The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|

literature list on: Pasolini, Pier Paolo

number of items: 450

#1
Aichele, George: Translation as de-canonization: Matthew’s Gospel according to Pasolini. In: Cross Currents 51. 2002. No. 4. [?D] pp. 524-534.
Index:
Pasolini, Pier Paolo
vangelo secondo Matteo, Il (1964)
Religion ~ Religion

#2
Al trionfo dell’esserci: Teoria e prassi nell’ultimo cinema di Pier Paolo Pasolini. A cura di Neil Novello. - Firenze: Manent 1999. (= Personaggi e interpreti 5.)
Index:
Pasolini, Pier Paolo

#3
Alkier, Stefan: Wunder Punkt Jesusfilm. In: Pastoraltheologie 86. 1997. No. 4. [?D] pp. 167-118.
Description:
Especially on Pier Paolo Pasolini’s Il vangelo secondo Matteo, Roberto Rossellini’s Il Messia und Derek Jarman’s The Garden.
Index:
Pasolini, Pier Paolo
Rossellini, Roberto
Jarman, Derek
vangelo secondo Matteo, Il (1964)
Messia, Il / Messie, La (1975)
Garden, The (1989)
Religion ~ Religion

#4
Altre retoriche: Da Baltasar Gracián a Quentin Tarantino. Saggi di Angela Bianchi .[et al.]. A cura di Ruggero Morresi. - Roma: Il calamo 2005. (= Filosofia, retorica e linguaggio delle scienze 7.)
Reviews:
Piazza, Francesca: [untitled.] In: Rhetorica 28. 2010. No. 1. [?D] pp. 104-108.
Index:
Gracián, Baltasar
Pasolini, Pier Paolo
Tarantino, Quentin

#5
Amengual, Barthélemy: Pasolini, le discours indirect libre et le cinéma de poésie. In: Positif 2000. No. 467. [?D] pp. 78-80.
Index:
Pasolini, Pier Paolo

#6
Andersson, Lars Gustaf: Anglarnas barn: En studie i Pier Paolo Pasolinis filmer. - Lund: Lunds Universitet, Fil.Dr. 1992. [Abstract in: Dissertation Abstracts International C 53. 1992. No. 4. [Winter] p. 590.]
Description:
Discusses especially the representation of politics and sadomasochistic sexuality in Salò o le 120 giornate di Sodoma.
Index:
Pasolini, Pier Paolo
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
Sexualität: Sadomasochismus ~ Sexuality: Sadomasochism
Sexualität ~ Sexuality
Politik ~ Politics

#7
Andersson, Lars Gustaf: Änglarnas barn: E studie i Pier Paolo Pasolinis filmer. - Lund: Bokbox Förl. 1992.
Index:
Pasolini, Pier Paolo

#8
Andersson, Lars Gustaf: The children of the angels: A study of the films of Pier Paolo Pasolini. - Lund: Lunds Universitet, Fil.dr. 1992.
Index:
Pasolini, Pier Paolo
Jugend ~ Youth
Religion: Engel ~ Religion: Angels

#9
Angelini, Franca: Pasolini e lo spettacolo. - Roma: Buizoni 2000. (= La Fenice die teatri 11.)
Index:
Pasolini, Pier Paolo

#10
Appunti per un film sull’India. In: Pier Paolo Pasolini: Dokumente zur Rezeption seiner Filme in der deutschsprachigen Filmkritik 1963-1985. Redaktion: Michael Hanisch. - Berlin: Freunde der Deutschen Kinemathek 1994. (= Kinemathek 84.) p. 125.
Index:
Pasolini, Pier Paolo
Appunti per un film sull’India (1967/1968)
Deutschland ~ Germany

#11
Appunti per una Orestiade africana. In: Pier Paolo Pasolini: Dokumente zur Rezeption seiner Filme in der deutschsprachigen Filmkritik 1963-1985. Redaktion: Michael Hanisch. - Berlin: Freunde der Deutschen Kinemathek 1994. (= Kinemathek 84.) pp. 133-134.
Index:
Pasolini, Pier Paolo
Appunti per una Orestiade africana (1969)
Deutschland ~ Germany

#12
Atelier Farani: Pasolini: Il costume del film. - Milano: Skira / Parma: Università di Parma, Centro Studi e Archivio della Communicazione 1996. (= Gli Archivi della Moda 1.)
Index:
Pasolini, Pier Paolo

#13
Aubert, Jean-Paul: Pasolini entre ruines et terrains vagues. In: Architecture décor et cinéma. Dirigée par Françoise Puaux. (= Cinémaction 1995. No. 75. [?D]) pp. 168-175.
Description:
On the representation of wasted cityscapes in Pasolini’s films.
Index:
Pasolini, Pier Paolo
Stadt ~ City

#14
Bader, Otto: Die Darstellung von Störungen der Sexualpräferenz im Film-Genre am Beispiel von Die 120 Tage von Sodom von Pier Paolo Pasolini und Tokio Dekadenz von Ryu Murakami. - Erlangen-Nürnberg: Universität Erlangen-Nürnberg, Dissertation 1998.
Index:
Pasolini, Pier Paolo
Murakami, Ryû
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
Topâzu (1991)
Sexualität ~ Sexuality

#15
Badiou, Alain: Destruction, negation, subtraction. In: The scandal of self-contradiction: Pasolini’s multistable subjectivities, geographies, traditions. Edited by Luca Di Blasi, Manuele Gragnolati and Christoph F. E. Holzhey. - Wien; Berlin: Turia + Kant 2012. (= Cultural inquiry 6.) pp. 269 ff.
Index:
Pasolini, Pier Paolo
Badiou, Alain

#16
Balbi, Mathias: Pasolini: Sade e la pittura. - Alessandria: Falsopiano 2012. (= Falsopiano cinema.)
Index:
Pasolini, Pier Paolo
Sade, Donatien Alphonse François Marquis de
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
Sexualität: Sadomasochismus ~ Sexuality: Sadomasochism

#17
Barbaro, Patrizio / Pierangeli, Fabio: Pier Paolo Pasolini: Biografia per immagini. - Cavallermaggiore: Gribaudo 1995. (= Biografie per immagini 3.)
Index:
Pasolini, Pier Paolo

#18
Barber, Stephen: The last film, the last book: Pasolini and Sade. In: From arthouse to the grindhouse: Highbrow and lowbrow transgression in cinema’s first century. Edited by John Cline and Robert G. Weiner. - Lanham, Maryland; London: Scarecrow Press 2010. p. ?P.
Index:
Pasolini, Pier Paolo
Sade, Donatien Alphonse François Marquis de
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
Exploitation ~ Exploitation

#19
Barion, Marcel: Auf der Suche nach den Sinnhorizonten: Zur Tagung "Ästhetik der Gewalt - Pier Paolo Pasolini und Michael Haneke" (11. und 12. Oktober 2012). In: Medienwissenschaft 2013. No. 1. pp. 26-28.
Index:
Pasolini, Pier Paolo
Haneke, Michael
Gewalt ~ Violence

#20
Barthes, Roland: Sade - Pasolini. In: Montage/AV 24. 2015. No. 1. p. ?P.
Index:
Sade, Donatien Alphonse François Marquis de
Pasolini, Pier Paolo
Barthes, Roland

#21
Baugh, Lloyd: Imago Christi: Aesthetic and theological issues in Jesus films by Pasolini, Scorsese, and Gibson. In: After The Passion is gone: American religious consequences. Edited by J. Shawn Landres and Michael Berenbaum. - Walnut Creek, California: AltaMira Press 2004. pp. 159-171.
Description:
Discusses Pier Paolo Pasolini’s Il vangelo secondo Matteo, Martin Scorsese’s The Last Temptation of Christ and Mel Gibson’s The Passion of the Christ.
Index:
Pasolini, Pier Paolo
Scorsese, Martin
Gibson, Mel
vangelo secondo Matteo, Il (1964)
Last Temptation of Christ, The (1988)
Passion of the Christ, The (2004)
USA (United States of America) ~ USA (United States of America)
Religion ~ Religion

#22
Bazzocchi, Marco Antonio: Pier Paolo Pasolini. - Milano: Mondadori 1998. (= Biblioteca degli scrittori.)
Index:
Pasolini, Pier Paolo

#23
Beller, Jonathan Lyle: The cinematic mode of production. - Durham, North Carolina: Duke University, Ph.D. 1994. [Abstract in: Dissertation Abstracts International A 56. 1995. No. 2. (August) p. 385A.]
Description:
Discusses, among others, the films of Pier Paolo Pasolini and Oliver Stone’s Natural Born Killers.
Index:
Pasolini, Pier Paolo
Stone, Oliver
Natural Born Killers (1994)

#24
Belleza, Dario: Morte di Pasolini. - Milano: Mondadori 1981. (= Scrittori italiani e stranieri.)
Index:
Pasolini, Pier Paolo
Tod ~ Death

#25
Belleza, Dario: Pasolinis Tod. - Freiburg: Beck & Glückler 1985.
First edition:
[Morte di Pasolini. - Milano: Mondadori 1981]
Index:
Pasolini, Pier Paolo
Tod ~ Death

#26
Bellezza, Dario: Morte di Pasolini. - Milano: Mondadori 1995. (= Piccolo saggi 57.)
Index:
Pasolini, Pier Paolo
Tod ~ Death

#27
Bellezza, Dario: Pasolinis Tod. Aus dem Italienischen von Ulrich Hartmann. - Freiburg: Beck & Glückler 1985.
Reviews:
Witte, Karsten: Pasolinis Werk, Pasolinis Tod. In: EPD Film 3. 1986. No. 12. [December] pp. 10-11.
Index:
Pasolini, Pier Paolo
Tod ~ Death

#28
Benini, Stefania: "A force from the past": The medieval imagination of Pier Paolo Pasolini. - Stanford, California: Stanford University, Ph.D. 2006. [Abstract in: Dissertation Abstracts International A 66. 2006. No. 11. (May)]
Index:
Pasolini, Pier Paolo
Geschichte: Mittelalter ~ History: Middle Ages

#29
Benini, Stefania: Pasolini: The sacred flesh. - Toronto: University of Toronto Press 2015. (= Toronto Italian studies.)
Index:
Pasolini, Pier Paolo
Religion ~ Religion
Sexualität ~ Sexuality

#30
Bernard, Jan: Pasoliniho kosti. In: Film a Doba 49. 2003. No. 1. [Spring] pp. 10-14.
Description:
On the relation between body and soul in the films of Pier Paolo Pasolini and on the representation of homosexuality and spirituality in his work.
Index:
Pasolini, Pier Paolo
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Sexualität ~ Sexuality
Körper ~ Bodies
Religion ~ Religion

#31
Bernardi, Sandro: Tempo reale e tempo mitico. In: Filmcritica 45. 1994. No. 450. [November/December] pp. 500-511.
Index:
Pasolini, Pier Paolo
Religion ~ Religion

#32
Bertelli, Pino: II cinema in corpo: Pier Paolo Pasolini: Atti impuri di un eretico. - Roma: Libreria Croce 2001. (= Offside.)
Index:
Pasolini, Pier Paolo

#33
Besana, Bruno: Alain Badiou’s Pasolini: The problem of subtractive universalism. In: The scandal of self-contradiction: Pasolini’s multistable subjectivities, geographies, traditions. Edited by Luca Di Blasi, Manuele Gragnolati and Christoph F. E. Holzhey. - Wien; Berlin: Turia + Kant 2012. (= Cultural inquiry 6.) pp. 209 ff.
Index:
Pasolini, Pier Paolo
Badiou, Alain

#34
Beylot, Pierre: Pasolini, du réalisme au mythe. In: Le néoréalisme italien. Dirigée par René Prédal. (= Cinémaction 1994. No. 70. [?D]) pp. 204-211.
Index:
Pasolini, Pier Paolo
Mythologie ~ Mythology
Italien ~ Italy

#35
Beylot, Pierre: Pier Paolo Pasolini: montage dénotatif et montage rythmique. In: Les conceptions du montage. Dirigée par Pierre Maillot et Valérie Mouroux. (= Cinémaction 1994. No. 72. [?D]) pp. 82-89.
Index:
Pasolini, Pier Paolo

#36
Beylot, Pierre: Rossellini et Pasolini: L’un croyait au ciel, l’autre ... In: Christianisme et cinéma. Dirigée par Guy Hennebelle. (= Cinémaction 1996. No. 80. [?D]) pp. 111-120.
Index:
Rossellini, Roberto
Pasolini, Pier Paolo
Religion ~ Religion

#37
Biancofiore, Angela: Pasolini. - Palermo: Palumbo 2003. (= La scrittura e I’interpretazione 18.)
Index:
Pasolini, Pier Paolo

#38
Biasi-Richter, Gigliola: Pier Paolo Pasolini e l’amore per la madre: Metamorfosi di un sentimento: Indagine psicoanalitica ispirata dai film Edipo Re e Medea. - Osnabrück: Universität Osnabrück, Dissertation 1997.
Index:
Pasolini, Pier Paolo
Edipo Re / Oedipus Rex (1967)
Medea (1969)
Psychologie ~ Psychology

#39
Biasi-Richter, Gigliola: Pier Paolo Pasolini e l’amore per la madre: Metamorfosi di un sentimento: Indagine psicoanalitica ispirata dai film Edipo Re e Medea. - Bramsche: Rasch / Norderstedt: Books on Demand 2001.
Index:
Pasolini, Pier Paolo
Edipo Re / Oedipus Rex (1967)
Medea (1969)
Psychologie ~ Psychology

#40
Bieger, Eckhard: Revolte und Religion: Gedanken zu Pasolinis Jesus-Gestalten im Abstand von 30 Jahren. In: Jesus in der Hauptrolle: Zur Geschichte und Ästhetik der Jesus-Filme. - Köln: Katholisches Institut für Medieninformation 1992. (= Film-Dienst Extra [November].) pp. 32-35.
Description:
Especially on Pasolini’s Il vangelo secondo Matteo, Teorema and La ricotta.
Index:
Pasolini, Pier Paolo
vangelo secondo Matteo, Il (1964)
Teorema (1968)
ricotta, La (1962)
Religion ~ Religion

#41
Biette, Jean-Claude: Pasolini, souvenirs d’un enragé. Entretien réalisé par Hervé Joubert-Laurencin. In: Cahiers du Cinéma 1995. No. 496. [November] pp. 72-81.
Index:
Pasolini, Pier Paolo

#42
Binotto, Thomas: Trinity, the One und das Evangelium: Christliche Bilderwelten im populären Kino. In: Film-Dienst 53. 2000. No. 25. [December 5] pp. 11-16.
Description:
Discusses, among others, the films of Alfred Hitchcock, Pier Paolo Pasolini, Lars von Trier, Steven Spielberg and George Lucas.
Index:
Hitchcock, Alfred
Pasolini, Pier Paolo
von Trier, Lars
Spielberg, Steven
Lucas, George
Religion ~ Religion

#43
Bittgereit, Jörg: Unterm Ladentisch: Pasolinis Saló endlich auf DVD. In: EPD Film 22. 2005. No. 4. [April] p. 54.
Index:
Pasolini, Pier Paolo
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
DVD ~ DVD

#44
Blume, Thomas: Pier Paolo Pasolini Bibliographie 1963-1994. - Essen: Verlag Die blaue Eule 1994. (= Empirismo eretico - Pier Paolo Pasolini. Interpretationen und Perspektiven 2.)
Reviews:
Hick, Ulrike: [untitled] In: Medienwissenschaft 1995. No. 1. p. 72.
Description:
Bibliography of the German language literature on Pasolini.
Index:
Pasolini, Pier Paolo
Literatur ~ Literature
Deutschland ~ Germany

#45
Bölle, Martin: "Das Pasolini-Evangelium": Überlegungen zu Pasolinis Deutung des Matthäus-Evangeliums. In: Pier Paolo Pasolini: Im Dialog. Hrsg. von Gerhard Schneider und Peter Bär. - Gießen: Psychosozial-Verlag 2012. (= Psychoanalyse und Filmtheorie 8 / Imago.) pp. 55 ff.
Index:
Pasolini, Pier Paolo
vangelo secondo Matteo, Il (1964)
Religion: Engel ~ Religion: Angels
Religion ~ Religion

#46
Bondavalli, Simona: Charming the cobra without a ballpoint pen: Liminality and spectacular authorship in Pier Paolo Pasolini’s interviews. In: Modern Language Notes 122. 2007. No. 1. [January] pp. 24-45.
Index:
Pasolini, Pier Paolo

#47
Bondavalli, Simona: Fictions of youth: Pier Paolo Pasolini, adolescence, fascisms. - Toronto; Buffalo; London: University of Toronto Press 2015. (= Toronto Italian studies.)
Index:
Pasolini, Pier Paolo
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
Jugend ~ Youth
Faschismus ~ Fascism

#48
Boone, Joseph A.: Rubbing Aladdin’s lamp. In: Negotiating lesbian and subjects. Edited by Monica Dorenkamp and Richard Henke. - New York: Routledge 1995. pp. 149-177.
Description:
On orientalism and homosexuality in Pasolini’s Il fiore delle mille e una notte and in Aladdin by Ron Clements and John Musker.
Index:
Pasolini, Pier Paolo
Clements, Ron
Musker, John
fiore delle mille e una notte, Il (1974)
Aladdin (1992)
Orient ~ Orient
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Aladdin ~ Aladdin

#49
Booy, M.: The torn curtain: Narrative and authority in the Jesus film. - Norwich, Norfolk: University of East Anglia, Ph.D. 1997. [Abstract in: Index to Theses with Abstracts 47. 1998. No. 1. p. 19(47-162).]
Description:
Discusses, among others, Nicholas Ray’s King of Kings, George Stevens’s The Greatest Story Ever Told, Pier Paolo Pasolini’s Il vangelo secondo Matteo and Martin Scorsese’s The Last Temptation of Christ.
Index:
Ray, Nicholas
Stevens, George
Pasolini, Pier Paolo
Scorsese, Martin
King of Kings (1961)
Greatest Story Ever Told, The (1963)
vangelo secondo Matteo, Il (1964)
Last Temptation of Christ, The (1988)
Religion ~ Religion

#50
Bou, Nuria: Pier Paolo Pasolini: La posesion de la pasion. In: Quimera 1993. No. 116. [?D] pp. 43-47.
Index:
Pasolini, Pier Paolo

#51
Bouquet, Stéphane: L’Evangile selon Saint Mathieu. - Paris: Cahiers du Cinéma / Paris Centre National de Documentation Pédagogique 2003. (= Les petits cahiers.)
Description:
On Pier Paolo Pasolini’s Il vangelo secondo Matteo.
Index:
Pasolini, Pier Paolo
vangelo secondo Matteo, Il (1964)

#52
Boyer, Martine / Tinel, Muriel: Les films de Pier Paolo Pasolini. - Paris: Dark Star 2002.
Index:
Pasolini, Pier Paolo

#53
Braad Thomsen, Christian: Freud, psykoanalysen og filmen. In: Kosmorama 41. 1995. No. 214. [Winter] pp. 28-37.
Description:
On the dream motif in film. Discusses, among others, Georg Wilhelm Pabst’s Geheimnisse einer Seele, Luis Buñuel’s Un chien andalou, John Huston’s Freud and the films of Alfred Hitchcock, Pier Paolo Pasolini and Jean-Luc Godard.
Index:
Freud, Sigmund
Pabst, Georg Wilhelm
Buñuel, Luis
Huston, John
Hitchcock, Alfred
Pasolini, Pier Paolo
Godard, Jean-Luc
Geheimnisse einer Seele (1925)
chien andalou, Un (1928)
Freud (1963)
Traum ~ Dreams

#54
Brang, Heidi: Große Vögel, kleine Vögel. In: Film und Fernsehen 17. 1989. No. 1. [January] p. 32.
Description:
On Pier Paolo Pasolini’s Uccellaccie e ucellini.
Index:
Pasolini, Pier Paolo
Uccellaccie e ucellini (1965)

#55
Britt-Arredondo, Christopher: Totalitarian lust: From Salo to Abu Ghraib. In: South Central Review 24. 2007. No. 1. [?D] pp. 174-182.
Description:
On the representation of torture in film.
Index:
Pasolini, Pier Paolo
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
Gewalt ~ Violence

#56
Brooke, Michael: Dark days of Salò. In: Sight and Sound NS 18. 2008. No. 11. [November] p. 84.
Description:
On a DVD edition of Pier Paolo Pasolini’s Salò o le 120 giornate di Sodoma.
Index:
Pasolini, Pier Paolo
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
DVD ~ DVD

#57
Bruno, Giuliana: Heresies: The body of Pasolini’s semiotics. In: Cinema Journal 30. 1991. No. 3. [Spring] pp. 29-42.
Index:
Pasolini, Pier Paolo
Körper ~ Bodies

#58
Brustoloni, Gabriele: A paixao recidiva de Pier Paolo Pasolini. In: Minas Gerais 21. 1986. No. 1013. [?D] Supplemento Literario. pp. 2-3.
Index:
Pasolini, Pier Paolo

#59
Bruzzi, Stella: The visitor’s discarded clothes in Theorem (1968). In: Film moments: Criticism, history, theory. Edited by Tom Brown and James Walters. - London: Palgrave Macmillan / British Film Institute 2010. p. ?P.
Index:
Pasolini, Pier Paolo
Teorema (1968)
Kleidung ~ Clothes

#60
Cadel, Francesca: Outside Italy: Pasolini’s transnational visions of the sacred and tradition. In: The scandal of self-contradiction: Pasolini’s multistable subjectivities, geographies, traditions. Edited by Luca Di Blasi, Manuele Gragnolati and Christoph F. E. Holzhey. - Wien; Berlin: Turia + Kant 2012. (= Cultural inquiry 6.) pp. 151 ff.
Index:
Pasolini, Pier Paolo
Religion ~ Religion
Italien ~ Italy

#61
Calvino, Italo: Sade est en nous. In: Cahiers du Cinéma 1989. No. 421. [?D] pp. 56-57.
Description:
The author on Pier Paolo Pasolini’s Salò o le 120 giornate di Sodoma.
Index:
Pasolini, Pier Paolo
Calvino, Italo
Sade, Donatien Alphonse François Marquis de
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)

#62
Campani, Ermelinda M.: Lerofania e morfologia del sacro nel cinema di Pier Paolo Pasolini. In: Vivens homo 8. 1997. No. 2. [?D] pp. 309-324.
Description:
On the representation of the Saint in the films of Pier Paolo Pasolini.
Index:
Pasolini, Pier Paolo
Religion ~ Religion

