The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Rear Window (1954)
number of items: 185
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#1
Alfred Hitchcock’s Rear Window. Edited by John Belton. - Cambridge: Cambridge University Press 2000. (= The Cambridge University Press Film Handbooks.)
Reviews:
Ciment, Michel: [untitled] In: Positif 2000. No. 470. [April] p. 104.
Williams, Linda Ruth: [untitled] In: Sight and Sound NS 10. 2000. No. 8. [August] p. 32.
Index:
Hitchcock, Alfred
Rear Window (1954)
#2
Allen, Jeanne: Looking through Rear Window: Hitchcock’s traps and lures of heterosexual romance. In: Female spectators: Looking at film and television. Edited by E. Deidre Pribram. - London; New York: Verso 1988. (= Questions for feminism.) pp. 31-44.
Reviews:
Quart, Barbara: [untitled] In: Film Quarterly 45. 1991/1992. No. 2. [Winter] pp. 47-48.
Index:
Hitchcock, Alfred
Rear Window (1954)
Frauen ~ Women
Fernsehen ~ Television
Sexualität ~ Sexuality
#3
Allen, Jeanne T. / Palmer, R. Barton: Jeanne T. Allen responds to R. Barton Palmer’s "The metafictional Hitchcock: The experience of viewing and the viewing of experience in Rear Window and Psycho". In: Cinema Journal 25. 1986. No. 4. pp. 54-58.
Index:
Hitchcock, Alfred
Rear Window (1954)
Psycho (1960)
#4
Almansi, Renato J.: Alfred Hitchcock’s disappearing women: A study in scopophilia and object loss. In: International Review of Psycho-Analysis 19. 1992. No. 1. [Spring] pp. 81-90.
Description:
Psychoanalytic examination on Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
Psychologie ~ Psychology
Frauen ~ Women
#5
Atkinson, David: Hitchcock’s techniques tell Rear Window story. In: American Cinematographer 71. 1990. No. 1. [January] pp. 34-40.
Index:
Hitchcock, Alfred
Rear Window (1954)
Technik ~ Technology
#6
Baker, David: Seeing is believing: Detective and romance in Rear Window. In: Screen Education 2008. No. 51. [Spring] pp. 125-130.
Index:
Hitchcock, Alfred
Rear Window (1954)
Detektive ~ Detectives
#7
Barbi, Derna / Cremonini, Giorgio: Una finestra sul cinema. In: Cineforum 34. 1994. No. ?N(334). [May] pp. 3-8.
Index:
Hitchcock, Alfred
Rear Window (1954)
#8
Barrette, Pierre: Les objets dans l’oeuvre de Hitchcock: Symboles, marques et démarques au service du cinéma. In: 24 Images 2007. No. 133. [September] pp. 13-15.
Description:
Discusses especially Vertigo and Rear Window.
Index:
Hitchcock, Alfred
Vertigo (1958)
Rear Window (1954)
#9
Behrens, Ulrich: Voyeurismus und Suspense: Das Fenster zum Hof. In: F.LM - Texte zum Film. Online edition, July 2003.
Description:
On Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
Thriller ~ Thriller
#10
Belton, John: Dexterity in a void: The formalist esthetics of Alfred Hitchcock. In: Cineaste 10. 1980. No. 3. [Summer] pp. 9-13.
Index:
Hitchcock, Alfred
Rear Window (1954)
Expressionismus ~ Expressionism
#11
Belton, John: The space of Rear Window. In: Modern Language Notes 103. 1988. No. 5. [December] pp. 1121-1138.
Index:
Hitchcock, Alfred
Rear Window (1954)
#12
Belton, John: The space of Rear Window: In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 76-94.
Index:
Hitchcock, Alfred
Rear Window (1954)
#13
Benton, Robert J.: Film as dream: Alfred Hitchcock’s Rear Window. In: The Psychoanalytic Review 71. 1984. No. 3. [November] pp. 483-500.
Index:
Hitchcock, Alfred
Rear Window (1954)
Traum ~ Dreams
#14
Berry, Sarah: "She’s too everything": Marriage and masquerade in Rear Window and To Catch a Thief. In: Hitchcock Annual 2001/2002. pp. 79-107.
Description:
On the roles of Grace Kelly in the two Hitchcock films.
Index:
Hitchcock, Alfred
Kelly, Grace
Rear Window (1954)
To Catch a Thief (1955)
Ehe ~ Marriage
#15
Bertelsen, Martin: Alfred Hitchcocks Rear Window - Eine Filmanalyse. - Hamburg: Universität Hamburg, Seminar für Englische Sprache und Kultur, Magisterarbeit 1988.
Index:
Hitchcock, Alfred
Rear Window (1954)
#16
Bertolini, John A.: Rear Window, or the reciprocated glance. In: Framing Hitchcock: Selected essays from the "Hitchcock Annual". Edited by Sidney Gottlieb and Christopher Brookhouse. - Detroit: Wayne State University Press 2002. (= Contemporary film and television.) p. ?P.
Index:
Hitchcock, Alfred
Rear Window (1954)
#17
Bertolini, John A.: Rear Window: Or, The reciprocated glance. In: Hitchcock Annual 1994. pp. 55-75.
Index:
Hitchcock, Alfred
Rear Window (1954)
#18
Bertozzi, Marco: Ultimi sguardi dalla Finestra sul cortile. In: Cinema & Cinema NS 20. 1993. No. 66. [January-April] pp. 31-42.
Description:
On Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
#19
Bierbaum, Tom: Rear Window ruling favors Woolrich story rights-holder. In: Variety 333. 1989. No. ?N. [January 4] pp. 3 ff.
Index:
Hitchcock, Alfred
Woolrich, Cornell George
Rear Window (1954)
#20
Bikácsy, Gergely: A kesek es a formak. In: Filmvilag 29. 1986. No. 10. [?D] pp. 2-6.
Index:
Hitchcock, Alfred
Rear Window (1954)
Vertigo (1958)
Man Who Knew Too Much, The (1934)
#21
Bischoff, Florian Norbert: Gestörte Erinnerung - Wenn Bilder versagen: Bild- und Medienreflexion in Memento und Rear Window. - München: GRIN Verlag 2012.
Index:
Nolan, Christopher
Hitchcock, Alfred
Memento (2000)
Rear Window (1954)
#22
Blazer, Seth M.: Rear window ethics: Domestic privacy versus public responsibility in the evolution of voyeurism. In: The Midwest Quarterly 47. 2006. No. 4. [?D] pp. 379-392.
Index:
Hitchcock, Alfred
Rear Window (1954)
Fenster ~ Windows
#23
Bliersbach, Gerd: Der Einzug in die Finsternis: Roman Polanskis Der Mieter und der Abscheu vor dem Fenster zum Hof. In: Projektion und Wirklichkeit: Die unbewusste Botschaft des Films. Hrsg. von Annegret Mahler-Bungers und Ralf Zwiebel. - Göttingen: Vandenhoeck und Ruprecht 2007. (= Schriften des Sigmund-Freud-Instituts: Reihe 2, Psychoanalyse im interdisziplinären Dialog 5.) pp. 204 ff.
Index:
Polanski, Roman
Hitchcock, Alfred
Locataire, Le / Tenant, The (1976)
Rear Window (1954)
Fenster ~ Windows
Psychologie ~ Psychology
#24
Bockow, Jörg: Ein vollkommen filmischer Film. In: Medien und Erziehung 28. 1984. No. 5. [?D] pp. 298-302.
Description:
On Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
#25
Bozovic, Miran: Der Mann hinter seiner eigenen Netzhaut. In: Ein Triumph des Blicks über das Auge: Psychoanalyse bei Alfred Hitchcock. Von Miran Bozovic [et al.]. Hrsg. von Slavoj Zizek. Übersetzt von Isolde Charim [et al.]. - Wien: Turia & Kant 1992. pp. 153-170.
Description:
On Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
#26
Bozovic, Miran: The man behind his own retina. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 161-177.
Description:
On Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
#27
Brand, Dana: Rear-view mirror: Hitchcock, Poe, and the flaneur in America. In: Hitchcock’s America. Edited by Jonathan Freedman and Richard Millington. - New York; Oxford: Oxford University Press 1999. pp. 123-134.
