The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Nolan, Christopher
number of items: 263
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| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
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#1
Amaris, Lian: Seriously Fun: Viral Marketing and the Gaming Experience of Nolan’s The Dark Knight. In: Simulation in media and culture: Believing the hype. Edited by Robin DeRosa. - Lanham, Maryland: Lexington Books 2011. p. ?P.
Index:
Nolan, Christopher
Dark Knight, The (2008)
Cyberspace ~ Cyberspace
#2
Andrevon, Jean-Pierre: Insomnia. In: L’Écran Fantastique 2002. No. 228. [December] p. 18.
Index:
Nolan, Christopher
Insomnia (2002)
#3
Argent, Daniel: Memento. In: Creative Screenwriting 8. 2001. No. 2. [?D] pp. 49-54.
Index:
Nolan, Christopher
Memento (2000)
#4
Argent, Daniel / Nola N, Chris: Remembering Memento: Daniel Argent speaks with Chris Nolan. In: Creative Screenwriting 9. 2002. No. 1. [?D] pp. 47-52.
Index:
Nolan, Christopher
Memento (2000)
#5
Bart, Peter: After a big hit, time for a surreality check. In: Variety 418. 2010. No. 9. [April 12] p. 2.
Description:
On Christopher Nolan’s Inception.
Index:
Nolan, Christopher
Inception (2010)
Surrealismus ~ Surrealism
#6
Batman The Dark Knight Handbuch: Die große Film-Enzyklopädie. - Stuttgart: Panini 2012.
Index:
Nolan, Christopher
Dark Knight Rises, The (2012)
#7
Baumgartner, Holly: Visualizing Levinas: "Existence and Existents" through Mulholland Drive, Memento, and Vanilla Sky. - Bowling Green, Ohio: Bowling Green State University, Ph.D. 2005. [Abstract in: Dissertation Abstracts International A 66. 2005. No. 1. (July) p. 174.]
Index:
Levinas, Emmanuel
Nolan, Christopher
Crowe, Cameron
Lynch, David
Memento (2000)
Vanilla Sky (2001)
Mulholland Drive (2001)
Philosophie ~ Philosophy
#8
Baur, Michael: We all need mirrors to remind us who we are: Inherited meaning and inherited selves in Memento. In: Movies and the meaning of life: Philosophers take on Hollywood. Edited by Kimberly A. Blessing and Paul J. Tudico. - Chicago, Illinois: Open Court 2005. pp. 94-110.
Index:
Nolan, Christopher
Memento (2000)
Spiegel ~ Mirror
Philosophie ~ Philosophy
Hollywood ~ Hollywood
#9
Beier, Lars-Olav: Arme Ritter. In: Der Spiegel 62. 2008. No. 30. [July 21] p. 141.
Description:
On the pessimistic attitude of Christopher Nolan’s latest Batman film The Dark Knight.
Index:
Nolan, Christopher
Dark Knight, The (2008)
Ritter ~ Knights
Batman ~ Batman
#10
Beier, Lars-Olav: Der Anfang vom Ende. In: kulturSpiegel 2001. No. 12. [December] pp. 22-25.
Description:
On Christopher Nolan’s Memento.
Index:
Nolan, Christopher
Memento (2000)
#11
Beier, Lars-Olav / Matussek, Matthias: "Wer zwinkert, ist ein Schwächling". In: Der Spiegel 61. 2006. No. 1. [December 30] pp. 114-116.
Description:
Interview with actor Michael Caine on his career and his role in Christopher Nolan’s The Prestige.
Index:
Caine, Michael
Nolan, Christopher
Prestige, The (2006)
#12
Beier, Lars-Olav: Schneller Vorlauf. In: Der Spiegel 59. 2005. No. 9. [February 28] p. 156.
Description:
On director Christopher Nolan and his latest project Batman Begins.
Index:
Nolan, Christopher
Batman Begins (2005)
#13
Bellinger, Charles K.: The Joker is Satan, and so are we: Girard and The Dark Knight. In: Journal of Religion and Film 13. 2009. No. 1. [April] p. 5.
Description:
Analyses the representation of violence in Christopher Nolan’s Batman film by using the theories of René Girard.
Index:
Nolan, Christopher
Girard, René
Dark Knight, The (2008)
Religion: Teufel ~ Religion: Devil
Gewalt ~ Violence
Batman ~ Batman
Religion ~ Religion
#14
Bevan, Joseph: Escape artist. In: Sight and Sound NS 22. 2012. No. 8. [August] pp. 14-18.
Description:
On the films of Christopher Nolan, especially The Dark Knight Rises.
Index:
Nolan, Christopher
Dark Knight Rises, The (2012)
#15
Bianco, Jamie Skye: Techno-cinema. In: Comparative Literature Studies 41. 2004. No. 3. [?D] pp. 377-403.
Description:
Discusses, among others, Christopher Nolan’s Memento and Darren Aronofsky’s Requiem For a Dream.
Index:
Nolan, Christopher
Aronofsky, Darren
Memento (2000)
Requiem For a Dream (2000)
Technik ~ Technology
#16
Bischoff, Florian Norbert: Gestörte Erinnerung - Wenn Bilder versagen: Bild- und Medienreflexion in Memento und Rear Window. - München: GRIN Verlag 2012.
Index:
Nolan, Christopher
Hitchcock, Alfred
Memento (2000)
Rear Window (1954)
#17
Blohm, Craig E.: Sci-fi directors. - San Diego, California: ReferencePoint Press 2016. (= Collective biographies.)
Description:
Includes biographies of Steven Spielberg, George Lucas, Stanley Kubrick, James Cameron, Christopher Nolan and J. J. Abrams.
Index:
Spielberg, Steven
Lucas, George
Kubrick, Stanley
Cameron, James
Nolan, Christopher
Abrams, J[effrey] J[acob]
Science Fiction ~ Science Fiction
#18
Bodnar, Christopher: The database, logic, and suffering: Memento and random-access information aesthetics. In: Film-Philosophy 7. 2003. No. 10. [May] p. ?P.
Index:
Nolan, Christopher
Memento (2000)
Philosophie ~ Philosophy
#19
Böhme, Isolde: Vom Träumen der (virtuellen) Realität: Inception - Regie: Christopher Nolan. In: Blade Runner, Matrix und Avatare: Psychoanalytische Betrachungen virtueller Wesen und Welten im Film. Hrsg. von Parfen Laszig. - Berlin; Heidelberg: Springer 2013. pp. 443 ff.
Index:
Nolan, Christopher
Inception (2010)
Traum ~ Dreams
Psychologie ~ Psychology
Cyberspace ~ Cyberspace
#20
Bond, Jeff: Batman Begins. In: Cinefantastique 37. 2006. No. 9. [Winter] p. 20.
Index:
Nolan, Christopher
Batman Begins (2005)
#21
Bond, Jeff: Batman Begins puts the man back in Batman. In: Cinefantastique 37. 2005. No. 5. [August] p. 56.
Index:
Nolan, Christopher
Batman Begins (2005)
Batman ~ Batman
#22
Born, Simon Philipp: Shadows of the bat: Constructions of good and evil in the Batman movies of Tim Burton and Christopher Nolan. In: Journal for Religion, Film and Media 3. 2017. No. 1. [?D] pp. 75-104.
Index:
Burton, Tim
Nolan, Christopher
Batman (1989)
Batman Returns (1992)
Batman Begins (2005)
Dark Knight (Filmreihe)
Batman (Filmreihe)
Gute, Das ~ Good
Böse, Das ~ Evil, The
Batman ~ Batman
Religion ~ Religion
#23
Born, Simon Philipp: Shadows of the bat: Constructions of good and evil in the Batman movies of Tim Burton and Christopher Nolan. In: Drawn stories, moving images: Comic books and their screen adaptations. Edited by Ornella, Alexander D. Ornella and Christian Wessely. - Marburg: Schüren 2017. (= Journal for religion, film and media 3. 2017. No. 1.) pp. 75 ff.
Index:
Burton, Tim
Nolan, Christopher
Batman (1989)
Batman Begins (2005)
Dark Knight Rises, The (2012)
Batman (Filmreihe)
Gute, Das ~ Good
Böse, Das ~ Evil, The
Batman ~ Batman
Animation: Comics ~ Animation: Comics
Animation ~ Animation
#24
Bragues, George: Memory and morals in Memento: Hume at the movies. In: Film-Philosophy 12. 2008. No. 2. [?D] p. ?P.
Index:
Nolan, Christopher
Hume, David
Memento (2000)
Philosophie ~ Philosophy
#25
Brown, William: Complexity and simplicity in Inception and Five Dedicated to Ozu. In: Hollywood puzzle films. Edited by Warren Buckland. - New York: Routledge 2014. (= AFI film readers.) p. ?P.
Index:
Nolan, Christopher
Kiarostami, Abbas
Inception (2010)
Five Dedicated to Ozu (2003)
Hollywood ~ Hollywood
USA (United States of America) ~ USA (United States of America)
#26
Brusberg-kiermeier, Stefani: Kampf der Fakten und Gefühle: Erzählen und Erinnern in Memento, Paycheck und Eternal Sunshine of the Spotless Mind. In: "Camera doesn’t lie": Spielarten erzählerischer Unzuverlässigkeit im Film. Hrsg. von Jörg Helbig. - Trier: Wissenschaftlicher Verlag Trier 2006. (= Focal point 4.) pp. 123 ff.
Index:
Nolan, Christopher
Wu Su-Yum [Pseudonym: Woo, John]
Gondry, Michael
Memento (2000)
Paycheck (2003)
Eternal Sunshine of the Spotless Mind (2004)
Technik: Kamera ~ Technology: Camera
#27
Brusberg-Kiermeier, Stefani: "To sleep, perchance to dream - ay, there’s the rub": Christopher Nolans Inception und seine Träumer. In: Science-Fiction-Kultfilme. Hrsg. von Angela Fabris und Jörg Helbig. - Marburg: Schüren 2016. (= Marburger Schriften zur Medienforschung 70.) pp. 223 ff.
Index:
Nolan, Christopher
Inception (2010)
Traum ~ Dreams
Science Fiction ~ Science Fiction
#28
Buckland, Warren: Inception’s video game logic. In: The cinema of Christopher Nolan: Imagining the impossible. Edited by Jacqueline Furby and Stuart Joy. - New York: Wallflower Press 2015. (= Directors’ cuts.) p. ?P.
Index:
Nolan, Christopher
Inception (2010)
Video ~ Video
#29
Bullen, David: Dionysus comes to Gotham: Forces of disorder in The Dark Knight (2008). In: Classical myth on screen. Edited by Monica S. Cyrino and Meredith E. Safran. - New York: Palgrave Macmillan 2015. p. ?P.
Index:
Nolan, Christopher
Dark Knight, The (2008)
Mythologie ~ Mythology
#30
Burnetts, Charles: "Downwards is the only way forwards: Dream space, parallel time and selfhood in Inception. In: Time travel in popular media: Essays on film, television, literature and video games. Edited by Matthew Jones and Joan Ormrod. - Jefferson, North Carolina: McFarland & Company 2015. p. ?P.
Index:
Nolan, Christopher
Inception (2010)
Traum ~ Dreams
Zeit ~ Time
#31
Callaghan, Dylan: Script tease. - Avon, Massachusetts: Adams Media 2012.
Description:
Interviews with several scriptwriters, among them Darren Aronofsky, Joel and Ethan Coen, Sofia Coppola, Christopher and Jonathan Nolan, Sylvester Stallone, Emma Thompson, Gus Van Sant and Rob Zombie.
Index:
Aronofsky, Darren
Coen, Ethan
Coen, Joel
Coppola, Sofia
Nolan, Christopher
Nolan, Jonathan
Stallone, Sylvester
Thompson, Emma
Van Sant, Gus
Zombie, Rob
#32
Cameron, Allan / Misek, Richard: Modular spacetime in the "intelligent" blockbuster: Inception and Source Code. In: Hollywood puzzle films. Edited by Warren Buckland. - New York: Routledge 2014. (= AFI film readers.) p. ?P.
Index:
Nolan, Christopher
Jones, Duncan
Inception (2010)
Source Code (2011)
Hollywood ~ Hollywood
USA (United States of America) ~ USA (United States of America)
#33
Carroll, Noël: Memento and the phenomenology of comprehending motion picture narration. In: Memento. Edited by Andrew Kania. - New York; London: Routledge 2009. p. ?P.
Index:
Nolan, Christopher
Memento (2000)
#34
Castillo, Ryan: Rhetorical style and the superhero mythos: Toward a theory of contemporary style for the twenty-first century. - Long Beach, California: California State University, Long Beach, M.A. 2012. [Abstract in: Masters Abstracts International 51. 2013. No. 3. (June).]
Description:
On the Batman myth in literature and film, with a special chapter on Christopher Nolan’s The Dark Knight Rises.
Index:
Nolan, Christopher
Dark Knight Rises, The (2012)
Batman (Filmreihe)
Mythologie ~ Mythology
Literatur ~ Literature
Helden ~ Heros
Batman ~ Batman
#35
Chung, Hye Jean: Media heterotopias: Digital effects and material labor in global film production. - Durham, North Carolina: Duke University Press 2018.
Index:
Cameron, James
Kosinski, Joseph
Nolan, Christopher
Avatar (2009)
Oblivion (2013)
Interstellar (2014)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
#36
The cinema of Christopher Nolan: Imagining the impossible. Edited by Jacqueline Furby and Stuart Joy. - New York: Wallflower Press 2015. (= Directors’ cuts.)