#63
Campani, Ermelinda Martha: Screening the sacred: The cinema of Pier Paolo Pasolini. In: Blimp 1999. No. 41. [?D] pp. 55-60.
Index:
Pasolini, Pier Paolo
Religion ~ Religion

#64
Casarino, Cesare: Oedipus exploded: Pasolini and the myth of modernization. In: October 1992. No. 59. [?D] pp. 27-47.
Description:
On Edipo Re.
Index:
Pasolini, Pier Paolo
Edipo Re / Oedipus Rex (1967)
Ödipus ~ Oedipus
Mythologie ~ Mythology

#65
Casarino, Cesare: Pasolini in the desert. In: Angelaki 9. 2004. No. 1. [April] pp. 97-103.
Index:
Pasolini, Pier Paolo
Wüste ~ Desert

#66
Castiel, Élie: Théorème. In: Séquences ?G. 1998. No. 197. [July/August] p. 21.
Description:
On Pier Paolo Pasolini’s Teorema.
Index:
Pasolini, Pier Paolo
Teorema (1968)

#67
Catania, Saviour: Cinematizing the Euripidean and Sophoclean spatial dialectics: On the "skene-self" in Pasolini’s Medea and Edipo Re. In: Literature/Film Quarterly 28. 2000. No. 3. [?D] pp. 170-179.
Index:
Sophocles
Euripides
Pasolini, Pier Paolo
Medea (1969)
Edipo Re / Oedipus Rex (1967)
Oidipus (Literatur ~ Literature)
Medeia (Literatur ~ Literature)

#68
Cavalluzzi, Raffaele: Il limite oscuro: Pasolini visionario: La poesia, il cinema. - Fasano: Schena 1994. (= Biblioteca della ricerca: Studi novecenteschi 2.)
Index:
Pasolini, Pier Paolo

#69
Cerquiglini, Enrico: Pier Paolo Pasolini: Uccellacci uccellini. - Udine: Campanotto 1996. (= Zeta rifili 70.)
Index:
Pasolini, Pier Paolo
Uccellaccie e ucellini (1965)

#70
Cesare, Tony: Pasolini’s Theorem. In: Film Criticism 14. 1989. No. 1. [?D] pp. 22-25.
Description:
On Pasolini’s Teorema.
Index:
Pasolini, Pier Paolo
Teorema (1968)

#71
Chasseguet-Smirgel, Janine: Body and cosmos: Pasolini, Mishima, and Foucault. In: American Imago 61. 2004. No. 2. [Summer] pp. 201-221.
Index:
Pasolini, Pier Paolo
Mishima, Yukio
Foucault, Michel
Körper ~ Bodies

#72
Che cosa sono le nuvole? In: Pier Paolo Pasolini: Dokumente zur Rezeption seiner Filme in der deutschsprachigen Filmkritik 1963-1985. Redaktion: Michael Hanisch. - Berlin: Freunde der Deutschen Kinemathek 1994. (= Kinemathek 84.) p. 100.
Description:
On Pasolini’s episode for the film Capriccio all’italiana.
Index:
Pasolini, Pier Paolo
Che cosa sono le nuvole? (1967/1968)
Capriccio all’italiana (1967/1968)
Deutschland ~ Germany

#73
Chiancone-Schneider, Donatella: Kino, Tanz und Malerei im Film: La ricotta von Pier Paolo Pasolini. In: Pasolini intermedial. Hrsg. von Uta Felten, Franziska Andraschik und Kristin Mlynek-Theil. - Frankfurt/Main: Lang-Edition 2014. (= Romania viva 13.) pp. 117 ff.
Index:
Pasolini, Pier Paolo
ricotta, La (1962)
Tanz ~ Dance
Kunst ~ Arts, The

#74
Il cinema di Pier Paolo Pasolini. Eindred. Lenneke de Coninck en Gerard Huisman. - Arnhem: Stichting Contact Film Cinematheek 1993.
Index:
Pasolini, Pier Paolo

#75
Colombo, Furio: "Wir sind alle in Gefahr": Ein letztes Interview mit Pier Paolo Pasolini. In: Von Ödipus zu Eichmann: Kulturantropologische Voraussetzungen von Gewalt. Hrsg. von Dietmar Regensburger und Christian Wessely. - Marburg: Schüren 2012. (= Film & Theologie 22.) pp. 11 ff.
Index:
Eichmann, Adolf
Pasolini, Pier Paolo
Religion ~ Religion
Gewalt ~ Violence

#76
Consolati, Claudia: Sacred madness: Women, religion, and folly in postwar Italian cinema. - Philadelphia, Pennsylvania: University of Pennsylvania, Ph.D. 2014. [Abstract in: Dissertation Abstracts International A 76. 2015. No. 1. [July] p. ?P.]
Index:
Fellini, Federico
Pasolini, Pier Paolo
Wahnsinn ~ Madness
Religion ~ Religion
Krieg ~ War
Italien ~ Italy
Frauen ~ Women

#77
Corpi / Körper: Körperlichkeit und Medialität im Werk Pier Paolo Pasolinis. Hrsg. von Peter Kuon unter Mitarbeit von Monika Neuhofer. - Frankfurt/Main: Lang 2001.
Index:
Pasolini, Pier Paolo
Körper ~ Bodies

#78
Cousins, Mark: The inexpressible. In: Sight and Sound NS 23. 2013. No. 3. [March] pp. 41-43.
Description:
On the films of Pier Paolo Pasolini.
Index:
Pasolini, Pier Paolo

#79
Da Accatone a Salò: 120 scritti sul cinema di Pier Paolo Pasolini. Presentati da Vittorio Boarini [et al.]. - Bologna: Compositori 1982. (= Quaderni della cineteca 4.)
Index:
Pasolini, Pier Paolo
Accattone (1962)
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)

#80
Dannowski, Hans Werner / Gass, Lars Henrik / Gansera, Rainer: Mythos und Remythisiserung im Film. In: EPD Film 4. 1987. No. 4. [April] pp. 21-24.
Description:
On religious, mythological and philosophical motifs in recent film, especially in the work of Pasolini and Tarkovskij.
Index:
Pasolini, Pier Paolo
Tarkovsky, Andrei Arsenyevich
Religion ~ Religion
Philosophie ~ Philosophy
Mythologie ~ Mythology

#81
Dannowski, Hans Werner: Mythos und Remythisierung. In: EPD Film 4. 1987. No. 1. [January] pp. 21-26.
Description:
On religious, mythological and philosophical motifs in film. Discusses, among others, the films of Pier Paolo Pasolini and Andrei Tarkovsky.
Index:
Pasolini, Pier Paolo
Tarkovsky, Andrei Arsenyevich
Philosophie ~ Philosophy
Religion ~ Religion
Mythologie ~ Mythology

#82
de Benedictis, Maurizio: Linguaggi dell’aldilà: Fellini e Pasolini. - Roma: Lithos 2000. (= Panfocus 1.)
Index:
Fellini, Federico
Pasolini, Pier Paolo

#83
de Ceccatty, René: Sur Pier Paolo Pasolini. - Le Faouët: Éd. du Scorff 1998.
Index:
Pasolini, Pier Paolo

#84
de Giusti, Luciano: I film di Pier Paolo Pasolini. 3. ed. - Roma: Gremse 1990. (= Effetto cinema 6.)
First edition:
[1983]
Index:
Pasolini, Pier Paolo

#85
DeNardo, Vincenzo E.: Christ’s divine nature and film maker’s temptations: Proceedings of Seventh Annual International Film Conference of Kent State University, April 11 & 12, 1989. In: Varieties of filmic expression. Edited by Douglas Radcliff-Umstead. - Kent, Ohio: Romance Languages Department, Kent State University 1989. pp. 6-12.
Description:
On religious issues in film. Discusses, among others, Pasolini’s Il vangelo secondo Matteo, Zeffirelli’s Jesus von Nazareth and Scorsese’s The Last Temptation of Christ.
Index:
Pasolini, Pier Paolo
Scorsese, Martin
Zeffirelli, Franco
vangelo secondo Matteo, Il (1964)
Last Temptation of Christ, The (1988)
Gesù di Nazareth / Jesus of Nazareth (1976)
Religion ~ Religion

#86
Deuber-Mankowsky, Astrid: Cinematographic aesthetics as subversion of moral reason in Pasolini’s Medea. In: The scandal of self-contradiction: Pasolini’s multistable subjectivities, geographies, traditions. Edited by Luca Di Blasi, Manuele Gragnolati and Christoph F. E. Holzhey. - Wien; Berlin: Turia + Kant 2012. (= Cultural inquiry 6.) pp. 255 ff.
Index:
Pasolini, Pier Paolo
Medea (1969)
Technik: Kamera ~ Technology: Camera

#87
Di Risio, Giammario: L’immagine-Cristo: La rappresentazione cinematografica di Gesù di Nazareth in Pasolini, Jewison, Scorsese e Gibson. - Recco, Genova: Le mani 2013.
Index:
Pasolini, Pier Paolo
Jewison, Norman
Scorsese, Martin
Gibson, Mel
vangelo secondo Matteo, Il (1964)
Jesus Christ Superstar (1972)
Last Temptation of Christ, The (1988)
Passion of the Christ, The (2004)
Religion ~ Religion

#88
Di Stefano, John: Picturing Pasolini: Notes from a filmmaker’s scrapbook. In: Art Journal 56. 1997. No. 2. [?D] pp. 18-23.
Index:
Pasolini, Pier Paolo

#89
Dunghe, Adelmo: A hermeneutics of film: Pasolini’s semiotics and a cinema of the sacred. - Saarbrücken: Scholar’s Press 2013.
Description:
Discusses especially Pier Paolo Pasolini’s Medea.
Index:
Pasolini, Pier Paolo
Medea (1969)
Religion ~ Religion

#90
Dunghe, Adelmo: A hermeneutics of film: Pasolini’s semiotics and a cinema of the sacred. - Toronto, Ontario: University of St. Michael’s College (Canada), Ph.D. 2007. [Abstract in: Dissertation Abstracts International A 68. 2008. No. 9. (March)]
Description:
Discusses especially Pier Paolo Pasolini’s Medea.
Index:
Pasolini, Pier Paolo
Medea (1969)
Religion ~ Religion

#91
Ebert, Roger: The Gospel According to Matthew. In: Ebert, Roger: The great movies II. - New York: Broadway Books 2005. p. ?P.
Index:
Pasolini, Pier Paolo
vangelo secondo Matteo, Il (1964)

#92
Edipo Re. In: Pier Paolo Pasolini: Dokumente zur Rezeption seiner Filme in der deutschsprachigen Filmkritik 1963-1985. Redaktion: Michael Hanisch. - Berlin: Freunde der Deutschen Kinemathek 1994. (= Kinemathek 84.) pp. 101-110.
Index:
Pasolini, Pier Paolo
Edipo Re / Oedipus Rex (1967)
Deutschland ~ Germany

#93
Egoyan, Atom: Théorème de Pasolini. Traduit de l’anglais par N. T. Binh. In: Positif 1994. No. 400. [June] p. 37.
Description:
On Pasolini’s Teorema.
Index:
Pasolini, Pier Paolo
Egoyan, Atom
Teorema (1968)

#94
Elduque, Albert: Hungry gazes, digesting closeups: Pasolini, Porcile and the politics of consumption. In: Screen 58. 2017. No. 2. [Summer] pp. 119-140.
Index:
Pasolini, Pier Paolo
Porcile (1969)
Politik ~ Politics
Kannibalismus ~ Cannibalism

#95
Eloit, Audrène: Oedipus Rex by Pier Paolo Pasolini - The palimpsest: Rewriting and the creation of Pasolini’s cinematic language. In: Literature/Film Quarterly 32. 2004. No. 4. [October] pp. 288-299.
Index:
Pasolini, Pier Paolo
Edipo Re / Oedipus Rex (1967)
Psychologie ~ Psychology
Mythologie ~ Mythology

#96
Erotische Geschichten aus 1001 Nacht. - Wien: ?V ?J. (= Neues Filmprogramm 6644.)
Index:
Pasolini, Pier Paolo
fiore delle mille e una notte, Il (1974)

#97
Das 1. Evangelium - Matthäus. - Nürnberg: Verlag Karin Stähle ?J. (= Super 8 Filmblätter.)
Index:
Pasolini, Pier Paolo
vangelo secondo Matteo, Il (1964)

#98
Das Erste Evangelium - Matthäus. - Duisburg: Atlas Filmverleih ?J. (= Atlas Filmhefte 50.)
Index:
Pasolini, Pier Paolo
vangelo secondo Matteo, Il (1964)

#99
Escudero, I.: Pajaritos y payarracos. In: Cinema 2002 1979. No. 56. [October] p. 18.
Index:
Pasolini, Pier Paolo
Uccellaccie e ucellini (1965)

#100
Fantuzzi, Virgilio: Il cinema a San Pietro. In: La Civiltà cattolica 150. 1999. No. 3586. [?D] pp. 373-378.
Description:
Discusses Pier Paolo Pasolini’s Il vangelo secondo Matteo and Roberto Rossellini’s Francesco, giullarde di dio.
Index:
Pasolini, Pier Paolo
Rossellini, Roberto
vangelo secondo Matteo, Il (1964)
Francesco, giullarde di dio (1949)
Religion ~ Religion

#101
Fantuzzi, Virgilio: Il film dei miei ricordi. In: La Civiltà cattolica 162. 2011. No. 3867/3868. [?D] pp. 277-288.
Index:
Pasolini, Pier Paolo
Religion ~ Religion

#102
Fantuzzi, Virgilio: Il Vangelo secondo Matteo di Pier Paolo Pasolini: Versione restaurata. In: La Civiltà cattolica 155. 2004. No. 3706. [?D] pp. 360-373.
Index:
Pasolini, Pier Paolo
vangelo secondo Matteo, Il (1964)
Religion ~ Religion

#103
Fantuzzi, Virgilio: Pasolini sulla via del Vangelo. In: La Civiltà cattolica 160. 2009. No. 3822. [?D] pp. 504-516.
Index:
Pasolini, Pier Paolo
Religion ~ Religion

#104
Faranda, Laura: L’Edipo re di Pier Paolo Pasolini tra corpi e luoghi, tra colpe e abusi. In: Cinema e religioni. A cura di Sergio Botta e Emanuela Prinzivalli. - Roma: Carocci 2010. (= Biblioteca di testi e studi 574 / Neg/Otia nostra 4.) pp. 189 ff.
Index:
Pasolini, Pier Paolo
Edipo Re / Oedipus Rex (1967)
Religion ~ Religion

#105
Federmair, Leopold: Schuld der Unschuld: Zu Pasolinis filmischem Werk. In: Kinoschriften 1992. No. 3. [?D] pp. 45-55.
Index:
Pasolini, Pier Paolo

#106
Felten, Uta: Christliche und säkulare Figuren der Suche: Robert Bresson: Pickpocket, Pier Paolo Pasolini: Il Vangelo secondo Matteo, Eric Rohmer: Ma nuit chez Maud. In: Felten, Uta: Träumer und Nomaden: Eine Einführung in die Geschichte des modernen Kinos in Frankreich und Italien. - Tübingen: Stauffenburg-Verlag 2011. (= Stauffenburg-Einführungen 24.) pp. 61 ff.
Index:
Bresson, Robert
Pasolini, Pier Paolo
Rohmer, Eric
Pickpocket (1959)
vangelo secondo Matteo, Il (1964)
Ma nuit chez Maud (1969)
Traum ~ Dreams
Religion ~ Religion
Italien ~ Italy
Frankreich ~ France

#107
Felten, Uta: Passion und Nomadentum: Pier Paolo Pasolini: Accattone, Teorema. In: Felten, Uta: Träumer und Nomaden: Eine Einführung in die Geschichte des modernen Kinos in Frankreich und Italien. - Tübingen: Stauffenburg-Verlag 2011. (= Stauffenburg-Einführungen 24.) pp. 49 ff.
Index:
Pasolini, Pier Paolo
Accattone (1962)
Teorema (1968)
Traum ~ Dreams
Italien ~ Italy
Frankreich ~ France

#108
Ferrero, Adelio: Il cinema di Pier Paolo Pasolini. 3 ed. - Venezia: Marsilio 1986. (= Cinema.)
Index:
Pasolini, Pier Paolo

#109
Fiedler, Jeannine: Parallelogramme oder die Geometrie der Filmgeschichte. In: Filmbulletin 42. 2000. No. ?N(225) [March] pp. 4-5.
Description:
Compares Pier Paolo Pasolini’s Teorema with Silvio Narizzano’s Blue.
Index:
Pasolini, Pier Paolo
Narizzano, Silvio
Teorema (1968)
Blue (1968)

#110
Film und Theologie: Diskussionen, Kontroversen, Analysen. Hrsg. von Wilhelm Roth und Bettina Thienhaus. - Stuttgart: Steinkopf 1989. (= epd Texte 20.)
Reviews:
Schmidt-Ropertz, H.-Ulrich: [untitled] In: Medienwissenschaft 1990. No. 3. pp. 285-287.
Description:
Discusses, among others, Godard’s Je vous salue, Marie, Scorsese’s The Last Temptation of Christ, Pasolini’s Il vangelo secondo di Matteo and Tarkowski’s Stalker as well as the films of Ingmar Bergman and Paul Schrader.
Index:
Godard, Jean-Luc
Scorsese, Martin
Pasolini, Pier Paolo
Tarkovsky, Andrei Arsenyevich
Bergman, Ingmar
Schrader, Paul
Je vous salue, Marie (1984)
Last Temptation of Christ, The (1988)
vangelo secondo Matteo, Il (1964)
Stalker (1978/1979)
Religion ~ Religion

#111
Finter, Helga: San Pier Paolo oder "Alles ist Paradies in der Hölle" (Sade): Über Pier Paolo Pasolini. In: Der Körper und seine Sprachen. Hrsg. von Hans-Jürgen Heinrichs. Mit Beiträgen von Martin Dannecker [et al.]. - Frankfurt/Main; Paris: Qumran 1985. pp. 61 ff.
Index:
Pasolini, Pier Paolo
Sade, Donatien Alphonse François Marquis de
Religion: Hölle ~ Religion: Hell
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Religion ~ Religion
Literatur ~ Literature
Körper ~ Bodies

#112
Il fiore delle mille e una notte. In: Pier Paolo Pasolini: Dokumente zur Rezeption seiner Filme in der deutschsprachigen Filmkritik 1963-1985. Redaktion: Michael Hanisch. - Berlin: Freunde der Deutschen Kinemathek 1994. (= Kinemathek 84.) pp. 159-162.
Index:
Pasolini, Pier Paolo
fiore delle mille e una notte, Il (1974)
Deutschland ~ Germany

#113
Fischer, Jens Malte: Filmwissenschaft - Filmgeschichte: Studien zu Welles, Hitchcock, Polanski, Pasolini und Max Steiner. - Tübingen: Gunter Narr 1983. (= Medienbibliothek Serie B 2.)
Reviews:
Paech, Joachim: [untitled] In: Medienwissenschaft 1984. No. 2. pp. 180-182.
Index:
Welles, Orson
Hitchcock, Alfred
Polanski, Roman
Pasolini, Pier Paolo
Steiner, Max

#114
Forgione, Anna P.: I mille volti di celluloide del mostruoso. In: Quaderni di Cinema 2. 1998. No. 60/61. [?D] pp. 41-46.
Index:
Méliès, Georges
Pasolini, Pier Paolo
Monster ~ Monster

#115
Francese, Joseph: Il realismo impopolare di Pier Paolo Pasolini. - Foggia: Bastogi 1991. (= L’Argileto.)
Index:
Pasolini, Pier Paolo

#116
Fraser, Peter Joseph: Images of the passion: The sacramental mode in film. - Westport, Connecticut: Praeger 1998.
Reviews:
Helman, Alicja: Film religijny. In: Kino [Warschau] 33. 1999. No. ?N(381). [February] pp. 50-51.
Matthews, Peter: [untitled] In: Sight and Sound NS 9. 1999. No. 5. [May] p. 30.
Description:
On religious issues in film, especially in the work of Paul Schrader, Pier Paolo Pasolini, Ingmar Bergman, Carl Theodor Dreyer and Andrei Tarkovsky.
Index:
Schrader, Paul
Pasolini, Pier Paolo
Bergman, Ingmar
Dreyer, Carl Theodor
Tarkovsky, Andrei Arsenyevich
Religion ~ Religion

#117
Fraser, Peter Joseph: Images of the passion: The sacramental mode in film. - Trowbridge: Flicks 1998.
Description:
On religious issues in film, especially in the work of Paul Schrader, Pier Paolo Pasolini, Ingmar Bergman, Carl Theodor Dreyer and Andrei Tarkovsky.
Index:
Schrader, Paul
Pasolini, Pier Paolo
Bergman, Ingmar
Dreyer, Carl Theodor
Tarkovsky, Andrei Arsenyevich
Religion ~ Religion

#118
Fraser, Peter Joseph: The sacramental mode in film. - Chicago, Illinois: University of Illinois at Chicago, Ph.D. 1990. [Abstract in: Dissertation Abstracts International A 51. 1991. No. 10. (April) p. 3260A.]
Description:
Über religiöse Elemente im Film; besonders zu den Filmen von Paul Schrader, Pier Paolo Pasolini, Ingmar Bergman, Carl Theodor Dreyer und Andrei Tarkovsky.
Index:
Schrader, Paul
Pasolini, Pier Paolo
Bergman, Ingmar
Dreyer, Carl Theodor
Tarkovsky, Andrei Arsenyevich
Religion ~ Religion

#119
Freitag, Gretel: Der Verlust der Sakralität in der modernen Gesellschaft: Pier Paolo Pasolini gelesen mit Bataille. In: Filmkunst und Gesellschaftskritik: Sozialethische Erkundungen. Hrsg. von Walter Lesch, Charles Martig und Joachim Valentin. - Marburg: Schüren 2005. (= Film und Theologie 7.) pp. 89 ff.
Index:
Pasolini, Pier Paolo
Bataille, Georges
Politik ~ Politics
Religion ~ Religion

#120
Freitag, Gretel: Metaphern von Musik und Stille als Erkenntnismittel in den Filmen Pasolinis. - Frankfurt/M.; Berlin; Bern; New York; Paris; Wien: Lang 1999. (= Europäische Hochschulschriften Reihe 36; Musikwissenschaft 190.)
Index:
Pasolini, Pier Paolo
Musik ~ Music

#121
Freitag, Gretel: Metaphern von Musik und Stille als Erkenntnismittel in den Filmen Pasolinis. - Bonn: Universität Bonn, Dissertation 1998.
Index:
Pasolini, Pier Paolo
Musik ~ Music

