Schwanebeck. - Berlin: Bertz + Fischer 2015. (= Deep focus 22.) p. 40 ff.
Index:
Spielberg, Steven
Jaws (1975)
Jaws (Filmreihe)
USA (United States of America) ~ USA (United States of America)
Musik ~ Music
Horror ~ Horror
Tiere ~ Animals

#593
Higuinen, Erwan: Le passé recomposé. In: Cahiers du Cinéma 2002. No. 569. [June] pp. 78-79.
Description:
On George Lucas’s Star Wars Episode II - Attack of the Clones.
Index:
Lucas, George
Star Wars Episode II - Attack of the Clones (2002)
Musik ~ Music

#594
Hills, Matt: Listening from behind the sofa? The (un)earthly roles of sound in BBC Wales’ Doctor Who. In: New Review of Film and Television Studies 9. 2011. No. 1. [March] pp. 28-41.
Index:
Doctor Who (TV)
Wales ~ Wales
Musik ~ Music
BBC (British Broadcasting Corporation) ~ BBC (British Broadcasting Corporation)

#595
Hindes, Andrew: Star Wars takes a sound approach. In: Variety 372. 1998. No. ?N. [October 5] p. 86.
Index:
Lucas, George
Star Wars Episode I - The Phantom Menace (1999)
Musik ~ Music

#596
Hinrichsen, Jens: Eine "Musik über Stummfilmmusik". In: Film-Dienst 69. 2016. No. 2. [January 21] pp. 28-30.
Description:
Interview with composer Cornelius Schwehr on his new score for the digitally restored Fritz Lang classic Der müde Tod.
Index:
Lang, Fritz
Schwehr, Cornelius
müde Tod, Der (1921)
Stummfilm ~ Silent Film
Musik ~ Music

#597
Hinrichsen, Jens: Möge der Krach mit dir sein! In: Film-Dienst 68. 2015. No. 24. [November 26] pp. 16-17.
Description:
On Star Wars sound editor Ben Burtt.
Index:
Burtt, Ben
Lucas, George
Star Wars (Filmreihe)
Musik ~ Music

#598
Hinrichsen, Jens: Wir pfeifen auf das Schicksalslied: Doris Day singt Que sera, sera in Der Mann, der zu viel wusste (1956) von Alfred Hitchcock. In: Film-Dienst 66. 2013. No. 23. [November 7] p. 12.
Index:
Hitchcock, Alfred
Day, Doris
Man Who Knew Too Much, The (1956)
Musik ~ Music

#599
Hirsch, Brian: When dinosaurs walked the soundstages. In: Movieline 4. 1993. No. ?N. [May] pp. 42 ff.
Description:
Discusses, among others, Kevin Connor’s At the Earth’s Core, B. W. L. Norton’s Baby: Secret of the Lost Legend, Irvin S. Yeaworth Jr.’s Dinosaurus!, Henry Levin’s Journey to the Center of the Earth, The Last Dinosaur by Alex Grasshoff and Tom Kotani, Don Chaffey’s One Million Years B. C. and James O’Connolly’s The Valley of Gwangi.
Index:
Connor, Kevin
Norton, B. W. L.
Yeaworth Jr., Irvin S.
Levin, Henry
Grasshoff, Alex
Kotani, Tom
Chaffey, Don
O’Connolly, James
At the Earth’s Core (1976)
Baby: Secret of the Lost Legend (1985)
Dinosaurus! (1960)
Journey to the Center of the Earth (1959)
Last Dinosaur, The (1976)
One Million Years B. C. (1965)
Valley of Gwangi, The (1968)
Musik ~ Music
Dinosaurier ~ Dinosaurs

#600
Hirsch, David: My life in musical purgatory. In: Soundtrack: The Collector’s Quarterly 16. 1997. No. 62. [June] pp. 6-7.
Description:
A warning of bad CD editions with film scores. Discusses, among others, editions of the Star Wars scores.
Index:
Lucas, George
Star Wars (Filmreihe)
Musik ~ Music

#601
Hirsch, David: Plan 9 from Outer Space. In: Soundtrack: The Collector’s Quarterly 15. 1996. No. 59. [September] pp. 22-23.
Description:
On the score for the film by Edward D. Wood Jr.
Index:
Wood Jr., Edward D.
Plan 9 from Outer Space (1958)
Musik ~ Music