Description:
Discusses especially Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Poe, Edgar Allan
Rear Window (1954)
USA (United States of America) ~ USA (United States of America)
Spiegel ~ Mirror
#28
Canby, Vincent: Rear Window - still a joy. In: New York Times, October 9, 1983. Sec. 2. pp. 21 ff.
Index:
Hitchcock, Alfred
Rear Window (1954)
#29
Caprara, Valerio: L’occhio segreto del grande Hitch. In: Segnocinema ?G. 1984. No. 14. [September] pp. 3-5.
Index:
Hitchcock, Alfred
Rear Window (1954)
Vertigo (1958)
#30
Care, Ross: Rear Window: The music of sound. In: Scarlet Street 2000. No. 37. [?D] pp. 60 ff.
Index:
Hitchcock, Alfred
Rear Window (1954)
Musik ~ Music
#31
Carlo, S.: Rear Window (La finestra sul cortile) - 1954. In: Filmcritica 32. 1981. No. 311. [January] pp. 44-46.
Index:
Hitchcock, Alfred
Rear Window (1954)
#32
Chion, Michel: Le quatrieme cote. In: Cahiers du Cinéma 1984. No. 356. [February] pp. 4-7.
Index:
Hitchcock, Alfred
Rear Window (1954)
#33
Chion, Michel: The fourth side. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 155-160.
Description:
Especially on Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
#34
Christen, Thomas: Das Beobachten des Beobachters beim Beobachten. In: Cinema [Zürich] 1995. No. 41. [?D] pp. 64-74.
Description:
Discusses, among others, Alfred Hitchcock’s Rear Window and Patrice Leconte’s Monsieur Hire.
Index:
Hitchcock, Alfred
Leconte, Patrice
Rear Window (1954)
Monsieur Hire (1989)
#35
Coates, Paul: Film at the intersection of high and mass culture. - Cambridge, Massachusetts; New York; Melbourne: Cambridge University Press 1994. (= Cambridge Studies in Film.)
Reviews:
Howells, Richard: [untitled] In: Historical Journal of Film, Radio and Television NS 15. 1995. No. 2. [?D] pp. 327-328.
Laderman, David: [untitled] In: Film Quarterly 49. 1995. No. 1. [Fall] pp. 44-45.
Description:
Discusses, among others, many horror and science fiction films. Contains detailed analysis of Woddy Allen’s The Purple Rose of Cairo, the films of Ingmar Bergman and David Cronenberg, especially The Fly, Brian De Palma, Alfred Hitchcock, especially on Psycho, Rear Window and Vertigo, Rex Ingram’s Four Horsemen of the Apocalypse, Fritz Lang, especially on Metropolis, Chris Marker’s La Jetée, Sylvester Stallone, Kidlat Tahimik’s Mababangong Bangungot / The Perfumed Nightmare, Andrej Tarkovskij, especially on Offret / Le Sacrifice and Soljaris, Jacques Tourneur’s Cat People, Peter Weir, especially on Mosquito Coast, Orson Welles and Robert Wiene’s Das Cabinet des Dr. Caligari.
Index:
Allen, Woody
Bergman, Ingmar
Cronenberg, David
De Palma, Brian
Hitchcock, Alfred
Ingram, Rex
Lang, Fritz
Marker, Chris
Stallone, Sylvester
Tahimik, Kidlat
Tarkovsky, Andrei Arsenyevich
Tourneur, Jacques
Weir, Peter
Welles, Orson
Wiene, Robert
Purple Rose of Cairo, The (1985)
Fly, The (1986)
Psycho (1960)
Rear Window (1954)
Vertigo (1958)
Four Horsemen of the Apocalypse, The (1921)
Metropolis (1925/1926)
Jetée, La (1962)
Mababangong Bangungot / Perfumed Nightmare, The (1976/1977)
Offret / Sacrifice, Le (1985)
Soljaris (1972)
Cat People (1942)
Mosquito Coast (1986)
Cabinet des Dr. Caligari, Das (1919)
Science Fiction ~ Science Fiction
Horror ~ Horror
#36
Coleman, J.: Past presents. In: New Statesman 106. 1983. No. ?N. [December 2] p. 30.
Index:
Hitchcock, Alfred
Rear Window (1954)
#37
Collura, Joe: First of Hitchcock’s hidden treasures: Rear Window. In: Classic Images 1984. No. 105. [March] p. 45.
Index:
Hitchcock, Alfred
Rear Window (1954)
#38
Corber, Robert J.: Resisting history: Rear Window and the limits of the postwar settlement. In: Boundary 2 19. 1992. No. 1. [Spring] pp. 121-148.
Index:
Hitchcock, Alfred
Rear Window (1954)
Geschichte ~ History
#39
Corliss, Richard: The master who knew too much. In: Time 123. 1984. No. ?N. [March 26] pp. 77-78.
Index:
Hitchcock, Alfred
Rear Window (1954)
Vertigo (1958)
#40
Corliss, Richard: Your rent’s due, Jimmy. In: Time 135. 1990. No. ?N. [May 7] p. 91.
Index:
Hitchcock, Alfred
Rear Window (1954)
#41
Cuenca, Mercè: Invisibilizing the male body: Exploring the incorporeality of masculinity in 1950s American culture. In: Embodying masculinities: Towards a history of the male body in US culture and literature. Edited by Josep M. Armengol. - New York; Frankfurt/Main: Lang 2013. (= Masculinity studies: Literary and cultural representations 3.) pp. 49-62.
Description:
Discusses, among others, the representation of the male body in Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
USA (United States of America) ~ USA (United States of America)
Männer ~ Men
Literatur ~ Literature
Körper ~ Bodies
#42
Daniels, Bill: MCA, its appeal defeated, may seek Supreme Court decision on Window. In: Variety 335. 1989. No. ?N. [April 26] p. 12.
Index:
Hitchcock, Alfred
Rear Window (1954)
#43
de Kock, Ivo: Rear Window. In: Film en Televisie 1999. No. 491. [April] pp. 40-41.
Index:
Hitchcock, Alfred
Rear Window (1954)
#44
de Kuyper, E.: Rear Window. In: Skrien 1981. No. 110. [September] p. 11.
Index:
Hitchcock, Alfred
Rear Window (1954)
#45
Delpeut, Peter: Rear Window. In: Skrien 1981. No. 110. [September] p. 19.
Index:
Hitchcock, Alfred
Rear Window (1954)
#46
Denby, David: Through a glass darkly. In: New York Magazine 16. 1983. No. ?N. [October 17] pp. 98 ff.
Index:
Hitchcock, Alfred
Rear Window (1954)
#47
Diski, Jenny: The ticking clock. In: Sight and Sound NS 1. 1991. No. 4. [August] p. 35.
Description:
The writer on Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Diski, Jenny
Rear Window (1954)
#48
Dolar, Mladen: A father who is not quite dead. In: Everything you always wanted to know about Lacan (but were afraid to ask Hitchcock). Edited by Slavoj Zizek. - London; New York: Verso Books 1992. pp. 143-150.
Description:
On the motif of the "observed observer" in the films of Alfred Hitchcock, especially in Suspicion and Rear Window.
Index:
Hitchcock, Alfred
Suspicion (1941)
Rear Window (1954)
Vater ~ Fathers
#49
Dolar, Mladen: Ein Vater, der nicht ganz tot ist: In: Ein Triumph des Blicks über das Auge: Psychoanalyse bei Alfred Hitchcock. Von Miran Bozovic [et al.]. Hrsg. von Slavoj Zizek. Übersetzt von Isolde Charim [et al.]. - Wien: Turia & Kant 1992. pp. 143-151.
Description:
On the motif of the "observed observer" in the films of Alfred Hitchcock, especially in Suspicion and Rear Window.
Index:
Hitchcock, Alfred
Suspicion (1941)
Rear Window (1954)
Vater ~ Fathers
Tod ~ Death
#50
Durgnat, Raymond: Takaikkuna. In: Filmihullu 1983. No. 6. [?D] pp. 7-12.
Index:
Hitchcock, Alfred
Rear Window (1954)
#51
Duval, Bruno / Lefèvre, Raymond: Alfred Hitchcock. In: La Revue du Cinéma 1985. No. 401. [January] pp. 71-86.
