The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|

literature list on: Postmodern

number of items: 393

#1
Abbott, Stacey: Vampire road movies: From modernity to postmodernity. In: Abbott, Stacey: Celluloid vampires: Life after death in the modern world. - Austin, Texas: University of Texas Press 2007. p. ?P.
Index:
Road Movies ~ Road Movies
Postmoderne ~ Postmodern
Vampire ~ Vampires

#2
After postmodernism: Austrian literature and film in transition. Edited by Willy Riemer. - Riverside, California: Ariadne Press 2000. (= Studies in Austrian Literature, Culture and Thought.)
Description:
Includes several articles on Michael Haneke.
Index:
Postmoderne ~ Postmodern
Österreich ~ Austria
Literatur ~ Literature

#3
Alba, Michaela: Merkmale des postmodernen Films am Beispiel von David Lynchs Wild At Heart. - München: GRIN Verlag 2010.
Index:
Lynch, David
Wild at Heart (1990)
Postmoderne ~ Postmodern

#4
Alefeld, Yvonne-Patricia: Prometheus außer Rand und Band: "Die Götter Griechenlandes" in der Rocky Horror Picture Show. In: Medienkonstellationen: Literatur und Film im Kontext von Moderne und Postmoderne. Hrsg. von Volker Wehdeking. - Marburg: Tectum-Verlag 2008. pp. 93 ff.
Index:
Sharman, Jim
Rocky Horror Picture Show, The (1974)
Prometheus ~ Prometheus
Postmoderne ~ Postmodern
Griechenland ~ Greece
Literatur ~ Literature

#5
Alemany-Galway, Mary: A postmodern cinema: The voice of the other in Canadian film. - Lanham, Maryland: Scarecrow Press 2002.
Description:
Discusses, among others, Denys Arcand’s Jésus de Montréal.
Index:
Arcand, Denys
Jésus de Montréal (1989)
Postmoderne ~ Postmodern
Kanada ~ Canada

#6
Amesbury, Richard: Fargo between Christian moralism and postmodern irony. In: Coen: framing religion in amoral order. Edited by Elijah Siegler. - Waco, Texas: Baylor University Press 2016. p. ?P.
Index:
Coen, Ethan
Coen, Joel
Fargo (1995)
Postmoderne ~ Postmodern
Religion ~ Religion

#7
Andresen, A.: Afstandens aestetik. In: Kosmorama 35. 1989. No. 189. [?D] pp. 24-28.
Description:
On the labyrinthine in the films of Peter Greenaway analysed in the context of a postmodern aesthetics.
Index:
Greenaway, Peter
Labyrinth ~ Labyrinth
Postmoderne ~ Postmodern

#8
Anshen, David: Out of the depths and through postmodern surface: History and class figuration in Titanic. In: Cineaction 2000. No. 51. [February] pp. 23-29.
Index:
Cameron, James
Titanic (1997)
Geschichte ~ History
Postmoderne ~ Postmodern

#9
Antinucci, Raffaella: Alfonso Cuarón’s "late experimentations": Dickens and post-modernism. In: Great Expectations: Nel laboratorio di Charles Dickes. A cura di Francesco Marroni. - Roma: Aracne 2004. (= Studi di anglistica 4.) pp. 293-317.
Description:
On Alfonso Cuarón’s Dickens filming Great Expectations.
Index:
Dickens, Charles
Cuarón, Alfonso
Great Expectations (1998)
Postmoderne ~ Postmodern
Great Expectations (Literatur ~ Literature)

#10
Arnzen, Michael A.: Who’s laughing now? The postmodern splatter film. In: Journal of Popular Film and Television 21. 1994. No. 4. [Winter] pp. 176-184.
Description:
On the history of splatter film, starting with George A. Romero’s Night of the Living Dead.
Index:
Romero, George A.
Night of the Living Dead (1968)
Splatter-Filme ~ Splatter Films
Postmoderne ~ Postmodern
Humor ~ Humor
Splatter-Filme ~ Splatter Films

#11
Arrandale, Richard: Drama, film and postmodernity. In: The Blackwell companion to modern theology. Edited by Gareth Jones. - Malden, Massachussetts: Blackwell 2004. p. ?P.
Index:
Religion ~ Religion
Postmoderne ~ Postmodern

#12
Aviram, Amittai F.: Postmodern gay Dionysus: Dr. Frank N. Furter. In: Journal of Popular Culture 26. 1992. No. 3. [?D] pp. 183-192.
Description:
On the main character of Jim Sharman’s Rocky Horror Picture Show.
Index:
Sharman, Jim
Rocky Horror Picture Show, The (1974)
Sexualität: Homosexualität ~ Sexuality: Homosexuality
Postmoderne ~ Postmodern

#13
Babish, Stephen: Concrete futures: Science fiction cinema and modernist architecture at the dawn of postmodernity. - ?O: Northwestern University, Ph.D. 2016. [Abstract in: Dissertation Abstracts International A 77. 2016. No. 10. [?D].]
Description:
Discusses, among others, Joseph Sargent’s Colossus - The Forbin Project, Stanley Kubrick’s A Clockwork Orange, George Lucas’s THX 1138, Woody Allen’s Sleeper, Michael Anderson’s Logan’s Run, and Robert Altman’s Quintet.
Index:
Sargent, Joseph
Kubrick, Stanley
Lucas, George
Allen, Woody
Anderson, Michael
Altman, Robert
Colossus - The Forbin Project / Forbin Project, The / Day the World Changed Hands, The (1969)
Clockwork Orange, A (1971)
THX 1138 (1971)
Sleeper (1973)
Logan’s Run (1976)
Quintet (1979)
Utopie ~ Utopia
Science Fiction ~ Science Fiction
Postmoderne ~ Postmodern

#14
Backhaus, Marc: Tarantinos selbstreferentielle Welt im Zeichen des Postmodernismus: Reservoir Dogs & Inglourious Basterds im kritischen Vergleich. - München: GRIN Verlag 2013.
Index:
Tarantino, Quentin
Reservoir Dogs (1991)
Inglourious Basterds (2009)
Postmoderne ~ Postmodern

#15
Balsamo, Anne: Technologies of the gendered body: Reading cyborg women. - Durham, North Carolina; London: Duke University Press 1996.
Reviews:
Cubitt, Sean: [untitled] In: Screen 38. 1997. No. 3. [?D] pp. 296-301.
Description:
Feminist analysis of the representation of the body in American popular culture of the 1980s and 1990s. Discusses also the popular film.
Index:
Tod ~ Death
Postmoderne ~ Postmodern
Männer ~ Men
Literatur ~ Literature
Fernsehen ~ Television
Cyberspace ~ Cyberspace
Technik ~ Technology
Geschichte ~ History
Natur ~ Nature
USA (United States of America) ~ USA (United States of America)
Körper ~ Bodies
Frauen ~ Women
Sexualität ~ Sexuality
Roboter ~ Robots

#16
Barron, L.: The figure of the angel as postmodern icon: Angels and the transgression of boundaries within contemporary cinema. - Sunderland, Tyne and Wear: University of Sunderland, Ph.D. 2004. [Abstract in: Index to Theses with Abstracts 54. 2005. No. 2. p. 304(54-2436).]
Description:
Discusses, among others, Wim Wenders’s Der Himmel über Berlin and Brad Silberling’s City of Angels.
Index:
Wenders, Wim
Silberling, Brad
Himmel über Berlin, Der (1987)
City of Angels (1998)
Religion: Engel ~ Religion: Angels
Religion ~ Religion
Postmoderne ~ Postmodern

#17
Begley, Varun: Blade Runner and the postmodern: A reconsideration. In: Literature/Film Quarterly 32. 2004. No. 3. [July] pp. 186-192.
Index:
Scott, Ridley
Blade Runner (1982)
Postmoderne ~ Postmodern

#18
Benshoff, Harry Morgan: Heigh-ho, heigh-ho, is Disney high or low? From silly cartoons to postmodern politics. In: Animation Journal 1. 1992. No. 1. [Fall] pp. 62-85.
Description:
On the history of the Disney film.
Index:
Animation ~ Animation
Postmoderne ~ Postmodern
Politik ~ Politics
Disney ~ Disney
Animation: Cartoons ~ Animation: Cartoons

#19
Benzon, William L.: Postmodern is old hat: Samurai Champloo. In: Mechademia 2008. No. 3. pp. 271-274.
Description:
On a DVD edition of the TV series.
Index:
Watanabe, Shinichirô
Samurai chanpurû (TV)
Postmoderne ~ Postmodern
Fernsehen ~ Television
DVD ~ DVD
Animation ~ Animation

#20
Berger, James: From "after" to "until": Post-apocalypse, postmodernity, and Wim Wenders’s Until the End of the World. In: Genre: Forms of Discourse and Culture 28 1995. No. 1/2. [?D] pp. 1-16.
Index:
Wenders, Wim
Bis ans Ende der Welt (1991)
Postmoderne ~ Postmodern
Religion: Apokalypse ~ Religion: Apocalypse

#21
Best, Kirsty / Lewis, Jeff: Pure filth: Apocalyptic hedonism and the postmodern surfer. In: Scope [Nottingham] 2005. No. 2. [?D] p. ?P.
Index:
Coppola, Francis Ford
Apocalypse Now (1976-1979)
Religion: Apokalypse ~ Religion: Apocalypse
Religion ~ Religion
Postmoderne ~ Postmodern

#22
Bignell, Jonathan: Familiar aliens: Teletubbies and postmodern childhood. In: Screen 46. 2005. No. 3. [?D] pp. 373-387.
Index:
Teletubbies (TV)
Postmoderne ~ Postmodern
Jugend ~ Youth
Aliens ~ Aliens
Fernsehen ~ Television

#23
Bishop, Ellen R.: Feminism, postmodernism, and science fiction: Gender and ways of thinking otherwise. - Pittsburgh, Pennsylvania: University of Pittsburgh, Ph.D. 1995. [Abstract in: Dissertation Abstracts International A 56. 1995. No. 5. (November) pp. 1768A-1769A.]
Index:
Postmoderne ~ Postmodern
Sexualität ~ Sexuality
Frauen ~ Women
Science Fiction ~ Science Fiction

#24
Bisoni, Claudio: La matrice e le sue interpretazioni: Owero, perché Matrix non è un film postmoderno. In: Matrix: Uno studio di caso. A cura di Guglielmo Pescatore. - Bologna: Hybris 2006. pp. 57 ff.
Index:
Wachowski, Andy
Wachowski, Larry
Matrix, The (Filmreihe)
Postmoderne ~ Postmodern

#25
Blüher, Eliane: Bibliographie zu Robbe-Grillets Filmen und Ciné-Romans. In: Robbe-Grillet zwischen Moderne und Postmoderne: "Nouveau roman", "Nouveau cinéma" und "Nouvelle Autobiographie". Hrsg. von Karl Alfred Blüher. - Tübingen: Gunter Narr 1992. (= Acta Romanica 1.) pp. 173-183.
Index:
Robbe-Grillet, Alain
Postmoderne ~ Postmodern

#26
Blüher, Karl Alfred: Einleitung: Robbe-Grillet zwischen Moderne und Postmoderne. In: Robbe-Grillet zwischen Moderne und Postmoderne: "Nouveau roman", "Nouveau cinéma" und "Nouvelle Autobiographie". Hrsg. von Karl Alfred Blüher. - Tübingen: Gunter Narr 1992. (= Acta Romanica 1.) pp. 9-15.
Index:
Robbe-Grillet, Alain
Postmoderne ~ Postmodern

#27
Bogue, Ronald: DePalma’s postmodern Scarface and the simulacrum of class. In: Criticism 35. 1993. No. 1. [?D] pp. 115-129.
Index:
De Palma, Brian
Scarface (1982)
Postmoderne ~ Postmodern

#28
Boluck, Stephanie / Lenz, Wylie: Infection, media and capitalism: From early modern plagues to postmodern zombies. In: Journal for Early Modern Cultural Studies 10. 2010. No. 2. [?D] pp. 126-147.
Description:
Discusses, among others, Danny Boyle’s 28 Days Later and Edgar Wright’s Shaun of the Dead.
Index:
Boyle, Danny
Wright, Edgar
28 Days Later (2002)
Shaun of the Dead (2004)
Zombies ~ Zombies
Postmoderne ~ Postmodern
Krankheit ~ Illness

#29
Booker, Marvin Keith: Monsters, mushroom clouds, and the Cold War: American science fiction and the roots of postmodernism, 1946 - 1964. - Westport, Connecticut: Greenwood Press 2001. (= Contributions to the study of science fiction and fantasy 95.)
Description:
Discusses also the science fiction film.
Index:
USA (United States of America) ~ USA (United States of America)
Science Fiction ~ Science Fiction
Postmoderne ~ Postmodern
Monster ~ Monster
Krieg ~ War

#30
Booker, Marvin Keith: The beginning or the end? Post-holocaust novels and films, 1946-1964. In: Booker, Marvin Keith: Monsters, mushroom clouds, and the Cold War: American science fiction and the roots of postmodernism, 1946 - 1964. - Westport, Connecticut: Greenwood Press 2001. (= Contributions to the study of science fiction and fantasy 95.) p. ?P.
Index:
USA (United States of America) ~ USA (United States of America)
Science Fiction ~ Science Fiction
Postmoderne ~ Postmodern
Monster ~ Monster
Krieg ~ War
Holocaust ~ Holocaust

#31
Booker, Marvin Keith: The creature from the Cold War: Science fiction monster movies of the long 1950s. In: Booker, Marvin Keith: Monsters, mushroom clouds, and the Cold War: American science fiction and the roots of postmodernism, 1946 - 1964. - Westport, Connecticut: Greenwood Press 2001. (= Contributions to the study of science fiction and fantasy 95.) p. ?P.
Index:
USA (United States of America) ~ USA (United States of America)
Science Fiction ~ Science Fiction
Postmoderne ~ Postmodern
Monster ~ Monster
Krieg ~ War

#32
Botting, Fred: Back to the author: Romanticism, postmodernism, de Man. In: Textual Practice 5. 1991. No. 1. [Spring] pp. 25-39.
Description:
Discusses especially Rober Zemeckis’s Back to the Future.
Index:
Zemeckis, Robert
Back to the Future (1985)
Romantik ~ Romanticism
Postmoderne ~ Postmodern

#33
Boyd, Katrina G.: Pastiche and postmodernism in Brazil. In: Cinefocus 1. 1990. No. 1. [January] pp. 33-42.
Index:
Gilliam, Terry
Brazil (1985)
Postmoderne ~ Postmodern

#34
Brandt, Stefan L.: The city as liminal space: Urban visuality and aesthetic experience in postmodern US literature and cinema. In: Amerikastudien 54. 2009. No. 4. [?D] pp. 553-581.
Index:
Stadt ~ City
Postmoderne ~ Postmodern
Literatur ~ Literature

#35
Brereton, Pat: Hollywood utopia: Ecology in contemporary American cinema. - Bristol, GB; Portland, Oregon: Intellect Books 2005.
Description:
Includes chapters on ecologial subjects in conspiracy thrillers and science fiction from the 1950s to the 1990s as well as in postmodernist science fiction films.
Index:
Postmoderne ~ Postmodern
Science Fiction ~ Science Fiction
Thriller ~ Thriller
Utopie ~ Utopia
USA (United States of America) ~ USA (United States of America)
Natur ~ Nature
Hollywood ~ Hollywood

#36
Broderick, Mick: Heroic apocalypse: Mad Max, mythology, and the millennium. In: Crisis cinema: The apocalyptic idea in postmodern narrative film. Edited by Christopher Sharrett. - Washington, D.C.: Maisonneuve Press 1993. (= PostModernPositions 6.) pp. 250-272.
Description:
On the three Mad Max films by George Miller and George Oglivie.
Index:
Miller, George
Ogilvie, George
Mad Max (Filmreihe)
Mad Max (1979)
Mad Max II / Road Warrior, The (1981)
Mad Max beyond Thunderdome (1985)
Helden ~ Heros
Postmoderne ~ Postmodern
Mythologie ~ Mythology
Religion: Apokalypse ~ Religion: Apocalypse

#37
Brook, Vincent: Puce modern moment: Camp, postmodernism, and the films of Kenneth Anger. In: Journal of Film and Video 58. 2006. No. 4. [?D] pp. 3-15.
Index:
Anger, Kenneth
Postmoderne ~ Postmodern
Experimentalfilme ~ Experimental Films

#38
Bruno, Giuliana: Ramble city: Postmodernism and Blade Runner. In: October 41. 1987. No. ?N. [Summer] pp. 61-74.
Index:
Scott, Ridley
Blade Runner (1982)
Postmoderne ~ Postmodern
Stadt ~ City
Religion: Apokalypse ~ Religion: Apocalypse

#39
Bruno, Giuliana: Ramble city: Postmodernism and Blade Runner. In: Alien zone: Cultural theory and contemporary science fiction cinema. Edited by Annette Kuhn. - London: Verso Books 1990. pp. 183-195.
Index:
Scott, Ridley
Blade Runner (1982)
Aliens ~ Aliens
Postmoderne ~ Postmodern
Stadt ~ City
Science Fiction ~ Science Fiction

#40
Bruno, Giuliana: Ramble city: Postmodernism and Blade Runner. In: Crisis cinema: The apocalyptic idea in postmodern narrative film. Edited by Christopher Sharrett. - Washington, D.C.: Maisonneuve Press 1993. (= PostModernPositions 6.) pp. 236-249.
Index:
Scott, Ridley
Blade Runner (1982)
Postmoderne ~ Postmodern
Stadt ~ City
Religion: Apokalypse ~ Religion: Apocalypse

#41
Bühler, Gerhard: Postmoderne auf dem Bildschirm, auf der Leinwand: Musikvideos, Werbespots und David Lynchs Wild at Heart. - St. Augustin: gardez! Verlag 2002. (= Filmstudien 24.)
Index:
Lynch, David
Wild at Heart (1990)
Video ~ Video
Postmoderne ~ Postmodern
Musik ~ Music

#42
Bukatman, Scott: Cybersubjectivity and cinematic being. In: Crisis cinema: The apocalyptic idea in postmodern narrative film. Edited by Christopher Sharrett. - Washington, D.C.: Maisonneuve Press 1993. (= PostModernPositions 6.) pp. 76-102.
Description:
Discusses, among others, Michael Crichton’s Westworld and Steven Lisberger’s Tron.
Index:
Crichton, Michael
Lisberger, Steven
Westworld (1973)
Tron (1982)
Postmoderne ~ Postmodern
Cyberspace ~ Cyberspace
Religion: Apokalypse ~ Religion: Apocalypse

#43
Bukatman, Scott Richard: Terminal identity: The virtual subject in postmodern science fiction. - New York: New York University, Ph.D. 1992. [Abstract in: Dissertation Abstracts International A 53. 1993. No. 8. (February) p. 2579A.]
Description:
Discusses also some fantastic films, among them David Cronenberg’s Videodrome and The Fly, Ridley Scott’s Blade Runner, Paul Verhoeven’s Robocop and the Terminator films by James Cameron as well as the Alien films by Ridley Scott and James Cameron.
Index:
Cronenberg, David
Scott, Ridley
Verhoeven, Paul
Cameron, James
Videodrome (1982)
Blade Runner (1982)
Fly, The (1986)
Robocop (1987)
Terminator, The (1984)
Terminator II - Judgement Day (1991)
Alien (1979)
Aliens (1986)
Alien (Filmreihe)
Terminator (Filmreihe)
Postmoderne ~ Postmodern
Cyberspace ~ Cyberspace
Science Fiction ~ Science Fiction

#44
Bukatman, Scott Richard: Terminal identity: The virtual subject in postmodern science fiction. - Durham, North Carolina; London: Duke University Press 1993.
Reviews:
Bonner, Frances: [untitled.] In: Foundation 1994. No. 60. [?D] pp. 108-112.
Byers, Thomas B.: [untitled.] In: American Literature 67. 1995. No. 2. [?D] pp. 424-425.
Clute, John: [untitled.] In: The Times Literary Supplement. October 1, 1993. p. 22.
Fischer, Norman: [untitled] In: Extrapolation 35. 1994. No. 3. [?D] pp. 257-259.
Gordon, Andrew: [untitled.] In: Science Fiction Studies 20. 1993. No. 3(61). [?D] pp. 444-448.
Hollinger, Veronica: [untitled.] In: Utopian Studies 6. 1995. No. 1. [?D] pp. 126-128.
Land, Nick: [untitled.] In: Textual Practice 9. 1995. No. 3. [?D] pp. 512-514.
Porush, David: [untitled.] In: Modern Fiction Studies 42. 1996. No. 1. [?D] pp. 224-227.
Rickman, Gregg: [untitled] In: Film Quarterly 49. 1995. No. 1. [Fall] pp. 60-61.
Russell, Catherine: [untitled.] In: Canadian Journal of Film Studies 5. 1996. No. 1. [?D] pp. 79-82.
Description:
Discusses also some fantastic films, among them David Cronenberg’s Videodrome and The Fly, Ridley Scott’s Blade Runner, Paul Verhoeven’s Robocop and the Terminator films by James Cameron as well as the Alien films by Ridley Scott and James Cameron.
Index:
Cronenberg, David
Scott, Ridley
Verhoeven, Paul
Cameron, James
Videodrome (1982)
Blade Runner (1982)
Fly, The (1986)
Robocop (1987)
Terminator, The (1984)
Terminator II - Judgement Day (1991)
Alien (1979)
Aliens (1986)
Alien (Filmreihe)
Terminator (Filmreihe)
Postmoderne ~ Postmodern
Cyberspace ~ Cyberspace
Science Fiction ~ Science Fiction

#45
Burke, Frank: Fellini’s films: From postwar to postmodern. - New York: Twayne Publishers / London: Prentice Hall International 1996 (= Twayne’s Filmmakers.)
Description:
Includes a bibliography and a filmography.
Index:
Fellini, Federico
Krieg ~ War
Postmoderne ~ Postmodern

#46
Burns, Tony: Marxism vs. postmodernism: The case of The Matrix. In: Red alert: Marxist approaches to science fiction cinema. Edited by Ewa Mazierska and Alfredo Suppia. - Detroit, Michigan: Wayne State University Press 2016. (= Contemporary approaches to film and media.) p. ?P.
Index:
Marx, Karl
Wachowski, Andy
Wachowski, Larry
Matrix, The (Filmreihe)
Postmoderne ~ Postmodern
Kommunismus ~ Communism
Science Fiction ~ Science Fiction
Politik ~ Politics