Index:
Nolan, Christopher
#37
Cinquegrani, Alessandro / Re, Valentina: L’innesto: Realtà e finzioni da Matrix a 1Q84. - Milano: Mimesis 2014. (= Cinema 30.)
Index:
Murakami, Haruki
Wachowski, Andy
Wachowski, Larry
Jones, Duncan
Scorsese, Martin
Nolan, Christopher
Matrix, The (Filmreihe)
Source Code (2011)
Shutter Island (2010)
Inception (2010)
1Q84 (Literatur ~ Literature)
#38
Classen, René: Memento. In: Film-Dienst 54. 2001. No. 25. [December 4] p. 19.
Index:
Nolan, Christopher
Memento (2000)
#39
Cojocaru, Daniel: Man’s desire exceeds his grasp -The Prestige as utopia. In: Journal of Religion and Film 14. 2010. No. 1. [April] p. 1-4.
Index:
Nolan, Christopher
Prestige, The (2006)
Utopie ~ Utopia
Religion ~ Religion
#40
Cöln, Christoph: Ein zauberhafter Kasten Licht. In: F.LM - Texte zum Film. Online edition, May 2007.
Description:
On Christopher Nolan’s The Prestige and Neil Burger’s The Illusionist.
Index:
Nolan, Christopher
Burger, Neil
Prestige, The (2006)
Illusionist, The (2006)
#41
Cöln, Christoph: Mit der Achterbahn durchs Kinderzimmer: The Dark Knight. In: F.LM - Texte zum Film. Online edition, August 2008.
Index:
Nolan, Christopher
Dark Knight, The (2008)
Jugend ~ Youth
#42
Content, Rob: Memento. In: Film Quarterly 56. 2003. No. 4. [Summer] pp. 36-41.
Index:
Nolan, Christopher
Memento (2000)
#43
Cornelson, Jesseca: Masters, servants, and the effaced middle classes of Downton Abbey, The Dark Knight Rises, and Falling Skies. In: The great recession in fiction, film and television: Twenty-first-century bust culture. Edited by Kirk Boyle and Daniel Mrozowski. - Lanham, Maryland: Lexington Books 2013. p. ?P.
Index:
Nolan, Christopher
Rodat, Robert
Downton Abbey (TV)
Dark Knight Rises, The (2012)
Falling Skies (TV)
Fernsehen ~ Television
Katastrophen ~ Disasters
Politik ~ Politics
#44
Cox, Damian / Levine, Michael P.: Personal identity: The case of Memento. In: Cox, Damian / Levine, Michael P.: Thinking through film: Doing philosophy, watching movies. - Malden, Massachussetts: Wiley-Blackwell 2011. p. ?P.
Index:
Nolan, Christopher
Memento (2000)
Philosophie ~ Philosophy
#45
Cox, Damian / Levine, Michael P.: The Dark Knight: Batman on deontology and consequentialism. In: Cox, Damian / Levine, Michael P.: Thinking through film: Doing philosophy, watching movies. - Malden, Massachussetts: Wiley-Blackwell 2011. p. ?P.
Index:
Nolan, Christopher
Dark Knight, The (2008)
Batman ~ Batman
Philosophie ~ Philosophy
#46
Crockett, Tobey: The "camera" as camera: New subjectivities in three-dimensional virtual worlds. - Irvine, California: University of California, Irvine, Ph.D. 2006. [Abstract in: Dissertation Abstracts International A 67. 2007. No. 11. (May)
Description:
On the use of CGI effects in film. Discusses, as examples, Peter Jackson’s Lord of the Rings trilogy and King Kong as well as Christopher Nolan’s Batman Begins.
Index:
Jackson, Peter
Nolan, Christopher
Lord of the Rings (Filmreihe)
Batman Begins (2005)
King Kong (2005)
#47
Dalla Torre, Paola: Sognando il futuro: Da 2001, odissea nello spazio a Inception. - Soveria Mannelli: Rubbettino 2012. (= Cinema: Nuovi orizzonti.)
Index:
Kubrick, Stanley
Nolan, Christopher
2001 - A Space Odyssey (1968)
Inception (2010)
Utopie ~ Utopia
#48
Dargis, Manohla: Another Batman, darker and deeper. In: International Herald Tribune, July 19/20, 2008. pp. 1, 5.
Description:
On Christopher Nolan’s The Dark Knight.
Index:
Nolan, Christopher
Dark Knight, The (2008)
Batman ~ Batman
#49
Darke, Chris: Mr Memory. In: Sight and Sound NS 10. 2000. No. 11. [November] pp. 42-43.
Description:
On Christopher Nolan’s Memento.
Index:
Nolan, Christopher
Memento (2000)
#50
Daswani, Kavita: The Joker’s wild. In: South China Morning Post [HK], July 10, 2008. p. C6.
Description:
On Heath Ledger’s role in Christopher Nolan’s Batman film The Dark Knight.
Index:
Nolan, Christopher
Ledger, Heath
Dark Knight, The (2008)
Batman ~ Batman
#51
Deakin, Peter: Men in crisis: Christopher Nolan, un-truths and fictionalising masculinity. In: The cinema of Christopher Nolan: Imagining the impossible. Edited by Jacqueline Furby and Stuart Joy. - New York: Wallflower Press 2015. (= Directors’ cuts.) p. ?P.
Index:
Nolan, Christopher
Männer ~ Men
#52
Detweiler, Craig: Into the dark: Contemporary film and general revelation. - Pasadena, California: Fuller Theological Seminary, School of Theology, Ph.D. 2007. [Abstract in: Dissertation Abstracts International A 68. 2007. No. 3. (September)]
Description:
Presents the thesis that in modern times God speaks not through dreams but through the movies. Discusses, among others, Mel Gibson’s The Passion of the Christ, Andrew Adamson’s Chronicles of Narnia films, David Fincher’s Fight Club, Paul Thomas Anderson’s Magnolia, Christopher Nolan’s Memento and Michael Gondry’s Eternal Sunshine of the Spotless Mind.
Index:
Gibson, Mel
Adamson, Andrew
Fincher, David
Anderson, Paul Thomas
Nolan, Christopher
Gondry, Michael
Passion of the Christ, The (2004)
Chronicles of Narnia (Filmreihe)
Fight Club (1999)
Magnolia (1999)
Memento (2000)
Eternal Sunshine of the Spotless Mind (2004)
#53
Detweiler, Craig: Kicks and tricks in Christopher Nolan’s Inception. In: Journal of Religion and Film 14. 2010. No. 1. [April] pp. 1-4.
Index:
Nolan, Christopher
Inception (2010)
Technik: Spezialeffekte ~ Technology: Special Effects
Religion ~ Religion
#54
Distelmeyer, Jan: Batman Begins: Der weite Weg zu Batman: Das Prequel mit Christian Bale. In: EPD Film 22. 2005. No. 7. [July] p. 34.
Index:
Nolan, Christopher
Bale, Christian
Batman Begins (2005)
Batman ~ Batman
#55
Duncan, Jody: A farewell to arms: The Dark Knight Rises. In: Cinefex 2012. No. 131. [October] p. ?P.
Description:
On the special effects by Double Negative. Discusses especially the work of Chris Corbould and Paul Franklin.
Index:
Nolan, Christopher
Corbould, Chris
Franklin, Paul
Dark Knight Rises, The (2012)
Technik: Spezialeffekte ~ Technology: Special Effects
Double Negative [Firma] ~ Double Negative [Company]
#56
Duncan, Jody: Batman grounded: The Dark Knight. In: Cinefex 2008. No. 115. [October] p. ?P.
Description:
On the special effects by Double Negative, Framestore and BUF Compagnie as well as the work of visual effects supervisor Nick Davis and special effects supervisor Chris Corbould.
Index:
Nolan, Christopher
Davis, Nick
Corbould, Chris
Dark Knight, The (2008)
Technik: Spezialeffekte ~ Technology: Special Effects
Framestore CFC [Firma] ~ Framestore CFC [Company]
Double Negative [Firma] ~ Double Negative [Company]
Buf Compagnie [Firma] ~ Buf Compagnie [Company]
Batman ~ Batman
#57
Duncan, Jody: That our feet may leave: Interstellar. In: Cinefex 2015. No. 140. [January] p. ?P.
Description:
On the special effects by Double Negative and New Deal Studios. Discusses especially the work of Scott Fisher.
Index:
Nolan, Christopher
Fisher, Scott
Interstellar (2014)
Technik: Spezialeffekte ~ Technology: Special Effects
New Deal Studios [Firma] ~ New Deal Studios [Company]
Double Negative [Firma] ~ Double Negative [Company]
#58
Eby, Douglas: Long dark knight. In: Cinefantastique 30. 1998. No. 7/8. [October] p. 5.
Description:
On the planned film project Batman 5, later lealized as Batman Begins.
Index:
Nolan, Christopher
Batman Begins (2005)
Ritter ~ Knights
#59
Eckel, Julia: Zeitenwende(n) des Films: Temporale Nonlinearität im zeitgenössischen Erzählkino. - Bochum: Universität Bochum, Magisterarbeit 2011.
Description:
Discusses, among others, Alejandro González Iñárritu’s Babel, Christopher Nolan’s Inception and Memento, Michael Gondry’s Eternal Sunshine of the Spotless Mind and Greg Marcks’s 11:14.
Index:
González Iñárritu, Alejandro
Nolan, Christopher
Gondry, Michael
Marcks, Greg
Babel (2006)
Inception (2010)
Eternal Sunshine of the Spotless Mind (2004)
Memento (2000)
11:14 (2003)
Zeit ~ Time
#60
Eckel, Julia: Zeitenwende(n) des Films: Temporale Nonlinearität im zeitgenössischen Erzählkino. - Marburg: Schüren 2012. (= Marburger Schriften zur Medienforschung 32.)
Reviews:
Brandlmeier, Thomas: [untitled.] In: Film-Dienst 65. 2012. No. 12. [June 7] p. 63.
Description:
Discusses, among others, Alejandro González Iñárritu’s Babel, Christopher Nolan’s Inception and Memento, Michael Gondry’s Eternal Sunshine of the Spotless Mind and Greg Marcks’s 11:14.
Index:
González Iñárritu, Alejandro
Nolan, Christopher
Gondry, Michael
Marcks, Greg
Babel (2006)
Inception (2010)
Eternal Sunshine of the Spotless Mind (2004)
Memento (2000)
11:14 (2003)
Zeit ~ Time
#61
Eig, Jonathan: A beautiful mind(fuck): Hollywood structures of identity. In: Jump Cut 2003. No. 46. [?D] p. ?P.
Description:
Discusses, among others, Ron Howard’s A Beautiful Mind, David Fincher’s Fight Club, Christopher Nolan’s Memento, David Lynch’s Mulholland Drive and M. Night Shyamalan’s The Sixth Sense.
Index:
Howard, Ron
Fincher, David
Nolan, Christopher
Lynch, David
Shyamalan, M. Night
Beautiful Mind, A (2001)
Fight Club (1999)
Memento (2000)
Mulholland Drive (2001)
Sixth Sense, The (1999)
Sexualität ~ Sexuality
Psychologie ~ Psychology
Hollywood ~ Hollywood
#62
El Khachab, Chihab: What becomes of bodies on film? In: Quarterly Review of Film and Video 30. 2013. No. 2. [March] pp. 173-189.
Description:
Discusses, among others, Christopher Nolan’s Batman Begins and Francis Ford Coppola’s Apocalypse Now.
Index:
Nolan, Christopher
Coppola, Francis Ford
Batman Begins (2005)
Apocalypse Now (1976-1979)
Körper ~ Bodies
#63
Elsaesser, Thomas: Hollywood heute: Geschichte, Gender und Nation im postklassischen Kino. - Berlin: Bertz + Fischer 2009. (= Deep Focus 1.)
Reviews:
Distelmeyer, Jan: Twister der Theorie. In: EPD Film 26. 2009. No. 7. [July] p. 56.
Description:
Includes, among others, detailed analyses of Quentin Tarantino’s Pulp Fiction, Francis Ford Coppola’s Bram Stoker’s Dracula, Jonathan Demme’s The Silence of the Lambs, the Die Hard and the Back to the Future series and on many other fantastic films like Christopher Nolan’s Memento, David Fincher’s Fight Club, Robert Schwentke’s Flightplan or Alejandro Amenábar’s The Others.
Index:
Tarantino, Quentin
Coppola, Francis Ford
Demme, Jonathan
Zemeckis, Robert
Nolan, Christopher
Fincher, David
Schwentke, Robert
Amenábar, Alejandro
Pulp Fiction (1994)
Bram Stoker’s Dracula (1992)
Silence of the Lambs, The (1990)
Die Hard (Filmreihe)
Back to the Future (Filmreihe)
Memento (2000)
Fight Club (1999)
Flightplan (2005)
Others, The (2001)
USA (United States of America) ~ USA (United States of America)
Sexualität ~ Sexuality
Hollywood ~ Hollywood
Geschichte ~ History
#64
Endicott, Riley / Mcgowan, Michael: The Dark Knight Rises. In: Journal of Religion and Film 17. 2013. No. 1. [April] p. ?P.