Description:
Special dossier.
Index:
Hitchcock, Alfred
Rear Window (1954)
#52
Ebert, Roger: Rear Window. In: Ebert, Roger: The great movies II. - New York: Broadway Books 2005. p. ?P.
Index:
Hitchcock, Alfred
Rear Window (1954)
#53
Edelman, Lee: Rear Window’s glasshole. In: Out takes: Essays on queer theory and film. Edited by Ellis Hanson. - Durham, North Carolina: Duke University Press 1999. pp. 72-96.
Index:
Hitchcock, Alfred
Rear Window (1954)
#54
Eder, Bruce: Author, author. In: Village Voice 34. 1989. No. ?N. [February 28] p. 45.
Index:
Hitchcock, Alfred
Rear Window (1954)
#55
Eder, Bruce: Video kicked in the Rear Window. In: Village Voice 35. 1990. No. ?N. [June 12] p. 56.
Index:
Hitchcock, Alfred
Rear Window (1954)
Video ~ Video
#56
Ehrlich, Linda C.: Courtyards of shadow and light. In: Cinemaya 1997. No. 37. [Summer] pp. 8-16.
Index:
Hitchcock, Alfred
Rear Window (1954)
#57
Fawell, John: A loneliness amidst a populace: Hitchcock’s Rear Window. In: North Dakota Quarterly 68. 2001. No. 1. [Winter] pp. 107-120.
Index:
Hitchcock, Alfred
Rear Window (1954)
#58
Fawell, John: The musicality of the filmscript. In: Literature/Film Quarterly 17. 1989. No. 1. [?D] pp. 44-49.
Index:
Hitchcock, Alfred
Rear Window (1954)
Musik ~ Music
#59
Fawell, John: The sound of loneliness: Rear Window’s soundtrack. In: Studies in the Humanities 27. 2000. No. 1. [?D] pp. 62-74.
Index:
Hitchcock, Alfred
Rear Window (1954)
Musik ~ Music
#60
Fawell, John: Torturing women and mocking men: Hitchcock’s Rear Window. In: The Midwest Quarterly 44. 2002. No. 1. [Autumn] pp. 88-104.
Index:
Hitchcock, Alfred
Rear Window (1954)
Gewalt ~ Violence
Frauen ~ Women
#61
Fawell, John Wesley: Hitchcock’s Rear Window: The well-made film. - Carbondale, Illinois: Southern Illinois University Press 2001.
Index:
Hitchcock, Alfred
Rear Window (1954)
#62
Ferrara, Patricia: Through Hitchcock’s Rear Window again. In: New Orleans Review 12. 1985. No. 3. [Fall] pp. 21-30.
Index:
Hitchcock, Alfred
Rear Window (1954)
#63
Fieschi, Jacques: Hitchcock le joueur. In: Cinématographe 1984. No. 98. [March] pp. 2-7.
Index:
Hitchcock, Alfred
Rear Window (1954)
Vertigo (1958)
#64
Fisher, Jean: Chasing dreams: Victor Hitchcock and Alfred Burgin. In: Artforum 22. 1984. No. ?N. [May] pp. 39-43.
Index:
Hitchcock, Alfred
Burgin, Alfred
Rear Window (1954)
Vertigo (1958)
Traum ~ Dreams
#65
Furlan, S.: Dvoriscno okno. In: Ekran 9. 1984. No. 7/8. [?D] pp. 17-18.
Index:
Hitchcock, Alfred
Rear Window (1954)
#66
Gansera, Rainer: Magische Momente 4: Das Fenster zum Hof. In: Film-Dienst 66. 2013. No. 7. [March 28] p. 31.
Index:
Hitchcock, Alfred
Rear Window (1954)
Magie ~ Magic
#67
Garmon, Ronald Dale: Stalking the blue-chip nightmare: The two legacies of Cornell Woolrich. In: Scarlet Street 1996. No. 21. [Winter] pp. 53-54, 57, 104.
Description:
On the copyright dispute over Hitchcock’s Woolrich filming Rear Window.
Index:
Hitchcock, Alfred
Woolrich, Cornell George
Rear Window (1954)
Traum ~ Dreams
It Had to be Murder (Literatur ~ Literature)
#68
Glenn, Kathleen M.: Alusion al tiempo and Hitchcock’s Rear Window: Voyeurism and self-reflexivity. In: Monographic Review / Revista Monografica 1988. No. 4. [?D] pp. 16-24.
Description:
Compares the short novel by Ignacio Martinez de Pison with Hitchcock’s film.
Index:
Hitchcock, Alfred
Martinez de Pison, Ignacio
Rear Window (1954)
#69
Gobbers, E.: Rear Window. In: Andere Sinema 1984. No. 60. [July/August] p. 24.
Index:
Hitchcock, Alfred
Rear Window (1954)
#70
Gonzalez, Juan Carlos: Para atrapar a un soltero. In: Kinetoscopio 10. 1999. No. 50. [?D] pp. 120-124.
Index:
Hitchcock, Alfred
Rear Window (1954)
#71
Greenberg, James: Rear Window source material owner charges c’right violations. In: Variety 314. 1984. No. ?N. [April 25] pp. 2 ff.
Index:
Hitchcock, Alfred
Rear Window (1954)
#72
Greenhouse, Linda: Final twist in Rear Window case. In: New York Times, April 25, 1990. p. D1pp.
Index:
Hitchcock, Alfred
Rear Window (1954)
#73
Harris, Thomas: Rear Window and Blow-Up: Hitchcock’s straightforwardness vs. Antonioni’s ambiguity. In: Literature/Film Quarterly 15. 1987. No. 1. [January] pp. 60-63.
Index:
Hitchcock, Alfred
Antonioni, Michelangelo
Rear Window (1954)
Blow Up (1966)
#74
Harrison, Matthew B.: Making strange impressions: The unsettling craft of self-critical cinema. In: Quarterly Review of Film and Video 23. 2006. No. 5. [?D] pp. 423-436.
Description:
Discusses especially Alfred Hitchcock’s Rear Window, C’est arrivé prés de chez vous by Rémy Belvaux, André Bonzel and Benoît Poelvoorde, and The Blair Witch Project by Daniel Myrick and Eduardo Sanchez.
Index:
Hitchcock, Alfred
Belvaux, Rémy
Bonzel, André
Poelvoorde, Benoît
Myrick, Daniel
Sanchez, Eduardo
Rear Window (1954)
C’est arrivé prés de chez vous (1992)
Blair Witch Project, The (1999)
#75
Hitchcock, Alfred / Montcoffe, Francis: Fenêtre sur cour. - ?O: ?V ?J (1996).
Reviews:
Donovan, Francis: Hitchcockologie. In: Cinéma [Paris] 1990. No. 471. [November] p.54.
Index:
Hitchcock, Alfred
Rear Window (1954)
#76
Horton, R.: Rear Window. In: Informer ?G. 1983. No. ?N. [October/November] pp. 2-3.
Index:
Hitchcock, Alfred
Rear Window (1954)
#77
Howard, Tom: Rear Window. In: Reid’s Film Index ?G. 1994. No. 13. [?D] pp. 208-210.
Index:
Hitchcock, Alfred
Rear Window (1954)
#78
Howe, Lawrence: Through the looking glass: Reflexivity, reciprocality, and defenestration in Hitchcock’s Rear Window. In: College Literature 35. 2008. No. 1. [Winter] pp. 16-37.
Index:
Hitchcock, Alfred
Rear Window (1954)
#79
Hurley, James Stephens III: After the panopticon: Surveillance, scopophilia, and the subject of the gaze. - Charlottesville, Virginia: University of Virginia, Ph.D. 1997. [Abstract in: Dissertation Abstracts International A 58. 1998. No. 7. (January) p. 2433A.]
Description:
Discusses, among others, Alfred Hitchcock’s Rear Window and Psycho as well as Michael Powell’s Peeping Tom.
Index:
Hitchcock, Alfred
Powell, Michael
Rear Window (1954)
Psycho (1960)
Peeping Tom (1959)
#80
Jenkins, Steve: Hitchcock x 2: Refocusing the spectator. In: Monthly Film Bulletin 51. 1984. No. 601. [February] pp. 34-38.