#122
Fuller, Christopher: "Udiste che fu detto ..., ma io dico che ...": Pasolini as interpreter of the Gospel of Matthew. - Berkeley, California: Graduate Theological Union, Ph.D. 2004. [Abstract in: Dissertation Abstracts International A 65. 2004. No. 4. (October) p. 1413.]
Index:
Pasolini, Pier Paolo
vangelo secondo Matteo, Il (1964)
Religion ~ Religion

#123
Fuller, Christopher C.: Not to abolish the text, but displace it: The repositioning of the authorial audience in Pasolini’s Il Vangelo secondo Matteo. In: Society of Biblical Literature: Seminar Papers 133. 1997. No. 36. [?D] pp. 1-19.
Index:
Pasolini, Pier Paolo
vangelo secondo Matteo, Il (1964)
Religion ~ Religion

#124
Furfaro, Amedeo: La Calabria di Pasolini. - Cosenza: Edizioni Periferia 1990. (= Periferia: Cinema 2.)
Index:
Pasolini, Pier Paolo
Kalabrien ~ Calabria

#125
Fusillo, Massimò: La grecia secondo Pasolini: Mito e cinema. - Scandicci: La Nuova Italia 1996. (= Biblioteca di Cultura 209.)
Index:
Pasolini, Pier Paolo
Griechenland ~ Greece

#126
Gallo, Daniele: Pier Paolo Pasolini: Sulle tracce del sacro. Prefazione di Angela Felice. - Milano: Gruppo editoriale Viator 2014. (= Gnosis 22.)
Index:
Pasolini, Pier Paolo
Religion ~ Religion

#127
Galluzzi, Francesco: Pasolini et la pittura. - Roma: Bulzoni 1994. (= Studi e testi: Serie di filologia e eltteratura 7.)
Index:
Pasolini, Pier Paolo

#128
Gambetti, Giacomo: Il Vangelo secondo Matteo: Un film di Pier Paolo Pasolini. - Milano: Garzanti 1964.
Index:
Pasolini, Pier Paolo
vangelo secondo Matteo, Il (1964)

#129
Gardi, Kim: A controversial figure: Ambiguity and allegory in Pasolini’s Christ. In: Studi d’Italianistica nell’Africa Australe / Italian Studies in Southern Africa 4. 1991. No. 2. [?D] pp. 64-80.
Description:
On the Christ figure and on religious symbols in the films of Pier Paolo Pasolini, especially in Teorema and La ricotta.
Index:
Pasolini, Pier Paolo
Teorema (1968)
ricotta, La (1962)
Religion ~ Religion

#130
Germinario, Mario: Cinema ed estetica: L’evocazione del sacro nel cinema religioso. - Bari: Stilo 2005. (= Collana Filosofia.)
Description:
On the representation of the Christ figure in film. Includes chapters on Norman Jewison’s Jesus Christ Superstar, Nicholas Ray’s King of Kings, George Stevens’s The Greatest Story Ever Told, Pier Paolo Pasolini’s Il vangelo secondo Matteo, Roberto Rossellini’s Il Messia, Franco Zeffirelli’s Gesù di Nazareth and Mel Gibson’s The Passion of the Christ.
Index:
Jewison, Norman
Ray, Nicholas
Stevens, George
Pasolini, Pier Paolo
Rossellini, Roberto
Zeffirelli, Franco
Gibson, Mel
Jesus Christ Superstar (1972)
King of Kings (1961)
Greatest Story Ever Told, The (1963)
vangelo secondo Matteo, Il (1964)
Messia, Il / Messie, La (1975)
Gesù di Nazareth / Jesus of Nazareth (1976)
Passion of the Christ, The (2004)
Religion ~ Religion

#131
Gerosa, Ricarda: Pasolini Romantico: Regressive Impulse einer progressiven Poetik. - München: Scaneg-Verlag 2013. (= Untersuchungen zu Künsten in Theorie und Praxis 2.)
Index:
Pasolini, Pier Paolo
Romantik ~ Romanticism

#132
Gerosa, Ricarda: Pasolini Romantico: Regressive Impulse einer progressiven Poetik. - Bern: Universität Bern, Dissertation 2011.
Index:
Pasolini, Pier Paolo
Romantik ~ Romanticism

#133
Giavarini, Laurence: Pasolini la parole ininterrompue. In: Cahiers du Cinéma 1992. No. 451. [?D] pp. 74-78.
Index:
Pasolini, Pier Paolo

#134
Giordana, Marco Tullio: Pasolini: Un delitto italiano. - Milano: Mondadori 1994. (= Frecce.)
Index:
Pasolini, Pier Paolo
Italien ~ Italy

#135
Golino, Enzo: Pasolini: Il sogno di una cosa: Pedagogia eros, letteratura, dal mito del popolo alla società di massa. - Milano: Bompiani 1992. (= Saggi tascabili 16.)
Index:
Pasolini, Pier Paolo
Pädagogik ~ Paedagogy
Sexualität ~ Sexuality
Traum ~ Dreams

#136
Golino, Enzo: Tra lucciole e palazzo: Il mito di Pasolini dentro la realità. - Palermo: Sellerio 1995. (= La Diagonale 84.)
Index:
Pasolini, Pier Paolo

#137
Gonzalez, Sam Ishii: Being and immanence: Deleuze, authorship and the practice of modern cinema. - New York: New York University, Ph.D. 2013. [Abstract in: Dissertation Abstracts International A 74. 2014. No. 7. (January).]
Description:
Discusses especially the films of Jean-Luc Godard, Pier Paolo Pasolini and Roberto Rossellini.
Index:
Deleuze, Gilles
Godard, Jean-Luc
Pasolini, Pier Paolo
Rossellini, Roberto

#138
Gordon, Robert: Identity in mourning: The Role of the intellectual and the death of Pasolini. In: Italian Quarterly 32. 1995. No. 123/124. [?D] pp. 61-74.
Index:
Pasolini, Pier Paolo
Tod ~ Death

#139
Gordon, Robert: Pasolini: Forms of subjectivity. - Oxford: Clarendon Press 1996.
Reviews:
Loshitzky, Yosefa: [untitled] In: Screen 38. 1997. No. 3. [?D] pp. 302-305.
Index:
Pasolini, Pier Paolo

#140
Gordon, Robert S. C.: Pasolini as Jew, between Israel and Europe. In: The scandal of self-contradiction: Pasolini’s multistable subjectivities, geographies, traditions. Edited by Luca Di Blasi, Manuele Gragnolati and Christoph F. E. Holzhey. - Wien; Berlin: Turia + Kant 2012. (= Cultural inquiry 6.) pp. 37 ff.
Index:
Pasolini, Pier Paolo
Religion: Juden ~ Religion: Jews
Israel ~ Israel
Europa ~ Europe

#141
Grace, Pamela: The religious film: Christianity and the hagiopic. - Chichester; Malden, Massachusetts: Wiley-Blackwell 2009. (= New approaches to film genre 4.)
Reviews:
Fleeger, Jennifer: [untitled.] In: Journal of Film and Video 63. 2011. No. 4. [Winter] pp. 64-66.
Matson, Robert W.: [untitled.] In: Film & History 40. 2010. No. 2. [Fall] pp. 111-114.
Description:
Includes chapters on Nicholas Ray’s King of Kings, Henry King’s The Song of Bernadette, Norman Jewison’s Jesus Christ Superstar, Pier Paolo Pasolini’s Il vangelo secondo Matteo, Denys Arcand’s Jésus de Montréal, Carl Theodor Dreyer’s La Passion de Jean d’Arc, Luc Besson’s The Messenger, Martin Scorsese’s The Last Temptation of Christ and
Mel Gibson’s The Passion of the Christ.
Index:
Ray, Nicholas
King, Henry
Jewison, Norman
Pasolini, Pier Paolo
Arcand, Denys
Dreyer, Carl Theodor
Besson, Luc
Scorsese, Martin
Gibson, Mel
King of Kings (1961)
Song of Bernadette, The (1943)
Jesus Christ Superstar (1972)
vangelo secondo Matteo, Il (1964)
Jésus de Montréal (1989)
Passion de Jean d’Arc, La (1928)
Messenger, The: The Story of Joan of Arc (1999)
Last Temptation of Christ, The (1988)
Passion of the Christ, The (2004)
Religion ~ Religion

#142
Gragnolati, Manuele: Analogy and difference: Multistable figures in Pasolini’s Appunti per un’Orestiade africana. In: The scandal of self-contradiction: Pasolini’s multistable subjectivities, geographies, traditions. Edited by Luca Di Blasi, Manuele Gragnolati and Christoph F. E. Holzhey. - Wien; Berlin: Turia + Kant 2012. (= Cultural inquiry 6.) pp. 119 ff.
Index:
Pasolini, Pier Paolo
Appunti per una Orestiade africana (1969)

#143
Greene, Naomi: Pasolini: "Organic intellectual"? In: Italian Quarterly 31. 1990. No. 119/120. [?D] pp. 81-100.
Index:
Pasolini, Pier Paolo

#144
Greene, Naomi: Pier Paolo Pasolini: Cinema as heresy. - Princeton, New Jersey; Oxford: Princeton University Press 1990.
Reviews:
Brunette, Peter: [untitled] In: Film Quarterly 45. 1992. No. 4. [Summer] pp. 56-57.
Garrity, Henry A.: [untitled] In: Journal of Popular Culture 26. 1992. No. 1. [?D] pp. 189-190.
Orr, Christopher: [untitled] In: Film Criticism 15. 1991. No. 3. [?D] pp. 31-34.
Phillips, Gene D.: [untitled] In: Journal of Popular Film and Television 18. 1990. No. 3. [?D] pp. 130-131.
Description:
Includes a filmography.
Index:
Pasolini, Pier Paolo

#145
Grieco, Agnese: The body of the actor: Notes on the relationship between the body and acting in Pasolini’s cinema. In: The scandal of self-contradiction: Pasolini’s multistable subjectivities, geographies, traditions. Edited by Luca Di Blasi, Manuele Gragnolati and Christoph F. E. Holzhey. - Wien; Berlin: Turia + Kant 2012. (= Cultural inquiry 6.) pp. 85 ff.
Index:
Pasolini, Pier Paolo
Körper ~ Bodies

#146
Grob, Norbert: Mittler, Künder, Mahner: Pure Fantasiewesen: Engel im Kino. In: Film-Dienst 56. 2003. No. 26. [December 16] pp. 6-9.
Description:
Discusses, among others, Frank Capra’s It’s a Wonderful Life, Victor Fleming’s A Guy Named Joe, Steven Spielberg’s Always, Jean Cocteau’s Orphée, Luis Buñuel’s El angel exterminador, Pier Paolo Pasolini’s Teorema as well as Wim Wenders’s Der Himmel über Berlin and In weiter Ferne, so nah!.
Index:
Capra, Frank
Fleming, Victor
Spielberg, Steven
Cocteau, Jean
Buñuel, Luis
Pasolini, Pier Paolo
Wenders, Wim
It’s a Wonderful Life (1947)
Guy Named Joe, A (1943)
Always (1989)
Orphée (1950)
angel exterminador, El (1962)
Teorema (1968)
Himmel über Berlin, Der (1987)
In weiter Ferne, so nah! (1993)
Religion: Engel ~ Religion: Angels
Religion ~ Religion
Phantasie ~ Fantasy

#147
Gross, Bernhard: Reconciliation and stark incompatibility: Pasolini’s Africa and Greek tragedy. In: The scandal of self-contradiction: Pasolini’s multistable subjectivities, geographies, traditions. Edited by Luca Di Blasi, Manuele Gragnolati and Christoph F. E. Holzhey. - Wien; Berlin: Turia + Kant 2012. (= Cultural inquiry 6.) pp. 167 ff.
Index:
Pasolini, Pier Paolo
Appunti per una Orestiade africana (1969)
Griechenland ~ Greece

#148
Gross, Nicolas P.: Doubling and irrationality in Pier Paolo Pasolini’s Medea. In: Text and presentation: The University of Florida Department of Classics Comparative Drama Conference Papers Vol. X. Edited by Karelisa Hartigan. - Lanham, Maryland; New York; London: University Press of America 1990. pp. 51-58.
Index:
Pasolini, Pier Paolo
Medea (1969)
Florida ~ Florida

#149
Haas, Eberhard Th.: Ödipus zwischen Psychoanalyse und mimetischer Theorie: Mit Anmerkungen zu Pier Paolo Pasolinis Edipo Re. In: Von Ödipus zu Eichmann: Kulturantropologische Voraussetzungen von Gewalt. Hrsg. von Dietmar Regensburger und Christian Wessely. - Marburg: Schüren 2012. (= Film & Theologie 22.) pp. 41 ff.
Index:
Eichmann, Adolf
Pasolini, Pier Paolo
Edipo Re / Oedipus Rex (1967)
Psychologie ~ Psychology
Religion ~ Religion
Gewalt ~ Violence

#150
Hahn, Franziska: München: Pier Paolo Pasolini und der Tod. In: EPD Film 23. 2006. No. 1. [January] p. 18.
Description:
On an exhibition at the Munich "Pinakothek der Moderne" and the Munich Film Museum.
Index:
Pasolini, Pier Paolo
Tod ~ Death
München ~ Munich

#151
Halliday, Jon: Pasolini über Pasolini. - Wien: Folio Verlag 1995.
Description:
Interviews with Pasolini from the year 1968.
Index:
Pasolini, Pier Paolo

#152
Hamza, Agon: Althusser and Pasolini: Philosophy, Marxism, and film. Reprint. - New York: Palgrave Macmillan 2018.
First edition:
[2016]
Index:
Pasolini, Pier Paolo
Althusser, Louis Pierre
Philosophie ~ Philosophy

#153
Hamza, Agon: Althusser and Pasolini: Philosophy, Marxism, and film. - New York: Palgrave Macmillan 2016.
Index:
Pasolini, Pier Paolo
Althusser, Louis Pierre
Philosophie ~ Philosophy

#154
Hanich, Julian: Dis/liking disgust: The revulsion experience at the movies. In: New Review of Film and Television Studies 7. 2009. No. 3. [September] pp. 293-309.
Description:
Examines especially the use of disgust in horror and fantasy film as well as in teenage comedies. Includes an analysis of Pier Paolo Pasolini’s Salò o le 120 giornate di Sodoma.
Index:
Pasolini, Pier Paolo
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
Jugend ~ Youth
Humor ~ Humor
Horror ~ Horror
Fantasy ~ Fantasy

#155
Hasenberg, Peter: Von Abwehrgefechten zu Dialog-Ansätzen: Skandalfilme in der katholischen Filmarbeit. In: Film-Dienst 48. 1995. No. 12. [June 6] pp. 4-9.
Description:
Discusses, among others, Bergman’s Tystnaden and Pasolini’s Teorema.
Index:
Bergman, Ingmar
Pasolini, Pier Paolo
Tystnaden (1963)
Teorema (1968)
Religion ~ Religion

#156
Haynes, Jonathan Everett: The Mid-Atlantic: Fantasmatic genealogies of the French and American New Waves. - Berkeley, California: University of California, Berkeley, Ph.D. 2014. [Abstract in: Dissertation Abstracts International A 76. 2016. No. 8 [February] p. ?P.]
Description:
Discusses, among others, Jean-Luc Godard’s Week-End, Pier Paolo Pasolini’s Salò, and the influence of Alfred Hitchcock on François Truffaut.
Index:
Godard, Jean-Luc
Pasolini, Pier Paolo
Hitchcock, Alfred
Truffaut, François
Week-End (1967)
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
USA (United States of America) ~ USA (United States of America)
Frankreich ~ France

#157
Herz, Christian J.: Der Einbruch des Heiligen: Pier Paolo Pasolinis Teorema - Geometrie der Liebe. In: Werkstatt schwule Theologie 13. 2006. No. 1/2. [?D] pp. 20-24.
Index:
Pasolini, Pier Paolo
Teorema (1968)
Religion ~ Religion

#158
Hick, Ulrike: Archaik - Transitorik - Utopie: Zur Rolle der Landschaft in den Filmen Pier Paolo Pasolinis. In: Natur und ihre filmische Auflösung. Hrsg. von Jan Berg und Kay Hoffmann. - Marburg: Timbuktu-Verlag 1994. pp. 79-93.
Index:
Pasolini, Pier Paolo
Utopie ~ Utopia
Natur ~ Nature

#159
Hinrichsen, Jens: Neuer Film: Pasolini. In: Film-Dienst 67. 2014. No. 21. [October 9] p. 12.
Description:
On Abel Ferrara’s biopic.
Index:
Ferrara, Abel
Pasolini, Pier Paolo
Pasolini (2014)

#160
Horvath, Christa: Pasolinis filmische Auseinandersetzung mit der griechischen Tragödie. - Wien: Universität Wien, Diplomarbeit 1987.
Index:
Pasolini, Pier Paolo
Griechenland ~ Greece

#161
Howell, David B.: Screening the temptation: Interpretation and indeterminacy in cinematic transformations of a Gospel story. In: Journal of Religion and Film 11. 2007. No. 2. [October] p. 12.
Description:
On the representation of Jesus in film. Discusses especially Pier Paolo Pasolini’s Il vangelo secondo Matteo, George Stevens’s The Greatest Story Ever Told, Nicholas Ray’s King of Kings, Denys Arcand’s Jésus de Montréal, Martin Scorsese’s The Last Temptation of Christ and Jesus by John Heyman, Peter Sykes and John Kirsh.
Index:
Pasolini, Pier Paolo
Stevens, George
Ray, Nicholas
Arcand, Denys
Scorsese, Martin
Heyman, John
Sykes, Peter
Kirsh, John
vangelo secondo Matteo, Il (1964)
Greatest Story Ever Told, The (1963)
King of Kings (1961)
Jésus de Montréal (1989)
Last Temptation of Christ, The (1988)
Jesus (1979)
Religion ~ Religion

#162
Hoyle, M.: A kick in the arias. In: Time Out 1992. No. 1160. [November 11] p. 27.
Description:
Interview with opera director Lucy Bailey and set decorator Simon Vincenzi on their theartical adaption of Pier Paolo Pasolini’s Teorema.
Index:
Pasolini, Pier Paolo
Bailey, Lucy
Vincenzi, Simon
Teorema (1968)
Musik ~ Music
Teorema (Musik ~ Music)

#163
Iaccio, Pasquale: Il Gesuita e Pasolini. In: Cinema Sessanta 36. 1995. No. 5/6. [?D] pp. 30-35.
Index:
Pasolini, Pier Paolo
Religion ~ Religion

#164
Incontri pasoliniani. A cura di Alfonso Canziani. - Roma: Bulzoni 1996. (= Biblioteca Cinematografica e die Mass Media 38.)
Index:
Pasolini, Pier Paolo

#165
Indiana, Gary: Salò or The 120 Days of Sodom. - London: British Film Institute 2000. (= BFI Classics.)
Reviews:
Matthews, Peter: [untitled] In: Sight and Sound NS 11. 2001. No. 2. [February] p. 31.
Index:
Pasolini, Pier Paolo
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)

#166
Inferno de Sade: Pier Paolo Pasolini’s Salo. - London: Creation Books 2010. (= Persistence of Vision X 2.)
Index:
Pasolini, Pier Paolo
Sade, Donatien Alphonse François Marquis de
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)

#167
Jacobs, Steven: Tableaux vivants 1: Painting, film, death and passion plays in Pasolini and Godard. In: Jacobs, Steven: Framing pictures: Film and the visual arts. - Edinburgh: Edinburgh University Press 2011. (= Edinburgh studies in film.) p. ?P.
Index:
Pasolini, Pier Paolo
Godard, Jean-Luc
Tod ~ Death
Kunst ~ Arts, The

#168
Jarosch, Silvia: Bibel und Film - vier Jesus-Filme im Vergleich. - Innsbruck: Universität Innsbruck, Diplom-Arbeit 1992.
Description:
Discusses Pier Paolo Pasolini’s Il vangelo secondo Matteo, Norman Jewison’s Jesus Christ Superstar, Martin Scorsese’s The Last Temptation of Christ and Denys Arcand’s Jésus de Montreál.
Index:
Pasolini, Pier Paolo
Jewison, Norman
Scorsese, Martin
Arcand, Denys
vangelo secondo Matteo, Il (1964)
Jesus Christ Superstar (1972)
Last Temptation of Christ, The (1988)
Jésus de Montréal (1989)
Religion ~ Religion

#169
Jasper, David: The sacred desert: Religion, literature, art, and culture. - Malden, Massachussetts: Blackwell Publishing 2004.
Description:
Discusses, among others, the films of Pier Paolo Pasolini, Wim Wenders, and Claire Denis.
Index:
Pasolini, Pier Paolo
Wenders, Wim
Denis, Claire
Wüste ~ Desert
Religion ~ Religion
Literatur ~ Literature

#170
Jobst, P.: Die Umsetzung eines literarischen Diskurses im Film: Luchino Visconti - Pier Paolo Pasolini - Max Ophüls - Jean-Luc Godard - Alain Resnais - Marguerite Duras - Alain Tanner. - Salzburg: Universität Salzburg, Dr.Phil. 1979. [Abstract in: Dissertation Abstracts International C 44. 1983. No. 2. (Summer) p. 248C(8/1096C).]
Index:
Visconti, Lucino
Pasolini, Pier Paolo
Ophüls, Max
Godard, Jean-Luc
Resnais, Alain
Duras, Marguerite

#171
Joubert-Laurencin, Hervé: 1965-1975: Pier Paolo Pasolini: La divine théorie. In: Histoires des théories du cinéma. Éd. Joël Magny et Guy Hennebelle. (= Cinémaction 1991. No. 60. [?D]) pp. 206-213.
Description:
On Pasolini’s theory of film.
Index:
Pasolini, Pier Paolo
Religion ~ Religion

#172
Joubert-Laurencin, Hervé: 4 octobre 1960: Pier Paolo Pasolini rêve sa naissance de cinéaste. In: Cahiers du Cinéma 1995. Numéro Special: 100 Journées qui ont fait le Cinéma. [?D] p. 86.
Index:
Pasolini, Pier Paolo
Traum ~ Dreams

#173
Joubert-Laurencin, Hervé: Figura lacrima. In: The scandal of self-contradiction: Pasolini’s multistable subjectivities, geographies, traditions. Edited by Luca Di Blasi, Manuele Gragnolati and Christoph F. E. Holzhey. - Wien; Berlin: Turia + Kant 2012. (= Cultural inquiry 6.) pp. 237 ff.
Index:
Pasolini, Pier Paolo