Index:
Nolan, Christopher
Dark Knight Rises, The (2012)
#65
Engel, Felix / Wildfeuer, Janina: Hearing music in dreams: Towards a semiotic role of music in Nolan’s Inception. In: The cinema of Christopher Nolan: Imagining the impossible. Edited by Jacqueline Furby and Stuart Joy. - New York: Wallflower Press 2015. (= Directors’ cuts.) p. ?P.
Index:
Nolan, Christopher
Inception (2010)
Traum ~ Dreams
Musik ~ Music
#66
Erll, Astrid: Mediation, remediation and the dynamics of cultural memory. - Berlin; New York: Mouton de Gruyter 2009. (= Media and cultural memory 10.)
Description:
Discusses, among others, Christopher Nolan’s Memento and Michael Gondry’s Eternal Sunshine of the Spotless Mind.
Index:
Nolan, Christopher
Gondry, Michael
Memento (2000)
Eternal Sunshine of the Spotless Mind (2004)
Zeit ~ Time
#67
Everschor, Franz: Christopher Nolan bleibt Traditionalist: Der Regisseur der Batman-Trilogie und von Inception über seinen neuen Film Interstellar. In: Film-Dienst 67. 2014. No. 9. [April 24] p. 6.
Index:
Nolan, Christopher
Interstellar (2014)
Batman (Filmreihe)
Inception (2010)
#68
Everschor, Franz: Colorado, 20. Juli 2012: Der Tag, an dem das Kino seine Unsculd verlor. In: Film-Dienst 65. 2012. No. 19. [September 13] pp. 20-21.
Description:
On the Aurora shooting during a screening of Christopher Nolan’s The Dark Knight Rises.
Index:
Nolan, Christopher
Dark Knight Rises, The (2012)
Mord ~ Murder
Colorado ~ Colorado
Aurora, Colorado ~ Aurora, Colorado
#69
Everschor, Franz: Irrgärten der Fantasie: Die neuen Filme von M. Night Shyamalan und Christopher Nolan. In: Film-Dienst 63. 2010. No. 16. [August 5] pp. 48-49.
Description:
Discusses M. Night Shyamalan’s The Last Airbender and Christopher Nolan’s Inception.
Index:
Shyamalan, M. Night
Nolan, Christopher
Last Airbender, The (2010)
Inception (2010)
Phantasie ~ Fantasy
#70
Everschor, Franz: Prestige - Meister der Magie. In: Film-Dienst 60. 2007. No. 1. [January 4] p. 30.
Description:
On Christopher Nolan’s The Prestige.
Index:
Nolan, Christopher
Prestige, The (2006)
#71
Fedderson, Kim / Richardson, J. Michael: Hamlet 9/11: Sound, noise, and fury in Almereyda’s Hamlet. In: College Literature 31. 2004. No. 4. [Fall] pp. 150-170.
Description:
Discusses also Christopher Nolan’s Memento.
Index:
Almereyda, Michael
Nolan, Christopher
Shakespeare, William
Tragicall Historie of Hamlet, Prince of Denmarke, The (Literatur ~ Literature)
Hamlet (2000)
Memento (2000)
Musik ~ Music
Hamlet ~ Hamlet
#72
Fedderson, Kim; Richardson, J. Michael: Shakespeare’s multiple metamorphoses: Authenticity agonistes. In: College Literature 36. 2009. No. 1. [?D] pp. 1-17.
Description:
Discusses, among others, Christopher Nolan’s Memento.
Index:
Nolan, Christopher
Shakespeare, William
Memento (2000)
#73
Ferenz, Volker: Fight Clubs, American Psychos and Mementos. In: New Review of Film and Television Studies 3. 2005. No. 2. [November] pp. 133-159.
Description:
On the concepts of narration in recent film.
Index:
Fincher, David
Harron, Mary
Nolan, Christopher
Fight Club (1999)
American Psycho (2000)
Memento (2000)
USA (United States of America) ~ USA (United States of America)
Psychologie ~ Psychology
#74
Fisher, Danny: Inception. In: Journal of Religion and Film 14. 2010. No. 1. [?D] pp. 1-2.
Index:
Nolan, Christopher
Inception (2010)
#75
Fisher, Danny: The Dark Knight. In: Journal of Religion and Film 12. 2008. No. 2. [October] p. ?P.
Index:
Nolan, Christopher
Dark Knight, The (2008)
#76
Fisher, Mark: The lost unconscious: Delusions and dreams in Inception. In: Film Quarterly 64. 2011. No. 3. [Spring] p. 37-45.
Index:
Nolan, Christopher
Inception (2010)
Traum ~ Dreams
#77
Fordham, Joe: Batman Begins: Starting over. In: Cinefex 2005. No. 103. [October] pp. 90-96, 101-112, 118.
Description:
On the special effects by "Cutting Edge", "Double Negative", "The Moving Picture Company" and "Buf Compagnie" as well as the work of Dan Glass, Janek Sirrs , Steve Begg and Chris Corbould.
Index:
Nolan, Christopher
Glass, Dan
Sirrs, Janek
Begg, Steve
Corbould, Chris
Batman Begins (2005)
Moving Picture Company, The [Firma] ~ Moving Picture Company, The [Company]
Cutting Edge [Firma] ~ Cutting Edge [Company]
Buf Compagnie [Firma] ~ Buf Compagnie [Company]
Technik: Spezialeffekte ~ Technology: Special Effects
#78
Fordham, Joe: In dreams: Inception. In: Cinefex 2010. No. 123. [October] p. ?P.
Description:
On the special effects by New Deal Studio and Double Negative. Discusses especially the work of effects supervisor Chris Corbould and visual effects supervisor Paul Franklin.
Index:
Nolan, Christopher
Corbould, Chris
Franklin, Paul
Inception (2010)
Traum ~ Dreams
Technik: Spezialeffekte ~ Technology: Special Effects
Double Negative [Firma] ~ Double Negative [Company]
New Deal Studios [Firma] ~ New Deal Studios [Company]
#79
Fradley, Martin: What do You believe in? Film scholarship and the cultural politics of The Dark Knight franchise. In: Film Quarterly 66. 2013. No. 3. [Spring] p. ?P.
Description:
[GA:] [KoDeu] [End GA][KoDeu]
Index:
Nolan, Christopher
Dark Knight, The (2008)
Politik ~ Politics
#80
Frisch, Simon / Lüdeker, Gerhard Jens / Orth, Dominik / Schmidt, Oliver: Und der Kreisel dreht sich weiter: Eine Round-Table-Diskussion zu Christopher Nolans Inception. In: Rabbit Eye 2010. No. 2. pp. 142-152.
Index:
Nolan, Christopher
Inception (2010)
#81
Früchtl, Josef: Warum wir ins Kino gehen: Interstellar und das cineastische Raum-Zeit-Kontinuum. In: Future Worlds: Science - Fiction - Film. Hrsg. von Kristina Jaspers, Nils Warnecke, Gerlinde Waz und Rüdiger Zill. - Berlin: Bertz + Fischer 2017. pp. 12 ff.
Index:
Nolan, Christopher
Interstellar (2014)
Zeit ~ Time
Science Fiction ~ Science Fiction
Wissenschaft ~ Science
Utopie ~ Utopia
#82
Fujuwara, Chris: Dark Knight. In: EPD Film 25. 2008. No. 8. [August] p. 39.
Description:
On Christopher Nolan’s latest Batman film.
Index:
Nolan, Christopher
Dark Knight, The (2008)
Batman ~ Batman
#83
Fuller, Graham: The Prestige. In: Sight and Sound NS 16. 2006. No. 12. [December] pp. 68-70.
Index:
Nolan, Christopher
Prestige, The (2006)
#84
Furby, Jacqueline: About time too: From Interstellar to Following, Christopher Nolan’s continuing preoccupation with time-travel. In: The cinema of Christopher Nolan: Imagining the impossible. Edited by Jacqueline Furby and Stuart Joy. - New York: Wallflower Press 2015. (= Directors’ cuts.) p. ?P.
Index:
Nolan, Christopher
Interstellar (2014)
Following (1998)
#85
Gallagher, Mark: Tripped out: The psychedelic film and masculinity. In: Quarterly Review of Film and Video 21. 2004. No. 3. [July-September] pp. 161-171.
Description:
Discusses, among others, David Fincher’s Fight Club, Christopher Nolan’s Memento and the Matrix films.
Index:
Fincher, David
Nolan, Christopher
Wachowski, Andy
Wachowski, Larry
Fight Club (1999)
Memento (2000)
Matrix, The (Filmreihe)
Psychologie ~ Psychology
Männer ~ Men
#86
Gargett, Adrian: Nolan’s Memento, memory, and recognition. In: CLCWeb: Computers, Literature and Culture 4. 2002. No. 3. [?D] p. ?P.
Index:
Nolan, Christopher
Memento (2000)
#87
Gerle, Jörg: Batman Begins. In: Film-Dienst 58. 2005. No. 19. [September 15] p. 39.
Description:
On a CD edition of the score.
Index:
Nolan, Christopher
Batman Begins (2005)
#88
Gerle, Jörg: Der ganz normale Wahnsinn: Über den Schauspieler Tom Hardy. In: Film-Dienst 65. 2012. No. 15. [July 19] pp. 20-21.
Description:
Discusses, among others, Hardy’s role in Christopher Nolan’s The Dark Knight Rises.
Index:
Hardy, Tom
Nolan, Christopher
Dark Knight Rises, The (2012)
Wahnsinn ~ Madness
#89
Gerle, Jörg: Dunkle Messe: Die Musik zu The Dark Knight. In: Film-Dienst 61. 2008. No. 17. [August 14] p. 13.
Index:
Nolan, Christopher
Dark Knight, The (2008)
Musik ~ Music
#90
Gerle, Jörg: Interstellar: Christopher Nolans Sci-Fi Epos stößt von psychischen in metaphysische Grenzbereiche vor. In: Film-Dienst 67. 2014. No. 23. [November 6] p. 46.
Index:
Nolan, Christopher
Interstellar (2014)
Science Fiction ~ Science Fiction
Religion ~ Religion
Psychologie ~ Psychology
#91
Ghislotti, Stefano: Narrative comprehension made difficult: Film form and mnemonic devices in Memento. In: Puzzle films: Complex storytelling in contemporary cinema. Edited by Warren Buckland. - Chichester, West Sussex; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Nolan, Christopher
Memento (2000)
Zeit ~ Time
#92
Goldsmith, Jeff: The architect of dreams. In: Creative Screenwriting 17. 2010. No. 4. [?D] pp. 18-26.
Index:
Nolan, Christopher
Inception (2010)
Traum ~ Dreams
#93
Görtz, Katharina: Die Suche nach der Identität: Erinnerungen erzählen im Spielfilm. - Remscheid: Gardez! Verlag 2007.
Description:
Discusses, among others, Christopher Nolan’s Memento.
Index:
Nolan, Christopher
Memento (2000)
#94
Greenberg, Harvey: Inception and the cinematic depiction of dreams. In: PsyArt 2010. No. 14. [?D] p. ?P.
Index:
Nolan, Christopher
Inception (2010)
Traum ~ Dreams
#95
Gross, Edward / Jordan, Sean: A knight in Gotham. In: Cinefantastique 37. 2005. No. 4. [July] pp. 22-35.
Description:
On Christopher Nolan’s Batman Begins. Includes interviews with actos Christian Bale and Gary Oldman.
Index:
Nolan, Christopher
Bale, Christian
Oldman, Gary
Batman Begins (2005)
Ritter ~ Knights
#96
Group’s dinner and a movie: Adrenaline rush, flix for guys: Friendship, faith, and fun for guys’ groups. Authors: Brian Diede [et al.]. - Loveland, Colorado: Group Publishing 2008.
Description:
On films in Church group work. Includes, among others, chapters on Christopher Nolan’s Batman Begins, Steven Spielberg’s Raiders of the Lost Ark, Brad Bird’s The Incredibles, M. Night Shyamalan’s Signs, Dean Parisot’s Galaxy Quest, Scott Derrickson’s The Exorcism of Emily Rose, Ron Howard’s Apollo 13, Frank Oz’s What about Bob?, Peter Jackson’s The Lord of the Rings: The Fellowship of the Ring, Alex Proyas’s I, Robot and the Star Wars and X-Men series.
Index:
Nolan, Christopher
Spielberg, Steven
Bird, Brad
Shyamalan, M. Night
Parisot, Dean
Derrickson, Scott
Howard, Ron
Oz, Frank
Jackson, Peter
Proyas, Alex
Lucas, George
Batman Begins (2005)
Raiders of the Lost Ark (1982)
Incredibles, The (2004)
Signs (2002)
Galaxy Quest (1999)
Exorcism of Emily Rose, The (2005)
Apollo 13 (1995)
What about Bob? (1991)
Lord of the Rings, The: The Fellowship of the Ring (2001)
I, Robot (2004)
Star Wars (Filmreihe)
X-Men (Filmreihe)
Religion ~ Religion
Nahrung ~ Food
#97
Hanley, Richard: Memento and personal identity: Do we have it backwards? In: Memento. Edited by Andrew Kania. - New York; London: Routledge 2009. p. ?P.
Index:
Nolan, Christopher
Memento (2000)
#98
Hassler-Forest, Dan: From flying man to falling man: 9/11 discourse in Superman Returns and Batman Begins. In: Portraying 9/11: Essays on representations in comics, literature, film and theatre. Edited by Véronique Bragard, Christophe Dony and Warren Rosenberg. - Jefferson, North Carolina; London: McFarland 2011. pp. 134-146.