Description:
Discusses especially Rear Window, The Rope and Vertigo.
Index:
Hitchcock, Alfred
Vertigo (1958)
Rear Window (1954)
Rope, The (1948)
#81
Karren, Howard: Peep show. In: Premiere 4. 1991. No. ?N. [Winter] pp. 88-89.
Index:
Hitchcock, Alfred
Rear Window (1954)
#82
Kaut, Susanne: Das Fenster zum Hof (Regie: Alfred Hitchcock; USA 1954). In: "Ich sehe was, was du nicht siehst": Psychoanalytische Filminterpretationen. Hrsg. von Theo Piegler. - Gießen: Psychosozial-Verlag 2010. (= Imago.) pp. 43 ff.
Index:
Hitchcock, Alfred
Rear Window (1954)
Psychologie ~ Psychology
#83
Kehr, Dave: Hitchcock’s riddle. In: Film Comment 20. 1984. No. ?N. [May/June] pp. 9-18.
Index:
Hitchcock, Alfred
Rear Window (1954)
Vertigo (1958)
#84
Klaassen, Klaas: Das Fenster zum Hof. In: Filmgenres: Kriminalfilm. Hrsg. von Knut Hickethier unter Mitarbeit von Katja Schumann. - Stuttgart: Reclam 2005. pp. 115-119.
Description:
On Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
Kriminalität ~ Crime
#85
Krohn, B.: Reissues: Hitchcock classics. In: Boxoffice 120. 1984. No. ?N. [February] pp. R23-R24.
Index:
Hitchcock, Alfred
Rear Window (1954)
#86
Lagrange, Thierry: Rooms with a view. In: Andere Sinema 1996. No. 133. [May/June] pp. 50-54.
Index:
Hitchcock, Alfred
Rear Window (1954)
#87
Lally, Kevin: Mr. Stewart goes to N.Y. to promote Rear Window. In: Film Journal 86. 1983. No. ?N. [October 28] p. 24.
Index:
Hitchcock, Alfred
Stewart, James
Rear Window (1954)
#88
Leconte, Bernard: Fenêtre sur film: Quelques considérations cinématographiques à propos du début de Fenêtre sur cour. In: La Revue du Cinéma 1992. No. 484. [July/August] pp. 62-70.
Description:
Semiotic analysis of Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
Fenster ~ Windows
#89
Lee, Sander H.: Escape and commitment in Hitchcock’s Rear Window. In: Post Script 7. 1988. No. 2. [Winter] pp. 18-28.
Index:
Hitchcock, Alfred
Rear Window (1954)
#90
Leff, Leonard J.: Hitchcock and the censors. In: World and I 14. 1999. No. 8. [August] p. 108.
Description:
Discusses, among others, Rebecca, Rear Window, Shadow of a Doubt and Psycho.
Index:
Hitchcock, Alfred
Rebecca (1940)
Rear Window (1954)
Shadow of a Doubt (1943)
Psycho (1960)
Zensur ~ Censorship
#91
Leitch, Thomas M.: Self and world at Paramount. In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 36-51.
Description:
On Alfred Hitchcock’s Rear Window, The Man Who Knew Too Much and The Trouble With Harry.
Index:
Hitchcock, Alfred
Rear Window (1954)
Man Who Knew Too Much, The (1956)
Trouble with Harry, The (1955)
Paramount [Firma] ~ Paramount [Company]
#92
Lengdobler, Martin: "Look, Look!" - Koppelungen des Blickes in Alfred Hitchcocks Rear Window. - München: GRIN Verlag 2010.
Index:
Hitchcock, Alfred
Rear Window (1954)
#93
Lodato, Nuccio / Piccardi, Adriano: Nessun cadavere, nessun delitto ... In: Cineforum 24. 1984. No. 11(?N). [November] pp. 42-57.
Description:
On Alfred Hitchcock’s The Rope, Rear Window, The Trouble with Harry, Vertigo and The Man Who Knew Too Much.
Index:
Hitchcock, Alfred
Rope, The (1948)
Rear Window (1954)
Trouble with Harry, The (1955)
Vertigo (1958)
Man Who Knew Too Much, The (1934)
#94
Magny, Joël: Fenetre sur cour. In: Cinéma [Paris] 1984. No. 302. [February] pp. 41-42.
Index:
Hitchcock, Alfred
Rear Window (1954)
#95
Manlove, Clifford T.: Visual "drive" and cinematic narrative: Reading gaze theory in Lacan, Hitchcock, and Mulvey. In: Cinema Journal 46. 2007. No. 3. [Spring] pp. 83-108.
Description:
Discusses especially Hitchcock’s Vertigo, Rear Window and Marnie which were used by Laura Mulvey to explain her own psychoanalytical theory.
Index:
Hitchcock, Alfred
Mulvey, Laura
Lacan, Jacques
Vertigo (1958)
Rear Window (1954)
Marnie (1963/1964)
Psychologie ~ Psychology
#96
Marantz Cohen, Paula: Alfred Hitchcock: The legacy of Victorianism. - Lexington, Kentucky: University Press of Kentucky 1995.
Reviews:
Fyne, Robert: [untitled] In: Film & History 25. 1995. No. 1-4. [?D] p. 70.
Helman, Alicja: Hitchcock mial córke. In: Kino [Warschau] 34. 2000. No. ?N(394). [?D] pp. 48-49.
Leff, Leonard J.: [untitled] In: Journal of Popular Culture 30. 1996. No. 3. [?D] pp. 242-243.
Turner, George: [untitled] In: American Cinematographer 76. 1995. No. 12. [December] p. 114.
Description:
Includes detailed analysis of Shadow of a Doubt, Rear Window, Vertigo and Psycho.
Index:
Hitchcock, Alfred
Shadow of a Doubt (1943)
Rear Window (1954)
Vertigo (1958)
Psycho (1960)
#97
Martini, Emanuela: Dal regno dei morti. In: Cineforum 37. 1997. No. ?N(365). [June] pp. 4-7.
Index:
Hitchcock, Alfred
Vertigo (1958)
Rear Window (1954)
Tod ~ Death
#98
Mason, Carol: Rear Window’s Lisa Freemont: Masochistic female spectator or post war socioeconomic threat? In: Social and political change in literature and film: Selected papers from the Sixteenth Annual Florida State University Conference on Literature and Film. Edited by Richard Chapple. - Gainesville, Florida: University of Florida Press 1994. (= Florida State University Conference on Literature and Film 16.) pp. 109-121.
Index:
Hitchcock, Alfred
Rear Window (1954)
Wirtschaft ~ Economy
Krieg ~ War
Literatur ~ Literature
Sexualität: Sadomasochismus ~ Sexuality: Sadomasochism
Politik ~ Politics
Frauen ~ Women
#99
Mazzella, Anthony J.: Author, auteur: Rereading Rear Window from Woolrich to Hitchcock. In: Hitchcock’s rereleased films: From Rope to Vertigo. Edited by Walter Raubickek and Walter Srebnick. Foreword by Sarris Andrew. - Detroit, Michigan: Wayne State University Press 1991. (= Contemporary film and television.) pp. 62-75.
Description:
Compares the novel It Had to be Murder by Cornell Woolrich with the Hitchcock film.
Index:
Hitchcock, Alfred
Woolrich, Cornell George
Rear Window (1954)
It Had to be Murder (Literatur ~ Literature)
#100
Mazzotta, Walter: Alfred Hitchcock: La scena spostata. In: Filmcritica 49. 1999. No. 499. [October] pp. 433-437.
Description:
On narrative structures in the films of Alfred Hitchcock, especially in The Rope.
Index:
Hitchcock, Alfred
Rear Window (1954)
Rope, The (1948)
#101
McCarthy, Todd: Rear Window (Restoration - 1954). In: Variety 377. 2000. No. 9. [Janiary 17] pp. 48, 55.
Index:
Hitchcock, Alfred
Rear Window (1954)
#102
McIntyre, Heather Faye: In the absence of the woman: The spectator’s presence in Hitchcock’s Rear Window, Polanski’s The Tenant, and Lynch’s Blue Velvet. - Winnipeg, Manitoba: University of Manitoba, M.A. 1990. [Abstract in: Masters Abstracts International 31. 1993. No. 2. p. 496.]
