The literature list indexes sources from different countries in different languages. In principle the original spelling of each language was kept including its special characters. |info| Film, literature and music titles cited in the literature list are shown in italics. |info|
literature list on: Rhytmus 21 / Film ist Rhythmus (1921-1923)
number of items: 3
| ?O | City of publication unknown |
| ?V | Publishing company unknown |
| ?J | Year of publication unknown |
| ?N | Issue number unknown |
| ?G | Volume number unknown |
| ?D | Date of publication unknown |
| ?P | Number of pages unknown |
| ?R | Series number unknown |
#1
Gerle, Jörg: Der absolute Film. In: Film-Dienst 61. 2008. No. 13. [June 19] p. 39.
Description:
On a compilation of avant-garde films shown at the Berlin "UFA-Palast" in november 1925. The compilation contains Ballet mécanique by Fernand Léger and Dudley Murphy, Viking Eggeling’s Symphonie diagonale, Hans Richter’s Film ist Rhythmus, René Clair’s Entr’acte, Walter Ruttmann’s Opus II, Opus III and Opus IV and Ludwig Hirschfeld-Macks’s Reflektorische Farbenlichtspiele: Sonate und Kreuzspiel.
Index:
Léger, Fernand
Murphy, Dudley
Eggeling, Viking
Richter, Hans
Chomette, René [Pseudonym: Clair, René]
Ruttmann, Walter
Hirschfeld-Macks, Ludwig
absolute Film, Der (1925)
Ballet mécanique (1924)
Symphonie diagonale (1924)
Rhytmus 21 / Film ist Rhythmus (1921-1923)
Entr’acte (1924)
Opus II (1921)
Opus III (1924)
Opus IV (1925)
Reflektorische Farbenlichtspiele: Sonate und Kreuzspiel (1922/1923)
UFA ~ UFA
Experimentalfilme ~ Experimental Films
Berlin ~ Berlin
#2
Hans Richters Rhythmus 21: Schlüsselfilm der Moderne. Forschungsnetzwerk BTWH. Hrsg. von Christoph Bareither [et al.]. - Würzburg: Königshausen & Neumann 2012.
Reviews:
Kirsten, Karina: [untitled.] In: Medienwissenschaft 2013. No. 3. pp. 321-322.
Description:
Texts partly in German, partly in English.
Index:
Richter, Hans
Rhytmus 21 / Film ist Rhythmus (1921-1923)
#3
Schmidt, Oliver: Die räumliche Wahrnehmung von Wirklichkeit: Drei Anmerkungen zum Verhältnis von filmischer Repräsentation und Zuschauer. In: Rabbit Eye 2010. No. 2. pp. 38-54.
Description:
Discusses, among others, Stanley Kubrick’s 2001 - A Space Odyssey, Gary Nelson’s The Black Hole, Tarsem Singh’s The Cell, Robert Zemeckis’s Contact, Christopher Nolan’s Inception, The Matrix by Andy and Larry Wachowski, David Lynch’s Mulholland Drive, Hans Richter’s Rhytmus 21 / Film ist Rhythmus, Sin City, Kerry Conran’s Sky Captain and the World of Tomorrow, James Cameron’s Titanic, Vincent Ward’s What Dreams May Come, David Lynch’s Wild at Heart as well as the Star Trek TV series.
Index:
Kubrick, Stanley
Nelson, Gary
Singh, Tarsem
Zemeckis, Robert
Nolan, Christopher
Wachowski, Andy
Wachowski, Larry
Lynch, David
Richter, Hans
Miller, Frank
Rodriguez, Robert
Tarantino, Quentin
Conran, Kerry
Cameron, James
Ward, Vincent
Lynch, David
2001 - A Space Odyssey (1968)
Black Hole, The (1979)
Cell, The (2000)
Contact (1997)
Inception (2010)
Matrix, The (1999)
Mulholland Drive (2001)
Rhytmus 21 / Film ist Rhythmus (1921-1923)
Sin City / Frank Miller’s Sin City (2005)
Sky Captain and the World of Tomorrow (2004)
Titanic (1997)
What Dreams May Come (1998)
Wild at Heart (1990)
Star Trek (TV)
Fernsehen ~ Television
This literature list was generated on Thursday, April 18, 2024
Do You have problems creating a proper list result or do You have a special inquiry? Then please let me know.
If You found mistakes or bugs, if You have any questions not answered at the faq site or if You know literature titles related to Your search that are not yet mentioned in the "Bibliography of Fantastic Film" feel free to send me an email with Your suggestions.