#47
Byers, Thomas B.: Terminating the postmodern: Masculinity and pomophobia. In: Modern Fiction Studies 41. 1995. No. 1. [Spring] pp. 5-33.
Description:
On James Cameron’s Terminator 2.
Index:
Cameron, James
Terminator II - Judgement Day (1991)
Postmoderne ~ Postmodern
Männer ~ Men

#48
Caldwell, David / Rea, Paul W.: Handke’s and Wenders’ Wings of desire: Transcending postmodernism. In: The German Quarterly 64. 1991. No. ?N. [?D] pp. 46-54.
Index:
Handke, Peter
Wenders, Wim
Himmel über Berlin, Der (1987)
Religion ~ Religion
Postmoderne ~ Postmodern

#49
Campbell, Michel M.: Guilietta degli spiriti, une expérience post-moderne de possession. In: Théologiques 5. 1997. No. 1. [?D] pp. 43-58.
Index:
Fellini, Federico
Giulietta degli spiriti (1965)
Postmoderne ~ Postmodern
Religion ~ Religion

#50
Campbell, Robert A. / Corbin, Carol: Postmodern iconography and perspective in Coppola’s Bram Stoker’s Dracula. In: Journal of Popular Film and Television 27. 1999. No. 2. [Summer] pp. 41-48.
Index:
Coppola, Francis Ford
Bram Stoker’s Dracula (1992)
Postmoderne ~ Postmodern

#51
Campbell, Robert A. / Corbin, Carol: Postmodern ionography and perspective in Coppola’s Bram Stoker’s Dracula. In: Journal of Popular Film and Television 27. 1999. No. 2. [Summer] p. 40 ff.
Index:
Coppola, Francis Ford
Bram Stoker’s Dracula (1992)
Postmoderne ~ Postmodern

#52
Canitz, A. E. Christa: "Historians ... will say I am a liar": The ideology of false truth claims in Mel Gibson’s Braveheart and Luc Besson’s The Messenger. In: Postmodern medievalisms. Edited by Richard Utz and Jesse G. Swan with the assistance of Paul Plisiewicz. - Cambridge: D. S. Brewer 2004. (= Studies in medievalism 13.) pp. 127 ff.
Index:
Gibson, Mel
Besson, Luc
Braveheart (1995)
Messenger, The: The Story of Joan of Arc (1999)
Postmoderne ~ Postmodern
Politik ~ Politics
Geschichte ~ History
Geschichte: Mittelalter ~ History: Middle Ages

#53
Carlson, Marvin: Deathtraps: The postmodern comedy thriller. - Bloomington, Indiana: Indiana University Press 1993.
Index:
Thriller ~ Thriller
Humor ~ Humor
Postmoderne ~ Postmodern
Tod ~ Death

#54
Carter, Steven: Flare to white: Fargo and the postmodern turn. In: Literature/Film Quarterly 27. 1999. No. 4. [October] pp. 238-244.
Index:
Coen, Joel
Fargo (1995)
Postmoderne ~ Postmodern

#55
Chabot, Kevin: Leprechaun 4 and Jason X: Camp, paracinema and the postmodern Sequel. In: Horror in space: Critical essays on a film subgenre. Edited by Michele Brittany. - Jefferson, North Carolina: McFarland & Company 2017. pp. 217 ff.
Index:
Trenchard-Smith, Brian
Isaac, Jim
Leprechaun 4: Lost in Space (1996)
Jason X (2002)
Weltraum ~ Space
Postmoderne ~ Postmodern
Science Fiction ~ Science Fiction
Horror ~ Horror

#56
Chadwell, Sean Michael: Drawing modern / postmodern figures: Re-viewing animated cartoons. - College Station, Texas: Texas A&M University, Ph.D. 1997. [Abstract in: Dissertation Abstracts International A 58. 1998. No. 7. [January] p. 2709.]
Index:
Postmoderne ~ Postmodern
Animation: Cartoons ~ Animation: Cartoons
Animation ~ Animation

#57
Che, Gumhee: The Cordelia Complex in paranarrative: The basic instinct of postmodern textuality. - Indiana County, Pennsylvania: Indiana University of Pennsylvania, Ph.D. 1998. [Abstract in: Dissertation Abstracts International A 59. 1998. No. 5. [November] p. 1569.]
Index:
Shakespeare, William
Verhoeven, Paul
Basic Instinct (1992)
Postmoderne ~ Postmodern
True Chronicle Historie of the Life and Death of King Lear (Literatur ~ Literature)

#58
Chiu, Cha: European postmodernity in Asian films. - Exeter, Devon: University of Exeter, Ph.D. 2010.
Description:
Discusses especially the films of Tsai Ming-Liang and Kim Ki-Duk.
Index:
Tsai Ming-Liang
Kim Ki-Duk
Postmoderne ~ Postmodern
Europa ~ Europe
Asien ~ Asia

#59
The cinema of Wim Wenders: Image, narrative and the postmodern condition. Edited by Roger F. Cook and Gerd Gemuenden. - Detroit, Michigan: Wayne State University Press 1996. (= Contemporary Film and Television.)
Reviews:
Moltke, Johannes von: [untitled] In: Medienwissenschaft 1998. No. 3. pp. 342-343.
Index:
Wenders, Wim
Postmoderne ~ Postmodern

#60
Cinquina, Rossella: Blade Runner: Un esempio paradigmatico di cinema postmoderno. In: Bianco e Nero 66. 2005. No. 553. [September-December] pp. 119-134.
Index:
Scott, Ridley
Blade Runner (1982)
Postmoderne ~ Postmodern

#61
Clarke, Jamie: Space invaders: Speculations on the politics of postmodern space in recent science fiction films. In: Cineaction 2000. No. 51. [February] pp. 10-16.
Description:
Discusses, among others, The Matrix by Andy and Larry Wachowski plus George Lucas’s Star Wars Episode I - The Phantom Menace.
Index:
Wachowski, Andy
Wachowski, Larry
Lucas, George
Matrix, The (1999)
Star Wars Episode I - The Phantom Menace (1999)
Weltraum ~ Space
Science Fiction ~ Science Fiction
Postmoderne ~ Postmodern
Politik ~ Politics

#62
Cohen, Alain J.-J.: 12 Monkeys, Vertigo and La Jetée: Postmodern mythologies and cult films. In: New Review of Film and Television Studies 1. 2003. No. 1. [November] pp. 149-164.
Description:
Structuralist analysis according to the theories of Claude Lévi-Strauss.
Index:
Gilliam, Terry
Hitchcock, Alfred
Marker, Chris
Lévi-Strauss, Claude
Twelve Monkeys (1995)
Vertigo (1958)
Jetée, La (1962)
Postmoderne ~ Postmodern
Mythologie ~ Mythology

#63
Cohen, Keith: Erotica, epistemologia, etica: Eyes Wide Shut come "Prüfung" postmoderna. In: Il doppio sogno di Stanley Kubrick: Traumnovelle / Eyes Wide Shut: Contributi per una lettura comparata. A cura di Luigi Cimmino, Daniele Dottorini e Giorgio Pangaro. - Milano: Il castoro 2007. pp. 121 ff.
Index:
Schnitzler, Arthur
Kubrick, Stanley
Eyes Wide Shut (1999)
Sexualität ~ Sexuality
Postmoderne ~ Postmodern
Traumnovelle (Literatur ~ Literature)

#64
Cokal, Susann: "Hot with rapture and cold with fear": Grotesque, sublime, and postmodern transformations in Patrick Süskind’s Perfume. In: The philosophy of horror. Edited by Thomas Fahy. - Lexington, Kentucky: University Press of Kentucky 2010. (= The philosophy of popular culture.) pp. 179-198.
Index:
Tykwer, Tom
Perfume: The Story of a Murderer / Parfum, Das - Die Geschichte eines Mörders (2006)
Postmoderne ~ Postmodern
Angst ~ Fear
USA (United States of America) ~ USA (United States of America)
Europa ~ Europe
Horror ~ Horror
Philosophie ~ Philosophy

#65
Combe, Kirk: Spielberg’s tale of two Americas: Postmodern monsters in War of the Worlds. In: Journal of Popular Culture 44. 2011. No. 5. [?D] pp. 934-953.
Index:
Spielberg, Steven
War of the Worlds (2005)
USA (United States of America) ~ USA (United States of America)
Postmoderne ~ Postmodern
Monster ~ Monster

#66
Combs, James: Pox-eclipse now: The dystopian imagination in contemporary popular movies. In: Crisis cinema: The apocalyptic idea in postmodern narrative film. Edited by Christopher Sharrett. - Washington, D.C.: Maisonneuve Press 1993. (= PostModernPositions 6.) pp. 17-35.
Description:
Discusses also a lot of fantastic films, among them the Die Hard series by John McTiernan and Renny Harlin as well as Sigorney Weaver’s role in the Alien films by Ridley Scott and James Cameron.
Index:
McTiernan, John Harlin, Renny
Weaver, Sigourney
Scott, Ridley
Cameron, James
Die Hard (1988)
Die Hard II (1990)
Alien (1979)
Aliens (1986)
Die Hard (Filmreihe)
Alien (Filmreihe)
Utopie ~ Utopia
Postmoderne ~ Postmodern
Politik ~ Politics
Religion: Apokalypse ~ Religion: Apocalypse

#67
"Come and play with us": Dramaturgie und Ästhetik im postmodernen Kino. Hrsg. von Christine Lang und Kerstin Stutterheim. - Marburg: Schüren 2013.
Reviews:
Kaiser, Tina: [untitled.] In: Medienwissenschaft 2015. No. 1. pp. 105-107.
Index:
Postmoderne ~ Postmodern

#68
Conard, Mark T.: Reservoir Dogs: Redemption in a postmodern world. In: The philosophy of neo-noir. Edited by Mark T. Conard. - Lexington, Kentucky: University Press of Kentucky 2007. (= The philosophy of popular culture.) p. ?P.
Index:
Tarantino, Quentin
Reservoir Dogs (1991)
Religion ~ Religion
Postmoderne ~ Postmodern
Philosophie ~ Philosophy
Film Noir ~ Film Noir

#69
Coote, Lesley / Levy, Brian: The subversion of medievalism in Lancelot du lac and Monty Python and the Holy Grail. In: Postmodern medievalisms. Edited by Richard Utz and Jesse G. Swan with the assistance of Paul Plisiewicz. - Cambridge: D. S. Brewer 2004. (= Studies in medievalism 13.) pp. 99 ff.
Index:
Bresson, Robert
Gilliam, Terry
Jones, Terry
Lancelot du Lac (1973)
Monty Python and the Holy Grail (1975)
Postmoderne ~ Postmodern
Geschichte: Mittelalter ~ History: Middle Ages

#70
Corbett, Janice Margaret: The rhetoric of appropriation in postmodern fiction and film. - Philadelphia, Pennsylvania: Temple University, Ph.D. 1995. [Abstract in: Dissertation Abstracts International A 56. 1995. No. 4. (October) p. 1343A.]
Description:
Discusses, among others, Godard’s Je vous salue, Marie.
Index:
Godard, Jean-Luc
Je vous salue, Marie (1984)
Postmoderne ~ Postmodern

#71
Coughlin, Paul: Blue Velvet: Postmodern parody and the subversion of conservative frameworks. In: Literature/Film Quarterly 31. 2003. No. 4. [October] pp. 304-311.
Index:
Lynch, David
Blue Velvet (1986)
Postmoderne ~ Postmodern
Humor ~ Humor

#72
Covey, William B.: Pères fatales: Character and style in postmodern neo-noir. In: Quarterly Review of Film and Video 28. 2010. No. 1. [?D] pp. 41-52.
Index:
Postmoderne ~ Postmodern
Film Noir ~ Film Noir
Vater ~ Fathers

#73
Craven, Roberta Jill: Ironic empathy in Cronenberg’s Crash: The psychodynamics of postmodern displacement from a tenuous reality. In: Quarterly Review of Film and Video 17. 2000. No. 3. [?D] pp. 187-209.
Description:
Especially on the representation of sexuality and violence in the film.
Index:
Cronenberg, David
Crash (1996)
Gewalt ~ Violence
Sexualität ~ Sexuality
Psychologie ~ Psychology
Postmoderne ~ Postmodern

#74
Crawford, A.: Postmodern satire in American prime-time animation. - Coleraine, Northern Ireland: University of Ulster, Ph.D. 2009. [Abstract in: Index to Theses with Abstracts 59-11712.]
Description:
On American animated sitcoms. Discusses, among others, The Simpsons, Family Guy, South Park, American Dad!, Beavis and Butt-Head, The Ren and Stimpy Show, Dr. Katz, Professional Therapist, Invader ZIM, The Venture Bros. and Aqua Teen Hunger Force.
Index:
Simpsons, The (TV)
Family Guy (TV)
South Park (TV)
King of the Hill (TV)
American Dad! (TV)
Beavis and Butt-Head (TV)
Ren and Stimpy Show, The (TV)
Dr. Katz, Professional Therapist (TV)
Invader ZIM (TV)
Venture Bros., The (TV)
Aqua Teen Hunger Force / Aqua Unit Patrol Squad 1 (TV)
USA (United States of America) ~ USA (United States of America)
Postmoderne ~ Postmodern
Humor ~ Humor
Animation ~ Animation

#75
Creed, Barbara: From here to modernity: Feminism and postmodernism. In: Screen 28. 1987. No. 2. [Spring] pp. 47-67.
Description:
Discusses also the science fiction and horror film.
Index:
Science Fiction ~ Science Fiction
Postmoderne ~ Postmodern
Horror ~ Horror
Frauen ~ Women

#76
Creed, Barbara: Gynesis, postmodernism and the science fiction horror film. In: Alien zone: Cultural theory and contemporary science fiction cinema. Edited by Annette Kuhn. - London: Verso Books 1990. pp. 214-218.
Index:
Aliens ~ Aliens
Postmoderne ~ Postmodern
Science Fiction ~ Science Fiction
Horror ~ Horror

#77
Crisis cinema: The apocalyptic idea in postmodern narrative film. Edited by Christopher Sharrett. - Washington, D.C.: Maisonneuve Press 1993. (= PostModernPositions 6.)
Reviews:
Rickman, Gregg: [untitled] In: Film Quarterly 47. 1994. No. 4. [Summer] p. 39.
Index:
Postmoderne ~ Postmodern
Religion: Apokalypse ~ Religion: Apocalypse

#78
Crompton, Nils: Towards a postmodern avant-garde: The temporality of the refrain in three films of Wong Kar-wai. In: Metro 2004. No. 142. [?D] pp. 52-56.
Index:
Wong Kar-wai
Postmoderne ~ Postmodern
Experimentalfilme ~ Experimental Films
Zeit ~ Time

#79
Crutchfield, Susan: Touching scenes and finishing touches: Blindness in the slasher film. In: Mythologies of violence in postmodern media. Edited by Christopher Sharrett. - Detroit, Michigan: Wayne State University Press 1999. (= Contemporary film and television.) p. ?P.
Index:
Postmoderne ~ Postmodern
Horror ~ Horror
Gewalt ~ Violence
Blindheit ~ Blindness

#80
Cvetkovich, Ann: Postmodern Vertigo: The sexual politics of allusion in DePalma’s Body Double. In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 147-162.
Index:
De Palma, Brian
Hitchcock, Alfred
Vertigo (1958)
Body Double (1984)
Postmoderne ~ Postmodern
Politik ~ Politics
Sexualität ~ Sexuality

#81
Cyberfiktionen: Neue Beiträge. Hrsg. von Jörn Glasenapp. - München: Verlag Reinhard Fischer 2002.
Reviews:
Sudmann, Andreas: [untitled] In: Medienwissenschaft 2003. No. 1. pp. 131-133.
Index:
Technik: Computer ~ Technology: Computer
Postmoderne ~ Postmodern
Hollywood ~ Hollywood
Cyberspace ~ Cyberspace

#82
Daffron, Eric: Double trouble: The self, the social order and the trouble with sympathy in the romantic and post-modern gothic. In: Gothic Studies 3. 2001. No. 1. [April] pp. 75-83.
Description:
On the figure of the double in romantic and post-modern gothic literature and film. Discusses, among others, Ridley Scott’s Blade Runner.
Index:
Scott, Ridley
Blade Runner (1982)
Postmoderne ~ Postmodern
Literatur ~ Literature
Horror ~ Horror
Doppelgänger ~ Double
Romantik ~ Romanticism

#83
Danziger, Marie: Basic Instinct: Grappling for post-modern mind control. In: Literature/Film Quarterly 22. 1994. No. 1. [January] pp. 7-10.
Index:
Verhoeven, Paul
Basic Instinct (1992)
Sexualität: Sadomasochismus ~ Sexuality: Sadomasochism
Postmoderne ~ Postmodern

#84
Daspit, Toby: Buffy goes to college, Adam murders to dissect: Education and knowledge in a postmodern world. In: Buffy, the Vampire Slayer and philosophy: Fear and trembling in Sunnydale. Edited by James B. South. - Chicago, Illinois: Open Court 2003. (= Popular Culture and Philosophy 4.) p. ?P.
Index:
Buffy the Vampire Slayer (TV)
Pädagogik ~ Paedagogy
Postmoderne ~ Postmodern
Mord ~ Murder
Philosophie ~ Philosophy

#85
David Lynch. In: Postmodernism: The key figures. Edited by Hans Bertens and Joseph Natoli. - Malden, Massachussetts: Blackwell Publishers 2002. p. ?P.
Index:
Lynch, David
Postmoderne ~ Postmodern

#86
Davidson, Gut: Contagious relations: Simulation, paranoia, and the postmodern condition in William Friedkin’s Cruising and Felice Picano’s The Lure. In: GLQ 11. 2005. No. 1. [?D] pp. 23-64.
Index:
Picano, Felice
Friedkin, William
Cruising (1979)
Wahnsinn ~ Madness
Postmoderne ~ Postmodern
Lure, The (Literatur ~ Literature)

#87
Davis, Kimberly Chabot: Audience, sentimental postmodernism, and Kiss of the Spider Woman. In: CLCWeb: Computers, Literature and Culture 10. 2008. No. 3. [?D] p. ?P.
Index:
Babenco, Hector
Beijo da a mulher aranha / Kiss of the Spiderwoman (1985)
Postmoderne ~ Postmodern

#88
Davis, Kimberly Chabot: Postmodern texts and emotional audiences. - West Lafayette, Indiana: Purdue University Press 2007. (= Comparative cultural studies.)
Description:
Discusses, among others, Jane Campion’s The Piano and Hector Babenco’s Kiss of the Spiderwoman.
Index:
Campion, Jane
Babenco, Hector
Piano, The (1993)
Beijo da a mulher aranha / Kiss of the Spiderwoman (1985)
Postmoderne ~ Postmodern

#89
Dean, Jodi: The truth is out there: Aliens and the fugitivity of postmodern truth. In: Camera Obscura 14. 1997. No. 40/41. [May] pp. 43 ff.
Index:
X-Files, The (TV)
Postmoderne ~ Postmodern
Aliens ~ Aliens

#90
Degli-Espositi, Cristina: The alchemical trend of postmodernism: Italo Calvino, Umberto Eco, and Federico Fellini. - Bloomington, Indiana: Indiana University, Ph.D. 1991. [Abstract in: Dissertation Abstracts International A 52. 1992. No. 7. (January) p. 2542A.]
Index:
Fellini, Federico
Calvino, Italo
Eco, Umberto
Postmoderne ~ Postmodern

#91
Denzin, Norman K.: Images of postmodern society: Social theory and contemporary cinema. - Newbury Park, California; London: Sage Publications 1991.
Reviews:
Constable, Catherine: [untitled] In: Screen 37. 1996. No. 4. [?D] pp. 424-427.
Sharrett, Christopher: [untitled] In: Film Quarterly 46. 1992. No. 1. [Fall] pp. 38-39.
Description:
Discusses, among others, David Lynch’s Blue Velvet.
Index:
Lynch, David
Blue Velvet (1986)
Postmoderne ~ Postmodern

#92
Dorland, Michael / Kroker, Arthur: Panic cinema: Sex in the age of the hyperreal. In: Cineaction 1987. No. 10. [Fall] pp. 2-5.
Description:
Discusses, among others, the representation of violent and sadomasochistic sex in David Lynch’s Blue Velvet and Cronenberg’s Videodrome.
Index:
Lynch, David
Cronenberg, David
Blue Velvet (1986)
Videodrome (1982)
Sexualität: Sadomasochismus ~ Sexuality: Sadomasochism
Gewalt ~ Violence
Postmoderne ~ Postmodern
Religion: Apokalypse ~ Religion: Apocalypse
Sexualität ~ Sexuality

#93
Dorland, Michael / Kroker, Arthur: Panic cinema: Sex in the age of the hyperreal. In: Crisis cinema: The apocalyptic idea in postmodern narrative film. Edited by Christopher Sharrett. - Washington, D.C.: Maisonneuve Press 1993. (= PostModernPositions 6.) pp. 11-16.
Description:
Discusses, among others, the representation of violent and sadomasochistic sex in David Lynch’s Blue Velvet and Cronenberg’s Videodrome.
Index:
Lynch, David
Cronenberg, David
Blue Velvet (1986)
Videodrome (1982)
Sexualität: Sadomasochismus ~ Sexuality: Sadomasochism
Gewalt ~ Violence
Postmoderne ~ Postmodern
Religion: Apokalypse ~ Religion: Apocalypse
Sexualität ~ Sexuality

#94
Downing, Lisa: French cinema’s new "sexual revolution": Postmodern porn and troubled genre. In: French Cultural Studies 15. 2004. No. ?N. [?D] pp. 265-280.
Description:
Discusses, among others, Baise-moi by Virginie Despentes and Coralie plus Gaspar Noé’s Irréversible.
Index:
Coralie Trinh Thi [Pseudonym: Coralie]
Despentes, Virginie
Noé, Gaspar
Baise-moi (2000)
Irréversible (2002)
Sexualität ~ Sexuality
Postmoderne ~ Postmodern
Frankreich ~ France

#95
Egan, Joe: Brave heart of Jesus: Mel Gibson’s postmodern way of the cross. - Blackrock, Co. Dublin: Columba Press 2004.
Description:
On Mel Gibson’s The Passion of the Christ.
Index:
Gibson, Mel
Passion of the Christ, The (2004)
Postmoderne ~ Postmodern
Religion ~ Religion