Index:
Hitchcock, Alfred
Polanski, Roman
Lynch, David
Rear Window (1954)
Locataire, Le / Tenant, The (1976)
Blue Velvet (1986)
Sexualität: Sadomasochismus ~ Sexuality: Sadomasochism
Frauen ~ Women
#103
Mellier, Denis: La montage à l’oeil nu: Alfred Hitchcock: Fenêtre sur cour. In: Les conceptions du montage. Dirigée par Pierre Maillot et Valérie Mouroux. (= Cinémaction 1994. No. 72. [?D]) pp. 120-126.
Description:
On Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
Augen ~ Eyes
#104
Miller, Gabriel: Beyond the frame: Hitchcock, art, and the ideal. In: Post Script 5. 1986. No. 2. [Winter] pp. 31-46.
Description:
Especially on Rear Window and Vertigo.
Index:
Hitchcock, Alfred
Rear Window (1954)
Vertigo (1958)
#105
Miller, Nicholas Andrew: "Dear Miss Lonelyhearts": Voyeurism and the spectacle of human suffering in Rear Window. In: Hitchcock and adaptation: On the page and screen. Edited by Mark Osteen. - Lanham, Maryland: Rowman & Littlefield 2014. p. ?P.
Index:
Hitchcock, Alfred
Rear Window (1954)
#106
Mogg, Ken: Rear Window in the news. In: MacGuffin 1997. No. 23. [November] pp. 1-2.
Index:
Hitchcock, Alfred
Rear Window (1954)
#107
Mogg, Ken: The Gioconda smile: Archetypes in/of Hitchcock’s Rear Window (1954). In: MacGuffin 1997. No. 23. [November] pp. 7-26.
Index:
Hitchcock, Alfred
Rear Window (1954)
#108
Mooney, Joshua: Grace Kelly in Rear Window. In: Movieline 7. 1996. No. ?N. [January/February] p. 79.
Index:
Hitchcock, Alfred
Kelly, Grace
Rear Window (1954)
#109
N’doua, Kadjo: Home cinema (le salaire du zappeur). In: Vertigo 1999. No. 18. [?D] p. 108.
Index:
Hitchcock, Alfred
Rear Window (1954)
#110
Nevins, Francis M.: Fade to black: Part two. In: Armchair Detective 20. 1987. No. 2 [?D] pp. 160 ff.
Description:
On the mystery film and the film noir, especially on Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
Film Noir ~ Film Noir
#111
Nichols, Mary P. / Schaeffer, Denise: Art and Liberalism in Hitchcock’s Rear Window. In: Perspectives on Political Science 28. 1999. No. 3. [Summer] p. 125.
Index:
Hitchcock, Alfred
Rear Window (1954)
#112
Odabashian, Barbara: The unspeakable crime in Hitchcock’s Rear Window: Hero as lay detective, spectator as lay analyst. In: Hitchcock Annual 1993. pp. 3-11.
Description:
Psychoanalytic analysis.
Index:
Hitchcock, Alfred
Rear Window (1954)
Psychologie ~ Psychology
Kriminalität ~ Crime
Helden ~ Heros
Detektive ~ Detectives
#113
Orpen, V. A.: Splicing emotion: The expressive dimensions of editing in the sound film. - Coventry: University of Warwick, Ph.D. 2000. [Abstract in: Index to Theses with Abstracts 50. 2001. No. 5. p. 1599(50-9992)]
Description:
Discusses, among others, Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
Musik ~ Music
#114
Paefgen, Elisabeth Katharina: Dem Bewusstsein bei der Arbeit zusehen: Alfred Hitchcocks Rear Window und Ilse Aichingers Das Fenster-Theater. In: Paefgen, Elisabeth Katharina: Wahlverwandte: Filmische und literarische Erzählungen im Dialog. - Berlin: Bertz+Fischer 2009. (= Deep focus 6.) pp. 110-122.
Index:
Aichinger, Ilse
Hitchcock, Alfred
Rear Window (1954)
Fenster-Theater, Das (Literatur ~ Literature)
Literatur ~ Literature
#115
Palmer, R. Barton: The Hitchcock romance and the 1970s paranoid thriller. In: After Hitchcock: Influence, imitation, and intertextuality. Edited by David Boyd and R. Barton Palmer. - Austin, Texas: University of Texas Press 2006. pp. 85-108.
Description:
Discusses, among others, Alfred Hitchcock’s North by Northwest, Rear Window and Vertigo as well as Francis Ford Coppola’s The Conversation and Alan J. Pakula’s The Parallax View.
Index:
Hitchcock, Alfred
Coppola, Francis Ford
Pakula, Alan J.
North by Northwest (1959)
Rear Window (1954)
Vertigo (1958)
Conversation, The (1973)
Parallax View, The (1973)
Wahnsinn ~ Madness
Thriller ~ Thriller
#116
Palmer, R. Barton: The metafictional Hitchcock: The experience of viewing and the viewing of experience in Rear Window and Psycho. In: Cinema Journal 25. 1986. No. 2. [Winter] pp. 4-19.
Index:
Hitchcock, Alfred
Rear Window (1954)
Psycho (1960)
#117
Pearson, Roberta / Stam, Robert: Hitchcock’s Rear Window: Reflexivity and the critique of voyeurism. In: A Hitchcock reader. 2nd. edition. Edited by Marshall Deutelbaum and Leland Poague. - Chichester; Malden, Massachussetts: Wiley-Blackwell 2009. p. ?P.
Index:
Hitchcock, Alfred
Rear Window (1954)
#118
Pearson, Roberta / Stam, Robert: Hitchcock’s Rear Window: Reflexivity and the critique of voyeurism. In: Enclitic 7. 1983. No. 1. [Spring] pp. 136-145.
Index:
Hitchcock, Alfred
Rear Window (1954)
#119
Percheron, Daniel: Appels de fond. In: Vertigo 1999. No. 18. [?D] pp. 49-50.
Index:
Hitchcock, Alfred
Rear Window (1954)
#120
Perlmutter, Ruth: Rear Window: A "construction-story". In: Journal of Film and Video 37. 1985. No. 2. [Spring] pp. 53-65.
Index:
Hitchcock, Alfred
Rear Window (1954)
#121
Perry, Dennis R.: Voyeurism: Eyes of the perverse: A Man of the Crowd and Rear Window. In: Perry, Dennis R.: Hitchcock and Poe: The legacy of delight and terror. - Lanham, Maryland; London: Scarecrow Press 2003. (= Filmmakers.) p. ?P.
Index:
Hitchcock, Alfred
Poe, Edgar Allan
Rear Window (1954)
Augen ~ Eyes
Man of the Crowd, A (Literatur ~ Literature)
#122
Phillips, Louis: Through a glass darkly: A consideration of Alfred Hitchcock’s Rear Window. In: Armchair Detective 18. 1985. No. 2. [?D] pp. 190-193.
Index:
Hitchcock, Alfred
Rear Window (1954)
#123
Pisters, Patricia: The matrix of visual culture: Working with Deleuze in film theory. - Stanford, California: Stanford University Press 2003.
Reviews:
Fleming, D. H.: [untitled.] In: Film-Philosophy 13. 2009. No. 1. [?D] p. ?P.
Description:
Discusses, among others, Alfred Hitchcock’s Rear Window and Vertigo, Kathryn Bigelow’s Strange Days, Quentin Tarantino’s Pulp Fiction, David Fincher’s Fight Club, Neil Jordan’s The Company of Wolves, David Cronenberg’s The Fly, Francis Ford Coppola’s The Conversation and Luc Besson’s Le Grand Bleu.
Index:
Deleuze, Gilles
Hitchcock, Alfred
Bigelow, Kathryn
Tarantino, Quentin
Fincher, David
Jordan, Neil
Cronenberg, David
Coppola, Francis Ford
Besson, Luc
Rear Window (1954)
Vertigo (1958)
Strange Days (1995)
Pulp Fiction (1994)
Fight Club (1999)
Company of Wolves, The (1984)
Fly, The (1986)
Conversation, The (1973)
Grand Bleu, Le (1987)
Philosophie ~ Philosophy
#124
Powers, Stephen / Rothman, David J. / Rothman, Stanley: Hollywood’s America: Social and political themes in motion pictures. - Boulder, Colorado: Westview Press 1996.