#174
Joubert-Laurencin, Hervé: Pasolini: Portrait du poète en cinéaste. - Paris: Cahiers du Cinéma 1995.
Reviews:
Legrand, Gérard: [untitled] In: Positif 1996. No. 424. [?D] p. 67.
Index:
Pasolini, Pier Paolo

#175
Joubert-Laurencin, Hervé: Portaits: Pasolini-Freud, ou les chevilles qui enflent. In: Cinéma et psychoanalyse. Reuni par Alain Dhote. (= Cinémaction 1989. No. 50. [January]) pp. 108-113.
Index:
Pasolini, Pier Paolo
Freud, Sigmund
Psychologie ~ Psychology

#176
Kleine, Sabine: Zur Ästhetik des Häßlichen: Von Sade bis Pasolini. - Stuttgart: J. B. Metzler 1998.
Reviews:
Opitz, Kurt: [untitled] In: Germanistik 42. 2001. No. 1/2. p. 105.
Schmiedt, Helmut: [untitled] In: Medienwissenschaft 1999. No. 2. pp. 156-157.
Description:
Discusses, among others, Pasolini’s Sade filming Salò.
Index:
Pasolini, Pier Paolo
Sade, Donatien Alphonse François Marquis de
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)

#177
Klimke, Christoph: Der Sünder: Fragen an Pier Paolo. - Berlin: Vis-à-Vis Verlag 1985.
Index:
Pasolini, Pier Paolo

#178
Klimke, Christoph: Revolution als Umkehr: Der Dichter Pier Paolo Pasolini. In: Pier Paolo Pasolini: Im Dialog. Hrsg. von Gerhard Schneider und Peter Bär. - Gießen: Psychosozial-Verlag 2012. (= Psychoanalyse und Filmtheorie 8 / Imago.) pp. 31 ff.
Index:
Pasolini, Pier Paolo

#179
Klimke, Christoph: Wir sind alle in Gefahr: Pasolini: Ein Prozeß. - Weinheim: Beltz Quadriga 1995.
Reviews:
Hick, Ulrike: [untitled] In: Medienwissenschaft 1997. No. 1. pp. 83-85.
Description:
Biography.
Index:
Pasolini, Pier Paolo

#180
Klimke, Christoph: Wir sind alle in Gefahr: Pasolini: Ein Prozess. - Berlin: Oberbaum 2001.
First edition:
[Weinheim: Beltz Quadriga 1995]
Description:
Biography.
Index:
Pasolini, Pier Paolo

#181
Kolos, Sylwia: Sens smierci wedlug Pasoliniego. In: Kino [Warschau] 38. 2004. No. ?N(444). [May] pp. 57-60.
Description:
On the representation of death in the films of Pier Paolo Pasolini.
Index:
Pasolini, Pier Paolo
Tod ~ Death

#182
Kraft der Vergangenheit: Zu Motiven in Filmen von Pier Paolo Pasolini. Hrsg. von Christoph Klimke. - Frankfurt/M.: Fischer 1988. (= Fischer Cinema. Fischer Taschenbuch 4473.)
Index:
Pasolini, Pier Paolo

#183
Kriest, Ulrich: Der Plural des Ich: "Neue" Blicke auf die Projektionsfläche Pasolini. In: Film-Dienst 59. 2006. No. 1. [January 3] pp. 42-43.
Index:
Pasolini, Pier Paolo

#184
Kriest, Ulrich: Einer wie wir. In: Film-Dienst 67. 2014. No. 21. [October 9] pp. 10-15.
Description:
On the multimedia work of Pier Paolo Pasolini.
Index:
Pasolini, Pier Paolo

#185
Kriest, Ulrich: Eyes Wide Open: Zur Wiederaufführung von Pasolinis Saló oder die 120 Tage von Sodom. In: Film-Dienst 56. 2003. No. 11. [May 20] pp. 45-47.
Index:
Pasolini, Pier Paolo
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)

#186
Kriest, Ulrich: Neue DVD/BD: Der Schweinestall. In: Film-Dienst 67. 2014. No. 21. [October 9] p. 13.
Index:
Pasolini, Pier Paolo
Porcile (1969)
DVD ~ DVD

#187
Kriest, Ulrich: Verspätete Flaschenpost: Re: Pasolini. In: Film-Dienst 67. 2014. No. 21. [October 9] p. 15.
Description:
On Franco Battiato’s musical hommage to Pier Paolo Pasolini.
Index:
Battaglia, Stefano
Pasolini, Pier Paolo
Re: Pasolini (Musik ~ Music)

#188
Kröhnke, Friedrich: Gennariello könnte ein Mädchen sein: Essays über Pasolini. - Frankfurt/M.: Materialis Verlag 1983. (= Ermuntern 7.)
Index:
Pasolini, Pier Paolo

#189
Kuczok, Wojciech: Höllisches Kino: Über Pasolini und andere. - Frankfurt/Main: Suhrkamp 2008. (= Edition Suhrkamp 2542.)
First edition:
[To piekielne kino.]
Reviews:
Stiglegger, Marcus: In: Medienwissenschaft 2009. No. 1. pp. 59-60.
Description:
On the representation of hell in film.
Index:
Pasolini, Pier Paolo
Religion: Hölle ~ Religion: Hell
Religion ~ Religion

#190
Kvistad, Ivar: Cultural imperialism and infanticide in Pasolini’s Medea. In: Unbinding Medea: Interdisciplinary approaches to a Classical myth from Antiquity to the 21st century. Edited by Heike Bartel and Anne Simon. - London: Legenda 2010. p. ?P.
Index:
Pasolini, Pier Paolo
Medea (1969)
Medea ~ Medea
Mythologie ~ Mythology

#191
La Valle, Mercedes: Uma rua antiga: De Rafael a Pasolini. In: Minas Gerais 22. 1987. No. 1074. [?D] Suplemento Literario. p. 5.
Description:
On the representation of Rome in art, from Raffael’s paintings to Pasolini’s films.
Index:
Pasolini, Pier Paolo
Rom ~ Rome
Kunst ~ Arts, The

#192
Lacoue-Labarthe, Philippe: Pasolini, une improvisation: D’une sainteté. - Bordeaux: William Blake & Co. 1995. (= La Pharmacie de Platon.)
Index:
Pasolini, Pier Paolo
Religion ~ Religion

#193
Landis, Bill: The neorealist transgressions of Pier Paolo Pasolini. In: Cinema inferno: Celluloid explosions from the cultural margins. Edited by Robert G. Weiner and John Cline. - Lanham, Maryland; London: Scarecrow Press 2010. p. ?P.
Index:
Pasolini, Pier Paolo
Exploitation ~ Exploitation

#194
Lauggas, Ingo: Dio, perché ci hai abbandonati? Die Rückkehr des Glaubens in der vor-sprachlichen Filmsprache Pasolinis. In: Le dieu caché? Lectura christiana des italienischen und französischen Nachkriegskinos. Hrsg. von Uta Felten und Stephan Leopold. - Tübingen: Stauffenburg-Verlag 2010. (= Siegener Forschungen zur romanischen Literatur- und Medienwissenschaft 20.) pp. 179 ff.
Index:
Pasolini, Pier Paolo
Krieg ~ War
Frankreich ~ France
Italien ~ Italy
Religion ~ Religion

#195
Leitner, Joachim / Russo, Marco: Gewalt als waltende, herrschende und beherrschende Macht: Retrospektive Notizen zu Pier Paolo Pasolini. In: Von Ödipus zu Eichmann: Kulturantropologische Voraussetzungen von Gewalt. Hrsg. von Dietmar Regensburger und Christian Wessely. - Marburg: Schüren 2012. (= Film & Theologie 22.) pp. 21 ff.
Index:
Eichmann, Adolf
Pasolini, Pier Paolo
Religion ~ Religion
Gewalt ~ Violence

#196
Literaturverfilmungen. Hrsg. von Franz Josef Albersmeier und Volker Roloff. - Frankfurt/M.: Suhrkamp 1989. (= suhrkamp taschenbuch materialien 2093.)
Description:
Structured by German, Anglo-american an Romanesque literary sources. Short articles on each film. Discusses, among others, Murnau’s Faust, Zelnik’s Die Weber, the filmings of Heinrich von Kleist and of Fontane’s Effi Briest, Fassbinder’s Bolwieser, Schlöndorff’s Blechtrommel, Zanussi’s Blaubart, Wuthering Heights, The Third Man, The Birds, Clockwork Orange, Il gattopardo and Pasolini’s Trilogia della vita.
Index:
Murnau, Friedrich Wilhelm
Fassbinder, Rainer Werner
Schlöndorff, Volker
Reed, Carol
Hitchcock, Alfred
Kubrick, Stanley
Pasolini, Pier Paolo
Kleist, Heinrich von
Faust - Eine deutsche Volkssage (1926)
Bolwieser (1976-1977)
Blechtrommel, Die / tambour, Le (1978)
Third Man, The (1949)
Birds, The (1962)
Clockwork Orange, A (1971)
USA (United States of America) ~ USA (United States of America)
Literatur ~ Literature
Großbritannien ~ Great Britain
Deutschland ~ Germany

#197
Loonen, Nard: De magische drie in Il fiore delle mille e una notte van Pier Paolo Pasolini: Een analyse. - Amsterdam: Stichting Rode Emma 1990. (= Dilemma 4.)
Index:
Pasolini, Pier Paolo
fiore delle mille e una notte, Il (1974)
Magie ~ Magic

#198
Loretan, Matthias: Begegnung mit einem göttlichen Gast: Teorema - Geometrie der Liebe von Pier Paolo Pasolini (1968). In: Spuren des Religiösen im Film: Meilensteine aus 100 Jahren Filmgeschichte. Hrsg. von Peter Hasenberg, Wolfgang Luley und Charles Martig im Auftrag der Zentralstelle Medien der Deutschen Bischofskonferenz Bonn und des Katholischen Mediendienstes Zürich. - Mainz: Matthias Grünewald Verlag / Köln: Katholisches Institut für Medieninformation 1995. pp. 219-222.
Index:
Pasolini, Pier Paolo
Teorema (1968)
Religion ~ Religion

#199
Loretan, Matthias: Sperriger Klassiker der Christus-Filme: Das erste Evangelium - Matthäus von Pier Paolo Pasolini (1964). In: Spuren des Religiösen im Film: Meilensteine aus 100 Jahren Filmgeschichte. Hrsg. von Peter Hasenberg, Wolfgang Luley und Charles Martig im Auftrag der Zentralstelle Medien der Deutschen Bischofskonferenz Bonn und des Katholischen Mediendienstes Zürich. - Mainz: Matthias Grünewald Verlag / Köln: Katholisches Institut für Medieninformation 1995. pp. 65-68.
Description:
On Pasolini’s Il vangelo secondo Matteo.
Index:
Pasolini, Pier Paolo
vangelo secondo Matteo, Il (1964)
Religion ~ Religion

#200
Lyons, Kenise Ge’Nelle: The art of writing with light: The photographic presence in Italian film, 1948-1978. - New Haven, Connecticut: Yale University, Ph.D. 2012. [Abstract in: Dissertation Abstracts International A 73. 2012. No. 12. [?D].]
Description:
Includes a chapter on the role of photography in Pier Paolo Pasolini’s Teorema.
Index:
Pasolini, Pier Paolo
Teorema (1968)
Italien ~ Italy
Fotografie ~ Photography

#201
MacBean, James Roy: Between Kitsch and fascism: Notes on Fassbinder, Pasolini, (homo)sexual politics, the exotic, the erotic and other consuming passions. In: Cineaste 13. 1984. No. 4. [?D] pp. 12-19.
Index:
Fassbinder, Rainer Werner
Pasolini, Pier Paolo
Kitsch ~ Kitsch
Faschismus ~ Fascism
Sexualität ~ Sexuality
Politik ~ Politics
Sexualität: Homosexualität ~ Sexuality: Homosexuality

#202
Magaletta, Giuseppe: La musica nell’opera letteraria e cinematografica di Pier Paolo Pasolini. - Urbino: Quattro Venti 1998.
Index:
Pasolini, Pier Paolo
Musik ~ Music

#203
Magnani, Lauro: Immagine filmica, tradizione iconografica, memoria figurativa: Vedere Cristo in Pasolini, Zeffirelli, Gibson. In: Il volto e gli sguardi: Bibbia, letteratura, cinema: Atti del convegno, Imperia Porto Maurizio, 17-18 ottobre 2008. A cura di Sandra Isetta. - Bologna: EDB 2010. (= Letture patristiche 13.) pp. 35 ff.
Index:
Pasolini, Pier Paolo
Zeffirelli, Franco
Gibson, Mel
vangelo secondo Matteo, Il (1964)
Gesù di Nazareth / Jesus of Nazareth (1976)
Passion of the Christ, The (2004)
Literatur ~ Literature
Religion ~ Religion

#204
Le mal au cinéma. MJC de Dunkerque. - ?O: Éditions Studio 43 ?J.
Reviews:
Magny, Joël: [untitled] In: Cahiers du Cinéma 1990. No. 427. [?D] p. 78.
Description:
Discusses, among others, the work of Fritz Lang, Ingmar Bergman, Nagisa Oshima, Jean-Luc Godard, Robert Bresson, Akira Kurosawa, Krzysztof Kieslowski, Jacques Tourneur, Pier Paolo Pasolini and Luis Buñuel.
Index:
Lang, Fritz
Bergman, Ingmar
Oshima, Nagisa
Godard, Jean-Luc
Bresson, Robert
Kurosawa, Akira
Kieslowski, Krzysztof
Tourneur, Jacques
Pasolini, Pier Paolo
Buñuel, Luis

#205
Mantagezza, Raffaele: Con pura passione: L’eros pedagogico di Pier Paolo Pasolini. - Palermo: Ed. della Battaglia 1997. (= Sudnordsud.)
Index:
Pasolini, Pier Paolo
Pädagogik ~ Paedagogy
Sexualität ~ Sexuality

#206
Manzoli, Giacomo: Voce e silenzio nel cinema di Pier Paolo Pasolini. - Bologna: Pendragon 2001. (= Le Sfere.)
Index:
Pasolini, Pier Paolo

#207
Maraschion, D.: Etnograficitia et etnografismo nel cinema di Pier Paolo Pasolini. - Reading: University of Reading, Ph.D. 2002. [Abstract in: Index to Theses with Abstracts 53. 2004. No. 1. p. 18(53-155)].
Index:
Pasolini, Pier Paolo

#208
Marchesini, Alberto: Citazioni pittoriche nel cinema di Pasolini: Da Accattone al Decameron. - Firenze: Editrice La Nuova Italia 1994. (= Pubblicazioni della Facoltà di Lettere e Filosofia dell’Università di Pavia 76.)
Index:
Pasolini, Pier Paolo
Accattone (1962)
Decameron, Il / Decameron, Le (1970)

#209
Marcus, Millicent: Filmmaking by the book: Italian cinema and literary adaption. - Baltimore, Maryland: Johns Hopkins University Press 1993.
Reviews:
Degli-Espositi, Cristina: [untitled] In: Film Criticism 18. 1994. No. 2. [?D] pp. 71-75.
Viano, Maurizio: [untitled] In: Film Quarterly 47. 1994. No. 4. [Summer] pp. 39-41.
Description:
Discusses, among others, Pasolini’s Gospel According to St. Matthew (Il vangelo secondo Matteo) and Fellini’s La vocce della luna.
Index:
Pasolini, Pier Paolo
Fellini, Federico
vangelo secondo Matteo, Il (1964)
voce della luna, La (1990)
Italien ~ Italy

#210
Mariniello, Silvestra: Techniques audiovisuelles et réécriture de l’histoire: De la représentation a la production du temps au cinéma. In: Cinémas 5. 1994. No. 1/2. [Fall] pp. 41-56.
Description:
On the representation of a mythological past in the films of Pier Paolo Pasolini.
Index:
Pasolini, Pier Paolo
Mythologie ~ Mythology

#211
Mariuz, Giuseppe: La meglio gioventù di Pasolini. - Udine: Campanotto 1993. (= Archivio Pasolini: Quaderni 1.)
Index:
Pasolini, Pier Paolo

#212
Marty, Joseph: Au cinéma, le détail "obscur" peut révéler la "lumière" de l’évangile: La séquence des mages de L’Évangile selon Saint Matthieu de Pier Paolo Pasolini. In: Vivens homo 12. 2001. No. 1. [?D] pp. 13-16.
Index:
Pasolini, Pier Paolo
vangelo secondo Matteo, Il (1964)
Religion ~ Religion

#213
Masoni, Gabriella: Renaissance, Mannerist and Baroque painting in the films of Pier Paolo Pasolini. - Dominguez Hills: California State University at Dominguez Hills, M.A. 2003. [Abstract in: Masters Abstracts International 42. 2004. No. 4. p. 1984.]
Index:
Pasolini, Pier Paolo
Renaissance ~ Renaissance
Kunst ~ Arts, The
Barock ~ Baroque

#214
Mazabrard, Colette: Quelques histoires de faim et de religion. In: Cahiers du Cinéma 1989. No. 423. [?D] pp. 34-39.
Description:
On religious motifs in the films of Pier Paolo Pasolini.
Index:
Pasolini, Pier Paolo
Religion ~ Religion

#215
Mazza, Antonia: Fortuna critica e successo di Pier Paolo Pasolini. - Pisa: Istituti Editoniali e Poligrafici Internazionali 2002. (= Biblioteca della Rivista di Letteratura Italiana 4.)
Index:
Pasolini, Pier Paolo

#216
Mazzini, Silvia: Pasolini and India: De- and re-construction of a myth. In: The scandal of self-contradiction: Pasolini’s multistable subjectivities, geographies, traditions. Edited by Luca Di Blasi, Manuele Gragnolati and Christoph F. E. Holzhey. - Wien; Berlin: Turia + Kant 2012. (= Cultural inquiry 6.) pp. 135 ff.
Index:
Pasolini, Pier Paolo
Appunti per un film sull’India (1967/1968)
Mythologie ~ Mythology
Indien ~ India

#217
McGill, Hannah: Divine reality. In: Sight and Sound NS 23. 2013. No. 3. [March] pp. 38-40.
Description:
On Pier Paolo Pasolini’s Il vangelo secondo Matteo.
Index:
Pasolini, Pier Paolo
vangelo secondo Matteo, Il (1964)
Religion ~ Religion

#218
McKibbin, Tony: The sacred that surfaces: Pier Paolo Pasolini’s barefaced subjectivity. In: Film Ireland 2007. No. 116. [May/June] pp. 40-42.
Description:
On the representation of sex and religion in Pasolini’s films.
Index:
Pasolini, Pier Paolo
Sexualität ~ Sexuality
Religion ~ Religion

#219
Meacci, Giordano: Improvviso il Novecento: Pasolini professore. Con appendici di
Massimiliano Malavasi e Francesca Serfafini. - Roma: Minimum Fax 1999. (= Filigrana 21.)
Index:
Pasolini, Pier Paolo

#220
Medea. In: Pier Paolo Pasolini: Dokumente zur Rezeption seiner Filme in der deutschsprachigen Filmkritik 1963-1985. Redaktion: Michael Hanisch. - Berlin: Freunde der Deutschen Kinemathek 1994. (= Kinemathek 84.) pp. 133-145.
Index:
Pasolini, Pier Paolo
Medea (1969)
Deutschland ~ Germany

#221
Micciché, Lino: Pasolini nella città del cinema. - Venezia: Marsilio 1999. (= Saggi Marsilio: Cinema.)
Index:
Pasolini, Pier Paolo

#222
Midding, Gerhard: Im Rausch der Begegnung. In: EPD Film 31. 2014. No. 1. [January] p. 12.
Description:
On an exhibition at the Paris Cinémathèque française dedicated to the representation of Rome in the films of Pier Paolo Pasolini.
Index:
Pasolini, Pier Paolo
Paris ~ Paris
Frankreich ~ France
Rom ~ Rome

#223
Midding, Gerhard: Studium der Straßen: Die Ausstellung "Pasolini - Roma" in Berlin. In: EPD Film 31. 2014. No. 10. [October] p. 9.
Index:
Pasolini, Pier Paolo
Berlin ~ Berlin

#224
Minas, Günter: Ikonographie eines Universalisten: Das Bilderbuch des Pier Paolo Pasolini. In: Pier Paolo Pasolini: Im Dialog. Hrsg. von Gerhard Schneider und Peter Bär. - Gießen: Psychosozial-Verlag 2012. (= Psychoanalyse und Filmtheorie 8 / Imago.) pp. 11 ff.
Index:
Pasolini, Pier Paolo

#225
Mirabile, Andrea: Documentary film as equivalence: Giuseppe Bertolucci’s Pasolini prossimo nostro (2006). In: Studies in Documentary Film 5. 2011. No. 2/3. [?D] pp. 133-144.
Description:
On the documentary dedicated to Pier Paolo Pasolini’s Salò o le 120 giornate di Sodoma.
Index:
Bertolucci, Giuseppe
Pasolini, Pier Paolo
Pasolini prossimo nostro (2006)
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
Dokumentarfilm ~ Documentary Film
Sexualität: Sadomasochismus ~ Sexuality: Sadomasochism

#226
Modrzejewska, E.: Chrystus Pasoliniego: Rewolucjonista, psychoanalitiky? In: Iluzjon 1986. No. 4(24). [?D] pp. 27-36.
Description:
On the representation of the Christ figure in the films of Pier Paolo Pasolinis.
Index:
Pasolini, Pier Paolo
Religion ~ Religion
Psychologie ~ Psychology

#227
Möller, Olaf: Pasolinis Paulus. In: Film-Dienst 67. 2014. No. 19. [September 11] p. 6.
Description:
On the script for Pasolini’s unrealized film project about the Apostle Paul.
Index:
Pasolini, Pier Paolo
Paulus (Apostel)
Religion ~ Religion

#228
Moon, Michael: Arabian Nights: A queer film classic. - Vancouver, British Columbia: Arsenal Pulp Press 2016. (= Queer film classic.)
Index:
Pasolini, Pier Paolo
fiore delle mille e una notte, Il (1974)

#229
Mörchen, Roland: Ein Liebesabenteuer: Pier Paolo Pasolini und die Malerei. In: Film-Dienst 60. 2007. No. 21. [October 11] pp. 18-21.
Index:
Pasolini, Pier Paolo
Kunst ~ Arts, The
Abenteuer ~ Adventure

#230
Mugnai, Metello: Religion reconsidered: The gospel according to the Italian twentieth century. - Chapel Hill, North Carolina: University of North Carolina at Chapel Hill, Ph.D. 2013. [Abstract in: Dissertation Abstracts International A 74. 2014. No. 12. [June] p. ?P.]
Description:
On the representation of religion in the work of Giovanni Papini, Pier Paolo Pasolini, Fabrizio De André, Roberto Rossellini and Giuseppe Berto.
Index:
Papini, Giovanni
Pasolini, Pier Paolo
De André, Fabrizio
Rossellini, Roberto
Berto, Giuseppe
Religion ~ Religion
Italien ~ Italy
Literatur ~ Literature