#96
Egner, Silke: Bilder der Farbe. - Weimar: VDG - Verlag und Datenbank für Geisteswissenschaften 2004. (= Moderner Film 2.)
Reviews:
Mühlbeyer, Harald: Form & Farbe: Eine Reihe zur Moderne im Film. In: EPD Film 22. 2005. No. 2. [February] p. 54.
Description:
On the use of color in modern and ppostmodern films. Discusses, among others, the work of David Lynch, Peter Greenaway, Krzysztof Kieslowski and Tom Tykwer.
Index:
Lynch, David
Greenaway, Peter
Kieslowski, Krzysztof
Tykwer, Tom
Postmoderne ~ Postmodern

#97
Elliott, P.: Film theory of the postmodern scopic region: Hitchcock and the cinema of sensation. - Colchester, Essex: University of Essex, Ph.D. 2010. [Abstract in: Index to Theses with Abstracts 59-9066.]
Index:
Hitchcock, Alfred
Postmoderne ~ Postmodern

#98
Die Filmgespenster der Postmoderne. Hrsg. von Andreas Rost und Mike Sandbothe. - Frankfurt/M.: Verlag der Autoren 1998. (= Filmbibliothek / Reden über Film.) p. ?P.
Index:
Coppola, Francis Ford
Bram Stoker’s Dracula (1992)
Hollywood ~ Hollywood
Postmoderne ~ Postmodern
Geister ~ Ghosts

#99
Elza, Cary: Postfeminism in a postmodern landscape: Navigating difference on Veronica Mars. In: Supernatural youth: The rise of the teen hero in literature and popular culture. Edited by Jes Battis. - Lanham, Maryland: Lexington 2011. pp. 116-137.
Index:
Veronica Mars (TV)
Postmoderne ~ Postmodern
Frauen ~ Women
Literatur ~ Literature
Jugend ~ Youth
Helden ~ Heros
Wunder ~ Miracles

#100
Erickson, John: The ghost in the machine: Gilliam’s post-modern response in Brazil to the Orwellian dystopia of Nineteen Eighty-Four. In: Utopian Studies 4. 1993. No. 2. [?D] pp. 26-34.
Index:
Gilliam, Terry
Blair, Eric [Pseudonym: Orwell, George]
Brazil (1985)
Utopie ~ Utopia
Postmoderne ~ Postmodern
Geister ~ Ghosts
1984 (Literatur ~ Literature)

#101
Evans, Owen: Tom Tykwer’s Run Lola Run: Postmodern, posthuman or "post-theory"? In: Studies in European Cinema 1. 2004. No. 2. [?D] pp. 105-115.
Description:
On fairy tale motifs in Tom Tykwer’s Lola rennt.
Index:
Tykwer, Tom
Lola rennt (1998)
Postmoderne ~ Postmodern
Märchen ~ Fairy Tales

#102
Eyuboglu, Selim: Four films: Crossing the boundaries of modernism and postmodernism. - Kent: University of Kent, Ph.D. 1992. [Abstract in: Index to Theses with Abstracts 43. 1994. No. 1. pp. 17-18(43-0112) / Dissertation Abstracts International A 53. 1993. No. 9. (March) p. 3022A.]
Description:
Discusses Lucino Visconti’s Morte a Venezia, Michelangelo Antonioni’s L’Avventura, Alfred Hitchcock’s Blackmail and David Lynch’s Blue Velvet.
Index:
Visconti, Lucino
Antonioni, Michelangelo
Hitchcock, Alfred
Lynch, David
Morte a Venezia (1970)
Avventura, L’ (1959)
Blackmail (1929)
Blue Velvet (1986)
Postmoderne ~ Postmodern

#103
Eyüboglu, Selim: The authorial text and postmodernism: Hitchcock’s Blackmail. In: Screen 32. 1991. No. 1. [Spring] pp. 58-78.
Index:
Hitchcock, Alfred
Blackmail (1929)
Postmoderne ~ Postmodern

#104
Felluga, Dino: The Matrix: Paradigm of postmodernism or intellectual poseur? In: Taking the red pill: Science, philosophy and religion in The Matrix. Edited by Glenn Yeffeth. - Dallas, Texas: BenBella Books 2003. pp. 71-84.
Index:
Wachowski, Andy
Wachowski, Larry
Matrix, The (Filmreihe)
Wissenschaft ~ Science
Religion ~ Religion
Postmoderne ~ Postmodern
Philosophie ~ Philosophy

#105
Ferreras Savoye, Daniel / Moreno, Fernando Ángel: Popular culture and epistemological doubt: The limits of reality in postmodern science fiction. In: Popular Culture Review 22. 2011. No. 2. [?D] pp. 5-14.
Index:
Science Fiction ~ Science Fiction
Postmoderne ~ Postmodern

#106
Ferriss, Suzanne / Waites, Kathleen: Unclothing gender: The postmodern sensibility in Sally Potter’s Orlando. In: Literature/Film Quarterly 27. 1999. No. 2. [April] pp. 110-115.
Index:
Potter, Sally
Orlando (1992)
Kleidung ~ Clothes
Sexualität ~ Sexuality
Postmoderne ~ Postmodern

#107
Feyerabend, Florian: The living dead: Postmodern icons of horror: The oeuvre of George A. Romero. - Marburg: Tectum-Verlag 2011.
Index:
Romero, George A.
Postmoderne ~ Postmodern
Horror ~ Horror
Vampire ~ Vampires
Zombies ~ Zombies

#108
Fhlainn, Sorcha Ní: A very special vampire episode: Vampires, archetypes and postmodern turns in late 1980s’ and 1990s’ cult TV shows. In: Horror Studies 8. 2017. No. 2. [October] pp. 255-274.
Description:
Discusses, among others, the representation of vampires in Quantum Leap, The X-Files, Tales from the Crypt, and Friday the 13th - The Series.
Index:
Quantum Leap (TV)
X-Files, The (TV)
Tales from the Crypt (TV)
Friday the 13th - The Series (TV)
Vampire ~ Vampires
Postmoderne ~ Postmodern
Fernsehen ~ Television

#109
Fiedler, Jeannine: Postmoderne Schüttelreime. In: Filmbulletin 40. 1998. No. 1(215) [?D] pp. 4-5.
Index:
Lynch, David
Lost Highway (1996)
Postmoderne ~ Postmodern

#110
Die Filmgespenster der Postmoderne. Hrsg. von Andreas Rost und Mike Sandbothe. - Frankfurt/M.: Verlag der Autoren 1998. (= Filmbibliothek / Reden über Film.)
Reviews:
Kramer, Stefan: [untitled] In: Film-Dienst 52. 1999. No. 1. [January 5] pp. 32-33.
Krewani, Angela: [untitled] In: Medienwissenschaft 1999. No. 2. pp. 208-209.
Description:
Discusses, among others, the horror film.
Index:
Horror ~ Horror
Postmoderne ~ Postmodern
Geister ~ Ghosts

#111
Fischer, Craig: Attack of the bloodthirsty, nostalgic, anti-postmodernist psychotronic spectator. In: Michigan Academician 26. 1994. No. 2. [?D] p. 238.
Index:
Psychologie ~ Psychology
Postmoderne ~ Postmodern
Exploitation ~ Exploitation
Blut ~ Blood

#112
Fischer, Lucy / Landy, Marcia: Dead Again or a-live again: Postmodern or postmortem? In: Cinema Journal 33. 1994. No. 4. [Summer] pp. 3-22.
Index:
Branagh, Kenneth
Dead Again (1990)
Postmoderne ~ Postmodern
Tod ~ Death

#113
Flieger, Verlyn: A distant mirror: Tolkien and Jackson in the looking-glass. In: Postmodern medievalisms. Edited by Richard Utz and Jesse G. Swan with the assistance of Paul Plisiewicz. - Cambridge: D. S. Brewer 2004. (= Studies in medievalism 13.) pp. 67 ff.
Index:
Tolkien, John Ronald Reuel
Jackson, Peter
Lord of the Rings (Filmreihe)
Postmoderne ~ Postmodern
Lord of the Rings (Literatur ~ Literature)
Geschichte: Mittelalter ~ History: Middle Ages

#114
Frank, Robert V.: House of cards: Postmodernism, the star system, and Casino Royale. In: Quarterly Review of Film and Video 29. 2012. No. 4. [July] pp. 338-355.
Index:
Guest, Val
Hughes, Kenneth
Huston, John
McGrath, Joseph
Parrish, Robert
Casino Royale (1967)
Postmoderne ~ Postmodern

#115
Franklin, Sarah: Postmodern mutant cyborg cinema. In: New Scientist 128. 1990. No. 1748. [December 22] pp. 70 ff.
Description:
Discusses, among others, the Robocop films.
Index:
Robocop (Filmreihe)
Roboter ~ Robots
Postmoderne ~ Postmodern
Monster ~ Monster

#116
Friedman, Jason K.: "Ah am witness to its authenticity": Gothic style in postmodern southern writing. In: Goth: Undead subculture. Edited by Lauren M. E. Goodlad and Michael Bibby. - Durham, North Carolina: Duke University Press 2007. pp. 190-216.
Description:
Discusses, among others, Neil Jordan’s filming of Anne Rice’s novel Interview with the Vampire.
Index:
O’Brien, Anne [Pseudonym: Rice, Anne]
Jordan, Neil
Interview with the Vampire (1994)
Postmoderne ~ Postmodern
Interview with the Vampire (Literatur ~ Literature)
Horror ~ Horror

#117
Frost, Inken: "Love is a psychopath": The postmodern doppelganger in Steven Moffat’s Jekyll. In: Transitions and dissolving boundaries in the fantastic. Edited by Christine Lötscher. - Wien; Zürich; Berlin; Münster: LIT 2014. (= Fantastikforschung 2.) pp. 125-140.
Index:
Moffat, Steven
Jekyll (TV)
Psychologie ~ Psychology
Postmoderne ~ Postmodern
Doppelgänger ~ Double

#118
Fuentes, Victor: The discreet charm of the postmodern: Negotiating the great divide with the ultimate modernist, Buñuel. In: Luis Buñuels The Discreet Charm of the Bourgeoisie. Edited by Marsha Kinder. - Cambridge: Cambridge University Press 1999. (= Cambridge Film Handbooks.) pp. 82-98.
Index:
Buñuel, Luis
charme discret de la bourgeoisie, Le (1972)
Postmoderne ~ Postmodern

#119
Fuller, Stephen M.: Deposing an American cultural totem: Clarice Starling and postmodern heroism in Thomas Harris’s Red Dragon, The Silence of the Lambs, and Hannibal. In: Journal of Popular Culture 38. 2005. No. 5. [?D] pp. 819-833.
Index:
Ratner, Brett
Demme, Jonathan
Scott, Ridley
Harris, Thomas
Red Dragon (2002)
Silence of the Lambs, The (1990)
Hannibal (2001)
USA (United States of America) ~ USA (United States of America)
Postmoderne ~ Postmodern
Mord ~ Murder
Helden ~ Heros

#120
Gannon, Charles E.: Neither fire nor ice: Postmodern revisions of America’s post-Cold War apocalyptic nightmare. In: The Comparatist 1999. No. 23. [?D] pp. 152-159.
Index:
USA (United States of America) ~ USA (United States of America)
Religion: Apokalypse ~ Religion: Apocalypse
Postmoderne ~ Postmodern
Krieg ~ War
Traum ~ Dreams

#121
Garrett, Roberta: Costume drama and counter memory: Sally Potter’s Orlando. In: Postmodern subjects / postmodern texts. Edited by Jane Dowson and Steven Earnshaw. - Amsterdam; Atlanta, Georgia: Rodopi 1995. (= Postmodern Studies 13.) pp. 89-99.
Index:
Potter, Sally
Orlando (1992)
Postmoderne ~ Postmodern

#122
Geithner, Michael: Spiegel in Black Swan. In: "Come and play with us": Dramaturgie und Ästhetik im postmodernen Kino. Hrsg. von Christine Lang und Kerstin Stutterheim. - Marburg: Schüren 2013. pp. 111 ff.
Index:
Aronofsky, Darren
Black Swan (2010)
Spiegel ~ Mirror
Postmoderne ~ Postmodern

#123
George, Susan A.: Investigating the postmodern memory crisis on the small screen. In: Practicing science fiction: Critical essays on writing, reading and teaching the genre. Edited by Karen Hellekson [et al.]. - Jefferson, North Carolina; London: McFarland & Co. 2010. pp. 104-116.
Index:
Torchwood (TV)
Pädagogik ~ Paedagogy
Postmoderne ~ Postmodern
Fernsehen ~ Television
Science Fiction ~ Science Fiction

#124
The gift of story: Narrating hope in a postmodern world. Edited by Emily Griesinger and Mark Eaton. - Waco, Texas: Baylor University 2006.
Index:
Postmoderne ~ Postmodern

#125
Gilliam, Ken / Wooden, Shannon R.: Pixar’s boy stories: Masculinity in a postmodern age. - Lanham, Maryland; Plymouth: Rowman & Littlefield 2014.
Index:
Postmoderne ~ Postmodern
Pixar [Firma] ~ Pixar [Company]
Männer ~ Men
Animation ~ Animation

#126
Goodnight, G. Thomas: The Firm, the Park and the University: Fear and trembling on the postmodern trail. In: The Quarterly Journal of Speech 81. 1995. No. 3. [?D] pp. 267-290.
Description:
Compares the two filmings Jurassic Park by Spielberg (based on a novel by Michael Crichton) and The Firm by Sydney Pollack (based on a novel by John Grisham).
Index:
Spielberg, Steven
Pollack, Sydney
Jurassic Park (1993)
Firm, The (1993)
Literatur ~ Literature
Postmoderne ~ Postmodern
Angst ~ Fear

#127
Gordon, Andrew: Science-fiction film criticism: The postmodern always rings twice. In: Science Fiction Studies 14. 1987. No. 3(?N). [?D] pp. 386-391.
Index:
Science Fiction ~ Science Fiction
Postmoderne ~ Postmodern

#128
Gordon, Andrew: The Matrix: Paradigm of postmodernism or intellectual poseur? Part II. In: Taking the red pill: Science, philosophy and religion in The Matrix. Edited by Glenn Yeffeth. - Dallas, Texas: BenBella Books 2003. pp. 85-102.
Index:
Wachowski, Andy
Wachowski, Larry
Matrix, The (Filmreihe)
Wissenschaft ~ Science
Religion ~ Religion
Postmoderne ~ Postmodern
Philosophie ~ Philosophy

#129
Goshorn, A. Keith: Repoman and the punk anti-aesthetic: Postmodernity as a permanent "bad area". In: Crisis cinema: The apocalyptic idea in postmodern narrative film. Edited by Christopher Sharrett. - Washington, D.C.: Maisonneuve Press 1993. (= PostModernPositions 6.) pp. 36-75.
Index:
Cox, Alex
Repo Man (1984)
Punk ~ Punk
Postmoderne ~ Postmodern
Religion: Apokalypse ~ Religion: Apocalypse

#130
Grace, Sherrill E.: "Dans le cristallin de nos yeux": Neige noire, Caligari and the postmodern film frame-up. In: New Comparison 1988. No. 5. [?D] pp. 89-103.
Description:
Discusses, among others, Robert Wiene’s Das Cabinet des Dr. Caligari.
Index:
Wiene, Robert
Cabinet des Dr. Caligari, Das (1919)
Postmoderne ~ Postmodern
Film Noir ~ Film Noir

#131
Gradogna, Alessio / Tasso, Fabio: Shinya Tsukamoto: La crisi della postmodernità. In: Gradogna, Alessio / Tasso, Fabio: Tokyo syndrome: Le nuove frontiere dell’horror giapponese. - Alessandria: Falsopiano 2006. (= Falsopiano cinema.) pp. 137 ff.
Description:
Discusses Denchu Kozo no boken, Tetsuo, Yôkai hantâ: Hiruko and Tetsuo II: Body Hammer.
Index:
Tsukamoto, Shinya
Denchu Kozo no boken (1987)
Tetsuo (1989)
Yôkai hantâ: Hiruko (1991)
Tetsuo II: Body Hammer (1991)
Postmoderne ~ Postmodern
Horror ~ Horror
Japan ~ Japan

#132
Grassian, Daniel: The half-baked cultural detective: Fear and Loathing in Las Vegas as postmodern noir. In: Popular Culture Review 11. 2000. No. 2. [?D] pp. 99-111.
Index:
Gilliam, Terry
Fear and Loathing in Las Vegas (1997)
Postmoderne ~ Postmodern
Film Noir ~ Film Noir
Detektive ~ Detectives

#133
Griggers, Catherine Joan: Reinventing the popular: Inscriptions of the feminine subject in postmodern genres. - Gainesville, Florida: University of Florida, Ph.D. 1989. [Abstract in: Dissertation Abstracts International A 51. 1990. No. 3. (September) p. 1024A.]
Description:
Discusses, among others, the representation of women in the novels by American author Kathy Acker, in Brian De Palma’s Body Double and in David Lynch’s Blue Velvet.
Index:
Acker, Kathy
De Palma, Brian
Lynch, David
Blue Velvet (1986)
Body Double (1984)
USA (United States of America) ~ USA (United States of America)
Postmoderne ~ Postmodern
Frauen ~ Women

#134
Grob, Norbert: "Die Sperlinge fliegen wieder": Postmoderne Helden in postmodernen Geschichten (im Hollywood-Kino der neunziger Jahre). In: Grob, Norbert: Zwischen Licht und Schatten: Essays zum Film. - St. Augustin: Gardez! Verlag 2002. pp. 121-135.
Index:
Postmoderne ~ Postmodern
Hollywood ~ Hollywood
Helden ~ Heros

#135
Gruszewska Blaim, Ludmila / Wawrzyszak, Patrycja: East European Golgotha: Constructing postmodern dystopia in Piotr Szulkin’s Ga-ga: Glory to the Heroes. In: Imperfect worlds and dystopian narratives in contemporary cinema. Edited by Arthur Blaim and Ludmila Gruszewska-Blaim. - Frankfurt/Main; New York: Peter Lang 2011. p. ?P.
Index:
Szulkin, Piotr
Ga, Ga - Chwala bohaterom (1986)
Postmoderne ~ Postmodern
Osteuropa ~ Eastern Europe
Europa ~ Europe
Science Fiction ~ Science Fiction
Utopie ~ Utopia

#136
Hamilton, Jennifer: Pylean idol: L.A.’s de(con)struction of a postmodern bard. In: The literary Angel: Essays on influences and traditions reflected in the Joss Whedon series. Edited by AmiJo Comeford and Tamy Burnett. - Jefferson, North Carolina; London: McFarland 2010. p. ?P.
Index:
Whedon, Joss
Angel (TV)
Postmoderne ~ Postmodern
Los Angeles ~ Los Angeles

#137
Hammett, Jennifer: "You never had a camera inside my head": The masculine subject of the postmodern sublime. In: Criticism 45. 2003. No. 1. [?D] pp. 75-87.
Description:
On Peter Weir’s The Truman Show.
Index:
Weir, Peter
Truman Show, The (1998)
Postmoderne ~ Postmodern
Männer ~ Men

#138
Hanger, Bonnie: The woman sawed in half: Death, duality, and the female figure of postmodern psychodrama. - Detroit, Michigan: Wayne State University, Ph.D. 2001. [Abstract in: Dissertation Abstracts International A 62. 2002. No. 12. (June) p. 3974.]
Description:
Psychoanalytical and cultural examination of female subjectivity in the movies, especially in suspense and horror film. Discusses, among others, James Dearden’s A Kiss before Dying, Neil Jordan’s In Dreams, Tarsem Singh’s The Cell, Stephan Elliott’s Eye of the Beholder, Vincent Ward’s Map of the Human Heart, Jane Campion’s The Piano, Peter Jackson’s Heavenly Creatures and David Lynch’s Twin Peaks: Fire Walk with Me.
Index:
Dearden, James
Jordan, Neil
Singh, Tarsem
Elliott, Stephan
Ward, Vincent
Campion, Jane
Jackson, Peter
Lynch, David
Kiss before Dying, A (1991)
In Dreams (1999)
Cell, The (2000)
Eye of the Beholder (1998)
Map of the Human Heart (1992)
Piano, The (1993)
Heavenly Creatures (1994)
Twin Peaks: Fire Walk with Me (1992)
Tod ~ Death
Thriller ~ Thriller
Psychologie ~ Psychology
Postmoderne ~ Postmodern
Horror ~ Horror
Frauen ~ Women

#139
Harbord, Janet: Margins of (t)error: Film, postmodernism and the ideology of signification. - Falmer, East Sussex: University of Sussex, D.Phil. 1992. [Abstract in: Index to Theses with Abstracts 43. 1994. No. 3. p. 847(43-5227).]
Index:
Postmoderne ~ Postmodern
Politik ~ Politics

#140
Hasenberg, Peter: Religiöses Kino in postmoderner Kultur: Internationale Fachtagung zu Film und Theologie. In: Film-Dienst 46. 1993. No. 22. [October 26] p. 13.
Index:
Postmoderne ~ Postmodern
Religion ~ Religion

#141
Hayes, Jarrod: The seduction of Alexander behind the postmodern door: Ingmar Bergman and Baudrillard’s De la séduction. In: Literature/Film Quarterly 25. 1997. No. 1. [January] pp. 40-49.
Description:
On Fanny och Alexander.
Index:
Bergman, Ingmar
Baudrillard, Jean
Fanny och Alexander / Fanny et Alexandre (1982)
Verführung ~ Seduction
Postmoderne ~ Postmodern

#142
Heger, Christian: Tim, Struppi und die Barbourjacke: Über Christian Kracht und den postmodernen Ennui. In: Heger, Christian: Im Schattenreich der Fiktionen: Studien zur phantastischen Motivgeschichte und zur unwirtlichen (Medien-)Moderne. - München: AVM 2010. pp. 164 ff.
Index:
Kracht, Christian
Postmoderne ~ Postmodern

#143
Heilmann, Regina: Zwischen Elfenbeinturm und Eskapismus: Die Sumerer als Inspirationsquelle postmoderner Mythologisierung. In: Antike und Mittelalter im Film: Konstruktion - Dokumentation - Projektion. Hrsg. von Mischa Meier und Simona Slanicka. - Köln; Weimar; Wien: Böhlau 2007. (= Beiträge zur Geschichtskultur 29.) p. ?P.
Index:
Postmoderne ~ Postmodern
Mythologie ~ Mythology
Geschichte: Antike ~ History: Ancient Times