Reviews:
Maltby, Richard: [untitled] In: Film Quarterly 51. 1997/1998. No. 2. [Winter] pp. 62-64.
Description:
Discusses, among others, Alfred Hitchcock’s Rear Window and Tim Burton’s Beetlejuice.
Index:
Hitchcock, Alfred
Burton, Tim
Rear Window (1954)
Beetlejuice (1988)
USA (United States of America) ~ USA (United States of America)
Politik ~ Politics
Hollywood ~ Hollywood
#125
Prokopová, Alena: Okno do dvora. In: Film a Doba 36. 1990. No. 10. [October] pp. 586-588.
Description:
On Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
#126
Puccini, Dario: Il gioco delle simmetrie. In: Cinema & Cinema ?G. 1987. No. 49. [June] p. 78.
Index:
Hitchcock, Alfred
Rear Window (1954)
#127
Pye, Douglas: Enter Lisa: Rear Window (1954). In: Film moments: Criticism, history, theory. Edited by Tom Brown and James Walters. - London: Palgrave Macmillan / British Film Institute 2010. p. ?P.
Index:
Hitchcock, Alfred
Rear Window (1954)
#128
Rear Window. In: Revue Belge du Cinéma 1983. No. 4. [Summer] p. 60.
Index:
Hitchcock, Alfred
Rear Window (1954)
#129
Reijnhoudt, Bram: Hitchcock, dertig jaar later: Vlaflips van humor en spanning In: Skoop 20. 1984. No. 3. [April] pp. 18-21.
Index:
Hitchcock, Alfred
Rear Window (1954)
Vertigo (1958)
Humor ~ Humor
#130
Robb, David: Haunting thrown out the Window. In: Variety 339. 1990. No. ?N. [May 9] pp. 5 ff.
Index:
Hitchcock, Alfred
Rear Window (1954)
#131
Robertson Wojcik, Pamela: The author of this claptrap: Cornell Woolrich, Alfred Hitchcock, and Rear Window. In: Hitchcock at the source: The auteur as adaptor. Edited by R. Barton Palmer and David Boyd. - Albany: SUNY Press 2011. (= Horizons of cinema.) p. ?P.
Index:
Woolrich, Cornell George
Hitchcock, Alfred
Rear Window (1954)
It Had to be Murder (Literatur ~ Literature)
#132
Rose, Lloyd: Alfred again. In: The Atlantic 252. 1983. No. ?N. [October] pp. 100 ff.
Index:
Hitchcock, Alfred
Rear Window (1954)
#133
Roth-Lindberg, Örjan: Porträttet, spegeln och dubbelgångaren. In: Filmhäftet 27. 1999. No. 107. [?D] pp. 48-54.
Description:
On the motifs of the mirror and the double in the films of Alfred Hitchcock.
Index:
Hitchcock, Alfred
Rear Window (1954)
Spiegel ~ Mirror
Doppelgänger ~ Double
#134
Rother, Rainer: Der männliche Zuschauer in Hitchcocks Rear Window und Vertigo. In: Filmwärts ?G. 1987. No. 8. [September] pp. 14-17.
Index:
Hitchcock, Alfred
Rear Window (1954)
Vertigo (1958)
Männer ~ Men
#135
Rowe, John Carlos: Caged heat: Feminist rebellion in Henry James’s In the Cage and Alfred Hitchcock’s Rear Window. In: The men who knew too much: Henry James and Alfred Hitchcock. Edited by Susan Griffin and Alan Nadel. - Oxford; New York: Oxford University Press 2011. p. ?P.
Index:
James, Henry
Hitchcock, Alfred
Rear Window (1954)
Frauen ~ Women
In the Cage (Literatur ~ Literature)
#136
Saada, Nicolas: Franz Waxman: Crime in the Streets / Rear Window. In: Cahiers du Cinéma 1995. Hors-série. p. 130.
Description:
On the composer.
Index:
Waxman, Franz
Siegel, Donald
Hitchcock, Alfred
Crime in the Streets (1956)
Rear Window (1954)
Musik ~ Music
#137
Sarris, Andrew: Return of the "missing" Hitchcocks. In: Village Voice 28. 1983. No. ?N. [August 23] p. 41.
Index:
Hitchcock, Alfred
Rear Window (1954)
#138
Sarris, Andrew: The critical anatomy of Alfred Hitchcock. In: Village Voice 28. 1983. No. ?N. [October 18] pp. 57 ff.
Index:
Hitchcock, Alfred
Rear Window (1954)
#139
Scarrone, C.: Rear Window. In: Filmcritica 32. 1981. No. 311. [January] pp. 45-47..
Index:
Hitchcock, Alfred
Rear Window (1954)
#140
Schnelle, Josef: Fenster zur Seele: Alfred Hitchcocks Das Fenster zum Hof. In: Lexikon des Internationalen Films: Kino, Fernsehen, Video, DVD. Redaktion: Horst Peter Kroll [et al.]. Herausgegeben vom Katholischen Institut für Medieninformation und der Katholischen Filmkommission für Deutschland. Band 2: H-P. - Frankfurt/Main: Zweitausendeins 2002. pp. N16-N18.
Index:
Hitchcock, Alfred
Rear Window (1954)
Fenster ~ Windows
#141
Schnelle, Josef: Fenster zur Seele: Wieder im Kino: Alfred Hitchcocks Das Fenster zum Hof. In: Film-Dienst 53. 2000. No. 14. [July 4] pp. 46-47.
Index:
Hitchcock, Alfred
Rear Window (1954)
Fenster ~ Windows
#142
Schwarz, Eva: Visual paranoia in Rear Window, Blow-Up and The Truman Show. - Stuttgart: Ibidem-Verlag 2011.
Index:
Hitchcock, Alfred
Antonioni, Michelangelo
Weir, Peter
Rear Window (1954)
Blow Up (1966)
Truman Show, The (1998)
Wahnsinn ~ Madness
#143
Sennett, Robert S.: Lost innocence: Art direction and Alfred Hitchcock. In: Sennett, Robert S.: Setting the scene: The great Hollywood art directors. - New York: Harry N. Abrams 1994. pp. 176-185.
Description:
Discusses, among others, the work of Alexander Golitzen for Foreign Correspondent, the work of John B. Goodman and Robert Boyle for Shadow of a Doubt, the work of Hal Pereira and Joseph McMillan Johnson for Rear Window as well as the work of Robert Boyle, William A. Horning and Merrill Pye for North by Northwest.
Index:
Hitchcock, Alfred
Golitzen, Alexander
Goodman, John B.
Boyle, Robert
Pereira, Hal
Johnson, Joseph McMillan
Horning, William A.
Pye, Merrill
Foreign Correspondent (1940)
Shadow of a Doubt (1943)
Rear Window (1954)
North by Northwest (1959)
Hollywood ~ Hollywood
#144
Sharff, Stefan: The art of looking in Hitchcock’s Rear Window. - New York: Limelight Editions 1997.
Reviews:
Aitio, Tommi: 2 näkökulmaa Hitchcockiin. In: Filmihullu 1999. No. 4. [?D] pp. 28-29.
Deutelbaum, Marshall: [untitled] In: Hitchcock Annual 1998. pp. 122-126.
Index:
Hitchcock, Alfred
Rear Window (1954)
#145
Silberstein, Michael: Rear Window: Hitchcock’s allegory of the cave. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 187-202.
Index:
Hitchcock, Alfred
Rear Window (1954)
Philosophie ~ Philosophy
#146
Skarderud, Finn: Vindu mot kinorommet. In: Film & Kino ?G. 1989. No. 7. [?D] pp. 26-28.
Index:
Hitchcock, Alfred
Rear Window (1954)
#147
Skerry, Philip J.: Dark energy: Hitchcock’s absolute camera and the physics of cinematic spacetime. - New York: Bloomsbury Academic 2013.
Description:
Discusses especially Rear Window, Psycho and Vertigo.