#231
Murri, Serafino: Pier Paolo Pasolini: Salò o le 120 giornate di Sodoma. - Torino: Lindau 2001. (= Universale: Film 22.)
Index:
Pasolini, Pier Paolo
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)

#232
Nakahara, Tamao: Bawdy tales and veils: The exploitation of sex in post-war Italian cinema (1949-1979). - Berkeley, California: University of California, Berkeley, Ph.D. 2005. [Abstract in: Dissertation Abstracts International A 67. 2006. No. 3. (September) p. 757.]
Description:
Discusses, among others, Federico Fellini’s Il Casanova di Fellini and Pier Paolo Pasolini’s Il Decameron.
Index:
Fellini, Federico
Pasolini, Pier Paolo
Casanova di Fellini, Il (1976)
Decameron, Il / Decameron, Le (1970)
Sexualität ~ Sexuality
Krieg ~ War
Italien ~ Italy
Exploitation ~ Exploitation

#233
Naldini, Nico: "La lumiere est restee gravee dans ma pensee": Enfance et adolescence de Pier Paolo Pasolini. In: Temps Modernes 1993. No. 568. [?D] pp. 11-51.
Description:
On autobiographical elements in Pasolini’s films.
Index:
Pasolini, Pier Paolo
Jugend ~ Youth

#234
Naldini, Nico: Mio cugino Pasolini. - Milano: Bietti 2000. (= Profili e memorie 1.)
Index:
Pasolini, Pier Paolo

#235
Naldini, Nico: Pasolini: Una vita. - Torino: Einaudi 1989. (= Gli Struzzi 353.)
Index:
Pasolini, Pier Paolo

#236
Naldini, Nico: Pier Paolo Pasolini: Eine Biographie. Aus dem Italienischen von Maja Pflug. - Berlin: Verlag Klaus Wagenbach 1991.
First edition:
[Pasolini. - Torino: Einaudi 1989]
Reviews:
Minas, Günter: Pier Paolo Pasolini. In: EPD Film 9. 1992. No. 12. [December] pp. 20-22.
Zwick, Reinhold: Leben als Einmischung. Nico Naldinis neue Pasolini-Biografie. In: Film-Dienst 44. 1991. No. 16. [August 6] pp. 4-7.
Index:
Pasolini, Pier Paolo

#237
Naldini, Nico: Pier Paolo Pasolini. Traduit de l’italien par René De Ceccaty. - Paris: Édition Gallimard 1991. (= NRF biographies.)
First edition:
[Pasolini. - Torino: Einaudi 1989]
Reviews:
Joubert-Laurenzin, Hervé: ppp un peu plus proche. In: Positif 1992. No. 374. [?D] pp. 87-89.
Description:
Biography.
Index:
Pasolini, Pier Paolo

#238
Nannested Jorgensen, Lisbeth: Jesus pa film - en balancegang mellem afmagt og overmod. In: Kosmorama 35. 1989. No. 187. [Spring] pp. 37-41.
Description:
On the jesus figure in film. Discusses, among others, Martin Scorsese’s The Last Temptation of Christ, Pier Paolo Pasolini’s Il vangelo secondo Matteo and Carl Theodor Dreyer’s not realized Jesus film project Jesus fra Nazareth.
Index:
Scorsese, Martin
Pasolini, Pier Paolo
Dreyer, Carl Theodor
Last Temptation of Christ, The (1988)
vangelo secondo Matteo, Il (1964)
Jesus fra Nazareth (o.J.)
Religion ~ Religion

#239
Nemes, Károly: Pier Paolo Pasolini. - Budapest: Múzsák; Budapest: Magyar Filmtodományi Intézet és Filmarchivum 1985.
Index:
Pasolini, Pier Paolo

#240
Neupert, Richard: A canibal’s text: Alternation and embedding in Pasolini’s Pigsty. In: Film Criticism 12. 1988. No. 3. [?D] pp. 46-57.
Description:
On Pasolini’s Porcile.
Index:
Pasolini, Pier Paolo
Porcile (1969)

#241
Nowell-smith, Geoffrey: Pasolini: Religion and sacrifice. In: Religion in contemporary European cinema: The postsecular constellation. Edited by Camil Ungureanu and Costica Bradatan. - New York: Routledge 2014. (= Routledge studies in religion and film 3.) p. ?P.
Index:
Pasolini, Pier Paolo
Opfer ~ Sacrifice
Europa ~ Europe
Religion ~ Religion

#242
Oberzaucher, Sabine: Pier Paolo Pasolinis Theorem Salò o le 120 giornate di Sodoma. - Wien, Universität Wien, Diplomarbeit 1998.
Index:
Pasolini, Pier Paolo
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)

#243
Oedipus - Bett der Gewalt. - Wien: Österreichischer Filmkunstverleih TOP-Film ?J. (= TOP-Filmprogramm 58.)
Index:
Pasolini, Pier Paolo
Edipo Re / Oedipus Rex (1967)

#244
Oedipus - Bett der Gewalt. - Wien: ?V ?J. (= Neues Filmprogramm 5455.)
Index:
Pasolini, Pier Paolo
Edipo Re / Oedipus Rex (1967)

#245
Orr, Christopher: The politics of film form: Observations on Pasolini’s theory and practise. In: Film Criticism 15. 1991. No. 2. [Winter] pp. 38-46.
Index:
Pasolini, Pier Paolo
Politik ~ Politics

#246
Oster, Angela: Die Heiligkeit des Banalen: Religiöse Motive in den Werken des italienischen Filmemachers Pier Paolo Pasolini. In: Evangelische Kommentare 30. 1997. No. 3. [?D] pp. 168-170.
Index:
Pasolini, Pier Paolo
Italien ~ Italy
Religion ~ Religion

#247
Ottawa, Clemens: Die 120 Tage von Sodom (Italien 1975). In: Ottawa, Clemens: Die großen Skandalfilme der Kinogeschichte: 55 Filmporträts - große Aufreger - von den Anfängen bis zur Gegenwart. - Halle: Projekte-Verlag Cornelius 2011. pp. 79 ff.
Description:
On Pier Paolo Pasolini’s Salò o le 120 giornate di Sodoma.
Index:
Pasolini, Pier Paolo
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)

#248
Palaver, Wolfgang: Der tödliche Kampf an der Wegkreuzung: Gewaltgenese bei Sigmund Freud und René Girard im Blick auf Pasolinis Edipo Re. In: Von Ödipus zu Eichmann: Kulturantropologische Voraussetzungen von Gewalt. Hrsg. von Dietmar Regensburger und Christian Wessely. - Marburg: Schüren 2012. (= Film & Theologie 22.) pp. 47 ff.
Index:
Eichmann, Adolf
Pasolini, Pier Paolo
Freud, Sigmund
Girard, René
Edipo Re / Oedipus Rex (1967)
Religion ~ Religion
Gewalt ~ Violence

#249
Parigi, Stefana: Le eresie religiose di Pasolini. In: Tentazione di credere: Il cinema di fronte all’assoluto: Atti del convegno internazionale di studi, Università Roma Tre, Aula magna del rettorato, Roma, 22-23 novembre 2005. - Roma: Ente dello spettacolo 2006. pp. 61 ff.
Index:
Pasolini, Pier Paolo
Religion ~ Religion

#250
Pasolini cinéaste: textes de Pier Paolo Pasolini et interventions et articles de Roland Barthes [et al.]. Réalisation: Alain Bergala et Jean Narboni. - Paris: Cahiers du Cinéma 1981. (= Cahiers du Cinéma, Hors-Série.)
Index:
Pasolini, Pier Paolo

#251
Pasolini e Bologna. A cura di Davide Ferrari e Gianni Scalia. - Bologna: Pendragon 1998.
Index:
Pasolini, Pier Paolo
Bologna ~ Bologna

#252
Pasolini intermedial. Hrsg. von Uta Felten, Franziska Andraschik und Kristin Mlynek-Theil. - Frankfurt/Main: Lang-Edition 2014. (= Romania viva 13.)
Index:
Pasolini, Pier Paolo

#253
Pasolini l’enragé (Pasolini, der Zornige - Protokoll eines Films. In: Pier Paolo Pasolini: Dokumente zur Rezeption seiner Filme in der deutschsprachigen Filmkritik 1963-1985. Redaktion: Michael Hanisch. - Berlin: Freunde der Deutschen Kinemathek 1994. (= Kinemathek 84.) pp. 5-22.
Description:
Rxcerpts from a documentary film by Jean André Fieschi on Pasolini’s work, produced by French TV channel ORTF.
Index:
Pasolini, Pier Paolo
Fieschi, Jean André
Pasolini l’enragé (1966)
Dokumentarfilm ~ Documentary Film
Frankreich ~ France
Fernsehen ~ Television
Deutschland ~ Germany

#254
Pasolini, Pier Paolo: "Et dieu dans tout ça?" In: Cahiers du Cinéma 1998. Numéro Spécial: Cinéma 68. [?D] p. 93.
Index:
Pasolini, Pier Paolo

#255
Pasolini, Pier Paolo: "Ich bin eine Kraft des Vergangenen ..." Briefe 1940-1975. Hrsg. von Nico Naldini. Aus dem Italienischen von Maja Pflug. - Berlin: Verlag Klaus Wagenbach 1991.
Reviews:
Minas, Günter: Pier Paolo Pasolini. In: EPD Film 9. 1992. No. 12. [December] pp. 20-22.
Spieß, Eberhard: Pier Paolo Pasolini. Briefe 1940-1975. In: Film & Fakten 1992. No. 18. [September] p. 26.
Index:
Pasolini, Pier Paolo

#256
Pasolini, Pier Paolo: "L’expérience me donne comme une espèce de mort". In: Cahiers du Cinéma 1992. No. 451. [?D] p. 79.
Index:
Pasolini, Pier Paolo
Frauen ~ Women
Tod ~ Death

#257
Pasolini, Pier Paolo: Correspondance générale 1940-1975. Texte établi et annoté par Nico Naldini. Lettres choisies et traduites de l’italien par René De Ceccaty. - Paris: Édition Gallimard 1991. (= Du monde entire.)
Reviews:
Joubert-Laurenzin, Hervé: ppp un peu plus proche. In: Positif 1992. No. 374. [?D] pp. 87-89.
Index:
Pasolini, Pier Paolo

#258
Pasolini, Pier Paolo: De bloem der 1001 nachten: Skripttekst van de film Il fiore delle mille e una notte van Pier Paolo Pasolini. Nederlandse vert. uit het Italiaans door Naard Loonen. - Amsterdam: Stichting Rode Emma 1990. (= Dilemma 4a.)
Description:
Supplement for Nard Loonen: De magische drie in Il fiore delle mille e una notte van Pier Paolo Pasolini. - Amsterdam 1990.
Index:
Pasolini, Pier Paolo
fiore delle mille e una notte, Il (1974)
Magie ~ Magic

#259
Pasolini, Pier Paolo: Die Erde vom Mond aus gesehen. Aus dem Italienischen von Maria Fehringer. - Wien, Bozen: Folio Verlag 1997. (= Folio Pocket Myzel 2.)
Reviews:
Mörchen, Roland: [untitled] In: Film-Dienst 51. 1998. No. 5. [March 3] p. 34.
Description:
A comic version of Fellini’s La terra vista dalla luna, his contribution for the episode film Le streghe, drawn by the director himself.
Index:
Pasolini, Pier Paolo
terra vista dalla luna, La (1966)
streghe, Le (1966)
Animation: Comics ~ Animation: Comics
Mond ~ Moon

#260
Pasolini, Pier Paolo: Ecrits sur le cinéma: Petits dialogues avec les films, 1957-1974.
Textes réunis par Hervé Joubert-Laurencin. - Paris: Cahiers du Cinéma 2000. (= Petite bibliothèque des "Cahiers du Cinéma" 42.)
First edition:
[I film degli altri.- Parma: Guanda 1996]
Index:
Pasolini, Pier Paolo

#261
Pasolini, Pier Paolo: Geschichten aus der Stadt Gottes. - Berlin: Verlag Klaus Wagenbach 1996.
Index:
Pasolini, Pier Paolo
Stadt ~ City
Religion ~ Religion

#262
Pasolini, Pier Paolo: Große Vögel, kleine Vögel. Aus dem Italienischen von Karin Fleischanderl. Mit einem Aufsatz von Pasolini und einem Dossier von Peter Kammerer. - Berlin: Verlag Klaus Wagenbach 1992.
Reviews:
Minas, Günter: Pier Paolo Pasolini. In: EPD Film 9. 1992. No. 12. [December] pp. 20-22.
Description:
Film script of Uccellaccie e ucellini.
Index:
Pasolini, Pier Paolo
Uccellaccie e ucellini (1965)

#263
Pasolini, Pier Paolo: Heretical empiricism. Translated by Ben K. Lawton and Louise K. Barnett. - Bloomington, Indiana: Indiana University Press 1988.
Index:
Pasolini, Pier Paolo
Religion ~ Religion

#264
Pasolini, Pier Paolo: I film degli altri. A cura di Tullio Kezich. - Parma: Guanda 1996. (= Biblioteca della Fenice.)
Index:
Pasolini, Pier Paolo

#265
Pasolini, Pier Paolo: Il vangelo secondo Matteo: Edipo Re: Medea. Introduzione di Morando Morandini. - Milano: Garzanti 1991. (= Gli Elefanti.)
Description:
Script texts.
Index:
Pasolini, Pier Paolo
vangelo secondo Matteo, Il (1964)
Edipo Re / Oedipus Rex (1967)
Medea (1969)

#266
Pasolini, Pier Paolo: Interviste cursare sulla politica e sulla vita 1955 - 1975. A cura di Michele Gulinucci. - Roma: Liberal Atlantide 1995. (= Liberallibri.)
Index:
Pasolini, Pier Paolo
Politik ~ Politics

#267
Pasolini, Pier Paolo: L’uomo di Bandung / Bandung Man. Translated by Robert S. C. Gordon. In: The scandal of self-contradiction: Pasolini’s multistable subjectivities, geographies, traditions. Edited by Luca Di Blasi, Manuele Gragnolati and Christoph F. E. Holzhey. - Wien; Berlin: Turia + Kant 2012. (= Cultural inquiry 6.) pp. 279 ff.
Index:
Pasolini, Pier Paolo

#268
Pasolini, Pier Paolo: Le regole di un’illusione: I film, il cinema. A cura di Laura Betti e Michele Gulinucci. - Roma: Fondo Pier Paolo Pasolini 1991. (= Quaderni Pier Paolo Pasolini.)
Index:
Pasolini, Pier Paolo

#269
Pasolini, Pier Paolo: Lichter der Vorstädte. Hrsg. von F. Faldini und G. Fofi. Deutsch von Karl Baumgartner und I. Mylo. - Hofheim: Wolke Verlag 1986.
Reviews:
Jeremias, Brigitte: Pasolini, aus der Nähe gesehen. In: EPD Film 4. 1987. No. 4. [April] p. 12.
Index:
Pasolini, Pier Paolo
Stadt ~ City

#270
Pasolini, Pier Paolo: Oedipus Rex: A film. Translated from the Italian by John Mathews. Revised edition. - London: Lorrimer 1984. (= Classic film scripts.)
First edition:
[1971]
Index:
Pasolini, Pier Paolo
Edipo Re / Oedipus Rex (1967)

#271
Pasolini, Pier Paolo: Per il cinema. A cura di Walter Siti e Franco Zabagli. Vol. 1, 2. - Milano: Mondadori 2001. (= Tutte le opere. I Meridiani.)
Index:
Pasolini, Pier Paolo

#272
Pasolini, Pier Paolo: Pierpaolopasolini: Corpi e luoghi. A cura di Michele Mancini e Giuseppe Perrella. - Roma: Theorema Ed. 1981.
Index:
Pasolini, Pier Paolo

#273
Pasolini, Pier Paolo: Reisen in 1001 Nacht. Hrsg. von Peter Kammerer. Nachwort von Dacia Maraini. Aus dem Italienischen von Annette Kopetzki und Dorothea Dieckmann. - Hamburg: Corso 2011. (= Corso 11.)
Index:
Pasolini, Pier Paolo
Nacht ~ Night

#274
Pasolini, Pier Paolo: Rom, andere Stadt: Geschichten und Gedichte. Ausgewählt und übersetzt von Annette Kopetzki und Theresia Prammer. Mit Fotografien von Herbert List. Nachwort von Dorothea Dieckmann. - Hamburg: Corso 2010. (= Corsolibro 1.)
Reviews:
Wach, Alexandra: [untitled.] In: Film-Dienst 64. 2011. No. 4. [February 17] pp. 48-49.
Index:
Pasolini, Pier Paolo
Fotografie ~ Photography
Stadt ~ City

#275
Pasolini, Pier Paolo: Saint Paul: A screenplay. Translated and introduced by Elizabeth A. Castelli. - London; New York: Verso 2014.
Description:
Screenplay for an unrealized film project.
Index:
Pasolini, Pier Paolo
Religion ~ Religion

#276
Pasolini, Pier Paolo: The catholic irrationalism of Fellini. In: Film Criticism 9. 1984. No. 1. [Fall] pp. 63-73.
Index:
Fellini, Federico
Pasolini, Pier Paolo
Religion ~ Religion

#277
Pasolini, Pier Paolo: The catholic irrationalism of Fellini. In: Film Criticism 11. 1986/1987. No. 1/2. [Fall/Winter] pp. 190-200.
Index:
Fellini, Federico
Pasolini, Pier Paolo
Religion ~ Religion

#278
Pasolini, Pier Paolo: The catholic irrationalism of Fellini. In: Perspectives on Federico Fellini. Edited by Peter Bondanella and Cristina Degli-Esposito. - New York: G. K. Hall 1993. pp. 101-109.
Description:
Especially on La dolce vita.
Index:
Fellini, Federico
Pasolini, Pier Paolo
dolce vita, La (1959)
Religion ~ Religion

#279
Pasolini, Pier Paolo: The letters of Pier Paolo Pasolini. Vol. 1: 1940-1954. Translatet from the Italian by Stuart Hood. Edited by Nico Naldini. - London: Quartet Books 1992.
Index:
Pasolini, Pier Paolo

#280
Pasolini, Pier Paolo: Trilogia della vita: Le sceneggiature originali di Il Decameron, I Racconti di canterbury, I Fiore delle mille e una notte. - Milano: Garzanti 1995. (= Gli Elefanti.)
Description:
Film scripts.
Index:
Pasolini, Pier Paolo
Decameron, Il / Decameron, Le (1970)
racconti di Canterbury, I (1971)
fiore delle mille e una notte, Il (1974)

#281
Pasolini: Séminaire dirigé par Maria Antonietta Macciocchi. - Paris: Grasset 1980. (= Figures.)
Index:
Pasolini, Pier Paolo

#282
Passannanti, Erminia: Il Cristo dell’eresia: Rappresentazione del sacro e censura nei film di Pier Paolo Pasolini. - Novi Ligure, Alessandria: Joker 2009. (= Transference.)
Index:
Pasolini, Pier Paolo
Religion ~ Religion

#283
Passeri, Alessio: L’eresia cristiana di Pier Paolo Pasolini: Il rapporto con la cittadella di Assisi. - Milano: Mimesis 2010.
Index:
Pasolini, Pier Paolo
vangelo secondo Matteo, Il (1964)
Religion ~ Religion

#284
Pavelin, Alan: The Gospel According to St. Matthew. In: Pavelin, Alan: Fifty religious films. - Chislehurst, London: Pavelin 1990. pp. 32-33.
Description:
On Pasolini’s Il vangelo secondo Matteo.
Index:
Pasolini, Pier Paolo
vangelo secondo Matteo, Il (1964)
Religion ~ Religion

#285
Peppel, Claudia: The guest: Transfiguring indifference in Teorema. In: The scandal of self-contradiction: Pasolini’s multistable subjectivities, geographies, traditions. Edited by Luca Di Blasi, Manuele Gragnolati and Christoph F. E. Holzhey. - Wien; Berlin: Turia + Kant 2012. (= Cultural inquiry 6.) pp. 105 ff.
Index:
Pasolini, Pier Paolo
Teorema (1968)

#286
Per rileggere Pasolini: Retrospettive cinematografica, Bellinzona, Locarno, Lugano, sett.-nov. 1982. - Bellinzona: Ass. dei Circoli Cinematografici della Svizzera Italiana ACCSI / Circolo del Cinema Bellinzona / Cinedelta Locarno / Rassegna del Cinema Lugano 1982.
Index:
Pasolini, Pier Paolo
Bellinzona ~ Bellinzona
Locarno ~ Locarno

#287
Peterson, Thomas E.: The allegory of repression from Teorema to Salò. In: Italica 73. 1996. No. 2. [?D] pp. 215-232.
Index:
Pasolini, Pier Paolo
Teorema (1968)
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)

#288
Petkovic, Nikola: Re-writing the myth, rereading the life: The universalizing game in Pier Paolo Pasolini’s Edipo Re. In: American Imago 54. 1997. No. 1. [?D] pp. 39-68.
Index:
Pasolini, Pier Paolo
Edipo Re / Oedipus Rex (1967)
Mythologie ~ Mythology

#289
Piccioni, Giuseppe: La tentazione di credere, ripensando a Pasolini. In: Tentazione di credere: Il cinema di fronte all’assoluto: Atti del convegno internazionale di studi, Università Roma Tre, Aula magna del rettorato, Roma, 22-23 novembre 2005. - Roma: Ente dello spettacolo 2006. pp. 73 ff.
Index:
Pasolini, Pier Paolo
Religion ~ Religion

#290
Pier Paolo Pasolini: "mit den Waffen der Poesie". Mitarbeit: Alesando Nigro [et al.]. - Berlin: Akademie der Künste / Berlin: Freunde der deutschen Kinemathek 1994.
Index:
Pasolini, Pier Paolo

#291
Pier Paolo Pasolini - Der heilige Paulus. Hrsg. von Reinhold Zwick und Dagmar Reichardt. Mit einem Geleitwort von Dacia Maraini. Aus dem Italienischen von Dagmar Reichardt. Nachwort von Reinhold Zwick. - Marburg: Schüren 2007.
Reviews:
Hertkorn, Ottmar: [untitled.] In: Medienwissenschaft 2008. No. 1. pp. 81-84.
Mörchen, Roland: [untitled.] In: Film-Dienst 60. 2007. No. 10. [May 10] p. 40.
Description:
On an unrealized film script dealing with the biblical character.
Index:
Pasolini, Pier Paolo
Paulus (Apostel)
Religion ~ Religion