#602
Hisama, Ellie: Blackness is a white void: Dissonance and ambiguity in Isaac Julien’s multi-screen film installations. In: Rethinking difference in gender, sexuality, and popular music: Theory and politics of ambiguity. Edited by Gavin S. K. Lee. - Abingdon, Oxon; New York: Routledge 2018. (= Routledge studies in popular music.) p. ?P.
Index:
Julien, Isaac
Sexualität ~ Sexuality
Experimentalfilme ~ Experimental Films
Musik ~ Music

#603
The history of moviemaking: Animation and live-action, from silent to sound, black-and-white to color. - New York: Scholastic 1995. (= Scholastic voyages of discovery: Music and performing arts.)
Index:
Stummfilm ~ Silent Film
Musik ~ Music
Animation ~ Animation

#604
Hitchcock und die Filmmusik: Die Entwicklung und Verwendungsmöglichkeiten der Filmmusik anhand ausgewählter Werke des Regisseurs Alfred Hitchcock. - München: GRIN Verlag 2010.
Index:
Hitchcock, Alfred
Musik ~ Music

#605
Hodge, Daniel White: "Hi Auntie": A paradox of Hip Hop socio-political resistance in Killmonger. In: Journal of Religion and Film 22. 2018. No. 1. [April] p. ?P.
Index:
Coogler, Ryan
Black Panther (2018)
Politik ~ Politics
Musik ~ Music
Religion ~ Religion

#606
Hogan, David J.: Hi-tek hi-fi. In: Filmfax 1997. No. 59. [February/March] pp. 30 ff.
Description:
On music for monster films.
Index:
Musik ~ Music
Monster ~ Monster

#607
Hogan, David J.: Monstrous movie musik. In: Filmfax 1997. No. 59. [?D] pp. 30, 32.
Index:
Musik ~ Music

#608
Hogan, David J.: The monster music of Hans J. Salter and Frank Skinner. In: Filmfax 1996/1997. No. 58. [?D] pp. 34-36.
Index:
Salter, Hans J.
Skinner, Frank
Musik ~ Music
Monster ~ Monster

#609
Hogenbirk, Kees: De muziek van Kubrick: Een bittere erfenis. In: Skrien 33. 2001/2002. No. 10. [December/January] pp. 36-37, 39.
Index:
Kubrick, Stanley
Musik ~ Music

#610
Hogenbirk, Kees: De ring van Williams. In: Skrien 1999. No. 237. [October] p. 66.
Description:
On John Williams’s score for George Lucas’s Star Wars Episode I - The Phantom Menace.
Index:
Lucas, George
Williams, John
Star Wars Episode I - The Phantom Menace (1999)
Musik ~ Music

#611
Hogenbirk, Kees: Geanimeerd grijnzen. In: Skrien 1999. No. 230. [February] p. 61.
Description:
On music for animated film.
Index:
Musik ~ Music
Animation: Comics ~ Animation: Comics
Animation ~ Animation

#612
Hogenbirk, Kees: Gladde film, woeste klanken. In: Skrien 1997. No. 217. [October] p. 66.
Description:
On John Williams’s score for Steven Spielberg’s The Lost World: Jurassic Park.
Index:
Spielberg, Steven
Williams, John
Lost World, The: Jurassic Park (1997)
Musik ~ Music

#613
Hogenbirk, Kees: Kijken met je oren: Harmonieën in kleur. In: Skrien 1999. No. 235. [July/August] p. 66.
Description:
On Randy newman’s score for Babe: Pig in the City and A Bug’s Life.
Index:
Newman, Randy
Miller, George
Lasseter, John
Babe: Pig In The City (1998)
Bug’s Life, A (1998)
Musik ~ Music

#614
Hogenbirk, Kees: Nieuwe romantiek. In: Skrien 1997. No. 214. [June/July] pp. 80-81.
Description:
On John Williams’s score for the first three Star Wars films.
Index:
Lucas, George
Kershner, Irvin
Marquand, Richard
Williams, John
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Star Wars Episode V - The Empire Strikes Back / Empire Strikes Back, The (1980/1997)
Star Wars Episode VI - Return of the Jedi / Return of the Jedi (1983/1997)
Star Wars (Filmreihe)
Musik ~ Music
Romantik ~ Romanticism