#144
Heimerl, Theresia: Der vergiftete Eros: Eros, Körperlichkeit und christliche Theologie von der Antike bis zur Postmoderne. In: Eros und Religion: Erkenntnisse aus dem Reich der Sinne. Hrsg. von Charles Martig und Leo Karrer. - Marburg: Schüren 2007. (= Film & Theologie 8) pp. 13 ff.
Index:
Postmoderne ~ Postmodern
Körper ~ Bodies
Geschichte: Antike ~ History: Ancient Times
Religion ~ Religion
Sexualität ~ Sexuality

#145
Heimerl, Theresia: Engelgleiche Körper: Die Inkarnation körperloser Wesen in Film und Werbung der Postmoderne. In: Kunst des Glaubens - Glaube der Kunst: Der Blick auf das "unverfügbare Andere": Gerhard Larcher zum 60. Geburtstag. Hrsg. von Christian Wessely. - Regensburg: Pustet 2006. pp. 330-347.
Description:
On the angel motif in film and advertisement.
Index:
Religion: Engel ~ Religion: Angels
Religion ~ Religion
Postmoderne ~ Postmodern
Körper ~ Bodies

#146
Heimerl, Theresia: Was, wenn die Bösen die Guten sind? Der Vampir als Spiegel eines postmodernen Diskurses über "vormoderne" Werte und Normen. In: Dunkle Helden: Vampire als Spiegel religiöser Diskurse in Film und TV. Hrsg. von Christian Feichtinger und Theresia Heimerl. - Marburg: Schüren 2011. (= Film & Theologie 17.) pp. 31 ff.
Index:
Postmoderne ~ Postmodern
Gute, Das ~ Good
Böse, Das ~ Evil, The
Helden ~ Heros
Fernsehen ~ Television
Religion ~ Religion
Vampire ~ Vampires

#147
Hempel, Claudia: Das postmoderne Moment in David Lynchs Film Blue Velvet. - Dresden: Technische Universität Dresden, Institut für Anglistik/Amerikanistik, Magisterarbeit 1997.
Index:
Lynch, David
Blue Velvet (1986)
Postmoderne ~ Postmodern

#148
Hendershot, Cyndy: Postmodern allegory and David Lynch’s Wild at Heart. In: Critical Arts 9. 1995. No. 1. [?D] pp. 5-20.
Index:
Lynch, David
Wild at Heart (1990)
Postmoderne ~ Postmodern

#149
Hendrix, Howard V.: Urge et orbe: A prehistory of the postmodern world city. In: World weavers: Globalization, science fiction, and the cybernetic revolution. Edited by Wong Kin Yuen, Gary Westfahl and Amy Kit-sze Chan. - Hong Kong: Hong Kong University Press 2005. p. ?P.
Index:
Globalisierung ~ Globalization
Geschichte ~ History
Stadt ~ City
Postmoderne ~ Postmodern
Cyberspace ~ Cyberspace
Science Fiction ~ Science Fiction

#150
Henke, Christoph / Middeke, Martin: Baudrillard revisited: Simulation, simulacra, and postmodern mythmaking in the Matrix trilogy. In: Intermedialities. Edited by Werner Huber. - Trier: Wissenschaftlicher Verlag Trier 2007. (= Focal point 6.) pp. 11 ff.
Index:
Wachowski, Andy
Wachowski, Larry
Baudrillard, Jean
Matrix, The (Filmreihe)
Postmoderne ~ Postmodern
Mythologie ~ Mythology

#151
Herzog, Michael. B.: Attunement and healing: The Fisher King. In: The gift of story: Narrating hope in a postmodern world. Edited by Emily Griesinger and Mark Eaton. - Waco, Texas: Baylor University 2006. pp. 263-277.
Index:
Gilliam, Terry
Fisher King, The (1991)
Postmoderne ~ Postmodern

#152
Ho, Elizabeth: Neo-victorianism and the memory of empire. - New York: Continuum 2012. (= Continuum literary studies.)
Description:
On the impact of Victorian literature to postmodern culture. Includes chapters on "Hong Kong and Jackie Chan’s neo-victorian films" and on "Neo-victorianism and science fiction: Steampunk".
Index:
Science Fiction ~ Science Fiction
Punk ~ Punk
Postmoderne ~ Postmodern
Literatur ~ Literature
Hongkong ~ Hong Kong
Großbritannien ~ Great Britain

#153
Hodges, Lacy: Mainstreaming marginality: Genre, hybridity, and postmodernism in The X-Files. In: The essential science fiction television reader. Edited by J. P. Telotte. - Lexington, Kentucky: University Press of Kentucky 2008. (= Essential readers in contemporary media and culture.) pp. 231 ff.
Index:
X-Files, The (TV)
Postmoderne ~ Postmodern
Science Fiction ~ Science Fiction
Fernsehen ~ Television

#154
Holt, Shari Hodges: Dickens from a postmodern perspective: Alfonso Cuarón’s Great Expectations for Generation X. In: Dickens Studies Annual 2007. No. 38. [?D] pp. 69-92.
Index:
Cuarón, Alfonso
Dickens, Charles
Great Expectations (1998)
Postmoderne ~ Postmodern

#155
Holtz, Martin: Das Gespenst als Medium und das Medium als Gespenst: (Re-)Medialisierung in Almereydas postmodernem Hamlet (2000). In: Film, Bild, Wirklichkeit: Reflexion von Film - Reflexion im Film. Hrsg. von Thomas Metten und Michael Meyer. - Köln: Herbert von Halem Verlag 2016. p. ?P.
Index:
Almereyda, Michael
Hamlet (2000)
Postmoderne ~ Postmodern
Geister ~ Ghosts

#156
Huber, Stefan: Postmoderne Welten: Blue Velvet. In: Filmwelten: Beiträge zum Verhältnis von Film und Gesellschaft. Hrsg. von Wilhelm Hofman. - Weiden: Schuch-Verlag 1993. pp. 153-170.
Index:
Lynch, David
Blue Velvet (1986)
Postmoderne ~ Postmodern

#157
Hunter, I. Q.: Banalität som frälsning. In: Filmhäftet 30. 2002. No. 121. [May] pp. 18-29.
Description:
On the postmodern motif of the "end of history" in Bill and Ted’s Excellent Adventure and The Matrix.
Index:
Herek, Stephen
Wachowski, Andy
Wachowski, Larry
Bill & Ted’s Excellent Adventure (1989)
Matrix, The (1999)
Postmoderne ~ Postmodern
Geschichte ~ History

#158
Hurley, Gavin F.: Nonknowledge and inner experience: A post-modern rhetoric of space horror. In: Horror in space: Critical essays on a film subgenre. Edited by Michele Brittany. - Jefferson, North Carolina: McFarland & Company 2017. pp. 81 ff.
Index:
Weltraum ~ Space
Postmoderne ~ Postmodern
Science Fiction ~ Science Fiction
Horror ~ Horror

#159
Irwin, Gayle: Luis Bunuel’s postmodern explicador: Film, story, and narrative space. In: Canadian Journal of Film Studies 4. 1995. No. 1. [Spring] pp. 27-47.
Index:
Buñuel, Luis
Postmoderne ~ Postmodern

#160
Isaacs, Bruce / Trost, Theodore Louis: Story, product, franchise: Images of postmodern cinema. In: Jacking in to the Matrix franchise: Cultural reception and interpretation. Edited by Matthew Kapell and William G. Doty. - London; New York: Continuum 2004. pp. 65-79.
Index:
Wachowski, Andy
Wachowski, Larry
Matrix, The (Filmreihe)
Postmoderne ~ Postmodern

#161
Jackson, Kimberly: Splice: The postmodern Prometheus. In: Horror Studies 3. 2012. No. 1. [April] pp. 125-138.
Description:
On the motif of the mad scientist.
Index:
Natali, Vincenzo
Splice (2009)
Wahnsinn ~ Madness
Prometheus ~ Prometheus
Postmoderne ~ Postmodern

#162
Jäger, Marc-christian: Die Nacht des Lebendigen weicht vor der Helligkeit des Todes: Über den Splatterfilm als postmodernes Theater der Grausamkeit. In: F.LM - Texte zum Film. Online edition, ?D 2004.
First edition:
[ ]
Index:
Tod ~ Death
Theater ~ Theatre
Splatter-Filme ~ Splatter Films
Postmoderne ~ Postmodern
Nacht ~ Night
Gewalt ~ Violence

#163
Janca-Aji, Joyce: The dark dreamlife of postmodern theology: Delicatessen, The City of Lost Children, and Alien Resurrection. In: Religion and science fiction. Edited by James F. McGrath. - Eugene, Oregon: Pickwick Publications 2011. pp. 9 ff.
Index:
Caro, Marc
Jeunet, Jean-Pierre
Delicatessen (1990)
cité des enfants perdus, La (1995)
Alien - Resurrection / Alien 4 (1997)
Traum ~ Dreams
Postmoderne ~ Postmodern
Science Fiction ~ Science Fiction
Religion ~ Religion

#164
Jöckel, Sven: The Eye of Sauron - Das postmoderne Event-Movie. In: Mediale Spielräume: Erfundene Welten, gestaltete Bilder. Hrsg. von Thomas Barth, Christian Batzer und Jens Eder. - Marburg: Schüren Presseverlag 2005. (= Film- und Fernsehwissenschaftliches Kolloquium 17.) pp. 87 ff.
Index:
Jackson, Peter
Lord of the Rings (Filmreihe)
Postmoderne ~ Postmodern
Augen ~ Eyes
Cyberspace ~ Cyberspace

#165
Jockenhövel, Jesko: Postmodernes Recycling: Wagners Spuren in der filmischen Popkultur. In: Wagner-Kino: Spuren und Wirkungen Richard Wagners in der Filmkunst. Hrsg. von Jan Drehmel. - Hamburg: Junius 2013. pp. 188 ff.
Index:
Wagner, Richard
Postmoderne ~ Postmodern
Kunst ~ Arts, The
Musik ~ Music

#166
Jost, François: Der Parcours des Zuschauers in den Filmen Robbe-Grillets. Aus dem Französischen von Andreas Riehle und Dominique Blüher. In: Robbe-Grillet zwischen Moderne und Postmoderne: "Nouveau roman", "Nouveau cinéma" und "Nouvelle Autobiographie". Hrsg. von Karl Alfred Blüher. - Tübingen: Gunter Narr 1992. (= Acta Romanica 1.) pp. 65-76.
Index:
Robbe-Grillet, Alain
Postmoderne ~ Postmodern

#167
Joyce, Stephen: The last non-judgment: Postmodern apocalypse in Battlestar Galactica. In: The last midnight: Essays on apocalyptic narratives in millennial media. Edited by Leisa A. Clark, Amanda Firestone and Mary F. Pharr. - Jefferson, North Carolina: McFarland & Company 2016. (= Critical explorations in science fiction and fantasy 53.) pp. 60 ff.
Index:
Battlestar Galactica (TV)
Postmoderne ~ Postmodern
Nacht ~ Night
Religion: Apokalypse ~ Religion: Apocalypse

#168
Juan-navarro, Santiago: Trapped in the house of mirrors: The Others as a transnational postmodern gothic thriller. In: Tracing the borders of Spanish horror cinema and television. Edited by Jorge Marí. - New York: Routledge 2017. (= Routledge research in cultural and media studies 107.) p. ?P.
Index:
Amenábar, Alejandro
Others, The (2001)
Thriller ~ Thriller
Spiegel ~ Mirror
Postmoderne ~ Postmodern
Fernsehen ~ Television
Horror ~ Horror
Spanien ~ Spain

#169
Jutel, Thierry Jean: Wim Wenders’ cinema and the advent of postmodernity: Negativity, obscenity, and the search for compromise. - ?O: University of Maryland College Park, Ph.D. 1993. [Abstract in: Dissertation Abstracts International A 55. 1995. No. 10. (April) p. 3019A.]
Index:
Wenders, Wim
Postmoderne ~ Postmodern

#170
Keisner, Jody: Do you want to watch? A study of the visual rhetoric of the postmodern horror film. In: Women’s Studies 37. 2008. No. 4. [June] pp. 411-427.
Index:
Postmoderne ~ Postmodern
Horror ~ Horror
Frauen ~ Women

#171
Kellner, Douglas: David Cronenberg: Panic horror and the postmodern body. In: Canadian Journal of Political and Social Theory 13. 1989. No. 3. [?D] pp. 89-101.
Description:
Psychological examination of Parasite Murders, Rabid, The Brood, Scanners, Videodrome, The Dead Zone and The Fly.
Index:
Cronenberg, David
Parasite Murders (1974)
Rabid (1976)
Brood, The (1979)
Scanners (1980)
Videodrome (1982)
Dead Zone, The (1983)
Fly, The (1986)
Psychologie ~ Psychology
Körper ~ Bodies
Postmoderne ~ Postmodern
Horror ~ Horror

#172
Kellner, Douglas: The X-Files and the aesthetics and politics of postmodern pop. In: Journal of Aesthetics and Art Criticism 57. 1999. No. 2. [?D] pp. 161-175.
Index:
X-Files, The (TV)
Postmoderne ~ Postmodern

#173
Kelly, Allison M.: A girl’s best friend is her mother: The Exorcist as a post-modern oedipal tale. In: Journal of Evolutionary Psychology 25. 2004. No. 1/2. [March] pp. 64-69.
Index:
Friedkin, William
Exorcist, The (1973)
Postmoderne ~ Postmodern
Ödipus ~ Oedipus
Mutter ~ Mothers

#174
Kelso, Sylvia: The postmodern uncanny: Or establishing uncertainty. In: Paradoxa 3. 1997. No. 3/4. [?D] pp. 456-470.
Index:
Vampire ~ Vampires
Postmoderne ~ Postmodern
Angst ~ Fear

#175
Kendall, Lukas: Recently, in a postmodern galaxy all around us. In: Film Score Monthly 2. 1997. No. 1. [?D] pp. 24-25.
Index:
Lucas, George
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Postmoderne ~ Postmodern

#176
Kim, Sue: Beyond black and white: Race and postmodernism in The Lord of the Rings films. In: Modern Fiction Studies 50. 2004. No. 4. [?D] pp. 875-907.
Index:
Jackson, Peter
Lord of the Rings (Filmreihe)
Ethnie ~ Ethnicity
Postmoderne ~ Postmodern

#177
King, John: Mystery Science Theater 3000, media consciousness, and the postmodern allegory of the captive audience. In: Journal of Film and Video 59. 2007. No. 4. [?D] pp. 37-53.
Index:
Mystery Science Theater 3000 (TV)
Postmoderne ~ Postmodern

#178
King, Neal: Secret agency in mainstream postmodern cinema. In: Postmodern Culture 18. 2008. No. 3. [?D] p. ?P.
Index:
Postmoderne ~ Postmodern

#179
King, Sharon Diane: The apocalypse will not take place: Megamonster films (Cloverfield, Pacific Rim, Godzilla) in the postmodern age. In: The last midnight: Essays on apocalyptic narratives in millennial media. Edited by Leisa A. Clark, Amanda Firestone and Mary F. Pharr. - Jefferson, North Carolina: McFarland & Company 2016. (= Critical explorations in science fiction and fantasy 53.) pp. 165 ff.
Index:
Reeves, Matt
del Toro, Guillermo
Edwards, Gareth
Cloverfield (2008)
Pacific Rim (2013)
Godzilla (2014)
Religion ~ Religion
Postmoderne ~ Postmodern
Nacht ~ Night
Monster ~ Monster
Religion: Apokalypse ~ Religion: Apocalypse

#180
Knox, Simone: Test and theory: Reading postmodern critical discourses and contemporary film and television. - Reading: University of Reading, Ph.D. 2005. [Abstract in Index to Theses with Abstracts 55. 2006. No. 3. p. 655(55-5306).]
Description:
Discusses especially The Matrix by Andy and Larry Wachowski, David Fincher’s Fight Club, Peter Weir’s The Truman Show, McG’s Charlie’s Angels and the television series The Simpsons and Buffy the Vampire Slayer.
Index:
Wachowski, Andy
Wachowski, Larry
Fincher, David
Weir, Peter
McGinty Nichol, Joseph [Pseudonym: McG]
Matrix, The (Filmreihe)
Fight Club (1999)
Truman Show, The (1998)
Charlie’s Angels (2000)
Simpsons, The (TV)
Buffy the Vampire Slayer (TV)
Postmoderne ~ Postmodern
Fernsehen ~ Television

#181
Kozlovic, Anton Karl: Postmodernism, Christianity and the Hollywood hermeneutic. In: Kritikos 2004. No. 1. [December] pp. 1-13.
Index:
Religion ~ Religion
Postmoderne ~ Postmodern
Hollywood ~ Hollywood

#182
Krainak, Michael J.: The Jackleg Testament, Part One: Jack and Eve: Artist Jay Bolotin with his postmodern take on Genesis, the first woodcut motion picture ever made. In: Journal of Religion and Film 14. 2010. No. 1. [April] p. 1-4.
Index:
Bolotin, Jay
Jackleg Testament, Part One, The: Jack and Eve (2004-2006)
Postmoderne ~ Postmodern
Religion ~ Religion
Kunst ~ Arts, The

#183
Kreuzer, Stefanie: Tim Burtons Genrepersiflage Big Fish (USA 2003): Ein postmodern-ironisches Spiel mit wunderbaren Filmwelten. In: Von Mittelerde bis in die Weiten des Alls: Fantasy und Science-Fiction in Literatur und Film: Tagungsband zum Symposion 2005. Hrsg. von Maren Bonacker und Stefanie Kreizer. - Wetzlar: Phantastische Bibliothek 2006. (= Schriftenreihe und Materialien der Phantastischen Bibliothek Wetzlar 94.) pp. 145 ff.
Index:
Burton, Tim
Big Fish (2003)
Postmoderne ~ Postmodern
Science Fiction ~ Science Fiction
Fantasy ~ Fantasy

#184
Krexner, Andreas: Die Ästhetik des Film Noir im postmodernen Science-Fiction Film: Eine filmanalytische Untersuchung ausgewählter Kinofilme. - Saarbrücken: Südwestdeutscher Verlag für Hochschulschriften 2008.
Index:
Science Fiction ~ Science Fiction
Postmoderne ~ Postmodern
Film Noir ~ Film Noir

#185
Kyora, Sabine: Gibt es noch Tabus? Gewalt und Sexualität in postmodernen Filmen. In: Tabu und Tabubruch in Literatur und Film. Hrsg. von Michael Braun. - Würzburg: Königshausen und Neumann 2007. (= Film - Medium - Diskurs 20.) pp. 151 ff.
Index:
Sexualität ~ Sexuality
Postmoderne ~ Postmodern
Gewalt ~ Violence
Literatur ~ Literature

#186
La Piana, Siobhan: Homosociality and the postmodern twin. In: Constructions 1990. No. ?N. [?D] pp. 15-33.
Description:
Discusses, among others, Peter Greenaway’s A Zed and Two Noughts.
Index:
Greenaway, Peter
Zed & Two Noughts, A (1985)
Zwillinge ~ Twins
Postmoderne ~ Postmodern

#187
Lacasse, Germain: La postmodernité: Fragmentation des corps et synthèse des images. In: Cinémas 7. 1996. No. 1/2. [Autumn] pp. 167-184.
Description:
On the fragmentation of the body and its digital restoration als a basic motif in postmodern film.
Index:
Technik: Computer ~ Technology: Computer
Postmoderne ~ Postmodern
Körper ~ Bodies

#188
Lacey, Nick: Postmodern romance: The impossibility of (de)centring the self. In: The Blade Runner experience: The legacy of a science fiction classic. Edited by Will Brooker. - London; New York: Wallflower 2005. p. ?P.
Index:
Scott, Ridley
Blade Runner (1982)
Postmoderne ~ Postmodern
Science Fiction ~ Science Fiction

#189
Landy, Marcia; Shostak, Stanley: Postmodernism as folklore in contemporary science fiction cinema. In: Rethinking Marxism 6. 1993. No. 2. [?D] pp. 25-45.
Index:
Science Fiction ~ Science Fiction
Postmoderne ~ Postmodern
Politik ~ Politics

#190
Latham, Robert Arch: There’s no place like home: Simulating postmodern America in The Wizard of Oz and Blue Velvet. In: Journal Of The Fantastic In The Arts 1. 1988. No. 4. [?D] pp. 49-58.
Index:
Fleming, Victor
Lynch, David
Wizard of Oz, The (1939)
Blue Velvet (1986)
USA (United States of America) ~ USA (United States of America)
Postmoderne ~ Postmodern

#191
Lauro, Sarah Juliet / Paul, Catherine: "Make me believe!": Ghost-hunting technology and the postmodern fantastic. In: Horror Studies 4. 2013. No. 2. [October] pp. 221-239.
Index:
Technik ~ Technology
Postmoderne ~ Postmodern
Jagd ~ Hunt
Geister ~ Ghosts

#192
Lawson, Erica: The politics and pedagogy of Crash in the postmodern era: A black feminist reflection. In: Crash politics and antiracism: Interrogations of liberal race discourse. Edited by Philip S. S. Howard and George J. Sefa Dei. - New York; Washington, DC; Baltimore, Maryland; Bern; Frankfurt, M.; Berlin; Brussels; Vienna; Oxford: Lang 2008. (= Counterpoints 339.) pp. 71 ff.
Index:
Cronenberg, David
Crash (1996)
Pädagogik ~ Paedagogy
Ethnie ~ Ethnicity
Postmoderne ~ Postmodern
Frauen ~ Women
Politik ~ Politics

#193
Laytham, D. Brent: Time for hope: The Sixth Sense, American Beauty, Memento, and Twelve Monkeys. In: The gift of story: Narrating hope in a postmodern world. Edited by Emily Griesinger and Mark Eaton. - Waco, Texas: Baylor University 2006. pp. 69-83.
Index:
Shyamalan, M. Night
Mendes, Sam
Nolan, Christopher
Gilliam, Terry
Sixth Sense, The (1999)
American Beauty (1999)
Memento (2000)
Twelve Monkeys (1995)
Postmoderne ~ Postmodern

#194
Leen, Catherine: The caballero revisited: Postmodernity in The Cisco Kid, The Mask of Zorro, and Shrek II. In: Bilingual Review / La revista bilingual 28. 2004-2007. No. 1. [?D] pp. 23-35.
Index:
Campbell, Martin
Adamson, Andrew
Asbury, Kelly
Vernon, Conrad
Cisco Kid, The (Filmreihe)
Mask of Zorro, The (1998)
Shrek 2 (2004)
Postmoderne ~ Postmodern