#292
Pier Paolo Pasolini. A cura di Paolo Federico Colusso e Fabrizia da Giau e Angelo Villa. - Venezia: Istituto Universitario di Architettura; Archivio Progetti Angelo Masieri / Pordenone: Biblioteca del’Immagine 1995. (= La Città del Cinema.)
Index:
Pasolini, Pier Paolo

#293
Pier Paolo Pasolini: Contemporary perspectives. Edited by Patrick Rumble and Bart Testa. - ?O: University of Toronto Press ?J (1995).
Index:
Pasolini, Pier Paolo

#294
Pier Paolo Pasolini: Dokumente zur Rezeption seiner Filme in der deutschsprachigen Filmkritik 1963-1985. Redaktion: Michael Hanisch. - Berlin: Freunde der Deutschen Kinemathek 1994. (= Kinemathek 84.)
Reviews:
B., V.: [untitled] In: Film-Dienst 47. 1994. No. 22. [October 25] p. 32.
Index:
Pasolini, Pier Paolo
Deutschland ~ Germany

#295
Pier Paolo Pasolini: Figuratività e figurazione. Catalogo a cura di Duccio Trombadori. - Roma: Carte Segrete 1992.
Index:
Pasolini, Pier Paolo

#296
Pier Paolo Pasolini: Generi e figure. A cura di Neil Novello. - Ancona: Mediateca delle Marche 2001. (= I Quaderni della Mediateca 17.)
Index:
Pasolini, Pier Paolo

#297
Pier Paolo Pasolini: Gesammelte Vorträge. Hrsg. von Hermann H. Wetzel. - Mannheim: Universität Mannheim, Lehrstuhl Romanistik I 1984. (= Mannheim analytiques 2.)
Index:
Pasolini, Pier Paolo

#298
Pier Paolo Pasolini: Im Dialog. Hrsg. von Gerhard Schneider und Peter Bär. - Gießen: Psychosozial-Verlag 2012. (= Psychoanalyse und Filmtheorie 8 / Imago.)
Index:
Pasolini, Pier Paolo

#299
Pier Paolo Pasolini: La forma dello sugardo. - Milano: Charta / Roma: Fondo Pier Paolo Pasolini 1993.
Index:
Pasolini, Pier Paolo

#300
Pier Paolo Pasolini. Mit Beiträgen von Hans-Klaus Jungheinrich [et al.]. 3. ergänzte Auflage. - München; Wien: Hanser 1985. (= Reihe Film 12.)
First edition:
[1977]
Index:
Pasolini, Pier Paolo

#301
Pier Paolo Pasolini oder Die Grenzüberschreitung: Organizzar il trasumanar. A cura di Giuseppe Zigaina e Christa Steinle. - Venezia: Marsilio 1995.
Index:
Pasolini, Pier Paolo

#302
Pier Paolo Pasolini: Testimone problematico del nostro tempo: Il poeta, il narratore, il regista, il giornalista. A cura di Cosimo Camporeale. - Bari: Ladisa 1994. (= Tascabili universali Ladisa 1.)
Index:
Pasolini, Pier Paolo

#303
Pier Paolo Pasolini: Une cinéma de poésie. - Paris: Cahiers du Cinéma 1989.
Index:
Pasolini, Pier Paolo

#304
Pokkinen, Ville: Pyhan Teresan ruumiissa. In: Lähikuva 1994. No. 3. [?D] pp. 10-21.
Description:
On spiritual issues in Pier Paolo Pasolinis bible film Il vangelo secondo Matteo and in his de Sade adaption Salò o le 120 giornate di Sodoma.
Index:
Pasolini, Pier Paolo
Sade, Donatien Alphonse François Marquis de
vangelo secondo Matteo, Il (1964)
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
Religion ~ Religion

#305
Ponzi, Mauri: Pier Paolo Pasolini, Rainer Werner Fassbinder. - Hamburg: Europäische Verlags-Anstalt 1996. (= EVA-Duographien 5.)
Reviews:
Kriest, Ulrich: [untitled] In: Medienwissenschaft 1997. No. 1. pp. 86-87.
Index:
Pasolini, Pier Paolo
Fassbinder, Rainer Werner

#306
Porcile. In: Pier Paolo Pasolini: Dokumente zur Rezeption seiner Filme in der deutschsprachigen Filmkritik 1963-1985. Redaktion: Michael Hanisch. - Berlin: Freunde der Deutschen Kinemathek 1994. (= Kinemathek 84.) pp. 126-132.
Index:
Pasolini, Pier Paolo
Porcile (1969)
Deutschland ~ Germany

#307
Pozzetto, Gabriella: Lo cerco dappertutto: Cristo nei film di Pasolini. - Milano: Àncora 2007.
Description:
Discusses various religious motifs and the representation of Christ - both real and metaphorical - in the films of Pier Paolo Pasolini. Includes a detailed analysis of Il vangelo secondo Matteo.
Index:
Pasolini, Pier Paolo
vangelo secondo Matteo, Il (1964)
Religion ~ Religion

#308
PPP - Pier Paolo Pasolini: Pier Paolo Pasolini and death: In conjunction with the Exhibition PPP - Pier Paolo Pasolini and Death, November 17, 2005 - February 5, 2006, Pinakothek der Moderne, Munich. Edited by Bernhart Schwenk and Michael Semff, with the collaboration of Giuseppe Zigaina. - Ostfildern-Ruit: Hatje Cantz 2005.
Description:
English edition of the exhibition catalogue.
Index:
Pasolini, Pier Paolo
Tod ~ Death
München ~ Munich

#309
PPP - Pier Paolo Pasolini: Pier Paolo Pasolini und der Tod: Anlässlich der Ausstellung "PPP - Pier Paolo Pasolini und der Tod", 17. November 2005 - 5. Februar 2006, Pinakothek der Moderne, München. Hrsg. von Bernhart Schwenk und Michael Semff unter Mitarbeit von Giuseppe Zigaina. - Ostfildern-Ruit: Hatje Cantz 2005.
Reviews:
Schmitz, Norbert M.: [untitled.] In: Medienwissenschaft 2006. No. 4. pp. 462-463.
Description:
Exhibition catalogue.
Index:
Pasolini, Pier Paolo
Tod ~ Death
München ~ Munich

#310
Quirino, Ilario: Pasolini: Sulla strada di Tarso. - Cosenza: Marco 1999. (Le Storie 6.)
First edition:
[1985]
Index:
Pasolini, Pier Paolo

#311
Rabanser, Diana: Pier Paolo Pasolini: La ricotta: Ein Film mit Masaccio, Pontormo und Rosse Fiorentino: Möglichkeiten einer interdisziplinären Filmanalyse. - Innsbruck: Universität Innsbruck, Diplomarbeit 1998.
Index:
Pasolini, Pier Paolo
ricotta, La (1962)

#312
Rail, Veronika: Das entwendete Kino: Revolutionäre Impulse in Pier Paolo Pasolinis La ricotta. In: Leid-Bilder: Die Passionsgeschichte in der Kultur. Hrsg. von Natalie Fritz, Marie-Therese Mäder, Daria Pezzoli-Olgiati und Baldassare Scolari. - Marburg: Schüren 2018. (= Religion, Film und Medien 1.) pp. 108 ff.
Index:
Pasolini, Pier Paolo
ricotta, La (1962)
Religion ~ Religion

#313
Rappaport, Mark: The autobiography of Pier Paolo Pasolini. In: Film Quarterly 56. 2002. No. 1. [Fall] pp. 2-8.
Description:
On the representation of cannibalism in Pier Paolo Pasolini’s Porcile.
Index:
Pasolini, Pier Paolo
Porcile (1969)
Kannibalismus ~ Cannibalism

#314
Ravetto, Kristine Suzanne: The transfiguration of sexual politics from futurism to Salò: The representation of the "femme fatale" and the representation of fascism. - Los Angeles: University of California, Ph.D. 1997. [Abstract in: Dissertation Abstracts International A 58. 1998. No. 8. (February) p. 2888A.]
Index:
Pasolini, Pier Paolo
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
Faschismus ~ Fascism
Sexualität ~ Sexuality
Politik ~ Politics
Futurismus ~ Futurism
Frauen ~ Women

#315
Reck, Hans Ulrich: Pier Paolo Pasolini. - Paderborn: Fink 2010.
Reviews:
Schlott, Wolfgang: [untitled.] In: Medienwissenschaft 2012. No. 1. pp. 81-83.
Index:
Pasolini, Pier Paolo

#316
Regensburger, Dietmar: "Are you still in the mood for killing?" Mimetic rivalry, scapegoating and sacrifice in Hitchcock’s Marnie, Cacoyannis’ Zorba the Greek and Pasolini’s Medea. In: Passions in economy, politics, and the media: In discussion with Christian theology. Edited by Wolfgang Palaver [et al.]. - Wien: Lit 2005. (= Beiträge zur mimetischen Theorie 17.) pp. 363-385.
Index:
Hitchcock, Alfred
Cacoyannis, Michael
Pasolini, Pier Paolo
Marnie (1963/1964)
Zorba, the Greek (1964)
Medea (1969)
Wirtschaft ~ Economy
Politik ~ Politics
Opfer ~ Sacrifice
Religion ~ Religion

#317
Regensburger, Dietmar: Religion(en) und Gewalt: Systematische Reflexionen zu einem aktuellen und brisanten Spannungsfeld im Lichte der mimetischen Theorie René Girards. In: Weltreligionen im Film: Christentum, Islam, Judentum, Hinduismus, Buddhismus. Hrsg. von Joachim Valentin unter Mitarbeit von Matthias Müller. - Marburg: Schüren 2002. (= Film und Theologie 3.) pp. 15-34.
Description:
Discusses, among others, Alfred Hitchcock’s Marnie and Pier Paolo Pasolini’s Medea.
Index:
Girard, René
Hitchcock, Alfred
Pasolini, Pier Paolo
Marnie (1963/1964)
Medea (1969)
Religion ~ Religion
Gewalt ~ Violence
Religion ~ Religion

#318
Reiche, Reimut: Salò: Die 120 Tage von Sodom. In: Pier Paolo Pasolini: Im Dialog. Hrsg. von Gerhard Schneider und Peter Bär. - Gießen: Psychosozial-Verlag 2012. (= Psychoanalyse und Filmtheorie 8 / Imago.) pp. 89 ff.
Index:
Pasolini, Pier Paolo
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
Sexualität ~ Sexuality

#319
Reichegger, Angelika: Das literarische Werk- und Filmschaffen des Pier Paolo Pasolini im Spiegel der zeitgenössischen italienischen Wirklichkeit. - Salzburg: Universität Salzburg, Diplom-Arbeit 1992. [Zusammenfassung in italienischer Sprache.]
Index:
Pasolini, Pier Paolo
Italien ~ Italy

#320
Reinard, Silvio: Inseguiva la fede senza saperlo. In: Filmcronache ?G. 1995. No. 52. [November/December] pp. 9-11.
Index:
Pasolini, Pier Paolo
Religion ~ Religion

#321
Renick, Kyle: For Christ’s sake. In: Film Score Monthly 9. 2004. No. 3. [March] pp. 18-48.
Description:
On music for films dealing with Jesus Christ, among them Nicholas Ray’s King of Kings, Pier Paolo Pasolini’s Il vangelo secondo Matteo, Franco Zeffirelli’s Gesù di Nazareth, Martin Scorsese’s The Last Temptation of Christ and Mel Gibson’s The Passion of the Christ.
Index:
Ray, Nicholas
Pasolini, Pier Paolo
Zeffirelli, Franco
Scorsese, Martin
Gibson, Mel
King of Kings (1961)
vangelo secondo Matteo, Il (1964)
Gesù di Nazareth / Jesus of Nazareth (1976)
Last Temptation of Christ, The (1988)
Passion of the Christ, The (2004)
Religion ~ Religion
Musik ~ Music

#322
Repetto, Antonio: Invito al cinema di Pier Paolo Pasolini. - Milano: Mursia 1998. (= Invito al cinema 9.)
Index:
Pasolini, Pier Paolo

#323
Restivo, Angelo: The cinema of economic miracles. - Los Angeles, California: University of Southern California, Ph.D. 1997. [Abstract in: Dissertation Abstracts International A 58. 1998. No. 11. (May) p. 4107A.]
Description:
On 1960s Italian cinema, especially on the films by Pier Paolo Pasolini.
Index:
Pasolini, Pier Paolo
Wirtschaft ~ Economy
Wunder ~ Miracles
Italien ~ Italy

#324
Retrospektive Pier Paolo Pasolini, Februar / März 2011, Filmclub 813 Köln, Filmmuseum Düsseldorf. - Köln: Filmclub 813 / Düsseldorf: Filmmuseum Düsseldorf 2011.
Index:
Pasolini, Pier Paolo
Köln ~ Cologne
Düsseldorf ~ Dusseldorf

#325
Rhodes, John David: Pasolini’s exquisite flowers: The "cinema of poetry" as a theory of art cinema. In: Global art cinema: New theories and histories. Edited by Rosalind Galt and Karl Schoonover. - New York: Oxford University Press 2010. p. ?P.
Index:
Pasolini, Pier Paolo
Experimentalfilme ~ Experimental Films
Kunst ~ Arts, The

#326
Rhodie, Sam: The passion of Pier Paolo Pasolini. - London: British Film Institute Publishing / Bloomington, Indiana: Indiana University Press ?J (1996)
Index:
Pasolini, Pier Paolo

#327
Ricciardi, Alessia: Umanesimo e ideologia: Pasolini e la genealogia intelletuale del film Appunti per un Orestiade africana. In: Forum Italicum 34. 2000. No. 2. [?D] pp. 501-517.
Index:
Pasolini, Pier Paolo
Appunti per un film sull’India (1967/1968)
Politik ~ Politics

#328
La ricotta (Der Weichkäse, Pier Paolo Pasolini, IT/FR 1962). In: Leid-Bilder: Die Passionsgeschichte in der Kultur. Hrsg. von Natalie Fritz, Marie-Therese Mäder, Daria Pezzoli-Olgiati und Baldassare Scolari. - Marburg: Schüren 2018. (= Religion, Film und Medien 1.) p. 87.
Index:
Pasolini, Pier Paolo
ricotta, La (1962)
Religion ~ Religion

#329
La ricotta. In: Pier Paolo Pasolini: Dokumente zur Rezeption seiner Filme in der deutschsprachigen Filmkritik 1963-1985. Redaktion: Michael Hanisch. - Berlin: Freunde der Deutschen Kinemathek 1994. (= Kinemathek 84.) pp. 56-61.
Index:
Pasolini, Pier Paolo
ricotta, La (1962)
Deutschland ~ Germany

#330
Rigoletto, Sergio: Masculinity and Italian cinema: Sexual politics, social conflict and male crisis in the 1970s. - Edinburgh: Edinburgh University Press 2014.
Description:
Includes the chapter "Pier Paolo Pasolini’s erotic imagery and the significance of the male body."
Index:
Pasolini, Pier Paolo
Sexualität ~ Sexuality
Männer ~ Men
Körper ~ Bodies
Italien ~ Italy

#331
Rinaldini, Rinaldo: Pier Paolo Pasolini. - Milano: Mursia 1982. (= Civiltà letteraria del novecento: Profili 40.)
Index:
Pasolini, Pier Paolo

#332
Rocha, Glauber: Pier Paolo Dieu et diable. In: Trafic 1999. No. 29. [Spring] pp. 126-130.
Index:
Pasolini, Pier Paolo
Religion ~ Religion

#333
Rohdie, Sam: Pasolini, le populisme et le néoréalisme. In: Le néoréalisme italien. Dirigée par René Prédal. (= Cinémaction 1994. No. 70. [?D]) pp. 212-222.
Index:
Pasolini, Pier Paolo
Italien ~ Italy

#334
Rohdie, Sam: The passion of Pier Paolo Pasolini. - Bloomington, Indiana; London: British Film Institute Publishing 1995.
Reviews:
Viano, Maurizio: [untitled] In: Cineaste 22. 1997. No. 4. [?D] pp. 65-66.
Index:
Pasolini, Pier Paolo

#335
Rohdie, Sam: The passion of Pier Paolo Pasolini. - Bloomington, Indiana: Indiana University Press 1996.
Reviews:
Konstantarakos, Myrto: [untitled] In: Historical Journal of Film, Radio and Television NS 17. 1997. No. 2. [?D] pp. 284-286.
Viano, Maurizio: Who is killing Pasolini? Two books and two films show how to keep him alive. In: Film Quarterly 51. 1998. No. 4. [Summer] pp. 21-27.
Index:
Pasolini, Pier Paolo

#336
Rojo, Violeta: Eisenstein, Pasolini y Roa Bastos: Realidad, ficcion y tiempo en el cine y la literatura. In: Escritura 15. 1990. No. 30. [?D] pp. 389-399.
Index:
Pasolini, Pier Paolo
Eisenstein, Sergei Mikhailovich
Roa Bastos, Augusto
Literatur ~ Literature

#337
Roschy, Birgit: Das dreckige Dutzend. In: EPD Film 25. 2008. No. 8. [August] pp. 30-35.
Description:
On films that caused controversial public debates. Includes chapters on Ingmar Bergman’s Tystnaden, Michael Powell’s Peeping Tom, Pier Paolo Pasolini’s Salò, Oliver Stone’s Natural Born Killers and Mel Gibson’s The Passion of the Christ.
Index:
Bergman, Ingmar
Powell, Michael
Pasolini, Pier Paolo
Stone, Oliver
Gibson, Mel
Tystnaden (1963)
Peeping Tom (1959)
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
Natural Born Killers (1994)
Passion of the Christ, The (2004)

#338
Rossi, Flavia: Edipo Re: Sofocle e Pasolini. - Roma: EDAV 1992. (= Letteratura e cinema.)
Index:
Pasolini, Pier Paolo
Sophocles
Edipo Re / Oedipus Rex (1967)

#339
Rumble, Patrick Allen: "La trilogia della vita": Pier Paolo Pasolini’s schermo eloquio. - ?O: University of Toronto (Canada), Ph.D. 1991. [Abstract in: Dissertation Abstracts International A 53. 1993. No. 8. (February) p. 2581A.]
Description:
On Pasolini’s "Trilogy of Life": Il Decameron, I racconti di Canterbury and Il fiore delle mille e una notte.
Index:
Pasolini, Pier Paolo
Decameron, Il / Decameron, Le (1970)
racconti di Canterbury, I (1971)
fiore delle mille e una notte, Il (1974)

#340
Rumble, Patrick Allen: Allegories of contamination: Pier Paolo Pasolini’s "Trilogy of Life". - Toronto: University of Toronto Press 1996. (= Toronto Italian Studies.)
Reviews:
Viano, Maurizio: [untitled] In: Cineaste 22. 1997. No. 4. [?D] pp. 65-66.
Viano, Maurizio: Who is killing Pasolini? Two books and two films show how to keep him alive. In: Film Quarterly 51. 1998. No. 4. [Summer] pp. 21-27.
Description:
On Pasolini’s "Trilogy of Life": Il Decameron, I racconti di Canterbury and Il fiore delle mille e una notte.
Index:
Pasolini, Pier Paolo
Decameron, Il / Decameron, Le (1970)
racconti di Canterbury, I (1971)
fiore delle mille e una notte, Il (1974)

#341
Russo, Vittorio: L’abiura dalla "Trilogia della vita" di Pier Paolo Pasolini. In: Modern Language Notes 108. 1993. No. 1. [?D] pp. 140-151.
Description:
On Pasolini’s "Trilogy of Life": Il Decameron, I racconti di Canterbury and Il fiore delle mille e una notte.
Index:
Pasolini, Pier Paolo
Decameron, Il / Decameron, Le (1970)
racconti di Canterbury, I (1971)
fiore delle mille e una notte, Il (1974)

#342
Rustemeyer, Dirk: Darstellung: Philosophie des Kinos. - Weilerswist: Velbrück 2013.
Description:
Discusses, among others, Francis Ford Coppola’s Apocalypse Now, Christopher Nolan’s The Dark Knight and Pier Paolo Pasolini’s Il vangelo secondo Matteo.
Index:
Coppola, Francis Ford
Nolan, Christopher
Pasolini, Pier Paolo
Apocalypse Now (1976-1979)
Dark Knight, The (2008)
vangelo secondo Matteo, Il (1964)
Religion ~ Religion
Philosophie ~ Philosophy

#343
Ryan, Colleen Marie: Motherhood and myth: Female figures in the cinema of Pier Paolo Pasolini. - Bloomington, Indiana: Indiana University, Ph.D. 1997. [Abstract in: Dissertation Abstracts International A 58. 1998. No. 8. [February] p. 3154.]
Index:
Pasolini, Pier Paolo
Mythologie ~ Mythology
Mutter ~ Mothers
Frauen ~ Women
Religion ~ Religion

#344
Ryan, Colleen Marie: Salvaging the sacred: Female subjectivity in Pasolini’s Medea. In: Italica 76. 1999. No. 2. [?D] pp. 193-200.
Index:
Pasolini, Pier Paolo
Medea (1969)
Religion ~ Religion
Frauen ~ Women

#345
Saló, o Le 120 giornate di Sodoma: Un film di Pier Paolo Pasolini. A cura di Roberto Chiesi. - Bologna: Cineteca di Bologna 2015. (= Il cinema ritrovato.)
Index:
Pasolini, Pier Paolo
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)

#346
Salò: El infierno según Pasolini. Ed. de Mariano Maresca y Juan Ignacio Mendiguchía. - Córdoba: Filmoteca de Córdoba 1994.
Index:
Pasolini, Pier Paolo
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)

#347
Salò o le 120 giornate di Sodoma. In: Pier Paolo Pasolini: Dokumente zur Rezeption seiner Filme in der deutschsprachigen Filmkritik 1963-1985. Redaktion: Michael Hanisch. - Berlin: Freunde der Deutschen Kinemathek 1994. (= Kinemathek 84.) pp. 165-181.
Index:
Pasolini, Pier Paolo
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
Deutschland ~ Germany

#348
Salvage, David: A psychoanalytic consideration of Pasolini’s Salo. In: Journal of the American Academy of Psychoanalysis & Dynamic Psychiatry 33. 2005. No. 1. [Spring] pp. 83-96.
Index:
Pasolini, Pier Paolo
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
Psychologie ~ Psychology
Sexualität: Sadomasochismus ~ Sexuality: Sadomasochism