Index:
Hitchcock, Alfred
Rear Window (1954)
Psycho (1960)
Vertigo (1958)
Technik: Kamera ~ Technology: Camera
#148
Skoble, Aeon J.: Rear Window: Looking at things ethically. In: Hitchcock and philosophy: Dial M for metaphysics. Edited by David Baggett and William A. Drumin. - Chicago, Illinois: Open Court 2007. (= Popular culture and philosophy 27.) pp. 203-212.
Index:
Hitchcock, Alfred
Rear Window (1954)
Philosophie ~ Philosophy
#149
Skytte, Asbjorn: Gensyn med Hitchcock. In: Kosmorama 30. 1984. No. 168. [August] pp. 77-82.
Description:
Discusses The Trouble with Harry, Rope, Rear Window, The Man Who Knew Too Much and Vertigo.
Index:
Hitchcock, Alfred
Trouble with Harry, The (1955)
Rope, The (1948)
Rear Window (1954)
Man Who Knew Too Much, The (1934)
Vertigo (1958)
#150
Smith, Julian: The strange case of Lars Thorwald: Rounding up the usual suspect in Rear Window. In: New Orleans Review 19. 1992. No. 2. [Summer] pp. 21-29.
Index:
Hitchcock, Alfred
Rear Window (1954)
#151
Sohn, Nadine: Von Manet bis Matrix - Darstellungen von Aufmerksamkeit in der bildenden Kunst und im Film. - München: GRIN Verlag 2007.
Description:
Includes chapters on Luis Buñuel’s Un chien andalou, Alfred Hitchcock’s Rear Window and the Matrix series.
Index:
Manet, Édouard
Buñuel, Luis
Dalí, Salvador
Hitchcock, Alfred
Wachowski, Andy
Wachowski, Larry
chien andalou, Un (1928)
Rear Window (1954)
Matrix, The (Filmreihe)
Kunst ~ Arts, The
#152
Spivack, Avi: 50 years in the rearview mirror (Rear Window). In: The Film Journal [Ohio] 2004. No. 9. [July] p. ?P.
Index:
Hitchcock, Alfred
Rear Window (1954)
Spiegel ~ Mirror
#153
Stam, Huib: Hitchcock toen & nu. In: Skoop 24/25. 1988/1989. No. ?N. [December/January] pp. 18-19.
Index:
Hitchcock, Alfred
Rear Window (1954)
Vertigo (1958)
#154
Steffen-Fluhr, Nancy: Disabled by desire: Body doubles in Rear Window (1942), Rear Window (1954), and Rear Window (1998). In: Post Script 22. 2003. No. 3. [Summer] pp. 69-88.
Index:
Hitchcock, Alfred
Bleckner, Jeff
Rear Window (1954)
Rear Window (1999)
Behinderung ~ Disability
Körper ~ Bodies
Doppelgänger ~ Double
#155
Stempel, Tom: Rear Window: A John Michael Hayes’ film. In: Creative Screenwriting 4. 1997. No. 4. [Winter] pp. 85-96.
Description:
On the script for Hitchcock’s adaption of a Cornell Woolrich novel.
Index:
Hitchcock, Alfred
Woolrich, Cornell George
Rear Window (1954)
It Had to be Murder (Literatur ~ Literature)
#156
Strick, P.: Alfred Hitchcock. In: Films and Filming ?G. 1983. No. ?N(351). [December] pp. 18-21.
Description:
Especially on The Rope, Rear Window, The Man Who Knew Too Much, The Trouble with Harry and Vertigo.
Index:
Hitchcock, Alfred
Rope, The (1948)
Rear Window (1954)
Man Who Knew Too Much, The (1956)
Trouble with Harry, The (1955)
Vertigo (1958)
#157
Strick, P.: Rear Window. In: Films and Filming ?G. 1983. No. ?N(350). [November] pp. 38-39.
Index:
Hitchcock, Alfred
Rear Window (1954)
#158
Suárez Sánchez, Juan A.: The rea view: Paranoia and homosicial desire in Alfred Hitchcock’s Rear Window. In: Gender, I-deology: Essays on theory, fiction and film. Edited by Chantal Cornut-Gentille D’Arcy and José Ángel García Landa. - Atlanta, Georgia; Amsterdam: Rodopi 1996. (= Postmodern Studies 16.) pp. 359-369.
Index:
Hitchcock, Alfred
Rear Window (1954)
Wahnsinn ~ Madness
Sexualität ~ Sexuality
#159
Sullivan, Jack: Musical redemption in Hitchcock’s Rear Window. In: The Chronicle of Higher Education 50. 2004. No. 39. [June] pp. B18-B19.
Index:
Hitchcock, Alfred
Rear Window (1954)
Religion ~ Religion
Musik ~ Music
#160
Thumin, Janet: Celluloid sisters: Women and popular cinema. Consultant editor Jo Campling. - Basingstoke; London: Macmillan Press 1992.
Description:
On women’s roles in popular British and American film between 1945 and 1965. Discusses also a lot of fantastic films, among them Black Narzissus by Michael Powell and Emeric Pressburger, Caesar and Cleopatra by Gabriel Pascal, The Curse of Frankenstein by Terence Fisher, the James Bond films Dr. No and From Russia with Love by Terence Young as well as Goldfinger by Guy Hamilton, the Hitchcock films The Man who Knew too Much, Marnie, Rear Window and Spellbound, Mary Poppins by Robert Stevenso and The Seventh Veil by Compton Bennett.
Index:
Powell, Michael
Pressburger, Emeric
Pascal, Gabriel
Fisher, Terence
Young, Terence
Hamilton, Guy
Hitchcock, Alfred
Stevenson, Robert
Bennett, Compton
Black Narcissus (1947)
Caesar and Cleopatra (1946)
Curse of Frankenstein, The (1957)
Dr. No (1962)
From Russia with Love (1963)
Goldfinger (1964)
Man Who Knew Too Much, The (1956)
Marnie (1963/1964)
Rear Window (1954)
Spellbound (1945)
Mary Poppins (1964)
Seventh Veil, The (1945)
USA (United States of America) ~ USA (United States of America)
Großbritannien ~ Great Britain
Frauen ~ Women
James Bond ~ James Bond
#161
Thumin, Janet: Celluloid sisters: Women and popular cinema. Consultant editor Jo Campling. - New York: St. Martin’s Press 1992.
Description:
On women’s roles in popular British and American film between 1945 and 1965. Discusses also a lot of fantastic films, among them Black Narzissus by Michael Powell and Emeric Pressburger, Caesar and Cleopatra by Gabriel Pascal, The Curse of Frankenstein by Terence Fisher, the James Bond films Dr. No and From Russia with Love by Terence Young as well as Goldfinger by Guy Hamilton, the Hitchcock films The Man who Knew too Much, Marnie, Rear Window and Spellbound, Mary Poppins by Robert Stevenso and The Seventh Veil by Compton Bennett.
Index:
Powell, Michael
Pressburger, Emeric
Pascal, Gabriel
Fisher, Terence
Young, Terence
Hamilton, Guy
Hitchcock, Alfred
Stevenson, Robert
Bennett, Compton
Black Narcissus (1947)
Caesar and Cleopatra (1946)
Curse of Frankenstein, The (1957)
Dr. No (1962)
From Russia with Love (1963)
Goldfinger (1964)
Man Who Knew Too Much, The (1956)
Marnie (1963/1964)
Rear Window (1954)
Spellbound (1945)
Mary Poppins (1964)
Seventh Veil, The (1945)
USA (United States of America) ~ USA (United States of America)
Großbritannien ~ Great Britain
Frauen ~ Women
James Bond ~ James Bond
#162
Till, Renate: Männerbilder in ausgewählten Filmen Alfred Hitchcocks: Rear Window, To Catch a Thief, Vertigo, North by Northwest. - München: Universität München, Institut für Kommunikationswissenschaft, Magisterarbeit 1994.
Index:
Hitchcock, Alfred
Rear Window (1954)
To Catch a Thief (1955)
Vertigo (1958)
North by Northwest (1959)
Männer ~ Men
#163
Toles, George E.: Alfred Hitchcock’s Rear Window as critical allegory. In: Boundary 2 16. 1989. No. 2/3. [Winter/Spring] pp. 225-245.