#195
Lefebvre, Martin: The scriptures through postmodern strategies: Challenging history. In: Canadian Journal of Political and Social Theory 14. 1990. No. ?N. [?D] pp. 219-229.
Description:
Discusses, among others, Jean-Luc Godard’s Je vous salue, Marie, Denys Arcand’s Jésus de Montréal and Martin Scorsese’s The Last Temptation of Christ.
Index:
Godard, Jean-Luc
Arcand, Denys
Scorsese, Martin
Je vous salue, Marie (1984)
Jésus de Montréal (1989)
Last Temptation of Christ, The (1988)
Religion ~ Religion
Postmoderne ~ Postmodern
Geschichte ~ History

#196
Lehmann, Courtney: Kenneth Branagh at the quilting point: Shakespearean adaption, postmodern auteurism, and the (schizophrenic) fabric of "everyday life". In: Post Script 17. 1997. No. 1. [?D] pp. 6-27.
Index:
Branagh, Kenneth
Shakespeare, William
Wahnsinn ~ Madness
Postmoderne ~ Postmodern

#197
Lehmann, Courtney: Shakespeare remains: Theater to film, early modern to postmodern. - Ithaca: Cornell University Press 2002.
Reviews:
Burnett, Mark Thornton: [untitled] In: Shakespeare Quarterly 54. 2004. No. 4. [?D] pp. 469-471.
Index:
Shakespeare, William
Theater ~ Theatre
Postmoderne ~ Postmodern

#198
Lesch, Walter: Die Ästhetik des Bösen als "postmodernes" Stilprinzip? Theologisch-ethische Randbemerkungen zur TV-Serie Twin Peaks. In: Communicatio Socialis 26. 1993. No. 4. [?D] pp. 355-369.
Index:
Lynch, David
Twin Peaks (TV)
Religion ~ Religion
Postmoderne ~ Postmodern
Böse, Das ~ Evil, The
Fernsehen ~ Television

#199
Lewis, Jon: The road to romance and ruin: The crisis of authority in Francis Coppola’s Rumble Fish. In: Crisis cinema: The apocalyptic idea in postmodern narrative film. Edited by Christopher Sharrett. - Washington, D.C.: Maisonneuve Press 1993. (= PostModernPositions 6.) pp. 128-146.
Index:
Coppola, Francis Ford
Rumble Fish (1983)
Frankreich ~ France
Postmoderne ~ Postmodern
Religion: Apokalypse ~ Religion: Apocalypse

#200
Leypoldt, Günter: Recent realist fiction and the idea of writing "after postmodernism". In: Amerikastudien 49. 2004. No. 1. [?D] pp. 19-34.
Description:
Discusses, among others, Joel Coen’s The Man Who Wasn’t There.
Index:
Coen, Joel
Man Who Wasn’t There, The (2001)
Postmoderne ~ Postmodern

#201
Lindvall, Terry / Melton, Matthew: Toward a postmodern animated discourse: Bakhtin, intertexuality and the cartoon carnival. In: Animation: Art & industry. Edited by Maureen Furniss. - Herts: John Libbey / Bloomington, Indiana: Indiana University Press 2007. p. ?P.
Index:
Bakhtin, Michail Michailowitsch
Postmoderne ~ Postmodern
Karneval ~ Carnival
Animation: Cartoons ~ Animation: Cartoons
Kunst ~ Arts, The
Animation ~ Animation

#202
Lindvall, Terry / Melton, Matthew: Towards a postmodern animated discourse: Bakhtin, intertextuality and the cartoon carnival. In: Animation Journal 3. 1994. No. 1. [Fall] pp. 45-63.
Index:
Bakhtin, Michail Michailowitsch
Postmoderne ~ Postmodern
Animation: Cartoons ~ Animation: Cartoons
Animation ~ Animation
Karneval ~ Carnival

#203
Lino, Mirko: L’apocalisse postmoderna tra letteratura e cinema: Catastrofi, oggetti, metropoli, corpi. - Firenze: Le lettere 2014. (= AlterAzioni 6.)
Index:
Stadt ~ City
Religion: Apokalypse ~ Religion: Apocalypse
Religion ~ Religion
Postmoderne ~ Postmodern

#204
Löser, Claus: Belladonna of Sadness: Zwischen Kitsch und Subversion: Wiederaufführung eines prä-postmodernen Animationsklassikers. In: Film-Dienst 69. 2016. No. 18. [September 1] p. 46.
Index:
Yamamoto, Eiichi
Kanashimi no Beradonna (1973)
Postmoderne ~ Postmodern
Kitsch ~ Kitsch
Animation ~ Animation

#205
Luckhurst, Roger: Shut(ting) the fuck up: Narrating Blue Velvet in the postmodernist frame. In: Bete Noire 1989/1990. No. 8/9. [?D] pp. 170-182.
Description:
On postmodern narrative techniques in David Lynch’s film.
Index:
Lynch, David
Blue Velvet (1986)
Sexualität ~ Sexuality
Postmoderne ~ Postmodern

#206
Lunenfeld, Peter Benjamin: Film rouge: Genre, postmodern theory, and the American cinema of the 1980s. - Los Angeles, California: University of California at Los Angeles, Ph.D. 1994. [Abstract in: Dissertation Abstracts International A 56. 1995. No. 1. (July) p. 10A.]
Description:
Discusses, among others, David Lynch’s Blue Velvet, Ridley Scott’s Blade Runner and David Cronenberg’s Dead Ringers.
Index:
Lynch, David
Scott, Ridley
Cronenberg, David
Blue Velvet (1986)
Blade Runner (1982)
Dead Ringers (1988)
USA (United States of America) ~ USA (United States of America)
Postmoderne ~ Postmodern

#207
Magistrale, Tony: Abject terrors: Surveying the modern and postmodern horror film. - New York; Washington, DC; Baltimore; Bern; Frankfurt/Main; Berlin; Brussels; Wien; Oxford: Lang 2005.
Reviews:
Morsch, Thomas: [untitled.] In: Medienwissenschaft 2006. No. 4. pp. 451-453.
Description:
Discusses, among others, the films of Alfred Hitchcock and Stanley Kubrick.
Index:
Hitchcock, Alfred
Kubrick, Stanley
Postmoderne ~ Postmodern
Horror ~ Horror

#208
Mair, Jan: Rewriting the "American Dream": Postmodernism and otherness in Independence Day. In: Aliens R us: The other in science fiction cinema. Edited by Ziauddin Sardar and Sean Cubitt. - London; Sterling, Virginia: Pluto Press 2002. pp. 34-50.
Index:
Emmerich, Roland
Independence Day (1996)
USA (United States of America) ~ USA (United States of America)
Science Fiction ~ Science Fiction
Postmoderne ~ Postmodern
Aliens ~ Aliens

#209
Manzoli, Giacomo: Non aprite quelle porte: Le dimore inquiete dell’horror postmoderno. In: Cineforum 45. 2005. No. ?N(442). [March] pp. 53-57.
Description:
Discusses especially Takashi Shimizu’s The Grudge.
Index:
Shimizu, Takashi
Grudge, The (2004)
Postmoderne ~ Postmodern
Horror ~ Horror

#210
Marsh, Clive: Religion, theology and film in a postmodern age: A response to John Lyden. In: Journal of Religion and Film 2. 1998. No. 1. [April] p. ?P.
Index:
Postmoderne ~ Postmodern
Religion ~ Religion

#211
Mazierska, Ewa / Rascaroli, Laura: From Moscow to Madrid: Postmodern cities, European cinema. - London; New York: Tauris 2003.
Reviews:
Flinn, Margaret C.: [untitled] In: Film Quarterly 58. 2004. No. 1. [Fall] pp. 63-64.
Ostrowska, Dorota: [untitled] In: Kinema 2004. No. 22. [Fall] pp. 123-125.
Index:
Moskau ~ Moscow
Stadt ~ City
Postmoderne ~ Postmodern
Madrid ~ Madrid
Europa ~ Europe

#212
Mazza, Mia: Postmodern feminism and Frankenhooker. In: Spectator 12. 1991. No. 1. [Fall] pp. 34-43.
Description:
On the representation of the cyborg in the film.
Index:
Henenlotter, Frank
Frankenhooker (1990)
Roboter ~ Robots
Postmoderne ~ Postmodern
Frauen ~ Women

#213
McAvan: Emily: The postmodern sacred. In: Journal of Religion and Popular Culture 22. 2010. No. 1. [Spring] p. ?P.
Description:
On the representation of religion in Lord of the Rings, Harry Potter, The Matrix, The Passion of the Christ and Left Behind.
Index:
Jackson, Peter
Wachowski, Andy
Wachowski, Larry
Gibson, Mel
Sarin, Vic
Lord of the Rings (Filmreihe)
Harry Potter (Filmreihe)
Matrix, The (Filmreihe)
Passion of the Christ, The (2004)
Left Behind (2000)
Religion ~ Religion
Postmoderne ~ Postmodern

#214
McAvan, Emily: The postmodern sacred: Popular culture spirituality in the science fiction, fantasy and urban fantasy genres. - Jefferson, NC; London: McFarland, 2012.
Reviews:
Auger, Emily E.: [untitled.] In: Journal of Religion and Popular Culture 26. 2014. No. 2. [Summer] pp. 263-264.
Description:
Discusses, among others, the polytheism in Buffy the Vampire Slayer and Xena: Warrior Princess and Christian messianism in The Lord of the Rings.
Index:
Tolkien, John Ronald Reuel
Buffy the Vampire Slayer (TV)
Xena: Warrior Princess (TV)
Stadt ~ City
Science Fiction ~ Science Fiction
Religion ~ Religion
Postmoderne ~ Postmodern
Fantasy ~ Fantasy
Lord of the Rings (Literatur ~ Literature)

#215
McGuire, Amanda: The enduring lure of the vampire: Sadomasochistic subtexts in postmodern America. - East Lansing, Michigan: Michigan State University, M.A. 2002. [Abstract in: Masters Abstracts International 41. 2003. No. 2. (April) p. 384.]
Index:
Vampire ~ Vampires
USA (United States of America) ~ USA (United States of America)
Sexualität: Sadomasochismus ~ Sexuality: Sadomasochism
Postmoderne ~ Postmodern

#216
McGuirk, P.: From modernism to postmodernism: The films and fiction of Neil Jordan. - Dublin: University College Dublin, Ph.D. 2007. [Abstract in: Index to Theses with Abstracts 59-9757.]
Description:
Discusses especially the representation of the Gothic in Jordan’s films.
Index:
Jordan, Neil
Postmoderne ~ Postmodern
Horror ~ Horror

#217
McLarty, Lianne Marie: The limits of dissatisfaction: Postmodernism, the contemporary horror film and the "problem" of the feminine. - Burnaby, British Columbia: Simon Fraser University, Ph.D. 1993. [Abstract in: Dissertation Abstracts International A 55. 1995. No. 10. (April) p. 3020A.]
Index:
Postmoderne ~ Postmodern
Frauen ~ Women
Horror ~ Horror

#218
Medienkonstellationen: Literatur und Film im Kontext von Moderne und Postmoderne. Hrsg. von Volker Wehdeking. - Marburg: Tectum-Verlag 2008.
Index:
Postmoderne ~ Postmodern
Literatur ~ Literature

#219
Meik, Oliver: Lola rennt - aber wohin? Analyse, Interpretation und theologische Kritik eines postmodernen Films über den Menschen und seine Möglichkeiten. - Frankfurt/Main: Lang 2002. (= Studien zum Theater, Film und Fernsehen 36.)
Index:
Tykwer, Tom
Lola rennt (1998)
Religion ~ Religion
Postmoderne ~ Postmodern

#220
Menarini, Roy: L’antieroe postmoderno. In: Segnocinema ?G. 1996. No. 82. [November/December] pp. 7-10.
Description:
On the serial killer as anti-hero.
Index:
Postmoderne ~ Postmodern
Mord ~ Murder
Helden ~ Heros

#221
Merschmann, Helmut: Von Fledermäusen und Muskelmännern: Postmoderne im amerikanischen Mainstream-Kino: Arnold Schwarzenegger und Tim Burton. - Berlin: Freie Universität Berlin, Dissertation 1998.
Index:
Schwarzenegger, Arnold
Burton, Tim
Körper ~ Bodies
USA (United States of America) ~ USA (United States of America)
Postmoderne ~ Postmodern
Männer ~ Men

#222
Merschmann, Helmut: Von Fledermäusen und Muskelmännern: Postmoderne im amerikanischen Mainstream-Kino: Arnold Schwarzenegger und Tim Burton. - Berlin: Wissenschaftsverlag Spiess 2000.
Index:
Schwarzenegger, Arnold
Burton, Tim
Körper ~ Bodies
USA (United States of America) ~ USA (United States of America)
Postmoderne ~ Postmodern
Männer ~ Men

#223
Miess, Julie: Neue Monster: Postmoderne Horrortexte und ihre Autorinnen. - Köln; Weimar; Wien: Böhlau 2010. (= Literatur, Kultur, Geschlecht, Große Reihe 56.)
Description:
On female gothic horror in literature and film. Includes chapters on Joyce Carol Oates’s Foxfire and the filming by Annette Haywood-Carter, on Jonathan Mostow’s Terminator 3, Roy Ward Baker’s Dr. Jekyll and Sister Hyde, René Manzor’s Dédales and Alfred Hitchcock’s Psycho.
Index:
Oates, Joyce Carol
Haywood-Carter, Annette
Mostow, Jonathan
Baker, Roy Ward
Manzor, René
Hitchcock, Alfred
Foxfire (1996)
Terminator 3: Rise of the Machines (2003)
Dr. Jekyll and Sister Hyde (1971)
Dédales (2003)
Psycho (1960)
Postmoderne ~ Postmodern
Foxfire (Literatur ~ Literature)
Literatur ~ Literature
Horror ~ Horror
Frauen ~ Women
Monster ~ Monster

#224
Miess, Julie: Neue Monster: Postmoderne Horrortexte und ihre Autorinnen. - Berlin: Humboldt-Universität, Dissertation 2008.
Description:
On female gothic horror in literature and film. Includes chapters on Joyce Carol Oates’s Foxfire and the filming by Annette Haywood-Carter, on Jonathan Mostow’s Terminator 3, Roy Ward Baker’s Dr. Jekyll and Sister Hyde, René Manzor’s Dédales and Alfred Hitchcock’s Psycho.
Index:
Oates, Joyce Carol
Haywood-Carter, Annette
Mostow, Jonathan
Baker, Roy Ward
Manzor, René
Hitchcock, Alfred
Foxfire (1996)
Terminator 3: Rise of the Machines (2003)
Dr. Jekyll and Sister Hyde (1971)
Dédales (2003)
Psycho (1960)
Postmoderne ~ Postmodern
Foxfire (Literatur ~ Literature)
Literatur ~ Literature
Horror ~ Horror
Frauen ~ Women
Monster ~ Monster

#225
Miller, Barbara Louise: Postmodernism: Artistic ploy or cultural response? A visual and textual analysis of fragmentation and layering in Postmodern art and dominant cinema. - Rochester, New York: University of Rochester, Ph.D. 1993. [Abstract in: Dissertation Abstracts International A 54. 1994. No. 11. [May] p. 3908.]
Description:
Discusses especially the postmodern serial killing film, the representation of femininity in the work of Cindy Sherman and sadomasochism in film, painting and photography.
Index:
Sherman, Cindy
Sexualität: Sadomasochismus ~ Sexuality: Sadomasochism
Postmoderne ~ Postmodern
Kunst ~ Arts, The
Frauen ~ Women
Fotografie ~ Photography

#226
Milner, Andrew: Postmodern gothic: Buffy, the X-Files and the Clinton presidency. In: Continuum 19. 2005. No. 1. [March] pp. 103-116.
Index:
Clinton, William Jefferson "Bill"
Buffy the Vampire Slayer (TV)
X-Files, The (TV)
USA (United States of America) ~ USA (United States of America)
Postmoderne ~ Postmodern
Horror ~ Horror
Politik ~ Politics

#227
Mizejewski, Linda / Schmertz, Johanna: Total recoil: The Schwarzenegger body on postmodern Mars / On reading the politics of Total Recall. In: Post Script 12. 1993. No. 3. [Summer] pp. 25-43.
Index:
Verhoeven, Paul
Schwarzenegger, Arnold
Total Recall (1990)
Postmoderne ~ Postmodern
Körper ~ Bodies

#228
Modleski, Tania: The terror of pleasure: The contemporary horror film and postmodern theory. In: Film theory and criticism: Introductory readings. Edited by Leo Braudy and Marshall Cohen. 5th edition. - New York: Oxford University Press 1999. pp. 691-700.
Index:
Postmoderne ~ Postmodern
Horror ~ Horror

#229
The undead and theology. Edited by Kim Paffenroth and John W. Morehead. - Eugene, Oregon: Pickwick Publications 2012. p. ?P.
Index:
Postmoderne ~ Postmodern
Religion ~ Religion
Zombies ~ Zombies

#230
Mosley, David L.: Listening to Parsifal: Premodern romance, modern music drama, postmodern film. In: Essays on music and the spoken word and on surveying the field. Edited by Suzanne M. Lodato and David Francis Urrows. - Amsterdam; New York: Rodopi 2005. (= Word and music studies 7.) pp. 21-49.
Description:
Discusses, among others, Terry Gilliam’s The Fisher King.
Index:
Wagner, Richard
Wolfram von Eschenbach
Gilliam, Terry
Fisher King, The (1991)
Postmoderne ~ Postmodern
Parzifal ~ Perceval
Parsifal (Musik ~ Music)
Parzival (Literatur ~ Literature)
Religion: Gral ~ Religion: Grail

#231
Moss, Andrew: Schizophrenia and postmodernism: Raising Arizona, Barton Fink, and "The Coen Brothers". In: Post Script 27. 2008. No. 2. [Winter/Spring] pp. 23-37.
Index:
Coen, Ethan
Coen, Joel
Raising Arizona (1986)
Barton Fink (1991)
Wahnsinn ~ Madness
Postmoderne ~ Postmodern

#232
Moya, Ana; López, Gemma: "I’m a wild success": Postmodern Dickens/Victorian Cuarón. In: Dickens Quarterly 25. 2008. No. 3. [?D] pp. 172-189.
Index:
Cuarón, Alfonso
Dickens, Charles
Great Expectations (1998)
Postmoderne ~ Postmodern

#233
Murphree, Hyon Joo Yoo: Cowboys, postmodern heroes, and anti-heroes: The many faces of the alerized white man. - Denton, Texas: University of North Texas, M.A. 2000. [Abstract in: Masters Abstracts International 40. 2002. No. 1. p. 4.]
Description:
On postmodern action heroes in cinema. Discusses especially the films of actor Bruce Willis and director Tim Burton.
Index:
Willis, Bruce
Burton, Tim
Postmoderne ~ Postmodern
Männer ~ Men
Helden ~ Heros
Action ~ Action

#234
Mythologies of violence in postmodern media. Edited by Christopher Sharrett. - Detroit, Michigan: Wayne State University Press 1999. (= Contemporary Film and Television.)
Reviews:
Hills, Matthew: [untitled] In: Post Script 21. 2002. No. 3. [Summer] pp. 134-135.
Macek, Steve: [untitled] In: Quarterly Review of Film and Video 17. 2000. No. 3. [October] pp. 287-292.
Mattson, Kevin: [untitled] In: Cineaste 26. 2000. No. 1. [December] p. 69.
Slocum, J. David: [untitled] In: Film Quarterly 54. 2001. No. 4. [Summer] pp. 58-59.
Index:
Postmoderne ~ Postmodern
Mythologie ~ Mythology
Gewalt ~ Violence

#235
Nelson, Robin: From Twin Peaks, USA, to lesser peaks, UK: Building the postmodern TV audience. In: Media Culture & Society 18. 1996. No. 4. [?D] pp. 677-682.
Index:
Lynch, David
Twin Peaks (TV)
Postmoderne ~ Postmodern
USA (United States of America) ~ USA (United States of America)
Fernsehen ~ Television

#236
Nessel, Sabine: Kino und postmoderne Identität: Neuere Identitätskonzepte am Beispiel der Filme En avoir (ou pas), A vendre und Love Me von Lætitia Masson. In: Wo-Man: Kino und Identität: Bremer Symposium zum Film. Hrsg. von Christine Rüffert. - Berlin: Bertz 2003. pp. 141 ff.
Index:
Masson, Laetitia
En avoir (ou pas) (1995)
À vendre (1998)
Love Me (1999)
Postmoderne ~ Postmodern
Sexualität ~ Sexuality
Männer ~ Men
Frauen ~ Women

#237
Neuhaus, Stefan: "Lasst Brian frei!": Religion und Postmoderne am Beispiel von Monty Python’s Life of Brian (GB 1979). In: Religion und Literatur im 20. und 21. Jahrhundert: Motive, Sprechweisen, Medien. Hrsg. von Tim Lörke und Robert Walter-Jochum. - Göttingen: V&R unipress 2015. pp. 609 ff.
Index:
Jones, Terry
Monty Python’s Life of Brian (1979)
Postmoderne ~ Postmodern
Religion ~ Religion
Literatur ~ Literature

#238
Neuser, Michael: Postmodernes Kino: Stanley Kubricks Filmästhetik jenseits der Konventionen. - Hamburg: Diplomica-Verlag 2012.
Index:
Kubrick, Stanley
2001 - A Space Odyssey (1968)
Clockwork Orange, A (1971)
Postmoderne ~ Postmodern

#239
Neuser, Michael: Über die filmische Manifestation eines zeitgenössischen Phänomens: Das Kino Stanley Kubricks im Zeichen postmoderner Paradigmen. - München: GRIN Verlag 2012.
Index:
Kubrick, Stanley
Postmoderne ~ Postmodern

#240
Newman, Robert D.: Cannibals and clock-teasers: narrating the postmodern horror film. In: Transgressions of reading: Narrative engagement as exile and return. - Durham, North Carolina: Duke University Press 1993. p. ?P.
Description:
Discusses, among others, George A. Romero’s zombie classic Night of the Living Dead.
Index:
Romero, George A.
Night of the Living Dead (1968)
Zombies ~ Zombies
Postmoderne ~ Postmodern
Kannibalismus ~ Cannibalism
Horror ~ Horror