#349
Sanchez Biosca, Vicente: La répresentation du corps au cinéma. In: Cinémas 7. 1996. No. 1/2. [Autumn] pp. 5-184.
Description:
Special volume on the representation of the body in film. Discusses, among others, David Cronenberg’s Videodrome, the Alien films and the films of Tex Avery and Pier Paolo Pasolini.
Index:
Cronenberg, David
Avery, Tex
Pasolini, Pier Paolo
Videodrome (1982)
Alien (Filmreihe)
Körper ~ Bodies

#350
Sarenac, Bojan: Das Groteske. - Köln: Universität Köln, Diplomarbeit 2010.
Index:
Pasolini, Pier Paolo
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)

#351
Sarenac, Bojan: Die Macht des Grotesken: Dekonstruktion des kulturellen Wertesystems im Film Salò oder die 120 Tage von Sodom. - Hamburg: Bachelor + Master Publishing 2013. (= Diplomarbeit.)
Index:
Pasolini, Pier Paolo
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)

#352
Scalia, Gianni: La mania della verità: Dialogo con Pier Paolo Pasolini. - Bologna: Capelli 1978. (= Indiscipline 6.)
Index:
Pasolini, Pier Paolo

#353
The scandal of self-contradiction: Pasolini’s multistable subjectivities, geographies, traditions. Edited by Luca Di Blasi, Manuele Gragnolati and Christoph F. E. Holzhey. - Wien; Berlin: Turia + Kant 2012. (= Cultural inquiry 6.)
Reviews:
Bürgel, Matthias: [untitled.] In: Medienwissenschaft 2014. No. 1. pp. 57-59.
Index:
Pasolini, Pier Paolo

#354
Die Schachtel und das Sofa: Gespräch mit Laura Betti. In: Pier Paolo Pasolini: Dokumente zur Rezeption seiner Filme in der deutschsprachigen Filmkritik 1963-1985. Redaktion: Michael Hanisch. - Berlin: Freunde der Deutschen Kinemathek 1994. (= Kinemathek 84.) pp. 23-27.
Description:
Interview with the actress on her collaboration with Pier Paolo Pasolini.
Index:
Pasolini, Pier Paolo
Betti, Laura
Deutschland ~ Germany

#355
Schneider, Gerhard: Eros, Kultur, Tod: Zu Pier Paolo Pasolinis Teorema. In: Pier Paolo Pasolini: Im Dialog. Hrsg. von Gerhard Schneider und Peter Bär. - Gießen: Psychosozial-Verlag 2012. (= Psychoanalyse und Filmtheorie 8 / Imago.) pp. 73 ff.
Index:
Pasolini, Pier Paolo
Teorema (1968)
Tod ~ Death
Sexualität ~ Sexuality

#356
Schönheit und Schrecken: Entsetzen, Gewalt und Tod in alten und neuen Medien. Hrsg. von Peter Gendolla und Carsten Zelle. - Heidelberg: Carl Winter Universitätsverlag 1990 (= Reihe Siegen 72.).
Reviews:
Grunder, Hans-Ulrich: Horror und Faszination. In: Medien und Erziehung 35. 1991. No. 3. [?D] pp. 174-175.
Winter, Rainer: [untitled] In: Medienwissenschaft 1991. No. 1. pp. 24-26.
Description:
Includes an article on Pier Paolo Pasolini’s Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome.
Index:
Pasolini, Pier Paolo
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
Tod ~ Death
Gewalt ~ Violence
Angst ~ Fear

#357
Schwartz, Barth David: Pasolini requiem. - New York: Pantheon Books 1991.
Index:
Pasolini, Pier Paolo

#358
Schwartz, Barth David: Pasolini requiem. - London: Vintage Books 1995.
First edition:
[New York: Pantheon Books 1991]
Reviews:
Turner, george: [untitled] In: American Cinematographer 77. 1996. No. 3. [March] p. 99.
Index:
Pasolini, Pier Paolo

#359
Schwartz, Barth David: Pasolini requiem. A cura di Paolo Barlera. - Venezia: Marsilio 1995.
First edition:
[New York: Pantheon Books 1991]
Index:
Pasolini, Pier Paolo

#360
Schwartz, Barth David: Pasolini requiem: Een biografie. - Amsterdam: Meulenhoff 1992.
First edition:
[New York: Pantheon Books 1991]
Index:
Pasolini, Pier Paolo

#361
Schweitzer, Otto: Pier Paolo Pasolini in Selbstzeugnissen und Bilddokumenten. 4. Auflage. - Reinbek: Rowohlt 2000. (= Rowohlts Monografien 50354.)
First edition:
[1986]
Index:
Pasolini, Pier Paolo

#362
Schweitzer, Otto: Pier Paolo Pasolini in Selbstzeugnissen und Bilddokumenten. - Reinbek: Rowohlt 1986. (= Rowohlts Monografien 354.)
Reviews:
Fischer-Kesselmann, Heidemarie: [untitled] In: Medienwissenschaft 1987. No. 3. pp. 351-354.
Witte, Karsten: Pasolinis Werk, Pasolinis Tod. In: EPD Film 3. 1986. No. 12. [December] pp. 10-11.
Index:
Pasolini, Pier Paolo

#363
La sequenza del fiore di carta. In: Pier Paolo Pasolini: Dokumente zur Rezeption seiner Filme in der deutschsprachigen Filmkritik 1963-1985. Redaktion: Michael Hanisch. - Berlin: Freunde der Deutschen Kinemathek 1994. (= Kinemathek 84.) p. 124.
Description:
On Pasolini’s episode for Amore e rabbia / Vangelo ’70.
Index:
Pasolini, Pier Paolo
sequenza del fiore di carta, La (1968/1969)
Amore e rabbia / Vangelo ’70 (1968/1969)
Deutschland ~ Germany

#364
Shattuck, Roger: Rehabilitating a prophet. In: Salmagundi ?G. 1996. No. 111. [Summer] pp. 123-143.
Index:
Pasolini, Pier Paolo
Sade, Donatien Alphonse François Marquis de
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
Sexualität: Sadomasochismus ~ Sexuality: Sadomasochism

#365
Siciliano, Enzo: Pasolini: A biography. - New York: Random House 1982.
First edition:
[Vita di Pasolini. - Milano: Rizzoli 1978]
Index:
Pasolini, Pier Paolo

#366
Siciliano, Enzo: Pasolini: A biography. Translated by John Shepley. - London: Bloomsbury 1987.
First edition:
[Vita di Pasolini. - Milano: Rizzoli 1978]
Index:
Pasolini, Pier Paolo

#367
Siciliano, Enzo: Pasolini: Leben und Werk. - München: Heyne Verlag 1996. (= Heyne Filmbibliothek.)
First edition:
[Vita di Pasolini. - Milano: Rizzoli 1978]
Index:
Pasolini, Pier Paolo

#368
Siciliano, Enzo: Pasolini: Leben und Werk. - München: List Taschenbuch Verlag 2000. (= List Taschenbuch 65101.)
First edition:
[Vita di Pasolini. - Milano: Rizzoli 1978]
Index:
Pasolini, Pier Paolo

#369
Siciliano, Enzo: Pasolini: Leben und Werk. 2. Auflage. - Weinheim: Beltz & Gelberg 1981.
First edition:
[Vita di Pasolini. - Milano: Rizzoli 1978]
Index:
Pasolini, Pier Paolo

#370
Siciliano, Enzo: Pasolini: Leben und Werk. Aus dem Italienischen von Christel Galliani. - Weinheim: Beltz Quadriga 1994.
First edition:
[Vita di Pasolini. - Milano: Rizzoli 1978]
Index:
Pasolini, Pier Paolo

#371
Siciliano, Enzo: Pasolini: Sein Leben und Werk. - Weinheim: Beltz 1980.
First edition:
[Vita di Pasolini. - Milano: Rizzoli 1978]
Index:
Pasolini, Pier Paolo

#372
Siciliano, Enzo: Pasolini: Sein Leben und Werk. - Frankfurt/M.: Fischer 1985. (= Fischer Taschenbuch 5643.)
First edition:
[Vita di Pasolini. - Milano: Rizzoli 1978]
Index:
Pasolini, Pier Paolo

#373
Siciliano, Enzo: Pasolini: Une vie. - Paris: Edition de la Différence 1984. (= Essais.)
First edition:
[Vita di Pasolini. - Milano: Rizzoli 1978]
Index:
Pasolini, Pier Paolo

#374
Siciliano, Enzo: Vita di Pasolini. - Firenze: Giunti 1995. (= Narratori Giunti.)
First edition:
[Milano: Rizzoli 1978]
Index:
Pasolini, Pier Paolo

#375
Sihvonen, Jukka: Paoloidipus. In: Filmihullu 1993. No. 2. [?D] pp. 12-13.
Description:
Psychological examination of Pasolini’s Edipo Re.
Index:
Pasolini, Pier Paolo
Edipo Re / Oedipus Rex (1967)
Psychologie ~ Psychology

#376
Sihvonen, Jukka Veli: Exceeding the limits: On the poetics and politics of audiovisuality. - ?O: Turun Yliopisto (Finland), Ph.D. 1991. [Abstract in: Dissertation Abstracts International C 52. 1991. No. 4. (Winter) p. 2036C.]
Description:
On the filmic techniques of Jean-Luc Godard and Pier Paolo Pasolini.
Index:
Godard, Jean-Luc
Pasolini, Pier Paolo
Politik ~ Politics
Technik ~ Technology

#377
Sinhoven, J.: Poetika a politika tela (A co je za tim). In: Film a Doba 38. 1992. No. 4. [Winter] pp. 212-218.
Description:
On the representation of the body in the late films of Pier Paolo Pasolini.
Index:
Pasolini, Pier Paolo
Politik ~ Politics
Körper ~ Bodies

#378
Sitney, P. Adams: Vital crises in Italian cinema: Iconography, stylistics, politics. - Austin, Texas: University of Texas Press 1995.
Reviews:
Greene, Naomi: [untitled] In: Film Quarterly 50. 1997. No. 3. [Spring] pp. 55-56.
Description:
Discusses, among others, the films of Pier Paolo Pasolini and Federico Fellini.
Index:
Pasolini, Pier Paolo
Fellini, Federico
Politik ~ Politics
Italien ~ Italy

#379
Snyder, Stephen: Pier Paolo Pasolini. - Boston: Twayne 1980. (= Twayne’s Theatrical Arts.)
Index:
Pasolini, Pier Paolo

#380
Solovieva, Olga V.: Christ’s subversive body: Practices of religious rhetoric in culture and politics. - Evanston, Illinois: Northwestern University Press 2018.
Description:
Includes a chapter "The scene of Christ, or the cinematic body of Pier Paolo Pasolini".
Index:
Pasolini, Pier Paolo
Religion ~ Religion
Politik ~ Politics
Körper ~ Bodies

#381
Sopraluoghi in Palestina (per Il vangelo secondo Matteo). In: Pier Paolo Pasolini: Dokumente zur Rezeption seiner Filme in der deutschsprachigen Filmkritik 1963-1985. Redaktion: Michael Hanisch. - Berlin: Freunde der Deutschen Kinemathek 1994. (= Kinemathek 84.) p. 70.
Description:
On the film about Pasolini’s motif search for Il vangelo secondo Matteo, shot with a hand camera.
Index:
Pasolini, Pier Paolo
Sopraluoghi in Palestina (per Il vangelo secondo Matteo) (1963)
vangelo secondo Matteo, Il (1964)
Technik: Kamera ~ Technology: Camera
Deutschland ~ Germany

#382
Spiegel, Robert Alan: The rape of innocence: History and myth in the work of Pier Paolo Pasolini, 1958-1966. - Los Angeles, California: University of California at Los Angeles, Ph.D. 1985. [Abstract in: Dissertation Abstracts International A 46. 1985. No. 6. (December) pp. 1423A-1424A.]
Index:
Pasolini, Pier Paolo
Geschichte ~ History
Vergewaltigung ~ Rape
Mythologie ~ Mythology

#383
Spila, Piero: Pier Paolo Pasolini. - Roma: Gremese 1999. (= I Grandi del cinema.)
Index:
Pasolini, Pier Paolo

#384
Spila, Piero: Pier Paolo Pasolini. Neubearbeitete Ausgabe. - Roma: Gremese / Marburg: Schüren2002. (= Berühmte Filmregisseure.)
First edition:
[Roma: Gremese 1999]
Index:
Pasolini, Pier Paolo

#385
Spirito laico e spirito religioso nei linguaggi della contemporaneità. Presentazione e cura di Loreta de Stasio e José María Nadal. - Bari: Edizioni Giuseppe Laterza 2015. (= Collana "Nel segno": Nuova serie 3.)
Index:
Pasolini, Pier Paolo
Religion ~ Religion
Italien ~ Italy

#386
Staley, Jeffrey Lloyd / Walsh, Richard: Jesus, the Gospels, and cinematic imagination: A handbook to Jesus on DVD. - Louisville, Kentucky: Westminster John Knox Press 2007.
Reviews:
Greenspoon, Leonard: Jesus in movies. In: Biblical Archaeology Review 34. 2008. No. 6. [November/December] pp. 78-80.
Description:
Discusses La vie et la passion de Jesus-Christ by Lucien Nonguet and Ferdinand Zecca, Sydney Olcott’s From the Manger to the Cross, David Wark Griffith’s Intolerance, Cecil Blount DeMille’s The King of Kings, Nicholas Ray’s King of Kings, Pier Paolo Pasolini’s Il vangelo secondo Matteo, George Stevens’s The Greatest Story Ever Told, Norman Jewison’s Jesus Christ Superstar, David Greene’s Godspell, Franco Zeffirelli’s Gesù di Nazareth, Jesus by John Heyman, Peter Sykes and John Kirsh, Terry Jones’s Monty Python’s Life of Brian, Martin Scorsese’s The Last Temptation of Christ, Denys Arcand’s Jésus de Montréal, Roger Young’s Jesus, The Miracle Maker by Derek W. Hayes and Stanislav Sokolov, Philip Saville’s The Visual Bible: The Gospel of John and Mel Gibson’s The Passion of the Christ.
Index:
Nonguet, Lucien
Zecca, Ferdinand
Olcott, Sydney
Griffith, David Wark
DeMille, Cecil Blount
Ray, Nicholas
Pasolini, Pier Paolo
Stevens, George
Jewison, Norman
Greene, David
Zeffirelli, Franco
Heyman, John
Sykes, Peter
Kirsh, John
Jones, Terry
Scorsese, Martin
Arcand, Denys
Young, Roger
Hayes, Derek W.
Sokolov, Stanislav
Saville, Philip
Gibson, Mel
vie et las passion de Jesus-Christ, La (1902-1905)
From the Manger to the Cross (1912)
Intolerance: Love’s Struggle Througout the Ages (1916)
King of Kings, The (1927)
King of Kings (1961)
vangelo secondo Matteo, Il (1964)
Greatest Story Ever Told, The (1963)
Jesus Christ Superstar (1972)
Godspell (1973)
Gesù di Nazareth / Jesus of Nazareth (1976)
Jesus (1979)
Monty Python’s Life of Brian (1979)
Last Temptation of Christ, The (1988)
Jésus de Montréal (1989)
Bibel, Die - Jesus / Jesus (1999)
Miracle Maker, The (2000)
Visual Bible, The: The Gospel of John (2003)
Passion of the Christ, The (2004)
Religion ~ Religion
DVD ~ DVD

#387
Steimatsky, Noa: Pasolini on terra sancta: Towards a theology of film. In: The Yale Journal of Criticism 11. 1998. No. 1. [?D] pp. 239-258.
Index:
Pasolini, Pier Paolo
vangelo secondo Matteo, Il (1964)
Religion ~ Religion

#388
Steimatsky, Noa: Pasolini on Terra Sancta: Towards a theology of film. In: Rites of realism: Essays on corporeal cinema. Edited by Ivone Margulies. - Durham, North Carolina; London: Duke University Press 2003. pp. 245-269.
Description:

Index:
Pasolini, Pier Paolo
Religion ~ Religion
Körper ~ Bodies

#389
Steimatsky, Noa: The earth figured: An exploration of landscapes in Italian cinema. - New York: New York University, Ph.D. 1995. [Abstract in: Dissertation Abstracts International A 56. 1996. No. 10. (April) p. 3778A.]
Description:
Discusses, among others, Pier Paolo Pasolini’s Il vangelo secondo Matteo.
Index:
Pasolini, Pier Paolo
vangelo secondo Matteo, Il (1964)
Natur ~ Nature
Italien ~ Italy

#390
Stiglegger, Marcus: "Ach, meine nackten Füße ...": Pasolinis Film Teorema als Nullpunkt des Bürgertums. In: Pier Paolo Pasolini: Im Dialog. Hrsg. von Gerhard Schneider und Peter Bär. - Gießen: Psychosozial-Verlag 2012. (= Psychoanalyse und Filmtheorie 8 / Imago.) pp. 65 ff.
Index:
Pasolini, Pier Paolo
Teorema (1968)

#391
Stiglegger, Marcus: Sadiconazista: Faschismus und Sexualität im Film. - St. Augustin: Gardez! Verlag 1999. (= Filmstudien 10.)
Reviews:
Keilbach, Judith: [untitled] In: Medienwissenschaft 2000. No. 3. pp. 358-359.
Messias, Hans: [untitled] In: Film-Dienst 53. 2000. No. 16. [August 1] p. 35.
Stiglegger, Marcus: Gegen-Rede. In: Medienwissenschaft 2000. No. 4. pp. 420-421. (= Antwort auf die Kritik von Judith Keilbach.)
Description:
Discusses, among others, Pier Paolo Pasolini’s Salò o le 120 giornate di Sodoma.
Index:
Pasolini, Pier Paolo
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
Faschismus ~ Fascism
Sexualität ~ Sexuality
Politik ~ Politics

#392
Stone, Mirto Golo: Pier Paolo Pasolini, o: per la morale del pensiero. In: Nuovi Argomenti 1991. No. 40. [?D] pp. 36-42.
Description:
On the importance of Theodor W. Adorno’s theories and the philosophy of the "Frankfurter Schule" for Pasolini’s Teorema.
Index:
Pasolini, Pier Paolo
Adorno, Theodor W[iesengrund]
Teorema (1968)
Pädagogik ~ Paedagogy
Philosophie ~ Philosophy
Frankfurt/Main ~ Frankfurt on the Main

#393
Strauss, Joulia: Mythisnow-pasoliniandeuropetoday. In: The scandal of self-contradiction: Pasolini’s multistable subjectivities, geographies, traditions. Edited by Luca Di Blasi, Manuele Gragnolati and Christoph F. E. Holzhey. - Wien; Berlin: Turia + Kant 2012. (= Cultural inquiry 6.) pp. 303 ff.
Index:
Pasolini, Pier Paolo
Mythologie ~ Mythology
Europa ~ Europe

#394
Subini, Tomaso: Il dialogo tra Pier Paolo Pasolini e la Pro Civitate Christiana sulla sceneggiatura de Il Vangelo secondo Matteo. In: Attraverso lo schermo: Cinema e cultura cattolica in Italia. A cura di Ruggero Eugeni e Dario E. Viganò. Vol. 2: Dagli anni trenta agli anni sessanta. - Roma: EDS 2006. (= Frames.) pp. 223 ff.
Index:
Pasolini, Pier Paolo
vangelo secondo Matteo, Il (1964)
Italien ~ Italy
Religion ~ Religion

#395
Subini, Tomaso: La chiesa e l’usignolo. In: Bianco e Nero 64. 2003. No. ?N(547). [Winter] pp. 264-292.
Description:
On religious motifs in Uccellacci e uccellini.
Index:
Pasolini, Pier Paolo
Uccellaccie e ucellini (1965)
Religion ~ Religion

#396
Subini, Tomaso: La necessità di morire: Il cinema di Pier Paolo Pasolini e il sacro. - Roma: Ente dello spettacolo 2007.
Index:
Pasolini, Pier Paolo
Religion ~ Religion

#397
Subini, Tomaso: Pasolini e la Pro Civitate Christiana: Un carteggio inedito. In: Bianco e Nero 64. 2003. No. ?N(547). [Winter] pp. 252-262.
Description:
On the 1960s correspondance between Pier Paolo Pasolini and the Christian organisation "Pro Civitate Christiana" based in Assisi.
Index:
Pasolini, Pier Paolo
Religion ~ Religion

#398
Taillibert, Christel: Théorème. In: Cinémaction 2002. No. 103. [March] pp. 92-97.
Description:
On the conflicts over Pasolini’s Teorema.
Index:
Pasolini, Pier Paolo
Teorema (1968)

#399
Taszman, Jörg: Ein unbequemer Künstler: Die Pier Paolo Pasolini Collection stellt das Frühwerk des Regisseurs vor. In: EPD Film 25. 2008. No. 8. [August] p. 58.
Index:
Pasolini, Pier Paolo

#400
Taviani, Paolo / Taviani, Vittorio: Souvenir de Pasolini. Traduit de l’italien par Paul Louis Thirard. In: Positif 1994. No. 400. [?D] pp. 140-141.
Index:
Pasolini, Pier Paolo
Taviani, Paolo
Taviani, Vittorio

#401
Teorema - Skandal in Mailand. - Wien: Österreichischer Filmkunstverleih TOP-Film ?J. (= TOP-Filmprogramm 78.)
Index:
Pasolini, Pier Paolo
Teorema (1968)

#402
Teorema. In: Pier Paolo Pasolini: Dokumente zur Rezeption seiner Filme in der deutschsprachigen Filmkritik 1963-1985. Redaktion: Michael Hanisch. - Berlin: Freunde der Deutschen Kinemathek 1994. (= Kinemathek 84.) pp. 111-123.
Index:
Pasolini, Pier Paolo
Teorema (1968)
Deutschland ~ Germany

#403
La terra vista dalla luna. In: Pier Paolo Pasolini: Dokumente zur Rezeption seiner Filme in der deutschsprachigen Filmkritik 1963-1985. Redaktion: Michael Hanisch. - Berlin: Freunde der Deutschen Kinemathek 1994. (= Kinemathek 84.) p. 99.
Description:
On Pasolini’s episode for Le streghe.
Index:
Pasolini, Pier Paolo
terra vista dalla luna, La (1966)
streghe, Le (1966)
Deutschland ~ Germany

#404
Theweleit, Klaus: Deutschlandfilme: Filmdenken & Gewalt: Godard, Hitchcock, Pasolini. - Frankfurt/Main: Verlag Stroemfeld / Roter Stern 2003.
Reviews:
Girke, Michael: Was Gewaltbilder berühren. In: Film-Dienst 57. 2004. No. 7. [April 1] pp. 40-41.
Scalla, Mario: Textbildertext. In: EPD Film 21. 2004. No. 1. [January] p. 54.
Index:
Godard, Jean-Luc
Hitchcock, Alfred
Pasolini, Pier Paolo
Gewalt ~ Violence
Deutschland ~ Germany