Index:
Singer, Bryan
Nolan, Christopher
Superman Returns (2006)
Batman Begins (2005)
Politik ~ Politics
Animation: Comics ~ Animation: Comics
#99
Herbert, Daniel: Trading spaces: transnational dislocations in Insomnia / Insomnia and Ju-on / The Grudge. In: Fear, cultural anxiety, and transformation: Horror, science fiction, and fantasy films remade. Edited by Scott A. Lukas and John Marmysz. - Lanham, Maryland; Oxford: Lexington Books / Rowman & Littlefield 2009. pp. 143-164.
Index:
Skjoldbjærg, Erik
Nolan, Christopher
Shimizu, Takashi
Shimizu, Takashi
Insomnia (1997)
Insomnia (2002)
Ju-On (2000)
Grudge, The (2004)
Science Fiction ~ Science Fiction
Horror ~ Horror
Fantasy ~ Fantasy
Angst ~ Fear
#100
Hermann, Martin: "Something to remember you by": Fotografie und Schrift als Erinnerungsmedien in Christopher Nolans Spielfilm Memento. In: Visuelle Evidenz: Fotografie im Reflex von Literatur und Film. Hrsg. von Sabina Becker und Barbara Korte. - Berlin; New York: De Gruyter 2011. (= Linguae & litterae 5.) pp. 164 ff.
Index:
Nolan, Christopher
Memento (2000)
Literatur ~ Literature
Fotografie ~ Photography
#101
Heuring, David: A hybrid finish. In: American Cinematographer 89. 2008. No. 7. [July] p. 38.
Description:
On Christopher Nolan’s The Dark Knight.
Index:
Nolan, Christopher
Dark Knight, The (2008)
#102
Heuring, David: Batman looms larger. In: American Cinematographer 89. 2008. No. 7. [July] pp. 30-45.
Description:
On the work of cinematographer Wally Pfister for Christopher Nolan’s The Dark Knight.
Index:
Nolan, Christopher
Pfister, Wally
Dark Knight, The (2008)
Technik: Kamera ~ Technology: Camera
Batman ~ Batman
#103
Heuring, David: Dream thiefs. In: American Cinematographer 91. 2010. No. 7. [July] pp. 26-29, 31-39.
Description:
On Wally Pfister’s camera work for Christopher Nolan’s Inception.
Index:
Nolan, Christopher
Pfister, Wally
Inception (2010)
Traum ~ Dreams
Technik: Kamera ~ Technology: Camera
#104
Heuring, David: Skiing into the action. In: American Cinematographer 91. 2010. No. 7. [July] p. 30.
Description:
On the special effects for Christopher Nolan’s Inception.
Index:
Nolan, Christopher
Inception (2010)
Technik: Spezialeffekte ~ Technology: Special Effects
Action ~ Action
#105
Hill-Parks, E. E.: Discourses of cinematic culture and the Hollywood director: The development of Christopher Nolan’s auteur persona. - Newcastle upon Tyne: University of Newcastle, Ph.D. 2010. [Abstract in: Index to Theses with Abstracts 60-1323.]
Index:
Nolan, Christopher
Hollywood ~ Hollywood
#106
Hill-Parks, Erin: Developing an auteur through reviews: The critical surround of Christopher Nolan. In: The cinema of Christopher Nolan: Imagining the impossible. Edited by Jacqueline Furby and Stuart Joy. - New York: Wallflower Press 2015. (= Directors’ cuts.) p. ?P.
Index:
Nolan, Christopher
#107
Hochman, David: American idle. In: Sunday Morning Post [HK], August 3, 2008. p. P2.
Description:
On actor Aaron Eckhart and his role in Christopher Nolan’s The Dark Knight.
Index:
Nolan, Christopher
Eckhart, Aaron
Dark Knight, The (2008)
USA (United States of America) ~ USA (United States of America)
#108
Hoffman, Lacey: The damned, the bad, and the ugly: Our society’s bad (and occasionally sinister) habit of using villains to label, deter, and other. - Ypsilanti, Michigan: Eastern Michigan University, M.A. 2014. [Abstract in: Masters Abstracts International 52. 2014. No. 6. (December).]
Description:
Discusses especially the characters of Theodora in Sam Raimi’s Oz the Great and Powerful and the Joker in Christopher Nolan’s The Dark Knight, including religious, psychological, and sociological aspects.
Index:
Raimi, Samuel M.
Nolan, Christopher
Oz the Great and Powerful (2013)
Dark Knight, The (2008)
Religion ~ Religion
Psychologie ~ Psychology
Böse, Das ~ Evil, The
Kriminalität ~ Crime
#109
Holben, Jay: Lords of illusion. In: American Cinematographer 87. 2006. No. 11. [November] pp. 64-75.
Description:
On Wally Pfister’s camera work for Christopher Nolan’s The Prestige.
Index:
Nolan, Christopher
Pfister, Wally
Prestige, The (2006)
Technik: Kamera ~ Technology: Camera
#110
Hornschuh, Matthias: Why so serious? Filmmusik als Miterzähler in Christopher Nolans The Dark Knight (2008). In: Der Soundtrack unserer Träume: Filmmusik und Psychoanalyse. Hrsg. von Konrad Heiland und Theo Piegler. - Gießen: Psychosozial-Verlag 2013. (= Imago.) p. 95 ff.
Index:
Nolan, Christopher
Dark Knight, The (2008)
Psychologie ~ Psychology
Musik ~ Music
Traum ~ Dreams
#111
Huschke, Roland: "Ewiger Student des Kinos". In: Der Spiegel 62. 2008. No. 34. [August 18] p. 134.
Description:
One of the last interviews with actor Heath Ledger before his death in January 2008, mainly on his role as "Joker" in Christopher Nolan’s Batman movie The Dark Knight.
Index:
Nolan, Christopher
Ledger, Heath
Dark Knight, The (2008)
Pädagogik ~ Paedagogy
Batman ~ Batman
#112
Inception and philosophy: Ideas to die for. Edited by Thorsten Botz-Bornstein. - Chicago, Illinois: Open Court 2011. (= Popular culture and philosophy 62.)
Reviews:
Beatie, Bruce A.: [untitled.] In: Extrapolation 54. 2013. No. 3. [?D] pp. 316-319.
Swanson, Stephen C.: [untitled.] In: Journal of the Fantastic in the Arts 25. 2014. No. 1. [?D] pp. 186-189.
Index:
Nolan, Christopher
Inception (2010)
Philosophie ~ Philosophy
#113
Jackson, Tony E.: "Graphism" and story-time in Memento. In: Mosaic 40. 2007. No. 3. [?D] pp. 51-66.
Index:
Nolan, Christopher
Memento (2000)
#114
Janz, Heidi / Rak, Julie: Challenging subjects: Ruth Sienkiewicz-Mercer, Christopher Nolan, and autobiography. In: Unfitting stories: Narrative approaches to disease, disability, and trauma. Edited by Valerie Raoul [et al.]. - Waterloo, Ontario: Wilfrid Laurier University Press 2007. pp. 79 ff.
Index:
Sienkiewicz-Mercer, Ruth
Nolan, Christopher
Behinderung ~ Disability
Krankheit ~ Illness
Psychologie ~ Psychology
#115
Jenny, Urs: Sato rückwärts. In: Der Spiegel 2001. No. 50. [December 10] p. 202.
Description:
On Christopher Nolan’s Memento.
Index:
Nolan, Christopher
Memento (2000)
#116
Joy, Stuart: Introduction: Dreaming a little bigger, darling. In: The cinema of Christopher Nolan: Imagining the impossible. Edited by Jacqueline Furby and Stuart Joy. - New York: Wallflower Press 2015. (= Directors’ cuts.) p. ?P.
Index:
Nolan, Christopher
Traum ~ Dreams
#117
Joy, Stuart: Looking for the secret: Death and desire in The Prestige. In: PsyArt 2014. No. ?N. [?D] p. ?P.
Index:
Nolan, Christopher
Prestige, The (2006)
Tod ~ Death
#118
Joy, Stuart: Revisiting the scene of the crime: Insomnia and the return of the repressed. In: The cinema of Christopher Nolan: Imagining the impossible. Edited by Jacqueline Furby and Stuart Joy. - New York: Wallflower Press 2015. (= Directors’ cuts.) p. ?P.
Index:
Nolan, Christopher
Insomnia (2002)
Kriminalität ~ Crime
#119
Kania, Andrew: Inception’s singular lack of unity among Christopher Nolan’s puzzle films. In: The cinema of Christopher Nolan: Imagining the impossible. Edited by Jacqueline Furby and Stuart Joy. - New York: Wallflower Press 2015. (= Directors’ cuts.) p. ?P.
Index:
Nolan, Christopher
Inception (2010)
#120
Kania, Andrew: Memento. In: The Routledge companion to philosophy and film. Edited by Paisley Livingston and Carl Plantinga. - London; New York: Routledge 2008. (= Routledge philosophy companions.) p. ?P.
Index:
Nolan, Christopher
Memento (2000)
Philosophie ~ Philosophy
#121
Kania, Andrew: What is Memento? Ontology and interpretation in mainstream film. In: Memento. Edited by Andrew Kania. - New York; London: Routledge 2009. p. ?P.
Index:
Nolan, Christopher
Memento (2000)
#122
Kavadlo, Jesse: American popular culture in the era of terror: Falling skies, dark knights rising, and collapsing cultures. - Santa Barbara, California: Praeger 2015.
Description:
Discusses, among others, the representation of apocalypse and amnesia in film, especially in The Hunger Games and in the Dark Knight trilogy.
Index:
Nolan, Christopher
Hunger Games (Filmreihe)
Dark Knight (Filmreihe)
USA (United States of America) ~ USA (United States of America)
Ritter ~ Knights
Religion: Apokalypse ~ Religion: Apocalypse
#123
Kawin, Bruce: Three endings. In: Film Quarterly 65. 2011. No. 1. [Fall] pp. 14-16.
Description:
On computer generated special effects in recent cinema. Discusses especially James Cameron’s Avatar, Christopher Nolan’s Inception and Werner Herzog’s Cave of Forgotten Dreams.
Index:
Cameron, James
Nolan, Christopher
Herzog, Werner
Avatar (2009)
Inception (2010)
Cave of Forgotten Dreams (2010)
Technik: Spezialeffekte ~ Technology: Special Effects
Technik: Computer ~ Technology: Computer
Technik ~ Technology
#124
King, Geoff: Unravelling the puzzle of Inception. In: Hollywood puzzle films. Edited by Warren Buckland. - New York: Routledge 2014. (= AFI film readers.) p. ?P.
Index:
Nolan, Christopher
Inception (2010)
Hollywood ~ Hollywood
USA (United States of America) ~ USA (United States of America)
#125
Klecker, Cornelia: Skip and rewind: When time gets out of line in mainstream film. In: Moderne Sprachen 2009. No. 53. [?D] pp. 7-35.
Index:
Nolan, Christopher
Memento (2000)
Zeit ~ Time
#126
Klein, Thomas: Schauspielkunst als Gewaltakt: Notizen zu Christian Bale, The Dark Knight und dem "Method Acting". In: Film-Dienst 61. 2008. No. 17. [August 14] pp. 10-13.
Index:
Nolan, Christopher
Bale, Christian
Dark Knight, The (2008)
Gewalt ~ Violence
#127
Kleiner, Felicitas: Der Held, den Gotham verdient: Christopher Nolans Batman-Trilogie. In: Film-Dienst 65. 2012. No. 16. [August 2] pp. 25-28.
Index:
Nolan, Christopher
Batman Begins (2005)
Dark Knight, The (2008)
Dark Knight Rises, The (2012)
Batman (Filmreihe)
Helden ~ Heros
Batman ~ Batman
#128
Kleiner, Felicitas: The Dark Knight. In: Film-Dienst 61. 2008. No. 17. [August 14] p. 30.
Index:
Nolan, Christopher
Dark Knight, The (2008)
#129
Kleinman, Dennis: Back to a wilder noir. In: Cinefantastique 33. 2001. No. 3. [June] p. 60.
Description:
On Christopher Nolan’s Memento.
Index:
Nolan, Christopher
Memento (2000)
Film Noir ~ Film Noir
#130
Knight, Deborah / McKnight, George: Reconfiguring the past: Memento and neo-noir. In: Memento. Edited by Andrew Kania. - New York; London: Routledge 2009. p. ?P.
Index:
Nolan, Christopher
Memento (2000)
Film Noir ~ Film Noir
#131
Koll, Horst Peter: The Dark Knight Rises. In: Film-Dienst 65. 2012. No. 16. [August 2] pp. 33-34.
Index:
Nolan, Christopher
Dark Knight Rises, The (2012)
#132
Kravitz, Bennett: The culture of disease and the dis-case of culture: Re-membering the body in Fight Club and Memento. In: Studies in Popular Culture 26. 2004. No. 3. [?D] pp. 29-48.
Index:
Fincher, David
Nolan, Christopher
Fight Club (1999)
Memento (2000)
Krankheit ~ Illness
Körper ~ Bodies
#133
Kriest, Ulrich: Inception. In: Film-Dienst 63. 2010. No. 16. [August 5] pp. 24-25.
Index:
Nolan, Christopher
Inception (2010)
#134
Kriest, Ulrich: Inception. In: Film-Dienst 63. 2010. No. No. 16. [?D] p. ?P.