#615
Holben, Jay: Sound and fury. In: American Cinematographer 81. 2000. No. 7. [July] pp. 50-61.
Description:
On Wolfgang Petersen’s The Perfect Storm, especially on the camera work of John Seale.
Index:
Petersen, Wolfgang
Seale, John
Perfect Storm, The (2000)
Technik: Kamera ~ Technology: Camera
Musik ~ Music

#616
The Hollywood film music reader. Edited by Mervyn Cooke. - Oxford; New York: Oxford University Press 2010.
Index:
Musik ~ Music
Hollywood ~ Hollywood

#617
Holman, Sarah: Nosferatu: Silence to sound. - Lawrence, Kansas: University of Kansas, D.M.A. 2002. [Abstract in: Dissertation Abstracts International A 63. 2003. No. 11. (May) p. 3783.]
Description:
Discusses, among others, F. W. Marnau’s 1922 classic.
Index:
Murnau, Friedrich Wilhelm
Nosferatu - Eine Symphonie des Grauens (1922)
Vampire ~ Vampires
Musik ~ Music

#618
Holsträter, Knut: Musik als Mittel der Perspektivierung im narrativen Film: A Clockwork Orange von Stanley Kubrick. In: Filmmusik: Beiträge zu ihrer Theorie und Vermittlung. Hrsg. von Victoria Piel. - Hildesheim; Zürich; New York: Olms 2008. pp. 103 ff.
Index:
Kubrick, Stanley
Clockwork Orange, A (1971)
Musik ~ Music

#619
Höltgen, Stefan: "This place sounds like it’s made for you.": The Amityville Horror. In: Splatting Image 2005. No. 62. [June] pp. 71-72.
Index:
Douglas, Andrew
Amityville Horror, The (2005)
Musik ~ Music

#620
Höltgen, Stefan: Musik und Tanz. In: F.LM - Texte zum Film. Online edition, May 2005.
Description:
On Herschell Gordon Lewis’s Blast-Off Girls and The Gore Gore Girls.
Index:
Lewis, Herschell Gordon
Blast-Off Girls (1967)
Gore Gore Girls, The (1972)
Tanz ~ Dance
Musik ~ Music

#621
Hong, Ning: From screen to stage: How Disney transferred the Lion King from animation to musical. - New York: Fashion Institute of Technology, M.F.A. 2010. [Abstract in: Masters Abstracts International 54. 2016. No. 4. [August] p. ?P.]
Index:
Allers, Roger
Minkoff, Rob
Lion King, The (1994)
Musik ~ Music
Disney ~ Disney
Animation ~ Animation

#622
Hornschuh, Matthias: Why so serious? Filmmusik als Miterzähler in Christopher Nolans The Dark Knight (2008). In: Der Soundtrack unserer Träume: Filmmusik und Psychoanalyse. Hrsg. von Konrad Heiland und Theo Piegler. - Gießen: Psychosozial-Verlag 2013. (= Imago.) p. 95 ff.
Index:
Nolan, Christopher
Dark Knight, The (2008)
Psychologie ~ Psychology
Musik ~ Music
Traum ~ Dreams

#623
Horrocks, Roger: From jazz to "sound construction". In: The long dream of waking: New perspectives on Len Lye. Edited by Paul Brobbel, Wystan Curnow and Roger Horrocks. - Christchurch: Canterbury University Press 2017. p. ?P.
Index:
Lye, Len
Musik ~ Music

#624
Horst, Sabine: Sehnen & Schmachten. In: EPD Film 30. 2013. No. 5. [Mai] pp. 14-15.
Description:
On Richard Wagner and cinema.
Index:
Wagner, Richard
Musik ~ Music

#625
Horton, Robert: Music man: Miklos Rozsa. In: Film Comment 31. 1995. No. 6. [November/December] pp. 2-4.
Description:
On the composer who worked for many fantastic films.
Index:
Rózsa, Miklós
Musik ~ Music