#241
Ni Fhlainn, Sorcha: All dark inside: dehumanization and zombification in postmodern cinema. In: Better off dead: The evolution of the zombie as post-human. Edited by Deborah Christie and Sarah Juliet Lauro. - New York: Fordham University Press 2011. p. ?P.
Index:
Postmoderne ~ Postmodern
Tod ~ Death
Zombies ~ Zombies

#242
Oberflächenrausch: Postmoderne und Postklassik im Kino der 90er Jahre. Hrsg. von Jens Eder. - Münster: LIT 2002.
Index:
Postmoderne ~ Postmodern

#243
Och, Dana: Beyond surveillance: Questions of the real in the neo-postmodern horror film. In: Style and form in the Hollywood slasher film. Edited by Wickham Clayton. - Houndmills, Basingstoke, Hampshire: New York: Palgrave Macmillan 2015. p. ?P.
Index:
Postmoderne ~ Postmodern
Horror ~ Horror
USA (United States of America) ~ USA (United States of America)
Hollywood ~ Hollywood

#244
Ohlin, Peter: Science-fiction film criticism and the debris of postmodernism. In: Science Fiction Studies 18. 1991. No. 3(?N). [November] pp. 411 ff.
Index:
Science Fiction ~ Science Fiction
Postmoderne ~ Postmodern

#245
Olivier, Bert: Postmodern cinema and postmodern culture: Information communication, otherness and history in Wenders’s Himmel uber Berlin (Wings of Desire). In: Literator 13. 1992. No. 3. [?D] pp. 1-12.
Index:
Wenders, Wim
Himmel über Berlin, Der (1987)
Geschichte ~ History
Postmoderne ~ Postmodern

#246
Orr, Stanley: Postmodernism, noir, and The Usual Suspects. In: Literature/Film Quarterly 27. 1999. No. 1. [?D] pp. 65-73.
Index:
Singer, Bryan
Usual Suspects, The (1995)
Postmoderne ~ Postmodern
Film Noir ~ Film Noir

#247
Ort, Nina: Where is my Mind? Where is my Mind? Where is my Mind? Zur Popularität des Films Fight Club in der Postmoderne. In: Wie im Film: Zur Analyse populärer Medienereignisse. Hrsg. von Bernd Scheffer und Oliver Jahraus. - Bielefeld: Aisthesis-Verlag 2004. (= Schrift und Bild in Bewegung 8.) pp. 101 ff.
Index:
Fincher, David
Fight Club (1999)
Postmoderne ~ Postmodern

#248
Ott, Brian L.: "I’m Bart Simpson; who the hell are you?": A study in post-modern identity (re)construction. In: Journal of Popular Culture 37. 2003. No. 1. [?D] pp. 56-82.
Index:
Simpsons, The (TV)
Postmoderne ~ Postmodern
Animation ~ Animation

#249
Owen, A. Susan: Vampires, post-modernity, and postfeminism: Buffy the Vampire Slayer. In: Journal of Popular Film and Television 27. 1999. No. 2. [Summer] pp. 24-31.
Description:
On the TV series.
Index:
Buffy the Vampire Slayer (TV)
Vampire ~ Vampires
Postmoderne ~ Postmodern
Frauen ~ Women
Fernsehen ~ Television

#250
Paden, William D.: I learned It at the movies: Teaching medieval film. In: Postmodern medievalisms. Edited by Richard Utz and Jesse G. Swan with the assistance of Paul Plisiewicz. - Cambridge: D. S. Brewer 2004. (= Studies in medievalism 13.) pp. 79 ff.
Index:
Pädagogik ~ Paedagogy
Postmoderne ~ Postmodern
Geschichte: Mittelalter ~ History: Middle Ages

#251
Pagan, Nicholas O.: The Cook, the Thief, His Wife and Her Lover: Making sense of postmodernism. In: South Atlantic Review 60. 1995. No. 1. [?D] pp. 43-55.
Index:
Greenaway, Peter
Cook, the Thief, His Wife & Her Lover, The (1989)
Postmoderne ~ Postmodern

#252
Paice, Brett: Postmodern American gothic: The politics of fear in the works of Thomas Pynchon, David Lynch, and Steve Erickson. - Notre Dame, Indiana: University of Notre Dame, Ph.D. 2009. [Abstract in: Dissertation Abstracts International A 72. 2011. No. 3. (September)]
Index:
Pynchon, Thomas
Lynch, David
Erickson, Steve
USA (United States of America) ~ USA (United States of America)
Postmoderne ~ Postmodern
Horror ~ Horror
Angst ~ Fear

#253
Palmer, R. Barton: The Shining and anti-nostalgia: Postmodern notions of history. In: The philosophy of Stanley Kubrick. Edited by Jerold J. Abrams. - Lexington, Kentucky: University Press of Kentucky 2007. (= The philosophy of popular culture.) pp. 201-218.
Index:
Kubrick, Stanley
Shining, The (1980)
Postmoderne ~ Postmodern
Geschichte ~ History
Philosophie ~ Philosophy

#254
Parker, Tracey K.: "Do I lie to myself to be happy?": Self-help culture and fragmentation in postmodern film. In: Interdisciplinary Literary Studies 10. 2008. No. 1. [?D] pp. 1-15.
Description:
Discusses, among others, Michael Gondry’s Eternal Sunshine of the Spotless Mind, David Fincher’s Fight Club and Christopher Nolan’s Memento.
Index:
Gondry, Michael
Fincher, David
Nolan, Christopher
Eternal Sunshine of the Spotless Mind (2004)
Fight Club (1999)
Memento (2000)
Postmoderne ~ Postmodern

#255
Parsons, Bradley: The stories we tell ourselves: Postmodern narratives in popular culture. - Fullerton, California: California State University, Fullerton, M.A. 2002. [Abstract in: Masters Abstracts International 40. 2002. No. 5. (October) p. 1135.]
Description:
Includes a chapter on the science fiction film.
Index:
Science Fiction ~ Science Fiction
Postmoderne ~ Postmodern

#256
Pask, Kevin: Cyborg economies: Desire and labor in the Terminator films. In: Postmodern apocalypse: Theory and cultural practice at the end. - Philadelphia, Pennsylvania: ?V 1995. (= New Cultural Studies.) pp. 182-98.
Index:
Terminator (Filmreihe)
Wirtschaft ~ Economy
Roboter ~ Robots
Postmoderne ~ Postmodern
Religion: Apokalypse ~ Religion: Apocalypse

#257
Pender, Patricia: "I’m Buffy and you’re ... history": The postmodern politics of Buffy. In: Fighting the forces: What’s at stake in Buffy the Vampire Slayer? Edited by Rhonda V. Wilcox and David Lavery. - Lanham, Maryland; Oxford: Rowman & Littlefield 2002. pp. 35-44.
Index:
Buffy the Vampire Slayer (TV)
Postmoderne ~ Postmodern
Fernsehen ~ Television

#258
Penley, Constance: Time travel, primal scene, and the critical dystopia. In: The cultural politics of "postmodernism". Edited by John Tagg. - Binghamton: Department of Art History, State University of New York 1989. (= Current Debates in Art History 1.) pp. 33-49.
Description:
Discusses, among others, Alfred Hitchcock’s Psycho, Chris Marker’s La Jetée and James Cameron’s Terminator.
Index:
Hitchcock, Alfred
Marker, Chris
Cameron, James
Psycho (1960)
Jetée, La (1962)
Terminator, The (1984)
Utopie ~ Utopia
Postmoderne ~ Postmodern
Politik ~ Politics
Zeit ~ Time

#259
Peter Greenaway’s postmodern / poststructuralist cinema. Edited by Paula Willoquet-Maricondi and Mary Alemany-Galway. Revised edition. - Lanham, Maryland; London: Scarecrow Press 2008. (= Filmmakers 81.)
Index:
Greenaway, Peter
Postmoderne ~ Postmodern

#260
Peter Greenaway’s postmodern / poststructuralist cinema. Edited by Paula Willoquet-Maricondi and Mary Alemany-Galway. - Lanham, Maryland; Boston; London: Scarecrow Press 2001. (= Filmmakers 81.)
Reviews:
Elkington, Trevor G.: Between order and chaos. In: Film-Philosophy 8. 2004. No. 2. [January] p. ?P.
Struif, Barbara: [untitled] In: Medienwissenschaft 2002. No. 4. pp. 528-531.
Index:
Greenaway, Peter
Postmoderne ~ Postmodern

#261
Petersen, Christer: Der postmoderne Text: Rekonstruktion einer zeitgenössischen Ästhetik am Beispiel von Thomas Pynchon, Peter Greenaway und Paul Wühr. - Kiel: Verlag Ludwig 2003.
Reviews:
Ohligschläger, Nina: [untitled.] In: Medienwissenschaft 2004. No. 4. pp. 429-431.
Index:
Pynchon, Thomas
Greenaway, Peter
Wühr, Paul
Postmoderne ~ Postmodern

#262
Petrolle, Jean: Religion without belief: Contemporary allegory and the search for postmodern faith. - Albany, New York: State University of New York Press 2008.
Reviews:
Ruf, Frederick J.: [untitled.] In: Literature and Theology 23. 2009. No. 2. [?D] pp. 237-239.
Description:
On religious aspects in postmodern literature and film, especially in virtual reality and avant-garde film.
Index:
Religion ~ Religion
Postmoderne ~ Postmodern
Literatur ~ Literature
Experimentalfilme ~ Experimental Films
Cyberspace ~ Cyberspace

#263
Pfeil, Fred: White guys: Studies in postmodern domination & difference. - ?O: Verso ?J (1995)
Description:
On the representation of men in film. Discusses, among others, the Die Hard and the Lethal Weapon series.
Index:
Donner, Richard
Die Hard (Filmreihe)
Lethal Weapon (Filmreihe)
Postmoderne ~ Postmodern
Männer ~ Men

#264
Pheasant-Kelly, Fran: Parody, pastiche and intertextuality in Scream: Formal and theoretical approaches to the postmodern slasher. In: Style and form in the Hollywood slasher film. Edited by Wickham Clayton. - Houndmills, Basingstoke, Hampshire: New York: Palgrave Macmillan 2015. p. ?P.
Index:
Craven, Wes
Scream (Filmreihe)
Postmoderne ~ Postmodern
Humor ~ Humor
Horror ~ Horror
USA (United States of America) ~ USA (United States of America)
Hollywood ~ Hollywood

#265
Phillips, Kendall R.: "You said forever": Postmodern temporality in Tony Scott’s The Hunger. In: Dracula’s daughters: The female vampire on film. Edited by Douglas Brode and Leah Deyneka. - Lanham, Maryland: Scarecrow Press 2014. p. ?P.
Index:
Scott, Tony
Hunger, The (1982)
Postmoderne ~ Postmodern
Vampire ~ Vampires
Frauen ~ Women

#266
Pigoullié, Jean-François: Les années 80 ou le religieux postmoderne. In: Positif 1989. No. 340. [?D] pp. 18-21.
Description:
On Christian motifs in contemporary film.
Index:
Religion ~ Religion
Postmoderne ~ Postmodern

#267
Pike, Karen: Theories of the fantastic: Postmodernism, game theory, and modern physics. - Toronto, Ontario: University of Toronto, Ph.D. 2012. [Abstract in: Dissertation Abstracts International A 74. 2014. No. 8. [February] p. ?P.]
Description:
Includes chapters on the X-Files TV series and on the vampire motiv in Abel Ferrara’s The Addiction, Ken Russell’s The Lair of the White Worm and Michael Almereyda’s Nadja.
Index:
Ferrara, Abel
Russell, Ken
Almereyda, Michael
X-Files, The (TV)
Addiction, The (1994)
Lair of the White Worm, The (1988)
Nadja / Vampire Girl (1994)
Vampire ~ Vampires
Postmoderne ~ Postmodern
Fernsehen ~ Television
Literatur ~ Literature

#268
Pinedo, Isabel Cristina: Postmodern elements of the contemporary horror film. In: The horror film. Edited and with an introduction by Stephen Prince. - New Brunswick, New Jersey: Rutgers University Press 2004. (= Rutgers depth of field.) pp. 85-117.
Index:
Postmoderne ~ Postmodern
Horror ~ Horror

#269
Pinedo, Isabel: Recreational terror: Postmodern elements of the contemporary horror film. In: Journal of Film and Video 48. 1996. No. 1/2. [Spring/Summer] pp. 17-31.
Index:
Postmoderne ~ Postmodern
Horror ~ Horror

#270
Polasek, Ashley D.: Sherlockian simulacra: Adaption and the postmodern construction of reality. In: Literature/Film Quarterly 40. 2012. No. 3. [?D] pp. 191-197.
Index:
Postmoderne ~ Postmodern
Sherlock Holmes ~ Sherlock Holmes

#271
Pollard, Tom: Postmodern cinema and the death of the hero. In: Cineaction 2000. No. 53. [November] pp. 40-49.
Index:
Tod ~ Death
Postmoderne ~ Postmodern
Helden ~ Heros

#272
Pope, Richard: Doing justice: A ritual-psychoanalytic approach to postmodern melodrama and a certain tendency of the action film. In: Cinema Journal 51. 2012. No. 2. [Winter] pp. 113-136.
Index:
Psychologie ~ Psychology
Postmoderne ~ Postmodern
Justiz ~ Justice
Action ~ Action

#273
Pospísil, Tomás: Films by David Cronenberg and the fantastic postmodern body. In: The human figure in (post-)modern fantastic literature and film. Edited by Sabine Coelsch-Foisner and Milada Franková. - Brno: Masarykova University 2004. pp. 99-106.
Index:
Cronenberg, David
Postmoderne ~ Postmodern
Körper ~ Bodies

#274
Post/modern Dracula: From Victorian themes to postmodern praxis. Edited by John S. Bak. - Newcastle: Cambridge Scholars Publishing 2007.
Description:
On the vampire motif in literature and film.
Index:
Stoker, Bram
Vampire ~ Vampires
Postmoderne ~ Postmodern
Literatur ~ Literature
Dracula (Literatur ~ Literature)

#275
Postmodern apocalypse: Theory and cultural practise at the end. Edited by Richard Dellamora. - Philadelphia, Pennsylvania: University of Pennsylvania Press ?J (1996)
Index:
Postmoderne ~ Postmodern
Religion: Apokalypse ~ Religion: Apocalypse

#276
Postmodern medievalisms. Edited by Richard Utz and Jesse G. Swan with the assistance of Paul Plisiewicz. - Cambridge: D. S. Brewer 2004. (= Studies in medievalism 13.)
Index:
Postmoderne ~ Postmodern
Geschichte: Mittelalter ~ History: Middle Ages

#277
Postmodern reinterpretations of fairy tales: How applying new methods generates new meanings. Edited by Anna Kerchy. Foreword by Martine Hennard Dutheil de la Rochère. - Lewiston, New York: Edwin Mellen Press 2011.
Index:
Postmoderne ~ Postmodern
Märchen ~ Fairy Tales

#278
Postmodern subjects / Postmodern texts. Edited by Jane Dowson and Steven Earnshaw. - ?O: Rodopi ?J (1996).
Description:
Discusses, among others, Sally Potter’s Orlando.
Index:
Potter, Sally
Orlando (1992)
Postmoderne ~ Postmodern

#279
Die Postmoderne im Kino: Ein Reader. Hrsg. von Jürgen Felix. - Marburg: Schüren 2002.
Reviews:
Höltgen, Stefan: Unsere moderne Postmoderne. In: F.LM - Texte zum Film. Online edition, August 2003.
Index:
Postmoderne ~ Postmodern

#280
Potter, Russell A.: Edward Schizohands: The postmodern gothic body. In: Postmodern Culture 2. 1992. No. 3. [?D] pp. 30 ff.
Description:
On Burton’s Edward Scissorhands.
Index:
Burton, Tim
Edward Scissorhands (1990)
Horror ~ Horror
Wahnsinn ~ Madness
Körper ~ Bodies
Postmoderne ~ Postmodern

#281
Quist, Thomas John: American thought, culture, and neo-noir in the era of postmodernity. - Fargo, North Dakota: North Dakota State University, M.A. 2017. [Abstract in: Masters Abstracts International 56. 2017. No. 3M.]
Index:
USA (United States of America) ~ USA (United States of America)
Postmoderne ~ Postmodern
Film Noir ~ Film Noir

#282
Rabinovitz, Lauren: Animation, postmodernism, and MTV. In: The Velvet Light Trap 1989. No. 24. [Fall] pp. 99-112.
Index:
Postmoderne ~ Postmodern
MTV ~ MTV
Animation ~ Animation

#283
Rausa, Giuseppe: Il giallo e bello se e postmoderno. In: Segnocinema ?G. 1984. No. 14. [September] pp. 74-75.
Description:
On the Myfest Cattolica 1984.
Index:
Thriller ~ Thriller
Postmoderne ~ Postmodern
International Mystery Film Festival Cattolica (Myfest) ~ International Mystery Film Festival Cattolica (Myfest)
Festival ~ Festival

#284
Rauscher, Andreas: Back to the future. In: Film-Dienst 58. 2005. No. 12. [June 9] pp. 10-11.
Description:
On postmodern science fiction film. Discusses George Lucas’s Star Wars Episode III - Revenge of the Sith and Garth Jennings’s The Hitchhiker’s Guide to the Galaxy.
Index:
Lucas, George
Jennings, Garth
Star Wars Episode III - Revenge of the Sith (2005)
Hitchhiker’s Guide to the Galaxy, The (2005)
Science Fiction ~ Science Fiction
Postmoderne ~ Postmodern
Utopie ~ Utopia

#285
Rauscher, Andreas: Das postmoderne Gewissen: Charlie and the Chocolate Factory (Charlie und die Schokoladenfabrik). In: Splatting Image 2005. No. 63. [September] pp. 71-72.
Index:
Burton, Tim
Charlie and the Chocolate Factory (2005)
Postmoderne ~ Postmodern

#286
Rauscher, Andreas: Der erste Rächer der Retro-Postmoderne: Captain America -The First Avenger. In: Splatting Image 2011. No. 87 [September] pp. 58-60.
Index:
Johnston, Joe
Captain America: The First Avenger (2011)
Postmoderne ~ Postmodern

#287
Rauscher, Andreas: Im Angesicht der Postmoderne: James Bond und der post-klassische Actionfilm. In: Mythos 007: Die James-Bond-Filme im Fokus der Popkultur. Hrsg. von Andreas Rauscher, Cord Krüger, Georg Mannsperger und Bernd Zywietz. - Mainz: Bender 2007. pp. 102 ff.
Index:
James Bond (Filmreihe)
Postmoderne ~ Postmodern
Action ~ Action
James Bond ~ James Bond

#288
Rauscher, Andreas: Jäger der verlorenen Postmoderne: Die Genrespiele der Indiana Jones-Reihe. In: Film-Dienst 61. 2008. No. 11. [May 22] pp. 8-10.
Index:
Spielberg, Steven
Ford, Harrison
Indiana Jones (Filmreihe)
Postmoderne ~ Postmodern

#289
Reimann, Andrea: New German cinema’s boundaries opened: Postmodern authorship and nationality in Monika Treut’s films of the 1980s. In: Writing against boundaries: Nationality, ethnicity and gender in the German-speaking context. Edited by Barbara Kosta and Helga Kraft. - Amsterdam [et al.]: Rodopi 2003. (= Amsterdamer Publikationen zur Sprache und Literatur 153.) pp. 177-196.
Index:
Treut, Monika
Ethnie ~ Ethnicity
Sexualität ~ Sexuality
Postmoderne ~ Postmodern
Deutschland ~ Germany

#290
Resch, Susanne: Die Analyse des Sound Design in David Lynchs postmodernem Film Blue Velvet. - München: GRIN Verlag 2011.
Index:
Lynch, David
Blue Velvet (1986)
Postmoderne ~ Postmodern
Musik ~ Music

#291
Restivo, Angelo: Hitchcock and the postmodern. In: A companion to Alfred Hitchcock. Edited by Thomas Leitch and Leland Poague. - Chichester, West Sussex / Malden, Massachussetts: Wiley-Blackwell 2011. (= Wiley-Blackwell companions to film directors.) p. ?P.
Index:
Hitchcock, Alfred
Postmoderne ~ Postmodern

#292
Ricci, Andrea: The "awful mess" of noir in Italian cinema between the modern and the postmodern era. - Bloomington, Indiana: Indiana University, Ph.D. 2002. [Abstract in: Dissertation Abstracts International A 63. 2003. No. 12. (June) p. 4129.]
Description:
Discusses especially the giallo and the noir genre.
Index:
Thriller ~ Thriller
Postmoderne ~ Postmodern
Italien ~ Italy
Film Noir ~ Film Noir

#293
Rippy, Marguerite H.: Orson Welles and the unfinished RKO projects: A postmodern perspective. - Carbondale, Illinois: Southern Illinois University Press 2009.
Reviews:
Hemphill, Jim: [untitled.] In: American Cinematographer. Online edition, September 2009.
Index:
Welles, Orson
RKO ~ RKO
Postmoderne ~ Postmodern

#294
Ritter, Kelly: Postmodern dialogics in Pulp Fiction: Jules, Ezekiel, and double- voiced discourse. In: The terministic screen: Rhetorical perspectives on film. Edited by David Blakesley. - Carbondale: Southern Illinois University Press 2003. pp. 286-300.
Index:
Tarantino, Quentin
Pulp Fiction (1994)
Postmoderne ~ Postmodern

#295
Ritzenhoff, Karen A.: An den Rändern der Postmoderne: Mythische Figuren, Gewalt und die Angst vor dem Fremden in Pan’s Labyrinth. In: "Come and play with us": Dramaturgie und Ästhetik im postmodernen Kino. Hrsg. von Christine Lang und Kerstin Stutterheim. - Marburg: Schüren 2013. pp. 225 ff.
Index:
del Toro, Guillermo
Laberinto del Fauno, El (2006)
Mythologie ~ Mythology
Gewalt ~ Violence
Angst ~ Fear
Postmoderne ~ Postmodern

#296
Robbe-Grillet zwischen Moderne und Postmoderne: "Nouveau roman", "Nouveau cinéma" und "Nouvelle Autobiographie". Hrsg. von Karl Alfred Blüher. - Tübingen: Gunter Narr 1992. (= Acta Romanica 1.)
Index:
Robbe-Grillet, Alain
Postmoderne ~ Postmodern

