The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Opfergang (1944)
number of items: 2
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
| ?G | Volume number unknown |
| ?D | Date of publication unknown |
| ?P | Number of pages unknown |
| ?R | Series number unknown |
#1
Die Ästhetik des Bösen im Film: Materialien und Filme zum Thema. Hrsg. vom Gemeinschaftswerk der Evangelischen Publizistik, Evangelische Akademie Arnoldshain. Redaktion: Rudolf Joos. - Frankfurt/M.: Gemeinschaftswerk der Evangelischen Publizistik 1987. (= Arnoldshainer Filmgespräche 4.)
Reviews:
Gendolla, Peter: [untitled] In: Medienwissenschaft 1988. No. 2. pp. 193-194.
Description:
Discusses Liliana Cavani’s Il portiere di notte, Veit Harlan’s Opfergang, Robert Bresson’s L’Argent, Erich von Stroheim’s Greed and Orson Welles’s Touch of Evil.
Index:
Cavani, Liliana
Harlan, Veit
Bresson, Robert
Stroheim, Erich von
Welles, Orson
portiere di notte, Il / Night Porter, The (1973)
Opfergang (1944)
Argent, L’ (1982)
Greed (1923/1924)
Touch of Evil (1957)
Böse, Das ~ Evil, The
#2
Biller, Thomas: Der Liebes- und Todesdiskurs: Untersuchungen zum Melodramatischen in den Filmen Der müde Tod, Opfergang und Liebe 47. - München: Universität München, Institut für deutsche Philologie, Magisterarbeit ?J (1990/1991).
Index:
Lang, Fritz
Harlan, Veit
Liebeneiner, Wolfgang
müde Tod, Der (1921)
Opfergang (1944)
Liebe 47 (1949)
Tod ~ Death
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