The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Piano, The (1993)
number of items: 10
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
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| ?P | Number of pages unknown |
| ?R | Series number unknown |
#1
Bainbridge, C.: A feminine cinematics: Luce Irigaray, Orlando and The Piano. - Sheffield: University of Sheffield, Ph.D. 1997. [Abstract in: Index to Theses with Abstracts 49. 2000. No. 1. p. 12(49-86).]
Index:
Irigaray, Luce
Potter, Sally
Campion, Jane
Orlando (1992)
Piano, The (1993)
Frauen ~ Women
#2
Cieutat, Michel / Ciment, Michel: L’indicible vérité de l’acteur: Entretien avec Harvey Keitel. In: Positif 1993. No. 389/390. [July/August] pp. 11-15.
Description:
Discusses, among others, the actor’s roles in Jane Campion’s The Piano and Abel Ferrara’s Bad Lieutenant.
Index:
Keitel, Harvey
Campion, Jane
Ferrara, Abel
Piano, The (1993)
Bad Lieutenant (1992)
#3
Cieutat, Michel: Harvey Keitel ou la r demption du sauvage. In: Positif 1993. No. 389/390. [July/August] pp. 5-10.
Description:
Discusses, among others, the actor’s roles in Jane Campion’s The Piano and Abel Ferrara’s Bad Lieutenant.
Index:
Keitel, Harvey
Campion, Jane
Ferrara, Abel
Piano, The (1993)
Bad Lieutenant (1992)
#4
Davis, Kimberly Chabot: Postmodern texts and emotional audiences. - West Lafayette, Indiana: Purdue University Press 2007. (= Comparative cultural studies.)
Description:
Discusses, among others, Jane Campion’s The Piano and Hector Babenco’s Kiss of the Spiderwoman.
Index:
Campion, Jane
Babenco, Hector
Piano, The (1993)
Beijo da a mulher aranha / Kiss of the Spiderwoman (1985)
Postmoderne ~ Postmodern
#5
Dobkin, Bethami A. / Natharius, David: Feminist visions of transformation in The Ballad of Little Jo, The Piano and Orlando. In: Woman and Language 25. 2002. No. 2. [?D] pp. 9-17.
Index:
Greenwald, Maggie
Campion, Jane
Potter, Sally
Ballad of Little Jo, The (1993)
Piano, The (1993)
Orlando (1992)
Frauen ~ Women
#6
Godart, Caroline M.: Space, time, and bodies: The dimensions of difference in women’s cinema and continental philosophy. - New Brunswick, New Jersey: Rutgers The State University of New Jersey - New Brunswick, Ph.D. 2014. [Abstract in: Dissertation Abstracts International A 76. 2015. No. 6. [December] p. ?P.]
Description:
Discusses Jane Campion’s The Piano, Claire Denis’s Beau travail and Trouble Every Day and Lucretia Martel’s La niña santa.
Index:
Campion, Jane
Denis, Claire
Martel, Lucretia
Piano, The (1993)
Beau travail (1999)
Trouble Every Day (2002)
niña santa, La (2004)
Körper ~ Bodies
Frauen ~ Women
Philosophie ~ Philosophy
#7
Hanger, Bonnie: The woman sawed in half: Death, duality, and the female figure of postmodern psychodrama. - Detroit, Michigan: Wayne State University, Ph.D. 2001. [Abstract in: Dissertation Abstracts International A 62. 2002. No. 12. (June) p. 3974.]
Description:
Psychoanalytical and cultural examination of female subjectivity in the movies, especially in suspense and horror film. Discusses, among others, James Dearden’s A Kiss before Dying, Neil Jordan’s In Dreams, Tarsem Singh’s The Cell, Stephan Elliott’s Eye of the Beholder, Vincent Ward’s Map of the Human Heart, Jane Campion’s The Piano, Peter Jackson’s Heavenly Creatures and David Lynch’s Twin Peaks: Fire Walk with Me.
Index:
Dearden, James
Jordan, Neil
Singh, Tarsem
Elliott, Stephan
Ward, Vincent
Campion, Jane
Jackson, Peter
Lynch, David
Kiss before Dying, A (1991)
In Dreams (1999)
Cell, The (2000)
Eye of the Beholder (1998)
Map of the Human Heart (1992)
Piano, The (1993)
Heavenly Creatures (1994)
Twin Peaks: Fire Walk with Me (1992)
Tod ~ Death
Thriller ~ Thriller
Psychologie ~ Psychology
Postmoderne ~ Postmodern
Horror ~ Horror
Frauen ~ Women
#8
Ramsey-Kurz, Helga: Tokens or totems? Eccentric props in postcolonial re-enactments of colonial consecration. In: Literature and Theology 21. 2007. No. 3. [?D] pp. 302-316.
Description:
Discusses, among others, Jane Campion’s The Piano and Werner Herzog’s Fitzcarraldo.
Index:
Campion, Jane
Herzog, Werner
Piano, The (1993)
Fitzcarraldo (1981)
Tod ~ Death
Politik ~ Politics
#9
Rothermel, Dennis: Heroic endurance in The Piano (1993), Crouching Tiger, Hidden Dragon (2000), The Pianist (2002) and Hero (2002). In: Quarterly Review of Film and Video 24. 2007. No. 3. [?D] pp. 267-275.
Index:
Campion, Jane
Lee Ang
Polanski, Roman
Zhang Yimou
Piano, The (1993)
Wo hu zang long / Crouching Tiger, Hidden Dragon (2000)
Pianist, The (2002)
Ying Xiong (2002)
Helden ~ Heros
#10
van Den Berk, Tjeu: The threefold silence after the Death of God filmed by Bergman (1963), Campion (1993) and Von Trier (2011). In: Blessed are the eyes that catch divine whispering ...: Silence and religion in film. Edited by Freek L. Bakker, M. van Dijk and L. van der Tuin. - Marburg: Schüren 2015. (= Film und Theologie 28.) pp. 153 ff.
Index:
Bergman, Ingmar
Campion, Jane
von Trier, Lars
Tystnaden (1963)
Piano, The (1993)
Melancholia (2011)
Tod ~ Death
Religion ~ Religion
Augen ~ Eyes
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