#405
Tilch-Bauschke, Edeltraud: Frauen und Mütter in Pasolinis Film Teorema: Einige kritische psychoanalytische Überlegungen. In: Pier Paolo Pasolini: Im Dialog. Hrsg. von Gerhard Schneider und Peter Bär. - Gießen: Psychosozial-Verlag 2012. (= Psychoanalyse und Filmtheorie 8 / Imago.) pp. 79 ff.
Index:
Pasolini, Pier Paolo
Pasolini, Pier Paolo
Teorema (1968)
Psychologie ~ Psychology
Mutter ~ Mothers
Frauen ~ Women

#406
Toffolo, Davide: Pasolini - Une rencontre. - ?O: Casterman 2004. (= ecritures.)
Reviews:
Rehm, Jean-Pierre: Livre le film. In: Cahiers du Cinéma 2005. No. 598. [February] pp. 68-69.
Description:
A fictional interview in form of a comic book.
Index:
Pasolini, Pier Paolo
Animation: Comics ~ Animation: Comics

#407
Torlasco, Domietta: Undoing the scene of the crime: Time and vision in Italian cinema. - Berkeley, California: University of California, Berkeley, Ph.D. 2003. [Abstract in: Dissertation Abstracts International A 65. 2004. No. 2. (August) p. 325.]
Description:
Discusses Michelangelo Antonioni’s Blow Up and Professione: Reporter, Bernardo Bertolucci’s Strategia del ragno, Liliana Cavani’s Il portiere di notte and Pier Paolo Pasolini’s Edipo Re.
Index:
Antonioni, Michelangelo
Bertolucci, Bernardo
Cavani, Liliana
Pasolini, Pier Paolo
Blow Up (1966)
Professione: Reporter (1973)
Strategia del ragno (1969)
portiere di notte, Il / Night Porter, The (1973)
Edipo Re / Oedipus Rex (1967)
Italien ~ Italy
Kriminalität ~ Crime

#408
Trento, Giovanna: Pasolini and Pan-Meridional Italianness. In: The scandal of self-contradiction: Pasolini’s multistable subjectivities, geographies, traditions. Edited by Luca Di Blasi, Manuele Gragnolati and Christoph F. E. Holzhey. - Wien; Berlin: Turia + Kant 2012. (= Cultural inquiry 6.) pp. 59 ff.
Index:
Pasolini, Pier Paolo
Italien ~ Italy

#409
Trivelli, Anita: La ricerca del sacro nella pratica documentaristica di Pier Paolo Pasolini. In: Le dieu caché? Lectura christiana des italienischen und französischen Nachkriegskinos. Hrsg. von Uta Felten und Stephan Leopold. - Tübingen: Stauffenburg-Verlag 2010. (= Siegener Forschungen zur romanischen Literatur- und Medienwissenschaft 20.) pp. 165 ff.
Index:
Pasolini, Pier Paolo
Dokumentarfilm ~ Documentary Film
Krieg ~ War
Frankreich ~ France
Italien ~ Italy
Religion ~ Religion

#410
Turoldo, David M.: Padre David M. Turoldo per l’"amico e fratello" Pier Paolo Pasolini. In: Ricerche di storia sociale e religiosa Nuova Serie 2009. No. 76. pp. 327-332.
Index:
Pasolini, Pier Paolo
Turoldo, David M.

#411
Uccellaccie e ucellini. In: Pier Paolo Pasolini: Dokumente zur Rezeption seiner Filme in der deutschsprachigen Filmkritik 1963-1985. Redaktion: Michael Hanisch. - Berlin: Freunde der Deutschen Kinemathek 1994. (= Kinemathek 84.) pp. 86-98.
Index:
Pasolini, Pier Paolo
Uccellaccie e ucellini (1965)
Deutschland ~ Germany

#412
Il vangelo secondo Matteo. In: Pier Paolo Pasolini: Dokumente zur Rezeption seiner Filme in der deutschsprachigen Filmkritik 1963-1985. Redaktion: Michael Hanisch. - Berlin: Freunde der Deutschen Kinemathek 1994. (= Kinemathek 84.) pp. 71-85.
Index:
Pasolini, Pier Paolo
vangelo secondo Matteo, Il (1964)
Deutschland ~ Germany

#413
Vanoye, Francis: De quelques scandales cinématographiques ez de la question de l’irreprésentable. In: Quel scandale! Sur la diréction de Marie Dollé. - Saint-Denis: Presses universitaires de Vincennes 2006. (= Culture et societé.) pp. 119-126.
Description:
Discvusses especially Luis Buñuel’s L’âge d’or, Bernardo Bertolucci’s Le dernier tango a Paris and Pier Paolo Pasolini’s Salò.
Index:
Buñuel, Luis
Bertolucci, Bernardo
Pasolini, Pier Paolo
âge d’or, L’ (1930)
ultimo tango a Parigi, L’ / dernier tango a Paris, Le (1972)
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
Sexualität ~ Sexuality

#414
Verdicchio, Pasquale: Censoring the body of ideology: The films of Pier Paolo Pasolini. In: Fiction International 1992. No. 22. [?D] pp. 369-378.
Description:
On censorship against Pasolini’s films.
Index:
Pasolini, Pier Paolo
Körper ~ Bodies
Politik ~ Politics
Zensur ~ Censorship

#415
Vesia, Michael: Tracing the form of the post-neorealist city: Rome in the early films of Pier Paolo Pasolini: Accattone, Mamma Roma, and La ricotta. - Montreal, Quebec: Concordia University, M.A. 2005. [Abstract in: Masters Abstracts International 44. 2006. No. 1. p. 10.]
Index:
Pasolini, Pier Paolo
Accattone (1962)
Mamma Roma (1962)
ricotta, La (1962)
Religion ~ Religion
Stadt ~ City
Rom ~ Rome

#416
Viano, Maurizio: "Theorein". In: Romance Languages Annual 1989. No. 1. [?D] pp. 62-69.
Description:
On Pasolini’s Teorema.
Index:
Pasolini, Pier Paolo
Teorema (1968)

#417
Viano, Maurizio: A certain realism: Making use of Pasolini’s film theory and practise. - Berkeley, California; London: University of California Press 1993.
Reviews:
Greene, Naomi: [untitled] In: Film Quarterly 47. 1994. No. 4. [Summer] pp. 36-37.
Nowell-Smith, Geoffrey: Reason to live. In: Sight and Sound NS 3. 1993. No. 12. [December] pp. 36-37.
Orr, Christopher: [untitled] In: Film Criticism 19. 1994/1995. No. 2. [?D] pp. 99-103.
Description:
Includes a bibliography.
Index:
Pasolini, Pier Paolo

#418
Viano, Maurizio: Who is killing Pasolini? Two books and two films show how to keep him alive. In: Film Quarterly 51. 1998. No. 4. [Summer] pp. 21-27.
Description:
Discusses the books by Sam Rohdie (The passion of Pier Paolo Pasolini. - Bloomington, Indiana: Indiana University Press 1996) and Patrick Allen Rumble (Allegories of contamination: Pier Paolo Pasolini’s "Trilogy of Life". - Toronto: University of Toronto Press 1996) as well as Aurelio Grimaldi’s film Nerolio and Marco Tullio Giordana’s Pasolini: Un delitto Italiano / Who Killed Pasolini.
Index:
Pasolini, Pier Paolo
Grimaldi, Aurelio
Giordana, Marco Tullio
Nerolio (1996)
Pasolini: Un delitto Italiano / Who Killed Pasolini (1995)

#419
Vighi, Fabio: Beyond objectivity: The utopian in Pasolini’s documentaries. In: Textual Practice 16. 2002. No. 3. [Winter] pp. 491-510.
Index:
Pasolini, Pier Paolo
Utopie ~ Utopia
Dokumentarfilm ~ Documentary Film

#420
Vighi, Fabio: Le ragioni dell’altro: La formazione intellettuale di Pasolini tra saggistica, letteratura e cinema. - Ravenna: Longo 2001. (= Temi e profili del Novecento 5.)
Index:
Pasolini, Pier Paolo

#421
Vighi, Fabio: Pasolini and exclusion: Zizek, Agamben, and the modern subject. In: Theory, Culture & Society 20. 2003. No. 5. [October] pp. 99-122.
Index:
Pasolini, Pier Paolo
Zizek, Slavoj
Agamben, Giorgio
Philosophie ~ Philosophy

#422
Volk, Stefan: Salò oder Die 120 Tage von Sodom (1975). In: Volk, Stefan: Skandalfilme: Cineastische Aufreger gestern und heute. Mitarbeit von Barbara Scherschlicht. - Marburg: Schüren 2011. pp. 190 ff.
Index:
Pasolini, Pier Paolo
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)

#423
Wach, Alexandra: Pier Paolo Pasolini Collection. In: Film-Dienst 61. 2008. No. 13. [June 19] p. 40.
Description:
On a DVD edition.
Index:
Pasolini, Pier Paolo
DVD ~ DVD

#424
Wagstaff, Chris: Archaic and free. In: Sight and Sound NS 11. 2001. No. 7. [July] p. 66.
Description:
On several DVD editions of films by Pier Paolo Pasolini.
Index:
Pasolini, Pier Paolo
DVD ~ DVD

#425
Waldron, Dara: Cinema and evil: Moral complexities and the "dangerous" film. - Newcastle upon Tyne: Cambridge Scholars Publishing 2013.
Reviews:
Ingle, Zachary: [untitled.] In: Film & History 45. 2015. No. 2. [Winter] pp. 45-46.
Description:
Includes chapters on Fritz Lang’s M, Orson Welles’s Touch of Evil, Pier Paolo Pasolini’s Salò, Liliana Cavani’s The Night Porter, and Michael Haneke’s Benny’s Video, Caché and Das weisse Band.
Index:
Lang, Fritz
Welles, Orson
Pasolini, Pier Paolo
Cavani, Liliana
Haneke, Michael
M - Eine Stadt sucht einen Mörder (1931)
Touch of Evil (1957)
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)
portiere di notte, Il / Night Porter, The (1973)
Benny’s Video (1992)
Caché (2005)
weisse Band, Das - Eine deutsche Kindergeschichte (2009)
Böse, Das ~ Evil, The

#426
Waldron, J. D.: Cinema and its discontents: Evil and moral responsibility in the genre of cinema. - Limerick: University of Limerick, Ph.D. 2004. [Abstract in: Index to Theses with Abstracts 54. 2005. No. 2. p. 307(54-2455).]
Description:
Discusses, among others, the expressionistic film and the film noir, the films of Fritz Lang, Orson Welles, Pier Paolo Pasolini and Liliana Cavani as well as the Japanese horror films by Hideo Nakata and Takashi Miike.
Index:
Lang, Fritz
Welles, Orson
Pasolini, Pier Paolo
Cavani, Liliana
Nakata, Hideo
Miike, Takashi
Japan ~ Japan
Horror ~ Horror
Film Noir ~ Film Noir
Expressionismus ~ Expressionism
Böse, Das ~ Evil, The

#427
Warren, Paul: Le Christ n’est pas à son aise au cinéma. In: Christianisme et cinéma. Dirigée par Guy Hennebelle. (= Cinémaction 1996. No. 80. [?D]) pp. 48-55.
Description:
On the representation of the Christ in film. Discusses, among others, the work of Pier Paolo Pasolini, Maurice Pialat, Jean-Luc Godard, Martin Scorsese and Denys Arcand.
Index:
Pasolini, Pier Paolo
Pialat, Maurice
Godard, Jean-Luc
Scorsese, Martin
Arcand, Denys
Religion ~ Religion

#428
Watts, Philip: Roland Barthes’ cinema. Manuscript edited from the author’s unfinished chapters, Dudley Andrew, Yves Citton, Vincent Debaene, Sam Di Iorio. - New York: Oxford University Press 2016.
Description:
Includes, among others, chapters on Pier Paolo Pasolini and on the James Bond films.
Index:
Barthes, Roland
Pasolini, Pier Paolo
James Bond (Filmreihe)
James Bond ~ James Bond
Philosophie ~ Philosophy

#429
Whalen, Tom: The passion of Mel Gibson. In: Literature/Film Quarterly 32. 2004. No. 3. [July] pp. 240-243.
Description:
Compares the representation of violence and torture in Mel Gibson’s The Passion of the Christ and Pier Paolo Pasolini’s Il vangelo secondo Matteo.
Index:
Gibson, Mel
Pasolini, Pier Paolo
Passion of the Christ, The (2004)
vangelo secondo Matteo, Il (1964)
Gewalt ~ Violence
Religion ~ Religion

#430
Whitehead, Peter: Oedipus Rex. In: Framework 52. 2011. No. 1. [Spring] pp. 238-240.
Index:
Pasolini, Pier Paolo
Whitehead, Peter Lorrimer
Edipo Re / Oedipus Rex (1967)

#431
Whitehead, Peter: Theorem. In: Framework 52. 2011. No. 1. [Spring] pp. 235-238.
Index:
Pasolini, Pier Paolo
Whitehead, Peter Lorrimer
Teorema (1968)

#432
Widmer, Ruedi / Zweifel, Stefan: Alles ist gut, wenn es exzessiv ist: Pasolinis Salò o le 120 giornate di Sodoma auf dem Hintergrund von Sades Werk. In: Cinema [Zürich] 1999. No. 44. [?D] pp. 102-115.
Index:
Pasolini, Pier Paolo
Sade, Donatien Alphonse François Marquis de
Salò o le 120 giornate di Sodoma / Salou ou les 120 journees de Sodome (1975)

#433
Wilson, Kristi M.: Hero trouble: Blood, politics, and kinship in Pasolini’s Medea. In- Of muscles and men: Essays on the sword and sandal film. Edited by Michael G. Cornelius. - Jefferson, North Carolina: McFarland & Company 2011. p. ?P.
Index:
Pasolini, Pier Paolo
Medea (1969)
Politik ~ Politics
Helden ~ Heros
Blut ~ Blood
Mythologie ~ Mythology
Geschichte: Antike ~ History: Ancient Times
Männer ~ Men

#434
Witte, Karsten: Die Körper des Ketzers: Pier Paolo Pasolini. Mit einem einleitenden Essay von Rudi Thiessen. Hrsg. von Rudi Thiessen. - Berlin: Verlag Vorwerk 8 1998. (= Traversen 4.)
Reviews:
Wedel, Michael: [untitled] In: Medienwissenschaft 1999. No. 2. pp. 218-219.
Index:
Pasolini, Pier Paolo
Religion ~ Religion
Körper ~ Bodies

#435
Wörther, Matthias: Franziskus begegnet Marx: Große Vögel - kleine Vögel von Pier Paolo Pasolini (1965/66). In: Spuren des Religiösen im Film: Meilensteine aus 100 Jahren Filmgeschichte. Hrsg. von Peter Hasenberg, Wolfgang Luley und Charles Martig im Auftrag der Zentralstelle Medien der Deutschen Bischofskonferenz Bonn und des Katholischen Mediendienstes Zürich. - Mainz: Matthias Grünewald Verlag / Köln: Katholisches Institut für Medieninformation 1995. pp. 85-87.
Description:
On Pasolini’s Uccellaccie e ucellini.
Index:
Pasolini, Pier Paolo
Uccellaccie e ucellini (1965)
Religion ~ Religion

#436
Wurnitsch, Monika: Aspekte realistischer Darstellung in ausgewählten literarischen nund filmischen Werken Pier Paolo Pasolinis. - Innsbruck: Universität Innsbruck, Diplom-Arbeit 1998.
Description:
Summary in Italian.
Index:
Pasolini, Pier Paolo

#437
Zanzotto, Andrea: Sur Théorème, le film et le texte. In: Positif 2001. No. 484. [June] pp. 52-54.
Index:
Pasolini, Pier Paolo
Teorema (1968)

#438
Zechner, Anke: Totentanz mit Brautkleid: Die vergiftete Gabe in Pier Paolo Pasolinis Medea. In: Mit dem Tod tanzen: Tod und Totentanz im Film. Hrsg. von Jessica Nitsche unter Mitarbeit von Daniel S. Ribeiro. - Berlin: Neofelis-Verlag 2015. p. 69 ff.
Index:
Pasolini, Pier Paolo
Medea (1969)
Tod ~ Death
Tanz ~ Dance
Kleidung ~ Clothes

#439
Zehn ausgewählte Jesus-Filme: Kritiken und Materialien. In: Jesus in der Hauptrolle: Zur Geschichte und Ästhetik der Jesus-Filme. - Köln: Katholisches Institut für Medieninformation 1992. (= Film-Dienst Extra [November].) pp. 58-73.
Description:
Discusses Henry Koster’s The Robe, Nicholas Ray’s King of Kings, George Stevens’s The Greatest Story Ever Told, Pier Paolo Pasolini’s Il vangelo secondo Matteo, Norman Jewison’s Jesus Christ Superstar, Roberto Rossellini’s La Messia, / Il Messie, Jesus by John Heyman, Peter Sykes and John Kirsh, Martin Scorsese’s The Last Temptation of Christ, Denys Arcand’s Jésus de Montréal and Es wäre gut, daß ein Mensch würde umgebracht für das Volk by Hugo Niebeling.
Index:
Koster, Henry
Ray, Nicholas
Stevens, George
Pasolini, Pier Paolo
Jewison, Norman
Rossellini, Roberto
Heyman, John
Sykes, Peter
Kirsh, John
Scorsese, Martin
Arcand, Denys
Niebeling, Hugo
Robe, The (1953)
King of Kings (1961)
Greatest Story Ever Told, The (1963)
vangelo secondo Matteo, Il (1964)
Jesus Christ Superstar (1972)
Messia, Il / Messie, La (1975)
Jesus (1979)
Last Temptation of Christ, The (1988)
Jésus de Montréal (1989)
Es wäre gut, daß ein Mensch würde umgebracht für das Volk (1991)
Religion ~ Religion

#440
Zigaina, Giuseppe: Hostia: Trilogia della morte di Pier Paolo Pasolini. - Venezia: Marsilio 1995. (= Saggi.)
Index:
Pasolini, Pier Paolo
Tod ~ Death

#441
Zigaina, Giuseppe: Pasolini e l’abiura: Il segno vivente e il poeta morto. - Venezia: Marsilio 1993. (= Saggi.)
Index:
Pasolini, Pier Paolo
Tod ~ Death

#442
Zigaina, Giuseppe: Pasolini et la mort. - Paris: Édition Ramsay 1990. (= Ramsay cinéma.)
First edition:
[Pasolini tra enigma e profezia]
Index:
Pasolini, Pier Paolo
Tod ~ Death

#443
Zigaina, Giuseppe: Pasolini und der Tod: Mythos, Alchimie und Semantik des "glänzenden Nichts": Eine Studie. - München: Piper 1989.
First edition:
[Pasolini e la morte]
Index:
Pasolini, Pier Paolo
Mythologie ~ Mythology
Tod ~ Death

#444
Zwick, Reinhold: Die Passion des Komparsen: Eine theologische Relektüre von La ricotta. In: Leid-Bilder: Die Passionsgeschichte in der Kultur. Hrsg. von Natalie Fritz, Marie-Therese Mäder, Daria Pezzoli-Olgiati und Baldassare Scolari. - Marburg: Schüren 2018. (= Religion, Film und Medien 1.) pp. 89 ff.
Index:
Pasolini, Pier Paolo
ricotta, La (1962)
Religion ~ Religion

#445
Zwick, Reinhold: Maria transfigurativ: Eine Nahaufnahme am Beispiel von Pier Paolo Pasolinis Edipo Re. In: Räume, Körper und Ikonen: (Post-)Konfessionelle Filmikonographien. Hrsg. von Charles Martig, Joachim Valentin und Karsten Visarius. - Marburg: Schüren 2013. (= Film & Theologie 19.) pp. 197 ff.
Index:
Pasolini, Pier Paolo
Edipo Re / Oedipus Rex (1967)
Religion ~ Religion
Körper ~ Bodies

#446
Zwick, Reinhold: Pasolinis Paulus: Nachgedanken zu einem nicht realisierten Filmprojekt. In: Wort und Antwort 49. 2008. No. 3. [?D] pp. 124-131.
Index:
Pasolini, Pier Paolo
Paulus (Apostel)

#447
Zwick, Reinhold: Passion und Transformation: Biblische Resonanzen in Pier Paolo Pasolinis "mythischem Quartett" (Edipo Re, Teorema, Porcile, Medea). - Marburg: Schüren 2014. (= Film & Theologie 26.)
Reviews:
Hertkorn, Ottmar: [untitled.] In: Medienwissenschaft 2015. No. 2. pp. 240-242.
Lederle, Josef: [untitled.] In: Film-Dienst 67. 2014. No. 21. [October 9] p. 14.
Index:
Pasolini, Pier Paolo
Edipo Re / Oedipus Rex (1967)
Teorema (1968)
Porcile (1969)
Medea (1969)
Mythologie ~ Mythology
Religion ~ Religion

#448
Zwick, Reinhold: The Gospel According to St. Matthew (1964). In: Bible and cinema: Fifty key films. Edited by Adele Reinhartz. - New York: Routledge 2013. (= Routledge key guides.) pp. 109-114.
Index:
Pasolini, Pier Paolo
vangelo secondo Matteo, Il (1964)
Religion ~ Religion

#449
Zwick, Reinhold: Zwischen Inferno und "Drittem Himmel": Visionen des Jenseits bei Pier Paolo Pasolini. In: Blick über den Tod hinaus: Bilder vom Leben nach dem Tod in Theologie und Film / Seeing beyond death. Hrsg. von Christopher Deacy und Ulrike Vollmer. - Marburg: Schüren 2012. (= Film und Theologie 18.) pp. 133 ff.
Index:
Pasolini, Pier Paolo
Religion ~ Religion
Tod ~ Death

#450
Zwick, Reinhold: Denn was keiner wagt zu glauben, kann Gott geschehen lassen": Zu Medea und Breaking the Waves. In: Gewaltige Opfer: Filmgespräche mit René Girard und Lars von Trier. Hrsg. von Leo Karrer. - Köln: Katholisches Institut für Medieninformation (KIM) 2000. (= Film und Theologie 1.) pp. 61 ff.
Index:
Girard, René
von Trier, Lars
Pasolini, Pier Paolo
Medea (1969)
Breaking the Waves (1996)
Religion ~ Religion
Opfer ~ Sacrifice
Gewalt ~ Violence

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