Index:
Hitchcock, Alfred
Rear Window (1954)
#164
Tomasulo, Frank P.:"You’re tellin’ me you didn’t see": Hitchcock’s Rear Window and Antonioni’s Blow-Up. In: After Hitchcock: Influence, imitation, and intertextuality. Edited by David Boyd and R. Barton Palmer. - Austin, Texas: University of Texas Press 2006. pp. 145-172.
Index:
Hitchcock, Alfred
Antonioni, Michelangelo
Rear Window (1954)
Blow Up (1966)
#165
Tong, Jacqueline: Hong Kong Rear Window: Backyard Adventures (1955). In: Hitchcock Annual 2005/2006. pp. 121-138.
Description:
On Hou chang, a Hong Kong remake of Alfred Hitchcock’s Rear Window.
Index:
Pei Chan
Wui Ng
Ji Zhu
Hitchcock, Alfred
Hou chang (1955)
Rear Window (1954)
Hongkong ~ Hong Kong
#166
Travers, Peter: Rear Window. In: Rolling Stone 2000. No. 834. [February 17] pp. 63 ff.
Index:
Hitchcock, Alfred
Rear Window (1954)
#167
Das unbewußte Sehen: Texte zu Psychoanalyse, Film, Kino. Hrsg. von August Ruhs , Bernhard Riff und Gottfried Schlemmer. - Wien: Löcker Verlag 1989.
Reviews:
Hagmann, Karl Eugen: [untitled] In: Film-Dienst 43. 1990. No. 11. [May 29] pp. 39-40.
Paech, Joachim: Filmtheorie aus Österreich. In: EPD Film 7. 1990. No. 4. [April] pp. 9-10.
Rother, Rainer: Psychoanalytisches zu Film und Kino. In: Filmwärts ?G. 1990. No. 17. [?D] pp. VI-VII.
Wulff, Hans J.: [untitled] In: Medienwissenschaft 1989. No. 3. pp. 354-356.
Description:
Includes essays on Alfred Hitchcock’s Rear Window and Spellbound, Jerry Lewis’s The Nutty Professor, Simon Wincer’s D.A.R.Y.L. and Jean Cocteau’s Le Sang d’un poète.
Index:
Hitchcock, Alfred
Wincer, Simon
Lewis, Jerry
Cocteau, Jean
Rear Window (1954)
Spellbound (1945)
Nutty Professor, The (1963)
D.A.R.Y.L. (1985)
Sang d’un poète, Le (1931)
Psychologie ~ Psychology
#168
Valley, Richard: The Hayes office: John Michael Hayes. In: Scarlet Street 1996. No. 21. [Winter] pp. 90-94, 97.
Description:
Interview with the scriptwriter on his work for Hitchcock’s Rear Window, To Catch a Thief and The Trouble with Harry.
Index:
Hayes, John Michael
Hitchcock, Alfred
Rear Window (1954)
To Catch a Thief (1955)
Trouble with Harry, The (1955)
#169
van Uffelen, René: Op de montagetafel: de mooiste kus uit de filmgeschiedenis. In: Skrien 32. 2000. No. 9(?N). [November] pp. 23-25.
Description:
On the kissing scene in Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
#170
Verstraten, Paul: Close-up: Grace Kelly en James Stewart in Rear Window van Alfred Hitchcock. In: Skrien 1987. No. 154. [Summer] p. 25.
Index:
Hitchcock, Alfred
Kelly, Grace
Stewart, James
Rear Window (1954)
#171
Verstraten, Paul: The essential Hitchcock: Een fragmentarische rekonstrucktie als aperitief. In: Skrien 1984. No. 135. [April/May] pp. 15-19.
Index:
Hitchcock, Alfred
Rear Window (1954)
Vertigo (1958)
#172
von Bagh, Peter: Hitchcock takaikkunasta. In: Filmihullu 1983. No. 6. [?D] pp. 4-6.
Index:
Hitchcock, Alfred
Rear Window (1954)
#173
Voyeur-Thriller. In: Thriller: Kino, das an den Nerven zerrt: Verhängnisvolle Affären, manische Psychopathen und ultracoole Cops. Hrsg. von Dirk Manthey und Jörg Altendorf. Redaktion: Willy Loderhose. Autoren: Adolf Heinzelmeier und Tilo Knops. - Hamburg: Kino Verlag 1991. (= Cinema Filmbuch.) pp. 110-115.
Description:
Discusses, among others, David Lynch’s Blue Velvet and Alfred Hitchcock’s Rear Window.
Index:
Lynch, David
Hitchcock, Alfred
Blue Velvet (1986)
Rear Window (1954)
Psychologie ~ Psychology
Thriller ~ Thriller
#174
Weinstock, J.: 5 minutes to Alexanderplatz. In: Camera Obscura 1991. No. 27. [September] pp. 76-87.
Description:
On two Berlin exhibitions on voyeurism. Discusses, among others, Hitchcocks Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
Berlin ~ Berlin
#175
Westerbeck Jr., C. L.: The waning: Kubrick’s grandiose hotel. In: Commonweal 111. 1984. No. ?N. [January 27] pp. 49-50.
Index:
Hitchcock, Alfred
Rear Window (1954)
#176
Wharton, Dennis: Stewart loses Window ruling. In: Variety 339. 1990. No. ?N. [April 25] p. 4.
Index:
Hitchcock, Alfred
Rear Window (1954)
#177
Wharton, Dennis: Studios’ profits from rereleased pix could go out the Rear Window. In: Variety 338. 1990. No. ?N. [January 17] p. 24.
Index:
Hitchcock, Alfred
Rear Window (1954)
#178
Wilson, Judith: Court ruling may limit movie classics. In: Classic Images 1990. No. 180. [June] p. 4.
Index:
Hitchcock, Alfred
Rear Window (1954)
#179
Wondra, Janet Clare: American medusa, American sphinx: The female gaze and knowledge in modern fiction and film. - Baton Rouge, Louisiana: Louisiana State University and Agricultural & Mechanical College, Ph.D. 1998. [Abstract in: Dissertation Abstracts International A 59. 1998. No. 2. [August] p. 490.]
Description:
Discusses, among others, Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
USA (United States of America) ~ USA (United States of America)
Frauen ~ Women
#180
Wood, Robin: Att se Fåglarna och Marnie genom Fönstret åt garden In: Filmhäftet 27. 1999. No. 108. [?D] pp. 46-52.
Description:
Psychoanalytic interpretation of the Hitchcock films The Birds, Marnie and Rear Window.
Index:
Hitchcock, Alfred
Birds, The (1962)
Marnie (1963/1964)
Rear Window (1954)
Psychologie ~ Psychology
#181
Wood, Robin: Fear of spying. In: American Film 9. 1983. No. 2. [November] pp. 28-35.
Description:
Psychoanalytic analysis of Alfred Hitchcock’s Vertigo and Rear Window.
Index:
Hitchcock, Alfred
Vertigo (1958)
Rear Window (1954)
Psychologie ~ Psychology
Angst ~ Fear
#182
Wood, Robin: Looking at The Birds and Marnie through the Rear Window. In: Cineaction 1999. No. 50. [?D] pp. 80-85.
Description:
Psychoanalytic interpretation of the three Hitchcock films.
Index:
Hitchcock, Alfred
Birds, The (1962)
Marnie (1963/1964)
Rear Window (1954)
Psychologie ~ Psychology
#183
Woodcock, John M.: The name dropper. In: The American Screenwriter 40. 1990. No. 2. [?D] pp. 36-37.
Index:
Hitchcock, Alfred
Rear Window (1954)
#184
Woodcock, John M.: The name dropper: Alfred Hitchcock. In: The American Screenwriter 40. 1990. No. 3. [?D] pp. 32-33.
Index:
Hitchcock, Alfred
Rear Window (1954)
#185
Yau, Ka-Fai: Recon-figuration: Revisiting modernity and reality in Deleuze’s taxonomy of cinema. In: Wide Angle 20. 1998. No. 4. [?D] pp. 51-74.
Description:
Discusses, among others, Alfred Hitchcock’s Rear Window.
Index:
Hitchcock, Alfred
Rear Window (1954)
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