Index:
Nolan, Christopher
Inception (2010)
#135
Kubiak, Klay: "Are you watching closely?": Cinematic deception in Christopher Nolan’s Memento, The Prestige, and Inception. - Fort Worth, Texas: Texas Christian University, M.A. 2013. [Abstract in: Masters Abstracts International 51. 2013. No. 6M.]
Index:
Nolan, Christopher
Memento (2000)
Prestige, The (2006)
Inception (2010)
#136
Kubiak, Klay: "Are you watching closely?": Cinematic deception in Christopher Nolan’s Memento, The Prestige, and Inception. - Fort Worth, Texas: Texas Christian University, M.A. 2013. [Abstract In: Masters Abstracts International 51. 2013. No. 6. [December] p. ?P.]
Index:
Nolan, Christopher
Memento (2000)
Prestige, The (2006)
Inception (2010)
#137
Lally, Kevin: Memento. In: Film Journal 104. 2001. No. ?N. [March] pp. 109-110.
Index:
Nolan, Christopher
Memento (2000)
#138
Lampropoulos, Apostolos: Spelling out amnesia, or "forgetting me on the pretext of understanding me". In: Synthesis 2010. No. 2. [?D] pp. 67-72.
Index:
Nolan, Christopher
Memento (2000)
#139
Lawrenson, Edward: Batman Begins. In: Sight and Sound NS 15. 2005. No. 7. [July] pp. 40-41.
Index:
Nolan, Christopher
Batman Begins (2005)
#140
Laytham, D. Brent: Time for hope: The Sixth Sense, American Beauty, Memento, and Twelve Monkeys. In: The gift of story: Narrating hope in a postmodern world. Edited by Emily Griesinger and Mark Eaton. - Waco, Texas: Baylor University 2006. pp. 69-83.
Index:
Shyamalan, M. Night
Mendes, Sam
Nolan, Christopher
Gilliam, Terry
Sixth Sense, The (1999)
American Beauty (1999)
Memento (2000)
Twelve Monkeys (1995)
Postmoderne ~ Postmodern
#141
Lennard, Dominic: "Why so serious?": Battling the comic in The Dark Knight. In: The last laugh: Strange humors of cinema. Edited by Murray Pomerance. - Detroit: Wayne State University Press 2013. (= Contemporary approaches to film and media.) p. ?P.
Index:
Nolan, Christopher
Dark Knight, The (2008)
Animation: Comics ~ Animation: Comics
Humor ~ Humor
#142
Levine, Joseph: Leonard’s system: Why doesn’t it work? In: Memento. Edited by Andrew Kania. - New York; London: Routledge 2009. p. ?P.
Index:
Nolan, Christopher
Memento (2000)
#143
Lewis, Dave: Batman Begins / Batman: The motion picture anthology 1989-1997. In: Variety 400. 2005. No. 10. [October 24] p. 30.
Description:
On a DVD edition.
Index:
Nolan, Christopher
Batman Begins (2005)
Batman (Filmreihe)
DVD ~ DVD
Batman ~ Batman
#144
Lewis, Randolph: The Dark Knight of American empire. In: Jump Cut 2009. No. 51. [?D] p. ?P.
Index:
Nolan, Christopher
Dark Knight, The (2008)
USA (United States of America) ~ USA (United States of America)
#145
Litch, Mary M.: Philosophy through film. - London; New York: Routledge 2002.
Description:
Includes, among others, chapters on Paul Verhoeven’s Total Recall, the Matrix films by Andy and Larry Wachowski, Spike Jonze’s Being John Malkovich, Christopher Nolan’s Memento, Steven Spielberg’s A.I. - Artificial Intelligence, Andrew Niccol’s Gattaca and Ingmar Bergman’s Det sjunde inseglet.
Index:
Verhoeven, Paul
Wachowski, Andy
Wachowski, Larry
Jonze, Spike
Nolan, Christopher
Spielberg, Steven
Niccol, Andrew
Bergman, Ingmar
Total Recall (1990)
Matrix, The (Filmreihe)
Being John Malkovich (1999)
Memento (2000)
A.I. - Artificial Intelligence (2001)
Gattaca (1997)
sjunde inseglet, Det (1956)
Philosophie ~ Philosophy
#146
Litch, Mary M.: Philosophy through film. 2nd. edition. - London; New York: Routledge 2010.
First edition:
[2002]
Description:
Includes, among others, chapters on Paul Verhoeven’s Total Recall, the Matrix films by Andy and Larry Wachowski, Spike Jonze’s Being John Malkovich, Christopher Nolan’s Memento, Steven Spielberg’s A.I. - Artificial Intelligence, Andrew Niccol’s Gattaca and Ingmar Bergman’s Det sjunde inseglet.
Index:
Verhoeven, Paul
Wachowski, Andy
Wachowski, Larry
Jonze, Spike
Nolan, Christopher
Spielberg, Steven
Niccol, Andrew
Bergman, Ingmar
Total Recall (1990)
Matrix, The (Filmreihe)
Being John Malkovich (1999)
Memento (2000)
A.I. - Artificial Intelligence (2001)
Gattaca (1997)
sjunde inseglet, Det (1956)
Philosophie ~ Philosophy
#147
Little, William G.: Surviving Memento. In: Narrative 13. 2005. No. 1. [January] pp. 67-83.
Index:
Nolan, Christopher
Memento (2000)
#148
Longwell, Todd: The Prestige. In: American Cinematographer 88. 2007. No. 8. [August]. Supplement. pp. 14-16.
Index:
Nolan, Christopher
Prestige, The (2006)
#149
Lyons, Diran: Vengeance, the powers of the false, and the time-image in Christopher Nolan’s Memento: A note on ressentiment at the beginning of the new millennium. In: Angelaki 11. 2006. No. 1. [April] pp. 127-135.
Index:
Nolan, Christopher
Memento (2000)
#150
Macnab, Geoffrey: Dark matter. In: Sight and Sound NS 18. 2008. No. 9. [September] p. 10.
Description:
Interview with Christopher Nolan on The Dark Knight.
Index:
Nolan, Christopher
Dark Knight, The (2008)
#151
Magerstädt, Sylvie: Body, soul and cyberspace in contemporary science fiction cinema: Virtual worlds and ethical problems. - Houndsmill, Basingstoke, Hampshire; New York: Palgrave Macmillan 2014.
Reviews:
Milburn, Colin: In: Science Fiction Studies 43. 2016. No. 2(?N). [?D] pp. 402-405.
Description:
Discusses especially Christopher Nolan’s Inception, Josef Rusnak’s The Thirteenth Floor, David Cronenberg’s eXistenZ, Karyn Kusama’s Aeon Flux, Len Wiseman’s Total Recall, Wally Pfister’s Transcendence and Joseph Kosinski’s Tron: Legacy.
Index:
Nolan, Christopher
Rusnak, Josef
Cronenberg, David
Kusama, Karyn
Wiseman, Len
Pfister, Wally
Kosinski, Joseph
Inception (2010)
Thirteenth Floor, The (1999)
eXistenZ (1998)
Aeon Flux (2005)
Total Recall (2012)
Transcendence (2014)
Tron: Legacy (2010)
Science Fiction ~ Science Fiction
Körper ~ Bodies
Cyberspace ~ Cyberspace
#152
Mallin, Eric S.: Out of joint: Memento as contemporary Hamlet. In: Journal of Narrative Theory 40. 2010. No. 3. [?D] pp. 297-337.
Index:
Shakespeare, William
Nolan, Christopher
Memento (2000)
Hamlet ~ Hamlet
Tragicall Historie of Hamlet, Prince of Denmarke, The (Literatur ~ Literature)
#153
Maloney, Marcus: The search for meaning in film and television: Disenchantment at the turn of the millennium. - Houndmills, Basingstoke, Hampshire; New York: Palgrave Macmillan 2015.
Description:
Discusses, among others, John Lasseter’s Toy Story as well as Christopher Nolan’s Batman Begins and The Dark Knight.
Index:
Lasseter, John
Nolan, Christopher
Toy Story (1995)
Batman Begins (2005)
Dark Knight, The (2008)
Fernsehen ~ Television
#154
Marsilius, Jörg: Cineastische Albträume: Das ambivalente Verhältnis der Filmkritik zur Gewalt im Kino. In: Film-Dienst 65. 2012. No. 19. [September 13] pp. 22-24.
Index:
Nolan, Christopher
Dark Knight Rises, The (2012)
Traum ~ Dreams
Gewalt ~ Violence
#155
Martin, Raymond: The value of memory: Reflections on Memento. In: Memento. Edited by Andrew Kania. - New York; London: Routledge 2009. p. ?P.
Index:
Nolan, Christopher
Memento (2000)
#156
Martin-Jones, D.: Becoming-other in time: The Deleuzian subject in cinema. - Glasgow: University of Glasgow, Ph.D. 2002. [Abstract in: Index to Theses with Abstracts 52. 2003. No. 2. p. 373(52-2896)].
Description:
Discusses, among others, Peter Howitt’s Sliding Doors, Tom Tykwer’s Lola rennt and Christopher Nolan’s Memento.
Index:
Deleuze, Gilles
Howitt, Peter
Tykwer, Tom
Nolan, Christopher
Sliding Doors (1997)
Lola rennt (1998)
Memento (2000)
#157
McDonnell, Brian: "Now, where was I?": Memento as an "effect-and-cause" narrative. In: New Zealand Journal of Media Studies 8. 2001. No. 1. [?D] pp. 19-29.
Index:
Nolan, Christopher
Memento (2000)
#158
Mcgowan, Todd: Stumbling over the superhero: Christopher Nolan’s victories and compromises. In: The cinema of Christopher Nolan: Imagining the impossible. Edited by Jacqueline Furby and Stuart Joy. - New York: Wallflower Press 2015. (= Directors’ cuts.) p. ?P.
Index:
Nolan, Christopher
Helden ~ Heros
#159
McGowan, Todd: Anti-gravity: Interstellar and the fictional betrayal of place. In: Jump Cut 2016. No. 57. [Fall] p. 1.
Index:
Nolan, Christopher
Interstellar (2014)
#160
McGowan, Todd: Conclusion: An infinite Memento. In: McGowan, Todd: Out of time: Desire in atemporal cinema. - Minneapolis, Minnesota; London: University of Minnesota Press 2011. p. ?P.
Index:
Nolan, Christopher
Memento (2000)
Zeit ~ Time
#161
McGowan, Todd: The exceptional darkness of The Dark Knight. In: Jump Cut 2009. No. 51. [?D] p. ?P.
Index:
Nolan, Christopher
Dark Knight, The (2008)
#162
McIver, Gillian: Art history for filmmakers: The art of visual storytelling. - London; New York: Fairchild Books / Bloomsbury Publishing 2016.
Description:
Discusses, among others, Darren Aronofsky’s Requiem For a Dream, Peter Greenaway’s The Cook, the Thief, His Wife and Her Lover and Nightwatching, A Matter of Life and Death by Michael Powell and Emeric Pressburger, Martin Scorsese’s Taxi Driver, Guillermo del Toro’s El Laberinto del Fauno and Pacific Rim, Christopher Nolan’s Inception and several Disney films.
Index:
Aronofsky, Darren
Greenaway, Peter
Powell, Michael
Pressburger, Emeric
Scorsese, Martin
del Toro, Guillermo
Nolan, Christopher
Requiem For a Dream (2000)
Cook, the Thief, His Wife & Her Lover, The (1989)
Nightwatching (2007)
Matter of Life and Death, A / Stairway to Heaven (1947)
Taxi Driver (1975)
Laberinto del Fauno, El (2006)
Pacific Rim (2013)
Inception (2010)
Kunst ~ Arts, The
Disney ~ Disney
#163
McKenna, Michael: Moral monster or responsible person? Memento’s Leonard as a case study in defective agency. In: Memento. Edited by Andrew Kania. - New York; London: Routledge 2009. p. ?P.
Index:
Nolan, Christopher
Memento (2000)
Monster ~ Monster
#164
Memento. - Wien: ?V ?J. (= Neues Filmprogramm 10833.)
Index:
Nolan, Christopher
Memento (2000)
#165
Memento. In: Sight and Sound NS 10. 2000. No. 11. [November] p. 58.
Index:
Nolan, Christopher
Memento (2000)
#166
Memento. Edited by Andrew Kania. - New York; London: Routledge 2009.
Index:
Nolan, Christopher
Memento (2000)
#167
Merupu, Paul: The Gravity of music and scientific sound design in Interstellar, Flash Drive & Rainbow City. - New York: Long Island University, The Brooklyn Center, M.A. 2016. [Abstract in: Masters Abstracts International 56. 2016. No. 4M.]
Index:
Nolan, Christopher
Interstellar (2014)
Musik ~ Music
#168
Mihm, Kai: Memento: Christopher Nolan erzählt seinen Thriller von hinten nach vorne. In: EPD Film 18. 2001. No. 12. [December] p. 46.
Index:
Nolan, Christopher
Memento (2000)
Thriller ~ Thriller
#169
Molloy, Claire: Memento. - Edinburgh: Edinburgh University Press 2010. (= American indies.)
Reviews:
Bleasdale, John: [untitled.] In: Film-Philosophy 15. 2011. No. 1. [?D] pp. 255-261.
Index:
Nolan, Christopher
Memento (2000)
#170
Moret, Ross: The knight of faith and the dark knight. In: Cresset 76. 2012. No. 2. [?D] pp. 25-30.