#297
Rogers, Brett M.: The postmodern Prometheus and posthuman reproductions in science fiction. In: Frankenstein and its classics: The modern Prometheus from antiquity to science fiction. Edited by Jesse Weiner, Benjamin Eldon Stevens and Brett M. Rogers. - London: Bloomsbury Academic 2018. (= Bloomsbury studies in classical reception.) p. ?P.
Index:
Frankenstein (Filmreihe)
Prometheus ~ Prometheus
Postmoderne ~ Postmodern
Frankenstein ~ Frankenstein
Science Fiction ~ Science Fiction

#298
Romero, Rolando J.: The postmodern hybrid: Do aliens dream of alien sheep? In: Post Script 16. 1996. No. 1. [Fall] pp. 41-52.
Description:
On Ridley Scott’s Blade Runner.
Index:
Scott, Ridley
Blade Runner (1982)
Aliens ~ Aliens
Postmoderne ~ Postmodern
Traum ~ Dreams

#299
Rosen, Elizabeth K.: Apocalyptic transformation: Apocalypse and the postmodern imagination. - Lanham, Maryland: Lexington Books 2008.
Description:
Discusses, among others, the films of Terry Gilliam and the Matrix trilogy.
Index:
Gilliam, Terry
Wachowski, Andy
Wachowski, Larry
Matrix, The (Filmreihe)
Postmoderne ~ Postmodern
Religion: Apokalypse ~ Religion: Apocalypse

#300
Rosenfeld, Kimberly N.: Terminator to Avatar: A postmodern shift. In: Jump Cut 2010. No. 52. [Spring] p. 21.
Index:
Cameron, James
Terminator, The (1984)
Avatar (2009)
Postmoderne ~ Postmodern

#301
Rowe, Kathleen K.: Class and allegory in Jameson’s film criticism. In: Quarterly Review of Film and Video 12. 1991. No. 4. [September] pp. 1-18.
Description:
On the American film critic Fredric Jameson and his theory of postmodernism. Discusses, among others, Stanley Kubrick’s The Shining.
Index:
Kubrick, Stanley
Shining, The (1980)
USA (United States of America) ~ USA (United States of America)
Postmoderne ~ Postmodern

#302
Ruben, Matthew: 12 Monkeys, postmodernism, and the urban: Toward a new method. In: Keyframes: Popular cinema and cultural studies. Edited by Matthew Tinkcom and Amy Villarejo. - London; New York: Routledge 2001. pp. 312 ff.
Index:
Gilliam, Terry
Twelve Monkeys (1995)
Stadt ~ City
Postmoderne ~ Postmodern

#303
Rupprecht, Caroline: Womb fantasies: Subjective architectures in postmodern literature, cinema, and art. - Evanston, Illinois: Northwestern University Press 2013.
Description:
Includes a chapter on Jean-Luc Godard’s Je vous salue, Marie.
Index:
Godard, Jean-Luc
Je vous salue, Marie (1984)
Postmoderne ~ Postmodern
Phantasie ~ Fantasy
Literatur ~ Literature
Architektur ~ Architecture
Mutter ~ Mothers
Körper ~ Bodies

#304
Russell, Catherine: Decadence, violence, and the decay of history: Notes on the spectacular representation of death in narrative film, 1965-1990. In: Crisis cinema: The apocalyptic idea in postmodern narrative film. Edited by Christopher Sharrett. - Washington, D.C.: Maisonneuve Press 1993. (= PostModernPositions 6.) pp. 173-201.
Description:
Discusses, among others, Greenaway’s The Cook, the Thief, His Wife & Her Lover and David Lynch’s Wild at Heart.
Index:
Greenaway, Peter
Lynch, David
Cook, the Thief, His Wife & Her Lover, The (1989)
Wild at Heart (1990)
Postmoderne ~ Postmodern
Tod ~ Death
Gewalt ~ Violence
Religion: Apokalypse ~ Religion: Apocalypse

#305
Rust, Stephen A.: Comfortably numb: Material ecocriticism and the postmodern horror film. In: ISLE 21. 2014. No. 3. [?D] pp. 550-561.
Index:
Parker, Alan
Pink Floyd The Wall (1982)
Postmoderne ~ Postmodern
Horror ~ Horror

#306
Rutkowska, Teresa: Przewrotnosc Batmana. In: Polska Sztuka Ludowa 46. 1992. No. 3/4. [?D] pp. 132-134, 223.
Description:
An interpretation of Tim Burton’s Batman by using Umberto Eco’s theory of postmodernism.
Index:
Burton, Tim
Eco, Umberto
Batman (1989)
Postmoderne ~ Postmodern

#307
Salamon, Linda Bradley: Looking for Richard in history: Postmodern villainy in Richard III and Scarface. In: Journal of Popular Film and Television 28. 2000. No. 2. [?D] pp. 54-63.
Index:
Pacino, Al
De Palma, Brian
Looking for Richard (1996)
Scarface (1982)
Böse, Das ~ Evil, The
Geschichte ~ History
Postmoderne ~ Postmodern

#308
Sanna, Antonio: A "new" environment for the horror film: The cave as negation of postmodernity and globalization. In: Journal of Film and Video 65. 2013. No. 4. [Winter] pp. 17-28.
Index:
Postmoderne ~ Postmodern
Natur ~ Nature
Horror ~ Horror
Globalisierung ~ Globalization

#309
Sanna, Antonio: The nostalgia of Hannibal Lecter: A postmodern representation of Dante Alighieri’s exile. In: Kinema 2009. No. 32. [?D] pp. 61-70.
Index:
Scott, Ridley
Dante Alighieri
Hannibal (2001)
Postmoderne ~ Postmodern

#310
Sanna, Antonio: The postmodern evolution of telepathy: From Dracula to the Twilight Saga. In: Gothic Studies 15. 2013. No. 1. [May] pp. 66-75.
Index:
Stoker, Bram
Postmoderne ~ Postmodern
Dracula (Literatur ~ Literature)
Vampire ~ Vampires

#311
Sarkhosh, Keyvan: "Trash" als ästhetische Kategorie der Postmoderne. In: Comparative Arts: Universelle Ästhetik im Fokus der vergleichenden Literaturwissenschaft. Hrsg. von Achim Hölter. - Heidelberg: Synchron, Wissenschafts-Verlag der Autoren 2011. (= Tagung der Deutschen Gesellschaft für Allgemeine und Vergleichende Literaturwissenschaft 14 / Hermeia 12.) pp. 367-377.
Index:
Trash ~ Trash
Postmoderne ~ Postmodern
Literatur ~ Literature

#312
Schalkwyk, Dawn: From the Globe to globalisation: Shakespeare and Disney in the postmodern world. In: Journal of Literary Studies / Tydskrif vir Literaturswetenskap 15. 1999. No. 1/2. [?D] pp. 33-65.
Index:
Shakespeare, William
Globalisierung ~ Globalization
Postmoderne ~ Postmodern
Disney ~ Disney

#313
Scheller, Jörg: Performing the subject - subjecting the performance: Arnold Schwarzenegger in the context of postmodern aesthetics between pop art, camp, and performance / body art. In: Arnold Schwarzenegger - interdisciplinary perspectives on body and image. Edited by Michael Butter, Patrick Keller and Simon Wendt. - Heidelberg: Winter 2011. (= American Studies 198.) pp. 83 ff.
Index:
Schwarzenegger, Arnold
Postmoderne ~ Postmodern
Körper ~ Bodies

#314
Schenk, Irmbert: Moderne, Avantgarde, Postmoderne: Fritz Lang, Walter Ruttmann, Giorgio Moroder. In: Impulse 1991. No. 11. [?D] p. ?P.
Index:
Lang, Fritz
Ruttmann, Walter
Moroder, Giorgio
Postmoderne ~ Postmodern
Experimentalfilme ~ Experimental Films

#315
Scherpe, Klaus R.: Nonstop nach Nowhere City? Wandlungen der Symbolisierung, Wahrnehmung und Semiotik der Stadt in der Literatur der Moderne. In: Die Unwirklichkeit der Städte: Großstadtdarstellungen zwischen Moderne und Postmoderne. Hrsg. von Klaus R. Scherpe. - Reinbek: Rowohlt 1988. (= rowohlts enzyklopädie 471.) S. 129-152.
Description:
Discusses also the filmings of the subject..
Index:
Literatur ~ Literature
Postmoderne ~ Postmodern
Stadt ~ City

#316
Schwartz, Richard A.: Yeat’s high modernism and Disney’s postmodernism: A contrast in ideal worlds. In: Journal of Aesthetic Education 29. 1995. No. 1. [?D] pp. 79-84.
Index:
Postmoderne ~ Postmodern
Disney ~ Disney

#317
Seeley, Tracy: O Brother, what art thou? Postmodern pranksterism, or parody with a purpose? In: Post Script 27. 2008. No. 2. [Winter/Spring] pp. 97-106.
Index:
Coen, Ethan
Coen, Joel
O Brother, Where Art Thou? (2000)
Postmoderne ~ Postmodern
Humor ~ Humor

#318
Die Filmgespenster der Postmoderne. Hrsg. von Andreas Rost und Mike Sandbothe. - Frankfurt/M.: Verlag der Autoren 1998. (= Filmbibliothek / Reden über Film.) p. ?P.
Index:
Lynch, David
Wild at Heart (1990)
Angst ~ Fear
Postmoderne ~ Postmodern
Geister ~ Ghosts

#319
Selig, Sebastian: Postmoderne Stimmungsstrukturen: Kichiku (Kichiku dai enkai). In: Splatting Image 1998. No. 33. [March] pp. 55-56.
Description:
Includes an interview with the director.
Index:
Kumakiri, Kazuyoshi
Kichiku dai enkai (1997)
Postmoderne ~ Postmodern

#320
Sharrett, Christopher: Sustaining romanticism in a postmodern cinema: An Interview with Hans-Jurgen Syberberg. In: Cineaste 15. 1987. No. 3. [?D] pp. 18-20.
Index:
Syberberg, Hans Jürgen
Romantik ~ Romanticism
Postmoderne ~ Postmodern

#321
Sharrett, Christopher:The american apocalypse: Scorsese’s Taxi Driver. In: Crisis cinema: The apocalyptic idea in postmodern narrative film. Edited by Christopher Sharrett. - Washington, D.C.: Maisonneuve Press 1993. (= PostModernPositions 6.) pp. 220-235.
Index:
Scorsese, Martin
Taxi Driver (1975)
USA (United States of America) ~ USA (United States of America)
Postmoderne ~ Postmodern
Religion: Apokalypse ~ Religion: Apocalypse

#322
Shattuc, Jane M.: Postmodern misogyny in Blue Velvet. In: Genders 1992. No. 13. [?D] pp. 73-89.
Index:
Lynch, David
Blue Velvet (1986)
Postmoderne ~ Postmodern

#323
Shattuck, Roger: Narrating evil: Great faults and "splendidly wicked people". In: Evil after postmodernism: Histories, narratives and ethics. Edited by Jennifer L. Geddes. - London; New York: Routledge 2001. pp. 45-55.
Description:
On Quentin Tarantino’s Pulp Fiction.
Index:
Tarantino, Quentin
Pulp Fiction (1994)
Postmoderne ~ Postmodern
Böse, Das ~ Evil, The

#324
Sibielski, Rosalind: Postmodern narrative or narrative of the postmodern? History, identity, and the failure of rationality as an ordering principle in Memento. In: Literature and Psychology 49. 2004. No. 4. [?D] pp. 82-100.
Index:
Nolan, Christopher
Memento (2000)
Postmoderne ~ Postmodern
Geschichte ~ History

#325
Siegle, Robert: Postmodernism . In: Modern Fiction Studies 41. 1995. No. 1. [?D] pp. 165-194.
Description:
Discusses, among others, George Lucas’s Star Wars.
Index:
Lucas, George
Star Wars Episode IV - A New Hope / Star Wars (1977/1997)
Postmoderne ~ Postmodern

#326
Silverman, Hugh J.: Markierungen der Postmoderne: Eine Lektüre von Roger Rabbit. In: Filmästhetik. Hrsg. von Ludwig Nagl. - Wien: Oldenbourg Verlag / Akademie Verlag 1999. p. ?P.
Index:
Zemeckis, Robert
Who Framed Roger Rabbit (1988)
Postmoderne ~ Postmodern

#327
Simerka, Barbara / Weimer, Christopher: Tom Cruise and the Seven dwarves: Cinematic postmodernism in Abre los ojos and Vanilla Sky. In: American Drama 14. 2005. No.2. [?D] pp. 1-15.
Index:
Amenábar, Alejandro
Crowe, Cameron
Cruise, Tom
Abre los ojos (1997)
Vanilla Sky (2001)
Zwerge ~ Dwarves
Postmoderne ~ Postmodern

#328
Simpson, Philip Lockwood: Blurring all boundaries: The postmodern narratives of multiple murder. - Carbondale, Illinous: Southern Illinois University Carbondale, Ph.D. 1996. [Abstract in: Dissertation Abstracts International A 57. 1997. No. 10. [April] p. 4372.]
Description:
On serial killers in literature and film.Discusses, among others, Alfred Hitchcock’s Shadow of a Doubt, Jonathan Demme’s The Silence of the Lambs, John McNaughton’s Henry - Portrait of a Serial Killer, Bernard Rose’s Candyman, Dominic Sena’s Kalifornia and Oliver Stone’s Natural Born Killers.
Index:
Demme, Jonathan
Hitchcock, Alfred
McNaughton, John
Rose, Bernard
Sena, Dominic
Stone, Oliver
Silence of the Lambs, The (1990)
Shadow of a Doubt (1943)
Henry - Portrait of a Serial Killer (1989)
Candyman (1992)
Kalifornia (1993)
Natural Born Killers (1994)
Postmoderne ~ Postmodern
Mord ~ Murder
Literatur ~ Literature

#329
Slabý, Petr: Pulp: Non-fiction (Za zrcadlem postmoderny). In: Film a Doba 41. 1995. No. 4. [Winter] pp. 170-176.
Description:
On postmodern cinema. Discusses, among others, the films of Quentin Tarantino.
Index:
Tarantino, Quentin
Postmoderne ~ Postmodern

#330
Smith, Kay H.: Hamlet, part eight, the revenge or, Sampling Shakespeare in a postmodern world. In: College Literature 31. 2004. No. 4. [?D] pp. 135-149.
Description:
On the filmings of the Shakespeare drama.
Index:
Shakespeare, William
Postmoderne ~ Postmodern
Hamlet ~ Hamlet
Tragicall Historie of Hamlet, Prince of Denmarke, The (Literatur ~ Literature)

#331
Speed, Louise: Alien 3: A postmodern encounter with the abject. In: Arizona Quarterly 54. 1998. No. 1. [Spring] pp. 125-151.
Index:
Fincher, David
Alien 3 (1992)
Postmoderne ~ Postmodern

#332
Staskowski, Andrea: Blade Runner: The future as the past, the postmodern present; or, How to be human in the future. In: Technology and the American imagination: An ongoing challenge: Atti del Dodecismo Convegno Biennale, Università di Venezia, 28-30 ottobre 1993. Edited by Francesca Bisutti De Riz, Rosella Mamoli Zorzi and Marina Coslovi. - Venice: Supernova 1994. (= Rivista di studi anglo-americani annuario dell’AISNA 8:10.) pp. 185-191.
Index:
Scott, Ridley
Blade Runner (1982)
Technik ~ Technology
Venedig ~ Venice
Utopie ~ Utopia
USA (United States of America) ~ USA (United States of America)
Postmoderne ~ Postmodern

#333
Stewart, Robert: The catastrophe of entertainment: Televisuality and post-postmodern American fiction. - Montreal: McGill University (Canada), M.A. 2000. [Abstract in: Masters Abstracts International 40. 2002. No. 4. (August) p. 856.]
Description:
Discusses, among others, the work of David Lynch.
Index:
Lynch, David
USA (United States of America) ~ USA (United States of America)
Postmoderne ~ Postmodern
Fernsehen ~ Television

#334
Stoecklerova, J.: PO-MO: POjdme s MOdou. In: Film a Doba 37. 1991. No. 2. [Summer] pp. 73-77.
Description:
On the postmodern aesthetics in Ridley Scott’s Blade Runner and James Cameron’s The Terminator.
Index:
Scott, Ridley
Cameron, James
Blade Runner (1982)
Terminator, The (1984)
Postmoderne ~ Postmodern

#335
Stommel, Jesse: Pity poor flesh. - Boulder, Colorado: University of Colorado at Boulder, Ph.D. 2010. [Abstract in: Dissertation Abstracts International A 71 2010. No. 6. (December]
Description:
On postmodern bodies and disembodiment, especially in the figure of the the automaton and the zombie. Discusses, among others, Fritz Lang’s Metropolis, John Carpenter’s Halloween and Tobe Hooper’s The Texas Chainsaw Massacre as well as the TV series Six Feet Under and Buffy the Vampire Slayer.
Index:
Lang, Fritz
Carpenter, John
Hooper, Tobe
Metropolis (1925/1926)
Halloween (1978)
Texas Chainsaw Massacre, The (1974)
Six Feet Under (TV)
Buffy the Vampire Slayer (TV)
Zombies ~ Zombies
Postmoderne ~ Postmodern
Körper ~ Bodies
Fernsehen ~ Television

#336
Stone, Bryan: Theology and film in postmodern culture: A dialogue with Forrest Gump and Pulp Fiction. In: Wesleyan Theological Journal 35. 2000. No. 1. [?D] pp. 149-164.
Index:
Zemeckis, Robert
Tarantino, Quentin
Forrest Gump (1994)
Pulp Fiction (1994)
Postmoderne ~ Postmodern
Religion ~ Religion

#337
Straayer, Chris: The She-man: postmodern bi-sexed performance in film and video. In: Screen 31. 1990. No. 3. [?D] pp. 262-280.
Description:
Discusses, among others, Jim Sharman’s Rocky Horror Picture Show.
Index:
Sharman, Jim
Rocky Horror Picture Show, The (1974)
Sexualität ~ Sexuality
Video ~ Video
Postmoderne ~ Postmodern

#338
Straayer, Chris: The She-Man: Postmodern bi-sexed performance in film and video. In: Classical Hollywood narrative: The paradigm wars. Edited by Jane Gaines. - Durham, North Carolina; London: Duke University Press 1992. pp. 203-225.
Description:
Discusses, among others, Jim Sharman’s The Rocky Horror Picture Show, John Greyson’s experimental video The Kipling Trilogy: Perils of Pedagogy and Richard Fung’s Chinese Characters.
Index:
Sharman, Jim
Greyson, John
Fung, Richard
Rocky Horror Picture Show, The (1974)
Kipling Trilogy, The: Perils of Pedagogy (1984)
Chinese Characters (1986)
Krieg ~ War
Video ~ Video
Postmoderne ~ Postmodern
Experimentalfilme ~ Experimental Films
Sexualität ~ Sexuality
Hollywood ~ Hollywood

#339
Ströhl, Katharina: Das dekonstruktive Spiel Tarantinos: Eine Untersuchung zur Dekonstruktion in Quentin Tarantinos postmodernem Film Pulp Fiction und Inglourious Basterds. - München: GRIN Verlag 2011.
Index:
Tarantino, Quentin
Pulp Fiction (1994)
Inglourious Basterds (2009)
Postmoderne ~ Postmodern

#340
Strzelczyk, Florentine: Our future - our past: Fascism, postmodernism, and Starship Troopers (1997). In: Modernism/Modernity 15. 2008. No. 1. [January] pp. 87-99.
Index:
Verhoeven, Paul
Starship Troopers (1997)
Postmoderne ~ Postmodern
Faschismus ~ Fascism
Politik ~ Politics

#341
Stucky, Mark D.: He is the one: The Matrix trilogy’s postmodern movie messiah. In: Journal of Religion and Film 9. 2005. No. 2. [October] p. 13.
Index:
Wachowski, Andy
Wachowski, Larry
Matrix, The (Filmreihe)
Postmoderne ~ Postmodern
Religion ~ Religion

#342
Stutterheim, Kerstin: "Always the Caretaker" - The Shining: Über die Bedeutung filmischer Mittel und impliziterDramaturgie. In: "Come and play with us": Dramaturgie und Ästhetik im postmodernen Kino. Hrsg. von Christine Lang und Kerstin Stutterheim. - Marburg: Schüren 2013. pp. 134 ff.
Index:
Kubrick, Stanley
Shining, The (1980)
Postmoderne ~ Postmodern

#343
Stutterheim, Kerstin: Studien zum postmodernen Kino: David Lynchs Inland Empire und Bennett Millers Capote. - Frankfurt/Main; Berlin; Bern; Bruxelles; New York; Oxford; Wien: Lang 2011. (= Babelsberger Schriften zur Mediendramaturgie und -Ästhetik 2.)
Index:
Lynch, David
Miller, Bennett
Inland Empire (2006)
Capote (2005)
Postmoderne ~ Postmodern

#344
Suner, Asuman: Postmodern double cross: Reading David Cronenberg’s M. Butterfly as a horror story. In: Cinema Journal 37. 1998. No. 2. [Winter] pp. 49-64.
Index:
Cronenberg, David
M. Butterfly (1993)
Postmoderne ~ Postmodern
Horror ~ Horror

#345
Syder, Andrew: Knowing the rules: Postmodernism and the horror film. In: Spectator 22. 2002. No. 2. [Fall] p. 78-88.
Index:
Postmoderne ~ Postmodern
Horror ~ Horror

#346
Szylak, Jerzy: David Lynch i postmodernizm. In: Iluzjon 1994. No. 1(53). [?D] pp. 47-54.
Index:
Lynch, David
Postmoderne ~ Postmodern

#347
Takahashi, Tess: Framing the postmodern: The rhetoric of animated form in experimental identity-politics documentary video in the 1980s and 1990s. In: Animating film theory. Edited by Karen Beckman. - Durham, North Carolina: Duke University Press 2014. p. ?P.
Index:
Video ~ Video
Postmoderne ~ Postmodern
Politik ~ Politics
Experimentalfilme ~ Experimental Films
Dokumentarfilm ~ Documentary Film
Animation ~ Animation

