The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Onibaba (1964)
number of items: 10
?O | City of publication unknown |
?V | Publishing company unknown |
?J | Year of publication unknown |
?N | Issue number unknown |
?G | Volume number unknown |
?D | Date of publication unknown |
?P | Number of pages unknown |
?R | Series number unknown |
#1
Kapur, Jyotsna: The Return of history as horror: Onibaba and the atomic bomb. In: Horror international. Edited by Steven Jay Schneider and Tony Williams. - Detroit, Michigan: Wayne State University Press 2005. (= Contemporary approaches to film and television.) p. ?P.
Index:
Shindô, Kaneto
Onibaba (1964)
Geschichte ~ History
Atom ~ Nuclear
Horror ~ Horror
#2
Kumar, Akshaya: Landscape, allegory, and historical trauma in postwar Japanese cinema: Recapitulating existential horror in Onibaba (1964) and Woman in the Dunes (1964). In: Asian Cinema 22. 2011. No. 2. [Fall/Winter] pp. 364-380.
Index:
Shindô, Kaneto
Teshigahara, Hiroshi
Onibaba (1964)
Suna no onna (1964)
Traum ~ Dreams
Natur ~ Nature
Krieg ~ War
Japan ~ Japan
Horror ~ Horror
Geschichte ~ History
#3
Lannes-Lacroutz, M.: Onibaba. In: Cinématographe 1984. No. 98. [March] p. 54.
Index:
Shindô, Kaneto
Onibaba (1964)
#4
Lowenstein, Adam: Allegorizing Hiroshima: Shindo Kaneto’s Onibaba as trauma text. In: Trauma and cinema: Cross-cultural explorations. Edited by E. Ann Kaplan and Ban Wang. - Seattle: University of Washington Press / Hong Kong: Hong Kong University Press 2004. p. ?P.
Index:
Shindô, Kaneto
Onibaba (1964)
Traum ~ Dreams
Hiroshima ~ Hiroshima
Atom ~ Nuclear
Japan ~ Japan
#5
McDonald, Keiko I.: Reading a Japanese film: Cinema in context. - Honolulu, Hawaii: University of Hawaii Press 2006.
Description:
Discusses, among others, Kaneto Shindô’s Onibaba and Akira Kurosawa’s Madadayo.
Index:
Shindô, Kaneto
Kurosawa, Akira
Onibaba (1964)
Madadayo (1993)
Japan ~ Japan
#6
Petty, John: Stage and scream: The influence of traditional Japanese theater, culture, and aesthetics on Japan’s cinema of the fantastic. - Denton, Texas: University of North Texas, M.S. 2011. [Abstract in: Masters Abstracts International 50. 2012. No. 3. (June)]
Description:
Discusses, among others, Ishiro Honda’s Gojira, Kimiyoshi Yasuda’s Daimajin, Masaki Kobayashi’s Kaidan, Kaneto Shindô’s Onibaba, Shinya Tsukamoto’s Tetsuo and Takashi Shimizu’s Ju-on: The Grudge.
Index:
Honda, Ishiro
Yasuda, Kimiyoshi
Kobayashi, Masaki
Shindô, Kaneto
Tsukamoto, Shinya
Shimizu, Takashi
Gojira (1954)
Daimajin (1966)
Kaidan (1964)
Onibaba (1964)
Tetsuo (1989)
Ju-on: The Grudge (2003)
Theater ~ Theatre
Japan ~ Japan
Horror ~ Horror
#7
Schenk, Ralf: Ich bin die Mutter: Kaneto Shindo und seine große Parabel Onibaba - Die Töterinnen. In: Film-Dienst 69. 2016. No. 23. [November 10] p. 34.
Description:
On a DVD edition.
Index:
Shindô, Kaneto
Onibaba (1964)
Mutter ~ Mothers
DVD ~ DVD
#8
Serper, Zvika: Shind Kaneto’s films Kuroneko and Onibaba: Traditional and innovative manifestations of demonic embodiments. In: Japan Forum 17. 2005. No. 2. [July] pp. 231-256.
Index:
Shindô, Kaneto
Yabu no naka no kuroneko (1968)
Onibaba (1964)
Dämonen ~ Demons
#9
Vincent, Pascal: Onibaba. In: Nosferatu 1993. No. 11. [January] p. 106.
Index:
Shindô, Kaneto
Onibaba (1964)
#10
Wilson, Candice N.: Unseen femininity: Women in Japanese New Wave cinema. - Pittsburgh, Pennsylvania: University of Pittsburgh, Ph.D. 2015. [Abstract in: Dissertation Abstracts International A 77. ?J. No. 4. [?D]]
Description:
Discusses, among others, the films of Oshima Nagisa and the representation of a demonic mother in Shindo Kaneto’s horror films Onibaba and Kuroneko.
Index:
Shindô, Kaneto
Oshima, Nagisa
Onibaba (1964)
Yabu no naka no kuroneko (1968)
Mutter ~ Mothers
Japan ~ Japan
Horror ~ Horror
Frauen ~ Women
Dämonen ~ Demons
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