Index:
Nolan, Christopher
Dark Knight Rises, The (2012)
Batman (Filmreihe)
Ritter ~ Knights
Batman ~ Batman
Religion ~ Religion
#171
Murphy, J. J.: Me and You and Memento and Fargo: How independent screenplays work. - New York; London: Continuum 2007.
Reviews:
Frye, Brian L.: [untitled.] In: Cineaste 33. 2007. No. 1. [?D] pp. 87-88.
Holm, D. K.: [untitled.] In: Film Quarterly 62. 2009. No. 3. [Spring] p. 89.
Index:
Nolan, Christopher
Coen, Joel
Memento (2000)
Fargo (1995)
#172
Nagel, Josef: Christopher Nolans Wurmlöcher. In: Film-Dienst 66. 2013. No. 23. [November 7] p. 9.
Description:
Production report of Christopher Nolan’s Interstellar.
Index:
Nolan, Christopher
Interstellar (2014)
#173
Neff, Renfreu: Memento: Renfreu Neff speaks with Christopher Nolan. In: Creative Screenwriting 8. 2001. No. 2. [?D] pp. 47-56.
Index:
Nolan, Christopher
Memento (2000)
#174
Nesselson, Lisa: Mystery to remember. In: Variety 380. 2000. No. ?N. [September 18] p. 31.
Index:
Nolan, Christopher
Memento (2000)
#175
Nestler, Ralf: "Wurmlöcher sind möglich": Der Interstellar-Berater Kip Thorne über Zeitreisen und das größte Rätsel der Pjysik. In: Der Tagesspiegel [Berlin]. December 5, 2014. p. 28.
Index:
Nolan, Christopher
Thorne, Kip
Interstellar (2014)
Zeit ~ Time
#176
Nestler, Ralf: Bis an die Grenzen der Physik: Der Film Interstellar fasziniert mit Wurmlöchern und Zeitreisen. Geht das? In: Der Tagesspiegel [Berlin]. November 26, 2014. p. 21.
Index:
Nolan, Christopher
Interstellar (2014)
Zeit ~ Time
#177
Newman, Kim: Cape fear. In: Sight and Sound NS 15. 2005. No. 7. [July] pp. 18-21.
Description:
On Christopher Nolan’s Batman Begins.
Index:
Nolan, Christopher
Batman Begins (2005)
#178
Newman, Kim: Inception. In: Sight and Sound NS 20. 2010. No. 9. [September] pp. 61-62.
Index:
Nolan, Christopher
Inception (2010)
#179
Newman, Kim: The Dark Knight. In: Sight and Sound NS 18. 2008. No. 10. [October] pp. 59-60.
Index:
Nolan, Christopher
Dark Knight, The (2008)
#180
Newman, Kim: The Dark Knight Rises. In: Sight and Sound NS 22. 2012. No. 9. [September] pp. 88-89.
Index:
Nolan, Christopher
Dark Knight Rises, The (2012)
#181
Newman, Kim: The grand illusion. In: Sight and Sound NS 16. 2006. No. 12. [December] pp. 16-19.
Description:
On Christopher Nolan’s The Prestige.
Index:
Nolan, Christopher
Prestige, The (2006)
#182
Ní Fhlainn, Sorcha: "You keep telling yourself what you know, but what do you believe?": Cultural spin, puzzle films and mind games in the cinema of Christopher Nolan. In: The cinema of Christopher Nolan: Imagining the impossible. Edited by Jacqueline Furby and Stuart Joy. - New York: Wallflower Press 2015. (= Directors’ cuts.) p. ?P.
Index:
Nolan, Christopher
#183
Nolan, Christopher: The final scene: Memento. In: Creative Screenwriting 8. 2001. No. 2. [?D] p. 92.
Index:
Nolan, Christopher
Memento (2000)
#184
O’Donnell, Patrick: Henry James’s Memento. In: Henry James Review 30. 2009. No. 2. [?D] pp. 115-128.
Index:
Nolan, Christopher
James, Henry
Memento (2000)
#185
Ogunnaike, Oludamini: Inception and Ibn ’Arabi. In: Journal of Religion and Film 17. 2013. No. 2. [October] pp. 1-50.
Index:
Nolan, Christopher
Ibn Arabi
Inception (2010)
Orient ~ Orient
Religion: Islam ~ Religion: Islam
Philosophie ~ Philosophy
#186
Olsen, Mark: Total immersion. In: Film Comment 38. 2002. No. 3. [?D] pp. 28-29.
Description:
Interview with Christopher Nolan.
Index:
Nolan, Christopher
#187
Olson, Jonathan: Nolan’s immersive allegories of filmmaking in Inception and The Prestige. In: The cinema of Christopher Nolan: Imagining the impossible. Edited by Jacqueline Furby and Stuart Joy. - New York: Wallflower Press 2015. (= Directors’ cuts.) p. ?P.
Index:
Nolan, Christopher
Inception (2010)
Prestige, The (2006)
#188
Paech, Joachim: Verkörperte Zeit: Personale Identität und kinematografische Zeit-Räume: Christopher Nolans Prestige nach dem Roman von Christopher Priest. In: Raum und Identität im Film: Historische und aktuelle Perspektiven. Hrsg. von Irma Durakovic, Michael Lommel und Joachim Paech. - Marburg: Schüren 2012. (= Marburger Schriften zur Medienforschung 37.) pp. 43 ff.
Index:
Priest, Christopher
Nolan, Christopher
Prestige, The (2006)
Zeit ~ Time
Geschichte ~ History
Prestige, The (Literatur ~ Literature)
#189
Panek, Elliot: "Show, don’t tell": Considering the utility of diagrams as a tool for understanding complex narratives. In: Hollywood puzzle films. Edited by Warren Buckland. - New York: Routledge 2014. (= AFI film readers.) p. ?P.
Index:
Nolan, Christopher
Inception (2010)
Hollywood ~ Hollywood
USA (United States of America) ~ USA (United States of America)
#190
Pantoliano, Joe: Asylum: Hollywood tales about my great depression: Brain dis-ease, recovery, and being my mother’s son. - New York: Weinstein Books 2012.
Description:
Autobiography of the actor famos for his roles in the Matrix films and Christopher Nolan’s Memento.
Index:
Pantoliano, Joe
Wachowski, Andy
Wachowski, Larry
Nolan, Christopher
Matrix, The (Filmreihe)
Memento (2000)
Mutter ~ Mothers
Hollywood ~ Hollywood
Gehirn ~ Brain
#191
Parker, Tracey K.: "Do I lie to myself to be happy?": Self-help culture and fragmentation in postmodern film. In: Interdisciplinary Literary Studies 10. 2008. No. 1. [?D] pp. 1-15.
Description:
Discusses, among others, Michael Gondry’s Eternal Sunshine of the Spotless Mind, David Fincher’s Fight Club and Christopher Nolan’s Memento.
Index:
Gondry, Michael
Fincher, David
Nolan, Christopher
Eternal Sunshine of the Spotless Mind (2004)
Fight Club (1999)
Memento (2000)
Postmoderne ~ Postmodern
#192
Pavlus, John: Sleepless in Alaska. In: American Cinematographer 83. 2002. No. 5. [May] pp. 34-45.
Description:
On the work of cinematographer Wally Pfister and director Christopher Nolan for Memento, a remake of Erik Skjoldbjærg’s Insomnia.
Index:
Nolan, Christopher
Pfister, Wally
Skjoldbjærg, Erik
Memento (2000)
Insomnia (1997)
Technik: Kamera ~ Technology: Camera
#193
Perdigao, Lisa K.: "The dream has become their reality": Infinite regression in Christopher Nolan’s Memento and Inception. In: The cinema of Christopher Nolan: Imagining the impossible. Edited by Jacqueline Furby and Stuart Joy. - New York: Wallflower Press 2015. (= Directors’ cuts.) p. ?P.
Index:
Nolan, Christopher
Memento (2000)
Inception (2010)
Traum ~ Dreams
#194
Perlmutter, Ruth: Memories, dreams, screens. In: Quarterly Review of Film and Video 22. 2005. No. 2. [April-June] pp. 125-134.
Description:
Psychoanalytic interpretation of the use of dreams and memories in Maya Deren’s Meshes of the Afternoon, Ingmar Bergman’s Persona, Christopher Nolan’s Memento and David Lynch’s Mulholland Drive.
Index:
Derenkowitsch, Eleonora [Pseudonym: Deren, Maya]
Hackenschmied, Alexander [Pseudonym: Hammid]
Bergman, Ingmar
Nolan, Christopher
Lynch, David
Meshes of the Afternoon (1943)
Persona (1966)
Memento (2000)
Mulholland Drive (2001)
Psychologie ~ Psychology
Traum ~ Dreams
#195
Persons, Mitch: Memento: Time flows backwards in Chris Nolan’s intriguing thriller. In: Cinefantastique 33. 2001. No. 1/2. [April] p. 119.
Description:
Discusses, among others, the work of actress Carrie-Anne Moss and of Joe Pantoliano.
Index:
Nolan, Christopher
Moss, Carrie-Anne
Pantoliano, Joe
Memento (2000)
Thriller ~ Thriller
#196
Pheasant-Kelly, Fran: Representing trauma: Grief, amnesia and traumatic memory in Nolan’s new millennial films. In: The cinema of Christopher Nolan: Imagining the impossible. Edited by Jacqueline Furby and Stuart Joy. - New York: Wallflower Press 2015. (= Directors’ cuts.) p. ?P.
Index:
Nolan, Christopher
Traum ~ Dreams
#197
Pheasant-Kelly, Frances: The ecstasy of chaos: Mediating 9/11, terrorism and trauma in The Dark Knight. In: Pheasant-Kelly, Frances: Fantasy film post 9/11. - New York: Palgrave Macmillan 2013. p. ?P.
Index:
Nolan, Christopher
Dark Knight, The (2008)
Fantasy ~ Fantasy
Politik ~ Politics
#198
Pinkerton, Nick: Interstellar. In: Sight and Sound NS 25. 2015. No. 1. [January] pp. 66-67.
Index:
Nolan, Christopher
Interstellar (2014)
#199
Pizzello, Stephen: Batman takes wing. In: American Cinematographer 86. 2005. No. 6. [June] pp. 36-59.
Description:
On Wally Pfister’s camera work for Christopher Nolan’s Batman Begins.
Index:
Nolan, Christopher
Pfister, Wally
Batman Begins (2005)
Technik: Kamera ~ Technology: Camera
Batman ~ Batman
#200
Prestige - Meister der Magie. - Nürnberg: Verlag Karin Stähle ?J. (= KINOexclusiv 382.)
Index:
Nolan, Christopher
Prestige, The (2006)
#201
Rauscher, Andreas: "How can I remember to forget you?": Memento. In: Splatting Image 2001. No. 47. [September] pp. 65-66.
Index:
Nolan, Christopher
Memento (2000)
#202
Rauscher, Andreas: Super-Noir: The Dark Knight. In: Splatting Image 2008. No. 75. [September] pp. 58-59.
Index:
Nolan, Christopher
Dark Knight, The (2008)
Film Noir ~ Film Noir
#203
Renner, Karen: Repeat viewings revisited: Emotions, memory, and Memento. In: Film Studies [Manchester] 2006. No. 8. [Summer] pp. 106-115.
Index:
Nolan, Christopher
Memento (2000)
Psychologie ~ Psychology
#204
Rits Volloch, R.: Visual viscerality in the experience of contemporary cinema. - Cambridge: University of Cambridge, Ph.D. 2005. [Abstract in: Index to Theses with Abstracts 54. 2005. No. 5. p. 1284-1285(54-9898).]
Description:
Discusses, among others, Peter Weir’s The Truman Show, Christopher Nolan’s Memento, Gaspar Noé’s Irréversible as well as Faust and Spiklenci slasti by Jan Svankmajer.
Index:
Weir, Peter
Nolan, Christopher
Noé, Gaspar
Svankmajer, Jan
Truman Show, The (1998)
Memento (2000)
Irréversible (2002)
Faust (1994)
#205
Römers, Holger: Batman Begins. In: Film-Dienst 58. 2005. No. 13. [June 23] pp. 30-31.
Index:
Nolan, Christopher
Batman Begins (2005)
#206
Russo, Paolo: "Pain is in the mind": Dream narrative in Inception and Shutter Island. In: Hollywood puzzle films. Edited by Warren Buckland. - New York: Routledge 2014. (= AFI film readers.) p. ?P.
Index:
Nolan, Christopher
Scorsese, Martin
Inception (2010)
Shutter Island (2010)
Traum ~ Dreams
Hollywood ~ Hollywood
USA (United States of America) ~ USA (United States of America)
#207
Rustemeyer, Dirk: Darstellung: Philosophie des Kinos. - Weilerswist: Velbrück 2013.
Description:
Discusses, among others, Francis Ford Coppola’s Apocalypse Now, Christopher Nolan’s The Dark Knight and Pier Paolo Pasolini’s Il vangelo secondo Matteo.
Index:
Coppola, Francis Ford
Nolan, Christopher
Pasolini, Pier Paolo
Apocalypse Now (1976-1979)
Dark Knight, The (2008)
vangelo secondo Matteo, Il (1964)
Religion ~ Religion
Philosophie ~ Philosophy
#208
Ryan, Marie-Laure: Temporal paradoxes in narrative. In: Style 43. 2009. No. 2. [?D] pp. 142-164.