#348
Telotte, J. P.: LaBute’s Frankenstein, or the postmodern Prometheus. In: Literature/Film Quarterly 35. 2007. No. 4. [?D] pp. 330 ff.
Description:
Compares Mary Shelley’s novel with Neil LaBute’s The Shape of Things.
Index:
Shelley, Mary Wollstonecraft
LaBute, Neil
Shape of Things, The (2003)
Frankenstein or The Modern Prometheus (Literatur ~ Literature)
Prometheus ~ Prometheus
Postmoderne ~ Postmodern
Frankenstein ~ Frankenstein

#349
Telotte, J. P.: Replications: A robotic history of the science fiction film. - Chicago, Illinois / Urbana-Champaign, Illinois: University of Illinois Press 1995.
Reviews:
Cormier, raymond: [untitled] In: Historical Journal of Film, Radio and Television NS 17. 1997. No. 1. [March] pp. 158-159.
Cubitt, Sean: [untitled] In: Screen 38. 1997. No. 3. [?D] pp. 296-301.
Grant, Barry Keith: [untitled] In: Film Quarterly 51. 1997. No. 1. [Fall] pp. 57-59.
Ruppert, Peter: [untitled.] In: Utopian Studies 7. 1996. No. 2. [?D] pp. 343-344.
Seed, David: [untitled] In: Journal of American Studies 30. 1996. No. 3. [?D] pp. 500-501.
Sobchack, Vivian: [untitled.] In: Science Fiction Studies 23. 1996. No. 2(?N). [?D] pp. 299-302.
Description:
The history of science fiction film seen as a reflex on postmodern fears of loosing human self-conciousness while facing the new technological abilities to create artificial forms of life. Includes an detailed analysis of Fritz Lang’s Metropolis. Includes also a selective filmohgraphy and a bibliography.
Index:
Lang, Fritz
Metropolis (1925/1926)
Technik ~ Technology
Angst ~ Fear
Postmoderne ~ Postmodern
Science Fiction ~ Science Fiction
Roboter ~ Robots

#350
Thomas, Ronald R.: Specters of the novel: Dracula and the cinematic afterlife of the Victorian novel. In: Victorian afterlife: Postmodern culture rewrites the nineteenth century. Edited by John Kucich and Dianne F. Sadoff. - Minneapolis, Minnesota; London: Minnesota University Press 2000. pp. 288-310.
Description:
On the filmings of the Dracula subject.
Index:
Vampire ~ Vampires
Postmoderne ~ Postmodern

#351
Tietchen, Todd F.: Samplers and copycats: The cultural implications of the postmodern slasher in contemporary American film. In: Journal of Popular Film and Television 26. 1998. No. 3. [Fall] pp. 98-107.
Description:
On psycho killers in film. Discusses, among others, David Fincher’s Se7en, Jon Amiel’s Copycat and Wes Craven’s Scream and Scream 2.
Index:
Fincher, David
Amiel, Jon
Craven, Wes
Se7en (1995)
Copycat (1995)
Scream (1996)
Scream 2 (1997)
Horror ~ Horror
USA (United States of America) ~ USA (United States of America)
Psychologie ~ Psychology
Postmoderne ~ Postmodern
Mord ~ Murder

#352
Tobias, Wilhelm,: Vorläufer der Postmoderne? Niklashauser Fart. In: "Come and play with us": Dramaturgie und Ästhetik im postmodernen Kino. Hrsg. von Christine Lang und Kerstin Stutterheim. - Marburg: Schüren 2013. pp. 214 ff.
Index:
Fassbinder, Rainer Werner
Niklashauser Fart, Die (1970)
Postmoderne ~ Postmodern

#353
Toth, Margaret A.: Memento’s postmodern noir fantasy: Place, domesticity and gender identity. In: The cinema of Christopher Nolan: Imagining the impossible. Edited by Jacqueline Furby and Stuart Joy. - New York: Wallflower Press 2015. (= Directors’ cuts.) p. ?P.
Index:
Nolan, Christopher
Memento (2000)
Sexualität ~ Sexuality
Postmoderne ~ Postmodern
Film Noir ~ Film Noir
Fantasy ~ Fantasy

#354
Tremba, Michael D.: Blade Runner and the postmodern search for redemption. - Virginia Beach, Virginia: Regent University, M.A. 2012. [Abstract in: Masters Abstracts International 50. 2012. No. 6. (December).]
Index:
Scott, Ridley
Blade Runner (1982)
Postmoderne ~ Postmodern
Religion ~ Religion

#355
Trushell, John: A postmodern (re)turn to Forbidden Planet. In: Foundation 1997. No. 69. [Spring] pp. 60-67.
Index:
Wilcox, Fred McLeod
Forbidden Planet (1956)
Postmoderne ~ Postmodern

#356
Tudor, Andrew: From paranoia to postmodernism? The horror movie in late modern society. In: Genre and contemporary Hollywood. Edited by Steve Neale. - London: British Film Institute 2002. pp. 105 ff.
Index:
Wahnsinn ~ Madness
Postmoderne ~ Postmodern
Horror ~ Horror
Hollywood ~ Hollywood
USA (United States of America) ~ USA (United States of America)

#357
Turetzky, Philip: Televisual bodies: Television and the impulse-image. In: Crisis cinema: The apocalyptic idea in postmodern narrative film. Edited by Christopher Sharrett. - Washington, D.C.: Maisonneuve Press 1993. (= PostModernPositions 6.) pp. 103-127.
Description:
Discusses especially Cronenberg’s Dead Ringers.
Index:
Cronenberg, David
Dead Ringers (1988)
Körper ~ Bodies
Postmoderne ~ Postmodern
Fernsehen ~ Television
Religion: Apokalypse ~ Religion: Apocalypse

#358
van de Spijker, Antonius M.: Die rote Wüste: Bild eines pfarrlichen Miteinanders? In: Pfarrei in der Postmoderne? Gemeindebildung in nachchristlicher Zeit: Für Leo Karrer. Hrsg. von Alois Schifferle. - Freiburg; Basel; Wien: Herder 1997. pp. 397-407.
Description:
On Michelangelo Antonioni’s Il Deserto rosso.
Index:
Antonioni, Michelangelo
Deserto rosso, Il (1964)
Postmoderne ~ Postmodern
Religion ~ Religion

#359
Varsava, Jerry A.: Blue Velvet and the revisioning of the middle-American idyll. In: Narrative turns and minor genres in postmodernism. Edited by Theo d’Haen and Hans Bertens. - Amsterdam; Atlanta, Georgia: Rodopi 1995. (= Postmodern Studies 11.) pp. 295-317.
Index:
Lynch, David
Blue Velvet (1986)
USA (United States of America) ~ USA (United States of America)
Postmoderne ~ Postmodern

#360
Vladiv-Glover, Slobodanka: Postmodernizam od Kisa do danas. - Beograd: Prosveta 2003.
Description:
On postmodernism in literature and film. Discusses, among others, the work of Danilo Kis and Peter Greenaway.
Index:
Kis, Danilo
Greenaway, Peter
Postmoderne ~ Postmodern
Literatur ~ Literature

#361
Von Gunden, Kenneth Ray: Five postmodern auteurs: Coppola, Lucas, DePalma, Spielberg, and Scorsese. - University Park, Pennsylvania: Pennsylvania State University, Ph.D. 1989. [Abstract in: Dissertation Abstracts International A 51. 1990. No. 2. (August) p. 321A.]
Index:
Coppola, Francis Ford
De Palma, Brian
Lucas, George
Scorsese, Martin
Spielberg, Steven
Postmoderne ~ Postmodern

#362
Von Gunden, Kenneth Ray: Five Postmodern auteurs: Coppola, Lucas, DePalma, Spielberg and Scorsese. - Jefferson, North Carolina: McFarland & Company 1991.
Reviews:
Svehla, Gary J.: [untitled] In: Midnight Marquee 1992. No. 44. [Summer] p. 33.
Index:
Coppola, Francis Ford
Lucas, George
De Palma, Brian
Spielberg, Steven
Scorsese, Martin
Postmoderne ~ Postmodern

#363
Wade, Jonathan: Crouching squire, hidden madman: Ah Gan’s Don Quixote and postmodern China. In: Don Quixote: The re-accentuation of the world’s greatest literary hero. Edited by Slav N. Gratchev and Howard Mancing. - Lewisburg, Pennsylvania: Bucknell University Press 2017. p. ?P.
Index:
Liu, Kiefer [Pseudonym: Ah Gan]
Tang Ji Ke De (2019)
Wahnsinn ~ Madness
Postmoderne ~ Postmodern
Helden ~ Heros
China ~ China
Literatur ~ Literature

#364
Walker, Cynthia W.: The future just beyond the coat hook: Technology, politics, and the postmodern sensibility in the Man from U.N.C.L.E.. In: Channeling the future: Essays on science fiction and fantasy television. Edited by Lincoln Geraghty. - Lanham, Maryland; London: Scarecrow Press 2009. p. ?P.
Index:
Man from UNCLE, The (TV)
Utopie ~ Utopia
Technik ~ Technology
Postmoderne ~ Postmodern
Politik ~ Politics
Fantasy ~ Fantasy
Science Fiction ~ Science Fiction
Fernsehen ~ Television

#365
Walker, Jeffrey M.: Squid-heads and coppertops: Discursive power in the postmodern filmic dystopia. In: Literature and Psychology 49. 2004. No. 4. [?D] pp. 43-81.
Description:
Discusses, among others, the Matrix films and Kathryn Bigelow’s Strange Days.
Index:
Wachowski, Andy
Wachowski, Larry
Bigelow, Kathryn
Matrix, The (Filmreihe)
Strange Days (1995)
Utopie ~ Utopia
Postmoderne ~ Postmodern

#366
Wasson, Richard: The Contrary politics of postmodernism: Woody Allen’s Zelig and Italo Calvino’s Marcovaldo. In: Ethics / Aesthetics: Post-modern positions. Edited by Robert Merill. - Washington, DC.: Maisonneuve 1988. pp. 83-94.
Index:
Allen, Woody
Calvino, Italo
Zelig (1982)
Postmoderne ~ Postmodern
Politik ~ Politics

#367
Weberman, David: The Matrix simulation and the postmodern age. In: The Matrix and philosophy: Welcome to the desert of the real. Edited by William Irwin. - Chicago: Open Court 2002. pp. 225-239.
Index:
Wachowski, Andy
Wachowski, Larry
Matrix, The (1999)
Postmoderne ~ Postmodern
Philosophie ~ Philosophy

#368
Wee, Valerie Su-Lin: The Scream trilogy, "hyperpostmodernism", and the late nineties teen slasher film. In: Journal of Film and Video 57. 2005. No. 3. [Fall] pp. 44-59.
Index:
Craven, Wes
Scream (Filmreihe)
Postmoderne ~ Postmodern
Horror ~ Horror

#369
Wehdeking, Volker: Hesses Steppenwolf als Film: Analoge Adaption und postmoderne Vielschichtigkeit. In: Hermann-Hesse-Jahrbuch 2009. No. 4. pp. 115-136.
Index:
Hesse, Hermann
Postmoderne ~ Postmodern
Steppenwolf, Der (Literatur ~ Literature)

#370
Wehdeking, Volker: Literatur in Medieakonstellalionen: Die Filmadaptionen von Hesses Steppenwolf durch Fred Haines (1974) und Süskinds Parfüm durch Tom Tykwer (2006). In: Medienkonstellationen: Literatur und Film im Kontext von Moderne und Postmoderne. Hrsg. von Volker Wehdeking. - Marburg: Tectum-Verlag 2008. pp. 15 ff.
Index:
Süskind, Patrick
Hesse, Hermann
Haines, Fred
Tykwer, Tom
Steppenwolf (1974)
Perfume: The Story of a Murderer / Parfum, Das - Die Geschichte eines Mörders (2006)
Postmoderne ~ Postmodern
Parfum, Das (Literatur ~ Literature)
Steppenwolf, Der (Literatur ~ Literature)
Literatur ~ Literature

#371
Weinstock, Jeffrey Andrew: Postmodernism with Sam Raimi (or, how I learned to stop worrying about theory and love evil dead). In: Fear and learning: Essays on the pedagogy of horror. Edited by Aalya Ahmad and Sean Moreland. Foreword by Glen Hirshberg. - Jefferson, North Carolina: McFarland & Company 2013. p. ?P.
Index:
Raimi, Samuel M.
Pädagogik ~ Paedagogy
Postmoderne ~ Postmodern
Böse, Das ~ Evil, The
Zombies ~ Zombies
Horror ~ Horror
Angst ~ Fear

#372
Weitschat, Marcel: Sechsaktigkeit in Hollywood: Eine literaturwissenschaftliche Dramaturgie des postmodernen Films. - München: AVM 2009.
Description:
Discusses, as examples, the Star Wars and Matrix series.
Index:
Lucas, George
Wachowski, Andy
Wachowski, Larry
Star Wars (Filmreihe)
Matrix, The (Filmreihe)
Postmoderne ~ Postmodern
Hollywood ~ Hollywood

#373
Welsh, James A.: Action films: The serious, the ironic, the postmodern. In: Film genre 2000: New critical essays. Edited by Wheeler Winston Dixon. - Albany, New York: New York State University Press 2000. pp. 161-176.
Index:
Postmoderne ~ Postmodern
Action ~ Action

#374
Wheale, Nigel: Recognising a "human-thing": Cyborgs, robots and replicants in Philip K. Dick’s Do Androids Dream of Electric Sheep? and Ridley Scott’s Blade Runner. In: The postmodern arts: An introductory reader. Edited by Nigel Wheale. - London; New York: Routledge 1995. (= Critical readers in theory and practice.) p. ?P.
Index:
Dick, Philip K[indred]
Scott, Ridley
Blade Runner (1982)
Postmoderne ~ Postmodern
Roboter ~ Robots
Do Androids Dream of Electric Sheep? (Literatur ~ Literature)

#375
Whitson, Roger: Romanticism and the cult of celebrity: Afterlives in postmodern film and fiction. - Gainesville, Florida: University of Florida, Ph.D. 2008. [Abstract in: Dissertation Abstracts International A 69. 2009. No. 10. (April)]
Description:
On the afterlife of the Romantic author in postmodern film and fiction.
Index:
Postmoderne ~ Postmodern
Literatur ~ Literature
Romantik ~ Romanticism

#376
Widmer, Markus: What makes the films of David Lynch and Jim Jarmusch postmodern? - München: GRIN Verlag 2008.
Index:
Lynch, David
Jarmusch, Jim
Postmoderne ~ Postmodern

#377
Wiemker, Markus: Trust no reality: Eine soziologische Analyse der X-Files: Soziologie einer Fernsehserie am Beispiel von Akte X: Postmoderne Theorien und cultural studies. - Berlin: Wissenschaftlicher Verlag Berlin 1998.
Index:
X-Files, The (TV)
Postmoderne ~ Postmodern
Fernsehen ~ Television

#378
Willet, Eugene: Music as sinthome: Joy riding with Lacan, Lynch, and Beethoven beyond postmodernism. - Austin, Texas: University of Texas at Austin, Ph.D. 2007. [Abstract in: Dissertation Abstracts International A 68. 2008. No. 9. (March)]
Description:
On music’s role in Lynch’s cinematic imagination. Discusses especially Blue Velvet, Lost Highway and Mulholland Drive.
Index:
Lynch, David
Lynch, David
Lacan, Jacques
Beethoven, Ludwig van
Blue Velvet (1986)
Lost Highway (1996)
Mulholland Drive (2001)
Postmoderne ~ Postmodern
Musik ~ Music

#379
Williams, G. Christopher: Mastering the real: Trinity as the "real" hero of The Matrix. In: Film Criticism 27. 2003. No. 3. [Spring] pp. 2-17.
Description:
Examins the first Matrix film by using Jean Baudrillard’s theory of postmodernism and compares the film with Peter Weir’s The Truman Show.
Index:
Wachowski, Andy
Wachowski, Larry
Baudrillard, Jean
Weir, Peter
Matrix, The (1999)
Truman Show, The (1998)
Postmoderne ~ Postmodern
Helden ~ Heros

#380
Williams, G: Little gods: Claiming worlds in Postmodern literature, film, and online gaming. - DeKalb, Illinois: Northern Illinois University, Ph.D. 2002. [Abstract in: Dissertation Abstracts International A 63. 2002. No. 6. (December) p. 2238.]
Description:
Discusses, among others, The Matrix by Andy and Larry Wachowski as well as Christopher Nolan’s Memento.
Index:
Wachowski, Andy
Wachowski, Larry
Nolan, Christopher
Matrix, The (1999)
Memento (2000)
Religion ~ Religion
Postmoderne ~ Postmodern
Literatur ~ Literature

#381
Williams, Linda: Discipline and distraction: Psycho, visual culture, and postmodern cinema. In: "Culture" and the problem of the disciplines. Edited by John Carlos Rowe. - New York: Columbia University Press 1998. (= Critical Theory Institute Books.) pp. 87-120.
Index:
Hitchcock, Alfred
Psycho (1960)
Postmoderne ~ Postmodern

#382
Williams, Linda: Discipline and fun: Psycho and postmodern cinema. In:Reinventing film studies. Edited by Christine Gledhill and Linda Williams. - London: Arnold / New York: Oxford University Press 2000. pp. 351-78.
Index:
Hitchcock, Alfred
Psycho (1960)
Postmoderne ~ Postmodern

#383
Williams, Linda: Psycho och den postmoderna filmen: Diciplinering och underhållning. In: Filmhäftet 27. 1999. No. 107. [?D] pp. 77-90.
Description:
On the Hitchcock classic.
Index:
Hitchcock, Alfred
Psycho (1960)
Postmoderne ~ Postmodern

#384
Williams, Tony: Thatcher’s Orwell: The spectacle of excess in Brazil. In: Crisis cinema: The apocalyptic idea in postmodern narrative film. Edited by Christopher Sharrett. - Washington, D.C.: Maisonneuve Press 1993. (= PostModernPositions 6.) pp. 202-219.
Index:
Gilliam, Terry
Blair, Eric [Pseudonym: Orwell, George]
Thatcher, Margaret
Brazil (1985)
Postmoderne ~ Postmodern
Religion: Apokalypse ~ Religion: Apocalypse

#385
Willoquet Maricondi, Paula: Federico Fellini’s E la nave va and the postmodern shipwreck. In: Romance Languages Annual 1994. No. 6. [?D] pp. 383-388.
Index:
Fellini, Federico
E la nave va / Et vogue le navire (1983)
Schiffe ~ Ships
Postmoderne ~ Postmodern

#386
Willoquet Maricondi, Paula: Peter Greenaway’s post-cinematic art-world: Toward a postmodern ecological critical theory. - Bloomington, Indiana: Indiana University, Ph.D. 1999. [Abstract in: Dissertation Abstracts International A 60. 1999. No. 6. (December) pp. 1806A-1807A.]
Index:
Greenaway, Peter
Natur ~ Nature
Postmoderne ~ Postmodern

#387
Willoughby, Rebecca: Forbidden bodily knowledge: Transformative bodily violence in early-modern and postmodern entertainment. - Bethlehem, Pennsylvania: Lehigh University, Ph.D. 2011. [Abstract in: Dissertation Abstracts International A 72. 2011. No. 4. (October)]
Description:
Discusses, among others, the ultraviolent postmodern horror film, especially the Saw series, Eli Roth’s Hostel and Hostel: Part II, and Alexandre Aja’s The Hills Have Eyes.
Index:
Roth, Eli
Aja, Alexandre
Saw (Filmreihe)
Hostel (2005)
Hostel: Part II (2007)
Hills Have Eyes, The (2006)
Postmoderne ~ Postmodern
Horror ~ Horror
Gewalt ~ Violence

#388
Winston, Brian: Tyrell’s owl: The limits of the technological imagination in an epoch of hyperbolic discourse. In: Theorizing culture: An interdisciplinary critique after postmodernism. Edited by Barbara Adam and Stuart Allan. - New York: New York University Press 1995. p. ?P.
Description:
Discusses, among others, Ridley Scott’s Blade Runner.
Index:
Scott, Ridley
Blade Runner (1982)
Technik ~ Technology
Postmoderne ~ Postmodern

#389
Wirth, Mathias: Der torquierte Mensch: Die Zerstörung des Subjekts im exzessiven Leibhass des postmodernen Horrors. In: Internationale katholische Zeitschrift Communio 40. 2011. No. 1. [?D] pp. 78-88.
Description:
On the representation of evil in postmodern horror film.
Index:
Postmoderne ~ Postmodern
Horror ~ Horror
Böse, Das ~ Evil, The
Religion ~ Religion

#390
Woolfolk, Alan: Deceit, desire, and dark comedy: Postmodern dead ends in Blood Simple. In: The philosophy of the Coen brothers. Edited by Mark T. Conrad. - Lexington, Kentucky: Kentucky University Press 2009. (= The philosophy of popular culture.) pp. 79-90.
Index:
Coen, Joel
Blood Simple (1984)
Postmoderne ~ Postmodern
Philosophie ~ Philosophy
Humor ~ Humor

#391
Yu, Timothy: Oriental cities, postmodern futures: Naked Lunch, Blade Runner, and Neuromancer. In: Melus 33. 2008. No. 4. [?D] pp. 45-71.
Index:
Gibson, William
Burroughs, William S.
Scott, Ridley
Blade Runner (1982)
Utopie ~ Utopia
Stadt ~ City
Postmoderne ~ Postmodern
Orient ~ Orient
Neuromancer (Literatur ~ Literature)
Naked Lunch (Literatur ~ Literature)

#392
Zabus, Chantal: Prospero’s progeny curses back: Postcolonial, postmodern, and postpatriarchal rewritings of The Tempest. In: Liminal postmodernisms: The postmodern, the (post-)colonial, and the (post-)feminist. Edited by Theo d’Haen and Hans Bertens. - Amsterdam; Atlanta, Georgia: Rodopi 1994. (= Postmodern Studies 8.) pp. 115-138.
Description:
Discusses, among others, Peter Greenaway’s Prospero’s Books.
Index:
Greenaway, Peter
Shakespeare, William
Prospero’s Books (1991)
Postmoderne ~ Postmodern
Frauen ~ Women
Tempest, The (Literatur ~ Literature)

#393
Zanussi, Krzysztof: La drammaturgia ai tempi della postmodernita. In: Tra cielo e terra: Cinema, artisti e religione: Interviste ai protagonisti del grande schermo. A cura di Arnaldo Casali. Con interviste a Franco Battiato [et al.]. - Bologna: Pendragon 2011. pp. 33 ff.
Index:
Zanussi, Krzysztof
Postmoderne ~ Postmodern
Italien ~ Italy
Religion ~ Religion

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