The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Ophüls, Max
number of items: 12
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
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#1
Curot, Frank: Classicisme et "expressivisme": Almodovar, Greenaway, Grémillon,
Ophüls, Paradjanov. Avec des textes de Monique Carcaud-Macaire, Philippe Roger et
Daniel Serceau. - Paris: Lettres Modernes / Caen: Minard 2000. (= Styles filmiques 1.)
Index:
Almodóvar, Pedro
Greenaway, Peter
Grémillon, Jean
Ophüls, Max
Parajanov, Sergei
#2
Deutelbaum, Marshall: Leonora’s place: The spatial logic of Caught. In: Arizona Quarterly 60. 2005. No. 5. [?D] pp. 87-96.
Index:
Ophüls, Max
Caught (1949)
#3
Doane, Mary Ann: Caught and Rebecca: The inscription of femininity as absence. In: Enclitic 5/6. 1981/1982. No. 2/1. [Fall/Spring] pp. 75-89.
Index:
Ophüls, Max
Hitchcock, Alfred
Caught (1949)
Rebecca (1940)
Frauen ~ Women
#4
Doane, Mary Ann: Caught and Rebecca: The inscription of femininity as absence. In: Feminist film theory: A reader. Edited by Sue Thornham. - New York: New York University Press 1999. pp. 70-82.
Index:
Ophüls, Max
Hitchcock, Alfred
Caught (1949)
Rebecca (1940)
Frauen ~ Women
#5
Helmes, Günter: Erich Kästner als Medienautor: Die Drehbücher zu den Filmen Münchhausen (1942) und Dann schon lieber Lebertran (1931). In: Jahrbuch zur Kultur und Literatur der Weimarer Republik 2007. No. 11. pp. 167-208.
Index:
Kästner, Erich
von Baky, Josef
Ophüls, Max
Münchhausen (1943)
Dann schon lieber Lebertran (1931)
#6
Hickethier, Knut: Gefangen. In: Filmgenres: Film Noir. Hrsg. von Norbert Grob. - Stuttgart: Reclam 2008. pp. 142-145.
Description:
On Max Ophüls’s Caught.
Index:
Ophüls, Max
Caught (1949)
Film Noir ~ Film Noir
#7
Jobst, P.: Die Umsetzung eines literarischen Diskurses im Film: Luchino Visconti - Pier Paolo Pasolini - Max Ophüls - Jean-Luc Godard - Alain Resnais - Marguerite Duras - Alain Tanner. - Salzburg: Universität Salzburg, Dr.Phil. 1979. [Abstract in: Dissertation Abstracts International C 44. 1983. No. 2. (Summer) p. 248C(8/1096C).]
Index:
Visconti, Lucino
Pasolini, Pier Paolo
Ophüls, Max
Godard, Jean-Luc
Resnais, Alain
Duras, Marguerite
#8
Macksey, Richard: Four emigre directors: Shadows of careers. In: Modern Language Notes 98. 1983. No. 5. [December] pp. 1187-1196.
Description:
On the American films of Ernst Lubitsch, Fritz Lang, Max Ophüls and Alfred Hitchcock.
Index:
Lubitsch, Ernst
Lang, Fritz
Hitchcock, Alfred
Ophüls, Max
USA (United States of America) ~ USA (United States of America)
#9
Roger, Philippe: Ophuls / Kubrick: Tombêe des masques. In: Vertigo 2000. No. 20. [April] p. 94.
Description:
Especially on the usage of masks in the films of Ophüls and Kubrick.
Index:
Ophüls, Max
Kubrick, Stanley
Masken ~ Masks
#10
Schneider, Roland: L’évolution des genres européens dans le cadre américain. In: Cinémas métis. Éd. Guy Hennebelle et Roland Schneider. (= Cinémaction 1990. No. 56. [?D]) pp. 30-34.
Description:
On the American films of European directors Fritz Lang, Robert Siodmak, Douglas Sirk and Max Ophüls and especially on their participation in film noir.
Index:
Lang, Fritz
Siodmak, Robert
Sirk, Douglas
Ophüls, Max
Film Noir ~ Film Noir
Europa ~ Europe
USA (United States of America) ~ USA (United States of America)
#11
Scorsese, Martin: Ma cinéphilie. In: Cahiers du Cinéma 1996. No. 500. [March] pp. 60-63.
Description:
The director on his colleagues Bertolucci, Hitchcock, Ferrara, Renoir, Welles and Ophuls.
Index:
Scorsese, Martin
Bertolucci, Bernardo
Hitchcock, Alfred
Ferrara, Abel
Renoir, Jean
Welles, Orson
Ophüls, Max
#12
Zborowski, J.: "Between sympathy and detachment": Point of view and distance in movies directed by Alfred Hitchcock, Otto Preminger, and Max Ophuls. - Coventry: University of Warwick, Ph.D. 2008. [Abstract in: Index to Theses with Abstracts 58-15966.]
Index:
Hitchcock, Alfred
Preminger, Otto
Ophüls, Max
Vertigo (1958)
Anatomy of a Murder (1959)
Reckless Moment, The (1949)
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