Index:
Nolan, Christopher
Memento (2000)
Zeit ~ Time
#209
Sachsse, Ulrich: Heldendämmerung: Batman Begins & The Dark Knight: Posttraumatische Belastungsstörung (F43.1). In: Batman und andere himmlische Kreaturen: Nochmal 30 Filmcharaktere und ihre psychischen Störungen. Hrsg. von Stephan Doering und Heidi Möller. - Berlin; Heidelberg: SpringerMedizin 2010. pp. 141 ff.
Index:
Nolan, Christopher
Batman Begins (2005)
Dark Knight, The (2008)
Helden ~ Heros
Psychologie ~ Psychology
#210
Schmidt, Oliver: Die räumliche Wahrnehmung von Wirklichkeit: Drei Anmerkungen zum Verhältnis von filmischer Repräsentation und Zuschauer. In: Rabbit Eye 2010. No. 2. pp. 38-54.
Description:
Discusses, among others, Stanley Kubrick’s 2001 - A Space Odyssey, Gary Nelson’s The Black Hole, Tarsem Singh’s The Cell, Robert Zemeckis’s Contact, Christopher Nolan’s Inception, The Matrix by Andy and Larry Wachowski, David Lynch’s Mulholland Drive, Hans Richter’s Rhytmus 21 / Film ist Rhythmus, Sin City, Kerry Conran’s Sky Captain and the World of Tomorrow, James Cameron’s Titanic, Vincent Ward’s What Dreams May Come, David Lynch’s Wild at Heart as well as the Star Trek TV series.
Index:
Kubrick, Stanley
Nelson, Gary
Singh, Tarsem
Zemeckis, Robert
Nolan, Christopher
Wachowski, Andy
Wachowski, Larry
Lynch, David
Richter, Hans
Miller, Frank
Rodriguez, Robert
Tarantino, Quentin
Conran, Kerry
Cameron, James
Ward, Vincent
Lynch, David
2001 - A Space Odyssey (1968)
Black Hole, The (1979)
Cell, The (2000)
Contact (1997)
Inception (2010)
Matrix, The (1999)
Mulholland Drive (2001)
Rhytmus 21 / Film ist Rhythmus (1921-1923)
Sin City / Frank Miller’s Sin City (2005)
Sky Captain and the World of Tomorrow (2004)
Titanic (1997)
What Dreams May Come (1998)
Wild at Heart (1990)
Star Trek (TV)
Fernsehen ~ Television
#211
Schmidt, Oliver: Hybride Räume: Filmwelten und ihre ästhetische Gestaltung im Hollywood-Kino der Jahrtausendwende. - Marburg: Schüren 2013. (= Schriftenreihe zur Textualität des Films 2.)
Reviews:
Marsilius, Jörg: Traum und Wirklichkeit: Durchs Labyrinth der "hybriden (Kino-)Räume". In: Film-Dienst 67. 2014. No. 1. [January 2] p. 35.
Ritzer, Ivo: [untitled.] In: Medienwissenschaft 2013. No. 3. pp. 346-347.
Description:
Includes detailed analyses of Michael Gondry’s Eternal Sunshine of the Spotless Mind, Christopher Nolan’s Inception and Zack Snyder’s 300.
Index:
Gondry, Michael
Nolan, Christopher
Snyder, Zack
Eternal Sunshine of the Spotless Mind (2004)
Inception (2010)
300 (2007)
Hollywood ~ Hollywood
#212
Schnelle, Frank: Es müsste regnen: Die Batman-Trilogie von Christopher Nolan geht ins Finale. In: EPD Film 29. 2012. No. 7. [July] pp. 22-27.
Index:
Nolan, Christopher
Batman Begins (2005)
Dark Knight, The (2008)
Dark Knight Rises, The (2012)
Batman (Filmreihe)
#213
Schnelle, Frank: Interstellar. In: EPD Film 31. 2014. No. 12. [December] p. 54.
Index:
Nolan, Christopher
Interstellar (2014)
#214
Schnelle, Frank: Kino mit beschränkter Haftung. In: EPD Film 27. 2010. No. 8. [August] pp. 16-19.
Description:
On "untrustworthy narration" in the films of Christopher Nolan.
Index:
Nolan, Christopher
#215
Schnelle, Frank: The Dark Knight Rises. In: EPD Film 29. 2012. No. 8. [August] p. 41.
Index:
Nolan, Christopher
Dark Knight Rises, The (2012)
#216
Schopp, Andrew: Interrogating the manipulation of fear: V for Vendetta, Batman Begins, Good Night, and Good Luck, and America’s "War on Terror". In: The War on Terror and American popular culture: September 11 and beyond. Edited by Matthew B. Hill and Andrew Schopp. - Madison, New Jersey: Fairleigh Dickinson University Press 2009. pp. 259-286.
Index:
McTeigue, James
Nolan, Christopher
Clooney, George
V for Vendetta (2006)
Batman Begins (2005)
Good Night, and Good Luck (2005)
Politik ~ Politics
USA (United States of America) ~ USA (United States of America)
Krieg ~ War
Angst ~ Fear
#217
Schwartzberg, Shlomo: Memento. In: Boxoffice 136. 2000. No. ?N. [November] p. 166.
Index:
Nolan, Christopher
Memento (2000)
#218
Schwickert, Martin: Inception. In: EPD Film 27. 2010. No. 8. [August] p. 36.
Index:
Nolan, Christopher
Inception (2010)
#219
Scott, A. O.: A genre in danger of losing its powers. In: International Herald Tribune, July 29, 2008. p. 8.
Description:
On the recent wave of damaged super heroes in Hollywood film. Discusses Peter Berg’s Hancock, Jon Favreau’s Iron Man and Christopher Nolan’s The Dark Knight.
Index:
Berg, Peter
Favreau, Jon
Nolan, Christopher
Hancock (2008)
Iron Man (2008)
Dark Knight, The (2008)
Hollywood ~ Hollywood
Helden ~ Heros
#220
Seeßlen, Georg: Take a Walk on the Dark Side. In: EPD Film 25. 2008. No. 8. [August] pp. 18-23.
Description:
On the career of actor Christian Bale on occasion of the release of Christopher Nolan’s new Batman film The Dark Knight.
Index:
Bale, Christian
Nolan, Christopher
Dark Knight, The (2008)
Batman ~ Batman
#221
Shewman, Den: Nothing up their sleeves: Christopher and Jonathan Nolan on the art of magic murder and The Prestige. In: Creative Screenwriting 13. 2006. No. 5. [?D] pp. 60-65.
Index:
Nolan, Christopher
Nolan, Jonathan
Prestige, The (2006)
Mord ~ Murder
Magie ~ Magic
#222
Sibielski, Rosalind: Postmodern narrative or narrative of the postmodern? History, identity, and the failure of rationality as an ordering principle in Memento. In: Literature and Psychology 49. 2004. No. 4. [?D] pp. 82-100.
Index:
Nolan, Christopher
Memento (2000)
Postmoderne ~ Postmodern
Geschichte ~ History
#223
Slagman, Tim: Endlose Treppen ins Universum. In: Film-Dienst 70. 2017. No. 15. [July 20] pp. 16-19.
Description:
On the films of Christopher Nolan.
Index:
Nolan, Christopher
Weltraum ~ Space
#224
Smith, Basil: John Locke, personal identity, and Memento. In: Southern Humanities Review 40. 2006. No. 4. [?D] pp. 313-326.
Index:
Nolan, Christopher
Locke, John
Memento (2000)
#225
Smith, Basil: John Locke, personal identity, and Memento. In: The philosophy of neo-noir. Edited by Mark T. Conard. - Lexington, Kentucky: University Press of Kentucky 2007. (= The philosophy of popular culture.) p. ?P.
Index:
Nolan, Christopher
Locke, John
Memento (2000)
Philosophie ~ Philosophy
Film Noir ~ Film Noir
#226
Staples, Jason: Shadowlands, myth, and the creation of meaning in Inception. In: Journal of Religion and Film 14. 2010. No. 1. [?D] pp. 1-4.
Index:
Nolan, Christopher
Inception (2010)
Mythologie ~ Mythology
Religion ~ Religion
#227
Stasukevich, Iain: Batman to the max. In: American Cinematographer 93. 2012. No. 8. [August] pp. 30-45.
Description:
On Wally Pfister’s camera work for Christopher Nolan’s The Dark Knight Rises.
Index:
Nolan, Christopher
Pfister, Wally
Dark Knight Rises, The (2012)
Technik: Kamera ~ Technology: Camera
Batman ~ Batman
#228
Stasukevich, Iain: Batman to the Max. In: American Cinematographer 93. 2012. No. 8. [August] pp. 30-45.
Description:
On Wally Pfister’s camera work for Christopher Nolan’s The Dark Knight Rises.
Index:
Nolan, Christopher
Pfister, Wally
Dark Knight Rises, The (2012)
Technik: Kamera ~ Technology: Camera
Batman ~ Batman
#229
Stasukevich, Iain: Cosmic Odyssey. In: American Cinematographer 2014. No. 12. [December] pp. 38-53.
Description:
On Hoyte van Hoytema’s camera work for Christopher Nolan’s Interstellar.
Index:
Nolan, Christopher
van Hoytema, Hoyte
Interstellar (2014)
Technik: Kamera ~ Technology: Camera
Odysseus ~ Ulysses
#230
Sterneborg, Anke: Prestige - Die Meister der Magie: Christopher Nolans raffinierter Zauberkunst-Film. In: EPD Film 24. 2007. No. 1. [January] pp. 48-49.
Index:
Nolan, Christopher
Prestige, The (2006)
Magie ~ Magic
#231
Stewart, Garrett: Framed time: Toward a postfilmic cinema. - Chicago, Illinois: University of Chicago Press 2007. (= Cinema and modernity.)
Reviews:
Fradley, Martin: [untitled.] In: Film Quarterly 64. 2010. No. 1. [?D] pp. 70-74.
Jacobson, Brian R.: [untitled.] In: Discourse 32. 2010. No. 2. [?D] pp. 260-263.
Description:
Discusses, among others, Christopher Nolan’s Memento, Erik Skjoldbjærg’s Insomnia, Tom Tykwer’s Lola rennt, Krzysztof Kieslowski’s La double vie de Véronique, Julio Medem’s La ardilla roja, Alex Proyas’s Dark City, Alejandro Amenábar’s Abre los ojos and The Others, Cameron Crowe’s Vanilla Sky, Steven Spielberg’s A.I. - Artificial Intelligence, M. Night Shyamalan’s The Sixth Sense, Adrian Lyne’s Jacob’s Ladder, Spike Jonze’s Adaption and Being John Malkovich, Mark Romanek’s One Hour Photo, James Mangold’s Identity, Robert Longo’s Johnny Mnemonic, René Clair’s Paris qui dort, Gregory Hoblit’s Frequency, Richard Kelly’s Donnie Darko, Josef Rusnak’s The Thirteenth Floor, Michael Gondry’s Eternal Sunshine of the Spotless Mind, Stanley Kubrick’s 2001 - A Space Odyssey, Joseph Ruben’s The Forgotten, La cité des enfants perdus by Marc Caro and Jean-Pierre Jeunet, Butterfly Effect by Eric Bress and J. Mackye Gruber, and the Matrix films by the Wachowsky’s.
Index:
Nolan, Christopher
Tykwer, Tom
Skjoldbjærg, Erik
Kieslowski, Krzysztof
Medem, Julio
Proyas, Alex
Amenábar, Alejandro
Crowe, Cameron
Spielberg, Steven
Shyamalan, M. Night
Lyne, Adrian
Jonze, Spike
Romanek, Mark
Mangold, James
Longo, Robert
Chomette, René [Pseudonym: Clair, René]
Hoblit, Gregory
Kelly, Richard
Rusnak, Josef
Gondry, Michael
Kubrick, Stanley
Jonze, Spike
Ruben, Joseph
Caro, Marc
Jeunet, Jean-Pierre
Bress, Eric
Gruber, J. Mackye
Wachowski, Andy
Wachowski, Larry
Memento (2000)
Lola rennt (1998)
Insomnia (1997)
double vie de Véronique, La / Podwójne zycie Weroniki (1991)
ardilla roja, La (1993)
Dark City / Dark World / Dark Empire (1997)
Abre los ojos (1997)
Others, The (2001)
Vanilla Sky (2001)
A.I. - Artificial Intelligence (2001)
Sixth Sense, The (1999)
Jacob’s Ladder (1990)
Adaption (2003)
One Hour Photo (2002)
Identity (2003)
Johnny Mnemonic (1995)
Paris qui dort (1923)
Frequency (2000)
Donnie Darko (2001)
Thirteenth Floor, The (1999)
Eternal Sunshine of the Spotless Mind (2004)
2001 - A Space Odyssey (1968)
Being John Malkovich (1999)
Forgotten, The (2004)
cité des enfants perdus, La (1995)
Butterfly Effect (2004)
Matrix, The (Filmreihe)
Zeit ~ Time
#232
Suchsland, Rüdiger: Sturz ins Chaos: Inception & Summer Wars. In: Film-Dienst 63. 2010. No. 26. [December 23] p. 7.
Index:
Nolan, Christopher
Inception (2010)
Samâ wôzu (2009)
#233
Sutton, John: The feel of the world: Exograms, habits, and the confusion of types of memory. In: Memento. Edited by Andrew Kania. - New York; London: Routledge 2009. p. ?P.
Index:
Nolan, Christopher
Memento (2000)
#234
Syme, Conor: Childhood’s end: Childhood faith in science fiction. In: Film Matters 8. 2017. No. 1. [Spring] pp. 72-76.
Description:
Discusses, among others, Steven Spielberg’s Close Encounters of the Third Kind and A.I. - Artificial Intelligence as well as Christopher Nolan’s Interstellar.
Index:
Spielberg, Steven
Nolan, Christopher
Close Encounters of the Third Kind (1977)
A.I. - Artificial Intelligence (2001)
Interstellar (2014)
Science Fiction ~ Science Fiction
Jugend ~ Youth
#235
Tan, Elizabeth: The only way you can dream: Interfaces and intolerable spaces in Christopher Nolan’s Inception. In: Continuum 30. 2016. No. 4. [?D] pp. 408-418.
Index:
Nolan, Christopher
Inception (2010)
Traum ~ Dreams
#236
Taylor, Tosha: Saints, sinners and terrorists: The women of Christopher Nolan’s Gotham. In: The cinema of Christopher Nolan: Imagining the impossible. Edited by Jacqueline Furby and Stuart Joy. - New York: Wallflower Press 2015. (= Directors’ cuts.) p. ?P.
Index:
Nolan, Christopher
Batman Begins (2005)
Dark Knight, The (2008)
Dark Knight Rises, The (2012)
Religion ~ Religion
Frauen ~ Women
#237
Tembo, Kwasu David: On the work of the double in Christopher Nolan’s The Prestige. In: The cinema of Christopher Nolan: Imagining the impossible. Edited by Jacqueline Furby and Stuart Joy. - New York: Wallflower Press 2015. (= Directors’ cuts.) p. ?P.
Index:
Nolan, Christopher
Prestige, The (2006)
Doppelgänger ~ Double
#238
Thomas, Peter: Victimage and violence: Memento and trauma theorv. In: Screen 44. 2003. No. 2. [?D] pp. 200-207.
Index:
Nolan, Christopher
Memento (2000)
Gewalt ~ Violence
#239
Thorne, Kip S.: The science of Interstellar. - New York: W.W. Norton 2014.
Index:
Nolan, Christopher
Interstellar (2014)
Wissenschaft ~ Science
#240
Toh, Justine: The tools and toys of (the) war (on terror): Consumer desire, military fetish and regime change in Batman Begins. In: Reframing 9/11: Film, popular culture and the "war on terror". Edited by Jeff Birkenstein, Anna Froula and Karen Randell. - New York: Continuum 2010. p. ?P.
Index:
Nolan, Christopher
Batman Begins (2005)
Spielzeuge ~ Toys*
Sexualität ~ Sexuality
Krieg ~ War
Politik ~ Politics
#241
Tomarken, Edward: Filmspeak: How to understand literary theory by watching movies. - New York: Bloomsbury 2012.
Description:
Discusses, among others, Christopher Nolan’s The Dark Knight and Quentin Tarantino’s Kill Bill.
Index:
Nolan, Christopher
Tarantino, Quentin
Dark Knight, The (2008)
Kill Bill (Filmreihe)
Literatur ~ Literature
#242
Toth, Margaret A.: Memento’s postmodern noir fantasy: Place, domesticity and gender identity. In: The cinema of Christopher Nolan: Imagining the impossible. Edited by Jacqueline Furby and Stuart Joy. - New York: Wallflower Press 2015. (= Directors’ cuts.) p. ?P.
Index:
Nolan, Christopher
Memento (2000)
Sexualität ~ Sexuality
Postmoderne ~ Postmodern
Film Noir ~ Film Noir
Fantasy ~ Fantasy
#243
Tubrett, Dion: "So where are you?": On Memento, memory, and the sincerity of self-deception. In: Cineaction 2001. No. 56. [?D] pp. 2-10.
Index:
Nolan, Christopher
Memento (2000)
#244
Tyree, J. M.: American heroes. In: Film Quarterly 62. 2009. No. 3. [Spring] pp. 28-34.
Description:
On American superhero blockbusters. Discusses, among others, Jon Favreau’s Iron Man, Louis Leterrier’s The Incredible Hulk and Christopher Nolan’s latest Batman film The Dark Knight.
Index:
Favreau, Jon
Leterrier, Louis
Nolan, Christopher
Iron Man (2008)
Incredible Hulk, The (2008)
Dark Knight, The (2008)
USA (United States of America) ~ USA (United States of America)
Helden ~ Heros
Batman ~ Batman
#245
Vassilieva-Ostrovskaja, Ekaterina: Selbstbehauptung und Selbstnegierung: Batman Begins. In: F.LM - Texte zum Film. Online edition, June 2005.
Index:
Nolan, Christopher
Batman Begins (2005)
#246
von Loesch, Julian: Self-realization and popular culture: An analysis of the most popular movie of each of the last four decades. - Santa Barbara, California: Pacifica Graduate Institute, Ph.D. 2013. [Abstract in: Dissertation Abstracts International B 75. 2014. No. 3. [September] p. ?P.]
Description:
Discusses especially George Lucas’s first Star Wars movie, Steven Spielberg’s E.T. - The Extra-Terrestrial, James Cameron’s Titanic and Christopher Nolan’s The Dark Knight.
Index:
Lucas, George
Spielberg, Steven
Cameron, James
Nolan, Christopher
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
E.T. - The Extra-Terrestrial (1982)
Titanic (1997)
Dark Knight, The (2008)
Religion ~ Religion
Psychologie ~ Psychology
#247
Werner, Paul: Film Noir und Neo-Noir. 5. erweiterte Ausgabe. - München: Vertigo Verlag 2000.
First edition:
[Film Noir: Die Schattenspiele der "Schwarzen Serie".- Frankfurt/M.: Fischer 1985. (= Fischer Cinema; Fischer Taschenbuch 4452.)]
Description:
Discusses also some "neo noir" films like Christopher Nolan’s Memento and Michael Mann’s Collateral.
Index:
Nolan, Christopher
Mann, Michael
Memento (2000)
Collateral (2004)
Film Noir ~ Film Noir
#248
Weyand, Gabriele: Von der "Wahr-heit" zur "Wahr-nehmung": Implikationen komplexer Phänomene in dem Film Inception und darüber hinaus. In: Medienwissenschaft 2011. No. 4. pp. 408-421.
Index:
Nolan, Christopher
Inception (2010)
#249
Whitehouse, Glenn: Unimaginable variations: Christian responsibility in the cinema of broken identity. In: Literature and Theology 18. 2004. No. 3. [?D] pp. 321-350.
Description:
Discusses, among others, David Fincher’s Fight Club, the Matrix films by Andy and Larry Wachowski and Christopher Nolan’s Memento.
Index:
Fincher, David
Wachowski, Andy
Wachowski, Larry
Nolan, Christopher
Fight Club (1999)
Matrix, The (Filmreihe)
Memento (2000)
Religion ~ Religion
#250
Whitney, Allison: Cinephilia writ large: IMAX in Christopher Nolan’s The Dark Knight and The Dark Knight Rises. In: The cinema of Christopher Nolan: Imagining the impossible. Edited by Jacqueline Furby and Stuart Joy. - New York: Wallflower Press 2015. (= Directors’ cuts.) p. ?P.
Index:
Nolan, Christopher
Dark Knight, The (2008)
Dark Knight Rises, The (2012)
IMAX ~ IMAX
#251
Williams, G. Christopher: Factualizing the tattoo: Actualizing personal history through memory in Christopher Nolan’s Memento. In: Post Script 23. 2003. No. 1. [?D] pp. 27-36.
Index:
Nolan, Christopher
Memento (2000)
#252
Williams, G: Little gods: Claiming worlds in Postmodern literature, film, and online gaming. - DeKalb, Illinois: Northern Illinois University, Ph.D. 2002. [Abstract in: Dissertation Abstracts International A 63. 2002. No. 6. (December) p. 2238.]
Description:
Discusses, among others, The Matrix by Andy and Larry Wachowski as well as Christopher Nolan’s Memento.
Index:
Wachowski, Andy
Wachowski, Larry
Nolan, Christopher
Matrix, The (1999)
Memento (2000)
Religion ~ Religion
Postmoderne ~ Postmodern
Literatur ~ Literature
#253
Williamson, Colin James: Watching closely with turn-of-the-century eyes: Obscured histories of magic, science, and animation in the cinema. - Chicago, Illinois: University of Chicago, Ph.D. 2013. [Abstract in: Dissertation Abstracts International A 74. 2014. No. 11. [May] p. ?P.]
Description:
On the intersection between stage magic and film. Discusses, among others, Neil Burger’s The Illusionist, Christopher Nolan’s The Prestige and Martin Scorsese’s Hugo.
Index:
Burger, Neil
Nolan, Christopher
Scorsese, Martin
Illusionist, The (2006)
Prestige, The (2006)
Hugo (2011)
Wissenschaft ~ Science
Magie ~ Magic
Animation ~ Animation
#254
Witmer, Jon D.: CineSync streamlines Dark Knight-effects. In: American Cinematographer 89. 2008. No. 7. [July] pp. 68-70.
Index:
Nolan, Christopher
Dark Knight, The (2008)
Technik: Spezialeffekte ~ Technology: Special Effects
#255
Wolf, Martin: Die Unschuld ist weg. In: Der Spiegel 66. 2012. No. 30. [July 23] p. 126.
Description:
On the Aurora mass shooting during a theatrical screening of Christopher Nolan’s The Dark Knight Rises.
Index:
Nolan, Christopher
Dark Knight Rises, The (2012)
Mord ~ Murder
Aurora, Colorado ~ Aurora, Colorado
#256
Worschech, Rudolf: Lust an der Zerstörung: The Dark Knight mit vielen Extras in einer Special Edition. In: EPD Film 26. 2009. No. 3. [March] p. 55.
Description:
On a DVD edition.
Index:
Nolan, Christopher
Dark Knight, The (2008)
DVD ~ DVD
#257
Worschech, Rudolf: Memento. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 372-375.
Index:
Nolan, Christopher
Memento (2000)
Film Noir ~ Film Noir
#258
Xanthos, Nicolas: Métro, nitro, Ground Zero: Ombres et lumières du 11 septembre dans Batman Begins, V for Vendetta et Spider-Man 2. In: Fictions et images du 11 septembre 2001. Edité par Bertrand Gervais et Patrick Tillard. - Montréal: Université deQuebec 2010. (= Figura 24.) pp. 113- 125.
Index:
Nolan, Christopher
McTeigue, James
Raimi, Samuel M.
Batman Begins (2005)
V for Vendetta (2006)
Spider-Man 2 (2004)
Politik ~ Politics
#259
Yeo, Dennis: The mindfreak: Monstrous memory in McGrath’s The Grotesque (1989) and Nolan’s Memento (2000). In: Irish Journal of Gothic and Horror Studies 2014. No. 13. [?D] pp. 77-93.
Index:
McGrath, Patrick
Nolan, Christopher
Memento (2000)
Grotesque, The (Literatur ~ Literature)
#260
Yockey, Matt: The new crusaders: Apocalypse, utopia, and the contemporary superhero film. - Bloomington, Indiana: Indiana University, Ph.D. 2007. [Abstract in: Dissertation Abstracts International A 68. 2008. No. 9. (March).]
Description:
Discusses, as examples, Bryan Singer’s X-Men, X-Men 2 and Superman Returns, Brett Ratner’s X-Men: The Last Stand, Sam Raimi’s Spider-Man and Spider-Man 2 and Christopher Nolan’s Batman Begins.
Index:
Singer, Bryan
Ratner, Brett
Raimi, Samuel M.
Nolan, Christopher
X-Men (2000)
X2 / X-Men 2 (2003)
Superman Returns (2006)
X-Men: The Last Stand (2006)
Spider-Man (2002)
Spider-Man 2 (2004)
Batman Begins (2005)
Kreuzzüge ~ Crusades
Utopie ~ Utopia
Helden ~ Heros
Religion: Apokalypse ~ Religion: Apocalypse
Religion ~ Religion
#261
Zeitsprünge: Wie Filme Geschichte(n) erzählen. Hrsg. von Christine Rüffert, Irmbert Schenk, Karl-Heinz Schmid und Alfred Tews. - Berlin: Bertz Verlag 2004.
Reviews:
Haas, Christoph: As Time Goes By: Aufsätze über die Zeit im Film. In: EPD Film 21. 2004. No. 8. [August] p. 55.
Volk, Stefan: [untitled.] In: Film-Dienst 57. 2004. No. 20. [September 30] p. 47.
Description:
Includes articles on Theo Angelopoulos, Andrej Tarkovskij, Christopher Nolan’s Memento and The Hudsucker Proxy by Ethan and Joel Coen.
Index:
Angelopoulos, Theodoros
Tarkovsky, Andrei Arsenyevich
Nolan, Christopher
Coen, Joel
Memento (2000)
Hudsucker Proxy, The (1994)
Zeit ~ Time
#262
Zierler, Wendy: Memento: Memory. In: Zierler, Wendy: Midrash and movies: Popular film and Jewish religious conversation. - Albany: State University of New York Press 2017. p. ?P.
Index:
Nolan, Christopher
Memento (2000)
Religion ~ Religion
Religion: Juden ~ Religion: Jews
#263
Zizek, Slavoj: The final failure in The Dark Knight Rises. In: Cinematic cuts: Theorizing film endings. Edited by Sheila Kunkle. - Albany: State University of New York Press 2016. (= SUNY series, Insinuations: Philosophy, Psychoanalysis, Literature.) p. ?P.
Index:
Nolan, Christopher
Dark Knight Rises, The (2012)
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